1
00:00:33,840 --> 00:00:34,192
[BREATHING HEAVILY
AND COUGHING]

2
00:00:34,200 --> 00:00:34,552
[BREATHING HEAVILY
AND COUGHING]

3
00:00:34,560 --> 00:00:34,912
[BREATHING HEAVILY
AND COUGHING]

4
00:00:34,920 --> 00:00:35,272
[BREATHING HEAVILY
AND COUGHING]

5
00:00:35,280 --> 00:00:35,632
[BREATHING HEAVILY
AND COUGHING]

6
00:00:35,640 --> 00:00:35,992
[BREATHING HEAVILY
AND COUGHING]

7
00:00:36,000 --> 00:00:36,352
[BREATHING HEAVILY
AND COUGHING]

8
00:00:36,360 --> 00:00:37,679
[BREATHING HEAVILY
AND COUGHING]

9
00:00:49,480 --> 00:00:49,832
[GRUNTING]

10
00:00:49,840 --> 00:00:50,955
[GRUNTING]

11
00:01:14,720 --> 00:01:15,072
[BREATHING HEAVILY]

12
00:01:15,080 --> 00:01:15,432
[BREATHING HEAVILY]

13
00:01:15,440 --> 00:01:15,792
[BREATHING HEAVILY]

14
00:01:15,800 --> 00:01:16,152
[BREATHING HEAVILY]

15
00:01:16,160 --> 00:01:17,195
[BREATHING HEAVILY]

16
00:01:21,640 --> 00:01:21,992
It's...

17
00:01:22,000 --> 00:01:23,115
It's...

18
00:01:23,720 --> 00:01:24,072
ANNOUNCER:
Monty Python's Flying Circus.

19
00:01:24,080 --> 00:01:24,432
ANNOUNCER:
Monty Python's Flying Circus.

20
00:01:24,440 --> 00:01:24,792
ANNOUNCER:
Monty Python's Flying Circus.

21
00:01:24,800 --> 00:01:25,152
ANNOUNCER:
Monty Python's Flying Circus.

22
00:01:25,160 --> 00:01:25,512
ANNOUNCER:
Monty Python's Flying Circus.

23
00:01:25,520 --> 00:01:25,872
ANNOUNCER:
Monty Python's Flying Circus.

24
00:01:25,880 --> 00:01:26,949
ANNOUNCER:
Monty Python's Flying Circus.

25
00:01:27,160 --> 00:01:27,512
[my

26
00:01:27,520 --> 00:01:27,872
[my

27
00:01:27,880 --> 00:01:28,232
[my

28
00:01:28,240 --> 00:01:29,559
[my

29
00:01:59,760 --> 00:02:00,112
Good evening.

30
00:02:00,120 --> 00:02:01,348
Good evening.

31
00:02:01,760 --> 00:02:02,112
[PIG SQUEALING]

32
00:02:02,120 --> 00:02:03,269
[PIG SQUEALING]

33
00:02:12,480 --> 00:02:12,832
[PLAYING CLASSICAL MUSIC]

34
00:02:12,840 --> 00:02:13,192
[PLAYING CLASSICAL MUSIC]

35
00:02:13,200 --> 00:02:13,552
[PLAYING CLASSICAL MUSIC]

36
00:02:13,560 --> 00:02:13,912
[PLAYING CLASSICAL MUSIC]

37
00:02:13,920 --> 00:02:14,955
[PLAYING CLASSICAL MUSIC]

38
00:02:18,680 --> 00:02:19,032
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

39
00:02:19,040 --> 00:02:19,392
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

40
00:02:19,400 --> 00:02:19,752
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

41
00:02:19,760 --> 00:02:20,112
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

42
00:02:20,120 --> 00:02:20,472
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

43
00:02:20,480 --> 00:02:20,832
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

44
00:02:20,840 --> 00:02:21,192
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

45
00:02:21,200 --> 00:02:22,519
[WITH AUSTRIAN ACCENT]
Hello again, and welcome to the show.

46
00:02:22,680 --> 00:02:23,032
Tonight we continue
to look at some famous deaths.

47
00:02:23,040 --> 00:02:23,392
Tonight we continue
to look at some famous deaths.

48
00:02:23,400 --> 00:02:23,752
Tonight we continue
to look at some famous deaths.

49
00:02:23,760 --> 00:02:24,112
Tonight we continue
to look at some famous deaths.

50
00:02:24,120 --> 00:02:24,472
Tonight we continue
to look at some famous deaths.

51
00:02:24,480 --> 00:02:24,832
Tonight we continue
to look at some famous deaths.

52
00:02:24,840 --> 00:02:25,192
Tonight we continue
to look at some famous deaths.

53
00:02:25,200 --> 00:02:25,552
Tonight we continue
to look at some famous deaths.

54
00:02:25,560 --> 00:02:25,912
Tonight we continue
to look at some famous deaths.

55
00:02:25,920 --> 00:02:26,272
Tonight we continue
to look at some famous deaths.

56
00:02:26,280 --> 00:02:26,632
Tonight we continue
to look at some famous deaths.

57
00:02:26,640 --> 00:02:27,675
Tonight we continue
to look at some famous deaths.

58
00:02:27,840 --> 00:02:28,192
Tonight we start
with the wonderful death

59
00:02:28,200 --> 00:02:28,552
Tonight we start
with the wonderful death

60
00:02:28,560 --> 00:02:28,912
Tonight we start
with the wonderful death

61
00:02:28,920 --> 00:02:29,272
Tonight we start
with the wonderful death

62
00:02:29,280 --> 00:02:29,632
Tonight we start
with the wonderful death

63
00:02:29,640 --> 00:02:29,992
Tonight we start
with the wonderful death

64
00:02:30,000 --> 00:02:31,149
Tonight we start
with the wonderful death

65
00:02:31,360 --> 00:02:31,712
of Genghis Khan,
conqueror of India.

66
00:02:31,720 --> 00:02:32,072
of Genghis Khan,
conqueror of India.

67
00:02:32,080 --> 00:02:32,432
of Genghis Khan,
conqueror of India.

68
00:02:32,440 --> 00:02:32,792
of Genghis Khan,
conqueror of India.

69
00:02:32,800 --> 00:02:33,152
of Genghis Khan,
conqueror of India.

70
00:02:33,160 --> 00:02:33,512
of Genghis Khan,
conqueror of India.

71
00:02:33,520 --> 00:02:33,872
of Genghis Khan,
conqueror of India.

72
00:02:33,880 --> 00:02:34,232
of Genghis Khan,
conqueror of India.

73
00:02:34,240 --> 00:02:35,559
of Genghis Khan,
conqueror of India.

74
00:02:35,760 --> 00:02:36,112
Take it away, Genghis.

75
00:02:36,120 --> 00:02:37,439
Take it away, Genghis.

76
00:02:38,320 --> 00:02:38,672
[my

77
00:02:38,680 --> 00:02:39,032
[my

78
00:02:39,040 --> 00:02:40,359
[my

79
00:02:55,520 --> 00:02:56,794
Ah!

80
00:02:57,960 --> 00:02:58,312
MAN:
Nine-point-one, 9.3, 9.1.

81
00:02:58,320 --> 00:02:58,672
MAN:
Nine-point-one, 9.3, 9.1.

82
00:02:58,680 --> 00:02:59,032
MAN:
Nine-point-one, 9.3, 9.1.

83
00:02:59,040 --> 00:02:59,392
MAN:
Nine-point-one, 9.3, 9.1.

84
00:02:59,400 --> 00:02:59,752
MAN:
Nine-point-one, 9.3, 9.1.

85
00:02:59,760 --> 00:03:00,112
MAN:
Nine-point-one, 9.3, 9.1.

86
00:03:00,120 --> 00:03:00,472
MAN:
Nine-point-one, 9.3, 9.1.

87
00:03:00,480 --> 00:03:00,832
MAN:
Nine-point-one, 9.3, 9.1.

88
00:03:00,840 --> 00:03:01,989
MAN:
Nine-point-one, 9.3, 9.1.

89
00:03:02,160 --> 00:03:02,512
That's 28.1 for Genghis Khan.

90
00:03:02,520 --> 00:03:02,872
That's 28.1 for Genghis Khan.

91
00:03:02,880 --> 00:03:03,232
That's 28.1 for Genghis Khan.

92
00:03:03,240 --> 00:03:03,592
That's 28.1 for Genghis Khan.

93
00:03:03,600 --> 00:03:03,952
That's 28.1 for Genghis Khan.

94
00:03:03,960 --> 00:03:05,154
That's 28.1 for Genghis Khan.

95
00:03:06,040 --> 00:03:07,314
Bad luck, Genghis.

96
00:03:07,480 --> 00:03:07,832
Nice to have you on the show.

97
00:03:07,840 --> 00:03:08,192
Nice to have you on the show.

98
00:03:08,200 --> 00:03:09,394
Nice to have you on the show.

99
00:03:09,560 --> 00:03:09,912
And now, here are the scores.

100
00:03:09,920 --> 00:03:10,272
And now, here are the scores.

101
00:03:10,280 --> 00:03:10,632
And now, here are the scores.

102
00:03:10,640 --> 00:03:11,868
And now, here are the scores.

103
00:03:12,240 --> 00:03:12,592
Well, there you can
see the scores, now.

104
00:03:12,600 --> 00:03:12,952
Well, there you can
see the scores, now.

105
00:03:12,960 --> 00:03:14,109
Well, there you can
see the scores, now.

106
00:03:14,280 --> 00:03:14,632
St. Stephen in the lead
there, with his stoning.

107
00:03:14,640 --> 00:03:14,992
St. Stephen in the lead
there, with his stoning.

108
00:03:15,000 --> 00:03:15,352
St. Stephen in the lead
there, with his stoning.

109
00:03:15,360 --> 00:03:15,712
St. Stephen in the lead
there, with his stoning.

110
00:03:15,720 --> 00:03:16,755
St. Stephen in the lead
there, with his stoning.

111
00:03:16,920 --> 00:03:17,272
Then comes King Richard
III at Bosworth Field.

112
00:03:17,280 --> 00:03:17,632
Then comes King Richard
III at Bosworth Field.

113
00:03:17,640 --> 00:03:17,992
Then comes King Richard
III at Bosworth Field.

114
00:03:18,000 --> 00:03:18,352
Then comes King Richard
III at Bosworth Field.

115
00:03:18,360 --> 00:03:18,712
Then comes King Richard
III at Bosworth Field.

116
00:03:18,720 --> 00:03:19,072
Then comes King Richard
III at Bosworth Field.

117
00:03:19,080 --> 00:03:20,115
Then comes King Richard
III at Bosworth Field.

118
00:03:20,280 --> 00:03:21,554
A grand death, that.

119
00:03:21,720 --> 00:03:22,072
Then the very lovely
Jean d'Arc.

120
00:03:22,080 --> 00:03:22,432
Then the very lovely
Jean d'Arc.

121
00:03:22,440 --> 00:03:23,634
Then the very lovely
Jean d'Arc.

122
00:03:23,800 --> 00:03:24,152
Then Marat in his bath.

123
00:03:24,160 --> 00:03:24,512
Then Marat in his bath.

124
00:03:24,520 --> 00:03:24,872
Then Marat in his bath.

125
00:03:24,880 --> 00:03:26,154
Then Marat in his bath.

126
00:03:26,360 --> 00:03:26,712
Best of friends with Charlotte
in the showers afterwards.

127
00:03:26,720 --> 00:03:27,072
Best of friends with Charlotte
in the showers afterwards.

128
00:03:27,080 --> 00:03:27,432
Best of friends with Charlotte
in the showers afterwards.

129
00:03:27,440 --> 00:03:27,792
Best of friends with Charlotte
in the showers afterwards.

130
00:03:27,800 --> 00:03:28,152
Best of friends with Charlotte
in the showers afterwards.

131
00:03:28,160 --> 00:03:29,513
Best of friends with Charlotte
in the showers afterwards.

132
00:03:29,680 --> 00:03:30,032
Then A. Lincoln of the US. of A.
A grand little chap, that.

133
00:03:30,040 --> 00:03:30,392
Then A. Lincoln of the US. of A.
A grand little chap, that.

134
00:03:30,400 --> 00:03:30,752
Then A. Lincoln of the US. of A.
A grand little chap, that.

135
00:03:30,760 --> 00:03:31,112
Then A. Lincoln of the US. of A.
A grand little chap, that.

136
00:03:31,120 --> 00:03:31,472
Then A. Lincoln of the US. of A.
A grand little chap, that.

137
00:03:31,480 --> 00:03:32,549
Then A. Lincoln of the US. of A.
A grand little chap, that.

138
00:03:32,760 --> 00:03:33,112
And at number six,
Genghis Khan.

139
00:03:33,120 --> 00:03:33,472
And at number six,
Genghis Khan.

140
00:03:33,480 --> 00:03:33,832
And at number six,
Genghis Khan.

141
00:03:33,840 --> 00:03:34,955
And at number six,
Genghis Khan.

142
00:03:35,120 --> 00:03:35,472
And the back marker,
King Edward VII.

143
00:03:35,480 --> 00:03:35,832
And the back marker,
King Edward VII.

144
00:03:35,840 --> 00:03:36,192
And the back marker,
King Edward VII.

145
00:03:36,200 --> 00:03:36,552
And the back marker,
King Edward VII.

146
00:03:36,560 --> 00:03:37,834
And the back marker,
King Edward VII.

147
00:03:38,160 --> 00:03:39,388
Back to you, Wolfgang.

148
00:03:40,160 --> 00:03:40,512
Thank you, Eddie.

149
00:03:40,520 --> 00:03:40,872
Thank you, Eddie.

150
00:03:40,880 --> 00:03:42,154
Thank you, Eddie.

151
00:03:42,360 --> 00:03:42,712
And now,
time for this week's request death.

152
00:03:42,720 --> 00:03:43,072
And now,
time for this week's request death.

153
00:03:43,080 --> 00:03:43,432
And now,
time for this week's request death.

154
00:03:43,440 --> 00:03:43,792
And now,
time for this week's request death.

155
00:03:43,800 --> 00:03:44,152
And now,
time for this week's request death.

156
00:03:44,160 --> 00:03:44,512
And now,
time for this week's request death.

157
00:03:44,520 --> 00:03:44,872
And now,
time for this week's request death.

158
00:03:44,880 --> 00:03:46,029
And now,
time for this week's request death.

159
00:03:46,200 --> 00:03:46,552
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

160
00:03:46,560 --> 00:03:46,912
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

161
00:03:46,920 --> 00:03:47,272
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

162
00:03:47,280 --> 00:03:47,632
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

163
00:03:47,640 --> 00:03:47,992
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

164
00:03:48,000 --> 00:03:48,352
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

165
00:03:48,360 --> 00:03:48,712
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

166
00:03:48,720 --> 00:03:49,072
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

167
00:03:49,080 --> 00:03:49,432
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

168
00:03:49,440 --> 00:03:49,792
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

169
00:03:49,800 --> 00:03:50,152
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

170
00:03:50,160 --> 00:03:50,512
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

171
00:03:50,520 --> 00:03:50,872
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

172
00:03:50,880 --> 00:03:52,029
For Mr. and Mrs. Violet Stebbings
of 23 Wolverston Road, Hull,

173
00:03:52,200 --> 00:03:52,552
the death of Mr. Bruce Foster
of Guildford.

174
00:03:52,560 --> 00:03:52,912
the death of Mr. Bruce Foster
of Guildford.

175
00:03:52,920 --> 00:03:53,272
the death of Mr. Bruce Foster
of Guildford.

176
00:03:53,280 --> 00:03:53,632
the death of Mr. Bruce Foster
of Guildford.

177
00:03:53,640 --> 00:03:53,992
the death of Mr. Bruce Foster
of Guildford.

178
00:03:54,000 --> 00:03:54,352
the death of Mr. Bruce Foster
of Guildford.

179
00:03:54,360 --> 00:03:54,712
the death of Mr. Bruce Foster
of Guildford.

180
00:03:54,720 --> 00:03:55,072
the death of Mr. Bruce Foster
of Guildford.

181
00:03:55,080 --> 00:03:56,115
the death of Mr. Bruce Foster
of Guildford.

182
00:03:56,560 --> 00:03:56,912
[WHISTLING]

183
00:03:56,920 --> 00:03:57,272
[WHISTLING]

184
00:03:57,280 --> 00:03:57,632
[WHISTLING]

185
00:03:57,640 --> 00:03:58,755
[WHISTLING]

186
00:04:00,360 --> 00:04:01,475
Strewth!

187
00:04:01,640 --> 00:04:02,914
Argh!

188
00:04:04,400 --> 00:04:04,752
Oh, blimey, how time flies.

189
00:04:04,760 --> 00:04:05,112
Oh, blimey, how time flies.

190
00:04:05,120 --> 00:04:05,472
Oh, blimey, how time flies.

191
00:04:05,480 --> 00:04:05,832
Oh, blimey, how time flies.

192
00:04:05,840 --> 00:04:06,192
Oh, blimey, how time flies.

193
00:04:06,200 --> 00:04:06,552
Oh, blimey, how time flies.

194
00:04:06,560 --> 00:04:07,629
Oh, blimey, how time flies.

195
00:04:07,800 --> 00:04:08,152
Sadly, we are reaching the end
of yet another program

196
00:04:08,160 --> 00:04:08,512
Sadly, we are reaching the end
of yet another program

197
00:04:08,520 --> 00:04:08,872
Sadly, we are reaching the end
of yet another program

198
00:04:08,880 --> 00:04:09,232
Sadly, we are reaching the end
of yet another program

199
00:04:09,240 --> 00:04:09,592
Sadly, we are reaching the end
of yet another program

200
00:04:09,600 --> 00:04:09,952
Sadly, we are reaching the end
of yet another program

201
00:04:09,960 --> 00:04:11,154
Sadly, we are reaching the end
of yet another program

202
00:04:11,320 --> 00:04:11,672
and so it is finale time.

203
00:04:11,680 --> 00:04:12,032
and so it is finale time.

204
00:04:12,040 --> 00:04:12,392
and so it is finale time.

205
00:04:12,400 --> 00:04:12,752
and so it is finale time.

206
00:04:12,760 --> 00:04:13,112
and so it is finale time.

207
00:04:13,120 --> 00:04:14,269
and so it is finale time.

208
00:04:14,440 --> 00:04:14,792
We are proud
to be bringing to you

209
00:04:14,800 --> 00:04:15,152
We are proud
to be bringing to you

210
00:04:15,160 --> 00:04:15,512
We are proud
to be bringing to you

211
00:04:15,520 --> 00:04:15,872
We are proud
to be bringing to you

212
00:04:15,880 --> 00:04:16,232
We are proud
to be bringing to you

213
00:04:16,240 --> 00:04:17,559
We are proud
to be bringing to you

214
00:04:17,720 --> 00:04:18,072
one of the evergreen
bucket-kickers.

215
00:04:18,080 --> 00:04:18,432
one of the evergreen
bucket-kickers.

216
00:04:18,440 --> 00:04:18,792
one of the evergreen
bucket-kickers.

217
00:04:18,800 --> 00:04:19,152
one of the evergreen
bucket-kickers.

218
00:04:19,160 --> 00:04:19,512
one of the evergreen
bucket-kickers.

219
00:04:19,520 --> 00:04:19,872
one of the evergreen
bucket-kickers.

220
00:04:19,880 --> 00:04:21,199
one of the evergreen
bucket-kickers.

221
00:04:21,360 --> 00:04:21,712
Yes, the wonderful death

222
00:04:21,720 --> 00:04:22,072
Yes, the wonderful death

223
00:04:22,080 --> 00:04:22,432
Yes, the wonderful death

224
00:04:22,440 --> 00:04:22,792
Yes, the wonderful death

225
00:04:22,800 --> 00:04:23,869
Yes, the wonderful death

226
00:04:24,040 --> 00:04:24,392
of the famous English
Admiral Nelson.

227
00:04:24,400 --> 00:04:24,752
of the famous English
Admiral Nelson.

228
00:04:24,760 --> 00:04:25,112
of the famous English
Admiral Nelson.

229
00:04:25,120 --> 00:04:25,472
of the famous English
Admiral Nelson.

230
00:04:25,480 --> 00:04:25,832
of the famous English
Admiral Nelson.

231
00:04:25,840 --> 00:04:27,114
of the famous English
Admiral Nelson.

232
00:04:27,280 --> 00:04:27,632
NELSON:
Kiss me, Hardy!

233
00:04:27,640 --> 00:04:27,992
NELSON:
Kiss me, Hardy!

234
00:04:28,000 --> 00:04:28,352
NELSON:
Kiss me, Hardy!

235
00:04:28,360 --> 00:04:28,712
NELSON:
Kiss me, Hardy!

236
00:04:28,720 --> 00:04:29,072
NELSON:
Kiss me, Hardy!

237
00:04:29,080 --> 00:04:29,432
NELSON:
Kiss me, Hardy!

238
00:04:29,440 --> 00:04:30,589
NELSON:
Kiss me, Hardy!

239
00:04:32,000 --> 00:04:32,352
[PIG SQUEALING]

240
00:04:32,360 --> 00:04:33,395
[PIG SQUEALING]

241
00:04:43,760 --> 00:04:44,954
Good evening, everyone,

242
00:04:45,160 --> 00:04:45,512
and welcome to the second
of our Italian language classes

243
00:04:45,520 --> 00:04:45,872
and welcome to the second
of our Italian language classes

244
00:04:45,880 --> 00:04:46,232
and welcome to the second
of our Italian language classes

245
00:04:46,240 --> 00:04:46,592
and welcome to the second
of our Italian language classes

246
00:04:46,600 --> 00:04:46,952
and welcome to the second
of our Italian language classes

247
00:04:46,960 --> 00:04:48,154
and welcome to the second
of our Italian language classes

248
00:04:48,360 --> 00:04:48,712
in which we'll be helping you
brush up your Italian.

249
00:04:48,720 --> 00:04:49,072
in which we'll be helping you
brush up your Italian.

250
00:04:49,080 --> 00:04:49,432
in which we'll be helping you
brush up your Italian.

251
00:04:49,440 --> 00:04:49,792
in which we'll be helping you
brush up your Italian.

252
00:04:49,800 --> 00:04:50,152
in which we'll be helping you
brush up your Italian.

253
00:04:50,160 --> 00:04:51,229
in which we'll be helping you
brush up your Italian.

254
00:04:51,400 --> 00:04:51,752
Now, last week
we started at the beginning

255
00:04:51,760 --> 00:04:52,112
Now, last week
we started at the beginning

256
00:04:52,120 --> 00:04:52,472
Now, last week
we started at the beginning

257
00:04:52,480 --> 00:04:53,833
Now, last week
we started at the beginning

258
00:04:54,000 --> 00:04:54,352
and we learned the Italian
for "a spoon."

259
00:04:54,360 --> 00:04:54,712
and we learned the Italian
for "a spoon."

260
00:04:54,720 --> 00:04:55,072
and we learned the Italian
for "a spoon."

261
00:04:55,080 --> 00:04:55,432
and we learned the Italian
for "a spoon."

262
00:04:55,440 --> 00:04:55,792
and we learned the Italian
for "a spoon."

263
00:04:55,800 --> 00:04:56,152
and we learned the Italian
for "a spoon."

264
00:04:56,160 --> 00:04:57,388
and we learned the Italian
for "a spoon."

265
00:04:57,560 --> 00:04:57,912
Now, I wonder how many of you
can remember what it was.

266
00:04:57,920 --> 00:04:58,272
Now, I wonder how many of you
can remember what it was.

267
00:04:58,280 --> 00:04:59,599
Now, I wonder how many of you
can remember what it was.

268
00:05:00,000 --> 00:05:00,352
Not all at once.
Sit down, Mario. Giuseppe.

269
00:05:00,360 --> 00:05:00,712
Not all at once.
Sit down, Mario. Giuseppe.

270
00:05:00,720 --> 00:05:01,072
Not all at once.
Sit down, Mario. Giuseppe.

271
00:05:01,080 --> 00:05:01,432
Not all at once.
Sit down, Mario. Giuseppe.

272
00:05:01,440 --> 00:05:01,792
Not all at once.
Sit down, Mario. Giuseppe.

273
00:05:01,800 --> 00:05:03,028
Not all at once.
Sit down, Mario. Giuseppe.

274
00:05:03,200 --> 00:05:04,474
[SPEAKING IN ITALIAN]

275
00:05:04,640 --> 00:05:05,755
Well done, Giuseppe.

276
00:05:05,960 --> 00:05:06,312
Or, as the Italians would say:

277
00:05:06,320 --> 00:05:07,355
Or, as the Italians would say:

278
00:05:07,520 --> 00:05:07,872
[SPEAKING IN ITALIAN]

279
00:05:07,880 --> 00:05:09,029
[SPEAKING IN ITALIAN]

280
00:05:09,240 --> 00:05:09,592
[SPEAKING IN ITALIAN]

281
00:05:09,600 --> 00:05:09,952
[SPEAKING IN ITALIAN]

282
00:05:09,960 --> 00:05:10,312
[SPEAKING IN ITALIAN]

283
00:05:10,320 --> 00:05:10,672
[SPEAKING IN ITALIAN]

284
00:05:10,680 --> 00:05:11,749
[SPEAKING IN ITALIAN]

285
00:05:14,160 --> 00:05:15,309
Well, now, this week

286
00:05:15,480 --> 00:05:15,832
we're going to learn
some useful phrases

287
00:05:15,840 --> 00:05:16,192
we're going to learn
some useful phrases

288
00:05:16,200 --> 00:05:17,315
we're going to learn
some useful phrases

289
00:05:17,480 --> 00:05:17,832
to help us open a conversation
with an Italian.

290
00:05:17,840 --> 00:05:18,192
to help us open a conversation
with an Italian.

291
00:05:18,200 --> 00:05:18,552
to help us open a conversation
with an Italian.

292
00:05:18,560 --> 00:05:18,912
to help us open a conversation
with an Italian.

293
00:05:18,920 --> 00:05:19,272
to help us open a conversation
with an Italian.

294
00:05:19,280 --> 00:05:19,632
to help us open a conversation
with an Italian.

295
00:05:19,640 --> 00:05:19,992
to help us open a conversation
with an Italian.

296
00:05:20,000 --> 00:05:20,352
to help us open a conversation
with an Italian.

297
00:05:20,360 --> 00:05:21,475
to help us open a conversation
with an Italian.

298
00:05:21,760 --> 00:05:22,112
Now, first of all,
try telling him where you come from.

299
00:05:22,120 --> 00:05:22,472
Now, first of all,
try telling him where you come from.

300
00:05:22,480 --> 00:05:22,832
Now, first of all,
try telling him where you come from.

301
00:05:22,840 --> 00:05:23,192
Now, first of all,
try telling him where you come from.

302
00:05:23,200 --> 00:05:23,552
Now, first of all,
try telling him where you come from.

303
00:05:23,560 --> 00:05:24,754
Now, first of all,
try telling him where you come from.

304
00:05:24,960 --> 00:05:25,312
For example, I would say:

305
00:05:25,320 --> 00:05:26,389
For example, I would say:

306
00:05:26,560 --> 00:05:26,912
[SPEAKING IN ITALIAN]

307
00:05:26,920 --> 00:05:27,272
[SPEAKING IN ITALIAN]

308
00:05:27,280 --> 00:05:27,632
[SPEAKING IN ITALIAN]

309
00:05:27,640 --> 00:05:27,992
[SPEAKING IN ITALIAN]

310
00:05:28,000 --> 00:05:28,352
[SPEAKING IN ITALIAN]

311
00:05:28,360 --> 00:05:28,712
[SPEAKING IN ITALIAN]

312
00:05:28,720 --> 00:05:29,072
[SPEAKING IN ITALIAN]

313
00:05:29,080 --> 00:05:30,149
[SPEAKING IN ITALIAN]

314
00:05:30,320 --> 00:05:30,672
I am an Englishman
from Gerrards Cross.

315
00:05:30,680 --> 00:05:31,032
I am an Englishman
from Gerrards Cross.

316
00:05:31,040 --> 00:05:32,393
I am an Englishman
from Gerrards Cross.

317
00:05:32,600 --> 00:05:32,952
Shall we all try that together?

318
00:05:32,960 --> 00:05:33,312
Shall we all try that together?

319
00:05:33,320 --> 00:05:33,672
Shall we all try that together?

320
00:05:33,680 --> 00:05:34,715
Shall we all try that together?

321
00:05:34,880 --> 00:05:35,232
[ALL SPEAKING IN ITALIAN]

322
00:05:35,240 --> 00:05:35,592
[ALL SPEAKING IN ITALIAN]

323
00:05:35,600 --> 00:05:35,952
[ALL SPEAKING IN ITALIAN]

324
00:05:35,960 --> 00:05:36,312
[ALL SPEAKING IN ITALIAN]

325
00:05:36,320 --> 00:05:36,672
[ALL SPEAKING IN ITALIAN]

326
00:05:36,680 --> 00:05:37,032
[ALL SPEAKING IN ITALIAN]

327
00:05:37,040 --> 00:05:37,392
[ALL SPEAKING IN ITALIAN]

328
00:05:37,400 --> 00:05:38,719
[ALL SPEAKING IN ITALIAN]

329
00:05:39,040 --> 00:05:39,392
Not too bad. Now let's try it
with somebody else.

330
00:05:39,400 --> 00:05:39,752
Not too bad. Now let's try it
with somebody else.

331
00:05:39,760 --> 00:05:40,112
Not too bad. Now let's try it
with somebody else.

332
00:05:40,120 --> 00:05:41,394
Not too bad. Now let's try it
with somebody else.

333
00:05:41,560 --> 00:05:42,879
Mr...?
Mariolini.

334
00:05:43,320 --> 00:05:43,672
Mr. Mariolini.
And where are you from?

335
00:05:43,680 --> 00:05:44,032
Mr. Mariolini.
And where are you from?

336
00:05:44,040 --> 00:05:45,189
Mr. Mariolini.
And where are you from?

337
00:05:45,360 --> 00:05:45,712
Napoli, Signor.

338
00:05:45,720 --> 00:05:46,072
Napoli, Signor.

339
00:05:46,080 --> 00:05:47,274
Napoli, Signor.

340
00:05:47,440 --> 00:05:47,792
You're Italian?
Si. Si, Si.

341
00:05:47,800 --> 00:05:48,152
You're Italian?
Si. Si, Si.

342
00:05:48,160 --> 00:05:49,354
You're Italian?
Si. Si, Si.

343
00:05:49,520 --> 00:05:49,872
Well, in that case, you would say:

344
00:05:49,880 --> 00:05:50,232
Well, in that case, you would say:

345
00:05:50,240 --> 00:05:51,434
Well, in that case, you would say:

346
00:05:51,640 --> 00:05:51,992
[SPEAKING IN ITALIAN]

347
00:05:52,000 --> 00:05:52,352
[SPEAKING IN ITALIAN]

348
00:05:52,360 --> 00:05:52,712
[SPEAKING IN ITALIAN]

349
00:05:52,720 --> 00:05:54,073
[SPEAKING IN ITALIAN]

350
00:05:54,280 --> 00:05:54,632
[MARIOLINI SPEAKS IN ITALIAN]

351
00:05:54,640 --> 00:05:55,709
[MARIOLINI SPEAKS IN ITALIAN]

352
00:05:55,880 --> 00:05:57,154
[FRANCESCO SPEAKS IN ITALIAN]

353
00:05:57,320 --> 00:05:58,309
Yes?

354
00:05:58,480 --> 00:05:58,832
[SPEAKS IN ITALIAN]

355
00:05:58,840 --> 00:05:59,192
[SPEAKS IN ITALIAN]

356
00:05:59,200 --> 00:05:59,552
[SPEAKS IN ITALIAN]

357
00:05:59,560 --> 00:05:59,912
[SPEAKS IN ITALIAN]

358
00:05:59,920 --> 00:06:00,272
[SPEAKS IN ITALIAN]

359
00:06:00,280 --> 00:06:00,632
[SPEAKS IN ITALIAN]

360
00:06:00,640 --> 00:06:00,992
[SPEAKS IN ITALIAN]

361
00:06:01,000 --> 00:06:01,352
[SPEAKS IN ITALIAN]

362
00:06:01,360 --> 00:06:01,712
[SPEAKS IN ITALIAN]

363
00:06:01,720 --> 00:06:02,072
[SPEAKS IN ITALIAN]

364
00:06:02,080 --> 00:06:02,432
[SPEAKS IN ITALIAN]

365
00:06:02,440 --> 00:06:02,792
[SPEAKS IN ITALIAN]

366
00:06:02,800 --> 00:06:03,152
[SPEAKS IN ITALIAN]

367
00:06:03,160 --> 00:06:04,388
[SPEAKS IN ITALIAN]

368
00:06:05,560 --> 00:06:05,912
I'm sorry, I don't understand.

369
00:06:05,920 --> 00:06:06,989
I'm sorry, I don't understand.

370
00:06:08,840 --> 00:06:09,192
Signor, my friend,
he say, why--?

371
00:06:09,200 --> 00:06:09,552
Signor, my friend,
he say, why--?

372
00:06:09,560 --> 00:06:09,912
Signor, my friend,
he say, why--?

373
00:06:09,920 --> 00:06:10,989
Signor, my friend,
he say, why--?

374
00:06:11,160 --> 00:06:11,512
[SPEAKS IN GERMAN]

375
00:06:11,520 --> 00:06:12,748
[SPEAKS IN GERMAN]

376
00:06:13,320 --> 00:06:13,672
[SPEAKS IN GERMAN]

377
00:06:13,680 --> 00:06:14,032
[SPEAKS IN GERMAN]

378
00:06:14,040 --> 00:06:14,392
[SPEAKS IN GERMAN]

379
00:06:14,400 --> 00:06:14,752
[SPEAKS IN GERMAN]

380
00:06:14,760 --> 00:06:15,988
[SPEAKS IN GERMAN]

381
00:06:16,160 --> 00:06:16,512
Oh, Helmut,
you want the German classes.

382
00:06:16,520 --> 00:06:17,794
Oh, Helmut,
you want the German classes.

383
00:06:18,000 --> 00:06:18,352
[SPEAKS IN GERMAN]

384
00:06:18,360 --> 00:06:19,509
[SPEAKS IN GERMAN]

385
00:06:20,760 --> 00:06:21,112
[SPEAKS IN GERMAN]

386
00:06:21,120 --> 00:06:21,472
[SPEAKS IN GERMAN]

387
00:06:21,480 --> 00:06:21,832
[SPEAKS IN GERMAN]

388
00:06:21,840 --> 00:06:23,159
[SPEAKS IN GERMAN]

389
00:06:25,880 --> 00:06:26,232
My friend, he say--

390
00:06:26,240 --> 00:06:27,434
My friend, he say--

391
00:06:27,600 --> 00:06:27,952
He say, why must I say,
"I am Italian from Napoli"

392
00:06:27,960 --> 00:06:28,312
He say, why must I say,
"I am Italian from Napoli"

393
00:06:28,320 --> 00:06:28,672
He say, why must I say,
"I am Italian from Napoli"

394
00:06:28,680 --> 00:06:29,032
He say, why must I say,
"I am Italian from Napoli"

395
00:06:29,040 --> 00:06:29,392
He say, why must I say,
"I am Italian from Napoli"

396
00:06:29,400 --> 00:06:29,752
He say, why must I say,
"I am Italian from Napoli"

397
00:06:29,760 --> 00:06:30,795
He say, why must I say,
"I am Italian from Napoli"

398
00:06:30,960 --> 00:06:31,312
when he lives in Milan?

399
00:06:31,320 --> 00:06:32,548
when he lives in Milan?

400
00:06:33,000 --> 00:06:34,274
Oh. Well, tell your friend

401
00:06:34,440 --> 00:06:34,792
if he lives in Milan, he must say:

402
00:06:34,800 --> 00:06:35,152
if he lives in Milan, he must say:

403
00:06:35,160 --> 00:06:35,512
if he lives in Milan, he must say:

404
00:06:35,520 --> 00:06:36,714
if he lives in Milan, he must say:

405
00:06:36,920 --> 00:06:37,272
[SPEAKS IN ITALIAN]

406
00:06:37,280 --> 00:06:37,632
[SPEAKS IN ITALIAN]

407
00:06:37,640 --> 00:06:38,868
[SPEAKS IN ITALIAN]

408
00:06:39,080 --> 00:06:39,432
[SPEAKS IN ITALIAN]

409
00:06:39,440 --> 00:06:39,792
[SPEAKS IN ITALIAN]

410
00:06:39,800 --> 00:06:40,152
[SPEAKS IN ITALIAN]

411
00:06:40,160 --> 00:06:40,512
[SPEAKS IN ITALIAN]

412
00:06:40,520 --> 00:06:40,872
[SPEAKS IN ITALIAN]

413
00:06:40,880 --> 00:06:41,232
[SPEAKS IN ITALIAN]

414
00:06:41,240 --> 00:06:41,592
[SPEAKS IN ITALIAN]

415
00:06:41,600 --> 00:06:41,952
[SPEAKS IN ITALIAN]

416
00:06:41,960 --> 00:06:43,154
[SPEAKS IN ITALIAN]

417
00:06:45,680 --> 00:06:46,032
He say, "Milan is
better than Napoli."

418
00:06:46,040 --> 00:06:46,392
He say, "Milan is
better than Napoli."

419
00:06:46,400 --> 00:06:46,752
He say, "Milan is
better than Napoli."

420
00:06:46,760 --> 00:06:48,034
He say, "Milan is
better than Napoli."

421
00:06:48,200 --> 00:06:48,552
He shouldn't be saying that.
We haven't done comparatives yet.

422
00:06:48,560 --> 00:06:48,912
He shouldn't be saying that.
We haven't done comparatives yet.

423
00:06:48,920 --> 00:06:49,272
He shouldn't be saying that.
We haven't done comparatives yet.

424
00:06:49,280 --> 00:06:50,599
He shouldn't be saying that.
We haven't done comparatives yet.

425
00:06:50,960 --> 00:06:51,312
[ARGUING IN ITALIAN]

426
00:06:51,320 --> 00:06:51,672
[ARGUING IN ITALIAN]

427
00:06:51,680 --> 00:06:52,032
[ARGUING IN ITALIAN]

428
00:06:52,040 --> 00:06:52,392
[ARGUING IN ITALIAN]

429
00:06:52,400 --> 00:06:52,752
[ARGUING IN ITALIAN]

430
00:06:52,760 --> 00:06:53,112
[ARGUING IN ITALIAN]

431
00:06:53,120 --> 00:06:54,189
[ARGUING IN ITALIAN]

432
00:06:55,720 --> 00:06:56,072
[ARGUING IN ITALIAN]

433
00:06:56,080 --> 00:06:56,432
[ARGUING IN ITALIAN]

434
00:06:56,440 --> 00:06:56,792
[ARGUING IN ITALIAN]

435
00:06:56,800 --> 00:06:58,119
[ARGUING IN ITALIAN]

436
00:07:01,720 --> 00:07:02,755
[PIG SQUEALING]

437
00:07:05,160 --> 00:07:06,195
[PIG SQUEALING]

438
00:07:07,480 --> 00:07:07,832
[PIG SQUEALING]

439
00:07:07,840 --> 00:07:09,034
[PIG SQUEALING]

440
00:07:23,040 --> 00:07:23,392
ANNOUNCER: Yes, mothers,
new, improved Whizzo butter

441
00:07:23,400 --> 00:07:23,752
ANNOUNCER: Yes, mothers,
new, improved Whizzo butter

442
00:07:23,760 --> 00:07:24,954
ANNOUNCER: Yes, mothers,
new, improved Whizzo butter

443
00:07:25,120 --> 00:07:25,472
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

444
00:07:25,480 --> 00:07:25,832
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

445
00:07:25,840 --> 00:07:26,192
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

446
00:07:26,200 --> 00:07:26,552
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

447
00:07:26,560 --> 00:07:26,912
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

448
00:07:26,920 --> 00:07:27,272
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

449
00:07:27,280 --> 00:07:27,632
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

450
00:07:27,640 --> 00:07:27,992
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

451
00:07:28,000 --> 00:07:29,115
containing 10 percent more or less is
absolutely indistinguishable from a dead crab.

452
00:07:29,320 --> 00:07:29,672
Remember, buy Whizzo butter
and go to heaven.

453
00:07:29,680 --> 00:07:30,032
Remember, buy Whizzo butter
and go to heaven.

454
00:07:30,040 --> 00:07:30,392
Remember, buy Whizzo butter
and go to heaven.

455
00:07:30,400 --> 00:07:30,752
Remember, buy Whizzo butter
and go to heaven.

456
00:07:30,760 --> 00:07:31,112
Remember, buy Whizzo butter
and go to heaven.

457
00:07:31,120 --> 00:07:31,472
Remember, buy Whizzo butter
and go to heaven.

458
00:07:31,480 --> 00:07:32,674
Remember, buy Whizzo butter
and go to heaven.

459
00:07:32,840 --> 00:07:33,192
[my

460
00:07:33,200 --> 00:07:33,552
[my

461
00:07:33,560 --> 00:07:33,912
[my

462
00:07:33,920 --> 00:07:34,272
[my

463
00:07:34,280 --> 00:07:34,632
[my

464
00:07:34,640 --> 00:07:35,868
[my

465
00:07:36,040 --> 00:07:36,392
I can't tell the difference between
Whizzo butter and this dead crab.

466
00:07:36,400 --> 00:07:36,752
I can't tell the difference between
Whizzo butter and this dead crab.

467
00:07:36,760 --> 00:07:37,112
I can't tell the difference between
Whizzo butter and this dead crab.

468
00:07:37,120 --> 00:07:37,472
I can't tell the difference between
Whizzo butter and this dead crab.

469
00:07:37,480 --> 00:07:37,832
I can't tell the difference between
Whizzo butter and this dead crab.

470
00:07:37,840 --> 00:07:38,192
I can't tell the difference between
Whizzo butter and this dead crab.

471
00:07:38,200 --> 00:07:38,552
I can't tell the difference between
Whizzo butter and this dead crab.

472
00:07:38,560 --> 00:07:38,912
I can't tell the difference between
Whizzo butter and this dead crab.

473
00:07:38,920 --> 00:07:40,035
I can't tell the difference between
Whizzo butter and this dead crab.

474
00:07:40,200 --> 00:07:40,552
Yes, you know, we find that nine
out of 10 British housewives

475
00:07:40,560 --> 00:07:40,912
Yes, you know, we find that nine
out of 10 British housewives

476
00:07:40,920 --> 00:07:41,272
Yes, you know, we find that nine
out of 10 British housewives

477
00:07:41,280 --> 00:07:41,632
Yes, you know, we find that nine
out of 10 British housewives

478
00:07:41,640 --> 00:07:41,992
Yes, you know, we find that nine
out of 10 British housewives

479
00:07:42,000 --> 00:07:42,352
Yes, you know, we find that nine
out of 10 British housewives

480
00:07:42,360 --> 00:07:42,712
Yes, you know, we find that nine
out of 10 British housewives

481
00:07:42,720 --> 00:07:43,789
Yes, you know, we find that nine
out of 10 British housewives

482
00:07:43,960 --> 00:07:44,312
can't tell the difference between
Whizzo butter and a dead crab.

483
00:07:44,320 --> 00:07:44,672
can't tell the difference between
Whizzo butter and a dead crab.

484
00:07:44,680 --> 00:07:45,032
can't tell the difference between
Whizzo butter and a dead crab.

485
00:07:45,040 --> 00:07:45,392
can't tell the difference between
Whizzo butter and a dead crab.

486
00:07:45,400 --> 00:07:45,752
can't tell the difference between
Whizzo butter and a dead crab.

487
00:07:45,760 --> 00:07:46,112
can't tell the difference between
Whizzo butter and a dead crab.

488
00:07:46,120 --> 00:07:47,348
can't tell the difference between
Whizzo butter and a dead crab.

489
00:07:47,520 --> 00:07:47,872
It's true, we can't.
Yeah, we can't.

490
00:07:47,880 --> 00:07:48,232
It's true, we can't.
Yeah, we can't.

491
00:07:48,240 --> 00:07:48,592
It's true, we can't.
Yeah, we can't.

492
00:07:48,600 --> 00:07:48,952
It's true, we can't.
Yeah, we can't.

493
00:07:48,960 --> 00:07:50,188
It's true, we can't.
Yeah, we can't.

494
00:07:50,360 --> 00:07:50,712
No.
Here.

495
00:07:50,720 --> 00:07:51,914
No.
Here.

496
00:07:52,080 --> 00:07:52,432
You're on television,
aren't you?

497
00:07:52,440 --> 00:07:52,792
You're on television,
aren't you?

498
00:07:52,800 --> 00:07:53,835
You're on television,
aren't you?

499
00:07:54,000 --> 00:07:54,352
Yes, yes.

500
00:07:54,360 --> 00:07:55,509
Yes, yes.

501
00:07:55,720 --> 00:07:56,994
WOMEN:
Oh, yes. Yes.

502
00:07:57,160 --> 00:07:57,512
He does that thing
with those silly women

503
00:07:57,520 --> 00:07:57,872
He does that thing
with those silly women

504
00:07:57,880 --> 00:07:59,233
He does that thing
with those silly women

505
00:07:59,400 --> 00:07:59,752
who can't tell the difference between
Whizzo butter and a dead crab.

506
00:07:59,760 --> 00:08:00,112
who can't tell the difference between
Whizzo butter and a dead crab.

507
00:08:00,120 --> 00:08:00,472
who can't tell the difference between
Whizzo butter and a dead crab.

508
00:08:00,480 --> 00:08:00,832
who can't tell the difference between
Whizzo butter and a dead crab.

509
00:08:00,840 --> 00:08:01,192
who can't tell the difference between
Whizzo butter and a dead crab.

510
00:08:01,200 --> 00:08:01,552
who can't tell the difference between
Whizzo butter and a dead crab.

511
00:08:01,560 --> 00:08:01,912
who can't tell the difference between
Whizzo butter and a dead crab.

512
00:08:01,920 --> 00:08:02,272
who can't tell the difference between
Whizzo butter and a dead crab.

513
00:08:02,280 --> 00:08:02,632
who can't tell the difference between
Whizzo butter and a dead crab.

514
00:08:02,640 --> 00:08:03,834
who can't tell the difference between
Whizzo butter and a dead crab.

515
00:08:04,000 --> 00:08:04,352
You try that around here, young
man, and we'll slit your face.

516
00:08:04,360 --> 00:08:04,712
You try that around here, young
man, and we'll slit your face.

517
00:08:04,720 --> 00:08:05,072
You try that around here, young
man, and we'll slit your face.

518
00:08:05,080 --> 00:08:05,432
You try that around here, young
man, and we'll slit your face.

519
00:08:05,440 --> 00:08:05,792
You try that around here, young
man, and we'll slit your face.

520
00:08:05,800 --> 00:08:07,119
You try that around here, young
man, and we'll slit your face.

521
00:08:07,320 --> 00:08:07,672
WOMEN:
Yeah.

522
00:08:07,680 --> 00:08:08,795
WOMEN:
Yeah.

523
00:08:08,960 --> 00:08:09,312
Pull a razor from
there to there.

524
00:08:09,320 --> 00:08:10,469
Pull a razor from
there to there.

525
00:08:14,520 --> 00:08:14,872
Hello, good evening, and welcome
to another edition oflt’s the Arts.

526
00:08:14,880 --> 00:08:15,232
Hello, good evening, and welcome
to another edition oflt’s the Arts.

527
00:08:15,240 --> 00:08:15,592
Hello, good evening, and welcome
to another edition oflt’s the Arts.

528
00:08:15,600 --> 00:08:15,952
Hello, good evening, and welcome
to another edition oflt’s the Arts.

529
00:08:15,960 --> 00:08:16,312
Hello, good evening, and welcome
to another edition oflt’s the Arts.

530
00:08:16,320 --> 00:08:16,672
Hello, good evening, and welcome
to another edition oflt’s the Arts.

531
00:08:16,680 --> 00:08:17,032
Hello, good evening, and welcome
to another edition oflt’s the Arts.

532
00:08:17,040 --> 00:08:18,359
Hello, good evening, and welcome
to another edition oflt’s the Arts.

533
00:08:18,520 --> 00:08:18,872
And we kick off tonight
with the cinema.

534
00:08:18,880 --> 00:08:19,232
And we kick off tonight
with the cinema.

535
00:08:19,240 --> 00:08:19,592
And we kick off tonight
with the cinema.

536
00:08:19,600 --> 00:08:19,952
And we kick off tonight
with the cinema.

537
00:08:19,960 --> 00:08:20,995
And we kick off tonight
with the cinema.

538
00:08:22,120 --> 00:08:22,472
Good evening. One of the most prolific
of film producers of this age,

539
00:08:22,480 --> 00:08:22,832
Good evening. One of the most prolific
of film producers of this age,

540
00:08:22,840 --> 00:08:23,192
Good evening. One of the most prolific
of film producers of this age,

541
00:08:23,200 --> 00:08:23,552
Good evening. One of the most prolific
of film producers of this age,

542
00:08:23,560 --> 00:08:23,912
Good evening. One of the most prolific
of film producers of this age,

543
00:08:23,920 --> 00:08:24,272
Good evening. One of the most prolific
of film producers of this age,

544
00:08:24,280 --> 00:08:24,632
Good evening. One of the most prolific
of film producers of this age,

545
00:08:24,640 --> 00:08:24,992
Good evening. One of the most prolific
of film producers of this age,

546
00:08:25,000 --> 00:08:25,352
Good evening. One of the most prolific
of film producers of this age,

547
00:08:25,360 --> 00:08:25,712
Good evening. One of the most prolific
of film producers of this age,

548
00:08:25,720 --> 00:08:26,755
Good evening. One of the most prolific
of film producers of this age,

549
00:08:26,920 --> 00:08:27,272
or indeed any age

550
00:08:27,280 --> 00:08:28,633
or indeed any age

551
00:08:28,800 --> 00:08:30,074
is Sir Edward Ross

552
00:08:30,240 --> 00:08:30,592
back in this country for the
first time for five years

553
00:08:30,600 --> 00:08:30,952
back in this country for the
first time for five years

554
00:08:30,960 --> 00:08:31,312
back in this country for the
first time for five years

555
00:08:31,320 --> 00:08:32,514
back in this country for the
first time for five years

556
00:08:32,720 --> 00:08:33,072
to open a season of his works
at the National Film Theatre.

557
00:08:33,080 --> 00:08:33,432
to open a season of his works
at the National Film Theatre.

558
00:08:33,440 --> 00:08:33,792
to open a season of his works
at the National Film Theatre.

559
00:08:33,800 --> 00:08:34,152
to open a season of his works
at the National Film Theatre.

560
00:08:34,160 --> 00:08:34,512
to open a season of his works
at the National Film Theatre.

561
00:08:34,520 --> 00:08:35,669
to open a season of his works
at the National Film Theatre.

562
00:08:35,840 --> 00:08:36,192
We are very fortunate to have him with
us here, in the studio, this evening.

563
00:08:36,200 --> 00:08:36,552
We are very fortunate to have him with
us here, in the studio, this evening.

564
00:08:36,560 --> 00:08:36,912
We are very fortunate to have him with
us here, in the studio, this evening.

565
00:08:36,920 --> 00:08:37,272
We are very fortunate to have him with
us here, in the studio, this evening.

566
00:08:37,280 --> 00:08:37,632
We are very fortunate to have him with
us here, in the studio, this evening.

567
00:08:37,640 --> 00:08:38,959
We are very fortunate to have him with
us here, in the studio, this evening.

568
00:08:39,960 --> 00:08:40,312
Good evening.
Edward--

569
00:08:40,320 --> 00:08:40,672
Good evening.
Edward--

570
00:08:40,680 --> 00:08:41,715
Good evening.
Edward--

571
00:08:41,880 --> 00:08:42,232
You don't mind if I call you Edward?
No, not at all.

572
00:08:42,240 --> 00:08:42,592
You don't mind if I call you Edward?
No, not at all.

573
00:08:42,600 --> 00:08:42,952
You don't mind if I call you Edward?
No, not at all.

574
00:08:42,960 --> 00:08:43,312
You don't mind if I call you Edward?
No, not at all.

575
00:08:43,320 --> 00:08:44,355
You don't mind if I call you Edward?
No, not at all.

576
00:08:44,520 --> 00:08:44,872
It does worry some people. I don't know
why. Perhaps they're a little sensitive.

577
00:08:44,880 --> 00:08:45,232
It does worry some people. I don't know
why. Perhaps they're a little sensitive.

578
00:08:45,240 --> 00:08:45,592
It does worry some people. I don't know
why. Perhaps they're a little sensitive.

579
00:08:45,600 --> 00:08:45,952
It does worry some people. I don't know
why. Perhaps they're a little sensitive.

580
00:08:45,960 --> 00:08:46,312
It does worry some people. I don't know
why. Perhaps they're a little sensitive.

581
00:08:46,320 --> 00:08:47,514
It does worry some people. I don't know
why. Perhaps they're a little sensitive.

582
00:08:47,680 --> 00:08:48,032
So I do take the precaution of asking
on these occasions.

583
00:08:48,040 --> 00:08:48,392
So I do take the precaution of asking
on these occasions.

584
00:08:48,400 --> 00:08:48,752
So I do take the precaution of asking
on these occasions.

585
00:08:48,760 --> 00:08:49,112
So I do take the precaution of asking
on these occasions.

586
00:08:49,120 --> 00:08:50,189
So I do take the precaution of asking
on these occasions.

587
00:08:50,720 --> 00:08:51,072
No, no, no. That's fine.

588
00:08:51,080 --> 00:08:52,115
No, no, no. That's fine.

589
00:08:52,280 --> 00:08:52,632
So Edward's all right.
Splendid. Splendid.

590
00:08:52,640 --> 00:08:52,992
So Edward's all right.
Splendid. Splendid.

591
00:08:53,000 --> 00:08:54,228
So Edward's all right.
Splendid. Splendid.

592
00:08:54,400 --> 00:08:54,752
I'm sorry to have brought it up, only.

593
00:08:54,760 --> 00:08:55,112
I'm sorry to have brought it up, only.

594
00:08:55,120 --> 00:08:55,472
I'm sorry to have brought it up, only.

595
00:08:55,480 --> 00:08:56,754
I'm sorry to have brought it up, only.

596
00:08:56,920 --> 00:08:58,239
No, no. Edward it is.

597
00:08:58,400 --> 00:08:58,752
Well, thank you very much indeed
for being so helpful.

598
00:08:58,760 --> 00:08:59,112
Well, thank you very much indeed
for being so helpful.

599
00:08:59,120 --> 00:08:59,472
Well, thank you very much indeed
for being so helpful.

600
00:08:59,480 --> 00:08:59,832
Well, thank you very much indeed
for being so helpful.

601
00:08:59,840 --> 00:09:00,192
Well, thank you very much indeed
for being so helpful.

602
00:09:00,200 --> 00:09:01,349
Well, thank you very much indeed
for being so helpful.

603
00:09:01,520 --> 00:09:01,872
Only it's more
than my job's worth to--

604
00:09:01,880 --> 00:09:02,232
Only it's more
than my job's worth to--

605
00:09:02,240 --> 00:09:03,514
Only it's more
than my job's worth to--

606
00:09:04,320 --> 00:09:04,672
Quite. Yes.
Makes it rather difficult

607
00:09:04,680 --> 00:09:05,874
Quite. Yes.
Makes it rather difficult

608
00:09:06,040 --> 00:09:06,392
to establish a rapport,
to put the other person at their ease.

609
00:09:06,400 --> 00:09:06,752
to establish a rapport,
to put the other person at their ease.

610
00:09:06,760 --> 00:09:07,112
to establish a rapport,
to put the other person at their ease.

611
00:09:07,120 --> 00:09:07,472
to establish a rapport,
to put the other person at their ease.

612
00:09:07,480 --> 00:09:08,833
to establish a rapport,
to put the other person at their ease.

613
00:09:09,000 --> 00:09:09,352
Quite.
Silly little point but it seems to matter.

614
00:09:09,360 --> 00:09:09,712
Quite.
Silly little point but it seems to matter.

615
00:09:09,720 --> 00:09:10,072
Quite.
Silly little point but it seems to matter.

616
00:09:10,080 --> 00:09:10,432
Quite.
Silly little point but it seems to matter.

617
00:09:10,440 --> 00:09:11,475
Quite.
Silly little point but it seems to matter.

618
00:09:11,640 --> 00:09:11,992
Still, less said, the better.

619
00:09:12,000 --> 00:09:12,352
Still, less said, the better.

620
00:09:12,360 --> 00:09:13,634
Still, less said, the better.

621
00:09:13,800 --> 00:09:14,152
Um, Ted,
when you first started in--

622
00:09:14,160 --> 00:09:14,512
Um, Ted,
when you first started in--

623
00:09:14,520 --> 00:09:14,872
Um, Ted,
when you first started in--

624
00:09:14,880 --> 00:09:15,232
Um, Ted,
when you first started in--

625
00:09:15,240 --> 00:09:15,592
Um, Ted,
when you first started in--

626
00:09:15,600 --> 00:09:15,952
Um, Ted,
when you first started in--

627
00:09:15,960 --> 00:09:16,312
Um, Ted,
when you first started in--

628
00:09:16,320 --> 00:09:17,514
Um, Ted,
when you first started in--

629
00:09:17,680 --> 00:09:18,032
You don't mind if! call you Ted?
No, no, no.

630
00:09:18,040 --> 00:09:18,392
You don't mind if! call you Ted?
No, no, no.

631
00:09:18,400 --> 00:09:19,719
You don't mind if! call you Ted?
No, no, no.

632
00:09:19,920 --> 00:09:20,272
No, no. Everyone calls me Ted.
Good, good.

633
00:09:20,280 --> 00:09:20,632
No, no. Everyone calls me Ted.
Good, good.

634
00:09:20,640 --> 00:09:20,992
No, no. Everyone calls me Ted.
Good, good.

635
00:09:21,000 --> 00:09:22,115
No, no. Everyone calls me Ted.
Good, good.

636
00:09:22,280 --> 00:09:23,633
It's shorter, isn't it?
Yes, yes.

637
00:09:23,800 --> 00:09:24,152
Yes, and much less formal.
Yes, Ted, Edward, anything.

638
00:09:24,160 --> 00:09:24,512
Yes, and much less formal.
Yes, Ted, Edward, anything.

639
00:09:24,520 --> 00:09:24,872
Yes, and much less formal.
Yes, Ted, Edward, anything.

640
00:09:24,880 --> 00:09:25,232
Yes, and much less formal.
Yes, Ted, Edward, anything.

641
00:09:25,240 --> 00:09:26,275
Yes, and much less formal.
Yes, Ted, Edward, anything.

642
00:09:26,440 --> 00:09:26,792
Splendid, splendid.
Incidentally, do call me Tom.

643
00:09:26,800 --> 00:09:27,152
Splendid, splendid.
Incidentally, do call me Tom.

644
00:09:27,160 --> 00:09:27,512
Splendid, splendid.
Incidentally, do call me Tom.

645
00:09:27,520 --> 00:09:28,589
Splendid, splendid.
Incidentally, do call me Tom.

646
00:09:28,760 --> 00:09:29,112
I don't want you playing around
with any of this "Thomas" nonsense.

647
00:09:29,120 --> 00:09:29,472
I don't want you playing around
with any of this "Thomas" nonsense.

648
00:09:29,480 --> 00:09:29,832
I don't want you playing around
with any of this "Thomas" nonsense.

649
00:09:29,840 --> 00:09:30,192
I don't want you playing around
with any of this "Thomas" nonsense.

650
00:09:30,200 --> 00:09:30,552
I don't want you playing around
with any of this "Thomas" nonsense.

651
00:09:30,560 --> 00:09:30,912
I don't want you playing around
with any of this "Thomas" nonsense.

652
00:09:30,920 --> 00:09:31,272
I don't want you playing around
with any of this "Thomas" nonsense.

653
00:09:31,280 --> 00:09:32,633
I don't want you playing around
with any of this "Thomas" nonsense.

654
00:09:33,520 --> 00:09:33,872
Now, um,
where were we? Oh, yes.

655
00:09:33,880 --> 00:09:34,232
Now, um,
where were we? Oh, yes.

656
00:09:34,240 --> 00:09:34,592
Now, um,
where were we? Oh, yes.

657
00:09:34,600 --> 00:09:34,952
Now, um,
where were we? Oh, yes.

658
00:09:34,960 --> 00:09:35,312
Now, um,
where were we? Oh, yes.

659
00:09:35,320 --> 00:09:35,672
Now, um,
where were we? Oh, yes.

660
00:09:35,680 --> 00:09:36,795
Now, um,
where were we? Oh, yes.

661
00:09:36,960 --> 00:09:37,312
Eddie-baby, when you first started--
I'm sorry. I'm sorry.

662
00:09:37,320 --> 00:09:37,672
Eddie-baby, when you first started--
I'm sorry. I'm sorry.

663
00:09:37,680 --> 00:09:38,032
Eddie-baby, when you first started--
I'm sorry. I'm sorry.

664
00:09:38,040 --> 00:09:39,268
Eddie-baby, when you first started--
I'm sorry. I'm sorry.

665
00:09:39,440 --> 00:09:39,792
I'm sorry, I don't like
being called "Eddie-baby."

666
00:09:39,800 --> 00:09:40,152
I'm sorry, I don't like
being called "Eddie-baby."

667
00:09:40,160 --> 00:09:40,512
I'm sorry, I don't like
being called "Eddie-baby."

668
00:09:40,520 --> 00:09:40,872
I'm sorry, I don't like
being called "Eddie-baby."

669
00:09:40,880 --> 00:09:41,232
I'm sorry, I don't like
being called "Eddie-baby."

670
00:09:41,240 --> 00:09:41,592
I'm sorry, I don't like
being called "Eddie-baby."

671
00:09:41,600 --> 00:09:41,952
I'm sorry, I don't like
being called "Eddie-baby."

672
00:09:41,960 --> 00:09:43,075
I'm sorry, I don't like
being called "Eddie-baby."

673
00:09:43,520 --> 00:09:43,872
I'm sorry?
I don't like being called "Eddie-baby."

674
00:09:43,880 --> 00:09:44,232
I'm sorry?
I don't like being called "Eddie-baby."

675
00:09:44,240 --> 00:09:44,592
I'm sorry?
I don't like being called "Eddie-baby."

676
00:09:44,600 --> 00:09:44,952
I'm sorry?
I don't like being called "Eddie-baby."

677
00:09:44,960 --> 00:09:45,312
I'm sorry?
I don't like being called "Eddie-baby."

678
00:09:45,320 --> 00:09:45,672
I'm sorry?
I don't like being called "Eddie-baby."

679
00:09:45,680 --> 00:09:46,999
I'm sorry?
I don't like being called "Eddie-baby."

680
00:09:47,160 --> 00:09:47,512
Did I call you "Eddie-baby"?
Yes, you did.

681
00:09:47,520 --> 00:09:47,872
Did I call you "Eddie-baby"?
Yes, you did.

682
00:09:47,880 --> 00:09:48,232
Did I call you "Eddie-baby"?
Yes, you did.

683
00:09:48,240 --> 00:09:49,468
Did I call you "Eddie-baby"?
Yes, you did.

684
00:09:49,640 --> 00:09:49,992
Now, get on with it.

685
00:09:50,000 --> 00:09:51,115
Now, get on with it.

686
00:09:51,280 --> 00:09:51,632
Don't think I called you "Eddie-baby."
You did call me "Eddie-baby."

687
00:09:51,640 --> 00:09:51,992
Don't think I called you "Eddie-baby."
You did call me "Eddie-baby."

688
00:09:52,000 --> 00:09:52,352
Don't think I called you "Eddie-baby."
You did call me "Eddie-baby."

689
00:09:52,360 --> 00:09:52,712
Don't think I called you "Eddie-baby."
You did call me "Eddie-baby."

690
00:09:52,720 --> 00:09:53,948
Don't think I called you "Eddie-baby."
You did call me "Eddie-baby."

691
00:09:54,120 --> 00:09:54,472
Did I call him "Eddie-baby?"
MAN 1: Yes!

692
00:09:54,480 --> 00:09:54,832
Did I call him "Eddie-baby?"
MAN 1: Yes!

693
00:09:54,840 --> 00:09:55,909
Did I call him "Eddie-baby?"
MAN 1: Yes!

694
00:09:56,080 --> 00:09:56,432
MAN 2 : Yes.
MAN 3: No.

695
00:09:56,440 --> 00:09:57,634
MAN 2 : Yes.
MAN 3: No.

696
00:09:57,800 --> 00:09:58,152
I didn't really call you
"Eddie-baby," did I, sweetie?

697
00:09:58,160 --> 00:09:58,512
I didn't really call you
"Eddie-baby," did I, sweetie?

698
00:09:58,520 --> 00:09:58,872
I didn't really call you
"Eddie-baby," did I, sweetie?

699
00:09:58,880 --> 00:10:00,233
I didn't really call you
"Eddie-baby," did I, sweetie?

700
00:10:00,400 --> 00:10:00,752
Don't call me sweetie.

701
00:10:00,760 --> 00:10:02,079
Don't call me sweetie.

702
00:10:02,240 --> 00:10:02,592
Can I call you sugar plum?
No.

703
00:10:02,600 --> 00:10:03,794
Can I call you sugar plum?
No.

704
00:10:03,960 --> 00:10:05,029
Pussycat?
No.

705
00:10:05,200 --> 00:10:05,552
Angel drawers?
No, you may not.

706
00:10:05,560 --> 00:10:06,709
Angel drawers?
No, you may not.

707
00:10:06,920 --> 00:10:08,273
Now get on with it.
Frank?

708
00:10:08,480 --> 00:10:08,832
What?
Can I call you Frank?

709
00:10:08,840 --> 00:10:09,909
What?
Can I call you Frank?

710
00:10:10,080 --> 00:10:10,432
Why Frank?
It's a nice name.

711
00:10:10,440 --> 00:10:10,792
Why Frank?
It's a nice name.

712
00:10:10,800 --> 00:10:11,152
Why Frank?
It's a nice name.

713
00:10:11,160 --> 00:10:12,479
Why Frank?
It's a nice name.

714
00:10:12,640 --> 00:10:12,992
Robin Day's got a hedgehog
called Frank.

715
00:10:13,000 --> 00:10:13,352
Robin Day's got a hedgehog
called Frank.

716
00:10:13,360 --> 00:10:14,554
Robin Day's got a hedgehog
called Frank.

717
00:10:14,720 --> 00:10:15,072
Now, Frank--
What's going on?

718
00:10:15,080 --> 00:10:15,432
Now, Frank--
What's going on?

719
00:10:15,440 --> 00:10:15,792
Now, Frank--
What's going on?

720
00:10:15,800 --> 00:10:17,153
Now, Frank--
What's going on?

721
00:10:17,320 --> 00:10:18,594
Frannie. Little Frannie.
Frannie Knickers.

722
00:10:18,760 --> 00:10:19,112
No. I'm leaving. I'm leaving. I'm off.
Frannie Knickers.

723
00:10:19,120 --> 00:10:19,472
No. I'm leaving. I'm leaving. I'm off.
Frannie Knickers.

724
00:10:19,480 --> 00:10:19,832
No. I'm leaving. I'm leaving. I'm off.
Frannie Knickers.

725
00:10:19,840 --> 00:10:20,192
No. I'm leaving. I'm leaving. I'm off.
Frannie Knickers.

726
00:10:20,200 --> 00:10:20,552
No. I'm leaving. I'm leaving. I'm off.
Frannie Knickers.

727
00:10:20,560 --> 00:10:20,912
No. I'm leaving. I'm leaving. I'm off.
Frannie Knickers.

728
00:10:20,920 --> 00:10:22,148
No. I'm leaving. I'm leaving. I'm off.
Frannie Knickers.

729
00:10:22,320 --> 00:10:22,672
Um, tell us about your
latest film, Sir Edward.

730
00:10:22,680 --> 00:10:23,032
Um, tell us about your
latest film, Sir Edward.

731
00:10:23,040 --> 00:10:24,189
Um, tell us about your
latest film, Sir Edward.

732
00:10:24,360 --> 00:10:24,712
What?
Tell us about your latest film,

733
00:10:24,720 --> 00:10:25,072
What?
Tell us about your latest film,

734
00:10:25,080 --> 00:10:25,432
What?
Tell us about your latest film,

735
00:10:25,440 --> 00:10:26,634
What?
Tell us about your latest film,

736
00:10:26,800 --> 00:10:27,152
if you'll be so kind,
Sir Edward.

737
00:10:27,160 --> 00:10:27,512
if you'll be so kind,
Sir Edward.

738
00:10:27,520 --> 00:10:27,872
if you'll be so kind,
Sir Edward.

739
00:10:27,880 --> 00:10:28,915
if you'll be so kind,
Sir Edward.

740
00:10:31,280 --> 00:10:31,632
None of this "pussycat"
nonsense?

741
00:10:31,640 --> 00:10:31,992
None of this "pussycat"
nonsense?

742
00:10:32,000 --> 00:10:32,352
None of this "pussycat"
nonsense?

743
00:10:32,360 --> 00:10:33,713
None of this "pussycat"
nonsense?

744
00:10:33,880 --> 00:10:34,232
Promise.
Please, Sir Edward.

745
00:10:34,240 --> 00:10:34,592
Promise.
Please, Sir Edward.

746
00:10:34,600 --> 00:10:34,952
Promise.
Please, Sir Edward.

747
00:10:34,960 --> 00:10:36,109
Promise.
Please, Sir Edward.

748
00:10:38,720 --> 00:10:39,072
My latest film?
Yes, Sir Edward.

749
00:10:39,080 --> 00:10:39,432
My latest film?
Yes, Sir Edward.

750
00:10:39,440 --> 00:10:40,668
My latest film?
Yes, Sir Edward.

751
00:10:42,720 --> 00:10:43,072
Well, the idea, funnily enough,

752
00:10:43,080 --> 00:10:43,432
Well, the idea, funnily enough,

753
00:10:43,440 --> 00:10:43,792
Well, the idea, funnily enough,

754
00:10:43,800 --> 00:10:44,949
Well, the idea, funnily enough,

755
00:10:45,120 --> 00:10:45,472
came from an idea I had when
I firstjoined the industry in 1919.

756
00:10:45,480 --> 00:10:45,832
came from an idea I had when
I firstjoined the industry in 1919.

757
00:10:45,840 --> 00:10:46,192
came from an idea I had when
I firstjoined the industry in 1919.

758
00:10:46,200 --> 00:10:46,552
came from an idea I had when
I firstjoined the industry in 1919.

759
00:10:46,560 --> 00:10:46,912
came from an idea I had when
I firstjoined the industry in 1919.

760
00:10:46,920 --> 00:10:47,272
came from an idea I had when
I firstjoined the industry in 1919.

761
00:10:47,280 --> 00:10:47,632
came from an idea I had when
I firstjoined the industry in 1919.

762
00:10:47,640 --> 00:10:47,992
came from an idea I had when
I firstjoined the industry in 1919.

763
00:10:48,000 --> 00:10:49,115
came from an idea I had when
I firstjoined the industry in 1919.

764
00:10:49,280 --> 00:10:49,632
Of course, in those days
I was only a tea boy.

765
00:10:49,640 --> 00:10:49,992
Of course, in those days
I was only a tea boy.

766
00:10:50,000 --> 00:10:50,352
Of course, in those days
I was only a tea boy.

767
00:10:50,360 --> 00:10:50,712
Of course, in those days
I was only a tea boy.

768
00:10:50,720 --> 00:10:51,072
Of course, in those days
I was only a tea boy.

769
00:10:51,080 --> 00:10:51,432
Of course, in those days
I was only a tea boy.

770
00:10:51,440 --> 00:10:52,555
Of course, in those days
I was only a tea boy.

771
00:10:52,760 --> 00:10:53,112
Oh, shut up.

772
00:10:53,120 --> 00:10:53,472
Oh, shut up.

773
00:10:53,480 --> 00:10:54,833
Oh, shut up.

774
00:10:56,200 --> 00:10:56,552
Sir Edward Ross.

775
00:10:56,560 --> 00:10:56,912
Sir Edward Ross.

776
00:10:56,920 --> 00:10:57,272
Sir Edward Ross.

777
00:10:57,280 --> 00:10:57,632
Sir Edward Ross.

778
00:10:57,640 --> 00:10:58,755
Sir Edward Ross.

779
00:10:58,920 --> 00:10:59,272
Now, later in the program,
we will bring you

780
00:10:59,280 --> 00:10:59,632
Now, later in the program,
we will bring you

781
00:10:59,640 --> 00:11:00,868
Now, later in the program,
we will bring you

782
00:11:01,040 --> 00:11:01,392
a unique event
in the world of modern art.

783
00:11:01,400 --> 00:11:01,752
a unique event
in the world of modern art.

784
00:11:01,760 --> 00:11:02,112
a unique event
in the world of modern art.

785
00:11:02,120 --> 00:11:02,472
a unique event
in the world of modern art.

786
00:11:02,480 --> 00:11:02,832
a unique event
in the world of modern art.

787
00:11:02,840 --> 00:11:03,955
a unique event
in the world of modern art.

788
00:11:04,120 --> 00:11:04,472
Pablo Picasso will be doing
a special painting for us

789
00:11:04,480 --> 00:11:04,832
Pablo Picasso will be doing
a special painting for us

790
00:11:04,840 --> 00:11:05,192
Pablo Picasso will be doing
a special painting for us

791
00:11:05,200 --> 00:11:05,552
Pablo Picasso will be doing
a special painting for us

792
00:11:05,560 --> 00:11:06,879
Pablo Picasso will be doing
a special painting for us

793
00:11:07,040 --> 00:11:07,392
on this program, live,
on a bicycle.

794
00:11:07,400 --> 00:11:07,752
on this program, live,
on a bicycle.

795
00:11:07,760 --> 00:11:08,112
on this program, live,
on a bicycle.

796
00:11:08,120 --> 00:11:08,472
on this program, live,
on a bicycle.

797
00:11:08,480 --> 00:11:08,832
on this program, live,
on a bicycle.

798
00:11:08,840 --> 00:11:09,192
on this program, live,
on a bicycle.

799
00:11:09,200 --> 00:11:09,552
on this program, live,
on a bicycle.

800
00:11:09,560 --> 00:11:10,595
on this program, live,
on a bicycle.

801
00:11:10,760 --> 00:11:11,112
This is the first time that Picasso
has painted while cycling.

802
00:11:11,120 --> 00:11:11,472
This is the first time that Picasso
has painted while cycling.

803
00:11:11,480 --> 00:11:11,832
This is the first time that Picasso
has painted while cycling.

804
00:11:11,840 --> 00:11:12,192
This is the first time that Picasso
has painted while cycling.

805
00:11:12,200 --> 00:11:12,552
This is the first time that Picasso
has painted while cycling.

806
00:11:12,560 --> 00:11:12,912
This is the first time that Picasso
has painted while cycling.

807
00:11:12,920 --> 00:11:13,272
This is the first time that Picasso
has painted while cycling.

808
00:11:13,280 --> 00:11:14,395
This is the first time that Picasso
has painted while cycling.

809
00:11:14,560 --> 00:11:14,912
But right now, it's time to look at
a man whose meteoric rise to fame--

810
00:11:14,920 --> 00:11:15,272
But right now, it's time to look at
a man whose meteoric rise to fame--

811
00:11:15,280 --> 00:11:15,632
But right now, it's time to look at
a man whose meteoric rise to fame--

812
00:11:15,640 --> 00:11:15,992
But right now, it's time to look at
a man whose meteoric rise to fame--

813
00:11:16,000 --> 00:11:17,319
But right now, it's time to look at
a man whose meteoric rise to fame--

814
00:11:17,480 --> 00:11:18,754
[PIG SQUEALING]

815
00:11:20,080 --> 00:11:21,274
[GUNSHOT]

816
00:11:22,560 --> 00:11:22,912
[my

817
00:11:22,920 --> 00:11:23,272
[my

818
00:11:23,280 --> 00:11:23,632
[my

819
00:11:23,640 --> 00:11:24,868
[my

820
00:11:25,040 --> 00:11:25,392
[SPEAKING INAUDIBLY]

821
00:11:25,400 --> 00:11:25,752
[SPEAKING INAUDIBLY]

822
00:11:25,760 --> 00:11:26,112
[SPEAKING INAUDIBLY]

823
00:11:26,120 --> 00:11:26,472
[SPEAKING INAUDIBLY]

824
00:11:26,480 --> 00:11:26,832
[SPEAKING INAUDIBLY]

825
00:11:26,840 --> 00:11:28,193
[SPEAKING INAUDIBLY]

826
00:11:29,760 --> 00:11:30,112
Last week,
the Royal Festival Hall

827
00:11:30,120 --> 00:11:30,472
Last week,
the Royal Festival Hall

828
00:11:30,480 --> 00:11:31,549
Last week,
the Royal Festival Hall

829
00:11:31,720 --> 00:11:32,072
saw the first performance
of a new symphony

830
00:11:32,080 --> 00:11:32,432
saw the first performance
of a new symphony

831
00:11:32,440 --> 00:11:32,792
saw the first performance
of a new symphony

832
00:11:32,800 --> 00:11:33,994
saw the first performance
of a new symphony

833
00:11:34,160 --> 00:11:34,512
by one of the world's
leading modern composers,

834
00:11:34,520 --> 00:11:34,872
by one of the world's
leading modern composers,

835
00:11:34,880 --> 00:11:35,232
by one of the world's
leading modern composers,

836
00:11:35,240 --> 00:11:35,592
by one of the world's
leading modern composers,

837
00:11:35,600 --> 00:11:35,952
by one of the world's
leading modern composers,

838
00:11:35,960 --> 00:11:36,995
by one of the world's
leading modern composers,

839
00:11:37,160 --> 00:11:37,512
Arthur "Two Sheds"
Jackson.

840
00:11:37,520 --> 00:11:37,872
Arthur "Two Sheds"
Jackson.

841
00:11:37,880 --> 00:11:38,232
Arthur "Two Sheds"
Jackson.

842
00:11:38,240 --> 00:11:38,592
Arthur "Two Sheds"
Jackson.

843
00:11:38,600 --> 00:11:39,794
Arthur "Two Sheds"
Jackson.

844
00:11:39,960 --> 00:11:40,312
Mr. Jackson--
Good evening.

845
00:11:40,320 --> 00:11:40,672
Mr. Jackson--
Good evening.

846
00:11:40,680 --> 00:11:41,795
Mr. Jackson--
Good evening.

847
00:11:41,960 --> 00:11:42,312
May I just sidetrack you
for one moment, Mr. Jackson?

848
00:11:42,320 --> 00:11:42,672
May I just sidetrack you
for one moment, Mr. Jackson?

849
00:11:42,680 --> 00:11:43,032
May I just sidetrack you
for one moment, Mr. Jackson?

850
00:11:43,040 --> 00:11:43,392
May I just sidetrack you
for one moment, Mr. Jackson?

851
00:11:43,400 --> 00:11:43,752
May I just sidetrack you
for one moment, Mr. Jackson?

852
00:11:43,760 --> 00:11:44,909
May I just sidetrack you
for one moment, Mr. Jackson?

853
00:11:45,080 --> 00:11:45,432
This, uh-- What shall I call it?

854
00:11:45,440 --> 00:11:46,589
This, uh-- What shall I call it?

855
00:11:46,760 --> 00:11:47,795
--Nickname of yours.

856
00:11:47,960 --> 00:11:48,312
Oh, yes.
"Two Sheds."

857
00:11:48,320 --> 00:11:49,594
Oh, yes.
"Two Sheds."

858
00:11:49,760 --> 00:11:50,112
Yes.
How did you come by it?

859
00:11:50,120 --> 00:11:51,473
Yes.
How did you come by it?

860
00:11:51,760 --> 00:11:52,112
Well, I don't use it myself.

861
00:11:52,120 --> 00:11:52,472
Well, I don't use it myself.

862
00:11:52,480 --> 00:11:53,549
Well, I don't use it myself.

863
00:11:53,720 --> 00:11:54,072
It's just a few of my friends
call me "Two Sheds."

864
00:11:54,080 --> 00:11:54,432
It's just a few of my friends
call me "Two Sheds."

865
00:11:54,440 --> 00:11:54,792
It's just a few of my friends
call me "Two Sheds."

866
00:11:54,800 --> 00:11:55,152
It's just a few of my friends
call me "Two Sheds."

867
00:11:55,160 --> 00:11:56,275
It's just a few of my friends
call me "Two Sheds."

868
00:11:56,440 --> 00:11:56,792
I see. And do you,
in fact, have two sheds?

869
00:11:56,800 --> 00:11:57,152
I see. And do you,
in fact, have two sheds?

870
00:11:57,160 --> 00:11:57,512
I see. And do you,
in fact, have two sheds?

871
00:11:57,520 --> 00:11:57,872
I see. And do you,
in fact, have two sheds?

872
00:11:57,880 --> 00:11:58,232
I see. And do you,
in fact, have two sheds?

873
00:11:58,240 --> 00:11:58,592
I see. And do you,
in fact, have two sheds?

874
00:11:58,600 --> 00:11:58,952
I see. And do you,
in fact, have two sheds?

875
00:11:58,960 --> 00:12:00,154
I see. And do you,
in fact, have two sheds?

876
00:12:00,320 --> 00:12:00,672
No. No, l have only one shed.
I've had one for some time.

877
00:12:00,680 --> 00:12:01,032
No. No, l have only one shed.
I've had one for some time.

878
00:12:01,040 --> 00:12:01,392
No. No, l have only one shed.
I've had one for some time.

879
00:12:01,400 --> 00:12:01,752
No. No, l have only one shed.
I've had one for some time.

880
00:12:01,760 --> 00:12:02,112
No. No, l have only one shed.
I've had one for some time.

881
00:12:02,120 --> 00:12:02,472
No. No, l have only one shed.
I've had one for some time.

882
00:12:02,480 --> 00:12:02,832
No. No, l have only one shed.
I've had one for some time.

883
00:12:02,840 --> 00:12:03,192
No. No, l have only one shed.
I've had one for some time.

884
00:12:03,200 --> 00:12:04,315
No. No, l have only one shed.
I've had one for some time.

885
00:12:04,520 --> 00:12:04,872
But a few years ago, I said I was
thinking of getting another one,

886
00:12:04,880 --> 00:12:05,232
But a few years ago, I said I was
thinking of getting another one,

887
00:12:05,240 --> 00:12:05,592
But a few years ago, I said I was
thinking of getting another one,

888
00:12:05,600 --> 00:12:05,952
But a few years ago, I said I was
thinking of getting another one,

889
00:12:05,960 --> 00:12:06,312
But a few years ago, I said I was
thinking of getting another one,

890
00:12:06,320 --> 00:12:07,548
But a few years ago, I said I was
thinking of getting another one,

891
00:12:07,760 --> 00:12:08,112
and since then, some people
have called me "Two Sheds."

892
00:12:08,120 --> 00:12:08,472
and since then, some people
have called me "Two Sheds."

893
00:12:08,480 --> 00:12:08,832
and since then, some people
have called me "Two Sheds."

894
00:12:08,840 --> 00:12:09,192
and since then, some people
have called me "Two Sheds."

895
00:12:09,200 --> 00:12:09,552
and since then, some people
have called me "Two Sheds."

896
00:12:09,560 --> 00:12:10,913
and since then, some people
have called me "Two Sheds."

897
00:12:11,080 --> 00:12:11,432
In spite of the fact
that you have only one?

898
00:12:11,440 --> 00:12:11,792
In spite of the fact
that you have only one?

899
00:12:11,800 --> 00:12:13,028
In spite of the fact
that you have only one?

900
00:12:13,360 --> 00:12:13,712
Yes.
| see.

901
00:12:13,720 --> 00:12:14,869
Yes.
| see.

902
00:12:15,040 --> 00:12:15,392
And are you thinking of
purchasing a second shed?

903
00:12:15,400 --> 00:12:15,752
And are you thinking of
purchasing a second shed?

904
00:12:15,760 --> 00:12:16,112
And are you thinking of
purchasing a second shed?

905
00:12:16,120 --> 00:12:17,189
And are you thinking of
purchasing a second shed?

906
00:12:18,200 --> 00:12:18,552
No.
To bring you in line with your epithet?

907
00:12:18,560 --> 00:12:18,912
No.
To bring you in line with your epithet?

908
00:12:18,920 --> 00:12:19,272
No.
To bring you in line with your epithet?

909
00:12:19,280 --> 00:12:20,429
No.
To bring you in line with your epithet?

910
00:12:20,600 --> 00:12:20,952
No.
lsee,lsee.

911
00:12:20,960 --> 00:12:21,312
No.
lsee,lsee.

912
00:12:21,320 --> 00:12:22,389
No.
lsee,lsee.

913
00:12:22,560 --> 00:12:22,912
Well, let's return
to your symphony.

914
00:12:22,920 --> 00:12:23,272
Well, let's return
to your symphony.

915
00:12:23,280 --> 00:12:23,632
Well, let's return
to your symphony.

916
00:12:23,640 --> 00:12:24,675
Well, let's return
to your symphony.

917
00:12:24,840 --> 00:12:25,192
Now then, did you write
this symphony in the shed?

918
00:12:25,200 --> 00:12:25,552
Now then, did you write
this symphony in the shed?

919
00:12:25,560 --> 00:12:25,912
Now then, did you write
this symphony in the shed?

920
00:12:25,920 --> 00:12:26,272
Now then, did you write
this symphony in the shed?

921
00:12:26,280 --> 00:12:26,632
Now then, did you write
this symphony in the shed?

922
00:12:26,640 --> 00:12:27,868
Now then, did you write
this symphony in the shed?

923
00:12:28,880 --> 00:12:29,869
No.

924
00:12:30,040 --> 00:12:30,392
Have you written any of your recent
works in this shed of yours?

925
00:12:30,400 --> 00:12:30,752
Have you written any of your recent
works in this shed of yours?

926
00:12:30,760 --> 00:12:31,112
Have you written any of your recent
works in this shed of yours?

927
00:12:31,120 --> 00:12:31,472
Have you written any of your recent
works in this shed of yours?

928
00:12:31,480 --> 00:12:32,595
Have you written any of your recent
works in this shed of yours?

929
00:12:32,760 --> 00:12:33,112
No. It's just a perfectly
ordinary garden shed.

930
00:12:33,120 --> 00:12:33,472
No. It's just a perfectly
ordinary garden shed.

931
00:12:33,480 --> 00:12:33,832
No. It's just a perfectly
ordinary garden shed.

932
00:12:33,840 --> 00:12:34,192
No. It's just a perfectly
ordinary garden shed.

933
00:12:34,200 --> 00:12:34,552
No. It's just a perfectly
ordinary garden shed.

934
00:12:34,560 --> 00:12:34,912
No. It's just a perfectly
ordinary garden shed.

935
00:12:34,920 --> 00:12:35,272
No. It's just a perfectly
ordinary garden shed.

936
00:12:35,280 --> 00:12:35,632
No. It's just a perfectly
ordinary garden shed.

937
00:12:35,640 --> 00:12:35,992
No. It's just a perfectly
ordinary garden shed.

938
00:12:36,000 --> 00:12:37,035
No. It's just a perfectly
ordinary garden shed.

939
00:12:37,200 --> 00:12:38,394
| see.

940
00:12:38,560 --> 00:12:38,912
And you're thinking of buying
this second shed to write in.

941
00:12:38,920 --> 00:12:39,272
And you're thinking of buying
this second shed to write in.

942
00:12:39,280 --> 00:12:39,632
And you're thinking of buying
this second shed to write in.

943
00:12:39,640 --> 00:12:39,992
And you're thinking of buying
this second shed to write in.

944
00:12:40,000 --> 00:12:40,352
And you're thinking of buying
this second shed to write in.

945
00:12:40,360 --> 00:12:40,712
And you're thinking of buying
this second shed to write in.

946
00:12:40,720 --> 00:12:41,072
And you're thinking of buying
this second shed to write in.

947
00:12:41,080 --> 00:12:42,195
And you're thinking of buying
this second shed to write in.

948
00:12:42,360 --> 00:12:42,712
No, no. Look. This shed business,
it doesn't really matter at all.

949
00:12:42,720 --> 00:12:43,072
No, no. Look. This shed business,
it doesn't really matter at all.

950
00:12:43,080 --> 00:12:43,432
No, no. Look. This shed business,
it doesn't really matter at all.

951
00:12:43,440 --> 00:12:43,792
No, no. Look. This shed business,
it doesn't really matter at all.

952
00:12:43,800 --> 00:12:44,152
No, no. Look. This shed business,
it doesn't really matter at all.

953
00:12:44,160 --> 00:12:45,434
No, no. Look. This shed business,
it doesn't really matter at all.

954
00:12:45,600 --> 00:12:45,952
The sheds aren't important.

955
00:12:45,960 --> 00:12:47,154
The sheds aren't important.

956
00:12:47,320 --> 00:12:47,672
It's just a few friends
call me "Two Sheds,"

957
00:12:47,680 --> 00:12:48,032
It's just a few friends
call me "Two Sheds,"

958
00:12:48,040 --> 00:12:48,392
It's just a few friends
call me "Two Sheds,"

959
00:12:48,400 --> 00:12:49,549
It's just a few friends
call me "Two Sheds,"

960
00:12:49,720 --> 00:12:50,072
and that's all there is to it.

961
00:12:50,080 --> 00:12:51,399
and that's all there is to it.

962
00:12:51,560 --> 00:12:51,912
I wish you'd ask me about my music.
I'm a composer.

963
00:12:51,920 --> 00:12:52,272
I wish you'd ask me about my music.
I'm a composer.

964
00:12:52,280 --> 00:12:52,632
I wish you'd ask me about my music.
I'm a composer.

965
00:12:52,640 --> 00:12:52,992
I wish you'd ask me about my music.
I'm a composer.

966
00:12:53,000 --> 00:12:54,035
I wish you'd ask me about my music.
I'm a composer.

967
00:12:54,200 --> 00:12:54,552
People always ask about the sheds.
They've got it out of proportion.

968
00:12:54,560 --> 00:12:54,912
People always ask about the sheds.
They've got it out of proportion.

969
00:12:54,920 --> 00:12:55,272
People always ask about the sheds.
They've got it out of proportion.

970
00:12:55,280 --> 00:12:55,632
People always ask about the sheds.
They've got it out of proportion.

971
00:12:55,640 --> 00:12:55,992
People always ask about the sheds.
They've got it out of proportion.

972
00:12:56,000 --> 00:12:57,228
People always ask about the sheds.
They've got it out of proportion.

973
00:12:57,400 --> 00:12:57,752
I'm fed up with the shed. I wish I'd
never got it in the first place.

974
00:12:57,760 --> 00:12:58,112
I'm fed up with the shed. I wish I'd
never got it in the first place.

975
00:12:58,120 --> 00:12:58,472
I'm fed up with the shed. I wish I'd
never got it in the first place.

976
00:12:58,480 --> 00:12:58,832
I'm fed up with the shed. I wish I'd
never got it in the first place.

977
00:12:58,840 --> 00:12:59,192
I'm fed up with the shed. I wish I'd
never got it in the first place.

978
00:12:59,200 --> 00:13:00,235
I'm fed up with the shed. I wish I'd
never got it in the first place.

979
00:13:00,400 --> 00:13:00,752
I expect you're probably thinking
of selling one.

980
00:13:00,760 --> 00:13:01,112
I expect you're probably thinking
of selling one.

981
00:13:01,120 --> 00:13:02,348
I expect you're probably thinking
of selling one.

982
00:13:02,560 --> 00:13:03,913
I will sell one.

983
00:13:04,080 --> 00:13:04,432
Then you'd be
Arthur "No Sheds" Jackson.

984
00:13:04,440 --> 00:13:04,792
Then you'd be
Arthur "No Sheds" Jackson.

985
00:13:04,800 --> 00:13:06,074
Then you'd be
Arthur "No Sheds" Jackson.

986
00:13:06,240 --> 00:13:06,592
Look, forget about the sheds.
They don't matter.

987
00:13:06,600 --> 00:13:06,952
Look, forget about the sheds.
They don't matter.

988
00:13:06,960 --> 00:13:07,312
Look, forget about the sheds.
They don't matter.

989
00:13:07,320 --> 00:13:08,355
Look, forget about the sheds.
They don't matter.

990
00:13:08,560 --> 00:13:08,912
Mr. Jackson, I think, with respect, we
ought to talk about your symphony.

991
00:13:08,920 --> 00:13:09,272
Mr. Jackson, I think, with respect, we
ought to talk about your symphony.

992
00:13:09,280 --> 00:13:09,632
Mr. Jackson, I think, with respect, we
ought to talk about your symphony.

993
00:13:09,640 --> 00:13:09,992
Mr. Jackson, I think, with respect, we
ought to talk about your symphony.

994
00:13:10,000 --> 00:13:10,352
Mr. Jackson, I think, with respect, we
ought to talk about your symphony.

995
00:13:10,360 --> 00:13:11,509
Mr. Jackson, I think, with respect, we
ought to talk about your symphony.

996
00:13:11,800 --> 00:13:12,152
What?
Apparently, your symphony

997
00:13:12,160 --> 00:13:12,512
What?
Apparently, your symphony

998
00:13:12,520 --> 00:13:13,555
What?
Apparently, your symphony

999
00:13:13,720 --> 00:13:14,072
was written for organ
and tympani.

1000
00:13:14,080 --> 00:13:15,354
was written for organ
and tympani.

1001
00:13:15,560 --> 00:13:16,879
What's that?
What's what?

1002
00:13:17,040 --> 00:13:17,392
It's a shed. Get it off.

1003
00:13:17,400 --> 00:13:17,752
It's a shed. Get it off.

1004
00:13:17,760 --> 00:13:18,112
It's a shed. Get it off.

1005
00:13:18,120 --> 00:13:18,472
It's a shed. Get it off.

1006
00:13:18,480 --> 00:13:19,515
It's a shed. Get it off.

1007
00:13:24,960 --> 00:13:26,313
All right. Right.

1008
00:13:26,520 --> 00:13:26,872
Now then, Mr. Jackson,
your symphony.

1009
00:13:26,880 --> 00:13:27,232
Now then, Mr. Jackson,
your symphony.

1010
00:13:27,240 --> 00:13:27,592
Now then, Mr. Jackson,
your symphony.

1011
00:13:27,600 --> 00:13:27,952
Now then, Mr. Jackson,
your symphony.

1012
00:13:27,960 --> 00:13:29,029
Now then, Mr. Jackson,
your symphony.

1013
00:13:29,600 --> 00:13:29,952
I understand that you used to
be interested in trainspotting.

1014
00:13:29,960 --> 00:13:30,312
I understand that you used to
be interested in trainspotting.

1015
00:13:30,320 --> 00:13:30,672
I understand that you used to
be interested in trainspotting.

1016
00:13:30,680 --> 00:13:31,032
I understand that you used to
be interested in trainspotting.

1017
00:13:31,040 --> 00:13:31,392
I understand that you used to
be interested in trainspotting.

1018
00:13:31,400 --> 00:13:31,752
I understand that you used to
be interested in trainspotting.

1019
00:13:31,760 --> 00:13:32,112
I understand that you used to
be interested in trainspotting.

1020
00:13:32,120 --> 00:13:32,472
I understand that you used to
be interested in trainspotting.

1021
00:13:32,480 --> 00:13:32,832
I understand that you used to
be interested in trainspotting.

1022
00:13:32,840 --> 00:13:34,159
I understand that you used to
be interested in trainspotting.

1023
00:13:34,320 --> 00:13:34,672
What?

1024
00:13:34,680 --> 00:13:35,749
What?

1025
00:13:35,960 --> 00:13:36,312
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1026
00:13:36,320 --> 00:13:36,672
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1027
00:13:36,680 --> 00:13:37,032
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1028
00:13:37,040 --> 00:13:37,392
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1029
00:13:37,400 --> 00:13:37,752
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1030
00:13:37,760 --> 00:13:38,112
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1031
00:13:38,120 --> 00:13:38,472
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1032
00:13:38,480 --> 00:13:38,832
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1033
00:13:38,840 --> 00:13:39,192
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1034
00:13:39,200 --> 00:13:40,235
I understand that about 30 years ago, you
were extremely interested in trainspotting.

1035
00:13:40,400 --> 00:13:40,752
What's that got to do with
my bloody music?

1036
00:13:40,760 --> 00:13:41,112
What's that got to do with
my bloody music?

1037
00:13:41,120 --> 00:13:42,314
What's that got to do with
my bloody music?

1038
00:13:42,480 --> 00:13:42,832
Are you having any trouble from him?
Yes, a little.

1039
00:13:42,840 --> 00:13:43,192
Are you having any trouble from him?
Yes, a little.

1040
00:13:43,200 --> 00:13:43,552
Are you having any trouble from him?
Yes, a little.

1041
00:13:43,560 --> 00:13:44,879
Are you having any trouble from him?
Yes, a little.

1042
00:13:45,040 --> 00:13:45,392
Well, we interviewers are more than a
match for the likes of you, Two Sheds.

1043
00:13:48,680 --> 00:13:49,032
Yes, make yourself
scarce, Two Sheds.

1044
00:13:49,040 --> 00:13:50,314
Yes, make yourself
scarce, Two Sheds.

1045
00:13:50,480 --> 00:13:50,832
This studio isn't big
enough for the three of us.

1046
00:13:50,840 --> 00:13:51,192
This studio isn't big
enough for the three of us.

1047
00:13:51,200 --> 00:13:51,552
This studio isn't big
enough for the three of us.

1048
00:13:51,560 --> 00:13:51,912
This studio isn't big
enough for the three of us.

1049
00:13:51,920 --> 00:13:52,272
This studio isn't big
enough for the three of us.

1050
00:13:52,280 --> 00:13:53,395
This studio isn't big
enough for the three of us.

1051
00:13:54,760 --> 00:13:55,112
Get your own arts
program, you fairy.

1052
00:13:55,120 --> 00:13:55,472
Get your own arts
program, you fairy.

1053
00:13:55,480 --> 00:13:55,832
Get your own arts
program, you fairy.

1054
00:13:55,840 --> 00:13:56,192
Get your own arts
program, you fairy.

1055
00:13:56,200 --> 00:13:56,552
Get your own arts
program, you fairy.

1056
00:13:56,560 --> 00:13:57,834
Get your own arts
program, you fairy.

1057
00:13:58,720 --> 00:13:59,072
Arthur "Two Sheds"
Jackson.

1058
00:13:59,080 --> 00:13:59,432
Arthur "Two Sheds"
Jackson.

1059
00:13:59,440 --> 00:13:59,792
Arthur "Two Sheds"
Jackson.

1060
00:13:59,800 --> 00:14:00,152
Arthur "Two Sheds"
Jackson.

1061
00:14:00,160 --> 00:14:01,309
Arthur "Two Sheds"
Jackson.

1062
00:14:02,560 --> 00:14:02,912
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1063
00:14:02,920 --> 00:14:03,272
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1064
00:14:03,280 --> 00:14:03,632
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1065
00:14:03,640 --> 00:14:03,992
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1066
00:14:04,000 --> 00:14:04,352
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1067
00:14:04,360 --> 00:14:04,712
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1068
00:14:04,720 --> 00:14:05,072
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1069
00:14:05,080 --> 00:14:06,149
MICHAEL: Never mind, Timmy.
TIMMY: Michael, you're such a comfort.

1070
00:14:07,160 --> 00:14:07,512
Arthur "Two Sheds."

1071
00:14:07,520 --> 00:14:07,872
Arthur "Two Sheds."

1072
00:14:07,880 --> 00:14:09,074
Arthur "Two Sheds."

1073
00:14:10,400 --> 00:14:11,435
Jackson.

1074
00:14:11,640 --> 00:14:11,992
And now for more news
of the momentous artistic event

1075
00:14:12,000 --> 00:14:12,352
And now for more news
of the momentous artistic event

1076
00:14:12,360 --> 00:14:12,712
And now for more news
of the momentous artistic event

1077
00:14:12,720 --> 00:14:13,755
And now for more news
of the momentous artistic event

1078
00:14:13,960 --> 00:14:14,312
when Picasso is doing a specially
commissioned painting for us

1079
00:14:14,320 --> 00:14:14,672
when Picasso is doing a specially
commissioned painting for us

1080
00:14:14,680 --> 00:14:15,032
when Picasso is doing a specially
commissioned painting for us

1081
00:14:15,040 --> 00:14:15,392
when Picasso is doing a specially
commissioned painting for us

1082
00:14:15,400 --> 00:14:15,752
when Picasso is doing a specially
commissioned painting for us

1083
00:14:15,760 --> 00:14:17,079
when Picasso is doing a specially
commissioned painting for us

1084
00:14:17,240 --> 00:14:17,592
whilst riding a bicycle.

1085
00:14:17,600 --> 00:14:17,952
whilst riding a bicycle.

1086
00:14:17,960 --> 00:14:19,188
whilst riding a bicycle.

1087
00:14:19,360 --> 00:14:19,712
Pablo Picasso,
the founder of modern art--

1088
00:14:19,720 --> 00:14:20,072
Pablo Picasso,
the founder of modern art--

1089
00:14:20,080 --> 00:14:20,432
Pablo Picasso,
the founder of modern art--

1090
00:14:20,440 --> 00:14:21,793
Pablo Picasso,
the founder of modern art--

1091
00:14:21,960 --> 00:14:22,312
Without doubt,
the greatest abstract painter ever.

1092
00:14:22,320 --> 00:14:22,672
Without doubt,
the greatest abstract painter ever.

1093
00:14:22,680 --> 00:14:23,032
Without doubt,
the greatest abstract painter ever.

1094
00:14:23,040 --> 00:14:23,392
Without doubt,
the greatest abstract painter ever.

1095
00:14:23,400 --> 00:14:24,753
Without doubt,
the greatest abstract painter ever.

1096
00:14:24,920 --> 00:14:25,272
--For the first time
painting in motion.

1097
00:14:25,280 --> 00:14:25,632
--For the first time
painting in motion.

1098
00:14:25,640 --> 00:14:25,992
--For the first time
painting in motion.

1099
00:14:26,000 --> 00:14:26,352
--For the first time
painting in motion.

1100
00:14:26,360 --> 00:14:27,713
--For the first time
painting in motion.

1101
00:14:27,880 --> 00:14:28,232
But first, let's have a look
at the route he'll be taking.

1102
00:14:28,240 --> 00:14:28,592
But first, let's have a look
at the route he'll be taking.

1103
00:14:28,600 --> 00:14:28,952
But first, let's have a look
at the route he'll be taking.

1104
00:14:28,960 --> 00:14:29,312
But first, let's have a look
at the route he'll be taking.

1105
00:14:29,320 --> 00:14:30,639
But first, let's have a look
at the route he'll be taking.

1106
00:14:30,800 --> 00:14:31,152
Well, Picasso will be starting, David,
at Chichester here.

1107
00:14:31,160 --> 00:14:31,512
Well, Picasso will be starting, David,
at Chichester here.

1108
00:14:31,520 --> 00:14:31,872
Well, Picasso will be starting, David,
at Chichester here.

1109
00:14:31,880 --> 00:14:32,232
Well, Picasso will be starting, David,
at Chichester here.

1110
00:14:32,240 --> 00:14:32,592
Well, Picasso will be starting, David,
at Chichester here.

1111
00:14:32,600 --> 00:14:32,952
Well, Picasso will be starting, David,
at Chichester here.

1112
00:14:32,960 --> 00:14:33,312
Well, Picasso will be starting, David,
at Chichester here.

1113
00:14:33,320 --> 00:14:33,672
Well, Picasso will be starting, David,
at Chichester here.

1114
00:14:33,680 --> 00:14:34,032
Well, Picasso will be starting, David,
at Chichester here.

1115
00:14:34,040 --> 00:14:35,359
Well, Picasso will be starting, David,
at Chichester here.

1116
00:14:35,760 --> 00:14:36,112
He'll then cycle on the A29
to Fontwell.

1117
00:14:36,120 --> 00:14:36,472
He'll then cycle on the A29
to Fontwell.

1118
00:14:36,480 --> 00:14:36,832
He'll then cycle on the A29
to Fontwell.

1119
00:14:36,840 --> 00:14:37,192
He'll then cycle on the A29
to Fontwell.

1120
00:14:37,200 --> 00:14:37,552
He'll then cycle on the A29
to Fontwell.

1121
00:14:37,560 --> 00:14:38,754
He'll then cycle on the A29
to Fontwell.

1122
00:14:38,960 --> 00:14:39,312
He'll then take the A272,

1123
00:14:39,320 --> 00:14:39,672
He'll then take the A272,

1124
00:14:39,680 --> 00:14:40,954
He'll then take the A272,

1125
00:14:41,160 --> 00:14:41,512
which will bring him onto the A3,
just north of Hindhead here.

1126
00:14:41,520 --> 00:14:41,872
which will bring him onto the A3,
just north of Hindhead here.

1127
00:14:41,880 --> 00:14:42,232
which will bring him onto the A3,
just north of Hindhead here.

1128
00:14:42,240 --> 00:14:42,592
which will bring him onto the A3,
just north of Hindhead here.

1129
00:14:42,600 --> 00:14:42,952
which will bring him onto the A3,
just north of Hindhead here.

1130
00:14:42,960 --> 00:14:43,312
which will bring him onto the A3,
just north of Hindhead here.

1131
00:14:43,320 --> 00:14:43,672
which will bring him onto the A3,
just north of Hindhead here.

1132
00:14:43,680 --> 00:14:44,032
which will bring him onto the A3,
just north of Hindhead here.

1133
00:14:44,040 --> 00:14:45,314
which will bring him onto the A3,
just north of Hindhead here.

1134
00:14:45,480 --> 00:14:45,832
From then on,
Pablo has a straight run on the A3

1135
00:14:45,840 --> 00:14:46,192
From then on,
Pablo has a straight run on the A3

1136
00:14:46,200 --> 00:14:46,552
From then on,
Pablo has a straight run on the A3

1137
00:14:46,560 --> 00:14:46,912
From then on,
Pablo has a straight run on the A3

1138
00:14:46,920 --> 00:14:48,148
From then on,
Pablo has a straight run on the A3

1139
00:14:48,320 --> 00:14:48,672
until he meets the South Circular
at Battersea here.

1140
00:14:48,680 --> 00:14:49,032
until he meets the South Circular
at Battersea here.

1141
00:14:49,040 --> 00:14:49,392
until he meets the South Circular
at Battersea here.

1142
00:14:49,400 --> 00:14:49,752
until he meets the South Circular
at Battersea here.

1143
00:14:49,760 --> 00:14:50,112
until he meets the South Circular
at Battersea here.

1144
00:14:50,120 --> 00:14:50,472
until he meets the South Circular
at Battersea here.

1145
00:14:50,480 --> 00:14:51,595
until he meets the South Circular
at Battersea here.

1146
00:14:51,760 --> 00:14:52,112
This is a truly
remarkable occasion

1147
00:14:52,120 --> 00:14:52,472
This is a truly
remarkable occasion

1148
00:14:52,480 --> 00:14:53,549
This is a truly
remarkable occasion

1149
00:14:53,760 --> 00:14:54,112
as it is the first time
that a modern artist of such stature

1150
00:14:54,120 --> 00:14:54,472
as it is the first time
that a modern artist of such stature

1151
00:14:54,480 --> 00:14:54,832
as it is the first time
that a modern artist of such stature

1152
00:14:54,840 --> 00:14:55,192
as it is the first time
that a modern artist of such stature

1153
00:14:55,200 --> 00:14:55,552
as it is the first time
that a modern artist of such stature

1154
00:14:55,560 --> 00:14:55,912
as it is the first time
that a modern artist of such stature

1155
00:14:55,920 --> 00:14:56,272
as it is the first time
that a modern artist of such stature

1156
00:14:56,280 --> 00:14:56,632
as it is the first time
that a modern artist of such stature

1157
00:14:56,640 --> 00:14:57,675
as it is the first time
that a modern artist of such stature

1158
00:14:57,840 --> 00:14:58,192
has taken the A272.

1159
00:14:58,200 --> 00:14:58,552
has taken the A272.

1160
00:14:58,560 --> 00:14:58,912
has taken the A272.

1161
00:14:58,920 --> 00:15:00,035
has taken the A272.

1162
00:15:00,200 --> 00:15:00,552
And it'll be very interesting
to see how he copes

1163
00:15:00,560 --> 00:15:00,912
And it'll be very interesting
to see how he copes

1164
00:15:00,920 --> 00:15:01,272
And it'll be very interesting
to see how he copes

1165
00:15:01,280 --> 00:15:01,632
And it'll be very interesting
to see how he copes

1166
00:15:01,640 --> 00:15:02,755
And it'll be very interesting
to see how he copes

1167
00:15:02,960 --> 00:15:03,312
with the heavy traffic
round Wisborough Green. Vicky.

1168
00:15:03,320 --> 00:15:03,672
with the heavy traffic
round Wisborough Green. Vicky.

1169
00:15:03,680 --> 00:15:04,032
with the heavy traffic
round Wisborough Green. Vicky.

1170
00:15:04,040 --> 00:15:04,392
with the heavy traffic
round Wisborough Green. Vicky.

1171
00:15:04,400 --> 00:15:05,719
with the heavy traffic
round Wisborough Green. Vicky.

1172
00:15:06,000 --> 00:15:06,352
Well, Picasso will be riding
his Viking Super Roadster

1173
00:15:06,360 --> 00:15:06,712
Well, Picasso will be riding
his Viking Super Roadster

1174
00:15:06,720 --> 00:15:07,072
Well, Picasso will be riding
his Viking Super Roadster

1175
00:15:07,080 --> 00:15:07,432
Well, Picasso will be riding
his Viking Super Roadster

1176
00:15:07,440 --> 00:15:08,714
Well, Picasso will be riding
his Viking Super Roadster

1177
00:15:08,880 --> 00:15:09,232
with drop handlebars
and dual-thread wheel rims.

1178
00:15:09,240 --> 00:15:09,592
with drop handlebars
and dual-thread wheel rims.

1179
00:15:09,600 --> 00:15:09,952
with drop handlebars
and dual-thread wheel rims.

1180
00:15:09,960 --> 00:15:11,313
with drop handlebars
and dual-thread wheel rims.

1181
00:15:11,480 --> 00:15:11,832
And with his Wiley-Prat
20-1 synchro-mesh,

1182
00:15:11,840 --> 00:15:12,192
And with his Wiley-Prat
20-1 synchro-mesh,

1183
00:15:12,200 --> 00:15:12,552
And with his Wiley-Prat
20-1 synchro-mesh,

1184
00:15:12,560 --> 00:15:13,754
And with his Wiley-Prat
20-1 synchro-mesh,

1185
00:15:13,960 --> 00:15:14,312
he should experience difficulties
on the road surfaces

1186
00:15:14,320 --> 00:15:14,672
he should experience difficulties
on the road surfaces

1187
00:15:14,680 --> 00:15:15,032
he should experience difficulties
on the road surfaces

1188
00:15:15,040 --> 00:15:15,392
he should experience difficulties
on the road surfaces

1189
00:15:15,400 --> 00:15:16,628
he should experience difficulties
on the road surfaces

1190
00:15:16,800 --> 00:15:17,152
they just don't get abroad. Mitzie.

1191
00:15:17,160 --> 00:15:17,512
they just don't get abroad. Mitzie.

1192
00:15:17,520 --> 00:15:18,873
they just don't get abroad. Mitzie.

1193
00:15:19,040 --> 00:15:19,392
Now, for the latest report
on Picasso's progress,

1194
00:15:19,400 --> 00:15:19,752
Now, for the latest report
on Picasso's progress,

1195
00:15:19,760 --> 00:15:20,112
Now, for the latest report
on Picasso's progress,

1196
00:15:20,120 --> 00:15:21,314
Now, for the latest report
on Picasso's progress,

1197
00:15:21,480 --> 00:15:21,832
over to Reg Moss
on the Guildford bypass.

1198
00:15:21,840 --> 00:15:22,192
over to Reg Moss
on the Guildford bypass.

1199
00:15:22,200 --> 00:15:22,552
over to Reg Moss
on the Guildford bypass.

1200
00:15:22,560 --> 00:15:23,754
over to Reg Moss
on the Guildford bypass.

1201
00:15:23,960 --> 00:15:24,312
Well, there's no sign of
Picasso at the moment, David,

1202
00:15:24,320 --> 00:15:24,672
Well, there's no sign of
Picasso at the moment, David,

1203
00:15:24,680 --> 00:15:25,954
Well, there's no sign of
Picasso at the moment, David,

1204
00:15:26,160 --> 00:15:26,512
but he should be through here
at any moment.

1205
00:15:26,520 --> 00:15:26,872
but he should be through here
at any moment.

1206
00:15:26,880 --> 00:15:28,108
but he should be through here
at any moment.

1207
00:15:28,280 --> 00:15:28,632
However, I do have with me
Mr. Ron Geppo,

1208
00:15:28,640 --> 00:15:28,992
However, I do have with me
Mr. Ron Geppo,

1209
00:15:29,000 --> 00:15:29,352
However, I do have with me
Mr. Ron Geppo,

1210
00:15:29,360 --> 00:15:29,712
However, I do have with me
Mr. Ron Geppo,

1211
00:15:29,720 --> 00:15:30,755
However, I do have with me
Mr. Ron Geppo,

1212
00:15:30,960 --> 00:15:31,312
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1213
00:15:31,320 --> 00:15:31,672
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1214
00:15:31,680 --> 00:15:32,032
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1215
00:15:32,040 --> 00:15:32,392
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1216
00:15:32,400 --> 00:15:32,752
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1217
00:15:32,760 --> 00:15:33,112
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1218
00:15:33,120 --> 00:15:33,472
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1219
00:15:33,480 --> 00:15:33,832
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1220
00:15:33,840 --> 00:15:35,034
British cycling sprint champion and this
year's winner of the Derby-Doncaster rally.

1221
00:15:35,200 --> 00:15:35,552
Well, Reg, I think Pablo should be all
right, provided he doesn't attempt anything

1222
00:15:35,560 --> 00:15:35,912
Well, Reg, I think Pablo should be all
right, provided he doesn't attempt anything

1223
00:15:35,920 --> 00:15:36,272
Well, Reg, I think Pablo should be all
right, provided he doesn't attempt anything

1224
00:15:36,280 --> 00:15:36,632
Well, Reg, I think Pablo should be all
right, provided he doesn't attempt anything

1225
00:15:36,640 --> 00:15:36,992
Well, Reg, I think Pablo should be all
right, provided he doesn't attempt anything

1226
00:15:37,000 --> 00:15:37,352
Well, Reg, I think Pablo should be all
right, provided he doesn't attempt anything

1227
00:15:37,360 --> 00:15:38,554
Well, Reg, I think Pablo should be all
right, provided he doesn't attempt anything

1228
00:15:38,760 --> 00:15:39,112
on the monumental scale
of some of his earlier paintings,

1229
00:15:39,120 --> 00:15:39,472
on the monumental scale
of some of his earlier paintings,

1230
00:15:39,480 --> 00:15:39,832
on the monumental scale
of some of his earlier paintings,

1231
00:15:39,840 --> 00:15:41,159
on the monumental scale
of some of his earlier paintings,

1232
00:15:41,320 --> 00:15:41,672
like Guernica
or Les Demoise/les d'Avignon,

1233
00:15:41,680 --> 00:15:42,032
like Guernica
or Les Demoise/les d'Avignon,

1234
00:15:42,040 --> 00:15:42,392
like Guernica
or Les Demoise/les d'Avignon,

1235
00:15:42,400 --> 00:15:43,594
like Guernica
or Les Demoise/les d'Avignon,

1236
00:15:43,760 --> 00:15:44,112
or even his later War and Peace mural for
the Temple of Peace chapel at Vallauris.

1237
00:15:44,120 --> 00:15:44,472
or even his later War and Peace mural for
the Temple of Peace chapel at Vallauris.

1238
00:15:44,480 --> 00:15:44,832
or even his later War and Peace mural for
the Temple of Peace chapel at Vallauris.

1239
00:15:44,840 --> 00:15:45,192
or even his later War and Peace mural for
the Temple of Peace chapel at Vallauris.

1240
00:15:45,200 --> 00:15:45,552
or even his later War and Peace mural for
the Temple of Peace chapel at Vallauris.

1241
00:15:45,560 --> 00:15:45,912
or even his later War and Peace mural for
the Temple of Peace chapel at Vallauris.

1242
00:15:45,920 --> 00:15:47,148
or even his later War and Peace mural for
the Temple of Peace chapel at Vallauris.

1243
00:15:47,320 --> 00:15:48,514
Because with this
strong headwind,

1244
00:15:48,680 --> 00:15:49,032
I don't think even Doug Timpson
of Manchester Harriers

1245
00:15:49,040 --> 00:15:49,392
I don't think even Doug Timpson
of Manchester Harriers

1246
00:15:49,400 --> 00:15:49,752
I don't think even Doug Timpson
of Manchester Harriers

1247
00:15:49,760 --> 00:15:50,112
I don't think even Doug Timpson
of Manchester Harriers

1248
00:15:50,120 --> 00:15:51,269
I don't think even Doug Timpson
of Manchester Harriers

1249
00:15:51,440 --> 00:15:51,792
could paint anything
on that kind of scale.

1250
00:15:51,800 --> 00:15:52,152
could paint anything
on that kind of scale.

1251
00:15:52,160 --> 00:15:52,512
could paint anything
on that kind of scale.

1252
00:15:52,520 --> 00:15:53,748
could paint anything
on that kind of scale.

1253
00:15:53,920 --> 00:15:54,272
Well, thank you, Ron.

1254
00:15:54,280 --> 00:15:55,315
Well, thank you, Ron.

1255
00:15:55,520 --> 00:15:55,872
Well, there still seems
to be no sign of Picasso,

1256
00:15:55,880 --> 00:15:56,232
Well, there still seems
to be no sign of Picasso,

1257
00:15:56,240 --> 00:15:56,592
Well, there still seems
to be no sign of Picasso,

1258
00:15:56,600 --> 00:15:57,794
Well, there still seems
to be no sign of Picasso,

1259
00:15:57,960 --> 00:15:58,312
so I'll hand you back
to the studio.

1260
00:15:58,320 --> 00:15:59,673
so I'll hand you back
to the studio.

1261
00:16:00,160 --> 00:16:00,512
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1262
00:16:00,520 --> 00:16:00,872
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1263
00:16:00,880 --> 00:16:01,232
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1264
00:16:01,240 --> 00:16:01,592
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1265
00:16:01,600 --> 00:16:01,952
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1266
00:16:01,960 --> 00:16:02,312
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1267
00:16:02,320 --> 00:16:02,672
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1268
00:16:02,680 --> 00:16:03,908
Well, we've just heard that Picasso's
approaching the Tolworth roundabout on the A3,

1269
00:16:04,080 --> 00:16:04,432
so come in,
Sam Trench at Tolworth.

1270
00:16:04,440 --> 00:16:04,792
so come in,
Sam Trench at Tolworth.

1271
00:16:04,800 --> 00:16:05,152
so come in,
Sam Trench at Tolworth.

1272
00:16:05,160 --> 00:16:06,229
so come in,
Sam Trench at Tolworth.

1273
00:16:06,400 --> 00:16:06,752
Something certainly is happening
here at Tolworth roundabout.

1274
00:16:06,760 --> 00:16:07,112
Something certainly is happening
here at Tolworth roundabout.

1275
00:16:07,120 --> 00:16:07,472
Something certainly is happening
here at Tolworth roundabout.

1276
00:16:07,480 --> 00:16:07,832
Something certainly is happening
here at Tolworth roundabout.

1277
00:16:07,840 --> 00:16:09,193
Something certainly is happening
here at Tolworth roundabout.

1278
00:16:09,360 --> 00:16:10,509
I can now see Picasso.

1279
00:16:10,680 --> 00:16:11,032
He's cycling towards the roundabout,
about 75, 50 yards away.

1280
00:16:11,040 --> 00:16:11,392
He's cycling towards the roundabout,
about 75, 50 yards away.

1281
00:16:11,400 --> 00:16:11,752
He's cycling towards the roundabout,
about 75, 50 yards away.

1282
00:16:11,760 --> 00:16:12,112
He's cycling towards the roundabout,
about 75, 50 yards away.

1283
00:16:12,120 --> 00:16:13,439
He's cycling towards the roundabout,
about 75, 50 yards away.

1284
00:16:13,600 --> 00:16:13,952
And I can now see his painting.
It's an abstract.

1285
00:16:13,960 --> 00:16:14,312
And I can now see his painting.
It's an abstract.

1286
00:16:14,320 --> 00:16:14,672
And I can now see his painting.
It's an abstract.

1287
00:16:14,680 --> 00:16:15,032
And I can now see his painting.
It's an abstract.

1288
00:16:15,040 --> 00:16:16,234
And I can now see his painting.
It's an abstract.

1289
00:16:16,400 --> 00:16:16,752
I can see some blue, some purple.
Some little, black oval shapes.

1290
00:16:16,760 --> 00:16:17,112
I can see some blue, some purple.
Some little, black oval shapes.

1291
00:16:17,120 --> 00:16:17,472
I can see some blue, some purple.
Some little, black oval shapes.

1292
00:16:17,480 --> 00:16:17,832
I can see some blue, some purple.
Some little, black oval shapes.

1293
00:16:17,840 --> 00:16:18,192
I can see some blue, some purple.
Some little, black oval shapes.

1294
00:16:18,200 --> 00:16:19,394
I can see some blue, some purple.
Some little, black oval shapes.

1295
00:16:19,560 --> 00:16:19,912
I think I can see--
That's not Picasso, that's Kandinsky.

1296
00:16:19,920 --> 00:16:20,272
I think I can see--
That's not Picasso, that's Kandinsky.

1297
00:16:20,280 --> 00:16:20,632
I think I can see--
That's not Picasso, that's Kandinsky.

1298
00:16:20,640 --> 00:16:20,992
I think I can see--
That's not Picasso, that's Kandinsky.

1299
00:16:21,000 --> 00:16:21,352
I think I can see--
That's not Picasso, that's Kandinsky.

1300
00:16:21,360 --> 00:16:21,712
I think I can see--
That's not Picasso, that's Kandinsky.

1301
00:16:21,720 --> 00:16:22,072
I think I can see--
That's not Picasso, that's Kandinsky.

1302
00:16:22,080 --> 00:16:22,432
I think I can see--
That's not Picasso, that's Kandinsky.

1303
00:16:22,440 --> 00:16:23,589
I think I can see--
That's not Picasso, that's Kandinsky.

1304
00:16:23,760 --> 00:16:24,112
Good Lord, you're right. It's Kandinsky.
Wassily Kandinsky.

1305
00:16:24,120 --> 00:16:24,472
Good Lord, you're right. It's Kandinsky.
Wassily Kandinsky.

1306
00:16:24,480 --> 00:16:24,832
Good Lord, you're right. It's Kandinsky.
Wassily Kandinsky.

1307
00:16:24,840 --> 00:16:25,192
Good Lord, you're right. It's Kandinsky.
Wassily Kandinsky.

1308
00:16:25,200 --> 00:16:25,552
Good Lord, you're right. It's Kandinsky.
Wassily Kandinsky.

1309
00:16:25,560 --> 00:16:26,709
Good Lord, you're right. It's Kandinsky.
Wassily Kandinsky.

1310
00:16:26,880 --> 00:16:27,232
And who's this here with him?
It's Braque.

1311
00:16:27,240 --> 00:16:27,592
And who's this here with him?
It's Braque.

1312
00:16:27,600 --> 00:16:28,794
And who's this here with him?
It's Braque.

1313
00:16:28,960 --> 00:16:30,279
Georges Braque, the cubist,

1314
00:16:30,440 --> 00:16:30,792
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1315
00:16:30,800 --> 00:16:31,152
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1316
00:16:31,160 --> 00:16:31,512
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1317
00:16:31,520 --> 00:16:31,872
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1318
00:16:31,880 --> 00:16:32,232
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1319
00:16:32,240 --> 00:16:32,592
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1320
00:16:32,600 --> 00:16:32,952
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1321
00:16:32,960 --> 00:16:33,312
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1322
00:16:33,320 --> 00:16:33,672
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1323
00:16:33,680 --> 00:16:34,829
painting a bird in flight over a cornfield and
going very fast downhill towards Kingston.

1324
00:16:35,000 --> 00:16:35,352
And Piet Mondrian just behind.
Piet Mondrian, the neoplasticist.

1325
00:16:35,360 --> 00:16:35,712
And Piet Mondrian just behind.
Piet Mondrian, the neoplasticist.

1326
00:16:35,720 --> 00:16:36,072
And Piet Mondrian just behind.
Piet Mondrian, the neoplasticist.

1327
00:16:36,080 --> 00:16:36,432
And Piet Mondrian just behind.
Piet Mondrian, the neoplasticist.

1328
00:16:36,440 --> 00:16:36,792
And Piet Mondrian just behind.
Piet Mondrian, the neoplasticist.

1329
00:16:36,800 --> 00:16:37,994
And Piet Mondrian just behind.
Piet Mondrian, the neoplasticist.

1330
00:16:38,160 --> 00:16:38,512
Then a gap, then the main bunch.
Here they come.

1331
00:16:38,520 --> 00:16:38,872
Then a gap, then the main bunch.
Here they come.

1332
00:16:38,880 --> 00:16:39,232
Then a gap, then the main bunch.
Here they come.

1333
00:16:39,240 --> 00:16:40,559
Then a gap, then the main bunch.
Here they come.

1334
00:16:40,720 --> 00:16:41,072
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1335
00:16:41,080 --> 00:16:41,432
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1336
00:16:41,440 --> 00:16:41,792
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1337
00:16:41,800 --> 00:16:42,152
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1338
00:16:42,160 --> 00:16:42,512
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1339
00:16:42,520 --> 00:16:42,872
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1340
00:16:42,880 --> 00:16:43,232
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1341
00:16:43,240 --> 00:16:43,592
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1342
00:16:43,600 --> 00:16:44,874
Chagall, Max Ernst, Mirb, Dufy,
Ben Nicholson, Jackson Pollock

1343
00:16:45,040 --> 00:16:45,392
and Bernard Buffet, making a
break on the outside here.

1344
00:16:45,400 --> 00:16:45,752
and Bernard Buffet, making a
break on the outside here.

1345
00:16:45,760 --> 00:16:46,112
and Bernard Buffet, making a
break on the outside here.

1346
00:16:46,120 --> 00:16:46,472
and Bernard Buffet, making a
break on the outside here.

1347
00:16:46,480 --> 00:16:47,595
and Bernard Buffet, making a
break on the outside here.

1348
00:16:47,760 --> 00:16:48,112
Brancusi's going with him.
So is Gericault,

1349
00:16:48,120 --> 00:16:48,472
Brancusi's going with him.
So is Gericault,

1350
00:16:48,480 --> 00:16:48,832
Brancusi's going with him.
So is Gericault,

1351
00:16:48,840 --> 00:16:49,955
Brancusi's going with him.
So is Gericault,

1352
00:16:50,120 --> 00:16:50,472
Ferdinand Leger, Delaunay,
de Kooning.

1353
00:16:50,480 --> 00:16:50,832
Ferdinand Leger, Delaunay,
de Kooning.

1354
00:16:50,840 --> 00:16:51,192
Ferdinand Leger, Delaunay,
de Kooning.

1355
00:16:51,200 --> 00:16:52,269
Ferdinand Leger, Delaunay,
de Kooning.

1356
00:16:52,440 --> 00:16:52,792
Kokoschka's dropping back
here by a little bit

1357
00:16:52,800 --> 00:16:53,152
Kokoschka's dropping back
here by a little bit

1358
00:16:53,160 --> 00:16:53,512
Kokoschka's dropping back
here by a little bit

1359
00:16:53,520 --> 00:16:54,555
Kokoschka's dropping back
here by a little bit

1360
00:16:54,760 --> 00:16:55,112
and so is Paul Klee
dropping back a bit.

1361
00:16:55,120 --> 00:16:55,472
and so is Paul Klee
dropping back a bit.

1362
00:16:55,480 --> 00:16:56,754
and so is Paul Klee
dropping back a bit.

1363
00:16:56,920 --> 00:16:57,272
And right at the back of this group,
our very own Kurt Schwitters.

1364
00:16:57,280 --> 00:16:57,632
And right at the back of this group,
our very own Kurt Schwitters.

1365
00:16:57,640 --> 00:16:57,992
And right at the back of this group,
our very own Kurt Schwitters.

1366
00:16:58,000 --> 00:16:58,352
And right at the back of this group,
our very own Kurt Schwitters.

1367
00:16:58,360 --> 00:16:58,712
And right at the back of this group,
our very own Kurt Schwitters.

1368
00:16:58,720 --> 00:16:59,072
And right at the back of this group,
our very own Kurt Schwitters.

1369
00:16:59,080 --> 00:16:59,432
And right at the back of this group,
our very own Kurt Schwitters.

1370
00:16:59,440 --> 00:17:00,589
And right at the back of this group,
our very own Kurt Schwitters.

1371
00:17:00,760 --> 00:17:01,112
But as yet,
He's German.

1372
00:17:01,120 --> 00:17:02,314
But as yet,
He's German.

1373
00:17:02,520 --> 00:17:02,872
Absolutely no sign
of Pablo Picasso.

1374
00:17:02,880 --> 00:17:03,232
Absolutely no sign
of Pablo Picasso.

1375
00:17:03,240 --> 00:17:03,592
Absolutely no sign
of Pablo Picasso.

1376
00:17:03,600 --> 00:17:03,952
Absolutely no sign
of Pablo Picasso.

1377
00:17:03,960 --> 00:17:04,312
Absolutely no sign
of Pablo Picasso.

1378
00:17:04,320 --> 00:17:05,548
Absolutely no sign
of Pablo Picasso.

1379
00:17:05,720 --> 00:17:06,072
And so, from Tolworth
roundabout, back to the studio.

1380
00:17:06,080 --> 00:17:06,432
And so, from Tolworth
roundabout, back to the studio.

1381
00:17:06,440 --> 00:17:06,792
And so, from Tolworth
roundabout, back to the studio.

1382
00:17:06,800 --> 00:17:07,152
And so, from Tolworth
roundabout, back to the studio.

1383
00:17:07,160 --> 00:17:07,512
And so, from Tolworth
roundabout, back to the studio.

1384
00:17:07,520 --> 00:17:07,872
And so, from Tolworth
roundabout, back to the studio.

1385
00:17:07,880 --> 00:17:08,232
And so, from Tolworth
roundabout, back to the studio.

1386
00:17:08,240 --> 00:17:08,592
And so, from Tolworth
roundabout, back to the studio.

1387
00:17:08,600 --> 00:17:09,919
And so, from Tolworth
roundabout, back to the studio.

1388
00:17:15,480 --> 00:17:15,832
Well, I think I can help you there.

1389
00:17:15,840 --> 00:17:16,875
Well, I think I can help you there.

1390
00:17:17,040 --> 00:17:17,392
We're getting reports in from the AA
that Picasso--

1391
00:17:17,400 --> 00:17:17,752
We're getting reports in from the AA
that Picasso--

1392
00:17:17,760 --> 00:17:18,112
We're getting reports in from the AA
that Picasso--

1393
00:17:18,120 --> 00:17:18,472
We're getting reports in from the AA
that Picasso--

1394
00:17:18,480 --> 00:17:19,674
We're getting reports in from the AA
that Picasso--

1395
00:17:19,840 --> 00:17:20,192
Picasso has fallen off.
He's fallen off his bicycle

1396
00:17:20,200 --> 00:17:20,552
Picasso has fallen off.
He's fallen off his bicycle

1397
00:17:20,560 --> 00:17:20,912
Picasso has fallen off.
He's fallen off his bicycle

1398
00:17:20,920 --> 00:17:22,239
Picasso has fallen off.
He's fallen off his bicycle

1399
00:17:22,400 --> 00:17:22,752
on the B2127,
just outside Ewhurst

1400
00:17:22,760 --> 00:17:23,112
on the B2127,
just outside Ewhurst

1401
00:17:23,120 --> 00:17:23,472
on the B2127,
just outside Ewhurst

1402
00:17:23,480 --> 00:17:23,832
on the B2127,
just outside Ewhurst

1403
00:17:23,840 --> 00:17:25,034
on the B2127,
just outside Ewhurst

1404
00:17:25,200 --> 00:17:25,552
trying to get a shortcut to Dorking
via Gomslake and Peashall.

1405
00:17:25,560 --> 00:17:25,912
trying to get a shortcut to Dorking
via Gomslake and Peashall.

1406
00:17:25,920 --> 00:17:26,272
trying to get a shortcut to Dorking
via Gomslake and Peashall.

1407
00:17:26,280 --> 00:17:26,632
trying to get a shortcut to Dorking
via Gomslake and Peashall.

1408
00:17:26,640 --> 00:17:26,992
trying to get a shortcut to Dorking
via Gomslake and Peashall.

1409
00:17:27,000 --> 00:17:27,352
trying to get a shortcut to Dorking
via Gomslake and Peashall.

1410
00:17:27,360 --> 00:17:28,429
trying to get a shortcut to Dorking
via Gomslake and Peashall.

1411
00:17:28,600 --> 00:17:28,952
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1412
00:17:28,960 --> 00:17:29,312
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1413
00:17:29,320 --> 00:17:29,672
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1414
00:17:29,680 --> 00:17:30,032
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1415
00:17:30,040 --> 00:17:30,392
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1416
00:17:30,400 --> 00:17:30,752
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1417
00:17:30,760 --> 00:17:31,112
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1418
00:17:31,120 --> 00:17:31,472
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1419
00:17:31,480 --> 00:17:31,832
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1420
00:17:31,840 --> 00:17:32,192
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1421
00:17:32,200 --> 00:17:33,553
Well, Picasso is reported to be unhurt,
but the pig has a slight headache.

1422
00:17:33,760 --> 00:17:34,112
And on that note,
we must say good night to you.

1423
00:17:34,120 --> 00:17:34,472
And on that note,
we must say good night to you.

1424
00:17:34,480 --> 00:17:34,832
And on that note,
we must say good night to you.

1425
00:17:34,840 --> 00:17:35,192
And on that note,
we must say good night to you.

1426
00:17:35,200 --> 00:17:35,552
And on that note,
we must say good night to you.

1427
00:17:35,560 --> 00:17:35,912
And on that note,
we must say good night to you.

1428
00:17:35,920 --> 00:17:36,955
And on that note,
we must say good night to you.

1429
00:17:37,160 --> 00:17:37,512
Picasso has failed in his first bid
for international cycling fame.

1430
00:17:37,520 --> 00:17:37,872
Picasso has failed in his first bid
for international cycling fame.

1431
00:17:37,880 --> 00:17:38,232
Picasso has failed in his first bid
for international cycling fame.

1432
00:17:38,240 --> 00:17:38,592
Picasso has failed in his first bid
for international cycling fame.

1433
00:17:38,600 --> 00:17:38,952
Picasso has failed in his first bid
for international cycling fame.

1434
00:17:38,960 --> 00:17:40,279
Picasso has failed in his first bid
for international cycling fame.

1435
00:17:40,440 --> 00:17:40,792
So from all of us here at the
It's the Arts studio, it's good night.

1436
00:17:40,800 --> 00:17:41,152
So from all of us here at the
It's the Arts studio, it's good night.

1437
00:17:41,160 --> 00:17:41,512
So from all of us here at the
It's the Arts studio, it's good night.

1438
00:17:41,520 --> 00:17:41,872
So from all of us here at the
It's the Arts studio, it's good night.

1439
00:17:41,880 --> 00:17:43,029
So from all of us here at the
It's the Arts studio, it's good night.

1440
00:17:43,200 --> 00:17:43,552
Good night.

1441
00:17:43,560 --> 00:17:44,595
Good night.

1442
00:17:44,760 --> 00:17:46,079
[PIG SQUEALING]

1443
00:17:47,160 --> 00:17:47,512
[my

1444
00:17:47,520 --> 00:17:47,872
[my

1445
00:17:47,880 --> 00:17:48,232
[my

1446
00:17:48,240 --> 00:17:48,592
[my

1447
00:17:48,600 --> 00:17:48,952
[my

1448
00:17:48,960 --> 00:17:50,029
[my

1449
00:17:55,160 --> 00:17:56,229
MAN:
Hold it.

1450
00:17:57,680 --> 00:17:58,032
Sit up.

1451
00:17:58,040 --> 00:17:59,155
Sit up.

1452
00:18:00,040 --> 00:18:01,189
Sit up.

1453
00:18:01,360 --> 00:18:01,712
[GRUNTING]

1454
00:18:01,720 --> 00:18:02,755
[GRUNTING]

1455
00:18:03,440 --> 00:18:04,509
Sit up.

1456
00:18:04,680 --> 00:18:05,032
[GRUNTING]

1457
00:18:05,040 --> 00:18:05,392
[GRUNTING]

1458
00:18:05,400 --> 00:18:05,752
[GRUNTING]

1459
00:18:05,760 --> 00:18:06,112
[GRUNTING]

1460
00:18:06,120 --> 00:18:06,472
[GRUNTING]

1461
00:18:06,480 --> 00:18:06,832
[GRUNTING]

1462
00:18:06,840 --> 00:18:07,875
[GRUNTING]

1463
00:18:08,880 --> 00:18:10,029
Sit up.

1464
00:18:10,200 --> 00:18:11,315
Argh!

1465
00:18:11,480 --> 00:18:11,832
[MEN GRUMBLING AND GRUNTING]

1466
00:18:11,840 --> 00:18:12,192
[MEN GRUMBLING AND GRUNTING]

1467
00:18:12,200 --> 00:18:12,552
[MEN GRUMBLING AND GRUNTING]

1468
00:18:12,560 --> 00:18:12,912
[MEN GRUMBLING AND GRUNTING]

1469
00:18:12,920 --> 00:18:13,272
[MEN GRUMBLING AND GRUNTING]

1470
00:18:13,280 --> 00:18:13,632
[MEN GRUMBLING AND GRUNTING]

1471
00:18:13,640 --> 00:18:13,992
[MEN GRUMBLING AND GRUNTING]

1472
00:18:14,000 --> 00:18:14,352
[MEN GRUMBLING AND GRUNTING]

1473
00:18:14,360 --> 00:18:15,395
[MEN GRUMBLING AND GRUNTING]

1474
00:18:17,680 --> 00:18:18,829
Ah!

1475
00:18:19,000 --> 00:18:19,352
[WOMAN AND MEN GRUMBLING
AND GRUNTING]

1476
00:18:19,360 --> 00:18:19,712
[WOMAN AND MEN GRUMBLING
AND GRUNTING]

1477
00:18:19,720 --> 00:18:20,072
[WOMAN AND MEN GRUMBLING
AND GRUNTING]

1478
00:18:20,080 --> 00:18:20,432
[WOMAN AND MEN GRUMBLING
AND GRUNTING]

1479
00:18:20,440 --> 00:18:20,792
[WOMAN AND MEN GRUMBLING
AND GRUNTING]

1480
00:18:20,800 --> 00:18:21,869
[WOMAN AND MEN GRUMBLING
AND GRUNTING]

1481
00:18:24,400 --> 00:18:24,752
WOMAN:
Shh. There's somebody out there.

1482
00:18:24,760 --> 00:18:25,112
WOMAN:
Shh. There's somebody out there.

1483
00:18:25,120 --> 00:18:25,472
WOMAN:
Shh. There's somebody out there.

1484
00:18:25,480 --> 00:18:25,832
WOMAN:
Shh. There's somebody out there.

1485
00:18:25,840 --> 00:18:26,192
WOMAN:
Shh. There's somebody out there.

1486
00:18:26,200 --> 00:18:27,474
WOMAN:
Shh. There's somebody out there.

1487
00:18:27,640 --> 00:18:28,755
MAN:
Huh?

1488
00:18:30,240 --> 00:18:30,592
[BLABBERING]

1489
00:18:30,600 --> 00:18:30,952
[BLABBERING]

1490
00:18:30,960 --> 00:18:31,312
[BLABBERING]

1491
00:18:31,320 --> 00:18:31,672
[BLABBERING]

1492
00:18:31,680 --> 00:18:32,032
[BLABBERING]

1493
00:18:32,040 --> 00:18:33,234
[BLABBERING]

1494
00:18:36,160 --> 00:18:36,512
Help! Help me!
I'm trapped in this body.

1495
00:18:36,520 --> 00:18:36,872
Help! Help me!
I'm trapped in this body.

1496
00:18:36,880 --> 00:18:37,995
Help! Help me!
I'm trapped in this body.

1497
00:18:38,160 --> 00:18:38,512
Oh, please, help me out. Ah!

1498
00:18:38,520 --> 00:18:38,872
Oh, please, help me out. Ah!

1499
00:18:38,880 --> 00:18:39,232
Oh, please, help me out. Ah!

1500
00:18:39,240 --> 00:18:39,592
Oh, please, help me out. Ah!

1501
00:18:39,600 --> 00:18:40,715
Oh, please, help me out. Ah!

1502
00:18:40,920 --> 00:18:41,272
[CLICK-CLACK, CLICK-CLACK]

1503
00:18:41,280 --> 00:18:41,632
[CLICK-CLACK, CLICK-CLACK]

1504
00:18:41,640 --> 00:18:41,992
[CLICK-CLACK, CLICK-CLACK]

1505
00:18:42,000 --> 00:18:42,352
[CLICK-CLACK, CLICK-CLACK]

1506
00:18:42,360 --> 00:18:42,712
[CLICK-CLACK, CLICK-CLACK]

1507
00:18:42,720 --> 00:18:43,072
[CLICK-CLACK, CLICK-CLACK]

1508
00:18:43,080 --> 00:18:43,432
[CLICK-CLACK, CLICK-CLACK]

1509
00:18:43,440 --> 00:18:43,792
[CLICK-CLACK, CLICK-CLACK]

1510
00:18:43,800 --> 00:18:44,152
[CLICK-CLACK, CLICK-CLACK]

1511
00:18:44,160 --> 00:18:44,512
[CLICK-CLACK, CLICK-CLACK]

1512
00:18:44,520 --> 00:18:45,555
[CLICK-CLACK, CLICK-CLACK]

1513
00:18:45,720 --> 00:18:46,072
[CLANGING]

1514
00:18:46,080 --> 00:18:46,432
[CLANGING]

1515
00:18:46,440 --> 00:18:46,792
[CLANGING]

1516
00:18:46,800 --> 00:18:47,152
[CLANGING]

1517
00:18:47,160 --> 00:18:48,354
[CLANGING]

1518
00:18:48,520 --> 00:18:48,872
Help me! Oh, please, help me out!

1519
00:18:48,880 --> 00:18:49,232
Help me! Oh, please, help me out!

1520
00:18:49,240 --> 00:18:50,468
Help me! Oh, please, help me out!

1521
00:18:50,640 --> 00:18:50,992
[BLABBERING]

1522
00:18:51,000 --> 00:18:51,352
[BLABBERING]

1523
00:18:51,360 --> 00:18:51,712
[BLABBERING]

1524
00:18:51,720 --> 00:18:52,072
[BLABBERING]

1525
00:18:52,080 --> 00:18:52,432
[BLABBERING]

1526
00:18:52,440 --> 00:18:52,792
[BLABBERING]

1527
00:18:52,800 --> 00:18:53,152
[BLABBERING]

1528
00:18:53,160 --> 00:18:53,512
[BLABBERING]

1529
00:18:53,520 --> 00:18:53,872
[BLABBERING]

1530
00:18:53,880 --> 00:18:54,995
[BLABBERING]

1531
00:18:55,200 --> 00:18:55,552
[CLICK-CLACK, CLICK-CLACK]

1532
00:18:55,560 --> 00:18:56,788
[CLICK-CLACK, CLICK-CLACK]

1533
00:18:57,560 --> 00:18:57,912
[BUZZ]

1534
00:18:57,920 --> 00:18:58,272
[BUZZ]

1535
00:18:58,280 --> 00:18:58,632
[BUZZ]

1536
00:18:58,640 --> 00:18:58,992
[BUZZ]

1537
00:18:59,000 --> 00:18:59,352
[BUZZ]

1538
00:18:59,360 --> 00:19:00,475
[BUZZ]

1539
00:19:00,640 --> 00:19:00,992
I'm free! I'm free! I'm free!

1540
00:19:01,000 --> 00:19:01,352
I'm free! I'm free! I'm free!

1541
00:19:01,360 --> 00:19:01,712
I'm free! I'm free! I'm free!

1542
00:19:01,720 --> 00:19:02,835
I'm free! I'm free! I'm free!

1543
00:19:03,360 --> 00:19:03,712
[MUFFLED SCREAMING]

1544
00:19:03,720 --> 00:19:04,789
[MUFFLED SCREAMING]

1545
00:19:09,640 --> 00:19:09,992
[FOOTSTEPS APPROACHING]

1546
00:19:10,000 --> 00:19:10,352
[FOOTSTEPS APPROACHING]

1547
00:19:10,360 --> 00:19:10,712
[FOOTSTEPS APPROACHING]

1548
00:19:10,720 --> 00:19:11,072
[FOOTSTEPS APPROACHING]

1549
00:19:11,080 --> 00:19:11,432
[FOOTSTEPS APPROACHING]

1550
00:19:11,440 --> 00:19:11,792
[FOOTSTEPS APPROACHING]

1551
00:19:11,800 --> 00:19:12,152
[FOOTSTEPS APPROACHING]

1552
00:19:12,160 --> 00:19:12,512
[FOOTSTEPS APPROACHING]

1553
00:19:12,520 --> 00:19:13,555
[FOOTSTEPS APPROACHING]

1554
00:19:14,920 --> 00:19:15,272
Just checking.
Just checking.

1555
00:19:15,280 --> 00:19:15,632
Just checking.
Just checking.

1556
00:19:15,640 --> 00:19:15,992
Just checking.
Just checking.

1557
00:19:16,000 --> 00:19:16,352
Just checking.
Just checking.

1558
00:19:16,360 --> 00:19:16,712
Just checking.
Just checking.

1559
00:19:16,720 --> 00:19:17,835
Just checking.
Just checking.

1560
00:19:18,480 --> 00:19:18,832
[FOOTSTEPS LEAVING]

1561
00:19:18,840 --> 00:19:19,192
[FOOTSTEPS LEAVING]

1562
00:19:19,200 --> 00:19:19,552
[FOOTSTEPS LEAVING]

1563
00:19:19,560 --> 00:19:20,675
[FOOTSTEPS LEAVING]

1564
00:19:28,480 --> 00:19:28,832
WOMAN:
Oh, no, you don't.

1565
00:19:28,840 --> 00:19:29,192
WOMAN:
Oh, no, you don't.

1566
00:19:29,200 --> 00:19:29,552
WOMAN:
Oh, no, you don't.

1567
00:19:29,560 --> 00:19:30,629
WOMAN:
Oh, no, you don't.

1568
00:19:30,920 --> 00:19:31,272
[MAN GRUNTING AND GROANING]

1569
00:19:31,280 --> 00:19:31,632
[MAN GRUNTING AND GROANING]

1570
00:19:31,640 --> 00:19:31,992
[MAN GRUNTING AND GROANING]

1571
00:19:32,000 --> 00:19:33,035
[MAN GRUNTING AND GROANING]

1572
00:19:34,680 --> 00:19:35,032
[FESTIVE MUSIC PLAYING]

1573
00:19:35,040 --> 00:19:35,392
[FESTIVE MUSIC PLAYING]

1574
00:19:35,400 --> 00:19:35,752
[FESTIVE MUSIC PLAYING]

1575
00:19:35,760 --> 00:19:36,112
[FESTIVE MUSIC PLAYING]

1576
00:19:36,120 --> 00:19:36,472
[FESTIVE MUSIC PLAYING]

1577
00:19:36,480 --> 00:19:36,832
[FESTIVE MUSIC PLAYING]

1578
00:19:36,840 --> 00:19:37,192
[FESTIVE MUSIC PLAYING]

1579
00:19:37,200 --> 00:19:37,552
[FESTIVE MUSIC PLAYING]

1580
00:19:37,560 --> 00:19:37,912
[FESTIVE MUSIC PLAYING]

1581
00:19:37,920 --> 00:19:38,989
[FESTIVE MUSIC PLAYING]

1582
00:19:57,840 --> 00:19:59,114
BOTH:
Oh!

1583
00:20:02,840 --> 00:20:03,192
WOMAN:
There's somebody out there.

1584
00:20:03,200 --> 00:20:04,349
WOMAN:
There's somebody out there.

1585
00:20:04,520 --> 00:20:05,509
[GUNSHOT]

1586
00:20:05,680 --> 00:20:07,033
MAN:
Ooh!

1587
00:20:07,200 --> 00:20:07,552
[GIGGLING]

1588
00:20:07,560 --> 00:20:08,754
[GIGGLING]

1589
00:20:15,480 --> 00:20:15,832
[FOOTSTEPS APPROACHING]

1590
00:20:15,840 --> 00:20:16,192
[FOOTSTEPS APPROACHING]

1591
00:20:16,200 --> 00:20:16,552
[FOOTSTEPS APPROACHING]

1592
00:20:16,560 --> 00:20:16,912
[FOOTSTEPS APPROACHING]

1593
00:20:16,920 --> 00:20:17,272
[FOOTSTEPS APPROACHING]

1594
00:20:17,280 --> 00:20:17,632
[FOOTSTEPS APPROACHING]

1595
00:20:17,640 --> 00:20:17,992
[FOOTSTEPS APPROACHING]

1596
00:20:18,000 --> 00:20:18,352
[FOOTSTEPS APPROACHING]

1597
00:20:18,360 --> 00:20:18,712
[FOOTSTEPS APPROACHING]

1598
00:20:18,720 --> 00:20:19,072
[FOOTSTEPS APPROACHING]

1599
00:20:19,080 --> 00:20:19,432
[FOOTSTEPS APPROACHING]

1600
00:20:19,440 --> 00:20:19,792
[FOOTSTEPS APPROACHING]

1601
00:20:19,800 --> 00:20:20,152
[FOOTSTEPS APPROACHING]

1602
00:20:20,160 --> 00:20:20,512
[FOOTSTEPS APPROACHING]

1603
00:20:20,520 --> 00:20:21,714
[FOOTSTEPS APPROACHING]

1604
00:20:29,000 --> 00:20:29,352
[PIG SNORTING]

1605
00:20:29,360 --> 00:20:29,712
[PIG SNORTING]

1606
00:20:29,720 --> 00:20:30,835
[PIG SNORTING]

1607
00:20:40,720 --> 00:20:41,072
Thompson's bought it, sir.

1608
00:20:41,080 --> 00:20:42,433
Thompson's bought it, sir.

1609
00:20:42,960 --> 00:20:43,312
Porker, eh? The swine.

1610
00:20:43,320 --> 00:20:43,672
Porker, eh? The swine.

1611
00:20:43,680 --> 00:20:44,032
Porker, eh? The swine.

1612
00:20:44,040 --> 00:20:44,392
Porker, eh? The swine.

1613
00:20:44,400 --> 00:20:45,674
Porker, eh? The swine.

1614
00:20:49,160 --> 00:20:49,512
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1615
00:20:49,520 --> 00:20:49,872
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1616
00:20:49,880 --> 00:20:50,232
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1617
00:20:50,240 --> 00:20:50,592
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1618
00:20:50,600 --> 00:20:50,952
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1619
00:20:50,960 --> 00:20:51,312
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1620
00:20:51,320 --> 00:20:51,672
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1621
00:20:51,680 --> 00:20:53,033
ANNOUNCERzThis man is Ernest
Scribbler, writer ofjokes.

1622
00:20:53,200 --> 00:20:53,552
In a few moments, he will have written
the funniest joke in the world.

1623
00:20:53,560 --> 00:20:53,912
In a few moments, he will have written
the funniest joke in the world.

1624
00:20:53,920 --> 00:20:54,272
In a few moments, he will have written
the funniest joke in the world.

1625
00:20:54,280 --> 00:20:54,632
In a few moments, he will have written
the funniest joke in the world.

1626
00:20:54,640 --> 00:20:54,992
In a few moments, he will have written
the funniest joke in the world.

1627
00:20:55,000 --> 00:20:55,352
In a few moments, he will have written
the funniest joke in the world.

1628
00:20:55,360 --> 00:20:56,634
In a few moments, he will have written
the funniest joke in the world.

1629
00:20:56,800 --> 00:20:57,152
And as a consequence,
he will die laughing.

1630
00:20:57,160 --> 00:20:57,512
And as a consequence,
he will die laughing.

1631
00:20:57,520 --> 00:20:57,872
And as a consequence,
he will die laughing.

1632
00:20:57,880 --> 00:20:58,232
And as a consequence,
he will die laughing.

1633
00:20:58,240 --> 00:20:58,592
And as a consequence,
he will die laughing.

1634
00:20:58,600 --> 00:20:58,952
And as a consequence,
he will die laughing.

1635
00:20:58,960 --> 00:21:00,313
And as a consequence,
he will die laughing.

1636
00:21:00,480 --> 00:21:00,832
[CHUCKLES]

1637
00:21:00,840 --> 00:21:01,192
[CHUCKLES]

1638
00:21:01,200 --> 00:21:02,474
[CHUCKLES]

1639
00:21:05,000 --> 00:21:05,352
[LAUGHING]

1640
00:21:05,360 --> 00:21:05,712
[LAUGHING]

1641
00:21:05,720 --> 00:21:06,072
[LAUGHING]

1642
00:21:06,080 --> 00:21:06,432
[LAUGHING]

1643
00:21:06,440 --> 00:21:06,792
[LAUGHING]

1644
00:21:06,800 --> 00:21:07,152
[LAUGHING]

1645
00:21:07,160 --> 00:21:08,513
[LAUGHING]

1646
00:21:12,000 --> 00:21:12,352
[LAUGHING HYSTERICALLY]

1647
00:21:12,360 --> 00:21:12,712
[LAUGHING HYSTERICALLY]

1648
00:21:12,720 --> 00:21:13,072
[LAUGHING HYSTERICALLY]

1649
00:21:13,080 --> 00:21:13,432
[LAUGHING HYSTERICALLY]

1650
00:21:13,440 --> 00:21:13,792
[LAUGHING HYSTERICALLY]

1651
00:21:13,800 --> 00:21:14,152
[LAUGHING HYSTERICALLY]

1652
00:21:14,160 --> 00:21:14,512
[LAUGHING HYSTERICALLY]

1653
00:21:14,520 --> 00:21:15,589
[LAUGHING HYSTERICALLY]

1654
00:21:21,440 --> 00:21:22,634
[GASPS]

1655
00:21:26,360 --> 00:21:26,712
ANNOUNCER: It was obvious
that this joke was lethal.

1656
00:21:26,720 --> 00:21:27,072
ANNOUNCER: It was obvious
that this joke was lethal.

1657
00:21:27,080 --> 00:21:27,432
ANNOUNCER: It was obvious
that this joke was lethal.

1658
00:21:27,440 --> 00:21:27,792
ANNOUNCER: It was obvious
that this joke was lethal.

1659
00:21:27,800 --> 00:21:29,074
ANNOUNCER: It was obvious
that this joke was lethal.

1660
00:21:29,240 --> 00:21:29,592
No one could read it and live.

1661
00:21:29,600 --> 00:21:29,952
No one could read it and live.

1662
00:21:29,960 --> 00:21:30,312
No one could read it and live.

1663
00:21:30,320 --> 00:21:30,672
No one could read it and live.

1664
00:21:30,680 --> 00:21:31,032
No one could read it and live.

1665
00:21:31,040 --> 00:21:32,314
No one could read it and live.

1666
00:21:33,400 --> 00:21:34,515
[GASPS]

1667
00:21:46,080 --> 00:21:46,432
[LAUGHING]

1668
00:21:46,440 --> 00:21:46,792
[LAUGHING]

1669
00:21:46,800 --> 00:21:47,152
[LAUGHING]

1670
00:21:47,160 --> 00:21:47,512
[LAUGHING]

1671
00:21:47,520 --> 00:21:48,589
[LAUGHING]

1672
00:21:49,800 --> 00:21:50,152
[LAUGHING HYSTERICALLY]

1673
00:21:50,160 --> 00:21:50,512
[LAUGHING HYSTERICALLY]

1674
00:21:50,520 --> 00:21:50,872
[LAUGHING HYSTERICALLY]

1675
00:21:50,880 --> 00:21:51,232
[LAUGHING HYSTERICALLY]

1676
00:21:51,240 --> 00:21:51,592
[LAUGHING HYSTERICALLY]

1677
00:21:51,600 --> 00:21:52,874
[LAUGHING HYSTERICALLY]

1678
00:21:55,640 --> 00:21:55,992
This morning, shortly after 11:00,

1679
00:21:56,000 --> 00:21:56,352
This morning, shortly after 11:00,

1680
00:21:56,360 --> 00:21:56,712
This morning, shortly after 11:00,

1681
00:21:56,720 --> 00:21:57,789
This morning, shortly after 11:00,

1682
00:21:57,960 --> 00:21:58,312
comedy struck this little house
in Dibley Road.

1683
00:21:58,320 --> 00:21:58,672
comedy struck this little house
in Dibley Road.

1684
00:21:58,680 --> 00:21:59,032
comedy struck this little house
in Dibley Road.

1685
00:21:59,040 --> 00:21:59,392
comedy struck this little house
in Dibley Road.

1686
00:21:59,400 --> 00:21:59,752
comedy struck this little house
in Dibley Road.

1687
00:21:59,760 --> 00:22:00,112
comedy struck this little house
in Dibley Road.

1688
00:22:00,120 --> 00:22:01,269
comedy struck this little house
in Dibley Road.

1689
00:22:01,440 --> 00:22:01,792
Sudden, violent comedy.

1690
00:22:01,800 --> 00:22:02,152
Sudden, violent comedy.

1691
00:22:02,160 --> 00:22:02,512
Sudden, violent comedy.

1692
00:22:02,520 --> 00:22:02,872
Sudden, violent comedy.

1693
00:22:02,880 --> 00:22:03,949
Sudden, violent comedy.

1694
00:22:04,160 --> 00:22:04,512
Police have sealed off the area

1695
00:22:04,520 --> 00:22:05,669
Police have sealed off the area

1696
00:22:05,840 --> 00:22:06,192
and Scotland Yard's crack inspector
is with me now.

1697
00:22:06,200 --> 00:22:06,552
and Scotland Yard's crack inspector
is with me now.

1698
00:22:06,560 --> 00:22:06,912
and Scotland Yard's crack inspector
is with me now.

1699
00:22:06,920 --> 00:22:07,272
and Scotland Yard's crack inspector
is with me now.

1700
00:22:07,280 --> 00:22:07,632
and Scotland Yard's crack inspector
is with me now.

1701
00:22:07,640 --> 00:22:07,992
and Scotland Yard's crack inspector
is with me now.

1702
00:22:08,000 --> 00:22:09,194
and Scotland Yard's crack inspector
is with me now.

1703
00:22:11,920 --> 00:22:12,272
I shall enter the house and
attempt to remove the joke.

1704
00:22:12,280 --> 00:22:12,632
I shall enter the house and
attempt to remove the joke.

1705
00:22:12,640 --> 00:22:12,992
I shall enter the house and
attempt to remove the joke.

1706
00:22:13,000 --> 00:22:13,352
I shall enter the house and
attempt to remove the joke.

1707
00:22:13,360 --> 00:22:13,712
I shall enter the house and
attempt to remove the joke.

1708
00:22:13,720 --> 00:22:14,072
I shall enter the house and
attempt to remove the joke.

1709
00:22:14,080 --> 00:22:14,432
I shall enter the house and
attempt to remove the joke.

1710
00:22:14,440 --> 00:22:15,555
I shall enter the house and
attempt to remove the joke.

1711
00:22:15,760 --> 00:22:16,112
[MAN LAUGHING
HYSTERICALLY]

1712
00:22:16,120 --> 00:22:17,394
[MAN LAUGHING
HYSTERICALLY]

1713
00:22:17,560 --> 00:22:18,879
[MAN GASPS]

1714
00:22:19,560 --> 00:22:19,912
I shall be aided by the
sound of sombre music

1715
00:22:19,920 --> 00:22:20,272
I shall be aided by the
sound of sombre music

1716
00:22:20,280 --> 00:22:20,632
I shall be aided by the
sound of sombre music

1717
00:22:20,640 --> 00:22:20,992
I shall be aided by the
sound of sombre music

1718
00:22:21,000 --> 00:22:21,352
I shall be aided by the
sound of sombre music

1719
00:22:21,360 --> 00:22:22,395
I shall be aided by the
sound of sombre music

1720
00:22:22,560 --> 00:22:22,912
played on
gramophone records

1721
00:22:22,920 --> 00:22:24,148
played on
gramophone records

1722
00:22:24,320 --> 00:22:24,672
and also by the chanting of
laments by the men of Q Division.

1723
00:22:24,680 --> 00:22:25,032
and also by the chanting of
laments by the men of Q Division.

1724
00:22:25,040 --> 00:22:25,392
and also by the chanting of
laments by the men of Q Division.

1725
00:22:25,400 --> 00:22:25,752
and also by the chanting of
laments by the men of Q Division.

1726
00:22:25,760 --> 00:22:26,112
and also by the chanting of
laments by the men of Q Division.

1727
00:22:26,120 --> 00:22:26,472
and also by the chanting of
laments by the men of Q Division.

1728
00:22:26,480 --> 00:22:26,832
and also by the chanting of
laments by the men of Q Division.

1729
00:22:26,840 --> 00:22:27,192
and also by the chanting of
laments by the men of Q Division.

1730
00:22:27,200 --> 00:22:27,552
and also by the chanting of
laments by the men of Q Division.

1731
00:22:27,560 --> 00:22:28,675
and also by the chanting of
laments by the men of Q Division.

1732
00:22:31,000 --> 00:22:31,352
The atmosphere thus created
should protect me

1733
00:22:31,360 --> 00:22:31,712
The atmosphere thus created
should protect me

1734
00:22:31,720 --> 00:22:32,072
The atmosphere thus created
should protect me

1735
00:22:32,080 --> 00:22:33,308
The atmosphere thus created
should protect me

1736
00:22:33,480 --> 00:22:33,832
in the eventuality
of me reading the joke.

1737
00:22:33,840 --> 00:22:34,192
in the eventuality
of me reading the joke.

1738
00:22:34,200 --> 00:22:34,552
in the eventuality
of me reading the joke.

1739
00:22:34,560 --> 00:22:34,912
in the eventuality
of me reading the joke.

1740
00:22:34,920 --> 00:22:35,272
in the eventuality
of me reading the joke.

1741
00:22:35,280 --> 00:22:35,632
in the eventuality
of me reading the joke.

1742
00:22:35,640 --> 00:22:36,755
in the eventuality
of me reading the joke.

1743
00:22:38,400 --> 00:22:38,752
[CHANTING LAMENTS]

1744
00:22:38,760 --> 00:22:39,112
[CHANTING LAMENTS]

1745
00:22:39,120 --> 00:22:39,472
[CHANTING LAMENTS]

1746
00:22:39,480 --> 00:22:39,832
[CHANTING LAMENTS]

1747
00:22:39,840 --> 00:22:40,192
[CHANTING LAMENTS]

1748
00:22:40,200 --> 00:22:41,235
[CHANTING LAMENTS]

1749
00:22:56,280 --> 00:22:56,632
Well, there goes a brave man.

1750
00:22:58,960 --> 00:22:59,312
Whether he comes out alive or not,
this will surely be remembered

1751
00:22:59,320 --> 00:22:59,672
Whether he comes out alive or not,
this will surely be remembered

1752
00:22:59,680 --> 00:23:00,032
Whether he comes out alive or not,
this will surely be remembered

1753
00:23:00,040 --> 00:23:00,392
Whether he comes out alive or not,
this will surely be remembered

1754
00:23:00,400 --> 00:23:00,752
Whether he comes out alive or not,
this will surely be remembered

1755
00:23:00,760 --> 00:23:02,034
Whether he comes out alive or not,
this will surely be remembered

1756
00:23:02,200 --> 00:23:02,552
as one of the most courageous
and gallant acts in police history.

1757
00:23:02,560 --> 00:23:02,912
as one of the most courageous
and gallant acts in police history.

1758
00:23:02,920 --> 00:23:03,272
as one of the most courageous
and gallant acts in police history.

1759
00:23:03,280 --> 00:23:03,632
as one of the most courageous
and gallant acts in police history.

1760
00:23:03,640 --> 00:23:03,992
as one of the most courageous
and gallant acts in police history.

1761
00:23:04,000 --> 00:23:04,352
as one of the most courageous
and gallant acts in police history.

1762
00:23:04,360 --> 00:23:04,712
as one of the most courageous
and gallant acts in police history.

1763
00:23:04,720 --> 00:23:06,073
as one of the most courageous
and gallant acts in police history.

1764
00:23:06,280 --> 00:23:06,632
[POLICEMAN LAUGHING
HYSTERICALLY]

1765
00:23:06,640 --> 00:23:06,992
[POLICEMAN LAUGHING
HYSTERICALLY]

1766
00:23:07,000 --> 00:23:07,352
[POLICEMAN LAUGHING
HYSTERICALLY]

1767
00:23:07,360 --> 00:23:07,712
[POLICEMAN LAUGHING
HYSTERICALLY]

1768
00:23:07,720 --> 00:23:08,072
[POLICEMAN LAUGHING
HYSTERICALLY]

1769
00:23:08,080 --> 00:23:08,432
[POLICEMAN LAUGHING
HYSTERICALLY]

1770
00:23:08,440 --> 00:23:08,792
[POLICEMAN LAUGHING
HYSTERICALLY]

1771
00:23:08,800 --> 00:23:09,152
[POLICEMAN LAUGHING
HYSTERICALLY]

1772
00:23:09,160 --> 00:23:10,229
[POLICEMAN LAUGHING
HYSTERICALLY]

1773
00:23:10,400 --> 00:23:11,674
Oh!

1774
00:23:18,640 --> 00:23:18,992
ANNOUNCER: It was not long before
the army became interested

1775
00:23:19,000 --> 00:23:19,352
ANNOUNCER: It was not long before
the army became interested

1776
00:23:19,360 --> 00:23:19,712
ANNOUNCER: It was not long before
the army became interested

1777
00:23:19,720 --> 00:23:20,948
ANNOUNCER: It was not long before
the army became interested

1778
00:23:21,120 --> 00:23:21,472
in the military potential
of the killer joke.

1779
00:23:21,480 --> 00:23:21,832
in the military potential
of the killer joke.

1780
00:23:21,840 --> 00:23:22,192
in the military potential
of the killer joke.

1781
00:23:22,200 --> 00:23:22,552
in the military potential
of the killer joke.

1782
00:23:22,560 --> 00:23:23,629
in the military potential
of the killer joke.

1783
00:23:23,800 --> 00:23:24,152
Under top security,
the joke was hurried

1784
00:23:24,160 --> 00:23:25,513
Under top security,
the joke was hurried

1785
00:23:25,680 --> 00:23:26,032
to a meeting of Allied commanders
at the Ministry of War.

1786
00:23:26,040 --> 00:23:26,392
to a meeting of Allied commanders
at the Ministry of War.

1787
00:23:26,400 --> 00:23:26,752
to a meeting of Allied commanders
at the Ministry of War.

1788
00:23:26,760 --> 00:23:27,112
to a meeting of Allied commanders
at the Ministry of War.

1789
00:23:27,120 --> 00:23:27,472
to a meeting of Allied commanders
at the Ministry of War.

1790
00:23:27,480 --> 00:23:27,832
to a meeting of Allied commanders
at the Ministry of War.

1791
00:23:27,840 --> 00:23:28,192
to a meeting of Allied commanders
at the Ministry of War.

1792
00:23:28,200 --> 00:23:29,519
to a meeting of Allied commanders
at the Ministry of War.

1793
00:23:36,880 --> 00:23:37,232
[MEN LAUGHING HYSTERICALLY]

1794
00:23:37,240 --> 00:23:37,592
[MEN LAUGHING HYSTERICALLY]

1795
00:23:37,600 --> 00:23:37,952
[MEN LAUGHING HYSTERICALLY]

1796
00:23:37,960 --> 00:23:39,234
[MEN LAUGHING HYSTERICALLY]

1797
00:23:39,400 --> 00:23:40,389
[THUD]

1798
00:23:40,600 --> 00:23:40,952
[MEN LAUGHING HYSTERICALLY]

1799
00:23:40,960 --> 00:23:42,109
[MEN LAUGHING HYSTERICALLY]

1800
00:23:42,280 --> 00:23:43,429
[THUD]

1801
00:23:43,600 --> 00:23:44,919
[MEN LAUGHING HYSTERICALLY]

1802
00:23:45,080 --> 00:23:46,115
[THUD]

1803
00:23:46,280 --> 00:23:47,554
[LAUGHING STOPS]

1804
00:23:47,720 --> 00:23:48,072
AN NOUNCER:
Top brass were impressed.

1805
00:23:48,080 --> 00:23:49,308
AN NOUNCER:
Top brass were impressed.

1806
00:23:49,480 --> 00:23:49,832
Tests on Salisbury Plain confirmed
the joke’s devastating effectiveness

1807
00:23:49,840 --> 00:23:50,192
Tests on Salisbury Plain confirmed
the joke’s devastating effectiveness

1808
00:23:50,200 --> 00:23:50,552
Tests on Salisbury Plain confirmed
the joke’s devastating effectiveness

1809
00:23:50,560 --> 00:23:50,912
Tests on Salisbury Plain confirmed
the joke’s devastating effectiveness

1810
00:23:50,920 --> 00:23:51,272
Tests on Salisbury Plain confirmed
the joke’s devastating effectiveness

1811
00:23:51,280 --> 00:23:51,632
Tests on Salisbury Plain confirmed
the joke’s devastating effectiveness

1812
00:23:51,640 --> 00:23:52,993
Tests on Salisbury Plain confirmed
the joke’s devastating effectiveness

1813
00:23:53,160 --> 00:23:53,512
at a range of up to 50 yards.

1814
00:23:53,520 --> 00:23:53,872
at a range of up to 50 yards.

1815
00:23:53,880 --> 00:23:55,199
at a range of up to 50 yards.

1816
00:24:23,520 --> 00:24:23,872
[LAUGHING]

1817
00:24:23,880 --> 00:24:24,232
[LAUGHING]

1818
00:24:24,240 --> 00:24:25,514
[LAUGHING]

1819
00:24:27,760 --> 00:24:28,112
Fantastic.
Fantastic.

1820
00:24:28,120 --> 00:24:28,472
Fantastic.
Fantastic.

1821
00:24:28,480 --> 00:24:29,595
Fantastic.
Fantastic.

1822
00:24:29,760 --> 00:24:30,112
All through the winter of '43,

1823
00:24:30,120 --> 00:24:30,472
All through the winter of '43,

1824
00:24:30,480 --> 00:24:30,832
All through the winter of '43,

1825
00:24:30,840 --> 00:24:31,192
All through the winter of '43,

1826
00:24:31,200 --> 00:24:32,553
All through the winter of '43,

1827
00:24:32,760 --> 00:24:33,112
we had translators working
in joke-proof conditions

1828
00:24:33,120 --> 00:24:33,472
we had translators working
in joke-proof conditions

1829
00:24:33,480 --> 00:24:33,832
we had translators working
in joke-proof conditions

1830
00:24:33,840 --> 00:24:34,192
we had translators working
in joke-proof conditions

1831
00:24:34,200 --> 00:24:34,552
we had translators working
in joke-proof conditions

1832
00:24:34,560 --> 00:24:35,788
we had translators working
in joke-proof conditions

1833
00:24:35,960 --> 00:24:36,312
to try and produce
a German version of the joke.

1834
00:24:36,320 --> 00:24:36,672
to try and produce
a German version of the joke.

1835
00:24:36,680 --> 00:24:37,032
to try and produce
a German version of the joke.

1836
00:24:37,040 --> 00:24:37,392
to try and produce
a German version of the joke.

1837
00:24:37,400 --> 00:24:37,752
to try and produce
a German version of the joke.

1838
00:24:37,760 --> 00:24:38,112
to try and produce
a German version of the joke.

1839
00:24:38,120 --> 00:24:38,472
to try and produce
a German version of the joke.

1840
00:24:38,480 --> 00:24:39,595
to try and produce
a German version of the joke.

1841
00:24:39,760 --> 00:24:40,112
They worked on one word each,
for greater safety.

1842
00:24:40,120 --> 00:24:40,472
They worked on one word each,
for greater safety.

1843
00:24:40,480 --> 00:24:40,832
They worked on one word each,
for greater safety.

1844
00:24:40,840 --> 00:24:41,192
They worked on one word each,
for greater safety.

1845
00:24:41,200 --> 00:24:41,552
They worked on one word each,
for greater safety.

1846
00:24:41,560 --> 00:24:41,912
They worked on one word each,
for greater safety.

1847
00:24:41,920 --> 00:24:42,272
They worked on one word each,
for greater safety.

1848
00:24:42,280 --> 00:24:43,395
They worked on one word each,
for greater safety.

1849
00:24:43,560 --> 00:24:43,912
One of them saw two words of the joke
and spent several weeks in hospital.

1850
00:24:43,920 --> 00:24:44,272
One of them saw two words of the joke
and spent several weeks in hospital.

1851
00:24:44,280 --> 00:24:44,632
One of them saw two words of the joke
and spent several weeks in hospital.

1852
00:24:44,640 --> 00:24:44,992
One of them saw two words of the joke
and spent several weeks in hospital.

1853
00:24:45,000 --> 00:24:45,352
One of them saw two words of the joke
and spent several weeks in hospital.

1854
00:24:45,360 --> 00:24:45,712
One of them saw two words of the joke
and spent several weeks in hospital.

1855
00:24:45,720 --> 00:24:46,072
One of them saw two words of the joke
and spent several weeks in hospital.

1856
00:24:46,080 --> 00:24:46,432
One of them saw two words of the joke
and spent several weeks in hospital.

1857
00:24:46,440 --> 00:24:46,792
One of them saw two words of the joke
and spent several weeks in hospital.

1858
00:24:46,800 --> 00:24:47,994
One of them saw two words of the joke
and spent several weeks in hospital.

1859
00:24:48,160 --> 00:24:48,512
But apart from that,
things went pretty quickly.

1860
00:24:48,520 --> 00:24:48,872
But apart from that,
things went pretty quickly.

1861
00:24:48,880 --> 00:24:49,232
But apart from that,
things went pretty quickly.

1862
00:24:49,240 --> 00:24:49,592
But apart from that,
things went pretty quickly.

1863
00:24:49,600 --> 00:24:49,952
But apart from that,
things went pretty quickly.

1864
00:24:49,960 --> 00:24:51,154
But apart from that,
things went pretty quickly.

1865
00:24:51,320 --> 00:24:51,672
And we soon had the joke,
by January,

1866
00:24:51,680 --> 00:24:52,032
And we soon had the joke,
by January,

1867
00:24:52,040 --> 00:24:52,392
And we soon had the joke,
by January,

1868
00:24:52,400 --> 00:24:53,719
And we soon had the joke,
by January,

1869
00:24:53,880 --> 00:24:54,232
in a form which our troops
couldn't understand

1870
00:24:54,240 --> 00:24:54,592
in a form which our troops
couldn't understand

1871
00:24:54,600 --> 00:24:54,952
in a form which our troops
couldn't understand

1872
00:24:54,960 --> 00:24:55,312
in a form which our troops
couldn't understand

1873
00:24:55,320 --> 00:24:55,672
in a form which our troops
couldn't understand

1874
00:24:55,680 --> 00:24:56,032
in a form which our troops
couldn't understand

1875
00:24:56,040 --> 00:24:57,155
in a form which our troops
couldn't understand

1876
00:24:57,320 --> 00:24:57,672
but which the Germans could.

1877
00:24:57,680 --> 00:24:58,954
but which the Germans could.

1878
00:24:59,280 --> 00:24:59,632
[EXPLOSIONS]

1879
00:24:59,640 --> 00:25:00,993
[EXPLOSIONS]

1880
00:25:02,240 --> 00:25:02,592
[GUNFIRE]

1881
00:25:02,600 --> 00:25:02,952
[GUNFIRE]

1882
00:25:02,960 --> 00:25:03,312
[GUNFIRE]

1883
00:25:03,320 --> 00:25:04,548
[GUNFIRE]

1884
00:25:05,080 --> 00:25:05,432
ANNOUNCER:
So on July 8th, 1944,

1885
00:25:05,440 --> 00:25:05,792
ANNOUNCER:
So on July 8th, 1944,

1886
00:25:05,800 --> 00:25:06,152
ANNOUNCER:
So on July 8th, 1944,

1887
00:25:06,160 --> 00:25:06,512
ANNOUNCER:
So on July 8th, 1944,

1888
00:25:06,520 --> 00:25:06,872
ANNOUNCER:
So on July 8th, 1944,

1889
00:25:06,880 --> 00:25:07,949
ANNOUNCER:
So on July 8th, 1944,

1890
00:25:08,160 --> 00:25:08,512
the joke was first told to the enemy
in the Ardennes.

1891
00:25:08,520 --> 00:25:08,872
the joke was first told to the enemy
in the Ardennes.

1892
00:25:08,880 --> 00:25:09,232
the joke was first told to the enemy
in the Ardennes.

1893
00:25:09,240 --> 00:25:09,592
the joke was first told to the enemy
in the Ardennes.

1894
00:25:09,600 --> 00:25:09,952
the joke was first told to the enemy
in the Ardennes.

1895
00:25:09,960 --> 00:25:10,312
the joke was first told to the enemy
in the Ardennes.

1896
00:25:10,320 --> 00:25:10,672
the joke was first told to the enemy
in the Ardennes.

1897
00:25:10,680 --> 00:25:11,032
the joke was first told to the enemy
in the Ardennes.

1898
00:25:11,040 --> 00:25:12,189
the joke was first told to the enemy
in the Ardennes.

1899
00:25:12,520 --> 00:25:12,872
[GUNFIRE]

1900
00:25:12,880 --> 00:25:13,232
[GUNFIRE]

1901
00:25:13,240 --> 00:25:13,592
[GUNFIRE]

1902
00:25:13,600 --> 00:25:14,749
[GUNFIRE]

1903
00:25:16,840 --> 00:25:17,192
Squad,
get the joke.

1904
00:25:17,200 --> 00:25:17,552
Squad,
get the joke.

1905
00:25:17,560 --> 00:25:17,912
Squad,
get the joke.

1906
00:25:17,920 --> 00:25:18,272
Squad,
get the joke.

1907
00:25:18,280 --> 00:25:18,632
Squad,
get the joke.

1908
00:25:18,640 --> 00:25:19,959
Squad,
get the joke.

1909
00:25:22,040 --> 00:25:22,392
Squad, tell the joke.

1910
00:25:22,400 --> 00:25:22,752
Squad, tell the joke.

1911
00:25:22,760 --> 00:25:23,112
Squad, tell the joke.

1912
00:25:23,120 --> 00:25:23,472
Squad, tell the joke.

1913
00:25:23,480 --> 00:25:23,832
Squad, tell the joke.

1914
00:25:23,840 --> 00:25:24,192
Squad, tell the joke.

1915
00:25:24,200 --> 00:25:24,552
Squad, tell the joke.

1916
00:25:24,560 --> 00:25:25,675
Squad, tell the joke.

1917
00:25:25,840 --> 00:25:26,192
[ALL SPEAKING IN GERMAN]

1918
00:25:26,200 --> 00:25:26,552
[ALL SPEAKING IN GERMAN]

1919
00:25:26,560 --> 00:25:26,912
[ALL SPEAKING IN GERMAN]

1920
00:25:26,920 --> 00:25:27,272
[ALL SPEAKING IN GERMAN]

1921
00:25:27,280 --> 00:25:27,632
[ALL SPEAKING IN GERMAN]

1922
00:25:27,640 --> 00:25:27,992
[ALL SPEAKING IN GERMAN]

1923
00:25:28,000 --> 00:25:28,352
[ALL SPEAKING IN GERMAN]

1924
00:25:28,360 --> 00:25:28,712
[ALL SPEAKING IN GERMAN]

1925
00:25:28,720 --> 00:25:29,072
[ALL SPEAKING IN GERMAN]

1926
00:25:29,080 --> 00:25:29,432
[ALL SPEAKING IN GERMAN]

1927
00:25:29,440 --> 00:25:29,792
[ALL SPEAKING IN GERMAN]

1928
00:25:29,800 --> 00:25:30,152
[ALL SPEAKING IN GERMAN]

1929
00:25:30,160 --> 00:25:30,512
[ALL SPEAKING IN GERMAN]

1930
00:25:30,520 --> 00:25:30,872
[ALL SPEAKING IN GERMAN]

1931
00:25:30,880 --> 00:25:31,232
[ALL SPEAKING IN GERMAN]

1932
00:25:31,240 --> 00:25:32,434
[ALL SPEAKING IN GERMAN]

1933
00:25:53,200 --> 00:25:53,552
[MEN SPEAKING IN GERMAN]

1934
00:25:53,560 --> 00:25:53,912
[MEN SPEAKING IN GERMAN]

1935
00:25:53,920 --> 00:25:54,272
[MEN SPEAKING IN GERMAN]

1936
00:25:54,280 --> 00:25:54,632
[MEN SPEAKING IN GERMAN]

1937
00:25:54,640 --> 00:25:54,992
[MEN SPEAKING IN GERMAN]

1938
00:25:55,000 --> 00:25:55,352
[MEN SPEAKING IN GERMAN]

1939
00:25:55,360 --> 00:25:55,712
[MEN SPEAKING IN GERMAN]

1940
00:25:55,720 --> 00:25:56,994
[MEN SPEAKING IN GERMAN]

1941
00:25:57,160 --> 00:25:57,512
[MEN LAUGHING]

1942
00:25:57,520 --> 00:25:57,872
[MEN LAUGHING]

1943
00:25:57,880 --> 00:25:58,232
[MEN LAUGHING]

1944
00:25:58,240 --> 00:25:58,592
[MEN LAUGHING]

1945
00:25:58,600 --> 00:25:58,952
[MEN LAUGHING]

1946
00:25:58,960 --> 00:25:59,312
[MEN LAUGHING]

1947
00:25:59,320 --> 00:25:59,672
[MEN LAUGHING]

1948
00:25:59,680 --> 00:26:00,032
[MEN LAUGHING]

1949
00:26:00,040 --> 00:26:00,392
[MEN LAUGHING]

1950
00:26:00,400 --> 00:26:00,752
[MEN LAUGHING]

1951
00:26:00,760 --> 00:26:02,034
[MEN LAUGHING]

1952
00:26:04,480 --> 00:26:04,832
AN NOUNCER:
It was a fantastic success.

1953
00:26:04,840 --> 00:26:05,192
AN NOUNCER:
It was a fantastic success.

1954
00:26:05,200 --> 00:26:06,349
AN NOUNCER:
It was a fantastic success.

1955
00:26:06,560 --> 00:26:06,912
Over 60,000 times as powerful
as Britain 's great pre-war joke

1956
00:26:06,920 --> 00:26:07,272
Over 60, 000 times as powerful
as Britain 's great pre-war joke

1957
00:26:07,280 --> 00:26:07,632
Over 60, 000 times as powerful
as Britain 's great pre-war joke

1958
00:26:07,640 --> 00:26:07,992
Over 60, 000 times as powerful
as Britain 's great pre-war joke

1959
00:26:08,000 --> 00:26:08,352
Over 60, 000 times as powerful
as Britain 's great pre-war joke

1960
00:26:08,360 --> 00:26:08,712
Over 60, 000 times as powerful
as Britain 's great pre-war joke

1961
00:26:08,720 --> 00:26:09,994
Over 60, 000 times as powerful
as Britain 's great pre-war joke

1962
00:26:10,160 --> 00:26:10,512
and one which Hitler
just couldn't match.

1963
00:26:10,520 --> 00:26:10,872
and one which Hitler
just couldn't match.

1964
00:26:10,880 --> 00:26:11,232
and one which Hitler
just couldn't match.

1965
00:26:11,240 --> 00:26:11,592
and one which Hitler
just couldn't match.

1966
00:26:11,600 --> 00:26:12,635
and one which Hitler
just couldn't match.

1967
00:26:12,800 --> 00:26:13,789
[SPEAKING IN GERMAN]

1968
00:26:18,040 --> 00:26:18,392
[SPEAKING IN GERMAN]

1969
00:26:18,400 --> 00:26:19,753
[SPEAKING IN GERMAN]

1970
00:26:24,000 --> 00:26:24,352
ANNOUNCER:
In action, it was dead/y.

1971
00:26:24,360 --> 00:26:24,712
ANNOUNCER:
In action, it was dead/y.

1972
00:26:24,720 --> 00:26:25,072
ANNOUNCER:
In action, it was dead/y.

1973
00:26:25,080 --> 00:26:25,432
ANNOUNCER:
In action, it was dead/y.

1974
00:26:25,440 --> 00:26:26,555
ANNOUNCER:
In action, it was dead/y.

1975
00:26:26,720 --> 00:26:27,072
[GUNFIRE]

1976
00:26:27,080 --> 00:26:28,115
[GUNFIRE]

1977
00:26:29,160 --> 00:26:29,512
[GUNFIRE]

1978
00:26:29,520 --> 00:26:29,872
[GUNFIRE]

1979
00:26:29,880 --> 00:26:30,232
[GUNFIRE]

1980
00:26:30,240 --> 00:26:30,592
[GUNFIRE]

1981
00:26:30,600 --> 00:26:30,952
[GUNFIRE]

1982
00:26:30,960 --> 00:26:31,312
[GUNFIRE]

1983
00:26:31,320 --> 00:26:32,514
[GUNFIRE]

1984
00:26:33,000 --> 00:26:33,352
[SPEAKING IN GERMAN]

1985
00:26:33,360 --> 00:26:33,712
[SPEAKING IN GERMAN]

1986
00:26:33,720 --> 00:26:34,072
[SPEAKING IN GERMAN]

1987
00:26:34,080 --> 00:26:34,432
[SPEAKING IN GERMAN]

1988
00:26:34,440 --> 00:26:34,792
[SPEAKING IN GERMAN]

1989
00:26:34,800 --> 00:26:35,152
[SPEAKING IN GERMAN]

1990
00:26:35,160 --> 00:26:35,512
[SPEAKING IN GERMAN]

1991
00:26:35,520 --> 00:26:36,839
[SPEAKING IN GERMAN]

1992
00:26:37,000 --> 00:26:38,274
[LAUGHING]

1993
00:26:42,240 --> 00:26:42,592
[GUNFIRE AND EXPLOSIONS]

1994
00:26:42,600 --> 00:26:42,952
[GUNFIRE AND EXPLOSIONS]

1995
00:26:42,960 --> 00:26:44,313
[GUNFIRE AND EXPLOSIONS]

1996
00:26:44,520 --> 00:26:44,872
[SOLDIERS SPEAKING IN GERMAN]

1997
00:26:44,880 --> 00:26:45,232
[SOLDIERS SPEAKING IN GERMAN]

1998
00:26:45,240 --> 00:26:45,592
[SOLDIERS SPEAKING IN GERMAN]

1999
00:26:45,600 --> 00:26:45,952
[SOLDIERS SPEAKING IN GERMAN]

2000
00:26:45,960 --> 00:26:46,312
[SOLDIERS SPEAKING IN GERMAN]

2001
00:26:46,320 --> 00:26:46,672
[SOLDIERS SPEAKING IN GERMAN]

2002
00:26:46,680 --> 00:26:47,032
[SOLDIERS SPEAKING IN GERMAN]

2003
00:26:47,040 --> 00:26:47,392
[SOLDIERS SPEAKING IN GERMAN]

2004
00:26:47,400 --> 00:26:47,752
[SOLDIERS SPEAKING IN GERMAN]

2005
00:26:47,760 --> 00:26:48,112
[SOLDIERS SPEAKING IN GERMAN]

2006
00:26:48,120 --> 00:26:48,472
[SOLDIERS SPEAKING IN GERMAN]

2007
00:26:48,480 --> 00:26:48,832
[SOLDIERS SPEAKING IN GERMAN]

2008
00:26:48,840 --> 00:26:49,192
[SOLDIERS SPEAKING IN GERMAN]

2009
00:26:49,200 --> 00:26:49,552
[SOLDIERS SPEAKING IN GERMAN]

2010
00:26:49,560 --> 00:26:49,912
[SOLDIERS SPEAKING IN GERMAN]

2011
00:26:49,920 --> 00:26:50,955
[SOLDIERS SPEAKING IN GERMAN]

2012
00:26:52,600 --> 00:26:52,952
[SOLDIERS SPEAKING IN GERMAN]

2013
00:26:52,960 --> 00:26:53,312
[SOLDIERS SPEAKING IN GERMAN]

2014
00:26:53,320 --> 00:26:53,672
[SOLDIERS SPEAKING IN GERMAN]

2015
00:26:53,680 --> 00:26:54,032
[SOLDIERS SPEAKING IN GERMAN]

2016
00:26:54,040 --> 00:26:54,392
[SOLDIERS SPEAKING IN GERMAN]

2017
00:26:54,400 --> 00:26:54,752
[SOLDIERS SPEAKING IN GERMAN]

2018
00:26:54,760 --> 00:26:55,112
[SOLDIERS SPEAKING IN GERMAN]

2019
00:26:55,120 --> 00:26:55,472
[SOLDIERS SPEAKING IN GERMAN]

2020
00:26:55,480 --> 00:26:55,832
[SOLDIERS SPEAKING IN GERMAN]

2021
00:26:55,840 --> 00:26:57,193
[SOLDIERS SPEAKING IN GERMAN]

2022
00:26:57,360 --> 00:26:57,712
[LAUGHING]

2023
00:26:57,720 --> 00:26:58,072
[LAUGHING]

2024
00:26:58,080 --> 00:26:58,432
[LAUGHING]

2025
00:26:58,440 --> 00:26:58,792
[LAUGHING]

2026
00:26:58,800 --> 00:26:59,869
[LAUGHING]

2027
00:27:01,600 --> 00:27:01,952
ANNOUNCER:
German casualties were appalling.

2028
00:27:01,960 --> 00:27:02,312
ANNOUNCER:
German casualties were appalling.

2029
00:27:02,320 --> 00:27:03,548
ANNOUNCER:
German casualties were appalling.

2030
00:27:03,720 --> 00:27:04,072
[LAUGHING]

2031
00:27:04,080 --> 00:27:04,432
[LAUGHING]

2032
00:27:04,440 --> 00:27:05,634
[LAUGHING]

2033
00:27:06,520 --> 00:27:06,872
MAN [WITH GERMAN ACCENT]:
What is the big joke?

2034
00:27:06,880 --> 00:27:07,232
MAN [WITH GERMAN ACCENT]:
What is the big joke?

2035
00:27:07,240 --> 00:27:07,592
MAN [WITH GERMAN ACCENT]:
What is the big joke?

2036
00:27:07,600 --> 00:27:07,952
MAN [WITH GERMAN ACCENT]:
What is the big joke?

2037
00:27:07,960 --> 00:27:08,312
MAN [WITH GERMAN ACCENT]:
What is the big joke?

2038
00:27:08,320 --> 00:27:08,672
MAN [WITH GERMAN ACCENT]:
What is the big joke?

2039
00:27:08,680 --> 00:27:09,715
MAN [WITH GERMAN ACCENT]:
What is the big joke?

2040
00:27:09,880 --> 00:27:10,232
I can only give you name,
rank

2041
00:27:10,240 --> 00:27:10,592
I can only give you name,
rank

2042
00:27:10,600 --> 00:27:10,952
I can only give you name,
rank

2043
00:27:10,960 --> 00:27:12,188
I can only give you name,
rank

2044
00:27:12,360 --> 00:27:12,712
and "Why did the chicken
cross the road?"

2045
00:27:12,720 --> 00:27:13,072
and "Why did the chicken
cross the road?"

2046
00:27:13,080 --> 00:27:14,308
and "Why did the chicken
cross the road?"

2047
00:27:14,480 --> 00:27:14,832
That's not funny!

2048
00:27:14,840 --> 00:27:15,192
That's not funny!

2049
00:27:15,200 --> 00:27:15,552
That's not funny!

2050
00:27:15,560 --> 00:27:16,629
That's not funny!

2051
00:27:16,840 --> 00:27:17,829
[CLAPS]

2052
00:27:18,000 --> 00:27:18,352
I want to know the joke.

2053
00:27:18,360 --> 00:27:18,712
I want to know the joke.

2054
00:27:18,720 --> 00:27:19,072
I want to know the joke.

2055
00:27:19,080 --> 00:27:20,274
I want to know the joke.

2056
00:27:20,680 --> 00:27:21,032
All right.

2057
00:27:21,040 --> 00:27:22,155
All right.

2058
00:27:22,920 --> 00:27:23,272
How do you make
a Nazi cross?

2059
00:27:23,280 --> 00:27:23,632
How do you make
a Nazi cross?

2060
00:27:23,640 --> 00:27:23,992
How do you make
a Nazi cross?

2061
00:27:24,000 --> 00:27:24,352
How do you make
a Nazi cross?

2062
00:27:24,360 --> 00:27:24,712
How do you make
a Nazi cross?

2063
00:27:24,720 --> 00:27:25,948
How do you make
a Nazi cross?

2064
00:27:26,840 --> 00:27:27,192
I don't know.
How do you make a Nazi cross?

2065
00:27:27,200 --> 00:27:27,552
I don't know.
How do you make a Nazi cross?

2066
00:27:27,560 --> 00:27:27,912
I don't know.
How do you make a Nazi cross?

2067
00:27:27,920 --> 00:27:28,272
I don't know.
How do you make a Nazi cross?

2068
00:27:28,280 --> 00:27:28,632
I don't know.
How do you make a Nazi cross?

2069
00:27:28,640 --> 00:27:28,992
I don't know.
How do you make a Nazi cross?

2070
00:27:29,000 --> 00:27:30,228
I don't know.
How do you make a Nazi cross?

2071
00:27:30,400 --> 00:27:31,753
Tread on his corns.

2072
00:27:31,960 --> 00:27:32,312
[GRUNTING AND GROANING]

2073
00:27:32,320 --> 00:27:33,355
[GRUNTING AND GROANING]

2074
00:27:34,320 --> 00:27:34,672
That's not funny!

2075
00:27:34,680 --> 00:27:36,033
That's not funny!

2076
00:27:36,200 --> 00:27:36,552
[CLAPPING]

2077
00:27:36,560 --> 00:27:36,912
[CLAPPING]

2078
00:27:36,920 --> 00:27:37,272
[CLAPPING]

2079
00:27:37,280 --> 00:27:37,632
[CLAPPING]

2080
00:27:37,640 --> 00:27:37,992
[CLAPPING]

2081
00:27:38,000 --> 00:27:38,352
[CLAPPING]

2082
00:27:38,360 --> 00:27:38,712
[CLAPPING]

2083
00:27:38,720 --> 00:27:39,072
[CLAPPING]

2084
00:27:39,080 --> 00:27:40,149
[CLAPPING]

2085
00:27:40,840 --> 00:27:41,192
Now, if you don't
tell me the joke,

2086
00:27:41,200 --> 00:27:41,552
Now, if you don't
tell me the joke,

2087
00:27:41,560 --> 00:27:41,912
Now, if you don't
tell me the joke,

2088
00:27:41,920 --> 00:27:42,272
Now, if you don't
tell me the joke,

2089
00:27:42,280 --> 00:27:42,632
Now, if you don't
tell me the joke,

2090
00:27:42,640 --> 00:27:42,992
Now, if you don't
tell me the joke,

2091
00:27:43,000 --> 00:27:44,274
Now, if you don't
tell me the joke,

2092
00:27:44,440 --> 00:27:44,792
I shall hit you properly.

2093
00:27:44,800 --> 00:27:45,152
I shall hit you properly.

2094
00:27:45,160 --> 00:27:45,512
I shall hit you properly.

2095
00:27:45,520 --> 00:27:45,872
I shall hit you properly.

2096
00:27:45,880 --> 00:27:46,949
I shall hit you properly.

2097
00:27:47,160 --> 00:27:47,512
I can stand physical
pain, you know.

2098
00:27:47,520 --> 00:27:47,872
I can stand physical
pain, you know.

2099
00:27:47,880 --> 00:27:49,199
I can stand physical
pain, you know.

2100
00:27:49,360 --> 00:27:49,712
Ah, you're no fun.

2101
00:27:49,720 --> 00:27:51,073
Ah, you're no fun.

2102
00:27:51,240 --> 00:27:51,592
All right, Otto.

2103
00:27:51,600 --> 00:27:51,952
All right, Otto.

2104
00:27:51,960 --> 00:27:52,312
All right, Otto.

2105
00:27:52,320 --> 00:27:53,435
All right, Otto.

2106
00:27:55,240 --> 00:27:55,592
Oh, no. No, anything but that.
Please, no.

2107
00:27:55,600 --> 00:27:55,952
Oh, no. No, anything but that.
Please, no.

2108
00:27:55,960 --> 00:27:56,312
Oh, no. No, anything but that.
Please, no.

2109
00:27:56,320 --> 00:27:57,389
Oh, no. No, anything but that.
Please, no.

2110
00:27:57,560 --> 00:27:57,912
[LAUGHING]

2111
00:27:57,920 --> 00:27:58,272
[LAUGHING]

2112
00:27:58,280 --> 00:27:58,632
[LAUGHING]

2113
00:27:58,640 --> 00:27:58,992
[LAUGHING]

2114
00:27:59,000 --> 00:27:59,352
[LAUGHING]

2115
00:27:59,360 --> 00:28:00,588
[LAUGHING]

2116
00:28:01,840 --> 00:28:02,192
All right. I'll tell you.

2117
00:28:02,200 --> 00:28:02,552
All right. I'll tell you.

2118
00:28:02,560 --> 00:28:02,912
All right. I'll tell you.

2119
00:28:02,920 --> 00:28:04,239
All right. I'll tell you.

2120
00:28:04,400 --> 00:28:04,752
Quick, Otto,
the typewriter.

2121
00:28:04,760 --> 00:28:05,112
Quick, Otto,
the typewriter.

2122
00:28:05,120 --> 00:28:05,472
Quick, Otto,
the typewriter.

2123
00:28:05,480 --> 00:28:05,832
Quick, Otto,
the typewriter.

2124
00:28:05,840 --> 00:28:07,068
Quick, Otto,
the typewriter.

2125
00:28:11,000 --> 00:28:11,352
[SPEAKING IN GERMAN]

2126
00:28:11,360 --> 00:28:11,712
[SPEAKING IN GERMAN]

2127
00:28:11,720 --> 00:28:12,072
[SPEAKING IN GERMAN]

2128
00:28:12,080 --> 00:28:12,432
[SPEAKING IN GERMAN]

2129
00:28:12,440 --> 00:28:12,792
[SPEAKING IN GERMAN]

2130
00:28:12,800 --> 00:28:13,152
[SPEAKING IN GERMAN]

2131
00:28:13,160 --> 00:28:13,512
[SPEAKING IN GERMAN]

2132
00:28:13,520 --> 00:28:13,872
[SPEAKING IN GERMAN]

2133
00:28:13,880 --> 00:28:14,232
[SPEAKING IN GERMAN]

2134
00:28:14,240 --> 00:28:14,592
[SPEAKING IN GERMAN]

2135
00:28:14,600 --> 00:28:14,952
[SPEAKING IN GERMAN]

2136
00:28:14,960 --> 00:28:15,312
[SPEAKING IN GERMAN]

2137
00:28:15,320 --> 00:28:15,672
[SPEAKING IN GERMAN]

2138
00:28:15,680 --> 00:28:16,032
[SPEAKING IN GERMAN]

2139
00:28:16,040 --> 00:28:16,392
[SPEAKING IN GERMAN]

2140
00:28:16,400 --> 00:28:17,594
[SPEAKING IN GERMAN]

2141
00:28:20,640 --> 00:28:20,992
[LAUGHING]

2142
00:28:21,000 --> 00:28:21,352
[LAUGHING]

2143
00:28:21,360 --> 00:28:21,712
[LAUGHING]

2144
00:28:21,720 --> 00:28:22,072
[LAUGHING]

2145
00:28:22,080 --> 00:28:22,432
[LAUGHING]

2146
00:28:22,440 --> 00:28:22,792
[LAUGHING]

2147
00:28:22,800 --> 00:28:23,152
[LAUGHING]

2148
00:28:23,160 --> 00:28:24,513
[LAUGHING]

2149
00:28:28,200 --> 00:28:28,552
[THUD]

2150
00:28:28,560 --> 00:28:29,595
[THUD]

2151
00:28:29,760 --> 00:28:30,112
[LAUGHING STOPS]

2152
00:28:30,120 --> 00:28:31,189
[LAUGHING STOPS]

2153
00:28:31,600 --> 00:28:31,952
That's not funny!

2154
00:28:31,960 --> 00:28:32,312
That's not funny!

2155
00:28:32,320 --> 00:28:32,672
That's not funny!

2156
00:28:32,680 --> 00:28:33,908
That's not funny!

2157
00:28:35,640 --> 00:28:35,992
[LAUGHING]

2158
00:28:36,000 --> 00:28:36,352
[LAUGHING]

2159
00:28:36,360 --> 00:28:36,712
[LAUGHING]

2160
00:28:36,720 --> 00:28:37,072
[LAUGHING]

2161
00:28:37,080 --> 00:28:37,432
[LAUGHING]

2162
00:28:37,440 --> 00:28:37,792
[LAUGHING]

2163
00:28:37,800 --> 00:28:38,152
[LAUGHING]

2164
00:28:38,160 --> 00:28:38,512
[LAUGHING]

2165
00:28:38,520 --> 00:28:38,872
[LAUGHING]

2166
00:28:38,880 --> 00:28:39,232
[LAUGHING]

2167
00:28:39,240 --> 00:28:39,592
[LAUGHING]

2168
00:28:39,600 --> 00:28:39,952
[LAUGHING]

2169
00:28:39,960 --> 00:28:41,313
[LAUGHING]

2170
00:28:41,480 --> 00:28:41,832
[SPEAKING IN GERMAN]

2171
00:28:41,840 --> 00:28:43,068
[SPEAKING IN GERMAN]

2172
00:28:43,240 --> 00:28:43,592
[LAUGHING]

2173
00:28:43,600 --> 00:28:43,952
[LAUGHING]

2174
00:28:43,960 --> 00:28:44,312
[LAUGHING]

2175
00:28:44,320 --> 00:28:44,672
[LAUGHING]

2176
00:28:44,680 --> 00:28:45,749
[LAUGHING]

2177
00:28:51,440 --> 00:28:52,589
[SPEAKS GERMAN]

2178
00:28:52,760 --> 00:28:53,112
[SPEAKING IN
GERMAN RAPIDLY]

2179
00:28:53,120 --> 00:28:53,472
[SPEAKING IN
GERMAN RAPIDLY]

2180
00:28:53,480 --> 00:28:53,832
[SPEAKING IN
GERMAN RAPIDLY]

2181
00:28:53,840 --> 00:28:54,192
[SPEAKING IN
GERMAN RAPIDLY]

2182
00:28:54,200 --> 00:28:54,552
[SPEAKING IN
GERMAN RAPIDLY]

2183
00:28:54,560 --> 00:28:55,913
[SPEAKING IN
GERMAN RAPIDLY]

2184
00:28:57,560 --> 00:28:57,912
[LAUGHING]

2185
00:28:57,920 --> 00:28:59,239
[LAUGHING]

2186
00:29:00,640 --> 00:29:00,992
ANNOUNCER: But at Peenemfinde,
in autumn of '44,

2187
00:29:01,000 --> 00:29:02,319
ANNOUNCER: But at Peenemfinde,
in autumn of '44,

2188
00:29:02,480 --> 00:29:02,832
the Germans were working
on a joke of their own.

2189
00:29:02,840 --> 00:29:03,192
the Germans were working
on a joke of their own.

2190
00:29:03,200 --> 00:29:03,552
the Germans were working
on a joke of their own.

2191
00:29:03,560 --> 00:29:03,912
the Germans were working
on a joke of their own.

2192
00:29:03,920 --> 00:29:04,272
the Germans were working
on a joke of their own.

2193
00:29:04,280 --> 00:29:05,315
the Germans were working
on a joke of their own.

2194
00:29:08,240 --> 00:29:08,592
[CLEARS THROAT]

2195
00:29:08,600 --> 00:29:08,952
[CLEARS THROAT]

2196
00:29:08,960 --> 00:29:10,075
[CLEARS THROAT]

2197
00:29:10,280 --> 00:29:10,632
[SPEAKING IN GERMAN]

2198
00:29:10,640 --> 00:29:10,992
[SPEAKING IN GERMAN]

2199
00:29:11,000 --> 00:29:11,352
[SPEAKING IN GERMAN]

2200
00:29:11,360 --> 00:29:11,712
[SPEAKING IN GERMAN]

2201
00:29:11,720 --> 00:29:12,072
[SPEAKING IN GERMAN]

2202
00:29:12,080 --> 00:29:12,432
[SPEAKING IN GERMAN]

2203
00:29:12,440 --> 00:29:12,792
[SPEAKING IN GERMAN]

2204
00:29:12,800 --> 00:29:13,152
[SPEAKING IN GERMAN]

2205
00:29:13,160 --> 00:29:13,512
[SPEAKING IN GERMAN]

2206
00:29:13,520 --> 00:29:13,872
[SPEAKING IN GERMAN]

2207
00:29:13,880 --> 00:29:14,232
[SPEAKING IN GERMAN]

2208
00:29:14,240 --> 00:29:14,592
[SPEAKING IN GERMAN]

2209
00:29:14,600 --> 00:29:15,874
[SPEAKING IN GERMAN]

2210
00:29:27,080 --> 00:29:28,354
We let you know.

2211
00:29:28,520 --> 00:29:28,872
[GUNSHOT]

2212
00:29:28,880 --> 00:29:29,995
[GUNSHOT]

2213
00:29:30,560 --> 00:29:30,912
AN NOUNCERzBut by December,
their joke was ready.

2214
00:29:30,920 --> 00:29:31,272
AN NOUNCERzBut by December,
their joke was ready.

2215
00:29:31,280 --> 00:29:31,632
AN NOUNCERzBut by December,
their joke was ready.

2216
00:29:31,640 --> 00:29:31,992
AN NOUNCERzBut by December,
their joke was ready.

2217
00:29:32,000 --> 00:29:33,035
AN NOUNCERzBut by December,
their joke was ready.

2218
00:29:33,200 --> 00:29:33,552
And Hitler gave the order
for the German V-Joke

2219
00:29:33,560 --> 00:29:33,912
And Hitler gave the order
for the German V-Joke

2220
00:29:33,920 --> 00:29:34,272
And Hitler gave the order
for the German V-Joke

2221
00:29:34,280 --> 00:29:35,554
And Hitler gave the order
for the German V-Joke

2222
00:29:35,760 --> 00:29:36,112
to be broadcast in English.

2223
00:29:36,120 --> 00:29:37,269
to be broadcast in English.

2224
00:29:37,840 --> 00:29:38,192
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2225
00:29:38,200 --> 00:29:38,552
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2226
00:29:38,560 --> 00:29:38,912
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2227
00:29:38,920 --> 00:29:39,272
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2228
00:29:39,280 --> 00:29:39,632
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2229
00:29:39,640 --> 00:29:39,992
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2230
00:29:40,000 --> 00:29:40,352
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2231
00:29:40,360 --> 00:29:40,712
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2232
00:29:40,720 --> 00:29:41,072
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2233
00:29:41,080 --> 00:29:41,432
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2234
00:29:41,440 --> 00:29:42,634
MAN [ON RADIO, GERMAN ACCENT]: There were
zwei peanuts walking down the straBe,

2235
00:29:42,800 --> 00:29:43,152
and one was a salted peanut.

2236
00:29:43,160 --> 00:29:43,512
and one was a salted peanut.

2237
00:29:43,520 --> 00:29:43,872
and one was a salted peanut.

2238
00:29:43,880 --> 00:29:44,232
and one was a salted peanut.

2239
00:29:44,240 --> 00:29:44,592
and one was a salted peanut.

2240
00:29:44,600 --> 00:29:44,952
and one was a salted peanut.

2241
00:29:44,960 --> 00:29:45,312
and one was a salted peanut.

2242
00:29:45,320 --> 00:29:45,672
and one was a salted peanut.

2243
00:29:45,680 --> 00:29:47,033
and one was a salted peanut.

2244
00:29:47,200 --> 00:29:47,552
[MAN ON RADIO LAUGHING]

2245
00:29:47,560 --> 00:29:47,912
[MAN ON RADIO LAUGHING]

2246
00:29:47,920 --> 00:29:48,272
[MAN ON RADIO LAUGHING]

2247
00:29:48,280 --> 00:29:49,633
[MAN ON RADIO LAUGHING]

2248
00:29:53,560 --> 00:29:53,912
In 1945, peace broke out.

2249
00:29:53,920 --> 00:29:54,272
In 1945, peace broke out.

2250
00:29:54,280 --> 00:29:54,632
In 1945, peace broke out.

2251
00:29:54,640 --> 00:29:54,992
In 1945, peace broke out.

2252
00:29:55,000 --> 00:29:55,352
In 1945, peace broke out.

2253
00:29:55,360 --> 00:29:55,712
In 1945, peace broke out.

2254
00:29:55,720 --> 00:29:56,072
In 1945, peace broke out.

2255
00:29:56,080 --> 00:29:57,354
In 1945, peace broke out.

2256
00:29:57,520 --> 00:29:57,872
It was the end of the joke.

2257
00:29:57,880 --> 00:29:58,232
It was the end of the joke.

2258
00:29:58,240 --> 00:29:58,592
It was the end of the joke.

2259
00:29:58,600 --> 00:29:59,715
It was the end of the joke.

2260
00:29:59,880 --> 00:30:00,232
Joke warfare was banned at a special
session of the Geneva Convention,

2261
00:30:00,240 --> 00:30:00,592
Joke warfare was banned at a special
session of the Geneva Convention,

2262
00:30:00,600 --> 00:30:00,952
Joke warfare was banned at a special
session of the Geneva Convention,

2263
00:30:00,960 --> 00:30:01,312
Joke warfare was banned at a special
session of the Geneva Convention,

2264
00:30:01,320 --> 00:30:01,672
Joke warfare was banned at a special
session of the Geneva Convention,

2265
00:30:01,680 --> 00:30:02,032
Joke warfare was banned at a special
session of the Geneva Convention,

2266
00:30:02,040 --> 00:30:02,392
Joke warfare was banned at a special
session of the Geneva Convention,

2267
00:30:02,400 --> 00:30:03,674
Joke warfare was banned at a special
session of the Geneva Convention,

2268
00:30:03,840 --> 00:30:04,192
and in 1950,
the last remaining copy of the joke

2269
00:30:04,200 --> 00:30:04,552
and in 1950,
the last remaining copy of the joke

2270
00:30:04,560 --> 00:30:04,912
and in 1950,
the last remaining copy of the joke

2271
00:30:04,920 --> 00:30:05,272
and in 1950,
the last remaining copy of the joke

2272
00:30:05,280 --> 00:30:05,632
and in 1950,
the last remaining copy of the joke

2273
00:30:05,640 --> 00:30:05,992
and in 1950,
the last remaining copy of the joke

2274
00:30:06,000 --> 00:30:06,352
and in 1950,
the last remaining copy of the joke

2275
00:30:06,360 --> 00:30:06,712
and in 1950,
the last remaining copy of the joke

2276
00:30:06,720 --> 00:30:08,073
and in 1950,
the last remaining copy of the joke

2277
00:30:08,240 --> 00:30:08,592
was laid to rest here,
in the Berkshire countryside,

2278
00:30:08,600 --> 00:30:08,952
was laid to rest here,
in the Berkshire countryside,

2279
00:30:08,960 --> 00:30:09,312
was laid to rest here,
in the Berkshire countryside,

2280
00:30:09,320 --> 00:30:09,672
was laid to rest here,
in the Berkshire countryside,

2281
00:30:09,680 --> 00:30:10,032
was laid to rest here,
in the Berkshire countryside,

2282
00:30:10,040 --> 00:30:10,392
was laid to rest here,
in the Berkshire countryside,

2283
00:30:10,400 --> 00:30:10,752
was laid to rest here,
in the Berkshire countryside,

2284
00:30:10,760 --> 00:30:12,113
was laid to rest here,
in the Berkshire countryside,

2285
00:30:12,280 --> 00:30:12,632
never to be told again.

2286
00:30:12,640 --> 00:30:12,992
never to be told again.

2287
00:30:13,000 --> 00:30:13,352
never to be told again.

2288
00:30:13,360 --> 00:30:13,712
never to be told again.

2289
00:30:13,720 --> 00:30:14,789
never to be told again.

2290
00:30:15,560 --> 00:30:15,912
[my

2291
00:30:15,920 --> 00:30:16,272
[my

2292
00:30:16,280 --> 00:30:16,632
[my

2293
00:30:16,640 --> 00:30:16,992
[my

2294
00:30:17,000 --> 00:30:17,352
[my

2295
00:30:17,360 --> 00:30:17,712
[my

2296
00:30:17,720 --> 00:30:18,948
[my

2297
00:30:30,720 --> 00:30:31,869
[WHISTLES]

2298
00:30:33,640 --> 00:30:34,914
[SNORTS]

2299
00:31:05,160 --> 00:31:05,512
[my

2300
00:31:05,520 --> 00:31:05,872
[my

2301
00:31:05,880 --> 00:31:06,232
[my

2302
00:31:06,240 --> 00:31:06,592
[my

2303
00:31:06,600 --> 00:31:06,952
[my

2304
00:31:06,960 --> 00:31:07,312
[my

2305
00:31:07,320 --> 00:31:08,639
[my

2306
00:31:12,560 --> 00:31:12,912
ANNOUNCER:
And here is the final score:

2307
00:31:12,920 --> 00:31:13,272
ANNOUNCER:
And here is the final score:

2308
00:31:13,280 --> 00:31:14,599
ANNOUNCER:
And here is the final score:

2309
00:31:14,760 --> 00:31:15,112
Pigs, 9, British bipeds, 4.

2310
00:31:15,120 --> 00:31:15,472
Pigs, 9, British bipeds, 4.

2311
00:31:15,480 --> 00:31:15,832
Pigs, 9, British bipeds, 4.

2312
00:31:15,840 --> 00:31:16,192
Pigs, 9, British bipeds, 4.

2313
00:31:16,200 --> 00:31:16,552
Pigs, 9, British bipeds, 4.

2314
00:31:16,560 --> 00:31:16,912
Pigs, 9, British bipeds, 4.

2315
00:31:16,920 --> 00:31:17,272
Pigs, 9, British bipeds, 4.

2316
00:31:17,280 --> 00:31:18,474
Pigs, 9, British bipeds, 4.

2317
00:31:18,640 --> 00:31:18,992
The pigs go on to meet Vikki Carr
in the final.

2318
00:31:19,000 --> 00:31:19,352
The pigs go on to meet Vikki Carr
in the final.

2319
00:31:19,360 --> 00:31:19,712
The pigs go on to meet Vikki Carr
in the final.

2320
00:31:19,720 --> 00:31:20,072
The pigs go on to meet Vikki Carr
in the final.

2321
00:31:20,080 --> 00:31:20,432
The pigs go on to meet Vikki Carr
in the final.

2322
00:31:20,440 --> 00:31:20,792
The pigs go on to meet Vikki Carr
in the final.

2323
00:31:20,800 --> 00:31:21,152
The pigs go on to meet Vikki Carr
in the final.

2324
00:31:21,160 --> 00:31:22,229
The pigs go on to meet Vikki Carr
in the final.