1 00:00:02,969 --> 00:00:07,839 [MUSIC] 2 00:00:00,000 --> 00:00:00,000 3 00:01:02,162 --> 00:01:12,871 >> VANESSA! VANESSA! VANESSA! 4 00:00:00,000 --> 00:00:00,000 5 00:01:12,873 --> 00:01:14,740 VANESSA! VANESSA! >> MOM, WOULD YOU TELL RUDY 6 00:00:00,000 --> 00:00:00,000 7 00:01:14,742 --> 00:01:17,043 VANESSA! >> MOM, WOULD YOU TELL RUDY TO STOP SAYING MY NAME? 8 00:00:00,000 --> 00:00:00,000 9 00:01:17,045 --> 00:01:18,076 >> MOM, WOULD YOU TELL RUDY TO STOP SAYING MY NAME? >> CLIFF? 10 00:00:00,000 --> 00:00:00,000 11 00:01:18,078 --> 00:01:21,213 TO STOP SAYING MY NAME? >> CLIFF? >> SHE SAID MOM, DEAR, NOT DAD. 12 00:00:00,000 --> 00:00:00,000 13 00:01:21,215 --> 00:01:22,114 >> CLIFF? >> SHE SAID MOM, DEAR, NOT DAD. THAT'S WHY THEY HAVE DIFFERENT 14 00:00:00,000 --> 00:00:00,000 15 00:01:22,116 --> 00:01:24,483 >> SHE SAID MOM, DEAR, NOT DAD. THAT'S WHY THEY HAVE DIFFERENT NAMES FOR US, SO THEY CAN GET 16 00:00:00,000 --> 00:00:00,000 17 00:01:24,485 --> 00:01:27,452 THAT'S WHY THEY HAVE DIFFERENT NAMES FOR US, SO THEY CAN GET WHO THEY WANT. 18 00:00:00,000 --> 00:00:00,000 19 00:01:27,454 --> 00:01:28,453 NAMES FOR US, SO THEY CAN GET WHO THEY WANT. >> BUT I'M IN THE MIDDLE OF 20 00:00:00,000 --> 00:00:00,000 21 00:01:28,455 --> 00:01:29,688 WHO THEY WANT. >> BUT I'M IN THE MIDDLE OF DOING OUR BOOKS. 22 00:00:00,000 --> 00:00:00,000 23 00:01:29,690 --> 00:01:30,689 >> BUT I'M IN THE MIDDLE OF DOING OUR BOOKS. >> I'LL DO THEM FOR YOU. 24 00:00:00,000 --> 00:00:00,000 25 00:01:30,691 --> 00:01:31,490 DOING OUR BOOKS. >> I'LL DO THEM FOR YOU. >> YOU? 26 00:00:00,000 --> 00:00:00,000 27 00:01:31,492 --> 00:01:33,325 >> I'LL DO THEM FOR YOU. >> YOU? YOU HATE DOING BOOKS. 28 00:00:00,000 --> 00:00:00,000 29 00:01:33,327 --> 00:01:34,760 >> YOU? YOU HATE DOING BOOKS. >> WHEN I SEE THE JOY YOU GET 30 00:00:00,000 --> 00:00:00,000 31 00:01:34,762 --> 00:01:36,061 YOU HATE DOING BOOKS. >> WHEN I SEE THE JOY YOU GET FROM DOING THEM, IT MAKES ME 32 00:00:00,000 --> 00:00:00,000 33 00:01:36,063 --> 00:01:37,429 >> WHEN I SEE THE JOY YOU GET FROM DOING THEM, IT MAKES ME JEALOUS AND I WANT TO DO BOOKS 34 00:00:00,000 --> 00:00:00,000 35 00:01:37,431 --> 00:01:38,997 FROM DOING THEM, IT MAKES ME JEALOUS AND I WANT TO DO BOOKS OF MY OWN. 36 00:00:00,000 --> 00:00:00,000 37 00:01:38,999 --> 00:01:40,566 JEALOUS AND I WANT TO DO BOOKS OF MY OWN. >> VANESSA! 38 00:00:00,000 --> 00:00:00,000 39 00:01:40,568 --> 00:01:41,867 OF MY OWN. >> VANESSA! >> MOM! 40 00:00:00,000 --> 00:00:00,000 41 00:01:41,869 --> 00:01:43,402 >> VANESSA! >> MOM! >> CLAIR. 42 00:00:00,000 --> 00:00:00,000 43 00:01:43,404 --> 00:01:45,171 >> MOM! >> CLAIR. >> CLIFF. 44 00:00:00,000 --> 00:00:00,000 45 00:01:45,173 --> 00:01:46,205 >> CLAIR. >> CLIFF. >> YOU WANT ME TO DESTROY THEM 46 00:00:00,000 --> 00:00:00,000 47 00:01:46,207 --> 00:01:48,207 >> CLIFF. >> YOU WANT ME TO DESTROY THEM NOW? 48 00:00:00,000 --> 00:00:00,000 49 00:01:48,209 --> 00:01:49,108 >> YOU WANT ME TO DESTROY THEM NOW? >> DO SOMETHING. 50 00:00:00,000 --> 00:00:00,000 51 00:01:49,110 --> 00:01:50,342 NOW? >> DO SOMETHING. >> RUDY? 52 00:00:00,000 --> 00:00:00,000 53 00:01:50,344 --> 00:01:51,376 >> DO SOMETHING. >> RUDY? >> YES. 54 00:00:00,000 --> 00:00:00,000 55 00:01:51,378 --> 00:01:52,578 >> RUDY? >> YES. >> THIS IS YOUR FATHER TALKING 56 00:00:00,000 --> 00:00:00,000 57 00:01:52,580 --> 00:01:53,746 >> YES. >> THIS IS YOUR FATHER TALKING TO YOU. 58 00:00:00,000 --> 00:00:00,000 59 00:01:53,748 --> 00:01:54,680 >> THIS IS YOUR FATHER TALKING TO YOU. GET DOWN ON YOUR HANDS 60 00:00:00,000 --> 00:00:00,000 61 00:01:54,682 --> 00:01:56,849 TO YOU. GET DOWN ON YOUR HANDS AND KNEES. 62 00:00:00,000 --> 00:00:00,000 63 00:01:56,851 --> 00:02:01,120 GET DOWN ON YOUR HANDS AND KNEES. NOW PUT YOUR EAR TO THE FLOOR. 64 00:00:00,000 --> 00:00:00,000 65 00:02:01,122 --> 00:02:03,055 AND KNEES. NOW PUT YOUR EAR TO THE FLOOR. CAN YOU HEAR ME? 66 00:00:00,000 --> 00:00:00,000 67 00:02:03,057 --> 00:02:04,356 NOW PUT YOUR EAR TO THE FLOOR. CAN YOU HEAR ME? >> YES. 68 00:00:00,000 --> 00:00:00,000 69 00:02:04,358 --> 00:02:05,958 CAN YOU HEAR ME? >> YES. >> ALL RIGHT, I'M GOING TO SAY 70 00:00:00,000 --> 00:00:00,000 71 00:02:05,960 --> 00:02:12,264 >> YES. >> ALL RIGHT, I'M GOING TO SAY THIS ONLY ONE TIME, STOP IT! 72 00:00:00,000 --> 00:00:00,000 73 00:02:12,266 --> 00:02:13,198 >> ALL RIGHT, I'M GOING TO SAY THIS ONLY ONE TIME, STOP IT! >> DADDY, YOU KNOW THE SECRET TO 74 00:00:00,000 --> 00:00:00,000 75 00:02:13,200 --> 00:02:15,400 THIS ONLY ONE TIME, STOP IT! >> DADDY, YOU KNOW THE SECRET TO HANDLING RUDY, JUST IGNORE HER. 76 00:00:00,000 --> 00:00:00,000 77 00:02:15,402 --> 00:02:16,368 >> DADDY, YOU KNOW THE SECRET TO HANDLING RUDY, JUST IGNORE HER. AFTER THAT YOUR LIFE BECOMES 78 00:00:00,000 --> 00:00:00,000 79 00:02:16,370 --> 00:02:17,603 HANDLING RUDY, JUST IGNORE HER. AFTER THAT YOUR LIFE BECOMES VERY FREE. 80 00:00:00,000 --> 00:00:00,000 81 00:02:17,605 --> 00:02:19,204 AFTER THAT YOUR LIFE BECOMES VERY FREE. >> SPOKEN LIKE A PERSON 82 00:00:00,000 --> 00:00:00,000 83 00:02:19,206 --> 00:02:24,176 VERY FREE. >> SPOKEN LIKE A PERSON WITH NO CHILDREN. 84 00:00:00,000 --> 00:00:00,000 85 00:02:27,313 --> 00:02:31,417 >> LISTEN? >> MMM? >> IT'S QUIET. 86 00:00:00,000 --> 00:00:00,000 87 00:02:31,419 --> 00:02:33,419 >> MMM? >> IT'S QUIET. >> DAD HAS SPOKEN. 88 00:00:00,000 --> 00:00:00,000 89 00:02:33,421 --> 00:02:34,253 >> IT'S QUIET. >> DAD HAS SPOKEN. THERE WILL BE PEACE IN 90 00:00:00,000 --> 00:00:00,000 91 00:02:34,255 --> 00:02:36,788 >> DAD HAS SPOKEN. THERE WILL BE PEACE IN THE VALLEY. 92 00:00:00,000 --> 00:00:00,000 93 00:02:36,790 --> 00:02:38,657 THERE WILL BE PEACE IN THE VALLEY. >> VANESSA! 94 00:00:00,000 --> 00:00:00,000 95 00:02:38,659 --> 00:02:43,528 THE VALLEY. >> VANESSA! >> MOM! 96 00:00:00,000 --> 00:00:00,000 97 00:02:43,530 --> 00:02:45,831 >> VANESSA! >> MOM! >> DAD'S OFF THE COUCH. 98 00:00:00,000 --> 00:00:00,000 99 00:02:45,833 --> 00:02:47,499 >> MOM! >> DAD'S OFF THE COUCH. HE'S MOVING IN. 100 00:00:00,000 --> 00:00:00,000 101 00:02:47,501 --> 00:02:50,869 >> DAD'S OFF THE COUCH. HE'S MOVING IN. LOOK OUT! 102 00:00:00,000 --> 00:00:00,000 103 00:02:50,871 --> 00:02:54,340 HE'S MOVING IN. LOOK OUT! >> AH, HA, HA, HA! 104 00:00:00,000 --> 00:00:00,000 105 00:02:54,342 --> 00:02:57,876 LOOK OUT! >> AH, HA, HA, HA! NOW WHERE ARE YOU GOING? 106 00:00:00,000 --> 00:00:00,000 107 00:02:57,878 --> 00:02:59,311 >> AH, HA, HA, HA! NOW WHERE ARE YOU GOING? >> TO THE BATHROOM. 108 00:00:00,000 --> 00:00:00,000 109 00:02:59,313 --> 00:03:02,915 NOW WHERE ARE YOU GOING? >> TO THE BATHROOM. >> I DON'T THINK YOU HAVE TO GO. 110 00:00:00,000 --> 00:00:00,000 111 00:03:02,917 --> 00:03:05,283 >> TO THE BATHROOM. >> I DON'T THINK YOU HAVE TO GO. >> WHAT IF YOU'RE WRONG? 112 00:00:00,000 --> 00:00:00,000 113 00:03:05,285 --> 00:03:06,351 >> I DON'T THINK YOU HAVE TO GO. >> WHAT IF YOU'RE WRONG? >> THEN THE THREE OF US WILL 114 00:00:00,000 --> 00:00:00,000 115 00:03:06,353 --> 00:03:08,420 >> WHAT IF YOU'RE WRONG? >> THEN THE THREE OF US WILL SOON FIND OUT, WON'T WE? 116 00:00:00,000 --> 00:00:00,000 117 00:03:08,422 --> 00:03:12,557 >> THEN THE THREE OF US WILL SOON FIND OUT, WON'T WE? NOW, YOU ARE BOTHERING THE 118 00:00:00,000 --> 00:00:00,000 119 00:03:12,559 --> 00:03:14,727 SOON FIND OUT, WON'T WE? NOW, YOU ARE BOTHERING THE PRINCESS VANESSA, AREN'T YOU? 120 00:00:00,000 --> 00:00:00,000 121 00:03:14,729 --> 00:03:15,594 NOW, YOU ARE BOTHERING THE PRINCESS VANESSA, AREN'T YOU? >> NO, DADDY. 122 00:00:00,000 --> 00:00:00,000 123 00:03:15,596 --> 00:03:17,396 PRINCESS VANESSA, AREN'T YOU? >> NO, DADDY. >> IS IT YOUR VOICE THAT I HEAR 124 00:00:00,000 --> 00:00:00,000 125 00:03:17,398 --> 00:03:20,666 >> NO, DADDY. >> IS IT YOUR VOICE THAT I HEAR THAT'S SAYING, "VANESSA!"? 126 00:00:00,000 --> 00:00:00,000 127 00:03:20,668 --> 00:03:21,499 >> IS IT YOUR VOICE THAT I HEAR THAT'S SAYING, "VANESSA!"? >> YES. 128 00:00:00,000 --> 00:00:00,000 129 00:03:21,501 --> 00:03:23,502 THAT'S SAYING, "VANESSA!"? >> YES. >> IT IS YOUR THROAT THAT'S 130 00:00:00,000 --> 00:00:00,000 131 00:03:23,504 --> 00:03:26,238 >> YES. >> IT IS YOUR THROAT THAT'S ALLOWING YOUR VOICE TO SAY, 132 00:00:00,000 --> 00:00:00,000 133 00:03:26,240 --> 00:03:28,340 >> IT IS YOUR THROAT THAT'S ALLOWING YOUR VOICE TO SAY, "VANESSA!"? 134 00:00:00,000 --> 00:00:00,000 135 00:03:28,342 --> 00:03:29,074 ALLOWING YOUR VOICE TO SAY, "VANESSA!"? >> YES. 136 00:00:00,000 --> 00:00:00,000 137 00:03:29,076 --> 00:03:30,810 "VANESSA!"? >> YES. >> IS IT YOUR BRAIN THAT TELLS 138 00:00:00,000 --> 00:00:00,000 139 00:03:30,812 --> 00:03:32,477 >> YES. >> IS IT YOUR BRAIN THAT TELLS YOUR THROAT TO LET THE VOICE 140 00:00:00,000 --> 00:00:00,000 141 00:03:32,479 --> 00:03:35,448 >> IS IT YOUR BRAIN THAT TELLS YOUR THROAT TO LET THE VOICE SAY, "VANESSA!"? 142 00:00:00,000 --> 00:00:00,000 143 00:03:35,450 --> 00:03:36,248 YOUR THROAT TO LET THE VOICE SAY, "VANESSA!"? >> YES. 144 00:00:00,000 --> 00:00:00,000 145 00:03:36,250 --> 00:03:37,817 SAY, "VANESSA!"? >> YES. >> THEN YOU ARE BOTHERING 146 00:00:00,000 --> 00:00:00,000 147 00:03:37,819 --> 00:03:38,784 >> YES. >> THEN YOU ARE BOTHERING VANESSA. 148 00:00:00,000 --> 00:00:00,000 149 00:03:38,786 --> 00:03:39,785 >> THEN YOU ARE BOTHERING VANESSA. >> NO, DADDY, 150 00:00:00,000 --> 00:00:00,000 151 00:03:39,787 --> 00:03:41,253 VANESSA. >> NO, DADDY, SHE'S BOTHERING ME. 152 00:00:00,000 --> 00:00:00,000 153 00:03:41,255 --> 00:03:42,054 >> NO, DADDY, SHE'S BOTHERING ME. >> HOW? 154 00:00:00,000 --> 00:00:00,000 155 00:03:42,056 --> 00:03:43,589 SHE'S BOTHERING ME. >> HOW? >> BY NOT ANSWERING WHEN I SAY, 156 00:00:00,000 --> 00:00:00,000 157 00:03:43,591 --> 00:03:46,458 >> HOW? >> BY NOT ANSWERING WHEN I SAY, "VANESSA." 158 00:00:00,000 --> 00:00:00,000 159 00:03:46,460 --> 00:03:47,826 >> BY NOT ANSWERING WHEN I SAY, "VANESSA." >> DADDY, I'M TRYING TO DO 160 00:00:00,000 --> 00:00:00,000 161 00:03:47,828 --> 00:03:49,061 "VANESSA." >> DADDY, I'M TRYING TO DO MY HOMEWORK AND SHE IS 162 00:00:00,000 --> 00:00:00,000 163 00:03:49,063 --> 00:03:50,095 >> DADDY, I'M TRYING TO DO MY HOMEWORK AND SHE IS BOTHERING ME. 164 00:00:00,000 --> 00:00:00,000 165 00:03:50,097 --> 00:03:51,330 MY HOMEWORK AND SHE IS BOTHERING ME. >> I UNDERSTAND THAT. 166 00:00:00,000 --> 00:00:00,000 167 00:03:51,332 --> 00:03:53,499 BOTHERING ME. >> I UNDERSTAND THAT. NOW WHAT I'M GOING TO DO IS 168 00:00:00,000 --> 00:00:00,000 169 00:03:53,501 --> 00:03:55,367 >> I UNDERSTAND THAT. NOW WHAT I'M GOING TO DO IS SEPARATE THE TWO OF YOU, AND YOU 170 00:00:00,000 --> 00:00:00,000 171 00:03:55,369 --> 00:03:58,404 NOW WHAT I'M GOING TO DO IS SEPARATE THE TWO OF YOU, AND YOU WILL HAVE THE ROOM TO YOURSELF. 172 00:00:00,000 --> 00:00:00,000 173 00:03:58,406 --> 00:03:59,405 SEPARATE THE TWO OF YOU, AND YOU WILL HAVE THE ROOM TO YOURSELF. DO YOU UNDERSTAND WHAT 174 00:00:00,000 --> 00:00:00,000 175 00:03:59,407 --> 00:04:00,272 WILL HAVE THE ROOM TO YOURSELF. DO YOU UNDERSTAND WHAT I'M SAYING? 176 00:00:00,000 --> 00:00:00,000 177 00:04:00,274 --> 00:04:01,106 DO YOU UNDERSTAND WHAT I'M SAYING? OKAY? 178 00:00:00,000 --> 00:00:00,000 179 00:04:01,108 --> 00:04:04,810 I'M SAYING? OKAY? >> ALL RIGHT. 180 00:00:00,000 --> 00:00:00,000 181 00:04:04,812 --> 00:04:07,046 OKAY? >> ALL RIGHT. >> NOW LISTEN TO ME, YOU KNOW 182 00:00:00,000 --> 00:00:00,000 183 00:04:07,048 --> 00:04:08,547 >> ALL RIGHT. >> NOW LISTEN TO ME, YOU KNOW HOW MUCH YOU LOVE TO PLAY IN MOM 184 00:00:00,000 --> 00:00:00,000 185 00:04:08,549 --> 00:04:10,015 >> NOW LISTEN TO ME, YOU KNOW HOW MUCH YOU LOVE TO PLAY IN MOM AND DAD'S ROOM, RIGHT? 186 00:00:00,000 --> 00:00:00,000 187 00:04:10,017 --> 00:04:12,151 HOW MUCH YOU LOVE TO PLAY IN MOM AND DAD'S ROOM, RIGHT? DAD'S GOT A BIGGIE FOR YOU. 188 00:00:00,000 --> 00:00:00,000 189 00:04:12,153 --> 00:04:15,287 AND DAD'S ROOM, RIGHT? DAD'S GOT A BIGGIE FOR YOU. YOU CAN PLAY IN OUR ROOM UNTIL 190 00:00:00,000 --> 00:00:00,000 191 00:04:15,289 --> 00:04:17,656 DAD'S GOT A BIGGIE FOR YOU. YOU CAN PLAY IN OUR ROOM UNTIL DAD COMES TO GET YOU, OKAY? 192 00:00:00,000 --> 00:00:00,000 193 00:04:17,658 --> 00:04:19,558 YOU CAN PLAY IN OUR ROOM UNTIL DAD COMES TO GET YOU, OKAY? >> OH, BOY. 194 00:00:00,000 --> 00:00:00,000 195 00:04:19,560 --> 00:04:20,426 DAD COMES TO GET YOU, OKAY? >> OH, BOY. >> ALL RIGHT, NOW THERE IS 196 00:00:00,000 --> 00:00:00,000 197 00:04:20,428 --> 00:04:22,361 >> OH, BOY. >> ALL RIGHT, NOW THERE IS CERTAIN THINGS IN THERE THAT DAD 198 00:00:00,000 --> 00:00:00,000 199 00:04:22,363 --> 00:04:23,895 >> ALL RIGHT, NOW THERE IS CERTAIN THINGS IN THERE THAT DAD DOESN'T WANT YOU TO TOUCH. 200 00:00:00,000 --> 00:00:00,000 201 00:04:23,897 --> 00:04:25,697 CERTAIN THINGS IN THERE THAT DAD DOESN'T WANT YOU TO TOUCH. >> CAN I TOUCH THE TV? 202 00:00:00,000 --> 00:00:00,000 203 00:04:25,699 --> 00:04:26,832 DOESN'T WANT YOU TO TOUCH. >> CAN I TOUCH THE TV? >> YES. 204 00:00:00,000 --> 00:00:00,000 205 00:04:26,834 --> 00:04:31,803 >> CAN I TOUCH THE TV? >> YES. >> THAT'S ALL I CARE ABOUT. 206 00:00:00,000 --> 00:00:00,000 207 00:04:38,611 --> 00:04:41,880 >> HEY! HI, MOM. >> HI. 208 00:00:00,000 --> 00:00:00,000 209 00:04:41,882 --> 00:04:43,715 HI, MOM. >> HI. >> HEY, DAD! 210 00:00:00,000 --> 00:00:00,000 211 00:04:43,717 --> 00:04:45,884 >> HI. >> HEY, DAD! >> HEY! 212 00:00:00,000 --> 00:00:00,000 213 00:04:45,886 --> 00:04:47,352 >> HEY, DAD! >> HEY! WHAT TIME'S SCHOOL LET OUT? 214 00:00:00,000 --> 00:00:00,000 215 00:04:47,354 --> 00:04:48,187 >> HEY! WHAT TIME'S SCHOOL LET OUT? >> THREE. 216 00:00:00,000 --> 00:00:00,000 217 00:04:48,189 --> 00:04:50,322 WHAT TIME'S SCHOOL LET OUT? >> THREE. >> HEY! 218 00:00:00,000 --> 00:00:00,000 219 00:04:50,324 --> 00:04:51,790 >> THREE. >> HEY! WHAT TIME IS IT NOW? 220 00:00:00,000 --> 00:00:00,000 221 00:04:51,792 --> 00:04:53,892 >> HEY! WHAT TIME IS IT NOW? >> FIVE. 222 00:00:00,000 --> 00:00:00,000 223 00:04:53,894 --> 00:04:56,828 WHAT TIME IS IT NOW? >> FIVE. >> HEY! 224 00:00:00,000 --> 00:00:00,000 225 00:04:56,830 --> 00:04:57,495 >> FIVE. >> HEY! WANT TO TALK ABOUT 226 00:00:00,000 --> 00:00:00,000 227 00:04:57,497 --> 00:04:59,764 >> HEY! WANT TO TALK ABOUT 2 MISSING HOURS? 228 00:00:00,000 --> 00:00:00,000 229 00:04:59,766 --> 00:05:00,899 WANT TO TALK ABOUT 2 MISSING HOURS? >> WELL, DAD, I DIDN'T WANT TO 230 00:00:00,000 --> 00:00:00,000 231 00:05:00,901 --> 00:05:01,700 2 MISSING HOURS? >> WELL, DAD, I DIDN'T WANT TO TELL YOU. 232 00:00:00,000 --> 00:00:00,000 233 00:05:01,702 --> 00:05:03,101 >> WELL, DAD, I DIDN'T WANT TO TELL YOU. >> TELL ME, EVEN IT IN INVOLVES 234 00:00:00,000 --> 00:00:00,000 235 00:05:03,103 --> 00:05:06,138 TELL YOU. >> TELL ME, EVEN IT IN INVOLVES A LIQUOR STORE. 236 00:00:00,000 --> 00:00:00,000 237 00:05:06,140 --> 00:05:07,472 >> TELL ME, EVEN IT IN INVOLVES A LIQUOR STORE. >> WELL, ALL THIS WEEK I'VE BEEN 238 00:00:00,000 --> 00:00:00,000 239 00:05:07,474 --> 00:05:08,573 A LIQUOR STORE. >> WELL, ALL THIS WEEK I'VE BEEN GOING TO FOOTBALL TRYOUTS, 240 00:00:00,000 --> 00:00:00,000 241 00:05:08,575 --> 00:05:09,775 >> WELL, ALL THIS WEEK I'VE BEEN GOING TO FOOTBALL TRYOUTS, AND TODAY I FOUND OUT 242 00:00:00,000 --> 00:00:00,000 243 00:05:09,777 --> 00:05:11,910 GOING TO FOOTBALL TRYOUTS, AND TODAY I FOUND OUT I MADE THE TEAM. 244 00:00:00,000 --> 00:00:00,000 245 00:05:11,912 --> 00:05:12,811 AND TODAY I FOUND OUT I MADE THE TEAM. SEE LOOK, HERE'S SOME OF OUR 246 00:00:00,000 --> 00:00:00,000 247 00:05:12,813 --> 00:05:15,347 I MADE THE TEAM. SEE LOOK, HERE'S SOME OF OUR PLAYS. 248 00:00:00,000 --> 00:00:00,000 249 00:05:15,349 --> 00:05:16,849 SEE LOOK, HERE'S SOME OF OUR PLAYS. YOU SEE, ME AND THE GUYS GOT 250 00:00:00,000 --> 00:00:00,000 251 00:05:16,851 --> 00:05:18,283 PLAYS. YOU SEE, ME AND THE GUYS GOT THIS IDEA TO GO FOR FOOTBALL, 252 00:00:00,000 --> 00:00:00,000 253 00:05:18,285 --> 00:05:19,718 YOU SEE, ME AND THE GUYS GOT THIS IDEA TO GO FOR FOOTBALL, YOU KNOW AND GOOF AROUND. 254 00:00:00,000 --> 00:00:00,000 255 00:05:19,720 --> 00:05:21,120 THIS IDEA TO GO FOR FOOTBALL, YOU KNOW AND GOOF AROUND. WELL, AFTER THE FIRST DAY, 256 00:00:00,000 --> 00:00:00,000 257 00:05:21,122 --> 00:05:23,122 YOU KNOW AND GOOF AROUND. WELL, AFTER THE FIRST DAY, SAMMY AND THE MOUTH GOT CUT. 258 00:00:00,000 --> 00:00:00,000 259 00:05:23,124 --> 00:05:25,124 WELL, AFTER THE FIRST DAY, SAMMY AND THE MOUTH GOT CUT. THE NEXT DAY, JOEL AND COCKROACH 260 00:00:00,000 --> 00:00:00,000 261 00:05:25,126 --> 00:05:25,958 SAMMY AND THE MOUTH GOT CUT. THE NEXT DAY, JOEL AND COCKROACH GOT BOUNCED. 262 00:00:00,000 --> 00:00:00,000 263 00:05:25,960 --> 00:05:27,026 THE NEXT DAY, JOEL AND COCKROACH GOT BOUNCED. >> WHO? 264 00:00:00,000 --> 00:00:00,000 265 00:05:27,028 --> 00:05:28,327 GOT BOUNCED. >> WHO? >> COCKROACH. 266 00:00:00,000 --> 00:00:00,000 267 00:05:28,329 --> 00:05:29,861 >> WHO? >> COCKROACH. I FIGURED I'D BE NEXT. 268 00:00:00,000 --> 00:00:00,000 269 00:05:29,863 --> 00:05:32,030 >> COCKROACH. I FIGURED I'D BE NEXT. THAT'S WHY I DIDN'T TELL YOU. 270 00:00:00,000 --> 00:00:00,000 271 00:05:32,032 --> 00:05:33,565 I FIGURED I'D BE NEXT. THAT'S WHY I DIDN'T TELL YOU. BUT THEY NEVER CUT ME. 272 00:00:00,000 --> 00:00:00,000 273 00:05:33,567 --> 00:05:35,133 THAT'S WHY I DIDN'T TELL YOU. BUT THEY NEVER CUT ME. THEY KEPT ME, DAD. 274 00:00:00,000 --> 00:00:00,000 275 00:05:35,135 --> 00:05:36,602 BUT THEY NEVER CUT ME. THEY KEPT ME, DAD. I'M ON THE TEAM. 276 00:00:00,000 --> 00:00:00,000 277 00:05:36,604 --> 00:05:37,936 THEY KEPT ME, DAD. I'M ON THE TEAM. >> GET OUT OF HERE. 278 00:00:00,000 --> 00:00:00,000 279 00:05:37,938 --> 00:05:40,505 I'M ON THE TEAM. >> GET OUT OF HERE. >> REALLY. 280 00:00:00,000 --> 00:00:00,000 281 00:05:40,507 --> 00:05:42,240 >> GET OUT OF HERE. >> REALLY. >> IT'S A 31 SWEEP. 282 00:00:00,000 --> 00:00:00,000 283 00:05:42,242 --> 00:05:44,009 >> REALLY. >> IT'S A 31 SWEEP. I RAN THIS IN COLLEGE. 284 00:00:00,000 --> 00:00:00,000 285 00:05:44,011 --> 00:05:44,976 >> IT'S A 31 SWEEP. I RAN THIS IN COLLEGE. >> BACK WHEN THEY DIDN'T WEAR 286 00:00:00,000 --> 00:00:00,000 287 00:05:44,978 --> 00:05:47,679 I RAN THIS IN COLLEGE. >> BACK WHEN THEY DIDN'T WEAR FACE MASKS. 288 00:00:00,000 --> 00:00:00,000 289 00:05:47,681 --> 00:05:48,480 >> BACK WHEN THEY DIDN'T WEAR FACE MASKS. >> IS THAT WHAT HAPPENED 290 00:00:00,000 --> 00:00:00,000 291 00:05:48,482 --> 00:05:54,153 FACE MASKS. >> IS THAT WHAT HAPPENED TO YOUR NOSE? 292 00:00:00,000 --> 00:00:00,000 293 00:05:54,155 --> 00:05:55,454 >> IS THAT WHAT HAPPENED TO YOUR NOSE? >> IT'S A SMALL PRICE TO PAY 294 00:00:00,000 --> 00:00:00,000 295 00:05:55,456 --> 00:05:58,157 TO YOUR NOSE? >> IT'S A SMALL PRICE TO PAY FOR A FIRST DOWN. 296 00:00:00,000 --> 00:00:00,000 297 00:05:58,159 --> 00:05:59,457 >> IT'S A SMALL PRICE TO PAY FOR A FIRST DOWN. >> SO IT'S OKAY IF I PLAY? 298 00:00:00,000 --> 00:00:00,000 299 00:05:59,459 --> 00:06:00,292 FOR A FIRST DOWN. >> SO IT'S OKAY IF I PLAY? >> WELL, NOW THIS ISN'T GONNA 300 00:00:00,000 --> 00:00:00,000 301 00:06:00,294 --> 00:06:01,593 >> SO IT'S OKAY IF I PLAY? >> WELL, NOW THIS ISN'T GONNA INTERFERE WITH YOUR SCHOOL WORK? 302 00:00:00,000 --> 00:00:00,000 303 00:06:01,595 --> 00:06:04,462 >> WELL, NOW THIS ISN'T GONNA INTERFERE WITH YOUR SCHOOL WORK? >> MOM, I'M GONNA WORK REAL HARD 304 00:00:00,000 --> 00:00:00,000 305 00:06:04,464 --> 00:06:05,864 INTERFERE WITH YOUR SCHOOL WORK? >> MOM, I'M GONNA WORK REAL HARD AT EVERYTHING. 306 00:00:00,000 --> 00:00:00,000 307 00:06:05,866 --> 00:06:09,835 >> MOM, I'M GONNA WORK REAL HARD AT EVERYTHING. >> ALL RIGHT. 308 00:00:00,000 --> 00:00:00,000 309 00:06:09,837 --> 00:06:11,403 AT EVERYTHING. >> ALL RIGHT. >> YOU BETTER DO YOUR HOMEWORK. 310 00:00:00,000 --> 00:00:00,000 311 00:06:11,405 --> 00:06:12,270 >> ALL RIGHT. >> YOU BETTER DO YOUR HOMEWORK. >> RIGHT, DAD. 312 00:00:00,000 --> 00:00:00,000 313 00:06:12,272 --> 00:06:15,407 >> YOU BETTER DO YOUR HOMEWORK. >> RIGHT, DAD. NO PROBLEM. 314 00:00:00,000 --> 00:00:00,000 315 00:06:15,409 --> 00:06:19,177 >> RIGHT, DAD. NO PROBLEM. >> HAPPY? 316 00:00:00,000 --> 00:00:00,000 317 00:06:23,516 --> 00:06:32,791 >> MY BOY, MY SON, FOOTBALL. FOOTBALL. 318 00:00:00,000 --> 00:00:00,000 319 00:06:32,793 --> 00:06:35,694 FOOTBALL. FOOTBALL. MY SON, MY BOY. 320 00:00:00,000 --> 00:00:00,000 321 00:06:35,696 --> 00:06:37,863 FOOTBALL. MY SON, MY BOY. IN THE STANDS, 322 00:00:00,000 --> 00:00:00,000 323 00:06:37,865 --> 00:06:39,030 MY SON, MY BOY. IN THE STANDS, "IS THAT YOUR SON?" 324 00:00:00,000 --> 00:00:00,000 325 00:06:39,032 --> 00:06:42,801 IN THE STANDS, "IS THAT YOUR SON?" "YES, THAT'S MY BOY. 326 00:00:00,000 --> 00:00:00,000 327 00:06:42,803 --> 00:06:43,969 "IS THAT YOUR SON?" "YES, THAT'S MY BOY. SEE, THE ONE RUNNING DOWN 328 00:00:00,000 --> 00:00:00,000 329 00:06:43,971 --> 00:06:45,604 "YES, THAT'S MY BOY. SEE, THE ONE RUNNING DOWN THE FIELD FOR THE TOUCHDOWN WITH 330 00:00:00,000 --> 00:00:00,000 331 00:06:45,606 --> 00:06:48,206 SEE, THE ONE RUNNING DOWN THE FIELD FOR THE TOUCHDOWN WITH THE NAME HUXTABLE ON THE BACK? 332 00:00:00,000 --> 00:00:00,000 333 00:06:48,208 --> 00:06:50,676 THE FIELD FOR THE TOUCHDOWN WITH THE NAME HUXTABLE ON THE BACK? THAT'S MY SON. 334 00:00:00,000 --> 00:00:00,000 335 00:06:50,678 --> 00:06:51,744 THE NAME HUXTABLE ON THE BACK? THAT'S MY SON. I WOULD HAVE DONE IT MYSELF, 336 00:00:00,000 --> 00:00:00,000 337 00:06:51,746 --> 00:06:54,212 THAT'S MY SON. I WOULD HAVE DONE IT MYSELF, BUT I'M TOO OLD NOW. 338 00:00:00,000 --> 00:00:00,000 339 00:06:54,214 --> 00:06:55,313 I WOULD HAVE DONE IT MYSELF, BUT I'M TOO OLD NOW. SO I PASSED THE BUSINESS 340 00:00:00,000 --> 00:00:00,000 341 00:06:55,315 --> 00:06:56,882 BUT I'M TOO OLD NOW. SO I PASSED THE BUSINESS ON TO HIM. 342 00:00:00,000 --> 00:00:00,000 343 00:06:56,884 --> 00:06:59,785 SO I PASSED THE BUSINESS ON TO HIM. HUXTABLE AND SON, YES INDEED." 344 00:00:00,000 --> 00:00:00,000 345 00:06:59,787 --> 00:07:01,086 ON TO HIM. HUXTABLE AND SON, YES INDEED." GO TO DINNERS, 346 00:00:00,000 --> 00:00:00,000 347 00:07:01,088 --> 00:07:03,388 HUXTABLE AND SON, YES INDEED." GO TO DINNERS, "AND THE ATHLETE OF THE CENTURY, 348 00:00:00,000 --> 00:00:00,000 349 00:07:03,390 --> 00:07:05,423 GO TO DINNERS, "AND THE ATHLETE OF THE CENTURY, YOUNG HUXTABLE. 350 00:00:00,000 --> 00:00:00,000 351 00:07:05,425 --> 00:07:07,092 "AND THE ATHLETE OF THE CENTURY, YOUNG HUXTABLE. SITTING NEXT TO HIM WAS 352 00:00:00,000 --> 00:00:00,000 353 00:07:07,094 --> 00:07:09,461 YOUNG HUXTABLE. SITTING NEXT TO HIM WAS THE ATHLETE OF THE OLD CENTURY'S 354 00:00:00,000 --> 00:00:00,000 355 00:07:09,463 --> 00:07:11,730 SITTING NEXT TO HIM WAS THE ATHLETE OF THE OLD CENTURY'S OLD HUXTABLE." 356 00:00:00,000 --> 00:00:00,000 357 00:07:11,732 --> 00:07:13,932 THE ATHLETE OF THE OLD CENTURY'S OLD HUXTABLE." MY SON, I'M TELLING YOU MY 358 00:00:00,000 --> 00:00:00,000 359 00:07:13,934 --> 00:07:17,602 OLD HUXTABLE." MY SON, I'M TELLING YOU MY PRAYERS HAVE BEEN ANSWERED, AND 360 00:00:00,000 --> 00:00:00,000 361 00:07:17,604 --> 00:07:22,941 MY SON, I'M TELLING YOU MY PRAYERS HAVE BEEN ANSWERED, AND THE CIRCLE WILL NOT BE BROKEN. 362 00:00:00,000 --> 00:00:00,000 363 00:07:25,979 --> 00:07:30,716 >> CLIFF, NOW THIS MAY BE IMPOSSIBLE, BUT DO YOU THINK YOU CAN CALM DOWN? 364 00:00:00,000 --> 00:00:00,000 365 00:07:30,718 --> 00:07:35,487 IMPOSSIBLE, BUT DO YOU THINK YOU CAN CALM DOWN? >> CALM, SURE, BE CALM. 366 00:00:00,000 --> 00:00:00,000 367 00:07:35,489 --> 00:07:36,555 YOU CAN CALM DOWN? >> CALM, SURE, BE CALM. >> CLIFF? 368 00:00:00,000 --> 00:00:00,000 369 00:07:36,557 --> 00:07:37,289 >> CALM, SURE, BE CALM. >> CLIFF? >> HMM. 370 00:00:00,000 --> 00:00:00,000 371 00:07:37,291 --> 00:07:38,490 >> CLIFF? >> HMM. >> YOUR EYES ARE DANCING. 372 00:00:00,000 --> 00:00:00,000 373 00:07:38,492 --> 00:07:39,458 >> HMM. >> YOUR EYES ARE DANCING. >> ARE THEY? 374 00:00:00,000 --> 00:00:00,000 375 00:07:39,460 --> 00:07:40,825 >> YOUR EYES ARE DANCING. >> ARE THEY? >> MMM-HMM. 376 00:00:00,000 --> 00:00:00,000 377 00:07:40,827 --> 00:07:44,997 >> ARE THEY? >> MMM-HMM. >> LET ME SEE. 378 00:00:00,000 --> 00:00:00,000 379 00:07:44,999 --> 00:07:47,199 >> MMM-HMM. >> LET ME SEE. THEY ARE, AREN'T THEY? 380 00:00:00,000 --> 00:00:00,000 381 00:07:47,201 --> 00:07:49,034 >> LET ME SEE. THEY ARE, AREN'T THEY? YES, THEY ARE, THEY ARE DANCING. 382 00:00:00,000 --> 00:00:00,000 383 00:07:49,036 --> 00:07:49,768 THEY ARE, AREN'T THEY? YES, THEY ARE, THEY ARE DANCING. >> COME ON. 384 00:00:00,000 --> 00:00:00,000 385 00:07:49,770 --> 00:07:50,369 YES, THEY ARE, THEY ARE DANCING. >> COME ON. >> HUH? 386 00:00:00,000 --> 00:00:00,000 387 00:07:50,371 --> 00:07:50,935 >> COME ON. >> HUH? >> SIT DOWN. 388 00:00:00,000 --> 00:00:00,000 389 00:07:50,937 --> 00:07:51,703 >> HUH? >> SIT DOWN. >> NO, NO, NO, NO, NO, DO ME 390 00:00:00,000 --> 00:00:00,000 391 00:07:51,705 --> 00:07:53,004 >> SIT DOWN. >> NO, NO, NO, NO, NO, DO ME A FAVOR, DO ME A FAVOR. 392 00:00:00,000 --> 00:00:00,000 393 00:07:53,006 --> 00:07:53,805 >> NO, NO, NO, NO, NO, DO ME A FAVOR, DO ME A FAVOR. SAY IT AGAIN, 394 00:00:00,000 --> 00:00:00,000 395 00:07:53,807 --> 00:07:54,806 A FAVOR, DO ME A FAVOR. SAY IT AGAIN, I WANT TO SEE 'EM DANCE. 396 00:00:00,000 --> 00:00:00,000 397 00:07:54,808 --> 00:07:56,441 SAY IT AGAIN, I WANT TO SEE 'EM DANCE. LET 'EM GO. 398 00:00:00,000 --> 00:00:00,000 399 00:07:56,443 --> 00:07:57,008 I WANT TO SEE 'EM DANCE. LET 'EM GO. LET 'EM GO. 400 00:00:00,000 --> 00:00:00,000 401 00:07:57,010 --> 00:07:57,809 LET 'EM GO. LET 'EM GO. SAY IT. 402 00:00:00,000 --> 00:00:00,000 403 00:07:57,811 --> 00:07:58,710 LET 'EM GO. SAY IT. >> FOOTBALL. 404 00:00:00,000 --> 00:00:00,000 405 00:07:58,712 --> 00:08:03,815 SAY IT. >> FOOTBALL. >> THERE THEY GO! 406 00:00:00,000 --> 00:00:00,000 407 00:08:08,621 --> 00:08:14,426 >> OKAY, NOW WHO IS THIS? >> YOU, AGAIN. >> WELL, AT LEAST YOU COULD 408 00:00:00,000 --> 00:00:00,000 409 00:08:14,428 --> 00:08:16,528 >> YOU, AGAIN. >> WELL, AT LEAST YOU COULD LOOK, YOU KNOW? 410 00:00:00,000 --> 00:00:00,000 411 00:08:16,530 --> 00:08:18,596 >> WELL, AT LEAST YOU COULD LOOK, YOU KNOW? ALL RIGHT, HERE WITH WE GO, 412 00:00:00,000 --> 00:00:00,000 413 00:08:18,598 --> 00:08:22,100 LOOK, YOU KNOW? ALL RIGHT, HERE WITH WE GO, THE GROVERTON GAME 1958, 414 00:00:00,000 --> 00:00:00,000 415 00:08:22,102 --> 00:08:24,036 ALL RIGHT, HERE WITH WE GO, THE GROVERTON GAME 1958, BACK FIELD OF HARRY JEFFERSON, 416 00:00:00,000 --> 00:00:00,000 417 00:08:24,038 --> 00:08:28,140 THE GROVERTON GAME 1958, BACK FIELD OF HARRY JEFFERSON, DON COUNSEL, TOBY WILSON AND ME. 418 00:00:00,000 --> 00:00:00,000 419 00:08:28,142 --> 00:08:30,542 BACK FIELD OF HARRY JEFFERSON, DON COUNSEL, TOBY WILSON AND ME. WE ARE DOWN MY 6 POINTS, 420 00:00:00,000 --> 00:00:00,000 421 00:08:30,544 --> 00:08:33,645 DON COUNSEL, TOBY WILSON AND ME. WE ARE DOWN MY 6 POINTS, 800,000 PEOPLE IN THE STANDS, 422 00:00:00,000 --> 00:00:00,000 423 00:08:33,647 --> 00:08:35,981 WE ARE DOWN MY 6 POINTS, 800,000 PEOPLE IN THE STANDS, 3 SECONDS LEFT TO GO, 424 00:00:00,000 --> 00:00:00,000 425 00:08:35,983 --> 00:08:38,783 800,000 PEOPLE IN THE STANDS, 3 SECONDS LEFT TO GO, OUR BALL ON THEIR 2-YARD LINE, 426 00:00:00,000 --> 00:00:00,000 427 00:08:38,785 --> 00:08:41,820 3 SECONDS LEFT TO GO, OUR BALL ON THEIR 2-YARD LINE, AND WHO DID THEY GO TO? 428 00:00:00,000 --> 00:00:00,000 429 00:08:41,822 --> 00:08:42,921 OUR BALL ON THEIR 2-YARD LINE, AND WHO DID THEY GO TO? >> TOBY WILSON. 430 00:00:00,000 --> 00:00:00,000 431 00:08:42,923 --> 00:08:43,889 AND WHO DID THEY GO TO? >> TOBY WILSON. >> RIGHT. 432 00:00:00,000 --> 00:00:00,000 433 00:08:43,891 --> 00:08:47,459 >> TOBY WILSON. >> RIGHT. AND WE LOST. 434 00:00:00,000 --> 00:00:00,000 435 00:08:47,461 --> 00:08:49,361 >> RIGHT. AND WE LOST. >> SHOULD HAVE GONE TO YOU. 436 00:00:00,000 --> 00:00:00,000 437 00:08:49,363 --> 00:08:50,528 AND WE LOST. >> SHOULD HAVE GONE TO YOU. >> THAT'S RIGHT. 438 00:00:00,000 --> 00:00:00,000 439 00:08:50,530 --> 00:08:51,964 >> SHOULD HAVE GONE TO YOU. >> THAT'S RIGHT. NOW WHEN WE WENT BACK TO THE 440 00:00:00,000 --> 00:00:00,000 441 00:08:51,966 --> 00:08:54,699 >> THAT'S RIGHT. NOW WHEN WE WENT BACK TO THE CLASS REUNION, PEOPLE DIDN'T SAY 442 00:00:00,000 --> 00:00:00,000 443 00:08:54,701 --> 00:08:56,235 NOW WHEN WE WENT BACK TO THE CLASS REUNION, PEOPLE DIDN'T SAY TO ME, "WELL, HOW ARE YOU DOING? 444 00:00:00,000 --> 00:00:00,000 445 00:08:56,237 --> 00:08:57,569 CLASS REUNION, PEOPLE DIDN'T SAY TO ME, "WELL, HOW ARE YOU DOING? YOUR PRACTICE LOOKS GOOD. 446 00:00:00,000 --> 00:00:00,000 447 00:08:57,571 --> 00:08:58,937 TO ME, "WELL, HOW ARE YOU DOING? YOUR PRACTICE LOOKS GOOD. YOU LOOK WONDERFUL." 448 00:00:00,000 --> 00:00:00,000 449 00:08:58,939 --> 00:09:00,105 YOUR PRACTICE LOOKS GOOD. YOU LOOK WONDERFUL." FIRST THING OUT OF THEIR MOUTH 450 00:00:00,000 --> 00:00:00,000 451 00:09:00,107 --> 00:09:01,306 YOU LOOK WONDERFUL." FIRST THING OUT OF THEIR MOUTH WAS, "IT SHOULD HAVE GONE 452 00:00:00,000 --> 00:00:00,000 453 00:09:01,308 --> 00:09:02,908 FIRST THING OUT OF THEIR MOUTH WAS, "IT SHOULD HAVE GONE TO YOU." 454 00:00:00,000 --> 00:00:00,000 455 00:09:02,910 --> 00:09:03,842 WAS, "IT SHOULD HAVE GONE TO YOU." >> YOU KNOW, CLIFF, FOR THE PAST 456 00:00:00,000 --> 00:00:00,000 457 00:09:03,844 --> 00:09:05,177 TO YOU." >> YOU KNOW, CLIFF, FOR THE PAST 2 HOURS IT'S BEEN FOOTBALL 458 00:00:00,000 --> 00:00:00,000 459 00:09:05,179 --> 00:09:06,078 >> YOU KNOW, CLIFF, FOR THE PAST 2 HOURS IT'S BEEN FOOTBALL NON-STOP. 460 00:00:00,000 --> 00:00:00,000 461 00:09:06,080 --> 00:09:08,247 2 HOURS IT'S BEEN FOOTBALL NON-STOP. NOW THE BOY IS HALF MINE, 462 00:00:00,000 --> 00:00:00,000 463 00:09:08,249 --> 00:09:09,114 NON-STOP. NOW THE BOY IS HALF MINE, AND I MIGHT HAVE SOME PLANS 464 00:00:00,000 --> 00:00:00,000 465 00:09:09,116 --> 00:09:10,082 NOW THE BOY IS HALF MINE, AND I MIGHT HAVE SOME PLANS FOR HIM MYSELF. 466 00:00:00,000 --> 00:00:00,000 467 00:09:10,084 --> 00:09:12,117 AND I MIGHT HAVE SOME PLANS FOR HIM MYSELF. >> LIKE WHAT? 468 00:00:00,000 --> 00:00:00,000 469 00:09:12,119 --> 00:09:13,919 FOR HIM MYSELF. >> LIKE WHAT? >> LIKE FOLLOW IN MY FOOTSTEPS 470 00:00:00,000 --> 00:00:00,000 471 00:09:13,921 --> 00:09:15,487 >> LIKE WHAT? >> LIKE FOLLOW IN MY FOOTSTEPS AND BECOME A LAWYER. 472 00:00:00,000 --> 00:00:00,000 473 00:09:15,489 --> 00:09:16,755 >> LIKE FOLLOW IN MY FOOTSTEPS AND BECOME A LAWYER. >> NO BETTER WAY TO PREPARE 474 00:00:00,000 --> 00:00:00,000 475 00:09:16,757 --> 00:09:20,225 AND BECOME A LAWYER. >> NO BETTER WAY TO PREPARE FOR LAW THAN FOOTBALL. 476 00:00:00,000 --> 00:00:00,000 477 00:09:20,227 --> 00:09:21,092 >> NO BETTER WAY TO PREPARE FOR LAW THAN FOOTBALL. >> WAIT A MINUTE, WAIT A MINUTE, 478 00:00:00,000 --> 00:00:00,000 479 00:09:21,094 --> 00:09:21,860 FOR LAW THAN FOOTBALL. >> WAIT A MINUTE, WAIT A MINUTE, TIME OUT. 480 00:00:00,000 --> 00:00:00,000 481 00:09:21,862 --> 00:09:23,795 >> WAIT A MINUTE, WAIT A MINUTE, TIME OUT. >> WHAT I'M SAYING IS LIKE ME, 482 00:00:00,000 --> 00:00:00,000 483 00:09:23,797 --> 00:09:25,296 TIME OUT. >> WHAT I'M SAYING IS LIKE ME, IN MED SCHOOL. 484 00:00:00,000 --> 00:00:00,000 485 00:09:25,298 --> 00:09:28,867 >> WHAT I'M SAYING IS LIKE ME, IN MED SCHOOL. NOW, FINAL EXAMS PEOPLE ARE 486 00:00:00,000 --> 00:00:00,000 487 00:09:28,869 --> 00:09:32,137 IN MED SCHOOL. NOW, FINAL EXAMS PEOPLE ARE RUNNING UP AND DOWN THE HALLWAY, 488 00:00:00,000 --> 00:00:00,000 489 00:09:32,139 --> 00:09:33,539 NOW, FINAL EXAMS PEOPLE ARE RUNNING UP AND DOWN THE HALLWAY, JUMPING OUT OF WINDOWS, SETTING 490 00:00:00,000 --> 00:00:00,000 491 00:09:33,541 --> 00:09:35,507 RUNNING UP AND DOWN THE HALLWAY, JUMPING OUT OF WINDOWS, SETTING THEMSELVES ON FIRE. 492 00:00:00,000 --> 00:00:00,000 493 00:09:35,509 --> 00:09:37,075 JUMPING OUT OF WINDOWS, SETTING THEMSELVES ON FIRE. "OH, MY GOODNESS, I DON'T 494 00:00:00,000 --> 00:00:00,000 495 00:09:37,077 --> 00:09:38,444 THEMSELVES ON FIRE. "OH, MY GOODNESS, I DON'T KNOW WHAT I'M GONNA DO." 496 00:00:00,000 --> 00:00:00,000 497 00:09:38,446 --> 00:09:40,211 "OH, MY GOODNESS, I DON'T KNOW WHAT I'M GONNA DO." ME, 2:30 IN THE MORNING I'M 498 00:00:00,000 --> 00:00:00,000 499 00:09:40,213 --> 00:09:41,980 KNOW WHAT I'M GONNA DO." ME, 2:30 IN THE MORNING I'M DANCING IN THE HALLWAYS AND I'M 500 00:00:00,000 --> 00:00:00,000 501 00:09:41,982 --> 00:09:44,282 ME, 2:30 IN THE MORNING I'M DANCING IN THE HALLWAYS AND I'M SAYING, "POUR IT ON, POUR IT ON. 502 00:00:00,000 --> 00:00:00,000 503 00:09:44,284 --> 00:09:45,818 DANCING IN THE HALLWAYS AND I'M SAYING, "POUR IT ON, POUR IT ON. GIVE ME TOUGHER EXAM. 504 00:00:00,000 --> 00:00:00,000 505 00:09:45,820 --> 00:09:46,885 SAYING, "POUR IT ON, POUR IT ON. GIVE ME TOUGHER EXAM. WHAT, IS THIS THE BEST YOU 506 00:00:00,000 --> 00:00:00,000 507 00:09:46,887 --> 00:09:48,787 GIVE ME TOUGHER EXAM. WHAT, IS THIS THE BEST YOU CAN HAND ME?" 508 00:00:00,000 --> 00:00:00,000 509 00:09:48,789 --> 00:09:49,888 WHAT, IS THIS THE BEST YOU CAN HAND ME?" AND PEOPLE SAID, 510 00:00:00,000 --> 00:00:00,000 511 00:09:49,890 --> 00:09:50,856 CAN HAND ME?" AND PEOPLE SAID, "YOU'RE NOT SCARED?" 512 00:00:00,000 --> 00:00:00,000 513 00:09:50,858 --> 00:09:51,723 AND PEOPLE SAID, "YOU'RE NOT SCARED?" I SAID, "NO." 514 00:00:00,000 --> 00:00:00,000 515 00:09:51,725 --> 00:09:52,424 "YOU'RE NOT SCARED?" I SAID, "NO." THEY SAID, "WHY?" 516 00:00:00,000 --> 00:00:00,000 517 00:09:52,426 --> 00:09:55,627 I SAID, "NO." THEY SAID, "WHY?" I SAID, "FOOTBALL." 518 00:00:00,000 --> 00:00:00,000 519 00:09:55,629 --> 00:09:57,395 THEY SAID, "WHY?" I SAID, "FOOTBALL." >> CLIFF, I READ AN ARTICLE 520 00:00:00,000 --> 00:00:00,000 521 00:09:57,397 --> 00:09:59,598 I SAID, "FOOTBALL." >> CLIFF, I READ AN ARTICLE ABOUT TEENAGE BOYS AND FOOTBALL, 522 00:00:00,000 --> 00:00:00,000 523 00:09:59,600 --> 00:10:00,799 >> CLIFF, I READ AN ARTICLE ABOUT TEENAGE BOYS AND FOOTBALL, AND DO YOU KNOW WHAT THEY SAID 524 00:00:00,000 --> 00:00:00,000 525 00:10:00,801 --> 00:10:02,434 ABOUT TEENAGE BOYS AND FOOTBALL, AND DO YOU KNOW WHAT THEY SAID THEIR BIGGEST PROBLEM IS? 526 00:00:00,000 --> 00:00:00,000 527 00:10:02,436 --> 00:10:03,669 AND DO YOU KNOW WHAT THEY SAID THEIR BIGGEST PROBLEM IS? >> NAUGHTY CHEERLEADERS 528 00:00:00,000 --> 00:00:00,000 529 00:10:03,671 --> 00:10:05,604 THEIR BIGGEST PROBLEM IS? >> NAUGHTY CHEERLEADERS ON THE BUS. 530 00:00:00,000 --> 00:00:00,000 531 00:10:05,606 --> 00:10:06,805 >> NAUGHTY CHEERLEADERS ON THE BUS. >> NO. 532 00:00:00,000 --> 00:00:00,000 533 00:10:06,807 --> 00:10:08,774 ON THE BUS. >> NO. FATHERS. 534 00:00:00,000 --> 00:00:00,000 535 00:10:08,776 --> 00:10:10,909 >> NO. FATHERS. >> SURPRISE, SURPRISE. 536 00:00:00,000 --> 00:00:00,000 537 00:10:10,911 --> 00:10:11,710 FATHERS. >> SURPRISE, SURPRISE. >> NO, CLIFF, 538 00:00:00,000 --> 00:00:00,000 539 00:10:11,712 --> 00:10:12,744 >> SURPRISE, SURPRISE. >> NO, CLIFF, I REALLY MEAN IT NOW. 540 00:00:00,000 --> 00:00:00,000 541 00:10:12,746 --> 00:10:13,946 >> NO, CLIFF, I REALLY MEAN IT NOW. THE FATHERS EXPECT SO MUCH 542 00:00:00,000 --> 00:00:00,000 543 00:10:13,948 --> 00:10:14,880 I REALLY MEAN IT NOW. THE FATHERS EXPECT SO MUCH FROM THEIR SONS, THEY TAKE ALL 544 00:00:00,000 --> 00:00:00,000 545 00:10:14,882 --> 00:10:16,147 THE FATHERS EXPECT SO MUCH FROM THEIR SONS, THEY TAKE ALL THE FUN OUT OF PLAYING. 546 00:00:00,000 --> 00:00:00,000 547 00:10:16,149 --> 00:10:18,350 FROM THEIR SONS, THEY TAKE ALL THE FUN OUT OF PLAYING. >> LOOK, I AM NOT GOING TO PUT 548 00:00:00,000 --> 00:00:00,000 549 00:10:18,352 --> 00:10:20,452 THE FUN OUT OF PLAYING. >> LOOK, I AM NOT GOING TO PUT PRESSURE ON THE BOY. 550 00:00:00,000 --> 00:00:00,000 551 00:10:20,454 --> 00:10:23,555 >> LOOK, I AM NOT GOING TO PUT PRESSURE ON THE BOY. IF HE'S GOOD, GREAT. 552 00:00:00,000 --> 00:00:00,000 553 00:10:23,557 --> 00:10:26,091 PRESSURE ON THE BOY. IF HE'S GOOD, GREAT. IF HE'S BAD. 554 00:00:00,000 --> 00:00:00,000 555 00:10:26,093 --> 00:10:30,061 IF HE'S GOOD, GREAT. IF HE'S BAD. BUT IF HE QUITS, HE'S DEAD. 556 00:00:00,000 --> 00:00:00,000 557 00:10:30,063 --> 00:10:31,162 IF HE'S BAD. BUT IF HE QUITS, HE'S DEAD. >> DAD? 558 00:00:00,000 --> 00:00:00,000 559 00:10:31,164 --> 00:10:33,832 BUT IF HE QUITS, HE'S DEAD. >> DAD? >> MY BOY. 560 00:00:00,000 --> 00:00:00,000 561 00:10:33,834 --> 00:10:34,766 >> DAD? >> MY BOY. >> SINCE YOU KNOW SO MUCH ABOUT 562 00:00:00,000 --> 00:00:00,000 563 00:10:34,768 --> 00:10:36,001 >> MY BOY. >> SINCE YOU KNOW SO MUCH ABOUT FOOTBALL, CAN YOU GIVE ME SOME 564 00:00:00,000 --> 00:00:00,000 565 00:10:36,003 --> 00:10:36,802 >> SINCE YOU KNOW SO MUCH ABOUT FOOTBALL, CAN YOU GIVE ME SOME POINTERS? 566 00:00:00,000 --> 00:00:00,000 567 00:10:36,804 --> 00:10:38,837 FOOTBALL, CAN YOU GIVE ME SOME POINTERS? >> SON, I'LL BE HAPPY TO TEACH 568 00:00:00,000 --> 00:00:00,000 569 00:10:38,839 --> 00:10:40,271 POINTERS? >> SON, I'LL BE HAPPY TO TEACH YOU ALL I KNOW. 570 00:00:00,000 --> 00:00:00,000 571 00:10:40,273 --> 00:10:41,172 >> SON, I'LL BE HAPPY TO TEACH YOU ALL I KNOW. >> CLIFF? 572 00:00:00,000 --> 00:00:00,000 573 00:10:41,174 --> 00:10:42,440 YOU ALL I KNOW. >> CLIFF? >> OF COURSE IT'S BEEN 574 00:00:00,000 --> 00:00:00,000 575 00:10:42,442 --> 00:10:43,909 >> CLIFF? >> OF COURSE IT'S BEEN A LONG TIME. 576 00:00:00,000 --> 00:00:00,000 577 00:10:43,911 --> 00:10:44,877 >> OF COURSE IT'S BEEN A LONG TIME. >> AFTER DINNER. 578 00:00:00,000 --> 00:00:00,000 579 00:10:44,879 --> 00:10:46,812 A LONG TIME. >> AFTER DINNER. >> ABOUT THE GAME OF FOOTBALL. 580 00:00:00,000 --> 00:00:00,000 581 00:10:46,814 --> 00:10:48,814 >> AFTER DINNER. >> ABOUT THE GAME OF FOOTBALL. >> IS RUDY COMING? 582 00:00:00,000 --> 00:00:00,000 583 00:10:48,816 --> 00:10:50,348 >> ABOUT THE GAME OF FOOTBALL. >> IS RUDY COMING? >> I HAVEN'T SEEN HER FOR HOURS. 584 00:00:00,000 --> 00:00:00,000 585 00:10:50,350 --> 00:10:51,884 >> IS RUDY COMING? >> I HAVEN'T SEEN HER FOR HOURS. >> I FORGOT, I LEFT HER UP 586 00:00:00,000 --> 00:00:00,000 587 00:10:51,886 --> 00:10:58,023 >> I HAVEN'T SEEN HER FOR HOURS. >> I FORGOT, I LEFT HER UP IN THE ROOM. 588 00:00:00,000 --> 00:00:00,000 589 00:10:58,025 --> 00:11:03,695 >> I FORGOT, I LEFT HER UP IN THE ROOM. HUH, READY, 51, HUT, HOY! 590 00:00:00,000 --> 00:00:00,000 591 00:11:10,470 --> 00:11:13,505 >> WHAT DO YOU MEAN I FORGOT ABOUT YOU. IT'S ONLY BEEN A COUPLE 592 00:00:00,000 --> 00:00:00,000 593 00:11:13,507 --> 00:11:14,339 ABOUT YOU. IT'S ONLY BEEN A COUPLE OF HOURS. 594 00:00:00,000 --> 00:00:00,000 595 00:11:14,341 --> 00:11:16,140 IT'S ONLY BEEN A COUPLE OF HOURS. >> NOBODY LIKES ME. 596 00:00:00,000 --> 00:00:00,000 597 00:11:16,142 --> 00:11:17,308 OF HOURS. >> NOBODY LIKES ME. >> ARE YOU KIDDING? 598 00:00:00,000 --> 00:00:00,000 599 00:11:17,310 --> 00:11:18,710 >> NOBODY LIKES ME. >> ARE YOU KIDDING? EVERYBODY IN HERE IS WAITING 600 00:00:00,000 --> 00:00:00,000 601 00:11:18,712 --> 00:11:19,544 >> ARE YOU KIDDING? EVERYBODY IN HERE IS WAITING FOR YOU. 602 00:00:00,000 --> 00:00:00,000 603 00:11:19,546 --> 00:11:20,545 EVERYBODY IN HERE IS WAITING FOR YOU. EVEN VANESSA SAID, "I REFUSE 604 00:00:00,000 --> 00:00:00,000 605 00:11:20,547 --> 00:11:22,814 FOR YOU. EVEN VANESSA SAID, "I REFUSE TO EAT UNTIL RUDY SHOWS UP." 606 00:00:00,000 --> 00:00:00,000 607 00:11:22,816 --> 00:11:24,015 EVEN VANESSA SAID, "I REFUSE TO EAT UNTIL RUDY SHOWS UP." >> GREAT DINNER, MOM. 608 00:00:00,000 --> 00:00:00,000 609 00:11:24,017 --> 00:11:26,852 TO EAT UNTIL RUDY SHOWS UP." >> GREAT DINNER, MOM. >> IT WAS DELICIOUS. 610 00:00:00,000 --> 00:00:00,000 611 00:11:26,854 --> 00:11:28,219 >> GREAT DINNER, MOM. >> IT WAS DELICIOUS. >> ALL RIGHT. 612 00:00:00,000 --> 00:00:00,000 613 00:11:28,221 --> 00:11:29,420 >> IT WAS DELICIOUS. >> ALL RIGHT. WELL THEN, JUST THE TWO OF US 614 00:00:00,000 --> 00:00:00,000 615 00:11:29,422 --> 00:11:30,722 >> ALL RIGHT. WELL THEN, JUST THE TWO OF US WILL SIT DOWN AND HAVE A LOVELY 616 00:00:00,000 --> 00:00:00,000 617 00:11:30,724 --> 00:11:31,422 WELL THEN, JUST THE TWO OF US WILL SIT DOWN AND HAVE A LOVELY DINNER. 618 00:00:00,000 --> 00:00:00,000 619 00:11:31,424 --> 00:11:32,190 WILL SIT DOWN AND HAVE A LOVELY DINNER. COME ON. 620 00:00:00,000 --> 00:00:00,000 621 00:11:32,192 --> 00:11:36,294 DINNER. COME ON. >> I DON'T EAT WITH FIBBERS! 622 00:00:00,000 --> 00:00:00,000 623 00:11:36,296 --> 00:11:38,830 COME ON. >> I DON'T EAT WITH FIBBERS! >> I'LL GET HER. 624 00:00:00,000 --> 00:00:00,000 625 00:11:38,832 --> 00:11:40,131 >> I DON'T EAT WITH FIBBERS! >> I'LL GET HER. >> WELL, FIBBER WILL JUST HAVE 626 00:00:00,000 --> 00:00:00,000 627 00:11:40,133 --> 00:11:43,101 >> I'LL GET HER. >> WELL, FIBBER WILL JUST HAVE TO EAT ALONE. 628 00:00:00,000 --> 00:00:00,000 629 00:12:01,654 --> 00:12:06,290 >> ARE YOU REALLY GONNA WEAR THAT? >> THIS IS A REAL FOOTBALL 630 00:00:00,000 --> 00:00:00,000 631 00:12:06,292 --> 00:12:08,660 THAT? >> THIS IS A REAL FOOTBALL UNIFORM. 632 00:00:00,000 --> 00:00:00,000 633 00:12:08,662 --> 00:12:11,729 >> THIS IS A REAL FOOTBALL UNIFORM. THE KIND THAT MEN WORE. 634 00:00:00,000 --> 00:00:00,000 635 00:12:11,731 --> 00:12:14,198 UNIFORM. THE KIND THAT MEN WORE. THIS IS ALL THE PROTECTION 636 00:00:00,000 --> 00:00:00,000 637 00:12:14,200 --> 00:12:16,067 THE KIND THAT MEN WORE. THIS IS ALL THE PROTECTION WE NEEDED. 638 00:00:00,000 --> 00:00:00,000 639 00:12:16,069 --> 00:12:16,868 THIS IS ALL THE PROTECTION WE NEEDED. >> TELL 'EM HOW MANY TIMES YOU 640 00:00:00,000 --> 00:00:00,000 641 00:12:16,870 --> 00:12:18,703 WE NEEDED. >> TELL 'EM HOW MANY TIMES YOU WERE CARRIED OFF THE FIELD. 642 00:00:00,000 --> 00:00:00,000 643 00:12:18,705 --> 00:12:23,108 >> TELL 'EM HOW MANY TIMES YOU WERE CARRIED OFF THE FIELD. >> ONLY TO GET YOUR ATTENTION. 644 00:00:00,000 --> 00:00:00,000 645 00:12:23,110 --> 00:12:24,709 WERE CARRIED OFF THE FIELD. >> ONLY TO GET YOUR ATTENTION. THEO, MY BOY, YOU ARE ABOUT TO 646 00:00:00,000 --> 00:00:00,000 647 00:12:24,711 --> 00:12:27,245 >> ONLY TO GET YOUR ATTENTION. THEO, MY BOY, YOU ARE ABOUT TO BECOME A PART OF THE HUXTABLE 648 00:00:00,000 --> 00:00:00,000 649 00:12:27,247 --> 00:12:29,547 THEO, MY BOY, YOU ARE ABOUT TO BECOME A PART OF THE HUXTABLE TRADITION STARTING WITH YOUR 650 00:00:00,000 --> 00:00:00,000 651 00:12:29,549 --> 00:12:31,649 BECOME A PART OF THE HUXTABLE TRADITION STARTING WITH YOUR GREAT, GREAT GRANDFATHER, 652 00:00:00,000 --> 00:00:00,000 653 00:12:31,651 --> 00:12:35,853 TRADITION STARTING WITH YOUR GREAT, GREAT GRANDFATHER, "GENERAL" THEO HUXTABLE. 654 00:00:00,000 --> 00:00:00,000 655 00:12:35,855 --> 00:12:36,754 GREAT, GREAT GRANDFATHER, "GENERAL" THEO HUXTABLE. >> HEY, MY GREAT, GREAT 656 00:00:00,000 --> 00:00:00,000 657 00:12:36,756 --> 00:12:37,989 "GENERAL" THEO HUXTABLE. >> HEY, MY GREAT, GREAT GRANDFATHER WAS A GENERAL? 658 00:00:00,000 --> 00:00:00,000 659 00:12:37,991 --> 00:12:41,859 >> HEY, MY GREAT, GREAT GRANDFATHER WAS A GENERAL? >> NO, THAT WAS HIS NICKNAME. 660 00:00:00,000 --> 00:00:00,000 661 00:12:41,861 --> 00:12:43,193 GRANDFATHER WAS A GENERAL? >> NO, THAT WAS HIS NICKNAME. >> HOW'D HE GET IT? 662 00:00:00,000 --> 00:00:00,000 663 00:12:43,195 --> 00:12:44,529 >> NO, THAT WAS HIS NICKNAME. >> HOW'D HE GET IT? >> HE GAVE IT TO HIMSELF BECAUSE 664 00:00:00,000 --> 00:00:00,000 665 00:12:44,531 --> 00:12:46,330 >> HOW'D HE GET IT? >> HE GAVE IT TO HIMSELF BECAUSE HE WAS A BIG MAN. 666 00:00:00,000 --> 00:00:00,000 667 00:12:46,332 --> 00:12:47,431 >> HE GAVE IT TO HIMSELF BECAUSE HE WAS A BIG MAN. YOU SEE, AND A MAN THAT SIZE 668 00:00:00,000 --> 00:00:00,000 669 00:12:47,433 --> 00:12:48,733 HE WAS A BIG MAN. YOU SEE, AND A MAN THAT SIZE IN THOSE DAYS WHEN HE SAID, 670 00:00:00,000 --> 00:00:00,000 671 00:12:48,735 --> 00:12:50,300 YOU SEE, AND A MAN THAT SIZE IN THOSE DAYS WHEN HE SAID, "CALL ME GENERAL," EVERYBODY 672 00:00:00,000 --> 00:00:00,000 673 00:12:50,302 --> 00:12:53,037 IN THOSE DAYS WHEN HE SAID, "CALL ME GENERAL," EVERYBODY SAID THAT'S WHAT YOU CALL HIM. 674 00:00:00,000 --> 00:00:00,000 675 00:12:53,039 --> 00:12:54,304 "CALL ME GENERAL," EVERYBODY SAID THAT'S WHAT YOU CALL HIM. SO HERE WE GO. 676 00:00:00,000 --> 00:00:00,000 677 00:12:54,306 --> 00:12:55,706 SAID THAT'S WHAT YOU CALL HIM. SO HERE WE GO. >> HEY, THAT'S REAL INTERESTING. 678 00:00:00,000 --> 00:00:00,000 679 00:12:55,708 --> 00:12:56,373 SO HERE WE GO. >> HEY, THAT'S REAL INTERESTING. >> YEAH. 680 00:00:00,000 --> 00:00:00,000 681 00:12:56,375 --> 00:12:57,642 >> HEY, THAT'S REAL INTERESTING. >> YEAH. >> TELL ME MORE ABOUT THIS GUY. 682 00:00:00,000 --> 00:00:00,000 683 00:12:57,644 --> 00:12:58,743 >> YEAH. >> TELL ME MORE ABOUT THIS GUY. >> NO, WE DON'T HAVE TIME FOR 684 00:00:00,000 --> 00:00:00,000 685 00:12:58,745 --> 00:12:59,644 >> TELL ME MORE ABOUT THIS GUY. >> NO, WE DON'T HAVE TIME FOR TELL ME MORE. 686 00:00:00,000 --> 00:00:00,000 687 00:12:59,646 --> 00:13:01,245 >> NO, WE DON'T HAVE TIME FOR TELL ME MORE. WE HAVE TO GET OUT THERE, SON. 688 00:00:00,000 --> 00:00:00,000 689 00:13:01,247 --> 00:13:02,847 TELL ME MORE. WE HAVE TO GET OUT THERE, SON. HERE WE GO! 690 00:00:00,000 --> 00:00:00,000 691 00:13:02,849 --> 00:13:05,950 WE HAVE TO GET OUT THERE, SON. HERE WE GO! READY, TRIPLE-BY, READY! 692 00:00:00,000 --> 00:00:00,000 693 00:13:05,952 --> 00:13:06,750 HERE WE GO! READY, TRIPLE-BY, READY! NO, DON'T RUB IT. 694 00:00:00,000 --> 00:00:00,000 695 00:13:06,752 --> 00:13:09,153 READY, TRIPLE-BY, READY! NO, DON'T RUB IT. THAT'S A CALCIUM DEPOSIT. 696 00:00:00,000 --> 00:00:00,000 697 00:13:09,155 --> 00:13:13,757 NO, DON'T RUB IT. THAT'S A CALCIUM DEPOSIT. 24, 15, 15, 15 HUT! 698 00:00:00,000 --> 00:00:00,000 699 00:13:13,759 --> 00:13:17,561 THAT'S A CALCIUM DEPOSIT. 24, 15, 15, 15 HUT! >> AH! 700 00:00:00,000 --> 00:00:00,000 701 00:13:17,563 --> 00:13:20,898 24, 15, 15, 15 HUT! >> AH! >> GENERAL, I'M SENDING YOU ONE. 702 00:00:00,000 --> 00:00:00,000 703 00:13:37,316 --> 00:13:40,918 >> POOR LITTLE THING LOOKS SO SAD. >> IGNORE HER, MOTHER. 704 00:00:00,000 --> 00:00:00,000 705 00:13:40,920 --> 00:13:41,853 SO SAD. >> IGNORE HER, MOTHER. SHE'S JUST DOING IT FOR SOME 706 00:00:00,000 --> 00:00:00,000 707 00:13:41,855 --> 00:13:42,786 >> IGNORE HER, MOTHER. SHE'S JUST DOING IT FOR SOME ATTENTION. 708 00:00:00,000 --> 00:00:00,000 709 00:13:42,788 --> 00:13:43,454 SHE'S JUST DOING IT FOR SOME ATTENTION. >> AT LEAST SHE'S NOT 710 00:00:00,000 --> 00:00:00,000 711 00:13:43,456 --> 00:13:45,089 ATTENTION. >> AT LEAST SHE'S NOT BITING PEOPLE. 712 00:00:00,000 --> 00:00:00,000 713 00:13:45,091 --> 00:13:46,457 >> AT LEAST SHE'S NOT BITING PEOPLE. >> WHO BIT PEOPLE? 714 00:00:00,000 --> 00:00:00,000 715 00:13:46,459 --> 00:13:47,024 BITING PEOPLE. >> WHO BIT PEOPLE? >> YOU. 716 00:00:00,000 --> 00:00:00,000 717 00:13:47,026 --> 00:13:47,725 >> WHO BIT PEOPLE? >> YOU. >> I DID NOT. 718 00:00:00,000 --> 00:00:00,000 719 00:13:47,727 --> 00:13:48,960 >> YOU. >> I DID NOT. >> WHAT'S THIS? 720 00:00:00,000 --> 00:00:00,000 721 00:13:48,962 --> 00:13:49,961 >> I DID NOT. >> WHAT'S THIS? >> AN ARM. 722 00:00:00,000 --> 00:00:00,000 723 00:13:49,963 --> 00:13:51,095 >> WHAT'S THIS? >> AN ARM. >> TEETH MARKS. 724 00:00:00,000 --> 00:00:00,000 725 00:13:51,097 --> 00:13:51,863 >> AN ARM. >> TEETH MARKS. EVERYONE IN THIS FAMILY 726 00:00:00,000 --> 00:00:00,000 727 00:13:51,865 --> 00:13:52,663 >> TEETH MARKS. EVERYONE IN THIS FAMILY HAS A PAIR OF THEM 728 00:00:00,000 --> 00:00:00,000 729 00:13:52,665 --> 00:13:53,998 EVERYONE IN THIS FAMILY HAS A PAIR OF THEM SOMEWHERE ON THEIR BODY. 730 00:00:00,000 --> 00:00:00,000 731 00:13:54,000 --> 00:13:55,366 HAS A PAIR OF THEM SOMEWHERE ON THEIR BODY. >> MOM? 732 00:00:00,000 --> 00:00:00,000 733 00:13:55,368 --> 00:13:57,201 SOMEWHERE ON THEIR BODY. >> MOM? >> ANKLE. 734 00:00:00,000 --> 00:00:00,000 735 00:13:57,203 --> 00:13:58,669 >> MOM? >> ANKLE. >> LET ME SEE. 736 00:00:00,000 --> 00:00:00,000 737 00:13:58,671 --> 00:13:59,971 >> ANKLE. >> LET ME SEE. >> RUDY NEEDS SOME HELP 738 00:00:00,000 --> 00:00:00,000 739 00:13:59,973 --> 00:14:00,939 >> LET ME SEE. >> RUDY NEEDS SOME HELP RIGHT NOW, AND I THINK 740 00:00:00,000 --> 00:00:00,000 741 00:14:00,941 --> 00:14:02,106 >> RUDY NEEDS SOME HELP RIGHT NOW, AND I THINK I HAVE AN ANSWER. 742 00:00:00,000 --> 00:00:00,000 743 00:14:02,108 --> 00:14:05,009 RIGHT NOW, AND I THINK I HAVE AN ANSWER. UH, BABY, I WAS THINKING, 744 00:00:00,000 --> 00:00:00,000 745 00:14:05,011 --> 00:14:06,210 I HAVE AN ANSWER. UH, BABY, I WAS THINKING, HOW WOULD YOU FEEL ABOUT BAKING 746 00:00:00,000 --> 00:00:00,000 747 00:14:06,212 --> 00:14:07,345 UH, BABY, I WAS THINKING, HOW WOULD YOU FEEL ABOUT BAKING SOME COOKIES? 748 00:00:00,000 --> 00:00:00,000 749 00:14:07,347 --> 00:14:08,413 HOW WOULD YOU FEEL ABOUT BAKING SOME COOKIES? >> NAH. 750 00:00:00,000 --> 00:00:00,000 751 00:14:08,415 --> 00:14:10,348 SOME COOKIES? >> NAH. >> HOW ABOUT SOME GINGERBREAD? 752 00:00:00,000 --> 00:00:00,000 753 00:14:10,350 --> 00:14:11,983 >> NAH. >> HOW ABOUT SOME GINGERBREAD? >> GINGERBREAD, YUM! 754 00:00:00,000 --> 00:00:00,000 755 00:14:11,985 --> 00:14:13,318 >> HOW ABOUT SOME GINGERBREAD? >> GINGERBREAD, YUM! >> OH, GREAT, GREAT. 756 00:00:00,000 --> 00:00:00,000 757 00:14:13,320 --> 00:14:14,319 >> GINGERBREAD, YUM! >> OH, GREAT, GREAT. WE'LL MAKE THIS A FAMILY 758 00:00:00,000 --> 00:00:00,000 759 00:14:14,321 --> 00:14:15,186 >> OH, GREAT, GREAT. WE'LL MAKE THIS A FAMILY PROJECT. 760 00:00:00,000 --> 00:00:00,000 761 00:14:15,188 --> 00:14:16,220 WE'LL MAKE THIS A FAMILY PROJECT. IT WILL BE THE HUXTABLE WOMEN 762 00:00:00,000 --> 00:00:00,000 763 00:14:16,222 --> 00:14:18,789 PROJECT. IT WILL BE THE HUXTABLE WOMEN BAKING GINGERBREAD TOGETHER. 764 00:00:00,000 --> 00:00:00,000 765 00:14:18,791 --> 00:14:19,657 IT WILL BE THE HUXTABLE WOMEN BAKING GINGERBREAD TOGETHER. >> UH, MOM, SORRY. 766 00:00:00,000 --> 00:00:00,000 767 00:14:19,659 --> 00:14:21,559 BAKING GINGERBREAD TOGETHER. >> UH, MOM, SORRY. I'VE GOT TONS OF HOMEWORK. 768 00:00:00,000 --> 00:00:00,000 769 00:14:21,561 --> 00:14:22,893 >> UH, MOM, SORRY. I'VE GOT TONS OF HOMEWORK. >> OH, REALLY? 770 00:00:00,000 --> 00:00:00,000 771 00:14:22,895 --> 00:14:23,761 I'VE GOT TONS OF HOMEWORK. >> OH, REALLY? >> YEAH. 772 00:00:00,000 --> 00:00:00,000 773 00:14:23,763 --> 00:14:24,628 >> OH, REALLY? >> YEAH. >> SINCE WHEN DID YOU BECOME 774 00:00:00,000 --> 00:00:00,000 775 00:14:24,630 --> 00:14:26,064 >> YEAH. >> SINCE WHEN DID YOU BECOME SUCH A GREAT SCHOLAR? 776 00:00:00,000 --> 00:00:00,000 777 00:14:26,066 --> 00:14:26,965 >> SINCE WHEN DID YOU BECOME SUCH A GREAT SCHOLAR? >> WELL, LET ME QUOTE 778 00:00:00,000 --> 00:00:00,000 779 00:14:26,967 --> 00:14:28,299 SUCH A GREAT SCHOLAR? >> WELL, LET ME QUOTE OMAR KHAYYAM, 780 00:00:00,000 --> 00:00:00,000 781 00:14:28,301 --> 00:14:31,669 >> WELL, LET ME QUOTE OMAR KHAYYAM, "CULTIVATE THE YOUTHFUL MIND. 782 00:00:00,000 --> 00:00:00,000 783 00:14:31,671 --> 00:14:33,004 OMAR KHAYYAM, "CULTIVATE THE YOUTHFUL MIND. AND AS A TREE GROWS FROM 784 00:00:00,000 --> 00:00:00,000 785 00:14:33,006 --> 00:14:35,273 "CULTIVATE THE YOUTHFUL MIND. AND AS A TREE GROWS FROM THE SAPLING, THREEFOLDS IT 786 00:00:00,000 --> 00:00:00,000 787 00:14:35,275 --> 00:14:37,741 AND AS A TREE GROWS FROM THE SAPLING, THREEFOLDS IT WILL YIELD ITS PRECIOUS FRUIT." 788 00:00:00,000 --> 00:00:00,000 789 00:14:37,743 --> 00:14:40,945 THE SAPLING, THREEFOLDS IT WILL YIELD ITS PRECIOUS FRUIT." >> BULL. 790 00:00:00,000 --> 00:00:00,000 791 00:14:40,947 --> 00:14:41,946 WILL YIELD ITS PRECIOUS FRUIT." >> BULL. >> ANOTHER GREAT MIND LOST 792 00:00:00,000 --> 00:00:00,000 793 00:14:41,948 --> 00:14:44,415 >> BULL. >> ANOTHER GREAT MIND LOST TO THE WORLD. 794 00:00:00,000 --> 00:00:00,000 795 00:14:44,417 --> 00:14:46,084 >> ANOTHER GREAT MIND LOST TO THE WORLD. >> WHO KNOWS WHERE THE FLOUR IS? 796 00:00:00,000 --> 00:00:00,000 797 00:14:46,086 --> 00:14:47,018 TO THE WORLD. >> WHO KNOWS WHERE THE FLOUR IS? >> ME. 798 00:00:00,000 --> 00:00:00,000 799 00:14:47,020 --> 00:14:48,486 >> WHO KNOWS WHERE THE FLOUR IS? >> ME. >> OKAY, HONEY, GO GET IT. 800 00:00:00,000 --> 00:00:00,000 801 00:14:48,488 --> 00:14:50,721 >> ME. >> OKAY, HONEY, GO GET IT. >> MISTAKE NUMBER ONE. 802 00:00:00,000 --> 00:00:00,000 803 00:14:50,723 --> 00:14:52,790 >> OKAY, HONEY, GO GET IT. >> MISTAKE NUMBER ONE. >> VANESSA, COME ON NOW, WE 804 00:00:00,000 --> 00:00:00,000 805 00:14:52,792 --> 00:14:54,558 >> MISTAKE NUMBER ONE. >> VANESSA, COME ON NOW, WE GOTTA GIVE HER A FAIR CHANCE. 806 00:00:00,000 --> 00:00:00,000 807 00:14:54,560 --> 00:14:56,995 >> VANESSA, COME ON NOW, WE GOTTA GIVE HER A FAIR CHANCE. >> MISTAKE NUMBER TWO. 808 00:00:00,000 --> 00:00:00,000 809 00:14:56,997 --> 00:14:58,462 GOTTA GIVE HER A FAIR CHANCE. >> MISTAKE NUMBER TWO. >> IS THIS IT? 810 00:00:00,000 --> 00:00:00,000 811 00:14:58,464 --> 00:14:59,563 >> MISTAKE NUMBER TWO. >> IS THIS IT? >> YEAH, I HOPE WE HAVE ENOUGH. 812 00:00:00,000 --> 00:00:00,000 813 00:14:59,565 --> 00:15:06,004 >> IS THIS IT? >> YEAH, I HOPE WE HAVE ENOUGH. >> I'LL CHECK. 814 00:00:00,000 --> 00:00:00,000 815 00:15:06,006 --> 00:15:08,506 >> YEAH, I HOPE WE HAVE ENOUGH. >> I'LL CHECK. >> MISTAKE NUMBER THREE. 816 00:00:00,000 --> 00:00:00,000 817 00:15:08,508 --> 00:15:09,240 >> I'LL CHECK. >> MISTAKE NUMBER THREE. >> WHY DON'T YOU LEAVE 818 00:00:00,000 --> 00:00:00,000 819 00:15:09,242 --> 00:15:09,908 >> MISTAKE NUMBER THREE. >> WHY DON'T YOU LEAVE HER ALONE, VANESSA? 820 00:00:00,000 --> 00:00:00,000 821 00:15:09,910 --> 00:15:10,775 >> WHY DON'T YOU LEAVE HER ALONE, VANESSA? SHE'S JUST A BABY. 822 00:00:00,000 --> 00:00:00,000 823 00:15:10,777 --> 00:15:12,043 HER ALONE, VANESSA? SHE'S JUST A BABY. >> I'M NOT A BABY. 824 00:00:00,000 --> 00:00:00,000 825 00:15:12,045 --> 00:15:13,344 SHE'S JUST A BABY. >> I'M NOT A BABY. >> THERE SHE GOES AGAIN. 826 00:00:00,000 --> 00:00:00,000 827 00:15:13,346 --> 00:15:14,078 >> I'M NOT A BABY. >> THERE SHE GOES AGAIN. >> I CERTAINLY DO HOPE YOU 828 00:00:00,000 --> 00:00:00,000 829 00:15:14,080 --> 00:15:16,547 >> THERE SHE GOES AGAIN. >> I CERTAINLY DO HOPE YOU TWO ARE PROUD OF YOURSELVES. 830 00:00:00,000 --> 00:00:00,000 831 00:15:16,549 --> 00:15:18,316 >> I CERTAINLY DO HOPE YOU TWO ARE PROUD OF YOURSELVES. >> LOOK AT THIS MESS. 832 00:00:00,000 --> 00:00:00,000 833 00:15:18,318 --> 00:15:19,850 TWO ARE PROUD OF YOURSELVES. >> LOOK AT THIS MESS. >> WELL, YOU THINK WE SHOULD 834 00:00:00,000 --> 00:00:00,000 835 00:15:19,852 --> 00:15:20,617 >> LOOK AT THIS MESS. >> WELL, YOU THINK WE SHOULD CLEAN IT UP? 836 00:00:00,000 --> 00:00:00,000 837 00:15:20,619 --> 00:15:21,485 >> WELL, YOU THINK WE SHOULD CLEAN IT UP? >> NO, I THINK WE SHOULD 838 00:00:00,000 --> 00:00:00,000 839 00:15:21,487 --> 00:15:23,520 CLEAN IT UP? >> NO, I THINK WE SHOULD DANCE ON IT. 840 00:00:00,000 --> 00:00:00,000 841 00:15:23,522 --> 00:15:27,825 >> NO, I THINK WE SHOULD DANCE ON IT. >> REALLY? 842 00:00:00,000 --> 00:00:00,000 843 00:15:27,827 --> 00:15:30,294 DANCE ON IT. >> REALLY? >> RUDY? 844 00:00:00,000 --> 00:00:00,000 845 00:15:30,296 --> 00:15:35,099 >> REALLY? >> RUDY? RUDY, PLEASE TALK TO ME. 846 00:00:00,000 --> 00:00:00,000 847 00:15:35,101 --> 00:15:41,739 >> RUDY? RUDY, PLEASE TALK TO ME. I COULD COME IN IF YOU'D LIKE. 848 00:00:00,000 --> 00:00:00,000 849 00:15:47,112 --> 00:15:54,485 HI. YOU KNOW, RUDY, YOU'VE REALLY GOT IT ROUGH. 850 00:00:00,000 --> 00:00:00,000 851 00:15:54,487 --> 00:15:55,386 YOU KNOW, RUDY, YOU'VE REALLY GOT IT ROUGH. YOU'RE THE YOUNGEST IN 852 00:00:00,000 --> 00:00:00,000 853 00:15:55,388 --> 00:15:56,887 YOU'VE REALLY GOT IT ROUGH. YOU'RE THE YOUNGEST IN THE FAMILY, AND NOBODY 854 00:00:00,000 --> 00:00:00,000 855 00:15:56,889 --> 00:15:58,122 YOU'RE THE YOUNGEST IN THE FAMILY, AND NOBODY WANTS TO PLAY WITH YOU. 856 00:00:00,000 --> 00:00:00,000 857 00:15:58,124 --> 00:15:59,490 THE FAMILY, AND NOBODY WANTS TO PLAY WITH YOU. THEY FORGET ABOUT YOU, 858 00:00:00,000 --> 00:00:00,000 859 00:15:59,492 --> 00:16:00,758 WANTS TO PLAY WITH YOU. THEY FORGET ABOUT YOU, THEY TEASE YOU. 860 00:00:00,000 --> 00:00:00,000 861 00:16:00,760 --> 00:16:02,059 THEY FORGET ABOUT YOU, THEY TEASE YOU. AND YOU PROBABLY WONDER 862 00:00:00,000 --> 00:00:00,000 863 00:16:02,061 --> 00:16:03,027 THEY TEASE YOU. AND YOU PROBABLY WONDER IF THERE'S ANYTHING 864 00:00:00,000 --> 00:00:00,000 865 00:16:03,029 --> 00:16:05,229 AND YOU PROBABLY WONDER IF THERE'S ANYTHING WORSE THAN BEING FIVE. 866 00:00:00,000 --> 00:00:00,000 867 00:16:05,231 --> 00:16:08,365 IF THERE'S ANYTHING WORSE THAN BEING FIVE. >> THERE IS, FOUR. 868 00:00:00,000 --> 00:00:00,000 869 00:16:08,367 --> 00:16:09,834 WORSE THAN BEING FIVE. >> THERE IS, FOUR. >> FIVE IS BETTER THAN FOUR? 870 00:00:00,000 --> 00:00:00,000 871 00:16:09,836 --> 00:16:11,769 >> THERE IS, FOUR. >> FIVE IS BETTER THAN FOUR? >> YEAH, THEY'RE BABIES. 872 00:00:00,000 --> 00:00:00,000 873 00:16:11,771 --> 00:16:13,437 >> FIVE IS BETTER THAN FOUR? >> YEAH, THEY'RE BABIES. >> SO WHY NOT BE PROUD OF BEING 874 00:00:00,000 --> 00:00:00,000 875 00:16:13,439 --> 00:16:14,171 >> YEAH, THEY'RE BABIES. >> SO WHY NOT BE PROUD OF BEING FIVE? 876 00:00:00,000 --> 00:00:00,000 877 00:16:14,173 --> 00:16:17,241 >> SO WHY NOT BE PROUD OF BEING FIVE? YOU KNOW LIKE: YAY, FIVE! 878 00:00:00,000 --> 00:00:00,000 879 00:16:17,243 --> 00:16:18,375 FIVE? YOU KNOW LIKE: YAY, FIVE! THINK OF ALL THE WONDERFUL 880 00:00:00,000 --> 00:00:00,000 881 00:16:18,377 --> 00:16:20,544 YOU KNOW LIKE: YAY, FIVE! THINK OF ALL THE WONDERFUL THINGS 5-YEAR-OLDS CAN DO. 882 00:00:00,000 --> 00:00:00,000 883 00:16:20,546 --> 00:16:22,547 THINK OF ALL THE WONDERFUL THINGS 5-YEAR-OLDS CAN DO. YOU CAN TIE YOUR OWN SHOE LACES. 884 00:00:00,000 --> 00:00:00,000 885 00:16:22,549 --> 00:16:24,481 THINGS 5-YEAR-OLDS CAN DO. YOU CAN TIE YOUR OWN SHOE LACES. YOU CAN DIAL THE PHONE. 886 00:00:00,000 --> 00:00:00,000 887 00:16:24,483 --> 00:16:26,317 YOU CAN TIE YOUR OWN SHOE LACES. YOU CAN DIAL THE PHONE. YOU CAN GO TO KINDERGARTEN. 888 00:00:00,000 --> 00:00:00,000 889 00:16:26,319 --> 00:16:27,652 YOU CAN DIAL THE PHONE. YOU CAN GO TO KINDERGARTEN. LAST YEAR YOU COULDN'T DO ANY OF 890 00:00:00,000 --> 00:00:00,000 891 00:16:27,654 --> 00:16:28,819 YOU CAN GO TO KINDERGARTEN. LAST YEAR YOU COULDN'T DO ANY OF THAT. 892 00:00:00,000 --> 00:00:00,000 893 00:16:28,821 --> 00:16:32,056 LAST YEAR YOU COULDN'T DO ANY OF THAT. >> 'CAUSE I WAS NOTHIN'. 894 00:00:00,000 --> 00:00:00,000 895 00:16:32,058 --> 00:16:33,925 THAT. >> 'CAUSE I WAS NOTHIN'. >> NO, YOU WERE NEVER NOTHIN'. 896 00:00:00,000 --> 00:00:00,000 897 00:16:33,927 --> 00:16:36,093 >> 'CAUSE I WAS NOTHIN'. >> NO, YOU WERE NEVER NOTHIN'. YOU JUST WEREN'T FIVE. 898 00:00:00,000 --> 00:00:00,000 899 00:16:36,095 --> 00:16:37,561 >> NO, YOU WERE NEVER NOTHIN'. YOU JUST WEREN'T FIVE. >> I'M FIVE NOW. 900 00:00:00,000 --> 00:00:00,000 901 00:16:37,563 --> 00:16:38,695 YOU JUST WEREN'T FIVE. >> I'M FIVE NOW. >> AND NOW YOU CAN DO THINGS 902 00:00:00,000 --> 00:00:00,000 903 00:16:38,697 --> 00:16:40,164 >> I'M FIVE NOW. >> AND NOW YOU CAN DO THINGS THAT YOU COULD NEVER DO BEFORE. 904 00:00:00,000 --> 00:00:00,000 905 00:16:40,166 --> 00:16:42,633 >> AND NOW YOU CAN DO THINGS THAT YOU COULD NEVER DO BEFORE. SO WHAT DO YOU THINK ABOUT THAT? 906 00:00:00,000 --> 00:00:00,000 907 00:16:42,635 --> 00:16:44,802 THAT YOU COULD NEVER DO BEFORE. SO WHAT DO YOU THINK ABOUT THAT? >> YAY, FIVE. 908 00:00:00,000 --> 00:00:00,000 909 00:16:44,804 --> 00:16:47,638 SO WHAT DO YOU THINK ABOUT THAT? >> YAY, FIVE. >> YAY, FIVE. 910 00:00:00,000 --> 00:00:00,000 911 00:16:47,640 --> 00:16:50,207 >> YAY, FIVE. >> YAY, FIVE. >> MOMMY, HOW OLD ARE YOU? 912 00:00:00,000 --> 00:00:00,000 913 00:16:50,209 --> 00:16:51,609 >> YAY, FIVE. >> MOMMY, HOW OLD ARE YOU? >> OLD. 914 00:00:00,000 --> 00:00:00,000 915 00:16:51,611 --> 00:16:55,279 >> MOMMY, HOW OLD ARE YOU? >> OLD. >> YAY, OLD. 916 00:00:00,000 --> 00:00:00,000 917 00:17:02,320 --> 00:17:06,323 >> ALL RIGHT, ALL YOU GOTTA REMEMBER IS TO JUST KEEP YOUR CENTER OF GRAVITY LOW, 918 00:00:00,000 --> 00:00:00,000 919 00:17:06,325 --> 00:17:07,525 REMEMBER IS TO JUST KEEP YOUR CENTER OF GRAVITY LOW, SHOULDERS SQUARE. 920 00:00:00,000 --> 00:00:00,000 921 00:17:07,527 --> 00:17:08,559 CENTER OF GRAVITY LOW, SHOULDERS SQUARE. >> GOT IT, DAD. 922 00:00:00,000 --> 00:00:00,000 923 00:17:08,561 --> 00:17:10,294 SHOULDERS SQUARE. >> GOT IT, DAD. >> YOU GOT IT. 924 00:00:00,000 --> 00:00:00,000 925 00:17:10,296 --> 00:17:11,328 >> GOT IT, DAD. >> YOU GOT IT. ALL RIGHT, TAKE A SHOWER. 926 00:00:00,000 --> 00:00:00,000 927 00:17:11,330 --> 00:17:12,763 >> YOU GOT IT. ALL RIGHT, TAKE A SHOWER. >> OKAY. 928 00:00:00,000 --> 00:00:00,000 929 00:17:12,765 --> 00:17:14,965 ALL RIGHT, TAKE A SHOWER. >> OKAY. DAD, YOU KNOW YOU REALLY SHOWED 930 00:00:00,000 --> 00:00:00,000 931 00:17:14,967 --> 00:17:16,300 >> OKAY. DAD, YOU KNOW YOU REALLY SHOWED ME A LOT OUT THERE. 932 00:00:00,000 --> 00:00:00,000 933 00:17:16,302 --> 00:17:17,268 DAD, YOU KNOW YOU REALLY SHOWED ME A LOT OUT THERE. YOU'VE GOT SOME GREAT MOVES 934 00:00:00,000 --> 00:00:00,000 935 00:17:17,270 --> 00:17:20,137 ME A LOT OUT THERE. YOU'VE GOT SOME GREAT MOVES FOR A GUY YOUR AGE. 936 00:00:00,000 --> 00:00:00,000 937 00:17:20,139 --> 00:17:21,439 YOU'VE GOT SOME GREAT MOVES FOR A GUY YOUR AGE. >> WELL, I FIGURE I WON'T 938 00:00:00,000 --> 00:00:00,000 939 00:17:21,441 --> 00:17:23,874 FOR A GUY YOUR AGE. >> WELL, I FIGURE I WON'T COMPLETELY FALL APART 'TIL NEXT 940 00:00:00,000 --> 00:00:00,000 941 00:17:23,876 --> 00:17:28,512 >> WELL, I FIGURE I WON'T COMPLETELY FALL APART 'TIL NEXT WEEK SOME TIME. 942 00:00:00,000 --> 00:00:00,000 943 00:17:28,514 --> 00:17:31,782 COMPLETELY FALL APART 'TIL NEXT WEEK SOME TIME. >> HOW DOES HE LOOK? 944 00:00:00,000 --> 00:00:00,000 945 00:17:34,552 --> 00:17:43,194 CLIFF, YOUR EYES. >> I DON'T THINK THEY'RE GONNA DANCE FOR A WHILE. 946 00:00:00,000 --> 00:00:00,000 947 00:17:43,196 --> 00:17:44,595 >> I DON'T THINK THEY'RE GONNA DANCE FOR A WHILE. >> TELL ME ABOUT IT. 948 00:00:00,000 --> 00:00:00,000 949 00:17:44,597 --> 00:17:45,562 DANCE FOR A WHILE. >> TELL ME ABOUT IT. >> I WENT OUT THERE WITH 950 00:00:00,000 --> 00:00:00,000 951 00:17:45,564 --> 00:17:49,033 >> TELL ME ABOUT IT. >> I WENT OUT THERE WITH NO PRECONCEIVED IDEAS. 952 00:00:00,000 --> 00:00:00,000 953 00:17:49,035 --> 00:17:50,568 >> I WENT OUT THERE WITH NO PRECONCEIVED IDEAS. DO YOU UNDERSTAND? 954 00:00:00,000 --> 00:00:00,000 955 00:17:50,570 --> 00:17:52,636 NO PRECONCEIVED IDEAS. DO YOU UNDERSTAND? I JUST WANTED TO SEE WHAT 956 00:00:00,000 --> 00:00:00,000 957 00:17:52,638 --> 00:17:55,239 DO YOU UNDERSTAND? I JUST WANTED TO SEE WHAT THE BOY HAS. 958 00:00:00,000 --> 00:00:00,000 959 00:17:55,241 --> 00:17:59,977 I JUST WANTED TO SEE WHAT THE BOY HAS. THE BOY HAS NOTHING. 960 00:00:00,000 --> 00:00:00,000 961 00:17:59,979 --> 00:18:01,311 THE BOY HAS. THE BOY HAS NOTHING. >> HE MADE THE TEAM. 962 00:00:00,000 --> 00:00:00,000 963 00:18:01,313 --> 00:18:03,180 THE BOY HAS NOTHING. >> HE MADE THE TEAM. >> CLAIR, THERE'S 45 PEOPLE 964 00:00:00,000 --> 00:00:00,000 965 00:18:03,182 --> 00:18:04,849 >> HE MADE THE TEAM. >> CLAIR, THERE'S 45 PEOPLE ON A FOOTBALL TEAM. 966 00:00:00,000 --> 00:00:00,000 967 00:18:04,851 --> 00:18:07,852 >> CLAIR, THERE'S 45 PEOPLE ON A FOOTBALL TEAM. ONLY 22 OF 'EM GET TO PLAY. 968 00:00:00,000 --> 00:00:00,000 969 00:18:07,854 --> 00:18:08,853 ON A FOOTBALL TEAM. ONLY 22 OF 'EM GET TO PLAY. THE OTHER 23 ARE TO KEEP 970 00:00:00,000 --> 00:00:00,000 971 00:18:08,855 --> 00:18:10,320 ONLY 22 OF 'EM GET TO PLAY. THE OTHER 23 ARE TO KEEP THE BENCH FROM FLYING UP IN 972 00:00:00,000 --> 00:00:00,000 973 00:18:10,322 --> 00:18:13,256 THE OTHER 23 ARE TO KEEP THE BENCH FROM FLYING UP IN THE AIR WHEN THE REAL PLAYERS GO 974 00:00:00,000 --> 00:00:00,000 975 00:18:13,258 --> 00:18:15,158 THE BENCH FROM FLYING UP IN THE AIR WHEN THE REAL PLAYERS GO OUT THERE. 976 00:00:00,000 --> 00:00:00,000 977 00:18:15,160 --> 00:18:16,594 THE AIR WHEN THE REAL PLAYERS GO OUT THERE. >> START FROM THE BEGINNING. 978 00:00:00,000 --> 00:00:00,000 979 00:18:16,596 --> 00:18:18,362 OUT THERE. >> START FROM THE BEGINNING. >> WE GOT OUT TO THE FIELD. 980 00:00:00,000 --> 00:00:00,000 981 00:18:18,364 --> 00:18:20,264 >> START FROM THE BEGINNING. >> WE GOT OUT TO THE FIELD. THE BOY SNATCHES THE BALL FROM 982 00:00:00,000 --> 00:00:00,000 983 00:18:20,266 --> 00:18:22,834 >> WE GOT OUT TO THE FIELD. THE BOY SNATCHES THE BALL FROM ME, RUNS DOWN TO THE END ZONE, 984 00:00:00,000 --> 00:00:00,000 985 00:18:22,836 --> 00:18:25,069 THE BOY SNATCHES THE BALL FROM ME, RUNS DOWN TO THE END ZONE, SPIKES THE BALL AND THEN STARTS 986 00:00:00,000 --> 00:00:00,000 987 00:18:25,071 --> 00:18:29,640 ME, RUNS DOWN TO THE END ZONE, SPIKES THE BALL AND THEN STARTS TO DO SOME KIND OF DANCE. 988 00:00:00,000 --> 00:00:00,000 989 00:18:29,642 --> 00:18:31,909 SPIKES THE BALL AND THEN STARTS TO DO SOME KIND OF DANCE. FOR 20 MINUTES, HE DANCED. 990 00:00:00,000 --> 00:00:00,000 991 00:18:31,911 --> 00:18:33,143 TO DO SOME KIND OF DANCE. FOR 20 MINUTES, HE DANCED. I THOUGHT RAIN WAS GOING 992 00:00:00,000 --> 00:00:00,000 993 00:18:33,145 --> 00:18:36,214 FOR 20 MINUTES, HE DANCED. I THOUGHT RAIN WAS GOING TO FALL. 994 00:00:00,000 --> 00:00:00,000 995 00:18:36,216 --> 00:18:38,482 I THOUGHT RAIN WAS GOING TO FALL. THEN THE BOY COMES RUNNING BACK 996 00:00:00,000 --> 00:00:00,000 997 00:18:38,484 --> 00:18:39,917 TO FALL. THEN THE BOY COMES RUNNING BACK AND HE SAYS TO ME, 998 00:00:00,000 --> 00:00:00,000 999 00:18:39,919 --> 00:18:42,286 THEN THE BOY COMES RUNNING BACK AND HE SAYS TO ME, "HOW DO YOU LIKE MY DANCE 1000 00:00:00,000 --> 00:00:00,000 1001 00:18:42,288 --> 00:18:44,488 AND HE SAYS TO ME, "HOW DO YOU LIKE MY DANCE FOR AFTER I SCORE?" 1002 00:00:00,000 --> 00:00:00,000 1003 00:18:44,490 --> 00:18:46,390 "HOW DO YOU LIKE MY DANCE FOR AFTER I SCORE?" I SAID, "GREAT." 1004 00:00:00,000 --> 00:00:00,000 1005 00:18:46,392 --> 00:18:52,329 FOR AFTER I SCORE?" I SAID, "GREAT." THE BOY IS NOT GOING TO SCORE. 1006 00:00:00,000 --> 00:00:00,000 1007 00:18:52,331 --> 00:18:53,764 I SAID, "GREAT." THE BOY IS NOT GOING TO SCORE. >> WELL, HE MUST HAVE SOME 1008 00:00:00,000 --> 00:00:00,000 1009 00:18:53,766 --> 00:18:56,166 THE BOY IS NOT GOING TO SCORE. >> WELL, HE MUST HAVE SOME SKILLS. 1010 00:00:00,000 --> 00:00:00,000 1011 00:18:56,168 --> 00:18:57,768 >> WELL, HE MUST HAVE SOME SKILLS. >> I THREW THE BALL TO HIM, 1012 00:00:00,000 --> 00:00:00,000 1013 00:18:57,770 --> 00:18:59,503 SKILLS. >> I THREW THE BALL TO HIM, HE CAUGHT IT. 1014 00:00:00,000 --> 00:00:00,000 1015 00:18:59,505 --> 00:19:00,437 >> I THREW THE BALL TO HIM, HE CAUGHT IT. >> THERE YOU GO. 1016 00:00:00,000 --> 00:00:00,000 1017 00:19:00,439 --> 00:19:01,639 HE CAUGHT IT. >> THERE YOU GO. >> NO, I SAID, "SON, 1018 00:00:00,000 --> 00:00:00,000 1019 00:19:01,641 --> 00:19:03,273 >> THERE YOU GO. >> NO, I SAID, "SON, IT'S BETTER TO CATCH THE BALL 1020 00:00:00,000 --> 00:00:00,000 1021 00:19:03,275 --> 00:19:05,709 >> NO, I SAID, "SON, IT'S BETTER TO CATCH THE BALL BEFORE IT HITS YOUR FACE." 1022 00:00:00,000 --> 00:00:00,000 1023 00:19:05,711 --> 00:19:08,211 IT'S BETTER TO CATCH THE BALL BEFORE IT HITS YOUR FACE." >> OKAY, SO HE'S NOT A RECEIVER. 1024 00:00:00,000 --> 00:00:00,000 1025 00:19:08,213 --> 00:19:11,048 BEFORE IT HITS YOUR FACE." >> OKAY, SO HE'S NOT A RECEIVER. >> I SAID, "OKAY, PUNT." 1026 00:00:00,000 --> 00:00:00,000 1027 00:19:11,050 --> 00:19:12,249 >> OKAY, SO HE'S NOT A RECEIVER. >> I SAID, "OKAY, PUNT." HE TOOK THE BALL, HE KICKED IT. 1028 00:00:00,000 --> 00:00:00,000 1029 00:19:12,251 --> 00:19:15,620 >> I SAID, "OKAY, PUNT." HE TOOK THE BALL, HE KICKED IT. THE BALL WENT BACKWARDS. 1030 00:00:00,000 --> 00:00:00,000 1031 00:19:15,622 --> 00:19:17,989 HE TOOK THE BALL, HE KICKED IT. THE BALL WENT BACKWARDS. NOW IN ORDER FOR HIM TO KICK IN 1032 00:00:00,000 --> 00:00:00,000 1033 00:19:17,991 --> 00:19:19,724 THE BALL WENT BACKWARDS. NOW IN ORDER FOR HIM TO KICK IN THE GAME, THEY CENTER THE BALL 1034 00:00:00,000 --> 00:00:00,000 1035 00:19:19,726 --> 00:19:21,859 NOW IN ORDER FOR HIM TO KICK IN THE GAME, THEY CENTER THE BALL TO HIM, HE CATCHES IT, TURNS 1036 00:00:00,000 --> 00:00:00,000 1037 00:19:21,861 --> 00:19:26,631 THE GAME, THEY CENTER THE BALL TO HIM, HE CATCHES IT, TURNS AROUND THEN HE KICKS THE BALL. 1038 00:00:00,000 --> 00:00:00,000 1039 00:19:26,633 --> 00:19:30,668 TO HIM, HE CATCHES IT, TURNS AROUND THEN HE KICKS THE BALL. NO, NO, I SEE YOU SHAKING YOUR 1040 00:00:00,000 --> 00:00:00,000 1041 00:19:30,670 --> 00:19:33,504 AROUND THEN HE KICKS THE BALL. NO, NO, I SEE YOU SHAKING YOUR HEAD SAYING, "FOOTBALL FATHER." 1042 00:00:00,000 --> 00:00:00,000 1043 00:19:33,506 --> 00:19:34,438 NO, NO, I SEE YOU SHAKING YOUR HEAD SAYING, "FOOTBALL FATHER." >> AND YOU'RE NOT ONE. 1044 00:00:00,000 --> 00:00:00,000 1045 00:19:34,440 --> 00:19:35,072 HEAD SAYING, "FOOTBALL FATHER." >> AND YOU'RE NOT ONE. >> NO. 1046 00:00:00,000 --> 00:00:00,000 1047 00:19:35,074 --> 00:19:35,673 >> AND YOU'RE NOT ONE. >> NO. >> AH-HA. 1048 00:00:00,000 --> 00:00:00,000 1049 00:19:35,675 --> 00:19:37,541 >> NO. >> AH-HA. >> AH-HA-HA-HA, WHAT? 1050 00:00:00,000 --> 00:00:00,000 1051 00:19:37,543 --> 00:19:38,743 >> AH-HA. >> AH-HA-HA-HA, WHAT? >> ONE OF THE FIRST SIGNS OF 1052 00:00:00,000 --> 00:00:00,000 1053 00:19:38,745 --> 00:19:40,278 >> AH-HA-HA-HA, WHAT? >> ONE OF THE FIRST SIGNS OF BEING A FOOTBALL FATHER IS 1054 00:00:00,000 --> 00:00:00,000 1055 00:19:40,280 --> 00:19:41,545 >> ONE OF THE FIRST SIGNS OF BEING A FOOTBALL FATHER IS SAYING YOU'RE NOT ONE. 1056 00:00:00,000 --> 00:00:00,000 1057 00:19:41,547 --> 00:19:42,413 BEING A FOOTBALL FATHER IS SAYING YOU'RE NOT ONE. >> LOOK, I KNOW WHAT A FOOTBALL 1058 00:00:00,000 --> 00:00:00,000 1059 00:19:42,415 --> 00:19:44,315 SAYING YOU'RE NOT ONE. >> LOOK, I KNOW WHAT A FOOTBALL FATHER IS, AND I'M TELLING YOU 1060 00:00:00,000 --> 00:00:00,000 1061 00:19:44,317 --> 00:19:45,949 >> LOOK, I KNOW WHAT A FOOTBALL FATHER IS, AND I'M TELLING YOU THAT RIGHT NOW, 1062 00:00:00,000 --> 00:00:00,000 1063 00:19:45,951 --> 00:19:49,754 FATHER IS, AND I'M TELLING YOU THAT RIGHT NOW, THEO IS TERRIBLE. 1064 00:00:00,000 --> 00:00:00,000 1065 00:19:49,756 --> 00:19:51,155 THAT RIGHT NOW, THEO IS TERRIBLE. >> CLIFF HE'S 13 1066 00:00:00,000 --> 00:00:00,000 1067 00:19:51,157 --> 00:19:52,089 THEO IS TERRIBLE. >> CLIFF HE'S 13 AND IF YOU TELL HIM THAT, 1068 00:00:00,000 --> 00:00:00,000 1069 00:19:52,091 --> 00:19:53,390 >> CLIFF HE'S 13 AND IF YOU TELL HIM THAT, IT'S GONNA DESTROY HIM. 1070 00:00:00,000 --> 00:00:00,000 1071 00:19:53,392 --> 00:19:55,960 AND IF YOU TELL HIM THAT, IT'S GONNA DESTROY HIM. >> I DIDN'T TELL HIM, 1072 00:00:00,000 --> 00:00:00,000 1073 00:19:55,962 --> 00:19:59,830 IT'S GONNA DESTROY HIM. >> I DIDN'T TELL HIM, I'M TELLING YOU. 1074 00:00:00,000 --> 00:00:00,000 1075 00:19:59,832 --> 00:20:02,266 >> I DIDN'T TELL HIM, I'M TELLING YOU. >> IS HE REALLY THAT BAD? 1076 00:00:00,000 --> 00:00:00,000 1077 00:20:02,268 --> 00:20:05,335 I'M TELLING YOU. >> IS HE REALLY THAT BAD? >> WORSE. 1078 00:00:00,000 --> 00:00:00,000 1079 00:20:05,337 --> 00:20:06,169 >> IS HE REALLY THAT BAD? >> WORSE. >> DAD? 1080 00:00:00,000 --> 00:00:00,000 1081 00:20:06,171 --> 00:20:10,908 >> WORSE. >> DAD? >> YES, THEO, MY BOY. 1082 00:00:00,000 --> 00:00:00,000 1083 00:20:10,910 --> 00:20:12,476 >> DAD? >> YES, THEO, MY BOY. >> DAD, I'VE BEEN THINKING ABOUT 1084 00:00:00,000 --> 00:00:00,000 1085 00:20:12,478 --> 00:20:15,145 >> YES, THEO, MY BOY. >> DAD, I'VE BEEN THINKING ABOUT THE HUXTABLE FOOTBALL TRADITION, 1086 00:00:00,000 --> 00:00:00,000 1087 00:20:15,147 --> 00:20:17,214 >> DAD, I'VE BEEN THINKING ABOUT THE HUXTABLE FOOTBALL TRADITION, AND IS THERE ANY ROOM IN IT 1088 00:00:00,000 --> 00:00:00,000 1089 00:20:17,216 --> 00:20:19,283 THE HUXTABLE FOOTBALL TRADITION, AND IS THERE ANY ROOM IN IT FOR A GUY WHO'S NOT A STAR? 1090 00:00:00,000 --> 00:00:00,000 1091 00:20:19,285 --> 00:20:20,384 AND IS THERE ANY ROOM IN IT FOR A GUY WHO'S NOT A STAR? >> SURE. 1092 00:00:00,000 --> 00:00:00,000 1093 00:20:20,386 --> 00:20:21,685 FOR A GUY WHO'S NOT A STAR? >> SURE. >> TO BE HONEST, DAD, I MIGHT 1094 00:00:00,000 --> 00:00:00,000 1095 00:20:21,687 --> 00:20:23,086 >> SURE. >> TO BE HONEST, DAD, I MIGHT NOT GET MUCH PLAYING TIME 1096 00:00:00,000 --> 00:00:00,000 1097 00:20:23,088 --> 00:20:26,123 >> TO BE HONEST, DAD, I MIGHT NOT GET MUCH PLAYING TIME AT ALL, LIKE MAYBE NONE. 1098 00:00:00,000 --> 00:00:00,000 1099 00:20:26,125 --> 00:20:27,691 NOT GET MUCH PLAYING TIME AT ALL, LIKE MAYBE NONE. >> WHATEVER YOU DO, THEO, WE'LL 1100 00:00:00,000 --> 00:00:00,000 1101 00:20:27,693 --> 00:20:28,726 AT ALL, LIKE MAYBE NONE. >> WHATEVER YOU DO, THEO, WE'LL BE SITTING UP IN THOSE STANDS 1102 00:00:00,000 --> 00:00:00,000 1103 00:20:28,728 --> 00:20:30,361 >> WHATEVER YOU DO, THEO, WE'LL BE SITTING UP IN THOSE STANDS CHEERING YOU ON. 1104 00:00:00,000 --> 00:00:00,000 1105 00:20:30,363 --> 00:20:31,429 BE SITTING UP IN THOSE STANDS CHEERING YOU ON. >> THANKS, MOM. 1106 00:00:00,000 --> 00:00:00,000 1107 00:20:31,431 --> 00:20:36,434 CHEERING YOU ON. >> THANKS, MOM. >> YOU TOO, DAD? 1108 00:00:00,000 --> 00:00:00,000 1109 00:20:36,436 --> 00:20:39,236 >> THANKS, MOM. >> YOU TOO, DAD? >> W-WHAT WAS THE QUESTION? 1110 00:00:00,000 --> 00:00:00,000 1111 00:20:39,238 --> 00:20:40,103 >> YOU TOO, DAD? >> W-WHAT WAS THE QUESTION? >> WILL YOU BE CHEERING 1112 00:00:00,000 --> 00:00:00,000 1113 00:20:40,105 --> 00:20:41,104 >> W-WHAT WAS THE QUESTION? >> WILL YOU BE CHEERING WITH MOM? 1114 00:00:00,000 --> 00:00:00,000 1115 00:20:41,106 --> 00:20:42,172 >> WILL YOU BE CHEERING WITH MOM? >> OH, I'LL HAVE YOUR MOTHER 1116 00:00:00,000 --> 00:00:00,000 1117 00:20:42,174 --> 00:20:45,142 WITH MOM? >> OH, I'LL HAVE YOUR MOTHER ON MY SHOULDERS. 1118 00:00:00,000 --> 00:00:00,000 1119 00:20:45,144 --> 00:20:46,911 >> OH, I'LL HAVE YOUR MOTHER ON MY SHOULDERS. >> DAD, I'VE GOT A LOT TO LEARN, 1120 00:00:00,000 --> 00:00:00,000 1121 00:20:46,913 --> 00:20:48,745 ON MY SHOULDERS. >> DAD, I'VE GOT A LOT TO LEARN, DON'T I? 1122 00:00:00,000 --> 00:00:00,000 1123 00:20:48,747 --> 00:20:51,415 >> DAD, I'VE GOT A LOT TO LEARN, DON'T I? >> WELL, YOU KNOW, YOU HAVE YOUR 1124 00:00:00,000 --> 00:00:00,000 1125 00:20:51,417 --> 00:20:52,950 DON'T I? >> WELL, YOU KNOW, YOU HAVE YOUR DANCE DOWN PAT. 1126 00:00:00,000 --> 00:00:00,000 1127 00:20:52,952 --> 00:20:55,619 >> WELL, YOU KNOW, YOU HAVE YOUR DANCE DOWN PAT. I MEAN, THAT'S UM--YOU GOT 1128 00:00:00,000 --> 00:00:00,000 1129 00:20:55,621 --> 00:20:56,620 DANCE DOWN PAT. I MEAN, THAT'S UM--YOU GOT THAT COVERED. 1130 00:00:00,000 --> 00:00:00,000 1131 00:20:56,622 --> 00:20:58,389 I MEAN, THAT'S UM--YOU GOT THAT COVERED. NOW ALL YOU HAVE TO DO IS LEARN 1132 00:00:00,000 --> 00:00:00,000 1133 00:20:58,391 --> 00:20:59,924 THAT COVERED. NOW ALL YOU HAVE TO DO IS LEARN THE SKILLS THAT WILL PUT YOU 1134 00:00:00,000 --> 00:00:00,000 1135 00:20:59,926 --> 00:21:02,159 NOW ALL YOU HAVE TO DO IS LEARN THE SKILLS THAT WILL PUT YOU INTO THE END ZONE SO YOU CAN DO 1136 00:00:00,000 --> 00:00:00,000 1137 00:21:02,161 --> 00:21:04,261 THE SKILLS THAT WILL PUT YOU INTO THE END ZONE SO YOU CAN DO YOUR WONDERFUL DANCE. 1138 00:00:00,000 --> 00:00:00,000 1139 00:21:04,263 --> 00:21:06,196 INTO THE END ZONE SO YOU CAN DO YOUR WONDERFUL DANCE. >> BUT THAT COULD TAKE WEEKS. 1140 00:00:00,000 --> 00:00:00,000 1141 00:21:06,198 --> 00:21:09,266 YOUR WONDERFUL DANCE. >> BUT THAT COULD TAKE WEEKS. >> YEARS. 1142 00:00:00,000 --> 00:00:00,000 1143 00:21:09,268 --> 00:21:10,534 >> BUT THAT COULD TAKE WEEKS. >> YEARS. >> YEARS? 1144 00:00:00,000 --> 00:00:00,000 1145 00:21:10,536 --> 00:21:12,202 >> YEARS. >> YEARS? >> WELL, NOT REAL YEARS. 1146 00:00:00,000 --> 00:00:00,000 1147 00:21:12,204 --> 00:21:13,804 >> YEARS? >> WELL, NOT REAL YEARS. I MEAN YOU PLAY IN THE FALL 1148 00:00:00,000 --> 00:00:00,000 1149 00:21:13,806 --> 00:21:18,809 >> WELL, NOT REAL YEARS. I MEAN YOU PLAY IN THE FALL ONLY. 1150 00:00:00,000 --> 00:00:00,000 1151 00:21:18,811 --> 00:21:20,043 I MEAN YOU PLAY IN THE FALL ONLY. THE QUESTION THAT YOU HAVE TO 1152 00:00:00,000 --> 00:00:00,000 1153 00:21:20,045 --> 00:21:23,514 ONLY. THE QUESTION THAT YOU HAVE TO ASK YOURSELF IS, IS IT WORTH IT? 1154 00:00:00,000 --> 00:00:00,000 1155 00:21:23,516 --> 00:21:24,848 THE QUESTION THAT YOU HAVE TO ASK YOURSELF IS, IS IT WORTH IT? >> DAD, I'M JUST HAPPY TO BE ON 1156 00:00:00,000 --> 00:00:00,000 1157 00:21:24,850 --> 00:21:25,716 ASK YOURSELF IS, IS IT WORTH IT? >> DAD, I'M JUST HAPPY TO BE ON THE TEAM. 1158 00:00:00,000 --> 00:00:00,000 1159 00:21:25,718 --> 00:21:26,917 >> DAD, I'M JUST HAPPY TO BE ON THE TEAM. >> REALLY? 1160 00:00:00,000 --> 00:00:00,000 1161 00:21:26,919 --> 00:21:29,219 THE TEAM. >> REALLY? >> SEE, WHEN WE WERE PRACTICING, 1162 00:00:00,000 --> 00:00:00,000 1163 00:21:29,221 --> 00:21:30,520 >> REALLY? >> SEE, WHEN WE WERE PRACTICING, THE KIDS COME AROUND AND WATCH 1164 00:00:00,000 --> 00:00:00,000 1165 00:21:30,522 --> 00:21:32,089 >> SEE, WHEN WE WERE PRACTICING, THE KIDS COME AROUND AND WATCH US, BUT THEY CAN'T COME ON 1166 00:00:00,000 --> 00:00:00,000 1167 00:21:32,091 --> 00:21:33,223 THE KIDS COME AROUND AND WATCH US, BUT THEY CAN'T COME ON THE FIELD BECAUSE THEY'RE NOT ON 1168 00:00:00,000 --> 00:00:00,000 1169 00:21:33,225 --> 00:21:34,458 US, BUT THEY CAN'T COME ON THE FIELD BECAUSE THEY'RE NOT ON THE TEAM. 1170 00:00:00,000 --> 00:00:00,000 1171 00:21:34,460 --> 00:21:35,659 THE FIELD BECAUSE THEY'RE NOT ON THE TEAM. NOW I MAY NEVER MAKE FIRST 1172 00:00:00,000 --> 00:00:00,000 1173 00:21:35,661 --> 00:21:36,794 THE TEAM. NOW I MAY NEVER MAKE FIRST STRING, BUT HEY, 1174 00:00:00,000 --> 00:00:00,000 1175 00:21:36,796 --> 00:21:41,031 NOW I MAY NEVER MAKE FIRST STRING, BUT HEY, I'M ON THE FIELD. 1176 00:00:00,000 --> 00:00:00,000 1177 00:21:41,033 --> 00:21:42,800 STRING, BUT HEY, I'M ON THE FIELD. >> OKAY. 1178 00:00:00,000 --> 00:00:00,000 1179 00:21:42,802 --> 00:21:44,301 I'M ON THE FIELD. >> OKAY. BUT YOU BETTER KEEP THAT BENCH 1180 00:00:00,000 --> 00:00:00,000 1181 00:21:44,303 --> 00:21:47,371 >> OKAY. BUT YOU BETTER KEEP THAT BENCH FROM FLYING UP. 1182 00:00:00,000 --> 00:00:00,000 1183 00:21:47,373 --> 00:21:48,372 BUT YOU BETTER KEEP THAT BENCH FROM FLYING UP. >> WHAT? 1184 00:00:00,000 --> 00:00:00,000 1185 00:21:48,374 --> 00:21:49,406 FROM FLYING UP. >> WHAT? >> NO, NO, NO, I'M DEAD SERIOUS, 1186 00:00:00,000 --> 00:00:00,000 1187 00:21:49,408 --> 00:21:50,107 >> WHAT? >> NO, NO, NO, I'M DEAD SERIOUS, MAN. 1188 00:00:00,000 --> 00:00:00,000 1189 00:21:50,109 --> 00:21:51,241 >> NO, NO, NO, I'M DEAD SERIOUS, MAN. WHEN THAT TEAM RUNS OUT THERE, 1190 00:00:00,000 --> 00:00:00,000 1191 00:21:51,243 --> 00:21:52,610 MAN. WHEN THAT TEAM RUNS OUT THERE, YOU LET THAT BENCH FLY UP IN 1192 00:00:00,000 --> 00:00:00,000 1193 00:21:52,612 --> 00:21:54,445 WHEN THAT TEAM RUNS OUT THERE, YOU LET THAT BENCH FLY UP IN THE AIR AND HIT SOMEBODY IN 1194 00:00:00,000 --> 00:00:00,000 1195 00:21:54,447 --> 00:21:56,180 YOU LET THAT BENCH FLY UP IN THE AIR AND HIT SOMEBODY IN THE HEAD, I'LL COME DOWN THERE, 1196 00:00:00,000 --> 00:00:00,000 1197 00:21:56,182 --> 00:21:58,782 THE AIR AND HIT SOMEBODY IN THE HEAD, I'LL COME DOWN THERE, BOY, AND I'LL-- 1198 00:00:00,000 --> 00:00:00,000 1199 00:21:58,784 --> 00:22:00,584 THE HEAD, I'LL COME DOWN THERE, BOY, AND I'LL-- >> MOM, WHAT'S HE TALKING ABOUT? 1200 00:00:00,000 --> 00:00:00,000 1201 00:22:00,586 --> 00:22:02,953 BOY, AND I'LL-- >> MOM, WHAT'S HE TALKING ABOUT? >> LISTEN, SHOW MOM YOUR DANCE 1202 00:00:00,000 --> 00:00:00,000 1203 00:22:02,955 --> 00:22:07,458 >> MOM, WHAT'S HE TALKING ABOUT? >> LISTEN, SHOW MOM YOUR DANCE THAT YOU, YOU KNOW WHEN YOU-- 1204 00:00:00,000 --> 00:00:00,000 1205 00:22:31,115 --> 00:22:36,587 >> THERE IT IS, THE GROVERTON GAME, AND I STILL CANNOT UNDERSTAND 1206 00:00:00,000 --> 00:00:00,000 1207 00:22:36,589 --> 00:22:40,457 THE GROVERTON GAME, AND I STILL CANNOT UNDERSTAND WHY THEY DIDN'T GO TO ME. 1208 00:00:00,000 --> 00:00:00,000 1209 00:22:40,459 --> 00:22:41,759 AND I STILL CANNOT UNDERSTAND WHY THEY DIDN'T GO TO ME. >> I THINK I CAN. 1210 00:00:00,000 --> 00:00:00,000 1211 00:22:41,761 --> 00:22:43,226 WHY THEY DIDN'T GO TO ME. >> I THINK I CAN. >> YOU'RE KIDDING, WHY? 1212 00:00:00,000 --> 00:00:00,000 1213 00:22:43,228 --> 00:22:44,428 >> I THINK I CAN. >> YOU'RE KIDDING, WHY? >> FIVE MINUTES LEFT ON 1214 00:00:00,000 --> 00:00:00,000 1215 00:22:44,430 --> 00:22:46,730 >> YOU'RE KIDDING, WHY? >> FIVE MINUTES LEFT ON THE CLOCK AND YOUR TEAM HAS 1216 00:00:00,000 --> 00:00:00,000 1217 00:22:46,732 --> 00:22:47,865 >> FIVE MINUTES LEFT ON THE CLOCK AND YOUR TEAM HAS THE BALL, AND THEY HAND IT TO 1218 00:00:00,000 --> 00:00:00,000 1219 00:22:47,867 --> 00:22:50,100 THE CLOCK AND YOUR TEAM HAS THE BALL, AND THEY HAND IT TO SOMEONE WHO, WITH HEAD DOWN, 1220 00:00:00,000 --> 00:00:00,000 1221 00:22:50,102 --> 00:22:51,635 THE BALL, AND THEY HAND IT TO SOMEONE WHO, WITH HEAD DOWN, BREAKS THROUGH THE LINE. 1222 00:00:00,000 --> 00:00:00,000 1223 00:22:51,637 --> 00:22:52,736 SOMEONE WHO, WITH HEAD DOWN, BREAKS THROUGH THE LINE. NOW HE GETS HIT ABOUT FOUR OR 1224 00:00:00,000 --> 00:00:00,000 1225 00:22:52,738 --> 00:22:54,304 BREAKS THROUGH THE LINE. NOW HE GETS HIT ABOUT FOUR OR FIVE TIMES BUT DOESN'T STOP HIM 1226 00:00:00,000 --> 00:00:00,000 1227 00:22:54,306 --> 00:22:56,240 NOW HE GETS HIT ABOUT FOUR OR FIVE TIMES BUT DOESN'T STOP HIM BECAUSE THE MAN HAS GOT SOME 1228 00:00:00,000 --> 00:00:00,000 1229 00:22:56,242 --> 00:22:57,608 FIVE TIMES BUT DOESN'T STOP HIM BECAUSE THE MAN HAS GOT SOME MOVES. 1230 00:00:00,000 --> 00:00:00,000 1231 00:22:57,610 --> 00:22:59,343 BECAUSE THE MAN HAS GOT SOME MOVES. I MEAN HE'S SPINNING BY 1232 00:00:00,000 --> 00:00:00,000 1233 00:22:59,345 --> 00:23:00,611 MOVES. I MEAN HE'S SPINNING BY THE TACKLERS AND LEAPING OVER 1234 00:00:00,000 --> 00:00:00,000 1235 00:23:00,613 --> 00:23:02,179 I MEAN HE'S SPINNING BY THE TACKLERS AND LEAPING OVER THE LINEBACKER. 1236 00:00:00,000 --> 00:00:00,000 1237 00:23:02,181 --> 00:23:03,080 THE TACKLERS AND LEAPING OVER THE LINEBACKER. NOW I'M NOT GONNA CALL 1238 00:00:00,000 --> 00:00:00,000 1239 00:23:03,082 --> 00:23:04,081 THE LINEBACKER. NOW I'M NOT GONNA CALL ANY NAMES. 1240 00:00:00,000 --> 00:00:00,000 1241 00:23:04,083 --> 00:23:05,482 NOW I'M NOT GONNA CALL ANY NAMES. I WON'T SAY WHO THE SOMEONE IS. 1242 00:00:00,000 --> 00:00:00,000 1243 00:23:05,484 --> 00:23:06,417 ANY NAMES. I WON'T SAY WHO THE SOMEONE IS. >> NO. 1244 00:00:00,000 --> 00:00:00,000 1245 00:23:06,419 --> 00:23:07,384 I WON'T SAY WHO THE SOMEONE IS. >> NO. >> BUT THE SOMEONE IS 1246 00:00:00,000 --> 00:00:00,000 1247 00:23:07,386 --> 00:23:08,485 >> NO. >> BUT THE SOMEONE IS IN THIS ROOM. 1248 00:00:00,000 --> 00:00:00,000 1249 00:23:08,487 --> 00:23:09,253 >> BUT THE SOMEONE IS IN THIS ROOM. >> IN THIS ROOM? 1250 00:00:00,000 --> 00:00:00,000 1251 00:23:09,255 --> 00:23:09,920 IN THIS ROOM. >> IN THIS ROOM? >> THIS ROOM. 1252 00:00:00,000 --> 00:00:00,000 1253 00:23:09,922 --> 00:23:10,554 >> IN THIS ROOM? >> THIS ROOM. >> ALL RIGHT. 1254 00:00:00,000 --> 00:00:00,000 1255 00:23:10,556 --> 00:23:11,722 >> THIS ROOM. >> ALL RIGHT. >> NOW THERE IS NO ONE BETWEEN 1256 00:00:00,000 --> 00:00:00,000 1257 00:23:11,724 --> 00:23:13,456 >> ALL RIGHT. >> NOW THERE IS NO ONE BETWEEN THE SOMEONE AND THE GOAL LINE, 1258 00:00:00,000 --> 00:00:00,000 1259 00:23:13,458 --> 00:23:15,226 >> NOW THERE IS NO ONE BETWEEN THE SOMEONE AND THE GOAL LINE, AND HE'S RACING DOWN THE FIELD. 1260 00:00:00,000 --> 00:00:00,000 1261 00:23:15,228 --> 00:23:16,760 THE SOMEONE AND THE GOAL LINE, AND HE'S RACING DOWN THE FIELD. AND AS HE'S RUNNING, HE TURNS TO 1262 00:00:00,000 --> 00:00:00,000 1263 00:23:16,762 --> 00:23:18,996 AND HE'S RACING DOWN THE FIELD. AND AS HE'S RUNNING, HE TURNS TO SEE WHERE HIS FIANCE IS SITTING. 1264 00:00:00,000 --> 00:00:00,000 1265 00:23:18,998 --> 00:23:20,330 AND AS HE'S RUNNING, HE TURNS TO SEE WHERE HIS FIANCE IS SITTING. HE HOLDS THE BALL UP AND WAVES 1266 00:00:00,000 --> 00:00:00,000 1267 00:23:20,332 --> 00:23:22,833 SEE WHERE HIS FIANCE IS SITTING. HE HOLDS THE BALL UP AND WAVES IT TO HER. 1268 00:00:00,000 --> 00:00:00,000 1269 00:23:22,835 --> 00:23:25,268 HE HOLDS THE BALL UP AND WAVES IT TO HER. >> WHAT A MAN. 1270 00:00:00,000 --> 00:00:00,000 1271 00:23:25,270 --> 00:23:26,536 IT TO HER. >> WHAT A MAN. >> AS HE BRINGS THE BALL DOWN, 1272 00:00:00,000 --> 00:00:00,000 1273 00:23:26,538 --> 00:23:28,639 >> WHAT A MAN. >> AS HE BRINGS THE BALL DOWN, HIS KNEE COMES UP, KNOCKS THE 1274 00:00:00,000 --> 00:00:00,000 1275 00:23:28,641 --> 00:23:30,173 >> AS HE BRINGS THE BALL DOWN, HIS KNEE COMES UP, KNOCKS THE BALL BACKWARDS INTO THE HANDS OF 1276 00:00:00,000 --> 00:00:00,000 1277 00:23:30,175 --> 00:23:31,642 HIS KNEE COMES UP, KNOCKS THE BALL BACKWARDS INTO THE HANDS OF THE GROVERTON TACKLER WHO RUNS 1278 00:00:00,000 --> 00:00:00,000 1279 00:23:31,644 --> 00:23:33,310 BALL BACKWARDS INTO THE HANDS OF THE GROVERTON TACKLER WHO RUNS IN THE OPPOSITE DIRECTION 1280 00:00:00,000 --> 00:00:00,000 1281 00:23:33,312 --> 00:23:34,678 THE GROVERTON TACKLER WHO RUNS IN THE OPPOSITE DIRECTION AND SCORES. 1282 00:00:00,000 --> 00:00:00,000 1283 00:23:34,680 --> 00:23:36,747 IN THE OPPOSITE DIRECTION AND SCORES. >> NOW WHO DID THAT? 1284 00:00:00,000 --> 00:00:00,000 1285 00:23:36,749 --> 00:23:39,883 AND SCORES. >> NOW WHO DID THAT? >> TOBY WILSON. 1286 00:00:00,000 --> 00:00:00,000 1287 00:23:39,885 --> 00:23:41,752 >> NOW WHO DID THAT? >> TOBY WILSON. >> HE'S NOT IN THIS ROOM. 1288 00:00:00,000 --> 00:00:00,000 1289 00:23:41,754 --> 00:23:43,687 >> TOBY WILSON. >> HE'S NOT IN THIS ROOM. >> CLAIR HUXTABLE. 1290 00:00:00,000 --> 00:00:00,000 1291 00:23:43,689 --> 00:23:44,855 >> HE'S NOT IN THIS ROOM. >> CLAIR HUXTABLE. >> NO. 1292 00:00:00,000 --> 00:00:00,000 1293 00:23:44,857 --> 00:23:46,023 >> CLAIR HUXTABLE. >> NO. >> WELL, I WAS JUST TRYING TO 1294 00:00:00,000 --> 00:00:00,000 1295 00:23:46,025 --> 00:23:48,659 >> NO. >> WELL, I WAS JUST TRYING TO SHOW YOU THAT I LOVED YOU. 1296 00:00:00,000 --> 00:00:00,000 1297 00:23:48,661 --> 00:23:49,427 >> WELL, I WAS JUST TRYING TO SHOW YOU THAT I LOVED YOU. >> YOU WERE JUST TRYING 1298 00:00:00,000 --> 00:00:00,000 1299 00:23:49,429 --> 00:23:51,294 SHOW YOU THAT I LOVED YOU. >> YOU WERE JUST TRYING TO SHOW OFF. 1300 00:00:00,000 --> 00:00:00,000 1301 00:23:51,296 --> 00:23:53,230 >> YOU WERE JUST TRYING TO SHOW OFF. >> WELL, IT'LL BE A COLD DAY 1302 00:00:00,000 --> 00:00:00,000 1303 00:23:53,232 --> 00:23:55,198 TO SHOW OFF. >> WELL, IT'LL BE A COLD DAY THE NEXT TIME I WAVE ANYTHING 1304 00:00:00,000 --> 00:00:00,000 1305 00:23:55,200 --> 00:23:59,837 >> WELL, IT'LL BE A COLD DAY THE NEXT TIME I WAVE ANYTHING AT YOU, MISS THING. 1306 00:00:00,000 --> 00:00:00,000 1307 00:24:11,716 --> 00:24:16,620 [MUSIC] 1308 00:00:00,000 --> 00:00:00,000 1309 00:24:17,623 --> 00:24:22,626 CC BY ABERDEEN CAPTIONING 1-800-688-6621 WWW.ABERCAP.COM 1310 00:00:00,000 --> 00:00:00,000