1 00:00:02,836 --> 00:00:07,739 [MUSIC] 2 00:00:00,000 --> 00:00:00,000 3 00:00:55,555 --> 00:01:00,426 >> MOM, THIS PLACE IS BEAUTIFUL. >> IT IS, ISN'T IT? AND LET ME TELL YOU, THERE 4 00:00:00,000 --> 00:00:00,000 5 00:01:00,428 --> 00:01:01,460 >> IT IS, ISN'T IT? AND LET ME TELL YOU, THERE AREN'T MANY CLUBS LIKE THIS 6 00:00:00,000 --> 00:00:00,000 7 00:01:01,462 --> 00:01:03,796 AND LET ME TELL YOU, THERE AREN'T MANY CLUBS LIKE THIS LEFT IN THE CITY. 8 00:00:00,000 --> 00:00:00,000 9 00:01:03,798 --> 00:01:04,797 AREN'T MANY CLUBS LIKE THIS LEFT IN THE CITY. RUDY. 10 00:00:00,000 --> 00:00:00,000 11 00:01:04,799 --> 00:01:05,731 LEFT IN THE CITY. RUDY. >> I JUST WANTED TO HEAR WHAT IT 12 00:00:00,000 --> 00:00:00,000 13 00:01:05,733 --> 00:01:06,565 RUDY. >> I JUST WANTED TO HEAR WHAT IT SOUNDS LIKE. 14 00:00:00,000 --> 00:00:00,000 15 00:01:06,567 --> 00:01:08,033 >> I JUST WANTED TO HEAR WHAT IT SOUNDS LIKE. >> IT SOUNDS LIKE ANY OTHER 16 00:00:00,000 --> 00:00:00,000 17 00:01:08,035 --> 00:01:10,068 SOUNDS LIKE. >> IT SOUNDS LIKE ANY OTHER PIANO SOUNDS WHICH IS EXACTLY 18 00:00:00,000 --> 00:00:00,000 19 00:01:10,070 --> 00:01:11,637 >> IT SOUNDS LIKE ANY OTHER PIANO SOUNDS WHICH IS EXACTLY WHY WE DON'T HAVE ONE 20 00:00:00,000 --> 00:00:00,000 21 00:01:11,639 --> 00:01:12,705 PIANO SOUNDS WHICH IS EXACTLY WHY WE DON'T HAVE ONE IN THE HOUSE. 22 00:00:00,000 --> 00:00:00,000 23 00:01:12,707 --> 00:01:14,039 WHY WE DON'T HAVE ONE IN THE HOUSE. >> MRS. HUXTABLE. 24 00:00:00,000 --> 00:00:00,000 25 00:01:14,041 --> 00:01:15,107 IN THE HOUSE. >> MRS. HUXTABLE. CLARENCE THORNHILL. 26 00:00:00,000 --> 00:00:00,000 27 00:01:15,109 --> 00:01:16,108 >> MRS. HUXTABLE. CLARENCE THORNHILL. >> MR. THORNHILL. 28 00:00:00,000 --> 00:00:00,000 29 00:01:16,110 --> 00:01:16,809 CLARENCE THORNHILL. >> MR. THORNHILL. >> HOW ARE YOU? 30 00:00:00,000 --> 00:00:00,000 31 00:01:16,811 --> 00:01:17,843 >> MR. THORNHILL. >> HOW ARE YOU? >> I'M FINE, THANK YOU. 32 00:00:00,000 --> 00:00:00,000 33 00:01:17,845 --> 00:01:18,944 >> HOW ARE YOU? >> I'M FINE, THANK YOU. OH, THIS IS VANESSA. 34 00:00:00,000 --> 00:00:00,000 35 00:01:18,946 --> 00:01:19,978 >> I'M FINE, THANK YOU. OH, THIS IS VANESSA. >> HOW ARE YOU, VANESSA? 36 00:00:00,000 --> 00:00:00,000 37 00:01:19,980 --> 00:01:20,746 OH, THIS IS VANESSA. >> HOW ARE YOU, VANESSA? >> HELLO. 38 00:00:00,000 --> 00:00:00,000 39 00:01:20,748 --> 00:01:21,914 >> HOW ARE YOU, VANESSA? >> HELLO. >> AND MY OTHER DAUGHTER HERE, 40 00:00:00,000 --> 00:00:00,000 41 00:01:21,916 --> 00:01:23,248 >> HELLO. >> AND MY OTHER DAUGHTER HERE, LIBERACE. 42 00:00:00,000 --> 00:00:00,000 43 00:01:23,250 --> 00:01:24,216 >> AND MY OTHER DAUGHTER HERE, LIBERACE. >> HOW ARE YOU, LIBERACE? 44 00:00:00,000 --> 00:00:00,000 45 00:01:24,218 --> 00:01:25,918 LIBERACE. >> HOW ARE YOU, LIBERACE? >> MR. THORNHILL, I REALLY 46 00:00:00,000 --> 00:00:00,000 47 00:01:25,920 --> 00:01:27,653 >> HOW ARE YOU, LIBERACE? >> MR. THORNHILL, I REALLY APPRECIATE YOU SETTING THIS UP. 48 00:00:00,000 --> 00:00:00,000 49 00:01:27,655 --> 00:01:28,587 >> MR. THORNHILL, I REALLY APPRECIATE YOU SETTING THIS UP. >> IT'S MY PLEASURE. 50 00:00:00,000 --> 00:00:00,000 51 00:01:28,589 --> 00:01:29,588 APPRECIATE YOU SETTING THIS UP. >> IT'S MY PLEASURE. YOUR LETTER WAS SO BEAUTIFULLY 52 00:00:00,000 --> 00:00:00,000 53 00:01:29,590 --> 00:01:31,056 >> IT'S MY PLEASURE. YOUR LETTER WAS SO BEAUTIFULLY WRITTEN AND IT DEMONSTRATED SUCH 54 00:00:00,000 --> 00:00:00,000 55 00:01:31,058 --> 00:01:32,591 YOUR LETTER WAS SO BEAUTIFULLY WRITTEN AND IT DEMONSTRATED SUCH GREAT LOVE, I GAVE THE LETTER TO 56 00:00:00,000 --> 00:00:00,000 57 00:01:32,593 --> 00:01:34,193 WRITTEN AND IT DEMONSTRATED SUCH GREAT LOVE, I GAVE THE LETTER TO MS. HORNE AND SHE WOULD LIKE YOU 58 00:00:00,000 --> 00:00:00,000 59 00:01:34,195 --> 00:01:35,794 GREAT LOVE, I GAVE THE LETTER TO MS. HORNE AND SHE WOULD LIKE YOU AND YOUR ENTIRE FAMILY TO SIT 60 00:00:00,000 --> 00:00:00,000 61 00:01:35,796 --> 00:01:37,029 MS. HORNE AND SHE WOULD LIKE YOU AND YOUR ENTIRE FAMILY TO SIT AT HER PERSONAL TABLE. 62 00:00:00,000 --> 00:00:00,000 63 00:01:37,031 --> 00:01:38,063 AND YOUR ENTIRE FAMILY TO SIT AT HER PERSONAL TABLE. >> WELL, I DON'T KNOW IF THAT'S 64 00:00:00,000 --> 00:00:00,000 65 00:01:38,065 --> 00:01:40,266 AT HER PERSONAL TABLE. >> WELL, I DON'T KNOW IF THAT'S SUCH A GOOD IDEA OR NOT BECAUSE 66 00:00:00,000 --> 00:00:00,000 67 00:01:40,268 --> 00:01:41,267 >> WELL, I DON'T KNOW IF THAT'S SUCH A GOOD IDEA OR NOT BECAUSE UM, WELL, CLIFF IS SUCH A BIG 68 00:00:00,000 --> 00:00:00,000 69 00:01:41,269 --> 00:01:42,234 SUCH A GOOD IDEA OR NOT BECAUSE UM, WELL, CLIFF IS SUCH A BIG LENA HORNE FAN, HE MIGHT TRY TO 70 00:00:00,000 --> 00:00:00,000 71 00:01:42,236 --> 00:01:43,835 UM, WELL, CLIFF IS SUCH A BIG LENA HORNE FAN, HE MIGHT TRY TO REACH OUT AND TOUCH HER. 72 00:00:00,000 --> 00:00:00,000 73 00:01:43,837 --> 00:01:44,770 LENA HORNE FAN, HE MIGHT TRY TO REACH OUT AND TOUCH HER. >> LISTEN, YOU KNOW YOU REALLY 74 00:00:00,000 --> 00:00:00,000 75 00:01:44,772 --> 00:01:45,905 REACH OUT AND TOUCH HER. >> LISTEN, YOU KNOW YOU REALLY DIDN'T HAVE TO COME DOWN HERE. 76 00:00:00,000 --> 00:00:00,000 77 00:01:45,907 --> 00:01:46,972 >> LISTEN, YOU KNOW YOU REALLY DIDN'T HAVE TO COME DOWN HERE. WE COULD HAVE MADE ALL THESE 78 00:00:00,000 --> 00:00:00,000 79 00:01:46,974 --> 00:01:47,839 DIDN'T HAVE TO COME DOWN HERE. WE COULD HAVE MADE ALL THESE ARRANGEMENTS ON THE PHONE. 80 00:00:00,000 --> 00:00:00,000 81 00:01:47,841 --> 00:01:48,774 WE COULD HAVE MADE ALL THESE ARRANGEMENTS ON THE PHONE. >> MR. THORNHILL, YOU DON'T 82 00:00:00,000 --> 00:00:00,000 83 00:01:48,776 --> 00:01:49,975 ARRANGEMENTS ON THE PHONE. >> MR. THORNHILL, YOU DON'T KNOW MY HUSBAND, MMM-MMM. 84 00:00:00,000 --> 00:00:00,000 85 00:01:49,977 --> 00:01:51,410 >> MR. THORNHILL, YOU DON'T KNOW MY HUSBAND, MMM-MMM. YOU SEE, WHEN IT COMES TO 86 00:00:00,000 --> 00:00:00,000 87 00:01:51,412 --> 00:01:52,477 KNOW MY HUSBAND, MMM-MMM. YOU SEE, WHEN IT COMES TO FINDING OUT WHAT WE'RE GETTING 88 00:00:00,000 --> 00:00:00,000 89 00:01:52,479 --> 00:01:53,345 YOU SEE, WHEN IT COMES TO FINDING OUT WHAT WE'RE GETTING FOR HIM ON HIS BIRTHDAY, THERE 90 00:00:00,000 --> 00:00:00,000 91 00:01:53,347 --> 00:01:54,313 FINDING OUT WHAT WE'RE GETTING FOR HIM ON HIS BIRTHDAY, THERE IS NOTHING THAT THE MAN 92 00:00:00,000 --> 00:00:00,000 93 00:01:54,315 --> 00:01:55,381 FOR HIM ON HIS BIRTHDAY, THERE IS NOTHING THAT THE MAN WILL NOT DO. 94 00:00:00,000 --> 00:00:00,000 95 00:01:55,383 --> 00:01:56,681 IS NOTHING THAT THE MAN WILL NOT DO. >> HE'LL EVEN INTERROGATE HIS 96 00:00:00,000 --> 00:00:00,000 97 00:01:56,683 --> 00:01:59,051 WILL NOT DO. >> HE'LL EVEN INTERROGATE HIS OWN CHILDREN. 98 00:00:00,000 --> 00:00:00,000 99 00:01:59,053 --> 00:02:01,287 >> HE'LL EVEN INTERROGATE HIS OWN CHILDREN. >> YEAH, DAD'S TRICKY. 100 00:00:00,000 --> 00:00:00,000 101 00:02:01,289 --> 00:02:02,187 OWN CHILDREN. >> YEAH, DAD'S TRICKY. >> WHY DON'T YOU PREPARE HIM 102 00:00:00,000 --> 00:00:00,000 103 00:02:02,189 --> 00:02:02,854 >> YEAH, DAD'S TRICKY. >> WHY DON'T YOU PREPARE HIM A BIG DINNER? 104 00:00:00,000 --> 00:00:00,000 105 00:02:02,856 --> 00:02:03,555 >> WHY DON'T YOU PREPARE HIM A BIG DINNER? MAKE HIM THINK HE'S STAYING 106 00:00:00,000 --> 00:00:00,000 107 00:02:03,557 --> 00:02:04,189 A BIG DINNER? MAKE HIM THINK HE'S STAYING AT HOME. 108 00:00:00,000 --> 00:00:00,000 109 00:02:04,191 --> 00:02:04,956 MAKE HIM THINK HE'S STAYING AT HOME. >> WELL, THAT'S JUST NOT SNEAKY 110 00:00:00,000 --> 00:00:00,000 111 00:02:04,958 --> 00:02:05,891 AT HOME. >> WELL, THAT'S JUST NOT SNEAKY ENOUGH FOR A MAN LIKE CLIFF. 112 00:00:00,000 --> 00:00:00,000 113 00:02:05,893 --> 00:02:07,459 >> WELL, THAT'S JUST NOT SNEAKY ENOUGH FOR A MAN LIKE CLIFF. I THINK THAT WHAT WE SHOULD DO 114 00:00:00,000 --> 00:00:00,000 115 00:02:07,461 --> 00:02:09,261 ENOUGH FOR A MAN LIKE CLIFF. I THINK THAT WHAT WE SHOULD DO IS PRETEND LIKE WE'RE MAKING HIM 116 00:00:00,000 --> 00:00:00,000 117 00:02:09,263 --> 00:02:10,929 I THINK THAT WHAT WE SHOULD DO IS PRETEND LIKE WE'RE MAKING HIM A BIG DINNER AND LET HIM FIND 118 00:00:00,000 --> 00:00:00,000 119 00:02:10,931 --> 00:02:11,897 IS PRETEND LIKE WE'RE MAKING HIM A BIG DINNER AND LET HIM FIND OUT ABOUT IT. 120 00:00:00,000 --> 00:00:00,000 121 00:02:11,899 --> 00:02:12,964 A BIG DINNER AND LET HIM FIND OUT ABOUT IT. AND THEN WHEN HE'S SITTING THERE 122 00:00:00,000 --> 00:00:00,000 123 00:02:12,966 --> 00:02:14,400 OUT ABOUT IT. AND THEN WHEN HE'S SITTING THERE BRAGGING ABOUT HOW HE'S OUTFOXED 124 00:00:00,000 --> 00:00:00,000 125 00:02:14,402 --> 00:02:16,167 AND THEN WHEN HE'S SITTING THERE BRAGGING ABOUT HOW HE'S OUTFOXED US AGAIN, WE BRING IN THE PIZZA 126 00:00:00,000 --> 00:00:00,000 127 00:02:16,169 --> 00:02:17,636 BRAGGING ABOUT HOW HE'S OUTFOXED US AGAIN, WE BRING IN THE PIZZA THAT WE SENT OUT FOR. 128 00:00:00,000 --> 00:00:00,000 129 00:02:17,638 --> 00:02:19,304 US AGAIN, WE BRING IN THE PIZZA THAT WE SENT OUT FOR. >> MUSHROOM PIZZA. 130 00:00:00,000 --> 00:00:00,000 131 00:02:19,306 --> 00:02:21,172 THAT WE SENT OUT FOR. >> MUSHROOM PIZZA. HE HATES MUSHROOM PIZZA. 132 00:00:00,000 --> 00:00:00,000 133 00:02:21,174 --> 00:02:22,941 >> MUSHROOM PIZZA. HE HATES MUSHROOM PIZZA. >> MUSHROOM PIZZA. 134 00:00:00,000 --> 00:00:00,000 135 00:02:22,943 --> 00:02:23,876 HE HATES MUSHROOM PIZZA. >> MUSHROOM PIZZA. BY THE TIME WE FINISH WITH THIS 136 00:00:00,000 --> 00:00:00,000 137 00:02:23,878 --> 00:02:24,843 >> MUSHROOM PIZZA. BY THE TIME WE FINISH WITH THIS MAN, HE WON'T KNOW WHETHER HE'S 138 00:00:00,000 --> 00:00:00,000 139 00:02:24,845 --> 00:02:26,177 BY THE TIME WE FINISH WITH THIS MAN, HE WON'T KNOW WHETHER HE'S COMING OR GOING. 140 00:00:00,000 --> 00:00:00,000 141 00:02:26,179 --> 00:02:27,145 MAN, HE WON'T KNOW WHETHER HE'S COMING OR GOING. >> NOW THAT'S A GREAT PLAN. 142 00:00:00,000 --> 00:00:00,000 143 00:02:27,147 --> 00:02:30,516 COMING OR GOING. >> NOW THAT'S A GREAT PLAN. >> MOM'S TRICKY TOO. 144 00:00:00,000 --> 00:00:00,000 145 00:02:33,986 --> 00:02:46,198 >> OH, MY BIRTHDAY PRESENT, IT IS AROUND HERE SOMEWHERE. THEY'VE HIDDEN-- 146 00:00:00,000 --> 00:00:00,000 147 00:02:46,200 --> 00:02:47,032 IT IS AROUND HERE SOMEWHERE. THEY'VE HIDDEN-- >> HELLO. 148 00:00:00,000 --> 00:00:00,000 149 00:02:47,034 --> 00:02:47,733 THEY'VE HIDDEN-- >> HELLO. >> HI, DAD. 150 00:00:00,000 --> 00:00:00,000 151 00:02:47,735 --> 00:02:49,000 >> HELLO. >> HI, DAD. >> OH, YOU ALL HOME FROM SCHOOL 152 00:00:00,000 --> 00:00:00,000 153 00:02:49,002 --> 00:02:50,235 >> HI, DAD. >> OH, YOU ALL HOME FROM SCHOOL A LITTLE LATE, AREN'T YOU? 154 00:00:00,000 --> 00:00:00,000 155 00:02:50,237 --> 00:02:51,804 >> OH, YOU ALL HOME FROM SCHOOL A LITTLE LATE, AREN'T YOU? >> UH, TRAFFIC. 156 00:00:00,000 --> 00:00:00,000 157 00:02:51,806 --> 00:02:53,071 A LITTLE LATE, AREN'T YOU? >> UH, TRAFFIC. >> AT THIS HOUR THERE 158 00:00:00,000 --> 00:00:00,000 159 00:02:53,073 --> 00:02:54,273 >> UH, TRAFFIC. >> AT THIS HOUR THERE WAS TRAFFIC? 160 00:00:00,000 --> 00:00:00,000 161 00:02:54,275 --> 00:02:56,041 >> AT THIS HOUR THERE WAS TRAFFIC? WHERE WAS THERE TRAFFIC? 162 00:00:00,000 --> 00:00:00,000 163 00:02:56,043 --> 00:02:58,043 WAS TRAFFIC? WHERE WAS THERE TRAFFIC? >> BETWEEN HOME AND SCHOOL. 164 00:00:00,000 --> 00:00:00,000 165 00:02:58,045 --> 00:02:59,812 WHERE WAS THERE TRAFFIC? >> BETWEEN HOME AND SCHOOL. >> BETWEEN HOME AND SCHOOL. 166 00:00:00,000 --> 00:00:00,000 167 00:02:59,814 --> 00:03:01,547 >> BETWEEN HOME AND SCHOOL. >> BETWEEN HOME AND SCHOOL. >> RUDY? 168 00:00:00,000 --> 00:00:00,000 169 00:03:01,549 --> 00:03:05,851 >> BETWEEN HOME AND SCHOOL. >> RUDY? >> TRAFFIC. 170 00:00:00,000 --> 00:00:00,000 171 00:03:05,853 --> 00:03:07,619 >> RUDY? >> TRAFFIC. >> VANESSA? 172 00:00:00,000 --> 00:00:00,000 173 00:03:07,621 --> 00:03:08,287 >> TRAFFIC. >> VANESSA? >> WELL I, DAD, 174 00:00:00,000 --> 00:00:00,000 175 00:03:08,289 --> 00:03:09,788 >> VANESSA? >> WELL I, DAD, I'VE GOTTA TAKE A BATH. 176 00:00:00,000 --> 00:00:00,000 177 00:03:09,790 --> 00:03:10,389 >> WELL I, DAD, I'VE GOTTA TAKE A BATH. >> I SEE. 178 00:00:00,000 --> 00:00:00,000 179 00:03:10,391 --> 00:03:11,457 I'VE GOTTA TAKE A BATH. >> I SEE. SO I CAN TAKE FOR GRANTED THAT 180 00:00:00,000 --> 00:00:00,000 181 00:03:11,459 --> 00:03:13,158 >> I SEE. SO I CAN TAKE FOR GRANTED THAT YOUR BEING LATE HAD SOMETHING TO 182 00:00:00,000 --> 00:00:00,000 183 00:03:13,160 --> 00:03:14,559 SO I CAN TAKE FOR GRANTED THAT YOUR BEING LATE HAD SOMETHING TO DO WITH MY BIRTHDAY, AM I RIGHT, 184 00:00:00,000 --> 00:00:00,000 185 00:03:14,561 --> 00:03:15,594 YOUR BEING LATE HAD SOMETHING TO DO WITH MY BIRTHDAY, AM I RIGHT, VANESSA? 186 00:00:00,000 --> 00:00:00,000 187 00:03:15,596 --> 00:03:16,695 DO WITH MY BIRTHDAY, AM I RIGHT, VANESSA? >> GOTTA TAKE A BATH. 188 00:00:00,000 --> 00:00:00,000 189 00:03:16,697 --> 00:03:17,529 VANESSA? >> GOTTA TAKE A BATH. >> RUDY? 190 00:00:00,000 --> 00:00:00,000 191 00:03:17,531 --> 00:03:20,232 >> GOTTA TAKE A BATH. >> RUDY? >> TRAFFIC. 192 00:00:00,000 --> 00:00:00,000 193 00:03:20,234 --> 00:03:21,366 >> RUDY? >> TRAFFIC. >> OKAY, SO YOU GUYS GONNA MAKE 194 00:00:00,000 --> 00:00:00,000 195 00:03:21,368 --> 00:03:22,500 >> TRAFFIC. >> OKAY, SO YOU GUYS GONNA MAKE IT TOUGH ON ME. 196 00:00:00,000 --> 00:00:00,000 197 00:03:22,502 --> 00:03:23,601 >> OKAY, SO YOU GUYS GONNA MAKE IT TOUGH ON ME. WELL, I LOVE IT. 198 00:00:00,000 --> 00:00:00,000 199 00:03:23,603 --> 00:03:25,871 IT TOUGH ON ME. WELL, I LOVE IT. THE JOY OF A BIRTHDAY IS FINDING 200 00:00:00,000 --> 00:00:00,000 201 00:03:25,873 --> 00:03:28,773 WELL, I LOVE IT. THE JOY OF A BIRTHDAY IS FINDING OUT WHAT THE PRESENT IS BEFORE 202 00:00:00,000 --> 00:00:00,000 203 00:03:28,775 --> 00:03:31,276 THE JOY OF A BIRTHDAY IS FINDING OUT WHAT THE PRESENT IS BEFORE ONE GETS IT. 204 00:00:00,000 --> 00:00:00,000 205 00:03:31,278 --> 00:03:33,745 OUT WHAT THE PRESENT IS BEFORE ONE GETS IT. AND YOU KNOW I ALWAYS DO. 206 00:00:00,000 --> 00:00:00,000 207 00:03:33,747 --> 00:03:34,980 ONE GETS IT. AND YOU KNOW I ALWAYS DO. >> NOT THIS YEAR. 208 00:00:00,000 --> 00:00:00,000 209 00:03:34,982 --> 00:03:37,983 AND YOU KNOW I ALWAYS DO. >> NOT THIS YEAR. >> [MIMICS] "NOT THIS YEAR." 210 00:00:00,000 --> 00:00:00,000 211 00:03:37,985 --> 00:03:39,417 >> NOT THIS YEAR. >> [MIMICS] "NOT THIS YEAR." YOU SAY THAT EVERY YEAR, 212 00:00:00,000 --> 00:00:00,000 213 00:03:39,419 --> 00:03:41,353 >> [MIMICS] "NOT THIS YEAR." YOU SAY THAT EVERY YEAR, AND EVERY YEAR I FIND OUT. 214 00:00:00,000 --> 00:00:00,000 215 00:03:41,355 --> 00:03:42,420 YOU SAY THAT EVERY YEAR, AND EVERY YEAR I FIND OUT. SO WHAT DO YOU WANT TO DO? 216 00:00:00,000 --> 00:00:00,000 217 00:03:42,422 --> 00:03:43,521 AND EVERY YEAR I FIND OUT. SO WHAT DO YOU WANT TO DO? YOU WANT TO TELL ME WHAT IT IS 218 00:00:00,000 --> 00:00:00,000 219 00:03:43,523 --> 00:03:45,523 SO WHAT DO YOU WANT TO DO? YOU WANT TO TELL ME WHAT IT IS NOW, SWEETY, OR DO YOU WANT ME 220 00:00:00,000 --> 00:00:00,000 221 00:03:45,525 --> 00:03:47,025 YOU WANT TO TELL ME WHAT IT IS NOW, SWEETY, OR DO YOU WANT ME TO START WORKING ON THE 222 00:00:00,000 --> 00:00:00,000 223 00:03:47,027 --> 00:03:49,527 NOW, SWEETY, OR DO YOU WANT ME TO START WORKING ON THE CHILDREN? 224 00:00:00,000 --> 00:00:00,000 225 00:03:49,529 --> 00:03:50,762 TO START WORKING ON THE CHILDREN? >> YOU CAN WORK ON WHOEVER 226 00:00:00,000 --> 00:00:00,000 227 00:03:50,764 --> 00:03:51,730 CHILDREN? >> YOU CAN WORK ON WHOEVER YOU PLEASE. 228 00:00:00,000 --> 00:00:00,000 229 00:03:51,732 --> 00:03:52,431 >> YOU CAN WORK ON WHOEVER YOU PLEASE. >> REALLY? 230 00:00:00,000 --> 00:00:00,000 231 00:03:52,433 --> 00:03:53,232 YOU PLEASE. >> REALLY? >> BUT YOU'RE NOT GONNA FIND OUT 232 00:00:00,000 --> 00:00:00,000 233 00:03:53,234 --> 00:03:56,034 >> REALLY? >> BUT YOU'RE NOT GONNA FIND OUT ANYTHING. 234 00:00:00,000 --> 00:00:00,000 235 00:03:56,036 --> 00:04:03,375 >> BUT YOU'RE NOT GONNA FIND OUT ANYTHING. >> LET THE GAMES BEGIN. 236 00:00:00,000 --> 00:00:00,000 237 00:04:17,557 --> 00:04:21,826 >> DADDY, THIS HAS NOTHING TO DO WITH YOUR BIRTHDAY. >> RIGHT. 238 00:00:00,000 --> 00:00:00,000 239 00:04:21,828 --> 00:04:23,195 TO DO WITH YOUR BIRTHDAY. >> RIGHT. >> I'M SERIOUS. 240 00:00:00,000 --> 00:00:00,000 241 00:04:23,197 --> 00:04:24,029 >> RIGHT. >> I'M SERIOUS. I'M WRITING A SONG FOR 242 00:00:00,000 --> 00:00:00,000 243 00:04:24,031 --> 00:04:24,930 >> I'M SERIOUS. I'M WRITING A SONG FOR THE SCHOOL CHOIR. 244 00:00:00,000 --> 00:00:00,000 245 00:04:24,932 --> 00:04:25,630 I'M WRITING A SONG FOR THE SCHOOL CHOIR. >> REALLY? 246 00:00:00,000 --> 00:00:00,000 247 00:04:25,632 --> 00:04:26,398 THE SCHOOL CHOIR. >> REALLY? >> YES. 248 00:00:00,000 --> 00:00:00,000 249 00:04:26,400 --> 00:04:28,200 >> REALLY? >> YES. THESE ARE LYRICS, SEE? 250 00:00:00,000 --> 00:00:00,000 251 00:04:28,202 --> 00:04:32,037 >> YES. THESE ARE LYRICS, SEE? >> OKAY, LET'S HEAR IT. 252 00:00:00,000 --> 00:00:00,000 253 00:04:32,039 --> 00:04:33,205 THESE ARE LYRICS, SEE? >> OKAY, LET'S HEAR IT. >> "NO ONE UNDERSTANDS ME. 254 00:00:00,000 --> 00:00:00,000 255 00:04:33,207 --> 00:04:35,641 >> OKAY, LET'S HEAR IT. >> "NO ONE UNDERSTANDS ME. NO ONE REALLY CARES. 256 00:00:00,000 --> 00:00:00,000 257 00:04:35,643 --> 00:04:39,044 >> "NO ONE UNDERSTANDS ME. NO ONE REALLY CARES. I'M AN ORPHAN OF THE DARKNESS, 258 00:00:00,000 --> 00:00:00,000 259 00:04:39,046 --> 00:04:44,616 NO ONE REALLY CARES. I'M AN ORPHAN OF THE DARKNESS, PRISONER OF MY TEARS. 260 00:00:00,000 --> 00:00:00,000 261 00:04:44,618 --> 00:04:47,452 I'M AN ORPHAN OF THE DARKNESS, PRISONER OF MY TEARS. I WALK ALONE IN THE RAIN, 262 00:00:00,000 --> 00:00:00,000 263 00:04:47,454 --> 00:04:50,488 PRISONER OF MY TEARS. I WALK ALONE IN THE RAIN, A DOWNPOUR OF PAIN. 264 00:00:00,000 --> 00:00:00,000 265 00:04:50,490 --> 00:04:52,457 I WALK ALONE IN THE RAIN, A DOWNPOUR OF PAIN. THE DREAMS I DREAM ARE NOT 266 00:00:00,000 --> 00:00:00,000 267 00:04:52,459 --> 00:04:54,226 A DOWNPOUR OF PAIN. THE DREAMS I DREAM ARE NOT MY OWN. 268 00:00:00,000 --> 00:00:00,000 269 00:04:54,228 --> 00:04:55,527 THE DREAMS I DREAM ARE NOT MY OWN. I WALK ALONE. 270 00:00:00,000 --> 00:00:00,000 271 00:04:55,529 --> 00:05:03,602 MY OWN. I WALK ALONE. I WALK ALONE." 272 00:00:00,000 --> 00:00:00,000 273 00:05:03,604 --> 00:05:08,307 I WALK ALONE. I WALK ALONE." SO? 274 00:00:00,000 --> 00:00:00,000 275 00:05:08,309 --> 00:05:09,274 I WALK ALONE." SO? DADDY? 276 00:00:00,000 --> 00:00:00,000 277 00:05:09,276 --> 00:05:13,912 SO? DADDY? >> "I WALK ALONE." 278 00:00:00,000 --> 00:00:00,000 279 00:05:13,914 --> 00:05:15,013 DADDY? >> "I WALK ALONE." I MEAN IS THIS WHAT YOU THINK 280 00:00:00,000 --> 00:00:00,000 281 00:05:15,015 --> 00:05:16,481 >> "I WALK ALONE." I MEAN IS THIS WHAT YOU THINK ABOUT YOUR LIFE? 282 00:00:00,000 --> 00:00:00,000 283 00:05:16,483 --> 00:05:17,750 I MEAN IS THIS WHAT YOU THINK ABOUT YOUR LIFE? >> NO, BUT YOU KNOW MY TEACHER 284 00:00:00,000 --> 00:00:00,000 285 00:05:17,752 --> 00:05:18,617 ABOUT YOUR LIFE? >> NO, BUT YOU KNOW MY TEACHER SAID WE COULDN'T WRITE ABOUT 286 00:00:00,000 --> 00:00:00,000 287 00:05:18,619 --> 00:05:19,384 >> NO, BUT YOU KNOW MY TEACHER SAID WE COULDN'T WRITE ABOUT THE GOOD STUFF LIKE 288 00:00:00,000 --> 00:00:00,000 289 00:05:19,386 --> 00:05:20,653 SAID WE COULDN'T WRITE ABOUT THE GOOD STUFF LIKE SEX AND POLITICS. 290 00:00:00,000 --> 00:00:00,000 291 00:05:20,655 --> 00:05:22,487 THE GOOD STUFF LIKE SEX AND POLITICS. >> OH, SO ALL THAT'S LEFT WAS 292 00:00:00,000 --> 00:00:00,000 293 00:05:22,489 --> 00:05:24,790 SEX AND POLITICS. >> OH, SO ALL THAT'S LEFT WAS SELF-PITY. 294 00:00:00,000 --> 00:00:00,000 295 00:05:24,792 --> 00:05:25,624 >> OH, SO ALL THAT'S LEFT WAS SELF-PITY. >> YOU DON'T LIKE IT 'CAUSE 296 00:00:00,000 --> 00:00:00,000 297 00:05:25,626 --> 00:05:26,725 SELF-PITY. >> YOU DON'T LIKE IT 'CAUSE IT'S NOT JAZZ. 298 00:00:00,000 --> 00:00:00,000 299 00:05:26,727 --> 00:05:28,493 >> YOU DON'T LIKE IT 'CAUSE IT'S NOT JAZZ. >> OKAY, HAVE YOU READ IT 300 00:00:00,000 --> 00:00:00,000 301 00:05:28,495 --> 00:05:29,628 IT'S NOT JAZZ. >> OKAY, HAVE YOU READ IT FOR YOUR BROTHER YET? 302 00:00:00,000 --> 00:00:00,000 303 00:05:29,630 --> 00:05:31,563 >> OKAY, HAVE YOU READ IT FOR YOUR BROTHER YET? >> YES, SHE DID. 304 00:00:00,000 --> 00:00:00,000 305 00:05:31,565 --> 00:05:33,498 FOR YOUR BROTHER YET? >> YES, SHE DID. I DON'T WANT TO HEAR THAT SONG 306 00:00:00,000 --> 00:00:00,000 307 00:05:33,500 --> 00:05:36,702 >> YES, SHE DID. I DON'T WANT TO HEAR THAT SONG AGAIN UNTIL I'M REALLY HAPPY. 308 00:00:00,000 --> 00:00:00,000 309 00:05:36,704 --> 00:05:37,636 I DON'T WANT TO HEAR THAT SONG AGAIN UNTIL I'M REALLY HAPPY. >> YOU KNOW THAT'S JUST WHAT 310 00:00:00,000 --> 00:00:00,000 311 00:05:37,638 --> 00:05:38,671 AGAIN UNTIL I'M REALLY HAPPY. >> YOU KNOW THAT'S JUST WHAT I LOVE ABOUT YOU GUYS, 312 00:00:00,000 --> 00:00:00,000 313 00:05:38,673 --> 00:05:40,505 >> YOU KNOW THAT'S JUST WHAT I LOVE ABOUT YOU GUYS, SO SUPPORTIVE. 314 00:00:00,000 --> 00:00:00,000 315 00:05:40,507 --> 00:05:41,306 I LOVE ABOUT YOU GUYS, SO SUPPORTIVE. >> ALL RIGHT, WELL MAYBE IT 316 00:00:00,000 --> 00:00:00,000 317 00:05:41,308 --> 00:05:43,042 SO SUPPORTIVE. >> ALL RIGHT, WELL MAYBE IT ISN'T A MAN'S SONG. 318 00:00:00,000 --> 00:00:00,000 319 00:05:43,044 --> 00:05:44,643 >> ALL RIGHT, WELL MAYBE IT ISN'T A MAN'S SONG. NOW HAVE YOU READ IT OR PLAYED 320 00:00:00,000 --> 00:00:00,000 321 00:05:44,645 --> 00:05:45,778 ISN'T A MAN'S SONG. NOW HAVE YOU READ IT OR PLAYED IT FOR YOUR MOTHER? 322 00:00:00,000 --> 00:00:00,000 323 00:05:45,780 --> 00:05:46,545 NOW HAVE YOU READ IT OR PLAYED IT FOR YOUR MOTHER? >> YES. 324 00:00:00,000 --> 00:00:00,000 325 00:05:46,547 --> 00:05:47,913 IT FOR YOUR MOTHER? >> YES. >> AND WHAT'D SHE SAY? 326 00:00:00,000 --> 00:00:00,000 327 00:05:47,915 --> 00:05:49,048 >> YES. >> AND WHAT'D SHE SAY? >> I WALK ALONE. 328 00:00:00,000 --> 00:00:00,000 329 00:05:49,050 --> 00:05:51,383 >> AND WHAT'D SHE SAY? >> I WALK ALONE. >> YES, YOU DO. 330 00:00:00,000 --> 00:00:00,000 331 00:05:51,385 --> 00:05:54,153 >> I WALK ALONE. >> YES, YOU DO. THEO, MY BOY. 332 00:00:00,000 --> 00:00:00,000 333 00:05:54,155 --> 00:05:57,756 >> YES, YOU DO. THEO, MY BOY. YOU KNOW SATURDAY'S MY BIRTHDAY. 334 00:00:00,000 --> 00:00:00,000 335 00:05:57,758 --> 00:05:59,558 THEO, MY BOY. YOU KNOW SATURDAY'S MY BIRTHDAY. I'LL BE 48 YEARS OLD. 336 00:00:00,000 --> 00:00:00,000 337 00:05:59,560 --> 00:06:00,759 YOU KNOW SATURDAY'S MY BIRTHDAY. I'LL BE 48 YEARS OLD. >> RIGHT, DAD, IT'S CIRCLED ON 338 00:00:00,000 --> 00:00:00,000 339 00:06:00,761 --> 00:06:02,061 I'LL BE 48 YEARS OLD. >> RIGHT, DAD, IT'S CIRCLED ON MY CALENDAR. 340 00:00:00,000 --> 00:00:00,000 341 00:06:02,063 --> 00:06:04,096 >> RIGHT, DAD, IT'S CIRCLED ON MY CALENDAR. >> OH, MAN, THANK YOU. 342 00:00:00,000 --> 00:00:00,000 343 00:06:04,098 --> 00:06:10,502 MY CALENDAR. >> OH, MAN, THANK YOU. >> YOU DID IT. 344 00:00:00,000 --> 00:00:00,000 345 00:06:10,504 --> 00:06:12,471 >> OH, MAN, THANK YOU. >> YOU DID IT. >> SO I KNOW THERE'S GOING TO BE 346 00:00:00,000 --> 00:00:00,000 347 00:06:12,473 --> 00:06:14,672 >> YOU DID IT. >> SO I KNOW THERE'S GOING TO BE A PRESENT FOR ME, MY BOY. 348 00:00:00,000 --> 00:00:00,000 349 00:06:14,674 --> 00:06:17,775 >> SO I KNOW THERE'S GOING TO BE A PRESENT FOR ME, MY BOY. SO WHAT IS IT? 350 00:00:00,000 --> 00:00:00,000 351 00:06:17,777 --> 00:06:18,676 A PRESENT FOR ME, MY BOY. SO WHAT IS IT? >> COME ON, DAD, YOU KNOW I 352 00:00:00,000 --> 00:00:00,000 353 00:06:18,678 --> 00:06:19,644 SO WHAT IS IT? >> COME ON, DAD, YOU KNOW I CAN'T TELL YOU. 354 00:00:00,000 --> 00:00:00,000 355 00:06:19,646 --> 00:06:21,913 >> COME ON, DAD, YOU KNOW I CAN'T TELL YOU. >> HA, HA, HA, HA, I KNOW THAT. 356 00:00:00,000 --> 00:00:00,000 357 00:06:21,915 --> 00:06:22,881 CAN'T TELL YOU. >> HA, HA, HA, HA, I KNOW THAT. HOW OLD ARE YOU NOW? 358 00:00:00,000 --> 00:00:00,000 359 00:06:22,883 --> 00:06:23,982 >> HA, HA, HA, HA, I KNOW THAT. HOW OLD ARE YOU NOW? >> FOURTEEN. 360 00:00:00,000 --> 00:00:00,000 361 00:06:23,984 --> 00:06:25,350 HOW OLD ARE YOU NOW? >> FOURTEEN. >> FOURTEEN. 362 00:00:00,000 --> 00:00:00,000 363 00:06:25,352 --> 00:06:27,986 >> FOURTEEN. >> FOURTEEN. TWO YEARS FROM NOW YOU'RE GOING 364 00:00:00,000 --> 00:00:00,000 365 00:06:27,988 --> 00:06:34,893 >> FOURTEEN. TWO YEARS FROM NOW YOU'RE GOING TO WANT A CAR. 366 00:00:00,000 --> 00:00:00,000 367 00:06:34,895 --> 00:06:36,428 TWO YEARS FROM NOW YOU'RE GOING TO WANT A CAR. I'M THE ONLY ONE WHO CAN BUY IT 368 00:00:00,000 --> 00:00:00,000 369 00:06:36,430 --> 00:06:39,264 TO WANT A CAR. I'M THE ONLY ONE WHO CAN BUY IT FOR YOU. 370 00:00:00,000 --> 00:00:00,000 371 00:06:39,266 --> 00:06:41,834 I'M THE ONLY ONE WHO CAN BUY IT FOR YOU. SO MY BOY, WHAT'S IT GONNA BE? 372 00:00:00,000 --> 00:00:00,000 373 00:06:41,836 --> 00:06:43,569 FOR YOU. SO MY BOY, WHAT'S IT GONNA BE? >> OKAY, DAD. 374 00:00:00,000 --> 00:00:00,000 375 00:06:43,571 --> 00:06:48,039 SO MY BOY, WHAT'S IT GONNA BE? >> OKAY, DAD. >> OKAY. 376 00:00:00,000 --> 00:00:00,000 377 00:06:51,478 --> 00:06:54,546 >> THIS YEAR-- >> MMM-HMM. >> EVERYONE IS PITCHIN' IN TO 378 00:00:00,000 --> 00:00:00,000 379 00:06:54,548 --> 00:06:55,681 >> MMM-HMM. >> EVERYONE IS PITCHIN' IN TO GET YOU SOMETHING YOU'RE REALLY 380 00:00:00,000 --> 00:00:00,000 381 00:06:55,683 --> 00:07:01,253 >> EVERYONE IS PITCHIN' IN TO GET YOU SOMETHING YOU'RE REALLY GONNA LOVE. 382 00:00:00,000 --> 00:00:00,000 383 00:07:01,255 --> 00:07:05,890 GET YOU SOMETHING YOU'RE REALLY GONNA LOVE. >> WELL, WHAT IS IT? 384 00:00:00,000 --> 00:00:00,000 385 00:07:08,962 --> 00:07:14,132 >> THEY WON'T TELL ME. 386 00:00:00,000 --> 00:00:00,000 387 00:07:20,473 --> 00:07:25,610 >> YOU'RE PITCHIN' IN? >> YUP. >> AND THEY WON'T TELL YOU? 388 00:00:00,000 --> 00:00:00,000 389 00:07:25,612 --> 00:07:27,346 >> YUP. >> AND THEY WON'T TELL YOU? >> I'M SERIOUS, DAD, ALL THEY 390 00:00:00,000 --> 00:00:00,000 391 00:07:27,348 --> 00:07:28,813 >> AND THEY WON'T TELL YOU? >> I'M SERIOUS, DAD, ALL THEY SAID WAS, "DO WHAT WE SAY," 392 00:00:00,000 --> 00:00:00,000 393 00:07:28,815 --> 00:07:30,415 >> I'M SERIOUS, DAD, ALL THEY SAID WAS, "DO WHAT WE SAY," AND THAT WAS IT. 394 00:00:00,000 --> 00:00:00,000 395 00:07:30,417 --> 00:07:31,549 SAID WAS, "DO WHAT WE SAY," AND THAT WAS IT. THEY KNOW I'M ALWAYS THE ONE 396 00:00:00,000 --> 00:00:00,000 397 00:07:31,551 --> 00:07:33,185 AND THAT WAS IT. THEY KNOW I'M ALWAYS THE ONE TO BREAK, SO THIS YEAR THEY'RE 398 00:00:00,000 --> 00:00:00,000 399 00:07:33,187 --> 00:07:35,787 THEY KNOW I'M ALWAYS THE ONE TO BREAK, SO THIS YEAR THEY'RE KEEPING IT FROM ME TOO. 400 00:00:00,000 --> 00:00:00,000 401 00:07:35,789 --> 00:07:36,621 TO BREAK, SO THIS YEAR THEY'RE KEEPING IT FROM ME TOO. >> WELL, I'M GONNA TELL YOU 402 00:00:00,000 --> 00:00:00,000 403 00:07:36,623 --> 00:07:37,689 KEEPING IT FROM ME TOO. >> WELL, I'M GONNA TELL YOU SOMETHING RIGHT NOW, MAN. 404 00:00:00,000 --> 00:00:00,000 405 00:07:37,691 --> 00:07:40,125 >> WELL, I'M GONNA TELL YOU SOMETHING RIGHT NOW, MAN. I THINK IT'S JUST AWFUL THAT 406 00:00:00,000 --> 00:00:00,000 407 00:07:40,127 --> 00:07:42,428 SOMETHING RIGHT NOW, MAN. I THINK IT'S JUST AWFUL THAT PEOPLE WOULD ASK YOU TO PITCH IN 408 00:00:00,000 --> 00:00:00,000 409 00:07:42,430 --> 00:07:44,763 I THINK IT'S JUST AWFUL THAT PEOPLE WOULD ASK YOU TO PITCH IN AND NOT TELL YOU WHAT IT IS. 410 00:00:00,000 --> 00:00:00,000 411 00:07:44,765 --> 00:07:48,033 PEOPLE WOULD ASK YOU TO PITCH IN AND NOT TELL YOU WHAT IT IS. AND IF IT WAS ME, I WOULD GO 412 00:00:00,000 --> 00:00:00,000 413 00:07:48,035 --> 00:07:53,305 AND NOT TELL YOU WHAT IT IS. AND IF IT WAS ME, I WOULD GO UPSTAIRS AND DEMAND TO KNOW WHAT 414 00:00:00,000 --> 00:00:00,000 415 00:07:53,307 --> 00:07:56,508 AND IF IT WAS ME, I WOULD GO UPSTAIRS AND DEMAND TO KNOW WHAT YOU ARE GETTING ME FOR MY 416 00:00:00,000 --> 00:00:00,000 417 00:07:56,510 --> 00:07:57,809 UPSTAIRS AND DEMAND TO KNOW WHAT YOU ARE GETTING ME FOR MY BIRTHDAY. 418 00:00:00,000 --> 00:00:00,000 419 00:07:57,811 --> 00:07:59,978 YOU ARE GETTING ME FOR MY BIRTHDAY. >> YOU KNOW SOMETHING, DAD? 420 00:00:00,000 --> 00:00:00,000 421 00:07:59,980 --> 00:08:06,050 BIRTHDAY. >> YOU KNOW SOMETHING, DAD? THEY SAID YOU WOULD TRY THAT. 422 00:00:00,000 --> 00:00:00,000 423 00:08:06,052 --> 00:08:07,885 >> YOU KNOW SOMETHING, DAD? THEY SAID YOU WOULD TRY THAT. >> WELL, THAT'S ALL RIGHT. 424 00:00:00,000 --> 00:00:00,000 425 00:08:07,887 --> 00:08:09,454 THEY SAID YOU WOULD TRY THAT. >> WELL, THAT'S ALL RIGHT. I'LL SIT HERE AND TAKE THIS 426 00:00:00,000 --> 00:00:00,000 427 00:08:09,456 --> 00:08:12,991 >> WELL, THAT'S ALL RIGHT. I'LL SIT HERE AND TAKE THIS ABUSE ONLY BECAUSE IT'S GOING TO 428 00:00:00,000 --> 00:00:00,000 429 00:08:12,993 --> 00:08:14,459 I'LL SIT HERE AND TAKE THIS ABUSE ONLY BECAUSE IT'S GOING TO BE MY BIRTHDAY, AND I'M GOING TO 430 00:00:00,000 --> 00:00:00,000 431 00:08:14,461 --> 00:08:16,761 ABUSE ONLY BECAUSE IT'S GOING TO BE MY BIRTHDAY, AND I'M GOING TO GET SOME PRESENTS. 432 00:00:00,000 --> 00:00:00,000 433 00:08:16,763 --> 00:08:20,765 BE MY BIRTHDAY, AND I'M GOING TO GET SOME PRESENTS. >> WELL, MAYBE. 434 00:00:00,000 --> 00:00:00,000 435 00:08:20,767 --> 00:08:21,799 GET SOME PRESENTS. >> WELL, MAYBE. >> YOU'RE GONNA LOOK FUNNY 436 00:00:00,000 --> 00:00:00,000 437 00:08:21,801 --> 00:08:25,304 >> WELL, MAYBE. >> YOU'RE GONNA LOOK FUNNY WALKING WHEN YOU'RE 23. 438 00:00:00,000 --> 00:00:00,000 439 00:08:38,751 --> 00:08:44,757 >> HE'S COMING! >> SONDRA, I WAS WRONG. YOU NEED FOUR EGGS TO MAKE 440 00:00:00,000 --> 00:00:00,000 441 00:08:44,759 --> 00:08:46,658 >> SONDRA, I WAS WRONG. YOU NEED FOUR EGGS TO MAKE A DOUBLE CHOCOLATE SOUFFLE. 442 00:00:00,000 --> 00:00:00,000 443 00:08:46,660 --> 00:08:47,626 YOU NEED FOUR EGGS TO MAKE A DOUBLE CHOCOLATE SOUFFLE. >> OKAY, MOM, 444 00:00:00,000 --> 00:00:00,000 445 00:08:47,628 --> 00:08:49,094 A DOUBLE CHOCOLATE SOUFFLE. >> OKAY, MOM, I'LL ADD ANOTHER ONE. 446 00:00:00,000 --> 00:00:00,000 447 00:08:49,096 --> 00:08:50,095 >> OKAY, MOM, I'LL ADD ANOTHER ONE. >> I CAN'T FIND THE BIG 448 00:00:00,000 --> 00:00:00,000 449 00:08:50,097 --> 00:08:51,363 I'LL ADD ANOTHER ONE. >> I CAN'T FIND THE BIG SERVING DISH. 450 00:00:00,000 --> 00:00:00,000 451 00:08:51,365 --> 00:08:52,397 >> I CAN'T FIND THE BIG SERVING DISH. >> WELL, KEEP LOOKING FOR IT 452 00:00:00,000 --> 00:00:00,000 453 00:08:52,399 --> 00:08:53,531 SERVING DISH. >> WELL, KEEP LOOKING FOR IT BECAUSE IT'S THE ONLY ONE 454 00:00:00,000 --> 00:00:00,000 455 00:08:53,533 --> 00:08:54,599 >> WELL, KEEP LOOKING FOR IT BECAUSE IT'S THE ONLY ONE LARGE ENOUGH TO HOLD 456 00:00:00,000 --> 00:00:00,000 457 00:08:54,601 --> 00:08:57,402 BECAUSE IT'S THE ONLY ONE LARGE ENOUGH TO HOLD THE BEEF WELLINGTON. 458 00:00:00,000 --> 00:00:00,000 459 00:08:57,404 --> 00:08:59,371 LARGE ENOUGH TO HOLD THE BEEF WELLINGTON. >> VANESSA, IT'S ONLY THEO. 460 00:00:00,000 --> 00:00:00,000 461 00:08:59,373 --> 00:09:02,107 THE BEEF WELLINGTON. >> VANESSA, IT'S ONLY THEO. >> I'M SORRY, I HEARD FOOTSTEPS. 462 00:00:00,000 --> 00:00:00,000 463 00:09:02,109 --> 00:09:03,976 >> VANESSA, IT'S ONLY THEO. >> I'M SORRY, I HEARD FOOTSTEPS. >> HEY, IS THIS PART OF 464 00:00:00,000 --> 00:00:00,000 465 00:09:03,978 --> 00:09:06,044 >> I'M SORRY, I HEARD FOOTSTEPS. >> HEY, IS THIS PART OF DAD'S SURPRISE? 466 00:00:00,000 --> 00:00:00,000 467 00:09:06,046 --> 00:09:09,047 >> HEY, IS THIS PART OF DAD'S SURPRISE? COME ON TELL ME. 468 00:00:00,000 --> 00:00:00,000 469 00:09:09,049 --> 00:09:10,615 DAD'S SURPRISE? COME ON TELL ME. LOOK IT'S 5 O'CLOCK NOW. 470 00:00:00,000 --> 00:00:00,000 471 00:09:10,617 --> 00:09:12,084 COME ON TELL ME. LOOK IT'S 5 O'CLOCK NOW. THERE ARE ONLY 7 HOURS LEFT 472 00:00:00,000 --> 00:00:00,000 473 00:09:12,086 --> 00:09:13,551 LOOK IT'S 5 O'CLOCK NOW. THERE ARE ONLY 7 HOURS LEFT IN DAD'S BIRTHDAY. 474 00:00:00,000 --> 00:00:00,000 475 00:09:13,553 --> 00:09:14,952 THERE ARE ONLY 7 HOURS LEFT IN DAD'S BIRTHDAY. WHEN ARE YOU TELLING ME? 476 00:00:00,000 --> 00:00:00,000 477 00:09:14,954 --> 00:09:17,956 IN DAD'S BIRTHDAY. WHEN ARE YOU TELLING ME? >> HERE HE COMES! 478 00:00:00,000 --> 00:00:00,000 479 00:09:17,958 --> 00:09:19,825 WHEN ARE YOU TELLING ME? >> HERE HE COMES! >> SONDRA, SONDRA, I WAS WRONG. 480 00:00:00,000 --> 00:00:00,000 481 00:09:19,827 --> 00:09:21,259 >> HERE HE COMES! >> SONDRA, SONDRA, I WAS WRONG. YOU NEED FOUR EGGS TO MAKE 482 00:00:00,000 --> 00:00:00,000 483 00:09:21,261 --> 00:09:22,594 >> SONDRA, SONDRA, I WAS WRONG. YOU NEED FOUR EGGS TO MAKE A DOUBLE CHOCOLATE SOUFFLE. 484 00:00:00,000 --> 00:00:00,000 485 00:09:22,596 --> 00:09:23,261 YOU NEED FOUR EGGS TO MAKE A DOUBLE CHOCOLATE SOUFFLE. >> OKAY, MOM, 486 00:00:00,000 --> 00:00:00,000 487 00:09:23,263 --> 00:09:24,362 A DOUBLE CHOCOLATE SOUFFLE. >> OKAY, MOM, I'LL ADD ANOTHER ONE. 488 00:00:00,000 --> 00:00:00,000 489 00:09:24,364 --> 00:09:26,031 >> OKAY, MOM, I'LL ADD ANOTHER ONE. >> I CAN'T FIND THE BIG 490 00:00:00,000 --> 00:00:00,000 491 00:09:26,033 --> 00:09:27,733 I'LL ADD ANOTHER ONE. >> I CAN'T FIND THE BIG SERVING DISH. 492 00:00:00,000 --> 00:00:00,000 493 00:09:27,735 --> 00:09:28,700 >> I CAN'T FIND THE BIG SERVING DISH. >> WELL, JUST KEEP LOOKING 494 00:00:00,000 --> 00:00:00,000 495 00:09:28,702 --> 00:09:29,835 SERVING DISH. >> WELL, JUST KEEP LOOKING FOR IT BECAUSE IT'S THE ONLY 496 00:00:00,000 --> 00:00:00,000 497 00:09:29,837 --> 00:09:30,836 >> WELL, JUST KEEP LOOKING FOR IT BECAUSE IT'S THE ONLY ONE LARGE ENOUGH TO HOLD 498 00:00:00,000 --> 00:00:00,000 499 00:09:30,838 --> 00:09:32,103 FOR IT BECAUSE IT'S THE ONLY ONE LARGE ENOUGH TO HOLD THE BEEF WELLINGTON. 500 00:00:00,000 --> 00:00:00,000 501 00:09:32,105 --> 00:09:33,071 ONE LARGE ENOUGH TO HOLD THE BEEF WELLINGTON. >> MOM, YOU WANT TO COME OVER 502 00:00:00,000 --> 00:00:00,000 503 00:09:33,073 --> 00:09:34,806 THE BEEF WELLINGTON. >> MOM, YOU WANT TO COME OVER AND TASTE MY GAZPACHO SOUP? 504 00:00:00,000 --> 00:00:00,000 505 00:09:34,808 --> 00:09:35,607 >> MOM, YOU WANT TO COME OVER AND TASTE MY GAZPACHO SOUP? >> IN A MINUTE. 506 00:00:00,000 --> 00:00:00,000 507 00:09:35,609 --> 00:09:36,941 AND TASTE MY GAZPACHO SOUP? >> IN A MINUTE. >> BOY, I CAN'T WAIT 'TIL DAD 508 00:00:00,000 --> 00:00:00,000 509 00:09:36,943 --> 00:09:38,243 >> IN A MINUTE. >> BOY, I CAN'T WAIT 'TIL DAD TASTES THE DRESSING IN THIS 510 00:00:00,000 --> 00:00:00,000 511 00:09:38,245 --> 00:09:39,678 >> BOY, I CAN'T WAIT 'TIL DAD TASTES THE DRESSING IN THIS CAESAR SALAD. 512 00:00:00,000 --> 00:00:00,000 513 00:09:39,680 --> 00:09:42,046 TASTES THE DRESSING IN THIS CAESAR SALAD. PLEASE HAND ME THE HOMEMADE 514 00:00:00,000 --> 00:00:00,000 515 00:09:42,048 --> 00:09:45,984 CAESAR SALAD. PLEASE HAND ME THE HOMEMADE GARLIC CROUTONS. 516 00:00:00,000 --> 00:00:00,000 517 00:09:45,986 --> 00:09:47,719 PLEASE HAND ME THE HOMEMADE GARLIC CROUTONS. >> STOP, STOP, STOP. 518 00:00:00,000 --> 00:00:00,000 519 00:09:47,721 --> 00:09:55,527 GARLIC CROUTONS. >> STOP, STOP, STOP. WE GOT HIM. 520 00:00:00,000 --> 00:00:00,000 521 00:09:55,529 --> 00:09:58,197 >> STOP, STOP, STOP. WE GOT HIM. CLIFF. 522 00:00:00,000 --> 00:00:00,000 523 00:09:58,199 --> 00:09:59,898 WE GOT HIM. CLIFF. UH-UH, UH-UH, CLIFF. 524 00:00:00,000 --> 00:00:00,000 525 00:09:59,900 --> 00:10:00,899 CLIFF. UH-UH, UH-UH, CLIFF. YOU DID NOT SEE THAT. 526 00:00:00,000 --> 00:00:00,000 527 00:10:00,901 --> 00:10:06,204 UH-UH, UH-UH, CLIFF. YOU DID NOT SEE THAT. NO, NO, YOU DID NOT SEE THAT. 528 00:00:00,000 --> 00:00:00,000 529 00:10:06,206 --> 00:10:09,841 YOU DID NOT SEE THAT. NO, NO, YOU DID NOT SEE THAT. >> YES, I DID. 530 00:00:00,000 --> 00:00:00,000 531 00:10:09,843 --> 00:10:10,675 NO, NO, YOU DID NOT SEE THAT. >> YES, I DID. >> CLIFF THOSE KIDS HAVE BEEN IN 532 00:00:00,000 --> 00:00:00,000 533 00:10:10,677 --> 00:10:11,542 >> YES, I DID. >> CLIFF THOSE KIDS HAVE BEEN IN THERE WORKING THEIR HEARTS OUT 534 00:00:00,000 --> 00:00:00,000 535 00:10:11,544 --> 00:10:12,577 >> CLIFF THOSE KIDS HAVE BEEN IN THERE WORKING THEIR HEARTS OUT TRYING TO PREPARE A SURPRISE 536 00:00:00,000 --> 00:00:00,000 537 00:10:12,579 --> 00:10:13,511 THERE WORKING THEIR HEARTS OUT TRYING TO PREPARE A SURPRISE DINNER FOR YOU. 538 00:00:00,000 --> 00:00:00,000 539 00:10:13,513 --> 00:10:14,612 TRYING TO PREPARE A SURPRISE DINNER FOR YOU. NOW YOU DID NOT SEE THAT. 540 00:00:00,000 --> 00:00:00,000 541 00:10:14,614 --> 00:10:15,613 DINNER FOR YOU. NOW YOU DID NOT SEE THAT. IF THEY KNEW YOU FOUND OUT, 542 00:00:00,000 --> 00:00:00,000 543 00:10:15,615 --> 00:10:16,848 NOW YOU DID NOT SEE THAT. IF THEY KNEW YOU FOUND OUT, THEY'D BE CRUSHED. 544 00:00:00,000 --> 00:00:00,000 545 00:10:16,850 --> 00:10:22,420 IF THEY KNEW YOU FOUND OUT, THEY'D BE CRUSHED. >> MY LIPS ARE SEALED. 546 00:00:00,000 --> 00:00:00,000 547 00:10:22,422 --> 00:10:23,288 THEY'D BE CRUSHED. >> MY LIPS ARE SEALED. >> NOW SOMEHOW I'M SUPPOSED TO 548 00:00:00,000 --> 00:00:00,000 549 00:10:23,290 --> 00:10:24,489 >> MY LIPS ARE SEALED. >> NOW SOMEHOW I'M SUPPOSED TO TRICK YOU INTO GETTING YOU ALL 550 00:00:00,000 --> 00:00:00,000 551 00:10:24,491 --> 00:10:26,158 >> NOW SOMEHOW I'M SUPPOSED TO TRICK YOU INTO GETTING YOU ALL DRESSED UP INTO YOUR TUXEDO AND 552 00:00:00,000 --> 00:00:00,000 553 00:10:26,160 --> 00:10:27,593 TRICK YOU INTO GETTING YOU ALL DRESSED UP INTO YOUR TUXEDO AND GET YOU DOWN TO THE DINING ROOM 554 00:00:00,000 --> 00:00:00,000 555 00:10:27,595 --> 00:10:28,793 DRESSED UP INTO YOUR TUXEDO AND GET YOU DOWN TO THE DINING ROOM IN ABOUT HALF AN HOUR. 556 00:00:00,000 --> 00:00:00,000 557 00:10:28,795 --> 00:10:31,530 GET YOU DOWN TO THE DINING ROOM IN ABOUT HALF AN HOUR. >> CONSIDER ME TRICKED. 558 00:00:00,000 --> 00:00:00,000 559 00:10:31,532 --> 00:10:34,867 IN ABOUT HALF AN HOUR. >> CONSIDER ME TRICKED. BUT LET THE RECORD SHOW THAT I 560 00:00:00,000 --> 00:00:00,000 561 00:10:34,869 --> 00:10:37,035 >> CONSIDER ME TRICKED. BUT LET THE RECORD SHOW THAT I FOUND OUT ABOUT MY PRESENT AHEAD 562 00:00:00,000 --> 00:00:00,000 563 00:10:37,037 --> 00:10:41,740 BUT LET THE RECORD SHOW THAT I FOUND OUT ABOUT MY PRESENT AHEAD OF TIME. 564 00:00:00,000 --> 00:00:00,000 565 00:10:41,742 --> 00:10:46,178 FOUND OUT ABOUT MY PRESENT AHEAD OF TIME. >> YOU'RE DESPICABLE. 566 00:00:00,000 --> 00:00:00,000 567 00:10:46,180 --> 00:10:47,812 OF TIME. >> YOU'RE DESPICABLE. I GOTTA ADMIT IT, CLIFF, YOU ARE 568 00:00:00,000 --> 00:00:00,000 569 00:10:47,814 --> 00:10:52,784 >> YOU'RE DESPICABLE. I GOTTA ADMIT IT, CLIFF, YOU ARE SMARTER THAN THE REST OF US. 570 00:00:00,000 --> 00:00:00,000 571 00:11:03,429 --> 00:11:09,935 >> DEAR? >> YES. >> I JUST LOVE CROUTONS. 572 00:00:00,000 --> 00:00:00,000 573 00:11:09,937 --> 00:11:12,537 >> YES. >> I JUST LOVE CROUTONS. >> AND DEAR, I JUST CAN'T WAIT 574 00:00:00,000 --> 00:00:00,000 575 00:11:12,539 --> 00:11:15,273 >> I JUST LOVE CROUTONS. >> AND DEAR, I JUST CAN'T WAIT UNTIL I CHEW ON MY 576 00:00:00,000 --> 00:00:00,000 577 00:11:15,275 --> 00:11:18,577 >> AND DEAR, I JUST CAN'T WAIT UNTIL I CHEW ON MY BEEF WELLINGTON. 578 00:00:00,000 --> 00:00:00,000 579 00:11:18,579 --> 00:11:19,344 UNTIL I CHEW ON MY BEEF WELLINGTON. AND DEAR, 580 00:00:00,000 --> 00:00:00,000 581 00:11:19,346 --> 00:11:23,682 BEEF WELLINGTON. AND DEAR, I JUST LOVE GAZPACHO SOUP. 582 00:00:00,000 --> 00:00:00,000 583 00:11:29,655 --> 00:11:33,825 >> WHEN IS SOMEONE GONNA TELL ME WHAT'S GOING ON? >> YOU'LL FIND OUT WHEN DAD 584 00:00:00,000 --> 00:00:00,000 585 00:11:33,827 --> 00:11:34,659 WHAT'S GOING ON? >> YOU'LL FIND OUT WHEN DAD DOES. 586 00:00:00,000 --> 00:00:00,000 587 00:11:34,661 --> 00:11:35,426 >> YOU'LL FIND OUT WHEN DAD DOES. >> ALL RIGHT, CLIFF, 588 00:00:00,000 --> 00:00:00,000 589 00:11:35,428 --> 00:11:37,996 DOES. >> ALL RIGHT, CLIFF, KEEP THOSE EYES CLOSED. 590 00:00:00,000 --> 00:00:00,000 591 00:11:37,998 --> 00:11:39,130 >> ALL RIGHT, CLIFF, KEEP THOSE EYES CLOSED. ALL RIGHT, I GOT YA NOW. 592 00:00:00,000 --> 00:00:00,000 593 00:11:39,132 --> 00:11:40,465 KEEP THOSE EYES CLOSED. ALL RIGHT, I GOT YA NOW. THERE YOU GO. 594 00:00:00,000 --> 00:00:00,000 595 00:11:40,467 --> 00:11:41,299 ALL RIGHT, I GOT YA NOW. THERE YOU GO. HERE. 596 00:00:00,000 --> 00:00:00,000 597 00:11:41,301 --> 00:11:42,067 THERE YOU GO. HERE. ALL RIGHT? 598 00:00:00,000 --> 00:00:00,000 599 00:11:42,069 --> 00:11:42,767 HERE. ALL RIGHT? >> SIT DOWN? 600 00:00:00,000 --> 00:00:00,000 601 00:11:42,769 --> 00:11:43,668 ALL RIGHT? >> SIT DOWN? >> IF YOU LIKE. 602 00:00:00,000 --> 00:00:00,000 603 00:11:43,670 --> 00:11:44,402 >> SIT DOWN? >> IF YOU LIKE. >> ALL RIGHT. 604 00:00:00,000 --> 00:00:00,000 605 00:11:44,404 --> 00:11:45,036 >> IF YOU LIKE. >> ALL RIGHT. >> YOU READY? 606 00:00:00,000 --> 00:00:00,000 607 00:11:45,038 --> 00:11:45,804 >> ALL RIGHT. >> YOU READY? >> UH-HUH. 608 00:00:00,000 --> 00:00:00,000 609 00:11:45,806 --> 00:11:47,538 >> YOU READY? >> UH-HUH. >> OPEN YOUR EYES. 610 00:00:00,000 --> 00:00:00,000 611 00:11:47,540 --> 00:11:48,773 >> UH-HUH. >> OPEN YOUR EYES. >> SURPRISE! 612 00:00:00,000 --> 00:00:00,000 613 00:11:48,775 --> 00:11:50,842 >> OPEN YOUR EYES. >> SURPRISE! >> OH, IS THIS FOR ME? 614 00:00:00,000 --> 00:00:00,000 615 00:11:50,844 --> 00:11:52,276 >> SURPRISE! >> OH, IS THIS FOR ME? GOLLY, I NEVER WOULD HAVE 616 00:00:00,000 --> 00:00:00,000 617 00:11:52,278 --> 00:11:54,012 >> OH, IS THIS FOR ME? GOLLY, I NEVER WOULD HAVE GUESSED THIS. 618 00:00:00,000 --> 00:00:00,000 619 00:11:54,014 --> 00:11:54,812 GOLLY, I NEVER WOULD HAVE GUESSED THIS. >> HOPE YOU'RE HUNGRY. 620 00:00:00,000 --> 00:00:00,000 621 00:11:54,814 --> 00:11:56,014 GUESSED THIS. >> HOPE YOU'RE HUNGRY. >> OH, I CAN'T WAY. 622 00:00:00,000 --> 00:00:00,000 623 00:11:56,016 --> 00:11:58,683 >> HOPE YOU'RE HUNGRY. >> OH, I CAN'T WAY. >> SO DAD, THE BIG 4-8, 624 00:00:00,000 --> 00:00:00,000 625 00:11:58,685 --> 00:11:59,751 >> OH, I CAN'T WAY. >> SO DAD, THE BIG 4-8, HOW DOES IT FEEL? 626 00:00:00,000 --> 00:00:00,000 627 00:11:59,753 --> 00:12:01,319 >> SO DAD, THE BIG 4-8, HOW DOES IT FEEL? >> NEVER FELT BETTER. 628 00:00:00,000 --> 00:00:00,000 629 00:12:01,321 --> 00:12:02,220 HOW DOES IT FEEL? >> NEVER FELT BETTER. >> OH, I'M GLAD TO HEAR YOU SAY 630 00:00:00,000 --> 00:00:00,000 631 00:12:02,222 --> 00:12:02,754 >> NEVER FELT BETTER. >> OH, I'M GLAD TO HEAR YOU SAY THAT. 632 00:00:00,000 --> 00:00:00,000 633 00:12:02,756 --> 00:12:03,621 >> OH, I'M GLAD TO HEAR YOU SAY THAT. YOU KNOW, 48 COULD BE A VERY 634 00:00:00,000 --> 00:00:00,000 635 00:12:03,623 --> 00:12:04,956 THAT. YOU KNOW, 48 COULD BE A VERY TOUGH AGE FOR A MAN. 636 00:00:00,000 --> 00:00:00,000 637 00:12:04,958 --> 00:12:06,024 YOU KNOW, 48 COULD BE A VERY TOUGH AGE FOR A MAN. IT'S TRADITIONALLY THE TIME 638 00:00:00,000 --> 00:00:00,000 639 00:12:06,026 --> 00:12:08,460 TOUGH AGE FOR A MAN. IT'S TRADITIONALLY THE TIME THAT THE MIDLIFE CRISIS SETS IN. 640 00:00:00,000 --> 00:00:00,000 641 00:12:08,462 --> 00:12:09,361 IT'S TRADITIONALLY THE TIME THAT THE MIDLIFE CRISIS SETS IN. >> REALLY? 642 00:00:00,000 --> 00:00:00,000 643 00:12:09,363 --> 00:12:10,828 THAT THE MIDLIFE CRISIS SETS IN. >> REALLY? >> YEAH, IT'S BASIC PSYCHOLOGY, 644 00:00:00,000 --> 00:00:00,000 645 00:12:10,830 --> 00:12:11,596 >> REALLY? >> YEAH, IT'S BASIC PSYCHOLOGY, DENISE. 646 00:00:00,000 --> 00:00:00,000 647 00:12:11,598 --> 00:12:12,730 >> YEAH, IT'S BASIC PSYCHOLOGY, DENISE. A MAN REACHES DAD'S AGE, 648 00:00:00,000 --> 00:00:00,000 649 00:12:12,732 --> 00:12:13,965 DENISE. A MAN REACHES DAD'S AGE, AND HE LOOKS BACK AND HE SEES 650 00:00:00,000 --> 00:00:00,000 651 00:12:13,967 --> 00:12:15,467 A MAN REACHES DAD'S AGE, AND HE LOOKS BACK AND HE SEES ALMOST HALF A CENTURY GONE. 652 00:00:00,000 --> 00:00:00,000 653 00:12:15,469 --> 00:12:17,002 AND HE LOOKS BACK AND HE SEES ALMOST HALF A CENTURY GONE. AND THEN HE LOOKS AHEAD AND HE 654 00:00:00,000 --> 00:00:00,000 655 00:12:17,004 --> 00:12:18,436 ALMOST HALF A CENTURY GONE. AND THEN HE LOOKS AHEAD AND HE REALIZES THAT HE HAS LESS THAN 656 00:00:00,000 --> 00:00:00,000 657 00:12:18,438 --> 00:12:25,877 AND THEN HE LOOKS AHEAD AND HE REALIZES THAT HE HAS LESS THAN A THIRD OF HIS LIFE LEFT. 658 00:00:00,000 --> 00:00:00,000 659 00:12:25,879 --> 00:12:26,878 REALIZES THAT HE HAS LESS THAN A THIRD OF HIS LIFE LEFT. >> SONDRA, I THINK YOU OUGHT 660 00:00:00,000 --> 00:00:00,000 661 00:12:26,880 --> 00:12:28,213 A THIRD OF HIS LIFE LEFT. >> SONDRA, I THINK YOU OUGHT TO GET A JOB WRITING BIRTHDAY 662 00:00:00,000 --> 00:00:00,000 663 00:12:28,215 --> 00:12:31,683 >> SONDRA, I THINK YOU OUGHT TO GET A JOB WRITING BIRTHDAY CARDS. 664 00:00:00,000 --> 00:00:00,000 665 00:12:31,685 --> 00:12:33,852 TO GET A JOB WRITING BIRTHDAY CARDS. >> DINNER IS SERVED. 666 00:00:00,000 --> 00:00:00,000 667 00:12:33,854 --> 00:12:34,820 CARDS. >> DINNER IS SERVED. >> ALL RIGHT. 668 00:00:00,000 --> 00:00:00,000 669 00:12:34,822 --> 00:12:36,054 >> DINNER IS SERVED. >> ALL RIGHT. >> SURPRISE! 670 00:00:00,000 --> 00:00:00,000 671 00:12:36,056 --> 00:12:36,888 >> ALL RIGHT. >> SURPRISE! >> PIZZA! 672 00:00:00,000 --> 00:00:00,000 673 00:12:36,890 --> 00:12:38,256 >> SURPRISE! >> PIZZA! IT'S PIZZA, DAD! 674 00:00:00,000 --> 00:00:00,000 675 00:12:38,258 --> 00:12:43,428 >> PIZZA! IT'S PIZZA, DAD! >> HAPPY BIRTHDAY. 676 00:00:00,000 --> 00:00:00,000 677 00:12:43,430 --> 00:12:45,397 IT'S PIZZA, DAD! >> HAPPY BIRTHDAY. >> YEAH, YEAH, HA, HA, HA, HA. 678 00:00:00,000 --> 00:00:00,000 679 00:12:45,399 --> 00:12:47,833 >> HAPPY BIRTHDAY. >> YEAH, YEAH, HA, HA, HA, HA. OKAY, YEAH, I KNOW YOU BETTER 680 00:00:00,000 --> 00:00:00,000 681 00:12:47,835 --> 00:12:52,303 >> YEAH, YEAH, HA, HA, HA, HA. OKAY, YEAH, I KNOW YOU BETTER TAKE THAT OUT OF HERE. 682 00:00:00,000 --> 00:00:00,000 683 00:12:52,305 --> 00:12:53,538 OKAY, YEAH, I KNOW YOU BETTER TAKE THAT OUT OF HERE. >> COME ON, CLIFF. 684 00:00:00,000 --> 00:00:00,000 685 00:12:53,540 --> 00:12:54,506 TAKE THAT OUT OF HERE. >> COME ON, CLIFF. >> NO, NO, NO, I'M NOT GOIN' 686 00:00:00,000 --> 00:00:00,000 687 00:12:54,508 --> 00:12:55,807 >> COME ON, CLIFF. >> NO, NO, NO, I'M NOT GOIN' FOR NO PIZZA. 688 00:00:00,000 --> 00:00:00,000 689 00:12:55,809 --> 00:12:57,376 >> NO, NO, NO, I'M NOT GOIN' FOR NO PIZZA. NO, COME ON, YOU ALL CAN STOP 690 00:00:00,000 --> 00:00:00,000 691 00:12:57,378 --> 00:12:59,244 FOR NO PIZZA. NO, COME ON, YOU ALL CAN STOP FOOLING AROUND RIGHT NOW. 692 00:00:00,000 --> 00:00:00,000 693 00:12:59,246 --> 00:13:00,679 NO, COME ON, YOU ALL CAN STOP FOOLING AROUND RIGHT NOW. NOW COME ON, BRING OUT 694 00:00:00,000 --> 00:00:00,000 695 00:13:00,681 --> 00:13:03,281 FOOLING AROUND RIGHT NOW. NOW COME ON, BRING OUT THE CROUTONS AND THE GAZPACHO. 696 00:00:00,000 --> 00:00:00,000 697 00:13:03,283 --> 00:13:04,082 NOW COME ON, BRING OUT THE CROUTONS AND THE GAZPACHO. COME ON. 698 00:00:00,000 --> 00:00:00,000 699 00:13:04,084 --> 00:13:07,952 THE CROUTONS AND THE GAZPACHO. COME ON. I DON'T WANT NO PIZZA. 700 00:00:00,000 --> 00:00:00,000 701 00:13:07,954 --> 00:13:11,322 COME ON. I DON'T WANT NO PIZZA. NO, NO, NO, NO, BEEF WELLINGTON. 702 00:00:00,000 --> 00:00:00,000 703 00:13:11,324 --> 00:13:12,557 I DON'T WANT NO PIZZA. NO, NO, NO, NO, BEEF WELLINGTON. BEEF WELLINGTON. 704 00:00:00,000 --> 00:00:00,000 705 00:13:12,559 --> 00:13:13,558 NO, NO, NO, NO, BEEF WELLINGTON. BEEF WELLINGTON. >> IS THAT ANY WAY TO BEHAVE ON 706 00:00:00,000 --> 00:00:00,000 707 00:13:13,560 --> 00:13:15,293 BEEF WELLINGTON. >> IS THAT ANY WAY TO BEHAVE ON YOUR BIRTHDAY? 708 00:00:00,000 --> 00:00:00,000 709 00:13:15,295 --> 00:13:17,162 >> IS THAT ANY WAY TO BEHAVE ON YOUR BIRTHDAY? >> COME ON, GET IT OUT HERE. 710 00:00:00,000 --> 00:00:00,000 711 00:13:17,164 --> 00:13:18,263 YOUR BIRTHDAY? >> COME ON, GET IT OUT HERE. >> CLIFF, YOU BETTER HURRY UP 712 00:00:00,000 --> 00:00:00,000 713 00:13:18,265 --> 00:13:21,333 >> COME ON, GET IT OUT HERE. >> CLIFF, YOU BETTER HURRY UP AND EAT THIS FOOD. 714 00:00:00,000 --> 00:00:00,000 715 00:13:21,335 --> 00:13:22,501 >> CLIFF, YOU BETTER HURRY UP AND EAT THIS FOOD. >> CLIFF, THIS IS IT. 716 00:00:00,000 --> 00:00:00,000 717 00:13:22,503 --> 00:13:23,401 AND EAT THIS FOOD. >> CLIFF, THIS IS IT. >> WE GOT HIM. 718 00:00:00,000 --> 00:00:00,000 719 00:13:23,403 --> 00:13:26,404 >> CLIFF, THIS IS IT. >> WE GOT HIM. >> WE GOT HIM GOOD. 720 00:00:00,000 --> 00:00:00,000 721 00:13:26,406 --> 00:13:28,106 >> WE GOT HIM. >> WE GOT HIM GOOD. >> CLIFF, THIS IS IT NOW. 722 00:00:00,000 --> 00:00:00,000 723 00:13:28,108 --> 00:13:29,307 >> WE GOT HIM GOOD. >> CLIFF, THIS IS IT NOW. >> COME ON, NOW WHERE DID YOU 724 00:00:00,000 --> 00:00:00,000 725 00:13:29,309 --> 00:13:31,176 >> CLIFF, THIS IS IT NOW. >> COME ON, NOW WHERE DID YOU ALL HIDE THE BEEF WELLINGTON? 726 00:00:00,000 --> 00:00:00,000 727 00:13:31,178 --> 00:13:32,310 >> COME ON, NOW WHERE DID YOU ALL HIDE THE BEEF WELLINGTON? >> CLIFF, PLEASE, HURRY UP AND 728 00:00:00,000 --> 00:00:00,000 729 00:13:32,312 --> 00:13:33,278 ALL HIDE THE BEEF WELLINGTON? >> CLIFF, PLEASE, HURRY UP AND EAT YOUR PIZZA BECAUSE THERE'S 730 00:00:00,000 --> 00:00:00,000 731 00:13:33,280 --> 00:13:34,546 >> CLIFF, PLEASE, HURRY UP AND EAT YOUR PIZZA BECAUSE THERE'S MORE. 732 00:00:00,000 --> 00:00:00,000 733 00:13:34,548 --> 00:13:35,647 EAT YOUR PIZZA BECAUSE THERE'S MORE. AFTER THIS WE'RE TAKING YOU 734 00:00:00,000 --> 00:00:00,000 735 00:13:35,649 --> 00:13:36,448 MORE. AFTER THIS WE'RE TAKING YOU SOMEPLACE. 736 00:00:00,000 --> 00:00:00,000 737 00:13:36,450 --> 00:13:37,382 AFTER THIS WE'RE TAKING YOU SOMEPLACE. >> OH REALLY? 738 00:00:00,000 --> 00:00:00,000 739 00:13:37,384 --> 00:13:38,383 SOMEPLACE. >> OH REALLY? WHERE ARE YOU TAKING ME, 740 00:00:00,000 --> 00:00:00,000 741 00:13:38,385 --> 00:13:43,354 >> OH REALLY? WHERE ARE YOU TAKING ME, DOWN TO THE CITY DUMP? 742 00:00:00,000 --> 00:00:00,000 743 00:14:00,071 --> 00:14:09,046 >> WOW, DAD. WAIT 'TIL YOU SEE THIS PLACE. >> OH, YEAH? 744 00:00:00,000 --> 00:00:00,000 745 00:14:09,048 --> 00:14:11,582 WAIT 'TIL YOU SEE THIS PLACE. >> OH, YEAH? WELL, I SMELL CANDLES. 746 00:00:00,000 --> 00:00:00,000 747 00:14:11,584 --> 00:14:12,683 >> OH, YEAH? WELL, I SMELL CANDLES. I HEAR PEOPLE. 748 00:00:00,000 --> 00:00:00,000 749 00:14:12,685 --> 00:14:15,285 WELL, I SMELL CANDLES. I HEAR PEOPLE. MUST BE IN A FUNERAL PARLOR. 750 00:00:00,000 --> 00:00:00,000 751 00:14:15,287 --> 00:14:17,821 I HEAR PEOPLE. MUST BE IN A FUNERAL PARLOR. >> WRONG! 752 00:00:00,000 --> 00:00:00,000 753 00:14:17,823 --> 00:14:19,790 MUST BE IN A FUNERAL PARLOR. >> WRONG! >> [MUSIC] LADIES AND GENTLEMEN, 754 00:00:00,000 --> 00:00:00,000 755 00:14:19,792 --> 00:14:21,659 >> WRONG! >> [MUSIC] LADIES AND GENTLEMEN, THE CLUB PREMIERE IS PROUD 756 00:00:00,000 --> 00:00:00,000 757 00:14:21,661 --> 00:14:28,799 >> [MUSIC] LADIES AND GENTLEMEN, THE CLUB PREMIERE IS PROUD TO PRESENT LENA HORNE! 758 00:00:00,000 --> 00:00:00,000 759 00:14:45,917 --> 00:14:51,588 >> LOOK AT YOU. YOU KNOW YOU SITTIN' AT MY PERSONAL TABLE? 760 00:00:00,000 --> 00:00:00,000 761 00:14:51,590 --> 00:14:52,589 YOU KNOW YOU SITTIN' AT MY PERSONAL TABLE? I DON'T LET JUST ANYBODY 762 00:00:00,000 --> 00:00:00,000 763 00:14:52,591 --> 00:14:53,924 AT MY PERSONAL TABLE? I DON'T LET JUST ANYBODY SIT HERE. 764 00:00:00,000 --> 00:00:00,000 765 00:14:53,926 --> 00:14:55,926 I DON'T LET JUST ANYBODY SIT HERE. I LET DIPLOMATS AND POTENTATES 766 00:00:00,000 --> 00:00:00,000 767 00:14:55,928 --> 00:14:58,128 SIT HERE. I LET DIPLOMATS AND POTENTATES AND BIRTHDAY BOYS. 768 00:00:00,000 --> 00:00:00,000 769 00:14:58,130 --> 00:14:59,629 I LET DIPLOMATS AND POTENTATES AND BIRTHDAY BOYS. YOU DON'T LOOK LIKE NO DIPLOMAT, 770 00:00:00,000 --> 00:00:00,000 771 00:14:59,631 --> 00:15:04,902 AND BIRTHDAY BOYS. YOU DON'T LOOK LIKE NO DIPLOMAT, AND YOU AIN'T NO POTENTATE. 772 00:00:00,000 --> 00:00:00,000 773 00:15:04,904 --> 00:15:06,170 YOU DON'T LOOK LIKE NO DIPLOMAT, AND YOU AIN'T NO POTENTATE. I'M JUST JOKING. 774 00:00:00,000 --> 00:00:00,000 775 00:15:06,172 --> 00:15:07,737 AND YOU AIN'T NO POTENTATE. I'M JUST JOKING. I KNOW ALL ABOUT IT. 776 00:00:00,000 --> 00:00:00,000 777 00:15:07,739 --> 00:15:10,507 I'M JUST JOKING. I KNOW ALL ABOUT IT. THIS IS DR. HEATHCLIFF 778 00:00:00,000 --> 00:00:00,000 779 00:15:10,509 --> 00:15:14,378 I KNOW ALL ABOUT IT. THIS IS DR. HEATHCLIFF HUX--TABLE, HU--HU-- 780 00:00:00,000 --> 00:00:00,000 781 00:15:14,380 --> 00:15:15,846 THIS IS DR. HEATHCLIFF HUX--TABLE, HU--HU-- >> HUXTABLE! 782 00:00:00,000 --> 00:00:00,000 783 00:15:15,848 --> 00:15:17,114 HUX--TABLE, HU--HU-- >> HUXTABLE! >> WHATEVER. 784 00:00:00,000 --> 00:00:00,000 785 00:15:17,116 --> 00:15:19,750 >> HUXTABLE! >> WHATEVER. ANYWAY, I HOPE HE APPRECIATES 786 00:00:00,000 --> 00:00:00,000 787 00:15:19,752 --> 00:15:21,084 >> WHATEVER. ANYWAY, I HOPE HE APPRECIATES EVERYTHING HIS WIFE DID TO MAKE 788 00:00:00,000 --> 00:00:00,000 789 00:15:21,086 --> 00:15:24,054 ANYWAY, I HOPE HE APPRECIATES EVERYTHING HIS WIFE DID TO MAKE THIS POSSIBLE TONIGHT. 790 00:00:00,000 --> 00:00:00,000 791 00:15:24,056 --> 00:15:29,026 EVERYTHING HIS WIFE DID TO MAKE THIS POSSIBLE TONIGHT. YOU BETTER KISS HER HAND. 792 00:00:00,000 --> 00:00:00,000 793 00:15:29,028 --> 00:15:30,494 THIS POSSIBLE TONIGHT. YOU BETTER KISS HER HAND. I WANT TO TELL YOU SOMETHING, 794 00:00:00,000 --> 00:00:00,000 795 00:15:30,496 --> 00:15:31,362 YOU BETTER KISS HER HAND. I WANT TO TELL YOU SOMETHING, I AIN'T GONNA SING 796 00:00:00,000 --> 00:00:00,000 797 00:15:31,364 --> 00:15:33,030 I WANT TO TELL YOU SOMETHING, I AIN'T GONNA SING "HAPPY BIRTHDAY" TO YOU. 798 00:00:00,000 --> 00:00:00,000 799 00:15:33,032 --> 00:15:33,830 I AIN'T GONNA SING "HAPPY BIRTHDAY" TO YOU. ANYBODY CAN SING 800 00:00:00,000 --> 00:00:00,000 801 00:15:33,832 --> 00:15:35,199 "HAPPY BIRTHDAY" TO YOU. ANYBODY CAN SING "HAPPY BIRTHDAY." 802 00:00:00,000 --> 00:00:00,000 803 00:15:35,201 --> 00:15:37,601 ANYBODY CAN SING "HAPPY BIRTHDAY." I HAVE IN MIND ANOTHER SONG, 804 00:00:00,000 --> 00:00:00,000 805 00:15:37,603 --> 00:15:39,170 "HAPPY BIRTHDAY." I HAVE IN MIND ANOTHER SONG, IT'S A KIND OF OLD SONG, BUT 806 00:00:00,000 --> 00:00:00,000 807 00:15:39,172 --> 00:15:40,538 I HAVE IN MIND ANOTHER SONG, IT'S A KIND OF OLD SONG, BUT I THINK YOU KNOW BY NOW LOOKING 808 00:00:00,000 --> 00:00:00,000 809 00:15:40,540 --> 00:15:44,107 IT'S A KIND OF OLD SONG, BUT I THINK YOU KNOW BY NOW LOOKING AT ME I LIKE OLD SONGS. 810 00:00:00,000 --> 00:00:00,000 811 00:15:44,109 --> 00:15:45,108 I THINK YOU KNOW BY NOW LOOKING AT ME I LIKE OLD SONGS. AIN'T NOTHING WRONG WITH 812 00:00:00,000 --> 00:00:00,000 813 00:15:45,110 --> 00:15:46,043 AT ME I LIKE OLD SONGS. AIN'T NOTHING WRONG WITH THE NEW ONES. 814 00:00:00,000 --> 00:00:00,000 815 00:15:46,045 --> 00:15:47,578 AIN'T NOTHING WRONG WITH THE NEW ONES. SOME OF 'EM ARE FANTASTIC, 816 00:00:00,000 --> 00:00:00,000 817 00:15:47,580 --> 00:15:49,079 THE NEW ONES. SOME OF 'EM ARE FANTASTIC, BUT THEN THERE ARE THE OTHERS 818 00:00:00,000 --> 00:00:00,000 819 00:15:49,081 --> 00:15:55,686 SOME OF 'EM ARE FANTASTIC, BUT THEN THERE ARE THE OTHERS THE ONES THAT SAY, "OH, BABY. 820 00:00:00,000 --> 00:00:00,000 821 00:15:55,688 --> 00:15:57,754 BUT THEN THERE ARE THE OTHERS THE ONES THAT SAY, "OH, BABY. MY BABY. 822 00:00:00,000 --> 00:00:00,000 823 00:15:57,756 --> 00:16:01,492 THE ONES THAT SAY, "OH, BABY. MY BABY. WHEN, BABY? 824 00:00:00,000 --> 00:00:00,000 825 00:16:01,494 --> 00:16:05,329 MY BABY. WHEN, BABY? NOW, BABY? 826 00:00:00,000 --> 00:00:00,000 827 00:16:05,331 --> 00:16:09,366 WHEN, BABY? NOW, BABY? I'M SORRY, BABY." 828 00:00:00,000 --> 00:00:00,000 829 00:16:09,368 --> 00:16:10,367 NOW, BABY? I'M SORRY, BABY." SEE, "HAPPY BIRTHDAY'S" 830 00:00:00,000 --> 00:00:00,000 831 00:16:10,369 --> 00:16:11,435 I'M SORRY, BABY." SEE, "HAPPY BIRTHDAY'S" ALL RIGHT, BUT IT DOESN'T HAVE 832 00:00:00,000 --> 00:00:00,000 833 00:16:11,437 --> 00:16:12,769 SEE, "HAPPY BIRTHDAY'S" ALL RIGHT, BUT IT DOESN'T HAVE ANY FEELING. 834 00:00:00,000 --> 00:00:00,000 835 00:16:12,771 --> 00:16:14,538 ALL RIGHT, BUT IT DOESN'T HAVE ANY FEELING. I'M GONNA SING A SONG TO YOU, 836 00:00:00,000 --> 00:00:00,000 837 00:16:14,540 --> 00:16:17,941 ANY FEELING. I'M GONNA SING A SONG TO YOU, DR. HEATHCLIFF HUXTABLE, THAT 838 00:00:00,000 --> 00:00:00,000 839 00:16:17,943 --> 00:16:19,243 I'M GONNA SING A SONG TO YOU, DR. HEATHCLIFF HUXTABLE, THAT JUST ABOUT COVERS WHAT YOU AND 840 00:00:00,000 --> 00:00:00,000 841 00:16:19,245 --> 00:16:22,779 DR. HEATHCLIFF HUXTABLE, THAT JUST ABOUT COVERS WHAT YOU AND YOUR WIFE MEAN TO EACH OTHER. 842 00:00:00,000 --> 00:00:00,000 843 00:16:23,748 --> 00:16:33,823 [MUSIC] ♪ IN THIS WORLD ♪ ♪ OF ORDINARY PEOPLE, ♪ 844 00:00:00,000 --> 00:00:00,000 845 00:16:33,825 --> 00:16:38,529 ♪ IN THIS WORLD ♪ ♪ OF ORDINARY PEOPLE, ♪ ♪ EXTRAORDINARY PEOPLE, ♪ 846 00:00:00,000 --> 00:00:00,000 847 00:16:38,531 --> 00:16:43,867 ♪ OF ORDINARY PEOPLE, ♪ ♪ EXTRAORDINARY PEOPLE, ♪ ♪ I'M GLAD THERE IS YOU. ♪ 848 00:00:00,000 --> 00:00:00,000 849 00:16:43,869 --> 00:16:48,272 ♪ EXTRAORDINARY PEOPLE, ♪ ♪ I'M GLAD THERE IS YOU. ♪ ♪ IN THIS WORLD ♪ 850 00:00:00,000 --> 00:00:00,000 851 00:16:48,274 --> 00:16:51,741 ♪ I'M GLAD THERE IS YOU. ♪ ♪ IN THIS WORLD ♪ ♪ OF OVERRATED PLEASURES, ♪ 852 00:00:00,000 --> 00:00:00,000 853 00:16:51,743 --> 00:16:57,080 ♪ IN THIS WORLD ♪ ♪ OF OVERRATED PLEASURES, ♪ ♪ OF UNDERRATED TREASURES, ♪ 854 00:00:00,000 --> 00:00:00,000 855 00:16:57,082 --> 00:17:01,851 ♪ OF OVERRATED PLEASURES, ♪ ♪ OF UNDERRATED TREASURES, ♪ ♪ I'M GLAD THERE IS YOU. ♪ 856 00:00:00,000 --> 00:00:00,000 857 00:17:01,853 --> 00:17:05,356 ♪ OF UNDERRATED TREASURES, ♪ ♪ I'M GLAD THERE IS YOU. ♪ ♪ I LOVE TO LIVE, YES, I WANT ♪ 858 00:00:00,000 --> 00:00:00,000 859 00:17:05,358 --> 00:17:11,395 ♪ I'M GLAD THERE IS YOU. ♪ ♪ I LOVE TO LIVE, YES, I WANT ♪ ♪ TO LIVE WITH YOU BESIDE ME. ♪ 860 00:00:00,000 --> 00:00:00,000 861 00:17:11,397 --> 00:17:17,834 ♪ I LOVE TO LIVE, YES, I WANT ♪ ♪ TO LIVE WITH YOU BESIDE ME. ♪ ♪ THIS ROLE SO NEW, ♪ 862 00:00:00,000 --> 00:00:00,000 863 00:17:17,836 --> 00:17:20,938 ♪ TO LIVE WITH YOU BESIDE ME. ♪ ♪ THIS ROLE SO NEW, ♪ ♪ I'LL MUDDLE THROUGH ♪ 864 00:00:00,000 --> 00:00:00,000 865 00:17:20,940 --> 00:17:31,648 ♪ THIS ROLE SO NEW, ♪ ♪ I'LL MUDDLE THROUGH ♪ ♪ WITH YOU TO GUIDE ME. ♪ 866 00:00:00,000 --> 00:00:00,000 867 00:17:31,650 --> 00:17:36,152 ♪ I'LL MUDDLE THROUGH ♪ ♪ WITH YOU TO GUIDE ME. ♪ ♪ IN THIS WORLD WHERE MANY, ♪ 868 00:00:00,000 --> 00:00:00,000 869 00:17:36,154 --> 00:17:40,457 ♪ WITH YOU TO GUIDE ME. ♪ ♪ IN THIS WORLD WHERE MANY, ♪ ♪ MANY PLAY AT LOVE AND ♪ 870 00:00:00,000 --> 00:00:00,000 871 00:17:40,459 --> 00:17:45,496 ♪ IN THIS WORLD WHERE MANY, ♪ ♪ MANY PLAY AT LOVE AND ♪ ♪ HARDLY ANY STAY IN LOVE, ♪ 872 00:00:00,000 --> 00:00:00,000 873 00:17:45,498 --> 00:17:51,701 ♪ MANY PLAY AT LOVE AND ♪ ♪ HARDLY ANY STAY IN LOVE, ♪ ♪ I'M GLAD THERE IS YOU. ♪ 874 00:00:00,000 --> 00:00:00,000 875 00:17:51,703 --> 00:17:58,341 ♪ HARDLY ANY STAY IN LOVE, ♪ ♪ I'M GLAD THERE IS YOU. ♪ ♪ MORE THAN EVER, ♪ 876 00:00:00,000 --> 00:00:00,000 877 00:17:58,343 --> 00:18:09,253 ♪ I'M GLAD THERE IS YOU. ♪ ♪ MORE THAN EVER, ♪ ♪ I'M GLAD THERE IS YOU. ♪ 878 00:00:00,000 --> 00:00:00,000 879 00:18:28,039 --> 00:18:30,840 >> PLEASE COME IN. MS. HORNE WILL BE WITH YOU IN ONE MOMENT. 880 00:00:00,000 --> 00:00:00,000 881 00:18:30,842 --> 00:18:32,176 MS. HORNE WILL BE WITH YOU IN ONE MOMENT. >> THIS REALLY WASN'T NECESSARY. 882 00:00:00,000 --> 00:00:00,000 883 00:18:32,178 --> 00:18:33,243 IN ONE MOMENT. >> THIS REALLY WASN'T NECESSARY. >> WELL, MS. HORNE INSISTED 884 00:00:00,000 --> 00:00:00,000 885 00:18:33,245 --> 00:18:34,178 >> THIS REALLY WASN'T NECESSARY. >> WELL, MS. HORNE INSISTED UPON SEEING THE FAMILY AFTER 886 00:00:00,000 --> 00:00:00,000 887 00:18:34,180 --> 00:18:35,111 >> WELL, MS. HORNE INSISTED UPON SEEING THE FAMILY AFTER THE SHOW. 888 00:00:00,000 --> 00:00:00,000 889 00:18:35,113 --> 00:18:36,112 UPON SEEING THE FAMILY AFTER THE SHOW. >> ARE YOU SURE SHE DIDN'T SAY 890 00:00:00,000 --> 00:00:00,000 891 00:18:36,114 --> 00:18:38,114 THE SHOW. >> ARE YOU SURE SHE DIDN'T SAY JUST ME ALONE? 892 00:00:00,000 --> 00:00:00,000 893 00:18:38,116 --> 00:18:39,015 >> ARE YOU SURE SHE DIDN'T SAY JUST ME ALONE? >> I'M AFRAID NOT, SIR. 894 00:00:00,000 --> 00:00:00,000 895 00:18:39,017 --> 00:18:40,817 JUST ME ALONE? >> I'M AFRAID NOT, SIR. MAKE YOURSELVES COMFORTABLE. 896 00:00:00,000 --> 00:00:00,000 897 00:18:40,819 --> 00:18:41,785 >> I'M AFRAID NOT, SIR. MAKE YOURSELVES COMFORTABLE. >> THANK YOU, MR. THORNHILL, 898 00:00:00,000 --> 00:00:00,000 899 00:18:41,787 --> 00:18:42,486 MAKE YOURSELVES COMFORTABLE. >> THANK YOU, MR. THORNHILL, WE WILL. 900 00:00:00,000 --> 00:00:00,000 901 00:18:42,488 --> 00:18:43,420 >> THANK YOU, MR. THORNHILL, WE WILL. DON'T SIT DOWN, ANYBODY, 902 00:00:00,000 --> 00:00:00,000 903 00:18:43,422 --> 00:18:45,355 WE WILL. DON'T SIT DOWN, ANYBODY, AND DON'T TOUCH ANYTHING. 904 00:00:00,000 --> 00:00:00,000 905 00:18:45,357 --> 00:18:46,823 DON'T SIT DOWN, ANYBODY, AND DON'T TOUCH ANYTHING. >> LOOK AT THIS BEAUTIFUL 906 00:00:00,000 --> 00:00:00,000 907 00:18:46,825 --> 00:18:48,158 AND DON'T TOUCH ANYTHING. >> LOOK AT THIS BEAUTIFUL FAMILY. 908 00:00:00,000 --> 00:00:00,000 909 00:18:48,160 --> 00:18:49,393 >> LOOK AT THIS BEAUTIFUL FAMILY. COME ON, SIT DOWN. 910 00:00:00,000 --> 00:00:00,000 911 00:18:49,395 --> 00:18:50,794 FAMILY. COME ON, SIT DOWN. MAKE YOURSELF COMFORTABLE. 912 00:00:00,000 --> 00:00:00,000 913 00:18:50,796 --> 00:18:53,897 COME ON, SIT DOWN. MAKE YOURSELF COMFORTABLE. PLEASE SIT. 914 00:00:00,000 --> 00:00:00,000 915 00:18:53,899 --> 00:18:54,998 MAKE YOURSELF COMFORTABLE. PLEASE SIT. >> THAT WAS A FANTASTIC SHOW, 916 00:00:00,000 --> 00:00:00,000 917 00:18:55,000 --> 00:18:56,300 PLEASE SIT. >> THAT WAS A FANTASTIC SHOW, MISS HORNE. 918 00:00:00,000 --> 00:00:00,000 919 00:18:56,302 --> 00:18:57,500 >> THAT WAS A FANTASTIC SHOW, MISS HORNE. >> MISS HORNE. 920 00:00:00,000 --> 00:00:00,000 921 00:18:57,502 --> 00:18:58,368 MISS HORNE. >> MISS HORNE. HOW OLD ARE YOU? 922 00:00:00,000 --> 00:00:00,000 923 00:18:58,370 --> 00:18:59,203 >> MISS HORNE. HOW OLD ARE YOU? >> FORTY-EIGHT. 924 00:00:00,000 --> 00:00:00,000 925 00:18:59,205 --> 00:19:00,304 HOW OLD ARE YOU? >> FORTY-EIGHT. >> YOU'RE 48 AND YOU CALL ME 926 00:00:00,000 --> 00:00:00,000 927 00:19:00,306 --> 00:19:02,005 >> FORTY-EIGHT. >> YOU'RE 48 AND YOU CALL ME MISS HORNE. 928 00:00:00,000 --> 00:00:00,000 929 00:19:02,007 --> 00:19:04,641 >> YOU'RE 48 AND YOU CALL ME MISS HORNE. WHAT ARE YOU TRYING TO HIDE? 930 00:00:00,000 --> 00:00:00,000 931 00:19:04,643 --> 00:19:05,775 MISS HORNE. WHAT ARE YOU TRYING TO HIDE? >> CLIFF HAS ALWAYS SAID YOU 932 00:00:00,000 --> 00:00:00,000 933 00:19:05,777 --> 00:19:07,077 WHAT ARE YOU TRYING TO HIDE? >> CLIFF HAS ALWAYS SAID YOU WERE THE ONLY WOMAN HE'D EVER 934 00:00:00,000 --> 00:00:00,000 935 00:19:07,079 --> 00:19:08,311 >> CLIFF HAS ALWAYS SAID YOU WERE THE ONLY WOMAN HE'D EVER LEAVE ME FOR. 936 00:00:00,000 --> 00:00:00,000 937 00:19:08,313 --> 00:19:09,479 WERE THE ONLY WOMAN HE'D EVER LEAVE ME FOR. >> HONEY, DON'T WORRY ABOUT IT, 938 00:00:00,000 --> 00:00:00,000 939 00:19:09,481 --> 00:19:11,048 LEAVE ME FOR. >> HONEY, DON'T WORRY ABOUT IT, IF HE EVER DID, I WOULD SEND HIM 940 00:00:00,000 --> 00:00:00,000 941 00:19:11,050 --> 00:19:14,050 >> HONEY, DON'T WORRY ABOUT IT, IF HE EVER DID, I WOULD SEND HIM RIGHT BACK. 942 00:00:00,000 --> 00:00:00,000 943 00:19:14,052 --> 00:19:15,152 IF HE EVER DID, I WOULD SEND HIM RIGHT BACK. AND WHO ARE THESE BEAUTIFUL 944 00:00:00,000 --> 00:00:00,000 945 00:19:15,154 --> 00:19:16,153 RIGHT BACK. AND WHO ARE THESE BEAUTIFUL CHILDREN? 946 00:00:00,000 --> 00:00:00,000 947 00:19:16,155 --> 00:19:17,121 AND WHO ARE THESE BEAUTIFUL CHILDREN? >> I'M SONDRA. 948 00:00:00,000 --> 00:00:00,000 949 00:19:17,123 --> 00:19:18,389 CHILDREN? >> I'M SONDRA. >> SHE GOES TO PRINCETON. 950 00:00:00,000 --> 00:00:00,000 951 00:19:18,391 --> 00:19:19,790 >> I'M SONDRA. >> SHE GOES TO PRINCETON. >> OH, ARE YOU HAVING FUN THERE? 952 00:00:00,000 --> 00:00:00,000 953 00:19:19,792 --> 00:19:21,492 >> SHE GOES TO PRINCETON. >> OH, ARE YOU HAVING FUN THERE? >> OH, MOSTLY IT'S HARD WORK. 954 00:00:00,000 --> 00:00:00,000 955 00:19:21,494 --> 00:19:22,959 >> OH, ARE YOU HAVING FUN THERE? >> OH, MOSTLY IT'S HARD WORK. >> OH, THAT'S A GOOD ANSWER, 956 00:00:00,000 --> 00:00:00,000 957 00:19:22,961 --> 00:19:23,860 >> OH, MOSTLY IT'S HARD WORK. >> OH, THAT'S A GOOD ANSWER, ESPECIALLY RIGHT IN FRONT OF 958 00:00:00,000 --> 00:00:00,000 959 00:19:23,862 --> 00:19:25,996 >> OH, THAT'S A GOOD ANSWER, ESPECIALLY RIGHT IN FRONT OF YOUR PARENTS. 960 00:00:00,000 --> 00:00:00,000 961 00:19:25,998 --> 00:19:28,131 ESPECIALLY RIGHT IN FRONT OF YOUR PARENTS. AND WHO'S THE HANDSOME YOUNG 962 00:00:00,000 --> 00:00:00,000 963 00:19:28,133 --> 00:19:28,899 YOUR PARENTS. AND WHO'S THE HANDSOME YOUNG MAN? 964 00:00:00,000 --> 00:00:00,000 965 00:19:28,901 --> 00:19:30,267 AND WHO'S THE HANDSOME YOUNG MAN? >> THEODORE. 966 00:00:00,000 --> 00:00:00,000 967 00:19:30,269 --> 00:19:31,501 MAN? >> THEODORE. >> DOES HE GIVE YOU A LOT OF 968 00:00:00,000 --> 00:00:00,000 969 00:19:31,503 --> 00:19:32,202 >> THEODORE. >> DOES HE GIVE YOU A LOT OF TROUBLE? 970 00:00:00,000 --> 00:00:00,000 971 00:19:32,204 --> 00:19:33,536 >> DOES HE GIVE YOU A LOT OF TROUBLE? >> MAYBE ONCE IN A WHILE. 972 00:00:00,000 --> 00:00:00,000 973 00:19:33,538 --> 00:19:34,504 TROUBLE? >> MAYBE ONCE IN A WHILE. >> WELL, HANG IN THERE, BABY, 974 00:00:00,000 --> 00:00:00,000 975 00:19:34,506 --> 00:19:35,439 >> MAYBE ONCE IN A WHILE. >> WELL, HANG IN THERE, BABY, IN ABOUT 6 MONTHS YOU'RE GONNA 976 00:00:00,000 --> 00:00:00,000 977 00:19:35,441 --> 00:19:40,210 >> WELL, HANG IN THERE, BABY, IN ABOUT 6 MONTHS YOU'RE GONNA BE TWICE AS BIG AS HE IS. 978 00:00:00,000 --> 00:00:00,000 979 00:19:40,212 --> 00:19:42,412 IN ABOUT 6 MONTHS YOU'RE GONNA BE TWICE AS BIG AS HE IS. >> I'M VANESSA AND THIS IS RUDY. 980 00:00:00,000 --> 00:00:00,000 981 00:19:42,414 --> 00:19:43,980 BE TWICE AS BIG AS HE IS. >> I'M VANESSA AND THIS IS RUDY. >> DO YOU HAVE A BOYFRIEND? 982 00:00:00,000 --> 00:00:00,000 983 00:19:43,982 --> 00:19:44,848 >> I'M VANESSA AND THIS IS RUDY. >> DO YOU HAVE A BOYFRIEND? >> NO, MA'AM. 984 00:00:00,000 --> 00:00:00,000 985 00:19:44,850 --> 00:19:48,419 >> DO YOU HAVE A BOYFRIEND? >> NO, MA'AM. >> WHAT ABOUT LEON? 986 00:00:00,000 --> 00:00:00,000 987 00:19:48,421 --> 00:19:49,986 >> NO, MA'AM. >> WHAT ABOUT LEON? >> NOW THAT LITTLE ONE RIGHT 988 00:00:00,000 --> 00:00:00,000 989 00:19:49,988 --> 00:19:51,121 >> WHAT ABOUT LEON? >> NOW THAT LITTLE ONE RIGHT THERE, I'M GONNA HAVE TO BITE 990 00:00:00,000 --> 00:00:00,000 991 00:19:51,123 --> 00:19:52,222 >> NOW THAT LITTLE ONE RIGHT THERE, I'M GONNA HAVE TO BITE HER. 992 00:00:00,000 --> 00:00:00,000 993 00:19:52,224 --> 00:19:53,890 THERE, I'M GONNA HAVE TO BITE HER. >> I SAW YOU ON "SESAME STREET." 994 00:00:00,000 --> 00:00:00,000 995 00:19:53,892 --> 00:19:54,891 HER. >> I SAW YOU ON "SESAME STREET." >> YOU DID? 996 00:00:00,000 --> 00:00:00,000 997 00:19:54,893 --> 00:19:55,859 >> I SAW YOU ON "SESAME STREET." >> YOU DID? YEAH, I WAS SINGING A SONG 998 00:00:00,000 --> 00:00:00,000 999 00:19:55,861 --> 00:19:57,594 >> YOU DID? YEAH, I WAS SINGING A SONG WITH KERMIT THE FROG. 1000 00:00:00,000 --> 00:00:00,000 1001 00:19:57,596 --> 00:19:58,795 YEAH, I WAS SINGING A SONG WITH KERMIT THE FROG. >> CAN I MEET HIM? 1002 00:00:00,000 --> 00:00:00,000 1003 00:19:58,797 --> 00:20:00,197 WITH KERMIT THE FROG. >> CAN I MEET HIM? >> I'LL SEE IF I CAN SET UP 1004 00:00:00,000 --> 00:00:00,000 1005 00:20:00,199 --> 00:20:04,601 >> CAN I MEET HIM? >> I'LL SEE IF I CAN SET UP A DATE FOR YOU, OKAY? 1006 00:00:00,000 --> 00:00:00,000 1007 00:20:04,603 --> 00:20:06,870 >> I'LL SEE IF I CAN SET UP A DATE FOR YOU, OKAY? >> MS. HORNE, I'M DENISE. 1008 00:00:00,000 --> 00:00:00,000 1009 00:20:06,872 --> 00:20:07,771 A DATE FOR YOU, OKAY? >> MS. HORNE, I'M DENISE. >> HELLO, DENISE. 1010 00:00:00,000 --> 00:00:00,000 1011 00:20:07,773 --> 00:20:08,472 >> MS. HORNE, I'M DENISE. >> HELLO, DENISE. >> HI. 1012 00:00:00,000 --> 00:00:00,000 1013 00:20:08,474 --> 00:20:09,272 >> HELLO, DENISE. >> HI. >> HOW OLD ARE YOU? 1014 00:00:00,000 --> 00:00:00,000 1015 00:20:09,274 --> 00:20:10,107 >> HI. >> HOW OLD ARE YOU? >> SIXTEEN. 1016 00:00:00,000 --> 00:00:00,000 1017 00:20:10,109 --> 00:20:11,275 >> HOW OLD ARE YOU? >> SIXTEEN. >> I WISH I COULD GET THAT 1018 00:00:00,000 --> 00:00:00,000 1019 00:20:11,277 --> 00:20:12,409 >> SIXTEEN. >> I WISH I COULD GET THAT YEAR BACK. 1020 00:00:00,000 --> 00:00:00,000 1021 00:20:12,411 --> 00:20:15,111 >> I WISH I COULD GET THAT YEAR BACK. I BLEW 16. 1022 00:00:00,000 --> 00:00:00,000 1023 00:20:15,113 --> 00:20:16,780 YEAR BACK. I BLEW 16. I WALKED AROUND IN A BLUE FUNK 1024 00:00:00,000 --> 00:00:00,000 1025 00:20:16,782 --> 00:20:18,281 I BLEW 16. I WALKED AROUND IN A BLUE FUNK ALL THE TIME FEELING SORRY 1026 00:00:00,000 --> 00:00:00,000 1027 00:20:18,283 --> 00:20:19,682 I WALKED AROUND IN A BLUE FUNK ALL THE TIME FEELING SORRY FOR MYSELF. 1028 00:00:00,000 --> 00:00:00,000 1029 00:20:19,684 --> 00:20:20,583 ALL THE TIME FEELING SORRY FOR MYSELF. >> YOU SURE HIT THAT ON THE 1030 00:00:00,000 --> 00:00:00,000 1031 00:20:20,585 --> 00:20:22,986 FOR MYSELF. >> YOU SURE HIT THAT ON THE BUTTON. 1032 00:00:00,000 --> 00:00:00,000 1033 00:20:22,988 --> 00:20:23,820 >> YOU SURE HIT THAT ON THE BUTTON. >> WELL, SHE'S GONNA GROW OUT OF 1034 00:00:00,000 --> 00:00:00,000 1035 00:20:23,822 --> 00:20:24,654 BUTTON. >> WELL, SHE'S GONNA GROW OUT OF IT THOUGH. 1036 00:00:00,000 --> 00:00:00,000 1037 00:20:24,656 --> 00:20:25,422 >> WELL, SHE'S GONNA GROW OUT OF IT THOUGH. >> WHEN? 1038 00:00:00,000 --> 00:00:00,000 1039 00:20:25,424 --> 00:20:26,957 IT THOUGH. >> WHEN? >> WHEN SHE REALIZES WHAT SHE'S 1040 00:00:00,000 --> 00:00:00,000 1041 00:20:26,959 --> 00:20:29,827 >> WHEN? >> WHEN SHE REALIZES WHAT SHE'S GOT, AND SHE'S GOT A WHOLE LOT. 1042 00:00:00,000 --> 00:00:00,000 1043 00:20:29,829 --> 00:20:30,794 >> WHEN SHE REALIZES WHAT SHE'S GOT, AND SHE'S GOT A WHOLE LOT. I NOTICED IT WHILE I WAS OUT 1044 00:00:00,000 --> 00:00:00,000 1045 00:20:30,796 --> 00:20:32,029 GOT, AND SHE'S GOT A WHOLE LOT. I NOTICED IT WHILE I WAS OUT THERE SINGING. 1046 00:00:00,000 --> 00:00:00,000 1047 00:20:32,031 --> 00:20:33,197 I NOTICED IT WHILE I WAS OUT THERE SINGING. YOU GOT A WHOLE LOT OF LOVE 1048 00:00:00,000 --> 00:00:00,000 1049 00:20:33,199 --> 00:20:35,832 THERE SINGING. YOU GOT A WHOLE LOT OF LOVE RIGHT HERE IN YOUR FAMILY THAT'S 1050 00:00:00,000 --> 00:00:00,000 1051 00:20:35,834 --> 00:20:36,967 YOU GOT A WHOLE LOT OF LOVE RIGHT HERE IN YOUR FAMILY THAT'S WHY I WANTED YOU TO COME BACK 1052 00:00:00,000 --> 00:00:00,000 1053 00:20:36,969 --> 00:20:38,735 RIGHT HERE IN YOUR FAMILY THAT'S WHY I WANTED YOU TO COME BACK AND SAY, "HELLO" TO ME TONIGHT. 1054 00:00:00,000 --> 00:00:00,000 1055 00:20:38,737 --> 00:20:40,003 WHY I WANTED YOU TO COME BACK AND SAY, "HELLO" TO ME TONIGHT. I LIKE TO BE AROUND THAT KIND 1056 00:00:00,000 --> 00:00:00,000 1057 00:20:40,005 --> 00:20:41,137 AND SAY, "HELLO" TO ME TONIGHT. I LIKE TO BE AROUND THAT KIND OF LOVE. 1058 00:00:00,000 --> 00:00:00,000 1059 00:20:41,139 --> 00:20:42,338 I LIKE TO BE AROUND THAT KIND OF LOVE. >> THANK YOU, MS. HORNE. 1060 00:00:00,000 --> 00:00:00,000 1061 00:20:42,340 --> 00:20:43,907 OF LOVE. >> THANK YOU, MS. HORNE. >> I THINK WE SHOULD BE GOING 1062 00:00:00,000 --> 00:00:00,000 1063 00:20:43,909 --> 00:20:44,775 >> THANK YOU, MS. HORNE. >> I THINK WE SHOULD BE GOING NOW. 1064 00:00:00,000 --> 00:00:00,000 1065 00:20:44,777 --> 00:20:46,943 >> I THINK WE SHOULD BE GOING NOW. >> OH, DO YOU HAVE TO? 1066 00:00:00,000 --> 00:00:00,000 1067 00:20:46,945 --> 00:20:47,711 NOW. >> OH, DO YOU HAVE TO? >> YES. 1068 00:00:00,000 --> 00:00:00,000 1069 00:20:47,713 --> 00:20:48,645 >> OH, DO YOU HAVE TO? >> YES. THANK YOU VERY MUCH. 1070 00:00:00,000 --> 00:00:00,000 1071 00:20:48,647 --> 00:20:49,445 >> YES. THANK YOU VERY MUCH. >> OH, WELL THANK YOU. 1072 00:00:00,000 --> 00:00:00,000 1073 00:20:49,447 --> 00:20:50,480 THANK YOU VERY MUCH. >> OH, WELL THANK YOU. >> BYE. 1074 00:00:00,000 --> 00:00:00,000 1075 00:20:50,482 --> 00:20:52,615 >> OH, WELL THANK YOU. >> BYE. >> BYE MS. HORNE! 1076 00:00:00,000 --> 00:00:00,000 1077 00:20:52,617 --> 00:20:53,116 >> BYE. >> BYE MS. HORNE! >> BYE. 1078 00:00:00,000 --> 00:00:00,000 1079 00:20:53,118 --> 00:20:54,951 >> BYE MS. HORNE! >> BYE. BYE. 1080 00:00:00,000 --> 00:00:00,000 1081 00:20:54,953 --> 00:21:07,364 >> BYE. BYE. BYE. 1082 00:00:00,000 --> 00:00:00,000 1083 00:21:07,366 --> 00:21:09,466 BYE. BYE. >> GOOD-BYE, MR. HUXTABLE. 1084 00:00:00,000 --> 00:00:00,000 1085 00:21:09,468 --> 00:21:12,903 BYE. >> GOOD-BYE, MR. HUXTABLE. >> GOOD-BYE, MISS HORNE. 1086 00:00:00,000 --> 00:00:00,000 1087 00:21:16,007 --> 00:21:30,020 >> [SINGING] THIS WORLD OF OVERRATED PLEASURES, OF--TREASURES. 1088 00:00:00,000 --> 00:00:00,000 1089 00:21:30,022 --> 00:21:30,754 OF OVERRATED PLEASURES, OF--TREASURES. >> YOU HAD A GOOD TIME, 1090 00:00:00,000 --> 00:00:00,000 1091 00:21:30,756 --> 00:21:31,555 OF--TREASURES. >> YOU HAD A GOOD TIME, DIDN'T YOU? 1092 00:00:00,000 --> 00:00:00,000 1093 00:21:31,557 --> 00:21:33,089 >> YOU HAD A GOOD TIME, DIDN'T YOU? >> OOH, THAT WAS THE BEST, 1094 00:00:00,000 --> 00:00:00,000 1095 00:21:33,091 --> 00:21:34,391 DIDN'T YOU? >> OOH, THAT WAS THE BEST, I'M TELLING YOU. 1096 00:00:00,000 --> 00:00:00,000 1097 00:21:34,393 --> 00:21:36,259 >> OOH, THAT WAS THE BEST, I'M TELLING YOU. AND WHAT THAT WOMAN DID 1098 00:00:00,000 --> 00:00:00,000 1099 00:21:36,261 --> 00:21:39,896 I'M TELLING YOU. AND WHAT THAT WOMAN DID WITH THAT CLUB WAS FANTASTIC. 1100 00:00:00,000 --> 00:00:00,000 1101 00:21:39,898 --> 00:21:40,930 AND WHAT THAT WOMAN DID WITH THAT CLUB WAS FANTASTIC. >> ISN'T SHE SOMETHING ELSE? 1102 00:00:00,000 --> 00:00:00,000 1103 00:21:40,932 --> 00:21:41,798 WITH THAT CLUB WAS FANTASTIC. >> ISN'T SHE SOMETHING ELSE? TO THINK SHE STARTED SINGING IN 1104 00:00:00,000 --> 00:00:00,000 1105 00:21:41,800 --> 00:21:43,633 >> ISN'T SHE SOMETHING ELSE? TO THINK SHE STARTED SINGING IN THE COTTON CLUB WHEN SHE WAS 17 1106 00:00:00,000 --> 00:00:00,000 1107 00:21:43,635 --> 00:21:45,034 TO THINK SHE STARTED SINGING IN THE COTTON CLUB WHEN SHE WAS 17 AND TO HEAR HER NOW. 1108 00:00:00,000 --> 00:00:00,000 1109 00:21:45,036 --> 00:21:46,503 THE COTTON CLUB WHEN SHE WAS 17 AND TO HEAR HER NOW. >> BUT I'M TALKING ABOUT 1110 00:00:00,000 --> 00:00:00,000 1111 00:21:46,505 --> 00:21:48,538 AND TO HEAR HER NOW. >> BUT I'M TALKING ABOUT THE JOB SHE DID WITH THAT HOTEL. 1112 00:00:00,000 --> 00:00:00,000 1113 00:21:48,540 --> 00:21:50,107 >> BUT I'M TALKING ABOUT THE JOB SHE DID WITH THAT HOTEL. IT'S BEAUTIFUL. 1114 00:00:00,000 --> 00:00:00,000 1115 00:21:50,109 --> 00:21:51,041 THE JOB SHE DID WITH THAT HOTEL. IT'S BEAUTIFUL. >> I HEARD HER FATHER LEFT 1116 00:00:00,000 --> 00:00:00,000 1117 00:21:51,043 --> 00:21:52,009 IT'S BEAUTIFUL. >> I HEARD HER FATHER LEFT HER THAT PLACE WHEN HE DIED, 1118 00:00:00,000 --> 00:00:00,000 1119 00:21:52,011 --> 00:21:53,610 >> I HEARD HER FATHER LEFT HER THAT PLACE WHEN HE DIED, AND SHE RESTORED IT. 1120 00:00:00,000 --> 00:00:00,000 1121 00:21:53,612 --> 00:21:54,477 HER THAT PLACE WHEN HE DIED, AND SHE RESTORED IT. >> YOU KNOW WHAT I WANT FOR 1122 00:00:00,000 --> 00:00:00,000 1123 00:21:54,479 --> 00:21:55,979 AND SHE RESTORED IT. >> YOU KNOW WHAT I WANT FOR MY BIRTHDAY NEXT YEAR? 1124 00:00:00,000 --> 00:00:00,000 1125 00:21:55,981 --> 00:21:56,713 >> YOU KNOW WHAT I WANT FOR MY BIRTHDAY NEXT YEAR? >> WHAT? 1126 00:00:00,000 --> 00:00:00,000 1127 00:21:56,715 --> 00:22:00,084 MY BIRTHDAY NEXT YEAR? >> WHAT? >> I WANT YOU TO BUY ME A HOTEL. 1128 00:00:00,000 --> 00:00:00,000 1129 00:22:00,086 --> 00:22:01,785 >> WHAT? >> I WANT YOU TO BUY ME A HOTEL. >> YOU'RE SO SILLY. 1130 00:00:00,000 --> 00:00:00,000 1131 00:22:01,787 --> 00:22:03,020 >> I WANT YOU TO BUY ME A HOTEL. >> YOU'RE SO SILLY. >> BUT I TELL YOU ONE THING 1132 00:00:00,000 --> 00:00:00,000 1133 00:22:03,022 --> 00:22:04,487 >> YOU'RE SO SILLY. >> BUT I TELL YOU ONE THING THOUGH, I NOTICED THAT EVEN 1134 00:00:00,000 --> 00:00:00,000 1135 00:22:04,489 --> 00:22:06,489 >> BUT I TELL YOU ONE THING THOUGH, I NOTICED THAT EVEN AFTER THAT SONG, THE REST OF 1136 00:00:00,000 --> 00:00:00,000 1137 00:22:06,491 --> 00:22:09,292 THOUGH, I NOTICED THAT EVEN AFTER THAT SONG, THE REST OF HER SHOW, SHE JUST KEPT 1138 00:00:00,000 --> 00:00:00,000 1139 00:22:09,294 --> 00:22:14,998 AFTER THAT SONG, THE REST OF HER SHOW, SHE JUST KEPT CENTERING ON ME. 1140 00:00:00,000 --> 00:00:00,000 1141 00:22:15,000 --> 00:22:16,399 HER SHOW, SHE JUST KEPT CENTERING ON ME. >> WELL, OF COURSE, SHE DID, 1142 00:00:00,000 --> 00:00:00,000 1143 00:22:16,401 --> 00:22:18,435 CENTERING ON ME. >> WELL, OF COURSE, SHE DID, CLIFF, IT WAS YOUR BIRTHDAY. 1144 00:00:00,000 --> 00:00:00,000 1145 00:22:18,437 --> 00:22:21,972 >> WELL, OF COURSE, SHE DID, CLIFF, IT WAS YOUR BIRTHDAY. >> NO, NO, SHE INVITED ME BACK 1146 00:00:00,000 --> 00:00:00,000 1147 00:22:21,974 --> 00:22:23,773 CLIFF, IT WAS YOUR BIRTHDAY. >> NO, NO, SHE INVITED ME BACK TO HER DRESSING ROOM. 1148 00:00:00,000 --> 00:00:00,000 1149 00:22:23,775 --> 00:22:24,842 >> NO, NO, SHE INVITED ME BACK TO HER DRESSING ROOM. >> CLIFF, SHE INVITED ALL OF US 1150 00:00:00,000 --> 00:00:00,000 1151 00:22:24,844 --> 00:22:27,077 TO HER DRESSING ROOM. >> CLIFF, SHE INVITED ALL OF US BACK TO HER DRESSING ROOM. 1152 00:00:00,000 --> 00:00:00,000 1153 00:22:27,079 --> 00:22:32,582 >> CLIFF, SHE INVITED ALL OF US BACK TO HER DRESSING ROOM. >> SHE DID NOT WANT TO BE RUDE. 1154 00:00:00,000 --> 00:00:00,000 1155 00:22:32,584 --> 00:22:34,384 BACK TO HER DRESSING ROOM. >> SHE DID NOT WANT TO BE RUDE. OH, YEAH? 1156 00:00:00,000 --> 00:00:00,000 1157 00:22:34,386 --> 00:22:35,252 >> SHE DID NOT WANT TO BE RUDE. OH, YEAH? WELL, LOOK, WHY DON'T YOU JUST 1158 00:00:00,000 --> 00:00:00,000 1159 00:22:35,254 --> 00:22:36,886 OH, YEAH? WELL, LOOK, WHY DON'T YOU JUST FACE UP TO IT THAT EVERY ONCE IN 1160 00:00:00,000 --> 00:00:00,000 1161 00:22:36,888 --> 00:22:38,855 WELL, LOOK, WHY DON'T YOU JUST FACE UP TO IT THAT EVERY ONCE IN A WHILE IN A SUPERSTAR'S LIFE, 1162 00:00:00,000 --> 00:00:00,000 1163 00:22:38,857 --> 00:22:40,724 FACE UP TO IT THAT EVERY ONCE IN A WHILE IN A SUPERSTAR'S LIFE, THERE COMES ALONG A MAN 1164 00:00:00,000 --> 00:00:00,000 1165 00:22:40,726 --> 00:22:44,694 A WHILE IN A SUPERSTAR'S LIFE, THERE COMES ALONG A MAN THAT SHE CANNOT RESIST. 1166 00:00:00,000 --> 00:00:00,000 1167 00:22:44,696 --> 00:22:46,496 THERE COMES ALONG A MAN THAT SHE CANNOT RESIST. >> CLIFF? 1168 00:00:00,000 --> 00:00:00,000 1169 00:22:46,498 --> 00:22:47,497 THAT SHE CANNOT RESIST. >> CLIFF? >> WHAT? 1170 00:00:00,000 --> 00:00:00,000 1171 00:22:47,499 --> 00:22:52,402 >> CLIFF? >> WHAT? >> SHUT UP. 1172 00:00:00,000 --> 00:00:00,000 1173 00:22:52,404 --> 00:22:53,236 >> WHAT? >> SHUT UP. >> HEY. 1174 00:00:00,000 --> 00:00:00,000 1175 00:22:53,238 --> 00:22:54,071 >> SHUT UP. >> HEY. >> DENISE, WHAT ARE YOU DOING 1176 00:00:00,000 --> 00:00:00,000 1177 00:22:54,073 --> 00:22:54,838 >> HEY. >> DENISE, WHAT ARE YOU DOING UP? 1178 00:00:00,000 --> 00:00:00,000 1179 00:22:54,840 --> 00:22:55,639 >> DENISE, WHAT ARE YOU DOING UP? >> WORKING. 1180 00:00:00,000 --> 00:00:00,000 1181 00:22:55,641 --> 00:22:56,840 UP? >> WORKING. >> AT THIS HOUR? 1182 00:00:00,000 --> 00:00:00,000 1183 00:22:56,842 --> 00:22:58,208 >> WORKING. >> AT THIS HOUR? >> AFTER TONIGHT, I CAME HOME 1184 00:00:00,000 --> 00:00:00,000 1185 00:22:58,210 --> 00:22:59,142 >> AT THIS HOUR? >> AFTER TONIGHT, I CAME HOME AND TOOK ANOTHER LOOK AT MY 1186 00:00:00,000 --> 00:00:00,000 1187 00:22:59,144 --> 00:23:01,211 >> AFTER TONIGHT, I CAME HOME AND TOOK ANOTHER LOOK AT MY SONG, AND I DECIDED TO CHANGE 1188 00:00:00,000 --> 00:00:00,000 1189 00:23:01,213 --> 00:23:02,912 AND TOOK ANOTHER LOOK AT MY SONG, AND I DECIDED TO CHANGE IT JUST A LITTLE. 1190 00:00:00,000 --> 00:00:00,000 1191 00:23:02,914 --> 00:23:03,880 SONG, AND I DECIDED TO CHANGE IT JUST A LITTLE. >> WHAT, DID YOU WANT TO WALK 1192 00:00:00,000 --> 00:00:00,000 1193 00:23:03,882 --> 00:23:05,114 IT JUST A LITTLE. >> WHAT, DID YOU WANT TO WALK WITH SOMEBODY WHILE YOU'RE 1194 00:00:00,000 --> 00:00:00,000 1195 00:23:05,116 --> 00:23:07,017 >> WHAT, DID YOU WANT TO WALK WITH SOMEBODY WHILE YOU'RE ALONE? 1196 00:00:00,000 --> 00:00:00,000 1197 00:23:07,019 --> 00:23:10,554 WITH SOMEBODY WHILE YOU'RE ALONE? >> COULD WE HEAR IT? 1198 00:00:00,000 --> 00:00:00,000 1199 00:23:10,556 --> 00:23:15,725 ALONE? >> COULD WE HEAR IT? >> OKAY, LET ME GET THE MUSIC. 1200 00:00:00,000 --> 00:00:00,000 1201 00:23:15,727 --> 00:23:17,761 >> COULD WE HEAR IT? >> OKAY, LET ME GET THE MUSIC. "MY MOTHER AND MY FATHER 1202 00:00:00,000 --> 00:00:00,000 1203 00:23:17,763 --> 00:23:20,530 >> OKAY, LET ME GET THE MUSIC. "MY MOTHER AND MY FATHER ARE MY BEST FRIENDS. 1204 00:00:00,000 --> 00:00:00,000 1205 00:23:20,532 --> 00:23:22,265 "MY MOTHER AND MY FATHER ARE MY BEST FRIENDS. WHEN I'M ALL ALONE, 1206 00:00:00,000 --> 00:00:00,000 1207 00:23:22,267 --> 00:23:24,601 ARE MY BEST FRIENDS. WHEN I'M ALL ALONE, I DON'T HAVE TO BE. 1208 00:00:00,000 --> 00:00:00,000 1209 00:23:24,603 --> 00:23:26,169 WHEN I'M ALL ALONE, I DON'T HAVE TO BE. IT'S BECAUSE OF ME THAT 1210 00:00:00,000 --> 00:00:00,000 1211 00:23:26,171 --> 00:23:27,604 I DON'T HAVE TO BE. IT'S BECAUSE OF ME THAT I'M ALL ALONE, YOU SEE. 1212 00:00:00,000 --> 00:00:00,000 1213 00:23:27,606 --> 00:23:30,240 IT'S BECAUSE OF ME THAT I'M ALL ALONE, YOU SEE. THEIR LOVE IS REAL. 1214 00:00:00,000 --> 00:00:00,000 1215 00:23:30,242 --> 00:23:34,578 I'M ALL ALONE, YOU SEE. THEIR LOVE IS REAL. WISDOM THEIR LOVE IS ALL MINE. 1216 00:00:00,000 --> 00:00:00,000 1217 00:23:34,580 --> 00:23:36,112 THEIR LOVE IS REAL. WISDOM THEIR LOVE IS ALL MINE. I HAVE FAITH IN THEM 1218 00:00:00,000 --> 00:00:00,000 1219 00:23:36,114 --> 00:23:37,581 WISDOM THEIR LOVE IS ALL MINE. I HAVE FAITH IN THEM ALL THE TIME. 1220 00:00:00,000 --> 00:00:00,000 1221 00:23:37,583 --> 00:23:39,750 I HAVE FAITH IN THEM ALL THE TIME. THE BEST LIVING FRIENDS, THE 1222 00:00:00,000 --> 00:00:00,000 1223 00:23:39,752 --> 00:23:41,951 ALL THE TIME. THE BEST LIVING FRIENDS, THE BEST LIVING LOVERS 'TIL THE END. 1224 00:00:00,000 --> 00:00:00,000 1225 00:23:41,953 --> 00:23:43,653 THE BEST LIVING FRIENDS, THE BEST LIVING LOVERS 'TIL THE END. THEIR LOVE IS REAL. 1226 00:00:00,000 --> 00:00:00,000 1227 00:23:43,655 --> 00:23:45,155 BEST LIVING LOVERS 'TIL THE END. THEIR LOVE IS REAL. NEVER HAVE THEY LIED TO ME, 1228 00:00:00,000 --> 00:00:00,000 1229 00:23:45,157 --> 00:23:47,457 THEIR LOVE IS REAL. NEVER HAVE THEY LIED TO ME, NEVER CONNIVED ME, 1230 00:00:00,000 --> 00:00:00,000 1231 00:23:47,459 --> 00:23:49,225 NEVER HAVE THEY LIED TO ME, NEVER CONNIVED ME, TALKED BEHIND MY BACK. 1232 00:00:00,000 --> 00:00:00,000 1233 00:23:49,227 --> 00:23:51,728 NEVER CONNIVED ME, TALKED BEHIND MY BACK. NEVER HAVE THEY CHEATED ME. 1234 00:00:00,000 --> 00:00:00,000 1235 00:23:51,730 --> 00:23:54,197 TALKED BEHIND MY BACK. NEVER HAVE THEY CHEATED ME. THEIR LOVE IS REAL, 1236 00:00:00,000 --> 00:00:00,000 1237 00:23:54,199 --> 00:23:58,501 NEVER HAVE THEY CHEATED ME. THEIR LOVE IS REAL, THEIR LOVE IS REAL." 1238 00:00:00,000 --> 00:00:00,000 1239 00:23:58,503 --> 00:24:00,437 THEIR LOVE IS REAL, THEIR LOVE IS REAL." >> THAT'S SWEET. 1240 00:00:00,000 --> 00:00:00,000 1241 00:24:00,439 --> 00:24:01,238 THEIR LOVE IS REAL." >> THAT'S SWEET. THAT'S BEAUTIFUL. 1242 00:00:00,000 --> 00:00:00,000 1243 00:24:01,240 --> 00:24:03,706 >> THAT'S SWEET. THAT'S BEAUTIFUL. >> THANK YOU. 1244 00:00:00,000 --> 00:00:00,000 1245 00:24:10,614 --> 00:24:15,519 [MUSIC] 1246 00:00:00,000 --> 00:00:00,000 1247 00:24:16,522 --> 00:24:21,525 CC BY ABERDEEN CAPTIONING 1-800-688-6621 WWW.ABERCAP.COM 1248 00:00:00,000 --> 00:00:00,000 1249 00:24:31,202 --> 00:24:35,905 [RASHAD] THE COSBY SHOW IS TAPED IN FRONT OF A LIVE STUDIO AUDIENCE 1250 00:00:00,000 --> 00:00:00,000