Bondage Photo Treasures 18 1987

BY AND FOR “LOVE BONDAGERS” ONLY

ADULTS ONLY • NUMBER 18 • $8.00

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CLASSIC AND CONTEMPORARY BONDAGE PHOTOS
AND ART BY PROFESSIONALS AND ENTHUSIASTS

NUMBER 18

HARMONY COMMUNICATIONS -
CELEBRATING THE PSYCHOLOGICAL POWER
OF THE BOUND BEAUTY WHOSE
“LOVE BONDAGE” IS AS MUCH FOR HER
PLEASURE AS OURS

COVER PHOTO: Becky Bonton, from the
GAD collection

BACK COVER: Tawny Addams, by
Eric Holman

BONDAGE PHOTO TREASURES NUMBER 18, JULY 1987 0343-L

is produced as an adult entertainment. It is a quarterly publication of London Enterprises Limited and distributed by Lyndon Distributors Limited, 15756 Arminta Street,
Van Nuys, California 91406. All material in this publication is copyrighted V) by London Enterprises Limited and may not be reproduced in any form without the expressed
consent of the publisher. No subscriptions accepted. Publisher assumes no responsibility for unsolicited materials. Return postage and wrapping must accompany all
correspondence, manuscripts, artwork and photographs. Printed in U.S.A;

This magazine is published in the interest of informing and educating the adult public on the various forms and means of sexual expression. It is the publisher's belief that
every adult has the right to view such material. Any similarity between the fictional or semi-fictional persons or places portrayed in this publication and real persons or
places is strictly coincidental. All persons depicted in this publication are professional models, at least 18 years of age, portraying fictional roles. This magazine is not
intended for minors. Under no circumstances are minors to be offered, possess or purchase this publication.

2

BONDAGE PHOTO TREASURES
Dedicated to capturing and preserving the history of bondage as a
mutually pleasurable diversion.

“La Prisonniere” photo by Issac

MARVELOUS
MARIA
TORTUGA
modelling a crisp,
tight selection from
the Harper’s
Bizarre collection

In one of his last layouts as
Harmony’s star photo-
grapher/bondager, Sean
Harper trussed up one of his
all-time favorite models in
classic Harper fashion. These
photos have been smoldering
in our files for years now,
awaiting just the right
moment. That moment is here!
Enjoy.

Lovely Maria Tortuga will be
seen bound by Carl McGuire
and interviewed by Robert
Harmon in Carl’s soon-to-be-
released Ladies in Restraint
Number Three. Don’t miss it!

7

HISTORY IN THE TYING

With Arrow’s Dynamic Duo

8

Susan Blair perpetrates some sexy lingerie bondage on her deserving friend Sally Roberts. These two
have teamed up in literally dozens of bondage videos over the past few years. This delightful photo
sequence is from their early years, but if you think these ladies have retired, guess again! Sweet Sally
will be making a comeback in the upcoming video release “Reflections: A Bondage Love Story.”

9

A GORGEOUS BLONDE IN A TIGHT JAMM

. . . courtesy of Jamm Productions

IRte*

««-•

KIT'

10

LARISSA”

Who wouldn’t love her?

In Bondage Life 28 there was an unusual article
titled “Who Will Love Clarissa?” It told the
story of an attractive young woman whose
bondage lover had passed away and who was
now searching for a man who could take his
place. Since Love Bondage and the need for it
was an integral part of her, she appealed to the
bondage community hoping that somewhere
there was another man with the right
combination of strength and sensitivity to All
her needs and offer her a complete, loving
relationship. While there have been responses,
she has not yet found the man she is looking for.
We at Harmony sincerely hope that, through
this series of features, we can help this special
lady find fulfillment.

11

AFTER THE PROM, THE QUEEN WORE ROPE

The auditorium was dark, the hoopla over, the revellers all gone home . . .

12

This photo set was sent to us anonymously. Most likely sold commercially as part of one of those
“photo-packs” that are rarely available anymore, it represents a chapter of bondage history that is

now drawing to a close . . .

crner

This talented artist earned his
place in the annals of bondage
history early. His drawings
appeared regularly in Irving
Klaw’s publications during the
forties and fifties, and was
obviously a major influence on
some more contemporary
bondage artists like Stanton
and Jim. We have dedicated
this department to his work,
and will continue to feature his
drawings in each issue of Photo
Treasures until we run out of
drawings, some time around
2047 . ..

i

15

The color counterparts of these bondages appeared in Hanby’s own magazine, Amateur Bondage 7.
Now that the black-and-white photos have been made available to us, we present them for you here.

SIXTIES-STYLE BONDAGE BY
HANBY DOWNS

NOTE TO NEW CUSTOMERS:
First initial requests for monthly
Harmony brochures are sent
brochures for the three most
current months. Customers subse¬
quently placing orders for our
materials are then sent all of our
previous brochures, usually repre¬
senting 3 years or so. Customers not
purchasing the equivalent of at
least 2 magazines within six months
of being sent their first brochures
are dropped from our mailing list.

TERRIFIC TAWNY

Magnificent blonde amazon
Tawny Addams is transformed
by the magic of bondage from a
lioness into a kitten. Does the
change please her? Just look
into her eyes . . .

18

19

J. R. DOES IT AGAIN

Just when you think there’s nothing new under the sun, The Master of the Bizarre
comes through with something completely different.

EQUESTRIENNE IN BOOTS AND ROPES

Once again, bondage photography team JayDee captures their favorite model Kiri Kelly . . .on film

I

23

Tightly tied, gagged and topless, Kiri’s volcanic sexuality boils to the surface

Ah, Laurel, you’re such a quiet girl
I’m sure we’ll get along famously
But oh, you’re such a naughty girl
To show your knickers so shamelessly!

28

THE HARMONY PHILOSOPHY

Wh« is most discouraging to us about this business
are the prevailing social misconceptions concerning
bondage, at least the benevolent, romantic type of
bondage that we produce. For the unenlightened, what
we represent and advocate really needs to be clarified.
In that spirit, the following general explanation is at
least a start.

It has never been nor will it ever be our purpose to
depict women as mere subordinates to men. These
pictures and articles are not^about that. The materials
we produce are carefully and, we think, obviously
designed for men and women to whom bondage is an
important mutual diversion, a recreational and benevo¬
lent experience, a fantasy with a happy ending, a
good-natured game in which everybody wins.

It is not the pleasure of our patrons nor our intention
to offend or demean or abuse or exploit or disadvan¬
tage, be aggressive against, or cause even the slightest
pain to our models, or to suggest that such is occurring
to the ladies they are portraying. We do not character¬
ize victims; we characterize lovers who are mutually
involved in a complex and bizarre, but highly stimulat¬
ing personal activity. The taste we reflect is mutually
exciting and pleasurable — the bondage can be for the
sake of sexual teasing or foreplay; or the acting out of a
benign rescue fantasy with slightly juvenile under¬
tones; or just the sweet and secret, simple sharing of a
very special physical intimacy between caring persons.
Whichever of these it is, we have characterized it on
our pages as u Love Bondage. ”

While we cannot police the motives and psyches of
our customers, we can and do shape our materials for
completely benevolent natures only — either the adult
who was imprinted during adolescence by the thrilling
and heroic adventure story rescue of a bound and gag¬
ged and ultimately loving female, or the male or female
adult whose basic nature identifies with the female in
bondage and craves to personally experience those
same offbeat sensations for either deeply psychological
reasons, or, to state this in the simplest possible terms,
because it actually feels goody safe and comforting even.
He or she is wrapped up tightly and snugly, there is a

feeling of being protected, and the rope becomes surro¬
gate for a protective lover’s arms. It is to please and
satisfy those two natures, and they alone, that we
create these visual fantasies.

Conversely, those persons in search of darker, less
pleasant bondage themes must look elsewhere, for
there is really nothing for them here. Our materials are
just not for people who enjoy scenes of human mistreat¬
ment. If such people do show up on our mailing list
from time to time, they certainly have no reason to
linger, since what they are seeking is probably the exact
spiritual opposite of what we have to offer.

Good drama does not exist without conflict, and
there will necessarily be the blending of bondage with
actual danger in some of the text fiction that we pub¬
lish. But these situations will be so obviously far-fetch¬
ed or tongue-in-cheek that they are clearly not to be
taken any more seriously than a comparable paperback
tale or television episode containing the same ele¬
ments. But in all of the photos that we present, be they
from contributors or our own associates, the woman is
there willingly, even gladly, and for her own reasons.
Were she not, we would not publish the picture.

Therefore, the bondage that is dramatized here is an
essentially gentle act used by lovers to intensify their
physical and spiritual closeness. She gets to belong
utterly to someone she loves, and to be adored for what
he perceives as the prettiness of her dependency on
him. She has surrendered for him that part of her
independence she doesn't want. They are fortune-bles¬
sed soulmates, theirs is completely a mutual act of trust,
love, appreciation of themselves and each other. And
the readers who look on perceive her bondage as physi¬
cally and spiritually pleasing to her - she knows that it
has more to do with being wanted than abused. Were
•that not the case, we would ourselves be offended.

Our bondage has absolutely nothing to do with
demeaning anyone. It is totally and utterly a bilateral
activity, and, were it not, we wouldn’t have anything
to do with it.

HAjRMONY COMMUNICATIONS

GOTTA DANCE . . . ?

An unknown Brody model
demonstrates that timeless
classic, the famous barefoot
rug-roll step.

31

IWlf

Teatn rthftBetty

!glnlnlli»>5>

.fcatw lug Betty ^0*

Top Control
Three Mistresses dom¬
inate their male slaves
through humiliation,
flogging and cock
torture.

The Experience
After her first trick, a
Dutch girl learns and
acts upon her B & D
desires.

One Hour videos still
available butnotshown.

-

Ebony Goddesses
A man's search for his
brother in NYC leads,
him to him, only to
come under the same
rule of a black Mistress
and the heavy helm of
female domination that
has been his brother's
captor for so long. Un¬
available in Pal Format.

Escape Me Never
Come with Bree as her
desires of being a com¬
pliant slave are brought
to life by means of
whippings, suspension
bondage and torture,
while under the supreme
rule of a nefarious Mis¬
tress. Unavailable in Pal
Fornr*

I Want To Be A Mistress
Vicki wanted and de¬
sired to became a
supreme Mistress, but
she knows first she has
to become a compliant
slave. Through 'effective
training by Mistress
Stephanie, she Quires
her desires of Ming a
dominatrix. Unavailable
in Pal Format.

Classic Films of
Irving Klaw No. 1
Authentic bondage film
clips featuring Betty
Page by Irving Klaw.

A Black & White video.
Unavailable in Pal
Format.

Classic Films of
Irving Klaw No. 2
More, authentic bond¬
age film clips featuring
Betty Page by Irving
Klaw. A Black & White
video. Unavailable in
Pal Format.

The Captives
Two theives attempt
robbery at an unknown
B & D equipped house¬
hold for an interesting
outcome.

Slaves of I
A girl's drea
into a SM real
with 4 other

ONE

HOURS

LYNDON DISTRIBUTORS ^

VIDEO

for

Desires

One Hours
$89.95each
or 2 for
$159.95

Half Hours
$49.95each
or 2 for
$79.95

To order your videos,
use order form accompanying
Lyndon's magazine ad!

Videos available
on Pal Format,
unless noted.

Beneath Her Spikes
Humiliation, cock
torture and foot homage
is what male slaves en¬
dure to gratify their
Mistresses.

She's
Corporal
is inflicted
secretary

Morgan's Panty Slave
Domineering Mistress
Morgan controls her
defiant housesiave
through humiliation and
extensive co ck tortu re.

Mistress
her male
means of

Task Master
The Master fiijtis out
le has an incortjipetent
slavegirl that nfeds to

Trained Animal
A stable boy becomes
the Dutchess's slave
through cock torture,
whipping and hardcore
discipline.

Task

has

slavegirl

The Full Treatment
A large breasted dom¬
inatrix and her female
associates whip and
spank male patrons.

Abducted & Trained
Submissive girls are ab¬
ducted into a world of
paddles and whips.

CLOSET BONDAGETTE

Judith Wilson demonstrates her fine sense of drama in this early photo sequence. In our humble
opinion, this is Judith at her sexiest — but don’t take our word for it — see for yourself!

36

37

TOGETHERNESS

In Bondage Parade 23 there appeared a story called “Artistic Interpretation,” written by
Jeff Sinclair, which was inspired by (and accompanied by) a set of photos taken by JAMM
Productions, which were in turn inspired by a previous story by Sinclair. (Got all that?) Here we
present a sequence that JAMM photographed, but that wasn’t included in the story. These two
appear to be having so much fun “ JAMMed” together like that, one is inclined not to ask questions.
One question does persist, however . . . where are her hands?

HIGH-FLYING COMICS BONDAGE WITH BRICIi BRADFORD

(CIRCA 1946)

Brick Bradford, two-fisted
man-about-galaxy and Space
Cowboy, a lesser-known
contemporary of Flash and
Buck, had his share of
distressed damsels to rescue.
In this choice sequence,
Brick’s heart-throb is bound in
her boudoire by an old witch,
lowered out the window to the
cargo hold of their wooden
flying ship, stuffed into a
basket, then hoisted like a flag
fifty feet above the deck so the
witch can get the “drop” on
Brick. (Aren’t comics
wonderful?) Here also are
several assorted bondage
scenes from other episodes. As
is often the case, this vintage
comic had to find its way over¬
seas, be translated into Italian,
and be discovered by our
Roman friend Saudelli before
it found its way into our hands;
so unless you read Italian, the
dialogue is lost. Fortunately,
bondage is a non-verbal
art form . . .

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ABOUT BONDAGE PARADE:

This magazine is truly "Bondage
Life" without "Tielines*’ and
"Bound for Hollywood." So if
"Bondage Life" is a must for you,
then so is "Bondage Parade," the
magazine that is almost completely
"By The People" and conveys a
sense of how everyone else feels
about bondage (and how everyone
else looks in bondage). Probably the
second finest bondage publication
in the world today.

ABOUT BEAUTIFUL
BONDAGE SCENES:

Soft visual fantasizations of "Live
Bondage." New and unpublished
"Damsels in Distress" pictures from
Harm o n y a n d i n d e p e n d e n t
hondagers. The Harmony "Bound
Beauties" on parade, mostly in
lingerie bondage. Little if any
text— hut a generous assortment of
pictures of the prettiest bondage
models in the World today.

B MB

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COVERGIRL BECKY BONTON: THE LADY IN RED

Bondage Beauty Becky Bonton
was last seen on the cover of
Beautiful Bondage Scenes 6,
photographed by GAD. Here
she is, every bit as beautiful,
and still wearing red. What
can we say? Red is her
color . . .

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1

MORE TO SEE OF MRS. “T”

Popular amateur bondage personality Mrs. “T” enjoys an afternoon’s daliance with Mr. “T”

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47