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PLAYBOY — 


$ i 


PLAYBOY'S 
HOUSE 
PARTY 


FLEISUMAN 


BROWN 


SHECKLEY 


PLAYBILL 


PARTY at a glossy and 
glamorous Miami mansion fills a full 10 
pages of this May issue — and those who 
remember the femmes and fun of our 
July 57 Yacht Party know just how en- 
joyable a LAvmov party can be. Fetch- 
ing, frolicome young ladies are по 
small clement in the success of this 
shindig, and the PLayroy camera has re- 
corded all their merriest moments. One 
of the charmers, Cindy Fuller, puts 
an extra appearance as this month's 
Playmate. 

rLAYBOY Travel Editor Patrick Chase 
is on hand this month with the definitive 
article, The Art of Travel, in which he 
innumerable questions often 
raised on the technique of visiting 
asc also contributes 
monthly feature, Playboy's 
International Datebook, while Robert 
L Green, our Fashion Director, describes 
the pleasures to be had in a weekend 
шір by jet to Paris and London, and 
suggests the right raiment to take along. 

T. К. Brown HI has authored our 
lighthearted lead story, Dealers Wild. 
T. К. will be remembered as the chap 
who indited those delightful. examples 
of whimsy, The Skindiver and the Lady, 
The Double Cross-Up and The Sergeant 
and the Slave Girl. His latest story 
echoes the travel motif of this issue, for 
it takes place on a swank ocean liner 
prominently visible in the swank illus- 
tration by Seymour Fleishman. A yacht- 
ing trip is used to ad c by E. S. 
Jensen to launch us into the sharp and 
Sensitive story of love among the Madi- 
son Avenue crowd, The Girl Had Been 
Around, Robert Sheckley takes us liter- 
ally out of this world in his ironic, іп- 
tive science-fiction trilogy, Triplica- 
Поп. Macabre master С: Wilson 
goes pretty far out, too, in his special 
spread of brand-new crawly cartoons. 

Seasoned travelers Peter Ustinov, Com- 
mander Whitehead and Hermione С 
gold represent Great Britain 
nd Thom: 
nd Drink Editor, takes 
ternational snack, рии 
cluing us in on all the tricks for serving 
grand, golden pizza pies to one’s self and 
one's guests. You might say this issue is 
а sort of armchair vacation in itself. 


A PLAYBOY НО! 


ТЕ a formal jacket combines 


Such cool comfort and dashing style 


... it must be ۸ ft er S xen 


This is the formal wear with an international repute for casual 
comfort; yet possessed of sufficient elegance to grace a reception 
at Monaco. Brilliant styling and masterful tailoring account for 
that! The fabrics are a story in themselves: Silk Shantungs, 


Como and man-made fibers. Their biggest assets: airy 
lightness and crease-resistance. Write us, if your dealer should 
be so neglectful as not to stock After Six for you. Priced from 


$27.95 to $85. (Slightly higher West of the Rockies.) 


Write for Free Dress Chart Booklet by BERT BACHARACH, foremost authority on men's foshions. AFTER SIX FORMALS, Dept. P-70, PHILA. 3, РА. 


PLAYBOY 


who'll 
be first 
to Shave 
the 
sour grape? 


NOT RONSON 


Ronson's CFL Shaver is concerned with one thing. The human 
beard. And, in attaining its top-rated shave-ability, it never 
once shaved a fruit. Fuzzy or sour. Nor a prickly plant. 


Top-rated? Maybe you've heard. 


One of the country's leading consumer testing magazines 
stacked up the CFL against every other name brand. 
"Tested them all. Impartially. Mercilessly. Report: the 
Ronson CFL is £he best performing shaver on the 
market today. 

Who'll shave the sour grape? It's a toss-up. But one 


thing's for sure. Ronson won't. A beard? That's some- 
thing else again. As it should be. 


"This is it. The shaver that 
shaves Closest, Fastest, with 
the Lightest touch of all. 
The top-rated Ronson CFL 
Electric Shaver. Surprise! 
The CFL sells for less than 
| other leading brands. 


ONSON 
CFL 


+.. THE BEST REASON TO SHAVE ELECTRIC! 


RONSON CORP. - WOCOBRICGE, N. J. - TORONTO, ONT. * LONDON, ENG. 


DEAR PLAYBOY 


ЕИ Avpress PLAYBOY MAGAZINE . 232 Е. OHIO ST., CHICAGO 11, ILLINOIS 


LENNY BRUCE 

Lenny Bruce is way out! My sides are 
still split just from reading about him in 
Larry Siegel's Rebel with a Caustic Cause 
in your February issue. Imagine di 
this nut in person! When is he coming 
to Piusburgh? 


з 


Кепее Hart 
ittsburgh, Pennsylvania 


Mr. Lenny Bruce is reputed to scathe 
“sacred cows" and “the pretentious 
phoniness of a generation.” One won- 
ders if his fearless material contains any 
criticism of rLaynoy? I would guess not. 
It is too much to hope that therc exists 
а man who dares bite all the hands that 
feed him. 


e Allison H. Roulston 

New York, New York 

Bruce has several bits on PLAYnOY т 

his current act, including, “I want you to 

know I didn't have to do anything for 

that feature in PLAY noy — Oh, went up 

and saw the publisher and we danced a 

little, but there was no kissing or any- 
thing like that.” 


РН. CAN WAIT 
Many thanks for a consistently fine 
azine — even though 1 do lose a 
whole day's work toward my Ph.D. every 
time гглувоу hits the stands! 
Don Cowlbeck 
Princeton, New Jersey 


ma 


GIRL IN THE NET 


‘The lovely-visaged valentine who was 
your Miss February is undoubtedly the 
most beautiful creature I've ever seen— 
but will you please tell me her name? 
Charles Newton Tozer 
nbridge, Maryland 


Your Miss February is beyond a doubt 
the most beautiful and sparkling Pla 


mate you ha 1 in months. There 
seems to be only one trouble; all we 
know her by is "Miss February 

Howard E. Young 


Lincoln, Illinois 

We refer you two fellows to our high- 
class clientele, who read the words as 
well as glom the pictures . 


Many a Playmate has evoked words of 
praise, but February's Playmate, Eleanor 
Bradley, has left me speechless! 


Al Torem 
Los Angeles, California 


February's Playmate, Miss Bradley, 
was devastating. 

Jerry Stover 

New Haven, Connecticut 


What a stir your February issue caused 
in Waukegan, the home of Miss Eleanor 
Bradley. She was interviewed by the 
local press and radio, stores that don't 
ordinarily sell magazines ordered copies 
from your distributor and one sold over 
1000 out of bushel baskets at ап auto- 
graph party. By the end of the first 
week, there wasn't a copy to be had this 
side of the Wisconsin е line. 

Charles Johnson 
Wau n, Illinois 


BITTER RICE 
"Tom Mario's January recipe for jam- 
alaya calls for converted rice, None of 
the shops in this neck of the woods have 
ever heard of it. What the hell is it? 
D. Е. Waterman 
Great Falls, Montana 
Converted vice isn’t wild rice; brown 
vice, saffron vice, Puffed Rice or Elmer 
Rice. ICs just regular ordinary everyday 
common or garden rice-type vice. 


PARTY GAMES 
Three cheers for rLaynoy! Although I 
wouldn't recommend your Party Games 
for the Annual Church Social, 1 certainly 
found them great fun, However, you 
neglected to mention that some of the 
games (the Balloon Game, Honeymoon, 
Under the Sheet) can be played by just 
two. To prove this, the girlfriend and I 
experimented and сате up with some 
very interesting variations. 
Ron McCready 
Baltimore, Mary 


and 


I found your Party Games just a trifle 
on the insipid side. 
J. J. Dillon 
West Point, New York 


ют нин PUBLISHING CO., INC. ві 


1959, VOL, 6, NO. в. PUBLISHED MONTHLY ву нии FUBLISHING со. 
‘SECOND CLASS POSTAGE PAID AY CHICAGO, ILLINOIS 
115 POSSESSIONS, THE PAN AMERICAN UNION AND CANADA, $14 


INC., PLAYBOY BUILDING, 232 f. оно 
TED IN U.S.A. CONTENTS соғуяіситео © 1959 


FOR THREE YEARS, S11 FOR TWO YEARS, $6 FOR ONE YEAR, ELSEWHERE ADD $3 PER YEAR FOR FOREIGN POSTAGE. ALLOW 30 
DAYS FOR NEW SUBSCRIPTIONS AND RENEWALS, CHANGE OF ADDRESS: SEND БТН OLD AND НЕМ ADDRESSES AND ALLOW 30 DAYS 
FOR CHANGE, ADVERTISING: MAIN ADVERTISING OFFICE, HOWARD LEDERER, EASTERN MANAGER, 720 FIFTH AVE., NEW YORK, 


NEW YORK. Ct 5.2620; WESTERN ADVERTISING OFFICE, 232 E. OWIO STREET, CHICAGO M, ILLINOIS 
REPRESENTATIVE, FRED €, CRAWFORD, 612 5. SERRANO AVENUE, LOS ANGELES, CALI 


мі 24000, 105 ANGELES 
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PLAYBOY 


6 


YOUNG MAN interested in 
knowing the 1959 shortcuts 


Prices slighty higher on the west сооз! 


Obviously the long-woy-around is not for 
the young man in а hurry. Lots of short 
cuts are turning ир... none more notable 
thon the ones we offer. The suit coat on 
every one of our Cricketeer Trimlines is 
newly short, the trousers newly norrow. 
Pictured here, the newsworthy “Suit of the 
Future" that's completely woshwearoble, 
yet hos the tailored “look” of imported 
tropicol worsted. The magic’s in the 6 
ounce blend of 25% worsted with 50% 
docron and 25% orlon, exclusively ours. 
Presidential stuff, о new speed developed, 
obviously а 1959 shortcut for the young 
man going places. The Suit of the Future 
ticketed ot an easy $50, other wosh and 
wear suits from $40, Woshwearable sport- 
coats from $30, 


This is appeal #6 to the Young Man Who 
Wants То Make $10,000 А Year Before 
He's 30, Are you this man? If so, write 
for the name of the nearest Cricketeer 
Trimlines Store. 


Cricketeer 


200 Fifth Avenue, New York City 


‘GREG. U.S, PAT. OFFICE 


The Party Games in your January 
issue were very entertaining. Г had a 
party in my home last night, tried them, 
and they were a tremendous hit. The 
funniest was Lifesaver. 

Beatrice Harris 
Allentown, Pennsylvania 


The girl in the red dress, uying to 
bust the balloon (Party Games, January): 
who is she and why isn’t she a Playmate? 
Lt. R. E. Allison, US. Army 
Berlin, Germany 
Her name is Marianne Gaba. ех Ми 
Шток from the Miss Universe Contest, 
model, movie starlet and soon to be fea- 
tured as a Playmate. 


JAZZ POLL 


Congrats 


» Louis Armstrong lor win. 
ning the 1959 Jazz Poll for best trumpet. 
But next year I'm going to vote. (I pro 
crastinated this year) and I'm going to 
vote for Miles Davis. 
Patterson Stiles, Jr. 

Ellsworth, South Dakota 


Just а word of thanks for the listing of 
the 1959 winners of rLavnot’s Jazz Poll. 
It, along with your monthly articles, 
serves as а great part of my daily three 
and one-half hours of programing along 
the Texas Gulf Presenting con- 
temporary jazz to an 
dened with rock ` 


proach to the situation found in your 
columns, it makes broadcasting six days 
а week а joy rather than a chore, 
Tom Overton 
KFDM Radio 
Beaumont, Texas 


The silver medallion for the third 
annual Playboy Jazz Poll is proudly 
resting on my desk in Hollywood. I want 
to express my appreciation to PLAYBOY 
and its readers for thus honoring the 
band and myself, Needless to say, we all 
watch your Jazz Poll with the greatest of 
Wish you continued. success 
feature as well as the rest of 


Stan Kenton 
Los Angeles, California 


Your recent Jazz Poll was the least. 
Your so-called “voting public" should be 
locked in а soundproof room equipped 
with stereophonic speakei 
listen to 100 LPs of p 
haps then they'd realize и 
а guy blows an 
necessarily pl. 
that Lefty Frizzell didn't as best 
guitarist. If 1 ever caught aden or 
Armstrong sitting in with Silver or Monk 
(except on those phe Timex deals), 
I'd flip. 


wonder 


Bailey Y. Dodson 
Sacramento, California 


His extraordinary book shows you 


THE SECRETS 
OF WINNING POKER 


Be the first in your crowd to get his runaway best-seller 
that almost takes the gamble out of poker. The first four 
editions were sold out as soon as the ink was dry. A fifth 
printing has just been delivered and a sixth is on press. 


пк Hennenr О. Yarouey book started 

selling like wildfire when a small fı 

tion of it appeared in The Saturday 
Evening Post. 

Your best friends won't tell you what's in 
it — and when you've read it you won't 
tell them. 

It’s called The Enucarion or A Poker 
Prayer, And it's а priceless education. In it 
Yardley tells the secrets of his systems for 
winning at all the usual (and many of the 
таге) kinds of Draw and Stud Рок 


“Never open on two small pair — never” 


“Fold them,” Yardley says. Нез talking 
about Straight Draw, nothing wild, 7 players. 
“It's twelve to one you won't make a Full 
House. ТЕ somebody ење opens, don't stay. 
Anyone who stays on two small pair should 
have his head examined. You fold — or you 
bluff by raising before the draw, standing 
pat, then. betting. 

In the same specific way Yardley looks 
over your shoulder at every hand and tells 
you exactly when to open, and when to pass 
(even though you have openers), when to 
call or stay, when to bluff, when to raise, 
when to be cautious, when to be brazenly 
bold. And when to meckly fold. 

He shows you all this by means of actual 
sample hands which he plays out for you 
nd analyzes, And you learn how to p 
A the odds instead of against them. 


How to develop not only а 
poker-foce but а poker head 


Yardley tells you how to study and “read” 
the other players — watching and analyzing 
their mannerisms, learning their weaknesses 
and thei you a master 
strategist at poker's psychological war. 

He tells you wonderful salty stories (prob- 
ably not for your Aunt Hermine) out of his 
own poker experience around the world — 
stories that sharpen your poker sense 

You “sit in" on the ра which the corn 
grower “Bones” Alverson bet his farm against 
а circus tent show at Five-Card Draw Deuces 
Wild — and won under the unfortunate cir- 
cumstance of no longer being alive at 
time. (After which Yardley gives you a bri 
liant analysis of how to play your cards at 
Five-Card Draw Deuces Wild.) 


HOW WOULD YOU PLAY 
THESE DRAW POKER HANDS? 


The game is Straight Draw — 
nothing wild, Jacks or better to 
open, There are 7 players 


BIG PAIR 
Za 


= 
4 THREE ОҒ 
A KIND 


FOUR CARD > 
FLUSH 


You wate 
sample shoes—and you profit from his 
take. You see how good and bad poker play- 
ers from the old west to China played their 
hands—and how they should've played then, 


Send for your copy today — at no risk 


Yardley's book could easily turn а steady 
loser into a steady winner, With its specific 
advice and its great stories out of Yardley 
own experience, it amounts to a profe 
education i in the theory and practice of wi 
— and a post-graduate course in Ше 
Sr ‘of the bluff. 

Send for your copy today. Get hold of it 
before the others in your crowd. Send по 
money. When the mailman brings your copy, 
it, enjoy it, study it for three full weeks 


on the house. If you don't actually win several 
times the. 


all cost of the book in your next 
ions, simply return the book 
weeks and pay nothing. Other- 
we'll bill you $3.95 plus postage as pay- 
ment in full. Simon and Schuster, Publishers, 
Dept. 45, 630 Fifth Avenue, New York City. 


— 8ös«X—fã—ſ!ͥ . 44 2A. —— 
THIS IS HOW YARDLEY WOULD PLAY HANDS IN PANEL ABOVE 


pet део? метр а 


37d spurys әпоәшов am 
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ais skys закија үїшорушәдо De 11 


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Под эта "ien 10 soU]N әле 
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au И "OM memp 'әйо 10 ‘spi 
OM) sawp ay JI ju чил sony 
жтїр EI san samp зәйәйо әр 
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edc aj Јо ЗИ eig o) Ваш. 
am поб Jp sso uo SUIS Zen, 
"ses pma mod Big ouo 


Photograph by OLLIE ATKINS 


About HERBERT О. YARDLEY 


Yardley's mastery of the infinite subtleties of 


poker made him just the kind of agile thi 
whom you would expect to crack а жап 


¢ code. (he did) and to write the classic book 


оп codes, ciphers and spies (he did: The Ameri- 


can Black Chamber). 
“Because he plays such a 
The Saturday. Evening. Post, 


ıt (as a eryptanal 
Yardley made а sc 

reinforcing his fifty years ој 
a player. Now he has told all in 
/CATION оғ A Poken Prava." 


Here's how good it is 
(the first 


The New York Herald Trib- 
ине Book Review says, “TL e 
should be part of every fa 
her's investment portfolio for | 
son — or for himself. What 
n and Vanderbilt have 
done for the bridge player, 
Yardley has now done for that 
submerged four-fifths of Amer- 
ican manhood that plays poker. 
He has given us dignity, wis- 
dom and philosophy, | 
Тикороль Н. Мите D z 


To Your Bookseller, or 
SIMON AND SCHUSTER, Inc., Dept. 45, 
630 Fifth Avenue, New York 20, М. Ү. 


Im from Missouri and want to be shown. 
So send me a copy of Herbert O. Yerdiey 5 
ew book, тик EDUCATION OF A POKER PLAYER 
ТГУ doni win several times the price of the 
book dn my next few poker sessions, СИ send 
he book ‘back. within three weeks’ and pay 
пале Otherwise. 2 will remit only $195 
pius a few cents postage ns payment in ІШІ 


Name. 


Address... 


СЫ Е 
[Г] SAYE POSTAGE. check here it ENCLOS- 

ING $3.95 as payment in full, in which 
case we pay postage, Same return privilege, 
with money refunded in full 


EE 


dubbed "Old Adhesive’ by his friends. Af 
+) three years a 
tife study of poker in all its 


ute to Yardley’s book) 


PLAYBOY 


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Want to make a little wager? Bet I 
can predict the winners (in every cate- 
gory) of next year's Playboy Jazz Poll. 
"The only change will be the number of 
votes they win by. This Jazz Poll is 
g on the ridiculous. Just for kicks, 

out my old February PLAvmovs 
I save every issue) and com. 
pared results. In all 15 categories, the 
only winners who did not repeat all 
three years were Louis Armstrong on 
trumpet — Chet Baker edged him out 
once; and Erroll Garner on 88—Da 
Brubeck won one time. I have а fecling 
next February's eLAYboY is going to be 
awfully monotonous — at least as far as 
the Jazz Poll results are concerned. 
Will Budd 
Tuckahoe, New York 

It is certainly true that no one changes 
his jazz favorites as often as his ties, but 
rLAYBoY's annual poll offers the most 
accurate report available on America's 
current taste in jazz. During the past 
three years, in addition to the first chair 
changes you mention, PLAYnoY readers 
moved Dizzy Gillespie from third place 
to fourth and dropped Shorty Rogers out 
of the four man trumpet section alto- 
gether to make тоот for Miles Davis in 
the Playboy All-Star Jazz Band; Bob 
Brookmeyer changed seats with Jack 
Teagarden in third and fourth place in 
the trombone section; Coleman Hawkins 
won the second tenor sax chair away 
from Charlie Ventura; and по one could 
have predicted Earl Bostic’s surprising 
win over Bud Shank for the second alto 
spot. Of even greater interest ave the 
changing tides of popularity among the 
artists just below the silver medal win- 
ners: Johnny Mathis was nominated in 
the first poll, but didn’t receive enough 
votes to place in the final results; the 
second year, however, he jumped into 
fourth place, just behind Sammy Davis, 
In, and this year replaced Nat "King" 
Cole in second position, Whether he can 
ever hope to topple top male vocalist 
Frank Sinatra, or will instead lose his 
second place spot to some new upcoming 
singing star, only the усак» ahead can 
tell. Tenor sax man Sonny Rollins, de- 
scribed by eLAvnov Jazz Editor Leonard 
Feather last February as “the most talked- 
about jazz soloist around," was nomi- 
nated in the first poll, but wasn't well 
enough known nationally three years ago 
to appear in the final tabulation; the 
second year, he'd moved into tenth place 
and this time, into fourth in the readers" 
poll, winning top honors im the new 
musicians’ All-Stars’ All-Stars balloting, 
The introduction of a poll among the 
winning All-Star jazz musicians them- 
selves should add considerable interest 
lo future Jazz Poll results and may be 
expected to supply plenty of surprises, 


too. 
a 


PLAYBOY AFTER HOURS 


e gather you liked our male's-cye- 

view of Ann Landers and. Abigail 
Van Buren (Dear Ann and Abby, De- 
cember 1958), so from time to time, like 
right now. we'll present more in these 
columns. Here again are verbatim letters 
to Ann and Abby and their answers (as 
released by the Chicago Sun-Times and 
McNaught Syndicate), followed by our 
italicized comments from the masculine 
viewpoint, 


DEAR Anny; Ther man who comes 
to my house on business every so often 
(he is a meter reader) and in the sum- 
mer I give him iced tea and in the win: 
ter I give him hot coffee. 1 am а widow 
and he told me once he lost his wife 
I think he likes me and 
J know f like him. Не has good manners 
and is nice looking. He acts lonesome 
but I don't want him to think I'm run- 
ng after him. How can I get to know. 
him better? LONESOME 


some years ago. 


DEAR LONESOME: He's a meter reader — 
not a mind reader! Ask a few of your 
friends in for dinner, and include him 


Best way to deal with this slow starter 
is to offer him something more solid 
than tea and coffee. Whatever you do, 
though, don't expose him to your friends, 
which at the least would ruin the pri- 
тасу of a near-perfect setup for fun and 
games, al worst would give him a chance 
10 case your competition 


pear Amb: T suppose this will sound 
made up but I hope to die if it isn't tru 
I am 18 and my mother is 34, but she 
looks younger. We are both in love with 
the same man. He is divorced, 30, and 
he takes turns taking us out. He says he 
can't make up his mind which one he 
loves more. My mother has been di- 
vorced twice and says she is not inter- 


ested in marriage, but if he marries me, 
she would like to live with us and that 
way we could both have him. Is that 
inst any laws you know of? 1х LOVE 


DEAR IN: This is against EVERY kw T 
know of. Your mother should use the 
rocks in HER head to fill up the holes 
іп YOURS. What you suggest is im- 
moral, indecent and illegal, Have none 
of it. 


Who are we to fly in the face of tradi- 
tion? You know the old saying — “Mother 
knows best.” 


DEAK ANN: I'm a fellow, 25, with а prob- 
Jem that has caused me much embarrass 
ment and heartache. aged 
to a lovely girl for almost two years and 
we want to вес married. Whenever she 
talks about setting the date I break out 
with large red bumps and the itching 
drives me crazy. 1 had these same bumps 
when I was in the Army six years ago. 
The Army doctor told me they'd go 
way, and they did. My girlfriend says 
we should get married regardless, but 
I'm afraid this might make the bumps 
worse 1 of better. We both read 
your column and will be watching for 
the advice. ТЕН 


Туе been en 


insu 


им хо росток, but it certainly sounds 
like psychogenic urticaria, which i 
fancy name for skin trouble resulting 
hom an 1 disturbance. Соп 
tinue with your plans as if the bumps 
were not there. Don't postpone marriage 
because of them. A skin specialist can 
give you the help you need. Make an 
appointment today. 


emotioi 


Urticaria is a fancy name for nature's 
warning that you're not getting the emo- 
tional release you need. Suitable therapy 
should be supplied by your girl—or 


someone else if necessary. You can al- 
ways get but. that's. obviously 
not what you're really itching for. 


married. 


prar anny: 1 have been married for al- 
most a year and my husband's snoring 
keeps getting worse and What 
auses it? He never snored a bit before 
we were married, Thank you 
CAN'T 


worse 


SLYEP 


DEAR САМ: Better have him sce а doc- 
ког. Maybe he һа» ALWAYS snored but 
you've never noticed it. 


Next question 


the advent of 


Presumably presaging, 
the scented cinema we discussed here 
not long ago, an ad for a movie house 
in Skokie, Illinois, announced: "Odors 
open 7 гм. Show 8 pat" And anyone 
who thinks that the idea of smelly movies 
is pretty doggy will be awash with joy 
to learn that a perfume for dogs is on 
sale in Bolton, England, called Kennel 
No. 5. 


BOOKS 


From the Hecht’s Bad Boy of The 
Front Page era to the Angry Old Man of 
recent years, Ben Hecht has been a kind 
of madman-ofletters, never doing the 
predictable. In The Sensuslists (Messner, 
58), he runs true to form, combining 
а serious study of psychopathia sexualis 
with a mystery plot. He himself calls 
it "a sort of 19th Century novel minus 
the asterisks.” ‘The characters he has as- 
sembled to illustrate his lecture include: 
whore chasing Manhattan publisher; 
his once-frigid wife (whom he's succe: 
fully defrosted); a disenchanted chan- 
сизе whose life is an open book — by 


PLAYBOY 


10 


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KrafftEbing: her ex-husband, an im- 
potent junkie: and her ex-lover, a 
sadistic сор with a stripe on h's sleeve 
and а monkey on his back. It all begins 
when the junkie is found dead, the hus 
һа d the betrayed wife 
teams up with the doxy (who later se 
duces her) to save him from the flatfoot 
hophead. With these ingredients, Hecht 
whips up а bitches’ brew, bot being 
basically an artist, he has іші: зей the 
passion with compassion to a point where 
you really feel for these people and 
dread the dark denouement. 1 wo things 
ave certain: (1) once opened, this will 
not quickly be closed and (2) Hecht's 


seminar is not for seminarians. 


Devotees of this journal who enjoyed 
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the entire batch of popular PLAYBOY 
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in, and for even better measure, the 
whole shebang is illustrated. by that 
other PLaysoy peripatetic, Shel Silver- 
Ies the snappiest combination 


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мет. 


In a few months, Jacques Monard, the 
man who wielded an alpenstock over 
Leon Trotsky's head in 1939, will be re- 
leased from a Mexican jail. The Great Prince 
Died (Scribner's, $4.50) by Bernard. Wolfe 
tells of the events leading up to and the 
final results of this assassination. Al- 
though the novel adheres to the basic 
anti‘ Trotsky plot as revealed at the trial 
of Monard, author Wolfe freely admits 
taking liberties with events and person- 
ities in order to make his story more 
readable. A former Trotsky bodyguard 
himself, Wolfe is just as anxious to spout 
philosophy as he is to neatly wrap up all 
the details of his yarn, but anyone intei 
ested in a colorful, richly written blast at 
J. Stalin, his antecedents and successors, 
will find this story of political intrigue 
and murder just the ticket. 


FILMS 


Al Capone is a semi«locumentary, un- 
hysterical and somewhat one-dimensional 
reminiscence of gangsterism in the grand 
style. As the Naples-born, Brooklyn- 
raised hood imported to Chicago to 
bodyguard a member of thugdom brass 
only to become kingpin himself, Rod 
Steiger is a kind of whimsical Scarface, 
touchy about his rights as an American 
citizen and the way his name is pro- 
nounced. Working from а screenplay 
that names а few names and overlooks 
others, director Richard Wilson has 
taken time to develop character shad 


SUZUKI 


Pat Suzuki sings songs from her new hit, 
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from other shows, including “The Music 
Man,” “Bells Are Ringing,” “My Fair Lady,” 
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PAT SUZUKI si 


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FOUR ER 


It's a much abused and a much beloved 
word too, And like the wife who's been a 
peach after ten years of marriage, jazz is 
too often taken for granted. 

It wasn't always so. Sure there's a hard 
core of aficionados who can't hardly look 
at anything unless the liner notes tell you 
that “Pinetop spat blood.” And there are 
collectors who forage through murky an- 
tique record shops looking for a genuine 
Buddy Bolden recording. Bue jazz wasn't 
meant ко lie down in a dark corner and 
play dead, and it hasn't. Even though you 
may take your wife for granted, she still 
exercises her wiles via the well known 
feminine devices; the trapeze dress, pointed 
shoes, pale-pink lipstick, padded hips, 
cleavage (more or less), ad infinitum. Just 
as styles change, so has jazz. More appro- 
priately, jazz has grown. 

When Warner Bros. Records O sec 
out to produce а series of albums devoted 
to jazz, artists and repertoire director 
George Avakian set one simple ground 
rule: lets not make it а potpourri— an 
alphabet soup series of jazz albums. 
may think we've violated the boss’ instruc- 
tions by offering different types of jazz, 
but honestly we haven't. We've put to- 
gether ten albums in different styles of jazz 
simply because we realize that some people 
may think Dixieland is out, while others 
will swear it's in. And the release is capped 

by an album we've 
PER, e called Jazz Fes- 
tival—Near In and 
Far Out. 
isted below are 
the varied ways we 
have spelled that 
four-letter word 
called jazz. 


Available in Vitapbonic Stereo and mon- 
aural long play. Write for free complete 
catclog to Dept.K , Warner Bros. Records. 


GONGS EAST Chico Hamilton М/А 1271 
TROMBONES, INC. Тһе Trombones, 
Inc. W/WS 1272. 
GIRL CPAZY Ruby Bratt W/WS 1273 
FIRST JAZZ PIANO. The First Jazz 
QUARTET Piano Quartet W/WS 1274 
BIX-MCMLIX Dick Cathcart ` W/WS 1275 
CHARLESTON 1970 | Robert Prince 
Tentette W/WS 1276 
FOLK SONGS FOR 
FAR OUT FOLK Fred Katz Orch. W/WS 1277 
GILBERT AND. Jim Timmens 


All Stars W/WS 1278 
Morris Nanton Trio W/WS 1279 
Matty Matlock and 
the Paducah Patrol W/WS 1280 


W/WS 1281 


‘SULLIVAN REVISITED 
ROBERTA 
FOUR BUTTON DIXIE 


JAZZ FESTIVAL— 
NEAR IN ANO FAR OUT 


WARNER BROS. 


RECORDS 


BURBANK, CALIF. 


ings (they're pretty shady) and has de- 
lineated the casual manner in which the 
public and public officials reacted to 
killings at the time. Storywise, the pic- 
ture glosses over the true viciousness of 
Capone, his thugs and his procurers, the 
misery they brought, the terror they in- 
spir s seen mainly through the 

rivals, a woman (Fay 
pain) whom he marries after rubbing 
out her husband, and an honest cop 
(James Gregory). Steiger brings an 
earnestness and a naiveté to the por- 
trayal that take it way out of the sterco- 
type, but when all's done you don't feel 
you know who Capone was, or why he 
happened. 


Poland's а mighty sad place to be, 
judging from the goings-on in The Eighth 
Day of the Week, the most powerful pic- 
ture we've seen this year. Is from 
Marek Hlasko's angry novel, a Polish 
best-seller іп 1957, when there was а 
looseni; of Big Brotherhood. The pic- 
ture, starkly shot under the direction of 
Alexander Ford and superbly acted, has 
been banned by Premier Gomulka for 
obvious reasons. "Fhe story is remarkably 
simple: young architectstudent Peter 
(Zbigniew Cybulski) and his girl Ag 
shka (Sonja Ziemann) are determined to 
sleep together. But it's а logistics prob- 
lem. When they arrange to meet іп В 
plaster-strewn. room, war bomb damage 
causes the building to collapse almost 
over their heads. The housing shortage 
prevents Peter from getting а place, and 
they can't go to her room because her 
father К mother, drunk brother and a 
boarder live there. Everywhere they 
slosh in the endless rain they're spied 
on, hooted at, threatened, A friend with 
an apartment disappoints them, Then, 
while Peter's being quizzed by police on 
suspicion of burglary, Agnieshka has a 
tragic, drunken affair with a newspaper 
man. Most of this is pretty upsetting 
about the only thing that saves the 
ence itself from despair is its be 
the quiet valor of Agnieshka, who sets 
her jaw and rolls with every punch — 
besides which, she's beautiful. Нико 
and Ford did the screenplay. You miss 


this one at your own risk. 
Taken from The Darling Buds of 
May, by H. E. Bates, The Mating Game pits 


a ledger-brained, dedicated and prudish 
American income-tax agent (Tony Ran- 
dall) against a pretty formidable combo: 
a Maryland farmer and junk man, Paul 
Douglas, who never has any mone 
his bubbly, well-stacked daughter, Deb 
bie Reynolds. Douglas’ casualness 
i ах payments (he's never 
any) has been brought to the attention 
of the Internal Revenue Department by 
that slimy specimen, the income-tax in- 
former, and Randall drops by to squeeze 
money out of him. Randall is confused 


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by Douglas bookkeeping (it's all mental), 
terrified by a friendly goat, gets necked 
by Debbie, does a very amusing drunk 
scene and is finally corrupted by the 
others and changes sides. His irascible 
boss (Fred Clark), a good man with a 
thumbscrew, hurries down but also finds 
he’s dealing with geniuses. Thus 
remissness triumphs. Under George 
Marshall's cheery direction, Debbie 
frolics in the hay and belabors swine 
with great good nature, the animals per- 
form their parts sullenly but well, and 
Randall is properly obnoxious, The 
humors generally predictable, but if 
you're game for a mildly gamy gambit, 
you'll have a ball with Game. 


DINING-DRINKING 


Across the street from Chicago's Pump 
Room, in a location hitherto noted for 
а series of ill-starred occupants, now 
flourishes the new French restaurant, 
Maison Ісіне (1255 N. State Pkwy). 
Freshly redecorated, the Lafite offers an 
outsize menu full of Gallic dishes at ra 
tional prices. We cleaned up an entree 
of Tournedos de Bocuf à la Française 
sautéed in a wine-and-garlic sauce, ac 
companied by wild rice; annihilated a 
Chateau Lafite Pauillac '26 (expressly 
selected and imported for them, they 
say, by vinophile Alexis Lichine); and, in 
а mood for fireworks, allowed ourself to 
be dazzled by a display of crêpes suzette, 
which tasted good too. A pianist, sensibly 
ensconced outside the dining room, un- 
obtrusively furnishes a background of 
Chopin and other Romantics (jazz would 
that setting). The maitre de, Jerry 
Engel, presides over all with a s 
and a firm hand, while his 
urbane Maurice Merlin, makes like a 
bespectacled synthesi and 
Claude Dauphin — igniting a spectacular 
suzette between exclamations of Eh 
voilà!, flattering the gentlemen, charm- 
ing the ladies, and generally providing 
evidence that blarney is not purveyed 
exclusively by sons of the auld sod. 
"here's a bar to wait at but a better 
idea is to make reservations. Open 5 р.м. 
till midnight every day except Monday. 


East Side Manhattan knight life is 
incomplete without a periodic joust at 
the Roundtable (151 E. 50th St). Fortu- 
nately, the Arthurian aura isn't carried 
proportions: kceper-ofthe- 
bistro Morris Levy is less interested i 
the moyen dge than he is 
in recreating 20th Century clients with 
succulent servings of southern fricd 
and, alternating with modern ў 
Paying guests will be treated, not to 
Horace Tleidts Musical Knights, but to 
the ilk of Turk Murphy, the Dukes of 


to manic 


7. 


JUST LOOK AT HOW НЕ 


CAUGHT THAT FLY! 
< SE 


PAND 
РА Q 
SIR WALTER 
HE SMOKES RALEIGH, 
APIPE NATURALLY! 
WHICH 
CATCHES о 
МЕ! ce 


ANOTHER WAY HE'S 


QUITE AGUY— 


BOOKLET ON PIPE CARE. 
WRITE SIR WALTER RALEIGH, 


DEPT, 3615-р 
LOUISVILLE, 
= Ky. 


Records for 
the 
Cognoscenti 


ов 400 

JULIUS MONK 

SIMPLY PLAYS 

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PLAYBOY 


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In Philadelphia, a short while back, Tony 
Bennett, one of the world's most distinctive 
singers, and Count Basie, one of the towel 
ing giants of jazz and swing, got to making 
music together. During а big football weck- 
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left the local citizenry crying for more, Here 
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Dixieland, George Shearing's quinte 
Barbara Carroll's trio, Woody Herman's 
sextet and Erroll Garner's trio. 
decor is expansive but. warm, with an 
terstaves, 

г Camelot whatnots. 
Offside is an intime cocktail lounge 
where thirsty lizards may observe the 
bandstand events via closed-circuit TV. 
One flight up is а kind of openseeret 
grotto, paradoxically dubbed а “ри 
seating 100. Expert 


unobtrusive sprinkling of qu: 


shields and s 


vate celebrity nook, 
kitchen varlets lay a goodly board of 
steaks, chops, seafood, barbecued ribs 
and chicken, up to $5.95 à la carte. 
Open seven nights from cocktail time, 
with no cover or amusement Cock- 
tail and dinner music. prevails till the 
headliners take over at 9:30. 


THEATRE 


Redhead, the happy-go-lustiest mus 
in town, is a valentine, lovingly in- 
scribed in song and dance, to a red. 
headed. refreshment named Gwen Ver 
don, currently the first lady of Broadway 
comedy. She is equally adept at 
both prat-falls and pathos. She can sing, 
she can act, she can dance, It is only fair 
ty that there is an element. of who- 
in the whacky plot, but there is 
no mystery about what happens to our 
heroine when she gets herself a job in a 
music hall and starts dancing. Given a 
dozen changes of costume іп "Ter-Aru- 
tunian’s Hogarthian sets, Gwen dances 
everything from Swan Lake to Yankee 
Doodle Dandy. Richard Kiley does fine 
as hero and the Dorothy Fields-Albert 
Hague score gives Kiley a chance to dis- 


musica 


cover that Verdon, "posterior із so 
superior." Director-choreographer Bob 
Fosse awards the redhead the best of 


everything and, because incredibly and 
indefatigably she is on stage almost all 
the livelong time, you won't mind the 
divagations in the plot. For posterity, let 
us say that Miss Verdon's superiority is 
not limited to her posteriority. At the 46th 
Street Theatre, 226 West 46th, NYC. 

If the prospect of а folksy family play 
centering on Negro housing problems 
and done up in old-fashioned, unexper 
mental three-act form without flashbacks, 
monologs, blank verse or other frills 
strikes you as а yawny evening of the 
re, you'll be glad to learn that Lo 
raine Hansberry's А Roisin 
(which answers the above description) is 
a smashing show that kept us immovably 
mucilaged to our seats. Sidney Poitier 
(ruaysoy, On the Scene, April 50) plays 
ambitious familyman Walter Lee Young 
er who passes his days crammed into a 
small, shabby Chicago South Side Па 
with his wife, son, sister and matriarch: 
monolith of a mother. Mom — played 


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Just a Reminde Mother's Day May 1O. Father's Day is June 14. 


15 


PLAYBOY 


16 


DAVID 
CARROLL 


nd his ores 
THE FEATHERY 


PELLI 
ч, 


FEATHERY FEELING—David Carroll and his orchestra — 
Fascination, Dinner at Eight, Madonna, 1 Love You 
Truly, Now is the Hour and seven others. 

‘Stereo SR 60026 Monaural MG 20205, 


> STEREO 
RICHARD 
HAYMAN 


VICTOR YOUNG 


MOTION PICTURE THEMES OF VICTOR YOUNG—Richard 
Hayman and his orchestra —Around the World in Eighty 
Days, My Foolish Heart, Love Letters and nine others 

Stereo SR 60012 Monaural MG 20369, 


| STEREO | 


THE MAGIC TOUCH 
of BUCK RAM and his orchestra 


MAGIC TOUCH.— Buck Ram and his erchestra—OnlyYou, 
Whispering Wind, Twilight Time, l'm Sorry, My 


Serenade, Remember When and six others. 


Sen SR 60057 Monaural MG 2032. 
— — ꝛ e 


with deep dignity and high humor by 
nightclub trouper Claudia McNeil — has 
$10,000 in insurance money coming to 
her. Poitier wants a chunk of it to help 
him start a small business of his own and 
save him from the humiliation of his 
yessiring chauffeur job; sis needs an- 
other wedge to put her through medical 
school; mom and wife have their eyes 
on a house which will mean elbow room 
and soul room for them all, But 10 
grand will only go so far these days, and 
from this arises the play's chief conflict. 
The whole cast ranges from superb to 
eminently adequate, with Poitier pro 
viding a free, fresh. performance high- 
lighted by flashes of angry fire and heroic 
despair. The cannily written script i 
cannily directed by Lloyd Richards, with 
all the humorous and sentimental land- 
mines exploding in all the right places, 
just when you want them most. Ralph 
Alswang's set is a good and practical опе 
in the cutaway mode. At the Ethel 
Barrymore, 243 West 47th, NYC. 


RECORDINGS 


It's puzzle time, kiddies. The Australian 
Jazz Quintet in Free Style (Bethlehem 6029) 
might scem to be the old A. J. Quartet 
augmented by one, but announces in its 
liner notes that it presents, іп fact, the 
Quintet plus a sixth man, drummer 
Оче Johnson, yet lists seven men under 
the heading “Personnel.” Best you forget 
the arithmetic, though, and listen: this 
is modern, mood jazz, unhard and un- 
with just cnough swing and just 
gh improvisation to make it pleas 
ng to sophisticated ears. Second side 
features a 10-minute job called Take 
Three Parts Jazz, an ambitious original 
which is the fine, unpretentious show- 
piece of the set. 


Love Is а Season (ABC-Paramount 273) 
is Eydie Gormé's sixth big biscuit, and 
on it the buoyantvoiced Miss Gormé 
delivers a delicious reading of the Bart 
Howard title tune, as well as that gentle- 
man's On the First Warm Day, to say 
nothing of 10 other seasonal delights by 
а grab-bag of scripters. London by Night 
(Liberty 3105) is a tour of Julie, not the 
town on the Thames, and the erstwhile 
whispering wonder actually sings on this 
disc, with a minimum of breathy catches. 
Most of the tunes (Nobody's Heart, Mad 
About the Doy, etc.) dwell on unrequited 
love. Johnny Mathis’ Open Fire, Two Guitars 
(Columbia СІ. 1270) is simply not up to 
his earlier effort st of the numbers 
are taken at a dragey tempo and Johnny 
has trouble sustaining his high-register 
tones to the accompaniment of two 
guitars and a bass. Annie Ross Sings а Song 
with Mulligan (World Pacific 1253) is a 
misnomer; Annie really belts out 10 
ditties with Gerry's quartet wailing in 


D-DAY . 


les a long-established fact that Doris Day 
has mighty few peers when it comes to mak- 
ing a popular song sound even better than 
t has any right to. Miss Day is so good at 
this sort of thing that the nation's disc jockeys 
once again have voted her top gal in the pop 


ging business. If her latest album is any in- 
dication, her re-election next year is assured. 
CUTTIN' CAPERS—Doris Day with orchestra 

under the direction of Frank DeVol 
CL 1232 CS 8078 (stereo) 


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the background, and the sounds come 
out near-to-perfect. Case you don't re- 
member, Annie is one-third of the Lam- 
bert-Hendricks-Ross group (rrAvBov, On 
the Scene, April 1959), herein establishes 
herself as a great thrush in her own 
right. The Mulli oup continues to 
blow some of the most intelligent and 
tasteful contemporary jazz we've heard. 


Modern Italian composer Ottorino 
Respighi (he died in 1936) was a musical 
schizo, torn between the issical and 
Romantic schools. Both seem to have 
merged harmoniously in the three sets of 
Antiche Arie e Donze (Angel 45028), the 
third of which has 
Virtuosi di Ron 
mantic warmth 
ing of € dignity. In these settings 
of remote Іше pieces by Ignoto, Roncalli 

ighi is most effectively 
displayed as a star pupil of his orchestra- 
tion teacher, Rimsky-Korsakov. In addi- 
tion to the Respighi work, old-timers 
Albinoni and Bassani receive similar 
Simoniz from, respectively, youngsters 
Giazotto and Malipicro, and that star 
old-timer of them all, Vivaldi, sturdily 
stands unaided by Giovanni-come-late- 
lies. Renato Fasano conducts. 

Sonny Side Up (Verve 8262) should be 
а collector's item: the Sonnys Stitt and 
med with Diz, backed 


y should be a collector's item, 
пог. Reason: screaming virtu- 
osity with [ast-tempo and febrile tootling. 
mar two of the four tunes (The Eternal 
viangle, 1 Know That You Know) 
appy contrast to the: On the 
Sunny Side of the Street, which gets a 
very basic swinging treatment and has a 
cute vocal by Diz, and After Hours, han- 
dled à la rhythm and blues plus the 
classic Parrish piano treatment. 


The Sick Humor of Lenny Bruce (Fantasy 
7008) is grisly, biting and ofttimcs hilari. 
ous fare. Subjects for his macabre merri- 
ment include Ike, Sherm and Nick, Re- 
ligions, Inc, and the guy who blew up 
an airplane, killing his mother and 40- 
ода others. Funniest bit on the platter 
is one in which two German showbiz 
agents, circa 1930, are auditioning рео- 
ple for the role of dictator. None of the 
schnooks sent over by Central 
ll do, and the agents are in де 
until one of them discovers the hidden 
talents of the somber citizen. painting 
their walls. Lenny, whose talents we 
previously examined in detail (rrAvnov, 
Rebel with a Caustic Саше, February 
1959), is an adept deliverer of dialect, 
ranging from the Teutonic to the sub- 
Mason-Dixonic. Give a listen; you have 
nothing to lose but your mind. 


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17 


PLAYBOY 


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PLAYBOY JAZZ/DEPT. 128 
232 East Ohio Street, Chicago 11, Illinois 


CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE 


PLAYBILL.... 2 
DEAR PLAYBOY....... 5 
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DEALERS WILD—fictlon. Т. К. BROWN 20 
UPSTAIRS AT THE DOWNSTAIRS——entertalnment........ LARRY SIEGEL 25 
THE WEIRD WORLD OF GAHAN WILSON—humo! GAHAN WILSON 26 
VIVA PIZZAI—food THOMAS MARIO 29 
THE ART OF TRAVEL—travol.. PATRICK CHASE 30 
BRITONS AT THE BALLPARK—talire.... _ =. - 33 
WARDROBE FOR А JET WEEKEND—attlre, ........ ROBERT 1. GREEN 38 
THE GIRL HAD BEEN AROUND—flctlon E $. JENSEN 40 
43 
. 48 

50 
ROBERT 5НЕСКІЕҮ 60 
„JULES FEIFFER 63 
BLAKE RUTHERFORD 64 


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HUGH M. HEENER editor and publisher 

А. с. SPECTORSKY associate publisher and advertising director 
RAY RUSSELL executive editor ARTHUR PAUL art director 
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KEN PURDY contributing editor; ROBERT L, GREEN fashion director; BLAKE RUTHER- 
жоя» fashion editor; THOMAS MARIO food & drink editor; PATRICK CHASE travel 
editor LEONARD FEATHER jazz editor; EUGENE TROOBNICK (ssistant editor; ARLENE 
Bouras copy editor} PAT PAPPAS, ARTHUR WEBSTER editorial assistants; JERRY 
WHITE, JOSEPH Н. PACZEK assistant art directors; DON BRONSTEIN staff photog- 
rapher; FERN A. HEARTEL production assistant; ANSON MOUNT college bureau; JANET 
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GENERAL OFFICES, PLAYBOY BUILDING, 232 E. оно STREET. CHICAGO и, ILLINOIS. RETURN оз 
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FICTION anp зам 
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MY SUNNY YEAGER, P. 29 
7 PLAYMATE PHOTOGRAPHS. 


British Boseboll P. 33 


ЕЗ. vol. 6, no. 5 — may, 1959 


сез ө 


1 


Е WILL MAKE THE ACQUAINTANCE OF FIVE PERSONS during this tale, all of them sailing in a palace; and we will 
start with two of the most sinister organisms afloat. 
Mr. A. Margolies and Мт. John Rippler are two s 


е, well-polished gentlemen, first-class passengers on ап 
Atlantic liner. So far as anyone knows, Mr. А. Margolies does not possess а first name; even his passport says А. 
(Only) Margolies. Nevertheless, he exists: short, chubby, bespectacled, rather more jovial than necessary for most 
of the social situations that he encounters: the small-Amer ecutive type, not at all like the stereotype of 
the professional cardsharp. Yet that is what he is. The impression he creates is much to his advantage. 

John L. Rippler does not enjoy this advantage. He is slight апа swarthy, with keen darting eyes and а hair- 
line mustache and a nervous way about him: in appearance the very image of the international crook. 
Because of his name, his line of business, and his methods, he has long had to put up with the tag of Jack the 
Ripper among his colleagues. He would appear to be a good person for any other practitioner in the field to stay 
away from. However, for many years he and Margolies have enjoyed a close and profitable friends 

‘Tonight they have met in the first-class bar on the eve of sailing, while the vessel is only an hour out of South- 
ampton. They аге not surprised to find each other there; indeed, they would have been much alarmed had it not 
been зо. For they аге embarking on a new venture this time, and its success depends on the closest coordination of 
plan: 

“I trust you had a pleasant and rewarding summe 

“I did,” Margolies replies. “I visited Paris, Zurich, Palermo, Adi 
not insurmountable ones. The tour was successful.” 

“You got the stufi?” 

"I got it" Margolies lets out with onc of his big loose laughs, purely from habit. "In Cairo it came through." 
He leans closer, “One kilogram of pure heroin, and I have it down in my cabin now. Right through Egyptian and 
British customs without the slightest malfunction.” 

Jack the Ripper conceals his excitement. “What shape is it in?" he asks. 

Margolies cannot help himself: he bellows with laughter; his eyes twinkle with the guileless good nature that 
has been the undoing of so many unwary card players in search of a friendly game. "Let's go take a look at и, 
he says. 

Together they make their way to Margolies’ stateroom, where he opens one of his suitcases. There, lying right 
on top, is а large leather vanity case full of toilet necessities for milady: row upon row of jars and boxes and 
implements and tubes, all done up elegantly in cellophane and bows. 

\ clever fellow in Cairo put this together for me,” he says, “and even tinted some of the drug pink. You see, 
it utterly disarms suspicion by being so very obvious. Some of it is window dressing, of course; it is those boxes of 
bath powder, talcum powder, face powder, and that tooth powder next to the toothbrush that arc of interest; also, 
under the surface grease, the jars of cleanser and cold cream. It would take a callous and suspicious customs inspec- 


Jack the Ripper says. 
nd finally Cairo. There were difficult 


, but 


an ocean voyage can make for strange bet fellows 


DEALERS WILD 


ction Ву T. К. BROWN III 


PLAYBOY 


22 


tor indeed 
beauty. 

And it would take a complete mo- 
ron," Rippler says, "to pay you $20,000 
for this box before he checked." Where- 
upon he takes up the container of tooth 
powder and carefully peels back the 
cellophane from the top; carefully he 
opens it and tilts it against his wetted 
finger, which he places on his tongue. 
His face, severe and cruel, does not yet 
relax. On a piece of paper he pours out 
the entire contents of the container, and 
n he conducts the taste test. Only 
then does his expression convey satis- 
faction, 

"Good boy, A. Only,” he says, as he 
pours the powder back. "This is pure 
snow. I hope you will pardon my little 
precaution, but I had to assure myself 
that you had not been bilked by some 
wily Arab. 

“Perfectly understandable, 


to profane their flawless 


Margolies 


says. "I believe my part of the contract 
has now been fulfilled. If you would 


be so good 
Rippler pulls out his shirttails and 
exposes a money belt, from which he 
counts out 40 five-hundred-dollar bills. 
He is glad to do so, knowing that he is 
buying something worth $100,000 in 
ork. Margolies pockets the money. 
he says, "after you have taken 
сазе to your room, let us return го 
the bar and mingle with the passengers, 
to size up the prospects for a nice quiet 
game of poker. 
“Well, about that" Rippler says. 
"With this big pile of snow still on 
hand, are we so smart to risk maybe 
getting into trouble over the cards?” 
dy friend," Margolies says, "look 
at it this way. We are known for what 
we are on every boat making the At 
lantic run. The ships’ officers warn the 
players every time, and almost every 
time the marks ignore the warning. 
Now, what would the officers suspect if 
suddenly we were pure as driven snow 
—ho ho, pun, get it?” And he lets loose 
another tiresome avalanche of chuckles. 
"I get it," Rippler says sourly. "You're 
right, We'll carry on business as usual," 
The two men have perfected a method 
to this end. After the initial sizing up. 
and during the evening of the second 
day out, when the bon-voyage hang 
overs have been dispelled by time, medi. 
cation and the curative virtues of salt 
sea breezes, Margolies performs some 
card tricks in the lounge. Rippler is 
hís audience, and is astonished no end. 
Soon a group has gathered; soon thc 
prospects are being asked to take a card, 
any card. Cries of admiration and per- 
plexity follow cach wick. Margolies is 
asked how in the world he did that one; 
with jovial laughter he shows them. 
None of his tricks involve any sleight 
of hand. 
“Well now,” he says at last, “who'll 


join me in а few rounds of poker? 
There's nothing I love more than a 
friendly game of dealer's choice. You, 
sir? You look like a real river-boat 
gambler, ho ho." 

Well, I wouldn't mind a little 
Jack the Ripper answers, "if 
it's not too steep.” 
within 10 minutes the two 
sharpies аге хешей at a table with five 
suckers, two of whom have been sized 
up as promising victims for the big kill 
on the final night. This first game is a 
very mild affair: quarter ante, two- 
dollar limit. Even so, three of the suck- 
ers manage to lose over a hundred dol- 
lars apiece. Margolies and Rippler 
and the two real 
prospects win all the money, They are, 
of course, much pleased, and make a 
date for a game the next evening. Сі 
ies are exchanged and the players 
go their separate ways. The three losers 
actually do go their separate ways. Mar- 
yolies and Rippler appear to part, but 
rejoin out of sight in the corridor. 

"I think we got them hooked, those 
two," Jack the Ripper says. "They must 
have a couple of million between them 
and they play cards like they were 
thinking of something else. This might 
turn out to be a very good thing. 

"I believe it will," Margolies says. 

The two in question have not parted. 
They go to the bar for a nightcap. 
(They are, as you may have guessed by 
now, two more of the five persons ad. 
verted to in the lead sentence.) One of 
them is Jeff Hartley, Jr, а young man 
of 24, heir to the Hartley ball-bearing 
fortune and, not unnaturally, a rising 
executive in the firm, Vice President in 
Charge of Foreign Sales. Hence his 
presence on the boat, A week before, 
he was revisiting the hamlets and lanes 
of Normandy that he had first seen 
from above on D-Day-plus1, floating 
down under an umbrella of nylon. He 
is a prepossessing fellow in a blond, 
energetic sort of way. He fancies him- 
self a pretty good poker player. 

‘The other is Artemus Charles Thorne, 
а man who has led a varied and offbeat 
life: white hunter in Kenya, gun run. 
ner, explorer, consulting engineer for 
hydroelectric projects in India and 
Alaska, and finally an ой prospector in 
Venezuela, where he made his bundl 
Now he is a gentleman of leisure: tall, 
almost gaunt, impeccably dressed, he 
looks very distinguished іп his sweeping 
white mustache, pince-nez and kilt. Yes, 
Мг. Thorne wears a kilt, and at the 
bar he explains why, with a faint burr. 

"Тіз a damned comfortable garment, 
Mr. Hartley," he says, "particularly in 
hot weather. Now that I am not obliged 
to consider what opinions powerful 
fools may form of me, 1 find it con- 
venient to wear it. 


Jef chuckles, and Thorne inquires 
sharply the reason for his mirth. 

“No offense, sir," Jeff says. "I was just 
thinking what the effect might have 
been if we had been so dressed when 
we were parachuted into France. The 
war might have taken a different 
course. 

Thorne laughs long. While he is at 
it, Jeff Hartley, Jr., sees coming toward 
them a girl who is altogether too good 
to be true: tall, innately graceful in her 
moyeinents; clear brow, fine skin, bulges 
at the right places, joints at elbow and 
knee, (She is, of course, No. 5.) Jelt 
makes immediate plans to break away 
from old Mr. Thorne. 

‘Oh, Mr. Hartley," Thorne says, 
like you to meet my daughter Mi 
child of my old age, after I became 
Prospero-us." 

Jef Hartley changes his plans at once. 

“How do you do, Mr. Hartley,” she 
says. “1 hope you will pardon my fa- 
Шеге unspeakable sense of humor. I 
cannot, being stuck with the name of 
Miranda, So," she continues, turning 
to her father, "you have been playing 
poker all evening. I presume you won?" 

"Mr. Hartley and I both had the 
Eood fortune to win," says Thorne. 
"Furthermore, І believe we shall win 
even more tomorrow.” 

"Oh, it's to be one of those trips, is 
it?” she says. "Poker every night. Mr. 
Hartley —" 

Сай me Jef,” he says " 
everybody. does," 

“I am mot almost everybody," МЕ 
randa replies. "I may call you Jeff or 
1 may not, depending on how things 
work out. So far you are still Mr. 
Hartley. 

"As you can see," Thorne interjects, 
“Miranda is a girl of pronounced prin 
ciple 

"E sce," Jeff says. Privately he is 
pleased to note that her statement holds 
the door open for something to work 
out. 

The next morning he seeks her, and 
finds her at last in a deck chair, next to. 
an empty one. It is not his, but no 
matter: he eases himself into it. 

"Good morning, Miss Thorne,” he 
says. 

"Good morning, Jeff," she replies. 

“That didn't take as long as I thought 
it would," he says. "How did 1 make 
the grade so fast?" 

Miranda bats her big eyes at him. 
“Well, last night Daddy told me how 
rich you are, and what a lousy poker 
player, and since I like rich men who 
are not gamblers I thought it would be 
a good idea to be nice to you. You see?" 

Jeff is taken aback. This girl is ob- 
viously no ordinary dreamboat. There 
arc many questions he wants to ask. 
^Miranda, didn't your father say you 

(continued overleaf) 


]most. 


“І finally found an apartment, Mom — right on Fifth Avenue!" 


PLAYBOY 


DEALERS WILD 


were a girl of high principle?” 

"Oh, I am," she answers. 

“Then what caused you to reler so 
promptly to my wealth?” 

"One of my foremost principles," she 
says sweetly, "is not to answer questions 
of that sort. 

“Well, what's this stuff about how 
I'm a lousy poker player? J thought 1 
did pretty good." 

"You are horrible," she says, "and 1 
could love you for it. 1 have had enough 
of wild plunges and uncertainty in any 
vith Daddy dashing in and out of 
impossible ventures. He says you are 
simply not the gambling type, and that 
is good, and I decided 1 might just try 
you on for size, 

"Miranda," he says hopefully, 
you be my girl?" 

"Cool down, buster" she answers 
"You have cly made it to first base 
It's a long round to home plate.” 

The game that evening is a cozy 
game, just the four of them. The three 
others have learned their lesson and 
withdrawn. Margolies makes a point of 
this. 

"Well, it looks like the ribbon clerks 
found the diet too rich for their blood,” 
he says, with a few whoops of glee. “No 
reason why we men shouldn't make the 
game a little more interesting. What do 
you say to a 10-dollar limit? 

"Sounds OK to me," says Jack the 
Ripper. "How about you fellows? 

“Not too rich for my blood,” Jeff says. 
pretty mad at old Thorne for 
depreciating his playing, and tonight he 
is going to show him. 

"Let's ро," ‘Thorne says. 

So the game begins. It is really extra- 
ordinary what bad luck Margolies and 
Rippler have. Margolies will have three 
of a kind: Thorne will draw the fifth 
card to a straight or flush, Rippler will 
have а flush: Jeff gets a full on the last 
card. The losers make many lugubrious 
but good-natured comments on the way 
things are going. At midnight, when the 
game breaks up, they are out a matter 
of nearly $800 apiece, and ]еН has the 
greater part of it. 

“I guess you fellows are too good for 
me," Margolies says, laughing long. 
"Still, I'm not one to give up. Maybe 
my luck'll change tomorrow. How about 
another try tomorrow?" 

"Suits me,” says Jeff, full of oai 

“I have nothing better to do, 
Thorne. 

"Those guys are chumps," Је says, 
when he and Thorne are alone. “And 
what's this business about my poor 
poker? Who has the twelve hundred 
bucks in his pocket?” 

“Oh, Miranda squealed, did she?" 
Thorne remarks. 


says 


ско ask yours 


(continued from page 22) 


"She did. So why do you say things 
like that? It was obvious all evening 
that 1 was on top of the gam 

“My boy,” Thorne says, “before this 
trip is over I shall have some advice to 

you, and I beg you to heed it.” 
What advice? Lets have it 

“Later,” Thorne says. “If 1 give it to 
you now, it will have an adverse effect 
оп your game, which is now perfect in 
its mediocrity.” 

"There you go again," Jeff sa 
you trying to brainwash me into some 
thing your daughter will accept as sui 


“J see that she 
has laid her soul bare. You are making 
good time, my boy. Yes, she is against 
gambling. But do not be deluded by 
what she has to say about money. She 
has plenty of that. What she is really 
looking for is a friend.” 

Jeff takes up this question with 
Miranda the next day. He finds her 
leaning on the (айғай, watching the 
garbage in the vessel's wake. "Your 
daddy says you aren't so interested in 
money as you pretend to Бе. What you 


really want is a pal. 
rich pal,“ Miranda amends. 
firanda,” he says, really 


is moncy all that important? 
she repli Е course, it isn't 
everything. It’s just almost everything. 
lt makes the nice things of life acces- 
sible. Now you—have you ever re- 
gretted you were born with silver for- 
ceps in your mouth?" 

"Well. no," he says, "Not sincerely." 
о мор worrying about me. I'm just 
a good normal healthy kid. And of 
course my interest in you is not 
based —" 
‘Oh, you have an interest іп me?" 
s not based solely on рен. I like 
your broad should and that look of 
intelligent bewilderment you go around 
with and — oh, lots of things." 
randa," he says, “I think we are 
going to become good р: 
Е course," she adds, 
ing personal in all this. 

Jeff is in despair, Nothing personal? 
1 thought we were getting spectacularly 
personal.” 
h no," she says. "What I like is 
not you so much as your correspondence 
with a sort of image that I have in my 
mind. You sort of fit the template. So 
it really has little to do with you as a 
person. You understand what I mean?” 

“I understand that you are a very 
mixed-up character,” he says strongly. 
“Template. shmemplate. What you have 
elf is, do I like this guy a 
lot. or a little, or not at all. Never mind 
this image business. Relations with peo- 
ple are with people, not with images." 


"there is noth- 


Whereupon he takes his leave. But that 
afternoon they meet again and spend all 
the rest of the day playing shuffleboard, 
swimming, and talking about all sorts of 
things. 

That evening, for a change, it 
pler who proposes raising the stake: 
he is losing a lot, he wants a chance to 
get even. Why not make it table stakes, 
pot limit, dealer's choice. There is no 
demur, and everyone puts a hundred 
dollars on the table. But alas, poor Jack 
is in for a bad time right from the start. 
In the very first pot, which he deals and 
which is five-card stud. Thorne gets 
kings back-to-back, and Jack spends his 
hole hundred dollars to find out that 
his qucens are not good enough. By the 
end of the evening "Thorne has won 
the gratifying total of $2200, and Jef 
51800. Margolies and Rippler are appro- 
priately miserable; they beg for a chance 
at a comeback tomorrow, the last night 
before the boat reaches New York. Jett 
is hoping to make a big play 
Miranda at the farewell danc 
to back out, but Thorne puts in 
strong plea for giving the losers a bre: 
and Jeff reluctantly agrees. There 
be a final game on the last night ou 

Alter they have left the game, Jack 
turns to. Margolies with the look of a 
razor about to slit a throat, "We've 
made our investment" he says. "Tc 
morrow we gather in our capital gains." 

"Let's put them a couple of hundred 
in the hole," Margolies says, "to give 
them the old loser's itch to get even. 
Then let's throw the killer at them and 
get it over with early.” 

“Right,” says Jack. When he is in his 
stateroom, and more for the fun of it 
than anything else, he gives himself a 
workout, Twelve times he cuts the cards; 
12 times there are exactly 18 cards in 
the part he has cut off. He is pleased. 

While this is going on, Thorne, 
Miranda and Jeff have collected in the 
lounge. The steward brings their respec- 
tivi i 
and addresses Jefi. 
imagine you are happy for this 
work.” 

“I thought I did all right,” Jeff say 
cautiously. He figures the old boy 
leading up to something, and he is 
right. 

"Well, my boy," Thorne says, "it will 
perhaps come as a surprise to you to 
learn that you have been winning all 
this money with the active assistance of 
the two sea serpents in the game." 

Jeff looks blank. “5 s 
ask: 

“Pearl divers, Deepsea fishermen, 
Thorne says impatiently. 

Jeff still manifests incomprehension. 

“Oh Daddy!” Miranda says. “He 
really is square about gambling. isn’t he? 
Tsn't that wonderful?” She turns to Jeff, 

(continued on page 28) 


“Well, young man, I 
ight's 


In ^ em saturate with theatrical ac- 

tivity, professional and amateur, on 
Broadway and off, a New York entre- 
preneur named Julius Monk has pro- 
duced four consecutive revue 
successful than the last. He's done this 
with a minimum of 
other theatrical apparatus, at an unpre 
possessing little supper club he calls the 
Upstairs at the Downstairs (ther 
a Downstairs at the Ups 
tures a singer and pianist). Yet, despite 
these evident drawbacks, the revues have 
been different enough, and popular 
enough, to constitute a minor local 
phenomenon; virtually every night, a 


also 


9; 


happy doorman at the entrance on West 
56th Street hangs out а sign reading, 
“This Performance Sold Out." 

What's the big attraction? Monk him- 
self explains it by a theory he calls “in- 
tegrated” cabaret. "It occurred to me 
that, in a fast-paced revue, with plenty 
of acts and ty, by the sheer law of 
es there were bound to be enough 
show-stoppers to make up for slow spots." 
On the face of it, this exposition would 
seem to be something less than startling, 
with little to distinguish it from the 
modus operandi of the Ed Sullivan Show 
and other tours de farce of a like nature; 

(continued on page 78) 


MAYNARD FRANK WOLFE 


МИН UPSTAIRS 
ШИЙ АТ THE 
DOWNSTAIRS 


entertainment By LARRY SIEGEL 


а man named monk 
makes nightclub satire 


an escalator to success 


Gahan Wiha 


must confess I’ve never seen 
such an unfortunate side 
reaction to penicillin.'" 


“Meow...” 


five new frankensteins 


from the master EI i 


of the mirthful macabre 


“This might go a long way toward explaining 
how they built the pyramids!“ 


“l think I may have stumbled on 
something, Walpole.” 


“This will revolutionize the industry!" 


PLAYBOY 


28 


DEALERS WILD 


gently, protectively. “Those are terms 
used to describe professional swindlers 
who operate on ocean liners.” 

Је is astounded. “You?” he cries to 
Thorne. "Who's the other опе?“ 

Not me, you idiot,” Thorne says. 
Rippler and Margolies. They've been 
softening us up for the kill, which is 
to take place tomorrow." 

“Well, that's fine," Jeff says, recover: 
ing swiftly from the wound to his amour 
propre. "We just won't play tomorrow." 

Yes, we will," Thorne declares. “These 
malefactors must be scathed, and I һауе 
a scheme whereby we can have them 
hoist with their own petard, so to speak. 
1 will now explain to you what will hap- 
pen, and our course of action." 

And he does so, It would be foolish to 
diyulge this information now, when we 
can do so later in terms of tense, 
gripping action. So we will skip to the 
following day, around nine ғ.м., when 
the players are collected for the game. 

“Listen, fellows,” Margolies says, 
in the hole pretty bad. This is our last 
chance to get even, so what do you зау 
to а no-limit game this last time?" 

"No limit?” says Jack the Ripper. 
"Gee, I'm losing too, but that could get 
to be a pretty tough game. 

"Oh, 1 don't think we'd be likely to 

let it get out of hand," Margolies sa 
"Just a game where a fellow has 
chance to get even." 
Tis not a bad id "Thorne says. 
"But gentlemen, if there should happen 
to be some heavy action, 1 think we'd 
all want some assurance that the losses 
would be а. 


ауз promptly, 
"pam prepared to play for cash," And 
he pulls out. Jack's $20,000 1. 

“I happen to have these traveler's 
checks,” Jack the Ripper says, producing 
a tremendous stack. "I hope we don't 
ituation where 1 have to use 


"Tm afraid its no go,” Jeff says. "I 
haven't got more than a couple of thou- 
sand in fluid assets.“ 

"Mr. Hartley and you 
"Thorne; 
sincerity, “I think 1 am speaking for 
Mr. Rippler too when I say that your 
personal checks will be perfectly ас- 
ceptable.” 

So far everything has gone exactly as 
"Thorne predicted. “Well, in that case," 
Jeff says, "I guess I don't mind a no- 
limit game. Mr. Thorne, you?” 

“Let us proceed,” Thorne says. “A 
little excitement on the last night won't 
hurt us.“ 

The men sit down to the table: 
reading clockwise, Rippler, Margolies, 
‘Thorne, Hartley. Jeff shuffles and deals 
out cards face up. first jack to deal. It 
falls to himself. 


too, Mr. 


Margolies says, with great 


(continued from page 24) 


"A little game of seven-card stud," 
he says. No excitement develops as 
three tens beat kings up, and Rippler 
pulls in a pot of hardly two hundred 
dollars. The next hand, five-card stud, 
is even less interesting: Margolies wins 
on an ace-queen. In fact, there is no 
reason to detail the early stages of this 
game; the big action comes about two 
hours later, after both Jeff and Thorne, 
in slow dribbles, have lost about а thoi 
sand apiece. Rippler has just dealt 
ven-card and Jeff has won back almost 
alf his losses with a full house a 
Ripplers flush, Margolies gathers the 
cards in, with much good-natured ban- 
ter. He shuffles. 

"Well, fellows,” he says, "that was a 
little excitement. Maybe this game із 
about to come to life, Where's that 
steward, anyway? My glass has been 
empty for half an hour. Steward! Stew- 
ard!” 

Jeff and Thorne tum to sce where 
he is. In this instant Margolies removes 
the shuffled deck from the table and 
picks up the cold deck that Rippler 
has placed on his knee. 

"Oh, he'll be back, 
“Cut, please, 

Jack the Ripper lifts exactly 18 cards 
from the top of the deck, Margolies puts 
the deck back together and deals. "Let's 
see what this will bring, Ante 50 for 
straight draw, jacks to open. 

It brings, needless to say, plenty. 
Thorne finds himself with three kings. 
Jeff holds four cards to a straight flush, 
Six to nine of hearts. So does Rippler: 
the cight, nine, ten, jack of clubs. Mar- 
golies has nothing. 

It is for Thorne to bet, and he comes 
out with a hundred. Jeff raises а hun. 
dred. Rippler says, “Man, this hand 
Is for a substantial raise," and puts 
in $700. Margolies folds. Thorne knows 
that the moment has come; he kicks 
Jeff in the ankle; then he raises the pot 
à thousand. Jeff ponders a moment and 
es another thousand. 

"Well," Margolies exclaims, laughing 
long, "here we are, getting some action, 
and its just my luck to be out of it. 

The pot now contains $5300. Rippler 
is afraid things may be moving a bit too 
fast, and merely calls the raises. Thorne 
pretends to consider what to do. "Tell 
me again,” he says. correct that the 
card with one pip is worth more than 
the card with two pips?” This calls 
forth shrieks of overwrought laughter. 
He thereupon raises a thousand. 

“Well,” says Jeff, “I think the time 
has come to separate the grocers from 
the men of lofty vision. ГИ call that 
thousand and raise five.” 

Jack the Ripper takes а long look at 
him while he is writing the check. He 
knows what Jeff holds and he is think- 


Margolies says. 


ing that nobody is crazy enough to bet 
that sort of money on the come, not 
even for a straight flush. Moreover, the 
main action is supposed to take place 
after the draw, not before. He begins 
to suspect that all is not as it should be. 
Again he merely calls. Thorne, feeling 
that things have gone far enough, calls 
also. 

The pot now contains $26,300. The 
next four cards in the deck are, in 
order, the fourth king, the five of hearts, 
the 10 of hearts and the queen of clubs. 
Whether Thorne draws one card (being 
сарсу) or two, Jeff will fill his hand. If 
‘Thorne does draw one, and ен draws 
опе (as he must), Rippler would stand 
to get the 10 of hearts—a card of no 
use to him — were it not that Margolies 
is a master at dealing the second card 
from the top. So nothing can go wrong. 

But something доев go wrong. 
Margolies says. 
Thorne says. He gets them. 
looks inquiringly at Jeff. 
^ Jeff says. "Let me give 
that deck a cut, just for luck.“ 

Margolies blanches. “A cut?" he whis. 
pers. 

"Why not?" Jeff says. "A player can 
cut the deck any time he wants to — 
you know that. And boy, I sure need 
some lud 

Margolies is helpless. He does not, 
however, show any sign of distress. He 
lays the pack оп the table, knowing 
that Rippler will in his turn call for 
а cut and restore the original order. 
But Thorne has warned Jeff of this 
possibility, and Jef s 
center section of the 
top, and cuts apain in the ordinary 
fashion. Not even Rippler can xecon 
struct that onc. 

"Now, give me a cud," (ен say: 
nd make right." He is not sur- 
prised that it is not right. 

Jack the Ripper is already making 
plans for revenge; but right now, with: 
out a word, he discards one card. There 
is still one chance in 28 that he will 
catch the other end of his straight flush, 
the seven of clubs. 

"Thorne knows that he has nothing to 
by betting out: he checks. eit 
looks ruefully at his hand and checks 
lso. Rippler, still without а word, bets 
$10,000. He is bluffing, but it is his 
chance to salvage the pot. Thorne is 
confronted by the possibility that Rip- 
pler may have hit, or that something 
may have gone amiss, or that Jeff may 
have held three of a kind too, while 
Rippler held a pat four aces from the 
start. It is only after some thought that 
he writes out the check. 

Jeff folds, of course. Rippler simply 
tosses in his hand. 

“I was lucky,” "Thorne says. “1 made 
four kings.” He rakes in the pot. “Upon 

(continued on page 74) 


the secret of success 15 a tantalizing plumpness 


EVEN THOUGH he doesn’t go around 
ing O Sole Mio all day long, a Neapol 
tan is usually an amiable person. His 
capacity for enduring irritation is high, 
but when he finally reaches the point of 
rage, he is liable to clench his fist 
shout Ti faccio la testa come una pizza! 
(I'll flatten your head like a pizza!) Now 
the question this raises is: which par- 
ticular pizza does the angry Neapolitan 


have in mind? It certainly isn't the great 
tender pizza rustica with its top and bot- 
tom crust filled with cheese and egg; nor 
is it the delicate calzone, folded like a 
pocketbook and fried in oil; nor is it the 
plump kind of pizza served in d'Angelo's 
restaurant in Naples, lush with mussels, 
onions or black olives. Nor could it be 
the kind which Italians prepare for the 
special hour when the church bells are 


food By THOMAS MARIO 


untied right before the Easter celebra- 
tion, good enough to eat cold as well as 
hot, or the rich mushroom pizza which 
Caruso loved — these still represent the 
genuine poetry of the Italian сисіпа. 
One can only assume that the angry Nea- 
politan is referring to а flat and unsuc- 
cessful pizza which he will go to especial 
pains to make and show you, solely for 

(continued on page 70) 


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pertinent pointers 
for a bon voyage 


By PATRICK CHASE 


THERE 18 AN INNER CIRCLE reserved for 
those talented few who perform the art 
of travel with special ease and grace. 
To be sapient, to belong, to know your 
way around wherever you may go, is in- 
deed an art worth cultivating — and the 
process of cultivation is full of fun in 
itself. We propose to tell you here not 
all ye need to know, but а goodly por- 
tion of the unwritten rules for climinat- 
ing that needless cry: Why Didn't Some- 
body Tell Me? 

First of all, you have to know what 
you want from your trip. And that 
means checking with someone before 
you get very far in your planning, ‘Try 
the guidebooks. They run the gamut, 
from Baedeker and the Blue Guides, 
minutely detailed on all the antiquities 
and natural wonders but woefully inade- 
quate on restaurants, nightclubs, casinos 
and theatres, on through books that ред- 
dle atmosphere like Doré Ogrizek’s 
World in Color series or the Beaux Pays 
series, which are more help you 
might imagine in setting the background 
and suggesting possibilities for your en- 
joyment, on to the sharply useful gen- 
eral guides such ау Fodor's splendid 
Men's Guide to Europe, Sydney Clark's 
All the Best in Europe and more nar 
rowly specialized books like the Guide 
Michelin, Norman Ford's Where to Eat, 
Shop and Stay in Western Europe, 
Roland Palmedo's Ski New Horizons 
and Pastene’s Auto Guide to Europe, 

Then there are the literate апа in- 
formative folders distributed by the 
various government travel offices. Their 
output of literature varies widely but 
will at least provide basic information 
on things to do and sce, when and 


THE ART OF 


PLAYBOY 


32 


where to do and see them, and categor- 
ized hotel lists you can use to check 
those your travel agent recommends. 
And they'll rise on occasion to such 
heights of esoteric service — notably in 
the case of the French and British bro- 
chures—as to provide lists of ghost- 
aunted country homes around London 
and jazz clubs in France 

Use these sources to set up some per. 
sonal aims before you go to see a travel 
agent. Then he takes over. He supplies 
know-how. He tells you when the Rapido 
leaves Venice for Milan and where to 
stay at Stresa and how long to spend in 
Brussels and when Fasching gets under 
way in Vienna. He lays а red carpet, іп 
effect, to your destination and back. He 
has а Citroen waiting for you at the Paris 
airport, if you so desire, or he it 
rolled up to your hotel door the next 
morning, He is wise in the ways of plac 
ing the oldsters in safe retreats where 
enjoyment and inaction are synonymous, 
and he also has the posh spot picked out 
for you where there's something doing 
every minute and cooperative compan: 
ions thereabouts to do it with. He knows 
how to graph the rise and fall of sea- 
sonal excitement at cach resort, and how 
to get you there at its peak. His job is to 
be something of a psychiatrist and mind 
reader in addition to his other duu 
through his good offices, you will never 
find yourself at а strawberry festival 
when roulette is your wish, 

Your travel agent, for example, calmly 


ranges for your deck chair and dining 
salon reservations far in advance, if 
you're going by boat. Thus, while less 


foresighted mortals are lining up for 
their assignments, on the very moment 
that the ship sails you are sharing a 
bottle of champagne in your cabin, hav 
ing copped the choice spots long ago. 

"There are various points you will 
want to discuss with him at your leisure. 
Do you want to sail on one of the big 
liners. figuring that the odds are better 
there — with more people, and more do 
ing — of finding a complacent compan 
ion; or are the fields greener оп some 
of the smaller lines, like Holland-Amer- 
ica, where the freeand-casy mingling іп 
oneclas accommodations might well 
raise the percentage of vacationing col. 
lege girls, secretaries and models? It's 
worth some thought. 

Also worth some thought is the ques 
tion of whether you should set out on 
tightly planned itinerary or just get to 
Europe and ad lib from there on out, 
taking side їтїр» as your whim or your 
women dictate, The latter may sound 
more promising. but the arranged-in- 
advance plan is generally considered 
much the better way. The time you'll 
save by not having to make your reserva- 
tions at cach step in your point-to-point 
progress, not to mention the frustrations 
avoided, leaves you in far better shape 


to reap your full measure of adventure. 

To find the travel agent who's right 
for you, first ask vour friends. Have 
they used an agent lately? Good or bad 
service? Did he cotton fast to their ideas 
or try to force his own? Second, check 
the agent's credentials. Is he a member 
of ASTA, the American Society of Travel 
Agents? What does the local bank have 
to say about him? ASTA membership 
isn't the ultimate criterion: there are 
some pretty poor agents in ASTA and 
some damn fine ones outside the associ- 
ation. But at least it’s a clue: it proves 
the guy’s been doing a fair volume of 
honest business for at least three years, 
and is recognized as a retail sales outlet. 
by many airlines and ship lines. Third, 
walk into the agency and look at the 
folders he carries іп racks; see whose 
tours he carries. If he handles only а 
very few companies, he may not be the 
guy you want; if he handles too many 
tours, be leery, Мом important of all, 
see if he talks your language. After all, 
you may be staking a couple of thou- 
sand bucks and several weeks of your 
time on his judgment of what you'll сі 
joy. So it pays to be sure that you under- 
stand cach other. 

On behalf of the air and ship, rail and 
bus lines, the tour organizers and resort 
operators, the car-rental outfits and the 
sightseeing services, the agent can offer 
you these wares: 

Packages — usually prepared for the 
agent by an airline or railroad in combi- 
nation with a resort hotel — offer a stay 
at a resort with a variety of extras. By 
buying a number of services for a stipu- 
lated period, booked and paid in ad- 
ince, you get a break in prices. They 
are normally quoted without the fare, 
which is extra. Typical of these are the 
Miami Beach раскар week at a 
smart resort. hotel, a rental car for your 
use while there, two meals a day, cve- 
ning entertainment and some sightseeing, 
all for about $165, plus fare. 

When you are considering packages, 
and particularly package tours, it will 
often. р: to use a smaller agent 
ther than one who's just a local branch 
for big tour wholesalers, since the inde- 
pendent agent will usually have a wider 
variety of package plans to offer you 
nd will have no special interest in push- 
ing one over the others. Packages — nor- 
mally quoted on the basis of а shared 
room with a slight supplement for room- 
ing on your own are most usual at 
domestic vacation spots and are designed 
to hold you longer than you might 
otherwise stay im one spot, as distinct 
from a package tour which moves you 
along from place to place. 

Package (ours — usually prepared for 
the agent by a tour operator or whole- 
saler — offer one-to-fourday packages at 
several points, with transportation be- 
tween these рі а either a courier 


going along on so-called “escorted 
tours, or with a man to meet you at each 
arrival point, transfer you to the hotel, 
advise you about the local scene. Do- 
mestic package tours are usually quoted 
just for the destination area, with fare 
there extra, while overseas tours are 
normally quoted to include the major 
round-trip transportation (say across the 
Adantic) from а prime U.S. departure 
point (New York, San Francisco, СВЕ 
cago, etc). As a general rule, it's wise to 
take а conducted tour if it's your first 
trip abroad. True. you may shrink from 
the notion of having some character tell 
you what to do, or from being herded 
around in a group, but the tour does 
have obvious advantages which may well 
overcome these drawbacks. 
kage tours run all the way from 
three days in neighboring countries to 
100 days or more around the world, and 
from $100 to $300 close to home to $6000 
and wi up. In addition to general 
tours, which offer some of everything — 
the sights, side trips, nightclubs, theatre, 
а day at the races— there are special 
interest tours, angling the itinerary and 
devoting most of the time to one activity. 
Typical are ski tours averaging around 
5800 for three weeks at three different 
ski resorts in Europe. The range, how- 
ever, is infinite: yacht cruises through 
the South Seas to a brewer's circuit of 
ny. It's up to you 
ruises — at this season a bevy of be- 
witching damsels is about to set sail for 
Europe and other points around the 
globe, It may be fairly assumed, then, 
that your eye is focused іп the same di. 
rection, with the thought that you may 
introduce to these young ladies certain 
changes. As a rule, there 
г more women aboard а cruise ship 
than mei 
Generally, the best cruises 
ones with most calls, Recognizing the 
importance of calls, some lines fly you 
across the Atlantic to save time on the 
empty ocean haul, then put you aboard 
a cruise ship through the Mediterranean, 
the Acgean, around Africa or whatever. 
(Check notably with British Ove 
Airways Corporation and Lufthansa 
German airline, on these po: 
Another way to buy а cruise is to pick 
areas you couldn't do as well on a land 
tour: where, for instance, there are i 
adequate hotels and not too much to see 
far inland, such as the island clusters 
of the Aegean and southern Caribbean, 
the West Coast of Africa and the East 
Coast of South America. 
Remember, however, that fun aboard 
is a very special part of a cruise, the 
main reason you're sailing and not fy- 
ing to the various ports of call. While 
you can get cruises lasting just three 
days, try to pick one of at least a week — 
and take advantage of the line's warm- 
(continued on page 36) 


re the 


ITH THE COMING OF SPRING, а trio of 

transplanted Britons composed of co- 
medienne Hermione Gingold, Schweppes- 
seller Commander Whitehead and actor- 
playwright Peter Ustinoy rode in state го 
Yankee Stadium in the Commander's 
Rolls-Royce to watch a contest between 
the New York Yankees and the Chicago 
White Sox. Some hours later they de- 
parted, and their grasp of what they had 
seen may be ascertained by certain re- 
marks they made to us in a conversation 
after the game. They seem to have come 
y with the understanding that homer 
а Greck росі, strike is а labor agita- 
tion, and double-header is an unfortu- 
nate result of atomic fallout. Ballpark 
concessionaires can safely refrain from 
adding tea to the list of refreshments. 


BRITONS 
AT THE 
BALLPARK 


ustinov, gingold and whitehead watch their first game 


SMALL Boy: You look just like Peter Ustinov . 
vsrixov: Funny, lots of people tell me that. (Exit small boy) 33 


34 


BRITONS 
AT THE 
BALLPARK 


(continued) 


GINGOLD: Why are they all just standing there, watching that one man 
throw the ball? 

WHITEHEAD: It must be an intermission of some sort. 

Shall I break out the food? 


H = На 
WHITEHEAD: We'd best finish eating before it starts. 
s it all that exciting? 

ustinoy: Well, it’s the National Sport, you know. 


E * 


SPECTATOR: Look, the fellow at the plate tries to hit the ball, and the 
pitcher tries to keep him from hitting it. If he hits it, he runs around the 
bases. The fielders try to peg the ball to a base before he gets there. If he 
gets all the way to home, it's a run. The team with the most runs wins. See? 
WHITEHEAD: Ah. 


PHOTOGRAPHED ESPECIALLY FOR PLAYBOY BY ORMOND GIGLI 


ciNGOLD: Look, that lovely Mickey Mantle just hit the ball! Isn't he divine! 
wurrnEAD: Not quite, Miss Gingold. I believe it's what they call a “5 
ustinov: Where? ... Where . . 2 


usriNov (As the game ends): 
Well, that’s that. 

Shall we be off? Oh, I see. 

a double feature, 
or whatever they call it. 
Yes. Mmmmin ... 


vsriNov (Standing alone for the White Sox in the seventh inning): I'm for 
Chicago. We British should always support the underdog. 


35 


PLAYBOY 


36 


ART OF TRAVEL (continued from page 32) 


g water for the swimming pool, рис 
ting musicians and entertainers on 
board, arranging for top«leck buffet 
lunches and the rest. Skip so-called cruises 
on l2-pasenger freighters unless you 
have time to spare and special interests 
to keep you happily occupied while the 
ship holds over to load cargo, or ship- 
ping orders are changed. 

Independent tours — this is the real 
test of the caliber of an ent, Here 
it can pay you to use the local retail 
outlets of major tour wholesalers 
Smaller agents often (but by no means 
always) don't have the background or 
the facilities to handle fairly esoteric 
independent itineraries. So they hecome 
mere orde ssing your wishes 
on to a wholesaler who sets up the trip 
und then returns tickets and vouchers. 
and all the rest to your small retailer to 
sell to you as his own. Better, then, to 
go yourself to the prime source — which 
also maintains offices abroad to help you 
оп the spot. Here's how: 

а.) Allow a day for your transatlantic 
flight (five to eight d ch way by 
ship). even if you fly overnight and ex- 
pect to be cleared through customs and 
at your hotel before lunch. You'll need 
the afternoon to get oriented and to 
begin planning the details of your st 
in town with the hotel concierge (the 
fount of all wisdom, often better than 
local wavel agents, city or national tour- 
ist office), and to phone any friends, Bc 
sure to have your travel agent fix both 
your outward and inbound flights firmly 
belore you leave: a fouled return reserva 
tion in the crowded season can cost you 
days more in hotel and meals at a point 
you've already "done" amply, As a side- 
light, it's fasc ng to see the slices in 
air time being brought about by the jets. 
For instance, you can now fly from New 
York to London in 6½ hours, from Lon- 
don to Paris in an hour and five minutes. 
You can also hop from Paris to Rome in 
two hours, from Rome to Athens in an 
hour and 50 minutes, and from Athens. 
to Istanbul in an hour and 10 minutes. 
As Art Buchwald says, In the next few 
years jet airliners will make it possible 
for people to have breakfast in London, 
New York, breakfast in Los 
Angeles, and breakfast in ‘Tokyo, all in 
the same day. A whole new vista is 
opening for people who like big break- 
fasts. 

b.) Allow at least four days at each 
major city—and arrange with your 
agent, before you leave home, for a morn- 
ing of rubber-necking on the day after 
you arrive at each key point, so as to get 
the standard sights behind you and get 
the feel of the place. Plan to spend most 
of the afternoon of that day walking — 
there's life in the streets, and the only 
Way you'll savor it is on your two fect. 


Complete your arrangements that 
afternoon, too, for the balance of your 
time in town: check shows and night- 
clubs in This Week in Paris or its local 
equivalent, and have the hotel porter 
make reservations. Surely allow a full 
day of your tour for a trip outside the 
city. Obyious ones are from Paris to 
Versailles or Fontainebleau, from Lon- 
don to Oxford or Stratford, from Rome 
to Naples or to Ostia for the swimming. 

And plan, too, for at least one day 
devoted purely to fun in cach of your 
main stopping places. You could spend 
the day sailing near Copenhagen ог 
riding in the forests near Salzburg or 
going to the races іп England or . . 
well, what do you enjoy, anyway? АН it 
takes is to remember that the locals 
don't spend all their time gawking at 
statues; they like to live, too. Find out 
how they do it—and do the same. 

ls important to maintain a certain 
flexibility. So — despite your agent's ad- 
monitions that you'll never manage 
without firm reservations for every single 
night — leave yourself at least опе com- 
pletely unscheduled day or even two for 
every five days to a week you're abroad. 
thing can and something almost al- 
ways does come up to change your pl 
so leave yourself some elbow room. 

с) Make most of your intercity con- 
nections by plane — especially if you're 
in a hurry or оп long hauls—since 
they're much more flexible if you want 
to change flights at the last minute; a 
ir amount of time and money usually 
gets lost in the cumbrous process of 
changing a railroad reservation (that is, 
if you have a Pullman room or seat 
rather than just an unreserved first-class 
ticket). Plan rail and bus runs only 
through particularly scenic regions. Re- 
member, too, that there's nothing to 
мор you — and much to encourage you 
— from using other methods of trans- 
portation: a boat perhaps across Lake 
Geneva or along the Rhine or Danube 
as part of your continuing transporta- 
tion, or a barge from Holland to Ger- 
many. You'll find out about these poss 
bilities by reading up before you ро — 
and also by asking questions like crazy 
once you're on the spot. 

"Go Now — Pay Later" has boomed 
during the past two years, which 
derstandable enough in an economy 
where credit is the big thing. Stand 
credit practices apply: you pay 1 
down in cash and pay the balance in 
monthly installments spread over any 
period up to two and sometimes three 
years. Interest rates vary, so it might pay 
you to shop around for the best deal, if 
money's your worry. If you want to 
eliminate the need for carrying large 
sums of cash around with you once 


un- 


you've arrived, the answer is, of course 
a credit card. There's nothing you can't 
buy these days with this modern horn 
of plenty up to and including a dancing 
rl at one of Madrid's better night 
clubs. Her services are solemnly charged 
down as dessert on the Diners’ Club tab! 

You might have to spend real green 
in Hong Kong or Boise, Barcelona or 
Houston for newspapers, shoe shines and 
taxis, but there isn't much else a credit 
card won't buy. You can rent a car, buy 
the gas, get it repaired and park it on 
credit, even get bail on а speeding 
offense, You can hire а Dictaphone or a 
secretary; ride trains and planes and 
buses; buy candy, liquor, flowei 
surance, а suit or hat; phone le 
tance, send a wire, go fishing or hunting, 
et a concert ticket. . and, oh yes, you 
can also pay for a restaurant. meal. 

On the score of convenience. alone. 
the all in one cards are a blessing. Моге 
than that, they give you access to a flow. 
ing diversity of services: more 
22.000 establishments are listed in th 
chargeservice directories of American 
Express and Diners’ Club. And the bat- 
Ue to sign up more and more places on 
п exclusive basis will get hotter, with 
Hilton Hotels now entering their Carte 
Blanche in the credit sweepstake be- 
hind Diners’ and American Express 
and there's a possibility that the domes- 
tic airlines are going to make their card 
an all-in-one affair, too. 

The big struggle for the time being is 
between American Express and the 
Diners’ Club, and all the fighting must 
ultimately benefit the individual card 
user, in a wider diversity of services 
oflered. If you want to be sure of sulter: 
ing no inconvenience, however. your 
present recoume is to buy both cards 
and this we recommend, Throw in a 
Universal Air Travel Plan card, too, 
though you have to deposit $425 for the 
privilege of charging plane tickets all 
over the world: 

So you're on the Continent. How to 
get around? 

You can fly, Reservations are flexible, 
you'll move fast and comfortably; but 
you won't see much of the country. 

Trains in Europe are a luxurious ad. 
venture (with the possible exception of 
those in Spain, which are merely an 
adv you'll see the country, cat 
well and travel at fair speed. 

But the best way of all, in our book. 
is doing it by car — with a couple of "ifs" 
attached, 


П you've been to Europe at least once 


belore; if you have even a smattering of 
French or German or Italian; if youre 
going to be over there for at least three 
or four weeks and don't insist on "doing 
it all"; if you don't “eat kilometers" from 
city to city but like to loaf along a river- 

(continued on page 66) 


"It's morning, Mr. Petroff time for my screen test!” 


37 


WARDROBE 
FOR A 
JET WEEKEND 


айїте By ROBERT L. GREEN 


NEW YORK, above: a fond Friday farewell finds aur guy garbed 
for a jet weekend in a Prince of Wales glen plaid suit by Hickey- 
Freeman, $160; а Клах tara green hand-felted custam-edge hat, $20; 
Van Heusen's wash-and-weor convertible-cuff shirt, $5; and а silk 
space-figured necktie from Paul Stuart, $2.50. Over his arm, а Dacron- 
and-cattan, wash-ond-weor paplin raincoat by Londan Fag, $22.75. 


PHOTOGRAPHS AT IDLEWILO AIRPORT, NEW YORK, BY RONNY JAQUES 


the continent is just seven hours 


from broadway 


THE JETS ARE Jazzy. No trick whatever, these days. 
to plan a swinging weekend on the Continent — 
hitting Paris and London — апа still be back in the 
office, refreshed and glowing, Monday morn. There 
is an excitement about it all that hits even the most 
sophisticated and experienced air traveler, for the 
planes you'll usc are magnificent. Inside and out, 
the Boeing 707 docsn't resemble anything you've 
ever flown in. As you enter the loading door, the 
purser, in white dinner jacket and cummerbund, 
greets you like a maitre de. Soft music from spe 
tapes floods the compartments through the plane 
loudspeaker system. Decor is contemporary, іп pas- 
tel grays and blues against whites. Lighting is gen- 
Че and indirect, and a small but effective cock 
lounge takes care of your thirst. Dinner is served to 
you by the purser and four stewardesses, and the 
fare is sumptuous —а (continued on page 81) 


LONDON, below: in о dash across Piccadilly Circus 
with a British beauty in taw, he wears "Stagg," a three- 
button, wool-worsted, shadaw-stripe suit and vest by 
Chester Lourie, $75; а Dacron-and-cotton, wash-and- 
wear shirt with canvertible cuffs by Arrow, $6.95; plus а 
Nor-East Non-Crush Ivy Print necktie by Wembley, $2. 


PARIS, сьоуе: disembarking ot Le Bourget, 31 years after Lindbergh, а scant seven hours from New York, сиг peripatetic week- 
ender wears "Рірр," а lightweight cotton check sports jacket by Chester Lourie, $29.50; 65% Dacran and 35% cotton wash-and- 
wear trousers by Corbin, Ltd., $16.50. Under the jacket, “Time Saver,” а convertible-cuff, wash-and-wear cotton shirt with eye- 
leted round collar by Arrow, $4; ond а limited-edition cotton print tie by Taylor, $2.50. Jet black is picked up in both his cashmere 
sleeveless pullover sweater by Alon Paine, $20, ond in his "Zingoro," o rollable norrow-brim hat by Thomos Begg, $10. fine 
for both afternoon and evening wear, the “Algonquin,” а lightweight, three-eyelet square-toe black shoe by Nettleton, $27.95. 


PARIS AND LONOON PHOTOGRAPHS BY FERNAND FONSSAGRIVES 


39 


THE Cin. HAD BEEN AROUND 


she was smart, smarter than most, and she taught bart a hell of a lesson 


ЕП GRINNED WHEN 1 TOLD HIM MARGO WAS IN BOSTON to open the new store. “You lucky dog — wife out of 
town." We were sitting in Shor's. “Join us on the boat tomorrow. You'll have а ball.” 

Who's coming?" 

Take a chance. You'll find something: 

I wasn't too interested. I could get just as drunk in town and a boat trip оп the East River wasn't much — 
I'm not one of those sailing buffs — even on a plush cruiser like Ned's. (He can sleep 14.) Га have to taxi all 
the way to Queens — I had gone the route before — I could guess who would be on board: Helen, Ned's 
wife. Jake and Lena, his Westchester neighbors. Bill Rapson, the press agent, with that skinny ballerina he 
was keeping. She'd undoubtedly bring that feisty French poodle. The regular television crowd, a writer or 
two, maybe another agency man like me and the usual straggler who shacked up somewhere and missed his 
train home. It probably would rain Saturday and we'd all be jammed inside the cabin talking and drinking 
and smoking until the air was so thick you couldn't sec your cuff links. I wasn't champing at the Би. 

‘That was my trouble these days — Г had lost the old zing. In more ways than I cared to admit. Especially 
to Ned. 

You can't hide it from your wife. “Maybe you're working too hard," Ma 
ing light I dread in her eyes. "Or maybe you're going through the change. 
At 35? 

"So you're precocious 

That's what Г get for marrying a rich woman, No respect.” T tried to say it lightly but my voice grated 
through my teeth like a stripped gear. “Со to Boston,” 1 snapped. “Get yourself wined and dined and 
undermined by some department store junior executive.” 

“I always sleep top brass.” 

“I keep forgetting you can afford the best.” I was sorry immediately. We had been chipping av 
other like this for weeks. The cuts were getting deeper. 

On Saturday there I was in the cabin on the boat in the rain and everything was just as I had expected 
to be — except for this girl. 

Ah, this girl. 

She was wearing a little too much mascara, too big 


o had suggested with that mock 


ay at cach 


a bracelet — а wide, handmade, gold and ivory thing 
with carrings to match. Quiet, with big black eyes. Twin blue cashmere sweaters, breasts obviously her own — 
a narrow blue wool skirt, no girdle. Every man on board was watching her in one way or another. She drank 
her whiskey on the rocks, laughed at the jokes but didn't match stories with anyone. A girl who had been 
around. You had to be within a foot of her to get her perfume. I decided to stay within range. 

Her name was Romain As in lettuce," the dark eyes smiled. 
alad I'd like to toss," Bill Rapson butted in. The poodle nipped him on the ankle. (I think the ballerina 
has the dog trained.) 

"Are you a New Yorker?" I asked Roma 

She shook her head and her short dark I 
“Detroit.” 

“She went to school with Helen," Ned explained. "She's in town to make a speech at a convention at the 
Waldorf and she's much too smart to be seduced by a lecherous old man like you." 
I said. 
She looked at my graying cre 
"Lexington. It's premature." 
artis one of those glamorous айтте 


ne. 
ir stirred and settled around her face like a silky black fı 


ge. 


v cut. "Did Madison Avenue do that?" 


` Ned was enjoying himsell. "He'll have his (continued on page 6 


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PLAYBOY 


“1 don't care what the Russians claim, it can’t be done wearing 
these damn space suits, floating around a room without gravity!” 


IN THE SWIM 


SINUOUS CINDY FULLER was, until quite 
recently, a secretary in a quiet, Dicken- 
sian little law office in Boston, Massa- 
chusetts. We see her in these photographs 
in Miami, Florida, whither she was 
drawn by her pet passion, swimming. 
Miami offers much to the swimming en- 
thusiast: plenty of brother and sister 
enthusiasts, plenty of sum, plenty of 
water sports, plenty of water. It was in 
the hope of becoming a professional 
swimmer that Cindy left the bastion of 
the Brahmins for the balmy, baskable 
Florida clime. Her aquatic talent, plus 
her stunning looks, make her a natural, 
and just before putting this issue to 
press, we learned that Cindy had won 
an assignment with the Water Follies. 
Her stunning looks make her a natural 
for this month's Playmate, too, and her 
aquatic talent has nothing whatever to 
do with it. Elsewhere in this issue, you'll 
find 10 pages devoted to a lively Miami 
party attended by Cindy and four other 
lively ladies. 


miss fuller of boston 
makes it with 


miami’s water follies 


Cindy Fuller complements the curvilinear architecture of Miami's Fontainebleau. 


PLAYBOY'S PLAYMATE OF THE MONTH 


> 
< 
= 
ә 
=: 
= 


Floridian water sports of the masculine variety are 
fascinated by the fullness of the Fuller fuselage 
as а becomingly bikinied Cindy promenades post. 


PLAYBOY’S PARTY JOKES 


The expectant father paced the hospital 
waiting room. 

“Say, this is our first child,” he said to 
the relaxed veteran slouched in the cor- 
ner reading a newspaper. “How long do 
you have to wait, after the baby is born, 
before you can — uh — resume marital 
relations with your wife?” 

Well, that depends,” said the sea- 
soned sire, “on whether she's in а w 
or a private room. 


An ornithologist of our acquaintanc 
is troubled by the fact that the stork is 
SE I responsible for circum- 
stances that might better be attributed 
to a lark. 


Our Unabashed Dictionary defines 
adult western as one in which the hero 
still loves his horse, only now he’s wor- 
ried about 


Sam,” said the agent, want you 
should meet Bubbles LaVerne, a sensa- 
tional new stripper I have just discov- 
ered. She will be a sensation as the 
feature in your club.” 

im looked the shapely cutie up and 
down, removed the cigar from his mouth, 
and said: "Well, don't just stand. there, 
sweetheart, Undo something.” 


Siceping the sleep of the just in his 
upper berth, the gentleman was awak- 
ened by a persistent tapping from below. 

“Oh, Mr. Forsythe, are you awake?” 
asked the middle-aged lady in the berth 
bel 


he said groggily. 
“It's frightfully cold down here, Mr. 


Forsythe. 1 wonder if you would mind 
getting me a blanket. 
I've a better idea, lady," 
“Let's pretend we're married. 
He could hear her giggling softly be- 
low him. “That sounds like a lovely idea," 
she said. 
"Good," said he, rolling over. "Now 
go get your own damn blanket." 


he said. 


Preparing to fight опе another, the two 
te Hollywood boys were exchanging 
the eternal taunts. 
“My father can be 
1 oni 
dh, yeah?" said the other. 
father is my father!" 


your father!" 


“Your 


1 understand you took out the gorgeous 
new receptionist last night," said one 
ad exec to another. "How was she?" 
Not so good,” was the reply. 

еар," said the first exec, "you al- 
ways were lucky.” 


м 


Relatives of the late Charles Worth. 
ington were gathered to hear the read- 
ing of the will, and seated in a far cor- 
ner was a curvy blonde who had served 
the last two years as Mr. Worthington’s 
secretary. The wyer had almost 
finished and there had been no men- 
tion of the very desirable Miss Simpson, 
who was now perched uneasily on the 
very edge of her chair, taking in every 
word. 
‘And finally,” the lawyer read, “to 
Simpson, my beautiful but un- 
fortunately uncooperative secretary, 
whom I promised to remember here: 
Hello, there, Miss Simpson!” 


A staff researcher has come up with 
proof that most girls wouldn't stay out 
late if fellows didn't make them. 


Heard any good ones lately? Send your 
favorites to Party Jokes Editor, PLAYBOY, 
232 Е. Ohio Si., Chicago 11, Ill, and 
earn an easy $25.00 for each joke used. 
In case of duplicates, payment goes to 
first received. Jokes cannot be returned. 


“... Er... have you a hing size?” 


PLAYBOY’S 
HOUSE 
PARTY pictorial 


Eager for housewarming fun, Mary Jane, Dottie and 
Fran are first to arrive on the scene. Below: joined by 
indy, they're served a welcoming drink by houseboy. 


OST URBAN FELLOWS DREAM OF OWNING their own handsome haven, like Playboy's Weekend Hideaway 
featured in last month’s issue; bachelor Harold Chaskin actually built such a dream house and this picture 
story of a housewarming party gives some indication of the fun that is to be had in such surroundings. 
It was springtime in Miami when Chaskin, a youthful New Yorker, first arrived on the scene. That was back 
in 1950; Chaskin had with him one suitcase, containing all his worldly belongings, and his entire financial 
holdings — $40 in cash. He also had with him, still, the slightly bitter taste of a couple of jobs beid tried out 


in New York's unfriendly chill, after the war, and an enthusiastic conviction that the warm simpatico atmos- 
phere of Miami might prove much more to his liking and might offer him an opportunity to turn his talents 
and his energy to profitable enterprise. He took a job with a tile contractor, quit within a month and decided 
to give that business a go on his own. He persuaded a supplier to give him tile on credit and formed the 


five 
frolicsome lasses 
warm a 


miami mansion 


Miami bachelor Harold Chaskin greets his lovely 
guests with a barefoot Bonnie in tow, suggests 
they all enjoy a little sun behind the house. 


Out on the lawn, which is cooled by the breeze from Biscayne Bay, the guests frolic with their hosts pet chimpanzees. 
Above left: Mary Jane and Fran mug it up with the chummy chimps. Harold likes unusual pets, keeps three of the small 
apes in a cage in the house, also has several small sharks in a tank beside his pool. Above right: Bonnie and Cindy 
are much amused as Scotty, a neighbor, gets down on all fours to chase one of the chimps around their chaise. 


51 


52 


Gem Tile Corporation. They use a lot 
of tile in the hotels and homes down 
Florida way and today Chaskin is one of 
the nation’s half dozen largest tile con- 

tractors. 
When Ghaskin first arrived in Miami, 
ig out of а small hotel room, 


of the causeways which link Miami 


Beach and the City of Mi: and he 
fell in love with. i someday 
he would build himself a luxurious house 
there. 

Two years ago the prospering Chaskin 
bought his self-promised land on Palm 
Islarid and went about making his dream 
а magnificent reality. Situated at the 
water's edge on Biscayne Bay, in a breeze- 
swept setting of swaying palms, 
kin's house is more like a spacious Ьасһе 
Jor apartment than like the usual Florida 
family house. It actually has many fea- 
tures in common with Playboy's Week- 
end Hideaway, а kind of tribute which 
Chaskin, member of the Lifetime 
Playboy Club, appreciates, especially 
since he designed and decorated his 
haven virtually unaided 

Harold Chaskin not only knows how 
to design a dream house, he also knows 
how to warm it. For his hou: ming 
party, he invited five beautiful Miami 
misses and, being a considerate fellow 
and consummate host, he invited a few 
male friends to join the jollification 
later in the day. The girls—a lovely, 
lively, carefree fivesome who were eager- 
ly looking forward to this fun occasion — 
arrived сапу. There was Dottie Sykes, 
ап ash-blonde sophisticate and business 
girl who runs her own blueprint finn; 
there faced Bonnie Harrington 
who is, coincidentally enough, recep- 


raven. 
a young Gina Lollabrigida and works in 
а hotel gift shop and as a part time 
photographer's model; Mary Jane Ral- 
ston, a fresh-faced, titian-tressed office 
girl on vacation from Grand Rapids, 
Michigan; and chestnuthaired Cindy 
Fuller, featured in this issue as Playmate 
of tlie Month. 

Chaskin wasn't home when the girls 
got there, but his houseboy welcomed 


Off for a spin around the bay in Chaskin’s runabout, the 
Ungawa Massaba, he and Mary Jane—with Scotty, Fran and 
baby chimp Candy back-seat driving—have left the others 
at home, where they plan to relax in the sun and share girl- 
talk. All of the chimps enjoy riding in the boat, but the big- 
ger two sometimes become too excited and rough up the 
other passengers; baby Candy is better behaved and has 
been made an honorary commodore of a Miami yacht club. 


The house has a private solarium for those who like to keep their allover tans golden, as Cindy and Bonnie are doing 
at left. They find the tiles of Ше-топ Chaskin cooler than the sands of any beach, and know a freshening bath is just a 
step away through the sliding glass panels. Above: Bonnie, Cindy and Dottie sunbathe and chat about the evening 
festivities to come, enjoying the lazy ease of the sunny afternoon, the intimate seclusion of the walled and roofless room. 


them and gave them each a drink to set 
the spirit of the fun to come. And when 
their host arrived soon after, he took the 
five on a tour of the manor. The heart 
of the house is a magnificent indoor 
pool (24^ x 487) with a powered roof that 
rolls back at the touch of a button to 
admit the sun or moonlight. The large 
g living room ated (от 
ool by a wall of sliding glass panels 
h can be opened to make the two 
into one huge, indoor play place. 
kin led the girls upstairs to the 
master suite done іп Greco-Roman 
style with pure-white, extra thick and 
soft rugs (no shoes allowed up here). 
Dottie was the first to abandon the languorous solarium siesta in favar of a bubble Тһе master bedroom juts out over the 
bath in the huge sunken tub. But while it was filling, the speedboating contingent pool and the floor-to-ceiling drapes that 
returned and then all five girls decided to share a frolic in the foamy suds. cover the glass walls can be opened or 


|! 


PLAYBOY 


T 


41 


54 


Above: the girls take their time getting dressed, dawdling while they chatter and laugh about nothing in particular, as 
girls will. Dottie’s being informed on the house phone that their escorts are waiting, but Bonnie must interrupt to tell a funny 
story for the amusement of the others. Below: ready at last, the girls come down the stairs to their waiting dates who 
have planned on an early show at the nearby Latin Quarter and then returning to the house for steaks and romantic music. 


Above: toweling off after their bubble- 
bath dunk, Cindy, Fran and Mary Jane 
look as though they might have been the 
models for the Greco-Roman mosaics with 
which the sumptuous bathroom's walls are 
decorated. Chaskin's dream house is a 
show place for the tile he sells to con- 
temporary Floridians, and the mosaic is 
supposed to be historically authentic. 


55 


56 


PHOTOGRAPHY BY BUNNY YEAGER 


closed automatically from the bed. The 
adjoining bath (15 x 157) has an enor- 
mous sunken tub and private solarium. 

Chaskin introduced the girls to his 
three pet chimps, Seymour, Josephine 
and the baby, Candy, who live in а cage 
at the edge of the pool, then let them 
play with them on the back terrace that 
leads down from the house to the bay. 
Everyone enjoyed the chimps’ antics 
they scooted up a palm tree and played 
tag across the roof. At this point a neigh- 


bor, Scotty, arrived and suggested they 
take the speedboat out for a turn around 
the bay. Harold Land he, Scot, Fran 
and Mary Jane clambered aboard, with 
little Candy completing the crew as 
navigator 

While the others were boating, Bonnie, 
Cindy and Dottie went up to the private 
solarium to sunbathe. By the time the 
boaters returned, they were drawing 
water in the huge sunken tub and for a 
lark, all five girls decided to bathe to- 


gether in the manner of ancient Rome, 
which befitted the room’s decor. If there's 
anything more fun than a barrel of 
monkeys, it's five girls in a giant tub, 
splashing up suds and having a ball. 
While the girls were taking their time 
getting dressed, their dates arrived and 
had time for a drink and a few male 
jokes. Then the girls joined them and 
all strolled casually the block-and-a-half 
to the Latin Quarter, the world-famous 
dub (featured іп tano, October 


Above left: relaxing in the living room 
with a spot of Sinatra in stereo and 
cocktails all around; then (top of page) 
three of the girls obligingly stooge as 
Scotty demonstrates his skill at whip- 
ping up a salad while the steaks are 
broiling on the charcoal brazier; Cindy 
gazes at the indoor pool and wishes 
she'd thought to bring a swim suit. 
Meanwhile (above) Dottie and date do 
the turntable scene supplying suitable 
music while the dinner is being prepared. 


Below: after delicious dining beside the pool, buffet style, the lights are turned 
low and some couples, like Scotty and Cindy, dance romantically, while others share 
а brandy tête-à-tête. Scot teases about the swimming and tells Cindy if she really 
wants to go in, she doesn't need a suit, because the water is dark enough to hide her. 


Below: Cindy has persuaded Fran that, suits or no, the pool’s too inviting to resist and that, once in, they'll be protected 
from view by the water. Meanwhile (above) Chaskin leads the others down a stair well beside the pool, promising a surprise 


Below: guests find themselves in sub-level bar with 
windows looking into the pool; Chaskin turns on 
underwater lights revealing swimmers (right); but 
girls take this bit of trickery in good spirits. 


1957). which stands among the mansions 
on Palm Island. (Its close proximity 
makes Harold's house a popular hang- 
out for many of the Latin Quarter's 
lovely showgirls.) The gang drank and 
enjoyed the show. then returned to the 
house for dinner. Juicy steaks were put 
to the charcoal and Scotty set about 
demonstrating his expertise with a tossed 
salad; Harold put some appropriate 
mood music on the stereo rig and mixed 
drinks all around. 

Cindy loves to swim, but hadn't 
thought to bring a suit. The men tried 
10 convince her that one wasn't really 
necessary. "As a matter of fact, I don't. 


How swimmers to wear suits in 
Harold said, smiling. "Very 
delicate system and the lint clogs the 
drains." Scotty pointed out that it 
wasn't possible to see below the surface 
of the dark water and so, after coaxing 
Fran into joining her. Cindy decided to 
go in. Once the girls were in the water, 
however, Harold had a surprise for 
them. He led his other guests down a 
stairway beside the pool to a hidden bar 
where, through two. big windows, they 
were able to look directly into the м 
from beneath the surface, and see quite 
the two undraped mermaids. 
When С ШЕ; overed the 


usually 
this pool," 


Below: the evening ends lazily beside the 
pool, with couples relaxing informally in 
the comfort of the dimly-lit room, en- 
chanted by the dancing waters of the 
fountain and wishing the night with all 
its pleasures hadn't gone by so quickly. 
It has been a fun-filled time for all, 
one that is sure to be long remembered. 


trick, they took it as good fun, and en- 
joyed it as much as the others. Well, 
almost as much. 

As the evening wore on, the couples 
became more romantic. Harold turned 
on his remarkable dancing fountain in 
the center of the pool, which literally 
leaped and twirled in time to the music 
of the hifi, playing beneath colored 
lights that changed with each new chord. 
А soft wind blew in through the open 
roof and the couples moved close togeth- 
er in the semi-darkness. It was a special 
ending for a special party — the first of 
many to come — in a house that 
is a bachelor's dream come tue. H 


PLAYBOY 


AXE in was a small, dusty, backward 

planet out near Orion. Its people were 
of Earth stock, and still adhered to 
arth customs. Judge Abner Low was 
the sole source of justice upon the little 
planet. Most of his nvolved 
property lines and the ownership of pigs 
and geese, for the citizens of Oaxe И 
ad little flair for crime. 
But one day a spaceship landed con- 
taining the notorious Timothy Mont 
and his lawyer, who had come to Oaxe 
II for sanctuary and justice. And an- 
other spaceship came, containing three 
policemen and a Public Prosecutor. 

The Public Prosecutor stated, “Your 
Honor, this fiend has perpetrated a 
heinous crime. Timothy Mont, Your 
Honor, burned down an orphanage! 
Furthermore, he pleaded guilty before 
he fled. 1 have his signed confession.” 

Monts lawyer, a pallid man with cold 
fish eyes, rose, “Your Honor, my client 
is guilty. Г request that you put aside 
sentence.” 
I'll do no such thing," Judge Low 
said. "Burning an orphanage is a hor- 
rible crime. 

“It is" the lawyer agreed, "in most 
places. But my client committed his act 
upon the planet Altira Ш. Is Your 
Honor conversant with the customs of 
that. planet?" 

"No," said the judge. 

"On Altira III,“ the lawyer said, all 
orphans are trained in the art of assassi- 


cases 


nation, for the purpose of reducing the 
population of neighboring planets. By 
burning the orphanage, my client saved 
thousands, perhaps millions of innocent 
lives, Therefore he must be considered 
a hero of the people." 

“Is this true about Altira Ш?” the 
judge asked the court clerk. 

‘The clerk looked up the facts in the 
Encyclopedia of Planetary Customs and 
Folklore, and found that it was indeed 
true. 

Judge Low said, "Then I dismiss this 
сизе.” 

Mont and his lawyer left, and life 
droned peacefully on, on Oaxe П, dis- 
turbed only by an occasional lawsuit in- 
volving property lines, or the ownership 
of pigs and geese. But within a year 
Timothy Mont and his lawyer were back 
in court, with the Public Prosecutor fol- 
lowing close behind them. 

The charge again concerned the burn- 
ing of an orphanage. 

“However,” the pale lawyer pointed 
out, “guilty though my client is, the 
court must remember that the orphanage 
in question was on the planet Deegra IV. 
As is well known, all orphans on Deegra 
IV are adopted into the torturer's guild, 
for the performance of certain abomin- 
able rites abhored in all the civilized 
galaxy.” 

Finding this to be truc, Judge Low 
again dismissed the case. 

In 15 months, Timothy Mont and his 
lawyer were again in court, to stand 
trial on the same charge. 

"Dear, dear,” Judge Low said. "A re- 
former's zeal . . . Where did the crime 
take place’ 

“On Earth, 
cutor. 

"On Earth?" said the judge. 

“I fear it is true," the lawyer said 
sadly, “Му client is guilty, 


stated the Public Prose- 


“But what possible reason did he have 
this time?” 

Temporary insanity,” the lawyer said 
promptly. “And I have 12 psychiatrists 
to prove it, and request a suspended 
sentence as provided under law for such 
circumst 

The judge turned purple with wrath. 
"Timothy Mont, why did you do this?” 

Belore his lawyer could silence him, 
Mont stood up and said, "Because I like 
to bum orphanages 

That day Judge Low passed a new 
law, one which has been noted through- 
out the civilized galaxy, and studied in 
such diversified places as Droma I and 
Aos X. Low's Law states that the de 
fendant’s lawyer shall serve concurrently 
whatever sentence is imposed upon his 
client. 

Many consider this unfair, But the in- 
cidence of lawyers on Oase Ш has di- 
minished remarkably 


DUPLICATION 


DMOND DRITCHE, а tall, sallow, mis- 

anthropic scientist, had been brought 
to trial by the General Products Corpora- 
tion for Downbeatedness, Group Dis- 
loyalty and Negativism, These were 
serious charges, and they were substanti- 
ated by Dritche's colleagues. The magis- 


far-out fables of the far future 


trate had no choice but to discharge 
Dritche dishonorably. The usual jail 
sentence was waived in recognition of 
his 19 years of excellent work for Gen- 
eral Products; but no other corporation 
would ever hire him. 

Dritche, sallower and more misan- 
thropic than ever, turned his back on 
General Products and its endless stream 
of automobiles, toasters, refrigerators, 
"TV sets, and the like, He retired to his 
Pennsylvania farm and experimented in 
his basement laboratory. 

He was sick of General Products and 
all it stood for, which was practically 
everything. He wanted to found a colony 
of people who thought as he did, felt as 
he did, looked like he did. His colony 
would be a utopia, and to hell with the 
rest of the cheerful, gaclget-ridden world. 

"There was only one way to achieve 
this. Dritche and his wife Anna toiled 
night and day toward the great goal. 

At last he met with success. He ad- 
justed the unwieldy device he had built 
and turned the switch, 

From the device stepped an exact 
Duplicate of Edmond Dritche. 

Dritche had invented the world's first 
Duplicator. 

He produced five hundred Dritches, 
then held a policy meeting. The five 
hundred pointed out that, for a success- 
ful colony, they needed wives. 

Dritche 1 considered his own Anna 
a perfect mate. The five hundred Dupli- 
cates agreed, of course. So Dritche pro- 
duced five hundred exact copies of her 
for the five hundred prototype Dritches, 
and the colony was founded. 

Contrary to popular prediction, the 
Dritche colony did well at first. The 
Dritches enjoyed each other's company, 
never quarreled, and never wished for 
visitors. They comprised a satisfied little 
world in themselves. India sent a dele- 
gation to study their method, and Den- 
mark wrote laws to ensure Duplication 
rights. 

But, as in all other utopian attempts, 
the seeds of disaster were present in 
simple human frailty. First, Dritche 49 
was caught in a compromising position 
with Mrs. Dritche 5. Then Dritche 37 
fell suddenly and passionately in love 
with Anna 142, This in turn led to the 


uncovering of the secret love nest built 
by Dritche 10 for Anna 498, with the 
connivance of Anna 3. 

In vain Dritche 1 pointed out that all 
were equal and identical. The erring 
couples told him he knew nothing about 
love, and refused to give up their new 
arrangements, 

"Тһе colony might still have survived. 
But then it was found that Dritche 77 
was maintaining a harem of eight 
Dritche women, Annas 12, 13, 77, 187, 
303, 336, 489 and 500. These women de- 
clared him absolutely unique, and re- 
fused to leave him. 

The end was in sight. It was hastened 
when Dritche 1's wife ran away with a 
reporter. 

The colony disbanded, and Dritches 
1, 19, 32 апа 433 died of broken hearts. 

It was probably just as well, Certainly 
the original Dritche could never һауе 
stood the shock of seeing his utopian 
Duplicator used to turn out endless 
streams of General Products automo- 
biles, toasters, refrigerators, and the like. 


LUBRICATION 


ROFESSOR вогтом, the noted philos- 

opher, left Earth to deliver a series of 
lectures at Mars University. He took 
his trusted robot valet Akka, a change 
of underwear, and eight pounds of notes. 
Aside from the crew, he was the only 
human passenger. 

Somewhere near the Point of No Re- 
turn, the ship sent out an emergency 
Message: STARBOARD JETS BLOWING SHIP 
OUT OF CONTROL. 

Тһе citizens of Earth and Mars waited 
anxiously. Another message came: EN- 
TIRE CREW KILLED BY FLASHBACK SHIP 
CRASHING IN ASTEROID BELT HELP HELP 
BOLTON. 

Rescue ships swept toward the arca 
between Mars and Jupiter where the 


fiction By ROBERT SHECKLEY 


asteroids are strewn. They had a hazy 
fix from Bolton's last message; but the 
area to be searched was tremendous, and 
the chance of rescue was very small. 

Three days later, this message was ге- 
ceived: CANNOT SURVIVE. MUCH LONGER ON 
ASTEROID 1 FACE DEATH WITH SERENE 
DIGNITY BOLTON. 

Newspapers spoke of the indomitable 
spirit of this man, a modern-day Robin- 
son Crusoe, struggling for life on an air- 
less, foodless, waterless world, his sup- 
plies running low, ready—as he had 
taught in his books and lectures — to 
meet death with serene dignity. 

‘The search was intensified. 

The last message read: ALL sUPPLIES 
GONE SMILING DEATH AWAITS МЕ BOLTON. 

Homing in on his final signal, a patrol 
boat located the asteroid and landed be- 
side the gutted ship. They found the 
charred remains of the crew. And they 
found ample supplies of food, water and 
oxygen. But strangely, there was no sign 
of Bolton. 

In the very rear of the ship they found 
Bolton's robot. 

“The professor is dead," the robot said 
through rusted jaws. “I sent the last 
messages іп name, knowing you 
wouldn't come just for me.” 

"But how did he die?” 

"With the greatest regret I killed 
him," the robot said grimly. "1 can as- 
sure you that his death was painless.” 

“But why did you kill him? And 
where is his body?" 

"The robot tried to speak, but his cor- 
roded jaws refused to function. A squirt 
of oil brought him around. 

“Lubrication,” Akka said, "is a robot's 
greatest problem. Gentlemen, have you 
ever considered the problem of render- 
ing a human body into its essential fats 
and oils without adequate equipment?” 

"The rescuers considered it with mount- 
ing horror, and the story was suppressed. 
But it was heard by the patrol ship's 
robot, who pondered it and passed it on 
to another robot, and then another. 

Only now, since the triumphant re- 
volt of the robot forces, can this inspir- 
ing saga of a robot's fight against space 
be openly told. Hail, Akka, our liberator! 


61 


PLAYBOY 


62 


GIRL HAD BEEN AROUND (continued from page 40) 


own agency someday. I can see it now. 
Bartley West Associates.” 

“Just call me Eyepatch.” 

“A wheel,” Ned grinned. “Started 
early, worked hard, married a rich 
woman." 

I winced. He knows I married Margo 
for her legs. 

"Where's your husband?" 1 asked Во- 
maine. She was wearing a wedding ring. 
“At home.“ 

"Why isn't he with you?" 
ll make you a deal. Don't tell me 
ory of your life and I won't tell you 


mine. 

“We have to start somewhere.” 

She gave me a long look with those 
magnetic black eyes. Something Г hadn't 
felt lately stirred inside me. “АП right," 
she said. "Brace yourself.“ She waited 
while I took a deep breath and then 
she si I'm a doctor." 

"Oh, doctor!” It was her turn to 
wince, 1 stared at her. “An M.D?" 

“An anesthetist.” 

"You can put me to sleep any time." 
I sounded as crude as Bill. 

She gave me another straight look that 
set me tingling. “Now that the jokes are 
behind us why dent you freshen my 
drink?” 

І felt as ИТ had been slapped. Not 
оп the face—on the rear, 1 took her 
glass and shouldered my way through 
the crowded cabin three steps down to 
the galley and cracked some ісе. Vague 
aches and pains? Not Bart, Listless? De- 
pressed? Unable to concentrate? Not 
Bart. Whooeee. This girl was a handful. 
Anticipation poured through me like a 
double brandy. Will she or won’t she? 
I measured the liquor. Two things I 
was sure of: I didn’t want to get drunk 
and I wanted this woman. 

When I went back the poodle and the 
ballerina were sitting where I had left 
Romaine, The dancer's lip jutted out 
like a Ubangi’s. I looked around for 
Bil. He had wrapped his raincoat 
around my girl and dragged her out on 
deck to look at a fireboat going by. 1 
carried our glasses out there. 

“I fix you a drink and you disappear." 

"1 didn't go far." 

Bill pointed. "See the pretty fireboatz" 
He was stoned, 

"Don't you two have sense enough to 
come in out of the rain?" 

“Nag, nag, nag.” He spotted ше bal- 
lerina standing in the doorway. “Com- 
ing, mother.” 

Romaine and I stood in the gentle 
drizzle looking at each other. We touched 
glasses. There's a raindrop caught in 
your eyelash. It looks like a diamond.” 

She glanced up at my crew cut. 
“You've got a tiara.” 

“When the sun comes out I turn into 


a rainbow.” 

“Ned said you were colorful.” 

“Not me. I'm a gray flannel mouse.” 

“On a cheesecake diet.” 

“You're a little too bright. 

"I know.” A shadow passed across her 
eyes. “I have this brain, I have this face, 
I сап talk. Men hate it.” 

She moved away and the wind caught 
the raincoat, ripping it open, plastering 
her skirt against her body. I caught my 
breath and reached for her. I folded the 
coat around her, turning her in my arms. 
Her mouth tasted sweet and wet. She 
stood still against me, not fighting, not 
pushing me away — but not cooperating 
either. I still didn't know. I had, say. 
four hours to find out. 

What kind of a day was it? A day like 
any other day — as Walter Cronkhite says 
—except that she was there, We talked, 
we laughed, we drank, we played with the 
ship-to-shore telephone. We listened to 
the radio. Jake and Lena tried to dance 
but there really wasn't room in the 
cabin. And it made the poodle nervous. 
You get the picture. We went out on 
deck to watch a Coast Guard boat go by, 
and by the time we came to that big C 
painted on the rocky cliff below Colum- 
the rain had stopped and the racing 
shells were out on the smooth surface of 
the river. We shouted to the crewmen 
as they skimmed by. 

Toward evening we tuned in the sixth 
race at Belmont and I made book. Ro- 
maine had the Main Chance horse and 
won 15 dollars. 

"Your lucky day,” I said, laying the 
bills in her hand. "Mine, too — 1 hope." 
I tried to hold her glance but she low- 
ered her lashes, hiding her eyes. (As far 
I could tell that was the only thing I 
had going for me: she no longer could 
look at me. She was avoiding my gaze.) 
1 tried moving away from her, giving my 
attention to another woman, but it 
didn't seem to bother her at all, damn it. 
She laughed and chatted easily with any- 
опе who stopped beside her while 1 
stood away listening to the husky curve 
of her voice, thinking forward to the 
end of this 

Bill Rapson cornered me in the galley. 
“Take it from an old pro, Bart — you're 
ting your effort." 

"You want to be 

“This one is all eyes and no action.” 

"You don't mind if I ignore your 
drunken. counsel?" 

"Every man to his own frustrations.” 
He couldn't quite pronounce it. "Have 
it your own way, buddy boy. It's your 
kilt atilt.“ 

This was shortly before he fell over- 
hoard. It is not true that I pushed him. 

As the boat neared shore we all began 
arguing about where we would go for 


dinner after we docked but it turned out 
Ned already had reservations at the Pilot 
Club, We checked the poodle and then 
all of us crowded around one table in 
the middle of the room where I seated 
Romaine next to me. I pushed the 
menu away. "How about a steak for 
two?" 

Her eyes twinkled like dark stars. 
"Don't you think that's kind of inti- 
mate?” 

"I don't mind your laughing at me as 
long as you keep looking at me." 

“I had the impression you wanted ше 
to take you seriously. 

“Just take ше. Any way at all.” 

She gave me а keen look, "You have 
a need?" 

“Yes, doctor.” I put my arm around 
the soft blue sweater. "So have you— 
or you wouldn't be here." She flinched. 
"What about this big specch you're mak- 
ing at the Waldorf?” 

"It's very serious. The use of tranquil- 
izers in childbirth." 

1 couldn't tell you whether the steak 
was rare or well or whether I ate any- 
thing at all. I was glad the crowd was 
noisy because 1 needed time to think. Т 
was beginning to get to this woman. She 
was no casual lay. I had to make the 
male decision; how much, how soon. I 
tried to project myself beyond tonight. 
Why did I want her so much? And 
worse, why was I asking myself why? Т 
could remember when T hadn't ques- 
tioned desire. Maybe Margo was right. 
Middle Age. That uneasy crossroads 
where a man stops and looks at his wife, 
his friends, his job, and asks himself, 
What gives? Is this all? Where am I? 
How did I get here? And who pushed 
mer 

While I brooded over it they stuck me 
with the check. Seventy-eight dollars. 

Ned came around and stood behind 
our chai d on my shoulder. 
“It'll be worth it, Bart.“ y 

Romaine frowned at him, “Don't 
promise him anything I haven't.” 

The party began to break up. Jake 
and Lena drove five of us back to town. 
Bill passed out on the ballerina's 
shoulder. Now she had two dogs. 

1 held Romaine on my lap in the back 
seat in the dark making love to her with 
my hands. Sometimes she stopped me. 
Sometimes she didn’t. Jake decided we 
ought to stop at $һог for a nightcap. 
Lena said she wasn't going in there in 
her Capri pants and sailor middy. 
Romaine suggested we come up to her 
suite. 

Jake grinned. "Bart would kill us." 
d like Jake.) 

It was about two o'clock when he left 
us on the sidewalk in front of the 
Waldorf. We said goodnight to the 
others and Romaine and I walked into 

(continued on page 76) 


„5 CANT 400 KEEP фри 
, Ties TEER DISGUST. ANDS TO Yo. И 
ungerne! Pr AAN 


/ 


=> = 
(СО, ef 


n 


e цит 
МЕ HERE ВОТ J CAME 
Т0 SEE А Ad) 


чоо POOR DEAR, I FRIGHTENED, 
You НАСЕ ТО DEATH, DONT 17 


PLAYBOY 


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portmentolizes currency end travel- skin, has 14K gold "piano hinge" and i 
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Fram the top down: black willow colf billfald 
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cord cose, is mode of water buffalo hide 
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PLAYBOY 


66 


ART OF TRAVEL 


side road or follow a mountain lane just 
for the hell of it—then driving in Europe 
should be right for you. 

First, you'll have to decide whether to 
rent, lease, buy then sell back, buy a 
European car outright then ship it home, 
or ship your own car over for use there. 
Best of all: rental of a chauffeured lim- 
ousine. Time and money are, as usual, 
the main keys to your decision. As a 
general rule, you'll find that it will pay 
to rent a car for periods of less than four 
to six weeks and to buy one on a guar- 
anteed repurchase plan if you need it 
longer. Your deposit is 5100-5300 on а 
rental car, and the purchase price of a 
new car runs from $850 on the cheapest 
Fiat and $1000 for the least expensive 
Citroën or British Ford, to 53000 for a 
Mercedes 220 or a Porsche convertible 
and 54800 for a ста Flaminia, This 
purchase price is often required as your 
“deposit” on a repurchase plan. In 
round figures, and all included, it'll cost 
you about $400 to rent and run an ayer- 
age European саг on a six-week tour, 
and about $460 if you buy the car then 
sell it back after six weeks. That $60 
differential (which is about the cost of 
documents on the car you buy) dwindles 
the longer you stay abroad and use the 
car you've bought. For instance, for 
periods of over 80 days a Citroën 2CV 
rents for $7 a day as against $5 а day for 
depreciation and insurance over two 
months on a repurchase plan. But if you 
hold the car for four months before sell- 
ing it back, the daily rate for deprecia- 
tion and insurance will be down to 
around $2.70. And you won't even have 
to pay that if you buy the car. So, if 
you've even half a mind to buy a c 
abroad, use the repurchase plan—no 
matter how short а time you're staying— 
to try one out without obligation. If you 
е it, you'll have paid no rental on the 
and can have it wrapped up and 
shipped home for about 8120-5150 on 
smaller cars sent from England to the 
East Coast, $300 for larger cars shipped 
from Germany to New York. U.S. cus- 
toms duty is 814% of the car's value as a 
used car when you bring it in. 

When it comes to buying a car over- 
seas, some foreign-car dealers in the U.S. 
will take your old car as a trade-in and 
arrange financing on the new one. If 
you are definitely in the market for a 
foreign car and are also planning a 
European vacation, buying over there 
can be a shrewd move. You can, in fact, 
get your new car plus a European vaca- 
tion for less than the price of the low- 
cost American cars and your transatlantic 
fare! And you'll do even better as you 
draw the parallel on between higher- 
priced cars at home and abroad. If you're 
interested, then talk it through with your 
travel agent and get the fully detailed 


(continued from page 36) 


booklets put out by car-rental outfits, 
foreign-car dealers and others. Hertz 
(linked оп this with American Express) 
and Avis branches can get you details, 
also Auto-Europe, the international 
division of the National Car Rental 
System. Independents include Europe 
by Саг, European Driving Plan, Inc., 
Autourist, your local American Automo- 
bile Association club, and others. 


Probably your very first purchase for 
your trip should be a passportsize wal- 
let (see Financial Statement, p. 64), and 
a set of passport photos, including a [ew 
extras to take along in case of emergency 
requirements while you're abroad. You'll 
want a few bilingual pocket dictionaries 
to clarify your sign language wherever 
you're going, and a copy of the Guide 
Michelin we mentioned, that superb 
formant on the most desirable hotels 
and delectable eating spots. And a cur- 
rency converter. 

The bulk of your funds, of course, will 
be in traveler's checks. (This, inciden- 
tally, will probably make you a customer 
of the American Express Со, and Am. 
exco grandly responds by forwarding or 
holding mail for you as you gad about 
from place to place. And, if you change 
your plans еп route, a postcard keeps 
your correspondence a-coming along 
with you.) You stand to gain a bit with 
perfect legality by looking into the rates 
of exchange of the various countries you 
plan to visit, even before you leave the 
U.S. Many times, converting your long 
green here may give you а more favor- 
able rate of exchange than you'll en- 
counter abroad. Conversely, when chang- 
ing back to American money, do it 
abroad, not here. But don't forget to 
hold out enough of the foreign currency 
to cover tips, cabs, and such, on the way 
back to the ship or plane. 

Another point to remember is that 
the v s of European electrical sys- 
tems may bring you up against direct 
current or a 220-volt line just at that 
contented moment when you're about to 
ready yourself for a date by plugging in 
your electric razor. But you can look as 
spruce as always by getting your razor 
a bon voyage gift of a converter. 
about tips? 

s observed that your travel agent 
is the guy to place you happily in the 
dining salon aboard ship, Although fore- 
sighted, he can't be expected to enjoy 
second sight, and predict whether your 
dinner companions will Бе five wide- 
eyed beauty contest winners, or a delega- 
tion of silo manufacturers off to study 
the Continents most exciting flying 
buttresses. So—a $10 bill discreetly 
palmed to the maitre de presiding over 
the salon may indeed bring you to the 
promised land, seated, we sincerely trust, 


next to а gorgeous heiress. 

Elsewhere on board ship. you must 
scatter your tips with the airy grace of 
an Indian potentate. To the deck stew 
ard. To the bootblack. To the lounge 
attendant. To the bath steward. To your 
room steward. The latter rates $10 and 
probably more, if you have been де. 
g or he has been especially sol 
tous and helpful on such points as the 
shortest routes to the cabins of various 
gifted travelers you have noticed on 
deck. The others, about five each. 
tenders in the lounge are tipped when 
you pay your tab, as you might in any 
Madison Avenue pub. Mind readers and 
optimists in the realm of human nature 
have been known to advance — 
just to put the crew at rest on that vital 
point as to whether you are a tightwad 
or a soft mark — and thus forestall any 
posible desertion in favor of heavy 
promisers on the next deck. But gen- 
erally you tip on the last night out, or, 
on cruises, somewhere along the half- 
way mark. 

Next, what to take? 

On shipboard, you can obviously af- 
ford to carry more changes than if flying, 
what with weight limits and all. But 
with some of the big ship lines tieing 
in with airlines to fly you home (and de- 
livering your excess luggage via the sea 
route), not to mention side trips you'll 
want to make by air, you'll do well to 
avoid any elephantsize trunks, and di- 
vide your things among a few rugged 
suitcases and a 12 x 18 x 26 job which 
fits neatly into Continental train and 
plane luggage racks. Meanwhile, your 
main gear is checked with your travel 
representative or back at the hotel. Your 
luggage should be free of fancy builtin 
fittings. Open space is what you'll need 
most, and a good lock. The lock isn't 
primarily for pilfering protection — a 
good whack from another bag will often 
snap yours open, and you wouldn't want 
this to happen somewhere between the 
ship and the dock. 

If you're going on a cruise, you can 
shoot the works on the amount of cloth- 
ing you take long, and indulge in extra 
luxuries like a second set of evening 
clothes, just in case. But if you're head- 
ing for Europe and beyond, you'll want 
to keep the total to а spare but ade- 
quate minimum. 

There's some debate about dressing 
for dinner on shipboard. On the first 
night out, of course, nobody does. On 
the last night out, practically everybody 
does. In between, it's up to you, and con- 
sidering that you're one of the roving 
kind — eyes included — why not be at 
your best? Some others will dress every 
night, particularly on the big ships, and 
the best bet for you is to select evening 
clothes that suggest elegance and in- 
formality all at once. Black or midnight. 

(continued on page 83) 


Playmate Joyce Nizzori interrupts Keenan Wynn ond Frank Sinatra in this scene from 
А Hole in the Head being shot by the pool at the Fontoinebleou Hotel in Міст, 


[St owas some did a word profile on 
Frank Sinatra, man and yoice; in Decem- 
ber we did а picture profile on Miami Play- 
mate Joyce Nizzari, The subject of our Novem- 

ing was sufficiently taken with our 
mber that he signed her, forthwith, 
for a bit in his new film, 4 Hole in the Head, 
the 
he is co-producing with director Frank Capra, 
and in which he stars along with H 
Parker, Edward С. Robinson and К 
Wynn. Joyce, who has since been picked by 
PLAYKOY readers as their favorite Playmate of 
the „plays Keenan Wynn's secretary іп 
the picture. Sinatra personally helped her 
with her few lines, 
drinking at the fancy Fontainebleau Hotel 
where much of the film was shot. 


с of a Miami Beach hotel owner, wh 


d took her dining and 


Joyce stonds uneasily on comera ramp waiting for another take of her scene and 
Sinatra, sensing that she is nervous, kids with her to help put her more ot eose. 
> MET 


a favorite playmate 


makes a movie 
with sinatra 


67 
PHOTOGRAPHED ESPECIALLY FOR PLAYBOY BY WILLIAM READ WOODFIELD. GLOBE 


THE WINE DEALER’S WIFE 


A newly translated tale from the Contes а Venus of Jacques Redelsperger 


Ribald Classic 


H RI METULET, а wholesale wine 

dealer, had the most charming wife 
in Paris. When she walked down the 
Champs-Elysées women stared in obvi- 
ous envy at her face and figure, In social 
gatherings people enjoyed her sparkling 
wit. Monsieur Métulet watched his wife 
closely, and when he saw her even talk 
to another man there were angry scenes 
in which he accused her of infidelity. “If 
that’s the way he is going to be,” she said 
to herself, “I'll try to act in such a way 
as to merit his accusation.” 

In short, instead of one lover, she took 
two, which was only logical under the 
circumstances. And it was a problem 
to keep these two men from running 
into each other and at the same time 
keep her husband from finding out 
about the arrangement. One of the 
lovers was a student, the other a dashing 
captain of the guards. The young man 
was not stupid, and he soon found out 
about his military opponent, but he said 
to himself philosoph: T 
him for his splendid u 
me for myself." 

One day, when the husband was sup- 
posed to be out of town, Madame 
Métulet gave the student a rendezyous 
for the morning while the captain was 


"Hide under the bed!" cried the lady. 


to have the afternoon. ‘The young man 
had been in bed with her for over an 
hour; the cock had crowed three times, 
and they were resting gently on their 
laurels, when suddenly they heard a 
sound of boots, a jangle of spurs, and 
the rattle of a sword. 

Heavens,” exclaimed the woman, 
"s the army! Here, grab your clothes 
and hide under the bed." 

She ran to open the door. "Why, 
Captain, I was not expecting you until 
this afternoon. I wanted to be sure 
Monsieur was leaving town as he said. 
You know how jealous husbands are.” 

The captain went to the window to 
be sure the coast was clear. Just at that 
moment he saw Monsieur Métulet walk- 
ing rapidly across the square toward the 
house. "You were right" he gasped. 
"There he is. He suspects something, 
and he is coming here to kill me. What 
are we poing to do?" 

Madame Métulet thought for a sec- 
ond. "Lets not lose our heads. We 
must find a reason to explain why you 
are here ... I have it. Draw your sword. 
When my husband enters the door, rush 
out shouting at the top of your voice, 
“ГИ catch him yet! I'll catch him yet!" 
And leave the rest to me.“ 


Almost knocked down by the captain 
as he came in the door, the indignant 
husband asked his wife, "Who was that 
madman who just ran out of here?" 

t happened this way," explained the 
wife calmly. "About ten minutes ago, a 
young man dressed only in his under- 
wear and holding his clothes in his arms 
opened the door without knocking and 
came rushing into the house. I was 
frightened to see an almost naked man, 
but he didn’t give me time to think. 
Madame, hide me quick! An irate 
officer has just surprised me with his 
wife, and he is following me with drawn 
sword. If he finds me I am а dead тап." 
1 hastily pushed the young fellow under 
the bed, and no sooner was he hidden 
there than the jealous husband rushed 
through the door.. He looked all around 
without even asking permission, but 
fortunately did not look under the bed. 
Then he left just as you came 

“You have done well, my dear. You 
have saved his life.” He kneeled down 
and looked under the bed. “You may 
come out now, young man,” he said. 
“The officer has left.” 

Translated by Hobart Ryland 


“Гое just had a great emotional adventure!” 


PLAYBOY 


VIVA PIZZA! 


the purpose of demonstrating the way 
in which he intends to treat your head. 

From transplanted Italians in this 
country you'll hear all kinds of dicta on 
how you can learn the art of pizza bak- 
ing. Older Italian women fulminate 
against such spurious equipment as 
or electric stoves. You can't possibly 
make a real pizza, they insist, unless you 
have a wood-burning oven built along- 
side an open hearth. Some professional 
pizza makers, too, tend to sneer at any 
man who hasn't spent several decades 
learning arcane skills from his Sicilian 
great-grandfather. These injunctions, all 
delivered with a certain ruddy charm, 
are, in truth, so much superstition. 

Actually you need only a pigeonhole 
of a kitchen to make your own pizzas. 
And you'll make great pizza provided 
you start out with the correct original 
conception, namely, that the three parts 
of the pizza — the crisp dough, the filling 
and the cheeses (plural) — must all be 
built into a tantalizing plumpness. 

As far as the dough is concerned, 
don't attempt to compete with the grand- 
stand play bakers make in the windows 
of pizzerias. You don't have to learn the 
difficult and senseless skill of swinging 
the dough around your fist, tossing it 
into outer space, and stretching it as 


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(continued from page 29) 


thin as a balloon. As a matter of fact 
the dough will be better if it isn't 
stretched, but slowly and gently pressed 
with your finger tips after they've been 
dipped lightly in olive oil. If you're a 
novice, don’t get perturbed should the 
recipe call for yeast. There are probably 
less failures in baked goods made with 
yeast than in those that use baking 
powder. Simply remember that yeast is 
inactive when cold or dry, that it grows 
(causes the dough to rise) when it's dis- 
solved in warm water, and that it stops 
working when exposed to a great heat 
(when the pizza is baked). 

Making the simple bread dough that's 
used for pizza is so easy that it can usu 
ally be mastered on the first try, but if 
you're uneasy about making your own 
dough, there are a number of easy alter- 
natives. You can sometimes buy a piece 
of dough from a baker or pizzeria owner. 
You can use one of the packaged yeast 
dough mixes designed for making rolls. 
Or you can buy a pizza mix which con- 
tains not only the exact ingredients for 
making the dough but also the pizza 
sauce and grated cheese. 

One of the best pizza sauces is the 
canned marinara tended. pri- 
marily for spaghetti dishes. Canned 
pizza sauces are sometimes a little watery; 


sauce 


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you may have to add a tablespoon or 
iwo of tomato paste to give them the 
necessary body. When the recipe calls 
for canned tomatocs in place of a sauce, 
be sure to get the best grade of Italian 
plum tomato — called pomodiro, or 
apple of gold. This is the firm kind that 
you can split in two with your fingers, 
then flip the seeds aside. In adding other 
solid ingredients to the filling you can ad 
lib indefinitely: Use prepared meat balls, 
the hard sausages called pepperoni, pros- 
ciutto ham, green peppers, anchovies, са 
pers, sardines, truffles, chicken livers 
or any other cooked meat, seafood or 
vegetable 

The wick of blending a number of 
cheeses into one dish is one of the sure 
signs that a pizza man really knows his 
Italian culinary tradition. In making a 
fine lasagna, for instance, a skilled chef 
will sometimes include five or six differ- 
ent kinds of cheese. And while a pizza 
isn't regarded primarily as a cheese dish, 
the blending of cheeses helps give the 
pizza its billowy deliciousness. Cheese 
mollifies the salty anchovies, soothes the 
garlic and tempers the tomatoes. If you 
can't buy а variety of Italian cheeses in 
your neighborhood, some effective sub- 
stitutions can be made. In place of bel 
paese or mozzarella use port du salut or 
munster or brick cheese. In place of 
provolone use smoked cheddar. For the 


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topping itself the best cheese is the 
freshly grated imported parmesan. I 
sweet and more pungent than parmesan 
is the romano. These cheeses may also 
be blended. 

One factor that may help explain the 


ever-growing popularity of pizza іп 
America is the seductive fragrance of 
the little dried green leaf, oregano. 


which is found in almost every pizz 
and which was almost unknown in the 
United States until the middle Thirties 
Now oregano can be found on almost 
every store shelf. The native American 
herb of the same family, sweet marjoram, 
hardly competes with the slightly bitter, 
slightly sweet, imported oregano, the 
one thing which asserts that a pizza 
really is a pizza. The ancient Romans 
believed that the herb contained the 
touch of the fingers of Venus herself, and 
it's used in every pizza recipe except 
pizza rustica, It may appear in the pizza 
sauce or atop the filling 

The length of the recipe for pizza 
dough which follows may seem forbid- 
ding. But the actual working time is 
brief, if you don't count the period 
while the dough is rising. 


PIZZA DOUGH 
(For one 9-inch pie) 

Sift together 114 cups all-purpose Hour 

(previously sifted and measured), 1% tea- 


spoon salt and 14 teaspoon ground white 
pepper. Dissolve 1% cake yeast ог Lë 
packet dry yeast in И cup lukewarm 
water. Melt 2 tablespoons lard over a low 
Нате. In a gencroussize mixing bowl 
combine 4 cup milk, the dissolved yeast 
and the lard. Add V4 cup of the sifted 
flour, and beat very smooth with a wire 
whip. Gradually add the balance of the 
flour, mixing with a kitchen spoon until 
a dough is formed. You'll need a little 
extra muscle power here. "The dough 
should be somewhat moist. In order to 
make it dry enough to handle, sprinkle 
lightly with flour. Form the dough into a 
ball and place it on a floured board. 
Knead it; that is, fold the dough toward 
you with your finger tips, and then press 
down and away with the heels of your 
hands. Turn the dough one quarter 
tum after each pressing in order to 
keep it compact. If the dough sticks to 
the board, scrape the board, then dust 
it lightly with flour, using as little flour 
as possible, Knead the dough for 8 to 4 
minutes, then place it in а lightly 
greased bowl. Cover the bowl with a 
plate or a damp cloth and put it in a 
warm place, about 90°, until the dough 
doubles in bulk. Use any warm spot, 
alongside a radiator, near a furnace, ctc. 
Or, if no such warm place is accessible, 
place the bowl over a pan of warm 
water at about 90°. Since the water will 


not maintain this temperature for the 
entire rising period, you may haye to 
change it several times. Of course, оп а 
very warm summer day, the dough will 
rise at ordinary room temperature. 
After the dough has doubled in bulk, 
punch it down. If you're not going to 
use it immediately, you should brush it 
lightly with oil, wrap it in wax paper, 
and refrigerate it. It may be stored sev- 
eral days in the refrigerator. 

After punching the dough down, 
place it on a floured board and let it rest 
10 to 15 minutes. During this time it 
will become more supple and easier to 
handle. Place the dough in a greased 9- 
inch ріс рап. Dip the finger tips in olive 
ой, and press the dough out toward the 
rim of the pan, then around the rim so 
that it forms a raised edge that will hold 
the filling. A large pizza pan or large 
griddle pan requires а double batch of 
dough. 


PREPARED PIZZA MIXES 


These mixes, most of which are sur 
prisingly good, will save you the labor 
of measuring your own ingredients. But 
after mixing the dough, the procedure 
of kneading the dough, letting it rise 
and shaping it will be the same as out 
lined above. Usually the directions on 
the package will indicate that there is 
enough dough for three 9-inch pizzas. 


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Use the dough for only two pies, and 
your pizzas will be more tender. 


PIZZA SAUCE 


Mince very fine 1 medium-size onion 
and 1 mediumssize clove garlic. Force а 
No. 2 can of tomatoes through a colan 
der or large sieve. Sauté the onion and 
5 

the onion just begins to turn yellow. 
Add the tomatoes, a 6-07. сап tomato 
paste, | teaspoon salt, 1 teaspoon 
monosodium glutamate, 14 teaspoon 
freshly ground black pepper, 14 tea 
spoon sugar, М; teaspoon oregano and 
Y4 teaspoon minced basil leaf. Simmer 
20 minutes. The No. 2 can of tomatoes 
required in this recipe will make enough 
sauce for three 9-inch pizzas, Leftover 
sauce may be used in pasta dishes. 


lic in 2 tablespoons olive oil until 


PIZZA WITH PROSCIUTTO 


Prepare the pizza dough. On the crust 
place 2 ozs. bel paese cheese cut into 
sma 


1 dice and 1 oz. provolone cheese 
forced through the large holes of a metal 
grater. Gut 2 ozs. sliced prosciutto ham 
into small dice and sprinkle over the 
cheese. Prosciutinni or regular boiled 
ham may be substituted. Pour 34 cup 
pizza sauce over the filling. Sprinkle 
lightly with oregano. Sprinkle gener 
ously with grated parmesan cheese. 
Sprinkle very lightly with crushed тей 
pepper. Sprinkle lightly with рар 
and olive oil. Preheat the oven at 
Bake 20-25 minutes or until brown, 


PIZZA DI CIPPOLE 


Prepare the pizza dough. Cut 2 me- 
diumsize onions in half lengthwise, 
then cut them crosswise into the thin. 
nest possible slices. Sauté the onions in 
2 tablespoons olive oil, just until they 
lose their crispness. Cut 3 ozs. mozzarella 
cheese into small dice. Put 1 oz. pro- 
volone cheese through the large holes 
of a metal grater, Place both cheeses on 
the pizza dough. Place the sautéed 
onions on the cheese. Place % cup sliced 
pitted ripe olives on the onions, Pour 
% сир pizza sauce оп the onion 
Sprinkle gencrously with grated parme- 
san cheese. Sprinkle lightly with paprika 
and olive oil. Preheat oven at 425°. 
Bake 20-25 minutes or until brown 


PIZZA WITH MUSHROOMS 


Prepare the pizza dough. Sauté 1 Ib. 
sliced fresh mushrooms in 8 tablespoons 
olive oil until tender. Season with salt, 
pepper and the juice of 14 lemon. Cut 
4 од. fontina cheese, or any other semi- 
hard cheese like mozzarella or bel paese, 
into small dice. Place the cheese on the 
crust. Place the mushrooms on the 
cheese. Drain half a No. 2 can of plum 


tomatoes. Gut each. tomato in half, re- 
moving the seeds. Place the tomatoes 
on the mushrooms. Sprinkle with salt, 
onion salt and oregano. Cut 1 oz. an 
chovies into very small dice and scatter 
over tomatoes. Sprinkle very lightly with 
crushed red pepper. Sprinkle heavily 
with grated parmesan cheese. Sprinkle 
lightly with paprika and olive ой. Pre- 
heat oven at 425°. Bake 20-25 minutes 
or until brown 


PIZZA RUSTICA 


This is a pizza with a crust at both. 
the top and bottom. It should be baked 
in an S. inch ріс pan. Prepare the pizza 
dough, then divide it in half. Roll out 
the dough so that each piece extends 
about И, inch beyond the rim of the pie 
t the bottom dough into the | 
ing bowl combine 1 cup ricotta 


In a mi 
cheese, 1 slightly beaten egg, 2 table 
spoons minced green pepper, V, cup 


diced prosciutto ham or boiled ham, 1 
teaspoon grated onion, 2 tibl 
parmesan cheese, Yj teaspoon salt and 2 
dashes cayenne pepper. Spoon ricotta 
mixture into crust. Place the top crust 
over the pie, folding it between the bot- 
tom crust and the pie pan, and. pinch- 
ing the two crusts together. Brush top 
crust with olive oil or melted butter 
Preheat oven at 875“. Bake 45 minutes 
or until brown 


PIZZA QUATTRO VENTE 


Prepar 
dough. 5 


а double batch of the pizza 
1 the entire batch of dough 
pizza pan or large round or 
are griddle pan. Place 4 ozs. coarsely 
grated provolone and 6 ozs. sliced moz- 
zarella on the dough. Sprinkle with 9 
г ерден grated parmesan cheese. 
the cheese with 1% cups pizza 
sauce. Divide the pizza into 4 wedges, 
using grated parmesan cheese to m 
narrow dividing lines. Cut. И lb. 
mushrooms into thin slices. Sauté the 
mushrooms in 2 tablespoons olive oil 
Scason with salt, pepper and lemon juice. 
Arrange the mushrooms on one section 
of the pie. Drain an 8-07. сап of cocktail 
meat balls, and place them on the second 
section of the pie. Drain a 207, сап of 
chovies, and arrange them on the third 
section. Sprinkle the anchovies with 2 
tablespoons minced parsley. On the re 
maining quadrant place 3 ozs. mozzarella 
cheese cut into thin slices. Sprinkle the 
mozzarella lightly with paprika. Sprinkle 
the dividing lines of parmesan cheese 
lightly with paprika and olive oil. Pre 
heat oven at 425°. Bak 
until brown. 

Try one or two of these recipes, and 
you'll discover What Every Young Man 
Should Know About Making Pizza: it's 


casy as pie. 


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PLAYBOY 


PORGY REVISITED 


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DEALERS WILD 


(continued from page 28) 
my word, what a dandy pile of sugar. 
and at last he 
e had enough." He trans- 
first Thorne, then Jeff. 1 hope 
you gentlemen realize,” he says soltly, 
“that you will not escape the conse- 


at you mean,” 
Come on, Jeff, 
ida would like you to 
take her d ." And. bowing politely 
to the two others, they leave. 
“Why, those crooks!” Margolies ex- 
claims with sincere indignation. They 
were stringing us along the whole trip! 
They took us for around $22,000." 
“They will have cause to regret it, 
Rippler says. "Nobody — nobody! — pulls 
a stunt like that on. Jack de Ripper." 
"My boy,” Thorne says, when they 
are seated in the ballroom with the 
beautiful. Miranda, "let us now divvy 
up the spoils 
“Oh, your filthy conspiracy worked,” 
, Her face falls. 
“Perfeculy!” her father answe 
you were masterly. 
ТӨП stares mournfully at М 


Thorne says suavely. 
1 believe Mi 


This success is costing him sor 
randa won't even look in his direction. 
“Here's your share," Thorne says, 


handing over $18,150, of which about 
$9000 is profit, "I think we handled 
ather well.“ 

ys miserably, Then 
inspiration visits him. "But there's one 
thing 1 never understood about t 
maneuver. What if you had got the in- 
complete straight flush and 1 had had 
the three of a kind?" 

Thorne falls back in his chair, flab- 
bergasted. "Young man, do you mean 
to say that you went into this thing in 
ignorance of what you had to do?" 

“It looks that way,” Jeff confesses. 

Miranda perks up. “Нез a real dope 

mbling, isn't he?" she a 


“Ву George, it 


answers. "In the event you mention. 
Hartley, / cut the cards and your three 
of a kind beats his incomplete flush. 


My God, 
had!" 

"Golly, I guess we were pretty luck 
Jeff says, pl it solely for Miranda. 
“Because if I'd ended up with just three 
of a kind, I'd have lost my nerve and 
folded when Rippler bet out alter the 
draw. 

Miranda is the happiest girl in the 
world. eit,“ she says, “if you ask me 
to dance, ГИ dance, 

And they dance. His check is con- 
tiguous to hers. 


what a narrow squeak we 


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bub of arrival, with all the passengers 
on deck looking at the Statue of Li 
and the skyline, it is a simple 1 
for Rippler to enter Thorne’s stateroom 
unperceived. With him he has one of 
the round boxes of “face powder” from 
the vanity case. This he insinuates into 
one of Thorne's suitcases, under the 
dirty shirts. He figures that this act is 


costing him about $10,000, and — so 
vengeful is his nature — he figures it is 
worth every penny. Thorne is wi 


known as an adventurer and spe 
he will have а hard time explaini 
possession of so much heroin; he will, 
if things work out right, have much 
leisure time to reflect on the folly of 
double-crossing Jack the Ripper, who 
now returns to his cabin and rearranges 
the contents of the vanity case to con- 
ceal the missing item. 

There is the usual chaos on the dock 
as the luggage is unloaded and arranged 
alphabetically on the long counter for 
customs inspection, During this time 
Rippler makes a phone call 10 the 
Customs Office on the pier, He says, 
when he has the Chief Inspector on the 
line, “First-class passenger  Artemus 
Thorne is smuggling in a big load of 
heroin, disguised as face powder. Thorne. 
Thorne.” 

“Who are you?” 
asks. 

“A friend of the law,” says Jack the 
Ripper, and hangs up. Then he strolls 
down to the Ts to see what happens. It 
happens at once: the Thornes get al 
most the fastest servicing ever received 
by a passenger on an incoming liner. A 
gaggle of officials swoops in and begins 

stematie perscrutation of their bag- 
А crowd gathers to watch, so 
fervid is their zeal. Rippler haunts its 
fringe, unobserved. 

"What is the meaning of 0 
perate visitation?” Thorne asks. 

"Quiet, Mac," a narcotics agent 
wels, peering into Thorne's sporr 
"Where you got it hid?” 

Within a minute or so they find the 
box of powder in its fancy cellophane 
They place it triumphantly on the 
counter. "What is in this container?” 
the Chief Inspector asks. 

"I have no idea,” Thorne replies. 
never saw it before in my life. How did 
that get in there? 

The narcotics aks it open. 
He removes the powder puff. He smells 
іс He dips his finger into the powder 
He turns the box upsid 
was on the bot 


the Chief Inspector 


ntem- 


n. 


tom. Then he tak 
middle. 
“Talcum 
“Keep lool 
Rippler has heard enough. This is 
really too much, being played for a 
sucker twice on one trip. He returns 
to his baggage and removes the con- 
tainer of tooth powder—how stupid 


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it was of him, when he made his spot 
check, to let Margolies force the ob- 
vious one on him, like the greenest 
mark at a carny. With the tooth powder 
in his pocket he strolls up the long line 
to the Ms, where Margolies is ма 

“They ought to figure out some 


bet- 


ter way to do this," Margolies says. “АП 
these people standing around for 
hours.” He laughs — for the last time in 


eight years. 

“All in due course," Jack says, gently 
slipping the container into the pocket 
of Margolies’ topcoat. After an exchange 
of pleasantries he wanders off toward 
the phone booth. Five minutes Jater a 
flying detachment of agents descends on 
Margolies’ pocket. Не had expected his 
perfidy to be detected, but not before 
he was on his way to Buenos Aires, and 
not at the hands of the Bureau of Nar- 
cotics. Now he is dreadfully unhappy, 
poor fellow. Let us temper our blame 
with pity. 

And, while we are about it, let us 
pity also Mr. John Rippler, who now 
5 no single friend in the world, who 
s out $32,000, and who, until he finds 
nother partner, is out of a job. Truly, 
crime does not р: 

But, if you will ask Jef Hartley, he 
will tell you that being a lousy gambler 
pays. Oh, it pays! And, of course, having 
ion clams in the bank. That helps 


a 
GIRL HAD BEEN AROUND 


(continued from page 62) 


the lobby holding hands. She pulled me 
back. 

You can go now," 
just like Margo. 

1 shook my hı 
that.” 

"I's only your vanity, Bart, You just 
want your friends to think you've had 
me.” 

"Oh, honey, do 1 have news for you!" 
I guided her into the elevator. 

She tried to get rid of me again in 
front of her door. 1 took the key out of 
her hand and unlocked it for her. She 
hesitated in the doorway, looking up at 
me with those Latin 1 lifted her 
in my arms and carried her across the 
threshold. 

She was trembling when I put her 
down. I kissed her lightly on the fore 
head and pushed her away. "You cin 
make me that drink now." 

She smiled. Timing was ever 
with this one. 

We sat together on the sofa for a while 
and talked in low, sleepy tones about the 
day, the party, the people — about. the 
way men and women act, together and 
rt— опе of those intimate conversa- 
tions you have with someone you've 
never met before and you'll never sce 
in. At last I took her glass and set it 


she said, sounding 


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"You have nice hands,” she said. 

I looked at the sweet, wet curve of her 
lips. I couldn't wa 

She lay passive in my arms, not resist 
ing, not really pulling back — but not 
helping me eicher. 1 kept talking to her 
murmuring love names and love words 
my lips against the fragrance of her hair 
urging her toward me, caressing her, try 
ing to arouse her to respond to me: 
ing her to yield the secret warmth 
and depth of her body — and then it was 
too late and. 1 was beyond thought, Бе 
vond control, going for broke. 

Not exactly a succes 

I was spent but not content. T should 
have been on Cloud Nine. It felt more 
like Bin I opened my eyes and 
found her watching me 

1 stared at her face pale and composed. 
“You're untouched and. I'm a wreck.” 
tly untouched.” 
4 raindrop on your eyelash.” 
She smiled. “It's a diamond." 
"Did I hurt you?" 
"No. Oh, 


' She buried her face 

are you afraid ol, 
he was silent, It occurred 
ln't know this woman at 


against m 


all — and. never would. 
She sighed. 


do you make love to your 


if I made love to 
Hower in the sun, I 
around in what was left of my 

This was important. How long 

had put this much effort into w 

go? When had I wooed her 

My God. I knew now where the 
zing had gone. 

I hugged Romaine and sat up. She 
hadn't given me herself — not really — 
but she had given me back iny 
Oh, Margo. Suddenly 1 could s 
silken legs, the mocking eyes, that s 
vulnerability peculiar to little rich g 
(Is it me or my money һе wants?), her 
terrible and constant need for reassur 
ance. ГИ show her when she gets back 
I thought. But why wait? Call her up. 
I reached for the phone, then I looked 
at my watch. What would I say to her? 
just happened to be sitting here on 
this woman's bed and I thought of you." 
Oh, Bart, you've really flipped this time. 
1 laughed out loud. 

Romaine stirred. 
her. She was asleep. 

I had to walk up to the corner to get 
a cab. The street was deserted and mys- 
terious in the predawn. It was mine. 
All mine. The whole town belonged to 
me. Suddenly I felt like a million dol- 
lars. Tax free. 1 could make it, too. 
Bartley West Associates. 1. 1 took a 
deep breath, hitched up my pants and 
headed for home. 


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(continued from page 25) 
the elements which Monk leaves mod- 
estly unmentioned are talent and a point 
of view. 

Monk has a talent for picking talent. 
Alumni of his d aris are household 
words like Ronny Graham and Dody 
Goodman, and the people in his present 
revue, a brouhaha in 1 ts called Demi- 
Dozen, are extremely able performers 
named Jean Arnold, Сей Cabot, 
Connell, Jack Fletcher, George Hall and 
Gerry Matthews. 

Besides ability and variety, the other 
commodity purveyed by these revuers 
and their writers is satire, that element 
which Gcorge S. Kaufman once defined 
as “what closes on Saturday night." Up- 
stairs at the. Downstairs, however, this 
proverbial Saturday has become a per 
petual tomorrow that never arrives. In 
an age like ours, when the mass media 
don't dare portray any member of so 
ciety as incompetent for fear his lobby 
and/or union will storm the studios and 
ihrow rocks at the sponsor, whatever 
Monk's minions do dare is diverting, re- 
freshing, and usually amusing. 

Picture, if you are able, a sophisticated 
song of the Noel Coward school, рге 
sented as à comic strip by Mad maga- 
zinc. You may have to slip spectacles 
over your mind's eye to make the effort, 
but if you're successful you'll have a 
fairly accurate vision of the Monkian 
method. One song subjected to this 
Monkish business appeared in the last 
revue, Take Five, and was called The 
Pro Musica Antiqua: 

What а fool 1 was to go, but how 

could 1 nonny nonny know. 

Well he took me up to his flat, as 

he had said, 

ind he locked the door and he sat 

on his great double bed. 

Ind he looked at me with eyes that 

lie, 

ind 1 knew when I saw that look 

in his eye — 

That he had no recordings of Des 

Pris and Dufay, 

From the Pro Musica 


Antiqua. 

Well there I stood, I was rooted in 

my place, 

1s I viewed with dread my deceitful 

lover's face. 

For 1 knew from the lovesick look 

in his eye 

He could lay me low with a single 

sigh. 

Well he laid me low and he laid 

me high, 

AL the Pro Musica, the Pro Musica, 

the Pro Musica Antiqua. 

Perhaps the most successful piece in 
the current show is one called Confer- 
ence Call, in which three ad agency types 
(one of whom is on a bongo board) are 
on a three-way phone hookup, discussing 


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a laboratory report on their client's 
cigarette filters: 

“Ат I coming through to both of 
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“Well, 
look good." 
"Well?" 


manifestation-wise, it don't 


ТЇЇ segue right into the meat of this 
thing. First, Freddie, you'd better de- 
bongo." 
"OK, I'm supine." 
"You know how they test the little 
mousics to sce if they develop you-know- 
what?" 


"Well, you'd better go out 
couple of hundred teeny- 
cards." 


nd buy a 
y getwell 


“You're kidding! 
“You're right, I'm kidding. I was just 
g to be easy on you. Matter of fact 
litle devils will never get well. They 
diedy-dooed.” 

"Holy Heston, that's 
What about the «(ері 
‘Oh, they're still aliv 
"Well, that's somethin 
coughing like hell, but 


strophe time. 
E 


“Maybe we can play that up. We get 
опе of our chicer male models in а 
howdah . . .” 

“Negative, B.B., you can't use an ele- 
phant in an ad, It's a symbol.” 

"Republican?" 

“No, phallic 

In Take Five, Ronny Graham as 
"Harry the Hipster” delivered а com- 
mencement address to the graduating 
class at a progressive school of bop. The 
address has been a classic with the hip 
set ever since Graham first introduced 
the routine in a Broadway revue: 

“We're gonna have the regular morn- 
ing exercises, so I want all you cats to 
rise, turn east, and face Decca, Repeat 
after me: 

Platter, platter spinning slow 

Victor 45 must go; 

Push the switch and pull the lever, 

Presley can’t go on forever. 

. Lam referring to the serving of tea 
in the classroom, sans cups . . < 
say this is a reefer. 1 say let's sa 
is, ‘cause this is. This is not a сі 
cigarette. This is standard gauge, I. l., 
sometimes called Progressive Pall Malls, 
or Left Wing Luckies, or Mexic 
ing Tobacco . . . Now, if you will 
turn to page 181 in your Federal Nar- 
cotics books, we'll sing our school song. 

Julius Monk is himself no less inter- 
esting than the productions he bencvo- 
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conservatory of Music an accomplished 
pianist and moved to New York, where 
he got а job as accompanist to a then- 
unknown singer named Dorothy Lamour 
and played many a nightclub. A stint 
abroad followed; he pianoed in a gaggle 
of Parisian and South-of-France boites, 
until he met and was hired by Herbert 
oby, owner of Paris’ Le Ruban Bleu. 
When Jacoby decided to open a New 
York counterpart of his Paris club, Monk 
took over as impresario. He held the 
job for 15 years, either discovering or 
adding luster to such talent as Graham, 
Imogene Coca, Liberace, Maurice Rocco, 
Thelma Carpenter, Lisa Kirk, Jonathan 
Winters, The Four Lads and Professor 
Irwin Corey. 

When Monk was struck by his idea 
for integrated cabaret, he decided he'd 
need a special kind of place to test it. 
He found it in a cellar on Gth Avenue: 

Ine place was ghastly. The stage was 
in the worst possible spot — right in the 


gs even cozier, the building 
was condemned. Everything about the 
club was ridiculous, including the laugh: 
ably small rent, so I decided to take it.” 

When a combination of three hit 
shows and a wrecking company figura. 
tively and literally brought down the 
house, Monk moved to his present quar- 
ters, where he expects a long, uninter- 
vupted st 

Despite his Caro! origin, Monk 
prefers to speak with a heavy English 
accent, trim mustache, and is 
in every sense of the word a model of 
ible grooming and Continental 
since he was one of the six top 
male models in this country last year. 
His elegant person has highlighted ad- 
vertisements for such products as Kings 
Ransom Scotch, Jaguar automobiles and 
Burberry Clothes. Now that his rooms 
have become so successful, however, he 
seldom models more than four hours a 
week, 

An intended numerical progression is 
evident іп the titles of Monk's shows. 
The first was Four Below; it was lol- 
lowed by Son of Four Below; Take Five 
s next; and Demi-Dozen is current. 
Iwo of the shows are available from 
Offbeat Records: Take Five and Demi 
Dozen (Playboy After Hours, Sept. 758 
and March 759). Turning to the future, 
Monk muses: 

“Some day, when Demi-Dozen runs its 
, perhaps we'll follow up with 
Lucky Seven, then maybe Eight for To 
night . . . who knows?" 

Who, indeed, knows? From the en- 
thusiasm they've already displayed, New 
Yorkers would obviously be happy to sce 
the Monk and his madcaps last long 
enough to present a show called Monk's 


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JET WEEKEND 


(continued from page 38) 


choice of seven entrees prepared at Мах- 
im's, including pheasant and lobster. 
The seven-hour air time from New 
York to Paris is a breeze in a plane like 
almost a complete absence 
ion — and your New York to 
Paris round-trip ticket allows you а stop- 
over in London on the way back. 

The wardrobe you'll need for a јесаре 
weekend — for a date іп Paris 
night, another in London on Saturday — 
isn't too different from what you'd take 
on a longer junket. One dark and onc 
light suit form the basis of a gentleman's 
wardrobe regardless of his destination. A 
sports jacket, a pair of slacks and a din- 
ner jacket round it out perfectly. In 
selecting which suits to take, remember 
that England and France іп the spring 
can be pretty cool at night and a wool 
worsted with a vest will be the most 
comfortable, Formal clothes should be 
black for spring, for although the lighter 
toned jackets are recommended іп the 
U.S., they still are not completely a 
ceptable abroad. Your wash-and-wear, 
Dacron-and-cotton spread-collar shirt can 
be converted to ап evening shirt by just 
adding your black tie and formal cuff 
links. 

For convenience, it is possible to limit 
your shoes to two pairs and a pair of 
folding fabric bedroom slippers. One, 
the pair you wear as you board the plane; 
is a black shoe that can do double duty 
for informal as well as formal occasions. 
The other should be a completely сот 
fortable pair of sport shoes of а soft 
leather that makes for с king and 
simple packing. No matter if you have 
been abroad many times or if the jet 
weekend is your first trip, a certain 
amount of sightseeing and shopping 
(which always means more walking than 
usual) is unavoidable, Slippers, too, are 
indispensable. Choose a pair that fold 
and fit into a compact case, They're 
space saving, too, for they'll double as 
bedroom slippers in your hotel room 
and for foot case on your flight. Inside 
the shoes you extra handker- 
chiefs, socks and ties. The ties will not 
wrinkle if stretched. taut and tightly 
rolled. Not that wrinkling of clothes is 
too serious а problem оп a jet overseas 
Night. If you pack carefully there isn't. 
‘enough time elapsed to cause any incon- 
venience, and most hotels are set up to 
offer rapid pressing service. If you'd 
rather do it yourself, we suggest the 

‚ Hang your clothes on wooden 


d let the steam rise through 
the clothes: wrinkles fall right out after 
about a half hour of this. 

You'll want to take three wash 
r shirts (Dacron-and-cotton or tr 
cotton shirts are the best possibilities 


wea 


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When this young lady curls her voice around 
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more to what you're hearing than just pop 
singing. Almost anybody can keep a tune 
and remember words, Gloria Wood sings 
with feeling. She puts more into a song— 
and you get more out of it. 


WOOD BY THE FIRE—Gloria Wood СІ 1286 


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for wash-and-wear security). There is a 
choice of collar styles from a medium- 
spread collar, to a buttondown collar, 
to an eyeleted round collar. Check the 
shirts for convertible cuffs, which mcans 
they can be worn successfully with or 
without cuff lin Add three 
pairs of the new wash-and-wear cotton 
knit briefs and V-neck T-shirts, plus n 
lon socks. Even И spring weather 
pretty warm, the early mornings are apt 
to be a bit brisk in Paris and London, so 
include in your packing one solid-color 
cashmere sweater, either cardi, 
pullover. This is one article of clothing 
that should be kept in the bag you cury 
on board the plane with you, just in 
case you might need it 

For air travel, the luggage to be used 
should have these three qualities 
weight, sturdy construction. and 
looks. Handsome leather luggage is still 
the most popular, but new types of ma 
terial and new designs in construction 
are gaining favor. Materials like fiber 
glass, aluminum, plastic conted canvas 
over месі and wooden frames are increas 
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loued weight allowance you can get 
along with any И ht. twossuiter 
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оп case should be all your toilet articles 
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pair of 65% аст d 35% cotton 


lightweight wash-and-wear slacks and a 
lightweight cotton sports jacket, a shirt 
and a ti 

Two hats will ta re of all your 
needs; опе a dark small-brimmed felt 
that is designed to be rolled up to slip 
into your casc. This will enable you to 
take your case into the lavatory 
before landing to change your duds en 
tirely should you wish to. On a fast 
weekend trip this saves time and 
you can drop your bags at your hotel and, 
having been met by your date at the air 
port, can start on the town immediately 
The most practical kind of coat to tak 
along is a muted-tone, ШЕ 
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Your sleeping habits will decide 
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room before you dress. 

А good leather passport case (see 
Financial Statement, p. 64) is a must, 
for it will hold your passport, tickets, 
traveler's checks, telephone numbers, 
credit cards, etc. Take along a money 
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ART OF TRAVEL 


(continued from page 66) 


blue will do for the jacket, but at this 
season you might decide on wine or 
gold: these tones are mixed deeply with 
black in the fabric so that the ovcrall 
effect is very subdued. Your tie and cum- 
merbund will match the jacket; the trou- 
sers are always black or midnight blue. 

You can relax a little on dress shirts. 
Plain whites will do, soft collar attached. 
You'll need about three, and perhaps 
one of them might have a ruffled front. 
After that you go down the line with: 
one dark suit, onc light; one jacket and 
ks outfit you carry aboard on your 
topcoat and/or raincoat; robe 
d slippers; wear a hat going aboard 
4 pack a couple of caps; assorted shoes 
for dress, and for loafing; plenty of 
shirts and sport shirts, ties, socks, hand- 
kerchiefs, jewelry, belts (don't overlook 
evening braces), gloves, toiletries, unde 
wear, sunglasses, etc. 

If you're flying, your wardrobe has to 
hit the weight limit to the ounce, or 
you'll be parlaying simple multiplica 
to higher mathematics. Your 
ternational first-class ticket permits 66 
pounds, but local flights abroad and 
transatlantic tourist tickets limit you to 
44, so it may be wiser to count on that 
from the beginning. 

Here are a few tips on how you may 
be weighed and still not found wanting. 

You sally forth armed to the teeth 
like а commando — since your own 
framework and what's on it as you board 
the plane are counted in their load but 
not in your 44 pounds. So wcar jacket 
and slacks, lightweight sweater, cap or 
crushable felt hat. Your lightweight top- 
coat or raincoat is on your arm; camera 
and binoculars are slung over your 
shoulder. 

For the rest, this was actually put on 
a scale, and made it: one lightweight 
suit, light shade; second suit, dark; an- 
other sports jacket, and slacks; 2 sport 
shirts; $ white shirts; 1 blue or gray 
shirt; 4 pairs shorts; 6 ties; 12 handker- 
Chiefs; 6 pairs socks; 2 pairs pajamas; 1 
robe; 2 belts; shaving kit, toiletries, etc.; 
| pair swimming trunks; clothes brush; 
Tshirt (In Portugal, they require a 
top to your swimming trunks, so thi 
will double); 2 pairs shoes. 

And, believe it or not, this still allows 
you a few more pounds, for a light- 
weight dinner outfit, or extras on the 
other stuff. 

You'll probably buy a lot of stuff 
throughout Europe, but don't forget 
that Copenha Shannon, Paris and 
Frankfurt free ports: you can 
really make a killing by doing a lot of 
your buying at these spots, if they're on 
vour way. And in both London and 
Paris, you'll enjoy sizable discounts on 
your purchases if you have them deliv- 


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SONGS, 
WELL-LATHERED 


Modern barbershop quartet singing? Yes іп- 
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BARBER SHOP!—The Buffalo Bills With Banjo 
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Personalized 
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ered to you on your plane. 

Now, lets assume that you're flying 
independent, pre- 
ranged tour which involves a train or 
plane for long Continental hauls, and 
a car at resorts or for short scenic runs, 
with a minimum of conducted sight- 
secing arranged ahead of time at major 
cities, and ample Пее time in each. 
You're buying most of the transportation 
and much of your European currency 
and making most of the arrangements 
through your agent well ahcad of time 
in the States, But our original premise 
of artful travel involves having the local 
version of a good time wherever you are. 
You'll obviously make your own selec- 
tions as you plan your trip, but here are 
a [ew possibilities: 

Hotels — your base of operations is 
vital not only as a good address or for 
memorable luxury, but also because the 
guidance the concierge will give you will 
be keyed to the level of the people using 
that hotel. Rely өп him for everything. 
Tip him every time you pay cash, other- 
wise when he presents his bill for out- 
lays on your behalf at the end of your 
stay. There are certain hotels of great 
class you should surely use if you're any- 
where near them: Claridges in London, 
the Royal Danicli in Venice (but ask for 
the old wing), the Ritz in Paris, atmos- 
pheric Sachers in Vienna, the Hotel 
de la Cloche at Dijon, the superluxuri- 
ous Aviz in Lisbon (but it's small, an ex: 
castle with only 26 rooms, so book. way 
way-way ahead) and, among the resorts, 
the Hotel de Paris at Monte Carlo, the 


Negresco at Nice, the Alhamar near 
Malaga, the Cap at Cap d'Antibes, the 
Berghaus on top of the Jungfrau in 


Switzerland, Formentor on Mallorca, the 
Reine ас Vevey, and the San 
nico at Taormi 

Feminine companionship is your next 
most important consideration. The. 
streets and the bars and nightclubs and 
even the hotel concierge can turn up 
professionals everywhere; the choice is 
yours. If you prefer to hunt up your 
own, then the situation varies geograph- 
ically from the much-touted freedom of 
Scandinavian girls (notably in Denmark) 
to the “scorched carth ation in 
Spain, Italy and Portugal. There are ско 
feminine categories that do not fit into 
any geographical pattern: one is the 
genuinely upper-class type (so that any 
introductions you сап wangle from 
friends home are worth more than 
gold; otherwise, try your luck at golf or 
tennis clubs) and American girls, who're 
everywhere on the Continent in sum. 
mer. The best source of these last are 
the American Express offices, where they 
come to get mail, exchange traveler's 
checks, buy tours, сс. In England and 
France, and particularly in France, you 
usually have to “belong” before you с 
get to first base for a try at second; 
you'll belong fastest in a group (know 


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any American students, maybe а couple 
of artists?) or in a sport situation (for 
instance, at the beach or a ski resort or 
at country clubs). The casual pickup on 
è terrace in France is а rare possi- 
bility: she’s either a pro, or she's waitin 
for her husband. In Portugal, Spain and 
Italy, there are only two К 
very, very good or very, very bad, and 
that’s that. Again the exceptions are the 
upper strata of society and Americans, 
or tourists from Scandinavi 

Food — since you'll spend more time 
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in a strange tongue. You'll find English 
speaking maitre de's at all the big hotels 
and great restaurants. Eat there 
times to get the of local menus and. 
dining habits; but don't ignore the 
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thick soup, poached fish, veal, fruit and 
cheese, It’s no trick to learn these gen: 
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of the soup. fish, meat to the imagina- 
tion of the waiter. (You indicate that it's 
up to him by shrugging energetically.) 

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cakes with cottage cheese stulling) at the 
14th Century Goldener Hirsch in Salz- 
burg, pastries at Demel in Vienna, an. 
guilles au vert, which translates as baby 
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Ostendaise at the Epaule de Mouton in 
Brussels, every variety of piled-high open 

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rabbit раке known as Hase im "Topf 
t the. Schwarzwalder in Munich or the 
Hofbriuhaus beerhall, avgolemono (lem- 
on soup) and solmadakia (stuffed vine 
leaves) ас УЦИ Vlieghen in Amsterdam, 
and be sure to order Dutch cheese and 
black roggebrod bread with your break- 
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any form at Frognersacter оп а view-rich 
hill just outside Oslo, bacalhau (dried 
cod) or затоа (stuffed crab) at the Mes 
treZe on Guincho Beach just c 
Lisbon, cold gaspacho soup and а con- 
coction of chicken and seafood in yellow 
rice called paclla at La Тама in Madrid, 
а fondue of melted cheese and kirsch at 
Bolozon in Geneva. (We have not men 
tioned London, Paris or Rome, because 
their dishes arc the basis of all 4 
international cooking and there are far 
too mi гат for us to sin- 
gle о а general rule, сс 
sult any good restaurant list in a g 
book, or the hotel concierge.) 
Drinking — forget martinis. They'll be 
warm and loaded with vermouth. Fo: 
hard tipple, order whisky — which 
Scotch everywhere in Europe 
akvavit in Scandinav 
land, brandy in Spain, and Pernod (or 
Richard — another brand name for de- 
natured absinthe) in France. Grappa 
works faster than fast in Italy. Besides 
this, you should try a sort of claret cup 
called sangria in Spain, the young wine 
ger wine garden іп Crinzing 
just outside Vienna, and a Valais or a 
Neuchátel light white wine іп Switzer- 
land. "here's every conceivable variety 
of wine in France, and among the odd 
items a liqueur called marc. which is 
made from the wine-press leavings and is 
worth trying once for fun. Don't order 
Licbiraumilch (whose name has degen 
erated until it means virtually any white 
Rhine wîne) in Germany unless it comes 
from the Liebfraucnkirche vineyard near 
Worms in Rhine Hesse. Sherry is obvi 


ously good in Spain — even though the 
bet land. Ask the man in 
Mab: the better wines tend to keep 


pretty much within each locality 
Shows — music halls in London, the 
Folies Bergère іп Paris and opera in 
Italy are obvious. Actually, there's first- 
rate theatre—in London and Paris in 
particular — and Sadler's Wells ballet 
and the Old Vic repertory in London 
1 the Opéra-Comique, 1héátrc. Fra 
сай and Opéra in Paris should all posi- 
tively be on your list. Don't miss the 
Grand Guignol horrorandsex stuff in 
Paris or the political satire at such spe 
cial spots as the Théâtre de Dix Heures, 
if your French is up to it. Open-air opera 
in Rome is good summer fare — mostly 


becuse of the setting in the baths of 
Caracalla, Nudity is an exhilarating art 
in France, a gross and dispirited exhibi 
tion in Germany, modcrately tasteless 


everywhere ење. You'll гип most every: 
where into films that were too torrid for 
the US, but notably in Најк, not at all 


the суспі 
‚ respectively, at these last two 
places. Casinos are legal in France, Italy, 
Bel ermany, Austria, Switzer 
ind Portugal — almost all of them at 
coastal resort or inland spas Again skip- 


; are 


* London and Paris, which have 
much to offer for any random sam- 
pling, the following nightspots can be 
recommended: Monseigneur and Casino 
Oriental (Lough) in Vienna, Bocufsur-le 
Toit (apes Hollywood but adds breasts) 
in Brussels, Lorry (becrgardenish) and 
Wonder Bar (tough) іп Copenhagen, 
Domicile du Jazz in Frankfurt which is 
just what И says, Jicky Club and Brick 
top's in Rome, Adega do Machado for 
fado in Lisbon, a and Los Cornales 
ıt gypsy stuff іп Madrid and La Mica- 
тепа for the same п more color 
arcclona 
Sports — you don't have to go to the 
races to bet in England, "turf. account 
ants" will happily take your money in 
town. But you're wiser to watch the 
smart money on the parimutucl boards — 
at Autcuil and. Longchamps during thc 
mid-June Grande Demaine near Paris 
or near Deauville in mid-August: at the 
June Derby and Ascot meetings near 
London and at Goodwood in July and 
York in August. Golf, of course, can be 
blamed on the Scots, so you should dig 
out à divot or two at St. Andrews, Car- 
noustic and Мәнісі in Scotland. Other 
great European courses include these at 
Spa, Le Zoute and Antwerp 
at Morfontaine and Chantilly in France, 
Krefeld and Hamburg in Germany, The 
Hague and Zandvoort in Holland, Milan 
in Taly, Stockholm in Sweden and Ма 
drid in Spain. You can қо skindiving 
in the Baltic if you insist, but most peo 
ple stick to the Mediterranean and for 
the most part do и from oftshore islands 
like France's Porquerolles, Port Cros and 
the Levant (a major nudist center, in- 
cidentally) — and off Italy, Elba and 
Capraia and Pianosa, Capri and Isch 
Vonza on a level with Rome, the Acolian 
ds near Sicily. Undeveloped but 
loaded with potential are the Greek 
Mediterranean Islands, notably Mykonos 
Santorin, also Ithaca, Cefalonia, 
Skindiving is great and 
barely developed off Jugostavia’s Dal 
Coast where the water is warm 
and undisturbed, off the southern coast 
of Spain and Portugal, and off Spain's 
Ballearic islands. You can also sec more 
auto racing in Europe than anywhere 
che; in fact, сусп top mecs are too 
numerous to mention here, so wk your 
auto club. 

What you can do and sce arc well 
nigh infinite. And petting into the swing 
of travel rant as complicated and occult 
as it may seem. Once you've been tipped 
to а few of the things to watch for and 
watch out for = as we've wiced to do 
here — you сап trust to your own good 


all the world loves a traveler — particu- 
larly one who goes about it easily and 
graciously, prepared to savor the world 
at its best. Доп voyage. 


This Summer 
GO where the girls go 


Geach 


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resort activines. New all sur show and danang 
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Private comin beach, Olympic swimming росі. Cam- 
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the fabulous Driftwiex! Ream. 55 Daly, per penon, 
Double cceupuncy, 50 of 252 roms. Apri! 20 to Des, 
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г-------------- 


ADDRESS . = 


PLAYBOY READER SERVICE 
232 East Ohio, Chicago И, Ill. 


Please send me free full information on “Go Where the 
Miami Beach Summer Vacations. 


ZONE__ STATE 


ГЕХРЕСТ TO VISIT MIAMI BEACH IN — 


(Olen) 


[Please send me information on special group rates, 


87 


PLAYBOY 


PLAYBOY 
READER SERVICE 


Janet Pilgrim can tell you where 
you can buy any of the 
interesting items you sec 
featured or advertised іп 
PLAYBOY. Refer to the Index 

of Advertisere below. 


INDEX. OF ADVERTISERS 
ADVERTISER 


Cre 
[PN Teather Mens v Lotion mn 
Vegan Sport Dart 16 


nares ly ло slack 
Ve Uy Use, ДБА 
1 (d Cane к 


мм Rouneeralt Topes . - 
n Never 4 
Fonds Het 
vu Lu 
Бона А Heb 


eh 

WA 
sites Toca. Ресен 

Jon York Сам» " 


Use these lines for information about other 
Featured morrebandine 


PLAYBOY READER SERVICE 
232 E. Ohio Street, Chicago 11, Ш. 


PLAYBOY | . 
EVERY Lg 


MONTH ." 

С 3 yrs for 514 

D1 vr. for $6 

O payment cocosed N bill later 


TO: 


арен 


on tone пае 


Mail PLAYBOY 
232 1. Ohio Street. Chicago 11, Minois 
056 


SEND тотты 


PLAYBOY’S INTERNATIONAL DATEBOOK 


BY PATRICK CHASE 


ALL тир pret er names in jazzdom will 
be blowing at festivals around the co 
Uy come the summer months G 
Wein — who operates Boston's top juz 
club, Storyville— has aheady booked 
Чап Kenton, Count Baie, Sarah 
Vaughan and the Four Freshmen not 
only for his Newport Festival 
but also for Toronto (July 22 
Lick (July 30-Augwst 2) amd Boston 
(August 21.23). Aud, of course, there'll 
be sull more stars on the festival bills at 
cach of these Ve. Afternoon sessions 
^ from 
You cm 
wes of the French 
Vice Sheraton, рыл included, for around 
520.530 а single, with grub, Still another 
spot j x in July t the Berkshire 
Music Barn at Music lun in Lenox, 
Mass husetts, where folk music as well as 
comtemporary jazz will mix it up. ‘The 
Berkshire Music Festival, which gets un- 
der way July J, also offers plenty in the 
way of longhair fare. For those who dig 
both types = plus some theatre thrown 
too =the second Vancouver International 
Festival (July П-Лизия 15), out in Brit 
n Columbia, is under the expert acgis 
of some of the world's 
Down South, the sum 
another type of с Along 
Florida's Goll Coast (mainly іп the 
) swarm smiling hordes of a 
ly unindigenous fauna: preda 
tory broads on a ineo week spree. Nat- 
mally, they're down there to sop up the 
d enjoy the reduced summer rates 

he big hotel. Escorts, of course, arc 
always very much in demand since the 


conductors. 
months offer 


a 


women outnumber the men a gool five 
10 onc. Add to this the cxtravazant 
talent appearing at spots like the Hotel 
Deauville ot the jazz program scheduled 
for the Diplomat Hotel at Mollywou! 
vy che Sa (most of the winners. of 
PLAVBOY's own ам poll will be there) 
and you have the makings of a high 
old time. 

Those indignant souls mifled at being 
unable to scc certain cens 
pily ta € 
Gotham, which organization is sponsor- 
ing a censored movie trip through five 


Milan and Rome) м 
What you get to sec, 


ting July 15 


с raft of Nicks, including most of 
the Bardot numbers and the cpic Tower 
ој Pleasure, which was denied с 
the US. even in а highly expu 
vesion. Fab runs to S98 with n 
шір air from New York to Paris 

July is the month for auto raco too. 
From Chicago's Meadowdale race track, 
naw in its second у nm 
the Grand Prix races at Silverstone in 
Enj d and Rheims in France, the 
smell of burning rubber and the squeal 
of tiro on hot pavements will be pir 
nemt. Both Grands Prix are for Formula 
1 jobs and the July $4 races at Meadow- 
mile races 
il sports car drivers 

For further mjormation от any ој the 
above, write to Playboy Renter Service, 
232 E Ohio Street, Chicago 11, Hlinors. 


of opera 


for profess 


NEXT MONTH: 


ORIGINS OF THE BEAT GENERATION THE HISTORY AND 
TRUE MEANING OF THE MOVEMENT, AS CHRONICLED BY ITS 


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WEST MEETS EAST—SENSUOUS SIRENS FROM THE ORIENT 
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THE VOYAGE OF THE PEANUT—FINE, FUNNY FICTION BY 
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THE MANN ACT—THINGS YOU SHOULD KNOW ABOUT IT 


4 Knowledgeable people 


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