Full text of "PLAYBOY"
N
FOR
PLAYBOY
GIRLS FOR THE SLIME GOD
EDGAR ALLAN POE AS VIEWED BY GAHAN WILSON
HOLLYWOOD NOSTALGIA BY BEN HECHT
МЕКЕГЕ
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PASSION AND
PYROTECHNICS
Leonard Bernstein's Berlioz
is passion and pyrotechnics
-hear the Bernstein way
with “Romeo and Juliet" and
the blazing Roman Carnival“
700 MS 6170/ Berlioz:
“Roman Carnival” Overture;
Excerpts from “Romeo and
Juliet"/ New York Phithar-
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PUCCINI AND THE BLUES
Grand Opera
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Butterfly” or “T
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ight 10 Sing the Blue
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EVERYBODY'S GIRL IRMA
“Гета la Douce," a wayward
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wench, is chronicled in the
score of a new Broadway mu-
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Penny Opera” imported by
way of London. Try it in
French—with the redoubtable
Zizi Jeanmaire as Irma—or in
English with the stars of the
American cast. Either way,
“Irma” is brash musical com-
edy with a touch of bitters.
OL 5560 English/WL 177
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the newest SOUNDS 6)
MEMORIES ARE MADE
OF SONGS
Mitch Milter, a bearded piper
who leads a splendid new
national pastime—Sing Along
with Milch-this time with a
melodic memoir.
1542/08 2/ Memo-
ries/ Sing Along with Milch]
Mitch. Miller and the gang.
THE VOICE OF
SHAKESPEARE
Sir John Gielgud is the true
voice of Shakespeare. New-
and exclusively on Columbia
Records—is the sequel to
Gielgud's “Ages of Man.” In
new Shakespeare program—
One Man in His Time” —Sir
Јоһ goes to the very heart of
matters in Julius Caesar, Mac-
beth, Richard П and Henry V,
among others.
OL 5530/0ne Man in His
Time/Sir John Gielgud.
FROM “HANSEL” TO
"WOZZECK"
Thomas Schippers is a spir-
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opera that has carried him tri-
umphantly to La Scala and
the Met. His premiere Colum-
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“Lp” of orche:
from operas ti
tonishingly — from
and Сте
rousing
interludes
it range—as-
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tral Music [rom the Opera/
The Columbia Symphony Or-
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PLAYBILL
creeks had a word Гог it, agora:
the Romans had а word for it, forum:
our own discussion of contemporary
issues, The Playboy Panel. is initiated in
this isue and is slated to reappear in
issues to come. The гелувоу Panels will
be lively discussions, by experts in their
fields, on. provocative. topics of conten
porary interest and concern. This month's
Panel probes a subject clothed with
highly charged emotion and. very little
public insight: Narcotics and the Jazz
Musician. Pavticipatin; eight top
musicians, а prominent tic an
attorney who is Secret the Mu-
ian's Clinic, and a practicing
chologist who is Secre
tional Advisory rooi
We act as moderator and we think vou'll
find this forensic exploration as engross-
ing and сп did. Future
Panels w h the new shape of
Ameri nd with sex. censor-
ship and the arts
This month. the kind hearts and
martinets that ruled the Hollywood of im.
earlier day and set the pace on Sunset
Strip are mourned — and memorialized
— by Ben Hecht, who revisits with fond
nostalgia the vanished days and deeds
and doers of a Hollywood that is по
more. Speaking of revisits and Holly-
wood pacc setting: Very much а pace set
ter — in her own wondrous way — is June
Wilkinson, admiringlv and accurately
known to our readers as The Bosom,
ever since we first. photographed her in
our studio two years ago. Having subse
quently breasted (and bested) the tide of
curvilinear competition on the Coast.
June came calling on us in recently
— with results graphically recorded in
The Bosom Revisits Playboy, And speak-
ing of Hollywood and the female form.
we also exam month the new
wave in Ame "o films which —
abetted Бу preme Court de
cinema censorship
alized on the relaxed European
attitude toward nudity, А case in point.
The Immoral Mr, Teas, is unveiled in
text and pix in the pages ahead.
Ben Hechte nostalgic mood is shared
by William Knoles in Girls for the Slime
d. in which he dwells with fond recall
on those golden girls of outer space who.
— brave and largely bare-breasted — did
so much to 4 + the science-fict
of the Thirties. Will Elder. whose
mimicry of art styles and artists
iself an wt, brings some of these
luscious ladies back from orbit in un-
reasonable facsimiles of those sf covers
which titillated us in our teens.
Unearthly, too — and uncannily pre
cise — is Gahan Wilson's deliciously de
riive excursion imo the world and
s of Edgar Allan Рос. а сии!
meeting of mordant minds. Wilson
moved hom his Woodstock, New York
studio to а studio in the PLaynoy Build:
¢ to do the job. then moved on to
London to case the files of Scodand Yard
for ghoulish inspiration.
On a dim day of cloud rack, mist and
wor
misery, a lucky clutch of rLaynoy staffers
boarded a Mexicana Airlines Comet jet
and, some few hours later. disembarked
in Acapulco to be greeted by а sun
splashed world of sea and strand. and
Mexican. ambiente, They soon discov-
ered that this was Ше place on this се
tinent for that melliluous mixture of
relaxation amd excitement, luxurious
rest and plenty of action. which modern
man deems desirable for getting away
from it all. Want proof? Turn to Playboy
on the Town in Acapulco, the fruit of
the wip in words and pictures
с April 1957, when I. К. Brown
Is The Sergeant and the Slave Girl
introduced our readers to his work, we've
ht vou fact and fiction. serious and
caclicomber
Kess. We think vowll dis
cover new depths — and new power — in
his writing with this issue's lead story.
Harpy. a wickedly wrought and unique
tale which is. in our estimation, the best
work Brown bas done
When we decided to celebrate the
lories of the vest. it seemed only appro-
priate to cast Robert Stack as Eliot Ness
as weskitwearer in the role of vested
vigilante. You'll find him and some of
his Untouchables attired in the most
tasteful of these elegant accessories,
Although Thanksgiving’s пос quite
ristmas is just around the comer
which that red-nosed chap with the
bell and Santa suit is standing. What
better time, then. to consider our Chri:
masg ions? We present them in
two batches. according по sie: large
largess and bantam bounty — but cach
gift is, by and large (or small) а hand-
some hunk of givin
or
by another
ning of that witty typo-
aphical same invented bv Robert
ola. Word Play. or to gleefully relish
another round of the TV game invented
by Shel Silverstein, this session titled
Good Grief! Still Move Teevee Jeebies?
And then, for іс change of
mood. we commend to vou Miss Noven
ber. a hauntingly lovely girl. a Botticelli
confection with a glint in her eve, whose
dassic beauty is in entrancing contrast
to her petite size. There's more, lots
more, in this bountiful November issue,
so we won't detain you. Flip the page.
PLAYBOY
WILSON
BROWN
vol. 7, no. 11 — november, 1960
PLAYBOY.
Poe P. 64
Acapulco г. 86
Bosom P. 60
KEN PukDY contributing edilor; ROBERT
г. GREEN fashion director; MAKE RUTH-
трон» fashion editor; аном
food & drink editor; re,, CMAS
Travel editor; LEONARD FEATHER jazz edi-
lor; ARLENE BOURAS copy editor; RID
AUSTIN associate art director; JOSEPH н.
raczek assistant art director; ELLEN
raczek ан assistant; BEN CHAMBERLAIN
assistant picture editor; VON WRONSTIIN,
romero ros suff photographers;
TERN A. HEARTEL production assistant;
ANSON MOUNT college bureau; JANET
PILGRIM reader service; WALTER 1. HOW-
antu subscription fulfillment manager.
5 N,
CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE
PLAYBILL.... 3
DEAR PLAYBOY — €—— ЧЇ
PLAYBOY AFTER HOURS 17
THE PLAYBOY PANEL: NARCOTICS AND THE JAZZ MUSICIAN—discussion.... 35
THE PLAYBOY ADVISOR үт fem oU
HARPY—fiction aet
HOLLYWOOD—nostalgia Е
€——————— eee LIES DES
Т. К. BROWN Ш 52
ВЕМ НЕСНТ 56
А CRAZY MIXED-UP ID—fiction....
BANTAM BOUNTY FOR THE YULETIDE—gifts - сә тес EL)
THE BOSOM REVISITS PLAYBOY-——picorial.. во
WORD PLAY—humor. . 62
LARGE LARGESS FOR THE YULETIDE— gifts ... ва
РОЕ—зо! —GAHAN WILSON 64
THOMAS MARIO 68
-МИШАМ KNOLES 70
EASY AS Plē—food.. Е
GIRLS FOR THE SLIME GOD—nostalgia......
SMALL WONDER—, fF the month...
yboy's playma!
PLAYBOY'S PARTY JOKES—humor.....
ROBERT L GREEN
JULES FEIFFER 84
— 186,
BEVESTED INVESTIGATORS—ottire.___
THE DANCERS—salire..
ACAPULCO— playboy on the town
BAR BETS—games. ss „STEPHEN BARR 97
THE IMMORAL MR. TEAS—entertainment...............
MAN VS. WOMAN—ribald classic. 103
GOOD GRIEF! STILL MORE TEEVEE JEEBIES—humer..................SHEL SILVERSTEIN 107
— PATRICK CHASE 150
PLAYBOY'S INTERNATIONAL DATEBOOK—iravel.......
HUGH м. HEFNER editor and publisher
A. С. SPECTORSKY associate publisher and editorial director
JACK J. KESSIE managing editor ARTHUR PAUL art director
CENT T. TA JIRI picture editor
DON GOLD associate editor.
vicron Lowxrs ш promotion director JOHN MASIRO production manager
ELDON SELLERS special projecis HOWARD W. LEDERER advertising director
ROBERT 5. PREUSS business manager and circulation director
POSTAGE MUST
GENERAL OFFICES, PLAYBOY BUILDING, 232 E. ONIO STREET. CHICAGO 11, ILLINOIS. RETURN
Шона ALL MANUSCRIPTS. DRAWINGS AND PHOTOGRAPHS SUGITTED IF THEY ARE TO ве RETURNED AN
RESPONSIILU Cam DE ASSUMED FOR UNSOLICITED MATERIALS. CONTENTS COPYRIGWTED © 190 вт мын Pi
Lishine L0.. INC. NOTHING MAY Pt REPRINTED IN WHOLE OR IN PART WITHOUT WRITTEN PERMISSION FRON THE
PUBLISHER. ANY SIMILARITY BETWEEN THE PEOPLE AND PLACES IN THE FICTION AND SENI-FICTION IN THIS MAGAZINE
ANO ANY REAL PEOPLE AND PLACES 15 PURELY COINCIDENTAL, CREDITS: COVER DESIGN BY ARTHUR FAUL AND RAY
. BY MARY KONER. DON BAOWSTEIN, ALLAN COULO, WALTER
TALE, т. эз PHOTOS GY MARY KONER: P. 34 PHOTOS BY MARV KONER (2), TED WILLIAMS (2), JAY MAISEL,
VALIAM AERD мосоғико. DON BRONSTEIN: P. 8% PHOTO BY PLAYBOY STUDIO: P 46 PHOTO BY WARIO CASILLI
T. ei PHOTOS ву MIKE SHEA, POMPEC РОЗАМ. DON BRONSTEIN: P өз PHOTO BY PLAYROY STUDIO; P. 72-77
zarte, P. 36.33 FOTOS BY JERRY YULSMAN, DON BRONSTEIN: P. ва PHOTO ТОР LEFT BY ARTHUR PAUL
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PLAYBOY
Your choice of Il valuable
IN A SHORT TRIAL MEMBERSHIP IN THE
SELECTIONS OR ALTERNATES FROM THE CLUB WITHIN A YEAR
RETAIL
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THE WORLD OF Churchill's A HISTORY OF THE ABRAHAM LINCOLN:
MATHEMATICS ENGLISH-SPEAKING PEOPLES THE WAR YEARS
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ul bought
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TWO OR THREE OF THESE SETS:
IF YOU AGREE TO BUY | FOUR OR SIX | SELECTIONS
OR ALTERNATES FROM THE CLUB WITHIN A YEAR
COMPLETE SHORT STORIES
OF W. SOMERSET MAUGHAM
THE COMPLETE
SHERLOCK HOLMES
THE COMPLETE WORKS
ОҒ 0. HENRY
THE PSYCHOLOGY
OF SEX + Havelock Ellis
| Proust's REMEMBRANCE Toynbee’s A STUDY OF HISTORY
OF THINGS PAST {A TWO-VOLUME ABRIDGMENT)
SPECIAL: OXFORD UNIVERSAL
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Г) COMPLETE WORKS
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THINGS PAST 2 Vols.
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SPECIAL FOR $6
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GOOD SENSE FOR
EVERY READING FAMILY
ге purpose of this suggested trial mem-
to demonstrate two things by
rst, that you сап
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your own experience:
really keep yourself from missing, through
oversight or overbusyness, books you fully
intend to read; second, the advantages of the
Club's Book-Dividend system, through which
members regularly receive valuable library
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over 200 selections and alternates during
the year.
Ж If you continue after buying the four
or six additional books called for in this
trial membership, with every sccond Club
choice you buy you will receive, without
charge, a valuable Book-Dividend averaging
around $6.50 in retail value. Since the in-
auguration of this profit-sharing plan, $235,-
000,000 worth of books (retail value) has
been carned and received by Club members
as Book- Dividends
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PLAYBOY
Or do they just go? Well, friend — if
they vanish from the scene, better try
‘Vaseline’ Hair Тоше. It does some-
thing to your hair, and to women!
Even if you use water with your hair
tonic (doesn't everybody?), you're
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water evaporates, makes a dried out
mess of your hair. (Alcohol tonics and
hair creams evaporate, too and leave
ITS CLEAR го Л
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Do girls go to your head?
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‘Vaseline’ Hair Tonic won't let your
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you can use all the water you want,
So. if you've got girls on the brain, but
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In the bottle and on your hair, the
difference is clearly there!
"VASELINE' 15 A REGISTERED TRADEMARK OF CHESEBROUGH-POND'S INC.
by the greatest jazz stars of all time!
VIE ru) a
CERRY
MULLIGAN
1. ERROLL GARNER — Concert
by Ше Sea, Erroll plays ТЇЇ
Remember April, Teach ме
Tonight. Erroli’s Theme,
Mambo Carmel, plus 7 others.
2. ERROLL GARNER — Solilo-
шу. You'd Be So Nice To
Corse Home To; I Surrender,
Dear; ИТ Had You; ete
3. J. 3, JOHNSON AND KAI
WINDING — Jay & Kai plus 6.
Peanut Vendor, The Conti-
Denial, Rise r^ Shine, Night
їп Tunisin, В others.
4. JDE WILDER QUARTET —
Jazz trom "Peler Gunn". A
Quiet Glass, Not from Dile,
Brief and Ereezy. 7 more
5. DAVE BRUBECK QUARTET—
At Newport, 1958. Jump for
Joy, The Duke, € Jam Blues,
Perdide, Flamingo, etc.
6. DAVE BRUBECK QUARTET
— Jazz Goes to College. Or
of Nowhere, "Take the“
Train, Balcony Rock, The
Song 15 You, Le Souk, etc.
7. LESTER YOUNG — “ThE
President” Plays. with the
Oscar Peterson Trio. Ad Lib
Blues, Ten for Two, 6 others
в. EDDIE CONDON -The Roar-
ing Twenties. Eddie and the
AN- Star:
Wolverine Blues, Ape:
Minor Drag, plus 8 others
8. AHMAD JAMAL TRIO. Lore
Tor Sule, Perneis, Rica Еш.
pa, Donkey Serenade, Av.
furan Leaves, Э others.
10. LIONEL HAMPTON. Gold-
еп Vibes. My Prayer,
Funny Valentine, But Бе
tiful, Satin Doll, 8 more
11. LIONEL HANPTON-Apolla.
Hall Concert, 1954. “Haran”
plays How High the Moon,
ERROLL GARNER
ELLINGTON
15. COUNT BASIE — April in
Paris. Sweety Cakes, Shins
Stockings, Corner Pocket,
Mambo Inn, Midgets, 5 more
16. BENNY GOOOMAN — The
Great Benny Goodman. Let's
Dance; King Porter Stomp:
Avalon: Sing, Sing, Sine; etc.
37. ELLA FITZGERALD. Gerch-
win Song Book, Vol.
Not рог Ne, Clap Yo:
Pascinatin’ Rhythm, Love 15
Here to Stay, plus В more
DAVE BRUBECK
22. SARAH VAUGHAN — After
Hours. Street of Dreams:
You're Mine, You; Black
Coffee; Deep Purple; 8 more
23. BILLIE HOLIDAY — Lady
бау. Miss Brown to You:
Billie's Blues: Me, Музей
and I; Eus; Livins; 8 more
24. BESSIE SMITH — The
Bessie Smith Story, Vol. 1.
With тоша Armstrong. ‘St
Lot: Blues, Jalthouse Blues,
Dovwn-Henried Blues, 0 more
COLUMBIA RECORD CLUB
invites you to accept
ANY 5
of these high-fidelity 12” tong-ploying
JAZZ RECORDS
FOR $
ONLY
127
If you ісіп the Club now — and agree to purchase
as few as 5 selections from the mor
ing the coming 12 months
to be offered di
than 200
25. DUKE ELLINGTON — Indi-
Ёз. Solitude, Where or
When. Mood Inalgo, Prelude
to а Kiss, Willow Weep for
Me, Tenderiy, plus 3 more
30. DUKE ELLINGTON — At
Newport. Blues to Be Ther
Festival Junction, Newport
Up, Jeep's Blues, etc.
31. THE JAZZ MESSENGERS —
Drum Suite. With the Art
Blakey Percussion Ensemble.
mice Tempo, Cubano Chant.
Just for Marts, etc.
32. LOUIS ARMSTRONG — The
louis Armstrong Story, Yol.
1. “Satchmo” nnd ме Hot
Pive play Muskrat Ramble,
‘The Last Time, 10 more
33, LOUIS ARMSTRONG—Am-
bassador Satch. The All-
Stars play Dardaneila, АП of
Me, Tiger Rag, plus T others
34. MICHEL LEGRAND — Le-
grand Jazz. Jitterbug Wall
Ina Mist, Night in Tunisia,
Wild Man Blues, 7 others
35. THE SOUND OF JAZZ. 8
great numbers by Red Alle
Bime Holiday, Count Ваз
Jimmy Gulfire and others
36. THE JAZZ MAKERS. An
even dozen hits by 12 great
Stars: Armstrong. Baste,
Henderson, Ellington, Good-
man, Prima, Gillespie. etc.
37. JOHNNY MATHIS. Johnny
sings twelve top tunes: Басу
to Lore, Babalu, Star Eyes,
Street of Dreams, еіс
JOHNNY MATHIS — Open
Fire, Two Guitars, With gul-
torists Al Calola and Tony
Mottola, Emibraceable You,
An Open Fire, ГИ Be Seeing
‘You, Tenderis, В more
33. FRANK SINATRA — The
Stardust, Tover Man, ММ” iff dun sn -At дара JACKSON New-- DELI Кос iuge
night Sun, 4 others е Opera House. Goody port 1858. Tm On My Way, Lines: Lost in the Stars,
BILLIE HOLIDAY Gogas. ri wina. Мо: Walk Over една Heaven, They Sas I's Wordertu The
12. TEDDY WILSON & HIS
TRIO — "Gypsy" in Jazz.
Everything's Coming Up
Roses, Together Wherever We
Go, Some People, 3 others.
13. TURK MURPHY. When the
14. COUNT BASIE — One 0.
Clock Jump. Mutton-Le;
Beaver Junction, I'm Соп.
fessin". Patience and Porti
tude, I Ain't Got Nobody, etc.
їп Vermont, 6 others
13. GENE KRUPA — Drummer
Man. Drum Boogie. Let Me
Off Uptown, Slow Down
Boogle Blues, 9 others
Catch Can, 8 more
21. TOMMY & JIMMY DORSEY
— sentimental & Swinging.
Ruby; Sweet Sue. Just You!
Dixieland Mambo; 9 more
JAZZ HAS COME OF AGE . . . from
You may accept the monthly selec-
Didn't Jt Rain, 9 others
28. MILES DAVIS—Porgy and
It Ain't Necessarily So;
You 15 My Woman,
Now; Summertime; 10 others
Stockholm, Ah-Leu-Cha, ets.
28. BIX BEIDERBECKE — The
Bix Beiderbecke Story, Vol.
Thou Swell Louisiana’ Sorry,
Gocse Pimples, 8 more
Girl That Ману. ets.
40. THE HI-LO'S — And All
That Jazz. Lady in Red. Pas-
cinatin® Rhythm, Small Pry,
Summer Sketch, 0 mare
Saints Go Marching in Reli — 20. GERRY MULLIGAN QUAR- 27. MILES DAVIS — ‘Round — 41. ART VAN DAMME QUINTET
Jordan Roll; Down in Jungle ТЕГ — What is There to Say? About Midnight. Al ot vou, с Manhattan Time. Stella bs
Town: Evolution Mame: ete, Just in Time, Blueport, As Bye Bye Blacktird, Dear Old Starlight. Temptation Rag, I
Saw Stars, plu: 8 others
42. ROY HAMILTON — You'll
Never Walk Alone. т Believe,
ИТ Loved You, Ebb Tide,
Unchained Melody, 8 more
р TOMMY AND.
JIMMY DORSEY
7... A
Carnegie Hall to the Hollywood Bowl, tion for your Division .. . take any of
Jazz concerts vie in popularity wi the wide variety of recdrés offered m | COLUMBIA RECORD CLUB, Dept. 229-4 cages ||
traditional performances of sym- all Divisions . Or take NO record in Terre Haute, Indiana NUMBERS: |
phonies, and concertos. Мис [overs any particular month. 1 accept your offer and have circled at the risht the numbers of
ЕО en ee gues aaa sansa acre оока атоо |
Е сш k piaci lo purchase five selections from the mns спра елка бал ра rui Да
in every welLrounded record firar. more tam 200 Colombia, Epic and | (check one box only) 251942 П
To introduce you to the money-saving Verve records to be offered in the com. — | C] юк | Г] Listening and Dancing Г) Classical 1
music program of the Columbia Record ing 12 months. You may discontinue Lj] Broadway, Movies, Television and Musical Comedies| a 18 32
Club, we now offer уси ANY S of these membership at any time thereafter. T agree to purchase five selections from the more than 200 to be | 2 то за l
Ereat jazz records für only $1.97! “The records you want аге malled апе КЕШТЕ andl Tandis charge, ТӘМЛЕ ТІГЕ КИС to Ы І
TO RECEIVE 5 JAZZ RECORDS FOR ONLY billed to you at the regular list price, continue my membership. Т am te recelve а 12” Columbia, Epic Ө 20 34
$1.97 — пай the coupon now. Be sure generally $3.98 (Classical $4.98), plui or Verve Bonus record of my cholee FREE for every two additional | y 23 gg 1
fo indicate which one of the Club's 2 small mailing and handling charge. 1
four musical Divisions you wish to join: FREE BONUS RECOROS GIVEN REGU- B 22 36
Jazz: listening and Dancing: Broadway, LARLY. If you wish 10 continue as a 9 23 371
Movies, Television and Musical Come: member afler purchasing five records,
dies: Classical: ou il тесен a Columbia, Ере or 10 24 зв |
HOW THE CLUB OPERATES: Each month Verve Bonus record of your choice free
the Club's statt of music experts se: (т бину two selections you purchase m 25 s]
lects outstanding recordings for all — а 50% divider 12 26 40 |
four Divisions. These selections are МАП THE COUPON NOW to receive 13 27 a1 |
described in the Club Magazine, which your 5 jazz records — up to a $19.90 [рш m
you receive free each month. retail value — for only $1.97! 1 R 1
COLUMBIA RECORD CLUB TERRE HAUTE, INDIANA
Deoler's Address Coen
LIIIIIÍIIIIIIII
еттт Ora Ски ae., 1000 E Cununia. бре ERI,
T areas Ker.
Knowledgeable people drink Imperial
Its a matter of taste (and value)
Whiskey by Hiram Walker
DEAR PLAYBOY
БІ лоок:55 PLAYBOY MAGAZINE . 232 Е. ОНО ST., CHICAGO 11, ILLINOIS
PLAYBOY CLUB
Your Playboy Club sounds fabulous
judging from the adjectives used in the
August article and those used by Look
staffers who've been there
Lewis Hodges
Look
Des Moines, Iowa
Just read your description of the Play-
boy Club chain. Sounds усту Mach
aptiin John I. Phipps
Maxwell AFB, Alabama
in vou have distinguished yourself
with the organization of the Playboy
Key Club. It is, 1 feel. the inner desire
of all males to be of a "playboy nature."
The contlicting strains of practicality
and our high-strung society are such that
this "playboy nature” is greatly subdued.
You have turned this fantasy into a
reality with the formation of the Playboy
Club.
Lt. Leon M. Costanten.
4th Psychological Warfare Co.
Fort Bra; North Carolina
Since ту husband appreciates the finer
things im life — such as your Playmate of
the Month — thing he
would appreciate more than a key to the
Playboy Club.
Mis. Howard Е. Schuman
Dearborn, Michigan
can't imagine ai
It should do wonders for
nd for my life.
cat id
New York
New York, New York.
Had the pleasure of dropping into the
Playboy Club: it was quite an experience
— the word in tasteful ele
wertainment
Bill Plante
WIS!
Milwaukee, Wisconsin
nee and
WOULD LIKE IN ON "IHE" IDEA OF CEN-
току =
TONY CURTIS
МАШЕТТА, ошо
Tin not quite sure if Tam a “man of
substance and influence.” If vou'd be
Kind enough to send me the necessary
applications and a handy-dandy home
Substance-Tester kit, Ға be
David H
International Tel & Tel
Clifton, New Jerse
gratelul
It never ceases 10 amaze me what
urban sophistication and good taste c
do to make this life more tolerable.
Thomas С. Bianco
Peoria, Illinois
Exciting! Intri
Dy
ing! Bloodətirrin
Joe! Livingston
Hartford. Connecticut
I recently accepted ап invitation to
visit the Chicago Playboy Key Club as a
guest 1 besten to agree that it is every
bit as charming, elegant and relaxing as
you described it in vour August issue.
C. K. Egeler
New York, New York
Your club in is great; your
plans for a New York club sound ever
greate
Arthur Несін
cns
New York, New York
Home was never like this.
Jerry Brall
Newton Cente, Massachusetts
A club of this type is not only unique.
bur. performs з real function by provid
ing а place where а man can relax and
imbibe amid lush and convivial sur
roundin
David A. Fox
Brooklyn, New York
Bully for pLaynoy — what а great
idea!
R. J. Burne
Huntington, New York
The Playboy Club seems to be the per
fect Shangri-La.
Lever Brothers
New York, New York
DING. 23
сипачуа NIANWT
SIuvd
promise her
anything...
but give her
>
1
U
m
Q
m
11
PLAYBOY
12
шашыма»
pa 6
YOUNG MAN to follow sure
pattern of success
Cricketeer. author of The Get-Ahead Book, says, “follow а pattern in
1900". The Plaid pattern, Where individual thinking comes in: the size
of the plaid. The bigger the bolder the better . . . suits and sportcoats.
What a plaid does for you: impresses with sheer size, builds backbone.
Cricketer shows some 63 plaids, this sportcoat a plaid from Scotland
by Ballantyne of Peebles. Trimlines all-your-own shoulders, $45, other
sporteoats less. Cricketer plaid suits, almost all vested, $60 to $75.
for stores, wire or write:
CRICKETEER®
200 Fitth Avenue, N.Y.
This is appeal =73 to The Young Man Who Wants To Make $10,000 A Year Before He's 30.
STOCK TAKING
The August article Capital Gainsman.
ship was both extremely interesting and
а fair and accurate statement of what
most entrepreneurs have in mind. Some
ду, someone will be tempted to make a
study of the number of multi-millio
dollar corporations in this country run
by incompetent and inadequate manage
ment. and boards of directors, who tre
quently hz ial stake in the
company which they are mismanagin
Although 1 cannot claim to be a т
reader of PLAYBOY, | do read many issues
und must confess that 1 always find them
amusing and cnte ng.
^. M. Sonnabend, President
Hotel Corporation of America
Chairman of the Board
Botany Mills, Inc.
Chestnut Hill. Massachusetts
Capital Gaiusmanship's Mr. Ginzburg
puts words together quite well; 1 thor
oughly enjoyed his int and ac
curate story
суши
Henry Crown
Chairman of the Board
Material Service Corp.
Chicago, Illinois
Іп Ка
aire Bill
Iph Ginzbur le, milli
ckendort was listed as the
ol New York's Freedomland.
s enterpr
cagoans Ted Raynor
Zeckendorf hid nothin;
development
s ar
с was developed Бу Chi-
nd Pete De Met
to do with its
Harvey Levin
Glencoe. Illinois
Except put up a lot of the cabbage.
Zeckendorf is the major stockholder in
Freedomland,
NEGATIVE VOTE
In your August Coles Cuties. you
ave a man hold telephone. with a
girl beside him on the couch, watching
а political convention on TV. The cap-
tion reads: “Ohio casts fifty-seven — make
ycight votes for...” You imply
t his vote made a diflerence of one
vote instead of the one-half vote which
is the case in present conventions.
Bob Berman
Bexlev. Oh
We have to agree that Jack Cole's
handling of this particular delegate's
vole was most un-conventional.
МҰНАТТАРОРРАМЕ
1 found the artide Moonlight Over
Whattapoppalie amusing. However. I
m afraid Г do not share the writer's
nostalgic warmth for the dated, gi
asinine musical, and. there were quite a
few of those intermingled with the good
ones of the period.
Fred Astaire
Beverly Hills. California
Fred is certainly one of Ше world's
foremost authorities on movie musicals
радва For from her native Africa, Miriam Makeba
is charming sophisticated American
audiences with a magnetic brand of folk
singing. In this debut album, she offers
Xosa tribal laments, Zulu ballads, some
calypso, other exotica. The sweet, reedy
Makeba voice makes enchanting music!
mum
тркева,</<
изт sno.
The Ames Brothers take us on a tour of 7
а nostalgic land as they recall the golden „.
age of the big name bands. Decked-out eg
in a smartly styled "sound" of today, the ve
brothers re-visit “Marie,” “Тһе Angels Sing,”
"Moonlight Serenade," and other souvenirs
of those tender, dancing bygone years.
Climb San Francisco's Nob Hill and what
do you find? Why, Frankie Carle’s orches-
ra, playing for dancing atop the ultra smart
ark Hopkins Hotel. This was recorded at
Î the Top of the Mark, with all the chic at-
mosphere captured intact. Features 8-page
booklet of San Francisco scenes in color.
Once again RCA Victor delves into its vaults
for milestones in twentieth century music.
This 2-record treasure chest includes con-
tributions by Caruso, Galli-Curci, Leonard
Warren, Toscanini, Mario Lanza, Fiedler...
Chevalier, Artie Shaw, Glenn Miller, Tommy
Dorsey, Harry Belafonte, and other notables.
Im
YEARS
MUSIC AMERICA LOVES BEST
“LIVING | STEREO >
America’s “New Wave” of young comics
fractures us by delicately smashing some
of our most sacred idols. Latest to riddle
us with irreverent wit is Dave Gardner, an
irrepressible lad seen often on the Jack
Paar Show. Dave's fiery “sermons” are half
Dixie revivalist, half hipster. Dig you must!
2
the world's greatest artists are on...
NEW
HEADLINERS
IN SOUND
EUN RCA VICTOR
в with "Miracle Surface
and regular L. P.
Dick Schory, percus-
sionist extraordinaire,
pounds a very special
beat. Dick’s previous
L.P. taught discontent-
ed hi-fi buffs how to
smile. Now they can
beam! Dick has assem-
bled a thunderous bat-
tery of percussion plus
a shimmering squad-
ronof brass, forasound
that can shatter glass.
The tunes? Mostly
standards, handled
with vigor and taste.
RCA VICTOR
PLAYBOY
MEN OF
MOBILITY
CHOOSE
English
Leather’
m a
after shave...
after shower
after hours
The only
all-purpose
men's lotion.
From $2.00
to $6.50.
unbreakable
flosk. The
funnel? To
refill the flask
without spilling a
precious drop.
8 oz. English Leather in crystal bottle.
4 oz. English Leather in plastic-flask..
framed in handsome Redwood Chest.
MEM COMPANY
M 67 IRVING PLACE, NEW YORK
of the Thirties, during which time he
labored valiantly in the RKO vine)
turning out (among other) “Flyin;
Down to Rio.” “Gay Divorce?" “Ro-
bera; “Follow the Fleet,” “Swing
Time,” “Top Hat” “Shall We Dance?”
“Damsel іп Distress?” “Carefree,” and.
“The Story of Vernon aud Irene Castle."
Thanks for Larry Siegel's devastating
als of
Т somcone will just
satirize the equally incongruous water-
logged MGM musicals of the For
and their heroine, Esther Mert
be content.
Sherm Brody
Utica, New York
MILES DUG
I dug the Miles piece in your August
issue very much and m
about it in the San Francisco Chronicle.
Ralph J. Gleason
Berkeley, California
Stanley Goldstein's article Miles was
a breakthrough in a cloud of т
‘The picture of Miles as а spo
driver, a sometimes hunter, and a body
culturist was quite surprising.
Jim Patrick
East Chicago, Indiana
Miles Da he really is
sician and interesting personality.
Sam Katz
Dallas, Texas
superb
Stanley Goldstein, whoever he is,
really swings. His portrait of Miles cer-
tainly rates ai the best ever written
about a jazz figu
Gary A. Soucic
Durham, North Carolina
VIVA SHEL
Shel Silverste
n's The Quiet Man, in
, was a most brilliant con-
tribution to this century's humor. It
dwarfed anything I've scen.
Lenny Bruce
Dayton, Ohio
1 really got a kick out of July's Teevee
Jeebies. Laughed so hard I had tears in
ту eyes. Really great!
R. К. Meier, Jr.
New York, New York
More Teevee Jecbies in this issue.
PECKING ORDER
Richard С. Gould's The Pecking
Order of Sports Cars (July issue) was
excellent, and should do much to re-
solve some of the knotty problems that
mark the fine dividing lines between
obsequiousness, camaraderie, condescen-
sion, and sheer snobbery. The problem,
аз Mr. Gould points out, is ап incred
ing one.
William C. Irish
Denver, Colorado
FACE THE ELEMENTS IN A PLYMOUTH
FASHIONED TO REFLECT THE NEW
BRITISH AND CONTINENTAL INFLUEN-
CES. DAY IN, NIGHT OUT, A PLYMOUTH
TOPS EVERYTHING YOU WEAR!
OF BOSTON
WEATHER-READY® COATS
PLYMOUTH MFG. CO. • BOSTON 18, MASS.
RENAULT Dauphine
There is no single reason why the Renault Dauphine is the largest selling 4-dcor imported car in
America today. It simply sums up what a cer should.be. Low in initial cost, in upkeep, and for
replecement parts. Low in gasoline consumption (many Dauphine owners report up to 40 mpg).
Handling that's precise, sure, relaxed—even in mud, snow, or ice. Classic styling, never out of
date. Smooth quiet riding comfort at expressway speeds. And such extras as
windshield washers, deluxe heater, and child-proof safety locks, included as.
Standard equipment. Discover the many other reasons why, at one of the
1000 authorized Renault dealers in United States and Canada. Drive the
Dauphine, product of 62 years' experience in designing satisfying cars.
: ще .
RENAULT Caravelle
There are many reasons why the Renault Caravelle is America's most wanted (and attainable!) car. It is the most con-
vertible of convertibles—with а soft top and a hard detachable top; soft top alone; or hard permanent top. The Caravelle is
a startlingly beautiful car. Each of the 6 rich colors is individually harmonized with a handsomely appointed interior. Through-
out, there is a planned feeling of luxury: a hand-crafted sculptured front, wall-to-wall carpeted trunk, front seats individually
adjustable to your personal comfort. And with it all, the practicality of Renault engineering, the sure-footedness of геаг-
engine traction. The Caravelle can be your one-and-only car. Certainly, it will be your favorite one!
Convertible
Convertible
RENAULT, INC., 760 THIRO AVENUE; MEW YORK 17, N. Y.
Here in Fairfield County, there are
so many foreign cars that when two
pieces of Detroit Iron pass each other
they wave!
George E. Lawrence
Darien, Connecticut
Gould has underestimated the Pres:
tige Factor of the MG, especially the
1954 TF 1950...
Miss Jackie Werther
San Diego, California
PLAYBOY
My husband drives a ti and 1
drive a Jag. Would Mr. Gould mind, do
you think, if we shook hands now and
then?
Dee Greenawald
Woodland Hills, Calilornia
Anyone who has the insensate temer-
ity to place a ten-year-old righthand-
drive MG TD on a prestige level be-
ha Corvette, ап MGA, a late-model
mph or a new Austin-Healey must
be, at best, an unwitting tool of the
Westport conlormists or, at worst, an
oat,
William Rodgers
Briarclifl Manor, New York
POOR RECEPTION
The New York май member of
вглувоу who reported so diligently on
the Gotham radio station in the August
Playboy After Hows must be a little
WAKY. Please send him а KABL and
en KEEL. Otherwise,
t KILT by an upset WNEW
EAU
DE set him on an с
he migh
disc jockey.
Jack Sharp, Pre
KLIF
CHAN EL Dallas, Texas
Re: August Playboy Afier Hours, New
York's radio station is WNEW. not
KNEW. You should have wnown
Roger W. Dickinson
connecticut
COLOGNE
m Director
Тус lived in the metropolitan New
York area Гог some twenty-five vears and
have never heard of radio station
KNEW. but I have been garnering some
real nutty sounds for а long time over
station WNEW. Соо?
exe ВК Daniel B. Hooven
he oz. 13.50 Lewisburg, Pennsylvania
ER. Goof.
POUR MONSIEUR For your information, all radio
stations cast of the Misisippi River
signed call letters beginning with
In the West, it's K.“
Paul A. Rubinstein
Riverdale, New York
For reader. Rubinstein's information,
KDKA, America’s first licensed radio sta.
tion, is located in Pittsburgh. a fur piece
from the Mississippi. A little wnowledge
is а dangerous thing
16 i 3
PLAYBOY AFTER HOURS
SS the August issue’s picture story
about the first of what will soon be a
national, and eventually international.
chain of private Playboy Clubs, impor-
tant new plans have materialized. The
first club “closed” its doors for business
(to be opened only by members who
possess the Playboy Club Key) early this
усаг in Chicago, just а few blocks from
the publication itself; the second Playboy
established,
its facilities
Club, it has heen
will be in Miami, and
should be available to members by the
first of the vear. The Miami Playboy
Club will be located on beautiful Bis
cayne Boulevard, easily accessible from
and city; the
е all the features now ava
now
both the beach Miami
«lub will ha L
able to members in Chicago, plus swim-
ming pool, cabañas and a dock to which
boatowning members can tie up. The
third Playboy Club will be in New Or-
leans on famous Bourbon Street, in the
French Quarter, and its faci
be available to members carly in the
coming year:
chosen in both New York City and Los
Angeles and clubs will be ready there
locations have also been
in carly 1961. too; sites аге currently
being sought in San Francisco and
Washington, D.C, and franchise infor-
mation has been requested by interested
an parts of the U.
Canada and Mexico. plus Nassau, Ja-
maica, London, Paris, Cannes, Rome
and Tokyo. Meanwhile, pLavBov’s law
firm has been kept busy pressing in-
junctions and suits for damages against
the unauthorized use of the PLaynoy
businessmen from
name in conjunction with clubs and
bars to protect both the publication and
its dub members. Additional news about
the International Playboy Clubs will
be printed here as it develops: for in-
formation about membership. write to
International Playboy Clubs, Inc., 232
E. Ohio Street, Chicago 11, Illinois
Scratched on one of the more Beat
fences in our neighborhood: зоввокт
MENTAL HEALTH OR I'LL KILL YOU.
Lost and found ad from the Los
Angeles Reporter: “Upholstered seat
from rear of sedan, lost in bushes near
Mulholland Dr. Drove off and forgot it
Write Box 7474 с
there. Reward
Reporter
What with dentists’ piping in music to
soothe pained patients and doctors’ dis-
pensing Muzak as well as Miltown, we
suspect that sounds tailored to psychiat
тіс problems soon will envelop (in
stereo, naturally) couches across the
and. As an aid to psychiatrists compiling
a record library, we recommend the
following tunes in the following cases
Mother Fixation —/ Want a Girl. Just
Like the Girl That Married. Dear Old
Dad. Father Fixation — О, Mein Papa.
Kleptomania — The Best Things in Life
dre Free. Schizophrenia — I'm Gonna
Sit Right Down and Write Myself a Let-
ter. Claustrophobia — Don't Fence. Me
In. Sexual Deviation — You Brought a
New Kind of Love to Me. Sadism — Poor
Butterfly. Hallucinations — Life Is Just a
Bowl of Cherries.
Hunch bettors at Chicago's Arlington
race track could have taken home $57.80
for a S2 daily double wager. Ihe жіп
ning nags: Seduction and Innerglo.
Theatre marquees may not be spacious
enough to announce the plays of a
twenty-two-year-old Harvard honor grad
named Arthur L. Кори. Set for opening
is Kopits two-hour (sans intermission)
tragifarce titled Oh Dad, Poor Dad,
Матта? Hung You in the С
I'm Feelin’ So Sad. Other works in the
Kopit coffers include Sing to Me Through
Open Windows and On the Runway of
Life You Never Know What’s Coming
Off Next.
oset and
The whole word used to write poetry
. is waiting for an introduction .
never got a lucky break he
has its own problems is
changing channels . . is sneaking into
the loge. . knows somebody . . hates
to tear wrapping paper - . could've been
a doctor if it wan almost got
hit by lightning . iting for the
sunrise ... may go to acting school
doesn't speak French, but can under-
stand it .. . will call you for lunch
liked the book better is double-
parked . . . can sing better than that
can't draw а straight line with a ruler
.. - laughs at long underwear . . . is only
doing this temporarily will be able
s at golf
. goes to n.
school
to ulford it next week . . . chi
is an ashtra
Included in the invitation of The
Dance Masters of Ohio to their One
Day Convention in Dayton: “The Hotel
will serve а bullet lunch, Sunday noon,
in а parlor where all people attending
the Convention may eat without dress-
ing and going out of the Hotel (51.25)."
You'll remember we sort of endorsed
the movie version of Н. С. Wells’ The
Time Machine in the October Playboy
lfter Hours. Now, however, we discover
ing boo-boo in the fil
The bulk of the action takes place circa
800,000 K b., as we told vou. The race of
Eloi who live in that future time are de-
picted on the screen as looking like
there was a g
17
Yvette Mimieux — that is, young, ашас
tive, possessing two eyes, a nosc, a mouth
ten toes, ete. "There's no doubt about the
ten toes, because Yvette and the other
Eloi go around barefoot or in open
sandals all through the picture. Now
here's the rub: an executive of the Na
tional Association of Chiropodists says
that by the year 11.948 a.D.. the little
toe will have completely vanished from
the human foot. Сәні Hollywood do
anything right?
PLAYBOY
The Parliament of the Union of South
Africa has passed a law stating that no
advertisement can feature а picture of
woman in а bathing suit, with one
exception: ads for women’s bathing suits.
The Question Man of the San Fran
cisco Chronicle, stopping passers-by for
replies to “What is your [avorite sport?”
extracted preferences for water skiing.
tennis, bowli baseball, folk danci
football and this genuine gem from one
"Thomas Williamson: "My favorite sport.
ndoors or out, is sex. It's never bor
and it’s always different. I like the pur
suit and the eluding of capture. Its
somewhat analogous to hide and seek
and similar delightful g
mes.
BOOKS
With the holiday season well-nigh
upon us, we lift a cup of cheer to five
пем titles that have crossed our bar
stool, all dedicated to the stimulatir
subject of booze. They come in assorted
strengths, bodies, bouquets, but the most
readable of the lot is probably Berton
Roucché's The Neutral Spirit (Little, Brown,
$3.50), wherein The New Yorker's medi-
cine man ladles out the shrewdly dis-
tilled essence of what you need to know
about drinks, drunks and drinking. He
touches on most everything, from who
invented the stuff (Stone Age man;
couldn't wait to get stoned), то when,
been
where, how and Бу whom it’s
| brewed, fermented, rectified and im-
х bibed, and with what results, It's all done
Leading Man's Choice in 150 pages of high-prool prose and can
Те LE. N SII HOUETTE be tossed off in a single sitting. Leon D.
J SIL 0
Adams’ The Commonsense Book of Drinking
B WORSTED TEX (McKay, $3.95) undertakes much the
y үс. same thing. but is on the beery side:
The fresh concept of the LEAN SILHOUETTE adds longer, more casual, and with a frothy
slender flattery to a man’s appearance, Unique head of anecdotes. A demon researcher,
design details transform your profile, imparting Adams gocs far afield to purvey ns
leaner, more youthful lines, to the new Fall cloth- VVV
i 2 m м the Abyssinian brew “bouza,” that the
ing by Worsted-Tex. In new color-mix fabrics , 1 i :
0 ет At our franchised Chinese were the fist distillers, that
the LEAN SILHOUETTE by Worsted-Tex is in- desters oniy, or write: 3
erb eb in ts pe i THE HOUSE OF WORSTED-TEX m beer has no more to do with steam
erpreted in suits, sporteoats, topcoats. 200 Fifin Avenue. New York п гаре wine with rape. But basically,
) Азор £0) 21) he's set out to provide a "sober drinkers
ndbook,” using what might be called
18 «тар Hunter wears a Worsted-Tex sut, molded to the LEAN SILHOUETTE) | "peices shghtly higher West of ihe Rockies
Же» RECORD CLUB
invites you to
TAKE ALL YOU WANT!
[Values up io $5.98 |
IF YOU AGREE TO BUY FOUR ADDITIONAL RECORDS DURING THE
NEXT YEAR UNDER MEMBERS’ SPECIAL DIVIDEND PLAN... WHICH IS
EQUIVALENT TO А 33159 SAVINGS FROM REGULAR RETAIL PRICES.
HERES HOW THE CLUB WORKS: Popular, Classical or Jazz.
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32.00 for each monaural (standard) News each month with hundreds of
high fidelity record and $250 for aibums fully described.in order to
each stereophonic sound record. | mene your record selections.
= А FREE RECORD ОР YOUR CHOICE , yoy may accept ог reject the selec
FOR EVERY TWO YOU BUY! Under tions of your category, take any of
members: special dividend plan, YOU the other records offered in other
only agree to buy 4 selections durin& categories, or take no record in any
the next year at regular retail prices batten month,
which entities you to 2 free records
ef your choice—a ісігі of 6 records ® You are free to discontinue your
for the price of 4. This members spe. membership at any time after buying
cal dividend plan (a free record for four albums
every 2 you buy) continues as long
as you remain a member of the Club,
* If you are a Diners’ Club member,
purchases can be included in your
+ Enroll in any of these categories regular Diners’ Club bill.
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МЕ
qu ad
rden
зе pay eee e 172.08) “Top
със git Gestern Pil by baat of
Er) Brena’ oven ear oy
Teright, Flaningo,
Pavan. Summer.
Tine Revere ele
PETE FOUNTAINS
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PLAYBOY
20
“The new Rover 3-Litre is prob-
ably the most luxurious ‘small’
car in the world. The Rover has
been designed for quiet, long life
and driving ease. The immacu-
late leather and walnut interior
reflects the British company's
policy of using only the best ma-
terial, where it shows and where
it does not, as well. The Rover
shares twenty-odd points of me-
chanical similarity with the
Rolls-Royce, and every knowl-
edgeable tester who drives a
Rover inevitably compares it
with that make. It's one of the
world’s great ears. ss rou 1 ramov
ROVER
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the rucit-yourself approach, He gives
you the lowdown on all the main pota-
bles, and includes a variety of gimmicks
like the Drinkometer chart, which tells
you how many of what drinks you can
knock over before you're falling-down
drunk. Useful these are, but his formula
for figuring your sobering-up time would
require a sliderule and a couple of Uni
vacs to work out, not to mention the
clear head which, ipso facto, you won't
have. On the whole, though, he fulfills
his promise, and this is one you may
want to keep on your private bar, if only
guments. More somber and
minatory are To Know the Difference by
Albert D. Ullman (St Martin's, 54.75)
and Tomorrow Will Be Sober by Lincoln
Williams (Harper, $3). Alcoholism, not
alcohol. is the burden of their mes:
and with five million. problem-
drinkers extant, burden it is
Both writers shoulder it manfully, but
sociologist Ullman is the more exhaus-
tive, marshaling all the latest data and
subjecting it to cold sober scrutiny
Much of what he says will be news to no
one, but the sections on. remembering
your first drink, alcoholism and nation.
ашу. and the wagic trajectory of the
alcoholic will ис you, be
ocnophilist (a tippler) or oenophobist. (a
teetotaler). More urh but no less
nt ds Dr. Williams, a British M.D.
who writes out of long practical experi-
ence in his own clinic. He tells the same
sad story, with a British accent, but, like
Ullman. he ends it on the upbeat, thanks
largely to AA, Despite divergences, these
four tomes on tippling reveal parallel
approaches to the subject and use many
of the same sources, But Social Drinking by
Giorgio Lolli, М.Р. (World. 54.50). taps
a whole new Кез. The tide is а mis-
потег: this is no club-car companion
Out of wide reading, deep study and
keen observation, Dr. Lolli
a comprehensive and definit
of the gent who drinks for the fun of it
Most original of his notions is what he
‘unitary pleasure” reaction,
alcohol supplies а "blended
ure of body and mind" that can
e you back t» your mother's breast.
If it docs, watch out; this is а botled.in.
bondage blend that can lead straight to
the ТУТУ. But he also makes a strong case
for the moderate use of alcohol to ban-
ish what he calls the “tabu on tender-
to settle a
ge,
some
а heavy
fasci
you
produced
е analysis
calls the
whereby
ple
ness" which is the bane of our society
No bluenose, Dr. Lolli. Faken together
thesc s of the sauce leave litile un
said and go a Jong way toward offsetting
what hay been called the illiterature of
alcohol. So on your way to your friendly
neighborhood package store, stop off
and pick up one or more.
А porcine scoutmaster, a beery.
jawed Jummox staring vacantly at a
screen, a petulant Little Leaguer, а
sub.
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PLAYBOY
22
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вашег. УУ ты» is a language without
words. No words are necessary because
Roquefort is the cheese S that makes
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There
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А man gets seen in 417!
"The man in control
ihe man who has a way with cameras, leading
ladies . . . and clothes—is bound to look the part. This man docs, та
decisively smart 7417” pullover oxford shirt. Correct for the studio, or
for the midnight, midtown supper that follows. (Even correctly
informal without а tie.) Another example of Van Heusen's “417”
Collection of dress апа leisure wear . . . at all better men's shops.
2
by YAN HEUSEN
urban hausfrau in the grip of crushing
ennui. These are among the subjects
rich Sokol brings wordlessly to life
first album of drawings, American
Natives (Harper, 54.95). кі Аувоу readers
iliar with Sokol's cartoon characters
— ripe and kittenish Bardot types caught
in full pout — will find his pen directed
ard what he calls the tragically
crous in all walks. As Steve Allen
n his introduction, "Ink, in Erich
Sokol's hands, is an acid. that dissolves
sham ...a peculiar mixture of savagery
and sympathy.” Savage, yet sympathetic.
ol has limned stinging portraits of
tly-recognizable Ameri
Ics th
usual thing for youngish novel-
ists to start their literary careers with a
book about adolescence — their own.
Herbert Gold has broken from tradition
just a Би by penning his memorial to
his teens in mid-career, Therefore Be Bold
(Dial, $3.95), which might be subtided
1 Portrait of the Artist as Penrod, is the
story of Dan Berman. fifteen years old,
disciple of Thomas Wolfe and Omar
Khayyam and slave of profound, devious
Eva Masters. Through a grown-up Dan's
memory of life Jeveland suburb
during the late Thirties, we explore his
friendship with Juicer Montague (a gen-
ius according to Stanford-Binet) and
Tom Moss ne with е
commi 7
father 1
ings tow
tes Jews: his hi
iis own Гай
and, taking in all of the
covery of himself. The dispensable
ingredients of novels of adolescence
all here: the first bout with booze
first visit to the local bordello, Ше
love affair (including the first sweet
and the tive attempt
making)
about girls; the painful arguments with
loved ct hate
Dan is a. Jew.
nd mother
. his dis
the
afront
ld relates these
iences with heavy irony, his de
nst the sentimentality
ner years calls
less irony, the
dropping
as though
his formi
exp
fense perhaps a
which the memory of
up in us all. The те
hyped-up. over-amplified,
sc, which somet
nds
Gold were bent on ri
dable facility with words
its own playfulness, all work agains
book. And this is a special pity, because
ist the insistent style, the r
find considerable humor as Dan
his friends, acutely aware of how little
experience they have had, attempt. to
view Ше through the wide dens ol
Thomas Wolfe, and in scenes such as
the evening when Eva and Dan try
heroically to concentrate on love despite
the imperative of full bladders. There
E »ments ol striking honesty. ay
when Dan grows dumb with pity, ad
miration and wonder at the revelation
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PLAYBOY
It is not
a few acres of ground,
but a
PRINCIPLE
we are defending...
T: PRESSURE TO CONFORM
is not easily resisted. The man determined to
maintain FREEDOM OF CHOICE and
INDIVIDUALITY in matters of dress is apt
to lead a precarious existence.
But if you have it in you to stand firm against
FEMALES determined to have their way with
your taste in clothes; if you can remain steadfast
against the CONNIVANCE of certain parties
to TAX your good taste by inflating thc price
of fashionable attire beyond the limits of
REASON AND EQUITABLE PROFIT then
we invite you to join with us and MAKE
COMMON CAUSE
We, Daroff & Sons, Tailors of Philadel phia,
offer MEN OF TASTE and the courage to
stand by it. AUTHENTIC NATURAL
LOOK CLOTHING ata not unnatural price.
We are aided and abetted in this project by
dedicated merchants who display and sell these
garments in an atmosphere devoid of CHAH-
LATANISM, SNOBBERY, HUCKSTER-
ISM, and any and all unwarranted touches of
femininity. The honest intent and honest tailoring
of all this A.N. L. Clothing is certified to by
the "BOTANY" 500 tailored by Daroff label
sewn in every garment, Prices on our suits begin
ot 859.50 slightly higher out West). For store
nearest you, or other pertinent information, write:
Н. Daroff & Sons, 2300 Walnut Street, Phila-
delphia 3, Pa., or 200 Fifth Avenue, New York
10. N. V.. and we will make it worth your while.
‘BOTANY 500"
tailored by DAROFF
of Philadelphia
— ( The Cradle of Freedom in Menswear)
of Mr. Masters’ implacable hatred. And,
most rewarding, there are rare and
precious flashes of insight into the mira-
cle of those moments when a boy turns
into a man. In all, Herb Gold's wit and
compassion stand him on a shelf of his
own, apart Пот, and superior to, the
great bulk of modern day fictioncers.
FILMS
In lers Moke Love, Ma Monroe's a
swinging-singing chick who's working in
a satirical revue off-Broadway. Yves (it's
pronounced but he's all Adam)
Мошап is a billionaire who wants
Marilyn. He moves in when the pro-
ducers unknowingly hire him to portray
himself, опе of the targets for
the revue. From there on in
kind of Cinderellasville, a place you've
visited before but never in such charm-
в company. Some of Ше bet-
ter moments cn route: Marilyn doing a
cuddlesome version of Му Heart Be-
longs to Daddy; her тоск а roll num-
ber, Specialization, with British singing
star Frankie Vaughan, and the sequence
which Yves gets some tips on m.
comedy from Bing Crosby, Gene Kelly
nd Milton Berle. Tony Randall,
Yves’ harassed public relations man, i:
his witty best. Although M. Montand
doesn't get much chance to sing or dance
along the way, this picture should guar
antee that U.S. audiences will s lot
more of him and his specialties in the
near future. Credit Jack Cole for the
knockout musical numbers.
The Entertainer is a first-rate film а
a third-rate Engl 1 com
he did in Шер Laurence Olivier
acts the title r h great style and
insight. The locale is a rough, tough
English equivalent of Atlantic City and
the time is 1956, during the Suez crisi
Olivier, whose son gets killed in that
brief flare-up, has other miseries, too:
he’s bankrupt and his current show i
; to a close. His hysterical wife,
Шу acted by Brenda de Banzie,
wants him to chuck it all and е her
ada, for security's sake, but he
thumbs his nose at her. On he goes,
beauti
unty, lusty to the end. The end
when his latest love with
an ambitious bathing beauty whose fam-
ily he counted on to finance his new
show, breaks up; and when his father,
a retired songster who brought this on
by blabbing to the girl's mother about
Olivier's missus, dies in ап attempt. to
recoup his family's fortunes. Several cast
members turn in superlative perform.
ances. Particular] seworthy is new
comer Albert су. who plays ше
soldier son. Joan Plowright Sir Lau-
rence's real-life love (he left Vivien Leigh
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for her), does a grand job in Ше thank-
less role of his daughter. As with Look
Back in Anger, the script is based on a
John Osborne play and the stylish direc-
tion is by Tony Richardson.
Yul Brynner is a deported U.S. vice
king: Mizi Gaynor is his dumb-but-
honest broad. And Noel Coward is а
deposed monarch, Pavel the Serene, of
Anatolia, a hot little island off Greece.
They're all in Surprise Раскоде, and most
of Ше action concerns Noel's crown
h he is anxious to sell in order to
continue operating а luscious harem.
Everybody іп anxious to
swipe in — including Үш, whose double-
crossing buddies have left him penniless
The screenplay, by Harry Kunitz, i
amusing in a diluted Born Yesterday
way, and is particularly funny when
Noel, who sounds аз it he wrote his own
is on screen. Unfortunately, Bryn-
ner is supposed to get most of the
laughs. He doesn't. Mitzi gets one of the
biggest. however, when she calls h
Knucklehead.
sight seems
Except for the casting of two talented
guys from other arcas of show business
Мон Sahl and Ingemar Johansson —
All the Young Men would be a routine.
predictable war flick. Sidney Poitier does
best, which is thumpingly good,
the pivotal role ol а Marine sergeant
Korea ordered by his dying lieutenant
to command an outfit containing a
couple of bitter and prejudiced GIs,
Man Ladd and Paul Richards. But the
way in which he finally wins their r
spect is a massive cliché. The battle
situation (complete with drum-rolling
score and Ше lastminute arrival of the
Ми Force) is more of the same. The
only sensible point that does get made
during the film is that not onc of these
knows what he's fighting for
Sahl, who did write his own lines for this,
is as penetrating as ever (he says with
mock seriousness: "Hey, UN. you know
how many Chinese there are? Six hun-
dred and fifty million — that they know
about — and 1 got a feeling they're all
draft age"), but some of the reaction
shots make Mort look like he's there
on а USO tour. Ingemar, engagingly
natural, comes off quite well, too, except
when he sings, which is not exactly the
ща
est NEWS since GARBO TALKS.
Vittorio de Sica is given credit — and
deserves the blame — for the Artistic Su-
ision of а rather moldy confection
called Fes! ond Sexy. The theme song,
honest to God, is Mr. Sandman. Origi-
nally titled Anna of Brooklyn. this awful
epic features Gina Lollobrigida as a rich
widow returned to her native vill
Here she meets up with none other t
Dale (Wells Fargo) Robertson, acteur
abominable. He is the local mc
and has a way of handling wor
f
THE |
CLEBANOFF STRINGS
AND
SYMPHONIC ORCHESTRA
LOVE THEMES
FROM GREAT FILMS
The ultimate in romantic sound!
Thrill again to your favorite
music from famous films in а
collection including Spell-
bound, Tara's Theme, others.
5н 60238 MG 20578
Encore Of Golden Hits
Pretender; My
Time; nine others.
FESTIVAL OVERTURE. Op 49
CAPRICCIO ITALIEN
An electrifying performance!
Best-selling version of the
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conducts.
SR 90054 MG 50054
Sensation of the 60's blows up.
а storm in Chicago with his
colorful quintet. A real romp!
SR 60134 MG 20449
(e cDNA WASHINGTON,
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song; Alone; | Understand;
When I Fall in Love; other all-
time hits,
SR 60232 MG 20572
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@
RECORD?
PLAYBOY
26 (f) e closest thing to a second shave
In
10
seconds
flat...
Discover
the
“closest
thing
Тоа
весопа
shave"
Теп seconds. That's all it takes to rub on
Mennen Shave Tale after а shave. And
what a difference those ten seconds make.
Blemishes and skin irritations disappear.
Shaving shine and red vanish. And
as for that last trace of beard—well, it’s
just as if you had shaved twice, Not even
a shadow remains. Nobody sees the talc,
either—skin-tone Mennen
blends right in. Many men
use Mennen Shave Tale
twice a day. Right after
shaving. And just before
dinner. Either time it’s
the “closest thing to a
Fon mere
second shave.”
well as motors. De Sica plays the pricst
who finally marrics them. If almost none
ol the comedy comes off, at least you сап
be sure that Gina's clothes do (off screen
for the most part). And there's no ques-
tion that she has a large wardrobe, in-
cluding a double-breasted birthday suit.
KingoLthe-Clan Frank Sinatra and
Clansmen Dean Martin, Sammy Davis,
Те, Peter Lawford and Joey Bishop aren't
nearly ing
they were romping across nightclub floors
during the eight weeks they spent shoot-
the film in Las Vegas (PLAYBOY, Meet-
ing al the Summit, June 1960). The
movie is best when the fivesome (aided
by Akim Tamiroff, Richard Conte and
Cesar Romero) doesn’t take the script
seriously, which is about half thc time.
The rest is dull stuff. The film never
builds up much suspense over the multi-
million-dollar robbery of the five big-
t Vegas casinos. With a less alluring,
less skilled cist, the movie might inspir
shouts of “robbery” from the audience,
but Sinatra and buddies manage to as-
sure some fun — and certain box-office
profits. For the record, Dean and Sammy
contribute a good song apiece. Frank
saves his tonsils for another day.
The Thirty-Nine Steps, Alfred Hitchcock's
mid-Thirties thriller that starred Robert
Donat and Madeleine Carroll, has been
updated in a current British version
simply by substituting missiles for poison
gas as the key element in the basic spy
стап етеш. A civil servant, Kenneth
More, becomes the patsy in trying to
track down an espionage ring headed by
plotting professor Barry Jones. More, in
flight from Jones’ gang, hides under the
protective wing of a giant-sized nymph —
Brenda de Banzie — and gets involved
with a girls-school gym instrucuess,
Taina Elg, before demolishing the forc:
of evil. The color is excellent, the direc-
tion fast-paced, the characters carefully
wrought. With deference to the purists
who can't forget the original, we recom
mend the new Steps as a step in the
right direction.
з Ocean's 11 as
из entert;
ACTS AND
ENTERTAINMENTS
We caught the nifty new George
Russell Sextet at the Five Spot in New
York and dug the meaty, modern jazz
that came tumbling out. Russell, known
primarily as а contemporary composer,
has surrounded himself with a young,
vigorous crew of musicians from Indiat
n trombonist Dave
band at the University
In addition to Baker, Ru:
indude Dave Young, tenor; Al
Kiger. trumpet; Ted Snyder, bass
Joe Hunt. drums. Baker and Kiger
Studied under Russell at the School of
THE BRITISH 4 8
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If you listen to the critics...
you Il listen to
STEREO,
Saturday Review
“Superior
stereo”
Irving Kolodin,
Music Editor,
Saturday Review
DANCING WITH ROS
Edmundo Rot ond His Orchestra. Mogic
1s The Moonlight; Cuban Love Song:
Brazil; Toku: Leo Do Brozil; Te Quiere Y
Ole; Tony's Cho Cho Cho; others-
#5 205
OPERETTA MEMORIES
Montovoni ord His Orchestra, ‘Die Fled-
'ermous" Overture; Wellzes iron Gypsy
low," “The Merry Widow ond Ihe
Gypsy Princess ; My Hero from "The
Chocolate Soldier; Your Eyes Shine In
My Own trom The Gypsy Boron’: Setec-
lior Пот "The Count of Luxembourg ;
Oh Maiden, My Moiden lon Fred
ей: Serenode Irom ‘Frosquito’ ; Ploy
5520
Gypsies, others
Moussorgsky:
PICTURES AT AN EXHIBITION
Liszt: THE HUNS—Symphonic Poem
LOrchestre de lo Suisse Romonde -
Ernest Ansermet Cs 6177
PHILHARMONIC BALL
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Herbert Kupferberg,
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М. Y. Herald Tribune
POPULAR SUGGESTIONS.
AROUND THE WORLD WITH THE
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TED HEATH IN CONCERT
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27
PLAYBOY
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Jazz in Lenox. Massachusetts, last vear
and sounded. him out about forming th:
group. When George said OK, the stu
dents returned to Indiana last winter
and recruited. the rest of the р
Russell joined them in late spi
sonnel.
ng and
spent four hours а day, six days а week
in rehearsal — for a month before the
debut. Rusell does the charts for the
group and plays curiously chordal, ex
tremely personal piano. We were sur-
prised to hear number after number
with a tightly arranged head and tail,
but with acres of freewheeling impro
vised solo work in the middle. His re-
cent Decca LPs—New York, N.Y. and
Jazz for the Space Age - had prepared
us for music of a more orderly, but
harmonically complex, nature. “Г hope
to get а lot more composed work in
our book,” Russell told us, “but when
you have blowing talent like these
at they'll come up.
y. and then you
have to build the group around them
The Sextet will develop by itself.” (It has
recorded one LP for Decca and will cut
another before the end of the year.) In
trumpeter Kiger and tenor man Youn:
Russell has two of the brightest impro
visors to storm the jazz heights in many
а season. Kiger blows a melodic line with
confidence and imagination. Young tears
off his solos in a blunttoned rolling style
akin to that of John Coltrane. In ай
it’s a serious set of jazzmen capable of
ing fresh material, like Russell's
Stratosphunk and Baker's Stone Nuls
and Kentucky Oysters with sumnit
style and excitement, and also able to
turn a jazz standard, like Woody'n You.
inside out and back again with such daz-
zle and verve that even the Five Spot's
hip waiters had to shake their heads to
regain focus. Go listen.
you have to see wl
with in their own v
DINING-DRINKING
Café Chauveron (139 East Fifty-third) in
Manhattan has several distinctions which
recommend it to the gourmet sophisti
cute — more, іп our estimation, than
quite а clutch of more famous establish.
ments. The carte is superb and formi-
dable in the variety of its off
n
gs, but
menus are as impressive. The dil
ference, here, is t
menu is not only fulfilled, it is surpassed
by the food itself. Then there is the mat
ter of decor; lately there's b
crease in restaurants whose interiors art
refulgently grandiose. At Café Chi
veron, the atmosphere is calcu
stimulate the diner, not distract him: in
its elegant simplicity and opulent func-
at the promise of the
4
7)
^
^
At 10:21 this man in his Gesture Slacks went out to seek Adventure!
Chances are he'll find it. Gesture Slacks being what they are, and the men who buy them being what they are. There's
nothing routine about Gestures . . or their owners, who seem to һауе a flair for living . . . Try on a pair, particularly if you
seek slacks with a bit more style and dash. Men who wear them find they're habit forming. One pair leads to a collection.
Illustrated, fine gauge worsted knit in houndstooth pattern, gold or olive with black. About$25 А TNT "TEX ON W
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Rochester, М. Y. - GEISMARS, Hoboken, М. J. - HALLE BROS., Cleveland, O. - HESS BROS., Allentown, Pa. - SCHLE-
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PLAYBOY
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tionalism it reminds onc of the best
haute cuisine restaurants of Paris. Fi
nally, the service is that id
ttentiveness and reserve which ma
ne feel well waited on, not fawned over.
The reason for all this is not far to seek:
the founders of Chambord are behind
the scenes, assuring that everything from
the paté imported from Perigord to the
Chateaubriand charcoaled to perfection,
to the Péches Flambées au Cognac is —
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Incidentally, take lots of the latter with
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lunch (12 to 4) or dinner (6 to 11:30)
Limit the cocktails, we зау, зо you can
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1 blending
The amalgam at Chicago's Club Alabam
(747 Rush) is probably unique in the
world. The entertainment — ork and
floorshow, which alternate continuously
fom 9:30 PM. to 4 А.м. —is strictly
honky-tonk from Prohibition days. Small
wonder, since Club Alabam was one of
Chicago's major speaks. By contrast, the
food із truly Epicurean, not to say Lucul
lan. Gene Har
s a private speakeasy-like
ies who mourn the
plebeianising of drinking by Repeal -
is hooked on the old music and night
club trappings. But he has engaged. Art
Carter — a world-renowned chef, student
of gourmandise, creative master of the
culinary arts, onetime attendant on the
British Royal Family —to supervise the
cuisine, which is worthy of the most
critical palates. Carter not only super-
vises, he performs. At your table, he w
dice a handsome hunk of beef and slice
fresh mushrooms, sauté them in se
chafing dishes (with butter, wine, herbs)
4 then put them in a duck press
and extract the juice, as a foundation
for the sauce to be spooned over your
filet mignon, which a minion brings in
on a portable charcoal grill. This is just
one of a dozen culinary masterpieces you
should try: accompany it with pommes
soufflés, broccoli hollandaise, and tossed
salad. Then cap your meal м
diablo, watch
yet another ch
—who owns the club
and тайна
room for his old croi
with a ballet-master flourish as he forti-
fes the coffee with brimming ladles of
brandics and liqueurs until the whole is
enveloped in flames. It's aambrosial. Hours
are 5 р.м. to 4 лм., seven days а week
RECORDINGS
Су Coleman and his trio, backed by a
d
covey of well-behaved brass, can be hı
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PLAYBOY
32
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Wo ed 8 nn бән,
at some length, and most pleasantly, in
a brightly-burnished new album, Pleyboy's
Penthouse (Everest). Coleman, to us, has
always been the prototype of the better
supper club pianist — inventive, techni-
cally proficient, and possessed of the in-
nate good taste that separates the note
pickers from the note grabbers. The
Playboy's Penthouse theme, penned and
played by Coleman for our TV show,
kicks off proceedings in a muted vein
that is sustained throughout. Not that
Coleman is averse to the upbeat; Kiss
and Run, Lulw’s Back in Town and
Top Hat, White Tie and Tails move —
but with a restraint that is almost а fet-
ish with him. Top Hat, incidentally,
features а scintillating contrapuntal
melody handled by the brass — a refresh-
ing approach to what has bcen, up tiil
now, one of our most unfavorite ever
greens.
Around Midnight (Liberty) marks Julie
London's eleventh album. The girl with
the world’s sexiest stage whisper shows
no signs of slackening oft in either quan-
tity or quality, however. The albums’
pitchmen may have run out of copy for
the liner notes by now, but we can still
think of a few choice adjectives to de-
scribe Julie's efforts this outing — sensi-
tive, sensuous, sad and sultry. Miss Lon-
доп siren songs to the night people are
backed here by а mood-music orchestra,
under the reins of Dick Reynolds, that
tinkles, moans, sweeps and subsides in all
the right pla попа the languorous
lullabies guaranteed to make you think
of anything but sleep are Вий Not for
Me, In the Wee Small Hours of the
Morning and Misty. The rest
in mood; the words and melodi
change but the over-all meaning is per-
fectly dear.
There are only about ten Fleta guitars
made each year in Barcelona, Spain. If
the other nine are in as good hands as the
one currently held by Charlie Byrd.
the 1959 production has been well dis-
tributed. Byrd, who studied with Andres
Segovia (he blows a Fleta, too), picked
up the guitar during a
with the Woody Herman band last y
he's been strumming it impeccably ev
since. Joined by bassist Keter Betts and
drummer Bertell Knox — two of Byrd's
cohorts in the Washington, D.C.
sphere — Ше guitarist devotes his
LP, Cherlie Byrd Trio (Ollbcat), to a dilly
of a dozen tunes. Among them are Who
Cares, How Long Has This Been Going
On, Prelude to а Kiss, Gypsy in My Soul,
several blues and a Funky Flamenco
Free of the intruding horns that wer
present on his previous discs, Byrd zips
and sighs in virtuoso fashion.
торсап swing
Т ШЫ,
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PLAYBOY
34
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im—even 08 South 18th Street, East Orange, New Jersey 1
Julius Monk's Manhattan players,
usually found in that city’s Upstairs at
the Downstairs, are Downstairs at the
Upstairs in their latest spoof sequence,
Four Below Strikes Back (OlIbeat). In this
tion, Jenny Lou L: aney D
th. Cy Young and pian
ists Robert Colston and Paul Trueblood
In The Castro
Tango, Miss L
shared a riddled cabs
o'clock shadow came
Nymphet, a тероги
year-old authoress [rom Queens.
you say you take your fathu
the interviewer. "From time to time,”
oozes the young one. Furth sings of tli
Family Fallout Shelter: "When you see a
mushroom big and yellow, let a ton of
lead be your umbrella." Tucked in
among these goingson is а charm!
plea for amour, Love. Here | Am, su
knowingly Бу Miss Dussault.
When the Dave Brubeck Quartet and.
the New York Phil, conducted by Leon-
rd Bernstein, joined forces last Dec
ber to present Dialogues for Jazz Combo
and Orchestra - by Brubeck's brother
Howard — their perlorn
wild huzzahs from the C:
it, the has been recorded by
same groups and it occupies the first side
OL Bernstein Plays Brubeck Plays Berns!
(Columbia), backed with Dave and hi
ing Bernstein tunes (four
: tory, one [rom Wonder-
ful Town), In Dialogues, the orchestr
dheres 10 written themes, while the
combo i
composition is balladi a positive,
romantic sense — and some of it is gently
bluesy. АП of ш. The tracks
played by the quartet alone are in th
classic Brubeck groove, with the leade
pianist, alto man Paul Desmond, bassist
Eugene Wiight and drummer ос
Morello blowing just as pr
always do.
as they
If the record store lets you sample an
LP, which track do you tend to play first?
Play the opener of side one and you шау
up a good thing. Take the case ol
Nancy Wilson's Like in Love (Capitol). The
twenty-one-yearold thrush is at her most
stridently Dinah Washingtonian in От
the Street Where You Li `
later tracks (Night Mist, Passion Flower
In Other Words) to get the real и
diamond quality of this vital newcomer.
Nancy's slender, tender and tall, and she
has а combinati "Un fac
and form radiating cool heat, and a voice
like dry ice. The Billy May bac
doesn’t hurt any, either.
discussion
THE Р
M |
NARCOTICS AND THE JAZZ MUSICIAN
first in a series of provocative conversations about subjects of interest on the contemporary scene
PAN
LISTS
AN KENTON
үу GILLESPIE
DUKE ELLINGTON
SHELLY MANNI
CANNONBALL ADDERLEY
NAT ADDERLEY
BILLY TAYLOR
имму GIUFFRI
NAT M
we critic
attorney and legal
addiction
orr,
cone
MANWELL T.
expert on narcotics
DK. CHARLES WINICK. 10 the
National Advisory Council on Narcotics,
Director of Research of the Narcotics
Addiction Research Project
PLAYBOY: Our purpose,
this first rLaynoy Par
cotics md the jazz mu
We might put it another to what
extent is addiction a special problem of
juzman? How common is the use of
cotics among musicians, and to what
gree is the public attitude а reflection.
gentlemen, in
uss nar-
ici
ol the facts? We aren't in search ol dog-
matic conclusions: rather, we'd like to
stimulate thought. to ventilate the sub-
ject and let in the light of knowledge
nd experience — which you men have.
Stan Kenton, you have пос only been
in the very forefront of advanced big-
zz since the carly Forties, you've
also been a long-time, articulate spokes
man for jazzmen. Why don't you lead
off? There are ап estimated sixty thou-
sand drug addicts in this country: how
common is narcotics addiction in the
jazz field?
RENTON: It exists, of course, and it е
as a very real problem — exactly
does among other
м
it
occupational groups.
they are
све to
ivericks:
not only non-confor
pretend, to play it safe, to pose as il
they are other 0 are. And they
are on display before the public at their
times of greatest tension, when the men
who are addicted may feel their greatest
need — so the few addicts among them
e more readily revealed, But I'd зау
there is an imme iphasis on
the degree of addiction among jazzmen.
Taylor. as а top-rankin
pianist with long and wide experience
among the modernists, how do you fe
about
глум
common
t. they
certain its not at all as
s the newspapers would lead
you to believe. The addiction of musi-
s is played up completely out of
proportion to their number
cause they're newsworthy
та лувоу: Duke Ellington. you've been a
ital part of jazz history since the Twen-
ties—as composer, leader, pianist.
Would you say there is some factor —
simply be-
some force — which links drug addiction
lH
believe
and the jazz musicia
изахегом: 1 don't
addiction is an occup hazard.
вглувоу: Maxwell T. an at
torney who is also Secretary of the Musi-
cians’ Clinic, who is a recognized special-
ist on narcotics and the law, and who
represents many leading musiciaus and
entertainers. what's your opinion?
conex: We know that possibly thirteen
percent, and more realistically. twenty
percent of the drug addicts in the United
цев аге juveniles. ОГ the remaining
eighty perc
eral way. doctors are
are nurses. Third. housewives.
professional criminals. Musicians would
that drug
Cohen, as
nt we know,
come possibly around cleventh ог
twelfth on the li
PLAYBOY: Let's hear from Shelly Manne,
fluences on drums
с
onc of the major
in contemporary jazz. forme
of Les Brown, Stan Kenton, Woody H
man who's had many combos
own. Shelly, do you agree that the
segment of the public that automatically
associates jazz and dope is greatly mis
informed?
stanse: 1 do — yet the musici
cessible 10 the pusher
тлугоң: He's accessible because many of
the nightclubs, many of the |
which jazz musicians wo у
accessible to the people who want to
push narcotics.
non Before we
back and forth, lets hear from another
panelist, Jimmy Giulfre
г, composer
Гус been а musician for over
vs, and I've played in clubs all
r the country, and all over the world.
and по опе has ever approached me
about this kind of thing in nightclubs.
In my opinion, addiction has more to do
with a man's background — his upbrir
ing — than with his occupation.
тлувоу: Nat Hentoff is, of course, one
of the few serious jazz critics in the world
who is admired by musicians as well as
7 fans. Let's hear from you, Nat
vorr: Although it's
jazz musician synonymous with addict,
be practical. There is addiction
assoc
is ac
this
start tossi
- ace reed man,
оу
bsurd to make
The law makes по distinction
en possession and изе...
GILLESPIE; A narcotics addict is not reli-
able. Ней sell anybody to get that
stuff ss
nentorr: If you try to regulate addiction
by punitive measures. you're going 10 get
more and more addiction .
C. ADDERLEY: It takes а certain kind of
individual to be а user of any kind of
dug...
Padi ter Va gi ПО
36
N. ADDERLEY: The truth of the matter is
that most heroin users began with mari-
juana ...
conen: There is no necessity that те
duces а тап to become a narcotics ad-
dict.
E Е
LLINGTON: Г don’t believe that drug ad-
diction is an occupational hazard .. .
MANNE: А jazz musician has to capture
that spontaneity every night .
tavion: The jazzman has always been
tagged with the current vice of the
limes...
the field. I think that someone here
once said that it would be hard to get a
big band together of really first-rate
talent without having guys with prob-
lems.
тглувоу: Dizzy Gillespie, your pioneer-
ing on trumpet, your leadership of big
bands and combos, and your superb
musicianship don't require elaboration
here. From your experience, do you
think Hentoff's statement a fair one?
Тхе had addicts іп my band.
y a club in Chicago,
and I walked down in the basement and
I caught one of my musicians with a tie
around his arm and a spoon on the
ble. I fired him immediately. Imme-
diately! I said, “You get out of here, get
out of here right now!”
N. ADDERLEY: Maybe he was just going to
eat some spaghetti.
PLAYBOY; Well, Diz, you've sort of antic-
ipated our tackling another aspect of
the problem — how а Ісайсг handles ad-
dicted music but before we do, ii
seems apparent, right now, that we're all
generally agreed that being a jazz mu-
sician does not presuppose addiction
or a special susceptibility to addiction,
despite some uninformed opinion to the
It's probably
contrary.
though, 0
tion is
fair to say,
mistaken no-
ed on a belief that drugs in
some way inspire а musician to play
his best. What about that?
ELLINGTON: Since playing ап instrament
is a matter of skill and coordination,
it seems to me that a man's best per-
formance would be when he had com-
plete control of his faculties.
сопел: A musician is first of all keep
time down to thirty-seconds of a beat. He
is reading music. He is attuned to what
the musician next to him is playing.
"There is manual dexterity involved in
playing an instrument. It is impossible
for musician to bc that finely co
ted if there is апу degree of re-
tion resulting from alcoholism or
drug addiction.
HENTOFE: Are you saving U nobody
who's playing first-rate jazz can be on?
COHEN: 1 don't say that. I say that an
addict is not coordinating perfectly.
He may think he sounds good, but to the
auditor, he doesn't. He is wild, unco
ordinated.
PLAYBOY: Nat Adderley is looking a bit
troubled. Nat, as a cornet player who's
been involved with jazz since childhood,
let's hear what you have to say
1 се with
Мах
very extreme сазс of
— whether he's been using or not
cours: 15 it physically possible for a
m the influence of heroin to
perform with a group?
ргауғоу: Cannonball, do you want to
answer that?
С. ADDERLEY:
guy bei
ng high
п under
Im afraid that I have
GIUFFRE: In the movies, every time they
use а jazz mood or scene, they fill it with
things that in the public eye are evil ..
kd "
KENTON: You have to dare to be different
if you're going to create anything fresh . . .
played with many musicians who were
stoned out of their minds and played
like never before. I w
that if a guy were addicted to па
I could say, “Well, he’s high, he
play,” but -
conrw: b ask Dizzy point blank — is it
possible for a musician under the i
Ішепсе of narcotics to play in an е
semble
GILLESPIE: L think it is.
to tlic degree of genii
1 think
cotics,
an
Its according
in the musici,
Because I know some musicians
stoned high and they still сав рі
1 know some musicians who sit dow
nd they're high and they're slobber:
all over their instruments. I've seen
wellknown mus n under the in-
fluence of narcotics—1 know he was
high because he was nodding and you'd
wake him up and he'd start playing
just play. play, play, play, play —
Гуе seen the same musician under Ше
influence of alcohol and I had to call
him off, and say, “Look, think about all
your fans out there" He's dreaming.
He's going around with a filth of
whiskey all the time, and maybe he's
uying to substitute for the drug by
drinking the whiskey. He's playing noth-
— absolutely like a beginner — and I
чу a genius.
xrorr: In other words, although we're
not advocating the use of drugs, 1 think
the only way то get а useful discussion
of this problem is to do away with what
ever moralistic myths we can. And one
is che myth that И you're оп you can't
coordinate. It’s just not true.
TAYLOR: I worked with Charlie Parker,
and Bird said a couple of times in print.
that he felt some of his worst. perform-
ances were when he was under the in-
and
nd
fluence of drugs. And I think this is
borne out by some of the records that
Relaxing at Camarillo and
gs like that апа he was in
He was such a sensitive guy,
v difficult to understand how he
could мау on dope, because he knew it
was suicide, that he was killing himself
but his other personal problems were
just such that he wasn’t physically or
г
ally able to stay off.
xxxi: Actually. Т think that the reason
some musicians do feel better equipped
to play, with their addic that,
like a lot of people, they feel inferior.
1 think that taking junk sort of frees
them of their inhibitions, And they сап
t up and feel оп equal terms with the
ple who are listening to the
more confidence, and open up in their
But | don’t think they play
115 just their imagination.
I'm sure that there has passed
through the minds of some immature
ns the idea that some very
famous musicians have used drugs, and
maybe that was part of their secre
But I think it was coincidental with
the mess.
MANNE: I think that Billie Holiday
great before she was an addict. She
would've been great if she hid not been
an addict, I've studied junkies whe:
they were stoned, and I've studied them
when they were straight. and 1 feel that
when they сап think clearly and speak
coherently, the m better.
спали: From what Гуе observed,
under the influence of any kind ol
nt there may be points
reached, some kind of a quick inspira-
поп. of abandon, but in the long run I
don't believe that those high points are
ally that high or that they happen
often. And there are so many low
points. I've seen musicians so letharg
under the influence of drugs that they
tend to be very lax, and don't have the
awareness and sharpness to perform.
rLAYBOY: You all seem to be pretty
much agreed, then, that some musicians
cam play well under the influence of
drugs and others can't, but in general
а musician's quality is not improved 1
narcotics — although they may give him
a sense of self-confidence that Пе needs
10 perform. Is that a major factor i
jazzmen becoming addicts, do vou think?
MANNE: Well,
have
as
zz musi
n has to cap-
ture that spontaneity every зо
эп may be a little more pre-
dominant among jazz musicians. A
studio musician. through his experience
and knowledge. can sit down and do a
good job even if he doesn't feel like
it that night, and he doesn't have to
produce for, say, five thousand people
sit an audience looking at him.
He's not constantly crea
musician.
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"TAYLOR: One thing that drives guys cither
to drink or to dope is the one-nighter
You make You're
working with big bands— so you work
tonight in Bangor, Maine, and you've got
a one-nighter scheduled right after that
ig, and you have to get in the bus and
go out to Minneapolis. You're driving
to the gig, and then you've got to drive
all day and you barely make it in time
for the ones ve been sitting
up in the bus; the only time you have
off is to go to the john or get something
to cat, and you're dirty, you're sweaty
you've got to go right on — and the peo-
ple are all freshly shaved and freshly
showered, all the girls look nice and you
feel like a dog. And the spotlight is on
you—and you need а shave, vou [ecl
terrible, you don't want to go near апу
body because you fecl you smell li
xam. And this kind of thing, when you
do it night in and night out — it's under-
standable why a musician would want to
find some “out,” some sort of relief, to
make him feel good, too.
KENTON: It's hard for the average person
who isn’t in creative work to know what
a terrible insecurity exists within some
one who has dared to be different, and
you have to dare to be different if you're
going to create anything fresh. To just
conform and belong to a group in a
pattern of living is not creativity. And
believe me, when you deviate and move
away from this group, and you start try-
ing to do something fresh and create
some new things, the insccurity can be
terrifying. Гус seen people just tremble
— people that were creative — their very
bodies showed this terrible fear. It's aw-
fully easy for someone to grab a drink
sometimes to bolster himself, or even do
other things sometimes to help beat this
monster that really is a suffocating: thing.
Every time Гус ever met anyone in a
creative field who was flamboyant and
absolutely sure of himself. I've always
discovered there really wasn't any valid
talent in his existence.
PLAYBOY: We seem to be getting to some-
thing quite basic here, a feeling that the
jazz musician — whose success hinges on
a spontaneous feeling of creative well-
s turn it оп when
the occasion demands. He шау mistak-
enly believe that narcotics will provide
the needed Ше He may also lean оп
drugs to bolster his sell confidence
MANNE: But I also think that musicians
have a tendency to place too much
impossible jumps
being — can’t alw
T
1
portance on what they аге doing.
thoug! important — it
certainly the most important thing іп
my life — 1 don't think that а musician,
or anyone else, should take himself too
seriously. I get as upset as anybody. I go
into hibernation if I'm not playing good;
1 feel like 1 just want to get ашау for a
while and gather my thoughts, But you
just don't go out and get stoned. You can
music is very
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get a lift from other things besides drugs.
I сап get stoned оп nature — getting
away by myself, where there are no other
musicians, no music—and get confi
dence that way.
c. appraey: It takes а certain. kind of
individual to be a user of any kind of
drug.
cones: Yes, a personality deficiency іп
certain individuals leads to drug addic-
tion, and usually their personalities are
pretty much the same. You ст almost
spot them. There is a specific pattern.
That's Cannonball's point. There is no
necessity that induces а man to become
a narcotics addict. There is a psycho-
logical problem which weakens him to
the point where he may think of nar-
cotics as an escape mechanism for him.
TAVLOR: When | was coming up, some
of the very, very famous people were
acknowledged dope addicts. And the
common feeling among certain small
oups of young musicians was that if
you wanted to play like this guy you
had to get high like he did.
гоним: 1 know a tragic case—of two
high school students who started off with
band, and a musician who played the
same instrument persuaded them they
could improve, and become equal to the
other men in the band, by using nar-
cotics
vento Today, if a guy is as aware as
most young jazz musicians are, he r
that any kind of add
death — it's like suicidi
pLaynioy: Billy Taylor seems to be sug-
tion is sure
esting that the newer crop of young
musicians may have a greater awareness
of the dangers of addiction and may
hence be wary of trying drugs. We know,
too, that the goto hell attitude — the
sell-destructive attitude — of а dozen or
so years ago provided a climate, even an
excuse, for addiction, as though it were
а romantic rejection of the mundane
world. There are undoubtedly perform-
ing musicians today who fell under that
arlier spell. Lets hear what Dr. Charles
Winick, а rexsuch authority оп drugs,
personality and. nd Director
of the Musicians’ Clinic has to say about
this
ок. winick: Even though а man n
с gotten hooked in the carly 1950s,
or the late 19105, unless there has been
some kind of intervention, some help,
that man is still a heroin user today
and he'll continue for another ten, filteen
yeurs, because the Ше of a heroin user
is about twenty-three years. Not too lor
опе of the trade papers carried а
frontpage story about Buddy DeFranco,
who was forming
diction —
trio, Сі.
ming that he
wasn't able to hire the other members of
the trio without hiring a drug user. And
we all know that ten, fifteen years ago
several well-known big bands broke up
because of difficulties connected with nar-
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Ea ЕКЕ ЕК l
сойсѕ. Now, what happened to these
musicians? Most of them, I'm quite sure,
are still taking heroin.
GILL : Now you know about how
many musicians 1 know — thousands and
thousands. Well, right now I can't think
of over five, maybe six or seven musicians
who I know are using heroin. And it
gets around, because if you need a re-
Placement in your band, and you say
“What do you think about so-and-so?
— one of your musicians will say, “You
know, he's messing around with it.“ Be-
cause they don't want the heat on them.
Because there's heat on everybody соп.
cemed when you have a guy who's using
stuff in the band.
€. ADDERLEY
you learn. too. On the road. Every town
vou go into. there's like one guy you
know to avoid. and if you see anybody
in vour band hanging out with him vou
tell him, "Wait а minute!” And these.
are not musicians, for the most part
They are hippies who hang out with
musicians. Like once upon a time there
used to be a crowd of guys who used
to hang out in front of Birdland. Occa-
sionally, if you walked up you might sce
two or three musicians mingling with
ten or twelve guys, in various positions,
You know what I mean — some in posi-
tions of ecstasy — the ecstasy-crouch.
onespe: The guy whos pushing this
stuff, he doesn’t spend too much. time
with a guy that's not going to buy. He'll
say "Hi" and “Hey, Daddy," and that
—and then he'll cut on out and you'll
see him hanging out with the guy who’
using the stuff. And if it's somebody in
my band, 1 fire him on the spot. A nar-
cotics addict is not reliable. Because he'll
sell his mother. He'll sell anybody —
anybody — to get that мш. Ней lie and
steal and cheat, and if you pay him five
I'll tell you something
dollars over — if you make а mistake on
the addition — you'll never see that no
more. And he'll swear —
c. ADDERLEY: That's right, he's got Ше
soul in his voice all the time.
нехтоег: You're talking as il this is more
than just five or six guys, Diz
GILLESPIE: Well, through the years — I've
been playing
had addicts in my band,
Appertey: Dizzy has been through the
period when there were more narcotics
addicts than there are now.
GILLESPIE: But I remember when it was
practically non-existent among mu:
uenrorr: Like the late Thirties.
спалъри: Yeah. When I came to New
York in 1936-1937, 1 didn't know оле
musician who was an addict. And then
we found out that one guy was using the
stuff. We didn't even know what
итог: The question is, why are fewer
guys getting hooked —I mean really
hooked than around Forty-six,
Forty-eight, Forty-nine?
for thirty years —I have
now
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PRINCE MATCHABELLI
силуѕрію: There was one band around
that time in which the whole saxophone
section were junkies. And the young
guys actually thought that the use of
narcotics would help them.
N. ADbERLEY: The lad is over.
GILLESPIE: Nowad policeman
сап smell dope three miles away, and
the guys are just scared. Also, а lot of
our most talented jazz mw
dead. And the young guys know that
narcotics might not have been the main
reason for their death, but it led to
the deaths. So everybody, now-
Wait a minute, let me
s ever
ns are
most of
adays, is saying
count the gate receipts there
С. ADDERLEY: Today you have heroes
5 Dizzy or баш Kenton or Gount
nd young musicians go around
Well, he ain't. doin
He ain't bent in no crouch
play well.“ That makes a big difference.
GILLESPIE: 1 have been approached
many, many, many times by young mu-
sicians who thought / was on. They'd
come to my hotel room. I remember in
Kansas City one time — this was when I
had а big band, іп 1916-1917 — two real
young musicians, they were
nothing
] he can
bout sixteen
ог seventee
came up to my hotel room. They said,
Dizzy, I want you to take my address.
After a while one of them went over in
the corner and took off right in my hotel
room! I tore up his address, and I told
him, “Man, you better get out of my
hotel room before I call the police.”
. по beards, no nothing
They looked to be no more th
or seventeen. Little boys, ba
C. ADDERLEY: ° what happened to
Horace Silver, pretty much the same
thing—like he was riding down the
street in Philadelphia in a car with sev-
cral other
n sixteen
ics.
musicians — a
ong them a
couple of guys who had been busted for
Philadelph
they had a white girl sitting up
in the car, which mems а cop is auto
matically going to stop them. So once
the cops found Horace was in that саг,
he was harassed for
PLAYBOY
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rcolies in
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15 there а contradiction һеге?
Until a moment ago, you all seemed
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was оп the decrease — “The fad is over."
Nat Adderley said. Yet now we're talk
about what sounds like harassment
by the police — pointless ha
addiction has really Бесон
ssment, if
rare. Would
gle ont jazz
you say that the police si
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KENTON: There is one particular drinn.
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is really big in the field of jazz — he had
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and he be the situation wonderfully
well But it's miserable the мау the
police still stay after him, they keep
looking at him every time he turns
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and sometimes — he's pretty patient with
them, but every once in a while — you
“I wish
an just see this look on his face
everyone would leave me alone."
raytor: I don't think the police specifi-
cally single out jazz musicians. It's just
that they look down on nightclub enter-
tainers as loose livers, high-life people,
who make a lot of money nd are
responsible. This is fostered by thc
newspapers: all of show business is
g all of the men have five ог
six pretty girls around then
of the women have arou
them. Life is just a big ball, twenty-
four hours а day. And so the cop, whose
work is hard and who hi
n't pay his bills, he bangs a lew h
GILLESPIE: But it's not all show business
that's picked on. When I was in Phila
delphia at Convention Hal, th
morous:
and
wanted to search me. And I asked this
policeman, “Well, OK, now,
search me. do you, when Isac
plays at the Academy of Music, do you
go back and look for narcotics? And
when Jascha Hcifitz comes іп there and
plays at the Academy, do you go back
and scarch him?" Well, they wind up
ching me because I said, "Vou
est me, but you can't search me
On one occasion, Miles
k about being searched
in Philadelphia. He was calling them
all kinds of names and usin
language and cussing everybody
and he happened to say, just being
art, “Yeah, 1 shoot dope into my
knees," and the guy says,
arrest. You admitted using n
And the lawyer had a tough pr
to keep Miles from going to jail.
vraysoy: Perhaps Max Cohen will tell
us what the law is in such cases.
COHEN: И there are no offenses bei
committed in the presence of an officer,
he has no right to s
Number Опе in deafing with the police
БАН vou let them get away with it,
you're a dead duck. If you stand up for
your rights, they will not harass you.
The police in some citie very quick.
to make arrests, In 19 d 1954, in
Philadelphia, the 9,779 narcotic
arrests, but only 963 convictions. In Los
Angeles there were 12.161. arrests, Of
those arrested, only 4.406 were convicted.
In Los Angeles, they arbitrarily arrested
two musicians and would nor release
them until they agreed to identify two
other musicians who were drug users.
There was nothing even to t
C. ADDERLEY:
You're under
rcotics."
blem
ch. Principle
с were
ndicate tha
the arrested musicians were drug users.
Dizzy called me about it in New York. 1
led Joe Hyams, the Hollywood col-
umnist. who is a client of mine. He
called the chief of police and told him
there would be trouble if these musicians
were not released. The whole process
took less than a Пай hour, and these
musicians were released.
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Dept L-9
2308. Franklin St. Chicago 6, Ш.
с. appretey: When Horace Silver pro
tested. he was molested and was sub- К ІН
j ies. He was awak-
jected to many indi
ened in his hotel room at five o'clock in Protective Pouch Keeps Tobacco
5 4 4 FRESHER!
they had permission to search the room
and search him.
neÊxtorr: Has the American Civil Lib-
s Union or any of its regional groups
ever come into a све like this? Хо
conis: None of the profesional liberal
organizations, and certainly. emphati-
cally, never the musicians! unions
tot: Yes, lers get this оп record —
that the American Federation of. Must
cians, includin Js 802 in New York
and 17 in Los Angeles. 1
knowledge. done anything about this
tre: ob musicians as fifth. class citi-
zens by cops.
х. Apprrtey: I wonder if professional
ns are often harassed simply
си
s never, to my
jazz music
because Negroes. 3 No spill
conr: No, no. 2
икхлокг: Look, Мах, a cop іп апу city, Out comes ү when you fill
North or South, is apt to be harder the Pouch! Мм, dust dip in!
an on a white man, for wha
ver the offense.
сонку: Em not naive, but when it comes
to arrests, I believe there is as hig
percentage of white musicians arrested as
Negro musicians
сире: Ye
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ber of arrests of
being а disproportionate percenta
raytor: The jazzman has always been
tagged with the current vice of the times
In the Twenties the jazz musician was а
drunkard. He w -
for
therefore he used marijuana. In the k
and Fifties, into the Sixtie
so he's a dope addict.
In the movies, every time they
use a jazz mood or scene, they fill it with
things that in the public eye are evil.
c. AbpeRLEY: Yes, and with any crime or
immoral act — if there's а musician in-
volved. he’s automatically categorized as
а jase musician.
м. ADDERLEY: A
Lawrence Welk's band if he gets ar
rested. it's come out. so help
me, “jazz musician.
curser: And not only that, but
bebop musicia at gets me
c. мк ву: This guitar player who was
amested down in Memphis two years ago
for the murder of an entire family in
listed by all the wire
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Ed Sullivan show and about а weck and
a half before there was a big article
about a bebop musician getting busted,
and they started off the article, “Like
his illustrious mentor” — me and 1
didn't Епош the guy. I'm supposed to be
his teacher, and I don't know him.
немгове: The Sullivan office said they
booked already?
GILLESPIE: No, it was just f
we
ished. That
was the end of my engagement and |
hadn't even opened yet.
urntorr: The so-called bebop musician
— which was a phrase, as I recall, that
was invented by publicity guys — began
lo take the place of stripteasers and
wife murderers as a thing to have Sun
day supplement pieces on.
cms: That's why 1 couldn't say
"King of Bebop" in my publicity any
more. In all my publicity, when they
want to say bebop, 1 say no.
DR. WINIC think there's no doubt that
this does make hot сору, but there's also
no doubt that there are a considerable
number of jazz musicians who have been,
and are, drug users, that jazz musicians
themselves, by voluntarily or otherwise
associating themselves with narcotics
themes, by making dozens and dozens of
records dealing with narcotics themes ——
nenrorr; But that happened before bop.
You're thinking of, like, The Viper?
ок. WINICK: There were
ords in the 1930s, and there were also
such records in the 1940s and the 1950s,
right up to the present time.
nestor: But it was mostly the older
guys who made them — guys who were
lushes, as a matter of fact.
$. ADDERLEY: J think that right now there
may be some association in the public
mind beuween jazz and the beatnil
ment — though 1 don't know what the
definition of But there's a
tendency, for example, to associate а guy
who believes іп existentialism with jazz.
Now I don't put a man down for what
he wants to do or be — but why drag me
into it?
ncxrorr: Nat's quite right, I think, espe
cally in this whole Kerouac-Ginsbe
circle. They have taken jazz for their
own usc. Вис in Ше general public's
mind — so far as they th
all — jazz somehow is inevitably n
up with whatever kind of excess the
beatniks commit.
GILLESPIE: It's even in the funny pape:
Do you read Kerry Drake? The guy's
even got a goatee, And I resent that
And a beret, And he's a trumpet pl
N. ADDERLEY: They put a little М;
on him, it could be you, right?
© ADDERLEY: When 1 was in Chicago а
few months ago. L was called upon by а
reporter of one of the Negro дай
answer some charges by the great Sol
Hurok about jazz which were perfectly
ove-
beat i
about it at
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ridiculous. Hurok is purported to have
said that jazz is the worst thing that ever
happened in America. He supposedly
said he knew of wild "jazz" parties alter
which murders were committed.
restos: Thats just one more example
of the tendency to use the word "jazz"
as thoi t were synonymous with nar-
Coli d i alcoholism. sexual ex-
cesses and а gs evil in our society,
TAYLOR: Тһе only reason а n who is
some-
an addict would во out and hi
body on the head or rob somed
get money for dope. He's not going to
do it under the influence of dope. Once
he’s high, everything's cool. everything
is beautiful — "Don't bother me.” But
when he can’t get it, he's ready 10 hit
his mother on the hes
no question but what
ins who have gouen
trouble are те
it's been
с is to
the сиз who mess with heroin.
Heroin is the dirtiest, I mean, the worst.
Every time they stick that needle in their
there's а chance that they
out right then, because you could get a
bubble in there amd bam, there goes
your heart, or you get an overdose and
ham, there you gi
© ns sv: And they're the people who
can least afford it —
силами: Sure. All a doctor does is sit
down and write out а prescription and
he’s high for four to five months.
ccf: In my experience, the most
offensive. obnoxious, violent, insulting,
obscene people de not dope
те juiceh
addicts.
piv nov: It is possible for ап addict to
lead а normal life — socially and. proles
sionall
en: The most widely publicized guv
who did was Stan Getz: few people
that he was с » addict until he ac
Himself. And he looked
an Boy. He was
healthy looking — with big. rosy che
and everything. And he was getting high
every hour on the hour. It's not that way
now. At least he says he’s straightened up.
bk. wixick: There's an assumption that
а lot of people that drugs have a
kind of inevitable effect, that there's a
single path you have to follow once vou
begin using heroin, and that this path is
predictable. Now this is not true. Drugs
in general seem to have two diflerent
kinds of reactions on people. By drugs, 1
mean There
kind of dopey
new
knowledged
like the
heroin, are so
пс people
who до becon id sleepy,
and slobber like the guy Dizzy described
before. There are other people who use
drugs and show none of these effects.
The heroin such a person takes may
make him peppy and buoyant. Now,
such a person doesn't necessarily have to
increase his dosage regularly. This is an
other myth. In other words, if reality —
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like a limited income — makes it neces-
sary, then a guy can get by with, say, one
shot a day. Life just prevents him from
taking more than one shot a day. So it is
possible for some addicts to go through
life relatively undetected, One of the
country’s leading ophthalmic surgeons
here in New York died a ye.
He was the chief surgeon doing eye
surgery for forty yeurs at a major New
York hospital. Everyone. knew that he
was an opiate ad been Гог
forty years. Н а person had the money
for it, there is no reason why he couldn't
take drugs — he'd need, say, $100 а week
to spend, ог 512 K. and go un-
detected. Гог years.
силазмк: Most of the
r or two ago.
Ive
known who were addicted, if they ever
got any large sum of money, they really
went hog wild. They'd just say. “Oh, my
goodness, E got this money, I'm gonna
buy up all of this. Tomorrow will be
later on, I'm gonna buy it all and shoot
it all up пош.”
nENTOFE: Well the reason is clear. Un-
like that surgeon, they don't have, first
of all, a steady, substantial income; they
don't have the easy access to drugs that
the surgeon has. And the whole socio:
logical context is dillerent.
C. ADDERLEY: Another thing about ad
dicts: they'll say, “I ted with mari
juana and then it became unfunctional,
хо I graduated to cocaine and then that
didn't do, so 1 graduated to heroi
та that kind of thing.
x. ADDERLEY: It is ridiculous in theory,
but the truth of the matter is that most
heroin users began with marijuana.
: On the other hand, I think we
1 guys who've been on
апа alone for years.
You bc hooked on m
doesn't physic
lcs ridiculous.
1y
nd has devel-
face the th
GIUFFRE: But with heroin, its a physical
thing, you have to beat that physical side
to whip it, and once youre into it, it’s
preity hard to stop. I mean that you get
physically sick when you try. But as 1
understand, v j
this kind of sickness when you don't
have it, You have a craving like vou
have for cigarettes or liquor, that’s all.
с. ADDERLEY: Га Tike to know is it true
that there is such а device as а card or
some such thing that certain. people, at
levels, can. get from doctors or
from the government that allows them
то use narcotics legall
DR. WINICK: Not officially. Not le
But deals are made with тъ. In
other words, how can you find out that
a guy is taking drugs? He's not going to
tell you. Well, someone must tell you.
Who tells you? An informer. How do
you reward this informer? One way is to
give him immunity [rom arrest, Another
h mal
not
, there
certa
is to p
sustain him,
There is a third way which is
alent in New York City and
which has resulted in the arrest of a
number of jazz musicians. Informers are
given police cards and permitted to work.
Pravsov: Nat Hentol, you've given a
lot of study to the cabaret card system,
Will you expl;
y him in drugs, and thus
it before we go оп
rote Well, anybody who plays
New York City — and it’s unique to New
York City, so far as 1 know — anyone
who works in a place where liquor is
sold — thats а waitress, а hatcheck girl,
a musician, I guess even my cat — has to
have а card from the licensing divisi
of the police department before Ве сап
work, and that means that anybody who
applies has to go down and get mugged.
and. fingerprinted. He has to renew the
card every two years. In addition, it he
has а criminal record, he then also Наз
to get a card from the State Liquor Au-
thority. The cops in New York operate
on whim more olen thin not Guys
have been denied c
been arrested maybe eight years ago —
but not convicted. It's a thoroughly in-
iquitous thing.
2 What's the пи
ol in-
: Lousy-
COHEN: Now, to get back to informers:
if you know a well-known musician with
а record of convictions, and he із per
forming in New York City, tl
tion is that he has а police Gud or a
Stute Liquor Authority card. How do
le that. with the fact that you
t he has a record of convic-
tions? You may rest assured that this
musician is rendering а service to. the
с department.
DR. winick: Now wa
с рихи
t just a mor
really cart accept the insinuation th
ın who's been convicted of some-
a the раза drug violation —
d who is working in New York, must
therefore be assumed to be an infor
1 think that's most unfair.
nesrorr: That's the first time I've ever
heard of this
© AnbERLEY: I've heard of it.
спазмы: A guy g rested now and
half an hour later he’s out of it 1 told
you — musicians, if they're heroin users,
they'll turn in their mothers certai
com А certain well-known. musician
was given а deck of heroin by another
very well-known musician with a crimi
nal reco ng in New York
The man who gave the heroin did not
have a police card —that Г know. Не
had a very impressive criminal record.
But he was perlorming in New York and
his performance ing advertised.
Within a few minutes alter being given
the heroin, the Srst musician walked down
Broad mediately pounced
upon by Ше police. He then came to mc.
thing
1.
4 perlorni
were bei
ay and w.
САБАБ Сор МЕШОК МҮ: OLDEST CHEMISTS. UD РЕ БЕШ БЕСЕ КАКЕ ИСА
tho
bright
wonderful
night
world
PLAYBOY
LN 3727/BN 579 — AT THE HOP
Bobby Vinton and his Orchestra
society...
LN 3699/BN 570 — HIGH SOCIETY
Lester Lanin and his Orchestra
& night clubs
O pic", Mara Reg. "CBS" T. M. Printed in U.S. A
LN 3660/BN 557 — MY BUDDY
Buddy Greco
48
I found out that every time а music
is convicted. somehow or other the sei
ond musician appears to be in the local-
ity. The second musician himself — who
is à notorious pusher — is never touched.
sets: D wouldn't know a pusher
from a puller.
WINICK: Of course. Мах, you've reported
led
is
this man's r
their attention to —
conex: Certainly not.
с. ADDERLEY: Tell me, so I can avoid hi
х. ADDERLEY: И you make it illegal for a
ап to work at the only thing he knows
how to do, then the only thing left for
him is 10 rob, cheat, steal or sell his
And he'll do any он
п addict, to get the
сто the police and с
other of them,
if he's сопс.
PLAynoy: From what you've beer
police activity in this field se
ixture of obtuscness, brutality and cor-
ruption — with no regard for the welfare
of the addict himself.
KENTON: This is one of the problems that
American society one day must mike ай
justments for or straighten out in some
way. There's not a human being alive
who, at some time or other in his or her
Ше, doesn't make some kind of mistake
and — God knows — an accident or a mis-
take should be something that can be
paid for, or lived down, instead of being
pointed out every ti
I thi
society for a past n whatever ir
поша be permitted to live lik
and not have these u
things to contend with for a lifetime.
TAYLOR: I think it was Dr. Winick who
once said that drug addiction is the only
illness he knows of that’s treated by the
police department.
rrAYsoY: Billie Holida
ample. While sh
the police were tryin
dope addiction. The sad thing is that
addiction is treated as a а
it really is—
sto be a
you turn around.
that once his debt to
is — he
за notable су
thbed.
to arrest her for
was on her dl
di
solve the problem in this wav?
conex: No, 1 don't think so.
Narcotics is а big
n. И it were legal to
cotas you wouldn't have to spend all
that money and you wouldn't have to
bribe policemen
тоғы: Some cops would lose thei
es if it weren't for the narcotics
ket.
rwion: It's impossible to work at night
па sec these people around in various
places where youre working and not
have some awareness that this is vei
definitely big business. Who controls
urxTorr: Who do you think? The hood
€. ApnERLEY: An ounce of heroin in Leb-
эп costs five dol In the U
States, that ounce will sell for 56,000.
(continued on разе 117)
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THE PLAYBOY ADVISOR
ГЕ an old hand at playing the field,
and I generally know how to handle
most situations. but here's a toughy that's
new to me. At dinner the other night, а
friend and his wife happened to come
into the restaurant and, at my invita-
tion, joined me and a new date for a
drink. The girls got on so well that we
had dinner together. After dinner, my
friend and his wife asked us if we'd
spend the weekend as their guests in the
exurbs, and we accepted the impromptu
invitation. My problem is this: I've been
to this couples weekend parties and
practically all the guests were married.
Those that weren't always had ап аг-
rangement, and it was taken for granted
that they'd share a room. I don't know
the girl I'm going with that well — yet
and I don't know whether to tip her off,
consult my host, or just play it cool and
see what happens. Any comments? —
Т. I., New York, New York.
This situation, while unusual, is not
unique. It calls for high-level diplomacy
of the first order, however. We have to
assume that (a) the girl is not an out-and-
out prude or she would not have ac-
cepted the invitation to begin with, and
(b) she must enjoy your company enough
to shave a weekend with you. Therefore,
we suggest you broach the subject first
with the girl—but delicately. You can
say there’s been some misunderstanding
and your hosts hove provided only one
room for the two of you and you'll cer-
tainly do your best to straighten things
out, but if there just isn't the extra space
available, well that'll kill off what looked
like a first-rate pastoral weekend. You
have now gambited the matter neatly
into her hands. She 15 faced with the
alternative of one room or no weekend.
If she demuss on your hosts’ space-saving
plan, you've sacrificed nothing and saved
yourself a lost weekend in the country.
If she goes along, well, your only prob-
lem will be to remember to take a nice
gift for your very thoughtful hosts.
Е ии was going along nicely
with my girl until she asked for a
cocktail called The Yellow Fever. When
1 admitted I'd never heard of it, she sug-
gested I join the cubes іп my refriger-
ator. Was she putting me on or did I
goof? — А. W., Newport, Rhode Island.
You goofed. The Yellow Fever consists
of one ounce of yellow Chartreuse on the
rocks in ап old fashioned glass, plus the
juice of one half of a chilled lime. Stir.
с origins of the titles of jazz tunes
often intrigue me. Can you tell me
how King Porter Stomp got its name? —
T. В. Philadelphia, Pennsylvania.
"King Porter Stomp," according to
composer Jelly Roll Morton, was named
for “а very good friend of mine and а
marvelous pianist now in the cold, cold
ground, a gentleman from Florida, an
educated gentleman with a wonderful
musical education, much better than
mine, and this gentleman's name was Mr.
King, Porter King." Unlike this sort of
dedication, some jazz tunes are titled
quite casually. Like the night at the
Reno Club in Kansas City in 1935,
when the Count Basie band was closing
out a radio set with one of tts riffs. When
the announcer asked for the title, Basie
glanced at the clock and said, “Just call
it the ‘One O'Clock Jump.
A” six years ago I worked for a
firm in another city and got fairly
deeply involved with опе of the secre-
taries (yes, yes, I know — you shouldn't
mix business with pleasure). I've had
good luck since: a job here in a new
town with many opportunities, frequent
promotions, hefty raises. Now, the old
firm wants me back—in an executive
position and at a handsome salary. I
want the new job, but I've found out
the old flame is still there and has con-
fided to a friend and former colleague of
mine that she's heard about the offer I
got and is planning a big welcome for
me. In retrospect, I guess I may have
made some vague promises about mar-
аве. But I've outgrown the girl, lost
interest in her, and certainly don’t want
her jeopardizing my business career or —
to be frank —lousintz up my bachelor
ife. How do I handle this sticky wicket?
— B. P., Des Moines, Iowa.
Cheer up, friend, the wicket is not
nearly as sticky as you might think. Six
years is a long time and certainly some
sort of a romantic statute of limitations
сап be applied in this case. If she hasn't
found another guy at this late date, it
isn't because she's been waiting for you;
she had no way of knowing you'd be
coming back. In fact, rumors to the con-
trary and male ego notwithstanding, you
may find, after you see each other, that
the feelings of apathy are mutual. Take
the new and better job, and if she asks
any questions or makes any demands, be
candid with her. It’s kinder in the long
run.
it possible to order prints directly
from the Louvre, or from other famous
art museums in Europe? — J. J., Seattle,
Washington.
Certainly you can, but there's no need
to foot import duty and poslage costs
when you cam secure almost any print
you wish right here — from your local art
museum, art galleries, decorators or
major department stores. They all have
facilities for ordering the prints you
want and supplying them to you at a
price less than that you'd pay if you en-
tered into international correspondence
for them,
ММ is the protocol of the corsage?
How formal does a social occa-
sion have to be in order to require a
corsage for my date? Do I haye the florist
send it or do I take it with me? How do
I know if the corsage I select will har-
monize with my girl’s dress? Is it OK to
ask her what color dress she's wearing? —
R. D., Buffalo, New York.
We are inclined to consider the whole
corsage business as a bothersome antedi-
luvian holdover. There are several situ-
ations, however, in which the corsage is
de rigueur, and one of them is the for-
mal dance. But even these affairs are
getting less formal, and the giving of
flowers more discretionary. If you insist
on playing the courtly beau, here are
some rules of the road. Don't go over-
board; a small corsage is the safe move
no matter what the size of the female or
how formal the affair to which you're
squiring her. Send the corsage, by all
means; it’s a timesaver and avoids the
awkward “For me? It's bee-ooti-fu
business. It's ап adventurous (and fool-
hardy) guy who doesn't find out the color
of his girl's dress before financing the
floral offering: besides, she may have an
allergy and say no to flowers altogether.
Incidentally, one of the posher arbiters
of the social graces considers the use of
the word “corsage” (instead of “flowers” )
as veddy plebeian, but we have nothing
against the word, just the custom.
A" there particular times when a
breast-pocket handkerchief is essen-
tial? And should it be squared, pointed
or just leisurely gathered? Also, is a col-
ored handkerchief appropriate? — M. N.,
Miami, Florida.
The breast pocket handkerchief is al-
ways appropriate and — oftentimes — es-
sential as well. White is the preferred.
color, although silk squares in neat pat-
terns add a spark to that solid suit. As
for folding, select the technique in terms
of your physical type. II you're slender,
the squared [014 is fine. If you're short,
the pointed ends are most effective. If
you're tall, try the leisurely-gathered
method.
All reasonable questions — [тот fash-
ion, food and drink, hi-fi and sports cars
to dating dilemmas, taste and etiquette
— will be personally answered if the
writer includes a stamped, self-addressed
envelope. Send all letters to The Playboy
Advisor, Playboy Building, 232 Е. Ohio
Street, Chicago 11, Illinois. The most
provocative, pertinent queries will be
presented on this page each month.
51
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the killer came thundering toward its prey, a hundred feet a second
fiction By T. K. BROWN III
THE VAST AREA KNOWN AS THE GREAT PLAINS Of the United States is a belt about six hundred miles
wide between the Mississippi River and the mountains of Wyoming and Colorado. An ocean of land,
mostly flat, sometimes with waves of hills, it rises in swells to the west, a dozen feet to the mile, league
after league of earth becoming gradually more arid, until it is a mile above the sea. And then sud-
denly, west of Denver, it gives up its gradual climb. The escarpments of the Rocky Mountains burst
from the plain and leap into the air, tier upon tier as far as the eye can reach, to snow and glacier.
"The first row of these tremendous hills is known as the Rampart Range. Over the crest of this
range, in the trough between it and the higher one beyond, lived a man who had got rid of his woman
who was bad for him, had manned an eagle, and had found himself.
He was on the side lawn, by the hawk house, the peregrine on his glove and tearing the pigeon
from his fingers, when he saw the convertible speeding up the valley toward the house, a plume of
dust behind it. He knew immediately who was driving the convertible and that this was the difficult
hour he had been expecting for almost a year. He eased the bird to the perch, where, with the food
under her foot, she continued to pluck and rend. He limped down the slope to the driveway. As the
car pulled around the circle he saw that she was wearing the green Alpine hat with the rakish white
feather, his gift to her in Innsbruck. What had he said to her then, those three thousand years ago?
To Marian, maid, in everlasting; пот Robin. Well, it was typical of her to wear it now.
He was at the car when it stopped.
“Good afternoon, Marian," he said, without smiling. “Are you planning оп a little visit? I see
you have two bags in the back seat."
A little frown crossed her face and he knew he had disrupted the opening lines she had been
rehearsing all the way from Denver.
He continued: “You would come back, you said, when I asked you to come back, and not before.
But I have not asked you to come back. Why are you here?"
She got slowly from the car, with the ancient grace and easy command that now no longer com-
manded him; and when she was standing even with him on the lawn her huge eyes searched his face,
trying to pierce him, and then dropped to his leg.
"You sent for me," she said, and raised her hand a little from her side, to point where she was
looking. That happened to you day-before-yesterday, about three. Oh Robin, it came to me that
you'd been hurt, as clearly as if you'd sent me a wire. I thought at first a car had hit you, but then I
knew it wasn't that. But something dark and heavy and dangerous hitting you in the leg."
What she said was true, to the very hour. A sort of terror struck him, that he would never be free
of this incredible woman whose intuition could reach out from a distance and fiercely take posses-
sion of him.
It must have shown in his face. That's why I'm here,” she said. “I had to come. If we still have
this thing — Robin, no other two people have this thing. We can't just throw it away after a stupid
quarrel. Or anyway, it isn't so bad that we shouldn't talk about it a little, 1s it?"
“You put me in a difficult position, Marian," he answered. There's nothing to talk about. We
had a good thing for a while, and it blew up, and there's nothing left of it except a lot of memories,
some very good, some not so good. And,” he added, “apparently this crazy radar of yours.”
A good thing for a while,’ she quoted, letting her eyes go damp and tender. Robin, how can
you put it like that? For three years we were one person. One person in two bodies.”
"Yes," he said. “You were the person, I was one of the bodies.”
“You say there’s nothing to talk about. But you see, we are talking already, and on a very essen-
tial level. Robin, let me stay for a few days.”
He knew he had nothing to lose, and it was easier than being cruel. He turned and called, John!“
John appeared at the door of the hawk house. He was a young man of twenty and a full-blooded
Cheyenne. His grandfather, when a boy of sixteen, had helped cut down Custer on the Little Big
Horn, and John’s father, on the reservation in South Dakota, still
had a pair of cavalry boots and some ancient dollar bills to prove it. i n M М у
John had gone to а white grammar school; later he had worked
in a gas station outside Denver, where Robin had found him and
made him his foreman. John, Robin said, come get Miss Marian's
ILLUSTRATION BY GEORGE SUYEOKA
PLAYBO!Y
bags, please, and ask Mrs. Emlen to take
her to her old room. And tell Mrs. Em
len we'll have cocktails in about half
an hour."
John came slowly down the slope. wip-
ing his hands on a rag that he then put
in his hip pocket. His eyes said nothing
as he hoisted the bags from the back seat.
"Hello, Jobn," Marian said. "How
have you been?"
“The Cooper's is still bating,” John
said to Robin. “Been throwing itself off
the perch all day. Nothing I can do will
stop it."
"Don't worry about it,” Robin said.
“They get these spells."
Marian had started up the lawn
toward the house.
That woman's no good for you, boss,”
John said.
“She won't be here long,” Robin said.
“Now take those bags in while I finish
feeding the peregrine, and we'll have a
look at the Cooper's hawk. Maybe there's
а scrap of meat in the mews that is set-
ting her off.”
In the living room with the two pic
ture windows, one giving on the shad-
owed valley, one showing now the stark
outline of the mountains against the
sunset, she had taken up her old posi-
tion on the couch, legs stretched out on
it, back pillowed against the arm; and
she was balancing her drink on her knee,
“Robin,” she asked, “what was it that
hurt your Пер?”
He was at the bar stirring a martini.
“An eagle," he said, without turning.
“1 have manned an eagle" Now he
ed over and took the armchair.
ious creature — maybe you'll see her
tomorrow. I was training her to the lure
— a rabbit. She hit it fine. I let her take
a few bites and then made in to her,
to get her back on the glove. I guess
she was fecling ornery. Anyway, опе
lunge and she had her talons in my
thigh. Touch and go there for a minute.
Lucky thing 1 had my leather аргоп on.
But it'll be all right in a couple of days."
She was staring at him in amazement.
“You?” she said. "You are training an
eagle? But that's impossible!”
"Not at all," he replied. "Quite a few
eaples have been manned for hunting.
То be sure, very few of this particular
brand of eagle."
“I don't mean that," she said. "I
mean, you. You were always so shocked
lence and cruelty . . . so afraid
she stated.
he said calmly. "Well уез.
Afraid is the word for a lot of things I
was of. It feels very good to be out of
that dismal swamp at last.”
“Afraid of me, Robin?” she whispered.
"Of course I was afraid of you," he
said strenuously. “Afraid of you most
of all. You embodied everything that
was wrong with my life. It was so easy
to go along with the way you wanted
things—so casy and so pleasant. ‘The
trouble was that it made me hate my-
self. Well, I've got away from that."
“I have never meant you any harm,
Robin,” she said. “You know that.” She
was looking not at him but at the drink
balanced on her knee. Now she twitched
her kneecap and caught the glass as it
slid into her waiting hand. “We had
something very wonderful. If Гус come
back, it's not to truss you up and carry
you off. It's to find out, I guess, how
tough a fight it will be to get that Та
back And maybe we'l never get it
back — I've faced that, too."
She turned her head and stared at him
апа said strongly, "It wasn't easy for
me to come back, Robin. Even when I
Бог the message about your hurt my first
reaction was, let him come to me. But I
couldn't live with that. That was small,
that was pride. So 1 came to you."
"Wearing that Tyrolean hat," he in-
terjected, "with all its cargo of nostalgia
and tender memory. Was that neces-
sary? Wasn't that a bit phony?”
“Nol” she cried. “That was to remind
you of what we were in danger of
losing!"
Well, it reminded me,” he said. Mar-
ian, do you remember when my firm was
invited to bid on that housing project
in Colombo, Ceylon? And you talked me
out of it —such a long way to go, such
a small chance of getting the contract?
So we went skiing in Austria. Do you
remember the million-dollar shopping
center in Atlanta wc might have got?
But it was such a filthy climate in Au-
gust, you said. So we stayed in bed and
had champagne for breakfast. And how
many other times when you tempted me
to make the less responsible choice. Well,
that’s what I'm in danger of losing. I've
got the architect business back on a
sound footing now. I give it my time and
it gives me money and spiritual satis-
faction. No green bat is going to change
my mind about whether I am losing
something or gaining something."
"Goodness, Robin," she said іп a tiny
voice. "You do sound determined. Will
you call the constable and have me put
ош?"
“No,” he said. I'm not afraid of you
any more."
She visited him that night.
He was lying awake, letting his mind
stray up and down their last furious quar-
rcl and parting, hearing again the final
things he had said — weighing them in
his emotions, to make sure that they still
rang sound, and finding no regret, no
wish to turn back. She opened his door
softly, uninvited by any word or nuance,
and came to his bed. She was naked.
“For auld lang syne, Robin, it would
be sweet to lie with you again.”
She took her place beside him; she
simply took it. And — was it reflex? was
it something stronger? — he put his arms
around her.
“Ah, Robin!” she said. “I know you
must have been thinking about us. Baby,
let it simmer awhile on the back of the
stove. It will smooth out and the an-
swers will come."
“The answers have already come,” he
said.
She began to search his face with ber
mouth: his forehead, the verge of his
hair, his eye, his nost
she whispered. "Maybe. Oh, Rol
And she did her best to put sand
under all his foundations in that hour.
She was gay at breakfast. Apparently
she felt that she had gained command.
"What are we going to do today, dar-
ling?" she asked.
1 don't know what you may choose
to do,” he said, “but I have a day's hard
work at the drawing board with two
clients and shan't be back till dinner."
lients? In Denver?"
'Oh, I forgot, that happened after you
left. Гуе moved the firm up here into
ihe woods. We have quite a plant half
a mile up the road — office building,
guest house, and quarters for the staff.
Very fine advertisement for the sort of
buildings we can design. We still have
a small liaison office in Denver, but now
the customers come to us.”
“I see," she said. She laughed ner-
vously. “I guess it was stupid of me to
think everything would be the same.
After all, it's been nearly three years. Ї
mean, you taking it easy in your eyrie up
here, while the business went on by its
own momentum. Somehow I got the idea
from what you said yesterday that train-
ing this eagle was your life.
“из my hobby, not my life," he said.
“What ever gave you that crazy idea?
Since you left I've become a working
man.”
He took the car up the road to the
office. By noon be had sewed up the
contract for the restaurant in Colorado
Springs. The other client telephoned to
say he would have to postpone his visit
for a week. Robin had lunch with Alison
in her apartment, one of the compound
of units for the staff. She was a lean,
blonde type, smart, hired as a draftsman
but obviously destined for higher status.
"They had been to bed a few times—
nothing scrious, but she had attained the
right to ask questions.
“Тһе grapevine has it that your old
flame is back.” she said. This was a
question.
“Just for a day or two,” he answered.
“Just a vi
“Uh-huh,” she said. "Sort of nostalgia
for the scene of ancient conquest? Like
Legionmaires going back in middle age
(continued on page 104)
“This model won an award in an Italian film for the
best supporting role."
"If Hollywood is dead or
erhaps the followin
My first bosses in Hollywood (1925) were Jesse Lasky and В. Р. Schulberg, heads of Paramount Studios.
I wrote an opus for them called Underworld — the first gangster picture. Hector Turnbull produced it.
George Bancroft, Clive Brook and Evelyn Brent starred in it. Messrs. Lasky, Schulberg, Turnbull, Bancroft,
Brook and Miss Brent are dead.
When I look at Hollywood, I see chiefly a line of hearses carting off heroes and heroines, wazirs and earth-
shakers. What a noise they made, and what fast exits. You saw them one day hopping around full of glitter
and glory. Came another dawn and they were gone.
"Тһе illusion was they all died young. Half of them did. But the people of the movies don’t grow old.
‘They don’t even mature. Whatever their years, when they keel over they all seem to fall out of the same lusty
chorus line.
Lasky, dying, was the same fellow I had met thirty years earlier — pink-cheeked, popeyed, naive as a por-
poise and quivering with the hallucination that the movies were a great art. The mighty Schulberg, brought
Jow in his final years, was still the pipe-smoking, Byronic ex-newspaperman I had met on my first sortie into the
celluloid capital.
I helped cast my first picture. Producer Turnbull showed me a hundred stills of possible heroines. I
picked the one with the largest bosom. 1 was sure of my ground because there were по falsies in those days.
In fact, there was an anti-bosom mania in the land at this time, not shared by me, which caused the Holly-
wood sirens to flatten themselves out like hoecakes. Why, God knows. It may have been the first wave of
Lesbianism sweeping the republic. There was such a whooping for female purity going on in this silent-pic-
ture era that one felt something sinister must be at the back of іг. But I am not certain.
For my gangster hero-villain I picked Bancroft. I watched him acting on the set of White Gold, a movie
about sheep. William K. Howard was directing it. Howard was one of the first artistic souls driven to drink
by the idiocies of moviemaking. My Chicago newspaper compañero, Wallace Smith, wrote for Howard. Wal-
lace was a fellow of parts — artist, story-writer and fine journalist. He was also driven to drink. Howard and
Smith both died young. Alcoholism.
I picked Bancroft to play Bull Weed, the gangster scourge of Chicago, because he looked like the gun-
men I had known as a reporter. He turned out to be as unlike them as a Methodist bishop. Despite the strong,
wicked look he could put on and the ruthless leer he had for the cameras, he was a childlike human, mild
spirited and fanatically obedient. I learned later that most of the actors who specialized in villain parts were
of this stripe, as perhaps were those who cooked up the bloodthirsty yarns in which they performed.
But I started counting hearses, Whoever has known Hollywood since its silent days and is still able to
huff and puff and look around, can see as long a line of last chariots as can I. But ГП stick to my own litany,
and beat my own drum. I count only the men and women who were involved in the seventy movies I have
written for Hollywood.
I imagine that most of those connected with the silents and early talkies I wrote are underground. 1
recall chiefly Chester Conklin, who starred in Тһе Big Noise; Erich von Stroheim, who starred in Тһе Great
Gabbo; Lionel Barrymore, who directed Тһе Green Ghost; Myron Selznick, who was my first agent and horn-
swoggled the studios out of great sums for my works. АП dead.
Conklin and his whole tribe have disappeared. Harry Langdon, Ben Turpin, Charlie Chase, Fatty
Arbuckle and a dozen more are dead. The survivors, Charlie Chaplin, Buster Keaton, Harold Lloyd, are also
out of play as comedians.
The talkies harpooned them all, for an obvious reason. Writers are not as funny as clowns. We can make
0 comic situations and amusing lines, but even with the Marx Brothers playing them they come out half
lapdoodle.
расой. was another factor: when Ше talkies came the bosses took comedy making out of the comedians’
hands. They "improved" it by putting in wailing tenors nobly in love with unhappy ingenues, and adding a
chorus line of flying crotches. And laughter turned up its toes.
But it is one of Hollywood's brightest laurels — that during the great decades of its silents it made the
world laugh as never before in history.
dying As А МОМЕМАКЕВ,
ARE SOME Of The REASONS.’
.. KKB Ву Бен Несін
My first talkie director, Von Stroheim, was a rarity in the movies. He was actually what he pretended to
be — an aficionado of wickedness. His bedside reading was the report of lurid sex matters by Krafft-Ebing. He
dreamed of bringing all the fancy perversions to the screen. As they often say of dreamers, he was ahead of
his time.
The silents were as void of sex as a tomato-can label. The villain was always trying to seduce the heroine,
but missing by a mile. Occasionally, an unfaithful husband appeared ina plot. He invariably ended up a rav-
ing alcoholic with his business shot and his collar undone, crawling back on hands and knees to a forgiving
wife.
A British visitor named Elinor Glyn tried to awaken Hollywood to the possibilities of sex — on the screen.
of course. Outside the realm of art, the town could have shown Madame Glyn cards and spades on the subject.
La Glyn had written a novel. Three Weeks, in which a high-minded but glandularly disturbed London
girl lay in a clinch with a Russian duke for twenty-one days. They favored a polar-bear rug for their arena
d'amour. The authoress was imported at great expense as an expert.
I never worked with Madame Glyn but my bride, Rose Caylor, did. They collaborated on an opus called
Ritzy for the It Girl, Clara Bow. Though lacking a polar-bear rug, it was a good picture and in the right direc-
tion. It made the bold statement that a girl who went to bed with a man before marrying him did not have to
commit suicide or enter a convent.
I was less successful as a sex emancipator. In the hearses I count is my first movie collaborator — Michael
Arlen. He was another London import. We worked on a story called (by us) American Beauty. In it, we
advanced the theory that a bright young woman could emerge from three sex affairs and still be fit to marry
our hero. But we had gone too far. The script startled the sultans in the front office.
“We can’t afford to alienate our movie audiences by telling them the truth about themselves,” said
Schulberg.
That's the way things were in the Twenties. Ninety percent of our functioning citizens were leading
impure lives but were firmly on the side of the ten percent who weren't. The only thing you could get away
with on the screen was murder. The same American who organized societies to keep the screen free of sex
hanky-panky sat happily chewing his butterscotch bars and applauding a picture in which the cast extermi-
nated one another with guns, knives, poisons, hand grenades and brutal torture devices.
One of the oddities I found in the movies of the Twenties was the male star known as a screen lover. He
did all the kissing and women swooned over him — on the screen. Millions of women іп the audiences also
swooned over him and cuddled his image in their lonely minds.
Top man among the screen lovers was Rudolph Valentino. As a reporter, I had interviewed him in Chi-
cago. Dorothy de Frasso (Countess) told me his story when I got to Hollywood. She had fished him out of a
New York dance hall where he was one of the “ten-cents-a-dance” male partners. They had everything in the
early days of the century, including a first-rate World War.
Unable to get him a job in movie town, De Frasso engaged him herself as an extra waiter at her black-tie
shindigs. Director Fred Niblo, one of her guests, spotted the soup server and invited him to the studio for a
screen test,
“Tt made him a great man, іп а мау,” said De Frasso, “the cute bastard went up and up. There must have
been a hundred million women in the world of assorted ages all dreaming of going to bed with Valentino.
And the poor boy used to cry on my shoulder over his miserable love life. Тһе woman he loved didn't love
him. He confessed it was partly his fault. All the publicity hoopla about his being the greatest lover of the
screen had raised hell with his nervous system so that he was fast becoming a washout in the hay.”
As Epictetus said, you can't have everything.
"This was and still remains one of the occupational hazards for movie actors. Off-screen sex in Hollywood
is usually in the hands, so to speak, of the town's agents and producers. Having no talent to confuse or side-
track their glands, nor fame enough to stun them, they are creditable bedroom performers.
А bevy of actor names, living and dead, cry "foul" to these findings. Chief among them is dashing Leslie
Howard. My apologies to Leslie. And to Tommy Meighan, Norman Kerry, et al. (continued on page 130)
57
а стай
mie
boy meets girl, girl meets shrinker 1
THE MORE 1 THOUGHT ABOUT тт, the more
the whole bit with Seena seemed like an
experiment in masochism.
Mine.
What else but masochism to want to
marry a high-strung, stubborn, intro-
verted, unpredictable, neurotic, gorge-
ous brunette with a built-in debt factor
of sixty dams a week?
Sixty smackers. That was the tidy little
sum Scena regularly forked over to Sig.
gie. Siggie, the unseen, Siggie. the omnip-
otent—he haunted my courtship of
Scena like a duenna, a jealous suitor, а
possessive father, He was her analyst.
Minus sixty bucks a week. What a
dowry for an underpaid ad copywriter
like ше! Catastrophic, What was worse
was having to submit to the ignominy of
Siggie’s playing Monday-Wednesday-Fri-
day-night quarterback to Seena’s stream
of consciousness broadcasts of my strat-
egy d'amour.
I needed this like a flat tire on a
weekend. Still, I was smitten with Seena.
And, I suppose, for such unrestrained
emotional commitment you just have to
suffer. It would have been so much sim-
pler if, say, ГА decided to woo Alice.
Now, there was an uncomplicated wench.
“Zip me up, Freddie, will you?" Alice
chirped as she fitted into the living
room of the flat she shared with Seena.
Zip I did, clumsily. This, then, was
the condition to which I'd been reduced:
trusted handmaiden to little Alice
Alberts, runner-up in the Miss Steeple-
chase beauty contest of 1954. 1, Fred
Henley, erstwhile lothario of the office
мепортарћег pool, Greenwich Village
Don Juan, slick seductionist of the
‘Whaler Bar. Unmanned!
In a rebellious expression of stifled
virility, I pinched Alice's little rump.
Even her “ouch” was unsatisfying — the
mild squeal of annoyance of kid sister
for big brother.
“Control yourself, Freddie. Seena will
be back soon. Her session ends at seven.”
Alice was a saucy little blonde with a
quick tongue and а monolithic middle-
class compulsion; she had to get married
before she was twenty-five (original
deadline, twenty-one) to a handsome
devil with, of course, dough. For such a
catch and such a catch alone would she
barter her precariously maintained vir-
ginity. Perfectly normal, well-brought-up
American White collar girl — Alice. Not
neurotic enough for my taste. And she
wasn't Seena’s cup of Lipton either.
They'd met at opposite ends of a
panty girdle during a bargain counter
tug-of-war at Ohrbach’s. Ever since, their
tenuous friendship was a test of two-way
stretch. They were a mismatch from the
start ~a hasty marriage of expediency
based on no common interest other than
that both needed an apartment, and
neither could afford more than seventy-
five bucks a month rent.
The flat which economic necessity
forced them to share was a high-ceilinged
job which cried out for Victorian vintage
furnishings but made do with wrought-
iron modern culled from Foam Rubber
Heaven during “unbelievable” clear-
ance sales.
"I hear he's a real dreamboat, Alice
said hopefully, slipping into her coat.
"Wouldn't it be wonderful if he were?"
“Another blind date?” 1 groaned.
dup
fiction ву SAM GOTTESFELD
“Third one this weck. Tell me, sweetie,
don't you think you try too hard?”
"I wouldn't talk if I were you," she
shot back, her face coloring.
That hit me like a wet towel in the
face. I suspected that my panting pursuit.
of the elusive Seena Wickers was becom-
ing more and more a case of the stupid
greyhound chasing the mechanical rab-
bit. But I hadn't rcalized it was quite so
obvious — least of all to Alice.
I changed the subject.
"Good luck," I said half-heartedly,
“and be careful.”
“Who wants to be careful?” she said,
bouncing out like a high school cheer-
leader. "Besides, I have a hunch tonight
I'll hit pay dirt.”
I was glad to see her go. Her untag-
ging optimism was depressing. I picked.
up Seena’s copy of The Basic Writings
of Sigmund Freud, and stuffed myself
like a colic infant into the black canvas
diaper pegged on wroughtiron legs,
which passed for a chair.
I had done this before — scan the
sacred. pages of the master — while wait-
ing for Seena to leave the disciple's
couch. The words flew up at me like
stones cast at an infidel — libido, infan-
tile sexuality, erogenous zones, anam-
nesis —and bounced off my skull. May-
be the answers were there, coded in
psychoanalytical агро. But I couldn't
decode them. I would have to solve
Seena without recourse to and in spite
of the ultimate authority. I slammed
the book shut, and made myself a Scotch
and water.
Seena showed up a while later,
(continued on page 140)
А мее Christmas giftie сап loom
large indeed in the eyes of the be-
gifted if is as carefully chosen as
those shown here. Smallest of its
kind, the Sony transistor TV set has
an B" screen, works on batteries, 12-
volt DC, or AC, $250. Clockwise
from it: Globe Pocketphone, tran-
sistorized walkie-talkie has опе-
mile range, $125 the pair. Essway
collapsible silver-plated cups, leath-
er case, $15. Iwan Ries walnut
cigar humidor, $13; walnut tobacco
humidor, $6; Pipo pipes, from $5 to
$18. Sonar transistorized depth in-
dicator, $115. RCA auto- morine
phonograph, $52. Alfred Dunhill
antique-t book bar, $85.
Leica 35mm camera with Visoflex Il,
reflex housing and 90mm Ғ/2 Sum-
micron lens, $531; extra lenses —
35mm Ғ/2, $174, 50mm £/1.4, 3198.
ХАМ-1 stereo speaker system gives
remarkable sound for its small size,
two woofers, two tweeters, in wal-
nut, $127. Italian leather-covered
hangers, $14 each. Gerber stainless
steel steak knife set, walnut case,
538. Cartier's calf belt, gold buckle,
$135. Individual espresso coffee
pots, $10 set of four. Schmid Inter-
national espresso cups and saucers,
$8 set of six. Salem barometer, pol-
ished brass, $30. Mohawk Midge-
tape recorder, $360 wit
phone. Portuguese cordial, cocktail,
dinner wine glasses, $8 set of 8.
Tiffany's 15-jewel clock in clear
plostic, $55. Shure Professional
M232 tone arm, $30. Hamilton auto-
matic and electric wrist watches,
$375 with gold band, $150 with
leather band. Cartier’s ultra-thin
evening watch, $500. Silver and
teak cuff links, $15. Cartier’s gold
cuff links, $130. Rubeck’s leather
cigaret box and table lighter, $35.
june wilkinson repays а favor
to her favorite men’s magazine
THE BOSOM
REVISITS
PLAYBOY
WE FIRST MET BRITISH BEAUTY June Wil-
kinson back in the summer of 1958, when
she dropped by the Playboy Building in
Chicago to say hello. We were so taken
by her English accent and her staggering
configuration (43-22-36) that we prompt-
ly called in our photographers to shoot
the first picture story on the then-teenage
temptress to appear in a U.S. publication
(The Bosom, September 1958), in which
we proclaimed her frontage "the first
Bosom worthy of a capital В.” Soon after
her initial trip Stateside (she'd come over
оп a short-term visitor's permit), June re-
turned to America and this time trans-
ported her magnificent measurements
to Hollywood, where she discovered her
fame had preceded her in the form of
the PLAYBOY photo feature. She prompt-
ly became the most photographed pin-
up girl in America, a featured actress in
several films (including T'hunder in the
Sun and Macumba Love) and subject of
a second pictorial survey by PLAYBOY
(The Bosom in Hollywood, August
1959). The Bosom thus busied herself
with ever more movie, television and
personal appearance assignments, but
she didn't forget her friends in the Windy
City and she stopped by to say hi again
recently during a publicity tour through
the Midwest for one of her latest flicks;
then she took time out to repay PLAYBOY
for past favors by welcoming guests for a
week at the newly launched Playboy
Club and appearing on Playboy's Pent-
house. June had a ball the entire time.
And, as these photos suggest, so did we.
Left: а new, blondified June Wilkinson, fresh from
Hollywood hoorays, posed for the PLAYBOY photag just
two years after she mode her debut in these pages.
Above: when June first visited us, we were smitten by
her dramatic dimensions and shot this photo of the
tempting teenage treat in the Playboy Building.
Above: between scenes on Playboy's Penthouse, June put
her magnificent measurements to work, balancing two full
glosses of champagne to the delight of the entire TV cast.
Below: the Bosom in Bunny costume, complete with eors
and cotton tail, welcomed members to Chicago's Playboy
Key Club, first of о projected world-wide dub network.
61
humor Ву ROBERT CAROLA мо ко PLAY
more fun and games with the king's english in which words become delightfully self-descriptive
omit
VIRGIN
OCU CIUS
ЯОЯЯІМ
дпр
„в МОО)
cemelery
SEASICK
HONEYMGON
тірей
—
“I think I have just the house
for you, Mr. Usher."
N
THIS SEASON ОҒ THE YEAR, "when church-
yards yawn and Hell itself breathes out
contagion to this world,” when the
quick of eye can glimpse gaunt forms оп
broomsticks etched against the baleful
yellow moon, we thought it appropriate
to ask our master of the mirthful ma-
cabre, Gahan Wilson, to view the remains
—and lively remains they are—of a
kindred spirit, Edgar Allan Poc. The
gloomy Mr. Poe — renowned the world
over as the author of The Tell-Tale
Heart, The Murders in the Rue Morgue,
The Cask of Amontillado, The Gold
Bug, The Masque of the Red Death,
The Pit and the Pendulum, A Descent
into the Maelstrom, The Fall of the
House of Usher, ctc, and аз the most
unimpeachable authority, living or dead,
on all things fiendish, living or dead —
proved gaily grisly grist for Gahan's
mill, as you can see for yourself.
By Golam (Jen
“Well, you auctis managed to spoil
that party for just about everybody.
65
"It's really none of ту business, Montresor, but ате
you sure you ve going about this in the right шау?”
“Will you please cut the ‘Alas, poor
Yorick hit and open that chest?”
“Why, there’s nothing wrong with the old gentleman —
his heart 15 as sound as a dollar!”
67
it’s simple as simon to be
P: need not be in the sky — that is, crusty creations warm and aro-
matic from the oven are not unattainable to the male host and need
not involve him in that nightmare of rolling pins, apronsand flour-whitened
hands one remembers from the dear old days in mom's kitchen. Hearty pies
with flair, zest and a unique personal touch can be yours with an absolute
minimum of effort; and let's say this right at the outset — few foods are more
satisfying than good pie. It is not without reason that it's been glorifying
man's table for more than six centuries, since the monarchs, merchants and
maidens of medieval England first framed filling with crust. In those days,
apples, blueberries апа Һе like hadn't invaded the pie realm: in fact, pie
wasn't the dessert staple it's become to contemporary chefs. It was a main
dish. Fourteenth Century chefs baked their pies — huge affairs with just an
upper crust — in rectangular shapes. All manner of flora and fauna were
tucked into the “trap,” the pie pan of its time, by cooks with unbridled
imaginations. À typical recipe, circa 1394, lists pie ingredients including:
pheasant, bear, capon, partridge, pigeon, rabbit, chopped liver, heart, sheep
kidneys, eggs, pickled mushrooms, salt, spices and vinegar. In the Seven-
teenth Century, Charles I set some sort of a British standard by demanding
a pie that blended frogs, eels, pepper, nutmeg, ginger, currants, goose-
berries, grapes, raisins, pineapple, orange juice. sugar and butter — in three
. EASY
your own ретап AS Лой By THOMAS MARIO
PIE
layers topped with pastry and iced with confectioners’ frosting. Two hun-
dred years later, The Good Huswife's Jewell noted a more modest pie cre-
ation requiring boiled and strained quinces, vegetables, roots, yolks of eggs,
sparrow brains. wine and spices. Never quite satisfied, the English urge for
pie novelty led to the debut of the "surprise" pie. It was brought to the
table with meticulous fanfare, opened ceremoniously and rarely forgotten.
Out of the pie leaped live frogs. squirrels, terriers, foxes and, as we all know,
four-and-twenty blackbirds. On at least one occasion, a dwarf — armed with
sword and buckler — popped out to run the length of the banquet table,
dueling an imaginary foe along the way. The serving of pie continued to be
a gala affair for years, with pie-baking a basic part of every holiday celebra-
tion. All was serene in the dough domain until Oliver Cromwell came into
power. In a puritan outburst, he banned the eating of pie as an obvious form
of pleasure verging on idolatry. For sixteen years pies were bootlegged at
best, until 1660 when the Restoration leaderslifted the ban. Fager to resume
pie-producing festivities, the English devised a brand-new pie — baked in
a round tin with all ingredients "'minc'd." This was the pie that made its
way to America aboard pioneer ships. The pastry and pie fillings were old-
English style, but early American cooks soon introduced key innovations.
George Washington's cook, according to the President's (continued on page 118)
PHOTOGRAPH BY DICK BOYER
АР
г ім rris idu?
THE VIRGIN PLANET
ще НТ BE ASTIOF
Зот модна”
SHOCKING AMAZING
SOLAR E
STORIES way |
its
24
IN THIS ISSUE: IN THIS ISSUE:
"GIFILTE FISH-MEN OF P: “THE CREATURE WITH THE GOOD U
ILLUSTRATIONS BY WILL ELDER
waits мше RE S
SLIME
a belated tribute to the burgeoning beauties who
brightened the science-fiction of yore
NEBULA |" |
2
THE BARE FACTS OF SCIENCE FICTION... o
IMPOSSIBLE |
“ORGY OF SEX IN PRINT” were words uttered not long ago by an elderly educator who was denouncing, of all
things, current science-fiction. Avoiding, for the nonce, the question of what's wrong with an orgy of sex in
print (other than its being а poor second-best for an orgy of sex in the flesh), this fragment of the educator's
jeremiad must have caused considerable scratching of heads on the part of science-fiction addicts under
thirty, or in the neighborhood of thirty, or in the Congressional District of thirty. Everyone knows that science-
fiction today is about as prurient as a thesis on quantum mechanics. Just this year, Kingsley Amis, in his
survey of science-fiction, New Maps of Hell, went on record as deploring the puritanical tone of the genre
and honing for a few stories in which Topic A might raise its lovely head.
What the elderly educator was probably remembering was the science-fiction of the Thighful Thirties.
In those days, a lot of sf magazines were pretty broad minded, if only pictorially, and any pretty broad who
ventured beyond the Earth's gravitational field could expect to meet a choice of fates, all more colorful than
death. That era is long gone, but some of us still remember the Thirties, fondly, as The Golden Age of Space
‘Travel. The s-f magazines, back then, weren't called Galaxy and If and The Magazine of Fantasy and Science
Fiction. They were called — near as we can recollect — things like Shocking Solar (continued on page 80)
71
72
SMALL
WONDER
JONI MATTIS isn’t the sort of voluptuous fe-
male we usually choose as Playmate of the
Month. She has that young and fashionable
look you'd expect to find between the covers
of Seventeen ox Glamour, which is under-
standable, since these are just the sort of
magazines in which Joni makes her living
as a model. But petite Miss Mattis (she's
57 2" tall, weighs less than 100 pounds, and
looks like 2 sixteen-year-old, though she's
actually twenty-one) possesses one of the
most provocatively perfect faces ever to pass
through PLAYBOY's portals, and а personal-
ity to match, so we simply couldn't resist
this change-of-pace Playmate. Joni makes
her home in Chicago, appears regularly on
Playboy's Penthouse, and also works part
time as a Bunny at the Playboy Club. We
feel confident that readers will welcome
Miss Mattis little-girl freshness and charm
as a small but wonderful Miss November.
petite miss november proves
what they say about small packages
dd
МІНІ
=
=
.. rtAYMATE OP IE
PLAYMATE PHOTOGRAPH BY JERRY WHITE
Jeni's classically stunning features and petite high-fashion figure lend themselves
beautifully to her quick-change glamar whirl. One minute she’s lolling languor-
ously between takes for a back-to-college fashion feature; a puff of smoke and
she’s delightfully décolletéed for an appearance on Playboy's Penthouse.
PLAYBOY'S PARTY JOKES
When her friends got word that Betty,
a beautiful young starlet, had married
Homer, an elderly gentleman worth
ten million. dollars, they all sent her
Get Will
Alcatraz as the pen with a lifetime
guarantee.
both bigamy and marriage
wife too many.
having onc
comic strip as a burlesque queen who
tells jokes while she peels.
hula dance as a shake in the grass
individualist as a man who lives in the
city and commutes to the suburbs.
orgy as group therapy.
suburban husband as a gardener with
sex privileges.
well-proportioned girl as one with a
narrow waist and a broad mind.
Sign at the entrance of a nudists’ colo!
"Please bare with us.”
y:
Ii was while they were crushed together
in passionate embrace that Harry de-
cided the psychological moment was at
hand to tell M
“Honey. pered, “I want you
to know that I think you're a wonderful
person, and that I certainly appreciate
your —uh — company, but
concerned, wedlock is nowhere.
In reply, Marge uttered only а small
sigh of pleasure.
“I mean," Harry went on doggedly,
“you're more like a sister to mc.
At that, Marge's lovely с
and her lips parted in surprise.
“My God.” she murmured. "what a
opened,
home life you must have!”
G
rls who don't repulse men’s advances
vance men’s pulses.
The difference between a wife and a
mistress is night and da
Whether or not a girl in а rented bath-
g suit attracts a lot of attention de-
pends primarily on where the rent is.
ха
A
—
Marriage is like a long banquet wi
the dessert served first.
Air а pleasant picnic in the woods,
Mark described his girlfriend as the
down-to-earth type.
Ме. Farnsworthy felt bereaved but
sympathetic when she got the news that
Juliette, her jewel of a French maid, was
caving to gel married.
Ah, well,” she
of happiness on the girl
young lace, "I am ov
g the glow
s beautiful
rjoved for you,
Juliette. You will have it much
now that you're getting married.”
“Yes, Madam,” said the girl, with a
tingle of anticipation that made her
trim figure tremble, “and more frequent-
ly as well.”
Heard any good ones lately? Send your
favorites to Party Jokes Editor, PLAYBOY,
232 E. Ohio St, Chicago 11, Ill., and
earn an easy $25.00 for each joke used.
In case of duplicates, payment goes to
first received. Jokes cannot be returned.
“Really, Mr. Barrington — ше те touring castles now.
Independent activity doesn't Берт until four o'clock."
PLAYBOY
SLIME GOD (continued from page 71)
Stories and Horrible Atom Tales, and
the covers, unlike the mechanistic covers
of today, throbbed with life, blushed
with the pink of fair flesh. The stories
always seemed to have titles like Girls
for the Slime God, and one or more of
the girls involved customarily loosened
the straps of her golden space tunic, let-
ting it slide down her ripe golden body,
past the golden curve of her hips and
the soft golden flesh of her thighs, then
turned to the hero, her full golden
breasts quivering with emotion, and
asked if he still believed she had the
sacred Martian moonstone on her — all
by page three at the latest. A dozen pages
later im this issue of the hypothetical
Fearsome Future Fiction, in another
story, Men for the Slime Goddess, a dif-
ferent lass would be impelled to loosen
the straps of her silver space tunic, let-
ting it slide down her ripe creamy body,
past the white curve of her hips and the
soft ivory flesh of her thighs, turning to
our hero finally, her full alabaster
breasts quivering with anticipation (any
resemblance among stories was not acci-
dental —at halfa-cent a word, writers
had to take short cuts).
A quivering bosom was no novel sight
for a Thirties sf hero. Space Girls ex-
pressed most of their emotions through
their pectoral muscles. Bosoms swayed,
trembled, heaved, shivered, danced or
pouted according to their owners’ moods.
In fact, if а hero in those days had been
a little more observant and had carried
a tape measure, he could have saved
himself a lot of trouble. When he
opened an air lock and a gorgeous stow-
away fell out, uniform ripping, it usually
took him five or six pages to find out
whether she was a Venusian spy or not,
whereas the reader knew at once. If her
torn uniform revealed pouting young
breasts, she was OK — probably some-
one's kid sister. If she had eager, strain-
ig breasts, she was the heroine. But a
girl with proud, arrogant breasts was
definitely a spy—while a ripe, full
bosom meant she was a Pirate Queen
and all hell would soon break loose.
In case Kingsley Amis is beginning
to distrust our memories of yesterday's
Space Girls, it might be wise to eschew
the vague and hypothetical and come
up with a few living specimens. Why
rely оп memory — poor frail human
thing— when secondhand magazine
dealers can, for a price, confirm our
hazy recollections? Sample, please, a
passage from The Angel from Hell,
which a dustswathed December 1939
issue of Marvel Science Stories has
yielded:
He saw ап eerie being. A winged
woman! Or was she a woman? Her body
was a woman's . . . the sweet curves of
it were shiny with a yellow velvet down.
The breasts were firm round golden
bowls, quivering to the effort of her
wings. And he wanted her. He forgot
all her strangeness, and saw only the
golden breasts, the alluring contours . . .
He thirsted for the feel of her golden
body in his arms. He made a groping
movement toward her . . .
Yes, this was the era of the racy pulps
— when lusty BEMs (Bug Eyed Monsters)
lurked on every asteroid, and many a
lad reached adolescence believing that
M.D. and M.Sc. meant Mad Doctor and
Mad Scientist. Space travel may have
been primitive in those days — but few
of today's sf heroes can match the sheer
virility of the old Space Captains. May-
be they weren't nimble-witted, and it's
true that they moved chiefly by involun-
tary reflex action — Биг they were шеп
who thought nothing of blasting a path.
through Saturnian Space Pirates with no
more equipment than a riveted space
cruiser, smoking rocket tubes, and a hot
navigator (38-24-38). When one of those
boys brought his battlescarred ship іп
for a landing on Jupiter he was tired,
and it wasn't just from the fighting.
His navigator had a rough time, too;
lacking radar or UNIVAC, she had to
feel her way cautiously around the Solar
System. Meanwhile the hero was using
the same technique on her, with less
caution.
Its about time somebody paid be-
lated tribute to the voluptuous young
females who pioneered the Solar System
ма the old pulps. Despite all hazards
(penicillin had yet to be discovered)
they poured into space in their faceless
thousands. (It's possible they had faces,
of course, but pulp authors seldom
bothered to describe the girls above the
neck) Girls shipped out as navigators,
spacereporters, astro-geologists, stow-
aways, proud-and-rich-daughtersof-thc-
owner-of-the-space-line-taking-their-first-
trip-into-space, Pirate Queens, or just
plain — well, unplain — crew members.
It took guts. Life for а Space Girl in
those days was no bed of galactic roses.
‘Yo begin with, their uniforms were de-
fective. You'd think a metalfabric bi-
kini would be pretty durable. Not so.
Two days out from Earth, the ship
would lurch to avoid a meteor, and the
girl would be catapulted across the
cabin into the hero's lap to the sound.
of ripping fabric. From this point on
she was ninety-eight-percent exposed to
cosmic rays, the hero, and any stowaway
villains.
And there was little purpose in her
finding a fresh uniform. For even on
pioneer flights. when girls still wore.
sturdy terrestrial garments, a complete
outfit averaged little more than 15
pages іп space—and іп the heat of
action the half-life of any garment could
be measured in sentence-fragments. Any
efficiency expert worth his salt would
have ordered all Space Girls to strip to
the skin hours before countdown. It
would have saved untold time and cflort
later.
Consider the heart-breaking (and fu-
tile) attempts of space-journalist Lorna
Rand to shield herself [rom the hot eyes
and sweaty palms of Space Captain
Shawn, the hero of a 1938 Marvel yarn,
The Avengers of Space. Even before the
good ship Eagle takes off, an accident
played havoc with the girl's dress, тір-
ping it nearly off her slim body. For a
second Shawn felt the warm firmness of
her half-bared bosom against his cheek
~ his pulse beat faster at the touch of
his hands upon her rounded, vibrant
body . . . her milky thighs gleamed
whitely .
His throat was dry. His heart was
pounding like a trip hammer.
(Space Captains in the 1930s suffered
grievously from attacks of dry throat,
pounding heart and moist palms. The
equivalent syndrome in Space Girls in-
cluded icy spinal tremors and ob-
versely — hot breath.)
Involuntarily Lorna shrank a little
- - - lifted her hands in a protective ges-
ture
Fortunately for Lorna, the hero's at-
tention is distracted by the need for a
fast take-off (conspirators are stuffing
dynamite under the Eagle's tail fins).
But even with the ship spaceborne, she
has to wait four pages before the hero
grudgingly finds her а khaki shirt and
slacks. And as for privacy —
At the door he turned, involuntarily.
- The girl hed slipped off the tattered
remnants of her dress and was nude save
for flimsy underthings. The pale cones
of her breasts swayed as she bent over,
slipping a slim foot into the trousers.
Shawn was trembling a little, his muscles
weak as water. The girl was a vision of
loveliness, rousing all the passion in him.
He stared fascinated at her supple form,
took a half-step forward ... his palms
moist with sweat.
Lorna, surprisingly, manages to keep
dad until the Eagle lands on Mars,
where Shawn and his crew encounter
а chilly reception. Lorna, however, is
greeted with considerable warmth, and
it isn't long belore Martians and reader
alike can admire her rounded breasts
and the lithe curves of her young body
revealed in utter nudity!
With some difficulty, Lorna manages
to dress herself in a Martian kirtle. Вис
there is worse to come; she has the
BEMs to contend with. The BEMs that
roamed space in the old pulp magazines
remain a source of constant fascination
to the scholar. BEMs came in a wide
variety of styles. The elite resembled
Technicolor lobsters suffering from ele-
(continued on page 144)
attire Ву ROBERT L. GREEN
On TV's The Untouchables, El fellow feds are attired each week in what was prac-
tically the civilian uniform of the big, bad Twenties — the three-piece wooly suit with matchin,
Feds and felons alike wouldn't be caught dead without a properly-buttoned vest, and it was indeed
a sartorial hallmark of the er thered here for a special гглувох shooting, Robert Stack and a
couple of cronies model the new breed of vests: elegantly contemporary, eminently non-matching and
damned good looking. Stacks own is a wool weskit by Hylo, $12. The shotgun-bearer sports a checked
number by Carroll 8 Company, $25. The machine gunncr's vest is а foulard by Moss Sportswear, 59.
the
untouchables ^
help
repopularize
an
elegant
wardrobe
accessory
BEVESTED
‘INVESTIGATORS
The Untouchables’ touch with vests is reflected below in a whole array of strictly-1960 versions, from the classically
simple to the richly flamboyant. Worn with
the other. A у; ion is the matching vest
there to a matching coat and trousers and
the new country suit, the vest can match on one side and contrast on
and jacket, with the trousers the contrasting item. You can go from
supplement them with a reversible vest, one side coordinating, one
side contrasting. Whatever your preference, here are the fabrics to watch for: wool (including Shetland and tweed)
е silk, madras, doeskin, hopsacking, burlap, brocade and jacquard. Styling ranges
ted bottoms and traditional four pockets, to those with four or five
buttons and rounded or straight-across bottoms. Double-breasted vests reflect English
leather, corduroy, velvet, flannel, ti
from the standard six-button models with poi
а Continental influences,
and are wholeheartedly recommended. Regardless of your choice, two practical points are pertinent: when there's
a nip in the air, there's extra warmth in the waistcoat — and its handy pockets serve a host of purposes. In our
line-up of armed agents, you can survey, from left to right: an imported etched-pattern cotton Heeksuede vest,
reverses to rust, with flap: faced pockets, adjustable back strap, by Marshall Ray, $10. Gold velvet vest, rev to
brown cotton velvet, with two flap-faced, two welt pockets, foulard print back, by Mayhoff of Baltimore, $15. Cotton
tattersall vest, reverses to wine color cotton velvet, by Moss Sportswear, $10. Madras plaid corduroy vest, reverses to
bronze, adjustable back strap, by Marshall Ray, $8. Cotton velvet vest with matching lining, open side vents, three
welt pockets, by Hylo, $15. Silk rep vest with black lining, open side vents, four welt pockets, by English Sportswear, $15.
PLAYBOY
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You READY 2
a cosmopolite's guide to
mexico's romantic riviera
MAYBE YOU'VE SEEN Yr Оп the late show: Betty
Grable (remember her?) is a secretary from,
say, Trenton, Ohio, enjoying one week's vaca-
tion south of the border. Before the first
musical number is quite over (Carmen Mir-
anda, in a hat made of bananas, avocados. a
cheese blinw, hibiscus and parrot feathers,
singing a lyric that seems to consist ex-
clusively of the sound chee-chee-chee-chee),
Betty is hopelessly enmeshed in an ambiva-
lent relationship with a rich Latin gigolo
played by Cesar Romero or possibly Don
Ameche with gray stuff at his temples and
ап inappropriate George Givot accent.
George Givot may be on hand, too, to pro-
vide comic relief, and José Iturbi is sure to
pound out the Ritual Fire Dance on a lit up
piano, unless Xavier Cugat and Lina Romay
happen to be operating that side of the
street. By the final fade-out, Betty is in the
arms of Romero/Ameche and the whole cast
is singing, "If you're romantic, chum, pack
up your duds and come to Acapulco . . ."
Corn doesn't grow much taller than that,
but in the case of Mexico's Acapulco (less
than ten air hours from anywhere in the
U.S), you can safely swallow it— cob, husk
and all — secure in the knowledge that Truth
has not been too severely bent. For Acapulco,
today, is a dazzling amalgam of half a
dozen screen extravaganzas, unabashedly
corny, gorgeously unreal, glossy with luxury,
awash with Technicolor, athrob with Latin
rhythms, inhabited by dark-eyed señoritas,
Ohio cuties on vacation, and on-the-make
operators from both south and north of the
border. The song says “You put your cares
in hock and throw away your clock in Aca-
pulco,” and that’s no lie: Acapulcans swing
around the sundial. The song further de-
scribes Acapulco as a place "where you can
be as lazy as a daisy drifting in a blue la-
goon”: blue lagoons are indeed to be had
and nobody frowns upon indolence. It claims
"You're wide awake at night, because you
do your dreaming in the afternoon”: Aca-
pulco night life is truly wider awake than
night life anywhere else. And, finally, if you
doubt that “when the moon is new, it’s like
a honeydew,” you've obviously been having
so much fun you haven't had time to look
up at the sky.
The travel folders will tell you it is a land
of magic landscapes sparkling like a jeweled
setting around the rich blue crescent of its
bay. It is. They will tell you that golden
beaches glisten in the sun and rocky cliffs
Fun in Acapulco В о round-the-clock way of life.
Whether you dig о frolic on о shimmering strond
or те heody delights of floming rum ot а smort
terroce restouront, this romantic Mexican riviero is
for yov. Right: El Mercodo, the bustling native mor-
ket, offers hondmode items of every description.
Loft: sun worshipers take their ease ot El Presidente's
саБайа area, handy to both ocean and pool. Battom
left: the view is delightful when the shutters are
thrown open. Above: а high-on-c-hilltop town house
with a view of both Acapulco and the bay. Below:
guests at El Mirador hotel are transported by funicu-
ler down to a swimming pool hewn aut of rock.
Above, Ito r: a sampling of Acopulco's coolest, most-called-
for concoctions: Pink Daiquiri—lemon juice, grenadine,
rum; los Brisas Welcome Drink—gin in fresh coconut; Sol y
Sombra—tequila, port wine, fruit juices; Piyi—tequila,
rum, pineapple juice in fresh pineapple. Below: for the
omphibiously inclined, Acapulco Bay is о perfect ploy-
ground for water skiing, speedbooting and surfboarding.
drop precipitously into the ocean. They do. We know, because we
were there recently.
We arrived, as does most everybody, on the one Ам. Aeronaves
flight from Mexico City. Acapulco, on the western coast, is а one-
hour hop by ай, six smooth hours by luxury bus ог, in your rented
car, a pleasantly scenic 265-mile romp over good highways. Tooling
into town via taxi from the airport, we caught our first view of the
оп make socializing between Из spread-out pink casitas (some with private pool) speedy as well as
simple. Below, left to right: stucco cottages perched cliffside at El Mirador, oldest and most authentically Mexican of major hotels, include picturesque
private terraces at moderate rates. Fancier terraces, н и i which also boasts a nightclub,
restaurants and big fresh-water poal. In sharp contras!
bay's curvilinear panorama. Those small lights twinkling on the water (our cabby
informed us in impressionistic English) marked the dugouts of native fishermen
luring pompano, red snapper and mackerel off the bay's bountiful bottom. From
parkling neons promised non-stop good times.
ike Acapulco much, señor,” enthused our cabby, a José Jiménéz
?" we asked.
He turned around and flashed us а smile like a Wurlitzer accordion, complete
with black keys. “Because,” he said, it swing, sefior, it swing!”
“Watch the road,” we advised— in English, because we didn't happen to know
the Spanish for that useful phrase. While we're on the subject, let's dismiss the
problem of the language once and for all, You don't have to speak it like a native
and unless you do, don't make the mistake of dusting off your high school
Езрапо! and maybe getting laughed at. Most of the people you'll be hobnobbing
with or who will be serving you speak some English, and it's best to let them practice
on you rather than you on them. Of course, an occasional Buenos dias by day and
Buenas noches by night will do you no harm, nor will Por favor for please, Muchas
Left: in season, aficionados flock to the Мага:
de Taras for а Sunday-aHternoon corrido.
Less-bloody entertainments to be enjoyed in-
clude firewarks during religious fiesta (above)
ond partying aboord a private yacht (below).
gracias for thanks, ¿Dónde está? for where is it. gCudnto? for how
much and Muy buena! for dig that chick. So ends ргАүвоу'в Short
Course in Functional Acapulcan.
(While we're at it, lets get a couple of other chores out of the
мау so we can enjoy the city without worrying about trivia. Mexican
money: the peso is pretty stable, at twelve and a half to the dollar.
Just remember that one peso equals eight cents. Tipping: follow the
same fifteen percent rule you follow in the States; drop onc peso
Left: at sunset, a chartered schooner, with plenty af fresh
coconuts, liquor and native musicians aboard, leoves the Club
de Pesca hotel for a cruise across the bay. Half an hour
later, at а calm anchorage off a small island, the couples go
ashore for the fun of a beach picnic (below). There's dancing
in the bonfire's flickering light, swimming by moonlight (sans
suits if you wish) and a pervading air of contentment.
4
Upper left: Acapulco's most sumptuous dining spot is El Presidenle's Focolare where, to the ever-present strumming of soft guitars, you con feost on
the likes of Langostinos ò la Bordelaise, Came Asada Mexicona and a superb assortment of Mexican cheeses and pastries. There's озо a terrace
for cocktails. Above: ot Lo Rue, an unusual French restaurant that occupies the top balcony of the joi-oloi frontón, you can watch the pelota being
fired across the 100-foot-long court while you sip your cocktail in comfort. This fast, exciting Bosque game also serves as an outlet for the visitor's
gambling yen. Below: night life in Acapulco can be as posh as Manhattan's, but you dress far more informally here than in the States. Jacaronda
is El Presidente's smart new club ond, like many ofter-dark spots, it is parily out of doors, partly in, to take full advantage of Асарикоз salubrious
right breezes and star-bright skies. The roar of the surf nearby and the infectious cha-cha beat af the orchestra make for а heady melody indeed.
For night people, Acapulco offers а delightful assortment of divertisements. Top: sophisticated
Armando's specializes in menu and music tuned to American tastes. The pianist, an expatriate
Gringo fram New Jersey, tackles all requests іп supper-club style, fram Muskrat Ramble to
Clair de Lune. Center: at Cosa Raquel, one af the town's mare tastefully furnished brothels,
one can drink at the bar to the strains of Mexican music from the jukebox, make small talk
ith the girls under a lighted tree, or simply retire upstairs, Bottom: the beautifully terraced
13 of La Perla, the restaurant at El Mirador. Featured here are the Clavadistas de Que-
brada, a company of divers wha twice nightly make 136-foot leaps with torches aflame.
for the smallest services. Mexican cops
won't be offended if you tip them for
watching your car. You won't have much
use for coins— forget about them. Sun-
dries: before leaving the States, you'd
be wise to latch onto a six-month Tourist
Card by visiting the Mexican Consulate
nearest you or ап office of the Mexican
Government Tourist Bureau and present-
ing proof of birth or citizenship plus
three bucks. And, yes, you'll need а small-
pox vaccination certificate. If you're a
forgetful type like us, you'll be glad to
know that, if worse comes to Worst, you
can get a Tourist Card at the border,
and if you didn't remember the vaccina-
tion you can get the needle on the way
back into the U.S.)
(continued on page 120)
Meanwhile,
Atter а night of wotching flamenco doncer Leonor Amaya (upper left) ot the Fontano, one of Acopulco's loveliest outdoor restaurants, or the
sinewy gyrotions of Talva (upper right) ct Rio Rito's in the red-light district, you con greet the sun оп а near-deserted stretch of beach.
"It's your wife. Shall I ask her not to bother you
during business hours?"
the ancient art of wagering and winning whilst one foot rests on Ше rail
А BAR BET is a bet that you make with
somebody at a bar. The p 5 of a
bar bet are: (1) to show what a clever
and engaging chap you аге; (2) to get
the other fellow to pay for your drinks.
Since jovial bonhomie and good fellow-
ship are important ingredients of social
drinking, you do not try to make a sub-
stantial killing with a bar bet. Of course,
if you don't care about niceties of that
sort, go ahead, get yourself punched in
the nose after a nasty argument with a
lush.
"The props for these bets are the things
one would naturally have at hand at a
bar: bottles, glasses, matches, cigarettes,
money, paper, pencil, and so on, includ-
ing an obliging bartender. For instance,
a good many bars have hard-boiled eggs
lying around waiting to be bought. You
can work up a good bar bet around such
an egg. Buy one, and ask the bartender
to bring you a fresh one too. Now get
them mixed up, so nobody knows which
is which.
“Hey, which one do 1 eat?” you ask.
“Beats me, Mac,” the bartender says.
“You should of thought of that earlier.”
You turn to the fellow on the next
stool, who has been following your an-
tics with interest. "Can you tell them.
apart?" you ask.
He picks them up, weighs them in his
hands, shakes them, holds them up to
games By STEPHEN BARR
the light, and whatever. “There's по
way of knowing,” he declares.
“Tell you what,” you say. "Ill buy
the next round if I can’t pick the hard-
boiled egg without cracking either one.
You buy the next round if I can. OK?”
He subjects the henfruit to further
intensive scrutiny. They are as alike as
two eggs. There must be some catch,”
he says, “but go ahead.” You see, he
will go for this if the stakes are small,
merely from curiosity, even though he
suspects he is being taken.
And he ıs being taken — that is in-
herent in every bar bet. You spin either
egg on the bar, stop it with your finger,
and instantly release it. The raw egg
will start turning again. With serene
composure you order your second gin
and Compari—on Вип.
A build-up of some sort is generally
required to get a bar bet accepted. If
you had come out cold with the asser-
tion, “ГЇЇ bet I can tell a hard-boiled
egg from a fresh one,” you wouldn't
have found a taker. Similarly, there's
little use in offering point blank to bet
somebody that he can't do something —
һе will suspect, quite correctly, that һе
can't. You have to work up to it.
The very best way to bring a bar bet
home is to challenge the other fellow to
perform some feat, let him try in vain,
and then offer to bet that you can do it.
Having proved that it is "impossible,"
he is almost certain to take you up. А
good опе о this type involves arranging
two bottle, a coin and a match, as
shown.
You defy him to remove the coin with-
out touching the match and without
causing it to fall. His efforts are unavail-
ing, and he readily bets that you can't
do it either. Whereupon you light the
head of the match with another. It will
stick to the bottle and you then lift
the other bottle and retrieve the coin.
(Right here is the place for a word of
warning. Sometimes the match doesn’t
stick. With most of these bets it will
PLAYBOY
sometimes happen that something goes
wrong and you lose. In such cases your
attitude should be: so much the better.
All Ше more chance that this poor fool-
ish fellow will take you up on your next
proposition.)
A wheeze with cigarettes: bet that with
six of them he can't make four equi-
lateral triangles with no leftover lines.
When he passes the ball back to you,
you set them up like this, with three
cigs forming a triangle on the bar and
the other three erected as a tripod above
them. The cigarettes will stand up more
easily than you might think.
‘The solution may elicit complaints that
they're not all flat on the bar, but who
said anything about flat?
A bet that requires a rather steady
hand, and hence should be proffered
before you've won too many drinks with
other bets, is this: Fill two shot glasses
brim full, one with whiskey, one with
water. Ask your gull to exchange their
contents without using any sort of con-
tainer and without spilling more than a
negligible amount. He has a dollar that
says it's impossible. You now take a
small piece of stiffish paper — part of a
magazine cover, say — and lay it atop the
shot glass filled with water, where it
will stick by capillary attraction, permit
ting you to deftly turn it over and put
it upside down exactly over the whiskey
shot glass. Then you gently draw the
paper from between the glasses until
a tiny gap is made, through which the
whiskey will flow up — being lighter —
and replace the heavier water. Like this:
Incredibly, the two liquids don't mix!
Better practice this at home a couple of
times before your first public appearance.
And don’t try it with gin: you can't see
it; nor with a liqueur: it won't work.
When you see the bartender about to
throw away an empty liquor bottle, ask
for the loan of it and a straw. Use the
straw to fill the bottle with smoke, and
challenge someone to get the smoke out
in less than a second. Whatever he tries
(induding filling the bottle with water)
will take far more than a second. Now,
of course, you bet that you can do it.
Bet accepted, you simply drop in a
lighted match. Spectacular. (Note: be
sure the bottle is at room temperature
and that it has dregs of hard liquor in
it)
се category of bar bets involves
wagering the other fellow that he can't
do something so apparently simple that.
he is certain he can do it. His ego be-
comes involved — particularly if you
have beaten him at one or two of the
bets described above —and he is likely
to grasp the opportunity to put you in
your place.
For instance, bet him he can't light
all twenty paper matches in a match
book with one strike each on the scratch.
surface of said match book. The odds
against him are astronomical, provided
you set a reasonable time limit—say
five seconds a match—and have him
tear out all the matches first, “to save
time.” Actually, having all the matches
handy will tend to make him hurry, and
haste will make him break some of the
matches; this is bad for him, good for
you. Try it a few times just to convince
yourself how little chance he has.
Or write the following on a piece of
paper, but don’t let him see you write
it. Show it to him for two seconds, and
bet him he can’t repeat the words cor-
rectly. The chances are very good that
he will muff it.
There are other word combinations
that work well, too, but remember that
they must be placed in the drawn tri-
angle with the repeated word on differ-
ent lines. You can use BEWARE OF THE
THE DOG ОГ THE BIRDS AND AND THE BEES
in place of the illustrated example.
After һе% had a couple of drinks
(and incidentally, getting your opponent
somewhat lubricated is one of the basic
tactics of barbetsmanship), you might
try the following list of words on him,
which you have conveniently in your
pocket. Assure him that they are all
words of common knowledge and bet
him he can't read them off at a normal
rate of speed, pronouncing them all cor-
rectly on the first try.
cats
INTER
The MEW FEW sEW EWE AWE sequence
puts him in an alert, slightly nervous
condition, so he'll have trouble with
AWRY, IMPLY, DENIAL, ALLY, RELY and
INTER. The first time he hesitates be sure
to cry out, No more pauses!" He's almost
bound to go wrong before he’s finished.
While he's recovering from this de-
feat, place two cigarettes оп the bar,
get him to cross his fingers — all the way
over — and bet him he can't tell by touch
alone whether he's touching one ciga-
rette or two. Explain that the cigarettes
will lie parallel to his fingers, not at
right angles. He closes his eyes; you
remove one cigarette and guide his hand
to the other so that it lies between his
crossed fingers, with both of them touch-
ing it.
He will say it is two. Then do it with
two cigarettes, each finger touching one.
Sure enough, he gets it wrong again.
(continued on page 128)
а low-budget american
“art” film heralds а new
wave of cinematic sex
rr usen то ве that European film makers
had pretty much of a monopoly on
cinematic nudity and sex. Their prod-
ucts—good, bad or indifferent — have
long held the world-wide reputation for
revealing far more of the female form
than anything produced here. No more.
"There is today a group of independ-
ent, low-budget producers, ambitious
Amcricans ай, who have made broad
encroachments іп the areas of nudity
(sex, we assume, will come along later)
on the screen. No Oscar hunters, the
members of this West Coast wave аге
cranking out commercially conceived
"art" films concerned mainly with cute
chicks dressed in nearly nothing. What's
more, these filis are being distributed
nationally, to the delight of backers and
moviegoers alike, and doing big box
office at the art houses where they play.
Vital to the warm climate іп wi
this exotic cinematic bloom flourishes
is the new liberal attitude of the federal
courts toward film censorship. In a se
ries of recent decisions, the courts have
ruled: (1) that local censorship of
movies, as long practiced in many parts
of the U.S., is unconstitutional because
THE IMMO
The Immoral Мг. Teas, as the film's nar-
rator explains, is all about "the simple,
uncluttered fellow who merely lives from
day to day.” In his humdrum routine, de-
livering dental supplies, he’s tempted by
the sexy creatures he meets along his
route. Then, under anesthetic in a den-
tist’s chair, а fresh fillip is added to his
life: the voluptuous dental assistant sud-
denly appears before him in the nude.
RAL MR. TEAS
99
Dismissing the incident as nothing more than a dream, Teas wanders
into his favorite lunchroom (below) to discover tha! his new
faculty makes watermelan-eating difficult. Fearing that he's going
off his rocker, Teas tries to ignore a pretty secretary (above and
right), stripped to the buff in a thrice. He escapes to an idyllic
fishing retreat, only to find that filled with frockless femmes as well.
it is a form of prior restraint which cir-
cumvents due process of law and puts
the problem of censorship in the hands
of local police officials or a few of the
local citizenry, instead of in the courts
where it belongs, and (2) that nudity
per sé is not obscene. These recent de-
cisions have opened the door to a great
many foreign films that can now bc
shown in their uncut versions through
out most of the country for the first time.
And the portal had not been too long
open before a few independent U.S. pro-
ducers decided to step inside.
Several of these began producing sex
dicapies and turned to naturalism for
inspiration — pseudo documentaries shot
in steaming jungle atmospheres where
little or no clothing is the custom: and
educational explorations of nudist camps
and the sunbathing cult. Some, like The
Immoral Mr. Teas, actually boast some-
thing of a plot.
Produced by Peter A. De Cenzic
(PAD Productions), directed and photo
graphed (in color) by pin-up lensman
Russ Meyer, The Immoral Mr. Teas is
a good-natured, if heavy-handed, comedy
about an ordinary fellow who develops
a most extraordinary ability: most men
mentally undress women from time to
time, but Teas is able to accomplish the
feat in a disturbingly real way. Teas
is a milquetoast, shy and retiring,
caught —as the film's narrator explains
—in the “mad, impetuous, senseless,
driving bustle of the city.” In our world
of “higher buildings, automatic autos,
more potent pills, bigger stomach-aches,
quicker liquor, faster freeways and
tighter underwear," Mr. Teas takes off
on his humdrum rounds delivering
false teeth to dentists by bicycle.
Aside from being hit on the head by а
hula-hooping neighborhood child and
being made generally jumpy by the
bulging figures of the women he meets
each day in his work, things are going
along smoothly enough for Mr. Teas un-
til the afternoon he tarries in a dentist's
office, where he often makes deliveries,
to have a tooth of his own extracted.
Under the influence of the anesthetic,
he has a hallucination that seems half
real, half fanciful. The dentist extracts
an enormous molar, the size of a bicycle
handle, and the bountiful, brunette
dental assistant standing next to him
suddenly appears stark naked. Passing
the experience off as a dream induced
by the anesthetic, Mr. Teas returns to
work, wanders into his favorite lunch-
room, only to discover that the blonde
behind the counter is in a similarly em-
barrassing state of undress, though she
seems blissfully unaware of it. The illu-
sion—if illusion it be— pleasant
enough, but Teas fears that it ma
only the beginning of some more serious
mental disorder, He attempts to escape
to the woods and the solitary pleasure
of fishing, but there the visions become
more intense: all the girls he has met
in his workaday world appear before him
and frolic about him in the water clad
in naught save sunshine. At this point
both Mr. Teas and the movie's plot tend
to come apart, and only Mr. T manages
а recovery: a visit to an analyst does the
trick, but not in the conventional man-
ner. Mr. Teas is not cured at movie's
end, but after the analyst— who turns
out to be a scrumptious, bespectacled
miss — loses all her clothing, he decides
tostop worrying about his new-found gift
and simply make the most of it. As the
film’s narrator sagely comments,
“Some men just enjoy being sick."
Thoroughly upset by these inexplicable experiences, the shy Мг. Teas makes ап
tment with a psychoanalyst who turns out to be, to по one's surprise, а
very attractive young miss, bespectacled and conservatively clothed, but naked
as а Jay bird a moment after Teas reclines on the couch. Philosophically, he
then decides to stop fighting and accept Ше as he finds it, which isn't bad.
хонхикта
“Мо! until you take off that silly hat."
G
Ribald Classic
New translations of
two Seventeenth Century
man folk tales,
Unrecht Kopf and
Der Dornbusch
MAN VS. WOMAN
Woman and the Devil were
fighting tooth and пай. The Divinity,
hearing this battle, said to his licu-
tenant, “I am acquainted with the na-
tures of these two well enough to know
that they will not quit until both of
ickly
ONE DAY,
them are utterly destroyed. Go 4
and try to separate them.”
The lieutenant said, 1 do not think
that will be an easy thing to do. How
shall 1 go about it?”
“Do as you sec fit.”
The lieutenant. went down to the
world below and tried persuasion. The
battlers did not stop their fighting. He
tried to command. them, but they paid
no heed. Finally he decided that the
situation called for immediate and dras-
tic action. He drew his mighty sword
and, with a well-aimed blow, severed
the heads of both combatants. Then he
returned to the heavens.
Were you successful?
vinity
Yes, my lord.”
"Fell me what you did, so that next
time I may do the same thing.”
"I. cut off their heads.”
asked the Di-
“1 think that was goi a
said the Divinity. "Return. quickly and
place their heads back on.”
The lieutenant rushed to carry out
the command of his master, but in his
haste he m nd placed the
Devil's Woman's neck. This
terrible been rectified
and explains many things
head on
error has never
marcus and his beautiful wile Cornelia
had been married for less than a year
when one day she fell into а fit and
physicians had to be summoned to ad-
ster to her.
After many hours of trying to revive
her, the physicians went to Marcus and
told him that they had pronounced her
dead. After much lamenting, the hus-
band ordered a long burial procession
to be formed to carry the body to the
village cemetery.
As was the custom, the
wrapped the body in a silk shroud
four men carried the body оп their
shoulders. Slowly, the procession started
walking to the cemetery with the be-
reaved husband following behind them,
crying his misfortune to the people of
the village. The cortege followed a nar-
row path across the fields and at a turn
in the path the bearers brushed а thorn
tree and a thorn pricked the dead wite-
Suddenly she was restored to con-
sciousness and to her husband, and they
lived together for fourteen years . . .
Marcus, returning home one night,
was met by his servants and told that
his wife had fallen into another fit.
Once agam the physicians were sum-
moned and once again Шеу prone
the woman dead.
For the second time, there was much
lamenting in the house of Marcus and
for the second time a funeral procession
пасей,
was formed. The body was cried
ioward the cemetery with the crying
husband following the procession. As.
they approached the thorn tree ас the
turn in the path, the husband stopped
his lamenting long enough to look up
and say:
“Look out for the thorn tree, friends!"
— Translated by H. W. Stephens
103
PLAYBOY
104
HARPY (continued пот page 51)
to Château-Thierry to see all the crosses:
hat's about it,” he said. “Noth
to get ex
ГЇЇ scratch her goddamn ey
t close enough to," Alison s
Put tut," he said. “Р!
He took a look around after lunch:
everything was moving smoothly and
ге was nothi t on his desk.
es. А client failed to show. That
gives me time today to get some food for
my birds with John. You don't. to
come.”
“But I'd love to come,” she said. “On
latc
ng the magic green hat. John had
Чу saddled two of the three horses
and was standing with them in the drive.
Vhe third horse had only bit and reins.
“Does he still show off with that bare-
back routine?” she asked. “I wish you'd
get rid of that s;
He says a Plains Indian doesn’t need
а saddle and he's right. Call it showing
oli il you wish.”
“Why are we going to the potting
shed?" she asked.
“Its where 1 keep my bi
age.
Is now,” he
"he magnificent peregrine you
w yesterday, а merlin, a Cooper's hawk,
irie falcon, a little burrowing owl
ма net over before he could get
back into his hole; and my eagle.
He pushed open the door and they
entered. The birds sat in а row on a
long iwo byfour with burlap wrapped
around it and hanging to the floor. As
they went in, the birds stirred; all but
the burrowing owl, which stared at them
stupidly, the way an owl should. The
merlin, as they approached. moved his
head in quick small swings, brighteyed,
and opened his beak wide to emit one
thin weak cry, almost a squeak. The
pr leon moved his feet a
trying to find à comfortable stance, step
ping on his swivel and the leash that tied
it to the screen perch.
“Hello, girls and boys,” Robin said, his
face lighting up. He went to the pr:
replied. **
irie bout as if
falcon and extended his forefinger. The
ached out and took the tip of
falcon ri
his fi
di:
er gently in his beak, and imme-
ely let go. He smiled. "That's thei
cet the wild, beak to beak.”
Marian was looking about with dis-
taste, On the workbench and hanging
оп the walls were dozens of leather
articles, strips of rawhide, hoods with
gaudy pompons, leashes, cans of disin-
fectant, insecticide; the floor was littered
ıs of pigeon feathers. In her nose
thing peppery. “What's
she asked.
"Dried
Suddenly th.
banging her wing
She lunged into the air to the
length of her jesses again and aga
coiling each time to the same balanced
As suddenly as she had begun
she stopped; flicked a wing to compose
а feather; sat quietly. Clouds of dust
rose from the floor: the peppery smell
got stronger.
erse," he said. “John thought
there was something wrong, but it’s only
that she hasn't been flown for a week.”
why you keep it behind a
wall from the others? Because of this in-
sane flapping? God, what а madho
А piece of plywood astride the perch
separated. the Cooper's from the others.
"She's an Accipiter,” he said. “The
Accipiters are killers, all the time. H she
could look down the perch and see four
potential victims, and not be able to get
to them when she got the urge, she
would go crazy and kill herself іп a
that nasty odor:
xcrement, mainly.”
Coopers hawk bated,
ins the perch.
full
stance.
“That would be perfectly OK by me,”
thy blood-th
ау cren-
don't care for my birds?” he
Well, come have a look at the
^ He led her into the back part
of the shed, which w itioned oll.
t on a perch of her own
enormous croquet wicke
had been resting almost ver
"s on burla
pinions rustling as she raised her wings
and shook herself like a dog and seemed
to settle herself more comfortably i
harsh Пе
soulless eyes observed each m
made. Marian looked at her with l.
"Robin
she said. “You are training
this monster? Have you lost jour senses
completely?
He went up to the bird and knocked
its beak with his knuckle. The eagle
dodged and lifted one tremendous
horned foot [rom the hoop. "Ah, none
of that," he said. "You put those hooks
into me last week and thats enough
for à while.” The eagle setled back
оп her perch, never for one instant
letting her gaze leave his eyes.
he Вагру cagle of South America,"
proudly. "Larger than the
golden, and more dangerous. lt feu
nothing, has never had to learn the
he said
value of fear. And I've trained the beast
10 obey my will and to come to my glove
and to hunt for me. We took five coyotes
in the week before my accident.
nd maybe your €
next timc.
th
to have dealings with this ugly creature
‘This is not you at all. This is insane!
She looked at the һагру cagle with
abhorrence. Its great hooked beak, with
the nostril slits, pointed toward her:
the cruel eves watched her slightest
move. A double crest of feathers crowned
the head. Worst of all were the fect:
monstrous, impossible killers, as big in
themselves as the owl she had just seen,
hooked and deadly
This was what had caused her that ter-
rible fright, that afternoon, when she
knew Robin had been hurt. She looked
at him now with horrid surmise.
“You have changed, Robin,
whispered, "since you let me go."
"Oh yes," he said. “I have changed,
al right. Now lets get the peregrine
па go out Гог the food.”
Back in the main part of ihe shed he
took the peregrine’s hood from its hook
Vhe bird dodged once or twice but
made no serious effort to avoid having
it placed on her head, He got hi
let from the workbench and рис it on.
He untied the leash from where it was
tied under the beam, through а hole in
the burlap screen, and nudged the fal
con ¢ love, gripping the swivel
between thumb and lorefinger and wrap-
ping the leash around his other three
fingers, They left the hawk house and
went to the horses. The bird balanced
the glove with ease, dipping and bow
ing, her enameled fect set wide apart.
You have the bag and the tape,
he asked.
“You know | have, boss," the Indian
answered. He looked without expression
at the woman, and Шеге was hostility
in the very absence of expression and in
s or your throat
Her face was white, "Somc-
g h
5 gone wrong inside you, Robi
six inches across.
sw
she
о his
ol
the omission of amy greeting.
They mounted— Robin from the
wrong side because of the bird on his
left arm, John in one leap to the bare
back of his animal, only Manian in the
orthodox way. They set off up the trail
behind the house.
“Let's go up on the ridge and look
around." Robin said, after they had
ed the complex of ollice and dwell-
"Sce what activity we find near
uh of alders at the brook,
we keep to the bushes,” John
“Otherwise the birds all hide in
the trees and 1 gotta climb.
They trotted up the path until it got
too steep; then the horses walked. Robin
made conversation. “This bird is with-
out much question the most perfect
said.
“Моге guests came over than I expected. Сап 1 borrow
just one more girl?”
PLAYBOY
106
creature ever fashioned. Falco pere-
grinus, which no one below the rank of
carl could own in olden times. When
this bird is aloft, all other life falls still.
They've docked it at two hundred and
seventy miles per hour. Nothing in the
ай can escape it."
“Not even that damnable cagle?
Marian asked.
Robin laughed. “We're going to find
that out tomorrow. Oh, what a battle
that will be." He dropped his reins and
stroked the falcon’ back. “Wanderer.”
he said gently, "shall you kill my eagle,
or will my eagle kill you? One of you
will die.”
“Its a shame, boss,” John siid. “You
shouldn't do it. They're both fine birds."
"b have to know about the саң
Robin said. “I have to know how much
she has in her."
“She's not built to fight falcons,”
ad no n
fter her.
the
tural falcon
would суе It's a waste and
a shame.”
have to know what that eagle has
Robin repeated with great
Don't you understand? If she
against the falcon she is the
ature in the world.”
its master,” Marian said.
“And you
"Is that it?’
“Yes,” he said. “I guess that's it,”
"How wrong!” she exclaimed.
how wrong!”
They came up over the crest of the
apart Range and rei . The
slope dropped off steeply before them,
а scraggy talus of runty trees and sage-
brush, down to the plain that spread
itsell in а great semicircle to the hori-
zon. Far oll, a patch of haze announced
the existence of Denver. A highway
stung itself through the middle di
tance. At their backs the hills rose, leap
па
Oh.
са
on leap, becoming mountains, lean
formidable.
nd took them
to the left. They rode for another half a
mile, hardly speaking. “This is a good
place,” he s.
They dismounted in a loose thicket
of scrub maple, where birds were seen
lliuing and passing by. Robin detached
the swivel and the leash from the jesses,
and lifted. off the hood. The peregrine
seemed to frown and stared sharply in
1I directions. Then, with great strokes
of her wings, she lifted herself to. the
top of the air and circled, studying what
was helow her with head movements to
the left and right. Now suddenly she
stooped, sculling with her wings in a
dive of unbelievable speed at а jay. The
jay Пей headlong into a bush — simply
crashed into it at full throttle and di
peared. The falcon veered away
st possible moment and
pitch again,
“OK, John, let's get that one,” Robin
said.
“How do you know he can get that
ded angrily. That
"Watch,"
the bush. Тһе bird w;
a branch. He reached іп and picked it
Robin said. John went to
5 crouching under
it made no effort
stripped off a 1
and passed it once around the
tusing its wings, and dropped it into
the Sick.
Jo bird will fly or even move,"
Robin said, “when a p son the
hunt. These trees and bushes are full
of frozen birds. And John here is the
best frozen bird-thawer west of the
Denver supermarkets."
“And you feed these helpless creatures
later to your predators?” she said. “You
just take their lives away, like that? For
Shame! And y ne is а bird's nam
too.”
Oh, come off it, Marian," he said.
While she stayed with the horses the
two men made their way back and forth
through the underbrush, with the
wheeling overhead. Now and again they
to the leaves and took out
пи frightened lile. Once a song spar-
row made a dash for it and rose above
the bushes. The peregrine stooped on it
машу and struck it in fight. There
а small explosion in the ай: leather
burst from the stricken sp: and it
dropped dead to the ground. The falcon
dropped also and stood on her quar
While she was plucking, John made in
to her with a scrap of red meat, got
his hand between her шәй the sparrow,
and palmed the sparrow when the
falcon raised her head to swallow the
meat. Then ng no more to cat, she
went ліп. After that по bird
moved except one magpie that, seeing
the falcon darting close, ran up John's
pants leg. John took it out and taped
it and put it in the |
When the arca was clean of birds they
went back to the horses and. Rol
the dead sparrow to а length of string.
Giving a strong call. he swung it in
circles about his head. The peregrine
dived at once and hit it as it fell to the
ground. After a leisurely proud gaze in
all directions she bent her head between
her hunched shoulders and began to feed.
Lucky no bird took off down the
slope,” John said. "We'd be looking for
the hawk the rest of the day.”
“How many did we get?"
Fifteen, twenty.
“That's а day's work," Robin said. He
went to the falcon and got his gloved
hand under the prey, and the bird on
his fist. While she fed he attached the
swivel and leash to the jesses. After a
moment. when she lifted her head to
gulp the meat, he removed what was left
ow
n tied
of the food and replaced the hood.
“I told you you wouldn't like it
said as they rode back down thc trail.
“You,” she said. "You, taking pleasure
in this. That's what sticks in the с
“Well be having chicken for dinn
he said. “How do you like it Frie
Broiled? Delicious cither way. You killed
that chicken, you know, You're a carni-
vore, a predator. Whats so different
about what you saw this morning? Some
butcher feeds you; I feed my birds.
What's so different?
Being the butcher is what is so dif-
id. She reined her horse
to a stop. "Robin, let those birds go.”
He reined in also; and the Ind
who was leading, rode on a dozen
and then drew up. He swung about and
sat on his horse backwards, watch
with a sort of impassive insolence for
what the scene would unfold. He had
the bag of lı
“Let them go?” Robin said. "You are
sentimental about birds? My hawks are
binds too, Creatures of instinct, They
can't help it if they need other birds
to eat. Youll be eating a bird pretty
soon.
“Robin,” she cried, bursting i
„ "don't torment me! Let those poor
to
te
creatures go!"
He saw her cringing in her saddle.
hiding her weeping eves, and Не asked
himself: is this the woman it cost me
such pains to cast of
“Oh, hell
loose
John, who could convey conu
without moving a
opened the sack and poured the birds to
the ground. Trussed. they tumbled plop
plop. She let out а small scream as thi
fell. Scattered on the ground they
cocked their heads this way and that
with desperate beady eve
“I let them loose, boss" John
“Wise guy. Take the tapes off.”
John slid off his horse and knelt to
the birds. He took the tape from a robin,
The ced
with feathers and the bird was unable to
fly. Tt fute and to
other: getting away from that B
Tohn looked up, not at Robin but
girl.
"You want the weasels 10 get these
ids, is that it" he asked.
With a sob she spurred her horse
down the hill and out of sight. John
ohn, turn them
пре
muscle of his face,
nor carelessly.
tape was соу
l to а bush,
1 know it" Robin said.
away pretty soon
Marian stayed in her room rhe rest
of the afternoon; but it was cle
part of her plan to go away pret
Robin saw her peering Пот an upstairs
(continued on page 110)
GOOD GRIEF! STILL MORE TEEVEE JEEBIES
lines to lampoon the late-night television flicks
“Doggone I stepped in it again!” “1... Tve heard that you musk
together, but I thought .. .”
humor By SHEL SILVERSTEIN
THE тор RATINGs you've awarded our
three previous Teevee Jeebies have in-
spired us to sponsor yet a fourth! The
method to our madness has been, and
still is, to tune down the sound on our
set and tack on our own outragcous
dialog to the vintage film fare that flits
across the screen. The more ludicrously
improbable the captions (and this batch
takes the Emmy), the more fun for all —
as you'll see in these samples from some
typical late-night movies.
ers always stuck
“And I say it isn't a brain tumor —1 say “I warmed you, Lou—I told you, ‘You can't go
it’s а broken leg!?” around telling everybody you're Red Skelton and
signing those checks and . . 2”
107
PLAYBOY
“Damn thiee-inch screen . . 27
“из a deal then — you don't say anything to
the house détective about us and we won't say
anything to the house detective about you.”
“Freddy, before I leave, Г want to say this was “The men in the rear aye dismissed until 1700.
one hell of a party!" You in the front linc report to the company barber . . 2”
“Gee, Marge, you really love “Please, please = саті start casting until
chicken soup, доп! you?!” 1 finish writing the play!"
108
“Well then — have you heard the one about the “You know, Fran, Г guess the main reason Г married
tattooed sailor and the parrot... 1" you is that you remind me so much of my mother.”
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HARPY
(continued from page 106)
window while he gave the eagle а work-
out on the kwn. It was ап exercise in
taining the harpy to come to the glove
on Ше call, and to correct her habit of
coming in low, with talons aimed at his
belly. For working the eagle he had a
special gauntlet, a lacrosse glove with
two layers of horsehide up to the elbow
and steel ch them: and
even so, when the eagle came in by the
book and grasped his arm in those giant
feet that completely circled it, it was al-
ways as if he were the prey. When the
eagle shifted her stance. picked a foot
up and set it down, even in this casual
shuffling there was a shearing action that
rm, he knew. if the cagle
were the least bit pont letting
go with her foot before she picked it up.
And the damned bird had tied to kill
him less than а week ago. So it was a
pretty tense operation, scooping the
Cagle up when she came in wo low, as
she mostly did, and knowing he could
get a broken
n mail betwee
could snap his
careless i
rm or a perforated
on the next try. And it didn't help any
to see Marian up at the window, hating
him for whatever proficiency he had
and hoping Ше worst. so that she would
have an excuse to take over. What the
hell was she doing here, anyway? What-
ever tenderness she may have elicited
from him last night, she must know she
wasn’t wanted, She had her intuition to
tell her that, Well, one thing he w:
of; there would be no midnight vi
night.
But in this he was wrong. She came
n. as before, and dropped to her
Knees at the bedside; and this time she
sumed her penitent guise, the
rl routine he knew so well.
s sure
to-
“Robin,” she said in her little voice
“L was wrong. 1 don't understand what
you are doing, but I was wrong to take
the attitude Т did and Г am sorry. And
I will пу to understand. Мау I come
into your bed?" With astonishment he
ware that she thought that this
mornings events were part of the old
familiar fabric: she had “won” when he
had told John to set the birds loose.
“And take the warm part again?” he
asked. "No. Go around to the cold side
This was precisely in the style she had
chosen, and she rose and crept around
the foot of the bed, the moonlisht catch-
became
ing а glimpse of her breasts and flank;
and crawled in on the cold side with a
calculated shiver, and lay with her back
toward him. She waited for his hand to
slip over her side and up over the ridge
of her ribs to her breast, but he had de-
cided to let her carry the Бай she had
put into play, and did nothin,
ever. After а moment she flipped over
to [ace him and, as had always been her
way, took over. Her technique was сх-
Later she lit two cigarettes at
whatso-
cellent
once, passed one to him, and made her
play to n.
“Darlin
ber? That used to be always the thing
we did after our loving. One of us would
light them both and give one to the
other. Oh, 1 remember all the times!
Once, on Lake Como. the moon was just
up behind the hills across the
water and we went out on the balcony
il him to her cross,
she said, "do vou m
nem
comi
to enjoy it Do you remembe
1 remember he said. “It was verv
pretty.”
"Robin." she said. “couldn't we go
back to Como and. Venice and Salzburg
and Ravello and Villefranche and To
ledo?”
Toledo,
springs?
Ohio?” he asked. “No
Idiot she said. She leaned over to
kiss him and it was no accident that her
breast grazed, amd was then squashed
down on, the hand he had laid on his
chest. "Visit those places again: give
ourselves a chance to discover cach other
again?
No,” he said.
He could feel a little suffeni
her muscles.
“we couldn't do that
n all
“How can I leave here?" he went on.
“Don't you realize that 11 proles
sion to attend to? МУ a big operation
now, with cight full-time employees."
“You had the same profession three
years ago.” she said. It didn’t keep vou
from enjoving life
Im enjoying
now.” he replied
ve
and
my job and
life right here
“1 like
the people 1 have around me and my
surroundings and my hobby. 1
got anything to run away from.
She got off his chest. “What vou like
most, 1 think. is feeding songbirds to
your birds of prev.”
"You are wror
haven't
к he said. “I do not
enjoy that part of it at all. But I will
"
say that it gives me satisfaction to hz
harpy саш
In the entire
not a dozen people have
manned а
He paused
history of mai
тон а harpy
to obey them, It has been а tremendous
experience to pull off that accomplish
ment. It has illuminated. qualities 1
didit even know I had in me."
"It is you who are wrong,” she said.
"Oh Robin, 1 know vou so much better
than you know yourself!”
“L think not,” he said.
moment
But the experiences of that night must
have left her with the belief that she
held the upper hand. because early the
next morning she wok it upon herself
to fire the Indian, and even to call a cab
from Denver to take him away. When
the car arrived there wis considerable
confusion, with John contemptuous ol
the whole idea and the cabby wanting
to know who w ing to pay him for
his wip. Robin came down [rom his
bedroom into the midst of it and Ie;
rned
with surprise and а
pened
“After his gross insolence yesterday,”
Marian tried to explain, “it seemed рег
Гесйу obvious that there was nothing else
то do.”
Robin paid the driver and sent him
back down the valley. Then he turned
on her with fury. "What in thc пате of.
God do you think you're doing?” Пе
cried. "Do you suppose you сап simply
move in here and make dispositions over
my household? 1 should have held that
cab for jou: und he waved and shouted
at the retreating vehicle, quite for
that her own car was in the garage. She
had turned very pale and was watching
him with great smouldering eyes. He said
to John, "Come on, lers get the birds
ready,” and strode olf toward the mews,
barely limping now, and left her seeth
ing in the ruin of her enterprise. Inside
the shed he looked at the Indian for the
fist time. “Forget it. Put it out of your
mind. ГП handle that end of th
sorry. OK?"
“OK, boss.” John said. His eyes flick-
ered with some Ind
Robin said. 1 haven't had breakfast
yet. Saddle my horse and tie the tele-
scope on behind. Let the peregrine
а good look at the eagle: then put the
hood on and take her down the hill. By
the time you have her down on the plain,
er what Вай Һар
I'm
1 emotion.
where I showed you, at the point of the
spur, FH have the eagle оп the. bluff
When 1 give the arm signal, strike the
hood. Have vou got vour binoculars
The Indian pointed to the bench
where they lay
"Good," Robin said. Im going 10
mount the telescope on the bluff. It's
up to you to follow them underneath if
they move across country. If they move
into the mountains, ГИ ride up to some
bald spot where the winner can see the
lure when 1 swing it. What do you
think?”
“I think you are wasting a good bird
cither way,” the Indian said. “Maybe
both. I give it to the falcon. Nothing
can get out of the way of that falcon.
"Г bet you your horse." Robin said,
"against two months wages, that the
eagle wins.”
The Indian's eyes flickered again
ou mean it would be my horse? My
own horse
“And ГП keep on feedin
as you're here.”
та bet,” Jobn said. He almost
s long
"You g
smiled
Robin went back to the house. Marian
was on the terrace, where his breakfast
s laid ош. He expected to make the
arrangements for her departure imme-
Ww
"Robin
nary. “How could you do that to me?
Oh Robin, how could you? I can't take
that sort of treatment, you know. From
you! I was doing what had to be done
and you humiliated me in front of that
— that negligible person.”
We will not even discuss it.” he said:
and his tone must have conveyed. an
authority that wi
seemed almost to shrink back. “You were
she said, with no prelimi
new to her, for she
as wrong as it is possible to be wron
You do not understand the terms under
which you are here, and 1 am sorry to
be so inhospitable as to suggest that you
make plans to return to Denver this
afternoon or tomorrow morning.”
Robin!” she whispered
m sorry,” he repeated, "but that's
the way it's going to be.”
He left his breakfast untouched and
went to the kitchen, where he found a
chunk of cheddar in the refri
rator and
ignored Mrs. Emlen's plaintive cies.
Chewing on it he went out the back
door to the mews. gathered up his gear,
and hooded the eag
handled the great bird the excitement
was like the first time, and now it was
enhanced by his knowledge of what was
to come
"Old
le. Every time he
ті.” he said, “mighty creature,
diately but, as he might have known, she will vou leave the sky
took the ini
live today, or
sed her wings
dead?” The harpy shru:
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11
PLAYBOY
112
а ied her horrid beak this way and
that in her blindness. Robin detached
the leash from the perch, got the eagle
on his arm, and went outside to his horse,
which rolled its сусу toward the bird
nd trembled but had been trained also
and did not bolt.
The saddle was rigged with a bar
projecting upward and outward from
near the stirrup and topped with a
semicircular arm rest. Alter Robin had
mounted he placed this bar in position
and laid his arm across it. In this way
he was able to sustain the cagle's twenty
pounds while holding her at a distance,
ive would have been to
elbow against his side, and по
has had any dealings with
ice hi
one who
eagles would wish to have those talons
so close to his body.
He set off slowly up the чай, kecpi
sharp eye on the eagle as she teetered
with the motion of the horse. Their
progress was slow; John would already
be at the foot of the iting with
the falcon.
He heard а horse coming up behind;
turning. he Е trotting toward
m. Incredible woman, she had put her
magic green hat on her head ада
was going to pretend 1 nothing
happened. She came up beside him and
ed in to a ма
What a
she said,
арс, w
ficent spectacle you
viding with the cagle
your glove Ar 6 to the
battle of the giants?”
Не could not recall another ti
you goi
ic when
her behavior had been so transparent,
and he felt shame for her.
“OF course you want the c to win,”
she went on. Tat why you're
the advantage of height.
on the little bird.
giving it
То dive down
ble to ig
decided to make the best of
nore Бе!
You will see. "This mighty eagle,
queen of the sky, when she sees that
ше bird’ cli
ve up any thot
herself climb as fast as she is able, The
head start is only to make the contest
even. Up there in the thin air it will be
the falcon that is above.”
They c to the ridge;
phn, on his horse, far below
there was
he bird on
his wrist.
“The falcon has been t
on any bird in flight,” Robin said, his
voice thin with excitement, He dis
mounted carefully, undid the leash пот
swivel, removed the hood, and cast
e to the air. She rose in two close
spirals and rested, searching for prey.
Robin signaled with his left arm; John
loosed the peregrine and she rose power-
fully up the slope. The eagle, which had
tilted down to dive, seemed to recoil:
t wings, veered
xd climbed steeply, ci
p over the plain, The
ned to stoop
1 her
she braked w
oll to the righi, а
falcon too was spiraling upward, at an
incredible rate, seemingly unaware of
the cagle.
Robin unstrapped the telescope and
mounted it on its tripod. It was а power-
ful Japanese instrument, binocular, giv-
ing an erect image
with independent vertical and һо
tal controls. He had also а pair of binoc-
with which he now followed the
ght first of the cagle, then of the pere-
grinc.
Sometimes they pass quite close to
each other,” he reported. "They're ri
ing up over the plain, thank God.
eagle is a jungle bird and wou
turally seck mou
mile up and the
This isn't what I expected at all,”
Marian said. This seems a very tidy
ttle, with lots of fresh between the
he
дот
bout
Stop
shortly.
about to dic.
The birds were whe
wide circles, perhaps half a mile in di-
ameter. Soon the range was too great
for the p etaparen binoculars and he
handed them to the girl.
ope brought them dose aga
had risen about three miles,
alcon finally got on top.
^Tt must be a shocking experience for
the eagle to be the prey," Robin said.
“But that’s what she is, and she knows
че?
When her circle brought her back
above the eagle, the falcon suddenly
ЫП aiming herself like a bullet at
the s broad back. The eagle knew
EC) шу 10 evade the attack,
Her beak parted in a scream as she rolled
and presented her talons to the div-
img peregi upside-down.
The falcon veered aside at the last mo
ment and began to ring up а in
tight spirals. The eagle righted herself
and climbed also.
The wind off the mountains carried
them eastward as the falcon dived, and
ag up, and stooped nd again.
Each time Ше eagle turned upside-down
cach ume Ше falcon found no way to
hit and tied again. They were losing
ude inexorably, and it was only a
ter of time before the peregrine
would force the eagle to the ground and
be able to strike. But, while they were
still a mile above the earth, the cagle
seemed to lose its panic and start using
nce; and, when the birds had
almost too far to be closely ob-
nd John had galloped several
across the arid land under them,
* grabbed sideways at the pere-
grine as she shot by, and Ше peregrine
did not zoom upward to renew the at-
tack but. dropped strai
turning, one wing outstretched above it
like a rudder,
lool" he said
One or both of these birds is
ing upward in
ov
ne and Hew
аш
ht down, slowly
There were tears іп Robin's cyes as
he packed up the telescope and he could
not tell what had caused them, sorrow
for his dear falcon that was dead or
pride for his eagle that had survived the
deadliest creature of the
“The cagle probably has а broken leg
and can't ride home,” he said, trying to
control his voice. “ГИ have to go down
with the station wagon right away.
“Robin,” she said: and this was a rea
part of her, that the truth broke through,
no matter how grievously it might h
her cause: “you are a different. person
from the person 1 knew and loved. 1 do
м »w you and I do not want to
know you
“1 may expect, then,”
th: ou will
come back?”
She had mounted. “You can expect
nothing [rom me,” she cried, “but wha
1 choose to do.” And she took off down
the hill.
He followed; found her horse, si
saddled, in the yard, but no sign of her;
took the station w
nd met John on the plain coming
with the eagle on his arm: the 16
not broken after all and the с
quiet, wearing the alternate hood. John
did not need any help.
"She was on the falcon when 1 came
up." he said, nd when I made in to
her she didn't dı
glove under her
tained слее, bos
two months pay
1 guess so," Robin said. “Too bad
some fight,” the Indian said,
For him this was loquacious enthusiasm.
"Yes. Some fight
“I should have bet on the eagle,” the
Cheyenne said. “I don't know what got
into me. Our tribe has always put its
money on the cagh
“Well,
he said coldly,
he gone by the time I
you were the
an, I hate to
k
bedazzled by
27 Robin said. “Da
t beauty. Take the eagle ba
to the house and feed them all. I w
stay out of sight for а wh
woman leaves.
“She won't Ie: the Indi
“Not till you call the police.”
n said.
The Indian was right. She was still
there, hidden in her room, when he re
turned several hours later. Не had. his
supper with John in the room ov
зе and they talked about the fight.
That night he locked his bedroom door
It was about three a.m, when he w
awakened by the screams from the hawk
house. All his birds were shri
тап down the stairs in his pajamas
out the back door. The lights in
hawk house were on and through
open door he could see Marian method
ically working her way along the perch,
knocking down the birds with a knout
she had made from several leashes. Even
r the
“This Приз fixed!"
PLAYBOY
14
as he shouted she disappeared behind the
partition amd when he reached her she
ng at the eagle with all her
h. The bird was on the floor by
Т
her bow perch, sitting back on her rump,
screaming. She supported herself on her
wings and held her feet open toward the
ts
and breast.
Robin seized Marian from behind
threw her to the floor. She sat up at or
and her eyes were blazing with a sort of
posession. "I have freed you, Rob
she shouted. “I have killed them ай
Now you can return to yourself!”
John appeared. Robin dragged Mar-
to her feet, hauled her to the door,
md.
Then he тап back to the
cagle, which, after а moment, resumed
а normal stance and hopped back to her
perch.
Hood her,” Robin said. “See if any
feathers are broken and if she's hurt.
ГИ see about the other With the sick
feeling one must have if one’s child has
been run down, he went to the other
room, All the birds were hanging by
their leashes, The Cooper's and the пи
lin, which had borne the brunt of h
prairie falcon was beating its wings
feebly and dripping blood. Robin got
his gloves and the glue from the bench,
lifted the bird to its perch, hooded it,
and gently stopped its wounds with the
glue. Then he removed the hood. One
eye was swollen and closed, perhaps
blind. So he had one hawk left, ma
and the eagle. He went behind the
tition, his heart raging with sorrow
ager, and 1 calmed
the eagle m her for
broken feathers. Incredibly there were
none.
“АП dead but the prairie,” he said.
crazy, obsessed woman. We'll have
1t all ove
The cagles all right" John
"She's had quite а day. Shall 1
the hood?"
“Yes. Levs see how she feels now.
‘The eagle, when the hood w:
roused but did not bate. Her
as unulraid and expressionless as сме
it was as if nothing had happened.
Robin turned and went back to the main
he
He found Marian in the livi
She had poured herself а tumbler of
straight bourbon na state of
xaltation, g up and down with
long s She was disheveled and cov-
cred with dirt.
room.
nd was
ide:
lad | am that it is
done!” exclaimed as soon as
saw him. It was not easy for me, oh
no. 1 hated it. Killing the eagle was the
worst because you loved it most, But it
“How glad, how
she
she
=. апі now we come to hypothetical situation number
twelve. When this occurs you may abandon your rule book
was the only way to save vou."
He stood speechless, his chest heavi
“I could never understand why
were rejecting те until this afternoon
when you made the two birds fight each
other. Then Isaw how you were ma
two parts of yourself, the big cruel part
and the little tender part — of course, the
falcon isn't tender, really, but only by
comparison with the eagle — m:
these two parts of you fight cach other
and hoping for the cruel part to wi
were
Sol
Robin. to
to do away with them
open up your path to me
He realized there was по hope of g
ting through to her.
“Oh. I know there will be a period
of resentment.” she went on, “when you
will hate me and want to be rid of me.
But that will pass, and 1 will see you
coming back again to your old self, and
10 me. And I will be by your side to help
you over the rough places.”
"You will be here?” he asked. "In this
house?”
“But of course I must be here, What
good is Ш Г read vour
heart. И I am
Good night, Marian,” he said. “Tam
going back to bed now. We'll have moie
h other in the morning.”
Before he went to sleep, for the nest
hour, he heard her pacing.
Lo say 10 €;
Overni determination hardened
and beca id: with deliberate effort
he held it over his rage like a lid. Hear-
ng her voice downstairs before break.
fast, he called ше housekeeper up and
had her pack Ма n her bag.
He carried them down and put them in
Then he wi 5 i house
to where she was standing on the terrace
“Marian,” he said, "I have put vour
bags in your car. I want you to get in it
id drive it away, and never come
- Last night you committed а crime.
Tor which I will have you arrested unless
vou get out of here in the next five
inutes.””
"But Robin,” she
the sheriff and 1
here. Prefer your charges, put me
jail. 1 know vou feel this way now —
that’s inevitable. РИ write you post cards
from my cell every time you stub your
toc or cut yourself sh And when
Im out of jail ГИ come back to where I
belong. You cant law me out of your
life, "There's no way vou can get me out
life."
ized her arm and dragged her
with deliber the
opened the car door and shoved he
She did not resist. "Now go!” he cried.
She got out the other door and stood
facing him, the car between them.
Robin, you can force me to leave by
an's things
her car
te roughness u
in
ling the police, but that is the only
way. I am prepared to withstand what-
ever you choose to do to me until you
come back to your senses.”
“Goddamn it!” he shouted, beside him-
self. “Have you completely lost your
mind and your sensitivity? Can't you un-
derstand the impossible situation youre
creating? Can't. you get out of here like
а civilized person?"
“No,” she said.
force.
“The sheriff will be here as soon as
I can get him here,” Robin said, and
went off toward the phone.
But he did not phone the sheriff, be
cause he recognized the futility of doing
so. He put the receiver back on its
cradle and went out of the house, along
the path to the office. Be calm, he
thought, as he walked through the as-
pens: subdue your emotions for a time;
look at this problem with your mind
He knew this woman — ah, how well he
knew her! She was like Beethoven's Fir
Elise, spiderweb of steel. So gently she
seemed to entangle: so relentlessly she
held on. It was no use to call the police
she would come back, and back again
Her mind was made up and mothi
could conceivably change it.
He was the first one in the building.
He drew a cup of coffee from the colfee-
break machine and took it to his office.
The roughs for à subdivision in Florida
were on his desk. АЙ morning he worked
on them with total absorption, divor
his mind completely from the problem
that Marian. presented. And yet, though
he had not given it à moment of con-
scious thought, it had been curing in his
"You'll haye to usc
subconscious. By noon he knew its so-
lution.
Back at his housc he found Marian
in the living room, quite at home, read-
ing Baudelair
^I suppose you've unpacked
he said.
Yes," she said,
Well, I'm not going to call the cops
just yet. We'll leave a little time for the
dust to settle and see if we can't work
something out.”
54
can
You didn't kill the
he said. "Or the prairie
Twill,” she said.
“Don't пу it.” he said,
VI disfigure you.
He went upstairs and rooted around
in his closet until he found thc other
hat, the identical one she had given him
in Austria, green felt and white plume
He found John in the stable. "Get a
half dozen rabbits from the hutch and
cut them up into pieces. We have an after-
noon's work ahead of us with the e
He went to the mews and hooded the
eagle and got her on his glove.
the terrible incalculable creature, and
ain.“
thank you.
plendid,” she said. "Fm sure we
"or by God
wondered with fcar whether her expe-
rience of the night before had turned
her against humankind and whether
she would really uy to get him this
time. But he hardly thought now that
what he was doing took nerve and cour-
and thís was a measure of the great.
distance he had come since he had set
off on his own.
The eagle behaved well and was car-
ried with the jesses pulled tight to the
small while
John followed with the bag of rabbit
meat. Robin tied the hat to a long string
and sent John thirty yards away with it;
and when John was swinging the Iure in
slow circles around his head he un-
leashed the cagle and struck the hood,
and John gave the shout that the bird
associated with flying to the lure, and
the cagle dived straight for the bait with
mighty sweeps of her six-foot wings and
hit it like an express trai
John had let it drop to the ground, and
meadow above the house,
п almost before
clutched it under one great foot, looking
imperiously about. Before she could find
that the lure was not food, John tossed
а chunk of rabbit to her and retrieved
the lure undamaged. Then Robin got
the feeding eagle up on his glove and
grabbed the jesses and let her finish off
the morsel. That was the most dangerous
part, approaching the bird while she
was feeding and had both fect free to
strike with. But nothing had happened.
They ated the exercise. through-
gradually incrcasit
agle cach
time for her recognition of the lure. At
about three т-м. they stopped giving the
shout signal and merely swung the hat
on the string: at about four they stopped
swinging the lure and simply hung it on
a bush or stump at any point of the
compass from the eagle, so that she had
to ring up and scarch. She found it every
time and attacked it;
tracted by a real live rabbit that blun-
dered onto the scene and immediately
fled. At about five Robin decided they
were ready for a final test. He sent John
to fetch a couple of horses and when he
ame back with them, on one and lead-
ing the other, he sent him а mile across
the slope with the hat.
"Wear it on your head. Don't move
"Throw it to the ground when the cagle
pproaches. and feed her a good big
piece of rabbit. ГИ be right behind.
John made his way across the slope,
nd out among
was not even di
in g the pines, until he was
in clear sight on the barren patch they
had chosen: waiting; an almost invisible
speck among the rocks and fireweed
where а bum had been, But the cagle,
once she saw him, would be able to
count every eyelash. Robin prepared
her and threw her to the air. She rang
up and looked to where the lure 1
last been shown. Not finding it she т
up higher and stared all about. Suddenly
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PLAYBOY
116
all her forces gathered and she hurled
herself aslant the slope, straight toward
the tiny spot a mile away. Marveling,
Robin set his horse after; some minutes
later he reined up beside John and
watched the bird as it plucked the food.
“I was scared," John said. “I saw that
t me and I tossed
bitch. comin
1 dismounted and hid behind the
- But she went straight for the hat."
“I guess we have her trained to the
Robin said.
The Indian put on his very special in-
xrutable Indian face. “You going
through w " he asked.
“1 think ГИ have to," Robin said.
The Indian looked across the moun-
tains loping off to the south. his face
immobile. “You'll need help.” he said.
Robin understood what he was really
tying: that he would do whatever was re
ired of him, for this white man who had
n as а human being and had
nity, for the first
ч
treated h
allowed him to feel di
time in his Ше. Obviously there was no
way to express this. And there was no
way for him, Robin, to show his grati-
tude. Anything he might do would not
be enough. But he had to do something.
“That's your horse you're sitting on,”
he said. "You own it. Гуе been wi
10 give it to you for a long while.”
saw а flush spr
u
He
lover the Indian's fea-
said str
the Last of the Chey-
will you, for Ch
You just gave me a great deal—
can't I give you something without you
getting insulted? Don't make things hard
lor me, Now lets get that eagle back
t0 where she belongs."
"OK, boss,” the Indian said;
most unusual thing, he smiled.
ame down next morn-
s and he
John, stop Бей
for once,
ad, а
When Robin
akfast table telling Mrs, Emlen that,
$, she would like a second poached egg
but the toast a little darker this time,
please. His heart was thudding зо vio-
lently, and his spirit w
tion, that he was certain her йип
would warn her of her danger.
perceived nothing.
2004 тогай
Did you sleep well?
“No.” swered, "I did not. I had
too much on my mind."
“Us?” she asked.
He sat down and poured himself some
collec. “Wasn't your radar working?
Isn't it working right now?
he laughed. “But you know it only
works when something happens to you.
I'm not a mind reader. When you're
hurt, it’s like an electric shock that goes
through me and Г get a sort of Hash. It's
what makes ше so sure about us."
с arc so many miles apart
bly. He ate his food in
silence after that, until she finally said,
s
» such agita
she
he а
he зай
near
ian, this is a very
difficult situation, as vou must know. We
have some serious talking to do. I think
better in the open. Lets saddle а couple
of horses and take а ride down to the
I We Gm tlk on the way, and
there's something I want to show you,"
“What a fine idea,” she said. "TII go
get ready.” And she flew up the stairs.
He walked with heavy heart to the yard.
1 don't, Г don’t, he thought, I don't want
to go through with this
He found John and he picked up
from what he had been thinking. “This
may be just a dry run — God, | hope it
© her every chance to get out. But
if it has to be — John, we're taking the
horses down to the plain. As soon as we
leave, you take the eagle up to the bluff,
where you can see us, II I see any other
way, you'll have the pleasure of watch-
ing us ride horseback. I not —
For а while he could пос bring him-
self to say it. “If not, ГИ give а signal
“Не extended his arm to the
d it,
lowered it.
hood and throw the eagle;
The Indian was, if possible, even
more iuscrutable th
‘John,’
to put you in this positio
tions are asked, you ar
Indian helping me to и
bird was supposed to fly down to me and
something went
wron
danger to you. 1 wouldn't expose you to
any danger."
^I know, Robin,
"Dont worry
Robin went to the stable and saddled
the horses. He led them out and, hold-
ing them by the reins, waited for Mari
ır. Maybe she won't be we
the hat, he said to himself. Maybe her
intuition has told her after all. I could
not conceivably send her back for the
hat. He heard her voice in the house
d then she appeared оп the lawn,
lking toward him in her jodhpurs
г stock under her arm, very chic.
Instead of the proper derby she was
ing the green hat with the white
the Cheyenne said.
They mounted and trotted down the
road a few hundred yards to where the
path down the slope took olf through
the woods. He slowed to а walk as they
b steep descent.
„ he said carefully, “have
you given any more thought to what you
said yesterday? About yielding only to
the police?”
“Why no,”
way I feel,”
“I mean, you haven't, in a calmer
moment, come to realize that if you
want to stay here and I don't want you
to stay here there can be nothing but
friction and bad times for both of ug"
“No, “1 think there will be
she answered. “That's the
she said.
one ог two bad times at first, but then
I think we can get back to what we used
to have and what we both really want."
He was ahead of her on the path and
he turned in his saddle to look at her,
to reinforce with the eye communication
what he was about to say. “Marian, b
lieve me, what 1 want is not at all what
you want. I have said it already, and 1
will say it again: the Ше I intend to
lead has no place in it for you, and 1
most earnestly implore you 10 get out
of it.”
“I will not
said firmly,
He turned. his сус
with a surge of
spurred his horse to
hundred yards to the bottom. He dr
up and waited for her to catch up: and
from then on they rode side by side
toward the place where they would come
into view past the end of the spur.
“ма he said M “L implore
you to accept this fact! 1 simply do not
need or want you in my life, You have
to realize this or the consequences will
be horn
"1 do not realize this.” she said clearly.
"On the contrary, I realize that you
а person different from your real person.
Ah, Robin, 1 have known you so well
nd so long, how can Г be wrong?
‘They had passed the spur and were
open country
"You are
pered. “A
own sike and
us out of this deadly thii
She rode calmly on. “I :
than you, Robin," she said, "where it
ters. 1 will wait you out, I wi
t out of it, Robin," she
ahead again and
confused emotions
nter down thc
he almost whi
for God's sake and
my sake, adi
wron
Tarian,
straight out to his s
h, and lowered it. She did not see
gesture but something suddenly, at
zed her attention 100
"Some-
Really
wrong.
Yes!" he sid. "Oh God, yes!” For
he knew, without looking, that John
had struck the hood and.
harpy from his armi, a
had wheeled once,
all she could ses
1 hurled the
d the great bird.
casting her eves over
nd had aimed herself
like а projectile at Marian's neck and
as thundering down the slope behind
them, a hundred fect a second toward
the prey.
‘Over ther
voice, point
he said in a strangled
across the plain, "What
I wanted to show you. Over there!”
So that Ше cagle, when she hit with
all her we
talon:
ht and speed and dreadful
thrust forward and opening at
last would not mar the
beautiful, once beloved face,
the moment,
PLAYBOY PANEL
ENTE
te
riaynoy: Yes. and
т: There's the free
nterprise sys-
sn't that part of the
solution to the problem. too? Take the
profit out ol
long step toward stopping the
1 of drug addiction. Who's going
s no profit in
potential profit be
g it legal to supply
ies of drugs,
otics and you've taken
i And cant th
eliminated by mal
«ісі м
n
eded.
while cures
x: The figures show that drug ad-
diction is responsible for approximately
fifty percent of all crimes committed in
larger metropolitan arcas.
нехтокег E don't believe that,
DDERLEY: Max says crime, but I heard
n regard to certain s of crime —
ned robbery, theft, breaking and en-
pandering, prostitution.
„non: Amd it isn't the drugs that
ise the crimes, but the need to get
money to buy the drugs. The problem
of profit again. Right?
cours: Testimony tells us that Ше aver-
age drug addict spends ten dollars to
hundred dollars а day, and he can only
meet that financial need by crimes, vio-
lence and inducing use
narcotics.
тонк: 1 think you'll find the inci-
dence of violence is less than you suspect.
There are crimes connected. with the
сон
и
others го
need to get drugs, but —
C. ADDERIEY:
would have
I don't think that. d
nything to do w
th rape
ses heroin has no
ts what they tell me.
The guys that I know say that this blocks
out sex altogether —
nrNrOFF: And that celebrated man who
held up the drug store could just barely
hold thc gun
DR. WINICK: Sentences for narcoti
tion have gone up st
— federal. state and. municipal
GILLESPIE: In some states, il vou
caught with one stick ol marijua
fiftcen years. And up to twenty years.
€. AnpEKLEY: That's what happened to
Candy Barr in Texas. For possession.
мамак: The kes no distinction bc-
tween possession and use. Either you're
possessing, or you're possessing with in-
tent to sell, or you're selling. But whether
уо
ola-
1 levels
adily o
get
law m
wx: Philadelphia,
ternal possession а
cesme: In Phi
of
| think, lists in-
п offense
iadelphia they had one
ns strip down, and they
el T sa
ad bad. с
ound until after the регіо
ke him on down and give 1
They say. “No. I think we
to take him now, Mr. Gillespie."
his ar
(continued from page 18)
You want us to go out there and sound
bad? The guy plays one of the lead
horns.” So they say, “Well, he’s got а
mark on his Г got а mark
on my arm. too. You want to see it?
And they say no. “Well,” 1 say, "I been
vaccinated: we're goi So 1
got a mark, and you can take me down
I say.
m.
there.” You know, they let him
PLAYBOY: The main efforts of the a
thorities in this country app
directed. a
making the punish
оге severe — that is, put
jail for a lon
the Briti
the addict
America
physicians are encouraged to help
dicts to rehabilitate themselves
the law to
dosages of dru
n cents a dose
нкхтокк: I the phy
reduce the dosage ove
But you never have to go scullle for it,
whereas doctor treats
Ша by supplying him with drugs
y quantity, he gets busted, and сап
lose his
It seems to me what we've proved is
that И you try to regulate addiction by
punitive measures, you're going to get
and more addiction, and more
m
nd they
ive them
For less than
can do it. hell
period of timc.
hoods making more money. "There have
been a few doctors who for vears have
been fighting this. The tendency among
prolessionals in the field. lawyers and
doctors, is for a medical approach to ad
ng doctors treat the addict
however, the head of
Narcotics. Bureau, Harry
s à notably obtuse man: also,
if you do this he loses his own kind of
power. And the newspapers, by a
large, are still pretty uninformed. The
tendency is toward а medical approach,
but it may take a long time.
What the
diction — ha
Unfortunately,
Fede
the
Aus!
about Musicia
hong s
Clinic. in New York, which some of vou
helped to set up. This is certainly ап
expression ol an enlightened attitude.
TAYLOR: It was through the efforts ol )
Hentoff that we first discussed the prob-
lem at the Newport Jazz. Festival, and
the Festival gave us t of 535,000.
We oi 10 help re-
habilitate some committee
felt you should we on as a by-
product of Iness, Everybody who
uses some form of narcotics uses it as a
cutch. Now you don't make a man walk
any better by taking his crutch awa
a first step in his cure, So the thing. as
I see it, is to make this a mandatory
problem of health and make a man ¢
to a hospital. When we got the coi
tee together, it took us al
months before we could actually find а
way to help dope ad
as
“Т don't get it!”
117
PLAYBOY
118
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ning afoul of the We got $5,000
to put in the bank and we didn't know
at to do with it, because if we got a
guy to come to us, we'd have to report it
to the police first.
PLAYBOY: Suppose an addict does want
help. What can he d.
TAYLOR: Well, lets say Im ап addict,
and 1 want to kick the habit, I can go
to my doctor and say, "Look, I'm an
addict, please, can you help me cure my-
self?" I can do that, but he has to report
it to the police. He says, "Billy Taylor
just came to me. He's an addict." In Ше
next few days I get a visit from Ше
police department and I'm under con-
stant surveillance. from. then on. And
they look for mc to lead them to Ше
pushers and the other people. As soon as
I turo myself in, I'm really in trouble.
I lose my cabaret card; | can't work. It
means that I'm по going to turn myself
in and get all these head:
PLAYBOY: We seem to be doing all we сап
то make the addicts situation impossi-
ble. Is и possible for an individual to
kick the Баби himself?
GIUFFRE: I have known several who told
me that they were just
tom, and I knew them personally and
considered their cases pretty hopeless.
Yet they completely shook the habi
MANNE: I've seen guys kick it on their
own, but J find that the thing isn't just
to kick —thav's пос the hard part. It's
the years following their kicking the
habit. The problem is to stay away from
guys who would turn them on again.
PLAYBOY: What can other musicians do
to help a man who's trying to kick?
ELLINGTON: I hear that the worst evil of
addiction is the pain that comes [rom
craving. So, to alleviate Ше worst с
the bandleader should at all ti
a ne
s have
t bundle of "C" notes — or credit
cards tucked. away in the addicts in-
strument са:
вглувоу: How would you deal with a
pusher confronting members of your
band, Duke?
имахетох: Ask him lor his pilot's
license.
conex: Га like to ask Charlie Winick
this question, point blank: Would it be
possible for the narcotics traffic in New
York — or anywhere —to exist, were it
not for a certain degree of official ac-
quiescence and passivity?
эң. wixick: Well, I don't see why not. A
Is business is not to get с
s we know, most of them
Torr: lt seems to me that the volume
of narcotics traflic must imply a certain
amount of, let's say, laxity, to say the
least. A cop is much more likely to go
after a user than after а big supplier: he
might get into trouble if he went after
an important pusher.
pn. wintck: This whole pusher-user thing
is confusing and irrelevant. Most. push-
(continued on page 126)
(continued from page 69)
попу. turned out scrumptious apple
test
of recognizing
nce pie, at the holiday board.
The apple and mince varieties, as а mat-
ter of face, were early American staples. It
t until the carly Nineteenth Cen
tury that tart fruit pics made their debut.
Pie fanciers discovered the joys of sour
cherries, rhubarb, lemons and black-
berries as fillings; the partiality for these
pics became so great that when fresh
fruit wasn't available, cooks invented the
vinegar pie — stuffed with vinegar, mo-
lasses and spices—to replace them.
Through the years, American bakers have
made the fruit ріс their private property.
You can shop in the most expensive
patisserie in the world and you won't
find a serious challenge to this native
gastronomical feat. In fact, any European
who wants to learn the art of the Ame
can fruit pie must indenture himself to
a native pie maker for two or three years
before he can meet the high standards
of American ріс culture.
Buying а Pie: From the bachelor’s
point of view, the key to relishing this
hallowed tradition is in the buying,
When you buy a pie, first heed the color
of the crust. If it glistens, reject it: the
unnatural shine means 5 brushed
with beaten
wash crea
also (опа
pulpy flavor. Select a pie with a velvety,
soft brown crust, а hue the baker
achieves either by leaving the dough un-
touched or by brushing it with milk or
cream before baking.
‘The crust should be tender, of course,
but it shouldirt crumble or taste pow:
dery soft. It should break apart in layers.
The wispy, leaflike feel is fine in a
Napoleon or patty shell, but not in a pic.
The fruit filling — from the smallest
blueberry to the largest apple wedge —
should be intact, not mushy. It should
be from an inch and a half to two inches
deep. When you buy an open pie, like
coconut custard, pumpkin or pecan, rate
it from the bottom up. The crust
shouldn't be a rubbery marshland on
the bottom. Stay away from the graham
cracker crust you find in chiffon pics;
it turns to pure flannel
Should you p
a simple, do-it-yourself там
ріс dough, top and bottom crust — pre-
rolled, cut and packaged with a thin
aluminum pie plate for baking. Then
buy a prepared fruit pie filling, ready to
be poured right onto the bottom crust.
The top crust is then fitted into place
and you bake till The results
should satisfy the most captious pic
it .
5 before baki:
but it
hens the crust and gives it
tes a deep brow!
the month.
efer to enter Piedom оп
basis, buy
brown.
You may prefer the even greater speed
and simplicity o£ frozen pie. Those with
a basic fruit filling, like apple or cherry.
are superior to the one-crust pies like
coconut custard, lemon cream or choc-
olate cream. The frozen pies that require
baking are more delectable than those
that are pre-baked and need only de-
frosting. The former provide the warm-
ness, crispness and freshness of a pie
that's just been slipped from the oven —
assets that can't be over-praised
Pie with Cheese: However you've
come by a fine fruit pie, serve it with a
snappy hard cheese such as imported
Swiss gruyère (not the processed wedges)
or a slice of genuine Swiss emmentaler.
Another choice cheese, well worth hunt-
ing down, is imported йй; try the
sharp German rather than the milder
Danish. If you can get your hands on
some ripe English cheshire or aged
American cheddar,
lively distinction to any fruit ріс. Stay
away from the soft or semi-soft che
like brie or bel paese; they're too mild
in the company of pic.
Pie à la Mode: Fruit pie that is a trifle
tastes better than at room tem-
perature, so it's always wise to coddle a
pie in the oven for five or ten minutes
before serving. Then, if you place a gen-
erous scoop of ice cream оп Ше warm
ріс, you've got an unbeatable hot cold
these, too. will add
ез,
warm
combination. Use discretion in choosing
ice cream flavors. For instance, try vanilla
on warm blueberry pie. vanilla with
melba sauce on peach pie or burnt
almond on cherry pie.
Gilding the Pie: There are, of course,
pies sufficiently duked up in their nat-
ural state to require no further garnish
ment. Don't add any kind of spangles to
a Nesselrode pie, a lemon meringue pie
or coconut custard pie. But the simple
fruit pies and even pumpkin pie, which
in many areas has always been served
with a dollop of whipped cream, de-
serve а holiday frill, In place of the usual
confectioners’ sugar
sprinkled on the top crust of pies, try
the obtainable in
small apothecary jars on spice shelves
The three holiday pie garnishes that fol-
low are designed Гог six man-size por-
tions of pie.
which is often
vanilla sugar now
APRICOT CREAM
his liqueur-flavored cream should be
whipped up just before serving.
% cup heavy sweet cream
2 tablespoons apricot liqueur
2 tablespoons confectioners’ sugar
In а deep narrow cold bowl whip the
cream with a rotary egg beater until the
cream is stiff, but mot turned to butter.
Add the apricot liqueur and sugar, fold-
ing each in carefully with а spoon until
just blended.
KAISINS WITH RUM
ЗА cup raisins
1 tablespoon butter
% cup light brown sugar
14 cup amber rum
In a small saucepan cover the raisins
with cold water. Bring to a boil and
simmer two minutes. Throw ой the
water, draining the raisins well. In a
chafing dish (or in the same saucepan)
combine the raisins with the butter and
brown sugar. Hcat slowly until the but-
ter melts. Add the rum. Heat a minute
or two. Set the rum aflame. Spoon the
raisins over wedges of warm apple pie.
BRANDY HARD SAUCE
2 ozs. sweet butter
34 cup confectioners’ sugar
15 teaspoon salt
V4 teaspoon lemon juice
1 ог. brandy
Ya teaspoon vani
Let the butter stand at room tempe
ture until it is soft enough to spread
easily. Sift the confectioners’ sugar, and
gradually add it to the butter, mixing
until well blended. Add all other in
gredients. Mix well. Chill in the refrig.
crator until firm. Spoon over portions of
the next mince pie you demolish
in a suit of
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ACAPULCO
back in the cab, Јох eyes returned to
the road and ours took in the slope of
pink bungalows to our right. These
make up Las Brisas Hilton. То our left,
the orange vapor lights down the shore
ї a Dantean haze over the beach of
1 Presidente, the city's newest, poshest
X delicious breeze was stirring
The was not like wine, how:
It was much better — pungent and
heady with the insinuating musk of pine
roves, cup-of gold bushes and vivid
tropicil lowers. Ordinarily, the coolness
of the breeze might have surprised из
in sun-scorched Mexico, but we had
done some encyclopedia cramming be-
fore enplaning, and we knew the cool
ness was de, Acapulco ("place
ОГ reeds”) was stumbled upon by the
old. peaks p himself
nando Cortes, about 1530. Н
шоор» called it tierra caliente, the hot
са
otel,
abour
eve
land. and later settlers put it down (in
Loth senses) as “a hot and sickly place,
an abbrev inferno” What hap-
pened 10 d in the late
17005. its governor, Josel rero (may
his tribe increase). ordered а huge chunk
to be carved out of the hills that then
separated Acapulco from the sea. This
gargantuan airconditioning feat was ac-
complished, and Acapulco has been
breezy ever since. These days. it is com
fortably semi-tropical, the
seldom climbing above 80 during "the
season” (December 15 through April
15). The off season (May to December)
s generally rainy, and the city should be
(continued from page 91)
minded v
forty
to
have
pollen count rem
itors (hotel
percent).
а ball all y
Ha
г round because the
ns at zero, despite
fever sulleı
voided then by all save sternly budget-
tes drop twenty
rers
the lushness of the vegetation (all jungle,
you sce, no weeds).
Acapulco’s ambiente — a word that с
only
tured us from the moment we la
From
my
nd we didn't fi
dre
lea
question,
time
on
not tr
be felt,
then the
n,
nd а
for an
nslated — had cap-
w
ıs silly аз be
aded.
sensuous.
imosphere got through to us,
ht fl. In Acapulco, we
rned, rushing around is out of the
iything
ppointment is treated
sing
with scorn (the locals are often an hour
or two là
ше you
back.
a bite, or
intance. “Mis tarde, padre"
Г) is the expression.
4
Ча
Acapulco has two hund
There's always t
first-class accommodat
the
pleasamtest to
s Brisas Hilton, where you're greeted.
e as they
a
do
ive
nd if you've 1
пог
t they'll
ime for a d
to maki
an
any сом
in the U
at is, by
fi
ent even arrived vet). Sit
nk or
"Later,
t hotels, with
ng about
Тве
all odds.
with a welcome drink of gin and coconut
milk,
decoi
‚ served.
ated м
port
network of priva
h green coconut
biscus. If this ро
thirst, there's liquor
а of your casita, mixes a
n
па
ГВеуте reached
се roads that wi
nd
pals. vines, hibiscus and bou
tinvillaca (590 double without pool
539 with shared pool, $40 with private
ncluding continental breakfast)
girl to be alone with, ask
manager Frank Brandstetter to reserve
опе of his most secluded casitas іп the
. Between the highway and the bay
are the luxury residences of Las Brisas
Estates. the пе plus ultra of Acapulce
American colony. The owners are à
older group, but their parties are defi-
nitely iN. More winding roads take you
down to the luxurious bayside La Concha
Beach Club shared by the Hilton's guests
nd the Estates crowd. (The hotel fur-
nishes chauffeured jeeps,
lor going to and пот La Conch
can rent your own jeep at 58 а day
facilitate getting around town.) H
you're staying elsewhere, you'll need an
wvitation to the dub, or a Hilton Cari
Blanche credit card.
For Ше well-fixed traveler, Cesar Bal-
sa’s El Presidente is first choice as the
place to meet. people who know what's
where. Be sure to reserve a terrace room
with an ocean view (928 single, 551 dow
ble, with two meals), from which you
an sce the whitecaps breaking along the
bench through your view-wall of glass.
Lounging оп your private terrace, you'll
quickly succumb to the son
and the faint beat of cha-c
Jacaranda, El Presidente’s unique n
dub, with из dramatic view of bay
sky. If you're not alone, share a suit
single to $76 for four, with two meals) or
check into one of the duplex penthouses
with small pools, For an extra 510
vou can 1 dressing cabana, complete
with bed, bathroom and foldi
open to the ocean, If you're
on Ше prowl, Acipulco is definitely
your side. Around El Presidente’s pool
the sunawashed lounges and thatch-
shaded tables of the Palapa В
ite w place for unaccom|
girls, some of whom don't even bother
renting rooms for their weekend. visits-
They just take their chances on meeting
a hospitable chap. Early in the day, the
coolingest drink at the Palapa is a fru;
juice concoction called Conga: when
alcohol is added, it becomes Rumba, A
Presidente is the right blend of pine-
apple, orange and grapefruit juices, gin
xd apricot brandy. If you don't find any
thing— or anyone — 10 fit your mood,
you can stroll up to Coco
Acapulco's beach clubs
for entertainers, models and other fasci-
nating fauna.
In Acapulco, they have a felicitous
word for beach — playa—and three
major hotels own large stretches оГ pri.
vate playa: El Presidente, Elcano and
Pierre Marques. The others offer swim-
ming pools, salt-water lagoons and ас
cess to the miles of public beach in and
around the town. The water is always
pool —
If you have а
n
eric
of the surf
from
егіп;
warm at Acapulco, but the breakers come
in cycles and the undertow is strong
ough to make you dig in your heels.
Il, it's exhilarating.
The Eleano Hotel, а modern block
style beachfronter (520 single to 530 dow
ble, American plan), caters to a larger
proportion of Mexican guests than any of
the other major hotels. During the sca
son, its pleasant palm-fronted Bambuco
bar and dining room are among the
town's livelier hangouts. Between Decem-
Der 16 and January 6 especially, the
holiday season, every night at the Elcano
is fiesta—three weeks of unabated
partying.
Hotel Pierre Marques, a corporate
cousin of New York's Pierre, is owned by
Jean Paul Getty, reputedly the richest
man in the world. He has never seen the
place, but Dwight Eisenhower has slept
there, as have numerous other people of
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you to whatever sport you fancy, be it
wet or dry, indoor or outdoor. On the
Marques’ beach of a morning, you'll find
callipygian cuteniks sipping drinks at the
Tortuga (Turtle) Bar, in anticipation of
lunch on the Marques Terrace. Besides
serving the tastiest hamburger in town,
Terrace also boasts hard-to-find
Yucatán-style pork tamales, chicken-liver
omelet à | ive lobster-tail
Чад. Dining is elegant im the hotel's
Iver Shell, with its tinkling waterfalls
xd tinkling music.
Oldest and most truly Mexican of the
big hotels is El Mirador (512 single with
terrace to $30 double for de luxe cot
tages, with two meals), а picture post-
curd jumble of flowering gardens and
stucco cottages perched on the very tip
of La Quebrada cliffs. Don Carlos Ber-
nard built the first of these cottages more
than thirty years ago to accommodate
friends who shared his twin passions for
Acapulco and deep sea fishing. He's bee
building ever since for the growing
dique of EI Miradorites who return
year after year, El Miradors craggy
ocean front has no beach, but a funicular
sweeps guests down to a naturalrock,
saltwater swimming pool. Every dining
room in town serves seafood, but none of
them can match El Mirador for such
s as seaturtle eggs. agujdn (а bril-
liantly green-boned needle fish), bar
racuda, dolphin and the tiny, delectable
cilios. El Mirador also houses La Perla.
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whose tables are strung along terraces
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over the СИБ of La Quebrada.
If you can't go back home without a
sixfoot-plus pez vela (sailfish), register
at the Hotel Club de Pesca, the only
hostelry with its own flcet of fishing boats.
Favored months for the sport are No-
vember through January, although the
International Sailfish Tournament із
held during the first week of April and
the marlin bite best in August. But you
really don’t have to fish to enjoy Club de
Pesca: also available are speedboating,
water skiing, skindivin; nd surfboard-
ing. With its seven stories of ridged ter-
races, Club de Pes 0 single, 527
double, $50 for a suite, with three
meals) looks like a great ship's bridge
on the bay. Palms and tropical gardens
ring the fresh-water pool and assure pri-
vacy to the patios of what are cuphemi
ically called Honeymoon Cottages. The
movie colony makes its Aca-
adquarters here, and when the
starlets are in town for a location shoot-
ing or the annual film festival (Novem-
ber 18 to December 7 this year) the hotel
is filled with tempting tidbits
Belore the postwar buil
Hotel Prado Americas, overlooking the
Pacific on the point of the peninsula
which shelters Acapulco Bay from the
west, used to be Ше place to stay. It's
still a dandy hideaway with a complex of
Mediterranean-style: white-and-blue-col-
umned courtyards and tileroofed bun-
galows ($21 to $48 double, with meals).
Up in the hills you'll find Villa Vera,
a collection of luxury bungalows with
tennis court and pool ($20 to 510 dou-
ble, with continental breakfast). Its own-
er, Swiss bandleader Teddy Stauffer,
used to be married to Hedy Lamarr and
Faith Domerque — serially, not simul-
tancously, If you like Hollywood-style
ing, you can have it here, along with
some of the big names of then and now.
John Wayne's Los Flamingos (520 to
$32 double, with meals) overlooks the
from its hilltop. Down below, on
Costera Aleman, the main street, is the
modestly priced Noa-Noa ($20 to $24
double, with meals) and the comfortable
and Playa Hermosa ($4 single,
$8 double, with continental breakfast).
Some of the American college crowd
that takes a semester or two at English-
language Mexico City College spends
weekends at Motel Acapulco, which has
its own swimming pool, restaurant, bar
and сазу tariffs (84 single, 57 to 513
double, no meals).
Driving along the Costera out toward
El Presidente, you'll pass Condesa
Beach and a small sign reading “Catalejo
(Telescope) — Ше philosophical lif.
Down a flight of wooden steps you enter
the world of Spanish painter Isidro
Covisa and his family, who constitute
Acapulco's art colony. For S2 a day you
сап get two big meals and а hammock
slung between bamboo poles in the coed
g boom,
sei
informal
open-air dormitory. This is as primitive
аз Acapulco gets, with no electricity or
privacy, but plenty of dedication to pleas-
ure as well as art. There's lots of long
hair, beards and bongos, but they don't
belong to the beat set; Covisa threw the
beatniks out when they tried to turn
his simple scene into a south-of-the-bor
der party pad.
The Acapulco Hotel Associatio
(Apartado 334, Acapulco, Guerrero
Mexico) cin supply a complete list of
hotels with current prices. The town
has no American consulate, but Ше
Mexican Government Tourist Bureau
information office on Costera Alemán
can help with most problems. The un-
official good-will ambassador and most
informed self-exile іп Acapulco is a
photographer-writer named Ronni
a generally be found in the
nity of El Mirador.
There are twenty-one beaches in Аса
pulco, the briefest of bikinis are smiled
upon at all of them, and there's no tell-
ing which beach will be the current
favorite of the kind of people you want
to play with. Caleta, the busy public
morning beach, is the best place to start
looking: , and you can say
hello to almost anyone.
ОГ an evening. you can take a small
boat over to the island of La Roqueta,
which has its own beaches, an outdoor
dance floor for nighttime partying,
burros who drink beer (there's no water
on the island) and a restaurant specializ-
ing in langostinos, delicious little стау
served with garlic butter. La Roqueta is
diving. and a firm
Lus-
ter, who с:
vic
Мот
a good spot Гог sk
called Aqua Mundo (Water World) will
pick you up at your hotel, take you out
to the warm water in a sixty-foot boat,
equip you and instruct you for 185 pesos.
They'll also teach you spear-fishing, shell
collecting and underwater photography.
The winds and waters of Acapulco are
meant for sailing and cruising, and craft
of all sorts can be chartered at the public
docks. For shorter spins, the Barca de
Oro, a large schooner, and the motor
yacht Fiesta go out for three hours late
cach afternoon. Once aboard, you'll find
music and free drinks, the panorama of
Acapulco from the water, and a chance
for a swim olf La Roqueta. The young
lady you may spy in the depths, incident-
ally, is not a mermaid but a submerged
statue of the Virgin of Guadalupe pro-
tecting the harbor entrance.
Sundowns are fabled at Pie de la
Cuesta (Foot of the Coast), a beach with
roaring surf some miles out of town.
You can Це in a hammock and sip the
popular Mexican ron castillo, rum mixed
with water, plain or sparkling, and
coco loco, coconut. milk and tequila i
the shell. At the other end of town is the
usually deserted Revolcadero Beach, а
fine quiet place for picnic, nudeniks and
such.
You can rent dugouts called pichi-
lingues to take you through the lush
lagoons of Coyuca and Papagayo. in-
habited by frigate birds. flamingos, tou-
cans and parrots and on the banks by
iguana, deer, hare and jaguars. In the
native village of Puerto Marquez you'll
come across a group of beach stands
proffering fresh and cooked seafoods:
One Acapulco y ds
morsels оГ white-fleshed fish
Spanish. mackerel, marinated in lemon
juice and. Mexican spices.
Hansom cabs are for hire near the
section of Playa de Hornos where the
fishermen pull up their boats and spread
their nets, Take one into the labyrinth
of old Acapulco's lanes or to the stone
ramparts of El Fuerte de
the bluff, with its ancient cannon still
watching the bay. This massive pent
gon, built to protect the Spanish settle-
ment in 1616, has recently been
restored and transformed into an outdoor
theatre seating 2500. The entrance lies
over а drawbridge spanning the moat,
trough a portcullis flanked, on pcer-
formance nights, with flaming torches.
Plays, ballets and concerts are perfor
including the P.
December 10-20, when enthusiasts will
gather to hear the premier performance
of Casals’ newest work for cello.
Some of the world's finest matadors
have fought bulls in Acapulco’s Plaza
de Toros Galetilla, which has a corrida
spe ceviche,
such as
n Diego оп
her
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at five тәм. during the season. The bull-
fight season varies from year to year, de-
pending on past attendance and wha
promoters are doing what; but gen-
erally, there are probably more corridas
during January, February and March
than any other time of the ус
During Ше season Acapulco is а b
ty town, and you ought to be able to
n invitation to a few of the affairs.
Every Tuesday night, for instance, the
Club de Yates (Yacht Club) has a bullet
and dance for members only — but know-
ing someonc or just looking respectable
will probably gain you entry
Ics not difficult to look г
by the way. Unlike most plush Carib-
bean only a few people ever
bother to get dressed up in Acapulco,
even after sunset. But we suggest you
take one lightweight suit for late dining
and dancing, especially on weekends. Be
sure to ta addition to your sunning
and swimming gear, plenty of sport
shirts, cotton slacks and sandals. You can
buy clothes or haye them made in a day
or two at any of a number of stores in
the hotels or around town. La Noa on
Hidalgo carries good-looking attire and
Ашейо on Costera Alemán (the broad
avenue that winds along the beach) spe
dalizes in hand-loomed native fabrics
Hotel barhopping is the sensible
carly-cvening pastime for a young man
in search ОГ ionship
spectable,
resorts,
comp and а
dance combo. The Del Monte
bar is a good place to look for an oppo-
site number and the bar atop the
Palacio Tropical gets quite sociable too.
Or you might try the Turquoise Room
at the Club de Pesca, the Bohio Bar by
the pool at Prado Americas or the Caleta
Hotel Bar. Next to the post office on
Costera Мешін is the Si у No, a drink
ing man's bar favored by Acapulquenos.
El Presidentes snazzy Dali Bar, dec
orated with drawings by the Salvador of
the same name, is jammed
smooth
тсе almost all th
or modified Americ
ably
hotels are on full
plan, you'll prob-
дом of your meals where
Food is uneven in A
but you can eat well by choosing ca
fully. Locally caught fish such as huach-
inango, red snapper, robalo, sca bass, or
mpano аге excellent.
The hotels and better restaurants buy
their food with a canny eye, and use
only bottled water. so vou need h
liule fear of the dread Aztec two-step
(or Montezuma’s Revenge), famed in
g and story. But take it slow your first
few days.
Unfortunately most of
restaurateurs try to cater
impression of American tastes. Lots of
steaks and baked potatoes, even though
their beef is not the greatest for гате
broiling and the potatoes don't bake
take
pulco.
you stay
хе
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can meat can be.
Funny. but Mexican restaurants are
unknown in Acapulco. Not a single
kitchen specializes in the great Indio-
Hispanic dishes. You сап get enchiladas,
frijoles refritos (refried beans) or a Mexi-
cam combination plate at some of the
hotels, but these are a concession to ro-
mantic palates and generally second
rate,
For us, the most interesting place 10
dine well is La Rue, a French res
little frequented by tourists. Located in
the top balcony of the jaialai fronton,
its firstrow tables afford a perfect view
of the Basque game. Play starts at nine
тым. and lasts until after midnight every
night of the week, almost ай year round.
One section of the balcony is а bar
lounge where you might пу the La Rue
cocktail, whi i rod
and ca
with Pei
hi flavors ¢
sis as well as with vermouth. The
menu is primed with such starters
lobster bisque and burgundian snails
with garlic sauce. As entrees the chef's
suggestions (ours too) include frogs’ legs
provençale, chicken clemencean or black
pepper steak with cognac sauce. Don't
resist the chocolate soutflé for dessert.
Although La Rue stocks French wines,
that you ріс the
Mexican а
ble: the red. table
s
also sar
we suggest
whites
Mexican vin
rosés are very dr
wines are not so hot.
People go to see and be seen at Ar-
mando's on the Quebrada. It's slick and
chattery, with a tiny bar and a pianist
Пот New Jersey rendering all requests.
The food doesn't quite come up to the
promise of the decor and menu, but the
lic soup is tasty and you can depend
ichokes ue Ci
broiled shrimp di nd the se
on а coal-
meunier are also worth your while.
n Focolare is the most
clegant dining spot in town. This is not
the hotel's regular dining room (also ex
cellent), but a. separate establishment,
with its own bar and terrace for before-
dinner drinking. Los C trio
of guitariscsingers in dovegray charros
and huge sombreros provide entertain-
eras,
ment,
Langostinos à In Bordela
ҮЙ kidneys sauté Ат
rence and Mexicana. are
among the berer entrees, and game is
served in season, Try the tasty Mexican
cheeses for dessert and, if your appetite
holds out, sample the superb selection of
pastry. Follow it up with a pony of gen-
tle Kahlua
At the corner of Costera Alemán and
Megella restaurant Fon
where you dine on a New Orleans-sty
авмопе patio. Flamenco dancer Leonor
Amaya, Carmen's sister and a fine artist
п her own right, performs to the accom-
. turkey
agnac Law-
ter
carne asada
os ds the
paniment of guitarist Jesus de los Reves.
The strolling Quartetto Iberia serenades
your table with songs of sad Spanish
love.
The hefty international menu
dudes huevos foo-yong and pollo frito
lo sur, otherwise known as southern
fried chicken. There is a fine Mexican
soup. caldo xochitl based on chicken
vith rice, avocado and hot peppers: and
the fresh shrimps with coconut are deli.
cious. The most soused dessert on Ше
menu is plátano caribe — bananas soaked
in flaming rum and apricot brandy —
and it's fun to watch
Tontana is open only during the зе:
authentically г
est
as well as cat.
son.
Italian cuisine ік pre
sented by Dino's, also оп Costera Ale-
тіп and modeled on Alfredo's in Rome.
And, finally, there are two simple sea-
food restaurants right in town: Pip
near the docks and San Telmo close to
the Plaza on the Costera.
Acapulco boasts two shows that every
опе, excepting only the most blasé, goes
to dig — Holiday on Skis at the Club de
Esquis, the town's waterski headq
ters. and the High Divers of Quebrada
at EI Mirador's Га Perla. The ski show
usually goes on about ten-thirty P.M
Reserve а front-row table, leaving your-
self enough time to dine оп the open-
air candlelit
pool and the shimmering bay. Из а
grand spot to set the mood for later
that night. The complete dinner offers
a choice of such entrees as oysters Rocke-
feller, fillet of red snapper with brown
butter and Mexican tenderloin tips. In
the club’s lounge, meanwhile, ап Апо-
Guban band will be flaving away. Then,
suddenly, the show begins. Colored foun-
tains rise behind the pool: 28,000 watts
of light brighten the bay: and Ше speed-
boms amd water skiers — forty-two of
them international champions — flash by
to stereophonic fanfares. At the climax,
the star of the show soars silhouetted
against the skyline, spread cagled under
a huge white kite. (Ah there
Gardens.)
To glom the high divers, reserve a
table on one of the narrow terraces at
La Perla, set in the cliff below EI А
dor. While vou wait, pique vou
with Pivi, a small pineapple from which
you sip rum mixed with fruit juices, For
а shrimp cocktail
champagne sauce, followed by red snap-
per fillet papillote or curried chicken.
in coconut.
At La Perla there are nightly ten-
thirty and midnight dives by the Clav
distas de Quebrada, a company of high
divers headed by Raul Garcia, who in
summer guards lives at an upstate New
York resort. The performance begins
with Raul, holding а blazing torch, run-
а zigzag path to a narrow
inlet, swimming it and then climbing the
rock to the top diver's platform 136 feet
terrace, overlooking the
Cypress
ner, there's with
ning down
above the water. He kneels to pray be-
fore a small shrine to the Vi
Guadalupe, while his helpers
torches along the side of the cliff, illum-
inating the entire scene. The crowd is
stony silent. The diver flexes his muscles
ind off he goes into space. (When
poetic Raul joined us for a drink later,
he told us, "Every time I dive is the first
time I kiss а girl. When I leave the rock
I open my arms and when I enter the
water I close her in them.") Minutes
after his plunge, the clavadista stands at
the entrance to the restaurant, palms
outstretched for a tip.
The tides of nightspot popularity in
Acapulco shift quickly by word of
mouth. At Guadalajara de Noche, be-
tween Caletilla and the frontón, you can
hear a mariachi with three fiddles, three
guitars, a bass guitarrón and trumpet.
The hoarse, tw harmonies
of the canciónes rancheros and sones ате
enhanced by the snap-crackle-pop of an
ancient sound system. A young lady
wrapped in a flowered rebozo pulls on
listei heart strings with Qué Bonito
Amor, while the bored charro-cosuumed
mariachis play and talk to cach other
"Then, amid much hand clapping and
y crowd,
yipping from the beer-drink
the troupe stamps out the jerabio
tapatio and zapatado mexicano, the
Mexican hat and shoe dances.
The Flamingos has the most carefully
produced show in town, on at twelve-
thirty and two-thirty A.M. The club is оп
the beach, and one opening number
finds a group of near-naked dancers
springing ashore from a primitive dug-
out, with ever-present torches
me.
The provocative dancing is reminiscent
of Katherine Dunham — not. surprising,
since the show is directed and performed
by her students.
Varadero boasts a variety show with
a small line of misstepping chorus girls,
corny comedians and an aging Mexican
film idol who sings doleful songs. Los
Cocoteros at Hotel Ha presents а
group of jumping Mexican folk dancers
at eleven-thirty ғ.м., and Club Bum Bum
on Caleta Beach will be in action with
a hot band and crowds of dancers.
Ве sure to take the funicular from
hilltop Prado Americas to dance at Club.
Cantamar, which serves dinner and has
a floorshow during the season. Most ho-
tels close their clubs by three л.м., but
Chimys Jazz Bar оп Constituyentes,
with Cuban drummerowner Chimy lay-
g down the beat, stays open until at
least four A-M., and the Bambu оп Cos-
tera Alemán carries on until all the
customers have gone.
Remember José, Ше friendly cab
driver who brought us in from the air-
port when we first landed in Acapulco?
Well, we hopped into his cab a couple
of nights later and asked him what he
recommended in the way of offbeat night
лс
spots He insisted we try Rio Rita's,
where Acapulco's sophisticates go to вес
Real People. Most of the customers are
working-class Mexicans, he said, with a
jam of tourists arriving for the one-
thirty-a.m. show. We went. At tables
around the room sat dozens of girls of
all colors and ages, waiting for somcone
to buy them a drink or ask them to dance
or to retire into the cubicles behind the
club where the major business of the
establishment is consummated for any-
thing from forty cents up. The band
was off key, out of tune and too loud,
but the rhythm section went wild and
just watching the customers dance was a
treat. Eventually spotlights pierced
the smoky air, the dance floor cleared
and the professional entertainers were
on. “Anything goes” seemed to be the
policy, as long as it was calculated to
arouse. A Latin dance team, he in tight
pants and vest, she in ап undersized
bikini, demonstrated how to make love
during the rumba, mambo and cha-cha.
"Ehe singer, an endowed and exposed
young woman, bumped and grinded out
her lyrics while circling the floor. With
very slight encouragement, she stopped
and shook out a [ew bars at our table
while the crowd checred and jecred. The
of the show was Talus, a tawny
1 with black hair, black eyes and
a wild body that went into leaping,
writhing. shaking transport during the
performance.
Casa Raquel, we later discovered, is
a betterquality house up in the hills,
where the madam herself, looking like
someone else's mother, keeps her cye оп
the proceedings [rom her position at the
bar near the cash register. There's
dancing but no show — unless one makes
private arrangements.
Moonlight cruises? They're called
lunadas, and are yours for the hiring.
Or, instead of cruising, vou and your
querida can anchor at tiny beaches like
Playa Dos Amantes (Two Lovers) and
swim, build a bonfirc, cat, drink, dance,
do whatever your brimming hearts desi
When you take your I of Ac
pulco, with your heart sinking slowly
in the west, шау occur to you to
lyze the unique charm of the place
nd try to pinpoint exactly what ele.
ments made you fall in love with it.
Could it have been that
ion of tropical topography and
ighteenth
Century airconditioning system? Was it
the fishing? Was it the food? Was it the
music and dancing in the wee hours of
the mor "The swimming and lolling
on bikini-brightened beaches? That
moonlight cruise? The sensuous Поот-
shows in the clubs? The tropical da
nce and romance?
You may boil it all down to that single
word, ambiente. Or you may simply
and with a smile repeat to yourself,
it swing, señor, it swing.
winning
“Sure I remember those things, Mom. But
what have you done for me lately?”
125
PLAYBOY
126
PLAYBOY PANEL (continued from page 118)
ers are little guys, errand boys, not these
g monsters waiting in a plush apart-
ment for the men to come in with hun-
dred-dollar bills. Over half the traffic is
the little guy who saves two or three
thousand dollars. buys а kilo іп Mar-
seille and brings it over here and then
works with one other guy.
энем: The arrests made аге mostly
juvenile delinquents involved with na
«otis «nd small pushers, but no major
distributors, no major importers.
nexrorr: This is all true, but I think,
realistically. if we want progress on thi
the area to work hardest on is mo
medical control of addiction.
comen: That is one phase of the prob-
lem. Ultimately, you may curb it by
medical assistance and so forth — but it's
just an ameliorating factor.
vrorr: No, not at all. It’s a radi
апіс approach. But
the man in charge of the federal nar-
cotics program so uninformcd after all
these vears about the basic nature of
addiction, let alone the basic w:
cope with it, your whole p
stopped from a federal poi
conen: Here we have
ists of the 1
n ar
when vou have
bus
Css process
which con:
g ol narcotics
of the world, its im-
portation to the United States and its
distribution in the United States. Fi-
in cert:
nally it comes down to John Smith who
is arrested. The problem is not solved
by giving Jobn Smith medical treatment.
wixick: But you to accept the fact
that a man is sick, that he has cancer,
nd you do the best you can in the face
of a serious chronic disease. These high-
order considerations are worthwhile and
serious, but someone else works on them
while you cope with the chap who is sick.
N. ADDERLEY: That's right, what can you
do about the user?
yıaynoy: How valuable, for example, is
the work being done now at the federal
hospital for the treatment of addicts at
Lexington, Kentucky?
You know what they tell me
about Lexington? A guy tells me that
when he's in Lexington, all they're think-
ing about is — "When I get out of Lex-
ington, boy, I'm gonna get so high!”
TAYLOR: A guy might go in doing it one
way. After being put in among addicts
of all kinds, he might find fifty other
ways to do the thing he was doing before.
And he's not helped at all in too many
cases. 1 have talked to many musicians
who have been in Lexington. One guy
old me: “Well, 1 went down, and it was
ny first time. I went voluntarily because
1 thought 1 wanted to kick, and it just
didn't work out, If you commit yourself,
you can leave at any time, so guys went
“Why do you insist on putting me on a pedestal?”
in for a little rest and went on back out,
right back into what they'd been,
winick: It's misleading to imply that you
just turn it over to the docs and theyll
take over. In other words, what will the
doctor do, and under what circumstances?
The fact is that he doesn't really know
what to do. There is no knowledge, really,
on the basis of which treatment can be
given in a systematic way, and its mis-
leading to say, "Well, that’s it, the doctors
will take over." We have forty-seven
thousand Americans who are as ill as if
they couldn't walk. They are unable to
function. Their central nervous system
has been substantially modified, at least
for a while, by the drug they're using.
Now these people need enormous help
from the community. They need much
more than medical or psychiatric help.
They need help in getting jobs, help in
getting re-established, help in learning
to relate to people and many, many
other things.
nentorr: I didn't mean that it's a simple
matter of just turning it over to the doc-
tors. But there is hardly any research
data available on treatment of addiction,
and the way you're to get that is by
having doctors treat addicts. So the first
thing that has to be done in this country
is for that to happen. Then there h
to
be community education to bring about
not only medical and psych help,
but economic help, and a change in a
complex of things which goes deep into
the roots of societ:
conr: J want to give you what I think
© some practical solutions. The Opium
Control Commission of the United N
tions has specifically charged that five
countries are the source of most narcotics
supplies coming into the United State:
Iran, Iraq, Lebanon, Turkey, Syria. Sup-
pose that we ignore the political situ
ation and say to these five countr
“There will be no foreign aid extended
to you and we will create tariffs which
will prevent the importation of any goods
from your county, unless you immed
ately prevent narcotics from illegally
leaving your countries for the
States.” I would also hold any t
portation company liable il it permitted.
the transportation of n
United States, The
would be that it be deemed а [elon
with the most severe possible penalties,
for anyone to remove narcotics from a
boat to the shore.
HENTOFF: Isn't that like sentencing а
pusher for what the big guys do?
Conex: In the United States, I believe in
vigorous prosecution of major distribu-
tors. I also believe there is a need now
for establishing a research facility which
will study the possibilities of preventing
addiction. It may be possible to deter.
mine that certain children show a pote
ity for turning to narcotics. I think it
is possible to undertake a program which
can spot these youngsters, and to help
сос into th
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them with their problems at that time.
pe. wivick: That kind of prediction has
never worked, even in something as gross
as the prediction of juvenile delinquency.
COHEN: You know more about this sub-
ject than anyone Ive ever met yet
you're being negativistic about it. It has
to be don
ок.
мімск: If I sound negative about
specific proposals, it’s because no single
program for the elimination of an illness
as complex as drug addiction — which
carries so much emotional freight in the
community — can solve the problem. We
need cooperative interdlisciplinary те
search and action, more local community
participation, training the various heal-
ing professions in the techniques of
dealing with addicts, regional treatment
facilities, demonstration centers, and a
thorough and vigorous post-treatment re-
habilitation program, which would cer-
tainly appear to be among the minimum
requirements for an attempt to come to
terms with this problem. The addict
should be viewed as a sick person with a
chronic disease which requires almost
emergency action.
N. ADDERLEY: I have the final solution. И
you want to cut out all of the narcoties
addiction and the whole problem, then
let's don't be lenient on anybody. Take
all the junkies, all the pushers, all the
crooks, and throw them all in jail, and
there'll be no narcotics problem at all.
HENTOFF: What do you suppose we'll all
be on next?
N. ADDERLEY: Then we'll all start taking
ng else, like - Then they'll
outlaw grass. Nobody will have a lawn!
тлувоу: What you mean is, some peo
ple in society will always look for a new
kick, for a new escape, from the cares
and the stresses of society. And if it isn’t
narcotics, it will be something else. You
can't solve the problems of а complex
society like ous with Jone, you've
got to mix in understanding and help for
those among us who are a little weaker
than the rest, a little more apt to crack
under the pressures of a fast-moving
modern world. The jazz musician, like
any creative artist, is apt to be a little
more yulnerable to these pressures than
someone less sensitive and more satisfied
with conformity, but the publ
the majority of jazzmen being involved
with drugs is simply untrue. Where it
does exist, however, the situation is con
fused and worsened by official ignorance,
prejudice and corruption at both the fed.
eral and local levels, with the result that
narcotics addiction in this country is
treated as а crime, when it should be
handled as а medical problem. A disturb-
ing state of affairs, certainly, but one that
may, in time, be cleared up by precisely
the kind of open discussion that you
gentlemen have participated in today.
Thank you.
sometl
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127
PLAYBOY
128
BAR BETS
not the sure thing
you g for you ша
bar bet. A good many people will cor-
rectly identify the one cigarette, though
the odds are in your favor, so you may
that part of the
Put down six similar coins on the bar,
like this:
The problem is to arrange them in a
rfect hexagon, like this:
and the rules are: (1) move one coin at
a time, without knocking any other coin
out of position; (2) slide it — don't lift it
olf the bar; (8) іп its new position, the
moved coin must touch two others; (4)
make the hesagon in three such moves.
Now bet him that, even affer you dem-
onstrate how it is done, he can't do it
within three n tes. He must have a
low opinion of himself if he doesn't
take you up. In your demonstration,
don't move the сої
directly to its new
position —circle it d the others
first, to confuse him. And when you set
it up for him to t inal
arrangement to look
rou
same pattern, and it has the
n. In case you'd like to
tinker with it yoursell, here's the solu-
ti
iven arra
irst move (1)
(continued from page 98)
Second,
с. he should be
— which is just the frame
d in which you want him for the
next bet. “Here,” you say, “ГИ give you
a chance to recoup very quickly." You
take a dollar bill from your pocket,
Пацен it, hold it by one end between
thumb and index finger of your left hand.
Hold the thumb and index finger of
your right hand on cither side of the
bill, ready to grab it. Release your hold
with the left hand and, as the bill begins
10 drop, catch it in the extended thumb
and finger of your right hand, like so:
ripe Гог rev
of n
asiest thing in the world,” you say as
you do it a few times. Now you offer to
let him catch any number of dollars
dropped between his fingers by you in
the sume manner, telling him he can
keep cach one he catches but will owe
two for each one that flo:
between his fingers, when you rel
before he can grab it. Only stipula
is that his thumb and index finger must
be opposite the portrait on the bill, ог
you
above и. The
aple neurological fact
is that he's bound to miss: it takes
longer for the nerve impulse to go from
brain to fingers than for the bill to drop
between them. An additional edge
that your gull will have had at least one
drink to slow his reflexes.
A third category of bar bets involves
propositions so obviously unlikely th
when you bet you сап do them, your
friend swiftly bets that you can't
relatively simple example is to make
cross with four wooden matches that
looks like this:
Note carefully the way they meet in the
middle. You bet you can make a perfect
square with them by moving only one
match. He has probably not m
carefully Ше way they meet, and the het
is on. So you slide match A out à tenth
ofan so, and there's your squar
right in the middle, formed by the ends
of the matches which had previously
been against each other. Small, to be
sure, but a square nevertheless.
A bet similar in conception is thi
put two quarters touching on the bar,
display a penny, and declare that vou will.
ЧЇ so
ich ог
put it flat down between them without
touching quarter A, moving quarter B,
blowing on them, or upsetting the bar.
Alter the stakes have been agreed. upo
you hold B firmly down with one finer
nd slide the penny hard along the bar
to hit it, Quarter A, untouched by any-
thing that wasn’t touching it al
flics away to leave room for the penny.
nearest to the date of a coin
plain to him gently that he will have
опе guess and you will have two, but to
compensate for this he can pick the odds.
Don't let him have more than five to
one, but make а point of doing him the
favor of let guess first, since
your success depends on his doing so.
If he says “1950,” you, of course, say
"1949" and “1951.” Odds in your
are about twelve to onc.
You can almost always get a bet with
odds out of this one. Put two paper
clips on a dollar bill folded in this
fashion:
(Turn upside down before pulling.)
Det that you can pull out the ends of
the bill with such dexterity that, no
matter how high you hold the bill, when
the paper clips drop to the bar. they
will come to rest touching cach other.
Results guaranteed — since the clips will
be interlocked!
The next on
s also а sure-fire winner,
aller hook at one
bend it to close with the straight
pan liki
— ——
Now break off а half-inch piece of a
flat wooden toothpick, from the wide
end. Hang the paper dip over it and
ask your victim to hold it as illustrated.
Tell him you are going to flick
that it whirls around several times;
you are going to flick it just hard спо
so that when it stops be poin
up. not dangling down. Needless to
you want pretty good odds on this one
Actually, the odds are about thirty to
one that it will do what you want it to.
The last category of bets involves those
you'll lose, but come out ahead in the
losing. One such bet is to borrow a dol-
lar of his, take a dollar of your own,
and, holding them up, state, “ГИ bet
you a nickel you won't pay me $1.50 for
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Hollywood (continued from page 57)
Lionel Barrymore, who directed. my
second. murder offering, was one of Hol-
lywood's unusuals. He was a firstrate
mind trapped in his talent as an actor.
was among the first anti-Hollywood
sneers I heard. To wit — his favorite pet
was a vulture whom he had nursed and
fed since its nestling days. If 1 remember
correctly, he called the bird McGillicudy.
Lying sick one day, Lionel looked out of
his bedroom window and behcld McGil-
licudy whee ad hovering above the
house.
“Look at that ungrateful sonofabitch,
Lionel wheezed —he had pneumoi
"happily waiting for me to croak. After
all we've been to cach other. There's a
symbol of Hollywood for you."
Skipping to another hearse, it was
drink, chiefly, that landed agent Myron
Selznick in his. But before the organ
played for Myron, he took a large bite
out of cinema town, and not for himself
alone. He ran our salaries up from a
hundred to а thousand percent. Neither
greed nor philanthropy drove him. The
Schencks, Mayers, Goldwyns, et al., had
tumbled his father, the puissant Louis
Selznick, from his high moviemaking
perch. Myron was out to avenge the
deed. He dedicated himself to looting
the enemy's cash boxes. He was the only
ten-percenter I've known who stood
four-square beside the artist against the
boss.
In this long ago, Walter Wanger and
I were sitting in a nightclub watchin
the floorshow, headed by Jimmy Di
rante. “Jimmy would be marvelous in
the movies,” said Walter. п you write
him into the script by Wednesday?”
The script was Roadhouse Nights. On.
Wednesday morning, Durante made his
debut in it as а movie actor. Helen
Morgan was the other star. Hobert Hen-
ley was the director. Henley and Morgan
are out of play. Henley was а handsome
fellow who had shown some talent in the
ns. The talkies embittered him. I
think hc dicd out of irritation at hearing
actors talk.
Miss Morgan was a chorus girl who
had parlayed a talent for drinking into
stardom. Liquor hoarsened her voice,
gave her a mysterious sound and in-
tty girl. George Jessel w
conquests. She was
night, charging neglect апа possib!
v. Jessel interrupted and pointed
T of men's shoes, three sizes larger
n his own, lying under the bed
For God's sake," cried Jessel, “whose
shoes are those?
"Don't try to change the subject," said
Miss Morgan.
I wrote a slew of movies under the
M batons of Louis Mayer, Irving
Iberg, Harry Rapp. Bernard Hyman.
Sam Zimbalist and Paul Bern. АП dead.
Jack Conway, who directed Viva Villa!;
Wallace Beery, who starred in it; Victor
Fleming, who directed Gone with the
Wind, of which I wrote the first nine
reels in a week; Thomas Van Dyke, who
directed Му a Wonderful World; Victor
and Frank Morgan,
emoted in Let Freedom Ring — these are
in the collaborator hearses Г count.
Gene Fowler and 1 hatched an opus
for W. C. Fields and Marie Dressler
called Farike, the Guest Artist. We also
toiled with director John Stahl on a
thing called (I think) Back Street. Felix
Bressart performed in Comrade X, which
I concocted with Charles Lederer. Jack
Gilbert starred with Garbo in Queen
Christina, another chore shared w
Fowler. I “did” Design for Living м
Ernst Lubitsch; worked on a Jean Har
low saga with Paul Bern, and plotted
frequently with Edmund Goulding.
Also Lydia for Alexander Korda; Con-
vict Lake, in which Ethel Barrymore
starred; Foreign Correspondent, that
held what was perhaps the best perform-
who
ance of Albert Basserman. Г ploued
The Shop Around the Gorner with
Lubitsch. Margaret Sullavan starred in it
OF these names, Lederer — а hardy fel-
low — is still on the census-taker's rolls.
The rest are underground.
Ethel Barrymore stood for a dying tra-
dition in Hollywood — the tradition that
you had to be a good actress before you
could become а movie маг. Margaret
Sullavan was another member of that
ing Maggie, with her light
its brightest.
There were two Alex Kordas — the
clegant gent of London society and the
slippery dealmaker of Hollywood. I knew
the latter. We admired cach other, he
because he felt certain he could chea
me: I because 1 never minded bei
cheated in Hollywood, particularly by
lite This was because 1
ways felt I was being five or ten times
overpaid for the easy chores 1 did. It's
difficult to get outraged with the boss
who pays you thirty thousand instead of
sixty for two weeks’ work
Louis Mayer stuck it out for quite а
time. He might have lived forever had
“they” let him sit on his Metro throne
and fan the air with incomprehensible
pronouncements
He once said to me, about a Spencer
Tracy movie that I had been called in
to salvage after a disastrous prev
"Here's what I want you to do to this
picture. Watch me closely.” It was one
AM, in his Kubla Khan office at Мепо.
He rose, walked gingerly to the grand
iano at the other end of his domain,
picked up a small silver vase containing
a single rose and moved it to his desk
"You see," said Mayer, "what I have
done. I have brought that flower from
darkness into the light. Thats what I
. Exactly
tradition — smi
snuffing out
е fellows.
want you to do to this pictur
what I have shown you.” Tears filled
his че: Ve can ай go home now," һе
. "I think I have solved our prob-
Ey
Mayer was not only a gifted double
talker but a man of ceric power. He gave.
And he wok away. If he didn't seem to
make much sense, neither, Im sure, docs
the Grand Lama of Tibet. He, Louis,
was a force. Nevertheless, “they” kicked
him off his throne, and into his hearse.
L. B. Mayer was not of the Hollywood
royal handful whom only death could
demote. Louis, for all his royal purple,
was a hired hand, like the rest of us.
In Hollywood, only puppet kings
reign. A handful of vaguely known lead.
ing stockholders do the crowning and
uncrowning, There are a few notable ex-
ceptions in my hearses — Harry Warner
and Harry Cohn. I'll save Cohn for later
About Warner— he was a naive and
stubborn old boy. Although he went to
his studio every day for forty years and
more, he knew less about movies than
the Abominable Snowman of the Hima
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he had one charming side: he thought
everybody he saw was rich and happy
Just what this movie king did in Holly
wood I never knew, except once. He
FBI
тип out of town for my a
pro-Palestine propagandist. I was whoop
ing it up for the Irgun, who were known
is the Terrorists. А few years later, he
beamed on me as a luncheon companion
in his commissary. Either he thought 1
had reformed ог. more likely, he never
was quite certain I existed.
Irving Thalbe
summoned the nts to have me
tivities as a
was not а force buy
at
unlettered, Irvi
lent. A frail fellow, lange eyed. naive
« could plor like Рита
ind Dickens. The town produced only
two other such Roman candles, David O.
Selznick and Darryl Zanuck
After h guided MGM into exist
ence almost singlehanded, Thalberg took
а first holiday in ten years, He went to
Europe. When he returned to Metro, he
found that he had been deposed as thc
magician realm. А
months later he caught а cold and died
Paul Bern, remembered for having
committed suicide as the impotent bride
groom of Jean Harlow, the great cinema
Sexpot, did по such thing. His suicide
note, hinting that he was sexually incom:
petent and had therefore “ended the
comedy," was a forgery. Studio officials
round his
lead body, that it was better to have
Paul dead as a suicide Шап as the mur
der victim of another woman. It would
be less a black eve for their biggest mov
iemakins heroine, La Belle Harlow. Jt
might crimp her box-olfice allure to have
her bizoned as a
hold her husband. It was a delicate point
ruler of the few
conference
decided, sitting
wife who couldn't
only to the front
ns of 3 eat studio. The
weird details of this "suicide whitewash”
we in the keeping today of director
Henry Hathaway, who was Раш Bern's
is clea
of the sort th.
Harlow’s death was also an odd one.
She had һай polio when irl of four
teen, and had recovered from the dis
but it impaired her cough reflex-
vase,
able
drained
She маза
to cough up anythin
foreign that her syste
While working fected
tooth dripped its poison into her body
She died from it.
Miss Harlow was the first big sexsvm-
bol of the talkies. Her platinum blonde
coiffure launched the hair dyeing indus-
uy in the U.S. She also brought the fe-
male bosom back into vogue. Jean took
her fame seriously. She wore no brassiere
under а white өшіп blouse. Before mak-
ing a public appearance, she would rub
ice on her nipples to improve her ap
pearance.
Wallace Весту. а Metro Salvini, w
one of the few actors with whom I ever
quarreled. It was on the Viva Villa! set.
He was acting Pancho in a German accent.
іше
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ack Conway, the Villa director, was
one of the best of the town's unsung
talents, like his friends Victor Fleming
and “Woody” Van Dyke. Unlike today’s
directorial marvels, they were long on
cnt and shy on publicity handouts.
fornicating, gambling were
diversions. They scorned press
nd found their fame in their
salary checks and in the eyes of their
own kind. Oddl n't what they
were after, no more n were Sam
Zimbalist, Bernie Hyman, Irving Thal-
berg and the others of that gone: to. rest
galaxy. Moviemaking was end in it-
self. Everything else, including marriage,
nfidelity, riches, headlines, was second-
ary. They "made" movies in restaurants,
dinner parties, in swimming pools, in
bed, in bathrooms, on love hegiras, hunt-
ing trips, in theatre lobbies and in Doc-
tor Menninger's Clinic for the Disturbed.
Most of them were fun to work for or
with. One of the exceptions was Cecil В.
De Mille. Agent Fefe Ferry, also in my
rses, had sold me to De Mille to work
оп а circus могу he was preparing, The
Greatest Show on Earth. 1 was employed
for three weeks. My work consisted of
sitting in De lle's оћсе five hours а
day and listening to him talk. He said
nothing that made any sense. He seemed
like some excited child amazingly mis-
informed on all subjects. I'm sure he
thought the world was flat and that the
sun circled the earth.
At the end of my third weel
my long silence.
1 was once an
1 did a trapeze si
Castello Shows."
I'm not interested in that side of
you,” De Mille answered. "What I want
is a writer.”
Fefe called me the next morning with
the news that 1 was "off the picture.
Ernst Lubitsch was another problem-
boss to work for. He put a dozen writers
into the hospital. Knowing his record, I
avoided working with him for years. I
finally took а job with him that I was
sure суеп Lubitsch couldn't make diffi-
cult It was to write a screenplay for
әсі Coward's Design for Living. It was
а comedy, full of correct plot turns,
bright characters and good jokes. It
would be child's play to chop it down to
movie length and throw in a few “ex-
scenes to add a look of action.
d this fellow Coward,
we sat down to wor
- “He writes like a
ked up
George Jean
han, who was conducting a pogrom
ainst Noel. "I don't want to use a sin-
пс, ог scene, or character, or what-
ever he has in that lousy play
in a broad Viennese accent which Ernst
I broke
robat in a circus," I
gle in the Harry
said Lubitsch,
in my Nyack he
cheap vaudevillian.
made him stand out thinker. "So T
ant you to write me everything brand
new. And ve vill show up this Mister
Coward for vot he iss — a nobody."
I learned later that Coward had
sulted Lubitsch by refusing to sce the
great director when he came calling
backstage.
One of my biggest Hollywood victories
is that 1 didn’t go to the hospital writing
the Design for Living script. Lubitsch
went. I had figured out a way to confuse
him. | always handed him four or five
versions of each scene, Having to tear
into these sapped his strength. He
sn 4 off to the Harkness Pavilion, pre-
tending he had the flu. V he was
laid up. I finished the scenario. Та
struck a blow for Coward. I stuck а num-
ber of his bright lines from Hay Fever
and The Vortex into the script.
Jack Gilbert was knocked off by the
talkies. They broke his heart, because he
couldn't talk. Не lingered in seve!
palaces for a few rs, collecting his ten
thousand dollars a week, and suffering.
He threw thousand-dollar bills at whores,
waitresses, scrubladies, at almost апу
female who smiled at him between his
suicide tries.
Jack Conway had “invented” Gilbe
He had pulled him out of the extra
ranks and made him а маг. Whe
Conway started slipping as a Metro
topnotcher, Gilbert was at his own gli
“Sometimes,
Madge, I wonder if you really care . . .
tering peak and intended to stay there
“If you'll play in my next picture,
Conway said to him, “it will restore Mr.
Mayer's confidence à
"I couldn't, possibly,
n me.
Gilbert ап
swered. “I need a top director."
Conway, who could fist fight wo С
berts with one hand, contented himself
with a phrase. “Ungrateful pup." he
aid, and walked away. A few years later,
Gilbert and Conway both died, alter
lying around heartbroken as movie dis-
cards.
Vic Fleming and Van Dyke had the
atisfaction of dying before they were
booted out of glory-sezts.
Fleming w ll. handsom
with fine muscles. He had some Indis
blood in him, and a lot of poetry. And
he was five times more sexually attrac-
tive to women than any of the Gables
nd Tracys he directed. I remember him
once at lunch at the writers’ and d
tors’ table in the Metro commi
There were a score of highsalaricd
geniuses оп hand. The topic under
cussion was, "how many great lays have
you known?" A half-dozen se ined
experts had had their say. They had
offered figures from fifteen to forty-five
Come Fleming's turn, he said, “I've
only known one good sexual female type
— ihe woman I love and am married to."
Van руі the fastest of the di
le
133
PLAYBOY
134
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tors in the Metro geniusstables. He
could shoot a reel of film while such
colleagues as Willie Wyler and George
Cukor were still trying to get а prop-
erly spoken single speech out of an actor.
Jimny Stewart once asked permission
to leave a Van Dyke set. “I have to go
to the bathroom,” he said. “Go ahead,”
Woody said, "we'll shoot around you.”
Our picture Farike. the Guest. Атим
didn't get made for two reasons — Dr
ler and Fields died. Fields was Fowler's
favorite selbdestroycr. Мо man ever
worked so patiently at wrecking his soul
and body as did this prince of comedians.
A Mississippi of gin stuiced through him
in his declining year
Fowler visited his ailing crony shortly
hefore his death. He found Fields sitt
in the garden reading the Holy Bibl
“Im looking for loopholes,” Bill ex-
plained, shyly.
А last look at the old Metro salt mines
before I resume counting more hearses.
Fowler and Г were a “writing team” in
the Selznick unit. Boss David's office was
He insisted Gene and I have
downstair
a secretary,
had. We were
David that we were sensitive about
women and didn't like to sce them en
slaved. Selznick was adamant. And thus
Bunny appeared. She was our secretary,
but she quickly became a Metro high-
light.
Casting director Ben Piaza had pro.
duced her for us. We had assigned him
to find the most voluptuous, non-intel-
lectual blonde in the спи world.
Bunny was all that. We then costumed
her, removing her brassiere and lingerie
and wedging her into а skinüight. rcd.
satin ball gown, with practically no
bodice. We put a vase containing two
dozen Americ uty roses at her
dimpled elbow.
We also redecorated our office, Пий
it out like а fine brothel
over the window, erotic picture
walls, and drenched it cach
with perfume
Bunny couldn't type or answer the
phone. She sat in lovely silence reading
movie fan magazines. skipping all the
hard words, Our office filled up м
sightseers. Producers, directors, writers,
actors. choked the antcroom Гог
glimpse of our secretary, With the studio
stages, dressing rooms and offices teem
ith sirens, our Bunny was the only
girl in town. Under instruction, she
spoke to none of the pilgrims. We asked
only one service of her which she per-
formed with fine efficiency, At four
o'clock each afternoon. she arose from
her chair and moved languidly down the
stairs to boss Sclznick's office. Arriving at
its side door, she pressed the secret but-
ton that opened it, and addressed our
harassed chief.
“Mr. Fowler and Mr. Hecht would
like to know what time it is, Mr. Selz-
on the
morn
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PLAYBOY
136
nick, if you don't mind,” she said. We
1 written her dialog,
Bunny ended a bit mysteriously. Lou
Mayer, in his robes of state, came to our
office to listen to a reading of the movie
nd I had written. I did the read-
ny sat аг my side, holding a
mood.
At the ading, Mayer said,
“A very interesting story you have there.
1 appreciate your reading it to me.” His
се was kindly but his voice was аЬ
ted. Mayer left. And зо did Bunny,
being way past her bedtime. And tha
as the last we saw of Bunny.
1 don't understand the association, but
another Louis Mayer incident comes
here to mind. It was the day before
Christmas. There was a tradition at
Metro that at three o'clock on this day
aM ше MGM males тап ош of their
offices and grabbed and kissed all the
females who had the temerity to show
themselves. The corridors be Il of
squeals and mating cries.
as escorting Helen Hayes back to
Metro dressing-room when this pre-
holiday whoop-dedo erupted. A score of
moviemakers came galumphing out of
of them espied Miss Hayes and a foot
засе developed between Louis Mayer
and Charlie Lederer. М
ed the astounded Hele
up on Metro traditions) and kissed her,
hammer and tongs, Helen responded
oddly to the great man's caress, She sank
her teeth into his neck and drew blood
and a roar of pain out of the wounded
kissing bug.
To my hearses again, carry’
my moviemaking coll:
Pichel, who directed The Miracle of the
ng off
horators — Irving
Bells: Gregg Toland, who photographed
Wuthering Heights; Charles Vidor, who
directed Farewell to Arms; Leo Spitz,
who produced Gunga Din; Don Hart-
man, who presided over Roman Holiday.
And hn, under whose fe-fifo-
Tum banner I wrote, directed and pro-
duced one of my favorite scripts, Angels
Over Broadway.
Cohn was the most unloved of the
Hollywood grand sul
large crowd attended his funeral services.
Sam Goldwyn explained the phenom-
enon with the now classical utterance,
“Everybody wanted to make sure he was
dead." Bosley Crowther, in his book
Hollywood Rajah, quotes Sam for this
comment on L. B. Mayer's funeral. Hav-
ing heard Goldwyn make the observa-
tion in his home on the evening of
Сойиз burial, 1 correct Мг. Crowther.
Оп secon ht. Sam wasn't above
ood joke twice.
despite the rages he inspired,
ble man. There was a straight-
Forwardness and simplicity to his skuldug-
Series, He put up no hypocritical front
of being a gentle
the rest of his co potentates. He was
descended from the little boy who liked
to pull wings off flics, and
off a spider. But he bore
1 will. Malice was unknown to him. Не
loved life, which was moviemakin:
he diverted himself by ontwitting the
greeds and crooked ambitions of all who
me smirking into his office thi
they could make а monkey out of him.
rry’s version of all callers
nd employees at his Columbia Pictures
Studio.
The са
ns no
ману rate at Columbia Studios
was rather high. It was Harry's closest
friends who seemed to go first. Among
them was another collaborator of mine,
Henry Sylvers, He produced Her Hus-
band's Affairs, in which Lucille Ball got
all the laughs. Lederer and 1 had writ-
ten all the jokes for the male lead, played
by Franchot Tone, but a Phi Beta Kappa
key (Franchot is the only movie actor
who sports one) is no match for a
comedienne.
An incident that illumines Mr. Cohn's
odd likableness, in the midst of his dep-
redations, is the Marilyn Monroe inci-
dent. Miss Monroe was not yet out of
her chrysalis. Disasters and defeats were
her. She had weathered о.
ly un
by Twentieth Century-Fox
nd dropped from its bit player payroll.
Nearly every time she managed to get an
audition for a small part, the thing
ended іп а hundred-yard dash or а
wrestling match. Marilyn, a sturdy young
їп, always won these events, but not
the parts.
Suddenly hope filled the fine Monroe
bosom 2; Her friend Joe Schenck
had persuaded Harry Cohn to put her
оп the Columbia payroll and try to use
her in some small part. Two wecks later,
а call came from Columbia Casting. Mr.
ry Cohn wished to sce Miss Monroe,
mally.
promisin
p Marilyn
entered the Cohn lair. F merged in
silence from behind НЕ
"How d'you like that” Harry aski
lyn looked at the picture of a
-five-foot cabin cruiser.
beautiful bo: Miss
Monroe.
“How would you like to come with me
Monday mornin;
"I would love to join you
Cohn on a cruise," said M.
Cohn's face filled with
“Who said апу Mrs,
Cohn?" he cried. "How dar br
up her name! That's the goddamnedest
presumptuous thing 1 ever heard. Who
do you think you are, I should invite you
trip with my wife. Get out of here,
b blonde and learn some man-
» Monroe paused i
door and said, a little
hope you invite me a
the opened
Musedly, “1
ain sometime, Mr,
was too much for the t movie
chieftain.
“You's
ed," he с
4. "And don't
ever come in this studio адай
Miss Monroe walked out in silence.
With h walked some fifty million dol-
lars worth of grosses-to-be.
Here's
movies I wrote who are underground —
fist, II Jolson, who played Hallelujah,
I'm а Bum. In taking me to meet Jolson
in Miami thirty years ago, George Jessel
nother bevy of performers i
names of any singe
fact, to be on the safe side, don't mention
anybody who's iu show business, in what-
ever capacity. Even if he's selling um.
brellas in the lobby. This will ensure а
sociable pinochle game."
And Tyrone Power and
ird Cregar,
an; Carole
ad Walter Connolly, who
«а in Nothing Sacred: Ronald Col-
n, who played in The Unholy Ga
den; Robert Benchley, who was in For
eign Correspondent; Michael Chekov,
who played in Spellbound and Specter
of the Rose; Mario Lanza, who didn't
get to play in the picture I wrote for him
a few months before he died. And the
best of them, John Barrymore, who
played in Topaze and Twentieth Cen-
ішу.
Theres no reason to exclude Alex-
ander Woollcott and Alice Duer. Miller
from my cortege. They weren't actors
quite, but they played in The Scoundrel.
And there was Fuller Mellish, who died
on the set of Crime Without Passion.
And others with whom I plotted stories
that were never finished, among them
Humphrey Bogart, Walter Huston, John
Garfield.
Barrymore was the best of the crop
not because of his acting. He was a great
actor, but behind hi: sa mania
cal lust for life, a dedicated. explorer's
interest іп sex.
Tliked
his wit. He had not the sli
himself as а man of success or talent.
Publicity bored him. Fame w
bawd he ever despised. He h:
in politics, wars, economic syste
ple, and. people alone, fascinated 1
And the sound of bright words and bull's-
суе epithets, He lived a sort of headlong
love affair with life. Its greatest events
were а woman's arms or a fr
radeship.
The wit I liked in him wa
rueful. Lovers are seldom very mirthful
І remember once attending а
who played in The Black 5
Lombard
pl
n most for his vagueness and
ием. idea of
“That could be you and те, Miss Lindquist!”
137
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been forbidden to drink. His doctors and
his friends had all convinced him that
liquor was fatal
Barrymore was on Ше wagon and to
ensure his staying there for a bit we had
hired а powerful athlete to be his body-
птушоге sat at the table, the
1d on the alert beside him. and
and an empty highball glass, Fac
g us was а young woman who was
downing drink after drink. Ва
watched her with envy and admiration.
A parched look gathered on his face.
Suddenly, the voung woman arose, a
little unsteadily, and looked around, evi
dently for the bathroom.
Barrymore held out the empty high
amd coocd
in here!"
rymore
ss he was holdin
In here, my darlin
There are more һе th the finest
оГ passengers. ald, with
whom 1 first stormed the town in its si
lent era. Fitzgerald was doomed from his
first pay check. Hollywood terrified him.
"God save us,” he said one night, "it's
idsi of à bank rob-
suid to me
in this tow
а onto his u
And Herman nkiewicz who first
whistled into Hollywood. When
an died, half the wit of Hollywood
еа. Good Lord, with Ман
«апда the town? Herma
h of moviedom. He cr
wilderness of its phonies. and
s winced and roared with
hier simultaneously. For Herman
was always twice as funny as he
He hit out with jokes, What w
Hennan's wit like? Here is a
tence of it.
Metro had offered a prize of five thou-
sand dollars to anyone in its employ for
the best slogan to increase а dwindling
attendance in the movie theatres of the
land. Herman submitted а thought,
Show the movies in the streets and drive
them into the theatres.”
There are two composers in my line
of hi Antheil and George
Gershwin. Antheil wrote the music lor
the pictures І did on my own, includi
the last one, Actors and Sin, in wl
my young daughter, Jenny, starred with
каше Albert.
Antheil was not only a composer, he
genius. He was an expert in
. psyche paintin
and literature. He worked never less
an twelve hours a day, slept almost not
1, and remained until his death as
a child.
The other George — Gershwin — wrote
ihe music lor my only musicalshow.
script, The Goldwyn Follies. 1 remember
him at the piano, pensive, pink checked,
black-haired, with a shy, archaic look.
He spent the last few months of his life
опа psychoanalyst's couch tryi
rses, Geo
was also
endocrinol
5
t
mei
himself out of а brain tumor
diagnosed.
What a Mardi Gras of names. rides
away in these hearses — the sprightly
poet Samuel Holfenstein. who wore a
monocle and preferred to talk with a
heavy Irish accent. And what they did
to this deft and genteel troubadour in
our celluloid jungle! And Constance
Collier and Fanny Brice, whose Holly-
wood roosts were oases of friendship and
loyalty; Errol Flynn, Roland Young, C.
Aubrey Smith, Lewis Stone, Robert
Walker, Jimmie Dean—and Dr. Sam
Hershfeld, whose grin and good counsel
kept half the town from commiting
Бата КИТ on the bosses’ doorsteps
In the last wagon, my friend and col-
laborator, Charles MacArthur, In Holly-
wood's most glamorous days, Charlie was
a hefty portion of its glamor. He toiled
and capered and filled the town with an
air of wit and adventure. Men and
women, including his bosses, Thalberg | MRE
among them, followed him like the | анан
Pied Piper. d
We wrote u dozen movies together. | | ПП
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And would have kept on writing to
gether, except that Charlie exploded. As
Fitzgerald, Hoffenstein, Benchley and
many others did. They were not meant
for the roughhouse esthetics of Holly-
wood. They never learned the trick of
nitwit bosses
leclinz no pain when
kicked their dialog in the belly and
mangled their plot turns
Thats my lite parade of the dead
ones. Г offer them as а possible explin
tion of whats wrong with Hollywood.
They are gone.
New geniuses have muscled in to re
place them. New producers, stars, direc
tors, writers, fill the empty shoes. They
have the look to me of a second team
taking over. Not that there is less talent
in them, less know-how, or even less ego.
But there is small mania in ther
The mania that kept the first and sec
ond flowering of moviemakers working
till they dropped; that turned every din
ner party, drinking bout and love hi
into а story conference; that
hoot for politics, patriotism. global dis
turbances or anything else оп earth ex
cept the making of a knockout movie:
the mania that believed in movies as il
God had sent them: that put the movies
unblushingly beside Shakespeare, Shaw
Dostoievsky and Euripides; that regarded
New York, Paris and London ay bour
geoise suburbs of Hollywood: the n
that buttonholed a billion of the earth's
inhabitants and held them spellbound
with the zaniest, goriest and most swivel
headed swarm of humpry.dumpty fables
ever loosed on mankind — that mania is
almost gone out of today's moviem:
ГИ not go into what has taken its
place. Those who rode olf in my hearses
took most of Hollywood with them,
та
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140
Crazy mixedup id (continued рон pz
wrapped superciliously in a reverent air,
which meant her hour with Siggie had
been “meaningful.” And that meant I
could expect а hard time this evening.
She confirmed ту suspicion. When 1
went to her, she gave me a cold cheek
instead of warm lips.
“Has Alice
asked wearily.
gi" she
gone ahu
1 nodded.
il. "I couldn't stand
id tonight. Alice and
goddamn positive thinking
Siggie give vou a haid time, swe
How often must I ask you not to
call him that?"
le should be honored. Thats the
ister's given name,” I said. “What the
IL is his name, anyway? No, don't tell
ше. 1 won't remember. 1 nı
mental block.”
“Don't be juvenile!
You've promoted me. Last week you
called me infantile
I could sec this was going over 1
ap lettuc
round her waist, friendly lik
ией down the pass.
“Don’t paw me, Freddie. Please. Have
you no unders
her
o
ike
So I tried to slip my arm
She
polished off my
struck a pose — a lovely
crumpled-browed, brooding
rebuffs only made my interest
stronger. Was 1 really in love with her?
Or was 1 ving to prove I could take
the measure of that lousy, in-fighti
е 58)
at a Fire Island beach p
pretty face, a winning su
kid. а lithe, young, sun-bronzed body —
filter-cigarettead girl. Now she was
Judith Anderson in Medea.
The metamorphosis begun when she
started emptying her subconscious into
sie slosh bucket. By now 1 was со
vinced she was suffering less from her
own vague psychic upsets than По
psychoanalysis itself. Anyway, if 5
wasn’t Seena' major aflliction, he
as hell was mine.
"He understands so mu
she said dreamily. “Freddi
achieve that kind of rapport
ybe,” I said bitterly, "i
me half a chance. As it is I'm Hing
blind. I'm not sure what's troubling you.
All I know is I love you. I want to marry
es vonder why.”
tw. she w
ile. a carefree
іс
ure
В. so deeply;
can we ever
you give
you. Somet
You're not mature ei
“All тізім. Le
vough for marria
have it,
ge.
1 blurted
bout me this
t makes you think we discuss
you? И we ever mention you, it’s because
1 dream about you now and then. But
even so, you're only a symbol of some-
thing deeper, more complex."
“Great. Tm free game.
I sputtered.
“You іе must have а helluy
good t ne арап. Vin juve-
nile, infantile, not ready fo
Vm surprised the
a bill”
My
shoved a hig
у doesn’t send. me
ed to soothe her. I
—
“I demand equal time, Senator.”
n. and then w
1 cory little Ital
Ше le.
1t was good being with her. She looked
as beautiful as any female could with
fettuccine buttering her lips. 1 was com-
fortable with her. It was as if something
within cach of us reached acrow the
table and held hands. Precious moments.
Here we were tied t
of emotior pport
yearned for, and couldn't recognize un-
der her very позе.
It didn't last long. This time it wa
fault. Because an exasperating thou
stung me: that at the next session on
the couch, this pi very
experience would become Si
it to him. Her
monolog we the way
I ate minestrone. the price of the din-
ner, the amount of Ше пір, and who
knows wl һе.
“You're such a transparent little boy
she said. sipping chianti. "ls obvious
you're thinking of my analyst. Aren't you
being unfair to him and me?
you two are do-
went out to
n joint on.
dinner
мац
would ni
"You sound. positively paranoiac
“Never mind the psychiatric labels.
retorted. “You endow Sigsie wi
human trai, and уои mı
you, Га prefer it. Tc
pete against а superman who
shape you want him to.”
"He happe n ext
sensitive human being with
sympathy. You could до w
Ша
Then I had to say what had been
seething in my liile black brain for
weeks:
s to be
me in hi
С uy to
Sow mold
1 wan you. Di
си
image, Se
remake me. Is a hopeless job.”
brother,” she
id. her voice br
We had tears for dessert, sullen silence
in the сар back to the apartment. 1
despised her, pitied her, loved her. It
would kill me to give her up. But how
long could I go s the imperfect
mortal ringed ist the demigod
Seena made Siggie out to be? If only 1
could cut him down to size
Back ar the flat, Sc
schmalzy Rachm
pitino concerto came forth. Wi
sulked through the first movement.
‘Then, in а conciliatory move. Г pulled
her to me и neck.
She was d miles away for all of
the warmth of her body ag;
all of Rachmaninoll’s soll
overtones
on
1 switched on the
ninolf
both
б. and
to me, da
at Si
lı scraped knees, holes
"T exploded.
ic was once а boy like 1
“The
socks, marbles in his pockets, and а
runny nose, Не had acne in high school.
necked with girls who had acne. too. and
he told smutty jokes in the locker room,”
“Stop it," she shouted. “You're horri
ble, horrible.”
Т would
warmed up
ч stop: I was just ge
headshrinker, 1 write
copy- ons could have been
reversed. Seena, Think of it. | could
n the superman with the
ather couch, and Siggie the jerk writ
; odes to deodorants.
The point is he's a guy like I
ing to make а buck, trying to get
long. Maybe he can help vou, Г don't
know. But for Pete's sake don't become
а slave to him and his mumbo j à
Seena wrenched. the hi-fi
speaker responded with a t
blast of Ra
m.
h set up a
им my voice.
pping tears
amid this cacophony of deafening piano
chords, wailing violins and stifled sobs,
the door buzzer sounded off.
Don't vou dare open that doo
cried out, 1
Se
ірі
ather die than let аг те in
^ state."
She ran ОН to the bathroom.
buzzer continued in one long, i
vibr: I silenced Rachr
buzzer buzzed Тоша
When I yanked open the door, some-
one catapulted backwards across the
threshold. It Alice. She would have
gone spr iot for
the sued, lipstic who
itching her I
Behind me, there w:
Пот then зпаце!
blind date, red to the
Mice as a cornered shop
ї
u
пе se
was с
nce. The
rs dropped
fter drops hot
се said weakly.
buzzer.”
Her escort, a mid-thirtyish, ing
y with a weak chin, seemed undecided
Whether to bull his way gaily out of the
predicament or to seck in the
incinerator.
If ever I saw embarassment personi-
fied. it
at last. he
this hallway Casanova, When,
mustered courage to lift his
eyes. his complexion went from beets to
chalk. He tugged at his necktie, shullled
his fect, cleared his throat. His hands
searched for а place to hide. It would
have been a kindness to throw a blanket
over him.
I anything, < looked more agi-
tated th did. With an angry toss of
her head, she pivoted and strode «сер
into the
“Well.” 1 managed to say, unsuccess
fully rin, "won't you
come i
“L think not,” the guy said stiflly, his
face grave, his fingers scrambling for
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cigarette, “Tt is rather late."
Alice looked forlornly at me. Tt was
plain she had already written
another blind date, another
spouse. 1 felt sorry for lu
"Good night" the guy
starting down the stairs.
ишпей and said, “Tl call vou,
But neither Alice, nor I, nor he, be
lieved it.
When he was gone, Alice culogized,
"He was cute. An intellectual.”
wh the
You'll never see him азай
‚ contemptible .
to
apart-
п. You
I don't
а man on
Alice said tearfully
talent for Кесрін
And she Hed i
ıming the door.
ing with
nds fua
room, sla
Scena was quiv
face ashen, her h
My God, girl" I
never saw such a fuss. D
never necked in a h
You're ass, she
sobbed. ^I hate you. I hate Alice. I hate
this stink іше, I hate myself and.
first time she had ever
sie. I felt the elation of
expected proud victory when
she said it, I was so carried away Г nearly
forgot to duck when she flung the Freud
volume in mv direction.
r suddenly 1 knew. I cut through her
incoherent outcry to the truth. I pitied
Seena. But I was deliriously happy at
the same time.
I took her I
her close while her tantrum spent itself.
I kised her damp cheek, whispered
“poor baby” in her ear.
She looked up at me through her
tears, the prettiest, sweetest tears Fd ever
seen. My heart did а dacha she
knew I understood. We had rapport —
unmistakably. And that was the
tant thing.
"Don't you dare tell A
said.
Her lips were velvet. She melted. in
my embrace. No, I would tell по one. Jt
was enough for me to know that the
poor blighter who had been stapled 10
Alice was Siggie. Alice, God. bless her,
had dipped Sisgie's w
"Se ectie," I
to apologize to Alic
But there no need for that. Be-
cause a moment later Alice c d
from the bedroom, bedecked in a slinky,
evening gown.
culled hii
sudden.
ds from her face. I held
"You ought
хеше me, love birds," she out.
“But I must ask vou. Docs the hem need
shortening? I plan to wear this dress to-
morrow night on a blind date.
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SLIME GOD
(continued from page 80)
s: others were morc like grin-
ning octopi with fur. АП БЕМ» had
three things in common, however
pair of large, saucer-like eyes (the better
to leer with, my dear), an unaccountable
fondness for human females, and a dex-
terity at removing feminine apparel that
many a terrestrial bachelor would envy.
On some planets a girl couldn't take
ten steps from the rocket ship without
being in the clutches of a BEM. If she
happened to be an expendable girl
(ic.. not the heroine), the BEM might
devour her on the spot afterwards
hanging around to pick his teeth and
menace the hero's girl. More sophisti-
cated BEMs (or BEMs lucky enough to
catch the heroine first lunge) had other
designs. Standard drill for а BEM in
such cases was to first remove апу re-
ir shreds of clothing from thc
struggling heroine, then drag her scrcam-
ing toward his lair, The BEM was do-
ing the screaming. of course: Space Girls,
being plucky through and through, con-
fined themselves to an occasional. hys-
terical shriek, Meanwhile the hero fol-
lowed in close, if bungling. pursuit.
Lorna's first BEM is а teratological
baroque that had been spawned by no
sane world, а wrinkled, leathery gigan
tic horror seven feet tall. It had three
short, митру legs, ending in clawed
hoofs, and a bifurcated appendage hung
down like a tail пот the back. One of
the heads was the size of a large melon,
muzzle and tusks.
with an elongated
The other head was worse . . . a flac-
cid, hideous snout, a single glazed eye,
fringed by pinkish hairs. and a wrinkled
patch of funguslike stuf) crowning the
skull.
Baroque or not, it knows what it
wants. И came forward to where Lorna
stood . . . shrieking hysterically, she
cradled іп the monsters embrace. Tal-
ons ripped blindly at Lorna's body,
tearing the kirtle away in rags.
It takes the hero little more than a
page to dispose of both the BEM and a
full of Martians. And. in
space once indulge
city outer
in. Lon in her
1 compulsion to put оп
clothes. Its hard to се why. Less than
a page later she's on Titan where.
few feet from the ship. she encounters
another batch of BEMs — fantastic crea-
tures... hal as пай as а man. with
blunt тигез, long-fingered. hands that
seemed almost human, and tails that
ial. They ran
And
instead of
were atrophied and ves
instead of hopping . . <
seconds they Tunni
hopping. alter our heroine. cold eves
intent upon her. jaws agape. How to
delay them? Loma isnt fazed for an
stant. Her few days in space have
within
are
ight her not only cunning but аз
tounding пу: Swiftly the girl ripped
open her shirt, slipped и off, still run-
ning, let it fall to the ground. She dared
а quick look, and exultation flamed
within her. The monsters were pausing
10 sniff at the discarded garment. finger-
ing it with their anthropoid hands. But
the dinosaurs came after her again, hiss-
ing. Lorna slipped out of her slacks. let
them [all from rounded hips, down the
slim lengths of her legs...
Could any 1960 Space Girl with
doctorate from MIT do that while run-
the hundred-vard Nay —
ours has become an over-specialized age,
Loma, meanwhile, is still sprinting and
stripping when she collides head-on with
а snake-man who, swinging her lightly
under his arm, hurried into the depths
of the forest.
It takes the hero (who is being har-
assed by giant tentacled serpents) some
three pages to cuch up with her. And
by that time her garments had
been brutally ripped away. and the avid
eyes of the snake-men weve intent on
the naked beauty of her body,
The snake-men are disposed of with
lite difficulty by setting them on fire
But а greater menace remains: Breath-
ing hoarsely. Shawn held the girl. his
mouth avid on hers. Beneath his hands
he could feel the satiny smoothness of
her skin. the lyric curve of her hips. His
throat felt dust-filled (the old trouble),
his heart was hammering in his ribs.
Shawn's arms tightened spasmodically
about her supple form . . ~
15 there no escape from the hero?
Yes! From the cloudless purple sky
raced a torpedo shaped ship, Sun-zolden,
the atmosphere screaming іп its wak
h dropped down toward the clearing.
A porthole taped in its side, And from
the golden ship poured — monsters!
Soon Lorna. with no clothes left to
discard. is being pursued at flank speed
by mounds of flesh, shapeless, trans-
parent. sliding like jellyfish over the
ground.
ning dash
unde
hawn, too. is running. Will the
amocba-BEMs catch will she
fall imo the clutches of the hero? It
matters little: the chase is the thing.
nd at least Torna has йу
eluded Ше spasmodically
arms of Space Captain. Shawn.
her — or
tempor
ghen
rators or fists long before the
poor BEMs had a chance по complete
their passes. Since Ше BEMs frequently
had more brains amd personality th
the hero, many readers resented this
bitterly.
БЕМ» flourished and underwent limit.
less refinement «Іш this fruitful
period. Witness the high degree of bio-
logical sophistication in this BEM from
"I hope you don't mind Umboko going along to observe your
fire god, bwana.”
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another story in thai sime 1938 issue of
Marvel:
1х Stone turned he saw a frightful
and incredible Jorm . .. the very atoms
of the creatures body had been insanely
warped, and in the change had come
sheer A huge cylindrical head
set оп humped broad shoulders, from
which spread great wings of thin metal.
The monsters flesh shimmered with
changing colors. Gigantic glowing eyes
watched Stone, flicked past him to the
girl . . . а taloned claw darted out,
pulled her close. The girl’s gown was
ripped into shreds . . . the monster’
face came down, nuzzling the girl's bare
throat...
horror.
As important as the anatomical com.
plexity is the motivational drive: the
true BEM would rather nuzzle the
heroine than battle the hero. Which
may explain why Stone (who volun
teered for the job) needs no more than
his bare hands to subdue it — though
the task takes а little time: Swash aud
rip and tear, with sick horror mounting
slowly within Stone. Could the thing be
invulnerable? Could he even hurt it?
He can and docs — and one more BEM
dics unrequited.
It may well be asked why Stone was
such a chump as to get into a messy
situation like this. And the answer
throws much light on the grim mam
versus BEM that marked the
end of the Thirties. Stone, who wants
th, is talked into
struggle
only
doing the job by a girl named Marsay-
laya. She explains that the local BEM
is despoiling her planet and terrorizing
her people. Stone couldn't care less. She
resorts to threats:
Green eyes mocked him,
10 return to ea
"You must
obey me. You cannot do otherwise
“That зо?" Stone grunted. “I don't
see why I should fight this beast of
yours. I owe you nothing.” . .
The green eyes grew baleful.
cause you great pain
= will you obey?"
Go to the devil,” Stone snarled . . .
Quickly her hands went up, slipping
the emerald-green gown from her shoul-
ders, It rippled down past the ivory
globes of her the flat smooth-
ness of her stomach, the delicate con-
tours of her thighs, to [all in a crumpled
ring about her feet, And then Marsay-
laya was in his arms, her breasts cush-
ioned against his chest, her white form
clinging lo him . . . his hands slipped
"I can
‚ you fool! Now
breasts,
down, caressing а body that was like
flame.
She whispered, “Will you slay the
beast for such a reward?”
Sanity came coldly to Stone. He said
hoarsely, "No!"
Not until Marsaylaya discloses that
the BEM is alter her does Stone agre:
to intercede. Chivalry? Hardly — in
of Marsaylaya’s humiliating failure
year’s best laugh ...
24
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PLAYBOY
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PLAYBOY ACCESSORIES FOR YOU AND YOUR PLAYMATE
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| CHICAGO 11, ILLINOIS
seduce. The truth seems to be that. by
the close of the Thirties, the unwritten
code of Space Captains was “Separate
the BEMs from the girls. Keep the
ВЕМ5 from getting any girls to nuzzle
or devour and they'll wither awa
It was а strategy that worked only too
well By the end of the decade only
BEMs who had the good fortune to cap-
ture a Pirate Queen had any hope of
holding onto their victims. But P:
Queens were well worth holding. Unlike
other Space Girls Pirate Queens (the
term is a generic one, and includes High
Priestesses and Amazon Despots) had
things pretty much their own way until
slaughtered
jealously tor
d forcefully seduced
tured the heroine
the hero.
nly struggle for his virtue
Шу cooperated. One reason
niform) was
tub of
bosoms and the dispositions of hyper-
thyroid nymphos, which made coope:
tion simple and mot unpleasant, The
heroine might believe his Iimsy excuses
about allaying the Pirate Qu
e readers knew what he'd
picions, but w
1 case history, we must
10 the teeming pages
of Marvel Science Stories. this time the
November 1938 number, and perhaps
by now it is beginning to dawn on you
it is on us that all our examples
seem to be pouring from this single red-
blooded periodical. Have our memories,
then, deceived us? Were girls and slime
pds limited to that one mag; The
qualified ves. The covers
of most of Ше es" science-fiction.
pulps did indeed display the rosy flesh
and shredded blouses we remember so
well, but the stories within w
spare of sexual sparkle. Blucnose
our friend the elderly educator were
ways judging the books by their covers,
which was unjust, or were forever con-
nd equating science-fiction n
azines with sexy pulps in other
—Dime Detective, Horror Stor.
ence-fiction sex was only a cover come-on
ith the formidable (and, strangely,
ved) Marvel providing almost the
only exceptions. It is back to Marvel,
then, we must go, and to one Kent
Mason — hero of The Time Trap —who
is uying vainly to reason with а High
Priestess named Yana. She's whisper
“Since 1 became a priestess —1 have
not kn 2” Suddenly her
arms were about Mason's neck, her hot
breath against his cheek as she strained
n—love .
against him. Mad torrents of passion
seemed unleashed in the priestess. Ma-
son (ried to free himself. The girl drew
back. her face hardening. “Хо? Remem-
ber — you have not freed the white girl
yet. If 1 should summon aid
Shrugging, Mason bent his head . . .
the moist inferno of her mouth quick
ened his pulses . - . the priestess was the
hot soul of flame.
It should not Бе inferred that Space
Plains didn't struggle hard to pre-
ve their virtue — some resisted to the
ройи of idiocy. Mason. for example, has
already twice fought off Nirvor — the
Silver Priestess — like а silver statue, сх-
quisitely moulded . . .
She whispered, “I grow tired of wis-
dom. 1 am — woman?" She lifted. pale
hands to her throat, unbuckled the clasp
that held the robe. Il slipped down
rustling lo her (есі. She stepped for-
ward: her bare arms went around Ma-
son's neck,
Selling his jaw, he tore them free,
thrust the woman back . . .
show of prudery results in the
ne's being dumped into a Centaur-
ВЕМ pit (watery orbs avidly dwelt on
the girl's nudity) and being pursued by
plantBEMs (ihe tentacles ој the mon-
stess reached out, deftly removing the
girl's clothing). Since Mason had to go
to an extraordinary amount of trouble
and ellort to retrieve her, his submission
à constitutes a realistic conser
energy.
The Ризас Өшесі
alas, alwa
s got
"s in the end - and паяйу, too.
Some ell into their own acid vats, others
с sucked into Saturnian quicksand.
Nirvor, the Silver Priestess. was cooked
by a heat ray while Yana, shricki
lustily, vanished into the maw ol
giant BEM. In view of the moist in-
fernos and surging flames Pirate
Queens carried around, it is more than
probable that a sudden su i
most
ge of p
some exploding
aps this was the
or rage resulted
spontaneously. Реп
cause ob the tragic death of Warrior
Queen Boada (War-Lords of the Moon,
Planet Stories) who, less than a
after her hour of triumph (“You
did nol expect to sce те here, but E
serve the destiny of the Моон?) ex-
ploded in a sheet of flame und
fused circumstances, It
g Sp:
ute such accidents to their own prowess.
were all BEMs content to devour
te Queens the
t they did instead wa
seribed. But must have
thing imaginative, since the heroine
(who by this time had already lamped
some nerving sights) always turned
way in horror, her firm breasts quiver-
ing as a shudder van through her.
теш
pured. Just
s seldom de-
been some-
Wh
y did this era dic? The slaughter
of the BEM herds and the high mortality
rate of Pirate Queens is only one answer.
The chances are that the lusty pulps had
by then already long outlived their tim
Science had begun to overtake (though
not outstrip) fiction — and many readers
decided there was more excitement to be
found in relativity or сурегисис Шап
in the arms of a Pirate Queen, no matter
how moist her inferno. ОМ magazines
cha.
mor
ded ones sprang up. A few
ary BENIS lingered on into the For
ida few dozen jaded Pirate Queens
— bur the old passion was gone; soon
they had only enough strength to pose
for cover illustrations.
It wasn't long before, when you
picked up an sf magazine and read a
line like “Beautiful, вит she? You can
ride her to Sirius and back without а
single navigational erro: you knew
г policies, new and
serion
with a dull certainty that the hero was
talking about a
photon beam guide —
tor. For the strongmus
ewited Space Сар even
with their dever and shapely navi
to guide them — w
survive in an
015
те Шс
pped to
ще of nucl
antigravity. Like the dinosaur, who had
to rely on his tail for brainpower, they
lumbered into extinction.
And although educators elderly and
otherwise are continually warning us
against the dangers ol а onesided edu-
cation in science, we no longer have the
wellrounded, full.bodied. science-fiction
we once had. Sociologists and electronics
neers now roam the planets where
Pirate Queens once glori drank
deep. And heavy-footed lady physicists
ed and
mp their boots over the tombs «
BENS, but cannot break their sleep.
All of which is undoubtedly Progress
— but not nearly as much lun. And
every now and then опе
memory slipping back to
Keatsian tableau on T
пеп or gods are these? What maidens
loth? / What mad pursuit? What strug-
gle to escape?” — where, eternally Frozen,
а pride of giant amocbas plus а hero
pursue the still unravished Lorna; and
Keats had words for her, too: “For ever
warm and still ro be enjoyed / For ever
panting, and for ever youn
“Get right up there again before you lose your nerve.”
149
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PLAYBOY’S INTERNATIONAL DATEBOOK
BY PATRICK CHASE
vo you parrrr vin chaud to hot choco-
late between runs on the ski slope. and
chicks who speak something besides
English around the ski lodge fire? Then
what are you doing here? You should
be in Europe this winter, ас Klosters
or Davos, Chamonix or St. Anton, or
other Alpine snow-sport centers for the
when the
international smart set, or,
world is too much with you, traveling
the lessrammeled ski slopes of Spain.
If you're the let-other-people-do-it-For-
you type, there are ski tours available
that wrap up all the arrangements and
leave you Пее to concentrate on schus-
smg and slaloming. One such tour
operator offers no fewer Шап one
hundred
combinations which r
teen io twenty-one days at $550 to
51000. including air fare, first-class
hotels, most meals, and even some tour-
ing in Paris, London, or the Riviera.
We're especially partial to skiing in
Austria, and one of our favorite ski
resorts there is Seefeld. Nestled between
mountains and the
Alpine plateau
ч from Innsbruck,
Anton or
and fifty European snow-fun
e Irom seven-
the Wetterstein
Karwendel on the H
and yet only ten г
it’s less well known than St
Kitzbühel, but is
And then, there's Innsbruck itself durihg
the pre-Lenten Fasching celebrations.
We've always found its masked balls
and carnival lestivities more gemütlich
than the glittering of Vienna
The joys of skiing in Spain
[rom the obvious assets of near-ath
flamenco dancers. bullfights and Medi-
ierranean skindiving. are the extra
hours of daylight you can spend on the
slopes and the extra hours you don’t
have to spend waiting for a lift. The
best spots are still relatively unmobbed.
but full of fun nonetheless. Of course, if
you're the hairy-chested type who scorns
tows and such. break your own trails in
the Picos de Europa or the Sierra de
Gredos (at Puerto de Pajares and
La Serrota respectively).
Alter you've come down from the
hills and had your fill of flamenco and
the comidas in Madrid’s Plaza de Toros,
vou may want to head for Barcelona and
the Costa Brava and then go on to the
Balearic Islands. Barcelona's les in-
hibited than Madrid and the women
strolling along its majestic Ramblas are
among the most beautiful in the world.
There are frequent plane connections
from Barcelona to the Balearics and the
trip can be measured in minutes. And
fear not for your creature comforts; the
Formentor Hotel on Majorca is the
equal of. most top luxury resorts.
For further information on any of the
above. write to Playboy Reader Service,
232 E. Ohio Street. Chicago 11, Illinois.
COMING NEXT:
THE BIG ANNIVERSARY AND HOLIDAY ISSUES
ANTON CHEKHOV—TWO NEW STORIES NEVER BEFORE PUBLISHED
IN ENGLISH PLUS OTHER FRESH FICTION BY RAY BRADBURY,
RAY RUSSELL,
GERALD KERSH.
PROVOCATIVE ARTICLES BY
ERIC BENTLEY, CHARLES BEAUMONT, LUDWIG BEMELMANS
AND AL MORGAN. HUMOR BY ROGER PRICE, ROBERT PAUL
SMITH, AND A PARISIAN ROMP WITH ART BUCHWALD AND HERB
CAEN PLUS AN INGMAR BERGMAN SATIRE BY LARRY SIEGEL |
А PHOTO VISIT WITH PLAYBOY'S FIRST PLAYMATE: MARILYN MONROE
FIVE FAVORITE CHRISTMAS PLAYMATES OF THE PAST AND
SPECIAL FEATURES BY SHEL SILVERSTEIN AND JULES FEIFFER
BOTH WILL BE COLLECTOR'S ISSUES YOU WILL NOT WANT TO MISS
Best seats in the house—Staring МСА 1600", the fastest, safest, smartest looking
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h Motor Corpo
Making the blue-glass test is a very
intriguing game, То play it, all you
need are three blue glasses numbered
1, 2, 3—three different brands of
Scotch whisky—and a pretty girl to
act as umpire. Actually, Ше pretty
girl, while very delightful, is not es-
sential. A friend or a waiter at your
club or ata restaurant can be astand-i
The idea is very simple. It is to en-
able you to judge impartially which
Scotch is your favorite. The three
brands of Scotch are served in identi-
cally the same way (with soda, water
or on the rocks) in the blue glasses, so
that all look alikeand you will not know
which glass contains which brand.
Be sure one brand of Scotch is Old
Smuggler. The other two can be any
brands you like. Sip each judiciously.
Compare the flavor thoughtfully. Then
decide which brand
you like best.
Which Scotch will
you pick? Frankly, we
don't know. But we
do know that among
men who have made
the blue-gl t
many find that their
favorite Scotch is Old
Smuggler.
125th ANNIVERSARY
$2. 77406 (то, 7
( She 1 AI
86 PROOF BLENDED SCOTCH WHISKY
IMPORTED BY W. A. TAYLOR & CO., N. V. N. V.
SOLE DISTRIBUTORS FOR THE U S.A.
glasses etched with numer
to glasses used by experts for testi
for enjoying Scotch any way, ony time.
glasses to ВИ
fount Vernon 10, N. Y
©
make
the
blue-gla
test
/
9
(4
E