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N 


FOR 


PLAYBOY 


GIRLS FOR THE SLIME GOD 
EDGAR ALLAN POE AS VIEWED BY GAHAN WILSON 
HOLLYWOOD NOSTALGIA BY BEN HECHT 


МЕКЕГЕ 
® 


Jz“ This is the life. Fs This is the newest suit invented, PALAZZO POPLIN. Tall, dark and continental... 
theladies love it, notice yon songbird. J: That vest business looks te on you. F: Many thanks... clothing 
makes the man but the check is still yours. STELLA: РИ say this, the two of you make the customers in here 
last night look like . . . well, like last year. Fs Speak a little clearer, dear, are you offering one on the house?" 


azzo Poplin with the know how of 119 years as a men's tailor. J, on left, si right, The Vested Continental. 
J & Е suits $60 and $65; J & Е topcoats #55 to $65. (slightly higher оп the соз e 3, Cleveland, Ohio. 


PASSION AND 
PYROTECHNICS 


Leonard Bernstein's Berlioz 
is passion and pyrotechnics 

-hear the Bernstein way 
with “Romeo and Juliet" and 
the blazing Roman Carnival“ 


700 MS 6170/ Berlioz: 
“Roman Carnival” Overture; 
Excerpts from “Romeo and 
Juliet"/ New York Phithar- 
monic, Leonard Bernstein, 
conductor. 


PUCCINI AND THE BLUES 
Grand Opera 


is a heartbreaking 

Butterfly” or “T 

the vocal surprise of Ше year 

is her newest role,the hero- 

ine of the blues. She lights a 
oder torch in “I've Got a 
ight 10 Sing the Blue 

CL 1465/¢ ТӨК 


EVERYBODY'S GIRL IRMA 


“Гета la Douce," a wayward 
hut of course goodhearted 
wench, is chronicled in the 
score of a new Broadway mu- 
sical, a kind of French Three 
Penny Opera” imported by 
way of London. Try it in 
French—with the redoubtable 
Zizi Jeanmaire as Irma—or in 
English with the stars of the 
American cast. Either way, 
“Irma” is brash musical com- 
edy with a touch of bitters. 
OL 5560 English/WL 177 
French/ Irma la Douce. 


the newest SOUNDS 6) 


MEMORIES ARE MADE 
OF SONGS 


Mitch Milter, a bearded piper 
who leads a splendid new 
national pastime—Sing Along 
with Milch-this time with a 
melodic memoir. 

1542/08 2/ Memo- 
ries/ Sing Along with Milch] 
Mitch. Miller and the gang. 


THE VOICE OF 
SHAKESPEARE 


Sir John Gielgud is the true 
voice of Shakespeare. New- 
and exclusively on Columbia 
Records—is the sequel to 
Gielgud's “Ages of Man.” In 
new Shakespeare program— 
One Man in His Time” —Sir 
Јоһ goes to the very heart of 
matters in Julius Caesar, Mac- 
beth, Richard П and Henry V, 
among others. 
OL 5530/0ne Man in His 
Time/Sir John Gielgud. 


FROM “HANSEL” TO 
"WOZZECK" 


Thomas Schippers is a spir- 
ited maestro with a gift for 
opera that has carried him tri- 
umphantly to La Scala and 
the Met. His premiere Colum- 
hia recording 
“Lp” of orche: 
from operas ti 
tonishingly — from 
and Сте 


rousing 

interludes 
it range—as- 
“Hansel 


5 6164/ Orches- 
tral Music [rom the Opera/ 
The Columbia Symphony Or- 
chestra, Thomas Schippers, 
conductor. 


88 singles: A happy new note. Many of your favorite singers and their Er 


are now available too on neat 7- 


-inch single records at your favorite speed—33. 


always YOURS on COLUMBIA ® REC ORDS 


о “Traviata,” 


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for Christmas... 


the FACTOR a new ingredient in men's 


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but not the girls... by MAX FACTOR 


A product of Max Factor for men 


PLAYBILL 


creeks had a word Гог it, agora: 
the Romans had а word for it, forum: 
our own discussion of contemporary 


issues, The Playboy Panel. is initiated in 
this isue and is slated to reappear in 
issues to come. The гелувоу Panels will 


be lively discussions, by experts in their 
fields, on. provocative. topics of conten 
porary interest and concern. This month's 
Panel probes a subject clothed with 
highly charged emotion and. very little 
public insight: Narcotics and the Jazz 
Musician. Pavticipatin; eight top 


musicians, а prominent tic an 
attorney who is Secret the Mu- 
ian's Clinic, and a practicing 


chologist who is Secre 
tional Advisory rooi 
We act as moderator and we think vou'll 
find this forensic exploration as engross- 
ing and сп did. Future 
Panels w h the new shape of 
Ameri nd with sex. censor- 
ship and the arts 

This month. the kind hearts and 
martinets that ruled the Hollywood of im. 
earlier day and set the pace on Sunset 
Strip are mourned — and memorialized 
— by Ben Hecht, who revisits with fond 
nostalgia the vanished days and deeds 
and doers of a Hollywood that is по 
more. Speaking of revisits and Holly- 
wood pacc setting: Very much а pace set 
ter — in her own wondrous way — is June 
Wilkinson, admiringlv and accurately 
known to our readers as The Bosom, 
ever since we first. photographed her in 
our studio two years ago. Having subse 
quently breasted (and bested) the tide of 
curvilinear competition on the Coast. 
June came calling on us in recently 
— with results graphically recorded in 
The Bosom Revisits Playboy, And speak- 
ing of Hollywood and the female form. 
we also exam month the new 
wave in Ame "o films which — 
abetted Бу preme Court de 
cinema censorship 
alized on the relaxed European 
attitude toward nudity, А case in point. 
The Immoral Mr, Teas, is unveiled in 
text and pix in the pages ahead. 

Ben Hechte nostalgic mood is shared 
by William Knoles in Girls for the Slime 
d. in which he dwells with fond recall 


on those golden girls of outer space who. 
— brave and largely bare-breasted — did 
so much to 4 + the science-fict 


of the Thirties. Will Elder. whose 
mimicry of art styles and artists 
iself an wt, brings some of these 
luscious ladies back from orbit in un- 
reasonable facsimiles of those sf covers 
which titillated us in our teens. 
Unearthly, too — and uncannily pre 
cise — is Gahan Wilson's deliciously de 
riive excursion imo the world and 
s of Edgar Allan Рос. а сии! 
meeting of mordant minds. Wilson 
moved hom his Woodstock, New York 
studio to а studio in the PLaynoy Build: 
¢ to do the job. then moved on to 
London to case the files of Scodand Yard 
for ghoulish inspiration. 
On a dim day of cloud rack, mist and 


wor 


misery, a lucky clutch of rLaynoy staffers 
boarded a Mexicana Airlines Comet jet 
and, some few hours later. disembarked 
in Acapulco to be greeted by а sun 
splashed world of sea and strand. and 
Mexican. ambiente, They soon discov- 
ered that this was Ше place on this се 
tinent for that melliluous mixture of 
relaxation amd excitement, luxurious 
rest and plenty of action. which modern 
man deems desirable for getting away 
from it all. Want proof? Turn to Playboy 
on the Town in Acapulco, the fruit of 
the wip in words and pictures 
с April 1957, when I. К. Brown 
Is The Sergeant and the Slave Girl 
introduced our readers to his work, we've 
ht vou fact and fiction. serious and 
caclicomber 
Kess. We think vowll dis 
cover new depths — and new power — in 
his writing with this issue's lead story. 
Harpy. a wickedly wrought and unique 
tale which is. in our estimation, the best 
work Brown bas done 
When we decided to celebrate the 
lories of the vest. it seemed only appro- 
priate to cast Robert Stack as Eliot Ness 
as weskitwearer in the role of vested 
vigilante. You'll find him and some of 
his Untouchables attired in the most 
tasteful of these elegant accessories, 
Although Thanksgiving’s пос quite 
ristmas is just around the comer 
which that red-nosed chap with the 
bell and Santa suit is standing. What 
better time, then. to consider our Chri: 
masg ions? We present them in 
two batches. according по sie: large 
largess and bantam bounty — but cach 
gift is, by and large (or small) а hand- 
some hunk of givin 


or 


by another 


ning of that witty typo- 


aphical same invented bv Robert 
ola. Word Play. or to gleefully relish 
another round of the TV game invented 


by Shel Silverstein, this session titled 
Good Grief! Still Move Teevee Jeebies? 

And then, for іс change of 
mood. we commend to vou Miss Noven 
ber. a hauntingly lovely girl. a Botticelli 
confection with a glint in her eve, whose 
dassic beauty is in entrancing contrast 
to her petite size. There's more, lots 
more, in this bountiful November issue, 
so we won't detain you. Flip the page. 


PLAYBOY 


WILSON 


BROWN 


vol. 7, no. 11 — november, 1960 


PLAYBOY. 


Poe P. 64 


Acapulco г. 86 


Bosom P. 60 


KEN PukDY contributing edilor; ROBERT 
г. GREEN fashion director; MAKE RUTH- 
трон» fashion editor; аном 
food & drink editor; re,, CMAS 
Travel editor; LEONARD FEATHER jazz edi- 
lor; ARLENE BOURAS copy editor; RID 
AUSTIN associate art director; JOSEPH н. 
raczek assistant art director; ELLEN 
raczek ан assistant; BEN CHAMBERLAIN 
assistant picture editor; VON WRONSTIIN, 
romero ros suff photographers; 
TERN A. HEARTEL production assistant; 
ANSON MOUNT college bureau; JANET 
PILGRIM reader service; WALTER 1. HOW- 
antu subscription fulfillment manager. 


5 N, 


CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE 


PLAYBILL.... 3 
DEAR PLAYBOY — €—— ЧЇ 
PLAYBOY AFTER HOURS 17 
THE PLAYBOY PANEL: NARCOTICS AND THE JAZZ MUSICIAN—discussion.... 35 
THE PLAYBOY ADVISOR үт fem oU 


HARPY—fiction aet 
HOLLYWOOD—nostalgia Е 
€——————— eee LIES DES 


Т. К. BROWN Ш 52 


ВЕМ НЕСНТ 56 
А CRAZY MIXED-UP ID—fiction.... 


BANTAM BOUNTY FOR THE YULETIDE—gifts - сә тес EL) 
THE BOSOM REVISITS PLAYBOY-——picorial.. во 
WORD PLAY—humor. . 62 
LARGE LARGESS FOR THE YULETIDE— gifts ... ва 


РОЕ—зо! —GAHAN WILSON 64 


THOMAS MARIO 68 
-МИШАМ KNOLES 70 


EASY AS Plē—food.. Е 


GIRLS FOR THE SLIME GOD—nostalgia...... 


SMALL WONDER—, fF the month... 


yboy's playma! 


PLAYBOY'S PARTY JOKES—humor..... 


ROBERT L GREEN 
JULES FEIFFER 84 
— 186, 


BEVESTED INVESTIGATORS—ottire.___ 


THE DANCERS—salire.. 


ACAPULCO— playboy on the town 


BAR BETS—games. ss „STEPHEN BARR 97 


THE IMMORAL MR. TEAS—entertainment............... 


MAN VS. WOMAN—ribald classic. 103 
GOOD GRIEF! STILL MORE TEEVEE JEEBIES—humer..................SHEL SILVERSTEIN 107 


— PATRICK CHASE 150 


PLAYBOY'S INTERNATIONAL DATEBOOK—iravel....... 


HUGH м. HEFNER editor and publisher 


A. С. SPECTORSKY associate publisher and editorial director 
JACK J. KESSIE managing editor ARTHUR PAUL art director 


CENT T. TA JIRI picture editor 


DON GOLD associate editor. 


vicron Lowxrs ш promotion director JOHN MASIRO production manager 


ELDON SELLERS special projecis HOWARD W. LEDERER advertising director 


ROBERT 5. PREUSS business manager and circulation director 


POSTAGE MUST 


GENERAL OFFICES, PLAYBOY BUILDING, 232 E. ONIO STREET. CHICAGO 11, ILLINOIS. RETURN 


Шона ALL MANUSCRIPTS. DRAWINGS AND PHOTOGRAPHS SUGITTED IF THEY ARE TO ве RETURNED AN 
RESPONSIILU Cam DE ASSUMED FOR UNSOLICITED MATERIALS. CONTENTS COPYRIGWTED © 190 вт мын Pi 
Lishine L0.. INC. NOTHING MAY Pt REPRINTED IN WHOLE OR IN PART WITHOUT WRITTEN PERMISSION FRON THE 
PUBLISHER. ANY SIMILARITY BETWEEN THE PEOPLE AND PLACES IN THE FICTION AND SENI-FICTION IN THIS MAGAZINE 
ANO ANY REAL PEOPLE AND PLACES 15 PURELY COINCIDENTAL, CREDITS: COVER DESIGN BY ARTHUR FAUL AND RAY 
. BY MARY KONER. DON BAOWSTEIN, ALLAN COULO, WALTER 
TALE, т. эз PHOTOS GY MARY KONER: P. 34 PHOTOS BY MARV KONER (2), TED WILLIAMS (2), JAY MAISEL, 
VALIAM AERD мосоғико. DON BRONSTEIN: P. 8% PHOTO BY PLAYBOY STUDIO: P 46 PHOTO BY WARIO CASILLI 
T. ei PHOTOS ву MIKE SHEA, POMPEC РОЗАМ. DON BRONSTEIN: P өз PHOTO BY PLAYROY STUDIO; P. 72-77 
zarte, P. 36.33 FOTOS BY JERRY YULSMAN, DON BRONSTEIN: P. ва PHOTO ТОР LEFT BY ARTHUR PAUL 


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Old Mr. Boston's famous OFFICIAL... 


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PLAYBOY 


Your choice of Il valuable 


IN A SHORT TRIAL MEMBERSHIP IN THE 


SELECTIONS OR ALTERNATES FROM THE CLUB WITHIN A YEAR 


RETAIL 
PRICE 


Carl Sandburg's 
THE WORLD OF Churchill's A HISTORY OF THE ABRAHAM LINCOLN: 
MATHEMATICS ENGLISH-SPEAKING PEOPLES THE WAR YEARS 


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COMPLETE SHORT STORIES 
OF W. SOMERSET MAUGHAM 


THE COMPLETE 
SHERLOCK HOLMES 


THE COMPLETE WORKS 
ОҒ 0. HENRY 


THE PSYCHOLOGY 
OF SEX + Havelock Ellis 


| Proust's REMEMBRANCE Toynbee’s A STUDY OF HISTORY 
OF THINGS PAST {A TWO-VOLUME ABRIDGMENT) 


SPECIAL: OXFORD UNIVERSAL 
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IF YOU AGREE то ШҮ] ADDITIONAL 


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THE SECOND WORLD 
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COMPLETE SHERLOCK 


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Г) COMPLETE WORKS 


ог O. HENRY 2 Vols. 


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THINGS PAST 2 Vols. 


A STUDY OF HISTORY 2 Vols 
THE PSYCHOLOGY 


OF SEX 2 Vols. 


SPECIAL FOR $6 
THE OXFORD UNIVERSAL 


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DICTIONARY 1 Vol. 


GOOD SENSE FOR 


EVERY READING FAMILY 


ге purpose of this suggested trial mem- 
to demonstrate two things by 
rst, that you сап 


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your own experience: 
really keep yourself from missing, through 
oversight or overbusyness, books you fully 
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members regularly receive valuable library 
volumes — either without charge or at a. 
small fraction of their price — simply by buy- 
ing books they would buy anyway. The offers 
described here really represent “advance? 
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over 200 selections and alternates during 
the year. 


Ж If you continue after buying the four 
or six additional books called for in this 
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charge, a valuable Book-Dividend averaging 
around $6.50 in retail value. Since the in- 
auguration of this profit-sharing plan, $235,- 
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BOOK-OF-THE-MONTH CLUB, Ine. 
345 Hudson Street, New York 14, М. Y. 


PLEASE PRINT PLAINLY E 


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PLAYBOY 


Or do they just go? Well, friend — if 
they vanish from the scene, better try 
‘Vaseline’ Hair Тоше. It does some- 
thing to your hair, and to women! 
Even if you use water with your hair 
tonic (doesn't everybody?), you're 
still way ahead of the game. You see. 
water evaporates, makes a dried out 
mess of your hair. (Alcohol tonics and 
hair creams evaporate, too and leave 


ITS CLEAR го Л 


reca тв MASELINE HAIR TONIC | ) 


Do girls go to your head? 


a sticky residue.) But clear, clean 
‘Vaseline’ Hair Tonic won't let your 
hair dry out—it replaces ой that water 
removes. With ‘Vaseline’ Hair Tonic 
you can use all the water you want, 
So. if you've got girls on the brain, but 
not in your hair, get Vaseline“ Hair 
Tonic and keep the weekend open! 

In the bottle and on your hair, the 

difference is clearly there! 


"VASELINE' 15 A REGISTERED TRADEMARK OF CHESEBROUGH-POND'S INC. 


by the greatest jazz stars of all time! 


VIE ru) a 
CERRY 
MULLIGAN 


1. ERROLL GARNER — Concert 
by Ше Sea, Erroll plays ТЇЇ 
Remember April, Teach ме 
Tonight. Erroli’s Theme, 
Mambo Carmel, plus 7 others. 


2. ERROLL GARNER — Solilo- 
шу. You'd Be So Nice To 
Corse Home To; I Surrender, 
Dear; ИТ Had You; ete 


3. J. 3, JOHNSON AND KAI 
WINDING — Jay & Kai plus 6. 
Peanut Vendor, The Conti- 
Denial, Rise r^ Shine, Night 
їп Tunisin, В others. 


4. JDE WILDER QUARTET — 
Jazz trom "Peler Gunn". A 
Quiet Glass, Not from Dile, 
Brief and Ereezy. 7 more 


5. DAVE BRUBECK QUARTET— 
At Newport, 1958. Jump for 
Joy, The Duke, € Jam Blues, 
Perdide, Flamingo, etc. 


6. DAVE BRUBECK QUARTET 
— Jazz Goes to College. Or 
of Nowhere, "Take the“ 
Train, Balcony Rock, The 
Song 15 You, Le Souk, etc. 


7. LESTER YOUNG — “ThE 
President” Plays. with the 
Oscar Peterson Trio. Ad Lib 
Blues, Ten for Two, 6 others 


в. EDDIE CONDON -The Roar- 
ing Twenties. Eddie and the 
AN- Star: 

Wolverine Blues, Ape: 

Minor Drag, plus 8 others 


8. AHMAD JAMAL TRIO. Lore 
Tor Sule, Perneis, Rica Еш. 
pa, Donkey Serenade, Av. 
furan Leaves, Э others. 


10. LIONEL HAMPTON. Gold- 
еп Vibes. My Prayer, 


Funny Valentine, But Бе 
tiful, Satin Doll, 8 more 


11. LIONEL HANPTON-Apolla. 
Hall Concert, 1954. “Haran” 
plays How High the Moon, 


ERROLL GARNER 


ELLINGTON 


15. COUNT BASIE — April in 
Paris. Sweety Cakes, Shins 
Stockings, Corner Pocket, 
Mambo Inn, Midgets, 5 more 


16. BENNY GOOOMAN — The 
Great Benny Goodman. Let's 
Dance; King Porter Stomp: 
Avalon: Sing, Sing, Sine; etc. 


37. ELLA FITZGERALD. Gerch- 
win Song Book, Vol. 
Not рог Ne, Clap Yo: 
Pascinatin’ Rhythm, Love 15 
Here to Stay, plus В more 


DAVE BRUBECK 


22. SARAH VAUGHAN — After 
Hours. Street of Dreams: 
You're Mine, You; Black 
Coffee; Deep Purple; 8 more 


23. BILLIE HOLIDAY — Lady 
бау. Miss Brown to You: 
Billie's Blues: Me, Музей 
and I; Eus; Livins; 8 more 


24. BESSIE SMITH — The 
Bessie Smith Story, Vol. 1. 
With тоша Armstrong. ‘St 
Lot: Blues, Jalthouse Blues, 
Dovwn-Henried Blues, 0 more 


COLUMBIA RECORD CLUB 
invites you to accept 


ANY 5 


of these high-fidelity 12” tong-ploying 


JAZZ RECORDS 


FOR $ 


ONLY 


127 


If you ісіп the Club now — and agree to purchase 


as few as 5 selections from the mor 
ing the coming 12 months 


to be offered di 


than 200 


25. DUKE ELLINGTON — Indi- 
Ёз. Solitude, Where or 
When. Mood Inalgo, Prelude 
to а Kiss, Willow Weep for 
Me, Tenderiy, plus 3 more 


30. DUKE ELLINGTON — At 
Newport. Blues to Be Ther 
Festival Junction, Newport 
Up, Jeep's Blues, etc. 

31. THE JAZZ MESSENGERS — 
Drum Suite. With the Art 
Blakey Percussion Ensemble. 
mice Tempo, Cubano Chant. 
Just for Marts, etc. 


32. LOUIS ARMSTRONG — The 
louis Armstrong Story, Yol. 
1. “Satchmo” nnd ме Hot 
Pive play Muskrat Ramble, 
‘The Last Time, 10 more 


33, LOUIS ARMSTRONG—Am- 
bassador Satch. The All- 
Stars play Dardaneila, АП of 
Me, Tiger Rag, plus T others 


34. MICHEL LEGRAND — Le- 
grand Jazz. Jitterbug Wall 
Ina Mist, Night in Tunisia, 
Wild Man Blues, 7 others 


35. THE SOUND OF JAZZ. 8 
great numbers by Red Alle 

Bime Holiday, Count Ваз 
Jimmy Gulfire and others 


36. THE JAZZ MAKERS. An 
even dozen hits by 12 great 
Stars: Armstrong. Baste, 
Henderson, Ellington, Good- 
man, Prima, Gillespie. etc. 


37. JOHNNY MATHIS. Johnny 
sings twelve top tunes: Басу 
to Lore, Babalu, Star Eyes, 
Street of Dreams, еіс 


JOHNNY MATHIS — Open 
Fire, Two Guitars, With gul- 
torists Al Calola and Tony 
Mottola, Emibraceable You, 
An Open Fire, ГИ Be Seeing 
‘You, Tenderis, В more 


33. FRANK SINATRA — The 


Stardust, Tover Man, ММ” iff dun sn -At дара JACKSON New-- DELI Кос iuge 
night Sun, 4 others е Opera House. Goody port 1858. Tm On My Way, Lines: Lost in the Stars, 
BILLIE HOLIDAY Gogas. ri wina. Мо: Walk Over една Heaven, They Sas I's Wordertu The 


12. TEDDY WILSON & HIS 
TRIO — "Gypsy" in Jazz. 
Everything's Coming Up 
Roses, Together Wherever We 
Go, Some People, 3 others. 


13. TURK MURPHY. When the 


14. COUNT BASIE — One 0. 
Clock Jump. Mutton-Le; 
Beaver Junction, I'm Соп. 
fessin". Patience and Porti 
tude, I Ain't Got Nobody, etc. 


їп Vermont, 6 others 


13. GENE KRUPA — Drummer 
Man. Drum Boogie. Let Me 
Off Uptown, Slow Down 
Boogle Blues, 9 others 


Catch Can, 8 more 


21. TOMMY & JIMMY DORSEY 
— sentimental & Swinging. 
Ruby; Sweet Sue. Just You! 
Dixieland Mambo; 9 more 


JAZZ HAS COME OF AGE . . . from 


You may accept the monthly selec- 


Didn't Jt Rain, 9 others 


28. MILES DAVIS—Porgy and 
It Ain't Necessarily So; 

You 15 My Woman, 
Now; Summertime; 10 others 


Stockholm, Ah-Leu-Cha, ets. 


28. BIX BEIDERBECKE — The 
Bix Beiderbecke Story, Vol. 
Thou Swell Louisiana’ Sorry, 
Gocse Pimples, 8 more 


Girl That Ману. ets. 


40. THE HI-LO'S — And All 
That Jazz. Lady in Red. Pas- 
cinatin® Rhythm, Small Pry, 
Summer Sketch, 0 mare 


Saints Go Marching in Reli — 20. GERRY MULLIGAN QUAR- 27. MILES DAVIS — ‘Round — 41. ART VAN DAMME QUINTET 
Jordan Roll; Down in Jungle ТЕГ — What is There to Say? About Midnight. Al ot vou, с Manhattan Time. Stella bs 
Town: Evolution Mame: ete, Just in Time, Blueport, As Bye Bye Blacktird, Dear Old Starlight. Temptation Rag, I 


Saw Stars, plu: 8 others 


42. ROY HAMILTON — You'll 
Never Walk Alone. т Believe, 
ИТ Loved You, Ebb Tide, 
Unchained Melody, 8 more 


р TOMMY AND. 
JIMMY DORSEY 


7... A 


Carnegie Hall to the Hollywood Bowl, tion for your Division .. . take any of 
Jazz concerts vie in popularity wi the wide variety of recdrés offered m | COLUMBIA RECORD CLUB, Dept. 229-4 cages || 
traditional performances of sym- all Divisions . Or take NO record in Terre Haute, Indiana NUMBERS: | 
phonies, and concertos. Мис [overs any particular month. 1 accept your offer and have circled at the risht the numbers of 
ЕО en ee gues aaa sansa acre оока атоо | 
Е сш k piaci lo purchase five selections from the mns спра елка бал ра rui Да 
in every welLrounded record firar. more tam 200 Colombia, Epic and | (check one box only) 251942 П 
To introduce you to the money-saving Verve records to be offered in the com. — | C] юк | Г] Listening and Dancing Г) Classical 1 
music program of the Columbia Record ing 12 months. You may discontinue Lj] Broadway, Movies, Television and Musical Comedies| a 18 32 
Club, we now offer уси ANY S of these membership at any time thereafter. T agree to purchase five selections from the more than 200 to be | 2 то за l 
Ereat jazz records für only $1.97! “The records you want аге malled апе КЕШТЕ andl Tandis charge, ТӘМЛЕ ТІГЕ КИС to Ы І 
TO RECEIVE 5 JAZZ RECORDS FOR ONLY billed to you at the regular list price, continue my membership. Т am te recelve а 12” Columbia, Epic Ө 20 34 
$1.97 — пай the coupon now. Be sure generally $3.98 (Classical $4.98), plui or Verve Bonus record of my cholee FREE for every two additional | y 23 gg 1 
fo indicate which one of the Club's 2 small mailing and handling charge. 1 
four musical Divisions you wish to join: FREE BONUS RECOROS GIVEN REGU- B 22 36 
Jazz: listening and Dancing: Broadway, LARLY. If you wish 10 continue as a 9 23 371 
Movies, Television and Musical Come: member afler purchasing five records, 
dies: Classical: ou il тесен a Columbia, Ере or 10 24 зв | 
HOW THE CLUB OPERATES: Each month Verve Bonus record of your choice free 
the Club's statt of music experts se: (т бину two selections you purchase m 25 s] 
lects outstanding recordings for all — а 50% divider 12 26 40 | 
four Divisions. These selections are МАП THE COUPON NOW to receive 13 27 a1 | 
described in the Club Magazine, which your 5 jazz records — up to a $19.90 [рш m 
you receive free each month. retail value — for only $1.97! 1 R 1 


COLUMBIA RECORD CLUB TERRE HAUTE, INDIANA 


Deoler's Address Coen 
LIIIIIÍIIIIIIII 
еттт Ora Ски ae., 1000 E Cununia. бре ERI, 


T areas Ker. 


Knowledgeable people drink Imperial 


Its a matter of taste (and value) 


Whiskey by Hiram Walker 


DEAR PLAYBOY 


БІ лоок:55 PLAYBOY MAGAZINE . 232 Е. ОНО ST., CHICAGO 11, ILLINOIS 


PLAYBOY CLUB 
Your Playboy Club sounds fabulous 

judging from the adjectives used in the 
August article and those used by Look 
staffers who've been there 

Lewis Hodges 

Look 

Des Moines, Iowa 


Just read your description of the Play- 
boy Club chain. Sounds усту Mach 
aptiin John I. Phipps 
Maxwell AFB, Alabama 


in vou have distinguished yourself 
with the organization of the Playboy 
Key Club. It is, 1 feel. the inner desire 
of all males to be of a "playboy nature." 
The contlicting strains of practicality 
and our high-strung society are such that 
this "playboy nature” is greatly subdued. 
You have turned this fantasy into a 
reality with the formation of the Playboy 


Club. 


Lt. Leon M. Costanten. 
4th Psychological Warfare Co. 
Fort Bra; North Carolina 


Since ту husband appreciates the finer 
things im life — such as your Playmate of 
the Month — thing he 
would appreciate more than a key to the 
Playboy Club. 

Mis. Howard Е. Schuman 
Dearborn, Michigan 


can't imagine ai 


It should do wonders for 
nd for my life. 


cat id 
New York 


New York, New York. 


Had the pleasure of dropping into the 
Playboy Club: it was quite an experience 
— the word in tasteful ele 
wertainment 

Bill Plante 
WIS! 
Milwaukee, Wisconsin 


nee and 


WOULD LIKE IN ON "IHE" IDEA OF CEN- 
току = 
TONY CURTIS 
МАШЕТТА, ошо 


Tin not quite sure if Tam a “man of 
substance and influence.” If vou'd be 


Kind enough to send me the necessary 
applications and a handy-dandy home 
Substance-Tester kit, Ға be 
David H 
International Tel & Tel 
Clifton, New Jerse 


gratelul 


It never ceases 10 amaze me what 
urban sophistication and good taste c 
do to make this life more tolerable. 

Thomas С. Bianco 
Peoria, Illinois 


Exciting! Intri 
Dy 


ing! Bloodətirrin 


Joe! Livingston 
Hartford. Connecticut 


I recently accepted ап invitation to 
visit the Chicago Playboy Key Club as a 
guest 1 besten to agree that it is every 
bit as charming, elegant and relaxing as 
you described it in vour August issue. 

C. K. Egeler 

New York, New York 


Your club in is great; your 
plans for a New York club sound ever 
greate 

Arthur Несін 
cns 


New York, New York 


Home was never like this. 
Jerry Brall 
Newton Cente, Massachusetts 


A club of this type is not only unique. 
bur. performs з real function by provid 
ing а place where а man can relax and 
imbibe amid lush and convivial sur 
roundin 


David A. Fox 
Brooklyn, New York 


Bully for pLaynoy — what а great 
idea! 


R. J. Burne 
Huntington, New York 


The Playboy Club seems to be the per 
fect Shangri-La. 


Lever Brothers 
New York, New York 


DING. 23 


сипачуа NIANWT 


SIuvd 


promise her 
anything... 
but give her 


> 
1 
U 
m 
Q 
m 


11 


PLAYBOY 


12 


шашыма» 


pa 6 


YOUNG MAN to follow sure 


pattern of success 


Cricketeer. author of The Get-Ahead Book, says, “follow а pattern in 
1900". The Plaid pattern, Where individual thinking comes in: the size 
of the plaid. The bigger the bolder the better . . . suits and sportcoats. 
What a plaid does for you: impresses with sheer size, builds backbone. 
Cricketer shows some 63 plaids, this sportcoat a plaid from Scotland 
by Ballantyne of Peebles. Trimlines all-your-own shoulders, $45, other 
sporteoats less. Cricketer plaid suits, almost all vested, $60 to $75. 


for stores, wire or write: 


CRICKETEER® 


200 Fitth Avenue, N.Y. 
This is appeal =73 to The Young Man Who Wants To Make $10,000 A Year Before He's 30. 


STOCK TAKING 
The August article Capital Gainsman. 

ship was both extremely interesting and 
а fair and accurate statement of what 
most entrepreneurs have in mind. Some 
ду, someone will be tempted to make a 
study of the number of multi-millio 
dollar corporations in this country run 
by incompetent and inadequate manage 
ment. and boards of directors, who tre 
quently hz ial stake in the 
company which they are mismanagin 
Although 1 cannot claim to be a т 
reader of PLAYBOY, | do read many issues 
und must confess that 1 always find them 
amusing and cnte ng. 

^. M. Sonnabend, President 

Hotel Corporation of America 

Chairman of the Board 

Botany Mills, Inc. 

Chestnut Hill. Massachusetts 


Capital Gaiusmanship's Mr. Ginzburg 
puts words together quite well; 1 thor 
oughly enjoyed his int and ac 
curate story 


суши 


Henry Crown 
Chairman of the Board 
Material Service Corp. 
Chicago, Illinois 


Іп Ка 
aire Bill 


Iph Ginzbur le, milli 
ckendort was listed as the 
ol New York's Freedomland. 
s enterpr 
cagoans Ted Raynor 
Zeckendorf hid nothin; 
development 


s ar 


с was developed Бу Chi- 
nd Pete De Met 
to do with its 


Harvey Levin 
Glencoe. Illinois 
Except put up a lot of the cabbage. 
Zeckendorf is the major stockholder in 
Freedomland, 


NEGATIVE VOTE 
In your August Coles Cuties. you 
ave a man hold telephone. with a 
girl beside him on the couch, watching 
а political convention on TV. The cap- 
tion reads: “Ohio casts fifty-seven — make 
ycight votes for...” You imply 
t his vote made a diflerence of one 
vote instead of the one-half vote which 
is the case in present conventions. 

Bob Berman 

Bexlev. Oh 

We have to agree that Jack Cole's 

handling of this particular delegate's 
vole was most un-conventional. 


МҰНАТТАРОРРАМЕ 
1 found the artide Moonlight Over 
Whattapoppalie amusing. However. I 
m afraid Г do not share the writer's 
nostalgic warmth for the dated, gi 
asinine musical, and. there were quite a 
few of those intermingled with the good 
ones of the period. 
Fred Astaire 
Beverly Hills. California 
Fred is certainly one of Ше world's 
foremost authorities on movie musicals 


радва For from her native Africa, Miriam Makeba 
is charming sophisticated American 
audiences with a magnetic brand of folk 
singing. In this debut album, she offers 
Xosa tribal laments, Zulu ballads, some 
calypso, other exotica. The sweet, reedy 
Makeba voice makes enchanting music! 


mum 
тркева,</< 


изт sno. 


The Ames Brothers take us on a tour of 7 

а nostalgic land as they recall the golden „. 
age of the big name bands. Decked-out eg 
in a smartly styled "sound" of today, the ve 
brothers re-visit “Marie,” “Тһе Angels Sing,” 
"Moonlight Serenade," and other souvenirs 

of those tender, dancing bygone years. 


Climb San Francisco's Nob Hill and what 
do you find? Why, Frankie Carle’s orches- 
ra, playing for dancing atop the ultra smart 
ark Hopkins Hotel. This was recorded at 
Î the Top of the Mark, with all the chic at- 
mosphere captured intact. Features 8-page 
booklet of San Francisco scenes in color. 


Once again RCA Victor delves into its vaults 
for milestones in twentieth century music. 
This 2-record treasure chest includes con- 
tributions by Caruso, Galli-Curci, Leonard 
Warren, Toscanini, Mario Lanza, Fiedler... 
Chevalier, Artie Shaw, Glenn Miller, Tommy 
Dorsey, Harry Belafonte, and other notables. 


Im 


YEARS 


MUSIC AMERICA LOVES BEST 


“LIVING | STEREO > 


America’s “New Wave” of young comics 
fractures us by delicately smashing some 
of our most sacred idols. Latest to riddle 
us with irreverent wit is Dave Gardner, an 
irrepressible lad seen often on the Jack 
Paar Show. Dave's fiery “sermons” are half 
Dixie revivalist, half hipster. Dig you must! 


2 


the world's greatest artists are on... 


NEW 
HEADLINERS 
IN SOUND 


EUN RCA VICTOR 


в with "Miracle Surface 
and regular L. P. 


Dick Schory, percus- 
sionist extraordinaire, 
pounds a very special 
beat. Dick’s previous 
L.P. taught discontent- 
ed hi-fi buffs how to 
smile. Now they can 
beam! Dick has assem- 
bled a thunderous bat- 
tery of percussion plus 
a shimmering squad- 
ronof brass, forasound 
that can shatter glass. 
The tunes? Mostly 
standards, handled 
with vigor and taste. 


RCA VICTOR 


PLAYBOY 


MEN OF 


MOBILITY 


CHOOSE 


English 
Leather’ 


m a 


after shave... 
after shower 
after hours 


The only 
all-purpose 
men's lotion. 
From $2.00 
to $6.50. 


unbreakable 
flosk. The 
funnel? To 
refill the flask 
without spilling a 
precious drop. 

8 oz. English Leather in crystal bottle. 


4 oz. English Leather in plastic-flask.. 
framed in handsome Redwood Chest. 


MEM COMPANY 
M 67 IRVING PLACE, NEW YORK 


of the Thirties, during which time he 
labored valiantly in the RKO vine) 
turning out (among other) “Flyin; 
Down to Rio.” “Gay Divorce?" “Ro- 
bera; “Follow the Fleet,” “Swing 
Time,” “Top Hat” “Shall We Dance?” 
“Damsel іп Distress?” “Carefree,” and. 
“The Story of Vernon aud Irene Castle." 


Thanks for Larry Siegel's devastating 
als of 

Т somcone will just 
satirize the equally incongruous water- 
logged MGM musicals of the For 
and their heroine, Esther Mert 
be content. 


Sherm Brody 
Utica, New York 


MILES DUG 
I dug the Miles piece in your August 
issue very much and m 
about it in the San Francisco Chronicle. 
Ralph J. Gleason 
Berkeley, California 


Stanley Goldstein's article Miles was 
a breakthrough in a cloud of т 
‘The picture of Miles as а spo 
driver, a sometimes hunter, and a body 
culturist was quite surprising. 

Jim Patrick 

East Chicago, Indiana 


Miles Da he really is 
sician and interesting personality. 
Sam Katz 
Dallas, Texas 


superb 


Stanley Goldstein, whoever he is, 
really swings. His portrait of Miles cer- 
tainly rates ai the best ever written 
about a jazz figu 

Gary A. Soucic 
Durham, North Carolina 


VIVA SHEL 
Shel Silverste 


n's The Quiet Man, in 
, was a most brilliant con- 
tribution to this century's humor. It 
dwarfed anything I've scen. 

Lenny Bruce 
Dayton, Ohio 


1 really got a kick out of July's Teevee 
Jeebies. Laughed so hard I had tears in 
ту eyes. Really great! 
R. К. Meier, Jr. 
New York, New York 
More Teevee Jecbies in this issue. 


PECKING ORDER 

Richard С. Gould's The Pecking 
Order of Sports Cars (July issue) was 
excellent, and should do much to re- 
solve some of the knotty problems that 
mark the fine dividing lines between 
obsequiousness, camaraderie, condescen- 
sion, and sheer snobbery. The problem, 
аз Mr. Gould points out, is ап incred 
ing one. 


William C. Irish 
Denver, Colorado 


FACE THE ELEMENTS IN A PLYMOUTH 
FASHIONED TO REFLECT THE NEW 
BRITISH AND CONTINENTAL INFLUEN- 
CES. DAY IN, NIGHT OUT, A PLYMOUTH 
TOPS EVERYTHING YOU WEAR! 


OF BOSTON 
WEATHER-READY® COATS 
PLYMOUTH MFG. CO. • BOSTON 18, MASS. 


RENAULT Dauphine 


There is no single reason why the Renault Dauphine is the largest selling 4-dcor imported car in 
America today. It simply sums up what a cer should.be. Low in initial cost, in upkeep, and for 
replecement parts. Low in gasoline consumption (many Dauphine owners report up to 40 mpg). 
Handling that's precise, sure, relaxed—even in mud, snow, or ice. Classic styling, never out of 
date. Smooth quiet riding comfort at expressway speeds. And such extras as 

windshield washers, deluxe heater, and child-proof safety locks, included as. 

Standard equipment. Discover the many other reasons why, at one of the 

1000 authorized Renault dealers in United States and Canada. Drive the 

Dauphine, product of 62 years' experience in designing satisfying cars. 


: ще . 
RENAULT Caravelle 


There are many reasons why the Renault Caravelle is America's most wanted (and attainable!) car. It is the most con- 
vertible of convertibles—with а soft top and a hard detachable top; soft top alone; or hard permanent top. The Caravelle is 
a startlingly beautiful car. Each of the 6 rich colors is individually harmonized with a handsomely appointed interior. Through- 
out, there is a planned feeling of luxury: a hand-crafted sculptured front, wall-to-wall carpeted trunk, front seats individually 
adjustable to your personal comfort. And with it all, the practicality of Renault engineering, the sure-footedness of геаг- 
engine traction. The Caravelle can be your one-and-only car. Certainly, it will be your favorite one! 


Convertible 
Convertible 


RENAULT, INC., 760 THIRO AVENUE; MEW YORK 17, N. Y. 


Here in Fairfield County, there are 
so many foreign cars that when two 
pieces of Detroit Iron pass each other 
they wave! 


George E. Lawrence 
Darien, Connecticut 


Gould has underestimated the Pres: 
tige Factor of the MG, especially the 
1954 TF 1950... 

Miss Jackie Werther 
San Diego, California 


PLAYBOY 


My husband drives a ti and 1 
drive a Jag. Would Mr. Gould mind, do 
you think, if we shook hands now and 
then? 


Dee Greenawald 
Woodland Hills, Calilornia 


Anyone who has the insensate temer- 
ity to place a ten-year-old righthand- 
drive MG TD on a prestige level be- 
ha Corvette, ап MGA, a late-model 
mph or a new Austin-Healey must 
be, at best, an unwitting tool of the 
Westport conlormists or, at worst, an 
oat, 


William Rodgers 
Briarclifl Manor, New York 


POOR RECEPTION 

The New York май member of 
вглувоу who reported so diligently on 
the Gotham radio station in the August 
Playboy After Hows must be a little 
WAKY. Please send him а KABL and 
en KEEL. Otherwise, 
t KILT by an upset WNEW 


EAU 
DE set him on an с 


he migh 
disc jockey. 
Jack Sharp, Pre 
KLIF 


CHAN EL Dallas, Texas 


Re: August Playboy Afier Hours, New 
York's radio station is WNEW. not 
KNEW. You should have wnown 

Roger W. Dickinson 
connecticut 


COLOGNE 


m Director 


Тус lived in the metropolitan New 
York area Гог some twenty-five vears and 
have never heard of radio station 
KNEW. but I have been garnering some 
real nutty sounds for а long time over 
station WNEW. Соо? 


exe ВК Daniel B. Hooven 
he oz. 13.50 Lewisburg, Pennsylvania 
ER. Goof. 


POUR MONSIEUR For your information, all radio 


stations cast of the Misisippi River 
signed call letters beginning with 


In the West, it's K.“ 
Paul A. Rubinstein 


Riverdale, New York 
For reader. Rubinstein's information, 

KDKA, America’s first licensed radio sta. 

tion, is located in Pittsburgh. a fur piece 

from the Mississippi. A little wnowledge 


is а dangerous thing 


16 i 3 


PLAYBOY AFTER HOURS 


SS the August issue’s picture story 
about the first of what will soon be a 
national, and eventually international. 
chain of private Playboy Clubs, impor- 
tant new plans have materialized. The 
first club “closed” its doors for business 
(to be opened only by members who 
possess the Playboy Club Key) early this 
усаг in Chicago, just а few blocks from 


the publication itself; the second Playboy 
established, 
its facilities 


Club, it has heen 
will be in Miami, and 
should be available to members by the 
first of the vear. The Miami Playboy 
Club will be located on beautiful Bis 
cayne Boulevard, easily accessible from 
and city; the 
е all the features now ava 


now 


both the beach Miami 
«lub will ha L 
able to members in Chicago, plus swim- 
ming pool, cabañas and a dock to which 
boatowning members can tie up. The 
third Playboy Club will be in New Or- 
leans on famous Bourbon Street, in the 
French Quarter, and its faci 
be available to members carly in the 
coming year: 
chosen in both New York City and Los 
Angeles and clubs will be ready there 


locations have also been 


in carly 1961. too; sites аге currently 
being sought in San Francisco and 


Washington, D.C, and franchise infor- 
mation has been requested by interested 
an parts of the U. 
Canada and Mexico. plus Nassau, Ja- 
maica, London, Paris, Cannes, Rome 
and Tokyo. Meanwhile, pLavBov’s law 
firm has been kept busy pressing in- 
junctions and suits for damages against 
the unauthorized use of the PLaynoy 


businessmen from 


name in conjunction with clubs and 
bars to protect both the publication and 
its dub members. Additional news about 
the International Playboy Clubs will 
be printed here as it develops: for in- 
formation about membership. write to 


International Playboy Clubs, Inc., 232 
E. Ohio Street, Chicago 11, Illinois 


Scratched on one of the more Beat 
fences in our neighborhood: зоввокт 
MENTAL HEALTH OR I'LL KILL YOU. 

Lost and found ad from the Los 
Angeles Reporter: “Upholstered seat 
from rear of sedan, lost in bushes near 
Mulholland Dr. Drove off and forgot it 
Write Box 7474 с 


there. Reward 
Reporter 


What with dentists’ piping in music to 
soothe pained patients and doctors’ dis- 
pensing Muzak as well as Miltown, we 
suspect that sounds tailored to psychiat 
тіс problems soon will envelop (in 
stereo, naturally) couches across the 
and. As an aid to psychiatrists compiling 
a record library, we recommend the 
following tunes in the following cases 
Mother Fixation —/ Want a Girl. Just 
Like the Girl That Married. Dear Old 
Dad. Father Fixation — О, Mein Papa. 
Kleptomania — The Best Things in Life 
dre Free. Schizophrenia — I'm Gonna 
Sit Right Down and Write Myself a Let- 
ter. Claustrophobia — Don't Fence. Me 
In. Sexual Deviation — You Brought a 
New Kind of Love to Me. Sadism — Poor 
Butterfly. Hallucinations — Life Is Just a 
Bowl of Cherries. 


Hunch bettors at Chicago's Arlington 
race track could have taken home $57.80 
for a S2 daily double wager. Ihe жіп 
ning nags: Seduction and Innerglo. 


Theatre marquees may not be spacious 
enough to announce the plays of a 
twenty-two-year-old Harvard honor grad 
named Arthur L. Кори. Set for opening 


is Kopits two-hour (sans intermission) 


tragifarce titled Oh Dad, Poor Dad, 
Матта? Hung You in the С 
I'm Feelin’ So Sad. Other works in the 
Kopit coffers include Sing to Me Through 
Open Windows and On the Runway of 
Life You Never Know What’s Coming 
Off Next. 


oset and 


The whole word used to write poetry 

. is waiting for an introduction . 
never got a lucky break he 
has its own problems is 
changing channels . . is sneaking into 
the loge. . knows somebody . . hates 
to tear wrapping paper - . could've been 
a doctor if it wan almost got 
hit by lightning . iting for the 
sunrise ... may go to acting school 
doesn't speak French, but can under- 
stand it .. . will call you for lunch 
liked the book better is double- 
parked . . . can sing better than that 
can't draw а straight line with a ruler 
.. - laughs at long underwear . . . is only 
doing this temporarily will be able 
s at golf 


. goes to n. 


school 


to ulford it next week . . . chi 


is an ashtra 


Included in the invitation of The 
Dance Masters of Ohio to their One 
Day Convention in Dayton: “The Hotel 
will serve а bullet lunch, Sunday noon, 
in а parlor where all people attending 
the Convention may eat without dress- 
ing and going out of the Hotel (51.25)." 


You'll remember we sort of endorsed 
the movie version of Н. С. Wells’ The 
Time Machine in the October Playboy 
lfter Hours. Now, however, we discover 
ing boo-boo in the fil 
The bulk of the action takes place circa 
800,000 K b., as we told vou. The race of 
Eloi who live in that future time are de- 
picted on the screen as looking like 


there was a g 


17 


Yvette Mimieux — that is, young, ашас 
tive, possessing two eyes, a nosc, a mouth 
ten toes, ete. "There's no doubt about the 
ten toes, because Yvette and the other 
Eloi go around barefoot or in open 
sandals all through the picture. Now 
here's the rub: an executive of the Na 
tional Association of Chiropodists says 
that by the year 11.948 a.D.. the little 
toe will have completely vanished from 
the human foot. Сәні Hollywood do 
anything right? 


PLAYBOY 


The Parliament of the Union of South 


Africa has passed a law stating that no 
advertisement can feature а picture of 

woman in а bathing suit, with one 
exception: ads for women’s bathing suits. 

The Question Man of the San Fran 
cisco Chronicle, stopping passers-by for 
replies to “What is your [avorite sport?” 
extracted preferences for water skiing. 
tennis, bowli baseball, folk danci 
football and this genuine gem from one 
"Thomas Williamson: "My favorite sport. 
ndoors or out, is sex. It's never bor 
and it’s always different. I like the pur 
suit and the eluding of capture. Its 
somewhat analogous to hide and seek 
and similar delightful g 


mes. 


BOOKS 


With the holiday season well-nigh 
upon us, we lift a cup of cheer to five 
пем titles that have crossed our bar 
stool, all dedicated to the stimulatir 
subject of booze. They come in assorted 
strengths, bodies, bouquets, but the most 
readable of the lot is probably Berton 
Roucché's The Neutral Spirit (Little, Brown, 
$3.50), wherein The New Yorker's medi- 
cine man ladles out the shrewdly dis- 
tilled essence of what you need to know 
about drinks, drunks and drinking. He 
touches on most everything, from who 
invented the stuff (Stone Age man; 
couldn't wait to get stoned), то when, 
been 


where, how and Бу whom it’s 
| brewed, fermented, rectified and im- 
х bibed, and with what results, It's all done 


Leading Man's Choice in 150 pages of high-prool prose and can 
Те LE. N SII HOUETTE be tossed off in a single sitting. Leon D. 
J SIL 0 


Adams’ The Commonsense Book of Drinking 
B WORSTED TEX (McKay, $3.95) undertakes much the 
y үс. same thing. but is on the beery side: 
The fresh concept of the LEAN SILHOUETTE adds longer, more casual, and with a frothy 
slender flattery to a man’s appearance, Unique head of anecdotes. A demon researcher, 
design details transform your profile, imparting Adams gocs far afield to purvey ns 
leaner, more youthful lines, to the new Fall cloth- VVV 
i 2 m м the Abyssinian brew “bouza,” that the 
ing by Worsted-Tex. In new color-mix fabrics , 1 i : 
0 ет At our franchised Chinese were the fist distillers, that 

the LEAN SILHOUETTE by Worsted-Tex is in- desters oniy, or write: 3 
erb eb in ts pe i THE HOUSE OF WORSTED-TEX m beer has no more to do with steam 
erpreted in suits, sporteoats, topcoats. 200 Fifin Avenue. New York п гаре wine with rape. But basically, 
) Азор £0) 21) he's set out to provide a "sober drinkers 
ndbook,” using what might be called 


18 «тар Hunter wears a Worsted-Tex sut, molded to the LEAN SILHOUETTE) | "peices shghtly higher West of ihe Rockies 


Же» RECORD CLUB 


invites you to 


TAKE ALL YOU WANT! 


[Values up io $5.98 | 
IF YOU AGREE TO BUY FOUR ADDITIONAL RECORDS DURING THE 
NEXT YEAR UNDER MEMBERS’ SPECIAL DIVIDEND PLAN... WHICH IS 
EQUIVALENT TO А 33159 SAVINGS FROM REGULAR RETAIL PRICES. 


HERES HOW THE CLUB WORKS: Popular, Classical or Jazz. 
+ ТАКЕ ALL YOU WANT! You рау оту e You will receive The Record Club 
32.00 for each monaural (standard) News each month with hundreds of 
high fidelity record and $250 for aibums fully described.in order to 
each stereophonic sound record. | mene your record selections. 

= А FREE RECORD ОР YOUR CHOICE , yoy may accept ог reject the selec 
FOR EVERY TWO YOU BUY! Under tions of your category, take any of 
members: special dividend plan, YOU the other records offered in other 
only agree to buy 4 selections durin& categories, or take no record in any 
the next year at regular retail prices batten month, 

which entities you to 2 free records 

ef your choice—a ісігі of 6 records ® You are free to discontinue your 
for the price of 4. This members spe. membership at any time after buying 
cal dividend plan (a free record for four albums 

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as you remain a member of the Club, 


* If you are a Diners’ Club member, 
purchases can be included in your 
+ Enroll in any of these categories regular Diners’ Club bill. 


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PLAYBOY 


20 


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the rucit-yourself approach, He gives 
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bles, and includes a variety of gimmicks 
like the Drinkometer chart, which tells 
you how many of what drinks you can 
knock over before you're falling-down 
drunk. Useful these are, but his formula 
for figuring your sobering-up time would 
require a sliderule and a couple of Uni 
vacs to work out, not to mention the 
clear head which, ipso facto, you won't 
have. On the whole, though, he fulfills 
his promise, and this is one you may 
want to keep on your private bar, if only 
guments. More somber and 
minatory are To Know the Difference by 
Albert D. Ullman (St Martin's, 54.75) 
and Tomorrow Will Be Sober by Lincoln 
Williams (Harper, $3). Alcoholism, not 
alcohol. is the burden of their mes: 
and with five million. problem- 
drinkers extant, burden it is 
Both writers shoulder it manfully, but 
sociologist Ullman is the more exhaus- 
tive, marshaling all the latest data and 
subjecting it to cold sober scrutiny 
Much of what he says will be news to no 
one, but the sections on. remembering 
your first drink, alcoholism and nation. 
ашу. and the wagic trajectory of the 
alcoholic will ис you, be 
ocnophilist (a tippler) or oenophobist. (a 
teetotaler). More urh but no less 
nt ds Dr. Williams, a British M.D. 
who writes out of long practical experi- 
ence in his own clinic. He tells the same 
sad story, with a British accent, but, like 
Ullman. he ends it on the upbeat, thanks 
largely to AA, Despite divergences, these 
four tomes on tippling reveal parallel 
approaches to the subject and use many 
of the same sources, But Social Drinking by 
Giorgio Lolli, М.Р. (World. 54.50). taps 
a whole new Кез. The tide is а mis- 
потег: this is no club-car companion 
Out of wide reading, deep study and 
keen observation, Dr. Lolli 
a comprehensive and definit 
of the gent who drinks for the fun of it 
Most original of his notions is what he 
‘unitary pleasure” reaction, 
alcohol supplies а "blended 
ure of body and mind" that can 
e you back t» your mother's breast. 
If it docs, watch out; this is а botled.in. 
bondage blend that can lead straight to 
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2 


by YAN HEUSEN 


urban hausfrau in the grip of crushing 
ennui. These are among the subjects 
rich Sokol brings wordlessly to life 
first album of drawings, American 
Natives (Harper, 54.95). кі Аувоу readers 

iliar with Sokol's cartoon characters 
— ripe and kittenish Bardot types caught 
in full pout — will find his pen directed 
ard what he calls the tragically 
crous in all walks. As Steve Allen 
n his introduction, "Ink, in Erich 


Sokol's hands, is an acid. that dissolves 
sham ...a peculiar mixture of savagery 


and sympathy.” Savage, yet sympathetic. 
ol has limned stinging portraits of 
tly-recognizable Ameri 


Ics th 


usual thing for youngish novel- 
ists to start their literary careers with a 
book about adolescence — their own. 
Herbert Gold has broken from tradition 
just a Би by penning his memorial to 
his teens in mid-career, Therefore Be Bold 
(Dial, $3.95), which might be subtided 
1 Portrait of the Artist as Penrod, is the 
story of Dan Berman. fifteen years old, 
disciple of Thomas Wolfe and Omar 
Khayyam and slave of profound, devious 
Eva Masters. Through a grown-up Dan's 
memory of life Jeveland suburb 
during the late Thirties, we explore his 
friendship with Juicer Montague (a gen- 
ius according to Stanford-Binet) and 
Tom Moss ne with е 

commi 7 
father 1 
ings tow 


tes Jews: his hi 
iis own Гай 
and, taking in all of the 
covery of himself. The dispensable 
ingredients of novels of adolescence 
all here: the first bout with booze 
first visit to the local bordello, Ше 
love affair (including the first sweet 
and the tive attempt 
making) 
about girls; the painful arguments with 
loved ct hate 
Dan is a. Jew. 


nd mother 
. his dis 


the 


afront 
ld relates these 
iences with heavy irony, his de 
nst the sentimentality 
ner years calls 
less irony, the 
dropping 
as though 
his formi 


exp 
fense perhaps a 
which the memory of 
up in us all. The те 


hyped-up. over-amplified, 
sc, which somet 


nds 


Gold were bent on ri 


dable facility with words 
its own playfulness, all work agains 

book. And this is a special pity, because 
ist the insistent style, the r 
find considerable humor as Dan 
his friends, acutely aware of how little 
experience they have had, attempt. to 


view Ше through the wide dens ol 
Thomas Wolfe, and in scenes such as 
the evening when Eva and Dan try 


heroically to concentrate on love despite 
the imperative of full bladders. There 
E »ments ol striking honesty. ay 
when Dan grows dumb with pity, ad 
miration and wonder at the revelation 


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maintain FREEDOM OF CHOICE and 
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to lead a precarious existence. 


But if you have it in you to stand firm against 
FEMALES determined to have their way with 
your taste in clothes; if you can remain steadfast 
against the CONNIVANCE of certain parties 
to TAX your good taste by inflating thc price 
of fashionable attire beyond the limits of 
REASON AND EQUITABLE PROFIT then 
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offer MEN OF TASTE and the courage to 
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We are aided and abetted in this project by 
dedicated merchants who display and sell these 
garments in an atmosphere devoid of CHAH- 
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femininity. The honest intent and honest tailoring 
of all this A.N. L. Clothing is certified to by 
the "BOTANY" 500 tailored by Daroff label 
sewn in every garment, Prices on our suits begin 
ot 859.50 slightly higher out West). For store 
nearest you, or other pertinent information, write: 
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of Mr. Masters’ implacable hatred. And, 
most rewarding, there are rare and 
precious flashes of insight into the mira- 
cle of those moments when a boy turns 
into a man. In all, Herb Gold's wit and 
compassion stand him on a shelf of his 
own, apart Пот, and superior to, the 
great bulk of modern day fictioncers. 


FILMS 


In lers Moke Love, Ma Monroe's a 
swinging-singing chick who's working in 
a satirical revue off-Broadway. Yves (it's 
pronounced but he's all Adam) 
Мошап is a billionaire who wants 
Marilyn. He moves in when the pro- 
ducers unknowingly hire him to portray 
himself, опе of the targets for 
the revue. From there on in 
kind of Cinderellasville, a place you've 
visited before but never in such charm- 
в company. Some of Ше bet- 
ter moments cn route: Marilyn doing a 
cuddlesome version of Му Heart Be- 
longs to Daddy; her тоск а roll num- 
ber, Specialization, with British singing 
star Frankie Vaughan, and the sequence 
which Yves gets some tips on m. 
comedy from Bing Crosby, Gene Kelly 
nd Milton Berle. Tony Randall, 
Yves’ harassed public relations man, i: 
his witty best. Although M. Montand 
doesn't get much chance to sing or dance 
along the way, this picture should guar 
antee that U.S. audiences will s lot 
more of him and his specialties in the 
near future. Credit Jack Cole for the 
knockout musical numbers. 


The Entertainer is a first-rate film а 
a third-rate Engl 1 com 
he did in Шер Laurence Olivier 
acts the title r h great style and 
insight. The locale is a rough, tough 
English equivalent of Atlantic City and 
the time is 1956, during the Suez crisi 
Olivier, whose son gets killed in that 
brief flare-up, has other miseries, too: 
he’s bankrupt and his current show i 
; to a close. His hysterical wife, 
Шу acted by Brenda de Banzie, 
wants him to chuck it all and е her 
ada, for security's sake, but he 
thumbs his nose at her. On he goes, 


beauti 


unty, lusty to the end. The end 
when his latest love with 
an ambitious bathing beauty whose fam- 


ily he counted on to finance his new 
show, breaks up; and when his father, 
a retired songster who brought this on 
by blabbing to the girl's mother about 
Olivier's missus, dies in ап attempt. to 
recoup his family's fortunes. Several cast 
members turn in superlative perform. 
ances. Particular] seworthy is new 
comer Albert су. who plays ше 
soldier son. Joan Plowright Sir Lau- 
rence's real-life love (he left Vivien Leigh 


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for her), does a grand job in Ше thank- 
less role of his daughter. As with Look 
Back in Anger, the script is based on a 
John Osborne play and the stylish direc- 
tion is by Tony Richardson. 


Yul Brynner is a deported U.S. vice 
king: Mizi Gaynor is his dumb-but- 
honest broad. And Noel Coward is а 
deposed monarch, Pavel the Serene, of 
Anatolia, a hot little island off Greece. 
They're all in Surprise Раскоде, and most 
of Ше action concerns Noel's crown 
h he is anxious to sell in order to 
continue operating а luscious harem. 
Everybody іп anxious to 
swipe in — including Үш, whose double- 
crossing buddies have left him penniless 
The screenplay, by Harry Kunitz, i 
amusing in a diluted Born Yesterday 
way, and is particularly funny when 
Noel, who sounds аз it he wrote his own 
is on screen. Unfortunately, Bryn- 
ner is supposed to get most of the 
laughs. He doesn't. Mitzi gets one of the 
biggest. however, when she calls h 
Knucklehead. 


sight seems 


Except for the casting of two talented 
guys from other arcas of show business 

Мон Sahl and Ingemar Johansson — 
All the Young Men would be a routine. 
predictable war flick. Sidney Poitier does 
best, which is thumpingly good, 
the pivotal role ol а Marine sergeant 
Korea ordered by his dying lieutenant 
to command an outfit containing a 
couple of bitter and prejudiced GIs, 


Man Ladd and Paul Richards. But the 
way in which he finally wins their r 
spect is a massive cliché. The battle 


situation (complete with drum-rolling 
score and Ше lastminute arrival of the 
Ми Force) is more of the same. The 
only sensible point that does get made 
during the film is that not onc of these 
knows what he's fighting for 
Sahl, who did write his own lines for this, 
is as penetrating as ever (he says with 
mock seriousness: "Hey, UN. you know 
how many Chinese there are? Six hun- 
dred and fifty million — that they know 
about — and 1 got a feeling they're all 
draft age"), but some of the reaction 
shots make Mort look like he's there 
on а USO tour. Ingemar, engagingly 
natural, comes off quite well, too, except 
when he sings, which is not exactly the 


ща 


est NEWS since GARBO TALKS. 


Vittorio de Sica is given credit — and 
deserves the blame — for the Artistic Su- 
ision of а rather moldy confection 
called Fes! ond Sexy. The theme song, 
honest to God, is Mr. Sandman. Origi- 
nally titled Anna of Brooklyn. this awful 
epic features Gina Lollobrigida as a rich 
widow returned to her native vill 
Here she meets up with none other t 
Dale (Wells Fargo) Robertson, acteur 
abominable. He is the local mc 
and has a way of handling wor 


f 


THE | 
CLEBANOFF STRINGS 
AND 

SYMPHONIC ORCHESTRA 


LOVE THEMES 


FROM GREAT FILMS 


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Sensation of the 60's blows up. 
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PLAYBOY 


26 (f) e closest thing to a second shave 


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thing 
Тоа 
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Теп seconds. That's all it takes to rub on 
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what a difference those ten seconds make. 
Blemishes and skin irritations disappear. 
Shaving shine and red vanish. And 
as for that last trace of beard—well, it’s 
just as if you had shaved twice, Not even 
a shadow remains. Nobody sees the talc, 
either—skin-tone Mennen 
blends right in. Many men 
use Mennen Shave Tale 
twice a day. Right after 
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well as motors. De Sica plays the pricst 
who finally marrics them. If almost none 
ol the comedy comes off, at least you сап 
be sure that Gina's clothes do (off screen 
for the most part). And there's no ques- 
tion that she has a large wardrobe, in- 
cluding a double-breasted birthday suit. 

KingoLthe-Clan Frank Sinatra and 
Clansmen Dean Martin, Sammy Davis, 
Те, Peter Lawford and Joey Bishop aren't 
nearly ing 
they were romping across nightclub floors 
during the eight weeks they spent shoot- 
the film in Las Vegas (PLAYBOY, Meet- 
ing al the Summit, June 1960). The 
movie is best when the fivesome (aided 
by Akim Tamiroff, Richard Conte and 
Cesar Romero) doesn’t take the script 
seriously, which is about half thc time. 
The rest is dull stuff. The film never 
builds up much suspense over the multi- 
million-dollar robbery of the five big- 
t Vegas casinos. With a less alluring, 
less skilled cist, the movie might inspir 
shouts of “robbery” from the audience, 
but Sinatra and buddies manage to as- 
sure some fun — and certain box-office 
profits. For the record, Dean and Sammy 
contribute a good song apiece. Frank 
saves his tonsils for another day. 

The Thirty-Nine Steps, Alfred Hitchcock's 
mid-Thirties thriller that starred Robert 
Donat and Madeleine Carroll, has been 
updated in a current British version 
simply by substituting missiles for poison 
gas as the key element in the basic spy 
стап етеш. A civil servant, Kenneth 
More, becomes the patsy in trying to 
track down an espionage ring headed by 
plotting professor Barry Jones. More, in 
flight from Jones’ gang, hides under the 
protective wing of a giant-sized nymph — 
Brenda de Banzie — and gets involved 
with a girls-school gym  instrucuess, 
Taina Elg, before demolishing the forc: 
of evil. The color is excellent, the direc- 
tion fast-paced, the characters carefully 
wrought. With deference to the purists 
who can't forget the original, we recom 
mend the new Steps as a step in the 
right direction. 


з Ocean's 11 as 


из entert; 


ACTS AND 
ENTERTAINMENTS 


We caught the nifty new George 
Russell Sextet at the Five Spot in New 
York and dug the meaty, modern jazz 
that came tumbling out. Russell, known 
primarily as а contemporary composer, 
has surrounded himself with a young, 
vigorous crew of musicians from Indiat 
n trombonist Dave 
band at the University 
In addition to Baker, Ru: 
indude Dave Young, tenor; Al 
Kiger. trumpet; Ted Snyder, bass 
Joe Hunt. drums. Baker and Kiger 
Studied under Russell at the School of 


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“Superior 
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Irving Kolodin, 
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DANCING WITH ROS 
Edmundo Rot ond His Orchestra. Mogic 
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Brazil; Toku: Leo Do Brozil; Te Quiere Y 
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#5 205 


OPERETTA MEMORIES 
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low," “The Merry Widow ond Ihe 
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Liszt: THE HUNS—Symphonic Poem 
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PHILHARMONIC BALL 
(Music of Johenn В Josel Sircuss). Auf 
Der Jagd: Delirien Wollz; Pizzicaio 
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Jazz in Lenox. Massachusetts, last vear 
and sounded. him out about forming th: 
group. When George said OK, the stu 
dents returned to Indiana last winter 
and recruited. the rest of the р 
Russell joined them in late spi 


sonnel. 


ng and 
spent four hours а day, six days а week 
in rehearsal — for a month before the 
debut. Rusell does the charts for the 
group and plays curiously chordal, ex 
tremely personal piano. We were sur- 
prised to hear number after number 
with a tightly arranged head and tail, 
but with acres of freewheeling impro 
vised solo work in the middle. His re- 
cent Decca LPs—New York, N.Y. and 
Jazz for the Space Age - had prepared 
us for music of a more orderly, but 
harmonically complex, nature. “Г hope 
to get а lot more composed work in 
our book,” Russell told us, “but when 
you have blowing talent like these 
at they'll come up. 
y. and then you 
have to build the group around them 
The Sextet will develop by itself.” (It has 
recorded one LP for Decca and will cut 
another before the end of the year.) In 
trumpeter Kiger and tenor man Youn: 
Russell has two of the brightest impro 
visors to storm the jazz heights in many 
а season. Kiger blows a melodic line with 
confidence and imagination. Young tears 
off his solos in a blunttoned rolling style 
akin to that of John Coltrane. In ай 
it’s a serious set of jazzmen capable of 
ing fresh material, like Russell's 
Stratosphunk and Baker's Stone Nuls 
and Kentucky Oysters with sumnit 
style and excitement, and also able to 
turn a jazz standard, like Woody'n You. 
inside out and back again with such daz- 
zle and verve that even the Five Spot's 
hip waiters had to shake their heads to 
regain focus. Go listen. 


you have to see wl 
with in their own v 


DINING-DRINKING 


Café Chauveron (139 East Fifty-third) in 
Manhattan has several distinctions which 
recommend it to the gourmet sophisti 
cute — more, іп our estimation, than 
quite а clutch of more famous establish. 
ments. The carte is superb and formi- 
dable in the variety of its off 
n 


gs, but 
menus are as impressive. The dil 


ference, here, is t 
menu is not only fulfilled, it is surpassed 
by the food itself. Then there is the mat 
ter of decor; lately there's b 
crease in restaurants whose interiors art 
refulgently grandiose. At Café Chi 
veron, the atmosphere is calcu 
stimulate the diner, not distract him: in 
its elegant simplicity and opulent func- 


at the promise of the 


4 
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At 10:21 this man in his Gesture Slacks went out to seek Adventure! 
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tionalism it reminds onc of the best 
haute cuisine restaurants of Paris. Fi 
nally, the service is that id 
ttentiveness and reserve which ma 
ne feel well waited on, not fawned over. 
The reason for all this is not far to seek: 
the founders of Chambord are behind 
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lunch (12 to 4) or dinner (6 to 11:30) 
Limit the cocktails, we зау, зо you can 
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1 blending 


The amalgam at Chicago's Club Alabam 
(747 Rush) is probably unique in the 
world. The entertainment — ork and 
floorshow, which alternate continuously 
fom 9:30 PM. to 4 А.м. —is strictly 
honky-tonk from Prohibition days. Small 
wonder, since Club Alabam was one of 
Chicago's major speaks. By contrast, the 
food із truly Epicurean, not to say Lucul 
lan. Gene Har 
s a private speakeasy-like 
ies who mourn the 
plebeianising of drinking by Repeal - 
is hooked on the old music and night 
club trappings. But he has engaged. Art 
Carter — a world-renowned chef, student 
of gourmandise, creative master of the 
culinary arts, onetime attendant on the 
British Royal Family —to supervise the 
cuisine, which is worthy of the most 
critical palates. Carter not only super- 
vises, he performs. At your table, he w 
dice a handsome hunk of beef and slice 
fresh mushrooms, sauté them in se 
chafing dishes (with butter, wine, herbs) 
4 then put them in a duck press 
and extract the juice, as a foundation 
for the sauce to be spooned over your 
filet mignon, which a minion brings in 
on a portable charcoal grill. This is just 
one of a dozen culinary masterpieces you 
should try: accompany it with pommes 
soufflés, broccoli hollandaise, and tossed 
salad. Then cap your meal м 
diablo, watch 
yet another ch 


—who owns the club 


and тайна 


room for his old croi 


with a ballet-master flourish as he forti- 
fes the coffee with brimming ladles of 
brandics and liqueurs until the whole is 
enveloped in flames. It's aambrosial. Hours 
are 5 р.м. to 4 лм., seven days а week 


RECORDINGS 


Су Coleman and his trio, backed by a 


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at some length, and most pleasantly, in 
a brightly-burnished new album, Pleyboy's 
Penthouse (Everest). Coleman, to us, has 
always been the prototype of the better 
supper club pianist — inventive, techni- 
cally proficient, and possessed of the in- 
nate good taste that separates the note 
pickers from the note grabbers. The 
Playboy's Penthouse theme, penned and 
played by Coleman for our TV show, 
kicks off proceedings in a muted vein 
that is sustained throughout. Not that 
Coleman is averse to the upbeat; Kiss 
and Run, Lulw’s Back in Town and 
Top Hat, White Tie and Tails move — 
but with a restraint that is almost а fet- 
ish with him. Top Hat, incidentally, 
features а scintillating contrapuntal 
melody handled by the brass — a refresh- 
ing approach to what has bcen, up tiil 
now, one of our most unfavorite ever 
greens. 


Around Midnight (Liberty) marks Julie 
London's eleventh album. The girl with 
the world’s sexiest stage whisper shows 
no signs of slackening oft in either quan- 
tity or quality, however. The albums’ 
pitchmen may have run out of copy for 
the liner notes by now, but we can still 
think of a few choice adjectives to de- 
scribe Julie's efforts this outing — sensi- 
tive, sensuous, sad and sultry. Miss Lon- 
доп siren songs to the night people are 
backed here by а mood-music orchestra, 
under the reins of Dick Reynolds, that 
tinkles, moans, sweeps and subsides in all 
the right pla попа the languorous 
lullabies guaranteed to make you think 
of anything but sleep are Вий Not for 
Me, In the Wee Small Hours of the 
Morning and Misty. The rest 
in mood; the words and melodi 
change but the over-all meaning is per- 
fectly dear. 


There are only about ten Fleta guitars 
made each year in Barcelona, Spain. If 
the other nine are in as good hands as the 
one currently held by Charlie Byrd. 
the 1959 production has been well dis- 
tributed. Byrd, who studied with Andres 
Segovia (he blows a Fleta, too), picked 
up the guitar during a 
with the Woody Herman band last y 
he's been strumming it impeccably ev 
since. Joined by bassist Keter Betts and 
drummer Bertell Knox — two of Byrd's 
cohorts in the Washington, D.C. 
sphere — Ше guitarist devotes his 
LP, Cherlie Byrd Trio (Ollbcat), to a dilly 
of a dozen tunes. Among them are Who 
Cares, How Long Has This Been Going 
On, Prelude to а Kiss, Gypsy in My Soul, 
several blues and a Funky Flamenco 
Free of the intruding horns that wer 
present on his previous discs, Byrd zips 
and sighs in virtuoso fashion. 


торсап swing 


Т ШЫ, 


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PLAYBOY 


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tion, Jenny Lou L: aney D 
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ists Robert Colston and Paul Trueblood 
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you say you take your fathu 
the interviewer. "From time to time,” 
oozes the young one. Furth sings of tli 
Family Fallout Shelter: "When you see a 
mushroom big and yellow, let a ton of 
lead be your umbrella." Tucked in 
among these goingson is а charm! 
plea for amour, Love. Here | Am, su 
knowingly Бу Miss Dussault. 

When the Dave Brubeck Quartet and. 
the New York Phil, conducted by Leon- 
rd Bernstein, joined forces last Dec 
ber to present Dialogues for Jazz Combo 
and Orchestra - by Brubeck's brother 
Howard — their perlorn 
wild huzzahs from the C: 


it, the has been recorded by 
same groups and it occupies the first side 
OL Bernstein Plays Brubeck Plays Berns! 
(Columbia), backed with Dave and hi 
ing Bernstein tunes (four 
: tory, one [rom Wonder- 
ful Town), In Dialogues, the orchestr 
dheres 10 written themes, while the 


combo i 
composition is balladi a positive, 
romantic sense — and some of it is gently 
bluesy. АП of ш. The tracks 
played by the quartet alone are in th 
classic Brubeck groove, with the leade 
pianist, alto man Paul Desmond, bassist 
Eugene Wiight and drummer ос 
Morello blowing just as pr 
always do. 


as they 


If the record store lets you sample an 
LP, which track do you tend to play first? 
Play the opener of side one and you шау 
up a good thing. Take the case ol 
Nancy Wilson's Like in Love (Capitol). The 
twenty-one-yearold thrush is at her most 
stridently Dinah Washingtonian in От 
the Street Where You Li ` 
later tracks (Night Mist, Passion Flower 


In Other Words) to get the real и 
diamond quality of this vital newcomer. 
Nancy's slender, tender and tall, and she 
has а combinati "Un fac 
and form radiating cool heat, and a voice 
like dry ice. The Billy May bac 
doesn’t hurt any, either. 


discussion 


THE Р 


M | 


NARCOTICS AND THE JAZZ MUSICIAN 


first in a series of provocative conversations about subjects of interest on the contemporary scene 


PAN 


LISTS 
AN KENTON 

үу GILLESPIE 

DUKE ELLINGTON 

SHELLY MANNI 
CANNONBALL ADDERLEY 
NAT ADDERLEY 
BILLY TAYLOR 
имму GIUFFRI 
NAT M 


we critic 
attorney and legal 
addiction 


orr, 
cone 


MANWELL T. 


expert on narcotics 
DK. CHARLES WINICK. 10 the 
National Advisory Council on Narcotics, 
Director of Research of the Narcotics 


Addiction Research Project 


PLAYBOY: Our purpose, 
this first rLaynoy Par 
cotics md the jazz mu 
We might put it another to what 
extent is addiction a special problem of 
juzman? How common is the use of 
cotics among musicians, and to what 
gree is the public attitude а reflection. 


gentlemen, in 
uss nar- 


ici 


ol the facts? We aren't in search ol dog- 
matic conclusions: rather, we'd like to 


stimulate thought. to ventilate the sub- 
ject and let in the light of knowledge 
nd experience — which you men have. 
Stan Kenton, you have пос only been 
in the very forefront of advanced big- 
zz since the carly Forties, you've 
also been a long-time, articulate spokes 
man for jazzmen. Why don't you lead 
off? There are ап estimated sixty thou- 
sand drug addicts in this country: how 
common is narcotics addiction in the 
jazz field? 

RENTON: It exists, of course, and it е 
as a very real problem — exactly 
does among other 


м 
it 
occupational groups. 
they are 
све to 


ivericks: 


not only non-confor 
pretend, to play it safe, to pose as il 
they are other 0 are. And they 
are on display before the public at their 
times of greatest tension, when the men 
who are addicted may feel their greatest 
need — so the few addicts among them 
e more readily revealed, But I'd зау 
there is an imme iphasis on 
the degree of addiction among jazzmen. 
Taylor. as а top-rankin 
pianist with long and wide experience 
among the modernists, how do you fe 
about 
глум 
common 


t. they 


certain its not at all as 
s the newspapers would lead 
you to believe. The addiction of musi- 


s is played up completely out of 


proportion to their number 
cause they're newsworthy 

та лувоу: Duke Ellington. you've been a 
ital part of jazz history since the Twen- 
ties—as composer, leader, pianist. 
Would you say there is some factor — 


simply be- 


some force — which links drug addiction 
lH 
believe 


and the jazz musicia 
изахегом: 1 don't 
addiction is an occup hazard. 
вглувоу: Maxwell T. an at 
torney who is also Secretary of the Musi- 
cians’ Clinic, who is a recognized special- 
ist on narcotics and the law, and who 
represents many leading musiciaus and 
entertainers. what's your opinion? 
conex: We know that possibly thirteen 
percent, and more realistically. twenty 
percent of the drug addicts in the United 
цев аге juveniles. ОГ the remaining 
eighty perc 
eral way. doctors are 
are nurses. Third. housewives. 
professional criminals. Musicians would 


that drug 


Cohen, as 


nt we know, 


come possibly around cleventh ог 
twelfth on the li 
PLAYBOY: Let's hear from Shelly Manne, 


fluences on drums 
с 


onc of the major 
in contemporary jazz. forme 
of Les Brown, Stan Kenton, Woody H 
man who's had many combos 
own. Shelly, do you agree that the 
segment of the public that automatically 
associates jazz and dope is greatly mis 
informed? 
stanse: 1 do — yet the musici 
cessible 10 the pusher 
тлугоң: He's accessible because many of 
the nightclubs, many of the | 
which jazz musicians wo у 
accessible to the people who want to 
push narcotics. 
non Before we 
back and forth, lets hear from another 
panelist, Jimmy Giulfre 
г, composer 
Гус been а musician for over 
vs, and I've played in clubs all 
r the country, and all over the world. 
and по опе has ever approached me 
about this kind of thing in nightclubs. 
In my opinion, addiction has more to do 
with a man's background — his upbrir 
ing — than with his occupation. 
тлувоу: Nat Hentoff is, of course, one 
of the few serious jazz critics in the world 
who is admired by musicians as well as 
7 fans. Let's hear from you, Nat 
vorr: Although it's 
jazz musician synonymous with addict, 
be practical. There is addiction 


assoc 


is ac 


this 


start tossi 


- ace reed man, 


оу 


bsurd to make 


The law makes по distinction 
en possession and изе... 


GILLESPIE; A narcotics addict is not reli- 
able. Ней sell anybody to get that 
stuff ss 


nentorr: If you try to regulate addiction 
by punitive measures. you're going 10 get 
more and more addiction . 


C. ADDERLEY: It takes а certain kind of 
individual to be а user of any kind of 
dug... 


Padi ter Va gi ПО 


36 


N. ADDERLEY: The truth of the matter is 
that most heroin users began with mari- 
juana ... 


conen: There is no necessity that те 
duces а тап to become a narcotics ad- 
dict. 


E Е 
LLINGTON: Г don’t believe that drug ad- 
diction is an occupational hazard .. . 


MANNE: А jazz musician has to capture 
that spontaneity every night . 


tavion: The jazzman has always been 
tagged with the current vice of the 
limes... 


the field. I think that someone here 
once said that it would be hard to get a 
big band together of really first-rate 
talent without having guys with prob- 
lems. 
тглувоу: Dizzy Gillespie, your pioneer- 
ing on trumpet, your leadership of big 
bands and combos, and your superb 
musicianship don't require elaboration 
here. From your experience, do you 
think Hentoff's statement a fair one? 
Тхе had addicts іп my band. 
y a club in Chicago, 
and I walked down in the basement and 
I caught one of my musicians with a tie 
around his arm and a spoon on the 
ble. I fired him immediately. Imme- 
diately! I said, “You get out of here, get 
out of here right now!” 
N. ADDERLEY: Maybe he was just going to 
eat some spaghetti. 
PLAYBOY; Well, Diz, you've sort of antic- 
ipated our tackling another aspect of 
the problem — how а Ісайсг handles ad- 
dicted music but before we do, ii 
seems apparent, right now, that we're all 
generally agreed that being a jazz mu- 
sician does not presuppose addiction 
or a special susceptibility to addiction, 


despite some uninformed opinion to the 
It's probably 


contrary. 
though, 0 
tion is 


fair to say, 
mistaken no- 
ed on a belief that drugs in 
some way inspire а musician to play 
his best. What about that? 
ELLINGTON: Since playing ап instrament 
is a matter of skill and coordination, 
it seems to me that a man's best per- 
formance would be when he had com- 
plete control of his faculties. 
сопел: A musician is first of all keep 
time down to thirty-seconds of a beat. He 
is reading music. He is attuned to what 
the musician next to him is playing. 
"There is manual dexterity involved in 
playing an instrument. It is impossible 
for musician to bc that finely co 
ted if there is апу degree of re- 
tion resulting from alcoholism or 
drug addiction. 
HENTOFE: Are you saving U nobody 
who's playing first-rate jazz can be on? 
COHEN: 1 don't say that. I say that an 
addict is not coordinating perfectly. 
He may think he sounds good, but to the 
auditor, he doesn't. He is wild, unco 
ordinated. 
PLAYBOY: Nat Adderley is looking a bit 
troubled. Nat, as a cornet player who's 
been involved with jazz since childhood, 
let's hear what you have to say 
1 се with 


Мах 


very extreme сазс of 
— whether he's been using or not 
cours: 15 it physically possible for a 
m the influence of heroin to 
perform with a group? 

ргауғоу: Cannonball, do you want to 
answer that? 
С. ADDERLEY: 


guy bei 


ng high 


п under 


Im afraid that I have 


GIUFFRE: In the movies, every time they 
use а jazz mood or scene, they fill it with 
things that in the public eye are evil .. 


kd " 
KENTON: You have to dare to be different 
if you're going to create anything fresh . . . 


played with many musicians who were 
stoned out of their minds and played 
like never before. I w 
that if a guy were addicted to па 
I could say, “Well, he’s high, he 
play,” but - 

conrw: b ask Dizzy point blank — is it 
possible for a musician under the i 
Ішепсе of narcotics to play in an е 
semble 
GILLESPIE: L think it is. 
to tlic degree of genii 
1 think 


cotics, 
an 


Its according 
in the musici, 
Because I know some musicians 
stoned high and they still сав рі 
1 know some musicians who sit dow 
nd they're high and they're slobber: 
all over their instruments. I've seen 
wellknown mus n under the in- 
fluence of narcotics—1 know he was 
high because he was nodding and you'd 
wake him up and he'd start playing 
just play. play, play, play, play — 
Гуе seen the same musician under Ше 
influence of alcohol and I had to call 
him off, and say, “Look, think about all 
your fans out there" He's dreaming. 
He's going around with a filth of 
whiskey all the time, and maybe he's 
uying to substitute for the drug by 
drinking the whiskey. He's playing noth- 
— absolutely like a beginner — and I 
чу a genius. 

xrorr: In other words, although we're 
not advocating the use of drugs, 1 think 
the only way то get а useful discussion 
of this problem is to do away with what 
ever moralistic myths we can. And one 
is che myth that И you're оп you can't 
coordinate. It’s just not true. 
TAYLOR: I worked with Charlie Parker, 
and Bird said a couple of times in print. 
that he felt some of his worst. perform- 
ances were when he was under the in- 


and 


nd 


fluence of drugs. And I think this is 
borne out by some of the records that 
Relaxing at Camarillo and 
gs like that апа he was in 


He was such a sensitive guy, 
v difficult to understand how he 
could мау on dope, because he knew it 
was suicide, that he was killing himself 
but his other personal problems were 
just such that he wasn’t physically or 
г 


ally able to stay off. 
xxxi: Actually. Т think that the reason 
some musicians do feel better equipped 
to play, with their addic that, 
like a lot of people, they feel inferior. 
1 think that taking junk sort of frees 
them of their inhibitions, And they сап 
t up and feel оп equal terms with the 
ple who are listening to the 
more confidence, and open up in their 
But | don’t think they play 
115 just their imagination. 
I'm sure that there has passed 
through the minds of some immature 
ns the idea that some very 
famous musicians have used drugs, and 
maybe that was part of their secre 
But I think it was coincidental with 
the mess. 
MANNE: I think that Billie Holiday 
great before she was an addict. She 
would've been great if she hid not been 
an addict, I've studied junkies whe: 
they were stoned, and I've studied them 
when they were straight. and 1 feel that 
when they сап think clearly and speak 
coherently, the m better. 
спали: From what Гуе observed, 
under the influence of any kind ol 
nt there may be points 
reached, some kind of a quick inspira- 
поп. of abandon, but in the long run I 
don't believe that those high points are 
ally that high or that they happen 
often. And there are so many low 
points. I've seen musicians so letharg 
under the influence of drugs that they 
tend to be very lax, and don't have the 
awareness and sharpness to perform. 
rLAYBOY: You all seem to be pretty 
much agreed, then, that some musicians 
cam play well under the influence of 
drugs and others can't, but in general 
а musician's quality is not improved 1 
narcotics — although they may give him 
a sense of self-confidence that Пе needs 
10 perform. Is that a major factor i 
jazzmen becoming addicts, do vou think? 
MANNE: Well, 


have 


as 


zz musi 


n has to cap- 


ture that spontaneity every зо 
эп may be a little more pre- 
dominant among jazz musicians. A 


studio musician. through his experience 
and knowledge. can sit down and do a 
good job even if he doesn't feel like 
it that night, and he doesn't have to 
produce for, say, five thousand people 
sit an audience looking at him. 
He's not constantly crea 
musician. 


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"TAYLOR: One thing that drives guys cither 
to drink or to dope is the one-nighter 
You make You're 
working with big bands— so you work 
tonight in Bangor, Maine, and you've got 
a one-nighter scheduled right after that 
ig, and you have to get in the bus and 
go out to Minneapolis. You're driving 
to the gig, and then you've got to drive 
all day and you barely make it in time 
for the ones ve been sitting 
up in the bus; the only time you have 
off is to go to the john or get something 
to cat, and you're dirty, you're sweaty 
you've got to go right on — and the peo- 
ple are all freshly shaved and freshly 
showered, all the girls look nice and you 
feel like a dog. And the spotlight is on 
you—and you need а shave, vou [ecl 
terrible, you don't want to go near апу 
body because you fecl you smell li 
xam. And this kind of thing, when you 
do it night in and night out — it's under- 
standable why a musician would want to 
find some “out,” some sort of relief, to 
make him feel good, too. 

KENTON: It's hard for the average person 
who isn’t in creative work to know what 
a terrible insecurity exists within some 
one who has dared to be different, and 
you have to dare to be different if you're 
going to create anything fresh. To just 
conform and belong to a group in a 
pattern of living is not creativity. And 
believe me, when you deviate and move 
away from this group, and you start try- 
ing to do something fresh and create 
some new things, the insccurity can be 
terrifying. Гус seen people just tremble 
— people that were creative — their very 
bodies showed this terrible fear. It's aw- 
fully easy for someone to grab a drink 
sometimes to bolster himself, or even do 
other things sometimes to help beat this 
monster that really is a suffocating: thing. 
Every time Гус ever met anyone in a 
creative field who was flamboyant and 
absolutely sure of himself. I've always 
discovered there really wasn't any valid 
talent in his existence. 

PLAYBOY: We seem to be getting to some- 
thing quite basic here, a feeling that the 
jazz musician — whose success hinges on 
a spontaneous feeling of creative well- 
s turn it оп when 
the occasion demands. He шау mistak- 
enly believe that narcotics will provide 
the needed Ше He may also lean оп 
drugs to bolster his sell confidence 
MANNE: But I also think that musicians 
have a tendency to place too much 


impossible jumps 


being — can’t alw 


T 
1 


portance on what they аге doing. 
thoug! important — it 
certainly the most important thing іп 
my life — 1 don't think that а musician, 
or anyone else, should take himself too 
seriously. I get as upset as anybody. I go 
into hibernation if I'm not playing good; 
1 feel like 1 just want to get ашау for a 
while and gather my thoughts, But you 
just don't go out and get stoned. You can 


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get a lift from other things besides drugs. 
I сап get stoned оп nature — getting 
away by myself, where there are no other 
musicians, no music—and get confi 
dence that way. 


c. appraey: It takes а certain. kind of 
individual to be a user of any kind of 
drug. 


cones: Yes, a personality deficiency іп 
certain individuals leads to drug addic- 
tion, and usually their personalities are 
pretty much the same. You ст almost 
spot them. There is a specific pattern. 
That's Cannonball's point. There is no 
necessity that induces а man to become 
a narcotics addict. There is a psycho- 
logical problem which weakens him to 
the point where he may think of nar- 
cotics as an escape mechanism for him. 
TAVLOR: When | was coming up, some 
of the very, very famous people were 
acknowledged dope addicts. And the 
common feeling among certain small 
oups of young musicians was that if 
you wanted to play like this guy you 
had to get high like he did. 

гоним: 1 know a tragic case—of two 
high school students who started off with 
band, and a musician who played the 
same instrument persuaded them they 
could improve, and become equal to the 


other men in the band, by using nar- 
cotics 
vento Today, if a guy is as aware as 


most young jazz musicians are, he r 
that any kind of add 
death — it's like suicidi 
pLaynioy: Billy Taylor seems to be sug- 


tion is sure 


esting that the newer crop of young 
musicians may have a greater awareness 


of the dangers of addiction and may 
hence be wary of trying drugs. We know, 
too, that the goto hell attitude — the 
sell-destructive attitude — of а dozen or 
so years ago provided a climate, even an 
excuse, for addiction, as though it were 
а romantic rejection of the mundane 
world. There are undoubtedly perform- 
ing musicians today who fell under that 
arlier spell. Lets hear what Dr. Charles 
Winick, а rexsuch authority оп drugs, 
personality and. nd Director 
of the Musicians’ Clinic has to say about 
this 

ок. winick: Even though а man n 
с gotten hooked in the carly 1950s, 
or the late 19105, unless there has been 
some kind of intervention, some help, 
that man is still a heroin user today 
and he'll continue for another ten, filteen 
yeurs, because the Ше of a heroin user 
is about twenty-three years. Not too lor 
опе of the trade papers carried а 
frontpage story about Buddy DeFranco, 
who was forming 


diction — 


trio, Сі. 


ming that he 
wasn't able to hire the other members of 
the trio without hiring a drug user. And 
we all know that ten, fifteen years ago 
several well-known big bands broke up 
because of difficulties connected with nar- 


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сойсѕ. Now, what happened to these 
musicians? Most of them, I'm quite sure, 
are still taking heroin. 

GILL : Now you know about how 
many musicians 1 know — thousands and 
thousands. Well, right now I can't think 
of over five, maybe six or seven musicians 
who I know are using heroin. And it 
gets around, because if you need a re- 
Placement in your band, and you say 
“What do you think about so-and-so? 
— one of your musicians will say, “You 
know, he's messing around with it.“ Be- 
cause they don't want the heat on them. 
Because there's heat on everybody соп. 
cemed when you have a guy who's using 
stuff in the band. 

€. ADDERLEY 
you learn. too. On the road. Every town 
vou go into. there's like one guy you 
know to avoid. and if you see anybody 
in vour band hanging out with him vou 
tell him, "Wait а minute!” And these. 
are not musicians, for the most part 
They are hippies who hang out with 
musicians. Like once upon a time there 
used to be a crowd of guys who used 
to hang out in front of Birdland. Occa- 
sionally, if you walked up you might sce 
two or three musicians mingling with 
ten or twelve guys, in various positions, 
You know what I mean — some in posi- 
tions of ecstasy — the ecstasy-crouch. 
onespe: The guy whos pushing this 
stuff, he doesn’t spend too much. time 
with a guy that's not going to buy. He'll 
say "Hi" and “Hey, Daddy," and that 
—and then he'll cut on out and you'll 
see him hanging out with the guy who’ 
using the stuff. And if it's somebody in 
my band, 1 fire him on the spot. A nar- 
cotics addict is not reliable. Because he'll 
sell his mother. He'll sell anybody — 
anybody — to get that мш. Ней lie and 
steal and cheat, and if you pay him five 


I'll tell you something 


dollars over — if you make а mistake on 
the addition — you'll never see that no 
more. And he'll swear — 

c. ADDERLEY: That's right, he's got Ше 
soul in his voice all the time. 
нехтоег: You're talking as il this is more 
than just five or six guys, Diz 
GILLESPIE: Well, through the years — I've 
been playing 
had addicts in my band, 

Appertey: Dizzy has been through the 
period when there were more narcotics 
addicts than there are now. 

GILLESPIE: But I remember when it was 
practically non-existent among mu: 
uenrorr: Like the late Thirties. 
спалъри: Yeah. When I came to New 
York in 1936-1937, 1 didn't know оле 
musician who was an addict. And then 
we found out that one guy was using the 
stuff. We didn't even know what 
итог: The question is, why are fewer 
guys getting hooked —I mean really 
hooked than around Forty-six, 
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силуѕрію: There was one band around 
that time in which the whole saxophone 
section were junkies. And the young 
guys actually thought that the use of 
narcotics would help them. 

N. ADbERLEY: The lad is over. 

GILLESPIE: Nowad policeman 
сап smell dope three miles away, and 
the guys are just scared. Also, а lot of 
our most talented jazz mw 
dead. And the young guys know that 
narcotics might not have been the main 
reason for their death, but it led to 
the deaths. So everybody, now- 
Wait a minute, let me 


s ever 


ns are 


most of 
adays, is saying 
count the gate receipts there 
С. ADDERLEY: Today you have heroes 
5 Dizzy or баш Kenton or Gount 


nd young musicians go around 
Well, he ain't. doin 
He ain't bent in no crouch 

play well.“ That makes a big difference. 
GILLESPIE: 1 have been approached 
many, many, many times by young mu- 
sicians who thought / was on. They'd 
come to my hotel room. I remember in 
Kansas City one time — this was when I 
had а big band, іп 1916-1917 — two real 
young musicians, they were 


nothing 


] he can 


bout sixteen 
ог seventee 
came up to my hotel room. They said, 
Dizzy, I want you to take my address. 
After a while one of them went over in 
the corner and took off right in my hotel 
room! I tore up his address, and I told 
him, “Man, you better get out of my 
hotel room before I call the police.” 


. по beards, no nothing 


They looked to be no more th 
or seventeen. Little boys, ba 
C. ADDERLEY: ° what happened to 
Horace Silver, pretty much the same 
thing—like he was riding down the 
street in Philadelphia in a car with sev- 
cral other 


n sixteen 


ics. 


musicians — a 


ong them a 
couple of guys who had been busted for 
Philadelph 
they had a white girl sitting up 
in the car, which mems а cop is auto 
matically going to stop them. So once 
the cops found Horace was in that саг, 
he was harassed for 
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15 there а contradiction һеге? 


Until a moment ago, you all seemed 


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Nat Adderley said. Yet now we're talk 
about what sounds like harassment 
by the police — pointless ha 
addiction has really Бесон 


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rare. Would 
gle ont jazz 


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KENTON: There is one particular drinn. 
mer who used to play with the band and 
is really big in the field of jazz — he had 
the problem, but he straightened out 
and he be the situation wonderfully 
well But it's miserable the мау the 
police still stay after him, they keep 
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and sometimes — he's pretty patient with 
them, but every once in a while — you 
“I wish 


an just see this look on his face 
everyone would leave me alone." 
raytor: I don't think the police specifi- 
cally single out jazz musicians. It's just 
that they look down on nightclub enter- 
tainers as loose livers, high-life people, 
who make a lot of money nd are 
responsible. This is fostered by thc 
newspapers: all of show business is 
g all of the men have five ог 
six pretty girls around then 
of the women have arou 
them. Life is just a big ball, twenty- 
four hours а day. And so the cop, whose 
work is hard and who hi 
n't pay his bills, he bangs a lew h 
GILLESPIE: But it's not all show business 
that's picked on. When I was in Phila 
delphia at Convention Hal, th 


morous: 
and 


wanted to search me. And I asked this 
policeman, “Well, OK, now, 
search me. do you, when Isac 


plays at the Academy of Music, do you 
go back and look for narcotics? And 
when Jascha Hcifitz comes іп there and 
plays at the Academy, do you go back 
and scarch him?" Well, they wind up 
ching me because I said, "Vou 
est me, but you can't search me 
On one occasion, Miles 
k about being searched 
in Philadelphia. He was calling them 
all kinds of names and usin 
language and cussing everybody 
and he happened to say, just being 
art, “Yeah, 1 shoot dope into my 
knees," and the guy says, 
arrest. You admitted using n 
And the lawyer had a tough pr 
to keep Miles from going to jail. 
vraysoy: Perhaps Max Cohen will tell 
us what the law is in such cases. 
COHEN: И there are no offenses bei 
committed in the presence of an officer, 
he has no right to s 
Number Опе in deafing with the police 
БАН vou let them get away with it, 
you're a dead duck. If you stand up for 
your rights, they will not harass you. 
The police in some citie very quick. 
to make arrests, In 19 d 1954, in 
Philadelphia, the 9,779 narcotic 
arrests, but only 963 convictions. In Los 
Angeles there were 12.161. arrests, Of 
those arrested, only 4.406 were convicted. 
In Los Angeles, they arbitrarily arrested 
two musicians and would nor release 
them until they agreed to identify two 
other musicians who were drug users. 
There was nothing even to t 


C. ADDERLEY: 


You're under 


rcotics." 
blem 


ch. Principle 


с were 


ndicate tha 


the arrested musicians were drug users. 
Dizzy called me about it in New York. 1 
led Joe Hyams, the Hollywood col- 
umnist. who is a client of mine. He 
called the chief of police and told him 
there would be trouble if these musicians 
were not released. The whole process 
took less than a Пай hour, and these 
musicians were released. 


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с. appretey: When Horace Silver pro 
tested. he was molested and was sub- К ІН 
j ies. He was awak- 


jected to many indi 


ened in his hotel room at five o'clock in Protective Pouch Keeps Tobacco 


5 4 4 FRESHER! 


they had permission to search the room 
and search him. 
neÊxtorr: Has the American Civil Lib- 
s Union or any of its regional groups 
ever come into a све like this? Хо 
conis: None of the profesional liberal 
organizations, and certainly. emphati- 
cally, never the musicians! unions 
tot: Yes, lers get this оп record — 
that the American Federation of. Must 
cians, includin Js 802 in New York 
and 17 in Los Angeles. 1 
knowledge. done anything about this 
tre: ob musicians as fifth. class citi- 
zens by cops. 
х. Apprrtey: I wonder if professional 
ns are often harassed simply 


си 


s never, to my 


jazz music 


because Negroes. 3 No spill 
conr: No, no. 2 

икхлокг: Look, Мах, a cop іп апу city, Out comes ү when you fill 
North or South, is apt to be harder the Pouch! Мм, dust dip in! 


an on a white man, for wha 
ver the offense. 

сонку: Em not naive, but when it comes 
to arrests, I believe there is as hig 
percentage of white musicians arrested as 
Negro musicians 
сире: Ye 


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ber of arrests of 
being а disproportionate percenta 
raytor: The jazzman has always been 
tagged with the current vice of the times 
In the Twenties the jazz musician was а 
drunkard. He w - 
for 


therefore he used marijuana. In the k 
and Fifties, into the Sixtie 
so he's a dope addict. 
In the movies, every time they 
use a jazz mood or scene, they fill it with 
things that in the public eye are evil. 

c. AbpeRLEY: Yes, and with any crime or 
immoral act — if there's а musician in- 
volved. he’s automatically categorized as 


а jase musician. 


м. ADDERLEY: A 
Lawrence Welk's band if he gets ar 
rested. it's come out. so help 
me, “jazz musician. 

curser: And not only that, but 
bebop musicia at gets me 

c. мк ву: This guitar player who was 
amested down in Memphis two years ago 
for the murder of an entire family in 
listed by all the wire 


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Ed Sullivan show and about а weck and 
a half before there was a big article 
about a bebop musician getting busted, 
and they started off the article, “Like 
his illustrious mentor” — me and 1 
didn't Епош the guy. I'm supposed to be 
his teacher, and I don't know him. 

немгове: The Sullivan office said they 

booked already? 
GILLESPIE: No, it was just f 


we 
ished. That 
was the end of my engagement and | 
hadn't even opened yet. 

urntorr: The so-called bebop musician 
— which was a phrase, as I recall, that 
was invented by publicity guys — began 
lo take the place of stripteasers and 
wife murderers as a thing to have Sun 
day supplement pieces on. 

cms: That's why 1 couldn't say 
"King of Bebop" in my publicity any 
more. In all my publicity, when they 
want to say bebop, 1 say no. 

DR. WINIC think there's no doubt that 
this does make hot сору, but there's also 
no doubt that there are a considerable 
number of jazz musicians who have been, 
and are, drug users, that jazz musicians 
themselves, by voluntarily or otherwise 
associating themselves with narcotics 
themes, by making dozens and dozens of 
records dealing with narcotics themes —— 
nenrorr; But that happened before bop. 
You're thinking of, like, The Viper? 

ок. WINICK: There were 
ords in the 1930s, and there were also 
such records in the 1940s and the 1950s, 
right up to the present time. 

nestor: But it was mostly the older 
guys who made them — guys who were 
lushes, as a matter of fact. 

$. ADDERLEY: J think that right now there 
may be some association in the public 
mind beuween jazz and the beatnil 
ment — though 1 don't know what the 
definition of But there's a 
tendency, for example, to associate а guy 
who believes іп existentialism with jazz. 
Now I don't put a man down for what 
he wants to do or be — but why drag me 
into it? 

ncxrorr: Nat's quite right, I think, espe 
cally in this whole Kerouac-Ginsbe 
circle. They have taken jazz for their 
own usc. Вис in Ше general public's 
mind — so far as they th 
all — jazz somehow is inevitably n 
up with whatever kind of excess the 
beatniks commit. 
GILLESPIE: It's even in the funny pape: 
Do you read Kerry Drake? The guy's 
even got a goatee, And I resent that 
And a beret, And he's a trumpet pl 
N. ADDERLEY: They put a little М; 
on him, it could be you, right? 

© ADDERLEY: When 1 was in Chicago а 
few months ago. L was called upon by а 
reporter of one of the Negro дай 
answer some charges by the great Sol 
Hurok about jazz which were perfectly 


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ridiculous. Hurok is purported to have 
said that jazz is the worst thing that ever 
happened in America. He supposedly 
said he knew of wild "jazz" parties alter 
which murders were committed. 

restos: Thats just one more example 
of the tendency to use the word "jazz" 


as thoi t were synonymous with nar- 
Coli d i alcoholism. sexual ex- 
cesses and а gs evil in our society, 
TAYLOR: Тһе only reason а n who is 


some- 


an addict would во out and hi 
body on the head or rob somed 
get money for dope. He's not going to 
do it under the influence of dope. Once 
he’s high, everything's cool. everything 
is beautiful — "Don't bother me.” But 
when he can’t get it, he's ready 10 hit 
his mother on the hes 
no question but what 
ins who have gouen 
trouble are те 

it's been 


с is to 


the сиз who mess with heroin. 
Heroin is the dirtiest, I mean, the worst. 
Every time they stick that needle in their 
there's а chance that they 
out right then, because you could get a 
bubble in there amd bam, there goes 
your heart, or you get an overdose and 
ham, there you gi 


© ns sv: And they're the people who 


can least afford it — 
силами: Sure. All a doctor does is sit 
down and write out а prescription and 


he’s high for four to five months. 

ccf: In my experience, the most 
offensive. obnoxious, violent, insulting, 
obscene people de not dope 


те juiceh 
addicts. 

piv nov: It is possible for ап addict to 
lead а normal life — socially and. proles 
sionall 
en: The most widely publicized guv 
who did was Stan Getz: few people 
that he was с » addict until he ac 
Himself. And he looked 
an Boy. He was 
healthy looking — with big. rosy che 
and everything. And he was getting high 
every hour on the hour. It's not that way 
now. At least he says he’s straightened up. 
bk. wixick: There's an assumption that 
а lot of people that drugs have a 
kind of inevitable effect, that there's a 
single path you have to follow once vou 
begin using heroin, and that this path is 
predictable. Now this is not true. Drugs 
in general seem to have two diflerent 
kinds of reactions on people. By drugs, 1 
mean There 
kind of dopey 


new 


knowledged 


like the 


heroin, are so 


пс people 
who до becon id sleepy, 
and slobber like the guy Dizzy described 
before. There are other people who use 
drugs and show none of these effects. 
The heroin such a person takes may 
make him peppy and buoyant. Now, 
such a person doesn't necessarily have to 
increase his dosage regularly. This is an 
other myth. In other words, if reality — 


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like a limited income — makes it neces- 
sary, then a guy can get by with, say, one 
shot a day. Life just prevents him from 
taking more than one shot a day. So it is 
possible for some addicts to go through 
life relatively undetected, One of the 
country’s leading ophthalmic surgeons 
here in New York died a ye. 
He was the chief surgeon doing eye 
surgery for forty yeurs at a major New 
York hospital. Everyone. knew that he 
was an opiate ad been Гог 
forty years. Н а person had the money 
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got any large sum of money, they really 
went hog wild. They'd just say. “Oh, my 
goodness, E got this money, I'm gonna 
buy up all of this. Tomorrow will be 
later on, I'm gonna buy it all and shoot 
it all up пош.” 
nENTOFE: Well the reason is clear. Un- 
like that surgeon, they don't have, first 
of all, a steady, substantial income; they 
don't have the easy access to drugs that 
the surgeon has. And the whole socio: 
logical context is dillerent. 
C. ADDERLEY: Another thing about ad 
dicts: they'll say, “I ted with mari 
juana and then it became unfunctional, 
хо I graduated to cocaine and then that 
didn't do, so 1 graduated to heroi 
та that kind of thing. 
x. ADDERLEY: It is ridiculous in theory, 
but the truth of the matter is that most 
heroin users began with marijuana. 
: On the other hand, I think we 
1 guys who've been on 
апа alone for years. 

You bc hooked on m 
doesn't physic 


lcs ridiculous. 


1y 
nd has devel- 


face the th 
GIUFFRE: But with heroin, its a physical 
thing, you have to beat that physical side 
to whip it, and once youre into it, it’s 
preity hard to stop. I mean that you get 
physically sick when you try. But as 1 
understand, v j 
this kind of sickness when you don't 
have it, You have a craving like vou 
have for cigarettes or liquor, that’s all. 
с. ADDERLEY: Га Tike to know is it true 
that there is such а device as а card or 
some such thing that certain. people, at 
levels, can. get from doctors or 
from the government that allows them 
то use narcotics legall 
DR. WINICK: Not officially. Not le 
But deals are made with тъ. In 
other words, how can you find out that 
a guy is taking drugs? He's not going to 
tell you. Well, someone must tell you. 
Who tells you? An informer. How do 
you reward this informer? One way is to 
give him immunity [rom arrest, Another 


h mal 


not 


, there 


certa 


is to p 
sustain him, 
There is a third way which is 
alent in New York City and 
which has resulted in the arrest of a 
number of jazz musicians. Informers are 
given police cards and permitted to work. 
Pravsov: Nat Hentol, you've given a 
lot of study to the cabaret card system, 
Will you expl; 


y him in drugs, and thus 


it before we go оп 
rote Well, anybody who plays 
New York City — and it’s unique to New 
York City, so far as 1 know — anyone 
who works in a place where liquor is 
sold — thats а waitress, а hatcheck girl, 
a musician, I guess even my cat — has to 
have а card from the licensing divisi 
of the police department before Ве сап 
work, and that means that anybody who 
applies has to go down and get mugged. 
and. fingerprinted. He has to renew the 
card every two years. In addition, it he 
has а criminal record, he then also Наз 
to get a card from the State Liquor Au- 
thority. The cops in New York operate 
on whim more olen thin not Guys 
have been denied c 
been arrested maybe eight years ago — 
but not convicted. It's a thoroughly in- 
iquitous thing. 

2 What's the пи 


ol in- 


: Lousy- 
COHEN: Now, to get back to informers: 
if you know a well-known musician with 
а record of convictions, and he із per 
forming in New York City, tl 
tion is that he has а police Gud or a 
Stute Liquor Authority card. How do 
le that. with the fact that you 
t he has a record of convic- 
tions? You may rest assured that this 
musician is rendering а service to. the 
с department. 
DR. winick: Now wa 


с рихи 


t just a mor 
really cart accept the insinuation th 
ın who's been convicted of some- 
a the раза drug violation — 
d who is working in New York, must 
therefore be assumed to be an infor 

1 think that's most unfair. 
nesrorr: That's the first time I've ever 
heard of this 

© AnbERLEY: I've heard of it. 

спазмы: A guy g rested now and 
half an hour later he’s out of it 1 told 
you — musicians, if they're heroin users, 
they'll turn in their mothers certai 
com А certain well-known. musician 
was given а deck of heroin by another 
very well-known musician with a crimi 
nal reco ng in New York 
The man who gave the heroin did not 
have a police card —that Г know. Не 
had a very impressive criminal record. 
But he was perlorming in New York and 
his performance ing advertised. 
Within a few minutes alter being given 
the heroin, the Srst musician walked down 
Broad mediately pounced 
upon by Ше police. He then came to mc. 


thing 


1. 


4 perlorni 


were bei 


ay and w. 


САБАБ Сор МЕШОК МҮ: OLDEST CHEMISTS. UD РЕ БЕШ БЕСЕ КАКЕ ИСА 


tho 

bright 
wonderful 
night 
world 


PLAYBOY 


LN 3727/BN 579 — AT THE HOP 
Bobby Vinton and his Orchestra 


society... 


LN 3699/BN 570 — HIGH SOCIETY 
Lester Lanin and his Orchestra 


& night clubs 


O pic", Mara Reg. "CBS" T. M. Printed in U.S. A 


LN 3660/BN 557 — MY BUDDY 
Buddy Greco 


48 


I found out that every time а music 
is convicted. somehow or other the sei 
ond musician appears to be in the local- 
ity. The second musician himself — who 
is à notorious pusher — is never touched. 
sets: D wouldn't know a pusher 
from a puller. 

WINICK: Of course. Мах, you've reported 
led 


is 


this man's r 
their attention to — 

conex: Certainly not. 

с. ADDERLEY: Tell me, so I can avoid hi 
х. ADDERLEY: И you make it illegal for a 
ап to work at the only thing he knows 
how to do, then the only thing left for 
him is 10 rob, cheat, steal or sell his 
And he'll do any он 
п addict, to get the 


сто the police and с 


other of them, 


if he's сопс. 
PLAynoy: From what you've beer 
police activity in this field se 
ixture of obtuscness, brutality and cor- 
ruption — with no regard for the welfare 
of the addict himself. 

KENTON: This is one of the problems that 
American society one day must mike ай 
justments for or straighten out in some 
way. There's not a human being alive 
who, at some time or other in his or her 
Ше, doesn't make some kind of mistake 
and — God knows — an accident or a mis- 
take should be something that can be 
paid for, or lived down, instead of being 
pointed out every ti 

I thi 
society for a past n whatever ir 
поша be permitted to live lik 
and not have these u 
things to contend with for a lifetime. 
TAYLOR: I think it was Dr. Winick who 
once said that drug addiction is the only 
illness he knows of that’s treated by the 
police department. 
rrAYsoY: Billie Holida 
ample. While sh 
the police were tryin 
dope addiction. The sad thing is that 
addiction is treated as a а 
it really is— 


sto be a 


you turn around. 


that once his debt to 


is — he 


за notable су 
thbed. 
to arrest her for 


was on her dl 


di 


solve the problem in this wav? 
conex: No, 1 don't think so. 
Narcotics is а big 
n. И it were legal to 
cotas you wouldn't have to spend all 
that money and you wouldn't have to 
bribe policemen 
тоғы: Some cops would lose thei 
es if it weren't for the narcotics 
ket. 
rwion: It's impossible to work at night 
па sec these people around in various 
places where youre working and not 
have some awareness that this is vei 
definitely big business. Who controls 
urxTorr: Who do you think? The hood 
€. ApnERLEY: An ounce of heroin in Leb- 
эп costs five dol In the U 
States, that ounce will sell for 56,000. 
(continued on разе 117) 


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THE PLAYBOY ADVISOR 


ГЕ an old hand at playing the field, 
and I generally know how to handle 
most situations. but here's a toughy that's 
new to me. At dinner the other night, а 
friend and his wife happened to come 
into the restaurant and, at my invita- 
tion, joined me and a new date for a 
drink. The girls got on so well that we 
had dinner together. After dinner, my 
friend and his wife asked us if we'd 
spend the weekend as their guests in the 
exurbs, and we accepted the impromptu 
invitation. My problem is this: I've been 
to this couples weekend parties and 
practically all the guests were married. 
Those that weren't always had ап аг- 
rangement, and it was taken for granted 
that they'd share a room. I don't know 
the girl I'm going with that well — yet 
and I don't know whether to tip her off, 
consult my host, or just play it cool and 
see what happens. Any comments? — 
Т. I., New York, New York. 

This situation, while unusual, is not 
unique. It calls for high-level diplomacy 
of the first order, however. We have to 
assume that (a) the girl is not an out-and- 
out prude or she would not have ac- 
cepted the invitation to begin with, and 
(b) she must enjoy your company enough 
to shave a weekend with you. Therefore, 
we suggest you broach the subject first 
with the girl—but delicately. You can 
say there’s been some misunderstanding 
and your hosts hove provided only one 
room for the two of you and you'll cer- 
tainly do your best to straighten things 
out, but if there just isn't the extra space 
available, well that'll kill off what looked 
like a first-rate pastoral weekend. You 
have now gambited the matter neatly 
into her hands. She 15 faced with the 
alternative of one room or no weekend. 
If she demuss on your hosts’ space-saving 
plan, you've sacrificed nothing and saved 
yourself a lost weekend in the country. 
If she goes along, well, your only prob- 
lem will be to remember to take a nice 
gift for your very thoughtful hosts. 


Е ии was going along nicely 
with my girl until she asked for a 
cocktail called The Yellow Fever. When 
1 admitted I'd never heard of it, she sug- 
gested I join the cubes іп my refriger- 
ator. Was she putting me on or did I 
goof? — А. W., Newport, Rhode Island. 
You goofed. The Yellow Fever consists 
of one ounce of yellow Chartreuse on the 
rocks in ап old fashioned glass, plus the 
juice of one half of a chilled lime. Stir. 


с origins of the titles of jazz tunes 
often intrigue me. Can you tell me 
how King Porter Stomp got its name? — 
T. В. Philadelphia, Pennsylvania. 
"King Porter Stomp," according to 


composer Jelly Roll Morton, was named 
for “а very good friend of mine and а 
marvelous pianist now in the cold, cold 
ground, a gentleman from Florida, an 
educated gentleman with a wonderful 
musical education, much better than 
mine, and this gentleman's name was Mr. 
King, Porter King." Unlike this sort of 
dedication, some jazz tunes are titled 
quite casually. Like the night at the 
Reno Club in Kansas City in 1935, 
when the Count Basie band was closing 
out a radio set with one of tts riffs. When 
the announcer asked for the title, Basie 
glanced at the clock and said, “Just call 
it the ‘One O'Clock Jump. 


A” six years ago I worked for a 

firm in another city and got fairly 
deeply involved with опе of the secre- 
taries (yes, yes, I know — you shouldn't 
mix business with pleasure). I've had 
good luck since: a job here in a new 
town with many opportunities, frequent 
promotions, hefty raises. Now, the old 
firm wants me back—in an executive 
position and at a handsome salary. I 
want the new job, but I've found out 
the old flame is still there and has con- 
fided to a friend and former colleague of 
mine that she's heard about the offer I 
got and is planning a big welcome for 
me. In retrospect, I guess I may have 
made some vague promises about mar- 
аве. But I've outgrown the girl, lost 
interest in her, and certainly don’t want 
her jeopardizing my business career or — 
to be frank —lousintz up my bachelor 
ife. How do I handle this sticky wicket? 
— B. P., Des Moines, Iowa. 

Cheer up, friend, the wicket is not 
nearly as sticky as you might think. Six 
years is a long time and certainly some 
sort of a romantic statute of limitations 
сап be applied in this case. If she hasn't 
found another guy at this late date, it 
isn't because she's been waiting for you; 
she had no way of knowing you'd be 
coming back. In fact, rumors to the con- 
trary and male ego notwithstanding, you 
may find, after you see each other, that 
the feelings of apathy are mutual. Take 
the new and better job, and if she asks 
any questions or makes any demands, be 
candid with her. It’s kinder in the long 
run. 


it possible to order prints directly 

from the Louvre, or from other famous 
art museums in Europe? — J. J., Seattle, 
Washington. 

Certainly you can, but there's no need 
to foot import duty and poslage costs 
when you cam secure almost any print 
you wish right here — from your local art 
museum, art galleries, decorators or 
major department stores. They all have 


facilities for ordering the prints you 
want and supplying them to you at a 
price less than that you'd pay if you en- 
tered into international correspondence 
for them, 


ММ is the protocol of the corsage? 
How formal does a social occa- 
sion have to be in order to require a 
corsage for my date? Do I haye the florist 
send it or do I take it with me? How do 
I know if the corsage I select will har- 
monize with my girl’s dress? Is it OK to 
ask her what color dress she's wearing? — 
R. D., Buffalo, New York. 

We are inclined to consider the whole 
corsage business as a bothersome antedi- 
luvian holdover. There are several situ- 
ations, however, in which the corsage is 
de rigueur, and one of them is the for- 
mal dance. But even these affairs are 
getting less formal, and the giving of 
flowers more discretionary. If you insist 
on playing the courtly beau, here are 
some rules of the road. Don't go over- 
board; a small corsage is the safe move 
no matter what the size of the female or 
how formal the affair to which you're 
squiring her. Send the corsage, by all 
means; it’s a timesaver and avoids the 
awkward “For me? It's bee-ooti-fu 
business. It's ап adventurous (and fool- 
hardy) guy who doesn't find out the color 
of his girl's dress before financing the 
floral offering: besides, she may have an 
allergy and say no to flowers altogether. 
Incidentally, one of the posher arbiters 
of the social graces considers the use of 
the word “corsage” (instead of “flowers” ) 
as veddy plebeian, but we have nothing 
against the word, just the custom. 


A" there particular times when a 
breast-pocket handkerchief is essen- 
tial? And should it be squared, pointed 
or just leisurely gathered? Also, is a col- 
ored handkerchief appropriate? — M. N., 
Miami, Florida. 

The breast pocket handkerchief is al- 
ways appropriate and — oftentimes — es- 
sential as well. White is the preferred. 
color, although silk squares in neat pat- 
terns add a spark to that solid suit. As 
for folding, select the technique in terms 
of your physical type. II you're slender, 
the squared [014 is fine. If you're short, 
the pointed ends are most effective. If 
you're tall, try the leisurely-gathered 
method. 


All reasonable questions — [тот fash- 
ion, food and drink, hi-fi and sports cars 
to dating dilemmas, taste and etiquette 
— will be personally answered if the 
writer includes a stamped, self-addressed 
envelope. Send all letters to The Playboy 
Advisor, Playboy Building, 232 Е. Ohio 
Street, Chicago 11, Illinois. The most 
provocative, pertinent queries will be 
presented on this page each month. 


51 


жел S SN 


ae CN MU 


= са 1 Т 

anti AÙ зи к) 
s SEN 

ў . Ж 


C 


s К > - 
А 


the killer came thundering toward its prey, a hundred feet a second 
fiction By T. K. BROWN III 


THE VAST AREA KNOWN AS THE GREAT PLAINS Of the United States is a belt about six hundred miles 
wide between the Mississippi River and the mountains of Wyoming and Colorado. An ocean of land, 
mostly flat, sometimes with waves of hills, it rises in swells to the west, a dozen feet to the mile, league 
after league of earth becoming gradually more arid, until it is a mile above the sea. And then sud- 
denly, west of Denver, it gives up its gradual climb. The escarpments of the Rocky Mountains burst 
from the plain and leap into the air, tier upon tier as far as the eye can reach, to snow and glacier. 

"The first row of these tremendous hills is known as the Rampart Range. Over the crest of this 
range, in the trough between it and the higher one beyond, lived a man who had got rid of his woman 
who was bad for him, had manned an eagle, and had found himself. 

He was on the side lawn, by the hawk house, the peregrine on his glove and tearing the pigeon 
from his fingers, when he saw the convertible speeding up the valley toward the house, a plume of 
dust behind it. He knew immediately who was driving the convertible and that this was the difficult 
hour he had been expecting for almost a year. He eased the bird to the perch, where, with the food 
under her foot, she continued to pluck and rend. He limped down the slope to the driveway. As the 
car pulled around the circle he saw that she was wearing the green Alpine hat with the rakish white 
feather, his gift to her in Innsbruck. What had he said to her then, those three thousand years ago? 
To Marian, maid, in everlasting; пот Robin. Well, it was typical of her to wear it now. 

He was at the car when it stopped. 

“Good afternoon, Marian," he said, without smiling. “Are you planning оп a little visit? I see 
you have two bags in the back seat." 

A little frown crossed her face and he knew he had disrupted the opening lines she had been 
rehearsing all the way from Denver. 

He continued: “You would come back, you said, when I asked you to come back, and not before. 
But I have not asked you to come back. Why are you here?" 

She got slowly from the car, with the ancient grace and easy command that now no longer com- 
manded him; and when she was standing even with him on the lawn her huge eyes searched his face, 
trying to pierce him, and then dropped to his leg. 

"You sent for me," she said, and raised her hand a little from her side, to point where she was 
looking. That happened to you day-before-yesterday, about three. Oh Robin, it came to me that 
you'd been hurt, as clearly as if you'd sent me a wire. I thought at first a car had hit you, but then I 
knew it wasn't that. But something dark and heavy and dangerous hitting you in the leg." 

What she said was true, to the very hour. A sort of terror struck him, that he would never be free 
of this incredible woman whose intuition could reach out from a distance and fiercely take posses- 
sion of him. 

It must have shown in his face. That's why I'm here,” she said. “I had to come. If we still have 
this thing — Robin, no other two people have this thing. We can't just throw it away after a stupid 
quarrel. Or anyway, it isn't so bad that we shouldn't talk about it a little, 1s it?" 

“You put me in a difficult position, Marian," he answered. There's nothing to talk about. We 
had a good thing for a while, and it blew up, and there's nothing left of it except a lot of memories, 
some very good, some not so good. And,” he added, “apparently this crazy radar of yours.” 

A good thing for a while,’ she quoted, letting her eyes go damp and tender. Robin, how can 
you put it like that? For three years we were one person. One person in two bodies.” 

"Yes," he said. “You were the person, I was one of the bodies.” 

“You say there’s nothing to talk about. But you see, we are talking already, and on a very essen- 
tial level. Robin, let me stay for a few days.” 

He knew he had nothing to lose, and it was easier than being cruel. He turned and called, John!“ 

John appeared at the door of the hawk house. He was a young man of twenty and a full-blooded 
Cheyenne. His grandfather, when a boy of sixteen, had helped cut down Custer on the Little Big 


Horn, and John’s father, on the reservation in South Dakota, still 
had a pair of cavalry boots and some ancient dollar bills to prove it. i n M М у 
John had gone to а white grammar school; later he had worked 
in a gas station outside Denver, where Robin had found him and 
made him his foreman. John, Robin said, come get Miss Marian's 


ILLUSTRATION BY GEORGE SUYEOKA 


PLAYBO!Y 


bags, please, and ask Mrs. Emlen to take 
her to her old room. And tell Mrs. Em 
len we'll have cocktails in about half 
an hour." 

John came slowly down the slope. wip- 
ing his hands on a rag that he then put 
in his hip pocket. His eyes said nothing 
as he hoisted the bags from the back seat. 

"Hello, Jobn," Marian said. "How 
have you been?" 

“The Cooper's is still bating,” John 
said to Robin. “Been throwing itself off 
the perch all day. Nothing I can do will 
stop it." 

"Don't worry about it,” Robin said. 
“They get these spells." 

Marian had started up the lawn 
toward the house. 

That woman's no good for you, boss,” 
John said. 

“She won't be here long,” Robin said. 
“Now take those bags in while I finish 
feeding the peregrine, and we'll have a 
look at the Cooper's hawk. Maybe there's 
а scrap of meat in the mews that is set- 
ting her off.” 

In the living room with the two pic 
ture windows, one giving on the shad- 
owed valley, one showing now the stark 
outline of the mountains against the 
sunset, she had taken up her old posi- 
tion on the couch, legs stretched out on 
it, back pillowed against the arm; and 
she was balancing her drink on her knee, 

“Robin,” she asked, “what was it that 
hurt your Пер?” 

He was at the bar stirring a martini. 
“An eagle," he said, without turning. 
“1 have manned an eagle" Now he 
ed over and took the armchair. 
ious creature — maybe you'll see her 
tomorrow. I was training her to the lure 
— a rabbit. She hit it fine. I let her take 
a few bites and then made in to her, 
to get her back on the glove. I guess 
she was fecling ornery. Anyway, опе 
lunge and she had her talons in my 
thigh. Touch and go there for a minute. 
Lucky thing 1 had my leather аргоп on. 
But it'll be all right in a couple of days." 

She was staring at him in amazement. 
“You?” she said. "You are training an 
eagle? But that's impossible!” 

"Not at all," he replied. "Quite a few 
eaples have been manned for hunting. 
То be sure, very few of this particular 
brand of eagle." 

“I don't mean that," she said. "I 
mean, you. You were always so shocked 
lence and cruelty . . . so afraid 
she stated. 

he said calmly. "Well уез. 
Afraid is the word for a lot of things I 
was of. It feels very good to be out of 
that dismal swamp at last.” 

“Afraid of me, Robin?” she whispered. 

"Of course I was afraid of you," he 
said strenuously. “Afraid of you most 
of all. You embodied everything that 
was wrong with my life. It was so easy 


to go along with the way you wanted 
things—so casy and so pleasant. ‘The 
trouble was that it made me hate my- 
self. Well, I've got away from that." 

“I have never meant you any harm, 
Robin,” she said. “You know that.” She 
was looking not at him but at the drink 
balanced on her knee. Now she twitched 
her kneecap and caught the glass as it 
slid into her waiting hand. “We had 
something very wonderful. If Гус come 
back, it's not to truss you up and carry 
you off. It's to find out, I guess, how 
tough a fight it will be to get that Та 
back And maybe we'l never get it 
back — I've faced that, too." 

She turned her head and stared at him 
апа said strongly, "It wasn't easy for 
me to come back, Robin. Even when I 
Бог the message about your hurt my first 
reaction was, let him come to me. But I 
couldn't live with that. That was small, 
that was pride. So 1 came to you." 

"Wearing that Tyrolean hat," he in- 
terjected, "with all its cargo of nostalgia 
and tender memory. Was that neces- 
sary? Wasn't that a bit phony?” 

“Nol” she cried. “That was to remind 
you of what we were in danger of 
losing!" 

Well, it reminded me,” he said. Mar- 
ian, do you remember when my firm was 
invited to bid on that housing project 
in Colombo, Ceylon? And you talked me 
out of it —such a long way to go, such 
a small chance of getting the contract? 
So we went skiing in Austria. Do you 
remember the million-dollar shopping 
center in Atlanta wc might have got? 
But it was such a filthy climate in Au- 
gust, you said. So we stayed in bed and 
had champagne for breakfast. And how 
many other times when you tempted me 
to make the less responsible choice. Well, 
that’s what I'm in danger of losing. I've 
got the architect business back on a 
sound footing now. I give it my time and 
it gives me money and spiritual satis- 
faction. No green bat is going to change 
my mind about whether I am losing 
something or gaining something." 

"Goodness, Robin," she said іп a tiny 
voice. "You do sound determined. Will 
you call the constable and have me put 
ош?" 

“No,” he said. I'm not afraid of you 
any more." 


She visited him that night. 

He was lying awake, letting his mind 
stray up and down their last furious quar- 
rcl and parting, hearing again the final 
things he had said — weighing them in 
his emotions, to make sure that they still 
rang sound, and finding no regret, no 
wish to turn back. She opened his door 
softly, uninvited by any word or nuance, 
and came to his bed. She was naked. 

“For auld lang syne, Robin, it would 
be sweet to lie with you again.” 

She took her place beside him; she 


simply took it. And — was it reflex? was 
it something stronger? — he put his arms 
around her. 

“Ah, Robin!” she said. “I know you 
must have been thinking about us. Baby, 
let it simmer awhile on the back of the 
stove. It will smooth out and the an- 
swers will come." 

“The answers have already come,” he 
said. 

She began to search his face with ber 
mouth: his forehead, the verge of his 
hair, his eye, his nost 
she whispered. "Maybe. Oh, Rol 

And she did her best to put sand 
under all his foundations in that hour. 

She was gay at breakfast. Apparently 
she felt that she had gained command. 
"What are we going to do today, dar- 
ling?" she asked. 

1 don't know what you may choose 

to do,” he said, “but I have a day's hard 
work at the drawing board with two 
clients and shan't be back till dinner." 
lients? In Denver?" 
'Oh, I forgot, that happened after you 
left. Гуе moved the firm up here into 
ihe woods. We have quite a plant half 
a mile up the road — office building, 
guest house, and quarters for the staff. 
Very fine advertisement for the sort of 
buildings we can design. We still have 
a small liaison office in Denver, but now 
the customers come to us.” 

“I see," she said. She laughed ner- 
vously. “I guess it was stupid of me to 
think everything would be the same. 
After all, it's been nearly three years. Ї 
mean, you taking it easy in your eyrie up 
here, while the business went on by its 
own momentum. Somehow I got the idea 
from what you said yesterday that train- 
ing this eagle was your life. 

“из my hobby, not my life," he said. 
“What ever gave you that crazy idea? 
Since you left I've become a working 
man.” 

He took the car up the road to the 
office. By noon be had sewed up the 
contract for the restaurant in Colorado 
Springs. The other client telephoned to 
say he would have to postpone his visit 
for a week. Robin had lunch with Alison 
in her apartment, one of the compound 
of units for the staff. She was a lean, 
blonde type, smart, hired as a draftsman 
but obviously destined for higher status. 
"They had been to bed a few times— 
nothing scrious, but she had attained the 
right to ask questions. 

“Тһе grapevine has it that your old 
flame is back.” she said. This was a 
question. 

“Just for a day or two,” he answered. 
“Just a vi 

“Uh-huh,” she said. "Sort of nostalgia 
for the scene of ancient conquest? Like 
Legionmaires going back in middle age 

(continued on page 104) 


“This model won an award in an Italian film for the 
best supporting role." 


"If Hollywood is dead or 
erhaps the followin 


My first bosses in Hollywood (1925) were Jesse Lasky and В. Р. Schulberg, heads of Paramount Studios. 
I wrote an opus for them called Underworld — the first gangster picture. Hector Turnbull produced it. 
George Bancroft, Clive Brook and Evelyn Brent starred in it. Messrs. Lasky, Schulberg, Turnbull, Bancroft, 
Brook and Miss Brent are dead. 

When I look at Hollywood, I see chiefly a line of hearses carting off heroes and heroines, wazirs and earth- 
shakers. What a noise they made, and what fast exits. You saw them one day hopping around full of glitter 
and glory. Came another dawn and they were gone. 

"Тһе illusion was they all died young. Half of them did. But the people of the movies don’t grow old. 
‘They don’t even mature. Whatever their years, when they keel over they all seem to fall out of the same lusty 
chorus line. 

Lasky, dying, was the same fellow I had met thirty years earlier — pink-cheeked, popeyed, naive as a por- 
poise and quivering with the hallucination that the movies were a great art. The mighty Schulberg, brought 
Jow in his final years, was still the pipe-smoking, Byronic ex-newspaperman I had met on my first sortie into the 
celluloid capital. 

I helped cast my first picture. Producer Turnbull showed me a hundred stills of possible heroines. I 
picked the one with the largest bosom. 1 was sure of my ground because there were по falsies in those days. 
In fact, there was an anti-bosom mania in the land at this time, not shared by me, which caused the Holly- 
wood sirens to flatten themselves out like hoecakes. Why, God knows. It may have been the first wave of 
Lesbianism sweeping the republic. There was such a whooping for female purity going on in this silent-pic- 
ture era that one felt something sinister must be at the back of іг. But I am not certain. 

For my gangster hero-villain I picked Bancroft. I watched him acting on the set of White Gold, a movie 
about sheep. William K. Howard was directing it. Howard was one of the first artistic souls driven to drink 
by the idiocies of moviemaking. My Chicago newspaper compañero, Wallace Smith, wrote for Howard. Wal- 
lace was a fellow of parts — artist, story-writer and fine journalist. He was also driven to drink. Howard and 
Smith both died young. Alcoholism. 

I picked Bancroft to play Bull Weed, the gangster scourge of Chicago, because he looked like the gun- 
men I had known as a reporter. He turned out to be as unlike them as a Methodist bishop. Despite the strong, 
wicked look he could put on and the ruthless leer he had for the cameras, he was a childlike human, mild 
spirited and fanatically obedient. I learned later that most of the actors who specialized in villain parts were 
of this stripe, as perhaps were those who cooked up the bloodthirsty yarns in which they performed. 

But I started counting hearses, Whoever has known Hollywood since its silent days and is still able to 
huff and puff and look around, can see as long a line of last chariots as can I. But ГП stick to my own litany, 
and beat my own drum. I count only the men and women who were involved in the seventy movies I have 
written for Hollywood. 

I imagine that most of those connected with the silents and early talkies I wrote are underground. 1 
recall chiefly Chester Conklin, who starred in Тһе Big Noise; Erich von Stroheim, who starred in Тһе Great 
Gabbo; Lionel Barrymore, who directed Тһе Green Ghost; Myron Selznick, who was my first agent and horn- 
swoggled the studios out of great sums for my works. АП dead. 

Conklin and his whole tribe have disappeared. Harry Langdon, Ben Turpin, Charlie Chase, Fatty 
Arbuckle and a dozen more are dead. The survivors, Charlie Chaplin, Buster Keaton, Harold Lloyd, are also 
out of play as comedians. 

The talkies harpooned them all, for an obvious reason. Writers are not as funny as clowns. We can make 
0 comic situations and amusing lines, but even with the Marx Brothers playing them they come out half 

lapdoodle. 
расой. was another factor: when Ше talkies came the bosses took comedy making out of the comedians’ 
hands. They "improved" it by putting in wailing tenors nobly in love with unhappy ingenues, and adding a 
chorus line of flying crotches. And laughter turned up its toes. 

But it is one of Hollywood's brightest laurels — that during the great decades of its silents it made the 

world laugh as never before in history. 


dying As А МОМЕМАКЕВ, 
ARE SOME Of The REASONS.’ 


.. KKB Ву Бен Несін 


My first talkie director, Von Stroheim, was a rarity in the movies. He was actually what he pretended to 
be — an aficionado of wickedness. His bedside reading was the report of lurid sex matters by Krafft-Ebing. He 
dreamed of bringing all the fancy perversions to the screen. As they often say of dreamers, he was ahead of 
his time. 

The silents were as void of sex as a tomato-can label. The villain was always trying to seduce the heroine, 
but missing by a mile. Occasionally, an unfaithful husband appeared ina plot. He invariably ended up a rav- 
ing alcoholic with his business shot and his collar undone, crawling back on hands and knees to a forgiving 
wife. 

A British visitor named Elinor Glyn tried to awaken Hollywood to the possibilities of sex — on the screen. 
of course. Outside the realm of art, the town could have shown Madame Glyn cards and spades on the subject. 

La Glyn had written a novel. Three Weeks, in which a high-minded but glandularly disturbed London 
girl lay in a clinch with a Russian duke for twenty-one days. They favored a polar-bear rug for their arena 
d'amour. The authoress was imported at great expense as an expert. 

I never worked with Madame Glyn but my bride, Rose Caylor, did. They collaborated on an opus called 
Ritzy for the It Girl, Clara Bow. Though lacking a polar-bear rug, it was a good picture and in the right direc- 
tion. It made the bold statement that a girl who went to bed with a man before marrying him did not have to 
commit suicide or enter a convent. 

I was less successful as a sex emancipator. In the hearses I count is my first movie collaborator — Michael 
Arlen. He was another London import. We worked on a story called (by us) American Beauty. In it, we 
advanced the theory that a bright young woman could emerge from three sex affairs and still be fit to marry 
our hero. But we had gone too far. The script startled the sultans in the front office. 

“We can’t afford to alienate our movie audiences by telling them the truth about themselves,” said 
Schulberg. 

That's the way things were in the Twenties. Ninety percent of our functioning citizens were leading 
impure lives but were firmly on the side of the ten percent who weren't. The only thing you could get away 
with on the screen was murder. The same American who organized societies to keep the screen free of sex 
hanky-panky sat happily chewing his butterscotch bars and applauding a picture in which the cast extermi- 
nated one another with guns, knives, poisons, hand grenades and brutal torture devices. 

One of the oddities I found in the movies of the Twenties was the male star known as a screen lover. He 
did all the kissing and women swooned over him — on the screen. Millions of women іп the audiences also 
swooned over him and cuddled his image in their lonely minds. 

Top man among the screen lovers was Rudolph Valentino. As a reporter, I had interviewed him in Chi- 
cago. Dorothy de Frasso (Countess) told me his story when I got to Hollywood. She had fished him out of a 
New York dance hall where he was one of the “ten-cents-a-dance” male partners. They had everything in the 
early days of the century, including a first-rate World War. 

Unable to get him a job in movie town, De Frasso engaged him herself as an extra waiter at her black-tie 
shindigs. Director Fred Niblo, one of her guests, spotted the soup server and invited him to the studio for a 
screen test, 

“Tt made him a great man, іп а мау,” said De Frasso, “the cute bastard went up and up. There must have 
been a hundred million women in the world of assorted ages all dreaming of going to bed with Valentino. 
And the poor boy used to cry on my shoulder over his miserable love life. Тһе woman he loved didn't love 
him. He confessed it was partly his fault. All the publicity hoopla about his being the greatest lover of the 
screen had raised hell with his nervous system so that he was fast becoming a washout in the hay.” 

As Epictetus said, you can't have everything. 

"This was and still remains one of the occupational hazards for movie actors. Off-screen sex in Hollywood 
is usually in the hands, so to speak, of the town's agents and producers. Having no talent to confuse or side- 
track their glands, nor fame enough to stun them, they are creditable bedroom performers. 

А bevy of actor names, living and dead, cry "foul" to these findings. Chief among them is dashing Leslie 
Howard. My apologies to Leslie. And to Tommy Meighan, Norman Kerry, et al. (continued on page 130) 


57 


а стай 
mie 


boy meets girl, girl meets shrinker 1 


THE MORE 1 THOUGHT ABOUT тт, the more 
the whole bit with Seena seemed like an 
experiment in masochism. 

Mine. 

What else but masochism to want to 
marry a high-strung, stubborn, intro- 
verted, unpredictable, neurotic, gorge- 
ous brunette with a built-in debt factor 
of sixty dams a week? 

Sixty smackers. That was the tidy little 
sum Scena regularly forked over to Sig. 
gie. Siggie, the unseen, Siggie. the omnip- 
otent—he haunted my courtship of 
Scena like a duenna, a jealous suitor, а 
possessive father, He was her analyst. 

Minus sixty bucks a week. What a 
dowry for an underpaid ad copywriter 
like ше! Catastrophic, What was worse 
was having to submit to the ignominy of 
Siggie’s playing Monday-Wednesday-Fri- 
day-night quarterback to Seena’s stream 
of consciousness broadcasts of my strat- 
egy d'amour. 

I needed this like a flat tire on a 
weekend. Still, I was smitten with Seena. 
And, I suppose, for such unrestrained 
emotional commitment you just have to 
suffer. It would have been so much sim- 
pler if, say, ГА decided to woo Alice. 
Now, there was an uncomplicated wench. 

“Zip me up, Freddie, will you?" Alice 
chirped as she fitted into the living 
room of the flat she shared with Seena. 

Zip I did, clumsily. This, then, was 
the condition to which I'd been reduced: 
trusted handmaiden to little Alice 
Alberts, runner-up in the Miss Steeple- 
chase beauty contest of 1954. 1, Fred 
Henley, erstwhile lothario of the office 
мепортарћег pool, Greenwich Village 
Don Juan, slick seductionist of the 


‘Whaler Bar. Unmanned! 

In a rebellious expression of stifled 
virility, I pinched Alice's little rump. 
Even her “ouch” was unsatisfying — the 
mild squeal of annoyance of kid sister 
for big brother. 

“Control yourself, Freddie. Seena will 
be back soon. Her session ends at seven.” 

Alice was a saucy little blonde with a 
quick tongue and а monolithic middle- 
class compulsion; she had to get married 
before she was twenty-five (original 
deadline, twenty-one) to a handsome 
devil with, of course, dough. For such a 
catch and such a catch alone would she 
barter her precariously maintained vir- 
ginity. Perfectly normal, well-brought-up 
American White collar girl — Alice. Not 
neurotic enough for my taste. And she 
wasn't Seena’s cup of Lipton either. 

They'd met at opposite ends of a 
panty girdle during a bargain counter 
tug-of-war at Ohrbach’s. Ever since, their 
tenuous friendship was a test of two-way 
stretch. They were a mismatch from the 
start ~a hasty marriage of expediency 
based on no common interest other than 
that both needed an apartment, and 
neither could afford more than seventy- 
five bucks a month rent. 

The flat which economic necessity 
forced them to share was a high-ceilinged 
job which cried out for Victorian vintage 
furnishings but made do with wrought- 
iron modern culled from Foam Rubber 
Heaven during “unbelievable” clear- 
ance sales. 

"I hear he's a real dreamboat, Alice 
said hopefully, slipping into her coat. 
"Wouldn't it be wonderful if he were?" 

“Another blind date?” 1 groaned. 


dup 


fiction ву SAM GOTTESFELD 


“Third one this weck. Tell me, sweetie, 
don't you think you try too hard?” 

"I wouldn't talk if I were you," she 
shot back, her face coloring. 

That hit me like a wet towel in the 
face. I suspected that my panting pursuit. 
of the elusive Seena Wickers was becom- 
ing more and more a case of the stupid 
greyhound chasing the mechanical rab- 
bit. But I hadn't rcalized it was quite so 
obvious — least of all to Alice. 

I changed the subject. 

"Good luck," I said half-heartedly, 
“and be careful.” 

“Who wants to be careful?” she said, 
bouncing out like a high school cheer- 
leader. "Besides, I have a hunch tonight 
I'll hit pay dirt.” 

I was glad to see her go. Her untag- 
ging optimism was depressing. I picked. 
up Seena’s copy of The Basic Writings 
of Sigmund Freud, and stuffed myself 
like a colic infant into the black canvas 
diaper pegged on wroughtiron legs, 
which passed for a chair. 

I had done this before — scan the 
sacred. pages of the master — while wait- 
ing for Seena to leave the disciple's 
couch. The words flew up at me like 
stones cast at an infidel — libido, infan- 
tile sexuality, erogenous zones, anam- 
nesis —and bounced off my skull. May- 
be the answers were there, coded in 
psychoanalytical агро. But I couldn't 
decode them. I would have to solve 
Seena without recourse to and in spite 
of the ultimate authority. I slammed 
the book shut, and made myself a Scotch 
and water. 

Seena showed up a while later, 

(continued on page 140) 


А мее Christmas giftie сап loom 
large indeed in the eyes of the be- 
gifted if is as carefully chosen as 
those shown here. Smallest of its 
kind, the Sony transistor TV set has 
an B" screen, works on batteries, 12- 
volt DC, or AC, $250. Clockwise 
from it: Globe Pocketphone, tran- 
sistorized walkie-talkie has опе- 
mile range, $125 the pair. Essway 
collapsible silver-plated cups, leath- 
er case, $15. Iwan Ries walnut 
cigar humidor, $13; walnut tobacco 
humidor, $6; Pipo pipes, from $5 to 
$18. Sonar transistorized depth in- 
dicator, $115. RCA auto- morine 
phonograph, $52. Alfred Dunhill 
antique-t book bar, $85. 
Leica 35mm camera with Visoflex Il, 
reflex housing and 90mm Ғ/2 Sum- 
micron lens, $531; extra lenses — 
35mm Ғ/2, $174, 50mm £/1.4, 3198. 
ХАМ-1 stereo speaker system gives 
remarkable sound for its small size, 
two woofers, two tweeters, in wal- 
nut, $127. Italian leather-covered 
hangers, $14 each. Gerber stainless 
steel steak knife set, walnut case, 
538. Cartier's calf belt, gold buckle, 
$135. Individual espresso coffee 
pots, $10 set of four. Schmid Inter- 
national espresso cups and saucers, 
$8 set of six. Salem barometer, pol- 
ished brass, $30. Mohawk Midge- 


tape recorder, $360 wit 

phone. Portuguese cordial, cocktail, 
dinner wine glasses, $8 set of 8. 
Tiffany's 15-jewel clock in clear 
plostic, $55. Shure Professional 
M232 tone arm, $30. Hamilton auto- 
matic and electric wrist watches, 
$375 with gold band, $150 with 
leather band. Cartier’s ultra-thin 
evening watch, $500. Silver and 
teak cuff links, $15. Cartier’s gold 
cuff links, $130. Rubeck’s leather 
cigaret box and table lighter, $35. 


june wilkinson repays а favor 


to her favorite men’s magazine 


THE BOSOM 


REVISITS 
PLAYBOY 


WE FIRST MET BRITISH BEAUTY June Wil- 
kinson back in the summer of 1958, when 
she dropped by the Playboy Building in 
Chicago to say hello. We were so taken 
by her English accent and her staggering 
configuration (43-22-36) that we prompt- 
ly called in our photographers to shoot 
the first picture story on the then-teenage 
temptress to appear in a U.S. publication 
(The Bosom, September 1958), in which 
we proclaimed her frontage "the first 
Bosom worthy of a capital В.” Soon after 
her initial trip Stateside (she'd come over 
оп a short-term visitor's permit), June re- 
turned to America and this time trans- 
ported her magnificent measurements 
to Hollywood, where she discovered her 
fame had preceded her in the form of 
the PLAYBOY photo feature. She prompt- 
ly became the most photographed pin- 
up girl in America, a featured actress in 
several films (including T'hunder in the 
Sun and Macumba Love) and subject of 
a second pictorial survey by PLAYBOY 
(The Bosom in Hollywood, August 
1959). The Bosom thus busied herself 
with ever more movie, television and 
personal appearance assignments, but 
she didn't forget her friends in the Windy 
City and she stopped by to say hi again 
recently during a publicity tour through 
the Midwest for one of her latest flicks; 
then she took time out to repay PLAYBOY 
for past favors by welcoming guests for a 
week at the newly launched Playboy 
Club and appearing on Playboy's Pent- 
house. June had a ball the entire time. 
And, as these photos suggest, so did we. 


Left: а new, blondified June Wilkinson, fresh from 
Hollywood hoorays, posed for the PLAYBOY photag just 
two years after she mode her debut in these pages. 


Above: when June first visited us, we were smitten by 
her dramatic dimensions and shot this photo of the 
tempting teenage treat in the Playboy Building. 


Above: between scenes on Playboy's Penthouse, June put 
her magnificent measurements to work, balancing two full 
glosses of champagne to the delight of the entire TV cast. 


Below: the Bosom in Bunny costume, complete with eors 
and cotton tail, welcomed members to Chicago's Playboy 
Key Club, first of о projected world-wide dub network. 


61 


humor Ву ROBERT CAROLA мо ко PLAY 


more fun and games with the king's english in which words become delightfully self-descriptive 


omit 


VIRGIN 


OCU CIUS 


ЯОЯЯІМ 


дпр 


„в МОО) 


cemelery 
SEASICK 


HONEYMGON 


тірей 


— 


“I think I have just the house 
for you, Mr. Usher." 


N 


THIS SEASON ОҒ THE YEAR, "when church- 
yards yawn and Hell itself breathes out 
contagion to this world,” when the 
quick of eye can glimpse gaunt forms оп 
broomsticks etched against the baleful 
yellow moon, we thought it appropriate 
to ask our master of the mirthful ma- 
cabre, Gahan Wilson, to view the remains 
—and lively remains they are—of a 
kindred spirit, Edgar Allan Poc. The 
gloomy Mr. Poe — renowned the world 
over as the author of The Tell-Tale 
Heart, The Murders in the Rue Morgue, 
The Cask of Amontillado, The Gold 
Bug, The Masque of the Red Death, 
The Pit and the Pendulum, A Descent 
into the Maelstrom, The Fall of the 
House of Usher, ctc, and аз the most 
unimpeachable authority, living or dead, 
on all things fiendish, living or dead — 
proved gaily grisly grist for Gahan's 
mill, as you can see for yourself. 


By Golam (Jen 


“Well, you auctis managed to spoil 


that party for just about everybody. 


65 


"It's really none of ту business, Montresor, but ате 
you sure you ve going about this in the right шау?” 


“Will you please cut the ‘Alas, poor 
Yorick hit and open that chest?” 


“Why, there’s nothing wrong with the old gentleman — 
his heart 15 as sound as a dollar!” 


67 


it’s simple as simon to be 


P: need not be in the sky — that is, crusty creations warm and aro- 
matic from the oven are not unattainable to the male host and need 
not involve him in that nightmare of rolling pins, apronsand flour-whitened 
hands one remembers from the dear old days in mom's kitchen. Hearty pies 
with flair, zest and a unique personal touch can be yours with an absolute 
minimum of effort; and let's say this right at the outset — few foods are more 
satisfying than good pie. It is not without reason that it's been glorifying 
man's table for more than six centuries, since the monarchs, merchants and 
maidens of medieval England first framed filling with crust. In those days, 
apples, blueberries апа Һе like hadn't invaded the pie realm: in fact, pie 
wasn't the dessert staple it's become to contemporary chefs. It was a main 
dish. Fourteenth Century chefs baked their pies — huge affairs with just an 
upper crust — in rectangular shapes. All manner of flora and fauna were 
tucked into the “trap,” the pie pan of its time, by cooks with unbridled 
imaginations. À typical recipe, circa 1394, lists pie ingredients including: 
pheasant, bear, capon, partridge, pigeon, rabbit, chopped liver, heart, sheep 
kidneys, eggs, pickled mushrooms, salt, spices and vinegar. In the Seven- 
teenth Century, Charles I set some sort of a British standard by demanding 
a pie that blended frogs, eels, pepper, nutmeg, ginger, currants, goose- 
berries, grapes, raisins, pineapple, orange juice. sugar and butter — in three 


. EASY 
your own ретап AS Лой By THOMAS MARIO 


PIE 


layers topped with pastry and iced with confectioners’ frosting. Two hun- 
dred years later, The Good Huswife's Jewell noted a more modest pie cre- 
ation requiring boiled and strained quinces, vegetables, roots, yolks of eggs, 
sparrow brains. wine and spices. Never quite satisfied, the English urge for 
pie novelty led to the debut of the "surprise" pie. It was brought to the 
table with meticulous fanfare, opened ceremoniously and rarely forgotten. 
Out of the pie leaped live frogs. squirrels, terriers, foxes and, as we all know, 
four-and-twenty blackbirds. On at least one occasion, a dwarf — armed with 
sword and buckler — popped out to run the length of the banquet table, 
dueling an imaginary foe along the way. The serving of pie continued to be 
a gala affair for years, with pie-baking a basic part of every holiday celebra- 
tion. All was serene in the dough domain until Oliver Cromwell came into 
power. In a puritan outburst, he banned the eating of pie as an obvious form 
of pleasure verging on idolatry. For sixteen years pies were bootlegged at 
best, until 1660 when the Restoration leaderslifted the ban. Fager to resume 
pie-producing festivities, the English devised a brand-new pie — baked in 
a round tin with all ingredients "'minc'd." This was the pie that made its 
way to America aboard pioneer ships. The pastry and pie fillings were old- 
English style, but early American cooks soon introduced key innovations. 
George Washington's cook, according to the President's (continued on page 118) 


PHOTOGRAPH BY DICK BOYER 


АР 


г ім rris idu? 


THE VIRGIN PLANET 


ще НТ BE ASTIOF 
Зот модна” 


SHOCKING AMAZING 


SOLAR E 


STORIES way | 


its 


24 


IN THIS ISSUE: IN THIS ISSUE: 
"GIFILTE FISH-MEN OF P: “THE CREATURE WITH THE GOOD U 
ILLUSTRATIONS BY WILL ELDER 


waits мше RE S 
SLIME 


a belated tribute to the burgeoning beauties who 
brightened the science-fiction of yore 


NEBULA |" | 


2 


THE BARE FACTS OF SCIENCE FICTION... o 


IMPOSSIBLE | 


“ORGY OF SEX IN PRINT” were words uttered not long ago by an elderly educator who was denouncing, of all 
things, current science-fiction. Avoiding, for the nonce, the question of what's wrong with an orgy of sex in 
print (other than its being а poor second-best for an orgy of sex in the flesh), this fragment of the educator's 
jeremiad must have caused considerable scratching of heads on the part of science-fiction addicts under 
thirty, or in the neighborhood of thirty, or in the Congressional District of thirty. Everyone knows that science- 
fiction today is about as prurient as a thesis on quantum mechanics. Just this year, Kingsley Amis, in his 
survey of science-fiction, New Maps of Hell, went on record as deploring the puritanical tone of the genre 
and honing for a few stories in which Topic A might raise its lovely head. 

What the elderly educator was probably remembering was the science-fiction of the Thighful Thirties. 
In those days, a lot of sf magazines were pretty broad minded, if only pictorially, and any pretty broad who 
ventured beyond the Earth's gravitational field could expect to meet a choice of fates, all more colorful than 
death. That era is long gone, but some of us still remember the Thirties, fondly, as The Golden Age of Space 
‘Travel. The s-f magazines, back then, weren't called Galaxy and If and The Magazine of Fantasy and Science 
Fiction. They were called — near as we can recollect — things like Shocking Solar (continued on page 80) 


71 


72 


SMALL 
WONDER 


JONI MATTIS isn’t the sort of voluptuous fe- 
male we usually choose as Playmate of the 
Month. She has that young and fashionable 
look you'd expect to find between the covers 
of Seventeen ox Glamour, which is under- 
standable, since these are just the sort of 
magazines in which Joni makes her living 
as a model. But petite Miss Mattis (she's 
57 2" tall, weighs less than 100 pounds, and 
looks like 2 sixteen-year-old, though she's 
actually twenty-one) possesses one of the 
most provocatively perfect faces ever to pass 
through PLAYBOY's portals, and а personal- 
ity to match, so we simply couldn't resist 
this change-of-pace Playmate. Joni makes 
her home in Chicago, appears regularly on 
Playboy's Penthouse, and also works part 
time as a Bunny at the Playboy Club. We 
feel confident that readers will welcome 
Miss Mattis little-girl freshness and charm 
as a small but wonderful Miss November. 


petite miss november proves 
what they say about small packages 


dd 


МІНІ 


= 
= 


.. rtAYMATE OP IE 


PLAYMATE PHOTOGRAPH BY JERRY WHITE 


Jeni's classically stunning features and petite high-fashion figure lend themselves 
beautifully to her quick-change glamar whirl. One minute she’s lolling languor- 
ously between takes for a back-to-college fashion feature; a puff of smoke and 
she’s delightfully décolletéed for an appearance on Playboy's Penthouse. 


PLAYBOY'S PARTY JOKES 


When her friends got word that Betty, 
a beautiful young starlet, had married 
Homer, an elderly gentleman worth 
ten million. dollars, they all sent her 
Get Will 


Alcatraz as the pen with a lifetime 
guarantee. 


both bigamy and marriage 
wife too many. 


having onc 
comic strip as a burlesque queen who 
tells jokes while she peels. 

hula dance as a shake in the grass 


individualist as a man who lives in the 
city and commutes to the suburbs. 


orgy as group therapy. 


suburban husband as a gardener with 
sex privileges. 


well-proportioned girl as one with a 
narrow waist and a broad mind. 


Sign at the entrance of a nudists’ colo! 
"Please bare with us.” 


y: 


Ii was while they were crushed together 
in passionate embrace that Harry de- 
cided the psychological moment was at 
hand to tell M 

“Honey. pered, “I want you 
to know that I think you're a wonderful 


person, and that I certainly appreciate 
your —uh — company, but 
concerned, wedlock is nowhere. 
In reply, Marge uttered only а small 
sigh of pleasure. 
“I mean," Harry went on doggedly, 
“you're more like a sister to mc. 
At that, Marge's lovely с 
and her lips parted in surprise. 
“My God.” she murmured. "what a 


opened, 


home life you must have!” 


G 


rls who don't repulse men’s advances 


vance men’s pulses. 


The difference between a wife and a 
mistress is night and da 


Whether or not a girl in а rented bath- 
g suit attracts a lot of attention de- 
pends primarily on where the rent is. 


ха 
A 


— 


Marriage is like a long banquet wi 
the dessert served first. 


Air а pleasant picnic in the woods, 
Mark described his girlfriend as the 
down-to-earth type. 


Ме. Farnsworthy felt bereaved but 
sympathetic when she got the news that 
Juliette, her jewel of a French maid, was 
caving to gel married. 

Ah, well,” she 
of happiness on the girl 
young lace, "I am ov 


g the glow 
s beautiful 
rjoved for you, 


Juliette. You will have it much 
now that you're getting married.” 


“Yes, Madam,” said the girl, with a 
tingle of anticipation that made her 
trim figure tremble, “and more frequent- 
ly as well.” 


Heard any good ones lately? Send your 
favorites to Party Jokes Editor, PLAYBOY, 
232 E. Ohio St, Chicago 11, Ill., and 
earn an easy $25.00 for each joke used. 
In case of duplicates, payment goes to 
first received. Jokes cannot be returned. 


“Really, Mr. Barrington — ше те touring castles now. 
Independent activity doesn't Берт until four o'clock." 


PLAYBOY 


SLIME GOD (continued from page 71) 


Stories and Horrible Atom Tales, and 
the covers, unlike the mechanistic covers 
of today, throbbed with life, blushed 
with the pink of fair flesh. The stories 
always seemed to have titles like Girls 
for the Slime God, and one or more of 
the girls involved customarily loosened 
the straps of her golden space tunic, let- 
ting it slide down her ripe golden body, 
past the golden curve of her hips and 
the soft golden flesh of her thighs, then 
turned to the hero, her full golden 
breasts quivering with emotion, and 
asked if he still believed she had the 
sacred Martian moonstone on her — all 
by page three at the latest. A dozen pages 
later im this issue of the hypothetical 
Fearsome Future Fiction, in another 
story, Men for the Slime Goddess, a dif- 
ferent lass would be impelled to loosen 
the straps of her silver space tunic, let- 
ting it slide down her ripe creamy body, 
past the white curve of her hips and the 
soft ivory flesh of her thighs, turning to 
our hero finally, her full alabaster 
breasts quivering with anticipation (any 
resemblance among stories was not acci- 
dental —at halfa-cent a word, writers 
had to take short cuts). 

A quivering bosom was no novel sight 
for a Thirties sf hero. Space Girls ex- 
pressed most of their emotions through 
their pectoral muscles. Bosoms swayed, 
trembled, heaved, shivered, danced or 
pouted according to their owners’ moods. 
In fact, if а hero in those days had been 
a little more observant and had carried 
a tape measure, he could have saved 
himself a lot of trouble. When he 
opened an air lock and a gorgeous stow- 
away fell out, uniform ripping, it usually 
took him five or six pages to find out 
whether she was a Venusian spy or not, 
whereas the reader knew at once. If her 
torn uniform revealed pouting young 
breasts, she was OK — probably some- 
one's kid sister. If she had eager, strain- 
ig breasts, she was the heroine. But a 
girl with proud, arrogant breasts was 
definitely a spy—while a ripe, full 
bosom meant she was a Pirate Queen 
and all hell would soon break loose. 

In case Kingsley Amis is beginning 
to distrust our memories of yesterday's 
Space Girls, it might be wise to eschew 
the vague and hypothetical and come 
up with a few living specimens. Why 
rely оп memory — poor frail human 
thing— when secondhand magazine 
dealers can, for a price, confirm our 
hazy recollections? Sample, please, a 
passage from The Angel from Hell, 
which a dustswathed December 1939 
issue of Marvel Science Stories has 
yielded: 

He saw ап eerie being. A winged 
woman! Or was she a woman? Her body 
was a woman's . . . the sweet curves of 
it were shiny with a yellow velvet down. 


The breasts were firm round golden 
bowls, quivering to the effort of her 
wings. And he wanted her. He forgot 
all her strangeness, and saw only the 
golden breasts, the alluring contours . . . 
He thirsted for the feel of her golden 
body in his arms. He made a groping 
movement toward her . . . 

Yes, this was the era of the racy pulps 
— when lusty BEMs (Bug Eyed Monsters) 
lurked on every asteroid, and many a 
lad reached adolescence believing that 
M.D. and M.Sc. meant Mad Doctor and 
Mad Scientist. Space travel may have 
been primitive in those days — but few 
of today's sf heroes can match the sheer 
virility of the old Space Captains. May- 
be they weren't nimble-witted, and it's 
true that they moved chiefly by involun- 
tary reflex action — Биг they were шеп 
who thought nothing of blasting a path. 
through Saturnian Space Pirates with no 
more equipment than a riveted space 
cruiser, smoking rocket tubes, and a hot 
navigator (38-24-38). When one of those 
boys brought his battlescarred ship іп 
for a landing on Jupiter he was tired, 
and it wasn't just from the fighting. 

His navigator had a rough time, too; 
lacking radar or UNIVAC, she had to 
feel her way cautiously around the Solar 
System. Meanwhile the hero was using 
the same technique on her, with less 
caution. 

Its about time somebody paid be- 
lated tribute to the voluptuous young 
females who pioneered the Solar System 
ма the old pulps. Despite all hazards 
(penicillin had yet to be discovered) 
they poured into space in their faceless 
thousands. (It's possible they had faces, 
of course, but pulp authors seldom 
bothered to describe the girls above the 
neck) Girls shipped out as navigators, 
spacereporters, astro-geologists, stow- 
aways, proud-and-rich-daughtersof-thc- 
owner-of-the-space-line-taking-their-first- 
trip-into-space, Pirate Queens, or just 
plain — well, unplain — crew members. 

It took guts. Life for а Space Girl in 
those days was no bed of galactic roses. 
‘Yo begin with, their uniforms were de- 
fective. You'd think a metalfabric bi- 
kini would be pretty durable. Not so. 
Two days out from Earth, the ship 
would lurch to avoid a meteor, and the 
girl would be catapulted across the 
cabin into the hero's lap to the sound. 
of ripping fabric. From this point on 
she was ninety-eight-percent exposed to 
cosmic rays, the hero, and any stowaway 
villains. 

And there was little purpose in her 
finding a fresh uniform. For even on 
pioneer flights. when girls still wore. 
sturdy terrestrial garments, a complete 
outfit averaged little more than 15 
pages іп space—and іп the heat of 
action the half-life of any garment could 


be measured in sentence-fragments. Any 
efficiency expert worth his salt would 
have ordered all Space Girls to strip to 
the skin hours before countdown. It 
would have saved untold time and cflort 
later. 

Consider the heart-breaking (and fu- 
tile) attempts of space-journalist Lorna 
Rand to shield herself [rom the hot eyes 
and sweaty palms of Space Captain 
Shawn, the hero of a 1938 Marvel yarn, 
The Avengers of Space. Even before the 
good ship Eagle takes off, an accident 
played havoc with the girl's dress, тір- 
ping it nearly off her slim body. For a 
second Shawn felt the warm firmness of 
her half-bared bosom against his cheek 

~ his pulse beat faster at the touch of 
his hands upon her rounded, vibrant 
body . . . her milky thighs gleamed 
whitely . 

His throat was dry. His heart was 
pounding like a trip hammer. 

(Space Captains in the 1930s suffered 
grievously from attacks of dry throat, 
pounding heart and moist palms. The 
equivalent syndrome in Space Girls in- 
cluded icy spinal tremors and ob- 
versely — hot breath.) 

Involuntarily Lorna shrank a little 
- - - lifted her hands in a protective ges- 
ture 

Fortunately for Lorna, the hero's at- 
tention is distracted by the need for a 
fast take-off (conspirators are stuffing 
dynamite under the Eagle's tail fins). 
But even with the ship spaceborne, she 
has to wait four pages before the hero 
grudgingly finds her а khaki shirt and 
slacks. And as for privacy — 

At the door he turned, involuntarily. 

- The girl hed slipped off the tattered 
remnants of her dress and was nude save 
for flimsy underthings. The pale cones 
of her breasts swayed as she bent over, 
slipping a slim foot into the trousers. 
Shawn was trembling a little, his muscles 
weak as water. The girl was a vision of 
loveliness, rousing all the passion in him. 
He stared fascinated at her supple form, 
took a half-step forward ... his palms 
moist with sweat. 

Lorna, surprisingly, manages to keep 
dad until the Eagle lands on Mars, 
where Shawn and his crew encounter 
а chilly reception. Lorna, however, is 
greeted with considerable warmth, and 
it isn't long belore Martians and reader 
alike can admire her rounded breasts 
and the lithe curves of her young body 
revealed in utter nudity! 

With some difficulty, Lorna manages 
to dress herself in a Martian kirtle. Вис 
there is worse to come; she has the 
BEMs to contend with. The BEMs that 
roamed space in the old pulp magazines 
remain a source of constant fascination 
to the scholar. BEMs came in a wide 
variety of styles. The elite resembled 
Technicolor lobsters suffering from ele- 

(continued on page 144) 


attire Ву ROBERT L. GREEN 


On TV's The Untouchables, El fellow feds are attired each week in what was prac- 
tically the civilian uniform of the big, bad Twenties — the three-piece wooly suit with matchin, 


Feds and felons alike wouldn't be caught dead without a properly-buttoned vest, and it was indeed 
a sartorial hallmark of the er thered here for a special гглувох shooting, Robert Stack and a 
couple of cronies model the new breed of vests: elegantly contemporary, eminently non-matching and 
damned good looking. Stacks own is a wool weskit by Hylo, $12. The shotgun-bearer sports a checked 
number by Carroll 8 Company, $25. The machine gunncr's vest is а foulard by Moss Sportswear, 59. 


the 
untouchables ^ 
help 
repopularize 
an 

elegant 


wardrobe 


accessory 


BEVESTED 
‘INVESTIGATORS 


The Untouchables’ touch with vests is reflected below in a whole array of strictly-1960 versions, from the classically 
simple to the richly flamboyant. Worn with 


the other. A у; ion is the matching vest 
there to a matching coat and trousers and 


the new country suit, the vest can match on one side and contrast on 


and jacket, with the trousers the contrasting item. You can go from 


supplement them with a reversible vest, one side coordinating, one 
side contrasting. Whatever your preference, here are the fabrics to watch for: wool (including Shetland and tweed) 
е silk, madras, doeskin, hopsacking, burlap, brocade and jacquard. Styling ranges 


ted bottoms and traditional four pockets, to those with four or five 
buttons and rounded or straight-across bottoms. Double-breasted vests reflect English 


leather, corduroy, velvet, flannel, ti 
from the standard six-button models with poi 


а Continental influences, 


and are wholeheartedly recommended. Regardless of your choice, two practical points are pertinent: when there's 
a nip in the air, there's extra warmth in the waistcoat — and its handy pockets serve a host of purposes. In our 
line-up of armed agents, you can survey, from left to right: an imported etched-pattern cotton Heeksuede vest, 
reverses to rust, with flap: faced pockets, adjustable back strap, by Marshall Ray, $10. Gold velvet vest, rev to 
brown cotton velvet, with two flap-faced, two welt pockets, foulard print back, by Mayhoff of Baltimore, $15. Cotton 
tattersall vest, reverses to wine color cotton velvet, by Moss Sportswear, $10. Madras plaid corduroy vest, reverses to 
bronze, adjustable back strap, by Marshall Ray, $8. Cotton velvet vest with matching lining, open side vents, three 
welt pockets, by Hylo, $15. Silk rep vest with black lining, open side vents, four welt pockets, by English Sportswear, $15. 


PLAYBOY 


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a cosmopolite's guide to 
mexico's romantic riviera 


MAYBE YOU'VE SEEN Yr Оп the late show: Betty 
Grable (remember her?) is a secretary from, 
say, Trenton, Ohio, enjoying one week's vaca- 
tion south of the border. Before the first 
musical number is quite over (Carmen Mir- 
anda, in a hat made of bananas, avocados. a 
cheese blinw, hibiscus and parrot feathers, 
singing a lyric that seems to consist ex- 
clusively of the sound chee-chee-chee-chee), 
Betty is hopelessly enmeshed in an ambiva- 
lent relationship with a rich Latin gigolo 
played by Cesar Romero or possibly Don 
Ameche with gray stuff at his temples and 
ап inappropriate George Givot accent. 
George Givot may be on hand, too, to pro- 
vide comic relief, and José Iturbi is sure to 
pound out the Ritual Fire Dance on a lit up 
piano, unless Xavier Cugat and Lina Romay 
happen to be operating that side of the 
street. By the final fade-out, Betty is in the 
arms of Romero/Ameche and the whole cast 
is singing, "If you're romantic, chum, pack 
up your duds and come to Acapulco . . ." 

Corn doesn't grow much taller than that, 
but in the case of Mexico's Acapulco (less 
than ten air hours from anywhere in the 
U.S), you can safely swallow it— cob, husk 
and all — secure in the knowledge that Truth 
has not been too severely bent. For Acapulco, 
today, is a dazzling amalgam of half a 
dozen screen extravaganzas, unabashedly 
corny, gorgeously unreal, glossy with luxury, 
awash with Technicolor, athrob with Latin 
rhythms, inhabited by dark-eyed señoritas, 
Ohio cuties on vacation, and on-the-make 
operators from both south and north of the 
border. The song says “You put your cares 
in hock and throw away your clock in Aca- 
pulco,” and that’s no lie: Acapulcans swing 
around the sundial. The song further de- 
scribes Acapulco as a place "where you can 
be as lazy as a daisy drifting in a blue la- 
goon”: blue lagoons are indeed to be had 
and nobody frowns upon indolence. It claims 
"You're wide awake at night, because you 
do your dreaming in the afternoon”: Aca- 
pulco night life is truly wider awake than 
night life anywhere else. And, finally, if you 
doubt that “when the moon is new, it’s like 
a honeydew,” you've obviously been having 
so much fun you haven't had time to look 
up at the sky. 

The travel folders will tell you it is a land 
of magic landscapes sparkling like a jeweled 
setting around the rich blue crescent of its 
bay. It is. They will tell you that golden 
beaches glisten in the sun and rocky cliffs 


Fun in Acapulco В о round-the-clock way of life. 
Whether you dig о frolic on о shimmering strond 
or те heody delights of floming rum ot а smort 
terroce restouront, this romantic Mexican riviero is 
for yov. Right: El Mercodo, the bustling native mor- 
ket, offers hondmode items of every description. 


Loft: sun worshipers take their ease ot El Presidente's 
саБайа area, handy to both ocean and pool. Battom 
left: the view is delightful when the shutters are 
thrown open. Above: а high-on-c-hilltop town house 
with a view of both Acapulco and the bay. Below: 
guests at El Mirador hotel are transported by funicu- 
ler down to a swimming pool hewn aut of rock. 


Above, Ito r: a sampling of Acopulco's coolest, most-called- 
for concoctions: Pink Daiquiri—lemon juice, grenadine, 
rum; los Brisas Welcome Drink—gin in fresh coconut; Sol y 
Sombra—tequila, port wine, fruit juices; Piyi—tequila, 
rum, pineapple juice in fresh pineapple. Below: for the 
omphibiously inclined, Acapulco Bay is о perfect ploy- 
ground for water skiing, speedbooting and surfboarding. 


drop precipitously into the ocean. They do. We know, because we 
were there recently. 

We arrived, as does most everybody, on the one Ам. Aeronaves 
flight from Mexico City. Acapulco, on the western coast, is а one- 
hour hop by ай, six smooth hours by luxury bus ог, in your rented 
car, a pleasantly scenic 265-mile romp over good highways. Tooling 
into town via taxi from the airport, we caught our first view of the 


оп make socializing between Из spread-out pink casitas (some with private pool) speedy as well as 
simple. Below, left to right: stucco cottages perched cliffside at El Mirador, oldest and most authentically Mexican of major hotels, include picturesque 
private terraces at moderate rates. Fancier terraces, н и i which also boasts a nightclub, 
restaurants and big fresh-water poal. In sharp contras! 


bay's curvilinear panorama. Those small lights twinkling on the water (our cabby 

informed us in impressionistic English) marked the dugouts of native fishermen 

luring pompano, red snapper and mackerel off the bay's bountiful bottom. From 
parkling neons promised non-stop good times. 

ike Acapulco much, señor,” enthused our cabby, a José Jiménéz 


?" we asked. 

He turned around and flashed us а smile like a Wurlitzer accordion, complete 
with black keys. “Because,” he said, it swing, sefior, it swing!” 

“Watch the road,” we advised— in English, because we didn't happen to know 
the Spanish for that useful phrase. While we're on the subject, let's dismiss the 
problem of the language once and for all, You don't have to speak it like a native 
and unless you do, don't make the mistake of dusting off your high school 
Езрапо! and maybe getting laughed at. Most of the people you'll be hobnobbing 
with or who will be serving you speak some English, and it's best to let them practice 
on you rather than you on them. Of course, an occasional Buenos dias by day and 
Buenas noches by night will do you no harm, nor will Por favor for please, Muchas 


Left: in season, aficionados flock to the Мага: 
de Taras for а Sunday-aHternoon corrido. 
Less-bloody entertainments to be enjoyed in- 
clude firewarks during religious fiesta (above) 
ond partying aboord a private yacht (below). 


gracias for thanks, ¿Dónde está? for where is it. gCudnto? for how 
much and Muy buena! for dig that chick. So ends ргАүвоу'в Short 
Course in Functional Acapulcan. 

(While we're at it, lets get a couple of other chores out of the 
мау so we can enjoy the city without worrying about trivia. Mexican 
money: the peso is pretty stable, at twelve and a half to the dollar. 
Just remember that one peso equals eight cents. Tipping: follow the 
same fifteen percent rule you follow in the States; drop onc peso 


Left: at sunset, a chartered schooner, with plenty af fresh 
coconuts, liquor and native musicians aboard, leoves the Club 
de Pesca hotel for a cruise across the bay. Half an hour 
later, at а calm anchorage off a small island, the couples go 
ashore for the fun of a beach picnic (below). There's dancing 
in the bonfire's flickering light, swimming by moonlight (sans 
suits if you wish) and a pervading air of contentment. 


4 


Upper left: Acapulco's most sumptuous dining spot is El Presidenle's Focolare where, to the ever-present strumming of soft guitars, you con feost on 
the likes of Langostinos ò la Bordelaise, Came Asada Mexicona and a superb assortment of Mexican cheeses and pastries. There's озо a terrace 
for cocktails. Above: ot Lo Rue, an unusual French restaurant that occupies the top balcony of the joi-oloi frontón, you can watch the pelota being 
fired across the 100-foot-long court while you sip your cocktail in comfort. This fast, exciting Bosque game also serves as an outlet for the visitor's 
gambling yen. Below: night life in Acapulco can be as posh as Manhattan's, but you dress far more informally here than in the States. Jacaronda 
is El Presidente's smart new club ond, like many ofter-dark spots, it is parily out of doors, partly in, to take full advantage of Асарикоз salubrious 
right breezes and star-bright skies. The roar of the surf nearby and the infectious cha-cha beat af the orchestra make for а heady melody indeed. 


For night people, Acapulco offers а delightful assortment of divertisements. Top: sophisticated 
Armando's specializes in menu and music tuned to American tastes. The pianist, an expatriate 
Gringo fram New Jersey, tackles all requests іп supper-club style, fram Muskrat Ramble to 
Clair de Lune. Center: at Cosa Raquel, one af the town's mare tastefully furnished brothels, 
one can drink at the bar to the strains of Mexican music from the jukebox, make small talk 

ith the girls under a lighted tree, or simply retire upstairs, Bottom: the beautifully terraced 

13 of La Perla, the restaurant at El Mirador. Featured here are the Clavadistas de Que- 
brada, a company of divers wha twice nightly make 136-foot leaps with torches aflame. 


for the smallest services. Mexican cops 
won't be offended if you tip them for 
watching your car. You won't have much 
use for coins— forget about them. Sun- 
dries: before leaving the States, you'd 
be wise to latch onto a six-month Tourist 
Card by visiting the Mexican Consulate 
nearest you or ап office of the Mexican 
Government Tourist Bureau and present- 
ing proof of birth or citizenship plus 
three bucks. And, yes, you'll need а small- 
pox vaccination certificate. If you're a 


forgetful type like us, you'll be glad to 
know that, if worse comes to Worst, you 
can get a Tourist Card at the border, 
and if you didn't remember the vaccina- 
tion you can get the needle on the way 
back into the U.S.) 

(continued on page 120) 


Meanwhile, 


Atter а night of wotching flamenco doncer Leonor Amaya (upper left) ot the Fontano, one of Acopulco's loveliest outdoor restaurants, or the 
sinewy gyrotions of Talva (upper right) ct Rio Rito's in the red-light district, you con greet the sun оп а near-deserted stretch of beach. 


"It's your wife. Shall I ask her not to bother you 
during business hours?" 


the ancient art of wagering and winning whilst one foot rests on Ше rail 


А BAR BET is a bet that you make with 
somebody at a bar. The p 5 of a 
bar bet are: (1) to show what a clever 
and engaging chap you аге; (2) to get 
the other fellow to pay for your drinks. 
Since jovial bonhomie and good fellow- 
ship are important ingredients of social 
drinking, you do not try to make a sub- 
stantial killing with a bar bet. Of course, 
if you don't care about niceties of that 
sort, go ahead, get yourself punched in 
the nose after a nasty argument with a 
lush. 

"The props for these bets are the things 
one would naturally have at hand at a 
bar: bottles, glasses, matches, cigarettes, 
money, paper, pencil, and so on, includ- 
ing an obliging bartender. For instance, 
a good many bars have hard-boiled eggs 
lying around waiting to be bought. You 
can work up a good bar bet around such 
an egg. Buy one, and ask the bartender 
to bring you a fresh one too. Now get 
them mixed up, so nobody knows which 
is which. 

“Hey, which one do 1 eat?” you ask. 

“Beats me, Mac,” the bartender says. 
“You should of thought of that earlier.” 

You turn to the fellow on the next 
stool, who has been following your an- 
tics with interest. "Can you tell them. 
apart?" you ask. 

He picks them up, weighs them in his 
hands, shakes them, holds them up to 


games By STEPHEN BARR 


the light, and whatever. “There's по 
way of knowing,” he declares. 

“Tell you what,” you say. "Ill buy 
the next round if I can’t pick the hard- 
boiled egg without cracking either one. 
You buy the next round if I can. OK?” 

He subjects the henfruit to further 
intensive scrutiny. They are as alike as 
two eggs. There must be some catch,” 
he says, “but go ahead.” You see, he 
will go for this if the stakes are small, 
merely from curiosity, even though he 
suspects he is being taken. 

And he ıs being taken — that is in- 
herent in every bar bet. You spin either 
egg on the bar, stop it with your finger, 
and instantly release it. The raw egg 
will start turning again. With serene 
composure you order your second gin 
and Compari—on Вип. 

A build-up of some sort is generally 
required to get a bar bet accepted. If 
you had come out cold with the asser- 
tion, “ГЇЇ bet I can tell a hard-boiled 
egg from a fresh one,” you wouldn't 
have found a taker. Similarly, there's 
little use in offering point blank to bet 
somebody that he can't do something — 
һе will suspect, quite correctly, that һе 
can't. You have to work up to it. 

The very best way to bring a bar bet 
home is to challenge the other fellow to 
perform some feat, let him try in vain, 
and then offer to bet that you can do it. 


Having proved that it is "impossible," 
he is almost certain to take you up. А 
good опе о this type involves arranging 
two bottle, a coin and a match, as 
shown. 


You defy him to remove the coin with- 
out touching the match and without 
causing it to fall. His efforts are unavail- 
ing, and he readily bets that you can't 
do it either. Whereupon you light the 
head of the match with another. It will 
stick to the bottle and you then lift 
the other bottle and retrieve the coin. 

(Right here is the place for a word of 
warning. Sometimes the match doesn’t 
stick. With most of these bets it will 


PLAYBOY 


sometimes happen that something goes 
wrong and you lose. In such cases your 
attitude should be: so much the better. 
All Ше more chance that this poor fool- 
ish fellow will take you up on your next 
proposition.) 

A wheeze with cigarettes: bet that with 
six of them he can't make four equi- 
lateral triangles with no leftover lines. 
When he passes the ball back to you, 
you set them up like this, with three 
cigs forming a triangle on the bar and 
the other three erected as a tripod above 
them. The cigarettes will stand up more 
easily than you might think. 


‘The solution may elicit complaints that 
they're not all flat on the bar, but who 
said anything about flat? 

A bet that requires a rather steady 
hand, and hence should be proffered 
before you've won too many drinks with 
other bets, is this: Fill two shot glasses 
brim full, one with whiskey, one with 
water. Ask your gull to exchange their 
contents without using any sort of con- 
tainer and without spilling more than a 
negligible amount. He has a dollar that 
says it's impossible. You now take a 
small piece of stiffish paper — part of a 
magazine cover, say — and lay it atop the 
shot glass filled with water, where it 
will stick by capillary attraction, permit 
ting you to deftly turn it over and put 
it upside down exactly over the whiskey 
shot glass. Then you gently draw the 
paper from between the glasses until 
a tiny gap is made, through which the 
whiskey will flow up — being lighter — 
and replace the heavier water. Like this: 


Incredibly, the two liquids don't mix! 
Better practice this at home a couple of 
times before your first public appearance. 
And don’t try it with gin: you can't see 


it; nor with a liqueur: it won't work. 

When you see the bartender about to 
throw away an empty liquor bottle, ask 
for the loan of it and a straw. Use the 
straw to fill the bottle with smoke, and 
challenge someone to get the smoke out 
in less than a second. Whatever he tries 
(induding filling the bottle with water) 
will take far more than a second. Now, 
of course, you bet that you can do it. 
Bet accepted, you simply drop in a 
lighted match. Spectacular. (Note: be 
sure the bottle is at room temperature 
and that it has dregs of hard liquor in 
it) 

се category of bar bets involves 
wagering the other fellow that he can't 
do something so apparently simple that. 
he is certain he can do it. His ego be- 
comes involved — particularly if you 
have beaten him at one or two of the 
bets described above —and he is likely 
to grasp the opportunity to put you in 
your place. 

For instance, bet him he can't light 
all twenty paper matches in a match 
book with one strike each on the scratch. 
surface of said match book. The odds 
against him are astronomical, provided 
you set a reasonable time limit—say 
five seconds a match—and have him 
tear out all the matches first, “to save 
time.” Actually, having all the matches 
handy will tend to make him hurry, and 
haste will make him break some of the 
matches; this is bad for him, good for 
you. Try it a few times just to convince 
yourself how little chance he has. 

Or write the following on a piece of 
paper, but don’t let him see you write 
it. Show it to him for two seconds, and 
bet him he can’t repeat the words cor- 
rectly. The chances are very good that 
he will muff it. 


There are other word combinations 
that work well, too, but remember that 
they must be placed in the drawn tri- 
angle with the repeated word on differ- 
ent lines. You can use BEWARE OF THE 
THE DOG ОГ THE BIRDS AND AND THE BEES 
in place of the illustrated example. 
After һе% had a couple of drinks 
(and incidentally, getting your opponent 
somewhat lubricated is one of the basic 
tactics of barbetsmanship), you might 
try the following list of words on him, 
which you have conveniently in your 


pocket. Assure him that they are all 
words of common knowledge and bet 
him he can't read them off at a normal 
rate of speed, pronouncing them all cor- 
rectly on the first try. 

cats 


INTER 
The MEW FEW sEW EWE AWE sequence 
puts him in an alert, slightly nervous 
condition, so he'll have trouble with 
AWRY, IMPLY, DENIAL, ALLY, RELY and 
INTER. The first time he hesitates be sure 
to cry out, No more pauses!" He's almost 
bound to go wrong before he’s finished. 

While he's recovering from this de- 
feat, place two cigarettes оп the bar, 
get him to cross his fingers — all the way 
over — and bet him he can't tell by touch 
alone whether he's touching one ciga- 
rette or two. Explain that the cigarettes 
will lie parallel to his fingers, not at 
right angles. He closes his eyes; you 
remove one cigarette and guide his hand 
to the other so that it lies between his 
crossed fingers, with both of them touch- 
ing it. 


He will say it is two. Then do it with 
two cigarettes, each finger touching one. 
Sure enough, he gets it wrong again. 

(continued on page 128) 


а low-budget american 
“art” film heralds а new 
wave of cinematic sex 


rr usen то ве that European film makers 
had pretty much of a monopoly on 
cinematic nudity and sex. Their prod- 
ucts—good, bad or indifferent — have 
long held the world-wide reputation for 
revealing far more of the female form 
than anything produced here. No more. 

"There is today a group of independ- 
ent, low-budget producers, ambitious 
Amcricans ай, who have made broad 
encroachments іп the areas of nudity 
(sex, we assume, will come along later) 
on the screen. No Oscar hunters, the 
members of this West Coast wave аге 
cranking out commercially conceived 
"art" films concerned mainly with cute 
chicks dressed in nearly nothing. What's 
more, these filis are being distributed 
nationally, to the delight of backers and 
moviegoers alike, and doing big box 
office at the art houses where they play. 

Vital to the warm climate іп wi 
this exotic cinematic bloom flourishes 
is the new liberal attitude of the federal 
courts toward film censorship. In a se 
ries of recent decisions, the courts have 
ruled: (1) that local censorship of 
movies, as long practiced in many parts 
of the U.S., is unconstitutional because 


THE IMMO 


The Immoral Мг. Teas, as the film's nar- 
rator explains, is all about "the simple, 
uncluttered fellow who merely lives from 
day to day.” In his humdrum routine, de- 
livering dental supplies, he’s tempted by 
the sexy creatures he meets along his 
route. Then, under anesthetic in a den- 
tist’s chair, а fresh fillip is added to his 
life: the voluptuous dental assistant sud- 
denly appears before him in the nude. 


RAL MR. TEAS 


99 


Dismissing the incident as nothing more than a dream, Teas wanders 
into his favorite lunchroom (below) to discover tha! his new 
faculty makes watermelan-eating difficult. Fearing that he's going 
off his rocker, Teas tries to ignore a pretty secretary (above and 
right), stripped to the buff in a thrice. He escapes to an idyllic 
fishing retreat, only to find that filled with frockless femmes as well. 


it is a form of prior restraint which cir- 
cumvents due process of law and puts 
the problem of censorship in the hands 
of local police officials or a few of the 
local citizenry, instead of in the courts 
where it belongs, and (2) that nudity 
per sé is not obscene. These recent de- 
cisions have opened the door to a great 
many foreign films that can now bc 
shown in their uncut versions through 
out most of the country for the first time. 
And the portal had not been too long 
open before a few independent U.S. pro- 
ducers decided to step inside. 

Several of these began producing sex 
dicapies and turned to naturalism for 
inspiration — pseudo documentaries shot 
in steaming jungle atmospheres where 
little or no clothing is the custom: and 
educational explorations of nudist camps 
and the sunbathing cult. Some, like The 
Immoral Mr. Teas, actually boast some- 
thing of a plot. 

Produced by Peter A. De Cenzic 
(PAD Productions), directed and photo 
graphed (in color) by pin-up lensman 
Russ Meyer, The Immoral Mr. Teas is 
a good-natured, if heavy-handed, comedy 
about an ordinary fellow who develops 
a most extraordinary ability: most men 
mentally undress women from time to 
time, but Teas is able to accomplish the 
feat in a disturbingly real way. Teas 
is a milquetoast, shy and retiring, 
caught —as the film's narrator explains 
—in the “mad, impetuous, senseless, 
driving bustle of the city.” In our world 
of “higher buildings, automatic autos, 
more potent pills, bigger stomach-aches, 
quicker liquor, faster freeways and 
tighter underwear," Mr. Teas takes off 
on his humdrum rounds delivering 
false teeth to dentists by bicycle. 

Aside from being hit on the head by а 


hula-hooping neighborhood child and 
being made generally jumpy by the 
bulging figures of the women he meets 
each day in his work, things are going 
along smoothly enough for Mr. Teas un- 
til the afternoon he tarries in a dentist's 
office, where he often makes deliveries, 
to have a tooth of his own extracted. 
Under the influence of the anesthetic, 
he has a hallucination that seems half 
real, half fanciful. The dentist extracts 
an enormous molar, the size of a bicycle 
handle, and the bountiful, brunette 
dental assistant standing next to him 
suddenly appears stark naked. Passing 
the experience off as a dream induced 
by the anesthetic, Mr. Teas returns to 
work, wanders into his favorite lunch- 
room, only to discover that the blonde 
behind the counter is in a similarly em- 
barrassing state of undress, though she 
seems blissfully unaware of it. The illu- 
sion—if illusion it be— pleasant 
enough, but Teas fears that it ma 
only the beginning of some more serious 
mental disorder, He attempts to escape 
to the woods and the solitary pleasure 
of fishing, but there the visions become 
more intense: all the girls he has met 
in his workaday world appear before him 
and frolic about him in the water clad 
in naught save sunshine. At this point 
both Mr. Teas and the movie's plot tend 
to come apart, and only Mr. T manages 
а recovery: a visit to an analyst does the 
trick, but not in the conventional man- 
ner. Mr. Teas is not cured at movie's 
end, but after the analyst— who turns 
out to be a scrumptious, bespectacled 
miss — loses all her clothing, he decides 
tostop worrying about his new-found gift 
and simply make the most of it. As the 
film’s narrator sagely comments, 
“Some men just enjoy being sick." 


Thoroughly upset by these inexplicable experiences, the shy Мг. Teas makes ап 

tment with a psychoanalyst who turns out to be, to по one's surprise, а 
very attractive young miss, bespectacled and conservatively clothed, but naked 
as а Jay bird a moment after Teas reclines on the couch. Philosophically, he 
then decides to stop fighting and accept Ше as he finds it, which isn't bad. 


хонхикта 


“Мо! until you take off that silly hat." 


G 


Ribald Classic 


New translations of 
two Seventeenth Century 
man folk tales, 
Unrecht Kopf and 


Der Dornbusch 


MAN VS. WOMAN 


Woman and the Devil were 
fighting tooth and пай. The Divinity, 
hearing this battle, said to his licu- 
tenant, “I am acquainted with the na- 
tures of these two well enough to know 
that they will not quit until both of 
ickly 


ONE DAY, 


them are utterly destroyed. Go 4 
and try to separate them.” 

The lieutenant said, 1 do not think 
that will be an easy thing to do. How 
shall 1 go about it?” 

“Do as you sec fit.” 

The lieutenant. went down to the 
world below and tried persuasion. The 
battlers did not stop their fighting. He 
tried to command. them, but they paid 
no heed. Finally he decided that the 
situation called for immediate and dras- 
tic action. He drew his mighty sword 
and, with a well-aimed blow, severed 
the heads of both combatants. Then he 
returned to the heavens. 

Were you successful? 
vinity 
Yes, my lord.” 

"Fell me what you did, so that next 
time I may do the same thing.” 

"I. cut off their heads.” 


asked the Di- 


“1 think that was goi a 
said the Divinity. "Return. quickly and 
place their heads back on.” 

The lieutenant rushed to carry out 
the command of his master, but in his 
haste he m nd placed the 
Devil's Woman's neck. This 
terrible been rectified 
and explains many things 


head on 


error has never 


marcus and his beautiful wile Cornelia 
had been married for less than a year 
when one day she fell into а fit and 
physicians had to be summoned to ad- 
ster to her. 

After many hours of trying to revive 
her, the physicians went to Marcus and 
told him that they had pronounced her 
dead. After much lamenting, the hus- 
band ordered a long burial procession 
to be formed to carry the body to the 


village cemetery. 

As was the custom, the 
wrapped the body in a silk shroud 
four men carried the body оп their 
shoulders. Slowly, the procession started 


walking to the cemetery with the be- 
reaved husband following behind them, 


crying his misfortune to the people of 
the village. The cortege followed a nar- 
row path across the fields and at a turn 
in the path the bearers brushed а thorn 
tree and a thorn pricked the dead wite- 

Suddenly she was restored to con- 
sciousness and to her husband, and they 
lived together for fourteen years . . . 

Marcus, returning home one night, 
was met by his servants and told that 
his wife had fallen into another fit. 
Once agam the physicians were sum- 
moned and once again Шеу prone 
the woman dead. 

For the second time, there was much 
lamenting in the house of Marcus and 
for the second time a funeral procession 


пасей, 


was formed. The body was cried 
ioward the cemetery with the crying 


husband following the procession. As. 
they approached the thorn tree ас the 
turn in the path, the husband stopped 
his lamenting long enough to look up 

and say: 
“Look out for the thorn tree, friends!" 
— Translated by H. W. Stephens 


103 


PLAYBOY 


104 


HARPY (continued пот page 51) 


to Château-Thierry to see all the crosses: 
hat's about it,” he said. “Noth 
to get ex 
ГЇЇ scratch her goddamn ey 
t close enough to," Alison s 
Put tut," he said. “Р! 

He took a look around after lunch: 
everything was moving smoothly and 
ге was nothi t on his desk. 


es. А client failed to show. That 
gives me time today to get some food for 
my birds with John. You don't. to 
come.” 

“But I'd love to come,” she said. “On 


latc 


ng the magic green hat. John had 
Чу saddled two of the three horses 
and was standing with them in the drive. 
Vhe third horse had only bit and reins. 
“Does he still show off with that bare- 
back routine?” she asked. “I wish you'd 
get rid of that s; 
He says a Plains Indian doesn’t need 
а saddle and he's right. Call it showing 
oli il you wish.” 
“Why are we going to the potting 
shed?" she asked. 
“Its where 1 keep my bi 


age. 


Is now,” he 
"he magnificent peregrine you 
w yesterday, а merlin, a Cooper's hawk, 
irie falcon, a little burrowing owl 
ма net over before he could get 
back into his hole; and my eagle. 

He pushed open the door and they 
entered. The birds sat in а row on a 
long iwo byfour with burlap wrapped 
around it and hanging to the floor. As 
they went in, the birds stirred; all but 
the burrowing owl, which stared at them 
stupidly, the way an owl should. The 
merlin, as they approached. moved his 
head in quick small swings, brighteyed, 
and opened his beak wide to emit one 
thin weak cry, almost a squeak. The 
pr leon moved his feet a 
trying to find à comfortable stance, step 
ping on his swivel and the leash that tied 
it to the screen perch. 

“Hello, girls and boys,” Robin said, his 
face lighting up. He went to the pr: 


replied. ** 


irie bout as if 


falcon and extended his forefinger. The 


ached out and took the tip of 


falcon ri 
his fi 
di: 


er gently in his beak, and imme- 
ely let go. He smiled. "That's thei 
cet the wild, beak to beak.” 

Marian was looking about with dis- 


taste, On the workbench and hanging 
оп the walls were dozens of leather 


articles, strips of rawhide, hoods with 
gaudy pompons, leashes, cans of disin- 
fectant, insecticide; the floor was littered 

ıs of pigeon feathers. In her nose 


thing peppery. “What's 
she asked. 
"Dried 
Suddenly th. 
banging her wing 
She lunged into the air to the 
length of her jesses again and aga 
coiling each time to the same balanced 
As suddenly as she had begun 
she stopped; flicked a wing to compose 
а feather; sat quietly. Clouds of dust 
rose from the floor: the peppery smell 
got stronger. 
erse," he said. “John thought 
there was something wrong, but it’s only 
that she hasn't been flown for a week.” 
why you keep it behind a 
wall from the others? Because of this in- 
sane flapping? God, what а madho 
А piece of plywood astride the perch 
separated. the Cooper's from the others. 
"She's an Accipiter,” he said. “The 
Accipiters are killers, all the time. H she 
could look down the perch and see four 
potential victims, and not be able to get 
to them when she got the urge, she 
would go crazy and kill herself іп a 


that nasty odor: 


xcrement, mainly.” 


Coopers hawk bated, 
ins the perch. 
full 


stance. 


“That would be perfectly OK by me,” 
thy blood-th 


ау cren- 


don't care for my birds?” he 
Well, come have a look at the 
^ He led her into the back part 
of the shed, which w itioned oll. 
t on a perch of her own 
enormous croquet wicke 
had been resting almost ver 


"s on burla 
pinions rustling as she raised her wings 
and shook herself like a dog and seemed 
to settle herself more comfortably i 
harsh Пе 
soulless eyes observed each m 
made. Marian looked at her with l. 


"Robin 


she said. “You are training 


this monster? Have you lost jour senses 
completely? 
He went up to the bird and knocked 


its beak with his knuckle. The eagle 
dodged and lifted one tremendous 
horned foot [rom the hoop. "Ah, none 
of that," he said. "You put those hooks 
into me last week and thats enough 
for à while.” The eagle setled back 
оп her perch, never for one instant 
letting her gaze leave his eyes. 

he Вагру cagle of South America," 
proudly. "Larger than the 
golden, and more dangerous. lt feu 
nothing, has never had to learn the 


he said 


value of fear. And I've trained the beast 
10 obey my will and to come to my glove 
and to hunt for me. We took five coyotes 
in the week before my accident. 


nd maybe your € 
next timc. 
th 
to have dealings with this ugly creature 
‘This is not you at all. This is insane! 

She looked at the һагру cagle with 
abhorrence. Its great hooked beak, with 
the nostril slits, pointed toward her: 
the cruel eves watched her slightest 
move. A double crest of feathers crowned 
the head. Worst of all were the fect: 
monstrous, impossible killers, as big in 
themselves as the owl she had just seen, 
hooked and deadly 
This was what had caused her that ter- 
rible fright, that afternoon, when she 
knew Robin had been hurt. She looked 
at him now with horrid surmise. 

“You have changed, Robin, 
whispered, "since you let me go." 

"Oh yes," he said. “I have changed, 
al right. Now lets get the peregrine 

па go out Гог the food.” 

Back in the main part of ihe shed he 
took the peregrine’s hood from its hook 
Vhe bird dodged once or twice but 
made no serious effort to avoid having 
it placed on her head, He got hi 
let from the workbench and рис it on. 
He untied the leash from where it was 
tied under the beam, through а hole in 
the burlap screen, and nudged the fal 
con ¢ love, gripping the swivel 
between thumb and lorefinger and wrap- 
ping the leash around his other three 
fingers, They left the hawk house and 
went to the horses. The bird balanced 
the glove with ease, dipping and bow 
ing, her enameled fect set wide apart. 

You have the bag and the tape, 
he asked. 

“You know | have, boss," the Indian 
answered. He looked without expression 
at the woman, and Шеге was hostility 
in the very absence of expression and in 


s or your throat 
Her face was white, "Somc- 


g h 


5 gone wrong inside you, Robi 


six inches across. 


sw 


she 


о his 


ol 


the omission of amy greeting. 
They mounted— Robin from the 
wrong side because of the bird on his 


left arm, John in one leap to the bare 
back of his animal, only Manian in the 
orthodox way. They set off up the trail 
behind the house. 


“Let's go up on the ridge and look 
around." Robin said, after they had 
ed the complex of ollice and dwell- 
"Sce what activity we find near 
uh of alders at the brook, 


we keep to the bushes,” John 
“Otherwise the birds all hide in 
the trees and 1 gotta climb. 

They trotted up the path until it got 
too steep; then the horses walked. Robin 
made conversation. “This bird is with- 
out much question the most perfect 


said. 


“Моге guests came over than I expected. Сап 1 borrow 
just one more girl?” 


PLAYBOY 


106 


creature ever fashioned. Falco pere- 


grinus, which no one below the rank of 
carl could own in olden times. When 


this bird is aloft, all other life falls still. 
They've docked it at two hundred and 
seventy miles per hour. Nothing in the 
ай can escape it." 

“Not even that damnable cagle? 
Marian asked. 

Robin laughed. “We're going to find 
that out tomorrow. Oh, what a battle 
that will be." He dropped his reins and 
stroked the falcon’ back. “Wanderer.” 
he said gently, "shall you kill my eagle, 
or will my eagle kill you? One of you 
will die.” 

“Its a shame, boss,” John siid. “You 
shouldn't do it. They're both fine birds." 

"b have to know about the саң 
Robin said. “I have to know how much 
she has in her." 

“She's not built to fight falcons,” 
ad no n 
fter her. 


the 
tural falcon 


would суе It's a waste and 


a shame.” 

have to know what that eagle has 
Robin repeated with great 

Don't you understand? If she 

against the falcon she is the 

ature in the world.” 

its master,” Marian said. 


“And you 
"Is that it?’ 
“Yes,” he said. “I guess that's it,” 

"How wrong!” she exclaimed. 
how wrong!” 

They came up over the crest of the 
apart Range and rei . The 
slope dropped off steeply before them, 
а scraggy talus of runty trees and sage- 
brush, down to the plain that spread 
itsell in а great semicircle to the hori- 
zon. Far oll, a patch of haze announced 
the existence of Denver. A highway 
stung itself through the middle di 
tance. At their backs the hills rose, leap 
па 


Oh. 


са 


on leap, becoming mountains, lean 
formidable. 


nd took them 
to the left. They rode for another half a 
mile, hardly speaking. “This is a good 
place,” he s. 

They dismounted in a loose thicket 
of scrub maple, where birds were seen 
lliuing and passing by. Robin detached 
the swivel and the leash from the jesses, 
and lifted. off the hood. The peregrine 
seemed to frown and stared sharply in 
1I directions. Then, with great strokes 
of her wings, she lifted herself to. the 
top of the air and circled, studying what 
was helow her with head movements to 
the left and right. Now suddenly she 
stooped, sculling with her wings in a 
dive of unbelievable speed at а jay. The 
jay Пей headlong into a bush — simply 
crashed into it at full throttle and di 
peared. The falcon veered away 
st possible moment and 
pitch again, 


“OK, John, let's get that one,” Robin 
said. 
“How do you know he can get that 


ded angrily. That 


"Watch," 
the bush. Тһе bird w; 
a branch. He reached іп and picked it 


Robin said. John went to 
5 crouching under 


it made no effort 
stripped off a 1 
and passed it once around the 
tusing its wings, and dropped it into 
the Sick. 

Jo bird will fly or even move," 
Robin said, “when a p son the 
hunt. These trees and bushes are full 
of frozen birds. And John here is the 
best frozen bird-thawer west of the 
Denver supermarkets." 

“And you feed these helpless creatures 
later to your predators?” she said. “You 
just take their lives away, like that? For 
Shame! And y ne is а bird's nam 
too.” 

Oh, come off it, Marian," he said. 

While she stayed with the horses the 
two men made their way back and forth 
through the underbrush, with the 
wheeling overhead. Now and again they 
to the leaves and took out 
пи frightened lile. Once a song spar- 
row made a dash for it and rose above 
the bushes. The peregrine stooped on it 
машу and struck it in fight. There 
а small explosion in the ай: leather 
burst from the stricken sp: and it 
dropped dead to the ground. The falcon 
dropped also and stood on her quar 
While she was plucking, John made in 
to her with a scrap of red meat, got 
his hand between her шәй the sparrow, 
and palmed the sparrow when the 
falcon raised her head to swallow the 
meat. Then ng no more to cat, she 
went ліп. After that по bird 
moved except one magpie that, seeing 
the falcon darting close, ran up John's 
pants leg. John took it out and taped 
it and put it in the | 

When the arca was clean of birds they 
went back to the horses and. Rol 
the dead sparrow to а length of string. 
Giving a strong call. he swung it in 
circles about his head. The peregrine 
dived at once and hit it as it fell to the 
ground. After a leisurely proud gaze in 
all directions she bent her head between 
her hunched shoulders and began to feed. 

Lucky no bird took off down the 
slope,” John said. "We'd be looking for 
the hawk the rest of the day.” 

“How many did we get?" 

Fifteen, twenty. 

“That's а day's work," Robin said. He 
went to the falcon and got his gloved 
hand under the prey, and the bird on 
his fist. While she fed he attached the 
swivel and leash to the jesses. After a 
moment. when she lifted her head to 
gulp the meat, he removed what was left 


ow 


n tied 


of the food and replaced the hood. 
“I told you you wouldn't like it 
said as they rode back down thc trail. 
“You,” she said. "You, taking pleasure 
in this. That's what sticks in the с 
“Well be having chicken for dinn 
he said. “How do you like it Frie 
Broiled? Delicious cither way. You killed 
that chicken, you know, You're a carni- 
vore, a predator. Whats so different 
about what you saw this morning? Some 
butcher feeds you; I feed my birds. 
What's so different? 
Being the butcher is what is so dif- 
id. She reined her horse 
to a stop. "Robin, let those birds go.” 
He reined in also; and the Ind 
who was leading, rode on a dozen 
and then drew up. He swung about and 
sat on his horse backwards, watch 
with a sort of impassive insolence for 
what the scene would unfold. He had 
the bag of lı 
“Let them go?” Robin said. "You are 
sentimental about birds? My hawks are 
binds too, Creatures of instinct, They 
can't help it if they need other birds 
to eat. Youll be eating a bird pretty 
soon. 
“Robin,” she cried, bursting i 
„ "don't torment me! Let those poor 


to 


te 
creatures go!" 

He saw her cringing in her saddle. 
hiding her weeping eves, and Не asked 
himself: is this the woman it cost me 
such pains to cast of 

“Oh, hell 
loose 

John, who could convey conu 
without moving a 
opened the sack and poured the birds to 
the ground. Trussed. they tumbled plop 
plop. She let out а small scream as thi 
fell. Scattered on the ground they 
cocked their heads this way and that 
with desperate beady eve 

“I let them loose, boss" John 

“Wise guy. Take the tapes off.” 

John slid off his horse and knelt to 
the birds. He took the tape from a robin, 
The ced 
with feathers and the bird was unable to 
fly. Tt fute and to 
other: getting away from that B 
Tohn looked up, not at Robin but 
girl. 

"You want the weasels 10 get these 

ids, is that it" he asked. 

With a sob she spurred her horse 
down the hill and out of sight. John 


ohn, turn them 


пре 


muscle of his face, 


nor carelessly. 


tape was соу 


l to а bush, 


1 know it" Robin said. 
away pretty soon 


Marian stayed in her room rhe rest 
of the afternoon; but it was cle 
part of her plan to go away pret 
Robin saw her peering Пот an upstairs 

(continued on page 110) 


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107 


PLAYBOY 


“Damn thiee-inch screen . . 27 


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108 


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109 


PLAYBOY 


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HARPY 


(continued from page 106) 
window while he gave the eagle а work- 
out on the kwn. It was ап exercise in 
taining the harpy to come to the glove 
on Ше call, and to correct her habit of 
coming in low, with talons aimed at his 
belly. For working the eagle he had a 
special gauntlet, a lacrosse glove with 
two layers of horsehide up to the elbow 
and steel ch them: and 
even so, when the eagle came in by the 
book and grasped his arm in those giant 
feet that completely circled it, it was al- 
ways as if he were the prey. When the 
eagle shifted her stance. picked a foot 
up and set it down, even in this casual 
shuffling there was a shearing action that 
rm, he knew. if the cagle 
were the least bit pont letting 
go with her foot before she picked it up. 
And the damned bird had tied to kill 
him less than а week ago. So it was a 
pretty tense operation, scooping the 
Cagle up when she came in wo low, as 
she mostly did, and knowing he could 
get a broken 


n mail betwee 


could snap his 


careless i 


rm or a perforated 
on the next try. And it didn't help any 
to see Marian up at the window, hating 
him for whatever proficiency he had 
and hoping Ше worst. so that she would 
have an excuse to take over. What the 
hell was she doing here, anyway? What- 
ever tenderness she may have elicited 
from him last night, she must know she 
wasn’t wanted, She had her intuition to 
tell her that, Well, one thing he w: 
of; there would be no midnight vi 
night. 
But in this he was wrong. She came 
n. as before, and dropped to her 
Knees at the bedside; and this time she 
sumed her penitent guise, the 
rl routine he knew so well. 


s sure 


to- 


“Robin,” she said in her little voice 
“L was wrong. 1 don't understand what 
you are doing, but I was wrong to take 
the attitude Т did and Г am sorry. And 
I will пу to understand. Мау I come 
into your bed?" With astonishment he 
ware that she thought that this 
mornings events were part of the old 
familiar fabric: she had “won” when he 
had told John to set the birds loose. 
“And take the warm part again?” he 
asked. "No. Go around to the cold side 
This was precisely in the style she had 
chosen, and she rose and crept around 
the foot of the bed, the moonlisht catch- 


became 


ing а glimpse of her breasts and flank; 
and crawled in on the cold side with a 
calculated shiver, and lay with her back 
toward him. She waited for his hand to 
slip over her side and up over the ridge 
of her ribs to her breast, but he had de- 
cided to let her carry the Бай she had 
put into play, and did nothin, 
ever. After а moment she flipped over 
to [ace him and, as had always been her 
way, took over. Her technique was сх- 
Later she lit two cigarettes at 


whatso- 


cellent 


once, passed one to him, and made her 
play to n. 

“Darlin 
ber? That used to be always the thing 
we did after our loving. One of us would 
light them both and give one to the 
other. Oh, 1 remember all the times! 
Once, on Lake Como. the moon was just 
up behind the hills across the 
water and we went out on the balcony 


il him to her cross, 


she said, "do vou m 


nem 


comi 


to enjoy it Do you remembe 


1 remember he said. “It was verv 
pretty.” 

"Robin." she said. “couldn't we go 
back to Como and. Venice and Salzburg 
and Ravello and Villefranche and To 
ledo?” 

Toledo, 
springs? 


Ohio?” he asked. “No 


Idiot she said. She leaned over to 
kiss him and it was no accident that her 
breast grazed, amd was then squashed 
down on, the hand he had laid on his 
chest. "Visit those places again: give 
ourselves a chance to discover cach other 
again? 

No,” he said. 

He could feel a little suffeni 
her muscles. 


“we couldn't do that 
n all 


“How can I leave here?" he went on. 
“Don't you realize that 11 proles 
sion to attend to? МУ a big operation 
now, with cight full-time employees." 

“You had the same profession three 
years ago.” she said. It didn’t keep vou 
from enjoving life 

Im enjoying 


now.” he replied 


ve 


and 
my job and 


life right here 
“1 like 
the people 1 have around me and my 
surroundings and my hobby. 1 
got anything to run away from. 

She got off his chest. “What vou like 
most, 1 think. is feeding songbirds to 
your birds of prev.” 

"You are wror 


haven't 


к he said. “I do not 


enjoy that part of it at all. But I will 
" 


say that it gives me satisfaction to hz 
harpy саш 
In the entire 


not a dozen people have 


manned а 


He paused 


history of mai 
тон а harpy 
to obey them, It has been а tremendous 
experience to pull off that accomplish 
ment. It has illuminated. qualities 1 
didit even know I had in me." 

"It is you who are wrong,” she said. 
"Oh Robin, 1 know vou so much better 
than you know yourself!” 

“L think not,” he said. 


moment 


But the experiences of that night must 
have left her with the belief that she 
held the upper hand. because early the 
next morning she wok it upon herself 
to fire the Indian, and even to call a cab 
from Denver to take him away. When 
the car arrived there wis considerable 
confusion, with John contemptuous ol 
the whole idea and the cabby wanting 
to know who w ing to pay him for 
his wip. Robin came down [rom his 
bedroom into the midst of it and Ie; 


rned 


with surprise and а 
pened 

“After his gross insolence yesterday,” 
Marian tried to explain, “it seemed рег 
Гесйу obvious that there was nothing else 
то do.” 

Robin paid the driver and sent him 
back down the valley. Then he turned 
on her with fury. "What in thc пате of. 
God do you think you're doing?” Пе 
cried. "Do you suppose you сап simply 
move in here and make dispositions over 
my household? 1 should have held that 
cab for jou: und he waved and shouted 
at the retreating vehicle, quite for 
that her own car was in the garage. She 
had turned very pale and was watching 
him with great smouldering eyes. He said 
to John, "Come on, lers get the birds 
ready,” and strode olf toward the mews, 
barely limping now, and left her seeth 
ing in the ruin of her enterprise. Inside 
the shed he looked at the Indian for the 
fist time. “Forget it. Put it out of your 
mind. ГП handle that end of th 
sorry. OK?" 

“OK, boss.” John said. His eyes flick- 
ered with some Ind 

Robin said. 1 haven't had breakfast 
yet. Saddle my horse and tie the tele- 
scope on behind. Let the peregrine 
а good look at the eagle: then put the 
hood on and take her down the hill. By 
the time you have her down on the plain, 


er what Вай Һар 


I'm 


1 emotion. 


where I showed you, at the point of the 
spur, FH have the eagle оп the. bluff 
When 1 give the arm signal, strike the 
hood. Have vou got vour binoculars 

The Indian pointed to the bench 
where they lay 

"Good," Robin said. Im going 10 
mount the telescope on the bluff. It's 
up to you to follow them underneath if 


they move across country. If they move 


into the mountains, ГИ ride up to some 
bald spot where the winner can see the 
lure when 1 swing it. What do you 
think?” 

“I think you are wasting a good bird 
cither way,” the Indian said. “Maybe 
both. I give it to the falcon. Nothing 
can get out of the way of that falcon. 

"Г bet you your horse." Robin said, 
"against two months wages, that the 
eagle wins.” 

The Indian's eyes flickered again 
ou mean it would be my horse? My 
own horse 

“And ГП keep on feedin 
as you're here.” 
та bet,” Jobn said. He almost 


s long 


"You g 
smiled 

Robin went back to the house. Marian 
was on the terrace, where his breakfast 
s laid ош. He expected to make the 
arrangements for her departure imme- 


Ww 


"Robin 
nary. “How could you do that to me? 
Oh Robin, how could you? I can't take 
that sort of treatment, you know. From 
you! I was doing what had to be done 
and you humiliated me in front of that 
— that negligible person.” 

We will not even discuss it.” he said: 
and his tone must have conveyed. an 
authority that wi 


seemed almost to shrink back. “You were 


she said, with no prelimi 


new to her, for she 


as wrong as it is possible to be wron 


You do not understand the terms under 
which you are here, and 1 am sorry to 
be so inhospitable as to suggest that you 
make plans to return to Denver this 
afternoon or tomorrow morning.” 
Robin!” she whispered 
m sorry,” he repeated, "but that's 
the way it's going to be.” 
He left his breakfast untouched and 
went to the kitchen, where he found a 
chunk of cheddar in the refri 


rator and 


ignored Mrs. Emlen's plaintive cies. 


Chewing on it he went out the back 


door to the mews. gathered up his gear, 
and hooded the eag 
handled the great bird the excitement 
was like the first time, and now it was 
enhanced by his knowledge of what was 
to come 

"Old 


le. Every time he 


ті.” he said, “mighty creature, 


diately but, as he might have known, she will vou leave the sky 
took the ini 


live today, or 
sed her wings 


dead?” The harpy shru: 


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PLAYBOY 


112 


а ied her horrid beak this way and 
that in her blindness. Robin detached 
the leash from the perch, got the eagle 


on his arm, and went outside to his horse, 
which rolled its сусу toward the bird 
nd trembled but had been trained also 
and did not bolt. 

The saddle was rigged with a bar 
projecting upward and outward from 
near the stirrup and topped with a 
semicircular arm rest. Alter Robin had 
mounted he placed this bar in position 
and laid his arm across it. In this way 
he was able to sustain the cagle's twenty 
pounds while holding her at a distance, 

ive would have been to 
elbow against his side, and по 
has had any dealings with 


ice hi 
one who 


eagles would wish to have those talons 
so close to his body. 
He set off slowly up the чай, kecpi 


sharp eye on the eagle as she teetered 
with the motion of the horse. Their 
progress was slow; John would already 
be at the foot of the iting with 
the falcon. 

He heard а horse coming up behind; 
turning. he Е trotting toward 
m. Incredible woman, she had put her 
magic green hat on her head ада 
was going to pretend 1 nothing 
happened. She came up beside him and 
ed in to a ма 
What a 
she said, 


арс, w 


ficent spectacle you 
viding with the cagle 
your glove Ar 6 to the 
battle of the giants?” 

Не could not recall another ti 


you goi 


ic when 


her behavior had been so transparent, 
and he felt shame for her. 
“OF course you want the c to win,” 


she went on. Tat why you're 
the advantage of height. 


on the little bird. 


giving it 
То dive down 


ble to ig 
decided to make the best of 


nore Бе! 


You will see. "This mighty eagle, 
queen of the sky, when she sees that 
ше bird’ cli 


ve up any thot 
herself climb as fast as she is able, The 
head start is only to make the contest 
even. Up there in the thin air it will be 
the falcon that is above.” 

They c to the ridge; 
phn, on his horse, far below 


there was 
he bird on 


his wrist. 

“The falcon has been t 
on any bird in flight,” Robin said, his 
voice thin with excitement, He dis 
mounted carefully, undid the leash пот 
swivel, removed the hood, and cast 
e to the air. She rose in two close 
spirals and rested, searching for prey. 
Robin signaled with his left arm; John 
loosed the peregrine and she rose power- 
fully up the slope. The eagle, which had 
tilted down to dive, seemed to recoil: 
t wings, veered 
xd climbed steeply, ci 
p over the plain, The 


ned to stoop 


1 her 


she braked w 
oll to the righi, а 


falcon too was spiraling upward, at an 
incredible rate, seemingly unaware of 
the cagle. 

Robin unstrapped the telescope and 
mounted it on its tripod. It was а power- 
ful Japanese instrument, binocular, giv- 
ing an erect image 
with independent vertical and һо 
tal controls. He had also а pair of binoc- 
with which he now followed the 
ght first of the cagle, then of the pere- 
grinc. 

Sometimes they pass quite close to 
each other,” he reported. "They're ri 
ing up over the plain, thank God. 
eagle is a jungle bird and wou 
turally seck mou 
mile up and the 
This isn't what I expected at all,” 
Marian said. This seems a very tidy 
ttle, with lots of fresh between the 


he 
дот 
bout 


Stop 
shortly. 
about to dic. 

The birds were whe 
wide circles, perhaps half a mile in di- 
ameter. Soon the range was too great 
for the p etaparen binoculars and he 
handed them to the girl. 
ope brought them dose aga 
had risen about three miles, 
alcon finally got on top. 

^Tt must be a shocking experience for 
the eagle to be the prey," Robin said. 
“But that’s what she is, and she knows 
че? 

When her circle brought her back 
above the eagle, the falcon suddenly 
ЫП aiming herself like a bullet at 
the s broad back. The eagle knew 
EC) шу 10 evade the attack, 
Her beak parted in a scream as she rolled 
and presented her talons to the div- 
img peregi upside-down. 
The falcon veered aside at the last mo 
ment and began to ring up а in 
tight spirals. The eagle righted herself 
and climbed also. 

The wind off the mountains carried 
them eastward as the falcon dived, and 
ag up, and stooped nd again. 
Each time Ше eagle turned upside-down 
cach ume Ше falcon found no way to 
hit and tied again. They were losing 

ude inexorably, and it was only a 
ter of time before the peregrine 
would force the eagle to the ground and 
be able to strike. But, while they were 
still a mile above the earth, the cagle 
seemed to lose its panic and start using 
nce; and, when the birds had 
almost too far to be closely ob- 
nd John had galloped several 
across the arid land under them, 
* grabbed sideways at the pere- 
grine as she shot by, and Ше peregrine 
did not zoom upward to renew the at- 
tack but. dropped strai 
turning, one wing outstretched above it 
like a rudder, 


lool" he said 
One or both of these birds is 


ing upward in 


ov 


ne and Hew 


аш 


ht down, slowly 


There were tears іп Robin's cyes as 
he packed up the telescope and he could 
not tell what had caused them, sorrow 
for his dear falcon that was dead or 
pride for his eagle that had survived the 
deadliest creature of the 

“The cagle probably has а broken leg 
and can't ride home,” he said, trying to 
control his voice. “ГИ have to go down 
with the station wagon right away. 

“Robin,” she said: and this was a rea 
part of her, that the truth broke through, 
no matter how grievously it might h 
her cause: “you are a different. person 
from the person 1 knew and loved. 1 do 
м »w you and I do not want to 
know you 

“1 may expect, then,” 
th: ou will 
come back?” 

She had mounted. “You can expect 
nothing [rom me,” she cried, “but wha 
1 choose to do.” And she took off down 
the hill. 

He followed; found her horse, si 
saddled, in the yard, but no sign of her; 
took the station w 
nd met John on the plain coming 
with the eagle on his arm: the 16 
not broken after all and the с 
quiet, wearing the alternate hood. John 
did not need any help. 

"She was on the falcon when 1 came 
up." he said, nd when I made in to 
her she didn't dı 
glove under her 
tained слее, bos 
two months pay 

1 guess so," Robin said. “Too bad 
some fight,” the Indian said, 
For him this was loquacious enthusiasm. 

"Yes. Some fight 

“I should have bet on the eagle,” the 
Cheyenne said. “I don't know what got 
into me. Our tribe has always put its 
money on the cagh 

“Well, 


he said coldly, 
he gone by the time I 


you were the 
an, I hate to 


k 


bedazzled by 
27 Robin said. “Da 
t beauty. Take the eagle ba 
to the house and feed them all. I w 
stay out of sight for а wh 
woman leaves. 

“She won't Ie: the Indi 
“Not till you call the police.” 


n said. 


The Indian was right. She was still 
there, hidden in her room, when he re 
turned several hours later. Не had. his 
supper with John in the room ov 
зе and they talked about the fight. 
That night he locked his bedroom door 

It was about three a.m, when he w 
awakened by the screams from the hawk 
house. All his birds were shri 
тап down the stairs in his pajamas 
out the back door. The lights in 
hawk house were on and through 
open door he could see Marian method 
ically working her way along the perch, 
knocking down the birds with a knout 
she had made from several leashes. Even 


r the 


“This Приз fixed!" 


PLAYBOY 


14 


as he shouted she disappeared behind the 
partition amd when he reached her she 

ng at the eagle with all her 
h. The bird was on the floor by 


Т 
her bow perch, sitting back on her rump, 
screaming. She supported herself on her 


wings and held her feet open toward the 


ts 


and breast. 

Robin seized Marian from behind 
threw her to the floor. She sat up at or 
and her eyes were blazing with a sort of 
posession. "I have freed you, Rob 
she shouted. “I have killed them ай 
Now you can return to yourself!” 

John appeared. Robin dragged Mar- 
to her feet, hauled her to the door, 


md. 


Then he тап back to the 
cagle, which, after а moment, resumed 
а normal stance and hopped back to her 
perch. 

Hood her,” Robin said. “See if any 
feathers are broken and if she's hurt. 
ГИ see about the other With the sick 
feeling one must have if one’s child has 
been run down, he went to the other 


room, All the birds were hanging by 
their leashes, The Cooper's and the пи 


lin, which had borne the brunt of h 


prairie falcon was beating its wings 
feebly and dripping blood. Robin got 
his gloves and the glue from the bench, 


lifted the bird to its perch, hooded it, 
and gently stopped its wounds with the 
glue. Then he removed the hood. One 
eye was swollen and closed, perhaps 
blind. So he had one hawk left, ma 
and the eagle. He went behind the 
tition, his heart raging with sorrow 
ager, and 1 calmed 


the eagle m her for 
broken feathers. Incredibly there were 
none. 


“АП dead but the prairie,” he said. 
crazy, obsessed woman. We'll have 
1t all ove 
The cagles all right" John 
"She's had quite а day. Shall 1 
the hood?" 

“Yes. Levs see how she feels now. 

‘The eagle, when the hood w: 
roused but did not bate. Her 
as unulraid and expressionless as сме 
it was as if nothing had happened. 
Robin turned and went back to the main 
he 


He found Marian in the livi 
She had poured herself а tumbler of 
straight bourbon na state of 
xaltation, g up and down with 
long s She was disheveled and cov- 
cred with dirt. 


room. 


nd was 


ide: 


lad | am that it is 
done!” exclaimed as soon as 
saw him. It was not easy for me, oh 
no. 1 hated it. Killing the eagle was the 
worst because you loved it most, But it 


“How glad, how 
she 


she 


=. апі now we come to hypothetical situation number 
twelve. When this occurs you may abandon your rule book 


was the only way to save vou." 
He stood speechless, his chest heavi 
“I could never understand why 
were rejecting те until this afternoon 
when you made the two birds fight each 
other. Then Isaw how you were ma 
two parts of yourself, the big cruel part 
and the little tender part — of course, the 
falcon isn't tender, really, but only by 
comparison with the eagle — m: 
these two parts of you fight cach other 
and hoping for the cruel part to wi 


were 
Sol 
Robin. to 


to do away with them 
open up your path to me 

He realized there was по hope of g 
ting through to her. 

“Oh. I know there will be a period 
of resentment.” she went on, “when you 
will hate me and want to be rid of me. 
But that will pass, and 1 will see you 
coming back again to your old self, and 
10 me. And I will be by your side to help 
you over the rough places.” 

"You will be here?” he asked. "In this 
house?” 

“But of course I must be here, What 
good is Ш Г read vour 
heart. И I am 

Good night, Marian,” he said. “Tam 
going back to bed now. We'll have moie 
h other in the morning.” 

Before he went to sleep, for the nest 

hour, he heard her pacing. 


Lo say 10 €; 


Overni determination hardened 
and beca id: with deliberate effort 
he held it over his rage like a lid. Hear- 

ng her voice downstairs before break. 
fast, he called ше housekeeper up and 
had her pack Ма n her bag. 
He carried them down and put them in 
Then he wi 5 i house 
to where she was standing on the terrace 

“Marian,” he said, "I have put vour 
bags in your car. I want you to get in it 
id drive it away, and never come 
- Last night you committed а crime. 
Tor which I will have you arrested unless 
vou get out of here in the next five 
inutes.”” 

"But Robin,” she 
the sheriff and 1 
here. Prefer your charges, put me 
jail. 1 know vou feel this way now — 
that’s inevitable. РИ write you post cards 
from my cell every time you stub your 
toc or cut yourself sh And when 
Im out of jail ГИ come back to where I 
belong. You cant law me out of your 
life, "There's no way vou can get me out 
life." 

ized her arm and dragged her 
with deliber the 
opened the car door and shoved he 
She did not resist. "Now go!” he cried. 
She got out the other door and stood 
facing him, the car between them. 
Robin, you can force me to leave by 


an's things 


her car 


te roughness u 


in 


ling the police, but that is the only 
way. I am prepared to withstand what- 
ever you choose to do to me until you 
come back to your senses.” 

“Goddamn it!” he shouted, beside him- 
self. “Have you completely lost your 
mind and your sensitivity? Can't you un- 
derstand the impossible situation youre 
creating? Can't. you get out of here like 
а civilized person?" 

“No,” she said. 
force. 

“The sheriff will be here as soon as 
I can get him here,” Robin said, and 
went off toward the phone. 

But he did not phone the sheriff, be 
cause he recognized the futility of doing 
so. He put the receiver back on its 
cradle and went out of the house, along 
the path to the office. Be calm, he 
thought, as he walked through the as- 
pens: subdue your emotions for a time; 
look at this problem with your mind 

He knew this woman — ah, how well he 
knew her! She was like Beethoven's Fir 
Elise,  spiderweb of steel. So gently she 
seemed to entangle: so relentlessly she 
held on. It was no use to call the police 
she would come back, and back again 
Her mind was made up and mothi 
could conceivably change it. 

He was the first one in the building. 
He drew a cup of coffee from the colfee- 
break machine and took it to his office. 
The roughs for à subdivision in Florida 
were on his desk. АЙ morning he worked 
on them with total absorption, divor 
his mind completely from the problem 
that Marian. presented. And yet, though 
he had not given it à moment of con- 
scious thought, it had been curing in his 


"You'll haye to usc 


subconscious. By noon he knew its so- 
lution. 
Back at his housc he found Marian 


in the living room, quite at home, read- 
ing Baudelair 
^I suppose you've unpacked 
he said. 
Yes," she said, 
Well, I'm not going to call the cops 
just yet. We'll leave a little time for the 
dust to settle and see if we can't work 
something out.” 
54 
can 
You didn't kill the 
he said. "Or the prairie 
Twill,” she said. 
“Don't пу it.” he said, 
VI disfigure you. 
He went upstairs and rooted around 
in his closet until he found thc other 
hat, the identical one she had given him 
in Austria, green felt and white plume 
He found John in the stable. "Get a 
half dozen rabbits from the hutch and 
cut them up into pieces. We have an after- 
noon's work ahead of us with the e 
He went to the mews and hooded the 
eagle and got her on his glove. 
the terrible incalculable creature, and 


ain.“ 


thank you. 


plendid,” she said. "Fm sure we 


"or by God 


wondered with fcar whether her expe- 
rience of the night before had turned 
her against humankind and whether 
she would really uy to get him this 
time. But he hardly thought now that 
what he was doing took nerve and cour- 
and thís was a measure of the great. 
distance he had come since he had set 
off on his own. 

The eagle behaved well and was car- 
ried with the jesses pulled tight to the 
small while 
John followed with the bag of rabbit 
meat. Robin tied the hat to a long string 
and sent John thirty yards away with it; 
and when John was swinging the Iure in 
slow circles around his head he un- 
leashed the cagle and struck the hood, 
and John gave the shout that the bird 
associated with flying to the lure, and 
the cagle dived straight for the bait with 
mighty sweeps of her six-foot wings and 
hit it like an express trai 
John had let it drop to the ground, and 


meadow above the house, 


п almost before 


clutched it under one great foot, looking 
imperiously about. Before she could find 
that the lure was not food, John tossed 
а chunk of rabbit to her and retrieved 
the lure undamaged. Then Robin got 
the feeding eagle up on his glove and 
grabbed the jesses and let her finish off 
the morsel. That was the most dangerous 
part, approaching the bird while she 
was feeding and had both fect free to 
strike with. But nothing had happened. 
They ated the exercise. through- 
gradually incrcasit 
agle cach 
time for her recognition of the lure. At 
about three т-м. they stopped giving the 
shout signal and merely swung the hat 
on the string: at about four they stopped 
swinging the lure and simply hung it on 
a bush or stump at any point of the 
compass from the eagle, so that she had 
to ring up and scarch. She found it every 
time and attacked it; 
tracted by a real live rabbit that blun- 
dered onto the scene and immediately 
fled. At about five Robin decided they 
were ready for a final test. He sent John 
to fetch a couple of horses and when he 
ame back with them, on one and lead- 
ing the other, he sent him а mile across 
the slope with the hat. 
"Wear it on your head. Don't move 
"Throw it to the ground when the cagle 
pproaches. and feed her a good big 
piece of rabbit. ГИ be right behind. 
John made his way across the slope, 
nd out among 


was not even di 


in g the pines, until he was 
in clear sight on the barren patch they 
had chosen: waiting; an almost invisible 
speck among the rocks and fireweed 
where а bum had been, But the cagle, 
once she saw him, would be able to 
count every eyelash. Robin prepared 
her and threw her to the air. She rang 
up and looked to where the lure 1 
last been shown. Not finding it she т 
up higher and stared all about. Suddenly 


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all her forces gathered and she hurled 
herself aslant the slope, straight toward 
the tiny spot a mile away. Marveling, 
Robin set his horse after; some minutes 
later he reined up beside John and 
watched the bird as it plucked the food. 

“I was scared," John said. “I saw that 
t me and I tossed 


bitch. comin 


1 dismounted and hid behind the 

- But she went straight for the hat." 

“I guess we have her trained to the 
Robin said. 

The Indian put on his very special in- 


xrutable Indian face. “You going 
through w " he asked. 
“1 think ГИ have to," Robin said. 


The Indian looked across the moun- 
tains loping off to the south. his face 
immobile. “You'll need help.” he said. 

Robin understood what he was really 
tying: that he would do whatever was re 
ired of him, for this white man who had 
n as а human being and had 
nity, for the first 


ч 
treated h 
allowed him to feel di 
time in his Ше. Obviously there was no 


way to express this. And there was no 
way for him, Robin, to show his grati- 
tude. Anything he might do would not 
be enough. But he had to do something. 
“That's your horse you're sitting on,” 
he said. "You own it. Гуе been wi 
10 give it to you for a long while.” 
saw а flush spr 


u 


He 
lover the Indian's fea- 


said str 
the Last of the Chey- 
will you, for Ch 
You just gave me a great deal— 
can't I give you something without you 
getting insulted? Don't make things hard 
lor me, Now lets get that eagle back 
t0 where she belongs." 

"OK, boss,” the Indian said; 
most unusual thing, he smiled. 


ame down next morn- 


s and he 
John, stop Бей 
for once, 


ad, а 


When Robin 


akfast table telling Mrs, Emlen that, 
$, she would like a second poached egg 
but the toast a little darker this time, 
please. His heart was thudding зо vio- 
lently, and his spirit w 
tion, that he was certain her йип 
would warn her of her danger. 
perceived nothing. 

2004 тогай 
Did you sleep well? 
“No.” swered, "I did not. I had 
too much on my mind." 

“Us?” she asked. 

He sat down and poured himself some 
collec. “Wasn't your radar working? 
Isn't it working right now? 
he laughed. “But you know it only 
works when something happens to you. 
I'm not a mind reader. When you're 
hurt, it’s like an electric shock that goes 
through me and Г get a sort of Hash. It's 
what makes ше so sure about us." 

с arc so many miles apart 
bly. He ate his food in 
silence after that, until she finally said, 


s 


» such agita 


she 


he а 


he зай 


near 


ian, this is a very 
difficult situation, as vou must know. We 
have some serious talking to do. I think 
better in the open. Lets saddle а couple 
of horses and take а ride down to the 
I We Gm tlk on the way, and 
there's something I want to show you," 
“What a fine idea,” she said. "TII go 
get ready.” And she flew up the stairs. 
He walked with heavy heart to the yard. 
1 don't, Г don’t, he thought, I don't want 
to go through with this 
He found John and he picked up 
from what he had been thinking. “This 
may be just a dry run — God, | hope it 
© her every chance to get out. But 
if it has to be — John, we're taking the 
horses down to the plain. As soon as we 
leave, you take the eagle up to the bluff, 
where you can see us, II I see any other 
way, you'll have the pleasure of watch- 
ing us ride horseback. I not — 
For а while he could пос bring him- 
self to say it. “If not, ГИ give а signal 
“Не extended his arm to the 
d it, 


lowered it. 
hood and throw the eagle; 

The Indian was, if possible, even 
more iuscrutable th 

‘John,’ 
to put you in this positio 
tions are asked, you ar 
Indian helping me to и 
bird was supposed to fly down to me and 
something went 


wron 


danger to you. 1 wouldn't expose you to 

any danger." 
^I know, Robin, 
"Dont worry 
Robin went to the stable and saddled 
the horses. He led them out and, hold- 
ing them by the reins, waited for Mari 
ır. Maybe she won't be we 
the hat, he said to himself. Maybe her 
intuition has told her after all. I could 
not conceivably send her back for the 
hat. He heard her voice in the house 
d then she appeared оп the lawn, 
lking toward him in her jodhpurs 
г stock under her arm, very chic. 
Instead of the proper derby she was 
ing the green hat with the white 


the Cheyenne said. 


They mounted and trotted down the 
road a few hundred yards to where the 
path down the slope took olf through 
the woods. He slowed to а walk as they 
b steep descent. 
„ he said carefully, “have 
you given any more thought to what you 
said yesterday? About yielding only to 
the police?” 
“Why no,” 
way I feel,” 
“I mean, you haven't, in a calmer 
moment, come to realize that if you 
want to stay here and I don't want you 
to stay here there can be nothing but 
friction and bad times for both of ug" 
“No, “1 think there will be 


she answered. “That's the 


she said. 


one ог two bad times at first, but then 
I think we can get back to what we used 
to have and what we both really want." 

He was ahead of her on the path and 
he turned in his saddle to look at her, 
to reinforce with the eye communication 
what he was about to say. “Marian, b 
lieve me, what 1 want is not at all what 
you want. I have said it already, and 1 
will say it again: the Ше I intend to 
lead has no place in it for you, and 1 
most earnestly implore you 10 get out 
of it.” 

“I will not 
said firmly, 

He turned. his сус 
with a surge of 
spurred his horse to 
hundred yards to the bottom. He dr 
up and waited for her to catch up: and 
from then on they rode side by side 
toward the place where they would come 
into view past the end of the spur. 

“ма he said M “L implore 
you to accept this fact! 1 simply do not 
need or want you in my life, You have 
to realize this or the consequences will 
be horn 

"1 do not realize this.” she said clearly. 

"On the contrary, I realize that you 
а person different from your real person. 
Ah, Robin, 1 have known you so well 

nd so long, how can Г be wrong? 
‘They had passed the spur and were 
open country 

"You are 
pered. “A 
own sike and 
us out of this deadly thii 

She rode calmly on. “I : 
than you, Robin," she said, "where it 
ters. 1 will wait you out, I wi 


t out of it, Robin," she 


ahead again and 
confused emotions 


nter down thc 


he almost whi 
for God's sake and 
my sake, adi 


wron 
Tarian, 


straight out to his s 
h, and lowered it. She did not see 
gesture but something suddenly, at 

zed her attention 100 


"Some- 
Really 

wrong. 
Yes!" he sid. "Oh God, yes!” For 
he knew, without looking, that John 


had struck the hood and. 
harpy from his armi, a 
had wheeled once, 
all she could ses 


1 hurled the 
d the great bird. 
casting her eves over 
nd had aimed herself 
like а projectile at Marian's neck and 
as thundering down the slope behind 
them, a hundred fect a second toward 
the prey. 
‘Over ther 
voice, point 


he said in a strangled 
across the plain, "What 


I wanted to show you. Over there!” 
So that Ше cagle, when she hit with 


all her we 
talon: 


ht and speed and dreadful 
thrust forward and opening at 
last would not mar the 
beautiful, once beloved face, 


the moment, 


PLAYBOY PANEL 


ENTE 
te 
riaynoy: Yes. and 


т: There's the free 


nterprise sys- 


sn't that part of the 
solution to the problem. too? Take the 
profit out ol 
long step toward stopping the 
1 of drug addiction. Who's going 
s no profit in 
potential profit be 
g it legal to supply 

ies of drugs, 


otics and you've taken 


i And cant th 
eliminated by mal 
«ісі м 
n 


eded. 


while cures 
x: The figures show that drug ad- 
diction is responsible for approximately 
fifty percent of all crimes committed in 
larger metropolitan arcas. 
нехтокег E don't believe that, 
DDERLEY: Max says crime, but I heard 
n regard to certain s of crime — 
ned robbery, theft, breaking and en- 
pandering, prostitution. 
„non: Amd it isn't the drugs that 
ise the crimes, but the need to get 
money to buy the drugs. The problem 
of profit again. Right? 
cours: Testimony tells us that Ше aver- 
age drug addict spends ten dollars to 
hundred dollars а day, and he can only 
meet that financial need by crimes, vio- 
lence and inducing use 
narcotics. 
тонк: 1 think you'll find the inci- 
dence of violence is less than you suspect. 
There are crimes connected. with the 


сон 


и 


others го 


need to get drugs, but — 
C. ADDERIEY: 
would have 


I don't think that. d 
nything to do w 


th rape 


ses heroin has no 
ts what they tell me. 
The guys that I know say that this blocks 
out sex altogether — 

nrNrOFF: And that celebrated man who 
held up the drug store could just barely 
hold thc gun 
DR. WINICK: Sentences for narcoti 
tion have gone up st 
— federal. state and. municipal 
GILLESPIE: In some states, il vou 
caught with one stick ol marijua 
fiftcen years. And up to twenty years. 

€. AnpEKLEY: That's what happened to 
Candy Barr in Texas. For possession. 
мамак: The kes no distinction bc- 
tween possession and use. Either you're 
possessing, or you're possessing with in- 
tent to sell, or you're selling. But whether 
уо 


ola- 
1 levels 


adily o 


get 


law m 


wx: Philadelphia, 
ternal possession а 
cesme: In Phi 
of 


| think, lists in- 
п offense 
iadelphia they had one 
ns strip down, and they 
el T sa 
ad bad. с 
ound until after the регіо 
ke him on down and give 1 
They say. “No. I think we 
to take him now, Mr. Gillespie." 


his ar 


(continued from page 18) 


You want us to go out there and sound 
bad? The guy plays one of the lead 
horns.” So they say, “Well, he’s got а 
mark on his Г got а mark 
on my arm. too. You want to see it? 
And they say no. “Well,” 1 say, "I been 
vaccinated: we're goi So 1 
got a mark, and you can take me down 


I say. 


m. 


there.” You know, they let him 
PLAYBOY: The main efforts of the a 
thorities in this country app 


directed. a 


making the punish 
оге severe — that is, put 
jail for a lon 
the Briti 


the addict 


America 


physicians are encouraged to help 
dicts to rehabilitate themselves 
the law to 
dosages of dru 
n cents a dose 
нкхтокк: I the phy 
reduce the dosage ove 
But you never have to go scullle for it, 
whereas doctor treats 
Ша by supplying him with drugs 
y quantity, he gets busted, and сап 
lose his 
It seems to me what we've proved is 
that И you try to regulate addiction by 
punitive measures, you're going to get 
and more addiction, and more 


m 
nd they 
ive them 
For less than 


can do it. hell 
period of timc. 


hoods making more money. "There have 
been a few doctors who for vears have 
been fighting this. The tendency among 
prolessionals in the field. lawyers and 
doctors, is for a medical approach to ad 
ng doctors treat the addict 

however, the head of 
Narcotics. Bureau, Harry 
s à notably obtuse man: also, 
if you do this he loses his own kind of 
power. And the newspapers, by a 
large, are still pretty uninformed. The 
tendency is toward а medical approach, 
but it may take a long time. 
What the 


diction — ha 
Unfortunately, 
Fede 


the 
Aus! 


about Musicia 


hong s 
Clinic. in New York, which some of vou 
helped to set up. This is certainly ап 


expression ol an enlightened attitude. 
TAYLOR: It was through the efforts ol ) 
Hentoff that we first discussed the prob- 
lem at the Newport Jazz. Festival, and 
the Festival gave us t of 535,000. 
We oi 10 help re- 
habilitate some committee 
felt you should we on as a by- 
product of Iness, Everybody who 
uses some form of narcotics uses it as a 
cutch. Now you don't make a man walk 
any better by taking his crutch awa 
a first step in his cure, So the thing. as 
I see it, is to make this a mandatory 
problem of health and make a man ¢ 

to a hospital. When we got the coi 
tee together, it took us al 
months before we could actually find а 
way to help dope ad 


as 


“Т don't get it!” 


117 


PLAYBOY 


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ning afoul of the We got $5,000 
to put in the bank and we didn't know 
at to do with it, because if we got a 
guy to come to us, we'd have to report it 
to the police first. 

PLAYBOY: Suppose an addict does want 
help. What can he d. 
TAYLOR: Well, lets say Im ап addict, 
and 1 want to kick the habit, I can go 
to my doctor and say, "Look, I'm an 
addict, please, can you help me cure my- 
self?" I can do that, but he has to report 
it to the police. He says, "Billy Taylor 
just came to me. He's an addict." In Ше 
next few days I get a visit from Ше 
police department and I'm under con- 
stant surveillance. from. then on. And 
they look for mc to lead them to Ше 
pushers and the other people. As soon as 
I turo myself in, I'm really in trouble. 
I lose my cabaret card; | can't work. It 
means that I'm по going to turn myself 
in and get all these head: 


PLAYBOY: We seem to be doing all we сап 
то make the addicts situation impossi- 
ble. Is и possible for an individual to 
kick the Баби himself? 

GIUFFRE: I have known several who told 
me that they were just 
tom, and I knew them personally and 
considered their cases pretty hopeless. 
Yet they completely shook the habi 
MANNE: I've seen guys kick it on their 
own, but J find that the thing isn't just 
to kick —thav's пос the hard part. It's 
the years following their kicking the 
habit. The problem is to stay away from 
guys who would turn them on again. 
PLAYBOY: What can other musicians do 
to help a man who's trying to kick? 
ELLINGTON: I hear that the worst evil of 
addiction is the pain that comes [rom 
craving. So, to alleviate Ше worst с 
the bandleader should at all ti 
a ne 


s have 
t bundle of "C" notes — or credit 
cards tucked. away in the addicts in- 
strument са: 
вглувоу: How would you deal with a 
pusher confronting members of your 
band, Duke? 


имахетох: Ask him lor his pilot's 
license. 

conex: Га like to ask Charlie Winick 
this question, point blank: Would it be 


possible for the narcotics traffic in New 
York — or anywhere —to exist, were it 
not for a certain degree of official ac- 
quiescence and passivity? 
эң. wixick: Well, I don't see why not. A 
Is business is not to get с 
s we know, most of them 
Torr: lt seems to me that the volume 
of narcotics traflic must imply a certain 
amount of, let's say, laxity, to say the 
least. A cop is much more likely to go 
after a user than after а big supplier: he 
might get into trouble if he went after 
an important pusher. 
pn. wintck: This whole pusher-user thing 
is confusing and irrelevant. Most. push- 
(continued on page 126) 


(continued from page 69) 


попу. turned out scrumptious apple 


test 


of recognizing 
nce pie, at the holiday board. 
The apple and mince varieties, as а mat- 
ter of face, were early American staples. It 
t until the carly Nineteenth Cen 
tury that tart fruit pics made their debut. 
Pie fanciers discovered the joys of sour 
cherries, rhubarb, lemons and black- 
berries as fillings; the partiality for these 
pics became so great that when fresh 
fruit wasn't available, cooks invented the 
vinegar pie — stuffed with vinegar, mo- 
lasses and spices—to replace them. 
Through the years, American bakers have 
made the fruit ріс their private property. 
You can shop in the most expensive 
patisserie in the world and you won't 
find a serious challenge to this native 
gastronomical feat. In fact, any European 
who wants to learn the art of the Ame 
can fruit pie must indenture himself to 
a native pie maker for two or three years 
before he can meet the high standards 
of American ріс culture. 

Buying а Pie: From the bachelor’s 
point of view, the key to relishing this 
hallowed tradition is in the buying, 
When you buy a pie, first heed the color 
of the crust. If it glistens, reject it: the 
unnatural shine means 5 brushed 
with beaten 
wash crea 
also (опа 
pulpy flavor. Select a pie with a velvety, 
soft brown crust, а hue the baker 
achieves either by leaving the dough un- 
touched or by brushing it with milk or 
cream before baking. 

‘The crust should be tender, of course, 
but it shouldirt crumble or taste pow: 
dery soft. It should break apart in layers. 
The wispy, leaflike feel is fine in a 
Napoleon or patty shell, but not in a pic. 

The fruit filling — from the smallest 
blueberry to the largest apple wedge — 
should be intact, not mushy. It should 
be from an inch and a half to two inches 
deep. When you buy an open pie, like 
coconut custard, pumpkin or pecan, rate 
it from the bottom up. The crust 
shouldn't be a rubbery marshland on 
the bottom. Stay away from the graham 
cracker crust you find in chiffon pics; 
it turns to pure flannel 

Should you p 
a simple, do-it-yourself там 
ріс dough, top and bottom crust — pre- 
rolled, cut and packaged with a thin 
aluminum pie plate for baking. Then 
buy a prepared fruit pie filling, ready to 
be poured right onto the bottom crust. 
The top crust is then fitted into place 
and you bake till The results 
should satisfy the most captious pic 


it . 


5 before baki: 


but it 
hens the crust and gives it 


tes a deep brow! 


the month. 


efer to enter Piedom оп 


basis, buy 


brown. 


You may prefer the even greater speed 
and simplicity o£ frozen pie. Those with 
a basic fruit filling, like apple or cherry. 
are superior to the one-crust pies like 
coconut custard, lemon cream or choc- 
olate cream. The frozen pies that require 
baking are more delectable than those 
that are pre-baked and need only de- 
frosting. The former provide the warm- 
ness, crispness and freshness of a pie 
that's just been slipped from the oven — 
assets that can't be over-praised 

Pie with Cheese: However you've 
come by a fine fruit pie, serve it with a 
snappy hard cheese such as imported 
Swiss gruyère (not the processed wedges) 
or a slice of genuine Swiss emmentaler. 
Another choice cheese, well worth hunt- 
ing down, is imported йй; try the 
sharp German rather than the milder 
Danish. If you can get your hands on 
some ripe English cheshire or aged 
American cheddar, 
lively distinction to any fruit ріс. Stay 
away from the soft or semi-soft che 
like brie or bel paese; they're too mild 
in the company of pic. 

Pie à la Mode: Fruit pie that is a trifle 
tastes better than at room tem- 
perature, so it's always wise to coddle a 
pie in the oven for five or ten minutes 
before serving. Then, if you place a gen- 
erous scoop of ice cream оп Ше warm 
ріс, you've got an unbeatable hot cold 


these, too. will add 


ез, 


warm 


combination. Use discretion in choosing 
ice cream flavors. For instance, try vanilla 
on warm blueberry pie. vanilla with 
melba sauce on peach pie or burnt 
almond on cherry pie. 

Gilding the Pie: There are, of course, 
pies sufficiently duked up in their nat- 
ural state to require no further garnish 
ment. Don't add any kind of spangles to 
a Nesselrode pie, a lemon meringue pie 
or coconut custard pie. But the simple 
fruit pies and even pumpkin pie, which 
in many areas has always been served 
with a dollop of whipped cream, de- 
serve а holiday frill, In place of the usual 
confectioners’ sugar 
sprinkled on the top crust of pies, try 
the obtainable in 
small apothecary jars on spice shelves 
The three holiday pie garnishes that fol- 
low are designed Гог six man-size por- 
tions of pie. 


which is often 


vanilla sugar now 


APRICOT CREAM 


his liqueur-flavored cream should be 
whipped up just before serving. 

% cup heavy sweet cream 

2 tablespoons apricot liqueur 

2 tablespoons confectioners’ sugar 

In а deep narrow cold bowl whip the 
cream with a rotary egg beater until the 
cream is stiff, but mot turned to butter. 
Add the apricot liqueur and sugar, fold- 


ing each in carefully with а spoon until 
just blended. 


KAISINS WITH RUM 


ЗА cup raisins 

1 tablespoon butter 

% cup light brown sugar 

14 cup amber rum 

In a small saucepan cover the raisins 
with cold water. Bring to a boil and 
simmer two minutes. Throw ой the 
water, draining the raisins well. In a 
chafing dish (or in the same saucepan) 
combine the raisins with the butter and 
brown sugar. Hcat slowly until the but- 
ter melts. Add the rum. Heat a minute 
or two. Set the rum aflame. Spoon the 
raisins over wedges of warm apple pie. 


BRANDY HARD SAUCE 


2 ozs. sweet butter 

34 cup confectioners’ sugar 

15 teaspoon salt 

V4 teaspoon lemon juice 

1 ог. brandy 

Ya teaspoon vani 

Let the butter stand at room tempe 
ture until it is soft enough to spread 
easily. Sift the confectioners’ sugar, and 
gradually add it to the butter, mixing 
until well blended. Add all other in 
gredients. Mix well. Chill in the refrig. 
crator until firm. Spoon over portions of 
the next mince pie you demolish 


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ACAPULCO 


back in the cab, Јох eyes returned to 
the road and ours took in the slope of 
pink bungalows to our right. These 
make up Las Brisas Hilton. То our left, 
the orange vapor lights down the shore 
ї a Dantean haze over the beach of 
1 Presidente, the city's newest, poshest 
X delicious breeze was stirring 
The was not like wine, how: 
It was much better — pungent and 
heady with the insinuating musk of pine 
roves, cup-of gold bushes and vivid 
tropicil lowers. Ordinarily, the coolness 
of the breeze might have surprised из 
in sun-scorched Mexico, but we had 
done some encyclopedia cramming be- 
fore enplaning, and we knew the cool 
ness was de, Acapulco ("place 
ОГ reeds”) was stumbled upon by the 
old. peaks p himself 
nando Cortes, about 1530. Н 
шоор» called it tierra caliente, the hot 


са 


otel, 
abour 
eve 


land. and later settlers put it down (in 
Loth senses) as “a hot and sickly place, 
an abbrev inferno” What hap- 


pened 10 d in the late 
17005. its governor, Josel rero (may 
his tribe increase). ordered а huge chunk 
to be carved out of the hills that then 
separated Acapulco from the sea. This 
gargantuan airconditioning feat was ac- 
complished, and Acapulco has been 
breezy ever since. These days. it is com 
fortably semi-tropical, the 
seldom climbing above 80 during "the 
season” (December 15 through April 
15). The off season (May to December) 
s generally rainy, and the city should be 


(continued from page 91) 


minded v 
forty 


to 
have 


pollen count rem 


itors (hotel 
percent). 
а ball all y 


Ha 
г round because the 
ns at zero, despite 


fever sulleı 


voided then by all save sternly budget- 
tes drop twenty 


rers 


the lushness of the vegetation (all jungle, 
you sce, no weeds). 


Acapulco’s ambiente — a word that с 


only 


tured us from the moment we la 
From 

my 
nd we didn't fi 


dre 


lea 


question, 
time 


on 


not tr 


be felt, 


then the 


n, 


nd а 
for an 


nslated — had cap- 


w 


ıs silly аз be 


aded. 
sensuous. 
imosphere got through to us, 
ht fl. In Acapulco, we 
rned, rushing around is out of the 

iything 
ppointment is treated 


sing 


with scorn (the locals are often an hour 


or two là 
ше you 


back. 


a bite, or 
intance. “Mis tarde, padre" 
Г) is the expression. 


4 
Ча 


Acapulco has two hund 


There's always t 


first-class accommodat 


the 


pleasamtest to 
s Brisas Hilton, where you're greeted. 


e as they 
a 


do 
ive 


nd if you've 1 


пог 


t they'll 


ime for a d 
to maki 


an 


any сом 


in the U 
at is, by 


fi 


ent even arrived vet). Sit 
nk or 


"Later, 


t hotels, with 
ng about 


Тве 


all odds. 


with a welcome drink of gin and coconut 


milk, 
decoi 


‚ served. 


ated м 


port 
network of priva 


h green coconut 
biscus. If this ро 
thirst, there's liquor 
а of your casita, mixes a 


n 


па 


ГВеуте reached 


се roads that wi 


nd 


pals. vines, hibiscus and bou 
tinvillaca (590 double without pool 
539 with shared pool, $40 with private 
ncluding continental breakfast) 
girl to be alone with, ask 
manager Frank Brandstetter to reserve 
опе of his most secluded casitas іп the 
. Between the highway and the bay 
are the luxury residences of Las Brisas 
Estates. the пе plus ultra of Acapulce 
American colony. The owners are à 
older group, but their parties are defi- 
nitely iN. More winding roads take you 
down to the luxurious bayside La Concha 
Beach Club shared by the Hilton's guests 
nd the Estates crowd. (The hotel fur- 
nishes chauffeured jeeps, 
lor going to and пот La Conch 
can rent your own jeep at 58 а day 
facilitate getting around town.) H 
you're staying elsewhere, you'll need an 
wvitation to the dub, or a Hilton Cari 
Blanche credit card. 

For Ше well-fixed traveler, Cesar Bal- 
sa’s El Presidente is first choice as the 
place to meet. people who know what's 
where. Be sure to reserve a terrace room 
with an ocean view (928 single, 551 dow 
ble, with two meals), from which you 
an sce the whitecaps breaking along the 
bench through your view-wall of glass. 
Lounging оп your private terrace, you'll 
quickly succumb to the son 
and the faint beat of cha-c 
Jacaranda, El Presidente’s unique n 
dub, with из dramatic view of bay 
sky. If you're not alone, share a suit 
single to $76 for four, with two meals) or 
check into one of the duplex penthouses 
with small pools, For an extra 510 
vou can 1 dressing cabana, complete 
with bed, bathroom and foldi 
open to the ocean, If you're 
on Ше prowl, Acipulco is definitely 
your side. Around El Presidente’s pool 
the sunawashed lounges and thatch- 
shaded tables of the Palapa В 
ite w place for unaccom| 
girls, some of whom don't even bother 
renting rooms for their weekend. visits- 
They just take their chances on meeting 
a hospitable chap. Early in the day, the 
coolingest drink at the Palapa is a fru; 
juice concoction called Conga: when 
alcohol is added, it becomes Rumba, A 
Presidente is the right blend of pine- 
apple, orange and grapefruit juices, gin 
xd apricot brandy. If you don't find any 
thing— or anyone — 10 fit your mood, 
you can stroll up to Coco 
Acapulco's beach clubs 
for entertainers, models and other fasci- 
nating fauna. 

In Acapulco, they have a felicitous 
word for beach — playa—and three 
major hotels own large stretches оГ pri. 
vate playa: El Presidente, Elcano and 
Pierre Marques. The others offer swim- 
ming pools, salt-water lagoons and ас 
cess to the miles of public beach in and 
around the town. The water is always 


pool — 


If you have а 


n 


eric 


of the surf 
from 


егіп; 


warm at Acapulco, but the breakers come 
in cycles and the undertow is strong 
ough to make you dig in your heels. 
Il, it's exhilarating. 

The Eleano Hotel, а modern block 
style beachfronter (520 single to 530 dow 
ble, American plan), caters to a larger 
proportion of Mexican guests than any of 
the other major hotels. During the sca 
son, its pleasant palm-fronted Bambuco 
bar and dining room are among the 
town's livelier hangouts. Between Decem- 
Der 16 and January 6 especially, the 
holiday season, every night at the Elcano 
is fiesta—three weeks of unabated 
partying. 

Hotel Pierre Marques, a corporate 
cousin of New York's Pierre, is owned by 
Jean Paul Getty, reputedly the richest 
man in the world. He has never seen the 
place, but Dwight Eisenhower has slept 
there, as have numerous other people of 


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you to whatever sport you fancy, be it 
wet or dry, indoor or outdoor. On the 
Marques’ beach of a morning, you'll find 
callipygian cuteniks sipping drinks at the 


Tortuga (Turtle) Bar, in anticipation of 
lunch on the Marques Terrace. Besides 
serving the tastiest hamburger in town, 


Terrace also boasts hard-to-find 
Yucatán-style pork tamales, chicken-liver 
omelet à | ive lobster-tail 
Чад. Dining is elegant im the hotel's 
Iver Shell, with its tinkling waterfalls 
xd tinkling music. 

Oldest and most truly Mexican of the 
big hotels is El Mirador (512 single with 
terrace to $30 double for de luxe cot 
tages, with two meals), а picture post- 
curd jumble of flowering gardens and 
stucco cottages perched on the very tip 
of La Quebrada cliffs. Don Carlos Ber- 
nard built the first of these cottages more 
than thirty years ago to accommodate 
friends who shared his twin passions for 
Acapulco and deep sea fishing. He's bee 
building ever since for the growing 
dique of EI Miradorites who return 
year after year, El Miradors craggy 
ocean front has no beach, but a funicular 
sweeps guests down to a naturalrock, 
saltwater swimming pool. Every dining 
room in town serves seafood, but none of 
them can match El Mirador for such 
s as seaturtle eggs. agujdn (а bril- 
liantly green-boned needle fish), bar 
racuda, dolphin and the tiny, delectable 
cilios. El Mirador also houses La Perla. 
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whose tables are strung along terraces 


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over the СИБ of La Quebrada. 

If you can't go back home without a 
sixfoot-plus pez vela (sailfish), register 
at the Hotel Club de Pesca, the only 
hostelry with its own flcet of fishing boats. 
Favored months for the sport are No- 
vember through January, although the 
International Sailfish Tournament із 
held during the first week of April and 
the marlin bite best in August. But you 
really don’t have to fish to enjoy Club de 
Pesca: also available are speedboating, 
water skiing, skindivin; nd surfboard- 
ing. With its seven stories of ridged ter- 
races, Club de Pes 0 single, 527 
double, $50 for a suite, with three 
meals) looks like a great ship's bridge 
on the bay. Palms and tropical gardens 
ring the fresh-water pool and assure pri- 
vacy to the patios of what are cuphemi 
ically called Honeymoon Cottages. The 
movie colony makes its Aca- 
adquarters here, and when the 
starlets are in town for a location shoot- 
ing or the annual film festival (Novem- 
ber 18 to December 7 this year) the hotel 
is filled with tempting tidbits 

Belore the postwar buil 
Hotel Prado Americas, overlooking the 
Pacific on the point of the peninsula 
which shelters Acapulco Bay from the 
west, used to be Ше place to stay. It's 
still a dandy hideaway with a complex of 
Mediterranean-style: white-and-blue-col- 
umned courtyards and tileroofed bun- 
galows ($21 to $48 double, with meals). 

Up in the hills you'll find Villa Vera, 
a collection of luxury bungalows with 
tennis court and pool ($20 to 510 dou- 
ble, with continental breakfast). Its own- 
er, Swiss bandleader Teddy Stauffer, 
used to be married to Hedy Lamarr and 
Faith Domerque — serially, not simul- 
tancously, If you like Hollywood-style 
ing, you can have it here, along with 
some of the big names of then and now. 

John Wayne's Los Flamingos (520 to 
$32 double, with meals) overlooks the 
from its hilltop. Down below, on 
Costera Aleman, the main street, is the 
modestly priced Noa-Noa ($20 to $24 
double, with meals) and the comfortable 
and Playa Hermosa ($4 single, 
$8 double, with continental breakfast). 

Some of the American college crowd 
that takes a semester or two at English- 
language Mexico City College spends 
weekends at Motel Acapulco, which has 
its own swimming pool, restaurant, bar 
and сазу tariffs (84 single, 57 to 513 
double, no meals). 

Driving along the Costera out toward 
El Presidente, you'll pass Condesa 
Beach and a small sign reading “Catalejo 
(Telescope) — Ше philosophical lif. 
Down a flight of wooden steps you enter 
the world of Spanish painter Isidro 
Covisa and his family, who constitute 
Acapulco's art colony. For S2 a day you 
сап get two big meals and а hammock 
slung between bamboo poles in the coed 


g boom, 


sei 


informal 


open-air dormitory. This is as primitive 
аз Acapulco gets, with no electricity or 
privacy, but plenty of dedication to pleas- 
ure as well as art. There's lots of long 
hair, beards and bongos, but they don't 
belong to the beat set; Covisa threw the 
beatniks out when they tried to turn 
his simple scene into a south-of-the-bor 
der party pad. 

The Acapulco Hotel Associatio 
(Apartado 334, Acapulco, Guerrero 
Mexico) cin supply a complete list of 
hotels with current prices. The town 
has no American consulate, but Ше 
Mexican Government Tourist Bureau 
information office on Costera Alemán 
can help with most problems. The un- 
official good-will ambassador and most 
informed self-exile іп Acapulco is a 
photographer-writer named Ronni 
a generally be found in the 
nity of El Mirador. 

There are twenty-one beaches in Аса 
pulco, the briefest of bikinis are smiled 
upon at all of them, and there's no tell- 
ing which beach will be the current 
favorite of the kind of people you want 
to play with. Caleta, the busy public 
morning beach, is the best place to start 
looking: , and you can say 
hello to almost anyone. 

ОГ an evening. you can take a small 
boat over to the island of La Roqueta, 
which has its own beaches, an outdoor 
dance floor for nighttime partying, 
burros who drink beer (there's no water 
on the island) and a restaurant specializ- 
ing in langostinos, delicious little стау 
served with garlic butter. La Roqueta is 
diving. and a firm 


Lus- 


ter, who с: 


vic 


Мот 


a good spot Гог sk 
called Aqua Mundo (Water World) will 
pick you up at your hotel, take you out 
to the warm water in a sixty-foot boat, 
equip you and instruct you for 185 pesos. 
They'll also teach you spear-fishing, shell 
collecting and underwater photography. 

The winds and waters of Acapulco are 
meant for sailing and cruising, and craft 
of all sorts can be chartered at the public 
docks. For shorter spins, the Barca de 
Oro, a large schooner, and the motor 
yacht Fiesta go out for three hours late 
cach afternoon. Once aboard, you'll find 
music and free drinks, the panorama of 
Acapulco from the water, and a chance 
for a swim olf La Roqueta. The young 
lady you may spy in the depths, incident- 
ally, is not a mermaid but a submerged 
statue of the Virgin of Guadalupe pro- 
tecting the harbor entrance. 

Sundowns are fabled at Pie de la 
Cuesta (Foot of the Coast), a beach with 
roaring surf some miles out of town. 
You can Це in a hammock and sip the 
popular Mexican ron castillo, rum mixed 
with water, plain or sparkling, and 
coco loco, coconut. milk and tequila i 
the shell. At the other end of town is the 
usually deserted Revolcadero Beach, а 
fine quiet place for picnic, nudeniks and 
such. 

You can rent dugouts called pichi- 


lingues to take you through the lush 
lagoons of Coyuca and Papagayo. in- 
habited by frigate birds. flamingos, tou- 
cans and parrots and on the banks by 


iguana, deer, hare and jaguars. In the 
native village of Puerto Marquez you'll 


come across a group of beach stands 
proffering fresh and cooked seafoods: 
One Acapulco y ds 
morsels оГ white-fleshed fish 
Spanish. mackerel, marinated in lemon 
juice and. Mexican spices. 

Hansom cabs are for hire near the 
section of Playa de Hornos where the 
fishermen pull up their boats and spread 
their nets, Take one into the labyrinth 
of old Acapulco's lanes or to the stone 
ramparts of El Fuerte de 
the bluff, with its ancient cannon still 
watching the bay. This massive pent 
gon, built to protect the Spanish settle- 
ment in 1616, has recently been 
restored and transformed into an outdoor 
theatre seating 2500. The entrance lies 
over а drawbridge spanning the moat, 
trough a portcullis flanked, on pcer- 
formance nights, with flaming torches. 
Plays, ballets and concerts are perfor 
including the P. 
December 10-20, when enthusiasts will 
gather to hear the premier performance 
of Casals’ newest work for cello. 

Some of the world's finest matadors 
have fought bulls in Acapulco’s Plaza 
de Toros Galetilla, which has a corrida 


spe ceviche, 


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at five тәм. during the season. The bull- 
fight season varies from year to year, de- 
pending on past attendance and wha 
promoters are doing what; but gen- 
erally, there are probably more corridas 
during January, February and March 
than any other time of the ус 

During Ше season Acapulco is а b 


ty town, and you ought to be able to 
n invitation to a few of the affairs. 
Every Tuesday night, for instance, the 
Club de Yates (Yacht Club) has a bullet 
and dance for members only — but know- 
ing someonc or just looking respectable 
will probably gain you entry 

Ics not difficult to look г 
by the way. Unlike most plush Carib- 
bean only a few people ever 
bother to get dressed up in Acapulco, 
even after sunset. But we suggest you 
take one lightweight suit for late dining 
and dancing, especially on weekends. Be 
sure to ta addition to your sunning 
and swimming gear, plenty of sport 
shirts, cotton slacks and sandals. You can 
buy clothes or haye them made in a day 
or two at any of a number of stores in 
the hotels or around town. La Noa on 
Hidalgo carries good-looking attire and 
Ашейо on Costera Alemán (the broad 
avenue that winds along the beach) spe 
dalizes in hand-loomed native fabrics 

Hotel barhopping is the sensible 
carly-cvening pastime for a young man 
in search ОГ ionship 


spectable, 


resorts, 


comp and а 


dance combo. The Del Monte 
bar is a good place to look for an oppo- 
site number and the bar atop the 
Palacio Tropical gets quite sociable too. 
Or you might try the Turquoise Room 
at the Club de Pesca, the Bohio Bar by 
the pool at Prado Americas or the Caleta 
Hotel Bar. Next to the post office on 
Costera Мешін is the Si у No, a drink 
ing man's bar favored by Acapulquenos. 
El Presidentes snazzy Dali Bar, dec 
orated with drawings by the Salvador of 
the same name, is jammed 


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inango, red snapper, robalo, sca bass, or 
mpano аге excellent. 

The hotels and better restaurants buy 
their food with a canny eye, and use 
only bottled water. so vou need h 
liule fear of the dread Aztec two-step 
(or Montezuma’s Revenge), famed in 
g and story. But take it slow your first 
few days. 

Unfortunately most of 
restaurateurs try to cater 
impression of American tastes. Lots of 
steaks and baked potatoes, even though 
their beef is not the greatest for гате 
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well. Ш you can find well-prepared 
сате asada, а spiced, paper-thin scared 
beel dish, you'll know how good Mexi- 
can meat can be. 


Funny. but Mexican restaurants are 


unknown in Acapulco. Not a single 
kitchen specializes in the great Indio- 


Hispanic dishes. You сап get enchiladas, 
frijoles refritos (refried beans) or a Mexi- 
cam combination plate at some of the 
hotels, but these are a concession to ro- 
mantic palates and generally second 
rate, 

For us, the most interesting place 10 
dine well is La Rue, a French res 
little frequented by tourists. Located in 
the top balcony of the jaialai fronton, 
its firstrow tables afford a perfect view 
of the Basque game. Play starts at nine 
тым. and lasts until after midnight every 
night of the week, almost ай year round. 
One section of the balcony is а bar 
lounge where you might пу the La Rue 
cocktail, whi i rod 
and ca 


with Pei 


hi flavors ¢ 
sis as well as with vermouth. The 
menu is primed with such starters 
lobster bisque and burgundian snails 
with garlic sauce. As entrees the chef's 
suggestions (ours too) include frogs’ legs 
provençale, chicken clemencean or black 
pepper steak with cognac sauce. Don't 
resist the chocolate soutflé for dessert. 
Although La Rue stocks French wines, 
that you ріс the 
Mexican а 
ble: the red. table 


s 


also sar 


we suggest 


whites 


Mexican vin 


rosés are very dr 
wines are not so hot. 

People go to see and be seen at Ar- 
mando's on the Quebrada. It's slick and 
chattery, with a tiny bar and a pianist 
Пот New Jersey rendering all requests. 
The food doesn't quite come up to the 
promise of the decor and menu, but the 
lic soup is tasty and you can depend 
ichokes ue Ci 
broiled shrimp di nd the se 


on а coal- 


meunier are also worth your while. 

n Focolare is the most 
clegant dining spot in town. This is not 
the hotel's regular dining room (also ex 
cellent), but a. separate establishment, 
with its own bar and terrace for before- 
dinner drinking. Los C trio 
of guitariscsingers in dovegray charros 
and huge sombreros provide entertain- 


eras, 


ment, 


Langostinos à In Bordela 
ҮЙ kidneys sauté Ат 
rence and Mexicana. are 
among the berer entrees, and game is 
served in season, Try the tasty Mexican 
cheeses for dessert and, if your appetite 
holds out, sample the superb selection of 
pastry. Follow it up with a pony of gen- 
tle Kahlua 

At the corner of Costera Alemán and 
Megella restaurant Fon 
where you dine on a New Orleans-sty 
авмопе patio. Flamenco dancer Leonor 
Amaya, Carmen's sister and a fine artist 
п her own right, performs to the accom- 


. turkey 
agnac Law- 


ter 


carne asada 


os ds the 


paniment of guitarist Jesus de los Reves. 
The strolling Quartetto Iberia serenades 
your table with songs of sad Spanish 
love. 
The hefty international menu 
dudes huevos foo-yong and pollo frito 
lo sur, otherwise known as southern 
fried chicken. There is a fine Mexican 
soup. caldo xochitl based on chicken 
vith rice, avocado and hot peppers: and 
the fresh shrimps with coconut are deli. 
cious. The most soused dessert on Ше 
menu is plátano caribe — bananas soaked 
in flaming rum and apricot brandy — 
and it's fun to watch 
Tontana is open only during the зе: 
authentically г 


est 


as well as cat. 


son. 


Italian cuisine ік pre 
sented by Dino's, also оп Costera Ale- 
тіп and modeled on Alfredo's in Rome. 
And, finally, there are two simple sea- 
food restaurants right in town: Pip 
near the docks and San Telmo close to 
the Plaza on the Costera. 


Acapulco boasts two shows that every 
опе, excepting only the most blasé, goes 
to dig — Holiday on Skis at the Club de 
Esquis, the town's waterski headq 
ters. and the High Divers of Quebrada 
at EI Mirador's Га Perla. The ski show 
usually goes on about ten-thirty P.M 
Reserve а front-row table, leaving your- 
self enough time to dine оп the open- 
air candlelit 
pool and the shimmering bay. Из а 
grand spot to set the mood for later 
that night. The complete dinner offers 
a choice of such entrees as oysters Rocke- 
feller, fillet of red snapper with brown 
butter and Mexican tenderloin tips. In 
the club’s lounge, meanwhile, ап Апо- 
Guban band will be flaving away. Then, 
suddenly, the show begins. Colored foun- 
tains rise behind the pool: 28,000 watts 
of light brighten the bay: and Ше speed- 
boms amd water skiers — forty-two of 
them international champions — flash by 
to stereophonic fanfares. At the climax, 
the star of the show soars silhouetted 
against the skyline, spread cagled under 
a huge white kite. (Ah there 
Gardens.) 

To glom the high divers, reserve a 
table on one of the narrow terraces at 
La Perla, set in the cliff below EI А 
dor. While vou wait, pique vou 
with Pivi, a small pineapple from which 
you sip rum mixed with fruit juices, For 
а shrimp cocktail 
champagne sauce, followed by red snap- 
per fillet papillote or curried chicken. 
in coconut. 

At La Perla there are nightly ten- 
thirty and midnight dives by the Clav 
distas de Quebrada, a company of high 
divers headed by Raul Garcia, who in 
summer guards lives at an upstate New 
York resort. The performance begins 
with Raul, holding а blazing torch, run- 
а zigzag path to a narrow 
inlet, swimming it and then climbing the 
rock to the top diver's platform 136 feet 


terrace, overlooking the 


Cypress 


ner, there's with 


ning down 


above the water. He kneels to pray be- 
fore a small shrine to the Vi 
Guadalupe, while his helpers 
torches along the side of the cliff, illum- 
inating the entire scene. The crowd is 
stony silent. The diver flexes his muscles 
ind off he goes into space. (When 
poetic Raul joined us for a drink later, 
he told us, "Every time I dive is the first 
time I kiss а girl. When I leave the rock 
I open my arms and when I enter the 
water I close her in them.") Minutes 
after his plunge, the clavadista stands at 
the entrance to the restaurant, palms 
outstretched for a tip. 

The tides of nightspot popularity in 
Acapulco shift quickly by word of 
mouth. At Guadalajara de Noche, be- 
tween Caletilla and the frontón, you can 
hear a mariachi with three fiddles, three 
guitars, a bass guitarrón and trumpet. 
The hoarse, tw harmonies 
of the canciónes rancheros and sones ате 
enhanced by the snap-crackle-pop of an 
ancient sound system. A young lady 
wrapped in a flowered rebozo pulls on 
listei heart strings with Qué Bonito 
Amor, while the bored charro-cosuumed 
mariachis play and talk to cach other 
"Then, amid much hand clapping and 
y crowd, 


yipping from the beer-drink 
the troupe stamps out the jerabio 
tapatio and zapatado mexicano, the 
Mexican hat and shoe dances. 


The Flamingos has the most carefully 
produced show in town, on at twelve- 
thirty and two-thirty A.M. The club is оп 


the beach, and one opening number 
finds a group of near-naked dancers 
springing ashore from a primitive dug- 


out, with ever-present torches 


me. 
The provocative dancing is reminiscent 
of Katherine Dunham — not. surprising, 
since the show is directed and performed 
by her students. 

Varadero boasts a variety show with 
a small line of misstepping chorus girls, 
corny comedians and an aging Mexican 
film idol who sings doleful songs. Los 
Cocoteros at Hotel Ha presents а 
group of jumping Mexican folk dancers 
at eleven-thirty ғ.м., and Club Bum Bum 
on Caleta Beach will be in action with 
a hot band and crowds of dancers. 

Ве sure to take the funicular from 
hilltop Prado Americas to dance at Club. 
Cantamar, which serves dinner and has 
a floorshow during the season. Most ho- 
tels close their clubs by three л.м., but 
Chimys Jazz Bar оп Constituyentes, 
with Cuban drummerowner Chimy lay- 
g down the beat, stays open until at 
least four A-M., and the Bambu оп Cos- 
tera Alemán carries on until all the 
customers have gone. 

Remember José, Ше friendly cab 
driver who brought us in from the air- 
port when we first landed in Acapulco? 
Well, we hopped into his cab a couple 
of nights later and asked him what he 
recommended in the way of offbeat night 


лс 


spots He insisted we try Rio Rita's, 
where Acapulco's sophisticates go to вес 
Real People. Most of the customers are 
working-class Mexicans, he said, with a 
jam of tourists arriving for the one- 
thirty-a.m. show. We went. At tables 
around the room sat dozens of girls of 
all colors and ages, waiting for somcone 
to buy them a drink or ask them to dance 
or to retire into the cubicles behind the 
club where the major business of the 
establishment is consummated for any- 
thing from forty cents up. The band 
was off key, out of tune and too loud, 
but the rhythm section went wild and 
just watching the customers dance was a 
treat. Eventually spotlights pierced 
the smoky air, the dance floor cleared 
and the professional entertainers were 
on. “Anything goes” seemed to be the 
policy, as long as it was calculated to 
arouse. A Latin dance team, he in tight 
pants and vest, she in ап undersized 
bikini, demonstrated how to make love 
during the rumba, mambo and cha-cha. 
"Ehe singer, an endowed and exposed 
young woman, bumped and grinded out 
her lyrics while circling the floor. With 
very slight encouragement, she stopped 
and shook out a [ew bars at our table 
while the crowd checred and jecred. The 
of the show was Talus, a tawny 
1 with black hair, black eyes and 


a wild body that went into leaping, 
writhing. shaking transport during the 
performance. 


Casa Raquel, we later discovered, is 


a betterquality house up in the hills, 
where the madam herself, looking like 
someone else's mother, keeps her cye оп 
the proceedings [rom her position at the 
bar near the cash register. There's 
dancing but no show — unless one makes 
private arrangements. 

Moonlight cruises? They're called 
lunadas, and are yours for the hiring. 
Or, instead of cruising, vou and your 
querida can anchor at tiny beaches like 
Playa Dos Amantes (Two Lovers) and 
swim, build a bonfirc, cat, drink, dance, 
do whatever your brimming hearts desi 

When you take your I of Ac 
pulco, with your heart sinking slowly 
in the west, шау occur to you to 
lyze the unique charm of the place 
nd try to pinpoint exactly what ele. 
ments made you fall in love with it. 

Could it have been that 
ion of tropical topography and 
ighteenth 
Century airconditioning system? Was it 
the fishing? Was it the food? Was it the 
music and dancing in the wee hours of 
the mor "The swimming and lolling 
on bikini-brightened beaches? That 
moonlight cruise? The sensuous Поот- 
shows in the clubs? The tropical da 

nce and romance? 

You may boil it all down to that single 
word, ambiente. Or you may simply 
and with a smile repeat to yourself, 
it swing, señor, it swing. 


winning 


“Sure I remember those things, Mom. But 
what have you done for me lately?” 


125 


PLAYBOY 


126 


PLAYBOY PANEL (continued from page 118) 


ers are little guys, errand boys, not these 


g monsters waiting in a plush apart- 
ment for the men to come in with hun- 
dred-dollar bills. Over half the traffic is 
the little guy who saves two or three 
thousand dollars. buys а kilo іп Mar- 
seille and brings it over here and then 
works with one other guy. 
энем: The arrests made аге mostly 
juvenile delinquents involved with na 
«otis «nd small pushers, but no major 
distributors, no major importers. 
nexrorr: This is all true, but I think, 
realistically. if we want progress on thi 
the area to work hardest on is mo 
medical control of addiction. 
comen: That is one phase of the prob- 
lem. Ultimately, you may curb it by 
medical assistance and so forth — but it's 
just an ameliorating factor. 

vrorr: No, not at all. It’s a radi 
апіс approach. But 
the man in charge of the federal nar- 
cotics program so uninformcd after all 
these vears about the basic nature of 
addiction, let alone the basic w: 
cope with it, your whole p 
stopped from a federal poi 
conen: Here we have 
ists of the 1 
n ar 


when vou have 


bus 


Css process 


which con: 


g ol narcotics 
of the world, its im- 
portation to the United States and its 
distribution in the United States. Fi- 


in cert: 


nally it comes down to John Smith who 
is arrested. The problem is not solved 
by giving Jobn Smith medical treatment. 
wixick: But you to accept the fact 
that a man is sick, that he has cancer, 
nd you do the best you can in the face 
of a serious chronic disease. These high- 
order considerations are worthwhile and 
serious, but someone else works on them 
while you cope with the chap who is sick. 
N. ADDERLEY: That's right, what can you 
do about the user? 
yıaynoy: How valuable, for example, is 
the work being done now at the federal 
hospital for the treatment of addicts at 
Lexington, Kentucky? 

You know what they tell me 
about Lexington? A guy tells me that 
when he's in Lexington, all they're think- 
ing about is — "When I get out of Lex- 
ington, boy, I'm gonna get so high!” 
TAYLOR: A guy might go in doing it one 
way. After being put in among addicts 
of all kinds, he might find fifty other 
ways to do the thing he was doing before. 
And he's not helped at all in too many 
cases. 1 have talked to many musicians 
who have been in Lexington. One guy 
old me: “Well, 1 went down, and it was 
ny first time. I went voluntarily because 
1 thought 1 wanted to kick, and it just 
didn't work out, If you commit yourself, 
you can leave at any time, so guys went 


“Why do you insist on putting me on a pedestal?” 


in for a little rest and went on back out, 
right back into what they'd been, 
winick: It's misleading to imply that you 
just turn it over to the docs and theyll 
take over. In other words, what will the 
doctor do, and under what circumstances? 
The fact is that he doesn't really know 
what to do. There is no knowledge, really, 
on the basis of which treatment can be 
given in a systematic way, and its mis- 
leading to say, "Well, that’s it, the doctors 
will take over." We have forty-seven 
thousand Americans who are as ill as if 
they couldn't walk. They are unable to 
function. Their central nervous system 
has been substantially modified, at least 
for a while, by the drug they're using. 
Now these people need enormous help 
from the community. They need much 
more than medical or psychiatric help. 
They need help in getting jobs, help in 
getting re-established, help in learning 
to relate to people and many, many 
other things. 
nentorr: I didn't mean that it's a simple 
matter of just turning it over to the doc- 
tors. But there is hardly any research 
data available on treatment of addiction, 
and the way you're to get that is by 
having doctors treat addicts. So the first 
thing that has to be done in this country 
is for that to happen. Then there h 


to 


be community education to bring about 


not only medical and psych help, 
but economic help, and a change in a 
complex of things which goes deep into 
the roots of societ: 
conr: J want to give you what I think 
© some practical solutions. The Opium 
Control Commission of the United N 
tions has specifically charged that five 
countries are the source of most narcotics 
supplies coming into the United State: 
Iran, Iraq, Lebanon, Turkey, Syria. Sup- 
pose that we ignore the political situ 
ation and say to these five countr 
“There will be no foreign aid extended 
to you and we will create tariffs which 
will prevent the importation of any goods 
from your county, unless you immed 
ately prevent narcotics from illegally 
leaving your countries for the 
States.” I would also hold any t 
portation company liable il it permitted. 
the transportation of n 
United States, The 
would be that it be deemed а [elon 
with the most severe possible penalties, 
for anyone to remove narcotics from a 
boat to the shore. 

HENTOFF: Isn't that like sentencing а 
pusher for what the big guys do? 

Conex: In the United States, I believe in 
vigorous prosecution of major distribu- 
tors. I also believe there is a need now 
for establishing a research facility which 
will study the possibilities of preventing 
addiction. It may be possible to deter. 
mine that certain children show a pote 
ity for turning to narcotics. I think it 
is possible to undertake a program which 
can spot these youngsters, and to help 


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them with their problems at that time. 

pe. wivick: That kind of prediction has 
never worked, even in something as gross 
as the prediction of juvenile delinquency. 
COHEN: You know more about this sub- 
ject than anyone Ive ever met yet 
you're being negativistic about it. It has 
to be don 
ок. 


мімск: If I sound negative about 
specific proposals, it’s because no single 
program for the elimination of an illness 
as complex as drug addiction — which 
carries so much emotional freight in the 
community — can solve the problem. We 
need cooperative interdlisciplinary те 
search and action, more local community 
participation, training the various heal- 
ing professions in the techniques of 
dealing with addicts, regional treatment 
facilities, demonstration centers, and a 
thorough and vigorous post-treatment re- 
habilitation program, which would cer- 
tainly appear to be among the minimum 
requirements for an attempt to come to 
terms with this problem. The addict 
should be viewed as a sick person with a 
chronic disease which requires almost 
emergency action. 

N. ADDERLEY: I have the final solution. И 
you want to cut out all of the narcoties 
addiction and the whole problem, then 
let's don't be lenient on anybody. Take 
all the junkies, all the pushers, all the 
crooks, and throw them all in jail, and 
there'll be no narcotics problem at all. 
HENTOFF: What do you suppose we'll all 
be on next? 

N. ADDERLEY: Then we'll all start taking 
ng else, like - Then they'll 
outlaw grass. Nobody will have a lawn! 
тлувоу: What you mean is, some peo 
ple in society will always look for a new 
kick, for a new escape, from the cares 
and the stresses of society. And if it isn’t 
narcotics, it will be something else. You 
can't solve the problems of а complex 
society like ous with Jone, you've 
got to mix in understanding and help for 
those among us who are a little weaker 
than the rest, a little more apt to crack 
under the pressures of a fast-moving 
modern world. The jazz musician, like 
any creative artist, is apt to be a little 
more yulnerable to these pressures than 
someone less sensitive and more satisfied 
with conformity, but the publ 
the majority of jazzmen being involved 
with drugs is simply untrue. Where it 
does exist, however, the situation is con 
fused and worsened by official ignorance, 
prejudice and corruption at both the fed. 
eral and local levels, with the result that 
narcotics addiction in this country is 
treated as а crime, when it should be 
handled as а medical problem. A disturb- 
ing state of affairs, certainly, but one that 
may, in time, be cleared up by precisely 
the kind of open discussion that you 
gentlemen have participated in today. 


Thank you. 


sometl 


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BAR BETS 


not the sure thing 
you g for you ша 
bar bet. A good many people will cor- 
rectly identify the one cigarette, though 
the odds are in your favor, so you may 
that part of the 


Put down six similar coins on the bar, 
like this: 


The problem is to arrange them in a 
rfect hexagon, like this: 


and the rules are: (1) move one coin at 
a time, without knocking any other coin 
out of position; (2) slide it — don't lift it 
olf the bar; (8) іп its new position, the 
moved coin must touch two others; (4) 
make the hesagon in three such moves. 
Now bet him that, even affer you dem- 
onstrate how it is done, he can't do it 
within three n tes. He must have a 
low opinion of himself if he doesn't 
take you up. In your demonstration, 
don't move the сої 


directly to its new 
position —circle it d the others 
first, to confuse him. And when you set 
it up for him to t inal 
arrangement to look 


rou 


same pattern, and it has the 
n. In case you'd like to 
tinker with it yoursell, here's the solu- 
ti 


iven arra 


irst move (1) 


(continued from page 98) 


Second, 


с. he should be 
— which is just the frame 
d in which you want him for the 
next bet. “Here,” you say, “ГИ give you 
a chance to recoup very quickly." You 
take a dollar bill from your pocket, 
Пацен it, hold it by one end between 
thumb and index finger of your left hand. 
Hold the thumb and index finger of 
your right hand on cither side of the 
bill, ready to grab it. Release your hold 
with the left hand and, as the bill begins 
10 drop, catch it in the extended thumb 
and finger of your right hand, like so: 


ripe Гог rev 


of n 


asiest thing in the world,” you say as 
you do it a few times. Now you offer to 
let him catch any number of dollars 
dropped between his fingers by you in 
the sume manner, telling him he can 
keep cach one he catches but will owe 
two for each one that flo: 
between his fingers, when you rel 
before he can grab it. Only stipula 
is that his thumb and index finger must 
be opposite the portrait on the bill, ог 


you 


above и. The 


aple neurological fact 
is that he's bound to miss: it takes 
longer for the nerve impulse to go from 
brain to fingers than for the bill to drop 
between them. An additional edge 
that your gull will have had at least one 
drink to slow his reflexes. 

A third category of bar bets involves 
propositions so obviously unlikely th 
when you bet you сап do them, your 
friend swiftly bets that you can't 
relatively simple example is to make 
cross with four wooden matches that 
looks like this: 


Note carefully the way they meet in the 
middle. You bet you can make a perfect 
square with them by moving only one 
match. He has probably not m 
carefully Ше way they meet, and the het 
is on. So you slide match A out à tenth 
ofan so, and there's your squar 
right in the middle, formed by the ends 
of the matches which had previously 
been against each other. Small, to be 
sure, but a square nevertheless. 

A bet similar in conception is thi 
put two quarters touching on the bar, 
display a penny, and declare that vou will. 


ЧЇ so 


ich ог 


put it flat down between them without 
touching quarter A, moving quarter B, 
blowing on them, or upsetting the bar. 


Alter the stakes have been agreed. upo 
you hold B firmly down with one finer 
nd slide the penny hard along the bar 
to hit it, Quarter A, untouched by any- 
thing that wasn’t touching it al 
flics away to leave room for the penny. 


nearest to the date of a coin 
plain to him gently that he will have 
опе guess and you will have two, but to 
compensate for this he can pick the odds. 
Don't let him have more than five to 
one, but make а point of doing him the 
favor of let guess first, since 
your success depends on his doing so. 


If he says “1950,” you, of course, say 
"1949" and “1951.” Odds in your 
are about twelve to onc. 

You can almost always get a bet with 
odds out of this one. Put two paper 
clips on a dollar bill folded in this 
fashion: 


(Turn upside down before pulling.) 
Det that you can pull out the ends of 
the bill with such dexterity that, no 
matter how high you hold the bill, when 
the paper clips drop to the bar. they 
will come to rest touching cach other. 
Results guaranteed — since the clips will 
be interlocked! 

The next on 


s also а sure-fire winner, 


aller hook at one 
bend it to close with the straight 


pan liki 


— —— 


Now break off а half-inch piece of a 
flat wooden toothpick, from the wide 
end. Hang the paper dip over it and 
ask your victim to hold it as illustrated. 


Tell him you are going to flick 
that it whirls around several times; 
you are going to flick it just hard спо 
so that when it stops be poin 

up. not dangling down. Needless to 
you want pretty good odds on this one 


Actually, the odds are about thirty to 
one that it will do what you want it to. 

The last category of bets involves those 
you'll lose, but come out ahead in the 
losing. One such bet is to borrow a dol- 
lar of his, take a dollar of your own, 
and, holding them up, state, “ГИ bet 
you a nickel you won't pay me $1.50 for 
what I have in шу hand — and you have 
to make up your mind right ашау, in 
the next five seconds." If he won't buy 
he won't, and you give him back his 
dollar. But very likely he will, so you 


dime you can drink it without touching 
ng his hat. So you up the hat 
and down the drink and pay the dime. 
This, of comse, i iation on the 
old dodge of bet girl a dime or a 
depending on her looks and your 
t you can kiss her without 
at all. In fact, this one is 
t maybe the modern young 
1, who has 

ng career 


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never bothered her head with such 
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130 


Hollywood (continued from page 57) 


Lionel Barrymore, who directed. my 
second. murder offering, was one of Hol- 
lywood's unusuals. He was a firstrate 
mind trapped in his talent as an actor. 

was among the first anti-Hollywood 
sneers I heard. To wit — his favorite pet 
was a vulture whom he had nursed and 
fed since its nestling days. If 1 remember 
correctly, he called the bird McGillicudy. 
Lying sick one day, Lionel looked out of 
his bedroom window and behcld McGil- 
licudy whee ad hovering above the 
house. 


“Look at that ungrateful sonofabitch, 
Lionel wheezed —he had pneumoi 
"happily waiting for me to croak. After 
all we've been to cach other. There's a 
symbol of Hollywood for you." 
Skipping to another hearse, it was 
drink, chiefly, that landed agent Myron 
Selznick in his. But before the organ 
played for Myron, he took a large bite 
out of cinema town, and not for himself 
alone. He ran our salaries up from a 
hundred to а thousand percent. Neither 
greed nor philanthropy drove him. The 


Schencks, Mayers, Goldwyns, et al., had 
tumbled his father, the puissant Louis 
Selznick, from his high moviemaking 
perch. Myron was out to avenge the 
deed. He dedicated himself to looting 
the enemy's cash boxes. He was the only 
ten-percenter I've known who stood 
four-square beside the artist against the 
boss. 

In this long ago, Walter Wanger and 
I were sitting in a nightclub watchin 
the floorshow, headed by Jimmy Di 
rante. “Jimmy would be marvelous in 
the movies,” said Walter. п you write 
him into the script by Wednesday?” 

The script was Roadhouse Nights. On. 
Wednesday morning, Durante made his 
debut in it as а movie actor. Helen 
Morgan was the other star. Hobert Hen- 
ley was the director. Henley and Morgan 
are out of play. Henley was а handsome 
fellow who had shown some talent in the 
ns. The talkies embittered him. I 
think hc dicd out of irritation at hearing 
actors talk. 

Miss Morgan was a chorus girl who 
had parlayed a talent for drinking into 


stardom. Liquor hoarsened her voice, 
gave her a mysterious sound and in- 


tty girl. George Jessel w 
conquests. She was 
night, charging neglect апа possib! 
v. Jessel interrupted and pointed 
T of men's shoes, three sizes larger 
n his own, lying under the bed 
For God's sake," cried Jessel, “whose 
shoes are those? 

"Don't try to change the subject," said 
Miss Morgan. 

I wrote a slew of movies under the 
M batons of Louis Mayer, Irving 
Iberg, Harry Rapp. Bernard Hyman. 
Sam Zimbalist and Paul Bern. АП dead. 

Jack Conway, who directed Viva Villa!; 
Wallace Beery, who starred in it; Victor 
Fleming, who directed Gone with the 
Wind, of which I wrote the first nine 
reels in a week; Thomas Van Dyke, who 
directed Му a Wonderful World; Victor 
and Frank Morgan, 
emoted in Let Freedom Ring — these are 
in the collaborator hearses Г count. 

Gene Fowler and 1 hatched an opus 
for W. C. Fields and Marie Dressler 
called Farike, the Guest Artist. We also 
toiled with director John Stahl on a 
thing called (I think) Back Street. Felix 
Bressart performed in Comrade X, which 
I concocted with Charles Lederer. Jack 
Gilbert starred with Garbo in Queen 
Christina, another chore shared w 
Fowler. I “did” Design for Living м 
Ernst Lubitsch; worked on a Jean Har 
low saga with Paul Bern, and plotted 
frequently with Edmund Goulding. 

Also Lydia for Alexander Korda; Con- 
vict Lake, in which Ethel Barrymore 
starred; Foreign Correspondent, that 
held what was perhaps the best perform- 


who 


ance of Albert Basserman. Г ploued 
The Shop Around the Gorner with 
Lubitsch. Margaret Sullavan starred in it 

OF these names, Lederer — а hardy fel- 
low — is still on the census-taker's rolls. 
The rest are underground. 

Ethel Barrymore stood for a dying tra- 
dition in Hollywood — the tradition that 
you had to be a good actress before you 
could become а movie маг. Margaret 
Sullavan was another member of that 
ing Maggie, with her light 
its brightest. 

There were two Alex Kordas — the 
clegant gent of London society and the 
slippery dealmaker of Hollywood. I knew 
the latter. We admired cach other, he 
because he felt certain he could chea 
me: I because 1 never minded bei 
cheated in Hollywood, particularly by 
lite This was because 1 
ways felt I was being five or ten times 
overpaid for the easy chores 1 did. It's 
difficult to get outraged with the boss 
who pays you thirty thousand instead of 
sixty for two weeks’ work 

Louis Mayer stuck it out for quite а 
time. He might have lived forever had 
“they” let him sit on his Metro throne 
and fan the air with incomprehensible 
pronouncements 

He once said to me, about a Spencer 
Tracy movie that I had been called in 
to salvage after a disastrous prev 
"Here's what I want you to do to this 
picture. Watch me closely.” It was one 
AM, in his Kubla Khan office at Мепо. 
He rose, walked gingerly to the grand 
iano at the other end of his domain, 
picked up a small silver vase containing 
a single rose and moved it to his desk 

"You see," said Mayer, "what I have 
done. I have brought that flower from 
darkness into the light. Thats what I 
. Exactly 


tradition — smi 


snuffing out 


е fellows. 


want you to do to this pictur 
what I have shown you.” Tears filled 
his че: Ve can ай go home now," һе 
. "I think I have solved our prob- 


Ey 
Mayer was not only a gifted double 


talker but a man of ceric power. He gave. 
And he wok away. If he didn't seem to 
make much sense, neither, Im sure, docs 
the Grand Lama of Tibet. He, Louis, 
was a force. Nevertheless, “they” kicked 
him off his throne, and into his hearse. 

L. B. Mayer was not of the Hollywood 
royal handful whom only death could 
demote. Louis, for all his royal purple, 
was a hired hand, like the rest of us. 

In Hollywood, only puppet kings 
reign. A handful of vaguely known lead. 
ing stockholders do the crowning and 
uncrowning, There are a few notable ex- 
ceptions in my hearses — Harry Warner 
and Harry Cohn. I'll save Cohn for later 

About Warner— he was a naive and 
stubborn old boy. Although he went to 
his studio every day for forty years and 
more, he knew less about movies than 
the Abominable Snowman of the Hima 
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he had one charming side: he thought 
everybody he saw was rich and happy 

Just what this movie king did in Holly 
wood I never knew, except once. He 
FBI 
тип out of town for my a 
pro-Palestine propagandist. I was whoop 
ing it up for the Irgun, who were known 
is the Terrorists. А few years later, he 
beamed on me as a luncheon companion 
in his commissary. Either he thought 1 
had reformed ог. more likely, he never 
was quite certain I existed. 

Irving Thalbe 


summoned the nts to have me 


tivities as a 


was not а force buy 


at 
unlettered, Irvi 


lent. A frail fellow, lange eyed. naive 
« could plor like Рита 
ind Dickens. The town produced only 
two other such Roman candles, David O. 
Selznick and Darryl Zanuck 

After h guided MGM into exist 
ence almost singlehanded, Thalberg took 
а first holiday in ten years, He went to 
Europe. When he returned to Metro, he 
found that he had been deposed as thc 
magician realm. А 
months later he caught а cold and died 

Paul Bern, remembered for having 
committed suicide as the impotent bride 
groom of Jean Harlow, the great cinema 
Sexpot, did по such thing. His suicide 
note, hinting that he was sexually incom: 
petent and had therefore “ended the 
comedy," was a forgery. Studio officials 
round his 
lead body, that it was better to have 
Paul dead as a suicide Шап as the mur 
der victim of another woman. It would 
be less a black eve for their biggest mov 
iemakins heroine, La Belle Harlow. Jt 
might crimp her box-olfice allure to have 
her bizoned as a 
hold her husband. It was a delicate point 


ruler of the few 


conference 


decided, sitting 


wife who couldn't 
only to the front 
ns of 3 eat studio. The 
weird details of this "suicide whitewash” 
we in the keeping today of director 
Henry Hathaway, who was Раш Bern's 


is clea 


of the sort th. 


Harlow’s death was also an odd one. 
She had һай polio when irl of four 
teen, and had recovered from the dis 
but it impaired her cough reflex- 


vase, 


able 
drained 


She маза 


to cough up anythin 


foreign that her syste 
While working fected 
tooth dripped its poison into her body 
She died from it. 

Miss Harlow was the first big sexsvm- 
bol of the talkies. Her platinum blonde 
coiffure launched the hair dyeing indus- 
uy in the U.S. She also brought the fe- 
male bosom back into vogue. Jean took 
her fame seriously. She wore no brassiere 
under а white өшіп blouse. Before mak- 
ing a public appearance, she would rub 
ice on her nipples to improve her ap 
pearance. 

Wallace Весту. а Metro Salvini, w 
one of the few actors with whom I ever 
quarreled. It was on the Viva Villa! set. 
He was acting Pancho in a German accent. 


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ack Conway, the Villa director, was 
one of the best of the town's unsung 
talents, like his friends Victor Fleming 
and “Woody” Van Dyke. Unlike today’s 
directorial marvels, they were long on 
cnt and shy on publicity handouts. 
fornicating, gambling were 
diversions. They scorned press 
nd found their fame in their 
salary checks and in the eyes of their 
own kind. Oddl n't what they 
were after, no more n were Sam 
Zimbalist, Bernie Hyman, Irving Thal- 
berg and the others of that gone: to. rest 
galaxy. Moviemaking was end in it- 
self. Everything else, including marriage, 
nfidelity, riches, headlines, was second- 
ary. They "made" movies in restaurants, 
dinner parties, in swimming pools, in 
bed, in bathrooms, on love hegiras, hunt- 
ing trips, in theatre lobbies and in Doc- 
tor Menninger's Clinic for the Disturbed. 

Most of them were fun to work for or 
with. One of the exceptions was Cecil В. 
De Mille. Agent Fefe Ferry, also in my 
rses, had sold me to De Mille to work 
оп а circus могу he was preparing, The 
Greatest Show on Earth. 1 was employed 
for three weeks. My work consisted of 
sitting in De lle's оћсе five hours а 
day and listening to him talk. He said 
nothing that made any sense. He seemed 
like some excited child amazingly mis- 
informed on all subjects. I'm sure he 
thought the world was flat and that the 
sun circled the earth. 

At the end of my third weel 
my long silence. 

1 was once an 
1 did a trapeze si 
Castello Shows." 

I'm not interested in that side of 
you,” De Mille answered. "What I want 
is a writer.” 

Fefe called me the next morning with 
the news that 1 was "off the picture. 

Ernst Lubitsch was another problem- 
boss to work for. He put a dozen writers 
into the hospital. Knowing his record, I 
avoided working with him for years. I 
finally took а job with him that I was 
sure суеп Lubitsch couldn't make diffi- 
cult It was to write a screenplay for 
әсі Coward's Design for Living. It was 
а comedy, full of correct plot turns, 
bright characters and good jokes. It 
would be child's play to chop it down to 
movie length and throw in a few “ex- 
scenes to add a look of action. 
d this fellow Coward, 
we sat down to wor 
- “He writes like a 
ked up 
George Jean 
han, who was conducting a pogrom 
ainst Noel. "I don't want to use a sin- 
пс, ог scene, or character, or what- 
ever he has in that lousy play 
in a broad Viennese accent which Ernst 


I broke 


robat in a circus," I 
gle in the Harry 


said Lubitsch, 
in my Nyack he 
cheap vaudevillian. 


made him stand out thinker. "So T 


ant you to write me everything brand 
new. And ve vill show up this Mister 
Coward for vot he iss — a nobody." 

I learned later that Coward had 
sulted Lubitsch by refusing to sce the 
great director when he came calling 
backstage. 

One of my biggest Hollywood victories 
is that 1 didn’t go to the hospital writing 
the Design for Living script. Lubitsch 
went. I had figured out a way to confuse 
him. | always handed him four or five 
versions of each scene, Having to tear 
into these sapped his strength. He 


sn 4 off to the Harkness Pavilion, pre- 
tending he had the flu. V he was 
laid up. I finished the scenario. Та 


struck a blow for Coward. I stuck а num- 
ber of his bright lines from Hay Fever 
and The Vortex into the script. 

Jack Gilbert was knocked off by the 
talkies. They broke his heart, because he 
couldn't talk. Не lingered in seve! 
palaces for a few rs, collecting his ten 
thousand dollars a week, and suffering. 
He threw thousand-dollar bills at whores, 
waitresses, scrubladies, at almost апу 
female who smiled at him between his 
suicide tries. 

Jack Conway had “invented” Gilbe 
He had pulled him out of the extra 
ranks and made him а маг. Whe 
Conway started slipping as a Metro 
topnotcher, Gilbert was at his own gli 


“Sometimes, 


Madge, I wonder if you really care . . . 


tering peak and intended to stay there 
“If you'll play in my next picture, 
Conway said to him, “it will restore Mr. 
Mayer's confidence à 
"I couldn't, possibly, 


n me. 


Gilbert ап 


swered. “I need a top director." 
Conway, who could fist fight wo С 


berts with one hand, contented himself 
with a phrase. “Ungrateful pup." he 

aid, and walked away. A few years later, 
Gilbert and Conway both died, alter 
lying around heartbroken as movie dis- 
cards. 

Vic Fleming and Van Dyke had the 
atisfaction of dying before they were 
booted out of glory-sezts. 

Fleming w ll. handsom 
with fine muscles. He had some Indis 
blood in him, and a lot of poetry. And 
he was five times more sexually attrac- 
tive to women than any of the Gables 

nd Tracys he directed. I remember him 

once at lunch at the writers’ and d 
tors’ table in the Metro commi 
There were a score of highsalaricd 
geniuses оп hand. The topic under 
cussion was, "how many great lays have 
you known?" A half-dozen se ined 
experts had had their say. They had 
offered figures from fifteen to forty-five 

Come Fleming's turn, he said, “I've 
only known one good sexual female type 
— ihe woman I love and am married to." 

Van руі the fastest of the di 


le 


133 


PLAYBOY 


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tors in the Metro geniusstables. He 
could shoot a reel of film while such 
colleagues as Willie Wyler and George 
Cukor were still trying to get а prop- 
erly spoken single speech out of an actor. 

Jimny Stewart once asked permission 
to leave a Van Dyke set. “I have to go 
to the bathroom,” he said. “Go ahead,” 
Woody said, "we'll shoot around you.” 

Our picture Farike. the Guest. Атим 
didn't get made for two reasons — Dr 
ler and Fields died. Fields was Fowler's 
favorite selbdestroycr. Мо man ever 
worked so patiently at wrecking his soul 
and body as did this prince of comedians. 
A Mississippi of gin stuiced through him 
in his declining year 

Fowler visited his ailing crony shortly 
hefore his death. He found Fields sitt 
in the garden reading the Holy Bibl 
“Im looking for loopholes,” Bill ex- 
plained, shyly. 

А last look at the old Metro salt mines 
before I resume counting more hearses. 
Fowler and Г were a “writing team” in 
the Selznick unit. Boss David's office was 


He insisted Gene and I have 


downstair 
a secretary, 
had. We were 
David that we were sensitive about 
women and didn't like to sce them en 
slaved. Selznick was adamant. And thus 
Bunny appeared. She was our secretary, 
but she quickly became a Metro high- 
light. 

Casting director Ben Piaza had pro. 
duced her for us. We had assigned him 
to find the most voluptuous, non-intel- 
lectual blonde in the спи world. 

Bunny was all that. We then costumed 
her, removing her brassiere and lingerie 
and wedging her into а skinüight. rcd. 
satin ball gown, with practically no 
bodice. We put a vase containing two 
dozen Americ uty roses at her 
dimpled elbow. 

We also redecorated our office, Пий 
it out like а fine brothel 
over the window, erotic picture 
walls, and drenched it cach 
with perfume 

Bunny couldn't type or answer the 
phone. She sat in lovely silence reading 
movie fan magazines. skipping all the 
hard words, Our office filled up м 
sightseers. Producers, directors, writers, 
actors. choked the antcroom Гог 
glimpse of our secretary, With the studio 
stages, dressing rooms and offices teem 
ith sirens, our Bunny was the only 
girl in town. Under instruction, she 
spoke to none of the pilgrims. We asked 
only one service of her which she per- 
formed with fine efficiency, At four 
o'clock each afternoon. she arose from 
her chair and moved languidly down the 
stairs to boss Sclznick's office. Arriving at 
its side door, she pressed the secret but- 
ton that opened it, and addressed our 
harassed chief. 

“Mr. Fowler and Mr. Hecht would 
like to know what time it is, Mr. Selz- 


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136 


nick, if you don't mind,” she said. We 
1 written her dialog, 

Bunny ended a bit mysteriously. Lou 
Mayer, in his robes of state, came to our 
office to listen to a reading of the movie 
nd I had written. I did the read- 


ny sat аг my side, holding a 


mood. 

At the ading, Mayer said, 
“A very interesting story you have there. 
1 appreciate your reading it to me.” His 
се was kindly but his voice was аЬ 
ted. Mayer left. And зо did Bunny, 
being way past her bedtime. And tha 
as the last we saw of Bunny. 

1 don't understand the association, but 
another Louis Mayer incident comes 
here to mind. It was the day before 
Christmas. There was a tradition at 
Metro that at three o'clock on this day 
aM ше MGM males тап ош of their 
offices and grabbed and kissed all the 
females who had the temerity to show 
themselves. The corridors be Il of 
squeals and mating cries. 

as escorting Helen Hayes back to 
Metro dressing-room when this pre- 


holiday whoop-dedo erupted. A score of 
moviemakers came galumphing out of 


of them espied Miss Hayes and a foot 
засе developed between Louis Mayer 
and Charlie Lederer. М 
ed the astounded Hele 
up on Metro traditions) and kissed her, 
hammer and tongs, Helen responded 
oddly to the great man's caress, She sank 
her teeth into his neck and drew blood 
and a roar of pain out of the wounded 
kissing bug. 

To my hearses again, carry’ 
my moviemaking coll: 
Pichel, who directed The Miracle of the 


ng off 
horators — Irving 


Bells: Gregg Toland, who photographed 
Wuthering Heights; Charles Vidor, who 


directed Farewell to Arms; Leo Spitz, 
who produced Gunga Din; Don Hart- 
man, who presided over Roman Holiday. 
And hn, under whose fe-fifo- 
Tum banner I wrote, directed and pro- 
duced one of my favorite scripts, Angels 
Over Broadway. 

Cohn was the most unloved of the 
Hollywood grand sul 
large crowd attended his funeral services. 
Sam Goldwyn explained the phenom- 
enon with the now classical utterance, 
“Everybody wanted to make sure he was 
dead." Bosley Crowther, in his book 
Hollywood Rajah, quotes Sam for this 
comment on L. B. Mayer's funeral. Hav- 
ing heard Goldwyn make the observa- 
tion in his home on the evening of 
Сойиз burial, 1 correct Мг. Crowther. 
Оп secon ht. Sam wasn't above 
ood joke twice. 
despite the rages he inspired, 
ble man. There was a straight- 
Forwardness and simplicity to his skuldug- 


Series, He put up no hypocritical front 
of being a gentle 
the rest of his co potentates. He was 
descended from the little boy who liked 
to pull wings off flics, and 
off a spider. But he bore 
1 will. Malice was unknown to him. Не 
loved life, which was moviemakin: 
he diverted himself by ontwitting the 
greeds and crooked ambitions of all who 
me smirking into his office thi 
they could make а monkey out of him. 
rry’s version of all callers 
nd employees at his Columbia Pictures 
Studio. 
The са 


ns no 


ману rate at Columbia Studios 
was rather high. It was Harry's closest 
friends who seemed to go first. Among 
them was another collaborator of mine, 
Henry Sylvers, He produced Her Hus- 
band's Affairs, in which Lucille Ball got 
all the laughs. Lederer and 1 had writ- 
ten all the jokes for the male lead, played 
by Franchot Tone, but a Phi Beta Kappa 
key (Franchot is the only movie actor 
who sports one) is no match for a 
comedienne. 

An incident that illumines Mr. Cohn's 

odd likableness, in the midst of his dep- 
redations, is the Marilyn Monroe inci- 
dent. Miss Monroe was not yet out of 
her chrysalis. Disasters and defeats were 
her. She had weathered о. 
ly un 
by Twentieth Century-Fox 
nd dropped from its bit player payroll. 
Nearly every time she managed to get an 
audition for a small part, the thing 
ended іп а hundred-yard dash or а 
wrestling match. Marilyn, a sturdy young 
їп, always won these events, but not 
the parts. 

Suddenly hope filled the fine Monroe 
bosom 2; Her friend Joe Schenck 
had persuaded Harry Cohn to put her 
оп the Columbia payroll and try to use 
her in some small part. Two wecks later, 
а call came from Columbia Casting. Mr. 
ry Cohn wished to sce Miss Monroe, 
mally. 


promisin 


p Marilyn 
entered the Cohn lair. F merged in 


silence from behind НЕ 


"How d'you like that” Harry aski 
lyn looked at the picture of a 
-five-foot cabin cruiser. 

beautiful bo: Miss 


Monroe. 


“How would you like to come with me 


Monday mornin; 
"I would love to join you 
Cohn on a cruise," said M. 


Cohn's face filled with 
“Who said апу Mrs, 
Cohn?" he cried. "How dar br 


up her name! That's the goddamnedest 
presumptuous thing 1 ever heard. Who 
do you think you are, I should invite you 


trip with my wife. Get out of here, 
b blonde and learn some man- 


» Monroe paused i 
door and said, a little 
hope you invite me a 


the opened 
Musedly, “1 
ain sometime, Mr, 


was too much for the t movie 
chieftain. 


“You's 


ed," he с 


4. "And don't 


ever come in this studio адай 
Miss Monroe walked out in silence. 
With h walked some fifty million dol- 


lars worth of grosses-to-be. 

Here's 
movies I wrote who are underground — 
fist, II Jolson, who played Hallelujah, 
I'm а Bum. In taking me to meet Jolson 
in Miami thirty years ago, George Jessel 


nother bevy of performers i 


names of any singe 
fact, to be on the safe side, don't mention 
anybody who's iu show business, in what- 
ever capacity. Even if he's selling um. 
brellas in the lobby. This will ensure а 
sociable pinochle game." 
And Tyrone Power and 


ird Cregar, 
an; Carole 
ad Walter Connolly, who 
«а in Nothing Sacred: Ronald Col- 
n, who played in The Unholy Ga 
den; Robert Benchley, who was in For 
eign Correspondent; Michael Chekov, 
who played in Spellbound and Specter 
of the Rose; Mario Lanza, who didn't 
get to play in the picture I wrote for him 
a few months before he died. And the 
best of them, John Barrymore, who 
played in Topaze and Twentieth Cen- 
ішу. 

Theres no reason to exclude Alex- 
ander Woollcott and Alice Duer. Miller 
from my cortege. They weren't actors 
quite, but they played in The Scoundrel. 
And there was Fuller Mellish, who died 
on the set of Crime Without Passion. 
And others with whom I plotted stories 
that were never finished, among them 
Humphrey Bogart, Walter Huston, John 
Garfield. 

Barrymore was the best of the crop 
not because of his acting. He was a great 
actor, but behind hi: sa mania 
cal lust for life, a dedicated. explorer's 
interest іп sex. 

Tliked 
his wit. He had not the sli 
himself as а man of success or talent. 
Publicity bored him. Fame w 
bawd he ever despised. He h: 
in politics, wars, economic syste 
ple, and. people alone, fascinated 1 
And the sound of bright words and bull's- 
суе epithets, He lived a sort of headlong 
love affair with life. Its greatest events 
were а woman's arms or a fr 
radeship. 

The wit I liked in him wa 
rueful. Lovers are seldom very mirthful 
І remember once attending а 


who played in The Black 5 
Lombard 


pl 


n most for his vagueness and 


ием. idea of 


“That could be you and те, Miss Lindquist!” 


137 


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been forbidden to drink. His doctors and 
his friends had all convinced him that 
liquor was fatal 

Barrymore was on Ше wagon and to 
ensure his staying there for a bit we had 
hired а powerful athlete to be his body- 
птушоге sat at the table, the 
1d on the alert beside him. and 
and an empty highball glass, Fac 
g us was а young woman who was 
downing drink after drink. Ва 
watched her with envy and admiration. 
A parched look gathered on his face. 
Suddenly, the voung woman arose, a 
little unsteadily, and looked around, evi 
dently for the bathroom. 

Barrymore held out the empty high 
amd coocd 
in here!" 


rymore 


ss he was holdin 
In here, my darlin 

There are more һе th the finest 
оГ passengers. ald, with 
whom 1 first stormed the town in its si 
lent era. Fitzgerald was doomed from his 
first pay check. Hollywood terrified him. 
"God save us,” he said one night, "it's 
idsi of à bank rob- 
suid to me 


in this tow 
а onto his u 

And Herman nkiewicz who first 
whistled into Hollywood. When 
an died, half the wit of Hollywood 
еа. Good Lord, with Ман 


«апда the town? Herma 
h of moviedom. He cr 
wilderness of its phonies. and 
s winced and roared with 
hier simultaneously. For Herman 
was always twice as funny as he 
He hit out with jokes, What w 
Hennan's wit like? Here is a 
tence of it. 

Metro had offered a prize of five thou- 
sand dollars to anyone in its employ for 
the best slogan to increase а dwindling 
attendance in the movie theatres of the 
land. Herman submitted а thought, 
Show the movies in the streets and drive 
them into the theatres.” 


There are two composers in my line 
of hi Antheil and George 
Gershwin. Antheil wrote the music lor 
the pictures І did on my own, includi 
the last one, Actors and Sin, in wl 
my young daughter, Jenny, starred with 
каше Albert. 

Antheil was not only a composer, he 
genius. He was an expert in 
. psyche paintin 
and literature. He worked never less 
an twelve hours a day, slept almost not 
1, and remained until his death as 
a child. 

The other George — Gershwin — wrote 
ihe music lor my only musicalshow. 
script, The Goldwyn Follies. 1 remember 
him at the piano, pensive, pink checked, 
black-haired, with a shy, archaic look. 
He spent the last few months of his life 
опа psychoanalyst's couch tryi 


rses, Geo 


was also 


endocrinol 


5 


t 
mei 


himself out of а brain tumor 
diagnosed. 

What a Mardi Gras of names. rides 
away in these hearses — the sprightly 
poet Samuel Holfenstein. who wore a 
monocle and preferred to talk with a 
heavy Irish accent. And what they did 
to this deft and genteel troubadour in 
our celluloid jungle! And Constance 
Collier and Fanny Brice, whose Holly- 
wood roosts were oases of friendship and 
loyalty; Errol Flynn, Roland Young, C. 
Aubrey Smith, Lewis Stone, Robert 
Walker, Jimmie Dean—and Dr. Sam 
Hershfeld, whose grin and good counsel 
kept half the town from commiting 
Бата КИТ on the bosses’ doorsteps 

In the last wagon, my friend and col- 
laborator, Charles MacArthur, In Holly- 
wood's most glamorous days, Charlie was 
a hefty portion of its glamor. He toiled 
and capered and filled the town with an 
air of wit and adventure. Men and 
women, including his bosses, Thalberg | MRE 
among them, followed him like the | анан 
Pied Piper. d 

We wrote u dozen movies together. | | ПП 


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And would have kept on writing to 
gether, except that Charlie exploded. As 
Fitzgerald, Hoffenstein, Benchley and 
many others did. They were not meant 
for the roughhouse esthetics of Holly- 
wood. They never learned the trick of 
nitwit bosses 


leclinz no pain when 
kicked their dialog in the belly and 
mangled their plot turns 

Thats my lite parade of the dead 
ones. Г offer them as а possible explin 
tion of whats wrong with Hollywood. 


They are gone. 
New geniuses have muscled in to re 
place them. New producers, stars, direc 


tors, writers, fill the empty shoes. They 
have the look to me of a second team 
taking over. Not that there is less talent 
in them, less know-how, or even less ego. 
But there is small mania in ther 
The mania that kept the first and sec 
ond flowering of moviemakers working 
till they dropped; that turned every din 
ner party, drinking bout and love hi 
into а story conference; that 
hoot for politics, patriotism. global dis 
turbances or anything else оп earth ex 
cept the making of a knockout movie: 
the mania that believed in movies as il 
God had sent them: that put the movies 
unblushingly beside Shakespeare, Shaw 
Dostoievsky and Euripides; that regarded 
New York, Paris and London ay bour 
geoise suburbs of Hollywood: the n 
that buttonholed a billion of the earth's 
inhabitants and held them spellbound 
with the zaniest, goriest and most swivel 
headed swarm of humpry.dumpty fables 
ever loosed on mankind — that mania is 
almost gone out of today's moviem: 
ГИ not go into what has taken its 
place. Those who rode olf in my hearses 
took most of Hollywood with them, 


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Crazy mixedup id (continued рон pz 


wrapped superciliously in a reverent air, 
which meant her hour with Siggie had 
been “meaningful.” And that meant I 
could expect а hard time this evening. 

She confirmed ту suspicion. When 1 
went to her, she gave me a cold cheek 
instead of warm lips. 

“Has Alice 
asked wearily. 


gi" she 


gone ahu 


1 nodded. 


il. "I couldn't stand 
id tonight. Alice and 
goddamn positive thinking 
Siggie give vou a haid time, swe 
How often must I ask you not to 
call him that?" 
le should be honored. Thats the 
ister's given name,” I said. “What the 
IL is his name, anyway? No, don't tell 
ше. 1 won't remember. 1 nı 
mental block.” 
“Don't be juvenile! 
You've promoted me. Last week you 
called me infantile 
I could sec this was going over 1 
ap lettuc 
round her waist, friendly lik 
ией down the pass. 
“Don’t paw me, Freddie. Please. Have 
you no unders 


her 


o 


ike 
So I tried to slip my arm 
She 


polished off my 
struck a pose — a lovely 
crumpled-browed, brooding 


rebuffs only made my interest 
stronger. Was 1 really in love with her? 
Or was 1 ving to prove I could take 


the measure of that lousy, in-fighti 


е 58) 
at a Fire Island beach p 
pretty face, a winning su 
kid. а lithe, young, sun-bronzed body — 
filter-cigarettead girl. Now she was 
Judith Anderson in Medea. 

The metamorphosis begun when she 
started emptying her subconscious into 
sie slosh bucket. By now 1 was со 
vinced she was suffering less from her 
own vague psychic upsets than По 
psychoanalysis itself. Anyway, if 5 
wasn’t Seena' major aflliction, he 
as hell was mine. 

"He understands so mu 
she said dreamily. “Freddi 
achieve that kind of rapport 
ybe,” I said bitterly, "i 
me half a chance. As it is I'm Hing 
blind. I'm not sure what's troubling you. 
All I know is I love you. I want to marry 
es vonder why.” 


tw. she w 


ile. a carefree 


іс 


ure 


В. so deeply; 
can we ever 


you give 


you. Somet 


You're not mature ei 
“All тізім. Le 


vough for marria 
have it, 


ge. 
1 blurted 
bout me this 


t makes you think we discuss 
you? И we ever mention you, it’s because 
1 dream about you now and then. But 
even so, you're only a symbol of some- 
thing deeper, more complex." 

“Great. Tm free game. 


I sputtered. 


“You іе must have а helluy 
good t ne арап. Vin juve- 
nile, infantile, not ready fo 


Vm surprised the 
a bill” 

My 
shoved a hig 


у doesn’t send. me 


ed to soothe her. I 


— 
“I demand equal time, Senator.” 


n. and then w 
1 cory little Ital 
Ше le. 

1t was good being with her. She looked 
as beautiful as any female could with 
fettuccine buttering her lips. 1 was com- 
fortable with her. It was as if something 
within cach of us reached acrow the 
table and held hands. Precious moments. 
Here we were tied t 
of emotior pport 
yearned for, and couldn't recognize un- 
der her very позе. 

It didn't last long. This time it wa 
fault. Because an exasperating thou 
stung me: that at the next session on 
the couch, this pi very 
experience would become Si 
it to him. Her 
monolog we the way 
I ate minestrone. the price of the din- 
ner, the amount of Ше пір, and who 
knows wl һе. 

“You're such a transparent little boy 
she said. sipping chianti. "ls obvious 
you're thinking of my analyst. Aren't you 
being unfair to him and me? 
you two are do- 


went out to 
n joint on. 


dinner 


мац 


would ni 


"You sound. positively paranoiac 
“Never mind the psychiatric labels. 
retorted. “You endow Sigsie wi 


human trai, and уои mı 


you, Га prefer it. Tc 
pete against а superman who 
shape you want him to.” 

"He happe n ext 
sensitive human being with 
sympathy. You could до w 
Ша 

Then I had to say what had been 
seething in my liile black brain for 
weeks: 


s to be 


me in hi 
С uy to 


Sow mold 
1 wan you. Di 


си 
image, Se 
remake me. Is a hopeless job.” 

brother,” she 


id. her voice br 
We had tears for dessert, sullen silence 
in the сар back to the apartment. 1 
despised her, pitied her, loved her. It 
would kill me to give her up. But how 
long could I go s the imperfect 
mortal ringed ist the demigod 
Seena made Siggie out to be? If only 1 
could cut him down to size 

Back ar the flat, Sc 
schmalzy Rachm 
pitino concerto came forth. Wi 
sulked through the first movement. 
‘Then, in а conciliatory move. Г pulled 
her to me и neck. 
She was d miles away for all of 
the warmth of her body ag; 
all of Rachmaninoll’s soll 
overtones 


on 


1 switched on the 
ninolf 
both 


б. and 


to me, da 
at Si 
lı scraped knees, holes 


"T exploded. 
ic was once а boy like 1 


“The 


socks, marbles in his pockets, and а 


runny nose, Не had acne in high school. 
necked with girls who had acne. too. and 
he told smutty jokes in the locker room,” 
“Stop it," she shouted. “You're horri 
ble, horrible.” 
Т would 
warmed up 


ч stop: I was just ge 


headshrinker, 1 write 
copy- ons could have been 
reversed. Seena, Think of it. | could 
n the superman with the 
ather couch, and Siggie the jerk writ 
; odes to deodorants. 
The point is he's a guy like I 
ing to make а buck, trying to get 
long. Maybe he can help vou, Г don't 
know. But for Pete's sake don't become 
а slave to him and his mumbo j à 
Seena wrenched. the hi-fi 
speaker responded with a t 
blast of Ra 


m. 


h set up a 


им my voice. 


pping tears 
amid this cacophony of deafening piano 
chords, wailing violins and stifled sobs, 
the door buzzer sounded off. 

Don't vou dare open that doo 
cried out, 1 


Se 


ірі 


ather die than let аг те in 
^ state." 

She ran ОН to the bathroom. 
buzzer continued in one long, i 
vibr: I silenced Rachr 
buzzer buzzed Тоша 

When I yanked open the door, some- 
one catapulted backwards across the 
threshold. It Alice. She would have 
gone spr iot for 
the sued, lipstic who 
itching her I 
Behind me, there w: 
Пот then зпаце! 
blind date, red to the 
Mice as a cornered shop 


ї 
u 


пе se 


was с 


nce. The 
rs dropped 
fter drops hot 


се said weakly. 


buzzer.” 

Her escort, a mid-thirtyish, ing 
y with a weak chin, seemed undecided 
Whether to bull his way gaily out of the 


predicament or to seck in the 
incinerator. 
If ever I saw embarassment personi- 


fied. it 
at last. he 


this hallway Casanova, When, 
mustered courage to lift his 
eyes. his complexion went from beets to 
chalk. He tugged at his necktie, shullled 
his fect, cleared his throat. His hands 
searched for а place to hide. It would 
have been a kindness to throw a blanket 
over him. 


I anything, < looked more agi- 
tated th did. With an angry toss of 


her head, she pivoted and strode «сер 
into the 


“Well.” 1 managed to say, unsuccess 


fully rin, "won't you 
come i 

“L think not,” the guy said stiflly, his 
face grave, his fingers scrambling for 


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cigarette, “Tt is rather late." 

Alice looked forlornly at me. Tt was 
plain she had already written 
another blind date, another 
spouse. 1 felt sorry for lu 

"Good night" the guy 
starting down the stairs. 
ишпей and said, “Tl call vou, 
But neither Alice, nor I, nor he, be 
lieved it. 

When he was gone, Alice culogized, 
"He was cute. An intellectual.” 
wh the 
You'll never see him азай 
‚ contemptible . 


to 


apart- 
п. You 


I don't 
а man on 


Alice said tearfully 
talent for Кесрін 
And she Hed i 
ıming the door. 

ing with 
nds fua 


room, sla 
Scena was quiv 
face ashen, her h 


My God, girl" I 
never saw such a fuss. D 
never necked in a h 
You're ass, she 
sobbed. ^I hate you. I hate Alice. I hate 
this stink іше, I hate myself and. 


first time she had ever 
sie. I felt the elation of 
expected proud victory when 
she said it, I was so carried away Г nearly 
forgot to duck when she flung the Freud 
volume in mv direction. 

r suddenly 1 knew. I cut through her 
incoherent outcry to the truth. I pitied 
Seena. But I was deliriously happy at 
the same time. 

I took her I 
her close while her tantrum spent itself. 
I kised her damp cheek, whispered 
“poor baby” in her ear. 

She looked up at me through her 
tears, the prettiest, sweetest tears Fd ever 
seen. My heart did а dacha she 
knew I understood. We had rapport — 
unmistakably. And that was the 
tant thing. 

"Don't you dare tell A 
said. 

Her lips were velvet. She melted. in 
my embrace. No, I would tell по one. Jt 
was enough for me to know that the 
poor blighter who had been stapled 10 
Alice was Siggie. Alice, God. bless her, 
had dipped Sisgie's w 

"Se ectie," I 
to apologize to Alic 

But there no need for that. Be- 
cause a moment later Alice c d 
from the bedroom, bedecked in a slinky, 


evening gown. 


culled hii 
sudden. 


ds from her face. I held 


"You ought 


хеше me, love birds," she out. 
“But I must ask vou. Docs the hem need 
shortening? I plan to wear this dress to- 
morrow night on a blind date. 


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SLIME GOD 


(continued from page 80) 
s: others were morc like grin- 
ning octopi with fur. АП БЕМ» had 
three things in common, however 
pair of large, saucer-like eyes (the better 
to leer with, my dear), an unaccountable 
fondness for human females, and a dex- 
terity at removing feminine apparel that 
many a terrestrial bachelor would envy. 
On some planets a girl couldn't take 
ten steps from the rocket ship without 
being in the clutches of a BEM. If she 
happened to be an expendable girl 
(ic.. not the heroine), the BEM might 
devour her on the spot afterwards 
hanging around to pick his teeth and 
menace the hero's girl. More sophisti- 
cated BEMs (or BEMs lucky enough to 
catch the heroine first lunge) had other 
designs. Standard drill for а BEM in 
such cases was to first remove апу re- 
ir shreds of clothing from thc 
struggling heroine, then drag her scrcam- 
ing toward his lair, The BEM was do- 
ing the screaming. of course: Space Girls, 
being plucky through and through, con- 
fined themselves to an occasional. hys- 
terical shriek, Meanwhile the hero fol- 
lowed in close, if bungling. pursuit. 
Lorna's first BEM is а teratological 
baroque that had been spawned by no 
sane world, а wrinkled, leathery gigan 
tic horror seven feet tall. It had three 
short, митру legs, ending in clawed 
hoofs, and a bifurcated appendage hung 
down like a tail пот the back. One of 
the heads was the size of a large melon, 
muzzle and tusks. 


with an elongated 


The other head was worse . . . a flac- 
cid, hideous snout, a single glazed eye, 


fringed by pinkish hairs. and a wrinkled 
patch of funguslike stuf) crowning the 
skull. 

Baroque or not, it knows what it 
wants. И came forward to where Lorna 
stood . . . shrieking hysterically, she 
cradled іп the monsters embrace. Tal- 
ons ripped blindly at Lorna's body, 
tearing the kirtle away in rags. 

It takes the hero little more than a 
page to dispose of both the BEM and a 
full of Martians. And. in 


space once indulge 


city outer 


in. Lon in her 
1 compulsion to put оп 
clothes. Its hard to се why. Less than 
a page later she's on Titan where. 
few feet from the ship. she encounters 
another batch of BEMs — fantastic crea- 
tures... hal as пай as а man. with 
blunt тигез, long-fingered. hands that 
seemed almost human, and tails that 
ial. They ran 
And 
instead of 


were atrophied and ves 
instead of hopping . . < 
seconds they Tunni 
hopping. alter our heroine. cold eves 
intent upon her. jaws agape. How to 
delay them? Loma isnt fazed for an 
stant. Her few days in space have 


within 
are 


ight her not only cunning but аз 
tounding пу: Swiftly the girl ripped 
open her shirt, slipped и off, still run- 
ning, let it fall to the ground. She dared 
а quick look, and exultation flamed 
within her. The monsters were pausing 
10 sniff at the discarded garment. finger- 
ing it with their anthropoid hands. But 
the dinosaurs came after her again, hiss- 
ing. Lorna slipped out of her slacks. let 
them [all from rounded hips, down the 
slim lengths of her legs... 

Could any 1960 Space Girl with 
doctorate from MIT do that while run- 
the hundred-vard Nay — 
ours has become an over-specialized age, 
Loma, meanwhile, is still sprinting and 
stripping when she collides head-on with 
а snake-man who, swinging her lightly 
under his arm, hurried into the depths 
of the forest. 

It takes the hero (who is being har- 
assed by giant tentacled serpents) some 
three pages to cuch up with her. And 
by that time her garments had 
been brutally ripped away. and the avid 
eyes of the snake-men weve intent on 
the naked beauty of her body, 

The snake-men are disposed of with 
lite difficulty by setting them on fire 
But а greater menace remains: Breath- 
ing hoarsely. Shawn held the girl. his 
mouth avid on hers. Beneath his hands 
he could feel the satiny smoothness of 
her skin. the lyric curve of her hips. His 
throat felt dust-filled (the old trouble), 
his heart was hammering in his ribs. 
Shawn's arms tightened spasmodically 
about her supple form . . ~ 

15 there no escape from the hero? 
Yes! From the cloudless purple sky 
raced a torpedo shaped ship, Sun-zolden, 
the atmosphere screaming іп its wak 
h dropped down toward the clearing. 
A porthole taped in its side, And from 
the golden ship poured — monsters! 

Soon Lorna. with no clothes left to 
discard. is being pursued at flank speed 
by mounds of flesh, shapeless, trans- 
parent. sliding like jellyfish over the 
ground. 


ning dash 


unde 


hawn, too. is running. Will the 
amocba-BEMs catch will she 
fall imo the clutches of the hero? It 
matters little: the chase is the thing. 
nd at least Torna has йу 
eluded Ше spasmodically 
arms of Space Captain. Shawn. 


her — or 


tempor 
ghen 


rators or fists long before the 
poor BEMs had a chance по complete 
their passes. Since Ше BEMs frequently 
had more brains amd personality th 


the hero, many readers resented this 
bitterly. 

БЕМ» flourished and underwent limit. 
less refinement «Іш this fruitful 


period. Witness the high degree of bio- 


logical sophistication in this BEM from 


"I hope you don't mind Umboko going along to observe your 
fire god, bwana.” 


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another story in thai sime 1938 issue of 
Marvel: 

1х Stone turned he saw a frightful 
and incredible Jorm . .. the very atoms 
of the creatures body had been insanely 
warped, and in the change had come 
sheer A huge cylindrical head 
set оп humped broad shoulders, from 
which spread great wings of thin metal. 
The monsters flesh shimmered with 
changing colors. Gigantic glowing eyes 
watched Stone, flicked past him to the 
girl . . . а taloned claw darted out, 
pulled her close. The girl’s gown was 
ripped into shreds . . . the monster’ 
face came down, nuzzling the girl's bare 
throat... 


horror. 


As important as the anatomical com. 
plexity is the motivational drive: the 


true BEM would rather nuzzle the 
heroine than battle the hero. Which 
may explain why Stone (who volun 


teered for the job) needs no more than 
his bare hands to subdue it — though 
the task takes а little time: Swash aud 
rip and tear, with sick horror mounting 
slowly within Stone. Could the thing be 
invulnerable? Could he even hurt it? 
He can and docs — and one more BEM 
dics unrequited. 

It may well be asked why Stone was 
such a chump as to get into a messy 
situation like this. And the answer 
throws much light on the grim mam 
versus BEM that marked the 
end of the Thirties. Stone, who wants 
th, is talked into 


struggle 


only 
doing the job by a girl named Marsay- 
laya. She explains that the local BEM 
is despoiling her planet and terrorizing 
her people. Stone couldn't care less. She 
resorts to threats: 

Green eyes mocked him, 


10 return to ea 


"You must 


obey me. You cannot do otherwise 
“That зо?" Stone grunted. “I don't 
see why I should fight this beast of 


yours. I owe you nothing.” . . 
The green eyes grew baleful. 
cause you great pain 
= will you obey?" 
Go to the devil,” Stone snarled . . . 
Quickly her hands went up, slipping 
the emerald-green gown from her shoul- 
ders, It rippled down past the ivory 
globes of her the flat smooth- 
ness of her stomach, the delicate con- 
tours of her thighs, to [all in a crumpled 
ring about her feet, And then Marsay- 
laya was in his arms, her breasts cush- 
ioned against his chest, her white form 
clinging lo him . . . his hands slipped 


"I can 
‚ you fool! Now 


breasts, 


down, caressing а body that was like 
flame. 
She whispered, “Will you slay the 


beast for such a reward?” 
Sanity came coldly to Stone. He said 


hoarsely, "No!" 
Not until Marsaylaya discloses that 
the BEM is alter her does Stone agre: 


to intercede. Chivalry? Hardly — in 
of Marsaylaya’s humiliating failure 


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seduce. The truth seems to be that. by 
the close of the Thirties, the unwritten 
code of Space Captains was “Separate 
the BEMs from the girls. Keep the 
ВЕМ5 from getting any girls to nuzzle 
or devour and they'll wither awa 

It was а strategy that worked only too 
well By the end of the decade only 
BEMs who had the good fortune to cap- 
ture a Pirate Queen had any hope of 
holding onto their victims. But P: 
Queens were well worth holding. Unlike 
other Space Girls Pirate Queens (the 
term is a generic one, and includes High 
Priestesses and Amazon Despots) had 
things pretty much their own way until 
slaughtered 
jealously tor 
d forcefully seduced 


tured the heroine 
the hero. 


nly struggle for his virtue 
Шу cooperated. One reason 
niform) was 
tub of 


bosoms and the dispositions of hyper- 
thyroid nymphos, which made coope: 
tion simple and mot unpleasant, The 
heroine might believe his Iimsy excuses 
about allaying the Pirate Qu 
e readers knew what he'd 


picions, but w 


1 case history, we must 
10 the teeming pages 
of Marvel Science Stories. this time the 
November 1938 number, and perhaps 
by now it is beginning to dawn on you 
it is on us that all our examples 
seem to be pouring from this single red- 
blooded periodical. Have our memories, 
then, deceived us? Were girls and slime 
pds limited to that one mag; The 
qualified ves. The covers 
of most of Ше es" science-fiction. 
pulps did indeed display the rosy flesh 
and shredded blouses we remember so 
well, but the stories within w 
spare of sexual sparkle. Blucnose 
our friend the elderly educator were 
ways judging the books by their covers, 
which was unjust, or were forever con- 
nd equating science-fiction n 
azines with sexy pulps in other 
—Dime Detective, Horror Stor. 


ence-fiction sex was only a cover come-on 
ith the formidable (and, strangely, 
ved) Marvel providing almost the 
only exceptions. It is back to Marvel, 
then, we must go, and to one Kent 
Mason — hero of The Time Trap —who 
is uying vainly to reason with а High 
Priestess named Yana. She's whisper 
“Since 1 became a priestess —1 have 
not kn 2” Suddenly her 
arms were about Mason's neck, her hot 
breath against his cheek as she strained 


n—love . 


against him. Mad torrents of passion 
seemed unleashed in the priestess. Ma- 
son (ried to free himself. The girl drew 
back. her face hardening. “Хо? Remem- 
ber — you have not freed the white girl 
yet. If 1 should summon aid 

Shrugging, Mason bent his head . . . 

the moist inferno of her mouth quick 
ened his pulses . - . the priestess was the 
hot soul of flame. 
It should not Бе inferred that Space 
Plains didn't struggle hard to pre- 
ve their virtue — some resisted to the 
ройи of idiocy. Mason. for example, has 
already twice fought off Nirvor — the 
Silver Priestess — like а silver statue, сх- 
quisitely moulded . . . 

She whispered, “I grow tired of wis- 
dom. 1 am — woman?" She lifted. pale 
hands to her throat, unbuckled the clasp 
that held the robe. Il slipped down 
rustling lo her (есі. She stepped for- 
ward: her bare arms went around Ma- 
son's neck, 

Selling his jaw, he tore them free, 
thrust the woman back . . . 
show of prudery results in the 
ne's being dumped into a Centaur- 
ВЕМ pit (watery orbs avidly dwelt on 
the girl's nudity) and being pursued by 
plantBEMs (ihe tentacles ој the mon- 
stess reached out, deftly removing the 
girl's clothing). Since Mason had to go 
to an extraordinary amount of trouble 
and ellort to retrieve her, his submission 
à constitutes a realistic conser 
energy. 

The Ризас Өшесі 


alas, alwa 


s got 


"s in the end - and паяйу, too. 
Some ell into their own acid vats, others 
с sucked into Saturnian quicksand. 


Nirvor, the Silver Priestess. was cooked 
by a heat ray while Yana, shricki 
lustily, vanished into the maw ol 
giant BEM. In view of the moist in- 
fernos and surging flames Pirate 
Queens carried around, it is more than 
probable that a sudden su i 


most 


ge of p 
some exploding 
aps this was the 


or rage resulted 
spontaneously. Реп 
cause ob the tragic death of Warrior 
Queen Boada (War-Lords of the Moon, 
Planet Stories) who, less than a 
after her hour of triumph (“You 
did nol expect to sce те here, but E 
serve the destiny of the Моон?) ex- 
ploded in a sheet of flame und 
fused circumstances, It 
g Sp: 
ute such accidents to their own prowess. 

were all BEMs content to devour 
te Queens the 
t they did instead wa 
seribed. But must have 
thing imaginative, since the heroine 
(who by this time had already lamped 
some nerving sights) always turned 
way in horror, her firm breasts quiver- 
ing as a shudder van through her. 


теш 


pured. Just 
s seldom de- 
been some- 


Wh 


y did this era dic? The slaughter 


of the BEM herds and the high mortality 
rate of Pirate Queens is only one answer. 
The chances are that the lusty pulps had 
by then already long outlived their tim 
Science had begun to overtake (though 
not outstrip) fiction — and many readers 
decided there was more excitement to be 
found in relativity or сурегисис Шап 
in the arms of a Pirate Queen, no matter 
how moist her inferno. ОМ magazines 
cha. 


mor 
ded ones sprang up. A few 
ary BENIS lingered on into the For 
ida few dozen jaded Pirate Queens 
— bur the old passion was gone; soon 
they had only enough strength to pose 
for cover illustrations. 

It wasn't long before, when you 
picked up an sf magazine and read a 
line like “Beautiful, вит she? You can 
ride her to Sirius and back without а 
single navigational erro: you knew 


г policies, new and 


serion 


with a dull certainty that the hero was 
talking about a 


photon beam guide — 
tor. For the strongmus 
ewited Space Сар even 
with their dever and shapely navi 
to guide them — w 
survive in an 


015 


те Шс 


pped to 


ще of nucl 


antigravity. Like the dinosaur, who had 
to rely on his tail for brainpower, they 
lumbered into extinction. 

And although educators elderly and 
otherwise are continually warning us 
against the dangers ol а onesided edu- 
cation in science, we no longer have the 
wellrounded, full.bodied. science-fiction 
we once had. Sociologists and electronics 
neers now roam the planets where 
Pirate Queens once glori drank 
deep. And heavy-footed lady physicists 


ed and 


mp their boots over the tombs « 
BENS, but cannot break their sleep. 
All of which is undoubtedly Progress 


— but not nearly as much lun. And 
every now and then опе 
memory slipping back to 


Keatsian tableau on T 
пеп or gods are these? What maidens 
loth? / What mad pursuit? What strug- 
gle to escape?” — where, eternally Frozen, 
а pride of giant amocbas plus а hero 
pursue the still unravished Lorna; and 
Keats had words for her, too: “For ever 
warm and still ro be enjoyed / For ever 
panting, and for ever youn 


“Get right up there again before you lose your nerve.” 


149 


PLAYBOY 


150 


PLAYBOY 
READER SERVICE 


Write to Janet. reta for th 


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PLAYBOY’S INTERNATIONAL DATEBOOK 


BY PATRICK CHASE 


vo you parrrr vin chaud to hot choco- 
late between runs on the ski slope. and 
chicks who speak something besides 
English around the ski lodge fire? Then 
what are you doing here? You should 
be in Europe this winter, ас Klosters 
or Davos, Chamonix or St. Anton, or 
other Alpine snow-sport centers for the 
when the 


international smart set, or, 
world is too much with you, traveling 
the lessrammeled ski slopes of Spain. 
If you're the let-other-people-do-it-For- 
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mountains and the 
Alpine plateau 
ч from Innsbruck, 
Anton or 


and fifty European snow-fun 
e Irom seven- 


the Wetterstein 


Karwendel on the H 
and yet only ten г 
it’s less well known than St 
Kitzbühel, but is 
And then, there's Innsbruck itself durihg 
the pre-Lenten Fasching celebrations. 
We've always found its masked balls 
and carnival lestivities more gemütlich 


than the glittering of Vienna 
The joys of skiing in Spain 
[rom the obvious assets of near-ath 
flamenco dancers. bullfights and Medi- 
ierranean skindiving. are the extra 
hours of daylight you can spend on the 
slopes and the extra hours you don’t 
have to spend waiting for a lift. The 
best spots are still relatively unmobbed. 


but full of fun nonetheless. Of course, if 
you're the hairy-chested type who scorns 
tows and such. break your own trails in 
the Picos de Europa or the Sierra de 
Gredos (at Puerto de Pajares and 
La Serrota respectively). 

Alter you've come down from the 
hills and had your fill of flamenco and 
the comidas in Madrid’s Plaza de Toros, 
vou may want to head for Barcelona and 
the Costa Brava and then go on to the 
Balearic Islands. Barcelona's les in- 
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strolling along its majestic Ramblas are 
among the most beautiful in the world. 
There are frequent plane connections 
from Barcelona to the Balearics and the 
trip can be measured in minutes. And 
fear not for your creature comforts; the 
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equal of. most top luxury resorts. 

For further information on any of the 
above. write to Playboy Reader Service, 
232 E. Ohio Street. Chicago 11, Illinois. 


COMING NEXT: 


THE BIG ANNIVERSARY AND HOLIDAY ISSUES 


ANTON CHEKHOV—TWO NEW STORIES NEVER BEFORE PUBLISHED 
IN ENGLISH PLUS OTHER FRESH FICTION BY RAY BRADBURY, 


RAY RUSSELL, 


GERALD KERSH. 


PROVOCATIVE ARTICLES BY 


ERIC BENTLEY, CHARLES BEAUMONT, LUDWIG BEMELMANS 
AND AL MORGAN. HUMOR BY ROGER PRICE, ROBERT PAUL 


SMITH, AND A PARISIAN ROMP WITH ART BUCHWALD AND HERB 


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Making the blue-glass test is a very 
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Be sure one brand of Scotch is Old 
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Compare the flavor thoughtfully. Then 
decide which brand 
you like best. 
Which Scotch will 
you pick? Frankly, we 
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do know that among 
men who have made 
the blue-gl t 
many find that their 
favorite Scotch is Old 
Smuggler. 


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