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PLAY BILL "n6 потух of midsummer pleasure. along 

with a handsome AC Cobra and matching charmer 
on this issue's cover, is our symbolic Rabbit, firmly in the driver's seat. 
And so, symbolically, is Stirling Moss, as revealed by Ken W. Purdy in 
his prescient, probing study of England’s Favorite Son. It is only now, 
with his announced retirement from racing, that the entire career of Moss 
may be measured against those ndards of courage, dog- 
gedness and esprit that make an Englishman a national hero. It was 
this assessment for PLAYnoy, says Purdy, that gave rise to his forthcoming 
biography of Moss, Al but My Life, to be published by E. P. Dutton 
this fall. 

Another racing-car driver, although he's not best-known for that 
skill, is J. Paul Getty, our Consulting Editor on Business Finance, 
who last year roared his Lotus around England's Goodwood course to 
celebrate his entrance into the British motor-oil market. This month, in 
The Imp of the Impossible, Getty discusses why the ability to discriminate 
between lolty goals and those that are unattainable is ndal execu 
tive attribute. 

When an automobile and the impossible collide, the result is Car on 
the Mountain, а short story by rLavwoy regular T. К. Brown Ш. The 
car is а 1918 Cadillac which its new owner, a Mexican peasant, can't 
possibly drive. His solution to the problem, as you'll see, provides a fitting 
climax — both Гог the story and its hero. 

In Naked Nude, this month's lead fiction by Bernard Malamud, an 
artist imprisoned in a Roman bagnio struggles to resolve the conflict be- 
tween his love for a masterpiece and his emotional involvement with his 
own work — а quandary that could cost him his life, An associate professor 

glish at Bennington, Malamud is the author of four novels, includ- 

ing The Magic Barrel, winner of the 1959 National Book Award for 

fiction. Like the hero of Nude, he too spent a усаг in Rome, but not, he 

asserts, in the same sort of involuntary lodgings. His latest work, а collec- 

tion of short stories entitled Idiots First, will be published by Farrar, Straus 
dahy in October. 

The mutual psychological captivity of the victims and perpetrators of 
totalitarianism underlies the satire of Poland's Slawomir Mrozeks Four 
Fateful Fables for Today, whimsically inventive parables to be included in 
his book. The 
Mrozek's wryly e 


cphant, coming from Grove Press this fall. Acceptance of 


im fairy tales in his native Poland (he has been awarded 
the Polish State Cultural Review's annual literary prize) is heartening 
proof that be created and achieve recognition even in the most 
restrictive surroundings. 

Completis August harvest of fiction, Her 

best portraying ppy housewife who evolves her own devious ways 
to get letters from the man of her dreams in The Only Pure Love. Gold's 
latest novel, Salt (which crystallized from a series of short stories that first 
appeared in PLAYBOY), has gone into а sweet third printing. First Person 
Singular, his collection of essays by leading novelists, will be published by 
later this summer, 
Shel Silverstein, our wander 
sraphic mementos of his sojourn in 
he recently channeled his offbeat originality into some very Inside Folk 
Songs (sample titles “Never Bite a Married Woman on the Thigh”) on a 
new Atlantic LP. After wailing a few of his creations on Johnny Carson's 
popular Tonight show, the totally-tunned Silverstein suddenly discovered 
that strangers were beginning to recognize him on the strect—even with 
his clothes on. 

While soaking up the summer sum, you'll find much more to absorb 
in this month's rrAvuov: To add to the warm-weather pleasures of modem 
urban living, we present Playboy's Patio-Ter race, designed by Chicago archi- 
tectural illustrator Humen Tan, who also did the renderings for The Playboy 
Town House (May 1962). In Part Nine of The Playboy Philosophy, Editor- 
Publisher Hugh M. Hefner examines the causal interconnection of religious 
suppression of sex, the antisexual aspects of medieval "romantic" love, and 
the wave of witch hunts that swept all Europe. As in July, Philosophy is 
preceded by The Playboy Forum, a continuing dialog between PLAYBOY and 
its readers concerning issues raised by our editorial scrics. The conclusion 
of The Playboy Panel: 1981 and Beyond presents a penetrating exploration 
ol the future by а dozen of the world’s leading science-fiction authors, each of 
whom has already proven his genius for prophecy through past predictions 
which have since become realities. One of them, Arthur С. Clarke, calculates 
that he lost а hefty piece of loot by faili 


сті Gold is at his ironic 


g pen pal, turus up this month with 
udist camp. О the drawing board, 


is our African Queen, 
Tanner, most popular of The Girls of Africa (eLaywoy, April 1963 
tured in а five-page photographic encore herein in response to reader raves 


TAN 


MALAMUD 


BROWN 


corn 


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Shel P. 86 


Patio P. 96 


CHIO STREET, CHICAGO 11, ILLINOIS. RETURN POST 
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mantep © 963 BY MNN PUBLISHING CO.. INC 
NOTHING MAY ВЕ REPRINTED IN WHOLE OR IN PART 
WITHOUT WRITTEN PERMISSION FROM THE PUD 
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PURELY COINCIDENTAL. CREDITS: COVER: косе 
NANCY PERRY. DESIGN BY ARTHUR PAUL. PHOTO BY 
STAN MALINOWSKI: P. 1 PHOTOS BY DON BRONSTEIN 
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P. 68, 70. 75 PHOTOS BY BRONSTEIN: P. 69. 
CF GEORGE MASHBITZ, INCORPORATED: P. 04.05 
MOYER; P. 97-98 PHOTOS BY PLAYBOY STU. 
PLAYBOY, AUGUST, 1963, VOL, 10, NO. в. PuB- 
LISHED MONTHLY BY нин PUBLISHING CO., MC.. IN 
NATIONAL AND REGIONAL EDITIONS. PLAYBOY GUILD. 
ING, 292 E. OWO ST.. CHICAGO M, ILL. SEC. 
OND CLASS POSTAGE PAID AT CHICAGO, ILLINOIS. 
SUBSCRIPTIONS. IN THE U.S-, $é FOR ONE YEAR. 


vol. 10, no. 8—august, 1963 


[у 


CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE 


PAVIA —  — 


DEAR PLAYBOY 5 
PLAYBOY AFTER HOURS... s. не. 
THE PLAYBOY ADVISOR... 

THE PLAYBOY PANEL: 1984 AND BEYOND-——discussion. - 


THE PLAYBOY FORUM 


THE PLAYBOY PHILOSOPHY: PART NINE—editoriol HUGH M. HEFNER 43 
NAKED NUDE—fiction 3 BERNARD MALAMUD 48 
ENGLAND'S FAVORITE SON—article. ...... КЕМ W. PURDY 53 


THE IMP OF THE IMPOSSIBLE—orti 


" J. PAUL GETTY 55 


CAR ON THE MOUNTAIN—fiction т. K BROWN Ш 56 


AFRICAN QUEEN-—pictorial... 59 
FOUR FATEFUL FABLES FOR TODAY—fiction SLAWOMIR MROZEK 66 
LITTLE DIPPER—playboy's playmate of the month. _ 68 
PLAYBOY'S PARTY JOKES—humor ES " MEC 


THE MEASURE OF FASHION—zcttire 
THE COOL APPROACH—food. _ 
SILVERSTEIN IN A NUDIST CANP—humor 


ROBERT L. GREEN 79 
THOMAS MARIO 84 
SHEL SILVERSTEIN 86 
PLAYBOY'S PATIO-TERRACE—modern living. 96 


YOUNG LANCELOT AND THE FORESTER'S DAUGHTER—ribold clessic .. .... 101 


THE ONLY PURE LOVE—fiction.. 
CONCEIVING CAN BE FUN—satir 
PLAYBOY'S INTERNATIONAL DATEBOOK—travel 


HERBERT GOLD 103 
SHEPHERD MEAD 109 
-PATRICK CHASE 144 


HUGH м 


EFNER editor and publisher 
A. С. SPECTORSRY. associate publisher and editorial director 


ARTHUR PAUL. art director 


JACK J. kesse managing editor VINCENT T. тауы picture editor 
FRANK DE BLOIS, JEREMY DOLE, MURRAY FISHER, NAT LEHRMAN, TOM. LOWNES, SHELDON 
WAS associale editors; ROBERT L. GREEN fashion director; DAVID TAYLOR. associate 
fashion editor; THOMAS MARIO food 2 drink editor; vamer cnase travel editor; 
J. PAUL GETTY consulting editor, business & finance: CHARLES BEAUMONT, RICHARD 
GEHMAN, PAUL KRASSNER, REN W. PURDY contribuling editors: STAN AMBER copy editor; 
мз assistant editor; wx CHAMBLLLAIN associate picture cditor; MONNI 
istant picture editor; VOX BRONSTEIN, MARIO CASILU, POMPEO POSAR. JERRY 
VULSMAN staff. photographers; FRANK ЕСК, STAN MALINOWSKI contributing photog- 
raphers; kew AvstiN asociale art director: 1 
arb directors; WALTIR KRADENYCH, ELLEN PACZEK ari assislanis: JOUN MASTRO 
production manager; FERS HEAKIYL assistant production manager + HOWARD 
LEDERER advertising director; JULES KASE eastern advertising manager; JOSEP 
vant midwestern advertising manager; josin cei Detroit advertising 
manager; NELSON TUTE promotion director; pax словак promotion art director 
HEL torsen publicity manager; BENNY DUNN public relations manager; 
ANSON MOUNT college burean: тико FREMEMEK personnel. director; JANET PILGRIM 
reader service; WALTER WOWARIM subscription fulfillment manager; box 
ts special projects; ROW. PREVSS business manager ë circulation director. 


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DEAR PLAYBOY 


E] ADDRESS PLAYBOY MAGAZINE - 232 E. OHIO ST. CHICAGO 11, ILLINOIS 


THE ROOT OF X 
Regardin 


Playboy Inter- 
view: Malcolm X, 1 certainly agree with 
you that “knowledge and awareness” are 
necessary elements of a democratic so- 
ciety. Further, your interview is the first 
that I have seen with a leading Black 
Muslim. Since I feel that freedom of 
expression is basic to unde the 
racial problem, I think that every affected 
and concerned group should be given the 
opportunity to express its point of view. 
James Meredith 
University of Mississippi 
Oxford, Mississippi 


I read your interview of Malcolm X 
with only the passive interest one tenders 
a nut. Since reading the article, however, 
I have had the memorable experience of 
hearing Malcolm X speak. And speak he 
does. Fanatic or not, this man is very 
impressive, and I am afraid that perhaps 
those who have never seen him cannot 
fully appreciate his dynamic magnetism, 
Many of his claims arc exaggerated and 
ven ridiculous, but at the same time, 
much of what he says is painfully true. 
The American Negro is dissatisfied, and 
rightfully so. I fear that he might be an 
all-too-willing recipient of what the Black 
Muslims are offering. 

Malcolm X is deadly serious, and his 
is not without precedent. Natio 
у strong emotion. Coupled 
1 rel led by 
such a strong personality, it is a move- 
ment of staggering potential. 

The Muslims are evidence that, in 
spite of his "concern," the average Ameri- 
сап is not mak able progres 
toward racial equality. He must shake off 
his complacency, his condescension. ‘The 
present generation scems incapable of 
revising its concepts, but I hope its blu 
dering has struck sense into the younger 
generation. It is up to us. I hope we 
won't be too late. 

Jon Hammersberg 
University of North Carolina 
Chapel Hill, North Carolina 


I 


pl 
ism 
with a m 


за 


ti 


n and g 


The Playboy Interview with Malcolm 
X (May 1963) reasserts the high quality 
of your magazine. 1 am doubly happy that 
rtavioy did not attempt to slug it out 


with Malcolm X. The very nature of the 
Black Muslim's point of view shatters 
and undermines his position. To relate 
café au lait and white bread to the 
Caucasian race is actually funny. No 
offense intended, but how would Mal 
approach the dark spots on the human 
tongue caused by the bubonic plague? 
Enough. In my anger, I find myself sink- 
ing to his level. 


James C. Levie 
Kings Point, New York 


Your annual $1000 award for the best 
fiction to appear in PLAYBOY can now be 
presented for 1963, No one could pos- 
sibly top Malcolm X. 

Lanny R. Middin 
Beverly Hills, California 


After reading the interview with Mal- 
colm X, it is clear to me that he is 
certainly not а man to be ignored. There 
is an ever-burgeoning possibility that 
there may be a full-scale war between the 
white and black races. 

1 went to school for three years in the 
South and have a fairly good idea of how 
popular Malcolm X' philosophy would 
be, once publicized down there. There is 
а large number of rightly discontented 
colored people in this country who would 
follow him. To most, the possibility of 
gaining their freedom would be all the 
ducement necessary. So watch it 
geddon is just around the corner. 

Jeffrey В. Barr 
New York, New York 


Malcolm X has eloquently stated the 
case for the Black Muslims and also for 
many "sympathe oes who do not 
hold formal membership in the move- 
ment. Asa college student and social type 
(the New Negro), I think I speak for a 
large segment of my dark-hued brethren 
when I state that we are "sympathetic" 
with many of the basic tenets expounded 
by Mr. Elijah Muhammad, while avoid- 
ing some of the distasteful extremes, 
obtaining several states. 

Charles N. Storey 

Chicago, Illinois 


T was among reporters who interviewed 
Malcolm X in Los А year just 


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ST. LOUIS, OL 2-4700. 
ES 


after the Muslim-police riot he 
sider myself fortunate in meeting 
because I saw first-hand the hysteria and 
hatred in his eyes and heard the non 
sequilurs and ugliness in his words. For 
those, both black and white, who have 
never met Malcolm. X, your interview 
must have becn a revelation. 
Boy depicted Malcolm X exactly 
as he is—a fa dressed in black. 
Ku Klux Klan robes. You asked exactly 
the questions which lay Muslim 
philosophy — a philosophy which contr: 
dicts itself at every turn, From your intei 
view, it is 
philosophy rabidly anti-everytl 
gro because it preaches to 
о violence and hawed — sins for 
which gods of almost all faiths coi 
demn men. 


bundantly clear that this is a 


g dt is 


Yvonne Patten 
Los Angeles, Ca 


fornia 


As peculiar as the Negro's position is in 
this country, as frustrating as it has been 
and continues to be in many respects, as 
“practical” as seem many of Malcolm X 
viewpoints to large numbers of both 
white and black, let no one be deceived: 
we accept the challenges of the present 
and future in spite of and because of 
the past. 

We were not kidnaped from our native 
land and forced to wear the yoke of 
slavery and lynched for the amusement of 
some bored and restless few and humil 
iated duri the time of war to be 
now “several states here оп Am 
soil 

We want it all — the concrete and steel 
of the big cities, the warm, fertile low- 
land of the Mississippi Delta, and the 
snow-covered ridges of the Rockies. We 
want no less, deserve no Ie 
settle for no Tess than an equ; 
the privileges and responsil 
Americans. 


s, Í was both deeply 
moved and distressed by the interview 
with Malcolm X, published 
63 issue. My distress wa 
t, however, but the | 
ion that Malcolm X is 
intelligence and conviction. 
merely an opportunist trad 
Malcolm X demands our 
because he refuses to be accepted as 
thing but a man; по conc 
по wait 


ainful recog- 
a man of 


for the 
llennium — he will accept nothing less 
than his full rights. And for this idea 
alone, he offers a valuable object lesson, 
not only for Negroes, but for all men. 

Until recently, the Negro has accepted 
whatever happened, but now the Muslim 
movement offers an alternative; and this 
alternative may become the most power- 


ience, 


ful weapon of the integrationist move- 
ment. At last integrationists have a tool 
with which to cope with the inertia of 
te. We shall point out 
that, unless the situation 
whites and Negroes improves 
ally, th be all hell to 
The Muslim movement h; 
tion from a Negro hope 
to a white necessity. And for this reason 
alone, may the Muslim movement live a 
Jong and useful life. 

Don B. Ray, Minister of Music 

First Methodist Church 

San Fernando, California 


FLEMING SWORD 
ince | began reading PLAYBOY i 
March of 1961, I have found much that 
has been piquant, informative and сп 
tertaining. So often has this been the 
case that its normally my policy to read 
PLAYBOY straight through — [rom Pla 
bill to Next Month — and I enjoy it all 
immensely. But this month, well, I coi 
fess I sneaked а look at the James Bond 
installment first — by far your most cip- 
tivating fiction yet! 

W. Lawrence Fellman 

Dallas, Texas 


Tam following James Bond's adventure 
with Smirnoffian anticipation. Quite. Just 
one thing, though — would you be good 
enough to ask Fleming to soft-pedal the 
action? At times it docs intrude upon 
the list of brand names. 

Dick Myers 
Stillwater, Oklahoma 


EXPATRIATE-ISM 

There is no cause for anyone to be 
perplexed after having read Americans 
Go Home, by Leslie A. Fiedler. An aver- 
age person, like myself, goes abroad in 
order to find justification for, or to verify 
the customs of his own 
y. All other persons, both below 
and above average. go abroad for ob 
viously trivial reasons — such as intel- 
lectual snobbery, escape from failure, 
and social quant; 


Erskine Caldwell 
Rheem, € 


to get mad at 
s out that Fiedler and 
Tare in the same boat, or rather raft. It is 
true that some Americans panic quicker 
in Europe than others and that there i: 
hepatitis in all that, but as Fiedler says. 
it's only the old cultural jaundice that 
attacks us writers. Right now Тат strain- 
ing at the leash to go to Europe, if only 
to yell, “Come back to the raft, Leslie, 
honey!” 

Karl Shapiro, Department of English 

University of Nebraska 

Lincoln, Nebraska 


me. In fact, it t 


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Now you know why so many 
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Lucky dog. 


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GROVE-Y 

I'd like to comment on the excellent 
fiction by Walt Grove in your May 1963 
issue. | know that writers like to make it 
on their own names, as I'm sure Mr 
Grove will, but do we W 
another contemporary author like J. D. 
Salinger? 

Тһе reason that The Tie that Binds 
impresses me so is that 1 have a very close 
friend in a prep school in that р 
vicinity of New England, and from what 
he relates to me of his personal experi 
ences and those of his friends, Mr. Grove 
has hit the nail on its proverbial head. 
Congratulations are in order. 

Jon M. Westberg 
Fairleigh Dickinson Univ 
Rutherford, New Jersey 


ave in him 


neral 


rsity 


All right. All right. What's with that 
so.b. who wrote The Tie that Binds, in 
your May issue? I took his sound advice 
and flatly asked five girls in a row — no 
luck! However, I was promptly thrown 
out of school. Obviously, something went 
wrong — any suggestion: 

R. B. Cyr 
Durham, New Hampshire 
Try another school. 


LANGUAGE BARRIER 

I have delighted myself in looking 
at the "juicy" cartoons of Little Annic 
Fanny. There is one thing, though, which 
perplexes me: What does "Moffundzallo" 
stand. for? 


Federico Fellini 
Rome, Italy 
Moffundzallo — my-funds-ave-low — it's 
an old gag, Signore. 


MAX VS. MAXIMUM 

1 enjoy your magazine, but I think in 
one respect you are at present having a 
bad effect on the taste of the urban 
young man. It is good for him to sec 
full bosomed nudes, but 
to nudes 0 


you 


re running 
re 100 full-bosomed. That 
charming phrase reflects your own taste, 
you know, not a universal predilection 
А young girl's breasts should be firmly 
molded, not lush and overripe. I don't 
mean to lay down any dogmas about this, 
but I do think you might give a thought 
to the sculpture of the Greeks — the Ve- 
nus of Cyrene, for instance, which is 
just about perfection in the female form. 


g from some of your recent 


th; 
mother complex rather than my sense 
of beauty and adventure. 
Max Eastman 
New York, New York 
Author Eastman evidenily prefers the 
belles-lettres A and B to C and D. 


L have to cultivate my 


“From end to end, this set is a 
charmer. It will make you rejoice 
and it will make moist your eyes 
now and then. . . . It is all person 
to person to person, heart to heart 
to heart” —JOHN M. CONLY 
CONTRIBUTING EDITOR, 

High Fidelity Magazine 


OK KOK OK k k KOK K 


Joan Baez 

Leon Bibb 

The Deller Consort 
Jimmy Driftwood 


MCrortesy of REA Victor? 


Bob Gibson 
Ronnie Gilbert 
Cisco Houston 
Ewan MacColl 

Ed McCurdy 
Tom Makem 
Alan Mills 

John Jacob Niles 
Odetta 

Pete Seeger 

The Weavers 


OME ‘TIME aco, The Classics 

Record Library, a Division of 
Book-of-the-Month Club, Inc., set 
out to assemble a representative 
collection of folk music—American 
and British — sung by the finest 
folk artists of our day. The Van- 
guard Recording Society gave us 
carte blanche to select the best 
performances available from their 
wealth of recorded music. In addi- 
tion, we were permitted to draw 
upon their recorded selections from 
the famous Newport Folk Festivals 
at which virtually every leading 
folk singer in America had per- 


3X 3C 39€ 36 4€ 4€ OE Ж а He EEO OE о а Де З 


>66 Folk Songs & Ballads 


BY AMERICA’S MOST FAMOUS FOLK SINGERS 


Sent for ten days listening... 
WITHOUT OBLIGATION 
MONAURAL: $11.95 + STEREOPHONIC: $13.95 (Plus 2 small mailing charge in each case) 


The usual list prices of albums of comparable quality and 
content are $19.92 (monaural) and $23.92 (stereophonic) 


THE SONGS AND THE SINGERS 


TRADITIONAL 
BALLADS AND SONGS 
OF THE BRITISH ISLES 


SUMER IS ICUMEN IN 
— THE DELLER CONSORT 
HE THAT WILL AN ALEHOUSE KEEP 
THE DELLER CONSORT 
LANG-A-GROWING 
EWAN MacCOLL 
THE HANGMAN, OR THE MAID 
FREED FROM THE GALLOWS 
— JOHNJACOB NILES 
JOHN RILEY ODETTA 
WE BE SOLDIERS THREE 
THE DELLER CONSORT 
JOHNNY, 1 HARDLY KNEW YE 
ТОМ MAKEM 
THE WHISTUNG GYPSY 
TOM MAKEM 
WHEN COCKLE SHELLS TURN 
SILVER BELLS — —ED NcCURDY 
GREENSLEEVES 
THE DELLER CONSORT 
THE BOLD FISHERMAN 


THE COBBLER'S SONG 
TOM MAKEN 
—THE WEAVERS 


ED NCCURDY 
EDDYSTONE LIGHT 


BRITISH-AMERICAN 


BALLADS AND SONGS 
COME ALL YE FAIR AND 
ENDER LADIES LEON BIBB 
THE FOX —ОргттА 

GO FROM MY WINDOW 
—hONNIE GILBERT 

THE GOLDEN VANITY 

RONNIE GILBERT 
JOHNNY IS GONE FOR A SOLDIER 
— RONNIE GILBERT 


THE STREETS OF LAREDO 
—tisco HOUSTON 
АМЕІСН, SANTY ANO 
—IHE WEAVERS 
GREENLAND WHALE FISHERIES 
THE WEAVERS 


THE AMERICAN 
TRADITION 


EAST VIRGINIA BLUES 
—PEIE SEEGER 
COTTON-EYED JOE —LEON МЕВ 
POOR LOLETTE ton nmn. 
SPANISH IS A LOVING TONGUE 
— RONNIE GILBERT 
THE ERIE CANAL —THE WEAVERS 
SARO JANE — ODETTA 
JOHN HENRY ODETTA 
VIRGIN MARY HAD ONE SON 
—JOAN BAEZ & BOB GIBSON 
WAYFARING STRANGER 
—hon GIBSON 
HE'S GOT THE WHOLE WORLD IN 
HIS HANDS -ODETTA 
GOD'S A-GONNA CUT YOU DOWN 
—ODETTA 
ALL THE PRETTY LITTLE HORSES 


—ODETTA 
NO MORE AUCTION BLOCK FOR 
— ODETTA 
OLD DAN TUCKER 
— CCO HOLSTON 
SQUIRREL 


‘LEON BIRD 
WE'RE ALL DODGIN' 

—THE WEAVERS 
THE STATE OF ARKANSAS 


— THE WEAVERS 
OLD JOE CLARK 

— JIMMY DRIFTWOOD 
THE UNFORTUNATE MAN 

Z JIMMY DRIFTWOOD 
THE OX DRIVER — ODETTA 


THE BUFFALO SKINNERS 
— ASCO HOUSTON 
GET ALONG, LITTLE DOGIES 
-THE WEAVERS 


MODERN MINSTRELSY 


ANOTHER MAN DONE GONE 
ODETTA 
M GOING BACK TO THE RED CLAY 
COUNTRY — ODETTA 
NO MORE CANE ON THE BRAZOS 
— ODETTA 
DARIN" -LEON BIBB 
I'VE BEEN DRIVING ON BALD 
MOUNTAIN — ODETTA 
WATER BOY орыта 
JOHNHARDY —OCSCO HOUSTON 
RAILROAD BILL —cisco HOUSTON 
HOUSE OF THE RISING SUN 
—RONNEE GILBERT 
EAST TEXAS RED—CHCO HOUSTON 
THE CAT CAME BACK 
—CSCO HOUSTON 
MEET THE JOHNSON BOYS 
—THE WEAVERS 
‘TALKING GUITAR BLUES 
-CISCO HOUSTON 
1 KNOW AN OLD LADY 


THE FOGGY DEW 


THE SINKING OF THE REUBEN JAMES 
— CSCO HOUSTON 
FRANKIE AND JOHNNY 
—ED MCCURDY 
WILD GOOSE GRASSES 
— THE WEAVERS 
DANVILLE GIRL CISCO HOUSTON 
HARD TRAVELIN'— CICO HOUSTON 
BONNEVILLE DAM 
—csconousroN 
DOREMI —свсо HOUSTON 


A PRACTICAL AND ENJOYABLE EXTRA 


With each album you will 


find a handsome brochure containing all the words of the 66 folk songs and ballads. 


formed. Such an album had, until 
now, seemed impossible of achieve- 
ment because of the problems in- 
volved in bringing together first- 
rank singers from all over the coun- 
try. The result is a “charmer,” as 
music critic John Conly remarks 
above — and it is available only 
through The Classics Record Li- 
brary. Because the album is not 
sold in record stores, the Book-of- 
the-Month Club is permitting in- 
terested collectors to listen to the 
records at home and, if not fully 
satisfied, to return them to the Club 
within ten days, without charge. 


IMPORTANT: This four-record album is offs 
ary and is not available in stor 


MR. 
Nits. 


only by 


THE CLASSICS RECORD LIBRARY 43-8 
c/o Book-of-the-Month Club, Inc., 345 Hudson Street, N.Y. 14, N.Y. 
Please send me an album of Forx Sonc AND MINSTREtSv in the 
regular LP (monaural) version and bill me at the special price of 
$11.95, plus postage and handling. If I wish I may retum the 
album within ten days and be under no further obligation. 


[ Check here if instead you want the stereophonic ver- 
sion at the special price of $13.95, plus a postage and 
handling charge. Same return privilege applies, of course. 


MISS 
Address. 


PLEASE PRINT 


City. 


11 


> 
° 
m 
> 
“ 
» 
R 


4 out of 5 wear Amblers 


Which makes ita practically unanimou: tory for Amblers slacks. And — just because girls don't. 
wear them, it doesn't mean they don't love them . . . on you. They're tautly tailored from a Stevens 
n u looking as fresh in the P.M. а 


BIG YANK CORPORATION • 350 Fifth Avenue e N. Y. 1А Subsi¢ Reliance Manufacturing Company 


PLAYBOY AFTER HOURS 


‘hen car cognoscenti gather for some 

post-race reminiscing, the conversa- 
ton often turns to such hallowed names 
ol motordom the Moon and the 
Marmon, the Essex and the Auburn, the 
Thomas Flyer and the Wills Sainte 
Claire. But what of the almost-3000 makes 
ol American. automobiles 
which met with. resoundin; 


and trucks 
public ap 
thy toward their charms? The time 
has come to salute the losers (and they 
did exist, however briefly, so help 
us) and to toast some of the һе 
nighted knights of the road. We lift our 
glass, then, to such flyers in the face 
of euphony Bluffelimber, the 
Schlotterback and the Luedinghaus-Es- 
penschied. Aud we have 
m our those 
image evokers, the Anchor, the D'Olt, 
the Duck, the Havoc. the Mock, the 
Sphinx and the Static. How could we 
ever forget those victims of man's 
verbosity, the Hall Gasoline Trap, the 
Plass Motor Sleigh, the Rigs-That-Run, 
the Seven-Little- Buflaloes? And 
what about the entomologically inclined 
Auto Bug and Bugmobile, or the dia- 
ly opposed philosophies of the 
s Runabout and the 
or that mechanized monu- 


s the 


spot reserved 


heart for misbegotten 


and 


a modern-day Damon and 
Pythias— the Munay-Max Six? For 
the Cinemascopically attuned we offer 


the Ben-Hur and the Robe, and for the 
Mad Ave minions, the hard-sell-titled 
Fool-Proof and the commuters very 
own transport, the Club Car. We'll let 
others argue over the relative merits of 
the Fwick and the Wick, but we get 
openly maudlin and dewy-orbed when 
we conjure up visions of that splendid 
example of nominal éclat — the Morris 


and Salom Flectrobat. 


‘Elizabeth Taylor's advisors,” reports 


columnist Earl Wilson with an inad- 
vertently acid Winchellism in the James- 
town, New York, Sun, “suspect some 
very shrew publicity manipulations 
behind all the stories about her 
romances." 

We were taken a bit aback both by 
the implication and the outspokenness 
of a recent headline in the Anchorage, 


Alaska, Daily Times — “QUEER NAMED 
Lovce curr"— until we read in the 
story below that the newly elected 


president of the local American Federa- 
tion of Government Employees is a 
fellow named Al Qui 

The Realist, Gotham Mly in the 
face of journalistic convention, recently 
offered the following idea "as а public 
service" to readers interested in making 
a quick commercial killing: Sell two 
kinds of lapel buttons reading "ju" 
and to onlookers con- 
vened at the scene of would-be suicides 
from lofty ledges 


s 


“DON'T Juwr" 


Tt took them a few years, but Holly- 
wood's hucksters have finally come up 
with their own outspoken answer to 
subliminal adv g lacing movie 
scenarios with unabashed commercial 
plugs—in gratitude for which (he 
pluggees extol the films in question with 
a saturation ad campaign. Among 
abundant recent examples: James Cag- 
ney portraying the hard-sell manager of 
a Coca-Cola bottling plant in Billy 
Wilders One, Two, Three; Karl 
Malden beating the drum for Baby 
Ruths as a traveling candy salesman 
in and Debbie Reynolds’ pam- 
pered pooch in My Six Loves holding 
out for Red Heart Dog Food. The 
release of Danny Kay est flick, 
The Man from the Diners’ Club, por- 


tends a blight of brand names not 
merely studding scripts but emblazon- 
ing the marquees themselves. И these 
fears prove founded, future reissues 
will undoubtedly include such box-office 
orites as Mogen David and Bath- 
sheba, The Chesterfield King and 1 
How Green Was My Valley of the Giant, 
The Maltese Days of 
Wine and Four Roses, A Man Called 
Peter Paul Mounds, The Longest Day- 
Glo, Love-Pat Is а Many Splendored 
Thing, The Count of Monte Crisco 
and that epic sleeper, Long Day's Jour 
ney into Nytol. 


Ford Falcon, 


We were pleas: 
rewards of coeduc 


ntly reminded of the 
ional-college life by 


the final paragraph in an otherwise 
uninformative account of a local fashion 
show, in the Columbus, Ohio, Booster 


Proceeds from the event,” said the 
paper, "help maintain two scholarship 
houses at Ohio State University where 
some 56 women students practice co- 
operative loving. Tickets are available 
at the door.” 

Seductive offer from the For Sale col- 
umn of The Houston Post: “Revere 
pe recorder. New cost $179.50, 
sacrifice 5140. HO 5-3007 after 5 т.м 


Sign of the times seen in a Manhattan 
store window: “GOING OUT OF BUSINESS! 
LAST DAY! MONEY-BACK GUARANTE 


We wonder if Floyd Patterson planned. 
to condition himself Гог his 
match with Sonny Liston by resorting 
to the same novel taining exercise he 
employed in preparation for a 1961 
title fight with Tom McNeeley. “Pat- 
terson," reported the Miami Herald be- 
fore that bout, “is using a broad slanted 


return 


13 


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Our nomination for this years Ment- 
ballwith-Palm-Leaf Prize for promot 
international ill will gocs to the unident 
fied U.S. official who, as reported in the 
Chicago Sun-Times, uttered the following 
unforgettable words of conciliation dur 
ng an Arab-Israeli border dispute: “The 
only way з hope to get anywhere 
is for the principals in this dispute to 
get together and talk this thing out in 
а good Christian spirit.” 


y wa 


THEATER 


In the high-pressure world of musical 
comedy, She Loves Ме comes as а gentle 
nudge, It has no big product 
bers, no va no chorus 
y dancing at all. Th 
changes of scene а 


“Look,” 


says 
one character, as a handful of leaves 
falls hom the eaves, “autumn! AL 
though the book sounds sugary — it was 


the creamy center of a Margaret Sulla- 
van movie called The Shop Around the 
Corner — the play is tart enough as her 
presented. In a pinksatined. parfumerie 
in a European city much like Budapest, 
Barbara Cook and Daniel Massey (a boy 
ish lookalike for father Raymond) sell 
side by side. but are completely occupied 
with pen pals whom they have never met 
and address only as Dear Friend. It 
doesn’t take a James Bond to deduce that 
Dear Friend is really the clerk at the next 
counter, but for the lovers the knowledge 
is two acts in coming. While they dream, 
a Fellow clerk schemes. Jack Cassidy. as а 
shopworn dandy, cads about with the 
impressionable Barbara Baxley, aud 
dawdles on the sly with the proprictor's 
sidy will, of course, lose Baxley 
а little shop of his own by use of 
his rakish resources. Baxley will find hap- 
with an optometrist (by weari 
es). And Cook and Massey will 
ly discover that love by mail leaves 
too much to the imagination. Whenever 
things start to get sticky, composers 
Sheldon Harnick and Jerry Bock (Fio- 
vello!) whisk in a fresh. tune. е 
is а double-dip ditty in whid 
oine writes of her love to her love, but 
keeps thinking about the guy at the 
shop. Hona is an ironic bit of romantic 
deviltry in which Cassidy is more con- 
cerned with posing than proposing. A 
Romantic Atmosphere is a gypsy paean 
to the шум. The tide song, like the 
show, is a buoyant burst of innocence 
At the Eugene O'Neill Theater, 930 West 
49th Street. 


Cream 
the her 


MOVIES 


Marilyn is about Marilyn. 20th Century- 
Fox, for whom she made most of her 
films. has assembled clips from 15 of 
her pictures, beginning with A Ticker 
10 Tomahawk. m which she had 22nd 
billing. to Something's Got to Give, her 
last never-completed st The col 

ure 


rer. 


lection, which runs as long as a Í 
film, shows how the MM “character” 
was developed by movie experts through 
the years; more important, it shows how 
she herself developed considerable com- 
edic technique and the ability to belt 
out a musical number, In their routines: 
from Gentlemen Prefer Blondes. Jane 
Russell, somechit herself. 
simply fades when Marilyn. takes over. 
The scenes from The Seven Year Meh 
show a roundeyed rounded Marilyn who 
manages to give hovand-dirty sex a good 
name. The saddest she looks 
her best in the make-up tests for her 
Jast film. It’s а pity that nothing is 
included from The Asphalt Jungle. 
where her figure first started traffic, or 
from her finest film. Some Like H Hat 
— but these two came from other stu 
dios. Despite Rock Hudson's app 
marr Marilyn is well w 
= ап almost-worthy tribute to a 
who too soon became a myth. 


of a looker 


is tha 


Mende Cone, an Italian documen 
looks at the world through gross-colored 
glasses. Gualtiero Jacopetti has searched 
the globe for the weird and the мауош. 


and has yhemestitched. his findings 
into film whose title is idiomatic 
Italian for “lousy world." Despii n 


introductory blurb that states “AH the 
scenes you will see in this film are true 
and taken only from lite.” Mondo Cane 
altogether-honest film. Several 
of the segments were obviously faked 
(Rossano Brazzi gett hi clothes 
ripped olf by adoring female fans) от 
wicked up (а burp inserted into the 
sound track), but no matter. Care to 
sec w Guin 


is not a 


а Can 


imals apart and gobble the slightly 
singed meat? Care to see Gurkha soldiers 
decapitate young bulls with one stroke 
the swe 
the 


al 


peasants 
1ı bloodily 


we in а 
sadena pet cemetery, complete with 
caskets and headstones, is followed by a 
Formosan restaurant scene where the cus 
tomer selects his live puppy and sees it 
killed and broiled. Prospective brides for 


exercising at Vic Tanny’s. Also on view 


is the painter Yves Klein at work in 
— covering nude models with paint 
and then, to mood music, directing 
them as they press their bodies against 
a huge canva action painting! 


ha 

Director John Huston isn't flying as 
high as he was in his days of Maltese 
falconry, but his latest, The List of Adrian 
Messenger, has speed, 
spellbinding if it had a spell to bind. 
alleged suspense story, based on a Philip 
MacDonald novel, is one long invest 
tion by an English investigator; there's 
not а real scare in a reel. Adrian’s list con- 
tains the names of 11 men, all of whom 
have been bumped off. The question is 
what they had in common that made 
them bumpworthy, and it leads George 
C. Scott around Loi 
hunting shires (actually photographed in 
Ireland). Huston himself isa fox-hunt 


nd would even be 


his 


lon and into the fox- 


n 
(there's one brief shot of him, mounted 
and stuffy), and the sequences of riding 
to houndsare what keep this picture from 
going to the dogs. Scott is respectably 
restrained in his role — but why cast an 
American as а retired English general 
alongside such thoroughbred Britons as 
Gladys Cooper, Herbert Mars 
Wynter, and even clarety old Ci 
Scott simply can't cut the English mus- 
tard. Further flapdoodle involves Tony 
Curtis, Kirk Douglas. Burt Lancaster, 
Robert Mitchum and Frank Sinatra play- 
ing bit parts in rubber masks. They look 
like five guys in rubber masks. 


In Coll Me Bwana, Bob Hope explores 
two vast continents — Africa and Anita 
Ekberg. As in most Hope pictures, the 
gags are often foreseeable but often fun- 
пу. Hope is his customary cowardly self in 
conditions demanding courage: this time 
a fake adventure writer, who has never 
left America, is sent by the U.S. to recover 
a lost moon-probe missile i 
territory. Anita is a Russian undercover 
agent sent to waylay him, which, as far a 
the Production Code permits, she doe: 
lie Adams has the third lead as à CIA 
agent bodyguarding Bob but her come- 
dic talents are herein effectively hidden. 
As the story keeps striving stoutly 
nonsense, a queer feeling 
all its 
o, the scene is the 


dangerous 


. For 


уе you qu 


e-probe scen: 
of Victorian vaudeville: a jungle 
chief with comical speech and an ugly 
daughter he wants to marry off: nonsense 
anguage spoken to natives as if they were 
feeble-minded children: and assorted 
other patronizings. When Bob gets off the 
plane in Africa, the porters start to carry 
his bags, and he says, “Not that way! On 
the head!" There's no malice in his meth- 
od, but in the context of apartheid, Little 
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1 FOR YEAR-ROUND 


танытады a= | LISTENING PLEASURE 


414. Tricky, tuneful trek 


427. Fools Rush In, ГЇ Glowing northern 


PLAYBOY 


Never Smile Again, How 


Ey Corpse of Brook fou 
V Tien Deep Is he Ocecnf, etc. 


at Tiffany's, Peter Gunn. 


389. The High ond the 
Mighty, Theme from 
Summer Ploce, Laura, etc. 


392. Modern jazz colas- 
Sust Without A Song, You 
Something To Ne. 


A the greot tradition, plo 


epics in Breathtoking 
new Dynocroove sound! 


454. Romantic sanator in 


with insight and passion. 


360. 1946-1950 modern 
jazz milestones by combo, 


showpiece: 
big band. (Reg. LP- only) 


эник. STEREO ONLY. 


The BEST of the 
! Tammy, Unde- 
You Yau You, more. 


428. Also In The Stil: O f 
I— The Night, Granada, Bali 
Ho'i, 5 more. 


ARTIE SHAW 


400. Twa Hungarian 
Mercier Vote Once, 
ек. (Reg. LP. 


183. Ako Temptation, 
Dancing In the Derk, etc. 
(Reg. LP. оту) 


957, 957 A.9578. Now. one of the most beau- 
tiful’ of oN operas in o» unforgettable per- 
formance by Metropolitan Оре The 
greatest of all recorded Aidas 

Herold Tribune. 3 Records. Wri 
in separate space on card. 
Complete with lovishly illustrated libretto. 


h number 


451. Luminous chorcl 
‘moods. Poros 
You, Fer You, more. 


Maden jazz greats 
the Things You Are, 
‘Out of Nowhere, ete. 


291, Rich Sponish Gypsy 
moods by the peerless 
flamenco guitarist, 


421. Ramentic overture, 
roguishly satirical fone 
poem in sumptueus sound I 


x LER, 


te GRAND 
CANYON ЕЕ 
Beethoven: 


270. Drifting ond Dreom- 
ing, Among My Souvenirs, 
Serenade in Blue, etcs 


d Wall: On The 
Mutiny On The Bounty. 


453. Oscar winner, plus 


Wild Side, 


эп паш. 
шш 


THE SEA 
Debussy LA MER 


314. The Glory of 
Debusy s "Seo" splashed 
in brilliont BEA. 


430. Exciting disc debut 
of sensational new irter- 
national stor! 
THE TRAPP 
ILY SINGERS 
TH 


3 "n 
SOUND OF MUSIC 


246. Trapp famiy sings 
orite Thí 


Mi, more show “greats” 


AN MON OFFER 


Ki үа 


429. Trons-Allontic rec- 
ord breaker! De luxe 
Harlem Nocturne, others. presentotian package. 


457, New 
showpiece! 


mogrocve 
ori-lo, 


373. Hit file tune plus 
Let Me Be the One, Happy 
Birthday Ta Me, etc. 


951, 951A, 951B. The moi! popuor 
orchestra of our оре in 50 unforgettable 
numbers released for the first time. Reg. 
CP only. This 3.rocord set counts оз 3 
selections. Enter each number in 
separate space on card. 


‘My Fovorite Things, 
‘Moonglow, Picnic themes. 
TU Remember April, more. 


and Foolish, 


7. Magnificent new re- 377. Your 
an Spring: 


carding of dramatic ТУ Younger 
sore by R. Rodgers, time, 1 


220. Best-selling modern 
jazz album from the TV 
adventure series. 


258. Ronberg’s irresst- 
ible score magnificently 
sung by the late tenor. 
Breakfast at Tiffany's 
HENRY MANCINI 


mr 
ME 


346. Lucy with original 
Broadway cost. Hey Look 
Me Over, more show hi 


conduct by 

HENRY MANCINI d 
2. The original TV action 348. Won 2 Academy 327. Lilting Strauss 
^i Awords—for Best Score, wollzes ond overtures ia 
Best Song, (Moon River}! true Viennese style, 


Gershwin = 
RHAPSODY RUBINSTEIN, = 
GRIEG . 
PIANO А 
CONCERTO \ ¥ 


FROM THE RCA VICTOR RECORD CLUB... 


CORD 


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DUANE 
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423. 

Me Tender, When 1 Fell 
in Love, Moon River, et. 
AMERICA'S. 
BIGGEST-SELLING 
PIANIST 


FLOVD 
CRAMER 


382. With voices, stings. 
Your Lest Goodbye, Hang 
Or, Urchoined Melody. 


395. Thundering Toccolos, 
thrilling Prelude and 
Fugues bymoster organist. 


w 
FAVORITE è 
CHOPIN 


356. First sole recording | 
Includes C-Shorp Minor 
Woltz, Polonaise, others. 


(a fraction of 
what it sells for) 


Oe 
for IO days 


Choose Regular Hi-Fi or Living Stereo 


АКЕ YOUR CHOICE! Here is music to delight every taste— 
Como, Cliburn, Reiner, Rodgers, Atkins, Anka—all at their 
glorious best on RCA Victor Records, the greatest name in home 
entertainment for more than 50 years! 
HERE'S ALL YOU DO. 

Use the postage-free card provided here. Write in the number of 
the record you want for 10c (to help cover postage and handling). 
then add the number of the 4 records you want to audition free 
for 10 days, complete the card and mail it. You will receive your 
records within a few days, and a Trial Membership in the RCA 
Victor Record Club will be reserved in your name. You may keep 
the four records for just $1.00 (plus а small postage and handling 
charge) if you accept your membership and agree to buy 5 more 
records at regular Club prices during the coming year. Other- 
wise, simply return the four records within ten days at our cx- 

ense and your membership reservation will be canceled. 
е record you take for 10c is yours to keep in any case. 

What Can a Record Club Do for You? 

"There has never been a better time to see for yourself! Take any 
record of your choice for just 10c and 4 more, also your own 
choice, to "audition" free for 10 days! Choose pops, classics, or 
both— regular hi-fi or stereo. 


этч mo wtw 
и) кони, 

426. Ай the Things You 102. Muskro! Ramble, 

Are, Dem! Blame Me, Tin Roof Blees, Blue Pro. 

Thou Swell, топу тоге. lude; 12 in all 


E 
үш. стат 


214. Also Blue Skies, 
Goody Goody, The lady 
Bitzer, Critics Tony awards. Is a Tramp, 6 others, 


GENE AUTRY'S | | NEIL SEDAKA’S 
GREATEST HITS 
тш, 


432. Aho Breoking Up ls 
Stor In My Blue Heaven, Hard To Do, You Meon 
Lonely River, 10 more. ^ Everything fo Ne, more, 


LET THE GOOD TIMES ROLL] 


— sazz ov 


TURK MURPHY AN 


IM REEVES | CHET ATKINS 
ATOUCH OF | DOWN HOME 
VELVET 


OOL WATER 


meom 
kum 


ad 


PORTER WACONE 
SKEETER DAVIS 
Sing Duets (7^) 


125. June is Busting Out 
АЙ Over, Carousel Woltz, 
ether great show hits. 


291. Ано Red fiver Val- 
ley, The Lost Round-Up, 
18 Western gems. 


416. Just Walkin’ In 
Rain, I'm а Fool to Core, 
Ws Ño Sin, Wild Rose. 


383. A deren country, 
рор, swing, blues ond 
Blue-grass hits. 


we | 


SHOULD CARE 


| WORKSHOP 


378. Grubeck stor plays 280, Guitar virtuoso 
Like Someone In love, I've plays Lullaby of Birdlond, 
Got You Under My Skin, Marie, Whispering, etc. 


MEMBERSHIP MEANS ALL 


Right Away you get 4 brand-new RCA 
Victor Records of your own choice for far 
less than you'd normally pay for just one? 


You Enjoy Best-Selling Records by World- 
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Exclusive Magozine for Club Members, 
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Shop at Home, unhurried, relaxed ... you 
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Expert Guidance. The cditors of the Music 
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“Automatic Credit” is another member- 


THE PICK OF THE COUNTRY 
Original ВИ Vorsiens 
i Country Classics 


auttul eame: tenner Bod | 


375. BornTo lose, White 


Silver Sands, Comptown 
Races, Tho Lost Lerter, etc. 


413. Bouquet of Rosos 
(Arnold), Four Walls 
(Reeves), many тоге, 


374. Other great hits by 
The Browns, Don Gibson, 
‘Skeeter Dovis, erc. 


THESE “EXTRAS” FOR YOU 


ship privilege. You pay for your records 
after you reccive them, while you're 
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most cascs $3.98 per poy lisc, $4.98 
for classics. $1.00 more in sterco—plus 
postage and handling. 


Free Dividend Records. After you've 
bought five records at regular Club prices, 
you receive I record of your choice FREE 
for every two you buy. These Dividend 
records arc the same high quality, superb 
performances as the records you buy— 
and there is zo limit to the number you 
may acquire under this arrangement! 

If vou are like most music lovers, you 
are probably buving more records yearly 
than the modest number required to fulfill 
your membership agreement. Get these 


OF СОМР, 
‘The 81 records si 


advertising. 

this offer—only 
Classical stereo) 
the Club, of the 


NOW —SURVEY* SHOWS PRICE AND AVAILABILITY 


Victor selections offered to Clu 
how much you might expect to pay for such records, the 
independent research firm, Audits & 
Inc. recently shop 

the United States. 
actually charged for 20 records offered in recent Club 


SUMMARY OF RESULTS: The Club member accepting 
would pay $10.40 (for Popular hi-fi) to 523.92 (for 


survey. And no other source offered a wider choice than 


RCA 
e/o Reader's Digest Music, In 


Ноте 1 То You 4, Younger Thon Spring- 
Lately That I Love You, time, Some Enchanted 
Heaven Help Mo, Evening, 13 more hits. 


950 ond 95О-А.Н frst 

great Carnegie concert phonl encore Gppe 

long ine bestseller! Enco! The СІ Song, 
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hown here are typical of the great RCA 
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veys Company, 
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he researchers checked the prices 


$1 for any 4 records shown here— 
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jor Record Club 
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"extras" and real benefits for yourself 
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19 


PLAYBOY 


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gent white wince and do worse to an 
intelligent Ne: 


Peter Sellers raises comic hell in Heavens 
wood, 


al ation from his 
оп; he actually lives by his beliefs 
h confuses not only his comfy 
but also his 
hop. When a fa 
evicted from th 
greedy land-grabl 
them into the vicarage — clamorous kids 
and all. When he converts the lah-de-dah 
local patroness of the church to active 
C ty, she starts giving away the 
produce from her farms and creates crisis 
among the shopkeepers. The perils of 
practicing what you preach have long 
been a rich mine for irony, and the most 
i le here of a man of the cloth who 
1 not cut it to fit foibles. Sellers — with 
s. Midlands accent, and weirdo 
ut—has a goodly field day doing 
good, and Cecil Parker, George. Wood- 
bridge and lan Carmichael, as other 
clergymen, score with d . 
The Boulting brothers, whose Privates 
Progress and I’m All Right, Jack shafted 
the Army and trade unionism, respec 
tively, if not respectfully, are the pro- 
ducer-director team who took religion for 


are 
by some 
Smallwood invites 


RECORDINGS 


Although the title of Duke Ellington's 
latest album is Afro-Bossa (Reprise), be 
not misled into thinking that he and his 
orchestra 


Cootie Williams, 


nderson cloud- 


fine mus 
on Strayhorn- 
more meets the 


ington originals, much 
ar than Latin offshoots. 

Judy Henske (Elektra) is at her best 
(which is quite good, incidentally) when 
she is wailing, be it gospel or зау Јол 


blucs. Mi nt at- 
tempts at humor, however, are often fey 
and sometimes cphemeral, wasting LP 


time which could be put to much better 
use if Judy—a belting singer — simply 
sar 


Little Bird/The Pete Jolly Trio and Friends 
(Ava) kicks off with Jolly's hit single and 
continues on from there to provide a 
fine showcase for Pete's crisply inventive 
piano. Chuck Berghofers bass and 
Howard Robers’ guitar help add luster 
to such varied offerings as Toot Toot 


Tootsie and Falling in Love with Love. 


Richter in oly (Angel), was recorded 
“live” during a concert tour of the Boot 
by Sviatoslav n who 
many consider the supreme piano artist 
The recording of 
turing the Sonata 
No. 2 in G minor, lends credence to his 
supporters’ claims. Richter is an un- 
bashed romantic; his interpretation of 

Hier romantic, Schumann, is defini- 
in toto, moving, tender and 


Stove 8 Eydie ot the Movies (Columbia) is 
adio orchestra ticket to some of our 
favorite flick themes. Except for the intro- 
ductory bit of special material, To the 
Movies We Go, husband Lawrence and 
wife Gormé devote their attention to а 
full bill of the sound track s nicest sounds. 
"The cast includes Gigi, Days of Wine and 
Roses, Love Is Here to Stay (from The 
Goldwyn Follies) and The Second Time 
Around (Irom High Time). With Steve 
nd Eydie in charge, movies are better 
1 ever. 


Let us thank the permanence of vinyl 
for having Gerry Mulligan ‘63/The Concert 
Jazz Bend (Verve) on hand. The band, 
a sometime thing, and a financial non 
sequitur in this day and age, is imbued 
with а cr fervor and a high polish, 
1wo facets which normally preclude each 
other. Working off charts supplied by 
Mulligam, Bob Brookmeyer and Gary 
McFarland, the band has a fluid drive in 
its ensemble efforts, and sparkling solo 


(Capitol) is а bit too arch for our taste — 
what with snappy repartee, tonguc-in- 
vocals and whimsical instrumental 
gs peppering both sides of the 
record, you ig the evergreens for 
the corn. 


4 te Go! (Columbia) brings together 
André Previn, Shelly Manne, Ray Brown 
and Herb Ellis for a session chock-full 
ty. The boys break things 
up performing a quintet of their own 
compositions along with standard fare. 
n arc, of course, old 
musical partners, but Ellis and Brown 
were nev-found recording friends. New 
or old, everyone gets along famously. 


Mavis Rivers Meets Shorty Rogers (Reprise), 
and the pairing proves a salubrious one 
with Mavis putting forth some of her 
most unfettered efforts to date, as the 
Rogers horn ranges behind her. Shorty 
fronts an aggregation that shifts from a 
brass tentet through two thirds of the 
session to a string choir on the rem 
numbers, The set is n 
chosen material, including a trio of our 
favorites, When Sunny Gets Blue; a Cy 


you can try 
it like this 


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21 


PLAYBOY 


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22 


1 Leigh standard, The 
nd By Myself. 


Colem: 
Best Is Yet to Come 


Shelley Berman's New Sides (Verve) con- 
tains moments of comedic eloquence that 
approach anything Shelley has previously 
recorded. Two routines alone are enough 

ake the LP worth first has 
phoning а Yellow Page of doc- 
tors at 4 A.M. to get some advice on treat- 
ment of a cut finger: he elicits no more 
than aspirins and a hard time from most, 
winds up recommending that the last 
doctor he spe re of a bad 


cough. The second concerns itself with a 
former patient calling his psychiatrist to 
tell his mind goes blank whenever 


the word porcupine is mentioned. The 
word is mentioned frequently through 
out the routine, with conversational com- 
plications piling one atop the other. Two 
other longish monolo; 
finance com 


a clutch of comic gems. 


BOOKS 


In The Techniques of Becoming Wealthy 
(Pr il, 510), Richard Н. Rush 
assures us that “There are no shortages 
of opportunities for financial success in 
but adds, “even with the 
atest oppor tuni wealth cannot 
be created without knowing how.” Rush 
thereupon uries to tell us how, drawing 
on his own experiences (in real estate, 
and the loan 
few) and on the experiences of 
friends, the most eminent of whom 
is our own J. Paul Getty. Rush agrees 
with “the only way 
to make a good deal of money is 
own business"— and the launch 
nurturing of such is the book's main 
concern. Ami r things, Rush ex- 
plains when it is wise to borrow money, 
how to buy a concern with little cash, 
and how to play the stock. market. with- 
out losing one's shirt. (Daily trading, he 
warns, is strictly for professionals) In 
Rush's le ate ranks very near 
the top, and he ste ler through 
the intricacies of the field, from depreci- 
ation allo back. Among 
the more esoteric money-making means 
covered are foreign investments, com- 
modity-market speculation and the care 
and feeding of race horses. For the man 
in search of millions, the choices seem 
practically unlimited — and one of his 


first might be this informative treatise, 


business, to 


ces t0 le; 


Colin Wilson offers up two new books, 
fiction and nonfiction, but its really 
sex of one and halfa-dozen of the other. 
The Sex Diary of Gerard Sorme (Dial, 51 
is a sequel to Wilson's previous novel, 


WHICH CORVAIR MONZA IS THE 


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These cost cutting practices mean 
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“EXAMPLE: Оп a one day rental of a 
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line) is $8.50 compared to $13.50 at 
usual rates... your BUDGET saving: 
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If you rent a handsomely equipped 
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e You are fully insured against bodily 
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©1963 


ARIZONA 
FLAGSTAFF 
Phone 774.6352. 


D'nT'r AL 3.2134 
Airport 273-1336 


TUCSON 
Phone MA 3-9933 
CALIFORNIA 
LONG BEACH 
Phone HE 2-2951 
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"n DU 8-0425 
Airport OR 1-8225 
SAN DIEGO 
Phone CY 7-3851 
sm nas 
PR 6-3588 
pus] JU 3-1191 
COLORADO 
ASPEN 
Phone WA 5-7370 


DENVER 
Dats KE 4-1324 
йш 393.04 


PUEBL( 

Phone 942-3750 
ум 

Phone Minturn 6111 
FLORIDA 
COCOA BEACH 
Phone 783-7608 
JACKSONVILLE 
Phone 356-4247 
MIAMI 

Phone 633-0251 
ORLANDO 

Phone CH 1-5436 


TAMPA 

Airport 877-6051 
GEORGIA 
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Dint'n 525-4641 
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ILLINOIS 


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Phone FE 5-5217 
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Phone 224-3336 
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Phone МА 1-6822 
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OMAHA. 

Phone 348-0455 
NEVADA 


LAS VEGAS 
Phone RE 5-5311 


BUDGET IN ALL THESE CITIES 
COAST-TO-COAST 


NEW JERSEY 
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Phone 365-7988 
MM MEXICO 


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Phone 243 2888 


NEW YORK 
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Phone TL 3-4906 
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Phone 476-2191 
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CHARLOTTE 
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OHIO 

INNATE 


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Phone 228-1058 
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na 
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Phone 482-1428 


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Е 


1 PASO. 
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HOUSTON 

D'nT'n ЈА 9.3651 
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UTAH 

SALT LAKE CITY 
D'nf'n DA 2-5581 
Airport DA 2-5583 


VIRGINIA 
NORFOLK 

phone Ce 1377 
Di e m 643.6683 
меш Ge 6683 
Phone DI 5 1521 
WASHINGTON 
SEATTLE 

Phone МА 2.1962 
WASHINGTON, D.C. 
Phone FE 8-5185 


WEST VIRGINIA 
CHARLESTON 
Phone 343-4381 


WISCONSIN 
MILWAUKEE 
Phone BR 6-1633 


PUERTO RICO 
SAN JUAN 
Phone 724-8098 


Cur in Budget cities ot 
NEW YORK 

Phone YU 6-1830 
CHICAGO 

Phone РІ 6-4835 


PLAYBOY 


Ritual in the Dark. In that 


Stroke of Genius! — 5 


tic homosexual who w 

в Sorme for himself, and carved up seven 
Florida playboys improve jim-dandy formula | women in tc of trustraton. its 
"n үйө! Diary, Sorme carries on his carryingson 
-end fuss of mixing 432 Daiquiris! will swan Ше, айй ап hi n IBN ES 

He also gets involved wi 

black magi Sorme Ье 
secret of increased human consciousness 
lies in the s and the necro- 
mancer claims he knows how to prolong 
it. Friends, he doesn't. Wilson's other 
The Ori of the Sexual Impulse 
li 11 hi пісиоп, 
ап embroidered anthology. It’s devoted 
to his favorite thesis of vision through 


bisexual 


BACARDI 
Silver Label 


venery, and it claims to be a work of 

SHAKE OR STIR WITH ICE UNTIL VERY COLD existential psychology. It could as rea- 
* Limeade, lemonade ог Daiquiri Mix—if fresh truit is p кй ar wayk SHES 

used, substitute juice of 1⁄2 lime or lemon and ¥2 tsp. sonábly be called a work of anthrope- 

sugar for each 2 tsp. of concentrate; substitute juice logical astronomy or Uncle Colin's 


of 9 limes or lemons and 3 tablespoons sugar for each 


Of 9 limes or lemons, and 3 tablespoons sugar (ог each Dream Book. Wilson burrows in bed- 


rooms but doesn't explain the origins 
of the impulse nor provide any ratio 
for his thesis. This youthful nongenius 
ms to have reached the 1 of his 
grope. IUs hard to choose between the 
artistic ineptness of Diary and the May 
fly intellect sm of Origins. For the 
sake of fairness, skip both. 


A Sense of Reality (Viking, $3.50), Graham 


Our old formula went to 216 Dai- (3) muster a Bacardi Daiquiri 

quiris—which seemed enough in the Party. Incredibly simple. 

old days. But Florida playboys Тір: the original Daiquiri was 

asked the logical question: suppose made with Bacardi — the best still 

we invite twice as many people? аге. Impress your friends by point- 
So in deference to right-thinking ing this out. You know—off- 

we publish this enlarged version of handedly. 

the remarkable little formula for 

mitine Ше Кишер ыч BACARDI Greene's collection, of four new motes 

E s GS one long and three short, finds the old 


(2) read across for the ingredients, © Bocordi Imports, Inc, NY. Rum, 80 Proof | Illusionist up to some of his old tricks. His 
: narrators and characters still have the air 


7 ya, of voya from lost worlds 
г where not only illusi but 

past and present, childhood and adult- 
hood, flesh and spirit merge. The long 
story, Under the Garden, is a virtuoso 
piece, an elaborate exploration of the 
idea that “the Child is father of the Man,” 
an idea to which Greene has held with a 
tenacity matched only by that of Sigmund 
Freud. In the last story, 4 Discovery in 
the Woods, he combines the childhood 
theme with a device familiar to readers of 
science fiction — the present of the story 
turns out to be our future, the past our 
nt. IS all done with mirrors—stories 
dreams within dreams. But 
«су, his effect is achieved by such 
detail as the description, in Under the 
Garden, of а mythical treasure-trove 
which includes “toothpicks of gold, and 
swizzle sticks, and little spoons to dig the 
x out of your cars, of gold, too, and 
rette holders . . . and а portrait of a 
dancing girl in gold and enamel, with 
"Haidec inscribed im what I suppose 
When Green don't 
s sometimes happe: becausc 
the patter has become so ini а that 
the trick seems superfluous: the mecha- 
d nism creaks away and we find. ourselves 
The pre-electric shave with “wake-up!” Mennen Prop! | finally confronted with, not the rabbit 


emerging from the top hat, but, since 


Props up your beard for a clean, close shave...and wakes up | Greene is a r gious magician, the god 
your face with a clean, refreshing tingle. Get Mennen Prop. { ) | fom the machine. 


ALSO AVAILABLE IN CANAOA [У] 


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Y, The model j LEVIS STAGS—sleek and slim 
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Sizes 26 to 36, in smart Fall shades just 
$6.98 At your LEVI'S Sportswear style center, 


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26 


Each bottle of Rose's has a most savory past. 


Only 
the Indies 
canturn limes 
into Rose's 


шщ 


Only Roses 
can turn gin or 
vodka into Gimlets 


sweetened with pure cane sugar and bottled— 


It begins in the West Indian isle of Dominica, pure, unique Rose's Lime Juice. / And now 


where limes grow full and succulent. After 


the Gimlet. Sensational. A change of pace 


they come of age, Rose's limes are gathered, from ordinary cocktails. 4 or 5 parts of your 


sorted, washed and crushed. The juice is 


favorite gin or vodka. 1 part of Rose's. Stir. 


shipped to England and left to settle in huge Pour over ice in an old fashioned, champagne 


oaken vats. Finally it's blended, filtered, 


ог Cocktail glass. Stir once more. There, 


no wonder it's famous! / There are all sorts 
of other tasteful ways to liven your spirits 
with Rose's. Sours, Bloody Marys, Collins, 
Tonics, Lagers. For all recipes write: 

L. Rose & Co., Ltd., 445 Park Avenue, 

New York 22, New York. Rose's Lime Juice— 
best thing on a bar since bitters. 


THE PLAYBOY ADVISOR 


Мі... of your comments аге under- 
standably directed to the cause of pre- 
serving bachelors from gaucherie and 
cloying alliances, but the question of 
standards alfecting the young married set 
seems also to need a definitive — or at 
least an. honest — answer. My bride and 
I, now in our carly 30s, have successfully 
made our way through the threadbare 
postcollege years, and with the kids in 
school and a comfortable income assured, 
are beginning to enjoy some leisure and 
expand our horizons once again, Herein 
lies the problem: one of the girls in our 
crowd is a delightful creature with whom 
1 coukl enjoy a relationship more pe 
sonal d 
the fecling is clearly reciprocated. Simi 
larly, her husband and my wife are 
developing an equally sympathetic rap- 
port. Lately the four of us have been 
talking about a weekend boating trip 
together, and the tacit understanding 
seems to be that the port and starboard 
watches will be subject to an exchange 
of personnel for the voyage, isolated 
from the prying eyes of those with a 
proclivity to gossip. The stumbling block, 
of course, is the insistence by socalled 
"experts" on. marital relations that this 
sort of hanky-panky will rot the moral 
fiber, cause ulcers, falling hair, and pre- 
sumably, the gout. The illogic of this 
position is that the alternative can only 
be secret, hasty extramarital flings, with 


n that of a bridge partner, and 


all the guilt that such dishonesty pro- 
duces. We are sophisticated, happily 
married adults seeking an intelligent 
answer to what must be a widespread 
problem. Don't you think this is one 
area where there is room for a fresh re- 
appraisal of standards? Your magazine 
scems to be the only source of healthy 
thinking on the development of social 
and sexual mores under today's condi 
tions. — S. M., Galveston, Texas. 

We seriously doubt that the arrange- 
ment you suggest will produce a more 
satisfying, healthy and happy marriage. 
Wife swapping is not really an “alterna- 
live" to the dishonesty of an illicit affair 
— both are symptomatic of an inadequacy 
in the marriage or in one of the mar- 
riage partners. This sort of mixed doubles 
may not cause ulcers, falling hair or 
the gout, but only the most unemotional 
and sophisticated of couples could sail 
through such rough, uncharted waters 
without any effect on their relationship. 
We suggest that you stow the plans for 
a switcheroo and concentrate on expand. 
ing your horizons — both in and ош of 
bed — together, rather than with some 
outside party or pair. 


Ws it ever proper to wear socks that are 


lighter in color than one’s suit? — L. J., 
Dallas, 
No. 


[ГЭ uring the two years that I've been at 
Harvard I've read PLAYBov faithfully 
and have become both a devotee of 
and an expert on living what may be 
termed the “playboy life.” Only trouble 
is, I'm rapidly losing my hair and am 
likely to continue doing so. The embar- 
rassment attendant to this situation 
makes me ask for advice — or at least 
wonder what your advice would be. How 
about it: Can one live a rewarding college 
social life while in the process of bald- 
ing? Can this be accomplished through 
some conversational gambit, or through 
some attention-distracting or -manipulat- 
ing technique? ЇЇ be grateful for what- 
ever light you can shed on this problem. 
Cambridge, Massachusetts. 

А man’s physical appearance — his face 
and stalure, as separated from his groom- 
ing and the way he dresses, which help 
project his personality — is one of the 
least-important factors in getting on well 
either personally or professionally. What 
counts ts the inner image that a man 
has of himself and how he projects that 
image to those around him. Premature 
baldness will undoubtedly make you ap- 
pear older than your years, but this can 
actually be turned to your advantage: 
The most desirable females these days 
seem to strongly favor older, more- 
mature males, so this gives you an added 
edge over fellows of your same age, if 
you develop the maturity to go along 
with your appearance; similarly, in busi- 
ness, the opinions of the olderlooking 
man are more apt to be listened to and 
taken seriously. As the years pass, of 
course, the lack of hair will matter less 
and less, for a number of your compatri- 
ots will jom you in the Brynner brigade. 
We have known many bald, short and 
Physically unattractive men whose man- 
ner, style and personality put them head 
and shoulders above their contemporar- 
ies, who had hair, height and good looks, 
but very little else. 


Ё have two questions: Is there a proper 
way to open a champagne bottle (I be- 
come all thumbs when called upon to 
separate cork from bottle); and must a 
towel be wrapped around the bottle in 
order to serve it correctly? — W. White 
Plains, New York. 

Opening a champagne bottle is a fairly 
simple operation. First, remove the wire 
and foil; hold the cork with one hand, the 
bottle with the other, Then (and here's 
the gimmick) twist the bottle gently until 
the cork comes out with a discreet but 


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PLAYBOY 


28 


discernible pop. The towel around the 
bottle is partly functional, partly custom. 
Years ago, when bottling was not nearly 
the science it is today, there was a chance 
that the bottle might explode in one's 
hands as one tried 10 work the cork out; 
the towel acted as a shield. Today, the 
towel’s sole function is to absorb the 
moisture picked up from the ice bucket, 


Any opinion on wedding bands for 
men? I contend they have a henpecked 
bout them; a friend maintains that I 
should be proud to wear onc — that is, if 
Im h icd. 1 am, bur T still 
ng on the finger is analogous 

a ring through the пове. Н.К. 
South Bend, Indiana. 

The wearing of a wedding ring is 
largely а matter of personal taste for 
the male half of a marriage, but we tend 
to share your prejudice and feel that a 
gold band on the third finger, left hand 
of a man suggests less a happy marriage 
than a henpecked hubby, who wears it 
to keep out of trouble at, and away from, 
home; or else a guy so egocentric that he 
considers himself irresistible to the oppo- 
site sex and thinks he needs the wedding 
band to fend off other hopeful females. 


have to take exception to your March 
Advisor answer, re the Danish airline 
stewardess who smoked a cigar. It is a 
ure to behold a woman who is an 
individual and who doesn’t give a damn 
about silly female convention. She de- 
serves a pat on the back. Her friend may 
not know it, but he is indeed a fortunate 
fellow.— M. L., Beverly Hills, California. 

We admit we were a mite hasty and 
allinclusive in our answer. We don't dig 
distaff cigar-smoking when it is merely 
an affectation or attention-getter. But 
since the female in question smoked ci- 
gars as a natural part of her ethnic 
background and upbringing, and since 
the cigar's size and shape weren't gro- 
tesquely unfeminine, we'll have to amend 
our previous appraisal and concede that 
the Danish stewardess was only doing 
what came naturally. 


Hs there really any wash-and-wear suit 
an be worn alter i 


fabric that 


had 


ans, Louisiana. 

АП wash-andawear suils require some 
touch-up ironing if they are lo be wrinkle- 
free. However, the big plus of а wash- 
and-wear suit is in the wearing — that is, 
in its resistance to wrinkling and the 
ability of trousers to hold a crease in hot, 
humid weather. But if you want your 
suit io be as smooth as your approach, 
you'd better press on regardless. 


ММ... speed records in everything from 
jets to foot-racing falling like matchsticks 
these days, my curiosity has been piqued 
as to who and what hold the world's 
landcspeed record? I wouldn't be sur- 
prised if racing cars were approaching 
the speed of sound by now. — S. M., New 
Orleans, Louisiana. 

Actually, the world’s land-speed record 
has remained unbroken for over 15 years 
Back in 1947, John Cobb streaked across 
Utah's Bonneville Salt Flats in the Rail- 
ton Special streamliner to cover the mile 
distance at a speed of 393.8 miles per 
hour (average speed over a two-way run), 
Mickey Thompson managed to hit 406.6 
miles per hour in 1960 at the Flats, but 
his Challenger 1 broke down before 
Mickey could make his return run, so 
his clocking could not be recognized 
officially. They've still got a far piece to 
go, however, before they reach the sound 
barrier — 741.8 miles per hour at sea level. 


SSome time ago you helped a reader 
who asked for a list of recordings that 
would come in handy on an evening 
when the ts were low and he and his 
e were alone. The list was a good one, 
but largely in the popular vein. I am in 
that samc situation, only this chick digs 
classical music. Would it be too much 
trouble for you to make up a list of 
"sexy classical selections"? Sinatra doesn't 
but Chopin might.— B. M.. 
New York. 

These masters should help you strike 
a responsive note with your highbrow 
belle: Chopin's “Les Sylphides,” Ravel's 
"Daphnis et Chloé” (or his more pat 
“Boléro”), Respighi's “The Fountains of 
Rome,” Beethoven's “Violin Concerto," 
and Tchaikovsky's “Romeo and Juliet.” 


The git with whom I am currently 
engaged (physically, that is) insists on 
being in complete charge whenever we 
become intimate. The first time we 
dated, I was rewarded with ап unbut- 
toned blouse (not of my doing) after 
only a few kisses. But on the next date, 
when I went for the buttons, I was set 
back with a stern: “If you want me un- 
dressed. ГИ do it myself.” Is she suffering 
from some psychological disorder or is 
she simply overly helpful? Any sugges- 
tions? — В. W., Des Moines, lowa. 

Ij her dominating attitude makes you 
uncomfortable it might be well for you 
to zip out of the relationship. Sex, at its 
best, should be spontaneous — with no 
inhibiting either partner. If 
your girls desire to take the lead shows 
up in other ways as well, chances are her 
psyche requires her to undo her beaux 
as well as her buttons. 


“rules” 


AA triend of mine claims that someth 
called “Napoleon 


g 
brandy is the best in 


the world. I claim there really is no such 
thing, that the term “Napoleon” brandy 
was made up by an advertising agency 


and that it is not generic. Who's right? 
— R. T., Dallas, Texas. 

You're partially right. The phrase 
“The Brandy of Napoleon” is registered 
with the United States Patent Office by 
Courvoisier for its cognac. One of the 
early Courvoisier clan served in the 
French Army under Napoleon, and it 
wos through him that Bonaparte became 
a Courvoisier fancier, thus giving the 
firm the right to use the phrase. A re- 
current myth to the effect that brandy 
bottled in Napoleon’s time is still avail- 
able is just that. There may be a bottle 
or two tucked away in some forgotten 
corner of a wine cellar but you wouldn't 
want to drink it, because chances are air 
would have seeped past the age-shriveled 
cork. And, of course, the amount of time 
a brandy spends in the bottle will en- 
hance its flavor not one whit; it’s the 
time in the cask that counts. 


Past what length does а man's ciga- 
rette holder become affected-looking? — 
M. М., San Francisco, California. 

Four inches. 


Please forgive what I fear may be a 
dreadful intrusion into the private mas- 
culinity of your magazine. But I have a 
problem that (alas) no woman's ma 
would dare answer. My problem is simply 
that I was foolish enough never to have 
yone's playmate until my hus 
ud І were married, and now I 
feel the lack of experience is woefully 
apparent. Could you please help me?— 
L.R., Albuquerque, New Mexico. 

Hell no—your husband might walk 
in! But he can — and should — help you 
by (1) being patient, and (2) buying any 
one of several good books on the subject 
of sexual technique. (Among them: “The 
Marriage Art” by Ру. John F. Fichen- 
laub; “The Art of Love" by Dr. W. F. 
Robie; "The Art and Science of Love" by 
Dr. Albert Ellis; “Sex: Methods and 
Manners” by Louis Berg and Robert 
Street; and Havelock Ellis’ classic, “The 
Dance of Life”) 


АП reasonable questions — from fash- 
ion, food and drink, hi-fi and sports cars 
to dating dilemmas, taste and etiquette 
—will be personally answered if the 
writer includes a stamped, self-addressed 
envelope. Send all letters to The Playboy 
Advisor, Playboy Building, . Ohio 
Street, Chicago 11, Illinois. The most 
provocative, pertinent queries will be 
presented on these pages each month. 


Music to set the mood for playboys and their playmates 
on 12” €= Long Play Hi-Fi Albums 


Choose any Э Albums 
Pay only 9/6... 


when you become a trial member of the Capito! Record Club and agree 
to buy only six future selections, from the several hundred available 
Capitol and Angel Albums to be offered you, during the next 12 months. 


16.08, JACKIE GLEASON: 
SAND 


Pak Rowe, 7 mare Wih 
How Abou Me more 


Bly" Moy wings 


JACKIE GLEASON 


ANNA T. A 
MOFFO 74]. 


MOZART| 


15:4. GEORGE SHIARING/ 


U 17.53. THE 4 FRESHMEN. 
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sie 
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J " . INATRA: š 
Зову 8 eo ЧАШ 1 CAPITOL RECORD CLUB- “The Record Club of the Stars” + Dept. 5429, Scranton 5, Pa. 
2 Rush me FIVE hit albums I have listed by Here's how 
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CANADA: Mail to—Capitol Record Club ef Canada, 41 Bertal Rd., Toronto 15 | CR-169 тз 


PLAYBOY 


30 


Beer cans will never be the same again 


^ SNAP! IT'S OPEN! 


...another new development from Alcoa 


Acan that almost opens itself. The opener? Attached to the can top. And, the 
top's made of light, strong, friendly-to-flavor Alcoa® Aluminum. Beer in this 
great new can is available now in many geographical areas. It will be available 
Soon to every brewer who wants to offer this new opening convenience. 

This is just one of the many new packaging ideas for foods, beverages, 
drugs and household products coming to you these days from Alcoa. 


What next from Alcoa! ALC OA 


conclusion THE PLAYBOY PANEL: 
1984 AND BEYOND 


one of a series of provocative conversations about subjects of interest on the contemporary scene 


PANELISTS 
Sciencefiction-fantasy writers POUL AN- 
DERSON, ISAAC ASIMOV, JAMES BLISH, RAY 
BRADBURY, ALGIS BUDRYS, ARTHUR C. CLARKE, 
ROBERT A. HEINLEIN, FREDERIK POHL, ROD 
SERLING, THEODORE STURGEON, WILLIAM 
TENN and A. E. VAN VOGT. (€ 
raphies will be found at the beginning 
of Part One in last month's issue.) 


PLAYBOY: Last month we be 
posium of prognostications life 
in 1984 and beyond with the subject of 
space exploration. Most of you pre- 
dicted that the Russians will be the first 
to reach the Moon, but that lu cal 
c Venus 
and the other planets, will ultimately 
be explored and colonized under inter- 
nai jurisdiction. With a dissen 
view from Dr. Asimov, the rest of you 
went on to prophesy that we are more 
than likely t encounter many forms of 
extraterrestrial life in space — possibly 
including beings more advanced than 
man both culturally and technologically, 
though perhaps totally alien not only in 
appearance but in psychology. society 
and intellect. Discussing the one disastei 
which you felt. might prevent these 
prophecies from coming true, many of 
you viewed nuclear war, triggered by 
accident or miscalculation, аз а grim 
probability — while conceding that 
lization as we know it” might possibly 
survive such a cataclysm. Barring war, 
ion of competi 
on the eco- 


te, аз well as that of M 


nomic fronts, but also 
the possibility of a U.S-U.S.S.R. alliance 
catalyzed. both bv coinciding cultures 


and by the mutual threat of Red Chinese 
belligerence. But perhaps even more 
than potential, 
you felt, is its proliferating population 

wd that of the entire planet. You 
predicted the exhaustion of available 
living space and e food suppli 
possibly within our lifetimes, if the pres- 
ent annual inercase in world population 
is allowed to continue at its present 
geometric rate. You foresaw the neces- 
sity of plankton farming, whale ranching 
and extracting food from rock in orde 
to feed the popu nd such me 
ures as compulsory chemical contracep- 
tion, abortion, infanticide, sterili 
and genetic control in global practice 
methods to stem the human tide. You 


China's 


war 


ion; 


iücipated also that genetic selection 
and manipulation will be used to breed 
human beings of exceptional intelli 
gence, creative imagination, physical 
strength and resistance to disease: but 
you expressed grave doubts about our 
pility to decide wisely who should be 
empowered to select which individuals 
will be allowed to breed — and for what 
specific waits. In appraising the impact 
of enforced genetic control on the func- 
tion and status of the family in 1984, 
opinio divided between those who 
felt that marriage will become obsoles- 
of testtube babies bred 
aised by the state: and those who 
convinced that the institution 


were 
would continue to flourish because the 


family-secu 
т and not of society. 
discussion ended as we 
subject of nonmatrimoni 
ihe relationship between 
Algis Budrys responded with the proph- 
есу that "the concept of a social or sexual 
norm will become nearly meaningle 
in an age of unprecedented social free- 
dom and permissiveness. Do you aj 
gentlemen? 

CLARKE: Todi revolu- 
tion is an carthquake of the first magni- 
tude in terms of its current and future 
impact both on the foundation and su- 
perstucture of human society. The arbi- 
trary barriers between the sexes — along 
with the arbitrary bonds of marriage — 
are destined to dissolve. 

POHL: I agree. When we're finally able to 
jotics and 


ty drive is in the nature of 
Part One of our 
nroduced. the 


Sexes. 


buy nonprescription o, 
contraceptives over every dru 
ter—which [ would guess will come to 
pass within the next few years— bingo, 
there goes the last surviving major threat 
of venereal disease and pregnancy. Just 
as the diminishing social and economic 
need for the family is bound to remove 
all but the moral and legal pressures to- 


store cou! 


ward mono 
the v 


nancy 
but the mora 
pre and extr 
of u dollar from an u 


id, even if we knew we 
ay with it, But in practice, 
e 


ld get a 
how long could dealers afford. to 1 
guarded if it weren't fc 
the general knowledge that there are 
policemen? In practical effect, then, con- 
waception, penicillin and the emancipa- 


Asimov: Robots capable of performing 
manual tasks more efficiently than hu- 
man laborers will render the lower grades 
of human being rather obsolete. 


nupevs: Emancipation from death may 
not become a reality in our generation, 
but some of our children will live ac- 
tively and usefully for perhaps 200 years. 


f 


AN “айй, 


We will explore the possibilities 
of sex multiplied by telepathy, so that 
you experience not only your own sen- 
sations but also those of your partner. 


POUL 


ing, maybe even smelling, the same old 
small-screen slop blown up biliously on 
wallsize screens in 3-D and living color. 31 


PLAYBOY 


32 


YAN voct: A class of chemicals will af- 
fect specific arcas of the brain, seck out 
that tiny spot which is charged with rage 
or [rar — and cancel out the charge 


TENN: Í can think of no potentially 
greal advance in technology or human 
relations which man won't find a way to 
subvert into а historic мер backward. 


STURGEON: | can't help getting impatient 
with this prognostication about how we 
must continue to remain as stupid as we 
ате. Ds just not going to be so. 


When brain stimulation bi 

comes possible without putting electrodes 
through the skull, psychoelectronics will 
be used not just for therapy but for kicks. 


ANDERSON: 


tion of women have abolished the sexual 
police force. Hence only the social 
bitions remain. 

PLAYBOY: How potent will they remain? 
POHL: In my opinion, not very. For | sug- 
gest that the pulpits and the schoolbooks 
and the editorials which preach the vir 
tues of purity and monogamy are voices 
which no longer speak for society. What 
speaks for society, first and foremost — 
thanks to the subliminal excavations of 
onal research g- lt 
xiom that sex sells. My corollary 
to that axiom is that sex o sells sex. 
When a commercial shows a luscious 
babe racing out of the surf and flinging 
herself dripping wet, in an attitude of 
bandon, onto the sand beside a hand- 


ahi- 


idvert 


some, virile guy who proceeds to thrust 
a mentholated filtertip cigarette between 


her pursed lips, its saying that smoking 

mentholated filtertip cigarette equals 
sex equals fun. Now please don't a 
body say that nobody needs to be told 
that sex is fun. Sensually speaking, of 
course, it’s a truism; but in terms of so- 
cial acceptability, it's still a pretty racy 
notion, Nevertheless, day in and day out, 
hour alter hour on the TV screen, iu ou 
newspapers and magazines and ou bill- 
boards, Madison Avenue is pounding 
home the message that we should think 
of sex in terms of fun and g 
sort of evide: es to me that the 
association o[ sex with sin is on the way 
out in precept as well as in practice. 
Hence 1 foresee extracurricular sex, that 
is, sex for recreation rather than pro- 
creation — continuing to become more 


mes. This 


ce indi 


phenomenon — and without th 
ant aftertaste of bitter recrimina- 
tions and/or gravid consequences tradi- 
nally attendant upon such 
dangereuses. 
CLARKE: ГІІ go further than that. In our 
advertising and in our everyday lives, E 
predict we shall be facing up — probabl 
within our lifetim and without. the 
present hysteria — to the elementary fact 
of nature that men are not merely polyg- 
amous but ambisexual, at least before 
being brainwashed by society. 

TENN: Man's multifarious sexual customs 
have been described by a British zoolo- 
ist as characteristic of « primate horde. 
He studied the mating habits of a group 
of gibbons and orangutans and con- 
cluded that man has invented по new 
perversions. If you put а bunch of | 
mates of the same species into any given 
enclosed area, sooner or later everybody 
will do everything to everybody 

POHL: Tru rried intercourse 
becom 1 holding, we 
can expect that group sex in every con- 
ceivable permutation and combination 
will become as commonplace as bridge 
parties. [can even imagine a profitable 
new field for some future Arthur Mur- 


liaisons 


y. Just as you now sign up to learn a 


new dance step. you might register in 
1981 for personal tuition in the tech 
nique of sexual intercourse — an area in 
which 1 venture to say that 99 out of 100 
Americans consider themselves just a bit 
under ; And [ don't think it will be 
too many years before we begin to cx 
plore the possibilities of sexual pleasure 
multiplied by telepathy, so that you ex 
perience not only your own sen 
but 
you're able to read his or her mind. 
PLAYBOY: Do you forese 
in the realm of enhancing sexual pleasure 
chemically —in particular through the 
development of the effective, nontoxic 
phrodisiac man has always dreamed of 
possessing? 

BUDRYS: A technologie: 
completely dissociated sexu, 
from procreation will 
mass-manufacture 
countless drugs 
scription for 
and prolonging on 
ANDERSON: | don't sce any reason, for 
example, why we couldn't develop a safe 
contraceptive-potency pill for men and 
women which would absolutely 
us from impregnation while making us all 
as athletically and inexhaustibly potent 
as we like to think we are. Paradoxically 
this might lead to a deemphasis of sex — 
in our thinking, if not in our daily liv 
for beasts about virility would become 
meaningless as our doubts about virility 
disappeared. Thus — with the maximum 
of ability combined with the maximum 
of opportunity in a liberated society — 
sex might begin to lose both its mystery 
nd its obsessive importance. 

PLAYBOY: Experiments with LSD, peyote 
and the other hallucinatory drugs would 
seem to have opened the door to many 
new horizons in the dramatic expansion 
of man’s sensory capacities. Do you fore 
see the use of these psychochemicals as 
а means of intensifying the pleasure of 
sexual experience? 

POHL: It's a damued-good guess that if in 
1984 you feel depressed it will be because 
you want to feel depressed: if you don't, 
you'll need only open your medicine cabi 
nct to feel just about any way you want — 
including crotic to the nth power. I can 


Iso those of your partner, because 


any new frontiers 


society which has 


1 pleasure 


nevitably devise, 


and use with gusto 


protect 


envision, for example, a slightly de 
natured variant оГ LSD which. would 
"duce а state resembling paranoia — but 


mful or lasting effects, and 
without LSD's rather asexual properties 
in order to perceive intense sensory 
phenomena that the normal mind doesn’t 
even notice, Add to this a few extra in 
redients to produce just the proper 
touch of schizophrenia 

you to render yourself oblivious to every 
thing not directly related to sex itself 
Compress it all into a single pill — and 
you'll be able to experience a transcen 
dental orgasm that any Reichian would 


which will enable 


Sell his orgone box to attain. Of course, 
we've had a pretty good primitive drug 
for releasing sexual inhibitions on the 
market for some time; we call it ио 
But that’s kid stuff. Why should we limit 
our ways of getting bombed to those 
provided by the happenstance products 
of fermented plant life? Let the chemists 
cook up some new alcoholic libations 
smoother, more palatable, odor- and 
hangover-free. Or let's not bother with 
alcohol at all. Other selective poisons 
‚ like the toxins elaborated. 


writing eters 
got on a by incubating smallpox 
Viruses: nice Hush, nice delirium, nice 


sense of sp: d temporal disorier 
tion; while at the sime time they dosed 
themselves w antibiotics so that they 
wouldn't get too sick to enjoy themselve 
ANDERSON: I can think of less heady but 
equally exciting possibilities for psycho- 
chemicals in the cure and prevention of 
mental illness, If schizophrenia, for ex- 
ample, is really a metabolic disease, as 
many experts believe, then a chemical 
cure for it will probably be found rather 
soon. I personally believe that neurosis 
ad psychosis themselves will eventually 
be matters for physic atment rather 
than for psychoanalysis. 

VAN VOGT: І look forward to a class of 
psychochemical pills which w 
off the body upset created by 
of emotional disturbances. LSD and the 
other current drugs of cher 
aren't the answer, Im thinking of chemi- 
cals which will affect only specific areas of 


the brain, seek out that tiny spot which 
is charged with е or fear or guilt — 
and neatly cancel out the charge 


ви! This would сусти: 
course, to the extinction of all the “talk” 
psychotherapies: and a society devoid of 
Freudians, [и is and Adle з strikes, 
me as Utopian almost by definition 
ANDERSON: Allied with cyberneticsoriei 
ed neurology, psychochemistry is on the 
threshold of givi precise physical- 
sc wderstanding of the human 
psyche which may someday enable us to 
explore and exploit the ultimate poten 
tialities of the human organism. At pres- 
cnt we just don't know what they are, 
But we do know that a man can be tuned. 
aud trained to a fantastic physical 
mental pitch. Can we find chemical w: 
10 endow every norm 
with the physical coord 
wire performer, the intellectual power of 
an Einstein, the serenity of a Buddhist 
м? Once we have a background of 
1« comprehensive knowledge, I 
can and will. 
] think it would be relevant, 
at this point, to suggest another line of 
i research in this uncharted 
t0 presage no less pro- 
about the human mind. 
For some ycars now, using a technique 


ly lead, of 


nce u 


area which seem 


found discoveri 


alled stereotaxia, medical scientists have 
been mapping brains. They damp the 
head of à cat, a monkey or a hum: 

rigidly in a frame and by manipula 
three thumbscrews, one for each. dime: 
sion, they can position an electrode pre- 
ely where they want it deep in the 
tissues of the brain. This way they can 
stimulate tiny areas and chart the reac- 
tions. Not only have they found out what 
they 
lual 
fingers, Not only have they learned to 
locate and operate the motor centers, but 
they cin do the same with the sensories, 
and with such higher functions as speech 
Î memory, and such complex emotions 
as pleasure and anger and fear. 
ments like these, in the past two 
have explored more deeply into the 
brain, and through it. the labyrinth of 
the mind, than humanity has probed in 
the past two millennia. You just don't 
make breakthroughs like that and expect 
life l society to amble on as before, 


ANDERSON: You certainly don't. Psycho 
electronics has already gota lot of people 


terribly fearful — and terribly hopeful for 
the same reason. Rats wired up so that 
they can turn on the current in their 
cephalic pleasure centers will forgo 
everything else day after day — sex, sleep, 
nourishment — just to keep pushing that 
peddle, some of them to the point of 
exhaustion, others to starvation. And it 
seems to have the same sort of effect on 
humans. In one case I know of, a terminal 
cancer patient was given a few minutes 
of stimulation, and spent many hours 
alterward happy, energetic and free of 


ccessity of putti 


electrodes through the skull, we can cx 
wide- 


pect to see psychoelectronics i 
spread use not just for therapy bu 
for kicks. There are dangers, of course, 
but they don't seem any more risky tl 
those of euphoric drugs. Electronics, in 
fact, may olfer us the only euphoriac 
with no unde: ide effects. 
-philosophical 
1 to be headed for — predi- 
cated on the premise that man is а kind 
of experimental organism in a laboratory 
run by man—it seems to me that all 
the fine pigeonhole distinctions between 


good and evil, worth and worthlessness, 
will be simplified down to the twin cri- 
te a 


rticipate in, therefore, 
a | age of sensua 
spawned and nurtured on eve 
finements in the chemistry and electronics 
which induce ıatory phenomena 
— phenomena which in effect will move 
the theater out of the TV set and into 
the interior of the skull. This will be- 
come | ly true when pleasure 
ol nees to the point of 
nd purpose to these 
ad raw 


cw re- 


troducing 


plot 
hitherto random hallucinations a 


CLARKE: Man will devise an electronic 
horn of plenty which I call the Replica- 
tor; it will be able to manufacture any 
object from a coded matrix. 


визи: It’s possible that some sort of 
fasterthanlight interstellar propulsion 
will be discovered before we get manned 
rockets any farther out than Jupiter. 


BRADBURY: The important thing is that 
the race is on the move, and that we, as 
writers, have long dreamt of this move- 
ment and cannot help but be exhilarated. 


1 
ài 


a 
HEINLEIN: What will our children accom- 
plish? Take the wildest speculation, square 
it, cube the result, and the answer still 
won't be big enough to match the truth. 


33 


PLAYBOY 


34 


DO $5.95 SLACKS GO WITH A $15 SPORT SHIRT? 


H, D. Lee Co., Inc.. Kansas City 41, Mo. 


Yes...when they have the authority of Lee Blendrel Twills 
made of Fortrel? and cotton 


Nobody thinks of Leesures as $5.95 
slacks. Leesures are Leesures. The look 
that has become the signature of the 
young generation. And Fortrel protects 
that look. It's the modern Celanese poly- 
ester that keeps the wrinkles out and the 


crease in—even when you go the wash- 
and-wear route. Lee's Blendrel is afine- 
line twill of 50% cotton and 50% Fortrel 
polyester..‘'thefiberthat keeps its prom- 
ise."™ Classic ivy or continental style in 
Loden, Sand, Black-Green, Black, $5.95. 


NOLIT T 


stimulations. We will soon be assaulted by 
assorted Spansules which actively and 
explicitly direct the course of dreams or 
ack, and by low-voltage 
fe for children —which weave 
to soarü з of sensa- 
tion. 1 have bec ga close parallel 
to show business because I am positive 
ion will greet these 
nother appe 
world. Some nations 
ure monopolies 
while others will reaffirm their faith in 
the free-enterprise system with freelance 
technic performer 
ducers, directors, costumers, set desi 
and scriptwrite 
moth pleasure-drag m 
Holly studios, 
PLAYBOY: You foresee, then, an explosi 
of technolo: clopments and dis 
coveries which promises to enlarge and 
- hopefully — e 
lect, emotions, 
edge. Do you ant 
strides ii 


draw 


nder cont 


tions. 
ipate simila 

h for complete compre- 
ry of the human body 


SERLING: Well. this may be pretty small 
potatoes in the technological world of 
1984, but | envision hly sophisti- 
cated computing machine programed to 
mptoms, conduct blind- 


y known dises 
k we can expect to see 


even more spectacular advances in the 
field of curing illnesses — such as major 
breakthroughs in the п ion ol 


whole оган». and less dra but more 
important advances in the development 

1 us drugs, includ «t long. 
st. a cure for the common cold. 
BUDRYS: By the turn. of the century. 1 
anticipate that medical research will have 
progressed at a ate which will 
have ushered all il 


ıo he 
aids such sc 
pe tinction. 


PLAYBOY: The elimination of disease 
п to bode well for the prospects 
g the human lifespan dra 
in years to come — if not of 
ning man's immemorial drca 
al life. What do you predict м 
the longevity of th 
the year 2000: 
BUDRYS: | think that the first man to live 
forever — or for two centuries, at the very 
least — may already е been born. But 
before we сап attain true. immortality. 
we'll have to hurdle a few remaining ob- 
stacles. Опсе w e disease 
causative factor in fatality, we'll have to 
to the task of expungi 

m the species, [t's 1 
: conceivably 
we could instill everyone hypnotically, 
chemically, or electronically with the 


imina 


sa 


same general view of life, so tha 
will be deprived of their 
, racial, ideological, psycholog 
sociological pretexts for destroying 
other, There will then remain 
our control only two principal factors: 
the inhuman workings of the Universe — 
which we will be able to harness to our 
eds, for all practical purposes, with 
only a slight extension of current tech- 
nology: and the ability to restore life to 
those who are temporarily inconver 
nced by accidental death; this will be 
accomplished within a matter ol years. 
nutilative accidents are already 
mized with radical new surgi- 
cal techniques involving both regenera- 
tion and replacement of limbs. Thus we 
аге close to the point where the hum 
body can be treated machine w 
plug-in and screw-on replacement capa- 
bilities. That leaves us with the simple 
deterioration of old age. Some of this 
will be subsumed by the attack on de- 
Benerati by surgical organ 
transplants, and by the development of 
increasingly sophisticated artificial or- 
ns, But these stopgaps will do little or 
nothing to abate the slow decay of the 
whole; and this you won't 
isplanting the brain into a 
resh body — because the brain. too, is 
not immune to aging. But I think the 
day is not far off when we can decelerate 
even suspend the aging of all the in- 
dividual cells of the body. We are al- 
ready beginning to learn a great deal 
about these processes, and their control is 
the next logical step. 
Well, imagine a synthetic 
virus, tailored to the individual's genetic 
раце h takes over the job of 
chemist enewal as his 
own cells become too old to handle the 
job. A man so inoculated might poten- 
tially be immortal, eternally young, 
POHL: Recently I bought for Galaxy а 
manuscript by a biologist named R. C. W. 
Ettinger, called Prospects of Immortality 
in which he explores the practical possi- 
ities of alkbureternal Ше through 
frozen sleep" —a process in which a 
nan body is frozen in liquid helium at 


people 
1, econo- 
and 


ong 
solve by tr 


close to absolute zero so that he or she 


will not decay or det 1y de- 

ble way for essentially as long as the 

ature is maintained — which could 

be months, years, centuries, millennia 
ı cons if you vi 


body to that temperature without йтер- 
able damage, All it will take is money 
bout $8500 per person; we already 
have the know-how. It's a pretty good 
gamble, says Ettinger, that no matter 
what you might die of today — heart at- 
tack, stroke, cancer, T.B., a bullet in the 
belly, or even such tissue w: 
vation or senility — at some future date 
this damage will be surgically, medically 


ny cellular injury that might have been 
inflicted on your body in the act of being 
frozen to await resurrection i me 
later age. Thus immortality of a kind 
may very well be attainable for you and 
ight now. 

It seems to me that actual eman- 
cipation from death may not become 
reality within the next generation or 
two, but lifetimes greatly extended 
by biomedical techniques are а stror 
probability for some of the children 
tity wards. Aud I don't 
a that this will be accomplished 
with such evasions as deep-freezing for 
decades, metabolic arrest, or any other 
technique which increases chronological 
age while doing nothing for the useful 
| that some of our chil- 
y and usefully for 
perhaps 200 years. And after that gener- 
ion, the figure will go up exponen- 
ly. so that our grandchildren may 


ti 


live to a ripe old 1000, and our great 
grandchildren essentially forever. 
ANDERSON: There'd be à price to pay for 


all this, of course: Very few children 
could be allowed to be born, or the 
planet would soon be packed solid with 
human flesh: and а world with hardly 
any children would be emotionally bar- 
ren for a great many people. Then, too. 
civilization of polygenarians is in- 
cvitably going to become archconserva- 
tive in thought and action. They would 
be less likely to question or contradict 
the comfortable established. order: thus 
the world of the very long-lived would 
probably be pretty маце and stagnant. 
So we might at last weary of such a life. 
POHL: If you think (агу bad, consider 
the consequences of achieving immor 
ity through freezing: What will happen, 
for example, if you poison your rich 
uncle for an inheritance, live out your 
life and die in luxury, have yourself 
Dozen — and wake up a century later to 


find the old bastard standing there with 
the police and the doctors who found 


Suychnine in his stomach while re 
him? 

PLAYBOY: Well, there's another kind of 
life extension which would seem to be 
free of such perils: a period up to one- 
third the length of an ordinary lifesp: 
which many people wish could be added 
to their life total of active waking hours 
by redu ng the need lor 
sleep. What do you gentlemen feel are 
the prospects of fulfilling that wish? 
BUDRYS: Well, there's a good deal of re- 
search bein d 
the data collected so far would seem to 
t not merely sleeping but 
‘aming is necessary to the mind. tha 
dreams are not simply the images of an 
idling brain but an actual function of 
the self-restoring process which is nece 
sary to rational thought during the 


в 


done on the subject, а 


g hours. I would guess that it will 
prove posible to take control of the 
necessary dream process at least to the 
extent of compressing its duration, and 
to devise some kind of therapy or equip- 
ment which will help the body to recu 
perate fully from a day of mental and 
physical exertion in far less time than 
the natural process now consumes. 

POHL: I'm afraid the Russians may have 
beaten us to it. The other day I heard the 


nique of sleep abbreviation which they 
have developed and claim to have per- 
fected. By the bi 
sleeping subject and playi 
to another man, they are reported to 
have materially shortened the amount 
of rest required by the second subject. 
If my informa i с, they've 
come uncannily close to duplicating one 
of the hoariest and heretofo: 
probable gimmicks in science 
overflowing bag of tricks: Instant Sleep. 
You put this shiny helmet on your head, 
press a button, get up, stretch, yawn 
and go back to work— completely re- 
[reshed. 

ANDERSON: I have my doubts that cither 
we or the Russians will ever be able to 
capsulize sleep quite so neatly, but I will 
venture to predict that it should be pos 
le inside of 20 years, with the help of 
nontoxic drugs, to work or socialize for 
several d: a stretch without geting 
tired. 

POHL: A promising line of research, I 
should think, would be the possible use 
of appropriate hormone treatments for 
sleep reduction, since thyroid activity 
seems to regulate the amount of rest we 
But I don't really see why it 
couldn't be possible to eliminate the need 
for sleep entirely and permanently — con- 
ceivably by surgical removal of the sleep 
center from the brain; the dangers of d 
turbing the metabolic balance 
would se ible, for people 
whose sleep centers have been accident- 
ally damaged or destroyed lead what seem 
to be essentially normal lives in every 
way — except that they never sleep. 
BUDRYS: Still, if we can possibly produce 
the same results without resorting to such 
drastic measures, T certainly think we 
ought to. And 1 think we probably can 
and will: by shortcircuiting the entire 
natural process to recuperate mind and 
body by artificial means 
of consciousness or mobility — usiug an 
sleep drugs which are not harsh stimu- 
lants but specific 
ed r 


need, 


nedications developed 
nto the sleep 


from de 


h such medicines, how. 
у have to pay a price. Any 
сер potion intended to increase 
alertness and efficiency must inevitably 
ccelerate the total metabolism to the 
point where it will mean an almostcer- 

(continued on page 108) 


process. 


ever, we ma 


35 


as long as youre up get me a Grant’s 


Would you, darling? Say, did you know Сгапіѕ 8 
is still made by the original Grant family and 
they still age it at the original Glenfiddich distill- | 
ery in Scotland for 8 years and I still think it f 
takes that long to smooth out a Scotch. What? You | 
haven't heard a word I said? Forget it, but don't I» 
forget my Grants. 

The choice and cherished 8-year-old blended Scotch Whisky 
in the triangular bottle. Eighty-six proof. Imported to the | 
United States from Scotland by Austin, Nichols & Со. N 


THE PLAYBOY FORUM 


an interchange of ideas between reader and editor 
on subjects raised by “the playboy philosophy” 


PRISON PHILOSOPHY 

I work as a group counselor in a pris- 
on, dealing with both men and women in 
their respective units. I recently came 
upon one of your Philosophy editorials 
nd decided to use it in a group discus- 
sion. It was a very gratifying experience 
s nearly everyone in the group took part, 
whereas ordinarily it is just one or two 
who hold the floor. I was so encou 


I used your Philosophy 


the women's discussion gi 


to use other installments of. The Playboy 
Philosophy in future discussions with all 
groups. I want to thank you and please 
keep up the good work. We need some- 
one like you to expound the important 
ideas so necessary to our new generation. 

1 see by your letters to the editor that 
you have upset a lot of so-called "Chris- 
Very good for you. It is about 
time somconc did. We have been livi 
too long in an era of “Ch 
which we preach, but do not practice. 
People are always afraid of new ideas 
and want to cling to the “ 
which they find comfor 
torials point out a new d 
may help us to bri 
our 


edi- 
that 
our thoughts and 


Your 
ction 


h 


h Columbia 


THE UNCOMMON MAN 
You have broken me down. Your state- 

ments concerning “The Uncommon 
Man" in your second installment of The 
Playboy Philosophy have bolstered my 
faith in journalism in the United States. 
For 20 years now I have been sickened 
to the point of almost hi 
the Amcrican press, radio 
I have bei ated as if 1 were a sloth 
with no real ability to do for myself, to 
think for myself or to prepare for my 
future. Please continue your policy of 
assuming that the individual can think. 
Please continue your policy of present 
ing beauty, whether it be the female 
form or the written word. 

Joseph W. Baker 

Yuma, Arizona 


б tre: 


CENSORSHIP 
I hope that your discussion of censor- 
ship in The Playboy Philosophy, Part 


Six (M 


1963), lead to increased 
action against those who force their own 
arbitrary standards upon others. The cen- 
sor will have no difficulty tossing you 
Observations aside as the sacrilegious 
rantings of a sex magazine. And those 
under the censors control, who occa- 
sionally sneak а peek at PrAvmov's cen- 
terfold, will undoubtedly agree with 
their master. But unless someone takes 
you seriously, even greater liberties will 
be taken with our basic freedoms. The 
censors have made it clear that Supreme 
Court rulings will not stop them. 1984 
will not be returned to those empty 
library shelves until censorship has been 
eliminated. Why? Because the 
reader would notice once that 
Brother and the censor are one and the 
same. 


S. Richard Arber 
"Thomas Y. Crowell Comp 
New York, New York 


апу 


I would like to congratulate you оп 
your etlort to freely explore and discuss 
intelligently the issues concerning censo 
ship and for your use of objective facts 
and studies to support your position. As a 
college teacher I intend to use The Play- 
boy Philosophy in my classes as a means 
of critically analyzing the assump- 
tions concerning the various types of 
censorship. 

Edward D'Angclo 

Asst. Professor of Philosophy 

State University of New York 

Buffalo, New York 


Your editorial listing some of the 
surdities of censorship was 
cogent job. From where I sit, 
critic of a London newspaper, there seem 
nis of a slow thaw (the Lady Cha 


to be si 


). but in other areas, the ice 
last The "X" certificate, coined 
by the British Board of Film Gensors, 


which restricts cinema admission to ticker 
buyers of 18 and over, has let through a 
few adult expressions of sex (watch out 
for This Sporting Life). But the Board’s 
comments on scripts submitted to them 
by film makers, anxious to avoid censor- 
ship problems before shooting, still show 
an odd state of mind. The other day a 
producer had his script returned. with 
letter raising tia 
lar scene, with the observation that “on 
the whole, the Board is not in favor of 


' eyebrow at one p: 


саг nibbling.” It makes опе wonder 
what they do for kicks. 
Philip Oakes 
Sunday Telegraph 
London, England 


Bravo! I cannot restrain my enthusi 
asm over your Playboy Philosophy any 
You have clearly and brilliantly 
ted the hvpocrisies and sacred 
cows of our society with your analysi: 
and your May editorial alone is worth 
the price of the May issue. The great 
philosopher Wiugenstein defined phi- 
losophy as activity,” which consists 
in raising questions one isn't supposed 
to raise and generally making oneself 
obnoxious by asking, "Why?" and uot 
ag any tired but time-honored 

in response — in short, throwing 
stones through sacred windows. This is 
precisely what PLAYBOY is doing, 
very few people outside the a 
com y have had the courage and 
ntestinal fortitude to do the same. 

However, you fail (an oversight, 1 
sure) to claborate on several aspecis of 
Dcedom and individuality that deserve 
attention. To wit: 

(A) It is, of course, commonpl 
point to Christ as a radical, but many of 
our tradi nalists forget tl He had 
the courage (as you do) to challenge the 
social order and the accepted "truths" of 
the day. (Incidentally, more "Chris- 
tians” practiced what they, as Christians 
and as citizens in а democratic society, 
professed, the need for PLaytoy to 
publish its Philosophy would be consid- 
erably lessened.) 

(B) Concerning censorship, the cen- 
Sors are not, im, Шу [those] 
least q ” They аге always least 
qualified, because (1) they have no back- 
ground i ature ог appre 
2) they аге obsessed and 
These True Believers are 
ble of asserting themselves demo 
nd legally for, suffering from 


am 


ce to 


low level of self-esteem, they try to 
" at society for some imagined 
ht. To paraphrase: “Morality is the 


ge of the scoundrel 


ship. several recent instances are worth 
gers The Catcher in the 
Rye was recently banned by the princi- 
pal of a midwest school following the 
request of a patriotic, self-authorized 
citizens’ group: a similar gang of good 


37 


PLAYBOY 


38 


ens in California tried to get Edgar 
Rice Burroughs’ Tarzan books off the 
children's library shelves on the grounds 
that “Tarzan and Jane were never le- 
gally married"; similar cases of recent 
banning involve Orwell's 7987, Huxley's 
ave New World, etc, ad nauseum. 
And you/your readers might be inter- 
ested in the fact that in several. states, 
religious po pressure groups have 
objected to tried to censor the 
award-winning television series, The 
ıs controversial 
=, thought-com- 


and 


provocativ 
g points of view. 

produce the statements of 
al eminent and highly qualified 
authorities in making vour case against 
censorship; however, when offered to 
society as a whole, such intelli is 


n). it must De considered subver- 


sive. It threatens the institutions ana- 
lyzed by stri their foundations. 
(E) Finally, in your otherwise excel- 


kent catalog of evils апа abuses in the 
name of “Christianity” or "morality," 
you omitted three prominent and sig- 
nificant case 

(I) As you went to press, a Rever- 
cnd Conran Schneider successfully (and 
extralegally) banned Nikos Kazantzakis 
excellent novel, The Last Temptation of 


Christ, from а town li consin. 
Freedom to know,” or “freedom to 
read,” anyone? 


(2) In 1940, Bertrand Russell was 
denied a lectureship in philosophy in 
this country due to some of his views on 
sex, love and marriage. Again, it was the 
“patriotic” groups and the True Be 
lievers who did not want their children 
“corrupted by his immoral views” 

(3) Some of your readers outside the 
New York area may not know of the 
“Playboy scandal" in that city. The 
New York Playboy Club was first black- 
mailed and has since be irched. 
ad slindered, while attempting to ob- 
тай the liquor and cabaret licenses to 
which it had every legal right. It is per- 
aps significant that those individuals 
who seem most opposed to the New York 


besmi 


Playboy Club belong to a religious de- 
nomination that has proven most hos 


tile to PLaYBoy magazine in the 
Rumors from New York suggest that the 
opposition comes from high up in the 
church officialdom of tha 
Howard А. Karte 
Brown University 
Providence, Rhode I 
We've heard those rumors, too, How- 
ard, but though religiously misdirected 
pressures have been previously brought 
to bear on both the Playboy Jazz Festival 
and our nationally syndicated television 
show, “Playboy's Penthouse,” in other 
parts of the country, these have always 
been jrom individuals or groups without 


past. 


any official church position or sanction, 
and we find й difficult to believe that 
any major religious leader in this free 
America would attempt to promote or 
direct a governmental atlack upon a Play 
boy Club, as а means of gelling at the 
less vulnerable magazine, which enjoys 
the special protection guaranteed the 
press by the Bill of Rights. Religious his- 
tory is filled with this sort of church-state 
coercion, however, and this month's 
“Playboy Philosophy” considers that sub- 
ject and also the origins of many of our 
religious nolions about sex, virginity, 
marriage and romantic love. 

We mentioned several of the specific 
book bannings and the Tarzan incident 
in our February. editorial, but welcome 
the additions. The attempt io ban the 
Tarzan books was especially ironic, since 
the California citizen-censors had clearly 
never read them: the Edgar Rice Bur- 
roughs characters actually were married 
in the books—only in the movies is the 
relationship between the Ape Man and 
his mate open to question. 


LIQUOR SCANDAL 

What went wrong with The Playboy 
Philosophy in the recent liquor scandals 
in New York? Your acts seem out of step 
with your views. But I'm sure the G 
White Father Hefner will retort by say- 


ing that all should be forgiven, that 
PLAYBOY is doing penance for its "mis- 
judgment act of a 


bribe or will PLavnoy say that mens rea 
was lacking? 

Many people will be wa 
anticipation for you to т; 
justify your acts and then steep them in 
some more of your profound philosophy 
Wh L you should give us 
some axioms to follow. such 
in Rome do as the Ro: 
I say, not as I do,” or ° 
the means.” 

Now don't think I'm disappointed with 
PLAYBOY or attempting to take a right- 
cous position in your айап, lm. not. 
Your magazine has brought me many 
hours of relaxation and reading enjoy 
but I lı one suggestion to 
make. In your next portion of Philoro- 
ply, where you 
and critics alike — our guiding princ 
ples and editorial credo," the byline 
should read, fiction by Hugh M. Hefner." 

John Colistra 
Hastings College of Law 


© you're а! 


ment 


ave ju: 


Icoholic beverages in his night club. Sup- 
pose further that in order to remedy this 
situation the owner of the night club 
iranges to bribe a member of the sta 
liquor authority and thereby secu 
license. Now suppose that this sa 


pell out — for friends 


nightclub owner is also something of a 
philosopher — that his recent writings 
have established him as an authority on 
social ethics. When the nightclub owi 
philosopher is asked to justily the 
bribe withi own ethical system, his 
reply may be structured. as: 

Bentham: “The bribe resulted in the 
st good for the greatest number. 
“The goodness of the bribe 
heres in its utility. 
Nietzsche: 


do as 


they 


[3 


"There is а moral obligati 
rectify an immoral situation 


The Playboy Philosophy: 


Would you please fill in the blank with 
your usual candor and print at your 
carliest convenience, 

Douglas Shrader 
New Haven, Connecticut 


Answ 


r if you can — does The Playboy 
Philosophy include nents of bribes 
to the New York State Liquor Authority? 
Raymond Levites 
New York University 
New York, New Yor 
The facts regarding The Playboy Club 
and the New York Liquor Scandal are 
not quite those reported in most of the 
press, which is, sadly, no new experience 
for cither the Club or the magazine. 
None of our executives is perfect — they 
ате all fallible men, quite capable of 
making mistakes; we'll give the details 
and let our readers decide who was at 
fault and whether Playboy Club manage 
ment did the right and proper thing. 
When PLAYBOY first contemplated en- 
tering the club business, Editor-Publisher 
Hefner laid dawn some ground rules: 
All Playboy Clubs were to be established 
and operated in accordance with local 
laws in the various cities and states, and 
the fact that they were to be private key 
clubs was never to be used as a means of 
improperly circumventing local regula- 
tions: no profits were to be hidden or si 
phoned off to avoid the payment of th 
often. prohibitive taxes leveled at the 
nightclub and restasrant industry (а 
nol uncommon practice); any attempt of 
the hoodlum element, prominent in the 
nightclub. business since Prohibition, to 
cither buy or coerce its way into the op- 
eration was to be firmly rejected. In 
addition, Hefner emphasized that the 
Playboy Clubs must be operated so fairly 
and well— from the customers. point of 
view (reasonable. prices, no “hiked” bar 
checks, no watered food or drink) — and 
so cleanly and properly — through over- 
all supervision — that they would always 
complement PLaywoy magazine and the 
good reputation already built through a 
long. uphill battle against forces in so 
cicly that oppose much of what PLAYBOY 
stands for. That ъълувоу had powerful 
enemies could not be doubted (as does 


33[apbop Club News 


Ë 
p. 


‘©1963, PLAYBOY CLUBS INTERNATIONAL 
VOL. II, NO.37 DISTINGUISHED CLUBS IN MAJOR CITIES 


SPECIAL EDITION 


YOUR ONE PLAYBOY CLUB KEY 


ADMITS YOU TO ALL PLAYBOY CLUS AUGUST 1963 


KEYHOLDERS KEEP COOL AT PLAYBOY CLUB 


The perfect summertime refresh 
a-haif-plus potables of the finest li 


nt: Playboy's spirited ounce-and- 
uors served by a beautiful Bunny. 


This summer, keyholders have 


ALL ROADS LEAD TO been taki advantay Е the 
THE PLAYBOY CLUB сеттен location of The 


Playboy Clubs, which are situated on the major crossroads of the 
Ui ed States. The Clubs are welcome havens for men on business 
trips or vacations in New York, Chicago, St. Louis, Phoenix, New 
Orleans and Miami. 

Each Club deserves exploration, since each is in some way unique. 
The New York and Chicago Playboy Clubs feature the fashionable 
VIP Room (for Very Important Playboys). In the VIP Room, the 
royal furnishings are supplemented by fine silver, crystal and china 
to provide a classical setting for the most discretionary tastes. 

The lavish St. Louis Playboy Club, on famed Route 66, offers the 
suspended Playpen, with seating for 12, overlooking the Playmate 
Bar. The New Orleans Playboy 
Club, located in the famous 
French Quarter, maintains the 


PLAYBOY CLUB LOCATIONS 


Clubs Open — New York nt 5 E. r d 

59th St; Chicago at 116 E. Walton French tradition with its decor 
St.: St. Louis at 3914 Lindell Blvd. of crystal chandeliers, leaded 
New Orleans at 727 Rue Iberville windows, fountains and flag- 


Phoenix at 3033 N. Central; 
at 7701 Biscayne Blvd. 


Locations Set —Los Angcles at 
8580 Sunset Blvd.; San Francisco 
at 736 Montgomery St.; Detroit at 
1014 E. Jefferson Ave.; Baltimore 
at 2B Light St. 


Nextin Line- Washington, 
Dallas, Boston, Pittsburgh. 


stone floors. Located atop the 
Mayer-Central Building, the 
Phoenix Club gives ing key- 
holders a panoramic view of the 
desert, mountains and city. It is 
Playboy's first of several 
planned rooftop Clubs. The 
Miami Playboy Club, on U.S. 
Route 1 at 7701 Biscayne Blvd., 
has its own docking facilities and is located on a palm-studded 
40,000 sq. ft. estate just minutes from Miami Beach. 

California residents and visitors to the West Coast are anxiously 
awaiting the opening of the Playboy Club in Los Angeles and San 
Francisco. The San Francisco Club should be completed by the 
end of the year. The Los Angeles Club will be a combination hotel 
and Club—the first of its kind in the growing key Club chain. And 
world travelers will eventually find Playboy Clubs in most foreign 
capitals, including Paris, Rome and Tokyo. 


One sure way to beat the summer heat is to keep cool at The 
Playboy Club. And that's just what keyholders do all year 'round at 
the six Playboy Clubs now in operation—in New York, Chicago, 
St. Louis, New Orleans, Miami and Phoenix. (Three more Clubs 
are scheduled to open this ycar in Detroit, Baltimore and San 
Francisco.) Men-about-town who thirst for fun, glamor and excite- 
ment look to the Club as their urban oasis. 

One key admits keyholders to all Playboy Clubs. There, in the re- 
nowned Playboy atmosphere, the Bunnies are on hand to stimulate 
tired spirits. The prompt, courteous service of these lovely girls 
(many of whom have been PLAYBOY Playmates) makes any visit 
to the Club one that will long be remembered. 

Nicely iced drinks served in the generous Playboy manner—a 
more-than-full ounce and a half of liquor to the glass—feature the 
best in brand names preferred by discriminating drinkers, For the 
adventurous, a refreshing excursion in exotic beverages is featured 
ın two new Playboy drink sensations: Rabbit Punch (a potent Rum 
potable) and the Señor Playboy (a tequila treat). 

Every two weeks there is a new talent roster in each Club's show- 
rooms (except ın the New York Playboy Club). Cool modern jazz 
trios play every evening in each room to the delight of keyholders. 
Both talent and music add up to the perfect formula for a lively way 
to spend an evening. 

It's a pleasure to sample the 
finest in gourmet dishes served 
at The Playboy Club, including 
the charcoal-broiled filet mignon 
and prime roast beef from the 
"eye of the rib". The Living 
Room Bufíct presents a man- 
sized dinner: steak-kabobs, fried 
chicken, barbecued back ribs, 
baked beans, petite dinner rolls 
and relishes, 

In June, a taste-tempting 
luncheon variety of cold platters 
was introduced at the Living 
Room Buffet. Included on the 
menu: cold prime rib of becf 
with potato salad: beefsteak to- 
mato heaped with chicken salad; 
and king crab with mustard 
sauce and matchstick potatoes. 

Enjoy all of these delights and 
many more—for the same price 
as a drink — at The Playboy 
Club. Join the coolest men in town—the Playboy keyholders. Apply 
for your key privileges today by filling out the coupon below. 


Jimmy Durante—one of many stars 
who frequent the Playboy Club. 


=ч === == еш = е =‏ == س 
To: Playboy Clubs International‏ 


' c/o PLAYBOY Magazine, 232 E. Ohio Street, Chicago 11, Illinois. 1 
Ë Genttemen: ' 
Mare ia my apoicaiion tor Kay rues 19 the Playboy Out: Enctosed ix vr 
В check or § (Playboy Club keys are $50 within a 75-mile radius Ë 
t Chicane andi ihe sisteol Pieria Nersare S25 sutin Mese arae | under: 
Stand that ту application is accepted, my key will admit me to Playboy Clubs Ë 

Rei operation and others seon to ga into operation in mamy ces NONE f 
Ë incus and abroad. Minimum age for Key Privileges 21 years. 
' NAME (PLEASE PRINT) AGE ' 
|| GCEUPRTOR— = ==! 
- FORES H 
[| cry ZONE COUNTY STATE DEPT. 237 1 


Check here if you wish only information about joining the Playboy Club. 


L. — == = = = = = = — — = = = = = = = = 


PLAYBOY 


апу patent liberal force in our society 
that 


today); and we were also certain 
these enemies would be heard from 

The problems began as soon as the 
frst Playboy Club opened in Chicago in 
February of 1960. Key clubs had been 
popular in this city for 25 years, but the 
week our first Club opened. the Chicago 
Corporation Counsel announced то the 
press that they were illegal. No law was 
cited, because none existed, and no legal 


action was taken against any key club far 
the same reason; but this extralegal in- 
timidation was calculated lo seriously 
reduce interest in The Playboy Club and 
the sale of membership keys, It had the 
opposite effect, however, and the Chicago 
Playboy Club quickly became the most 
successful club operation in the city. In 
addition. The Playboy Club brought suil 
against the Chicago Corporation Counsel 
to clarify the legality of its method of 
operation, before proceeding further 
with other Clubs in other cities. Playboy 
won the suit; the Corporation Counsel 
appealed the decision to the Illinois 
Court oj Appeals and Playboy won 
again; after which, the Corporation 
Counscl gave up. 

By the time we commenced construc- 
tion of the $1 000000 Playboy Club in 
New York, we had already established 
Clubs in Miami and New Orleans and 
had been warmly received in both cities. 
Shortly after purchasing the site at 5 
East 59th Street, in Manhattan, and con- 
tracting for the construction, a Playboy 
Club executive was approached by an 
unofficial representative of the New York 
State Liquor Authority, who informed 
him that there would be по Playboy 
Club in New York without the purchase 
of influence at the proper State level. 
This attempt (0 solicit money from The 
Playboy Club was ignored, but it was 
followed by more of the same, at which 
point a pair of Club executives went to 
New York (armed with the recent Ilinois 
court decision) in the naive belief that 
if they could show that the Playboy 
Clubs were a legal and properly run 
operation, that brought glamor and 
excitement to every city in which they 
were established, there would be no probi 
lem. Although the New York laws gov- 
erning such matters are substantially 
the same as Illinois’, the Playboy appeal 
was rejected; word was sent back that 
the Club executives were “a pair of Boy 
Scouts.” and the head of the SLA wanted 
nothing more to do with them. Tt was 
then decided that The Playboy Club 
would proceed in New York exactly as it 
had in Chicago and if it proved neces 
sary. the Club's right to a license would 
be [ought for in the courts as it had been 
before. 

Several months clapsed before The 
Playboy Club was approached again, and 
this time the man who indicated there 
would be no New York Club without in- 


fluence in the proper quarter was опе of 
the most powerful political figures in the 
State: Playboy Club management was 
further disillusioned by the discovery 
that no New York night club or bar ve- 
ceived, or retained, its license without 
similar political approval; specific exam- 
ples were cited of clubs that had been 
efjcctively put out of business, or never 
allowed to open, because the politically 
powerful had not deigned lo grant them 
the “privilege.” Tt became clear that po- 
litically chosen administrators had been 
vested with the power of life ar death 
over the clubs of thal city: as Life later 
reported one SLA victim. saying. “In 
New York you have to buy your rights.” 

Playboy Club management decided to 
pay the tribute demanded and once the 
“lub was in operation, to see what legal 
remedies, if any, might be available to 
them. Shortly before The Playboy Club 
opened in New York last December, a 
Grand Jury began investigating the State 
Liquor Authority and Governor Nelson 
Rockefeller made a public plea for an 
one with knowledge of SLA corruption to 
come forward. The Playboy Club was 
one of the first — and one of the very few 
— to do so and our cooperation was in- 
stumental in building the case that 
eventually resulted in indictmenis of 
several of the wrong-doers, including the 
head of the SLA, and the representative 
who originally approached the Playboy 
Club executive, plus the resignation of 
the powerful political figure who had 
effectively coerced Playboy into making 
the payment. 

Two days before the New York Playboy 
Club was scheduled to open, the SL 
called in the Club's officers and forced 
them to sign a specially prepared state- 
ment that would make the Club open to 
the general public instead of just to key- 
holders, although it was this very point 
that Playboy had won in its Ilinois court 
case, and a number of other New York 
clubs had long enjoyed a similar admis- 
sion policy. Another administrator. re- 
fused to grant the Club a cabaret lice: 
which would permit Playboy to offer its 
60,000 New York members and their 
guests entertainment in its showrooms, 
He objected 10 the general nature of the 
Club, as an extension of the personality 
of the magazine, and especially to the 
Playboy Bunnies. This, in spite of the 
fact that the Playboy Clubs had already 
become the most important (raining 
ground for new night-club talent m the 
countey and that the high quality of the 
Playboy Club operation had already been 
established in [our cities across the US, 
(the addition of the St. Louis Club in 
October, added to Chicago. Miami and 
New Orleans, brought the total number 
to four, prior to the New York opening 
in December); and girls in similarly ab- 
breviated attire have long worked in a 
number of other clubs in the City of New 


York (Bunnies have also appeared, in 
costume, on a great number of prime-time 
network television shows that are viewed. 
by family audiences throughout the land. 
raising additional doubts about the im- 
propriety of the Bunny bunting, or lack 
of same); nor has il ever been satisfac- 
lorily explained just how keeping per- 
formers out of work would successfully 
remove any prurient interest that the 
Bunnies might arouse in keyholders — to 
the contrary, the lack of any other enter 
fainment might be expected to produce 
greater, rather than lesser, interest in 
Playboy's cottontailed covey, but there is 
no accounting for the workings of the 
administrative mind in such matters, 

Because The Playboy Club's cooper 
ation with the Grand Jury included a 
pledge of silence during the invesi 
lion, our part in it was nol understood, 
and rumors began circulating that 
were the instigators of civic corruption 
rather than the victims of it. One Brook- 
lyn newspaper — thal would have ordi- 
marily received very little attention, but 
enjoyed undeserved readership at the 
time, because it was one of the few sources 
of news available to New Yorkers during 
the recent, prolonged newspaper strike — 
continually referred to Playboy as the 
“Show-All Club” in headlines and edi- 
lorialized against us in so biased а man- 
ner that they were charged with criminal 
libel by a New York judge who found 
himself the victim of their vitriol when 
he reversed the cabaret-license cominis- 
sioner's decision on Bunny costumes. 

The first Grand Jury indictment was 
publicized as а Playboy Club “bribe” — 
though bribery was clearly not involved 
in cither the literal or legal sense. A bribe 
is defined by Webster's as “a price, re- 
ward, gift. or favor bestowed or promised 
with a view to pervert the judgment or 
corrupt the conduct of a person in a posi- 
tion of trust." (Emphasis added.) Legal 
decisions confirm this definition of brib- 
ery as being a perversion or corruption 
of official conduct and not a payment 
demanded for something to which a per- 
son is legally entitled. This was a case of 
criminal extortion, defined as the “act or 
practice of taking anything from a per- 
son by illegal use of fear: technically, 
Law, the offense committed by an officer 
who unlawfully, by color of his office, 
claims and takes money or other thing of 
value that is not his due," and The 
Playboy Club was just one of а number 
of innocent victims of this extensive cor- 
ruption. It was Playboy alone, however, 
that received the headline publicity, be- 
cause we were the most prominent and 
because we were one of the few wha 
fully cooperated with the Grand Jury in 
their investigation. 

For this we received the praise of the 
New York District Attorney's office, but 
the SLA promptly announced that they 

(concluded on page 135) 


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THE PLAYBOY PHILOSOPHY 


the ninth part of a statement in which playboy's editor-publisher spells out—for friends 
and critics alike—our guiding principles and editorial credo 


ONE OF THE MAJOR controversies in con- 
temporary society concerns sex. The gap 
between our supposed sexual morality 
nd our actual behavior is extreme and 
when an entire nation practices such 
hypocrisy, the results сап be calamitous. 
nce the behavior is based upon 
ive that, when repressed, r 
nce, frigidity 
ngs of guilt and shame, 
searching for a new morality 
keeping with the newly recog- 
nized “facts of life." 

To better understand this Sexual Rev- 
olution, it is worthwhile to explore the 


origins of our present-day traditions and 
taboos regarding sex. As we have seen, 
our sexual mores sed. primarily 


on religious teachings. But where did 
our religions acquire their strong anti- 
sexual n't always 
nd his concepts of 
varied 
ough the centurics Where did the 
1 of chastity come from? And the no- 
tion that virginity is a virtue? Who 
devised the idea of chaste 
to replace natural sexuali 
organized religion always bee! 
ual in concept? 

Histor 


gion and sex always 


Sex 


terwoven. 


tely 
ant role in early reli- 
gious beliefs and rites, and vestiges of its 
celebration are apparent in many of our 
contemporary religious rituals. The first 
religions of primitive man deified sex and 
fertility. In the quite complex, sophisti- 
cated and intelectual societies of pre- 
Christian Rome and Greece, the gods 
were patterned alter men and they were 
as sexually pote: ht expect a 
god to be: Roman and Grecian mythol- 
ogy are filled with 


mpor 


сеа of sex. The psychoanalytic might 
also point out that the Chr 
her figure, w 
whom sex would be considered inces- 
tuous: and it is certainly true that incest 
and Oedipal fears played a major role in 
the early history of Christendom. 
"Though it is not generally recognized 
today, the concept of virginity as a virtue 


butes of a 


editorial By Hugh M. Hefner 


in women is actually antifemale in ori 
gin, derived from a period when women 
were thought of as property, owned first 
by their fathers and later their husbands. 
And as Dr. Roger W. Wescott wryly 
observed: “. . . it is far from flattering to 
x’ 00 treat its members as 
salable commodities with only two pos- 


sible labels —‘used’ or ‘unused. 
The term “virgin” did not mean to 
the Classical world what it means to us. 


The e: 
virgo — 


rly Romans distinguished betwecn 
unmarried wom 
intacta — a woman who had never known 
a man: the same distinction was made 
by the Greeks. To them a virgin was a 
woman who had retained her personal 
autonomy by not submitting herself to 
the restrictions of marriage. Virginity was 
more a social and psychological state than 
a physical one. It was the married woman, 
who had lost her independence through 
matrimony, who was no longer consid- 
cred virgin. Indeed, it was believed that 
sexual relations with a god magically 
restored virginity. 

In carly Rome and Greece, sexual be- 
havior was largely 
taste, though there were civil 
tecting, ind 


nd virg 


ws pro- 
iduals from abuse, such 
rape. R. Rattray Taylor states, in his 
book Sex in Histor ‘Husbands had 
property rights in their wives: а wife's 
adultery was severely punished by the 
husband, partly because it made the 
paternity of the children doubtful. A 
nd, on the other hand, could have 
ence outside of mar- 
iked, subject only to the 
that he would incur the wrath of another 
husband if he seduced a married woman, 
and might be killed for so doing, An un- 
married man was equally free. . . . There 
no admiration of virginity as a good 
self [however] and among the popu- 
an [unmarried] woman was fre 

sleep with a man at her own discretion, 


SEX IN EARLY JUDAISM 


The early Je 
"believed strongl 
the. pleasures of life, 
sex (see Deuteronomy 21: 
some teachers held tl 


ig those of 
10-14) and 
at the last day 


one would have to account to God for 
every pleasure that one had failed to 
enjoy." Jewish law was derived from the 
Babylonian code of Hammurabi and the 
only sexual injunctions in the Ten Com- 
mandments are against adultery and 
coveting of a neighbor's wife. On this, 
Taylor states; “It must be understood 
that in this period, just as in Rome and 
Greece, adultery was a property offense 
and meant infringing the rights of an 
other man. It did not mean that а man 
hould restrict his attentions to his wife; 
ndeed, when a wife proved barren, she 
would often give one of her handmaidens 
to her husband that she might be 
dren for him. 


al 


Moreover, as the 
often reminds us, men were free to ma 
tain mistresses, in addition to their 
wives; on the number of wives a man 
might have there was no restriction. 

any ban on premarital 
it is seldom appreciated that no- 
where in the Old Testament is there any 
of noncommercial, unpre- 


cash interest in a virgin. Once a girl had 
reached the age of 121% years, she was 
free to engage in sexual activity, unless 
her father specifically forbade it. Prosti 
tution, though frowned on, was com- 
mon, and in J m the whores were 
so numerous that they had thei 
market place. Nor in preExilic days was 
sodomy a crime, except when committed 
as part of religious worship of non- 
Jewish gods." 

But in the postExilic period there was 
a remarkable change in the. Jewish atti- 
tude toward sex. There developed a 
fecling that all pleasure, but especially 
sexual pleasure, was wicked. 
speaks of “the power 
sexual intercourse with which, through 
love of pleasure, sim enters in." In 
Ecclesiastes, we find the blame for sin 
being laid on women: "Women 
overcome with the spirit of for 
more than mer i 
plot against m 

As with ea nity, it is prob- 
able that the persecution of the Jews 
had a great deal to do with this increase 
in sexual suppression and feelings of 
guilt. Coupled also with this change in 


a 


own 


43 


PLAYBOY 


44 


attitude, as seems always to be the case, 
went a tightening of restrictions and a 
loss of personal liberty. Whereas pre- 

sly the sexes had mingled quite 
freely, it now became a sin for a man to 
speak to, or even look at, a woman un- 
less 


a Sex Laws and 
irginity now be- 
gan to De p ppy is the ba 
that is undefiled . . . and happy 

the eunuch” — whereas, previously, rab- 
binical tradition had regarded celibacy 
as a crime. Josephus reports of the 
hey reject pl is an evil, 

but. esteem continence and conquest of 
the passions to be a virtue. They neglect 
wedlock.” This period was marked with 
afterlife and in- 
ased feelings of guilt, shame 
and suspicion. According to one teacher, 
boys should not be allowed to play with 
girls, and а mother-in-law should not 
live with her married. daughter for fear 
she might seduce the husband. Rab 
Samuel Glasner writes, in his chapter on 
Judaism and sex, in The Encyclopedia 
of Sexual Behavior: “. . . The Talmud 
prohibits a widow's keeping a pet dog, 
[or fear of the suspicion of sexual abuse 
(Abodah Zarah 22b; Baba Netiah 71a), 
and in later times both Maimonides and 
o advised against unchapcroned. as- 


widespread — 
h women considered the source of in- 
fection: a mot permitted. to 
ss within four ells of the house of a 
prostitute for fear of disease 

The attitude toward homosexu 
changed markedly, as the warning 
against young men being allowed 10- 
gether unchaperoned suggests, and not 
only was it made a capital crime, p 
ishable by death, but the law was ap- 
plied to non-Jews as well, The intensity 
of these new homosexual anxieties is 
perhaps best illustrated by the special 

1 placed upon a father appearing 
ked in front of his sons, although no 
such specific prohibition was thought 
necessary im the case of his daughters. 
Ham, one of Noah's sons, 
demned to slavery, 
him, and his ch 
the rati 
the Negro race, for Ham was black. His 
crime was that he entered the tent of 
and found him lying there 
runk and naked. In general, 
Taylor reports, exposure of the sexual 
s of the body was regarded 
id within a family, а form of 
- Complete nudity was considered 
even more obscene and sinful. Homosex- 
ual fears seem also to be suggested by 
the rule that a mother might kiss her 
sons, but not her daughters, and con- 
versely for a fath 


was con- 
dren after 
— hence 


a 


crime, 


inc 


Taboos against masturbation are cer- 
tain to produce feelings of guilt in any 
society, since masturbation is a nearly 
universal sexual activity, ерес 
among young males, and the post-E. 
Jews laid tremendous stress on such pro- 
called it the most 


reports that one Talmudic authority 
declared it to be a crime warranting 
death. Clerical regulations on the subject 
display an obsession with detail: for ex 
ample, a Jew was forbidden to sleep on 
his back, wear tight trousers, or touch 

paris while urinating, for 
il. Even 
n rendered the 
ly unclean and. required a 
bath for purification (Leviticus 15 
; Deuteronomy 23: 10-12). 


SEX IN EARLY CHRISTIANITY 


In such a time, Christianity had great 
appeal, as Taylor views it in his autho 
tative and comprehensive Sex in History, 
for “it allirmed the sense of guilt [so 
prevalent among the people of that 
time] and authorized sell-punishment to 
relieve it.” 

The officially favored 
Rome at the end of the Second Century 
AD. was Mithraism, which came from 
Asia and spread throughout much of 
Europe, including portions of England. 
It was an aggressive, outgoing religion 
Taylor writes, “Mithraism specifically 
preached that good lay in action, in con- 
quest, in grappling with the world. . . .” 
As such, it had а considerable attraction 
to the Roman emperors, to soldiers, ad- 
ministrators and extroverts, but offered. 
no place for women. In contrast, Christi- 
anity, in its early stages, was primarily а 
passive religion and it thus appealed to 
women, introverts, slaves and many of 


his sexual 


the common people of lesser station. H a 


psychoanalytic interpretation of Mithra- 
ism reveals its sadistic nature, carly 
Christianity may similarly be character- 
ized y masochistic. Taylor 


ism adopted as its symbol 
the lifegiving sun, the source of energy. 
c adopted as its symbol the 


c instrument of torture and 
death. ... The choice of Christianity in 
preference to Mithiaism therefore not 


only represents a choice of masochism as 
nst sadism, aud a turning in of the 
death instinct against the self, but also 
a vietory for death instincts as 
life instincts.” 

А flood of Trani 
cepts was sweeping 
world, threatening to submerge the elab- 
orate cultures erected. by Greece and 
Rome, and early Christianity adopted 
many of these beliels into its own rel 
gion, In Social Control of Sex Expre: 
sion, Geoffrey May states that Christian 
m comes not so much from the 


teachings of Jesus as from the element 
of Oriental dualism, implying the anti- 
thesis of the spiritual and the physical, 
found in the teachings of St. Paul. Mor 
over, under the persecutions of the Ro- 

pire, ne to desire 
suffering and revolted against the ses 
ual excesses of the Romans. 

As with the Jews, persecution of the 
ns produced а masochism that 
made deprivation, suffering and pain 
virtue. In Loi Sex Emotions, 
W. J. Fielding notes that adherents ol the 
new religion soon developed an obses- 
sional horror of sex and multiple meth- 
ods of self-torture quite different from 
the asceticism of earlier religions. 
ical monks retired to the burning deseris 
of North Africa to mortify their flesh: 


nat 


fasting, flagellating themselves, going 
without sleep ai g to wash. 
monius tortured his body with hot 


until he was entirely covered with burns; 
Macarius went naked in a mosquito- 
ridden swamp and let himself be stung 
nizable; St. Simcon 
flesh with an belt; 
nt a winter's night 
in a fountain so that his flesh froze. 

The association between these maso- 
chistic practices and sexual desire is in- 
dicated by the confessions of the fathers 
themselves. Thus Jerome says: "How 
often when I was living in the desert, 
which affords to hermits a savage dwell- 
ing place, parched by a burning sui 
1 fancy myself amid the plea 
Rome. I sought solitude, because I was 
filled with bitterness, . . . I. who from 
the fear of hell had consigned myself to 
that prison where scorpions and wild 
beasts were my companions, fancied my- 

mong bevies of young girls. My 
as pale and my frame chilled from 
fasting, yet my mind was burning with 
the cravings of desive, and the fires of 
lust flared up from my flesh that was as 
corpse. I do not blush to avow my 
abject misery." 

How closely the whole psychological 
process depended upon the suppression 
of se: desire is further indicated by 
the preoccupation of these early Chri: 
tians with the subject of cast 
lor reports, 


ulcerated 


iron 


ation. 


s, 


he tonsure of the priest is 
а recognized symbol of castration, and 
his adoption of a skirted cassock perpet- 
uates the adoption of female clothes, in 
just the same way as the priests of 
Astarte, after castration, assumed female 
The Jews had adopted circum- 
nother symbolic castration — as 

of a religious convention ui 
made every m s able 
to read the sacred books. But symbolic 
castrations were not 
сапу Christians. Thou 
castrate themselves 
sprang up so спи; 
the practice that its m 


rough for some 
ands hastened to 
wuth ... and a sect 
ically addicted to 
mbers castrated 


not only themselves, but also 
rash enough to stay under thi 
Since the continuance of any religion de- 
pends upon the dren usually 
follow in the faith of their pa 
which fails to reproduce itself is i 
yer of dying out. The Church recognized 
this simple truth and soon forbade the 
practice. 


MEDIEVAL SEX 


‘The earliest Christians had sought to 
їтапзсеп sex — to be above temptation; 
but that didn't prove very successful, so 
the Church abandoned this technique in 
favor of repression. ‘The relative merits 
of the two methods were not entirely re- 
however, and debate over the 
ive techniques was to arise nu- 
ics in the centuries that fol- 


eval Church was obsessed 


with s reme degree, according 
10 Taylor. al issues dominated. its 
thinking manner which we should 


regard as entircl 
Christian code 
"upon the convicti 
was to be avoided uc, except 
[or the bare minimum necessary to keep 
the race in existence. Even when per- 
formed for this purpose, it remained а 
ble necessity. Those who could 
were exhorted to avoid it entirely, even if 
married. For those incapable of such 
heroic self-denial, there was a great 
spiders web of regulations whose over- 
riding purpose was to make the sex 
act as joyless as possible and to restrict 
it to the minimum.” Taylor points out 
that it was not the se itself which 
was d any ple: e derived 
from it—and this pleasure remained 
damnable even when the act was per 
formed for the purpose of procreation, 

.” This idea reached its crudest expres- 
sion with the invention of the chemise 
cagoule, a sort of heavy nightshirt with a 
suitably placed hole, through which a 
husband could impregnate his wife while 
iy other contact with her. The 
at, even within marriage, the 
sexual act should not be performed for 
pleasure still persists in some Christian 
seats to this day. 

Not only was the pleasure of the sex- 

l act held to be sinful, but also the 
mere desire for а person of the opposite 
sex, even when unconsummated. $i 
the love of a man for a woman could be 
conceived of as, at least partially, sexual 
desire, this led to the concept that a man 
should not love his wife too much, In 
fact, Peter Lombard maintained, in his 
apologetic De excusatione coitus, that 
lor a man 10 love his wife too ardently 
is a sin worse than adultery. 

By the Eighth Century, the Church һай 
hegun to develop the strict system of 
la which ruled the Middle Ages. A 


/ pathological" The 
sed, quite simply, 


се 


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series of “penitential books” appeared 


that explored the subject of sinful sex 


inute id intimate det 
misdeed was described at length 
penalties were prescribed for 

Celibacy was the ideal and for those 
with priestly functions, it bet 
tory. Since chastity was a virtue, it was 
virtuous for wives to deny sex to their 
husbands, which many apparently did. 


T. every 
nd 


each. 


ids were driven to exu 
ions as a consequence, to 
such a degree that the Church felt 
obliged to intervene 

Shame of the bod: 


and a n 


ar. patho- 


ing emphasis on chastity 
extended beyond the 
tivity, as with a virgin named Gorgon 
who "with all her body and members 
thereof . . . bruised апа broken most 
refused the attentions of a 
- modesty would not 
to be seen or touched by a 
t was reported th 
warded by God with a miraculous c 

In some penitentials, fornication w 
declared a worse crime than murder, At- 
tempting to fornicate, ki think- 
ing of fornication ll forbidden 
ud called for pen 1 the Jast case, 
the penance was 40 days. Nor was inten- 
tion a necessary requisite for sin, for 
involuntary nocturnal emissions we 
considered sinful: the offender had to ri 
at once and sing seven penitential 
psalms, with an additional 30 in the 
mort 


gricvousl 


doctor because h 


t she was re 


s also devoted a dispro- 
portionately large amount of space to 
s for homosexuality and besi 
but the sin upon which the greatest 
of all was placed was masturbation. 
In Social Control of Sex Expression, 


nd no lewe 


men. plus a number. of others dealing 

separately with masturbation by mem 

bers of the clergy. According to Aquinas, 
was а g 


boos surroundini 
ticularly t since this 
is so common, they n to pro 
of guilt. Taylor observes 
1 psychiatric insights indicate 
t sexual pleasure is wicked 
ily from parental taboos 
masturbation. Since the 
too young 


1e cer 


infantile 


on 
child is punished whe 


a 
r of this specific pleasure becomes im- 
bedded in the unconscious, which later 


becomes generalized until it turns 
a fear of pleasure in all of its forms. 
is casy to understand why thc 
Church seized upon this willingness of 
parents to frow 
tion as a m 


concentrated a considerable amount of 
attention on the matter. 

The more general discouragement of 
pleasure, of even а monsexual nature, 
аз a part of earliest Christendom. In 
the Third Century, Porphyry set the tone 
by condemning pleasure in all its forms. 
May comments, “Horse racing, the thea- 
ter, danc ge and mutton chops 
were equally accursed: those who in- 
dulged in them were servants, not of 
God, but of the Devil.” Augustine called 
Porphyry the most learned of 
philosophers and established this 
tinc on a formal basis. 

Most of us have at least a vague aware- 
ness of the existence of the sexual prohi- 
bitions of the medieval Chu; sincc 
any of them are still maintained, if i 
diminished strength, today. What is less 
generally recognized is the extent to 
which the Church attempted to limit 
and control not only sex outside of mar 
riage, but within it, too. The sexual act 
could be performed in only опе pre 
sctibed position, with the male above, 
and penalties were prescribed for any 
variance. This concept was derived from 
the notion that other positions were 
more sexually enjoyable, and 
sistent with the idea that sex should be 
kept as pleasureless as possible. 

Not content with this, the Church 
proceeded to reduce the number ol days 
per year during which even man and 
wile might legitimately perform the sex 
act. First, sex was made illegal on Su 
days, Wednesda and Fridays, which 


con- 


effectively removed the equivalent of 
. Then 


five months out of every twely 
it was made illegal for 40 day: 
Easter 
for three days before 
munion (and there wer 


munion). Marital sex was also forbiddi 
from the time of conception to 40 da 
after birth. ]t was, of course, also for 
bidden during penance 

Th ave the principles from which 
our modern Western sexual ideals have 
been principally derived. Taylor points 
out that the Christian attitude of anti- 
xuality, even within wedlock, was in 
ked contrast to that of the Moham- 
medans, who held that there were 
grounds for divorce if the sexual act 
was not performed at least once a wee 

It would be a mistake, however, to 
imagine that the early Christian Church 
prepared these codes of sexual conduct 
with the brutal single-mindedness of the 
Nazis preparing to pop another batch of 


m 


Rather, i 
y promul, 


into the ovens, 
ta bei 


human 
case of these d 


a pasion of despairing guilt by a group 
of individual men like Augustine, Aqui- 


Damiani and Bernard, who knew 
nothing of the true sexual nature of m 
and who were tormented by the virtual 
certainty of eternal damnation [or all 
who so much as thought about sexual 
pleasure. All about them, they witnessed 
sensuality and in a frantic attempt to 
save the people from themselves, they 
stituted and perpetuated ever more 


rules of abstinence. Never mind the 
cruelty, never mind the injustice, if only 
this frightful and damning d could 


be somehow prevented. 


PIOUS FRAUDULENCE 


That these ideas were pathological, 
there can be no doubt. But the motives 
were pure, even if the end results were 
grotesque in the extreme. "Only real 
desperation is enough (o explain th 
thlessness with which the Church w 
tedly distorted and even falsified the 
al record in order to produce ju 
tification for its laws,” says Taylor. For 
such extreme antisexual sentiment is not 
to be found the Bible and certainly 
the New Testament. As W. H. 
Lecky states, in The History of the Rise 
and Influence of the Spirit of Rational- 
ism in Europe, “The fathers laid down a 
distinct’ proposition that pious frauds 
were justifiable and even laudable . . . 
[and] immediately, all ecclesiastical lites 
ature became tainted with a spirit of the 
most unblushing mendacity.” 

‘The Church claimed tha 
taboos on sex had be 
м. Paul, but in 
Paul had gone much fu 
one before him in di 
activity, he had never suggested anything 
as radical as the sexual code of tl 
medieval Church. Paul also made it clear 
he was not propounding the official teach- 
ings of Christ, but was simply giving his 
personal opinion in reply to a number 
of questions put to him by the Church at 
Corinth 

Autaching, as they did, so much impor- 
tance to preventing masturbation, the 
medieval churchmen sought Biblical justi 
jon and finding none, evidenced no 
great reluctance in twisting the Scriptures 
to suit their purpose. Genesis 38 refers to 
Onan's seed falling upon the ground 
and his subsequently being put to death. 
The idea was established — 
widely believed — that this pass: 


re 
fers to masturbation, from which is de- 


rived the word onanism as a synonym 
for the practice. Actually, the Biblical 
passage refers to coilus interruptus and 
it had a property interest as its raisom 
d'être rather than a sexual one; N. E. 
A Medical History of Contra 

(continued on page 138) 


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FIDELMAN LISTLESSLY DOODLED all over a sheet of 
yellow paper. Odd indecipherable designs, ink- 
spotted blotched words, esoteric ideographs, tor- 
mented figures in a steaming sulphurous lake, 
including a stylish nude rising newborn from the 
water, Not bad at all, though more mannequin 
than Cnidian Aphrodite. Scarpio, sharp-nosed on 
the former art student's left, looking up from his 
cards, inspected her with his good eye. 

“Not bad, who is she?” 

“Nobody I really know.” 

“You must be hard up.” 

“It happens in art.” 

“Quiet,” rumbled Angelo, the padrone, on 
Fidelman’s right, his two-chinned face molded in 
lard. He flipped the top card. 

Scarpio then turned up a deuce, making eight- 
and-a-half and out. He cursed his Sainted Mother, 
Angelo wheezing. Fidelman showed four and his 
last hundred lire. He picked a cautious ace and 
sighed. Angelo, with seven showing, chose that 
passionate moment to get up and relieve himself. 

“Wait for me,” he ordered. “Watch the money, 
Scarpio." 

"Who's that hanging?" Scarpio pointed to a 
longcoated figure loosely dangling from a gal- 
lows rope amid Fidelman’s other drawings. 

Who but Susskind, surely, a figure out of the 
far-off past. 

“Just a friend.” 

“Which one?" 

“Nobody you know.” 

“Tt better not be.” 

Scarpio picked up the yellow paper for a closer 
squint. 

“But whose head?” he asked with interest. A 
long nosed severed head bounced down the steps 
of the guillotine platform. 

A man's head or his sex? Fidelman wondered. 
In either case, a terrible woun 

"Looks a little like mine," he confessed. “At 
least, the long jaw." 

Scarpio pointed to a street scene. In front 
of American Express, here's this starving white 
Negro pursued by a hooting mob of cowboys 
on horses. Embarrassed by the recent past, 
Fidelman blushed. 

It was long after midnight. They sat motion- 


NAKED NUDE 


fiction By BERNARD MALAMUD 


alone with the venus he loved, he 
painted with passion, for he had 
swallowed lightning and he knew 
it would strike what he touched 


DRAWINGS BY PHILL KENAUD 


ut 


ZZ 


PLAYBOY 


less in Angelos stuffy office, a small 
lit bulb hanging down over a square 
wooden table on which lay a pack of 
pully cards, Fidelman's naked hundred- 
e note, and a green bottle of Munich 
beer that the padrone of the Hotel du 
Ville, Milano, swilled from, between 
hands or games. Scarpio, his major-domo 
and secretary-lover, sipped an espresso, 
and Fidelman only watched, being with- 
out privileges. Each night they played 
sette e mezzo, jeenrummy or baccarat and. 
Fidelman lost the day's earnings, the few 
meager tips he had garnered from the 
whores for little services rendered. Angelo 
said nothing and took all. 

Scarpio. snickering. understood the 
street scene. Fidelman, adrift penniless in 
the stony gray Milanese streets, had 
picked his first pocket, of an American 
tourist staring into a store window. ‘The 
Texan, feeling the tug, and missing his 
wallet, had bellowed murder. A carabin- 
iere looked wildly at Fidelman, who 
broke into a run, another well-dressed 
carabiniere on a horse clattering after 
him down the street, waving his sword. 
Angelo, cleaning his fingernails with his 
penknife in front of his hotel, saw Fidel- 
man coming and ducked him around a 
corner, through a cellar door, into the 
Hotel du Ville, a joint for prostitutes who 
split their fees with the padrone for the 
use of a room. Angelo registered the 
former art student, gave him a tiny dark 
room and, pointing a gun, relieved him 
of his passport, recently renewed, and 
the contents of the Texan's wallet. He 
warned him that if he so much as peeped 
to anybody, he would at once report him 
to the questura, where his brother pre- 
sided, as a dangerous alien thief. The 
former art student, desperate to escape, 
needed money to travel, so he sneaked 
into Angelos room one morning and 
from the strapped suitcase under the bed, 
extracted fistfuls of lire, stuffing all his 
pockets. Scarpio, happening in, caught 
him at it and held a pointed dagger to 
elman's ribs— Fidelman fruitlessly 
pleaded they could both make a living 
from the suitcase — until the padrone 
ed. 

A hunchback is straight only in his 
grave." Angelo slapped Fidelman's face 
first with one fat hand, Шеп with the 
other, till it turned red and the tears 
freely flowed. He chained him to the bed 
in his room for a week. When Fidelman 
promised to behave he was released and 
appointed mastro delle latrina, having to 
dean 30 toilets every day with a stiff 
brush, for room and board. He also 
sisted Teresa, the asthmatic, hairy- 


whores. The former art student hoped 
to escape, but the portiere or his assistant 
was at the door 24 hours a day. And 
thanks to the card games and his impas- 
sioned gambling, Fidelman was without 
sufficient funds to go anywhere, if there 


was anywhere to go. And without pass- 
port, so he stayed put. 

Scarpio secretly felt Fidelman’s thigh. 

“Let go or I'll tell the padrone.” 

Angelo returned and flipped up a card. 
Queen. Seven-and-a-half on the button. 
He pocketed Fidelman's last hundred 
lire. 

“Go to bed,” Angelo commanded. “It's 
a long day tomorrow.” 

Fidelman climbed up to his room on 
the fifth floor and stared out the window 
into the dark street to see how far down 
was death. Too far, so he undressed for 
bed. He looked every night and some- 
times during the day. Teresa, screaming, 
had once held onto both his legs as 
Fidelman dangled half out of the window 
until one of the girls’ naked customers, а 
barrel-chested man, rushed into the room 
and dragged him back. Sometimes Fidel- 
man wept in his sleep. 


He awoke, cringing. Angeloand Scarpio 
had entered his room but nobody hit him. 
“Search anywhere,” he offered, “you 
won't find anything except maybe half a 


р,” said Angelo. “We came to 
make a proposition.” 

Fidelman slowly sat up. Scarpio pro- 
duced the yellow sheet he had doodled 
on. “We notice you draw.” He pointed a 
dirty fingernail at the nude figure. 

"After a fashion," Fidelman said mod- 
estly. “1 doodle and see what happens." 

"Could you copy a painting?" 

"What sort of painting?" 

“A nude. "Tiziano's Venus of Urbino. 
‘The one after Giorgione.” 

“That one,” said Fidelman, "I doubt 
that I could. 

“Any fool can.” 

"Shut up, Scarpio,” Angelo said. He sat 
his bulk at the foot of Fidelmar's narrow 
bed. Scarpio, with his good eye, moodily 
inspected the cheerless view from the 

low. 

“On Isola Bella in Lago Maggiore, 
about an hour from here,” said Angelo, 
"there's a small castello full of lousy 
paintings, except for one which is a 
genuine Tiziano, authenticated by three 
art experts, including a brother-in-law of 
mine. It’s worth half-million dollars but 
the owner is richer than Oliveti and 
won't sell, though an American muscum 
is breaking its head to get it.” 

“Very interesting,” Fidelman said. 

“Exactly,” said Angelo. "Anyway, it's 
insured for at least $400,000. Of course if 
anyone stole it it would be impossible 
to sell.” 

“Then why bother?” 

“Bother what?” 

“Whatever it is," Fidelman said lamely. 

“You'll learn more by listening,” An- 
gelo said, “Suppose it was stolen and held 
for ransom. What do you think of that?” 

“Ransom?” said Fidelman. 

“Ransom,” said Scarpio. 


“At least $300,000," said Angelo. “It 
would be a n for Шет insurance соп 
don 


He outlined a plan. They had photo- 
graphed the Titian on both sides, from 
all angles and several distances and had 
collected from art books the best color 
plates. They also had the exact measure- 
ments of the canvas and every figure on it. 
If Fidelman could make a decent copy 
they would duplicate the frame and on a 
dark night sneak the reproduction into 
the castello gallery and exit with the orig- 
inal. The guards were stupid, and the 
advantage of the plan — instead of just 
slitting the canvas out of its frame — was 
that nobody would recognize the substitu- 
tion for days, possibly longer. In the 
meantime they would row the picture 
across the lake and truck it out of the 
country down to the French Riviera, The 
Italian police had fantastic luck in recov- 
ering stolen paintings; one had a better 
chance in France. Once the picture was 
securely hidden, Angelo back at the hotel, 
Scarpio would get in touch with the insur- 
ance company. Imagine the sensation! 
Recognizing the brilliance of the execu- 
tion, the company would have to kick in 
with the ransom money. 

“If you make a good copy, you'll get 
yours,” said Angelo. 

“Mine? What would that be?” Fidel- 
man asked. 

“Your passport,” Angelo said cagily. 
“Plus two hundred dollars in cash and a 
quick goodbye.” 

‘ive hundred dollars,” said Fidelman. 

“Scarpio,” said the padrone patiently, 
“show him what you have in your pants.” 

Scarpio unbuttoned his jacket and 
drew a long mean-looking dagger from a 
sheath under his belt. Fidelman, without 
trying, could feel the cold blade slowly 
sinking into his ribs. 

“Three-fifty,” he said. “I'll need plane 
fare." 

“Three-fifty,” said Angelo. “Payable 
when you deliver the finished repro- 
duction." 

“Апа you pay for all supplies?" 

“1 pay all expenses within reason. But 
if you try any monkey tricks — snitch or 
double cross you'll wake up your 
head gone. or something worse. 

“Tell me," Fidelman asked after a 
minute of contemplation, "what if 1 
tum down the proposition? I mean in a 
friendly way?" 

Angelo rose sternly from the creaking 
bed, “Then you'll stay here for the rest of 
your life. When you leave you leave in a 
cofhn, very cheap wood.” 

“I see,” said Fidelman. 

“What do you say?” 

“What more can I say?” 

“Then its settled,” said Angelo. 

“Take the morning off,” said Scarpio. 

(continued overleaf) 


P. 


C14 


2: 


- 


51 


PLAYBOY 


52 


“Thanks,” Fidelman said. 

Angelo glared. "First finish the toilet 
bowls." 

Am 1 worthy? Fidelman thought. Can 1 
do it? Do I dare? He had these and other 
doubts, felt melancholy, and wasted time. 

Angclo onc morning called him into his 
office. "Have a Munich beer.” 

“No, thanks." 

“Cordial?” 

“Nothing now.” 

“What's the matter with you? You look 
like you have just buried your mother.” 

Fidelman set down his mop and pail 
with a sigh and said nothing. 

“Why don't you put those things away 
and get started?” the padrone asked. “I've 
had the portiere move six trunks and 
some broken furniture out of the store- 
room where you have two big windows. 
Scarpio wheeled in an easel and he's 
bought you brushes, colors and whatever 
else you need.” 

"It's west light, not very even.” 

Angelo shrugged. "It's the best сап do. 
‘This is our season and I can't spare any 
rooms. If you'd rather work at night we 
can set up some lamps. It's a waste of 
electricity. but I'll make that concession 
to your temperament if you work fast and 
produce the goods.” 

"What's more, I don't know the first 
thing about forging paintings,” Fidelman 
said. “All I might do is just about copy 
the picture.” 

“That’s all we ask. Leave the technical 
business to us. First do а decent drawing. 
When you're ready to paint I'll get you а 
piece of 16th Century Belgian linen that's 
been scraped clean of a former picture. 
You prime it with white lead and when 
its dry you sketch. Once you finish the 
nude, Scarpio and I will bake it, put in 
the cracks and age them with soot. We'll 
even stipple in fly spots before we varnish 
andglue. We'll do what's necessary. There 
are books on these subjects and Scarpio 
reads like a demon. It isn’t as complicated 
as you think.” 

“What about the truth of the colors?” 

“I'll mix them for you. I've made a life 
study of Tiziano’s work.” 

“Really?” 

“Of course.” 

But Fidelman's eyes still looked un- 
happy. 

“What's eating you now?” the padrone 
asked. 

“It’s stealing another painter's ideas 
and work.” 

The padrone wheezed. “Tiziano will 
forgive you. Didn't he steal the figure 
of the Urbino from Giorgione? Didn't 
Rubens stcal the Andrian nude from 
Tiziano? Art steals and so does everybody. 
You stole a wallet and tried to steal my 
lire. It’s the way of the world. We're 
only human." 

“Isn't it sort of a desecration?” 

"Everybody desecrates. We live off the 


dead and they live off us. Take, for in- 
stance, religion." 

“1 don't think I can do it without see- 
ing the original," Fidelman said. "The 
color plates you gave me aren't true." 

"Neither is the original anymore. You 
don't think Rembrandt painted in those 
sfumato browns, do you? As for painting 
the Venus, you'll have to do the job here. 
If you copied it in the castello gallery. one 
of those cretin guards might remember 
your face and the next thing you know 
you'd have trouble. So would we, prob- 
ably, and we naturally wouldn't want 
that" 

“I still ought to see i 
obstinately. 

The padrone then, reluctantly, con 
sented to a oneday excursion to Isola 
Bella, assigning Scarpio to closely accom- 
pany the copyist. 


" Fidelman said 


On the vaporetto to the island, Scarpio, 
wearing dark glasses and a light straw hat, 
turned to Fidelman. 

"In all confidence, what do you think 
of Angelo?" 

"He's all right, I guess.” 

"Do you think he's handsome?” 

"] haven't given it a thought. Possibly 
he was, once." 

"You have many fine insights” said 
Scarpio. He pointed in the distance where 
the long blue lake disappeared amid 
towering Alps. “Locarno, 60 kilometers.” 

"You don't say." At the thought of 
Switzerland so close by, freedom swelled 
in Fidelman's heart but he did nothing 
about it. Scarpio clung to him like a long- 
lost brother and 60 kilometers was a long 
swim with a knife in your back. 

“That's the castello over there," the 
major-domo said. “It looks like a joint." 

"The castello was pink on a high ter- 
raced hill amid tall trees in formal gar- 
dens. It was full of tourists and bad 
paintings. But in the last gallery, "infinite 
riches in a little room," hung the Venus 
of Urbino alone. 

"What a miracle, thought Fidelman. 

The golden-brown-haired Venus, a 
woman of the real world, lay on her couch 
in serene beauty, her hand lightly touch- 
ing her intimate mystery, the other hold- 
ing red flowers, her nude body her truest 
accomplishment. 

"I would have painted somebody in 
bed with her," Scarpio said. 

“Shut up," said Fidelman. 

Scarpio, hurt, left the gallery. 

Fidelman, alone with Venus wor- 
shiped the painting. What magnificent 
flesh tones, what extraordinary flesh that 
can turn the body into spirit. 

While Scarpio was out talking to the 
guard, the copyist hastily sketched the 
Venus, and with a Leica Angelo had bor- 
rowed from a friend for the purpose, took 
several new color shots. 

Afterward he approached the picture 
and kissed the lady's hands, thighs and 


breasts, but as he was murmuring "I love 
you,” a guard struck him hard on the 
head with both fists. 

That night as they returned on the 
rapido to Milano, Scarpio fell asleep, 
snoring. He awoke in a hurry, tugging at 
his dagger, but Fidelman hadn't moved. 

The copyist threw himself into his 
work with passion. He had swallowed 
lightning and hoped it would strike what 
he touched. Yet he had nagging doubts 
he could do the job right and feared he 
would never escape alive from the Hotel 
du le. He tried at once to paint the 
‘Titian directly on canvas, but hurriedly 
scraped it clean when he saw what a 
garish mess he had made, The Venus was 
insanely disproportionate and the maids 
in the background foreshortened into 
dwarfs He then took Angelo's advice 
and made several drawings on paper to 
master the composition before commit- 
ting it again to canvas. 

Angelo and Scarpio came up every 
night and shook their heads over thc 
drawings. 

"Not even close," said the padrone. 

“Far from it." said Scarpio. 

“I'm trying," Fidelman said, an- 
guished. 

“Try harder," Angelo said grimly. 

Fidelman had a sudden insight. “What 
happened to the last guy who did?” 

"He's still floating," Scarpio said. 

“TI nced some practice,” the copyist 
coughed. “My vision seems tight and the 
arm tires easily. Td better go back to 
some exercises to loosen up.” 

“What kind of exercises?" Scarpio in- 
quired. 


“Don't overdo it,” Angelo said. “You've 
got about a month, not much more. 
"There's a certain advantage in making 
the exchange of pictures during the tour- 
ist season.” 

“Only a month?” 

The padrone nodded. 

“Maybe you'd better trace it,” Scarpio 
said. 

“No.” 

“TI tell you what,” said Angelo. “I 
could get you an old reclining nude you 
could paint over. You might get the 
form of this one by altering the form of 
another.” 

“No.” 

“Why not?” 

“It's not honest. I mean to myself.” 

Everyone tittered. 

"Well, it's your headache,” Angelo 
said, 

Fidelman, unwilling to ask what hap- 
pened if he failed, feverishly drew faster 
after they had left. 

Things went badly for the copyist. 
Working all day and often into the very 

(continued on page 122) 


ENGLAND'S FAVORITE SON 


stirling moss epitomizes the very model of a model british hero 
article By KEN W. PURDY 


THE EXTRAORDINARY CONCERN and affection the British people show for Stirling Moss cannot be explained by his eminence 
as а sports figure. (My London housekeeper, who had never seen a motor race, and had never seen Moss excepting on 
television, asked me to tell him to please shave off his beard, she didn't like it. Then she added, "He is very dear to us.”) 
The British people have known many great sportsmen, and they have usually viewed them with comparative calm and 
equanimity, but during the decade 1952-1963, let us say, Stirling Moss has been one of the most prominent figures in the 
United Kingdom. Other formidable accomplishers, sportsmen, athletes, film stars, scientists, politicians have stepped upon 
the stage, stayed a bit, and slipped away. But still today, and this is written nearly a full year after Goodwood, when 
Stirling Moss comes down a jet ramp at London Airport, it’s news. Why? 

I thought I knew, but I asked а more knowledgeable man, a Fleet Street editor who has seen page-one celebrities 
come and go for 20-odd years. 


“Its because he was а knight in armor," the editor said, “rushing out of the castle to do batde in foreign lands, and 
coming back, sometimes with the prize and sometimes without it; sometimes bloody on his shicld (continued on page 78) 


53 


“T can type, take shorthand, file, and Pm a pushover . . .” 


THE IMP OF 
THE IMPOSSIBLE 


article BY J. PAUL GETTY 


SUCCESS IN THE BUSINESS WORLD 
OFTEN DEPENDS UPON THE ABILITY TO 
DISTINGUISH BETWEEN THE 

DIFFICULT AND THE UNATTAINABLE 


NOT LONG лсо, I was forced to demand the resignation of а top-level executive in 
one of my companies. Although he was intelligent, hard-working and experienced, 
this man had a signal weakness that proved fatal to his carcer — and which, in 
time, might well have proved fatal to the company. He simply could not 
distinguish between the possible and the impossible — and his myopia extended 
to matters large and small. 

‘Typical of his costly blunders was his tendency to undertake tasks which he 
should have realized were patently impossible to fulfill. Also typical were his 
ebullicntly optimistic—and completely unrealistic — estimates of the time it 
would take to carry out an assignment or to complete a project. 

"Yes, we can do it,” he'd promise with bland assurance — even though “it” 
could not be done. “I'll have everything finished for you in three days,” he'd say 
confidently — even though he must have known three weeks would be required to 
perform the work in question. 

Perhaps he was driven by some compulsive desire to impress people with 
promises. Maybe he was afflicted with some rare form of sophomania or counted 
on fortuitous miracles to achieve the impossibilities he was in the habit of 
promising so rashly. Whatever the reasons, he gradually dragged himself — and 
his associates, subordinates and superiors — down into a morass of totally imprac- 
tical projects, backlogged work, canceled orders and programs that had to be 
abandoned with consequent financial loss to the company. 

This executive's inability to distinguish between the possible and the impossible 
created chaos within the company and alienated its customers. Brought to book 
for his shortcomings, he again demonstrated his fatal myopia by failing to realize 
that one cannot indefinitely hide one's mistakes behind glib excuses or displays of 
histrionics. He indulged freely in both in a futile effort to save the job he had 
already proved he could not possibly handle. 

I believe it was La Rochefoucauld who first argued that “nothing is impossible.” 
In my opinion, this is sheer nonsense, and I flatly reject the theory, noting that 
even La Rochefoucauld felt it advisable to later amend his adage to read: “Few 
things are impossible in themselves.” 

I'm inclined to cock a skeptical eye at even this revised version. However, 
rather than further disparage the good Duc de La Rochefoucauld’s philosophies, 
I'I assume that our definitions of the word "few" differ greatly and let it go at 
that, In any event, he was referring to matters on a more esoteric plane — while I 
am concerned with the hard-fact specifics of everyday living and particularly 
of business. 

It is my opinion — and it has been my experience — that there are vast numbers 
of things which are impossible, and that one is very likely to encounter them 
frequently in the business world. I firmly believe that one of the most valuable 
assets а businessman or executive can possess is the ability to study and weigh all 
the factors in a given situation and determine what is feasible and what is not — 
in short, to distinguish between the possible and the impossible. 

"The ability is seldom innate; rather, it is acquired and developed. With it, an 
individual's chances of achieving success are greatly enhanced. Without it, he can 
go only so far — ог fail altogether. Many an otherwise capable — or even great — 
man has failed because he lacked this capacity. 

A comparison between Julius Caesar and Augustus Caesar indicates that Julius 
was basically the more able and gifted of the two. But (continued on page 82) 


OF THE INDIANS in the town square, it was 
Miguel who first became aware of the little 
drama on the side of the mountain, Faraway, 
where the road was a rising scar on the barren 
slope, the bus was to be seen, and close be- 
hind it a big American sedan. 

“The bus is pulling the automobile,” 
Miguel said. 

They all looked. “Indecd, it is so," one said. 

"Why would such a car be uaveling on 
our road?" asked another. 


Figures were visible on the roof of the bus 
and sitting on the hood of the automobile. 
The two vehicles disappeared behind a spur 
of the mountain; when they reappeared, the 
road had begun its plunge to the village in 
the valley, and they had separated. Minutes 
later the bus arrived, loaded to capacity with 
Indians — laughing, shouting, waving, twang- 
ing on guitars — chickens, vegetables, a pig or 
two, baskets, God knows what. The Indians 
all piled out and joined the loafers in the 
square. 

A minute later the American automobile 
coasted in and came to rest before the one 
gas station. It was a 1948 Cadillac. From it 
emerged an unusually fat and smiling Ameri- 
can. 


“Boy, what a ride,” he said. “Who's in 


charge around here?" 

None of the Indians from the bus under- 
stood English, but all of them knew what he 
wanted and all of them pointed at Pepe, who 


stepped forward and indicated that he 
proprietor of the gas station, The Am 
whose name was Wilcox, asked hopefully, 
“Usted habla inglés?” Pepe shrugged. 

"El automóvil," Mr. Wilcox said, and made 
a slicing motion across his throat. “Muerte. 
Kaputt. No va. Comprende?" 

Si!” Pepe said. He went around to the 
front, opened the hood, and looked in. He 
reached in and tugged on a few wires. This 
was a rite, and he performed it with suitable 
solemnity. It was perfectly obvious that he 
had not the slightest notion what might be 
wrong or what to do about it. Mr. Wilcox 
gave out with a hearty laugh. “Well,” he 


fiction By T. K. BROWN III 


CAR ON THE MOUNTAIN 


it was а game in which they all shared— 
outwilting the authorities and 
stealing the prize from under their noses 


PLAYBOY 


58 


said, “you take your time. When you 
find out what the trouble is, ГЇЇ be over 
there.” He went across the street to the 
nearest bar and ordered a tequila, 
though it was only 11 in the morning. 

Miguel asked his friend Pepe, “What 
is wrong with the Cadillac?” 

“I do not know,” Pepe said, “but it 
would be wrong to tell the gringo this 
right away, or he would not respect me 
and would not give me any money.” 

“That is true,” Miguel said. 

“You can speak English,” Pepe said. 
“After about half-an-hour, we go over 
and you tell him how difficult is the prob- 
lem with the car.” 

And this they did. Mr. Wilcox had 
had two tequilas by then. 

“Mi amigo, Miguel,” 
“Habla un poco inglés.” 

“Si, un poquito," Miguel said; and 
then, to prove it: "I leesten more good 
than I speach." 

Nevertheless, he was an unusual per- 
son. A backcountry Indian who can 
as much as sign his name is a rarity; one 
who can make himself understood in a 
foreign tongue is almost unheard of. 
And Miguel was not even a town Indian: 
he lived with his wife and young son 
three miles up the mountain, where he 
grew maguey and corn. 

"What is wrong with the car?" Mr. 
ох asked. 

‘Sefior,” Miguel said simply, "I not 
know. Pepe not know. Een thees place 
nobody know. Ees necessary Diosdado.” 

“Diosdado?” 

“Mecánico. Acapulco. Day after to- 
morrow we tell bus. Day next, Diosdado 
come from Acapulco. Ees only theeng.” 

“Day after tomorrow?” Mr. Wilco 
cried. "Why not today, or tomorrow?" 
us one day to Acapulco,” Miguel 
said. "Day next to Taxco. Today to 
Acapulco, eet pull you, now gone. Ti 
morrow, Taxco. Day next, Acapulc 

“Isn't there any telephone?" Mr. Wil- 
cox asked. 

"Oh, si, señor,” Miguel said proudly. 

ice" He added: "But eet no 


Pepe said. 


“Boys,” Mr. Wilcox said, “sit down 
with me at this table and have a drink 
while we ty to figure this thing out. 
What'll it be?” 

Miguel and Pepe looked at each other, 
questioning cach other with their eyes. 
One was not asked to sit down and 
drink with the yanqui; this simply did 
not happen. Cautiously they took chairs 
and asked for beers. The owner of the 
place served them with a face so expres 
sionless that only another Indian could 
have scen in it his amazement and dis- 
approval. 

"Now," Mr. Wilcox said. “Today is 
Wednesday. Miércoles, right? The way 
I understand it, on Saturday this fellow 
Diosdado arrives and fixes the car." 

Miguel said, "Who know?" 


“I see what you mean,” Mr. Wilcox 
said. "Maybe we need parts.” He tossed 
off the rest of his third tequila and 
waved for another. “OK. Diosdado takes 
the bus back to Acapulco on Sunday —” 

“Pardon, no bus on Sunday,” Miguel 
said. 

"On Monday he takes the bus back," 
Mr. Wilcox said. His good nature was 
being put to a severe test. “Tuesday he 
comes back with the parts. He fixes the 
car and I take him back in it to Aca- 
pulco.” 

There was silence at the little table. 
Mr. Wilcox took a sip of his drink and 
a suck of lime. "It's an old car. I was 
an idiot to take it into the mountains, 
just to see what things are like back 
here. I could've taken the highway 
straight from Taxco to Acapulco — no 
headaches Oh well Is there a hotel 
here? A place to stay?" He looked around 
at the shabby town square: the cracked 
pavement, a few dusty trees, a fountain 
without water, a couple of benches; and 
around the edge the usual collection of 
cantinas, a grocery, a hardware store, 
the inevitable beatup church with the 
creaky bell in its open espadafía that 
would wake him up at five A-M., and 
then at six, and at seven, and at eight. 

"Si, señor,” Miguel said. "Thees res- 
taurante have a room. Een back. Five 
pesos.” 

‘The price seemed to restore Mr. Wi 
cox' good spirits. "Forty cents— can't 
go wrong on that. Something tells me 
I'll be spending a week here, and prob- 
ably forever. Would one of you fellows 
get my bag from the back seat?” To 
their blank stares he said: “Bag — suit- 
case — maleta,” and laughed uproari- 
ously. “Boy, have I got this language 
under control.” 

While Miguel did so, he made his 
wishes dear to the proprietor of the 
establishment and was shown into a tiny, 
bare room with a cot and a washstand — 
nothing more — next to the men's (and 
women's) room, from which a powerful 
odor emerged. 

"Well" he said, “Triple A should 
certainly be told about this bargain 
paradise." He waved goodbye to the two 
Indians, who were hovering in the door- 
way. 

“The dog,” Pepe said as they left. "He 
didn't give me a thing.” 

“You didn't do a thing for him," Mi- 
guel replied. 


Miguel, of course, was busy in his 
fields all day. In the evening he came 
to town, because that was what everyone 
did. On the third evening, Friday eve- 
ning, he came up to Mr. Wilcox and 
said courtcously, “We send message to- 
day with bus. Diosdado here mañana," 

Mr. Wilcox was sitting at one of the 
tables on the sidewalk in front of his 
“hotel.” He had been drinking tequila 


with Bohemia-ale chasers since noon, 
having nothing better to do with his 
time. As a consequence he was quite 
drunk. “Sit down, buddy,” he said. “Let 
me buy you a drink. Boy, do I need 
someone to talk to.” 

Miguel sat down with reluctance and 
allowed a shot of tequila and a segment 
of lime to be set before him, but did not 
partake of them at on 

“You're a smart Innian,” Mr. Wilcox 
said. “You made a effort to improve 
yourself. By God, I can tell a smart 
Innian when I see one. An’ I'll tell you 
another thing,” he said. “It's a damn 
shame the way they keep you Innians 
from getting a decent break in this god- 
damn country. I never yet seen a Innian 
have a chance, nor never heard of one 
that had a chance.” 

“El generalisimo, 
Miguel inquired. 

“That tyrannical old sonofabitch?" 
Mr. Wilcox cried. “I'm talking about 
the orinary guy—like you. You think 
you got a chance?” 

“Si, señor,” Miguel said with dignity. 

Mr. Wilcox pounded the table. “No! 
You got no chancel You work like a dog, 
you improve yourself, you lam a 
foreign language. But you come to town 
barefoot. You think you even got a 
chance to buy a decent pair of shoes and 
wear “em into a decent restaurant and 
order a orinary meal like anybody else 
and pay for it and leave a tip and they 
don't sneer at you for a goddamn back- 
country Innian?” 

Mr. Wilcox’ eye caught the glint of 
the single streetlight on his car across 
the square. “You work every day for 20 
years,” he said. “You think you ever 
get to own a car like that — even a lousy 
1948 Cadillac?” 

Miguel too Jooked across the square 
and felt a surge of emotion that caused 
him to drink his tequila in one head- 
back, larynx-bobbing gulp. “No, sefior,” 
he said sadly, “I never own a car like 
that.” 

“That's what I mean," Mr. Wilcox 
said. “You Innians got no chance at all.” 
Suddenly he seemed to lose all interest 
in Miguel. He craned around toward 
the interior of the restaurant and banged 
on the table with the flat of his hand, 
impatient for a refill. When no service 
was forthcoming, he walked with great 
caution into the depths of the building. 
from which he did not re-emerge. Pre- 
sumably he found his new tequila 
within. Miguel left the table and joined 
friends on the other side of the square. 


Porfirio Diaz” 


“The next day, Mr. Wilcox arose late 
—in the afternoon, to be exact. Un- 
steady of gait and bleary of сус, he 
made his way to one of the sidewalk 
tables and ordered a cup of coffee. Even 
as he drank it he realized that this was 

(continued on page 64) 


AFRICAN СИ ЛЕТ 


| — > 
⁄ L3 А 
2 —A— - 9 $e. o. 


` = 


by popular demand, a return engagement with fetching gillian tanner 


PLAYBOY'S READERS responded with predict- 
able enthusiasm when we presented, in 
text and pictures, the remarkable Girls of 
Africa last April. The lion’s share of praise 
was dedicated to a comely South African 
miss named Gillian Tanner. 

“Bravo for enthroning this African 
Queen,” wrote one admirer. “We have 
never seen such a beautiful creature,” ech- 
oed another. The recurring note in all the 
plaudits was, “More, more, more of п 
"Tanner," and so with bounding step and 
boundless pleasure, our man in the Dark 
Continent promptly fetched us a fresh 
portfolio on this Johannesburg lass 

Gill is currently working at a promising 
Career as a commercial artist for a chain 
department store, and she regards her 
modeling activities (like her oil-painting 
and jewelry-collecting) as strictly a week- 
end pastime. But since her first appearance 
in print, there has been such a demand 
for Gill that her avocation may yet out- 
shine her occupation. 

The greater part of her leisure time is 
spent in the company of one or another 
of Johannesburg's young scions at an ele- 
gant, suburban yacht club, or at home with 
a Vivaldi concerto on her stereo rig and one 
of her many pets at her feet. So far, she 
owns four dogs, three bush babies, two 
cats and one turtle. 

“АП my collection lacks right now," says 
Gill with a twinkle in her eye, “is a par- 
tridge in a pear tree. 


Gillian Tanner is graphic proof that lean, haunting beauty can generate an extraordinary degree of excitement 


60 


. although not a professional model, Gill works in intimate and instinctive communion with the camera. 


61 


Johannesburg-born Gill is unusually tall (5' TO" ), but carries herself gracefully . . . and knows how to adapt 


herself to her surroundings, whether in the bright vivid outdoors or controlled indoor lighting. 


PLAYBOY 


64 


CAR ON THE MOUNTAIN 


not what he needed. Calling on all his 
resources in the Spanish language, he 
brought forth the phrase, un pelo del 
perro—a hair of the dog. That was it. 
He slapped the table until the owner 
appeared. “Un tequila,” he said, “por 
favor. God, have I got a bun on” - 

When it was brought, he said, 
“Thanks, buddy,” and stood up with it. 
(Tequila hangovers do this to people — 
make them restless) With the glass in 
his hand he strolled along his side of the 
square and around the first corner; and 
there, by the purest chance, he encoun- 
tered Miguel. who was in town so early in 
the day only by a fluke: it was the due 
date for a debt of 10 pesos that he could 
not pay, and he had to mollify his creditor. 

"Miguel amigo!” Mr. Wilcox ex- 
claimed, and immediately covered his 
eyes with the crook of his arm. "Oh 
Christ, never again!" Miguel waited pa- 
tiently. "Miguel" he said, lowering his 
arm, "I believe that the circumstances call 
for us to sit down at a nearby table and 
resume our conversation of last evening. 
Will you join me in a small libationz" 

Without waiting for a response he led 
the way to a cantina that he saw half-a- 
block off the main square. Seated with 
Miguel, he drained his glass and ordered 
tequilas for both. 

"Buddy, I'll give it to you straight," 
he said. “I am going absolutely stir crazy 
in this place. I don't see how 1 can hold 
out much longer. Come on, drink up. 
I mean, I feel like this town is dead. 
Dead. Ywo hundred years ago it was just. 
like it is today — dirty, squalid, full of 
people who don't give a damn. Because 
they haven't got a chance anyway — you 
remember what I was saying yesterday?" 

“Yes, І remember," Miguel said, who 
was sitting politely—not drinking, not 
enjoying himself, just being a decent 
fellow. 

“You feel it," Mr. Wilcox said. "I'm 
not usually so serious about things but 
what I mean is, goddamnit, you feel it. 
The lack of self-respect, for instance. 
Come on, son, pour that drink down 
so we can have another. The women go 
around town, I saw it myself, they walk 
around suckling their babies, right out 
in the open. And every doorway you 
pass, excuse me for mentioning it, but 
in every doorway there's the smell of 
urine.” 

Most of this was going too fast for 
Miguel but he nodded and said, “Yes, 
eet ces true.” 

“Another thing,” Mr. Wilcox said, 
pointing. “Look down this street. What 
docs it look like in the next block? One 
block from the center of town and what 
have you got? Mud houses with one 
room, no plumbing, naked boys and 
girls in the yard. 1 walked down there 
yesterday and they all crowded around 


(continued from page 58) 


me. All of them were begging except 
one, and she was trying to sell me a live 
iguana. Now, that's no way to bring up 
children. Why aren't they in school?” 

“Yes,” said Miguel. 

Mr. Wilcox finished his drink and 
ordered another. “Well,” he said with 
his gusty laugh, “I believe the medicine 
is taking effect. Come on, boy, drink 
up.” Miguel took a sip and Mr. Wilcox 
returned to his theme. "Now, you take 
that ‘hotel’ of mine —" 

And so it went. For 45 minutes Miguel 
sat and listened civilly to Mr. Wilcox" 
opinions, which were larded with many 
invidious comparisons to the United 
States of America and were lubricated 
by several additional tequilas. Finally he 
took occasion to say, “Señor, I theenk 
Diosdado ees here now and we can go 
see how ees car." 

Mr. Wilcox arose at once, knocking 
over the table. This brought the pro- 
prietor, who was paid. Miguel noticed 
that the American walked with great 
care as they made their way back to the 
plaza. His pace quickened when he saw 
the crowd around the car. Diosdado was 
waving his arms at Pepe, so that Pepe 
should have a reason for waving his 
arms at Diosdado. Mr. Wilcox pushed 
his way through the group of Indians. 
He took onc look and clapped his hand 
to his forehead. 

"My God!" he cried. "He's demolished 
the car" He grabbed Miguel by the 
arm. “Look!” — gesturing. "The carbu- 
retor! The coill The generator! The 
spark plugs! The fuel pump! All lying 
in the dirt! This man has no idea what 
he is doing." 

Miguel said nothing. 

“Oh my God!” Mr. Wilcox said, point- 
ing. "He's taken off the cylinder head 
and destroyed the head gasket. I'll never 
find that gasket this side of Detroit." 

Mr. Wilcox fell suddenly silent under 
the gaze of all the Indians, including 
Diosdado and Pepe. Miguel saw a deep 
sadness take possession of him. "Come 
with me, Miguel," Mr. Wilcox said, and 
led him to the other side of the square, 
to his “hotel,” where they sat at a table. 
“The owner, who knew what was proper, 
hastily tied on an apron, dirty beyond 
belief, and approached. “Señor quiere?" 

Here, perhaps, Mr. Wilcox made the 
mistake that locked the door behind 
him. "Mescal" he said. The owner- 
waiter turned to go. "Una botella de 
mescal.” 

“Por supuesto,” the man said. 

Now, tequila and mescal are both dis- 
tilled from the maguey, that spiky cen- 
tury plant that Miguel cultivated in the 
hills, and which also provides pulque, 
fiber, fodder, and other fundamentals 
of the Mexican economy. Tequila is 


relatively harmless — it just makes you 
drunk. But mescal, double« lied in 
the state of Oaxaca, reaches in deeper 
and puts the whammy on the soul. It 
glazes the eye and alters the personality. 
And this was going to happen to Mr. 
Wilcox before breakfast, on a stomach 
full of tequila. 

"]t doesn't matter what he does from 
now on," Mr. Wilcox said. "He might 
just as well tear the whole car to pieces." 
He sat with his back to the scene and 
seemed to be more involved with a tur- 
moil within. 

"Miguel," he said, with honest emo- 
tion, "this is the first time in my eight 
years in Mexico that this has really got 
home to me.” He made a sweeping ges 
ture that took in the car, the Indians 
watching, the whole town and the whole 
country. “This. This Four hundred 
years of civilization and you still have 
this wretched village with its onc strect- 
light and its one telephone that won't 
work, and the sewage running in the 
gutters. and the mud hovels, and the 
poverty and the illiteracy and the dis 

He downed his mescal and poured 
another, “And the worst thing of all is 
these grown men like Diosdado and 
Pepe with their wispy mustaches — chil 
dren, children. Four hundred years after 
the conquest and still this tragic nation 
of ignorant, incompetent, destructive 
children waving their arms at cach other 
over their folly. And nothing anyone 
can do about it—nothing, nothing, 
nothing." 

At this moment the bus blew its horn 
to signal its intention to depart. Mr. 
Wilcox turned in his chair to see what 
was going on, just in time to watch Dios- 
dado as he succeeded in removing — for 
no conceivable reason — the pan from 
the engine, while he was under it. It 
and six quarts of oil fell on him. To 
Miguel it seemed, later, that this final 
senseless act was what pushed the ameri- 
cano over the edge. 

"Miguel," be said, "stay here." 

With trancelike movements he went 
back to his room and got his suitcase, 
leaving behind whatever was not in it. 
Back at the table he laid it on the side- 
walk and opened it. From the pocket in 
the lid he removed the title to the car. 
He laid it face down on the table, 
studied the printing on its back, took 
out his pen, and made some marks on it. 
They included his signature. 

"Miguel, Mr. Wilcox said, "that 
car was bought in this country, so it is 
free and clear as to import duty. You 
just put your name on this line when 
you have a spare moment. That will 
make the car yours. You said you would 
never own such a car — well, by God, I 
just made a liar of you, you poor help- 

(continued. on page 131) 


"I've told you not to do that!” 


Four Fateful 
Fables 
For Today 


By SLAWOMIR MROZEK 


A Silent Hero 


ONE AFTERNOON, when Í looked out of the 
window, I saw a funeral moving down 
the street. A simple coffin on an austere 
hearse drawn only by one horse. Behind 
the hearse walked the widow, clad in 
black, and three other people, probably 
relatives or friends of the deceased. 

The modest cortege would not have 
attracted my attention were it not for 
the fact that the coffin was covered with 
a red banner bearing the inscription 
THREE CHEERS. 

Intrigued, I left my flat and joined 
the procession. Soon we reached the 
cemetery. The deceased was buried in a 
far corner among a group of birch trees. I 
kept myself in the background during the 
burial rites, but afterward Е approached 
the widow to offer my condolences and 
to inquire about the identity of the 
deceased. 

I learned that he had been a civil 
servant. Moved by my interest in her 
late husband, the widow volunteered 
some information about his last days. 
She complained that her husband had 
exhausted himself by undertaking un- 
usual voluntary work: he spent all his 
free time writing memoranda and letters 
describing new methods of propaganda. 
Just before his death his sole aim seemed 
to be to translate propaganda slogans 
into action. 

My curiosity was aroused and I asked 
to be allowcd to see some of her hus- 
band’s writings. She agreed readily and 
gave me two sheets of yellowing paper, 
covered with a precise, somewhat old- 
fashioned handwriting. That is how I. 
came to read his memorandum. 

"Let us consider flies, for instance," 
was the opening sentence. "After dinner 
I often watch flies circling round the 
lamp and this stimulates various thoughts 
in my head. Would it not be wonderful, 
I think, if flies could share in our social 
consciousness. Then, if you caught one 
of them, pulled off its wings, dipped it 
in ink and let it loose on a clean sheet 
of paper, it would move about, writing 
SUPPORT THE AIR FORCE or another 
slogan.” 

The spiritual profile of the deceased 
became clearer to me as T read on. He 
must have been a sincere man, deeply 
concerned with the idea of placing slo- 
gansand banners whenever and wherever 
possible. Among his most original ideas 
was the sowing of special clover. 

“Through the cooperation of artists 
and biologists,” he wrote, "it should be 
possible to breed a special kind of 
clover. At present, this plant has flowers 
of one color, but if the seed were suit- 
ably prepared, the flowers could grow in 
the likeness of one of the leaders or a 
hero of labor. Just imagine a whole field 
of clover at flowering time! Of course, 
one would have to guard against 
takes. It would be most unfortunate 


through the mixing up of seeds, a 
leader's face, which is normally devoid of 
mustache and spectacles, should appear 
in flower form with both. The only 
remedy would be to mow the whole field 
and sow again,” 

The ideas of the old man were more 
and more intriguing. After having read 
his memorandum I came to the conclu- 
sion that the slogan THREE CHEERS had 
been placed on his coffin at his own 
expresscd wish. In this way, even during 
his last journey, the selfless inventor and 
fanatical propagandist wished to demon- 
strate his enthusiasm. 

I was curious to discover the exact 
circumstances of his death and made in- 
quiries, It was no surprise to be told that 
he had fallen victim of his own eager- 
nes. On the occasion of the National 
Day he took off all his dothes and 
painted his body in seven vertical stripes 
of various colors. Then he went out on 
his balcony, climbed on the balustrade 
and tried to do what is known to some 
physical-exercise enthusiasts as “the 
crab"— a backbend in which the arched 
body rests on the subject's hands and 
feet. In this way he wished to create a 
living picture of a rainbow—the symbol 
of hope. Alas, the balcony was 30 feet 
above ground level. 

I went to the cemetery to have another 
look at his last resting place. Though | 
searched for a long time, I could not find 
the group of birches among which he 
had been buried. In the end. I decided to 
follow a passing band returning from a 
tattoo. It was playing a gay march. 


A Trial 


AT LONG LAST the aim has been achieved 
and a tremendous amount of work and 
effort has borne fruit. All the authors 
have been put into uniform and awarded 
suitable ranks and distinctions. In this 
way chaos, lack of criteria, unhealthy 
artistic tendencies and the obscurity and 
ambiguity of art have been removed 
once and for all. 

The design of the uniforms had been 
worked out centrally; the division into 
districts and formations, as well as the 
system of ranks to be awarded to indi- 
vidual members, were the result of long 
preparatory work in the Supreme Coun- 
cil of the Writers’ Association. From 
then on, every member had to weara uni 
form consisting of wide mauve trousers 
with piping of a different color, green 
jacket, belt and peaked hat. Thus the 
basic uniform was simple, but it allowed 
for a great variety of rank. Members of 
the Supreme Council wore two-peaked 
hats with gold braid, but members of 
regional councils were entitled only to 
silver braid. Chairmen wore swords, vice- 
chairmen stilettos. 

All the writers were assigned to appro 


priate formations according to their 
genre. Two regiments of poets were set 
up, three divisions of practitioners in 
prose and one firing squad composed of 
various elements. The greatest changes 
took place among the literary critics; 
some of them were banished to the salt 
mines and the remainder incorporated 
into the gendarmery. 

Everybody was given a rank within a 
scale ranging from private to marshal. 
"The deciding factors were the number of 
words published by each author during 
his lifetime, the angle of his ideological 
spine in relation to the floor, his age and 
his position in local or national govern- 
ment. Flashes of different colors dis- 
tinguished the various ranks. 

‘The advantages of this new order were 
self-evident. First of all, it was clear to 
everybody what he should think of any 
author; a writer-general could not pos- 
sibly write a bad novel and, obviously, 
the best novels had to come from the 
pen of a writer-marshal. A writer-colonel 
might make mistakes but, even so, he 
must be much more talented than a 
writer-major. 

‘The work of editorial offices was 
greatly simplified; it was сау to calcu- 
late quickly and accurately how much 
more suitable for publication was the 
work of a writer-brigadier than that of a 
writer-lieutenant. In the same way the 
question of fees was settled automatically. 

It became impossible for a critic-writer- 
captain to commit to paper any adverse 
views on the work of anyone holding the 
rank of writer-major or above and only 
a criticwritergencral could find fault 
with something coming from the pen of 
a writer-colonel. 

The advantages of the new order were 
not confined to the literary profession. 
Before the reform, processions and pub- 
lic ceremonies were marred by the dreary 
appearance of the writers who compared 
unfavorably with the sportsmen. Now 
the writers’ detachment presented а gay 
and colorful spectacle. The glitter of 
gold and silver braid, the multicolored 
flashes and piping, the peaked hats, all 
this appealed to the crowd and led to a 
great increase in the popularity of the 
writers among the people. 

It must be admitted that certain diffi- 
culties were encountered in connection 
with the (continued on page 125) 


from behind the 

iron curtain comes 
the new voice of a 
polish fantasist whose 
macabre miniatures 
illuminate his world 


little dipper 


plollis sherwood makes a pretty 
splash as our august playmate 


PETITE PLAYMATE Phyllis Sherwood is an admirably grown- 
up blend of the ingredients traditional to all little girls — 
one third sugar, two thirds spice — and no male will deny 
that in her case the combination has definitely improved 
with age. Short (5/17) and shapely, with strawberry-blonde 
hair and big brown eyes, plus a pert face and a glow of 
health, Phyllis pleases by being her matural, more-than- 
slightly mischievous self. Not in any manner a mixed-up 
miss for whom everything's coming up neuroses, she brings 
to day-by-day living an infectious esprit, a quality much in 
evidence as she talks about her life and the things in it that 
matter most to her — including men: "Unlike a lot of girls 
I know, I'm totally unimpressed by bold, brash, dynamic 
types —my dream man is a quiet, rather shy, attentive guy 
who would always humor me and my quirks. For example, 


| 


l \ 


ПИТ 


м 


“ My friends all seem to have enormous appetites. Sometimes I 
feel as though my apartment is really a one-girl restaurant.” 


“Every six months or so, my mother and my aunt fly in from 
Niagara Falls to see how poor Phyllis is getting on. I always 
try lo snow them with my cooking, which really isn’t too bad, 
as long as I stay in the spaghetti-steak-salad league.” 


I have just about every silly superstition in the book, and 
I hate to be laughed at when 1 refuse to walk under a 
ladder or turn away at the sight of a black cat. Also, I'm 
sensitive to being kidded about the big unfulfilled ambition 
of my life, which has always been to become an archaeolo- 
gist. I first became excited about archaeology while attend- 
ing Niagara Falls High School —I was wild to travel to 
Egypt to discover and explore ancient tombs — but my 
father's death when I was 16 prevented my going on to 
college to study the subject. I worked for a while in Niagara 
Falls as a bookkeeper for a photo supplier before heading 
out on my own to Chicago, where I now live alone — unless 
you count one Siamese cat and one French poodie. I 
support the three of us by working as a secretary in a textile 
showroom. In my spare time, I'm a fierce reader — I average 
at least two books a week, ranging from H. Allen Smith to 
Margaret Mead to Frank Yerby. My other passions include 
charcoal-broiled steaks, Vic Damone, emeralds, and Ingmar 
Bergman movies, which usually leave me a complete 
emotional wreck. My big weakness is a quick, flaring temper, 
especially when І see any type of injustice — which is why 
my friends have nicknamed me ‘Tiger.’ As for the future, 
my plans include marriage, four children — three boys and 
one girl, in that order—and a home in suburbia with a 
huge Jawn and a huge swimming pool. But that seems a 
long time from now.” For the present, Phyllis is well-content 
to remain a foot-loose bachelor girl who, when she slips into 
someone else's pool in suburbia, is a singular subject for 
male admiration. For buoyant proof, consider the gatefold. 


PLAYMATE PHOTOGRAPH BY POMPEO POSAR 


“А swim in a pool on a very hot 
summer day does wonders for my morale. 
I like to stay in until Pm thoroughly 
waterlogged, then lie in the sun at the 
edge of the pool and bake myself dry. 
And then maybe sip a cool daiquiri— 
for me, this is the way to live?” 


MISS AUGUST piavsor's PLAYWATE or me mont 


a 


“My mother likes to help me with fittings. In return, I point out 
books or stories I think she'd enjoy reading. Almost every night, jusl before bedtime, 
Рију and I listen to ballads and do some private dreaming.” 


PLAYBOY'S PARTY JOKES 


Overheard at El Morocco: "She's the kind of 
girl you could fall madly in bed with.” 


Jennifer broke their engagement, but 


Frank had a ready explanation: 


"Would you marry someone who was habit- 
ually unfaithful, who lied at every turn, who 
was selfish and lazy and sarcastic?” 

"Of course not,” said a sympathetic friend. 


retorted Frank. “neither would 


Jennifer: 


Our Unabashed Dictionary defines beer 
baron as а malty millionaire. 


Divorce on grounds of incom; 
means either that he has lost hi 
her patability. 


ility usually 
come or she 


Conversation at the club had turned to sex 
and the techniques thereof. 

"But should I talk to my wife while making 
love?" asked newly wed Fred. 

“Certainly,” counseled an older member, 
“if you happen to be near a phone.” 


Discovering too late that a watermelon spiked 
with vodka had accidentally been served to a 
luncheon meeting of local ministers, the 
restaurants owner waited nervously for the 
clerics’ reacti 

“Quick, man,” he whispered to his waiter, 
“what did they say?" 

"Nothing," said the waiter. “They were 
all too busy slipping the seeds into their 
pockets.” 


Our Unabashed Dictionary defines strapless 
evening gown as а bust truster. 


Many a wife thinks her husband is the world's 
greatest lover. But she can never manage to 
catch him at it. 


Ап girls are born good. Experience makes 
them better. 


Harry constantly irritated his friends with his 
optimism. No matter how bad the 
he would always say, “It could have 
been worse." 

То cure him of this annoying habit, his 
friends decided to invent a situation so com. 
pletely black, so dreadful. that even Harry 
could find no hope in it. Approaching 

the club bar one day, one of them said, 

ту! Did you hear what happened to 
George? He came home last night, found his 
wife in bed with another man, shot them 


H 


both, then turned the gun on himself!” 
"Terrible" said Harry. "But it could have 

been worse. 

his dumfounded 

friend, have been worse?” 
“Well,” said Harry, it had happened 

the night before, I'd be dead now." 


If 1 refuse to go to bed with you,” she 
whispercd, "will you really commit suicide?" 

“That,” he said grandly, “has been my usual 
procedure.” 


Our Unabashed Dictionary defines lousy 
bastard as a fellow who sits in church and 
scratches while his parents get married. 


It was а beautiful reception, but the mother 
of the bride was worried that the newlyweds 
wouldn't have time to change pack their 
clothes in time to catch their honeymoon 
flight to Rio. Secing that the party was no- 
where near brea he finally approached 
the groom and whispered: "Don't you children 
think its time to go upstairs and get your 
things together?” 


Heard a good one lately? Send it on a postcard 
to Party Jokes Editor, rLaynoy, 232 E. Ohio 
St., Chicago 11, Ill., and сат $25 for cach joke 
used. In case of duplicates, payment is made 
for first card received. Jokes cannot be returned. 


78 


FAVORITE SON 


and sometimes not—and always in a 
hurry to go back and have another bash 
at the heathen.” Exactly. 

It is a cliché to say that people, in the 
mass, sense sincerity, and sense true pur- 
pose, but they do. It can be demonstrated 
under rigid laboratory conditions that 
mass judgment is more nearly accurate 
than individual judgment; if people are 
asked to estimate the weight of an ob- 
ject by sight and touch, the trend 
toward the correct answer will rise pre- 
cisely in proportion to the size of the 
group. The British people in the mass 
have known that Stirling Moss has 
driven to make money, and for personal 
renown, but they have sensed that he 
drove to show the flag as well. I think 
that if he had been born very wealthy, 
indifferent to the necessity of earning a 
living, and able to build or buy any car, 
he would have done the same thing with 
his life that he has done. I think he has 
wanted above all to show the world a 
Briton winning. He has been fervently 
patriotic, in big as well as in little ways: 
Alf Francis has told, in his book, Racing 
Mechanic, how Moss, when he first drove 
a Maserati, wouldn't even take the car 
out on the circuit, in its Italian racing 
red, until two Union Jack transfers had 
been put on it. 

So have other men in racing done this. 
Dick Scaman did it in the 1930s. Like 
Moss, he drove for MercedesBenz, and 
he was the first Englishman ever to win 
the German Grand Prix (he won it in a 
good year, too, 1988, and put Hitler into 
a fury). But Seaman's career, unhappily, 
was short. What of Raymond Mays and 
Peter Berthon and the whole B.R.M. 
staff, stoically soaking up a decade and 
more of hard work and bitter disap- 
pointment? And Graham Hill won the 
championship of the world, and in a 
British car, something that Moss never 
did. 

It is in no fashion disparaging of the 
British drivers now dominating the 
world’s Grand Prix circuits — Graham 
Hill, Jimmy Clark, John Surtees — to say 
that any one of them could be champion 
of the world three years running and 
not know the determined affection the 
British people shower on Moss, who was 
never champion and never will be. An 
actor who is a devotee of motor racing 
said to me, “When a man has that weird 
and elusive star quality, whatever it is, 
the thing that makes other men want 
to stand him a drink, and women want to 
take him in their arms, whether to 
mother him or make love to him, then 
his actual success-failure ratio doesn't 
matter. Did you notice Orson Welles 
pointing out the other day that Greta 
Garbo, the greatest film star of all time, 
film that made much 
money? What about the way the Amer- 


never had a 


(continued from page 53) 


icans have idolized Jack Dempsey for 
nearly four decades? After all, Gene 
Tunney beat Dempsey, not once but 
twice — but Dempsey will still stop 
trafic in the same street where Tunney 
will go unnoticed. Moss never needed 
to win the championship of the world, 
strangely enough.” 

The Dempsey-Tunney parallel is apt. 
Tunney, "Gentleman Gene," amateur 
Shakespearean scholar, friend of George 
Bernard Shaw, came to the ring with 
calm and measured tread, in the pink of 
condition, his battle thought out as 
much as a battle can be, prepared to ex- 
tend himself if he had to, but carefully, 
intelligently. Tunney fought as a sensi- 
ble thinking man ought to fight, won the 
heavyweight championship of the world, 
made millions out of it, retired unde- 
feated to a gracious private life. 

Dempsey came into the ring just this 
side of a dead run, black-jowled, jumpy, 
scowling. Watching him, one felt that if 
the referee came over and said, “Jack, 
the other fellow wants to fight with these 
double-bitted woodsman’s axes instead 
of gloves,” Dempsey would have said, 
“Right. Give me one of 'em and get the 
hell out of the way!” 

Watching Stirling Moss “rush out of 
the castle,” as the Fleet Street man put 
it, the people have had the sume fecling 
about him. They thought of him as 
going alone into France and Sweden 
and Denmark and Portugal and Spain 
and Germany, Italy, South Africa, Mo- 
rocco, Monaco, Switzerland, the United 
States, Canada, Ireland, the Argentine, 
Cuba, Mexico, Australia, New Zealand, 
Belgium and wherever not, for one pur- 
pose: to fight. They felt that the repu- 
tation of Great Britain was safe with 
him, before the world. They were cer- 
tain he'd win more times than he'd lose, 
and that in any case, win or lose, 99 
times in 100 he'd finish on his feet. 1 
suspect that Moss’ fantastic comeback 
after the 1960 accident at Spa excited 
the pride of Britons as not many things 
had since the war. 

Reading over the last few hundred 
words, a friend said to me, “I think 
Stirling is more Tunney than Dempsey 
— thinking, a planner, always in condi- 
tion, always ready.” 

I said no. "Dempsey was usually in 
condition, too. But even if he wasn't, he 
was ready. He'd go, condition or no con- 
dition. He kept nothing back, and that's 
why his name is magic. You could beat 
Dempsey, but you couldn't make a loser 
out of him, and you can't make a loser 
out of Mos. Tunney had Dempsey flat 
on the deck, but half the people who 
saw thc fight refused to believe it.” 

Stirling Moss’ personality is compli 
cated, and he is competent at guarding 
it. The man is not simple: the way to 


the center of him makes Hampton Court 
Maze look as open and straight as the 
Mall. I don't claim to have been there, 
in the years I've known him, but I do 
know that under the urbanity, under the 
good humor and politesse, under the 
flat, bland, masked face that I have 
watched as he walked silently away from 
dry petrol tanks, flat batteries and 
flawed gearboxes ("Few people can hide 
their real feelings the way he can," Alf 
Frands said), he carries the one thing 
that distinguishes all the great com- 
petitors from the also-rans, the spear 
carriers: the thing the fight people call 
killer instinct. Moss wouldn't rather be 
dead than a loser, he doesn't want to die 
to win— but he'll take the chance. A 
man who is a spear carrier at heart can 
be a famous competitor, husbanding 
himself, watching his chances, thinking 
of the future, of his career as a rounded 
whole, and he can go a long, long way. 
But the real competitor can only try that 
line, halfheartedly and briefly, before 
the thing that has made him takes over; 
before, as drivers say, the power comes 
in, and his foot goes down. (“Опе a 
race driver, or one’s not.”) It is not a 
matter of another few thousand pounds, 
or another silver cup, the laurel wreath, 
a kiss from a pretty girl, more starting 
money next time, a better contract from 
the tire company next year, none of that 
nonsense, none of that mere careerist 
bilge. It is nothing that can be shared 
with a living soul; indeed many of the 
bicter-end competitors, the killers, hold 
it so secret they'll deny they have it. It 
is a private thing, the dark, driving urge 
man has known since he came creeping 
out of the cave, the wish for identity, the 
grinding need to lift one's face out of 
the sea of the faces of the mob, to mark 
oneself and what one stands for, because 
that is worthwhile, that is immortality, 
and the price to be paid for it is only a 
transient thing. Some prime ministers 
and presidents have known this, but not 
all Some stonemasons have known it, 
but not all, and some race drivers, but 
not all. 

Juan Manuel Fangio had so much 
power, so much skill, so much intelli- 
gence, so much of everything that some 
people, hearing him speak, in a tired, 
whispery monotone, watching him drive, 
smooth as oil on glass, wholly undra 
matic nearly all of the time, would say, 
“Old Chucco is so good, he doesn’t need 
to care, he doesn’t have to fight,” forget- 
ting the years when he drove home- 
crafted Ford and Chevrolet specials in 
the ferocious trans-Andean road races 
of South America, some of them 6000 
miles! Then, in 1956 at Monaco, Moss 
started to run away from him, and 
Fangio went berserk. Amazed crowds 
saw the most skillful car conserver since 
Caracciola spin Ferrari, knocking 

(continued on page 119) 


E e THE 
ms... MEASURE OF FASHION 
HOW TO BUY A SUIT OFF THE PEG AND HAVE IT TAILORED FOR PERFECT FIT 


attire By ROBERT L. GREEN 


SLEEVES: For men with extro-lorge 
frames ond average-length orms, 
the sleeves of recdy-made jackets 
may be cut too long, as ot for right; 
they should be shortened to show 
approximately Y2-inch of shirt cuff. 
Guys with standard-size torsos and 
extra-long orms, conversely, may 
find sleeves cut too short; even 
in extreme cases los seen at 
centerl, most sleeves can be let 
Out to the proper length. A cor- 
rectly cut sleeve, shown in adjoin- 
ing photo, will expose the specified 
amount of shirt cuff both when arm 
is bent or is hanging ot one's side. 


COLAR: The mon with square 
shoulders or o shorter-thon- 
‘average neck may find that the 
unaltered collar is cut too high, 
as seen ot for left; it should be 
recut and set lower to reveal a 
bond of shirt coller. On the 
mon with o longer, more-slender 
neck, the collar is often cut too 
low and too loose, as in center 
photo; it should be shortened to 
raise ond refit the collor closer 
to the neck. Adjusted to individ- 
vol measurements, shown ot neor 
left, proper collar height ond 
fit import custom-toilored look. 


TROUSER LENGTH: Extremes 
should be eschewed in de- 
ciding where to draw the 
line in trouser length. The 
onkle-high style ot for left 
awkwardly exoggerotes both 
length of leg ond sire of 
foot. The overlong trouser 
leg seen ot center destroys 
trimly tapered outline with 
boggy-ponts silhouette. 
Correctly tailored trousers 
ovoid either extreme, sustain 
the lean lines of the suit by 
breaking cleanly ot the shoe 
tops, os in nearest photo. 


PHOTOGRAPHY BY DON BRONSTEIN 


JACKET FIT: At for left, too-tight coot 
creates overstuffed look, unsightly 
creases. At center left, oversized 
jacket forms tantlike folds across 
back With suitoble adjustment of 
side and center seams, jacket will 
drape naturally, as seen ot near left. 


WAIST: On trousers overlorge in 
the waist, excess material tends to 
bunch up under belt, as shown upper 
right. Token in along the back seam 
to fit comfortably both sitting and 
standing, trousers will be free of 
waistline folds, as at lower right. 


N” TOO MANY YEARS AGO, after generations 
of second-class sartorial citizenship, the 
ready-made suit began to come up in the world 
of men's wear; at first envying, then emulating 
the breeding and bearing of its custom-tailored 
counterpart. Today, mingling at last as social 
equals, they cannot always be distinguished 
from each other either in quality or cut — as 
evidenced by the elegantly attired gentleman 
in the ready-made suit at left. In short, if he 
masters a few of the finer points of appraisal 
and alteration — explicated herein — there's no 
reason why the fashion-wise male can't wear a 
suit off the peg with complete satisfaction. 

The best men’s outfitters stock ready-made 
suits to cater to the most exacting tastes — 
and in models and sizes to fit virtually every 
frame. Since a suit made for one physique can- 
not be recut satisfactorily to fit another, how- 
ever, it is essential to resist any hard-sell efforts 
to persuade you that the tailor can “take in” or 
“Jet out” an incorrect size or model to fit you 
properly. It is wise, therefore, to arrive fore- 
armed with knowledge of your correct size in 
the model best suited to your proportions— 
both to apprise the salesman that you are a 
man who knows precisely what he wants and 
will accept nothing less, and to spare your- 
self the time-consuming rigamarole of being 
measured and then “trying one on for size.” 
However, a certain degree of fitting is always 
necessary since some suits (particularly the 
more expensive ones) are cut more generously 
than others, and what might be a size 40 in 
one line will be a size 39 in another. 

Subject the suit you select from the rack to 
close scrutiny for several keys to quality in 
cloth and tailoring. First, crumple a handful 
of fabric from the lapel or jacket front; if the 
material and manufacture are superior, the 
coat will feel soft yet springy, and will resume 
its original shape without wrinkling. Natu- 
rally, you'll want to bear in mind that certain 
fabrics (cashmere, for example) look great 
but wear poorly. If you are buying a suit for 
special occasions, then by all means consider an 
elegant but fragile cloth. If, on the other hand, 
you need a workaday garment, you'll be wise to 
look for a rugged, hard-finish fabric. Next note 
whether the suit pattern, if any, is carcfully 
matched along the back scam, coat pockets, col- 
Jar and jacket front; in the best suits the match- 
ing is exact. Then examine the natural hang of 
the sleeves; they should be carefully shaped 
and rolled, devoid of pressed-in creases. And 
finally, inspect the stitching along seams and 
around the button- (concluded on page 130) 


81 


PLAYBOY 


IMP OF THE IMPOSSIBLE 


Julius did not have the judgment and 
sense of proportion to separate the wheat 
of the possible from the chaff of the im- 
possible — and this is what ultimately led 
to his downfall and assassination. 

Augustus Caesar, on the other hand, 
recognized what were attainable goals, 
aimed for them and accomplished them. 
Consequently, he ruled much longer than 
Julius. and his overall accomplishments 
were much more constructive and lasting. 

Napoleon Bonaparte was also an able 
and gifted individual — but he, too, was 
eventually destroyed by the malefic imp 
of the impossible, Napoleon — like Julius 
Caesar — was devoid of a sense of pro- 
portion, as evidenced by his disastrous 
ivasion of Russia. The Compleat Mega- 
lomaniac, he blindly ignored the vast 
distances involved, the Russian climate 
and his own political weaknesses at home 
— all fairly obvious factors which doomed 
his campaign to failure long before his 
troops began their march to the east. 

Now, a businessman who fails because 
he cannot distinguish between the pos- 
sible and the impossible will not be 
stabbed to death in the boardroom by 
the company's directors at least, not 
literally. Nor will he be exiled for the rest 
of his days to an island in the South 
Atlantic (unless, perhaps, the company 
happens to have a subsidiary plant or 
branch office there). Nonetheless, the 
practice of biting off more than he can 
chew properly will certainly prove calami- 
tous to any executive's or businessman's 
career — and business. 

But the converse is equally true, for 
the imp of the impossible is a perverse 
demon. The individual who is able to 
perceive the glint of the possible in a 
situation which outwardly appears to be 
fraught with insuperable obstacles is the 
most likely to reap the richest rewards. 
One does not have to look very far to find 
proof of this. 

In the 1920s, self-taught engineer 
Robert G. LeTourneau’s ideas for build- 
ing Gargantuan earth-moving machines 
were widely considered to be impractical 
pipe dreams. LeTourncau, however, 
knew that he could actually produce the 
ment his detractors predicted would 
ss. He went on to build his giant 
s and the nation's biggest carth- 
moving. machinery company — and to rev- 
olutionize the entire heavy-construction 
industry. 

Reaching 65 in 1953, LeTourneau sold 
his business to Westinghouse Air Brake 
for a reported $31,000,000. He also agreed 
not to engage in manufacturing carth- 
moving machinery for the next five years. 

‘The consensus held that it would not 
be possible for him to get back into busi- 
not only because of his age, 


(continued from page 55) 


but also because hc gave most of his 
money to a charitable foundation. 

LeTourneau confounded the consen- 
sus, however. By 1959—at the age of 
71 —he was right back in business. He 
produced a revolutionary electrically 
powered, mobile offshore oildrilling 
platform which, incidentally, the 
acres had maintained “never could be 
built and wouldn't work even if it was." 
At last report, Robert LeTourneau's 
sales were said to be running in the 
neighborhood of $10,000,000 a year, 

Few people, indeed, considered the 
Depression-era year of 1983 an auspi- 
cious one in which to start a new 
business. Among those who thought 
otherwise was young J. A. Ryder, who 
turned a deaf ear to the calamity howlers’ 
warnings that any new business was 
bound to fail. 

Using $125 of his $155 “capital,” 
Ryder bought a secondhand truck and 
went into business for himself. With an 
almost uncanny talent for perceiving 
the possible in the most unpromising 
times and situations, he went on to build 
his business. Within 25 years, he had 
created a trucking empire with an an- 
nual gross revenuc that is said to exceed 
$85,000,000. 

Shortly before V-E Day, First Lieu- 
tenant Melvin J. David was given a few 
days’ leave from the front and sent to 
an Army rest center in Belgium. One 
afternoon, he noticed several Belgian 
villagers industriously twisting and weld- 
ing scraps of heavy wire into various 
shapes. He saw that they were making 
lamp bases, stands and other utilitarian 
and decorative objects out of the wire 
they'd salvaged from nearby battleficlds 
and the junk heaps of Allied supply 
dumps and depots. 

The Belgians’ activity gave David an 
idea. He saw the possibilities of using 
wire to mass-produce a wide range of in- 
dustrial and consumer items. Discharged 
from the Army a year later, he went to 
Southern California and sought to trans- 
late his idea into commercially practical 
reality. Told that his ideas were unreal- 
istic and impossible, he used his slender 
capital — $1500 — to design and build his 
first machine and went into business. 
"Today, Mel David's Melco Wire Prod- 
ucts Company is a thriving enterprise. 
"The company produces everything from 
bosomsupporters for women's bathing 
suits to vital parts for jet aircraft — all 
made from wire. David's ability to recog- 
nize the possible has paid off to the tune 
of some $2,000,000 in ycarly gross sales. 

"The annals of American business have 
always been replete with such examples 
which prove that businessmen can 
achieve notable success by discerning the 


possibility of things which others con- 
sider impossible. The most significant in- 
ventions and advancements have been 
made — апа the most successful businesses 
and largest fortunes have been created 
— n precisely this way. 

Is it possible — ог impossible? 

Туе had to resolve this question very 
often in my own business career. In so 
doing, I've frequently allowed seeming 
opportunities to go by because, on care- 
ful examination, I saw that the outward 
appearances were deceiving and the ob- 
jectives toward which the “opportuni- 
ties” pointed were actually unattainable. 
At the same time, I've achieved some of 
my most noteworthy successes by recog- 
nizing that what seemed to be impossible 
situations and challenges on the surface 
were, in fact, entirely within the realm 
of possibility. 

Many years ago, when I was still a 
tyro in the oil business, everyone consid- 
ered it impossible to find oil in the "Red 
Beds” area of Oklahoma. I made a careful 
study of the region and came to the con- 
clusion that the universally held theory 
was entirely without basis. It seemed 
quite possible to me that there was oil in 
the "Red Beds." I obtained a lease on a 
property in the area, drilled, struck oil — 
and opened up a new producing arca. 

When, in the 19305, I set out to build 
an integrated oil business, I knew it 
would be necessary to gain control of a 
major oil company—in itself an ap- 
parent impossibility. 1 was a compara- 
tively small independent operator, a 
wildcatter. For anyone of my relatively 
puny business stature to tackle a “major” 
was all but inconceivable. More than a 
few of my friends ridiculed the idea, 
freely citing the classic tale of the vain- 
glorious flea ascending the clephant's 
haunch. 

Nonetheless, I believed in the feasibil- 
ity of my plans. The next question was: 
Which major oil company? There were 
several from which to choose. Such giants 
as Standard or Shell I did not even con- 
sider; it was clearly impossible for me to 
dent them. Others were less invulncrable, 
but for various reasons did not fit my 
plans. I finally set my sights on the Tide 
Water Associated Oil Company, which 
seemed ideally suited for the program I 
had in mind. 

Once I'd decided on Tide Water As- 
sociated, it was necessary to decide yet 
another question: Would it be possible 
for me to obtain control of that particu- 
lar company with the resources at my 
disposal? Again, on the face of it, the 
answer was a resounding negative; it 
was “impossible.” 

In the first place, I did not have suf. 
ficient money to buy a controlling 
interest outright. I also knew that as 

(continued on page 136) 


“Well, how do you like married life so far?” 


83 


CERTAINLY ONE OÍ the most strategic bases 
of operations for the would-be chef at 
this torrid time of the year is the spot 
directly in front of a delicatessen's cold- 
food display case piled high with thurin 
ger, Genoa salami, prosciutto, smoked 
cel, a dozen or so cheeses and a prodigal 
assortment of salads and sealood. With a 
little imagination, you can easily convert 
these plain cold comestibles into cold 
gourmandise. Cooked shelled shrimps re- 
clining on beds of ice, for instance, are 
ready not only for bottled cocktail sauce 
but for subtle marinades and sumptuous 
offbeat salads. Tissue-thin slices of Wi 
phalian ham can lead a hand-tomouth 


existence or be rolled into horns of 
plenty filled with Dungeness crab meat, 
Alsatian foie gras or smorgasbord salads. 

In laying the groundwork for many 
cold feasts, the first ingredients are oil 
and vinegar. They're common denomi- 
nators in French dressing, mayonnaise, 
vinaigrette dressing, hors d'oeuvres, anti- 
pasto and all the substantial and light 
salads alike. Ever since Noah's dove re- 
turned to the ark with an olive leaf, 
the oil of the olive has been unchallenged 
for festive cold fare. French olive oil 
is lighter in body than the Italian or 
Spanish. All three have positive per- 
sonalities, in contrast to the relatively 
tasteless corn and cottonseed oils of this 
country. If you're not yet an olive-oil 
addict, buy a bottle of artichoke hearts 
in oil. Chill them, sample them, and your 


conversion will be instantaneous. In the 
vinegar department, red-wine vinegar, 
white-wine vinegar and cider vinegar are 
basic. For those who like to mix salads 
at the table, sampler bottles of herb- 
flavored vinegar are all useful for the 
summersalad man. If you're а graduate 
of the sourcream school, this clement, 


THE COOL 
APPROACH 


refreshing comestibles to take 
the simmer out of summer hosting 


fooa By THOMAS MARIO 


100, is used for converting plain dressings 
into exhibition pieces. In place of the 
usual Russian dressing — four parts may- 
onnaise to one part chili sauce — try four 
part chili sauce; 
it’s especially delectable with all kinds of 

cold fresh seafood. 
Hying to the delicatessen for sliced 
cooked meats follows a long, spirited 
(continued on page 128) 


parts sour cream to on 


Пов л 
NUDIST 
CAMP 


Playboy s roving cartoonist doffs his duds and 
uncovers a new facet of his art 


IN THE SIX YEARS that cartoonist Shel Silverstein has been 
roaming the globe for PLAYBov, drawing funny conclusions 
from Madrid to Moscow to Miami Beach, no assignment 

has proven more challenging — ог more off the beaten 
track — than his most recent: to depict the unabashed life 

of a typical U. S. nudist camp. The site selected was Sunny 
Rest Lodge of Palmerton, Pennsylvania, a well-regarded 
buffer zone which graciously allowed Shel carte blanche 

for a fortnight’s stay. When he arrived, with drawing pen 
loaded for bare, embarrassment was his first reaction — but 
inhibitions soon faded as our quick-change artist, now 
birthday-suited, relaxed in his new environs. “These were 

the most pleasant, relaxed two weeks of my life,” he 

y recalls. “There was a great sense of freedom, of natural- 
ness in the camp. Pretensions just vanished. Nobody, 

| you might say, had anything to hide." His advice to the 
amateur nudist on getting past the first awkward contron- 
tation scene: "Look straight ahead. Don't look sideways, 


"No...this is Sunny Hill Day Camp. don't look up and don't look down." Reflecting on what 
You want the Sunny Rest Nudist Camp. it is like to live amidst a platoon of unclad females, he 
That's about two miles up the notes, “They lose their sense of mystery. There's no ques- 


tion about that. On the other hand, relationships between 
the sexes seem much morc honest.” Here is the epidermal 
essence of Shel’s excursion into a brave nude world. 


road and turn right at the..." 


PRIVATE PROPERTY 
L NOT ВЕ OFFENDED 
ie YN OF CLOTHES--- | 


ge PUY8OY's uncover agent Shel Silverstein pauses expectontly at the entrance of the Sunny Rest lodge nudist camp, then manages cn uneasy 
smile os he is met an the way in by camp director Zelda Suplee, a friendly sort who arrives chicly dressed in bosic suntan. 


"Hi, folks...What's nude?... 
Ha-ha...Here I am, in the flesh!... 
Ha-ha...Barely made it!... 
Ha-ha...Gimme some skin!... 
Ha-ha-ha ..." 


"I know nobody ever gets one... 
but what do you do 
if you do get one?!!" 


left: pondering the shape of things to come, Shel hos some dire second thoughts about the entire project before right) resolutely un- 
girding his loins for the trek down the open road to the Sunny Rest recreotion area ond c beckoning world of sunshine ond health. 


"Why don't be silly... 

there's nothing to be ashamed of... 
the human body is а 
wonderful, natural, 
beautiful thing!!" 


"You'll love it here... 
unashamedly exposed to life... 
embracing the earth... 
luxuriating in the life— 
giving rays of the sun... 
at peace with birds and sky 
and plants and animals... 
at one with nature! 
And you also get 
to see a lot 
of naked 
(x girisi!" 
v m 


g^ 


< 


< 


"Sometimes I don't 
think this goddamn 
account is worth it!" 


Getting his borings in the unlomilior informality of the Sunny Rest camping 
grounds, Shel chats with the directress ond another companionable buff buff. 


88 


"Why I'd love to go for a walk 
in the woods! And I have the 
loveliest blue-denim 
jumper to wear...with а 
red polka—dot blouse... 
and a matching 
bandanna and..." 


"You see, it's clothing that 
stimulates the imagination. 
Now if I were wearing lace panties, 
you'd probably be all excited, 
but instead you see me completely 
natural and that's the reason 
you're not in the 
least affected, Mr. Silverstein... 
Mr. Silverstein..." 


Cought up in the spirit of comp life, our borefao! boy 
with cheek odmires the form of o fellow shuffleboorder. 


89 


"I don't know how 

to ask you this, Laura, 
but could I...er... 
would you let me... 
uh...could I take 
a peek under 
that Band-Aid?" 


"Well the next time 
anyone calls me up to 
come out for a part 
in the filming 
of a 'Naked City'...!" 


"After a while you'll get the hang of it 
You put your money inside your watch band. 
You put your cigarettes behind your ear. 

You put your driver's license 

inside your shoe. 
But that 
fountain 


"...And I never have to 
worry about my 
Shoulder straps falling down..." 


The apprentice ou noturelist tokes time out from 
ап olternoon swim to chat with o comely comrade. 


"Well, my goodness... 
what's so bad 
about a little sunburn...?" 


Now on enthusiastic convert to the spirit of oltogetherness, Shel goes skinny-dipping in the comp pool with other disciples, ОЙ 91 
sons suits; then hoppily whiles oway the late afternoon by feeding o pretty рой of girl-type nudists on artful line—while admiring theirs. 


"You see, my dear, 
if any other cartoonist 
tried to draw a man 
and woman completely 
nude like this — 
front view — 
no magazine would 
print it. 
But I draw it — 
and they print it!!" 
( f o 


"I think he 
must be 
& famous movie star... 
I'm sure I've seen 
him in films, 


but I just "You know, nudism is such a 
ony t remember wonderful institution, it's a 
his name..." 


shame that it has to be confined 
to summer camps! Now I have this 
big apartment back in the city and..." 


"Listen, Shel, we've been out here for two weeks now— 
when аге you going to start drawing ...?" 


"Why is it you don't like 
me, Barbara?...Is it because I don't 
have as much money as 
these other guys?...Is it 
because I don't have 
as much experience?... 


a CX t4 


Reloxed ond really in the swim of things o! lost, Shel disports himself with cool aplomb, enjoying himself thoroughly cs o clutch of girls as 
pool their talents. “Beauty may be only skin deep," he reports thoughtfully, "but there ore times when thot seems deep enough." 


"The great thing about a nudist 
camp is that here, without 
your clothes, everyone is equal! 
For instance, you'd never know 
that I am the president of 
a large corporation! 
You'd never know that I 
am worth over $2,000,000!! 
You'd never know that I own 
a $100,000 home in Philadelphia, 
three cars, and..." 


"Please, Shel... 
I've already put on my shoes... 
and I've put on my bra...! 
Don't ask me 
to put on any more...!" 


94 left: sportsman Silverstein plays Ping-Pong, tries manfully to keep his eye on the ball. "Winning," he says, "never seemed less important." 
Right: al eventide, һАҮВОҮЗ vagabond cartoonist amuses his new-found Sunny Rest friends with clad tidings from the outside world. 


"...Апа very few men used to ask me out, so I thought 
it was because I was flat-chested, so I began 
wearing falsies and a lot of men began asking me out, 
but I realized they just liked me for my large chest, 
so I began telling them I was wearing falsies 
and then not very many of them asked me out, so I came 
to this nudist camp and lost my self-consciousness 
about my figure, but not very many of the men 
here asked me out, so I went back to the city and told 
everyone where I'd been and a lot of men began 
asking me out, but I realized ro 
it was just because 


they associated nudism 
with promiscuity, 
i у so I began telling 
б Я them first that 


I was definitely 


E not going 
to sleep with 
them... and 
now nobody 
asks me 
Out. I" 
GEM "They ask me to take off 
my coat, so OK! Then they ask 
me to take off my shirt and 
pants, so I go along with them! 
Then they ask me to take off 
my Shorts and shoes and socks, 
so all right. I cooperate! 
So then they tell me to..." 


"Now here is the way I figure it...Sally leaned against the poison ivy and 
Eot it on her leg...the dog brushed up against her leg and got it on 
his back...Mrs. Hansen petted the dog and got it on her 
hand...then she slapped Mr. Heinrich on the back and gave it to him... 
Mr. Heinrich scratched his back and then shook hands with Bob Coogan... 
who patted Jeanie on the behind...and then..." 


bi “Mal tata mu LATE 


96 


PLAYBOY'S PATIO-TERRACE high above the city or tucked away behind а 
town house, a private shangri-la adds extra dimensions to your urban scene 


NO COSMOPOLITE 15 IMMUNE to an occasional longing for some parcel of sky-domed greensward to offset the concrete, 
chrome, glass and steel chat may make city living elegant and convenient — but decidedly nonpastoral. For the 
young man on the way up to his penthouse or about to turn into the driveway of his town house, a sky-high terrace 
or ground-level patio offers the perfect on-the-spot answer for hours in the sun or evenings of unconfined entertain- 
ment. An urban oasis which delightfully avoids the crawl through country-bound city traffic, the patio-errace offers 
the man-about-town expanded horizons for after-office-hours hosting, and a corner for simply getting away from it 
all without having to go away from it all. 

While pLaysoy’s patio-terrace has been laid out as a luxurious 40’ x 34’ adjunct to a penthouse apartment, its 
basic design and principal features can be converted to grace the rear-lawn arca of a town house (the main design change 
would involve treating the penthouse's cantilevered sundeck as а second-story balcony). PLAYBOY herein presents an 
exemplary island in the metropolitan sun; it is also replete with elements and details that can readily be adapted 


left: An overhead shot of the potio-terroce shows the imaginative use of limited space 
to serve many purposes, with sundeck, cining-drinking island, tête-à-tête corner, pool and 
intimate hideaway leading uncrowded lives of their own. Above: The sundeck (with dining 
огеа below it, pool and revolving TV in the foreground) provides secluded sunning. 


Above: Dining-drinking island, as seen 
from preparation side of the counter, 
allows the host conversational con- 
tact with his guests. Awning overhead 
hes slots which con be avtomatically 
retracted to put the island in the sun. 
Everything, including grill and sauce 
table in foregraund, is within easy 
reach of the chef. At his commond ore 
infrared worming cobinet, ice moker, 
two-burner hot plate, master-contral 
panel, stainless-steel sink, chapping 
board, dish-glossware-ond-cutlery 
storage. left: C ast-aluminum-and- 
Nougahyde bor stool, by Kogon-Drey- 
fuss, $399. Right: Grill, in stainless or 
coated steel, rotates ta take одусп- 
tage of breezes, by Eclipse, $69.95. 


HHI | 


Above: The romantic advantages of ће potio in a nighttime setting are attractively apparent. Looking south, we see the eastern half's richiy fur- 
bished relaxing area in foreground bathed by a soft light reflecting off the pool's fountain. The plantings beyond the pool provide seclusion ond an 
air of intimacy for the southeast corner, shown below right. Below left: Sundeck's colorful chaise, with adjustable back, by Van Keppel-Green, $311. 


Above: A lote-hour borbecue sends wisps of smoke twisting skyword from the grill, while sundeck's telescope stands ot the ready for star-sconning. 
Revolving-retracting TV at poolside con be turned, raised, lowered ond tuned by remote control. Below right: Outdoor speakers trimmed in bross 
‘end covered in cane are two-feet high, lightweight, provide 340-degree sound, can be plugged into potio's outlets, by Leonhardt, $85 each. 
to individual preferences determined by available space and finances. 
In our patio-terrace, we've incorporated the latest designs for 
leisurely living, using as our yardstick the same desiderata we applied 
in creating Playboy's Penthouse Apartment (September 1956), 
Playboy's Weekend Hideaway (April 1959) and The Playboy Town 
House (May 1962), to wit, a warmly personalized, largely self-sustain- 
ing living unit requiring a minimum of the bachelor's much.in- 
demand attentions, and offering a maximum of contemporary 
convenience and comfort. 
The patio-terrace provides the perfect warm-weather sctting for a 
host of hosting endeavors. It is the sine qua non for such sociabilities 
as an expansive cocktail party, or пос (concluded on page 102) 


“They told me the ratio of 
men to women was nine-to-one | 
on these cruises—but what 

am I supposed to do 
the rest of the time?” 


young lancelot and the foresters daughter 


Ribald Classic 


WHEN LANCELOT 
beardless, he had 
earned him both censure а 


and 


med for 
daughter and an evi 
the custom at the castle that guests always 
fared badly if they offended against chas- 
tity to the slightest degree whatever, and 
ny were the good knights who had 
n foully murdered for adn ng the 
aghter. She was a virgin. and 
her's vow — though bı 
ans her own — that she should rema 
so until his death. 

Lancelot and his friends were fore- 
ned, however, and resolved to avoid 
the old ma wrath at all costs. They 
got through the meal safely, and were 
escorted to bed by the old warrior him- 
self, who exhorted them. in a ranting 
speech, to be demure in all things and 
to sleep chaste no matter what the prov- 
ocation. And so they lay down to pre- 
pare their bodies for an early arising. 

No sooner had they settled. comfort- 
ably between the sheets, however, d 
the door opened and the forester’s daugh- 
ter entered, bearing a candle, and ap- 
ched the bed of Orphilet the 
the handsomest of knights in those days. 

T have heard a great deal of love and 
its swee she said to him in a whis- 

“I have heard that these are its 
ipons: much doing and little sleep- 


h some regret. "I am 
es you chaste as well as 
me.” And resolutely he turned away and 
closed his eyes. 


from the 13th Century chronicles of Ulrich von Zawikhoven 


The angry lady stepped away from his 
bed, and in so doing she stumbled 
against the couch of Kuraus of the Brave 
Heart. Since love longing still pained 
her more than she could bear, she dis- 


posed herself to woo him 
sir” said she to Kuraus, " 
be a knight: never fainthearted with a 
lady. but ever strong and stout 
I have been welkregaled with 
your prowess as a lover, and I can make 
known to you that if you prove your 
mettle with me you will not be disap- 
pointed in my responses.” 

Kuraus considered the m 
length he spoke to the 1 
“Your father has charged me to behave 
demurely in his castle, and 1 have heard 


that he deals h 
disobey him.” s 
to bed. 


and, squari 
the door 
"Lady!" came 
so that she turned 
her direction 


a soft voice behind hi 
l saw outreached 
arms of young 


the 


one spoke haughtily in her 
What is it, beardless boy? 

. "It is true I 
he said. "but 1 feel so 
nothing for your 
rude threats. You are the pret 
x in that nightdress that Т ere 


beardless,” 
amorous that 1 care 


am 


father 
tiest thi 
did see.” 

"You ha 
gin 
maiden. 

"E have more," he said, and led her 
joyously to his bed. He lay her dow 
beside him, oblivious to the urgent ob- 
jections of his companions, who called 
him a fool, lacking in demureness. With 
gente care he touched her and she 
him touch for touch, Bodics did then 
what bodies know best to do and old 
poets ^s to describe — 
except to sty that Lancelot and the lady 
knew that night the best love, perhaps, 
that ever came to two lovers. 

For his indiscretion, he was much cen- 
sured in the following months by his 
companions, Orphilet the Fair and Ki 
aus of the Brave Heart. But it is surely 
a sad thing when blame falls upon the 
mere act of loving, or when praise can 
be purchased at the hard cost of 
woman's loneliness. 

Retold by James Ranson Kl 


e cinnamon lips, and sweet 
in your tongue,” admitted the 


ave 


ave no busi 


101 


PLAYBOY 


102 stock 


PLAYBOY'S PATIO-TERRACE 


turnal merrymaking — all made more fes- 
tive by virtue of being enjoyed alfresco. 
rceilinged ballroom 
time you'd normally 

peting 
les the 
joys 


covers your digs' floors. It prov 
natural setting for the gourmand 
of a ba 

Its striking cantilevered sundeck may 
be used for secluded allover sun wor- 
shiping and permits other terrace ac 
tivities of a lesssedentary nature to go 
on unimpeded, The deck itself acts as a 
it who prefer 
hip to fresh 
air. But most importantly, the patio-ter- 
ace provides a тезү 
from the hurly x 

Our penthouse terrace occupies the 
south end ol a luxury 
cycanresting vistas of the 
puts the pictur lowed, glass-doored 
living room to its north and is serviced 


becue. 


burly of city 


through the kitchen facing on its north- 
west corner. Food preparation for group 


galas or tête-à-tête dining is handled in 
the apartments kitchen, with easy access 
to the terrace's food-and-drink bar. 

A good place to commence our guided 
is the dining-drinking promontory 
from whence so many good things flow. 
lis guest counter is standard bar height 
ıd made of polished Italian marble, 
witha footrail gleaming at its base. Around 
the counter ате four sleckly comfortable 
Kagan-Dreyfu: The bar 
tending host can here keep in conversa- 
tional contact with his guests while 
playing master mixologist or short-order 
chef. The whit nd-drink- 
preparation counter is thrce-feet high 
with cabinets basc faced in Formi 
It is equipped with a Trak Gourmet 
nge electric two-burner hot plate, a 
lesssteel sink and a Whirlpool Ice 
ice maker, which produces ice 
cubes with a rapidity that will keep up 
with the thirstslaking demands of any 
balmy-weather revel. When not in use, 
the counter's work area can be completely 
g-loaded cover. The 
entire bar is suspended over the floor by 
a metal post which extends through the 
counter top to act as a support for the 
awning framework overhead. 

Forming an ell with the bar is a storage 
counter that extends “through” the ріс. 
ture windows into the kitchen and is 
topped by a wood chopping board for 
over half its length; beneath the board is 
a hopper for liquor and wine bottles 
stored at room temperatures, and а те 
frigerated hopper below that for storing 
I sorts. Next to the 
awer for dish storage 
о the kitchen for r 
keeps chin п steady supply. 


tour 


chilled potables of 
hoppers: a rack d 
that pulls out 


(continued from page 99) 


An upper cabinet against the kitchen 
wall boasts a stepsaving master-control 
panel, from which the host can operate a 
varied assortment of electronic gear — the 
ТУ set at the other end of the cabinet, all 
of the terrace’s ing, the hi-fi; whose 
portable wdrical speakers may be 
placed. in wea of the terrace where 
stereo is desired, utilizing the concealed 
outlets. The control p: 
lates the terrace pool's fount: 
varicolored lights 
rainbowlike profusion. It operates the 
counter's awning, which, covering the 
entire island, is made up of interlock- 
ing porcelain-enameled aluminum slats 
equipped on each end with steel plates. 
То extend or withdraw the awning, two 
ets, one on each side, travel along 
the tapering framework, picking up or 
depositing cach slat in the desired place. 
‘The framework is of anodized aluminum; 
its support holds a bar lamp. ‘The panel 
also holds phone and intercom unit 

Next to the master-control nel is a 
Rangemaster Hot Serve infrared warm- 


ass doors open onto 
nd the kitchen. Beneath 
ming cabinet is a shelf for stowing 
nal glassware for festivities of 
major proportions. Nearby, just a turn- 
around from the host, is the Eclipse 
al grill, which swivels 860 degrees 
to keep the smoke away from the gill 
tender; equipped with electric rotisserie, 
it can turn out burgers or a rare roast 
se. Its companion. piece 
is a bast auce-and-coudiment table; 
both fit into the terrace's floor sockets 
and are removable for stor: 

The floor around the bar a 
poured concrete. Farther out on 
‚ the flooring is ten 
ooth for dancing. Other 


of beef with ea 


a is of 
the ter- 
ло ground 


reas are 


surfaced with white cement, or pravel 


and paving stones with moss and grass 
growing between. The perimeter of our 
penthouse terrace has а four-foothigh 
brick parapet, which provides safety 
without obscuring the panoramic vi 


On the living-room side of the terrace, 
opposite the foodiun-drink bar, is 


1 
ately appointed corner, formed by 
of chairs and а couch from V; 
1. a corner table containing 
another mastercontro] panel, and a 
round coffee table. South of this, a 
concrete. basin houses а two-footdeep. 
decorative pool, dramatized by a coolly 
splashing fountain and varicolored light- 
ing (worked musically through the hi-fi by 
a Colorsound 3500 Translator) which can 
be put to evocative use in the evening 
The basin is formed by a sloping, ccc 
trically shaped ring of dark voleanic-rock 


n 


segments which have porous surfa 
hold air m ses and pillow: 
absorb moisture from the feet of wading 
terrace-i At the outer edge of the ring 
is a recessed lighting strip which illumi- 
nates the ground around the perimeter. 
he ring is broken on one side by a 
large planting tub, and on the other by 
a metal cylinder contains 
a color set: when not in use, the TV can 
be lowered into the well u its metal 
top (which 1 shield for day- 
time view thertight seal 
with the 
d to viewing height, the sc 
be rotated 460 degrees by remote control. 

Beyond the pool, in the terrace's south- 
eastern corner, is a romantically seques 
tered nook, perfect for à deux moments. 
Trecs and shrubs form a verdant curtain 


well's 


circumference, 


w 


that sereens ofl the Van Keppel-Green 


control | 


appropriate mood 


music, Rocks 


polished horizontal tops hold drinks, 
ashtrays, and any third party thought- 
less enough to make it a crowd. The 


parapet in this corner is pierced by verti 
cal slots, through which seated. viewers 
can enjoy the dramatic cityscape. 

The southwest corner ol the terrace 
sports the boldly conceived free-form 
sundeck shelter Petal table and а 
quartet of Beroia Diamond chairs. 
The underside of the reinforced-concrete 
sundeck hou infrared heating tubes 
to take the chill from the evening 
recessed lights and speaker jacks. 
base of the sundeck holds a sem 
upholstered bench in hollow that's 

shtened | ngi 
A steel spiral staircase extends cight feet 
up to the sundeck which is surrounded 
by a steel guardrail laced with i 
striped canvas uU 
breeze control plus complete privacy for 
sunning sans suits. The deck, embla 
zoned with mosaic inlay, holds a pair 
of Van KeppelG reclining chaise 
longues, speaker jacks and a low table 
housing another control unit A tele- 
scope is mounted at the narrow end of 
the sundeck to bring penthouse habi- 
tants even closer to the stars. А 16-inch- 
high fieldstone retaining wall, which 
encompasses the sundeck area and sem 
cirdes around to the bar, is wide enou 
to hold cushions for additional scati 
It is backed with plantings which con- 
ceal the outer parapet. 

No ephemeral phantom of del 
PLAYBOY's patio-terrace is a refres 
feasible answer to the city squirc's quest 
for a touch of outdoor livi; Whole or 
in part, it points the urb to the 
romantic joys of warm-weather welkin 
ringing. 


ig a 


icircu 


ar Only kime yore 


SALLY DENNIS Was a very pretty young 
small face and a 


matron, with a nc; 
iance of hair, sleek, healthy, 
le. In corduroy pedal 


great lu 
most rem 


ad the ca 


pushers bel n the super. 


market at the corner of Columbus and 
T 

for somebody's te 
а few minutes before the 


oddity — pale small 


lor in San Francisco, she could pass 


sc daughter. Then, 


abruptly, af 
mirror, her g 
face framed by that 
sformed for the ¢ 


— might be 
into the 
eam ol 


ng mystery of the girl in a 
ation. She had teeth for bi 


g- In 
she sometimes lost consciousness 
: in the darkness, 


g with those u 


"You bit me,” her husband said. “It's 


going to show 
a lot, but Sally? 1 like it." 

“Where was P Who are you?" she 
1. "Oh, 
‘ou tease, you 


They tease me about 


always teas 


said. 
She came awake. “It's Bill, it's just 


plain Bill. Yes. What did we do tonight 


t fun for you, just 


ally honey. 


Many thought her beautiful, she even 
y sl 


thought herself beautiful, her husband 


1 her, the days stretched out smooth 
and easy on a sumy slope of Telegraph 


Hill, and she was ready to blow her life 
to splinters. Sick with boredoi k with 
spite, she bi ved that her husband loved 


worse that way. She did not know how to 


‚ but did not love her enough It was 


quarrel with him. She had the idea that 


aig 


fiction By HERBERT GOLD she would receive 6/ letter; 4 love letter from the man 
or whom, down the dark corridor within herself, she had always been intended 
vy 


PLAYBOY 


she could do better than Bill Dennis. big 


ghs and day-to-d 
pride in the rending 
eth and nails when she fell protestingly 
into unconsciousness under his beefy 
heft. She did not know how to leave 
him. She now how to punish 
him enough for failing to be the man 
of her secret. intention 

Bill just put her to sleep, it seemed. 
She lacked terribly the promises which 
lile was supposed to keep. She missed 
ty. Life had faulted her. She missed 
feeling — suffering, hatred, de- 
sire and pleasure. Someone, somehow, 
must penetrate the dim corridors of 
feeling and lead her out into the light. 
Beneath the yellow-gray sky of San 
Francisco, on the crumpled slope of 
Telegraph Hill leading down toward 
North Beach, within a shingled wooden 
apariment house painted battleship gray, 
Sally passed her days doing noth 
and waiting for pure love to find her. 
Loved by her husband, Sally crouched 
within Sully, waiting. 

Naturally, for a case like this, tradi- 
tion has provided many solutions. The 
Чу is ready for the enthusiasm and 
gratitude of the misunderstood husband 
down the block, the college sweetheart 
now living in Sausalito, the visiting en- 
tertainer taking his breakfast at two in 
the afternoon on the terrace at Enrico's 
(blinking in the sun, smiling at the 
sulky litle Indy, explaining that per- 
or 
television and that’s why 

amiliar); a lady looking 


сазе, 


marks of her 


not 


laps she had caught his act at the 


seen him on 
is face looks 
for th 


repairman or a delivery boy, bless- 
his luck. 

No. Not Sally. She had a horror of 
dirt, of excess, of the slime of lovem: 

‚ of the violation of her physic 
fection. She would not be filthied. 
She would not be ridiculous. She could 
not accept the banal relicf with which 
other women made do. Eyen the idea 
seemed to dirty her—unclean. Pure love 
would take her unawares, would sur- 
prise her and sweep away the debris of 
Bill's steak-and-laughs term on earth. 

Was there anything she could do 
meanwhile? She could wait and be per- 
fect. She could make herself read, 
ld disappear into unconsc 
when Bill made love on her, 


co 


' her, 
through her; she could just hide and 


wait. 
Nevertheless, one day while jittery 
from too much smoking, too much black 
collee — Bill was away on one of h 


frequent sales trips — she had like a little 


104 idea. Like many good ideas, it repre- 


ited а compromise. She would receive 
a letter, a love letter, from the man of 
whom she dreamed — the brilliant and. 
passionate man for whom the Sally 
down the long corridor within Sally had 
intended, She knew his 
habits and his very gestures as well as 
if he really existed. He was her slave — 
and she belonged to him utterly. It 
would be her art to create him. Just as 
the Sally withii 
п Bill's wife, so her lover was only 
waiting to be called forth. She would 
invent him in pure silence and hope. 
Like her, he would be a solitary dreamer. 
And like her, he would long for perfec- 
tion. She even had a sense for the quirks 
of his literary style. (She blushed for 
him. He was a bit gauche with words 
he w an of long silences and sudden 
longing rushes of talk; and there was 
the delicate touching of a quick and 


always been 


patient desire, very quick and light, 
patient and searching . . . ) 
She asked for stationery from the desk 


at the Sheraton-Palaee Hotel. She 
thanked the clerk, who was impressed 
by the hectic flush of her cheeks and 
the dark, brilliant, rigorously brushed 
hair. He smiled at her, but she did not 
smile back. He wished he were more 
of ar Other men have all the luck. 

She used a rented typewriter in the 
lobby. She made a very pretty picture 
of pensiveness — a lovely you 
with delicate coloring in her 
ing hard, with a pencil just tip-touching 
her lips, writing, then copying with the 
typewriter. Then she mailed the letter 
and went home, 

The next morning she went for the 
mail with a quickened heartbeat and a 
strong flush at her checks. She knew 
there would be something important for 
her; she had an intuition. Deceived! No 
letter for her. Even the best of men 
have a harsh streak of cruelty in them. 
What was he trying to do to her? What 
was he trying to prove She peered 
through the w ight down the 
slope of Vallejo at the retreating gray 
back of the postman. She went back in- 
side, thought of hotting-up the collec, 
thought of going out to see an exhibit of 
old music bo: nt Street ga 
lery. She sat id. brushed 
her hair with long, practiced, soothing 
strokes. 

The letter 


t the mirror 


тїтєй the next day. Men 
do such things to women — Sally under- 
stood the species — they keep 
ing, they tempt 
to her in the d 


nd tease, they come 


k when she can feel 
nothing. But this was not a surprise. 

vaiting was worth it. 
She smiled at her own trembling as shc 


slit open the envelope. 


SHERATON-PALACE HOTEL 
Dearest darling 
Meeting you was exactly the good 


m. I never knew such 
things were possible—a dream, 
reality. The first time always 
dangerous between man and woman, 
but perhaps just once in a lifetime 
we have the right to absolute per 
perfect starry night 
idow and that cur 
tain blowing. You were all for me 
as I am for you, for you only. 
ГИ call уо as Te 
back to tow 


luck of a di 


as soon n set 


Diou 


а bit too emotion 


He was 
decided, overcome, se not 
quite manly. That cliché the 


v night, f 
awfully, awfully nice. She felt sorry for 
him and pleased because he wrote with 
so little thought to effect. He just poured 
out his full h She flushed. Of 
course he thought about his effect on 
her. Then she stood, hot and delighted. 
and read the letter in by the light 
of the day on Telegraph Hill at he 
window. She had 
had a life elsewher 
had that name — Di 

Then she put the letter in the upper 
di dresser. Bill som 
looked into that drawer for а handker 
chief. 

As luck would have it. Bill came k 
from his trip with a cold. But either he 
did not find the letter or, too bewildered 
to react, unwilling to face the facts of 
his life, he said nothing. 

In a few weeks, when Bill w 
called away for a sales meeting, a pretty 
young woman again appeared at the 
desk of the Sheraton-Palace, asking for 
stationery, The desk clerk remembered. 
her; delicate, rlish-look: women 
made him feel manly: but this time he 
did not risk a smile. She thanked him 
coolly for the pap: 

This time she worked on the letter 
a schoolgirl doing her Friday compo- 
ion. It w: graceful. She put th 
idearments in French, She was improv- 
Dion's style —“ es celte femme 
dont on 
nuis'—and it 
jored 


wer of her 


loute une vie, lous les 
that he had 
French in college. He had 
also traveled in Europe. He had seen 
much. done much, but only in th 
uniquely European of American cities 
had he found Sally, that creature, who, 
cruel, radiant — well, Sally had a taste 
for the bizarre and knew that this must 
be put in French. She was beginning to 
catch glimpses of the darker side of 
Dion's nature. 

When the letter 
with a catch of de 


réve 


seemed. 


ved, she read it 


ight in her throat. 


“Tm warnin' y'all, neighbor — y'all better quit 
pesterin my Ellie May...” 


PLAYBOY 


106 Sally pl 


She propped it up near her third cup 
of cofice on the d oom table and 
gain, If only every bored and 
kened young wife could find a 
п like Dion! Patient, steady, and 
willing to search out her impulse! 

Most women lead lives of still con- 
ment. They block up the passage to 
ity. All women hope for better. But 
1 the courage to grasp pe 
fect purity in love when it offered itself. 
She would not settle for less. There wa 
по reason to settle. She put the letter 
with some unpaid bills in the drawer 
of the desk. 

‘That afternoon she again dressed in 
her best silk frock, her hair brushed 
tight and rolled in a knot, gl 
H its health, and returned to the 
lace. 

‘There were a few more letters before 
the matter came up between Sally and 
Bill. He raged and weptand even slapped 
1 Brute, jealous brute. She denied 
everything, of course, Dion was just... 
was just... just a friend. But he was 
lonely, unhappy, burdened by feeling 
d unable to spend it in casual love 
Allairs. He too sought purity in love. 
He believed that Sally had been marked 
out for him from the beginning of time. 
Bill couldn't understand this kind of 
beautiful emotion in a man. She hadn't 
said anything to him about Dion bc- 
cause it would only make him angry, 
she knew it — just plain Bill would grow 
just plain suspicious; but there wa» 
nothing like that between Dion and her. 
He ought to know his wife better than 
that. Really, there was another interpre 
tation to everything Dion said. He was 
lonely was all. He would come through 
town and they would have a cocktail 
together was all. Did Bill, just plain 
dear sweet Bill, expect her to sit home 
cocheting pillow slips on Telegraph 
Hill while he went off on expense- 
«count trips to Seattle and Los А 
This was merely a harmless distrac- 
Girls are like that. They seek a 


cles: 


шей to believe her. He paused. 
ve a little secret smile, showing 
the tips of teeth. She shrugged. “Whi 
do you want from ше?” 
Пу, 1 love уоп... 

There w reconciliation, there 
were promises. Poor ВШ, he thought 
dinner by candlelight in a lite Talian 
North Beach would prove 


ant i 
he too was romantic and had 
Spaghetti, red wine, 
e. A 


d then home to th 
old Bill's unquenchable 
Ith. He plunged at her. and 
ged into unconsciousness. It 


same 
mere he; 


was as if nothing had happened to her, 
or rather, as if she were sent back down 
the corridor to her own dream of love. 


fterward, exhausted, shaking with 
fatigue, quenched despite his crude 
health, Bill stared at her in the dark 


nds at are you thin 
ly? Ave you thin 

"Oh. nothing. I think | was 
Go to sleep now, Billy. It's 

Bill wanted to find Dion and con- 
front him, but the man traveled con- 
stantly, he had no permanent. address, 
it was no use. Best just to forget about 
. Bill tried to master his feelings and 
believe Sally. Just drinks was all. 
letters were mere smoke, the vain pos- 
turing of a silly spoiled boy. Flushed 
asure of Bill's 
ally stroked 
him, comforted him. There was a slight 
He had learn 


ng about, 
ng about me? 


n in feel 
her. 

The next time Bill w у 
wip, he suggested that Sally come with 
him. It would be pleasant to drive 
through the desert, spend a night in 
Carmel, and kind 


‘Oh Га really love to, darling," 
said, “but we really can't afford it. And. 


my class——" She was studying ceramics. 
You should have thought of this two 
years ago, Sally was thinking. But on 


the other h 
not have ch 
wi 


id, just plain Bill, it would 
ged things deep and dark 


in. 

When he returned on a Thursday 
morning, he found another letter i 
the mailbox. Apparently Sally had slept 
nd not gotten to the postman in 
JC was clear that Dion 1 
mics class 


tim 
for her at her ce 
and put the top down — 
he wrote, as if the word 


He 


'dècapolable,” 
onverüble" wasn't good enough for 
him—and they had driven across the 
Golden Gate Bridge to a country inn, 
the Mountain View Tavern, above the 
mists over Muir Woods. His refere 
to the end of the eveni 


ysically ill, 
n the spleen. 


There was 
now. They about the 
although Sally went on im: 
it was all Bills 
mistake, Dion 
they were just friends and he helped 
amuse her in her lonely moments; it 
wasn't her fault if he fell in love and 
wouldn't stop writing those letters. It 
as just words, words. How silly of just 
ted about 


nore hope for them 
divorce 


ive him up if 


“Then why can't you 
he means so little to you? Why do you 
keep lying? Why won't he ever face me 
like a man?” Bill demanded in a last 
furious effort to hold her. 

“You have no right 


ood at the 
‚ à Doctor Bermai 
there was no use dis 
im in his present mood. 
` id, "I suppose Dion is 
embarrassed at the idea of mecting you, 


man 


He's afraid of you. Not afraid, Bill, but 
you the unpleasantness. After 
what d you would do to him 


— naturally I've told him 

And so they were divorced. They 
agreed that Bill would be charged w 
mental cruelty. He balked for а day 


t this label, but both lawyers expl. 
that a divorce fs a legal 
which a series of 


to peace and freedom. He 
whatever they asked, At the h 
fore the judge, Sally's eyes bu 
buried her head in her hands; but sud. 
denly the Sally within Бе to laugh 
and the tears which were so close dis- 
peared before her eyes had even begun 
to glisten. She kept her head in her 
hands to contain the laughter. A lawyer 
ly patted her shoulde 
up and smiled gratefully and 
at the lawyer, at the judge, 
Denni: 

A year passed. A delicate little d 
like Sally is seldom lonely long. 
even heard that Bill was still 
the torch for her. Vulgar phrase, 
g the torch" — she would never think 
of using it It was a friend of Bill's 
observation. He had met 
ket Street bar. 
of course, sometimes felt me 
nd blue; that’s only human; but 


She looked 


mpartially 
ad ac Bill 


тү 


tions ollered themselves 
by telephone and cocktail party, by 
friends and friends of friends. Everyone 
Imired how she had ridden proud and 
sweet through this distressing experience. 
She took good care of herself. Her pos- 
ture was good. She still looked like some- 
one’s teenage daughter dressed up for a 

aturday night at the hungry i or for a 
Sunday alte from the yacht 
in Sausalito. 

She chose wiscl t time. She 
knew that she needed а man of more 
exciting and im ive temperament 
than stolid, stubborn Bill. Peter Rollins 
was . perhaps the best your 
painter in the Bay Arca, with i 
ational repui 
he said, “I p: 
call me "best 


plenty of distra 


owing 


rative paint 
nt things. Anyway, don't 
There is no best. There 


kind of un 


but best is only 


ches to 


are appre some 


icd. ideal, a word. 


de 
Sally 


Yes she 


said submissively, and 
folded her hands. 

Was she putting him on? He studied 
her à moment and then gave it up to go 
growling in her hair. He liked teaching 
her things, but he liked even more the 
lish stubbornness with which she fol 
lowed her She 
fresh as the fields. And yet she did try 
to listen to him. She stroked his face and 
stared into his eyes and asked with a 
desperation that was more than girlish 
She 
She had been 


line. seemed as 


own 


to be penctrated by another sou 


had been alone all her life 
А by her husband. She had had 
to be self-sullicient 
selfish, but now she wanted to 
up for him. 

When she said Yes to him, she was 
yearning for him 

No, she was not putting him on. 

They were happy to 
gether. Sally blushed when she recalled 
her girlish foolishness: it seemed as if 
another creature had donc it to her; 
but she was grateful to that other wicked 
Sally, anyway. Thanks to her, her life 
had Thy tui d bright and for real. 
Sometimes dre 


self-generating, even 


cit 


marvelously 


ms come true, [or dream- 


ing is a way of planning. Peter was 


He filled 


she believed in happi- 


tender, ardent and possessive 
out her fantasy 


ness once more. She cut her thick hair 


and wore it with a wild. tawny look. 
More grown-up. anir pleasured 
Peter liked to look at her hair, thick 


and mussed against the sheets, and when 
he kissed her. he said. "Don't close your 
eves. Look at me," 
“Dm here, darlin 


Look. I'm with you. See. I'm with 


yo 


That foolishness of hur an ideal 
was over. Peter cared. for her utterly. 
After he made love to her, he sat looking 
at her, and after he looked at her, he 
painted her, and after he painted her, he 
made love to her. She was caught in a 
At last the secret Sally 
dark 


perfect circle 


within, down the corridor, was 


appeased. 
But then, on the occasion of Peter's 
wip to UCLA to 8 


give a lecture, the first 


one came, almost lost among the miscel 


laneous Monday circulars and bills: 


My only darling Sally, 

you again after all this time 
€ a dream come true. And 
that the fires still burn as high and 


bright as ever is much more, per- 
haps, than two such cheaters in life 
deserve — tricheurs nés — but can we 


not accept the brand defiantly and 
make our way according to our own 
design... ? 


A chill spot of numbness spread 
through the hand which held this first 
new letter 
writing it 


She did not even remember 
Could Bill have written it? 
No. He was not capable of such fri 


understanding. Only one peron 
life could be so deceitful. She went to 
bath 
looked 


the blank white-tile wall of the 
room and. for a long moment 
straight into horror. She saw no reflec- 
Чоп, only a dull shadow over tile, The 
mirror was behind her for only a moment. 
If she could not remember writing the 
letter, how then could she мор those 
which would follow 


surely as empti- 
ness follows pleasure, as surely as dis- 
appointment follows hope? 
Nothing delicate Sally could do. 
Now she smiled into the mirror 
teeth were a 


Her 
good feature. Seeing them 
helped her think, Mixed with the horror 


and dread, she felt a subte lift of pride. 
Why on earth did Dion always insist on 
Why did 
he follow her so closely, so insistently? 
Oh, there 
tion. Dion's little girl knew the answer. 
He must love her very 


this flowery style in his letter 


аз but one possible expla 


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108 the ship's calendar to reach the ne: 


PLAYBOY PANEL 


tain diminution of the user's cdirono- 
logical lifespan in exchange for height 
ened perday efficiency. This, in tur 
means that the high-metabolism antisleep 
drugs will have to be taken as part of a 
therapeutic program which includes life- 
extension techniques such as those we 
кеа about 
PLAYBOY: Do you foresee other pos- 
sible fields for prolonging human life? 

BUDRYS: 1 c k of one which will 


the norms 


single day. 
Thanks to a с "s rela- 
tivity theo: arned that the pas- 
sage of time on interstellar rocket flights 
1 slow down appreciably rel 
the astronauts on board. 
ly age more slowly than they would 
tion in time rate 
and greater as the 
ases, until, at 
close to the speed of light, both the aging 
process and the passage of time would 
tually to a halt — thus extending 
lifetimes indefinitely by Earthly 
time scales, though they would continue 
10 age normally by the spaceship's clock 
and calendar. 
ASIMOV: On returning to Earth from a 
seven-year voyage to Veg; 
they would lind their wives, Газаев and 
friends 30 years older than when they 
parted. H the flight had been a longer 
опе, say to Andromeda, they would re- 
turn. home to find not only their loved 
‘ones long since turned to dust, but very 
probably also civilization as they knew it, 
ıd possibly even Homo sapiens himself; 
lor in the quarter-century of their alb- 
sence, some two-million years will have 
passed on Earth, 
POHL: So apart from the supreme adv 
ture of being an eyewitness to evolution, 
the price of immortality, in terms of long 
and lonely isolation from mankind, may 
be very dear indeed. 
ANDERSON: It will be worth it, though, T 
think: for they will be man's torchbearer 
to the 
PLAYBOY: Will it ever be possible to at- 
vin —or perha d.— the speed 
ol light i igantic distances 
between ad even the nearest stars? 
ANDERSON: It may very well be possible to 
travel s ht and still get to 
the stars In case anybody cares. I've 
looked into the matter mathematically 
and have reached the conclu 
percent of light speed can be 
That's on the basis of some fairly con- 
servative assumptions; other men have 
suggested that by using interstellar hy 
gen in a sort of ramjet, a spaceship may 
be able to travel faster vet. maybe up to 
9 percent of the speed of light, but it 
would still take more than four years by 


actua 
at home. This decele 


for example, 


(continued from page 35) 


star, Obviously this will limit both the 
rate and the extent of expansion into 
space. It will also cut down the amount 
of communication between our explorers 
and the home world. 

BUDRYS: If my own arithmetic is right. we 
are going to need speeds of one light-year 
per day — roughly 68 million miles per 
second; or around 360 times the speed of 
light — belore we can make any signifi- 


more within 100 light-years, and none of 
them are known 10 have pla the 
sense that our Sun has planets on which 
intelligent lile can exist. But the problem 
isn't опе of propulsive systems, just as the 
sound barrier wasn't broken by usin 
essentially more powerful engines; it was 
matter of vehicle design. The 
barrier” is a theoretical limit arrived at 
se Einstein calculated that as the 
speed of a vehicle approaches the speed 
of light, the mass of that vehicle ap- 
proaches infinity — in practical terms, the 
faster you go. the more you have to push, 
until finally your most powerful спеву 
source cannot move you any faster, But 
if we can find some way to control mass, 
we can crack 186,000 mps u; pres- 
surized insect bombs, roman candles, o 
simply by heaving bricks back over our 
shoulders — provided we bring 
enough bii 
POHL: While writers and any number of 
physicists speculate if light speed is ever 
going to be possible, there me other 
physicists right now measuring speeds 
exceeding light, as in the case of certain 


ets 


beca 


along 


radiations produced in linear acceler- 
ators. 

BUSH: A number of eminent men have al- 
ready voiced dissatisfaction with the 
Einstein scholium. 1 think its quite pos- 
sible that some sort of faster-ihan-light 
imterstellar propulsion will be discovered 
get manned rockets any farther 
out than Jupiter. Now I don't think this 
is probable, but I do think it's possible. 
If it docs happen, our range of places to 
go will be vastly broadened, and the hu- 
man race will be able to 9o on in sp 
and in time, essentially, forever. 
PLAYBOY: Meanwhile, back on E 

ted by aeronautics authorities 
at 9000-m n-hour commer 
liners will be in service within five years. 
What speeds do you estimate will be 
possible for Earthbound travel by 19842 
POHL: Except for sightseeing orbital flights 
by commercial rocketlines which I expect 
to be in regularly scheduled service by 
1984, 1 think we'll find that travel within 
the Earth's atmosphere will become im- 
practical at speeds higher than about 
3000 miles an hour. 

CLARKE: 1 suspect that's about right, Fr 
— unless there isa new breakthrough such 


before we 


been est 


as matter transmission, which I wrote 
about for PLAYBOY last August in World 
Without Distance. By this | mean virtually 
instantaneous transportation achieved by 
sending the essential pattern 
objects, includi selves, by radio or 
other telecommunications devices. If this 
is ever achieved, it will depend on tech- 
nologies as far beyond radio as radio is 
beyond smoke signal: 
in a few centuries it may actually happe 
PLAYBOY: What new departures do you 
iticipate in the realm of more-conven- 
tional transportation such as the 
mobile? 

CLARKE: By 1981 pr 


of solid 


4 ol 


te cars will 


probability be steered from a centra 
trol rather than driven by their owners. 
It may even become a serious offense [or 


a human being to attempt to dri 
We can also expect that gasoline vehicles 
will be replaced by electrically powered 
autos, not only because the Earth's re- 
x supply of gas will be virtually 
exhausted, but because 
the atmosphere will be more widely 
lized. 

BLISH: | rather expect that we will even- 
tually see the utter extinction of the 
private motorcar in any form. It’s too 
wasteful of energy. too wastelul of spac 
both inside and outside. And 1 thi 
of the major effects will be to wi 
the highway system. We are going to nced 
that land badly for much more important 
things. Heavy hauling, much of which is 
done by trucks now, is 
go, too. 1 think it will go b: 
ilroad. 1 think that passen 


its toxic eflecis 


ге; 


er u 


el beca 


me largely 
aircraft never 
did become the boom envisioned by sci- 
ence fiction, 

BUDRYS: Even without са 


communal, since private 


and highways, 
that the increasingly con- 
ed urban glut of human beings and 
ig to force us to decen- 
іле our culture. ve 
POHL: In the m I think we 
<pect that more and more high-rent 
residential skyscrapers with smaller and 
smaller apartments and lower and lower 
ceilings will continue to be built higher 
and higher over a larger and larger area 
of our cities. The millions of lower-in- 
families thus displaced will simp! 
have to dig A few will die, 
and some will move out of town — along 
ands of better-heeled neighbors 
у iuing exodus to 
the hinterlands which will eventually 
urbanize the suburbs, suburbanize the 
exurbs, and ext d 
outpost 
far as 200 
of tow 
throngs, 1 suspect, will be t up mole 
like residence in windowless multiple- 

(continued on page 112, 


зоо! 


awhile, 


com 


But most of these uprooted 


Will n 


с 


The timid father 


happy hours. 


s many 


the straight dope on succeeding with women without really trying 


"SHOULD I ADOPT A CHILD?" 


SO MANY ASR. "Should I adopt a child? 
The answer is cle no, not if you can 
have one of your own. By all means uy 
first. Conceiving can be fun, and is under- 
taken by many for ifs own sake. 

A word ol warning, however: Though 
you will run few risks during conception, 
you will enter rapidly into the period of 
pregnancy. which is fraught with danger. 


How 


ТО GUARD YOUR HEA 
DURING PREGNANCY 


ice long ago solved the 
during pregnancy 
Put your wife in the hands of a good 
ian and she will be well cared for 
acy in the woman is normal and 
They often. develop. even in 
their faces, a ruddy, full-blown, vigorous 
appearance. 

Unfortunately. little thought has been 
given, either by medical science or by 
to the father d 


won 


obsteti 


whole. 


society as 
pregnancy 
This isa critic 
and during thes 
suffer damage, both menta 
that may last a lifetime. 
Guard Against Colds. The expec 
father soon learns that the pregu 
woman has an overabundance of natural 
body heat. If in her normal condition she 
oom temperature of 72°, during 


ng 


land dangerous period, 
nine months you 
id physic 


ney (and especially in the later 
and warm at 55°. 


pregi 
stages) she will be snus 


“Davie 
here?" 

“Hadn't noticed it, pet.” 

(The inside thermometer reads 
57°, and a 12-knot gale is blowing in 
through three open windows. But 
never complain.) 

"Maybe you could open one more 
window 
“They're all open, pet, but I could 
knock out a wall." 


doesn't it feel. stuffy 


Humor her, but preserve your own del 

cate system. Take these steps: (1) dress 
warmly, (2) keep your wife outof«loors 
much as possible, and (3) plan your 
jods of pregnancy. This last is best. 
g babies in the fall can add years to 
the father's life expectancy. and will im- 
prove his disposition. This may be done 
either by the accidental, or "Oops— 
type of conception so common to 
te planning. 

Keep Up Your Strength, Keep yourself 
in trim physically, hard-muscled and well- 
азу as it sounds, 
icy your wife will be on a 
htreducing diet, combined 
and unrez g desires [or 


pe 


During prega 
rigorous wei; 


with pecu 
food. 
Few men c 


ido 


hard day's work on 


diet of cottage cheese, pickles and grape- 
fruit. 

Eat well, have plenty of rest, fresh a 
and light exercise. You will be ready for 
the little one when he arrives. 


GUARD YOUR MENTAL HEAL 


Pregnancy, especially the first preg- 
nancy. is a time of adjustment. Once you 
realize that by the simple act of conce 
tion you have committed yourself i 
vocably to a series of events over which 
you will have virtually no control for the 
next 30 years, you become mentally a 
mass of quivering jelly. 

If you are the schizophrenic type you 
may be found alone in dimly lit rooms 
your fingernails. If you veer t 
vard the manic-depressive you may alter- 
g cribs and 

muttering 


" 


е between orgies of buy 


ds of 


plavpens— and ре 
brokenly over old check stubs. 

Too often weaklings turn to alcohol 
for relief, Avoid this pitfall if you can. 

The solution — if there is one — mu: 
come from our women. The keynote will 
be patience and understanding, The 
cheerful smile and the gentle phrase can 
make the difference betwe k mind 
and a well one. 


Avoid Superstition. There is no truth. 
whatever to the old wives’ tale that stro 
mental i 


on the father during 109 


PLAYBOY 


110 


the child, for either 


і; 
good or evil. 

No need, therefore, to guard the purity 
of your thoughts. Your opportunities to 
mold. your children's characters will be 
legion, but they will come later. 

Don't Believe Delivery Dates. Your 
obstetrician will give your wife a date on 
i; . This means 
1 forecast the 


d or the Farmer's Almanac. 

Try to outguess the stork, It will be a 
pleasant game that both you and you 
wile can play. 


PLAN YOUR DELIVERY DATE 


The day of delivery is considered 
holiday for the father in all civilized bus 
ss circles, Some skillful chaps can even 
stretch it to two. 

For this reason, the well-trained wife 
never has children on weekends. She tries, 
too, to have them at a convenient hour. 

Persuade her to feel the first pangs of. 
childbirth at about 7:30 or 8 A.M., оп any 
day from Monday through 
take а [ew babies to acquire the proper 
ill, but you will find it worth the effort. 
You avoid interrup P. 
catch yourself before leaving — and pref- 
bly before dressing — for the office. 

If you do have time to choose your 
clothes, dress simply. No need to be elab- 
orate. A sports coat, llannel slacks of good 
dark gray and loafers or tassel oxfords 
€ best. A tic is optional if you we: 
sport shirt. Better not shave. This cre 
an impr i confusion 


sion of boyi 


WHAT TO DO TILL THE DOCTOR COMES 


One has only to obi 


number ol gray heads among r 
youthful fathers. How many of 
overnight needlessly! 

Your first childbirth need not be the 
shattering experience it is for so many. 
Too often, as the date approaches, the 


these 


father becomes a trembling hulk, paci 

nervously from room to room, checking 

the for high-speed st g. and 
i runs to the hospital. 

No need for all this, no need to lea 

your motor runni 


ve 
ng or to sleep with your 
boots on. It takes longer than you can 
imagine to have a baby. Even if you 
dawdle in getting your wife to the hos- 
pital, she will be the: 
anything happens. 

Once you have put your wife in the 
hospital’s hands, you will be treated as 
though you had no part in the enterpri 
regardless of all you have been through in 
the past nine months. 

Go home, nurse your wounds. You will 
be telepho baby arrive: 


e for hours befor 


d when the 


BRACE YOURSELF. 


The first sight of your child may be 
something of a shock. You will expect 
that he, or she, will be a mirror of your 
own fine qualities and that this will be 
apparent from the start. 

No matter what you look like, this will 
not be the case. Regardless of what en 
thusiastic relatives will say, during thc 
or so babies do not look like 


first wee 
nybody. 

However, he (or she) will be all yours — 
and so will all the joys and all the prob- 
lems that go with him. Prepare yourself. 
You are entering a dangerous period. 


WELCOME THE 


TILE STRANGER 


Tn а few days the baby will come home 
from the hospital. What a different place 
house will be 
one! H will be 
ence for everyone. 
The 


you when it contains a 
нше 
expe 


Get acquainted. 


а new and unus 


hful or mid 


father will miss many happy hours with 
his children. Get to know your baby, and 
the sooner the bette 


You will find ii 
a 10-minute period following each bath 
during which уо by will smell fresh. 
па clean. Take advantage of this. Dandle 


Golden Time, 


“Will the real condemned murderer please sit down . . ” 


him, both on the knee 

little dandling will go a long 
Get to know your baby and — equally 

importan; — let your baby know you. 


AVOID 


PER клм 


your role as a 
idance. You will be 


From the begi 
father is one of 


and again, however, you will be 


timentality 


away by a wave of se 
tempted to enter into the physical. or 
boutle-and-diaper side, of parenthood. 
Control these impulses. Your duty is to 
the mind. 

No need to be timid. It is perfectly safe 
10 touch babies, preferably above the 
waist. An occasional pat on the head will 
do no harm whatever and is appreciated 
by the child. You will run small risk of 
infection as long as the child is kept cl 

It is casy to convince your wife that you 
are acting in the best interests of the 
family as a whole. 


“David, wa 
Ik the baby’ 
Ummmmm. yes pet. Looking for- 
ward to it. Oops!” 

(Letany heavy bedside object crash 
to the floor. 

"David!" 

“It's nothing, pet. Just my fingers. 
Keep opening, you know. No need to 
worry. Just can't seem to hold things 
firmly.” 

“David. maybe you shouldn't — 

“WI be all right. No problem to 
hold the little devil, if he doesn't. 
move.” 


up. it’s your turn to 


If this does not have the r 
take the next easy step. 


Funniest thing | 

Little rascal just slipped through my 

fingers. 
"Oh, no!" 

Bed was right there. Lucky, wasn't 
it? Guess there must be some kind. 
Providence that watches over clums 
daddies, huh? 


BABIES ARE STURDIER 


AN 


IEY LOOK 


Actually, you will find that babies are 


made of а tough, cartilaginous mate 
and are far sturdier than they look 


Babies will bend. but seldom break. It. 
is not good to drop babies purposely, but 
falls from moderate heights seem to do 
them small harm. 

These facts, howevei 
from your wife. Keep alive the fiction that 

ll child is as fragile as Dresden china. 
you will, though, it is dilhcult to 
continue this tactic to the second. and. 
third child. You may run into this re- 
action: 


‚ аге һем to hide 


“Gosh, pet, I just dropped the 


k the bottle, did 


At this stage it is best to use а dillerent 
approach: 


. what are you doing 


ust putting diapers on the baby. 
Did have to rummage through the 
closet а bit." 

(The entire contents of the closet 
will be on the floor.) 

“Oh, my!” 

"Couldn't find the talcum.” 

"It was tight there!" 

“Oh, stupid of me, Was messy, 
wasn't D” 
her a lovable lopsided smile.) 
easier for me 


Soon she will see the wisdom of this last 
remark. But your attitude must still be 
опе of cheerful cooperation. 


DON'T PUSH. YOUR CHILD 


Time and again we find 
attempt to push their children ahead. to 
make them walk, talk or perform other 
feats beyond their years. This is а serious 
mistake. It can cause physical and psycho- 
logical damage not only to the child, but 
to the father as well. 

No sooner will your child begin to walk 
than you will look back to the quiet 
peaceful days when he sat in a happy 


parents who 


little lump, cooing and gurgling. 

The child who learns to walk belore 
the reason is like an 
amy, 
struction wherever it moves, Everything 
that can be torn, broken or chewed must 
be moved to a high level. Soon the child 
will learn to climb and all will be lost. 

The Case for the Backward Child. И 
your baby shows any sign of being back- 
ward, encourage him, The backward child 
is quiet, easily managed and far less de- 
structive, He will be a real joy to you, and 
that this will 


age of 


bringing chaos and de- 


there is no reason to worr 
harm him in later life. Thousands of our 
nation’s leaders business and govern- 
ment were backward child ol 
them a source of needless worry to their 
parents. 


FEEDING THE BABY 


‘Try to lighten your wife's load when- 
ever possible. One fine way is to help her 
feed the baby, as long the 
bottle sta 

Boule [ceding can be performed by the 
father without any risk of physical strain. 
can usually be done in a feet-up position. 
sav in font of the television set. The 
baby should be burped about once every 
commercial. 

Other feeding, such as giving Pablum, 
had best be done by more skillful hands. 


as he is 


с. 


Your first attempt at this will be enough 
to convince your wife. 


"Isn't it cute, dear, how he goes 
for ii 

"What did you do, pour it into the 
electric fan? 

(This can be done, of course, but 
is seldom necessary if you have a 
healthy, vigorous child.) 

No. he did it all by himself! Show 
Mommy how we cat it all by our- 
selves! 


It is best to we: 
other impervious garment for this demon- 
stration. 


r a plastic raincoat or 


ENJOY YOUR BABY 


Once the dreary. time-consumis 
unsanitary duties are handled, babies 
be a real pleasure, To sce their merry 
little smiles, to hear their bubbling baby 
laughter and to feel them put their litle 
arms around Dadd neck — these alone 
will m: all your sacrifices worthwhile. 

Let the children think of you as thc 
fun-loving member of the family. 
always ready for a laugh. a romp or a 
game. You will have many happy hours 
together. 


NT MONTH: “HOW TO HANDLE 
WOMEN IN BUSINESS. 


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111 


PLAYBOY 


112 BUDRY 


PLAYBOY PANEL (continued from page 108) 


family warrens which will almost certain- 
ly be built beneath the subways and water 
mains when every inch of land and 

above ground is finally occupied to over- 


BUDRYS: Another way to alleviate the con- 
gestion of our densest population nude 
would be to reduce the heavy flow of 
traffic to, from, between and w our 
overcrowded cities — by developing and 
marketing highly sophisticated person-to- 
person communication devices which, 
versally used, could eliminare the 
need for most urban travel. 
PLAYBOY: What other advances do you 
foresee in the field of commun jons? 
HEINLEIN: Well, its interesting to note 
that the futuristic communication devices 
which Algis Budrys just predicted have 
Iready been invented: things like a port- 
able telephone small enough for a man’s 
coat pocket or a lady's purse: and a home 
telephone that records messages, has two- 
way vision, and сип be set for automatic 
ny other number. Either of 
5 will be commercially avail- 
able anytime Western Electric sees а ma 
ket for it, 
SERLING: The dreary record of commercial 
televisi ment med 
А one to wish that this particu- 
Jar commu device had neve; been 
nvented. But 1 think there may be some 
on to hope that its effectiveness as an 
ational and reportorial medium 
aprove manyfold in the next 20 
y Thanks to a skyful of Telstars, live 
telecasts from everywhere in the world — 
s well as from the Moon and Mars — will 


im 


have an impact and immediacy which 
promises to make news programing the 


most compelling and informative on 
television. Surprisingly, we may also find 
that the quality of the socalled "enter- 
tainment” shows will actually improve to 
some degree, not through any awak 
sense of public responsibility on the part 
of its entrepreneurs, certainly, but simply 
because of the vora ¢ of the 
medium — which wi се have 
reached the saturation. point i 
Haging and rereading all che st 
hés. So there is some hope th 
nd scriptw finally be 
forced to look elsewhere — perhaps even 
in the musty attic of their ima 
for new kinds of entertainment 

ideas for story lines. It’s entirely possible, 
even probable, however, that these yet 
unexplored veins of entertainment ore 
will themselves be mined out and burned 
huy worse 
у — since we'll 


and maybe even smelling, 
the same old smallscreen slop blown up 
biliously on wall-size screens in 3-D and 
living color. 

1 think we can expect no less 


dram dvancements in the technology 
of publishing — happily. in a social eli- 
mate of unprecedented freedom of c 
pression on the printed page, Would-be 
censors will find it physically impossible 
to bottleneck the pipeline from publisher 
to reader by seizing shipments and boy- 
couing newsstands — thanks to 
tion which promises to climinate 
need either lor newsstands ог distri 
home facsimile receive 
ation dup! 
stand which will print and 
pers and magazines right 
1 your living room. We've been writing 
pout this sort of thing Tor years in 
science fiction, but just lately 1 read an 
item in The Gallagher Report — a highly 
spected communicationsmedia news- 
letter — which officially predicts the same 
thing 

PLAYBOY: How and in wh: veas of 
future life, beyond publishing, do you 
expect such revolutionary automation to 
ess, and with what consequences? 
We have seen the automation of 
so many industries that human workers 
are already almost a luxury in the man 


c 


tion: thi 


ol coml. 
parlor new 
deliver news 


facturing part of our economy, 
may soon be a luxury in white-collar 
work. By 1084 wage-carning itself m 


no longer be important. It may not be 
impor to have a job: it may be 
possible for a person to do his chosen 
as he sees fit at a time he likes. I'm 
not sure if it would be a Utopia, but it's 
quite easy to imagine a world 

1 of these immemorial pressu 
humanity are no longer the 
ANDERSON: But even the prospect of libe 
ation from labor has ominous potentiali- 
ties: the probability that it w 
new pressure of 
boredom 
here 


nt eve 


1 which 


ше 
America than we know what to 
do with. Too many people lack the inner 
resources to get very much out of their 
free time. Look how miserable most men 
become alter they retire. If we are to 
avoid ending up supporting most of the 
popukition in а meaningless idleness 
which will breed misery, crime and pos- 
sibly revolution, we will simply have to 
find some genuine contribution for them 
to make. Even the gi | suffer 
from a sense of ennui and purposcless- 
ness — unless a tremendous development 
in human personality takes pla 
such a development won't happen of its 
own accord: it will require something 
unprecedented in the way of both uni- 
versal educa < cultural 
influences. 

BUDRYS: If we have a world in which no- 
body needs to work, I agree with eve 
thing you've said. But Í think we m 
find that one of the more parados 
effects of automation will be to increase 


ws wil 


ion and pervasi 


ather than decrease work, 
large numbers of. people, as the distinc 
tion between working and nonworki 

hours — which are already blurring — all 


n а sense, Гог 


conducting informal business or thinking 
about it: and many purported recrea 
tional pursuits are in reality status hol» 
bics useful in business. By 1984, a New 
York shop Toren y be runn 
automated production. facili 
shirt-pocket contol instru 
Bahama beach. 


тапа 


nent on a 


PLAYBOY: What other such laborsaving 
devices do you envision? 

CLARKE: Well, within the next ce 
so, man will dev 
plenty which Ic 
be able to 


tury or 


electronic horn of 


I the Replicator; it will 
ufacture any object from a 
rix, just as a hi-fi set reproduces 
a symphony from a record. When d 


1 be just as casy to d 
lor ol 
It w . of 


course, the end of all present production 
techniques and may make every indi 
vidual household almost entirely self- 
sufhcient. А 
TENN: The only trouble with your Repli- 
Arthur, is that it undoubtedly 
ilable like an ordinary appli 
ance to every household that wants and 
can айога onc. It will probably be a piece 
of rented equipment. like a telephone, 
supplied fora monthly fee by а big utility 
outfit which will call itself something like 
General Everything, Inc. You 
kind of payment ca 
everythin 
ably, mone 


"t be ava 


wol 


— can be made by the Repli- 
Well, where there's a will, avarice 


will find a w; 


= possibly so many hours 
of manual labor in return for cach use of 
the instrumen our automated 
future, objects made by human hands — 
even an orange-crate scooter — will have 
enormous prestige value and w 
ably be accompan 
grees, If we're living in a socialist society 
time, of course, there will be none 
of these sordid financial problems. All 
ign up our children 
for a Replicator on the day they're born 
ана the e will be delivered 
promptly on their 65th birthday. The 
model they finally get may have one or 
two bugs in it, of course: perhaps metal 
s trees and plastic display fruit 
will come out real: but these impertec- 
tions will eventually be ironed out. 
HEINLEIN: Ev 
field of household appliances 
g devices is destined to be an era of 
tremendous breakthrough in thc near fu- 
ture, simply because it is so retarded, 
woefully underdeveloped today. Contem- 
porary domestic living — particularly the 
continuing burden of cooking and cle 
ing duties — lingers lamentably behind 


Tor in 


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PLAYBOY 


114 homes 


the times. There's just no valid tech- 
nological reason why anyone today 
should be squandering his precious time 
and energy on these age-old chores — un- 
less he happens to enjoy them. We will 
home food processing machine 
which will prepare meals by following 
a coded tape and thereby reproduce ex- 
actly all the best recipes of the greatest 
chefs. And we'll need a housecleaning 
robot which will perform swiftly and efh- 
cicntly all the tedious dirtywork we now 
inflict on wives and cleaning wome 
Both of these gadgets are completely 
feasible, and there's no doubt that some- 
y we will have them. 

PLAYBOY: Will these 
master chefs, di 
ners be made — 
nble the gleaming robots trad 
horror movies and on pulp- 
igned 
along the lines of such conventional ap- 
aces as vacuum cleaners and electric 


need 


ous electronic 
1 family 


re- 


sc 
depicted 


ASIMOV: 1 think we will want them in 
humanoid form, despite the that 
they would pi jobs far more 
efficiently in various nonanthropomor- 
phic forms better fitted functionally to 
cach specialized task. There will be a 
certain comfort, I think, in having robots 
look vaguely human, so that we can deal 
with them as we would human beings. 
And this, I think, will d itself at 
the point where a machine becomes so 
human that it can be treated, for all 
ctical purposes. like a faithful family 
retainer of flesh and blood. While no one 
would confuse them with human beings, 
there would still be strong fee! 
ection for them — and vice ver: 
would like to sce them become intelli 


for it seems to me that a fairly intelli, 
robot which has been divested ol such 
traits as selfishness, coi 
nd oncupmanship would ma 
friend indeed. 1 wouldn't. w; to make 
them completely human, of course, even 
il we could. It would be 
keep them on an intellect 
would make them content with dull wor 
PLAYBOY: Docsn't it seem unlikely that 
ihe working masses of 
protestingly accept the possible prospect 
of replacement by a race of robots? 

ASIMOV: It seems to me that robots capa- 
ble of pe most manual 
more speedily and efficiently than hum 
borers will quickly render the lowest 
grades of human being rather obsolete, 
So Т sincerely hope that robot develop- 
ment will be accompanied by advance- 
ments in genetic knowledge which will 
eventually breed the inferior grade of 
people out of humani 
throu: 


fibbery 


Hitleria 
As to when we can expect to share our 


course, h any policie 


id our lives with humanoids: the 


miniaturi n of 


compute 


tion and sophisticati 
s is moving ahead so rapidly 
that I don't think it will take more than 
ry to pack the circuitry essential 
to a fairly complex computer in 
е of the human skull. 

PLAYBOY: Turning from subhuman to 
superhuman robots, what would you 
re the prospects of creati; 
super жее nt metal men and women 


ıgs so perfect in design and 
that they eventually make 
the human race obsolet 
BUDRYS: The notion that so-called “think- 
ing machines” may someday surpass and 
subdue man is based on the fallacy that 
computers represent a form of intelli 
gence independent of man. Though the 
combine facts much more rapidly than a 
man could, and will reach conclusions 


that could not be reached by every man 
unaided, 
what m 


they will always know only 
п tells them. And unlike n 


ies don't care. 1 don't doubt that man 
and machine together will be able to take 
giant creative strides that neither could 
take alone; but only man will be able to 
'ecognize the significance of those strides, 
to act оп them, and to enlarge upon 
them, and above all, to be exalted and 
aspired by them. 

think man and machine may 
eventually merge in a rather profound 
nd startling envision direct 


way 1 


hookups between human and 


computer brains. This is no Kafkaesque 
htmare, but an entirely practical and 
exciting possibility. д 

temporary and mig 
wires or any other material contacts at 
all; electromagnetic induction might do 
the job. A union like this would, in effect, 
multiply by many times the number of 
brain cells available to you, and these 
extra cells would enable you to conduct 
every mental process, particularly those 
involving logic, reasoning and memory, 
with a speed, certainty and brilliance of 
which gray matter alone — anyone's gray 
matter — would otherwise be totally in. 
apable. 

PLAYBOY: So far we've bi 
future life тай ly and imper 
sonally. Can we attempt now to bring this 
» a more personal way for the 
ing you to draw together 
ions with 


discussing 


genera 


era to life 
reader by 
and claborate these varied v 
your conception of an average day 
the life of an afluent ‘dwelling bach- 
elor at the turn of the coming century? 
ANDERSON: Well, assuming that he bothers 
O sleep at all, our bachelor will be awak- 
ened more gently than by а yammering 
alarm clock. He'll get soft music oll a tape 
piped into his pillow. His bed, which 
rocked him to sleep and fell quiet when 
his regular breathing told it he'd dropped 


off, now gives him a mild sh; 
orders it to stop, and then rises at the 
head to become a chaise longue. 

POHL: п a timed mech 
offers him freshly brewed coffee, may 
with a touch of amphetamine. 
ANDERSON: And while he sips it, he dials 
for his breakfast, choosing from a menu 
that flashes onto a panel. 

Pout: Next a recorded voice reminds him: 
Today is August ‘th, You have 
pointment with Esterhazy 
dinner date with Rosemary at 7, a 
your vacation begins the day after 
When he steps out of bed the 
Шоо: med with radiant heat. His 
shower cubicle is preset to sluice him 
with gentle floods of water just warm 
enough to be relaxing, followed by a wash 
пе detergent shampoo, then 
of cold 
а] 
dusting from a pleasantly scented, de- 
odor: aerosol. 

ANDERSON: He uses an electric massager 
on his gums, not a toothbrush; cavities 
are a thing of the past. And he won't have 
to shave this morning, because his last 
depilation, which included a beard. 
ng hormone, is good for another 


week. 

POHL: Or if even that’s too much trouble, 
а facial electrolysis at the barber shop can 
free him permanently from the surgery 
of scraping the beard off his chin. He 
will dress in clothes which have been 
cleaned and pressed overnight by a robot 
valet. 

ANDERSON: All of his suits, incidentally, 
will be entirely synthetic, designed more 
sensibly and comfortably than the con- 
temporary business suit, and tailormade 
by an automaton which takes his measure- 
ments and follows his specifications about 
cut, color, pattern and material, all ас 
very little cost. 

POHL: So little cost, in fact, that they will 
be as disposable as Kleenex. 

BUDRYS: Or he may decide to slip into 
something even more comfortable: а 
diriproof, stainproof, rainproof, shrink- 
proof, tearproof, wrinkleproof suit 
synthetic fiber which never requires cle: 
ing, pressing or repair. Its also wired for 
sight and sound with such optional acce: 

sories as a self-contained heating a 
g system for comfortable all-weather 
we matchbook-size FM-AM receiver 
with cordless stereo earplug speakers; а 
dictaphone machine no larger than a 
cigarette case; and а transistorized two- 
ay audio-visual pocket communicator 
with direct-dial to any place in the world. 
ANDERSON: At any rate, when he finishes 
dressing, our man presses a bution to 
inform the robot chef that he's ready for 
breakfast. In the minute or two he ha 

to wait, he checks his television phone to 
see if it visitaped any messages for him 
during the night, then punches up the 


па 


nd cool- 


of course.” 


t, Darling! To myself, 


just talking about you 


“I was 


115 


PLAYBOY 


116 


on the wall screen in three- 
dimensional color. The machine-made 
comes up the delivery shaft and 
s tray to his table is typically 


morning news 


us. Afterward he smokes his first 


rette of the day: the tobacco contains 
a mild euphoriac to put him in a cheerful 
mood. As he leaves. the front door slides 
tomatically open before him and locks 
self behind him: the apartment, detect- 
ing his departure. activates the house- 
keeping robots. He lives im a gigantic 
urban complex of interwoven” build- 
ings that forms a city within the city. 
Almost all of his material needs can be 
fulfilled without leaving the premises, 
d from his wall-windows — when they 
aren't opaqued for privacy or sleeping 
spectacular view of the 


суе Gin see. But his job is elsewhere, so 
he catches the highspeed elevator down 
from the 100th toor to street level. 

POHL: On his way down he orders tı 
portation ove 


ns- 
his wrist communicator, 
and by the time he is at the curb the robot 
doorman has electronically flagged a 
robot cab, the door is open and the dest 
nation already set. He gets in and goes — 
his route preset and his progress guided 
by an electronic highway-conuol system 
which —like an automatic pilot — take 
over the job of starting, steering and 
braking for all vehicular trallic — thus 
climinat 


The only thing miss- 
aickie’s Conversation 
— though Cyril Kornbluh and 1 once 
wrote a story in which auro-abs were 
programed to discuss baseball. politics, 
weather and women by means of a library 
of selected tapes. 


BUDRYS: Or o might spend the 
time in transit getting a start on the day's 
work, dictating memoranda imo his 
pocket recorder. and phoning ahead (o 


his office on his w 


icator to get 


POHL: Meanwhil 
continuously n 
or playback of 
fo run, any ollice 
be ready foi 


of course, he is bei 
aded by his commu 
any errands he needs 
problems he needs to 
etc. Carrying this a litle 
further, he might even have a n 
machine like the one Fritz Leibe 
wrote a story about: in addition to rou- 
tine reminders, it dispensed advice. re; 
surance and morale-building suggestions. 
PLAYBOY: He's on his wav to work. but 
you haven't told us yet what kind of job 
he lı 


E 


once 


young, white-collar 
executive; whatever his field, hell have 
10 possess a commodity in great demand 

bor market of the 21st Century 
origi ` freshness of thought. 
There won't be many dull, routine jobs 
available anymore: machines will be do- 
ng most of them, There will really be 


nd 


only three major fields open to a youn 
man just out of college: He can become 
cybemeticist — a sort of glorified repair 
1 and machine tender: he can go 
al research: or he can try his 1 
that imm 


m 
tech 
t "communications, 


thing from personnel. management. and 
sales to covering football games and w 
ing sonnets. Let's say our man has elected 
communications. It pays handsomely 
— perhaps 530,000 
because. of 
income keeps going up every уса 
neveasing rate of production creates 
more and more riches for 
In any event. our man needn't worry 
whether he can afford a sportscopter or 
a Black Sea cruise. He can айога any- 
thing — а 90-foor yacht, a 12-room pent- 
house, a castle in Sp not to buy 
m, then surely to lease them or rent 
m on his all-purpose credit card wher 
ever he likes and for as long as he likes. 
ANDERSON: But toca 
to the office for 
works four days à 
months’ paid vacation; unlimited p: 
sick leave, too — of which he uses very 
little, thanks to modern medicine. 
POHL: He's greeted at his desk by a mound 
ges and mail. which he deals with 
ans of an automatic stenographer. 
‚ of course, 
but hc won't waste her on mechanical 
chores like typing or running out for col- 
He'll dict letters to the ma 
chine, which will type them out in any 
mber of copies indicated, using m 
netic ribbon inks like those now used 
check forms, so that other machines — 
well as the human recipient — can scan 
and read them for automatic classific 
tion and filing. 
ANDERSON: И one of his letters is goi 
10 à 1 country, its automatically 
translated, then dispatched immediately 
by wire or radio directly to the address 
given. Hell also have face-to-face com- 
ion via visual telephone with 
ound the world. Of course 
spondence so easy, there'll be 
n unholy lot of unnecessary calls 
mos, but at least. people will fir 
equired enough regard for he: 
d sanity to take an hour off at lunch 
nd not spend it talking business. He 
dines in an excellent restaurant near his 
ollice. 
POH Brother picks up the check, be- 
use such thing till on the almighty 
expense account. So is the men’s club he 
repairs to afterw a dip in the pool, 
i т the electronically 
muscle exercisers, then the 
ultraviolet lamp, a mechanical massage 
and back to the office at 3 or 3:30 for 
another hour or two of work. 
ANDERSON: At the end of the workday, 
our man hops a robot cab and relaxes 


everyone. 


eh 


fee 


fore 


with a dri 
trallic to the apartment of the young lady 
with whom he's planning to spend the 
ev . Of course she isn't ready yet: 
some things will never change. Hcr door 
scans him as he appre 
his picture to her in the dressing room, 
and lets him in when she says OK. Over 
the intercom she invites him to pour 
himself a drink while he's waiting. Не 
presses the autobar button for a vodka 
martini, very dry, with a twist of lemon. 


ches it, transmits 


While he sips it he lights up another 
cupho 


1 watches the three 
c color proj 

which covers one wall of the li 
— a live television view of the Swiss Al 
its a Dit overcast tonight. He dials for a 
view of Maui, where they've made reser 
vations for dinner, to check on the 
nd the surf: the Moon is full, 


no more | 
der, but like most peopl 
few books, special edi When 
she wants to read something apart from 
alls the central library, which 
has everything in print filed on micro- 
‚ ready to screen directly for her on 
able home monitor equipped with 
a button she presses to have the pages 
turned. There's a small charge for this, 
out of which the 
most other ch it's sent directly (o 
her automatic bank, which pays the bill 
and sends her a monthly accounting 
When she's finally ready, they take the 
elevator up to the roof heliport and 
shuule ош to the city's vast aerospace 
port. They board the rocket and take 
their seats with the 200 other passengers. 
The liftofl is а bit violent, but the cush- 
joncd contour seats and anti-acceleration 
pills make it rather fun. Once up in the 
stratosphere at $000 miles an hour, the 
ship goes into a jormous glide. The 
passengers gather at the bar and look out 
the huge picture ports at a sky turned 
dark and starry, and at the planet rolling 
green and blue and brown below them. 
In an hour or so they're in Hawaii, Of 
course they've gained hours of daylight. 
but a fatigue-chasing drug with no harm- 
ful aftereffects makes it unnecessary to 
sleep. "They have a swim in 
lounge around on the beach awhile, and 
finally enter a communal re 
where they share а shower and the: 
ito more-formal clothes. 
Then they catch a submarine to а se 
food restaurant famous for its spectacula 
view of coral reefs and flitung fish Irom 
within the giant plastic hemisphere which 
encloses it on the ocean floor, Afterward 
ck topside for g of 
island hopping. First stop is a new club 
which has been built cantilevered directly 
over Mauna Loa crater, where they ca 
watch the lava bubble bencath the tans- 


luminous: 


е 


the su 


resher house. 
sup 


ın even 


parent dance floor and the smoke fume 
up past the sealed windows, 

POHL: The robot waiters will be pro- 
gramed for super efficiency and against 
rudeness, and to know after being told 
once exactly how many drops of angos: 
tura and what sort of pickled artichoke 
you like in your drink, though I seriously 
doubt that human technology will ever 
ad 


be able to improve on the function 
decorative design of today's Playboy Club 
Bunnies. Anyway. before the evening 
over, our man will suggest that they get 
together again the following weekend — 
perhaps for а champagneservice rocket 
flight to Pago Pago, or a hydroplane-liner 
cruise to Cap d'Antibes. 
ANDERSON: Or if things are really going 
well, he may even invite her to join him 
оп a summer vacation in space. 105 as 
expensive as hell, but well worth the 
cost — offering such amusements as swim- 
ming in and out of a floating globe of 
water in a zero-gravity orbital station, 
and riding (-mile-an-hour monorail 
across the mountains of the Moon. Let's 
hope she's duly impressed, and that he 
docsn't have to return to his apartment 
alonc. 
POHL He can always invite her up to sce 
his etchings —in this case, perhaps, a 
g stamps from 
the 1960s. His door key turning in the 
lock, of course, dims the lights inside and 
flips on a continuous tape of the latest 
electronic mood music. The divertisse. 
ments which ensue, unfortunately, can't 
be programed so predictably; nor are 


they likely to be conducted any diller- fortie American) Scenes 
ently than they are today. There arc WA 


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117 


PLAYBOY 


118 


al. We 
wildly imaginative, inordinately 
credibly persistent, hopelessly 
curably corrupt species, and no 
tter what we do we always seem to 
wind up somehow or other in the sume 
ition on the tree, except that occa- 
ly it's a different tree. Tomorrow 
we'll be looking for the mechanical ba- 
nanas in а nickckplated jungle. 

STURGEON: When we talk about hum; 
ty's far future through the skies, I 
couldn't agree more. But 1 can't help 
getting a bit impatient with all this 
prognostication about how we must con- 
uc to be as stupid as we arc. Bill Tenn 
insists that we are going to continue 
to behave the way we do and remain what 
we are in the midst of an immense push- 
button society, but its just not going 
to be so because we're not going to be 
the same kind of pcople after it happens. 
TENN: Ted, you have faith, and it's some- 
thing I respect. But when it comes to 
the human race, I firmly believe that 
th is what keeps mountains firmly in 
place. With all my pessimism about our 
species, 1 do believe we're going places 
— Lut we're going places in a small way, 


but on another step of the s 
are 


a few fumbling steps at a timc. If we're 


going to progress either on Earth or in 
space, we will have to understand. one 
basic fact about progress: that every ad- 


vance that we might make is an advance 
that can be prostituted to vicious and. 
vulgar ends, exactly as other advances — 
technological I—have been 
prostituted in the past. This will continue 
to be truc as Jong as man remains what he 
is And I don't see man changing. I see 
him slowly evolving, getting hurt, burn- 
ng himself again and again and ag; 
and then one day in the Гат future, learn- 
ing to dread the fire — nothing morc. 

HEINLEIN: | agree chat mankind is still 
barbarous and ignorant. But 1 disagree 
with you, Bill, that we're destined to re- 
this ignorant. 1 expect our descend- 
to exceed our grandest achievements 
at least as much as we exceed the cavemen. 
We have been “civilized” for only an 
instant in our long history, it's truc; but 
what will our children accomplish? Take 
the wildest speculation you can imagine, 
then square it and cube the result, and 
the answer still won't be big enough to 
match the truth, They will go out to the 
stus and bcyond, to the other island 


MARTY MUI 


“Beddie-bye time, sweetheart.” 


Galaxies. And they will flourish by the 
billions, by the willions, by numbers too 
high to guess. They will meet many other 
intelligent species, make friends with 
some, fight with others, be enriched by 
both. They will gain knowledge and 
power beyond our antediluvian ability 
to imagine. And in time, of which there 
will be plenty, they will unravel all chat 
is mysterious to us. They will number 
the billion nes of God. 

BUDRYS: You make our destiny sound al- 
most too golden to be true, Bob — but T 
don't doubt for a minute that it will all 
come to pass more or less as you predict. 
This ag. which 60 years have carried 
us from Kitty Hawk to Venus, will some- 
day seem a stagnant time to most men of 
the future age — though there's no need 
cspatiating on the fact that we are going 
to have what appear to be tragic setbacks, 
that men and causes which have been en- 
usted with the popular vision of the fu- 
ture will prove false. But the future — not 
just a fresh page in the calendar, but a 
ime when things are ally different, 
nd basically better — is constantly a 
ing, at voracious speed, whether we like 
it or not, whether we wish we hadn't 
wished for it or not. We will never be 
ready for it— but it will most certainly 
come. 

BRADBURY: I think that what we have been 
leading up to is the fact that we are part 
of a miraculous explosion of the senses. 
The Universe has come alive, through us, 
and we go in search of ourselves. We go to 
put together yet more pieces of a puzzle 
we will be jiggering with for the next 10 
ion billion ycars. Any tool that comes 
to па we will use. We will construct 
technologies and rend them asunder, we 
will build philosophies and wreck them 
by the wayside, we will use and dis- 
card, try and fail try and succeed 
— but always remain in constant mo- 
ion outward from this explosion point. 


It will be a terrifying struggle; the 
human agony that must go into it 


ble at this time. But how 
can we expect less agor 
future than we have known 
The important thi 


is immeasu 


from our 
n our past? 
ng is that the race is 
on the move, and that we, selfishly, as 
writers, have long dreamt of this move- 
ment and cannot help but be exhilarated. 
nvolvement in this voyage of 
ery. We know so very little. But 
this we know irrevocably: We love life 
and living, wc hatc death and darkness. 
rcaturcs of the Sun, we will take the Sun 
with us, in our blood, to warm the great 
night, to light our way in the darkness 
beyond our system. Love of day and mo- 
tion, fear of dark and immotion is all we 
need know now. The rest will come. We 
will find it along the w 
PLAYBOY: Thank you, gentlemen, 


FAVORITE SON 


two other cars out of the race, and then 
bounce it off a curl a wheel. 
He left that onc and took Peter Collins' 
саг, but still couldn't catch Moss, though 
he broke the course record trying. At 
the Nürburgring in 1957, « 
Mike Hawthor Peter 
rounded on them like a baited bear, 
the process of giving both of them a 
thorough beating, broke the lap record 
10 times. 

Fangio was Moss’ model, his teacher in 
the more esoteric, advanced techniques 
of driving, but he had nothing to teach 
sang-froid, in covering over, with 
civility and urbanity, the bone-decp will 
- (“We are all friends,” Moss s 
ing of the other drivers, 
but once the race starts, no one expects 
to hear anyone say, After you, m'lord." I 
was reminded of Wilbur Shaw, a charm- 
ing gentleman, who might give another 
driver the shirt off his back before a race 
and buy him a drink afterward, but dur- 
ing it would run the man into a concrete 
all at 140 mph, if he wouldn't move 
over.) 

At В; in 1950," Stirling told me. 
"soon after Pd joined H.W.M., I man- 
aged to lead from Fangio for a bit, and 
Farina. They were both in Alfas, I had 
a Formula II H.W.M. Fangio was third, 
was just behind me, and 1 think 
oycd: after all I was а new 
boy and he was a very important figure. 
In any case, he came alongside me going 
tO a corner and just stayed there; he 
shut the gate on me, as the Americans 
say. He gave me the alternative of slow- 
ing down or going into a wall. But I 
slowed right down, I got round his tail, 
and then, because what he'd done had 
put him on the wrong line, | went 
through just ahead of him. I looked back 
and Fangio, just behind us, was laugh- 
ing his head off." 

The roughest thing Moss remembers 
doing on a uit? "At Roskilde one 
time there was a chap in a Ferrari, a 
Swede, who would mot let me past. I 
took it for two or three laps, even people 
in the crowd were shaking their fists at 
him. Finally, just before a slow corner 
I laid the front of my car into his wil 
and spun him off the road into the 
bushes. He wasn't hurt.” 

Stirling once told me that when h 
d lost a race, he could put it out of his 
4 and sleep like a baby, but that the 
night after he'd won was likely to be 
sleepless. This is the competitor's typical 
reaction, For the ordinary man, the 
situation would be exactly reversed. 
Losing, he would be full of fury and 
frustration, no more able to sleep than to 
fly by flapping his arms. 1 have seen men 
in this case stay wide awake under a dose 
of Seconal that would stun a Shetland 
pony. But, winning, they feel fulfilled, 


(continued from page 78) 


content and they sleep in peace. The 
real competitor looks at losing, loathing 
it, shoves it savagely out of his mind and 
goes to sleep. He must, or he'll unhinge 
himself, It is winning that keeps him 
awake, because it means so much to hi 
it is fulfillment, and raison d'étre, and 
though he conceals it under however 
much urbanity and ritual sportsmai 
ship, it shakes him through and through; 
it stirs him to his soul. 

Someone said recently, with an air of 
discovery, that the British people are at 
their best in war, and have always bee 
that they like figh that they like 
bucking the odds, nd that however 
savagely and bitterly they fight, they are 
sustained by observance of the pro- 
prieties, by maintenance at all cost of an 
air of calm, civilized good temper. 

The two things do not always go 
together. 1 think the people quietly ad- 
mire the hard fighter, and they admire 
the man who shows grace under pres 
sure, even if it is only mild pressure, But 
they reserve their hearts for the man 
who their instincts tell them is a killei 
a bitter-ender, and a man capable of w 
ning all he wants in the world, or losing 
everything he owns, in such fashion that 
one can't tell, watching him, which has 
happened. This, they feel, is British 


g Moss is British. 

One did not watch Stirling Moss drive 
for long without noticing that he almost 
invariably waved as he passed another 
car. This wave was pleasant to see, a kind. 
of salute, given with the hand held verti- 
cally, graceful without excessive move- 
ment, imperious as well as po 

I was standing at the bottom of thi 
straight at Sebring one hot moi 
place where one can almost look into 
the cars. A photographer was with me. 
Stirling, coming out of the U-turn faster 
than most, as was his wont, ate up а 
Porsche as he went by us, giving the man 
his patented wave. 

“Have you ever noticed.” the photog: 
rapher said, “that Moss always thanks 
another driver for letting him pas 
"Yes," 1 said, “I've noticed 


that. Of course in this case he was thank- 
ing the man for nothing, wasn't he, be- 


cause the only way C could hı 
rev s passing would h 
been to shoot him.” 

“Oh, I don't know,” the photographer 
said. "He didn't have to move ov 

“The rules say he did," I said. “They'd 
have hit him with a blue flag halfway 
down the straight, if he hadn't. Anyway, 
it's wide here, Moss would have run 
around him." 

“I still think it’s a pleasant gesture," 
my friend said. “It shows the car 


vers, and [ like to see hi T 
'Camaraderie, my foot," 1 said. AIR 
that pig he's driving holds together all 
day, you'll get to see him wave to every- 
body out there, and I daresay you'll like 
it better than they will, to 
"Why 


Us not all he's doing.” 

"You fascinate me," my friend said. 
“Tell me, what else is he doing?" 

"He's waving goodbye to them," I said. 

No stronger competitive instinct than 
Moss’ has ever appeared in sports, I am 
convinced, and 1 have outraged a lot of 
people by saying so. That motoring en- 
thusiasts сап be annoyed by the picture 
Moss as a brutal competitor is 
€ of the fantastic discipline the 
imposed on himself, and of the 
skill with which he has originated and 
erected his public character. 

“Watching Stirling Moss before a race, 
the absolute 
to me about five years ago, 
stand real sportsmanship. For him, the 
game is everything, form is everything, 
and winning or losing is of not the 
slightest importance." 

I won't quote my reply. It was both 
rude and profane. 

That Stirling Moss wi 
before a race is truc. 
Belmonte used to say, “° 
the соп 
there would bc по one in the ring whe 
the bulls came out." I had a conversation 
with a well-known driver just before a 
race, and when 1 took it up again that 
ht I discovered that he not only didn't 
recall what we'd ed about, he couldn't 
remember our speaking at all! Nothing 
of that sort ever happened to Moss. I 
remember almost burn nto him just 
off a starting grid or before I knew 
him well, and 1 smiled and kept on. 
having learned from the experience 1 
wtioned above that it was best not to 
talk to drivers just before the off. But 
Moss had something he nted to tell 
me, he took my arm and walked along 
with me for three or four minutes. Th 
сизе me. Ke I must find 
and went off for hi 


If we had to sign 
racts an hour before the corrida 


“I don't mind anyone's talking to me 
before a start," he has said to me. “I don't 
care in the least. If I'm sitting in the car, 
a boy can ask me for an autograph. Im 
happy to talk about anything, a play I 
saw the night before, a girl: up to the 
moment 1 start the engine, I couldn't 
care less. I've done my practice, 1 reckon 
to know the course, I reckon the car to 
be ready, 1 can't make a plan, I can 
foresee what's to happen when 15 of us 
pile into the first corner, so why should 
I bother thi g about it? Ti 
for that when we get there, I was giving 
a chap a radio interview one day, 
States, sitting on the starting grid: 


we 119 


PLAYBOY 


were chatting away, and suddenly I 
realized the race was going to start in 60 
seconds. 1 had almost forgot about it! 

It would be interesting to be able to 
look into Moss’ head as he switches off 
his urbane, gay, smiling self, to switch on 
Moss the competitor and the engine at 
the same time. (I know a veteran airli 
captain who does the same thing, 
slightly different fashion. Sitting 
front end of a transatlantic jet, 
perhaps, for a delayed load of passengers, 
he's amusing, witty, relaxed; he and his 
crew are just old nds killing time to- 
gether. With him the change-over comcs 
when 


fly. When the gloves go on, the tempera- 
ture in the cockpit drops about 10 de- 
grecs, and thereafter anyone sale е “aks 
to him had best have a “cap ora 
the end of the шыны: аз well 
аз а good reason for speaking at all) 

The reason the competitive attitude so 


intrigues us is that it's a distillate of life. 
And di ance of a really 


strong competiti act in one of the 
four elementary games — fighting, moun- 
tain climbing, the anda and motor 
racing — is more compelling, naturally, 
than its appearance in, say, swimming or 
pole vaulting or one of the stick-and-ball 

Knowing how the great moun- 
Albert Frederick Mummery of 
t up the Chamonix. Aiguilles 
or how Edward Whymper did the Mat- 
terhorn or how Stirling Moss the 
Mille Miglia, we know something of how 
life may be lived, and perhaps should be 


lived, and we have seen this thing i 
minutes instead of years. 
This is not to denigrate the great 


spirits who appear in the lesser games. 
The American baseball player Harold 
“Pete” Reiser, held by many to have 
been the most competitive player of 
modern times, was carried off the field 
itated or unconscious 11 times i 

14 years of play, five times because, run- 
ning to get under a high ball, he had 
refused to take his eyes off it, lest he lose 
it in the sun or the field lights, and went 
full tilt into the concrete wall that bor- 
ders the perimeters of most major-league 
baseball parks. 

It isa peculiarity of the real competitor 
that he is indifferent to being hurt. The 
intellectual, the spiritual aspect of ck 
mental competit "st other men 
has become so weighty that it transcends 
consideration of the corporeal: he no 
longer cares about being hurt except 
that injury keeps him out of the game. 
(Left to himself, he will invariably go 
back before he's fit) A peculiarity of the 
real competitor who has a major talent — 
the two things do not necessarily go to- 
gether — is that he likes to handicap him- 
self, to make the game harder. Thus 
Mummery would not use pitons: he 


120 thought them base, a thing for cheaters, 


although many mountaineers will hardl 
go up a flight of stairs without а sackful 
of pitons mmer to drive them. 
Moss’ addiction to nonfactory cars is 
illustrative. 

The real competitor, if he lives long 
enough, comes inevitably to the realiza 
tion that the ultimate victory is the 
victory over self: when the years of self- 
discipline and self-denial are past, the 
years of study and training and practice 
to exhaustion are over, the man under- 
stands, suddenly or slowly as the case 
may be, that the being able to win is 
what таце that the formal 
itself, the laurel wreath, 
statistic, a thing of no со 
he no longer even wants it 

The real competitor sees no 


victory 
s then only a 
qu 


imita- 


tions, He wants to bear the whole world. 
li 


If he's a simple man, like John L. 
van, the legendary heavyweight figi 
he'll say so. Sullivan used to an 
from th n a [air fight, E will whip 
any man born of woman. Yours truly, 
John L. Sullivan.” He handicapped 1 
Self with brandy. In the course of a long 
fight, Sullivan would empty a bottle of 
cognac. He was much admired. In 1887 a 
crowd, trying to get near him, broke up 
the carriage in which he was riding down 
the Haymarket, 

A complex personality behaves with 
morc civility, although he may wish to 
beat every other man in the world, and 
at everything. (Wilbur Shaw was so 
d by the fact that other men 
could drive railway engines, whilst he 
could not, that he badgered a 
ag him.) 
ating onc of the most compe! 
lcavors man knows, for more than 


a decade, entering more races than any: 
one else had ever done, and winning 


more of them, was not enough for Stirling 
Moss. He started so many ancillary activi- 
tics that they would occupy most people 
through an eighthour da 


thr 


ready to start another. He has the obses- 
with details that so often 
n who can't find enough to 
do. 1 am almost surprised that Stirling 
doesn't type his own letters. (Come to 
think of it, I number of letters 
from him that he did type —at least 
some amateur did them" 

‘The real competitor is not easy to live 
h. when he is on the way up, and 
when he is at the top, because he is driven 
to compete with everybody; he wants to 
do everything better; he wants to do 
nate everyone around him, his friends, 
his associates, his employees, his wife. 
This is the deepest need in his nature, 
and allowance must be made for it. It 
has made him what he is; without it we 


would never have heard of him. 


wi 


When he knew how badly he had been 


hurt at Goodwood, how severely his brain 
had been damaged, when he found th 
he couldn't even open a door without giv- 
ing himself step-by-step instructions — 

shall take the knob in my right hand, 
now I shall turn it sharply to the right, 
now PH pull it"— Stirling Moss knew 
that he simply could not wait until the 
broken bones had mended and then go 
back to racing, as he had after the 


t least to normal, he could not drive a 
racing ca Further, he knew that 
if the doctors were correct in saying that 
whilst his reaction time might improve 
rapidly, his vision would probably not 
be normal for two years or more, then 
there would be no point in it. He would 
be terribly out of practice and he would 
come wholly unprepared to the 1965 
. having missed the 1962, 1963 and 
1964 models. He decided that he must 
give himself a practical test, that as soon 
as he felt reasonably well, reasonably 
strong, he would take а race car to an 
isolated, completely closed circuit, and 
there, in privacy, try himself, and, on the 
basis of what he observed, make the 
decision, to go on or not, yes or no, then 
and there. As soon as he had settled о 
this plan, he announced it. He could set 
no date. 


When he went to Nassai 
after be 


immediately 
wr discharged from Atkinson 
Hospital he drove a Mini- 
and he found that the island 
speed limit of 30 miles an. hour suited 
him very well. When he returned to Eng- 
nd he drove other cars, more quickly, 
but his retraining program was inter- 
rupted by two long stays in St. Thomas’ 
for surgery. By January 1963, his left eye 
now ollcring him correct focus as long аз 
he looked straight ahead, he felt secure 
at 90-100 n п hour on the road in 


iles 
his Lotus Elite, and it was impossible, 
riding with him, to detect slowness or 
lack of acuity. Everything seemed to be 
as before. He had the car completely in 
hand; he could drift it at will, he could 
do anything he pleased with it. But Moss 
allowed himself no enthusiasm, repeating 
what he had often said, that 100 on th 
road in а Lotus Elite has nothing what 
ever to do with 160 on a Grand Prix 
a Lotus 25. 

He flew around the world. He had 
s in South Africa, 
nd and Australia and. Hong 
Kong; he wanted to visit Tokyo; he 
had obligations in Daytor ad Nassau 
Whilst he was away, he had asked Vale 
Pirie to see to renewing his competition 
license. He was back in England on 
February 26th, for 10 days before going 
to the United States to fulfill a contract 
at Sebring. There was not enough time 
to engage a circuit and set up a car. 


At noon on the First of May, Moss 
left London for Goodwood, where Ke 
d Tony Robinson were w 
ing for him with a Lotus 27. He drove 
the 50-odd miles in а Mini-Cooper, two 
friends with him, and he went flat-out 
the whole way, constantly remarking the 
behavior of the car under the various 
stresses he put on it, obviously sceing the 
tip as a mild warmup for what 
ahead of him. It had rained all morning, 
but the circ was drying when Moss 
came to it, drying in some places, deeply 
puddled in others. The loudspeakers were 
but there must have been armies 
him; the mild May must 
have гш th their shouts a 
howl of engines ripping across the flat 
ıd under the pale lemon-colored su 
The first significant British race meetii 
after the war had been at Goodwood, 
1918, and Moss had won the 500-cc even 
in his first Cooper. He was 19 then, How 
many times he'd run at Goodwood since, 
how many nights at the Fleece Inn, he 
couldn't begin to remember. 

He dropped himself into the car. It 
had occurred to him that, coming out of 
Fordwater into St Mary's for the first 
time, running fast, some vagrant memory, 
the thin wedge of a clue might come to 
him, something that would explain the 
accident. No. It was just a bit of wet 
road. He felt nothing. 

He was alone on the course. The little 
knot of people who had known of his 
plan — Gregory, the mechanics, a private 
photographer, three friends — could hear 
the engine scream across the circuit; they 
could follow the car by noting the shift 
points. Back in sight, he hit a pool of 
water, lost the car, recovered it quickly — 
but not as quickly as he once would 
have donc. 

He lapped the circuit for half-an-hour 
and more, running fast but, at his own 
rating, at only around eight tenths. At the 
quickest, he said afterward. he was three 
seconds over what he would consider 
competitive tiny 

He had suspected what he would find, 


I 


the rev counter. without. taking 
my eyes off the road: not only that, I 
could sce the rev counter and the r 
and a friend waving to me, all at the sa 
ите... I've lost that, tl gone. 

He drove back to London. Ken Gregory 
called the press, the bulletin went on the 
i e decided to retire. I will not 
in.” It was 15 years, almost 


up 
Prescott, in the Bugatti Owners Club 
event which had been his first oficial 


competition. 


when 9 
you 

really 

want 


(Only Amstel from Amsterdam will do) 


HOLLAND 
BEER 


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PLAYBOY 


122 


NAKED NUDE (continued from page 52) 


early morning hours, he tried everything 
he could think of. Since he always dis- 
torted the figure of Venus, though he 
carried it perfectly in his mind, he went 
back to а study of Greek statuary with 
ruler and compasses to compute the 
mathematical proportions of the ideal 
nude. Scarpio accompanied him to one 
or two museums. Fidelman also worked 
with the Vitravian squ: re in the circle, 
experimented with Dürer's intersecting 
circles and triangles and studied Leo- 
nardo's schema heads and bodies. 
Nothing doing. He drew paper dolls, not 
women, certainly not Venus. He drew 
girls who would not grow up. He then 
tried sketching every Venus he could lay 
eyes on in the art books Scarpio brought 
him from the library, from the Esquiline 
goddess to Les Demoiselles d'Avignon. 
Fidelman copied, not badly, many figures 
from classical statuary and modern paint- 
ing, but when he returned to his Venus, 
with something of a laugh she cluded 
him. What am I, bewitched, the copyist. 
asked himself, and if so by what? Its 
only a copy job. so what's taking so long? 
He couldn't even guess until һе hap- 
pened to sec a naked whore cross the 
hall and. enter a. friend's room. Maybe 


the ideal is cold and I like it hot? Nature 


over art? Inspiration — the live model? 
Fidelman knocked on the door and tied 
to persuade the girl to pose for him, 
but she wouldn't for economic reasons. 
Neither would any of the others there 
were four girls in the room. 

A redhead among them called out to 
Fidelman, "Shame on you, Arturo, are 
you too good to bring up pizzas and cof- 
fcc anymore?" 

"I'm busy on a job for Angelo." 

The girls laughed. 


“Painting a picture, that is. A business 
proposition. 

They laughed louder. 

Their laughter further depressed his 
spirits. No inspiration from whores. 
Maybe too ma a 
made it impossible to 
he'd better try a live model, hav 
everything else i 

In desperation, practically on the 
verge of panic because time was going so 
fast, he thought of Teresa, the chambe 


ag tried 


inine beauty, but the imagination could 
enhance anything. Fidelman asked her 
to pose for him, and Teresa, after a shy 
ugh, consented. 


body. 

Fidelman promised. 

She got undressed, а meager, bony girl, 
breathing heavily, and he drew her with 
flat chest, distended belly, thin hips and 
айу legs unable to alter а single de 
tail. Van Eyck would have loved her. 
When Teresa saw the drawing she wept 


t you would make me beau- 


“I had that in mind.” 


“Then why didn't vou?” 


"It's hard to say,” said Fidelman. 
“I'm not in the least bit sexy," she 
wept. 
Considering her body with half-open 


eyes, Fidelma 
long slip. 
Get one from onc of the girls 
make you sexy.” 
She теш 
looked so attr: 


n told her to go borrow a 


icd 


throat, got her to lie down with him on 
a dusty mattress in the room. Clasping 
her slip-encased form, the copyist shut 
both eyes and concentrated on his elu- 
sive Venus. He felt about to rccapture 
а rapturous experience and was looking 
forward to it with pleasure, but at the 
last minute it turned into a Limerick he 
didn't know he kne 


Whilst Titian was 

madder, 

His model was crouched on a ladder; 
Her position to Titian 
Suggested. сойіоп 

So he stopped mi: 

had 'er. 


mixing rose 


ng madder and 


Angelo, entering the storeroom just 
then, let out a furious bellow. He fired 
Teresa, on her naked knees pleading 
with not to, and Fidelman had to 
go back to latrine duty the rest of the 
d: 


“You m 
this ре 


ht just as well keep me doing 
Fidelman, disheart- 
ened, told the padrone in his office 
fterward. "Il never finish that cursed 
picture." 

"Why not? What's cating 
treated you like а son. 

"I'm blocked, that's what.” 

"Get to work, you'll feel better. 

"I just can't pa 

“For what reason? 

"I don't know 
se you've had it too good her 
йу struck Fide 
the copyist turned 
booted him hard in the r 


manendy 


you? Гуе 


an across 


nd 


wept, he 
That night Fidelman went on a hun- 


ger strike but the padrone, hearing of it, 
threatened force-feeding. 
After midnight Fidelman stole some 
clothes from a sleeping whore, dressed 
quickly, tied on a kerchief, made up his 
eyes and lips, and walked out through 
the door past Scarpio sitting on а bar 
stool, enjoying the night breeze. Ha 
gone a block. fearing he would be chased, 
» broke into a high-heeled run, 
but it was too late. Scarpio had recog- 
nized him in aftermath and called the 
portiere. Fidelman kicked olf his slippers 
nd ran furiously, but the skirt impeded 
him. jor-domo and the portie 
sht up with him and dragged him, 
kicking and struggling, back to the hotel. 
А carabiniere, hearing the commotion, 
bur seeing how 


ared on the scene, 
n was dressed, would do nothing 
for him. In the cellar, Angelo hit him 


th a short rubber hose he col- 
psed. 
idelman lay in bed three days, re- 


fu: 


4 ло cat or get up. 
“What'll we do now?" Angelo, wor- 
ried. whispered. "What about a fortune- 
teller? Either that or let's bury him." 
strology is better,” Scarpio advised. 


doesn’t 


"H check his planets. If u 
we'll try psychology. 
Well, make it fast," said Angelo. 


The next morning Scarpio entered 
Fidelman's room with an American 


breakfast on 
under his Fidelman w 
bed, smoking a butt. He wouldn't 
Scarpio set down his books and took 
ir close to the bed. 

Whats your birthday, Arturo?" he 
ly, feeling Fidelman’s pulse. 
nan told him, also the hour of 
md the place Newark, New 


ad two thick books 
1 


tray 


rm. as st 


Jersey. 


Scarpio, consulting the zodi 


of paper and studied it thoroughly with 
his good сус. After a few minutes he 
ad. “It's no wonder." 

Fidelman 


sat 


up 


"My Venus? 

She r He studied the 
' ш. Venus afflicted. 
ts why you're blocked 
Afflicted by what?” 
“Uranus, in the 12th house. 
What's she doing there?" 


les your fate. 


Shh,” said Scarpio. "Im checking 
your Mercury." 
"Concentrate on. Venus, when will she 


be beter? 
Scipio consulted the tabl 

down some nui 

turned pale. He searched through a few 

more pages of tables, then got up and 

red out the dirty window. 

ls hard to tell. Do you believe in 

psych i 
‘Sort of 
"Maybe we'd better try that. Don't 

get up. 

idelmai 


jotted 
nd signs and slowly 


bers 


head fell 


back on the 


pio opened a thick book to its first 
chapter. “The thing to do is associate 
Ireely.” 

"IF T don't get out of this whorchouse 
soon I'll surely die," said Fidelman. 

“Do you have any memories of your 
mother? pio asked. “For instance, 
did you ever see her naked?” 

“She died at my birth,” Fidelman an- 


swered, on the verge of tears. “I was 
d by my sister Bessie 
"Go on, I'm listening,” said Scarpio. 


"I can't. My mind goes blank 

Scarpio turned to the next chapter, 
flipped through several pages, then rose 
with a sigh. 

“It might be a medical matter. Take a 
physic tonight.” 

“I already have. 

The majordomo shrugged. “Life is 
complicated. Anyway, keep track of your 
dreams. Write them down as soon as you 
have them.’ 


Fidelman puffed his butt. 
t night he dreamed of Bessie about 
to bathe. He was pecking at her through 
the bathroom keyhole аз she was prepar- 
g her bath. Openmouthed, he watched 
her remove her robe and step into the 
tub. Her hefty well-proportioned body 
then young and full in the right 
places; and in the dream Fidelman, then 
14, looked at her with longi 
amounted to anguish. The older 
man, the dreamer, considered doing a 
La Baigneuse right then and there, but 
when Bessie began to soap herself with 
Ivory soap, the boy slipped away into 
her room, opened her poor purse, filched 
50 cents for the movies, and went on tip- 
toe down the s! 
He was shutt the vestibule door 
with great relief when Arthur Fidelman 
awoke with a headache. As he scrib- 
bling down this dream he suddenly 
remembered what Angelo had sai 
verybody steals. We're all human. 
A stupendous thought occurred to 
him: Suppose he personally were to ste; 
the picture? 
rvelous idca all 
heartily ate that morning's 
the picture he had to paint 
one. V another day the copyist suc- 
cessfully sketched ‘Titian’s painting and 
then began to work in oils on an old 
piece of Flemish linen that Angelo had 
tily supplied him with after se 
the successful sketch. Fidelman under- 
painted the canvas and after it was dry 
began the figure of Venus as the conspi, 
on, sucking their breaths, 
ed,” beg lo, sw 
ing. "Don't spoil it now. Remember 
you're р the appearance of a pic 
ture. The original has already been 


idel- 


z 


around. Fidelman 
breakfast. 


painted. Give us a decent copy and we'll 
do the rest with chemistr 
“I'm worried about the brush strok 
“Nobody will notice them. Just keep 
in your mind that Tiziano painted res- 
olutely with few strokes, his brush 
loaded with color. In the end he would 
paint with his fingers. Don't worry about 
that, We don't ask for perfection, just a 
good copy.” 
He rubbed his fat hands nervously. 
But Fidelman painted as though he 
were painting the original. He worked 
alone la ight, when the conspira- 
tors were snoring, and he painted with 
what w left of his heart. He had 
caught the figure of the Venus, but when 
it came to her flesh, her thighs and 
bre ht he would make 
it. Ashe painted, he seemed to remember 
every nude that ever had been done, 
Fidelm: yr, with Silenus beard and 
goat legs dancing among them, piping 
nd peeking , Irontside, or 
at the. Rokeby Venus, Bathsheba, 
Suzanna, Venus Anadyomcne, Olympia, 
kers in dress or undress, bathers 
s or Truth, Niobe or Leda, 
in chase or embrace, Hausfrau or whore 
amorous ladies modest or brazen, single 
or in crowds at the Turkish bath, 
every conceivable shape or position, 
while he sported or disported until a 
trio of macnads pulled his curly beard 
id he galloped after them through the 
dusky woods. He was, at the sa 
choked by remembered lust for all the 
women he had ever desired, from Bessie 
to Annamaria Oliovino, and for their 
garters, underpants, slips or half-slips, 
d stockings. Although thus 
ted, Fidelman felt himself falling 
in love with the one he painted, every 


s, he never thou; 


ing the ring on her 123 


PLAYBOY 


124 


pinky, bracelet on arm, the flowers she 
touched with her fingers, and the bright 
green carring that dangled from her 
atable саг, He would have prayed her 
alive if he weren't certain she would fall 
in love, not with her famished creator, 
but surely with the first Apollo Belvedere 
she laid eyes on. Is there, 
work! where love endur 
isfving? He answered in the 
, she was his as he painted, 
ating, planning never 
ppy as he was in loving 


himself, 


always s: 
negative. Stil 
so he went on pai 
to finish, to be 
her, thus forever happy. 

But he finished the picture on Satur- 
day night, Angelo’s gun pressed to his 
head. Then the Venus was taken from 
1 Scarpio and Angelo baked, 
smoked, pled, varnished and framed 
Fidelm work as the artist lay on 
his bed in his room in a state of collapse. 

“The Venus of Urbino, c'est à moi. 


п and 


maste 


“What about my threc hundred and 
fifty?" Fidelman asked Angelo during a 
card game in the padrone’s stully ollice 
Several days later. After completing the 
painting the copyist was again back on 
janitorial duty. 

“You'll collect when we've got the 
Tiziano.” 

“I did my part 

“Don't questio 

“What y passport? 

“Give it to him, Scarpio. 

Scarpio handed him the passport. 
Fidelman flipped through (he booklet 
and saw the pages were intact. 

“If you skiddoo now,” Angelo wa 
him, “you'll get spit.” 

"Who's skiddooingz" 

“So the plan is this: You and Scarpio 
will row out to the castello alter mid- 
night. The care and 
halfdeaf. You hang our picture and 
breeze off with the othe 
H you wish," Fidelman suggested, 
‘Il gladly do the job myself. Alone, 
that is. 

“Why 
ciously. 
Don't be foolish," Angelo said. "With 
the frame it weighs ton. Now 
listen to directions and don't try to give 
any. One reason 1 detest Americans is 
that they never know their place.” 

Fidelman apologized. 

“I'I follow in the puteputt and wait 
for you halfway between Isola Bella and 
Suresa in case it should happen we need 
a little extra speed at the last minut 

"Do you expect trouble? 

“Not a bit. И there's any trouble it'll 
be your fault. In that case, witch out, 

‘Olt with his head, 1 Scarpio. He 
played a deuce and took the pot. 
"idelman laughed politely. 


The next night, Scarpio rowed a huge 


decisions.” 


bout 


rned 


п old man 


alone?” said Scarpio suspi- 


weather-beaten rowboat, both од 
fled. It was a moonless 
touches of Alpine lig! 
Fidelman n the stem, 
holding with both 1 id balancing 
his knees the large framed 
avily wrapped in monk's 


c, and tied around. 


cloth and cellopha 
with rope. 

At the island, the majordomo decked 
the boat and securely ued it. Fidelm 
peering around in the dark, tried to 
memorize where they were, They carried 
the picture up 200 steps, both puffing 
when they got to the formal gardens on 
top. 

The castello was black except for a 
square of yellow light from the c 
ers turret window high above. As 
Scarpio snapped the lock of an embossed 
heavy wooden door with a strip of Cellu- 
loid, the yellow window slowly opened 
nd an old man peered down. They 
froze against the wall until the window 
drawn shut. 
st,” Scarpio hissed. “H anyone sees 
us they'll wake the whole island. 

Push 


open the are 
quickly carried the pa 
heavier as they hurried, thr 
mous room cluttered with chea 
and by the light of Ше majordomo's 
flashlight, ascended a narrow flight of 
spiral stairs, They hastened in sneakers 
down a deep-shadowed, tapestried hall 
into the picture gallery, Fidelman stop- 
ping in his tracks when he beheld the 
Venus, the true and magnificent image 
of his counterfeit creation. 

"Lets get to work.” Scarpio quickly 
unknotted the rope and they unwrapped 
Fidelman’s painting and leaned it against 
the wall, They were taking down the 
Titian when footsteps sounded unmis- 
the hall. Scarpio's Hashlight 


g door, they 
ng, 


growing 


went out. 

"Shh, its the careta 
Ill have to conk him. 

“That'll destroy Angelo's plan — de- 
ceit, not force.” 

“PH think of that when we're out of 
here. 

They pressed their backs to the wall, 
Fidelman's Cammy, as the old man's 
steps drew nearer. The copyist had 
guishing visions of losing the picture 
and made helter-skelter plans somehow 
to reclaim it. Then the footsteps faltered, 
me to a stop. and alter a moment of 
intense hesitation, moved in another di- 
rection. A door slammed and the sound 
Was gone. 

Tt took Fidelman several seconds to 
breathe, They waited in the dark with- 
out moving until Scarpio shone his light. 
Both Venuses were resting against the 
same wall. The majordomo closely in- 
spected each canvas with one eye shut, 
then signaled the painting on the left. 
“That's the опе, let's wrap it up.” 


If he comes in, 


n- 


Fidelman broke into a profuse swe 

"Are you crazy? That's m 
you know a work of art whei 
He pointed to the oth 

"An" said Scarpio, removing his hat 
and turning pale. "Are you sure?” He 
peered at the painting. 

‘Without a doubt.” 

“Don't try to confuse me,” He tapped 
the dagger under his coat. 

“The lighter one is the Titian,” Fidel- 
man said through a dry throat. "You 
smoked mine a shade darker.” 

“L could have sworn yours was the 
lighter. 
No. 
Its a historical fac 

"Of course.” Scarpio mopped his brow 
with a soiled handkerchief, “The trouble 
is with my eyes, On 1 bad shape and 
1 overuse the other.” 
‘Tsk-tsk,” said Fidelman. 
‘Anyway, hurry up. Angclo's 
on the lake. Remember, if there's 
mistake he'll cut your throat first 

They hung the darker painting on the 
wall, quickly wrapped the lighter and 
hastily carried it through the long ball 
and down 
the way with Sc 

At the dock the majordomo nervously 
turned to Fidelman. “Are you absolutely 
sure we have the right onc?" 

“I give you my word." 

“I accept it, but under the circum- 
stances Td better have another look. 
Shine the flashlight through your fin- 
gers 

Scarpio knelt to undo the wrapping 
more, and Fidelman, trembling, 
brought the flashlight down h 
Scarpio's straw. hat, the light sh 
in his hand. The majordomo, pulli 
his dagger, collapsed. 

Fidelman had trouble loading the 
painting into the rowboat but finally got 
it in and settled, and quickly took olf. In 
10 minutes he had rowed out of sight of 
the dark, casted island. Not long alter- 
ward he thought he heard Angelo's putt 


Titian's. He u: 


а light varnishes. 


aiting 
y 


the stai 


once 


ard on 


tering 


putt behind him, and his heart beat 
erratically, but the padrone did not ap- 
pear. He rowed as the waves deepened. 


Locarno, 60 kilometers 

A wavering flash of lightning pierced 
the broken sky, lighting the agitated 
€ all the way to the Alps, as a dread 
ful thought led elman: Had he 
the right painting, after all? After a 
minute he pulled in his oars, listened 
once more for Angelo, and hearing noth- 
ing, stepped to the stern of the rowboat, 
letting it drift frantically un 
wrapped the Venus. 

In the pitch black, on the lakes 
choppy waters, he saw she was indeed 
his, and by the light of numerous 
matches adored his handiwork. 


as he 


Four Fateful Fables 


classification of one eccentric writer. 
"Though he wrote prose, his works were 
too short to be described as novels 
and too long lor short stories. Могеоу‹ 
rumor had it that his prose had a poc 
quality and a satirical bent, and that he 


wrote which were indistingui 
able from stories and also bore the 
characteristics of critical essays. It w 


thought improper to assign this writer 
cither to a prose or to a poctry detach- 
ment and it was clearly impracticable to 
create a special formation for опе man 
only. There were suggestions that he 
would be expelled, buc in the end а 
compromise was reached: he was given 
orange-colored trousers, the rank of a 

ıd was left to his own devices. 
ole country could thus see that 
he was really a blot on the profession. 
Had he been expelled, this would not 
ve been without precedent. At an 
er stage several writers who. because 
of their build. did not look well in 
uniform had been removed from the 


Within a short time the country dis- 
covered that leaving the eccentric in the 
s had been a serious mis- 
take. Tt was he who was the cause of a 
scandalous aflair which undermined the 
beautifully simple principles of authority. 

One day, a well-known and respected 
writer-gencral was taking a walk along a 
boulevard in the capital city. Approach- 
ing him from the opposite direction was 
the eccentric writer-private in orange 
trousers. The writergeneral threw him a 
contemptuous glance and waited for the 


privates salute. Suddenly he noticed on 
the private's hat the of 
highest rank. a small red beetle, wi 


only writer-marshals were entitled to 
wear. Respect for authority was so deeply 
embedded in the writer-general that, 
without pausing to consider the unusual 
nature of his discovery, he immediately 
adopted а most respectful attitude and 
saluted first. The astonished writer- 
private returned the salute, and as his 
hand went up to his hat, the large lady- 
bird that had been sitting there opened 
its wings and flew away. Gripped by 

se of this humiliation, th 
cr-general immediately summoned а 
olling critic who took away the 
private’s fountain pen and escorted him 


to the guardroom 
Literature, 
‘The trial took place in the marble hall 


of the Palace of the Arts. Judges and othe 
ignitaries sat behind 
r glisten 
rellected 
e surface. 

The eccentric writer-private was ac 
cused of illegally w 
which he was not е 
However, luck was о 


tled by his т 
his side. On the 


(continued from page 67) 


eve of the trial. dur ing of the 
Council for Culture, strong criticism had 
been voiced of the soulless attitude to 
the artist and of the way art was being 
Iministered. Echoes of this debate could 
be heard the following day when the 
ter-marshal himself rose to speak 
during the trial. 

“We must on no account,” he pro- 
claimed, “adopt a bureaucratic attitude 
to this case. Our task is to get to the very 
bottom of this alfair. Without doubt the 
case we are trying here today concerns 
the ion of those rules which, in 
Jed to an 
of our litera- 
question we must ask, howe 
‘Is the accused а conscious and 
active criminal?” We must probe deeply 
in search of the answer, we must expose 
jot only the effects of this act but 
its causes, Let's consider first of all who 
brought the accused to his present sorry 
condition, Who has depraved him, who 
has exploited h ial lack of social 
consciousness? What sort of creative 
mosphere could have led to this crisi 
“To whom must we mete out punishm 
so as to prevent similar trials 
future? 

"No, comrades. Irs not 
ily responsible. He was only 
the hands of the ladybird. 
be no doubt wha 


of 
spite of some mistakes, hav 


са flower 


n 
the 


the accused 


crite 


and by the perfect organization 
of our association . . . the ladybird with 
treacherous deliberation alighted on the 
hat of the accused and imitated а mar- 
shal's iem I's the ladybird who has 
tried to undermine our hierarchy. Lets 
and and not the blind tool. 

The specch was grected as a profound 

explo п of the very roots of evil. The 
writer-private was rehabilitated and a 
proper indictment was prepared against 
the ladybird. 
A platoon of critics found the ladybird 
a a garden, sitting on a lila 
plotting. When the ladybird те 
that it 1 been um кей, it offered no 
resistance. 

The new trial took place in the same 
marble hall. All those present 
straining their eyes to see th 
spot on the shiny tall 
iucer, which prevented its 


were 


liule red. 


crime, preserving а disdainful silence to 
the very end. 

The execution took place at dawn the 
following moi Four thick and we 
bound volu test novel by 
the writer-marshal of literature were the 
chosen instrument. They were dropped 
one by one from the height of four feet. 
It is reported that the condemned did 
not suller long. 

When the writerprivate in orange 
trousers heard about the verdict, he cried 
and asked that the ladybird be set free in 
а garden. This brought him under suspi- 

ion once more of having been at | 
an accomplice in this crime; his а 


“Get lost? I am lost?” 


125 


PLAYBOY 


126 


ment to the ladybird was thought to be 
highly suggestive, 


A Drummer's Adventure 


1 LOVED MY DRUM. T carried it suspended 
from a wide strap across my shoulders. It 
was a big drum. I used oak sticks to 
strike its matte, yellow membrane, With 
time the drumsticks had acquired a 
polish from my fingers, testifying to my 
zeal and diligence. I carried the drum 
along roads white with dust or black 
with mud: the world on cither side was 
gre . brown or white accord 
to the season. Wherever I went the land- 
scape reverberated with a r: 
for my hands did not belong to me but 
to the drum and when the drum was 
lent I felt ill. Thus one night 1 was 
drumming gaily when the General came 
up to me. He was incompletely dressed 
in his uniform jacket, which was unbut- 
toned, and his long underpants. He 
ted me, hemmed and hawed a little, 
aised the Government and the State, 
па at last said casually: “And you just 
ҷо on drumm Y 

“Yes, sir," I shouted, striking the drum. 
with redoubled force. “To the glory of 
our country. 

“Quite right,” he agreed, but somchow 
his voice sounded a little sad. “And how 
long will you go on? 

“As long as my strength lasts, sir, 
shouted back g 

"Good boy," he said. "And will your 
strength last much longer?' 

“To the very end. sir," I said proudly. 

“Well, well . . ." The General sounded 
surprised, For a while he seemed to be 
deep in thought and then he went off on 
a tangent. 

“It's late,” he said. 

“It’s late for the enemy, never for us,” 
I shouted back. “The future belongs 
to us!” 

“Very good, very good . . ." 
General, but he sou 
meant that the hour w 


said the 


“The hour of battle has struck! Fire the 
guns, ring the bells!" 1 shouted with the 
enthusiasm becoming a true drummer. 
not he said 
» let the bells ring, but 


no, 


qui 
only from time to 

“Quite right, le General" 1 
agreed. with 'We don't need 
bells if we have our drums. Let the roll 
of my drum silence the bells!" To under- 
line my point ] struck a loud roll. 

Never the other way round? What?” 
asked the General. He sounded uncer- 
tain of himself and he was covering hi: 
mouth with his hand. 

Never, sir," 1 shouted back. 
rely on your drummer. He'll never 
allow his drum to go 
carried away by a burning wave of zeal. 
my сап be proud of you,” the 
al said without enthusiasm. A cold 
1 come down on our camp and he 
S. АП P could sec in the 
gray mist was the top of the General's 
tent. "Yes, proud," he went on. "We 
shall never stop, even if we have to 
march day and night, even if... Yes. 
cach step 

“Each step will be a 

roll,” 1 interjected, drummi 
was worth. 
“Well, well,” murmured the General. 
fes, just that..." and he went toward 
his tent. I was left alone. Solitude stimu- 
lated my desire for self-sacrifice and my 
sense of responsibility as а drummer. 
You've gone, General, I thought, but 
your faithful drummer is alert. With you 
brow furrowed you're working on your 
strategic plans, placing little flags on the 
map to mark the road to our joint vic- 
tory. Together, you and I shall conquer 
the future and I shall announce the 
tory with a roll of drums. 

I was overcome with tenderness toward. 
the General, and with such a will to 
give myself to the cause that, if it were 
possible, 1 would have drummed even 
louder. In the depth of the night, fired 
by my youthful enthusiasm, animated by 


endless victory 


re 


vic- 


m a TV producer. My dreams are 


having summer repeats.” 


our great ideal, I devoted myself to my 
honorable task. From time to time, in 
between diumbeats, 1 could hear from 

i of the General's tent the 
ing of mattress springs as if some- 
Ме to sleep, were tossing in 
t, about midnight, a white 
figure loomed in the mist by the tent. Tt. 
was the General his nightshirt. His 
voice was ho; 
so you're going to continue 
‚ ате you?" he asked. 1 was 
noved that he should come 
to me in th ght. A ише 
father to his soldi. 
sir. Neither cold nor sleep will 
ady to go on as long as 
my strength lasts, obedient to the 
mv duty and the cause we're figh 
My honor dictates it. So help me God!" 


vated by a desire to appear as a stickler 
for my duty or by a wish to suck up to 
the Gene 
on my part, calculated to bring promo- 
tion or any other reward. It never even 
crossed my mind that such an inte 
tation could have been put upon my 
attitude. I have always been a 
straightforward and, damnit, let me say 
it, a good drummer. 

The General gnashed his teeth. I 
thought he was cold. Then he sa 
“Good, very good,” and went away. 

A few minutes later I was arrester 
The patrol assigned to this task sur- 
rounded me silently. They took my drum 
away, they removed the drumsticks from 
my cold and tired fingers. Silence filled 
the valley. I could not talk to my com- 
des who surrounded me with their rifles 
pointing at me, that was not allowed by 
regulations. They led me out of the 
camp. On the way one of them whispered 
that I had been arrested on the Gi 
orders. The charge was treason. T 
awn was breaking. A few pink clouds 
floated in the sky. They were greeted by 
healthy snoring which 1 heard as we 


al. This was no empty boast 


pre- 


сеге, 


passed the General's tent. 
^ 
A Citizen's Fate 
LET US BE FRANK. In thc remote corner 


of the country with which this story is 
concerned, they have thc same weather 
as in the capital Seasons follow one 
nother, rain falls, winds blow, the su 
s in the big city. From 
the point of view of the climate you 
could not tell the one from the other 
the more surprising, even frighte 
was the initiative of the authorities. In 
the full knowledge of the circumstances, 
they decided to set up a meteorological 
station in this remote corner. It was not 
а big affair, just a small rectangle of 
ground surrounded by a white fence, 
with a box of instruments in the middle, 
standing on thin long legs. 


Next to the station was the manager's 
house. Apart from looking after the in- 
struments, his job consisted of writing 
accurate reports on the state of the 
weather so that, should questions be 
а, the authorit ies would have the 
гу at hand. 

The manager was a most conscientious 
young man. He wrote his reports in a 
id always truthfully. 
sined he would ot rest until he 
bed the rain from every pos 
when, how much, for how 


If it 
had descri 
sible angl 


long . . . If the sun was shining he would 
also spare mo elfort to describe 


accurately. He was quite 
knew that the State was wor 
get the money for his salary and he felt 
that he had to apply himself to his job. 
There was never any shortage of work 
because in his district there was always 
ther of one kind or another. 

Toward the end of the summer, storms 

became frequent and they brought rain 
with them. Truthfully he described them 
in detail and sent his reports to the head 
иса. 
1 a visit from an old 
nced colleague who. having 
watched him at work, remarked casually: 
“I wonder, my friend, if your reports 
aren't a bit on the depressing side.” 

“What do you mean?" The manager 
was surprised. "You can see with your 
own eyes that it's pouring with rain. 

“Yes, yes. Of course, everybody can sce 
that, But you do understand, don't you, 
that we must approach the problem 
consciously. 
ione of my business. I just mentioned it 
out of [ri 

The old meteorologist. put on his 
galoshes and went away, still shaking his 
head. The young manager was left alone 
and continued compiling his reports. He 
gazed at the sky with some anxiety, but 
he went on writing. 
bout that time he received an un- 
expected summons from his higher 
authority. Not the highest опе, but still 
thority. He took his umbrella and 
went to the town. The authority received 
him in a lovely house. Rain was drum- 
ming on the roof. 

“We have summoned you,” announced 
the authority, “because we are surprised 
by the one-sided nature of your reports. 
For some time now they've been domi 
nated by a pessimistic note. The harve: 
оп the way and you keep on 
about rain. Don't you understand the 
responsible nature of your work?" 

“But it keeps on raining .. ." said the 
manager. 

"Don't prevaricate.” The author 
looked angry and his fist landed with a 
bang on a pile of papers on his desk. 
'We have here all your recent. reports. 
You can't deny them. You are a good 
worker but you are spineless. I want you 
to understand that we shan't tolerate 


office. The storms conti 
One day he h 


and exper 


an ai 


any defeatism!" 

After the interview, the meteorologi 
returned to his station with the folded 
umbrella under his arm. In spite of this 
show of good will he was soaked to the 
skin, caught a cold and had to stay i 
bed. However, he would not admit that 
thi because of the ra 

Тһе following day the weather im- 
proved. He was delighted and immedi- 
ately wrote his report: 

“The rain has stopped completely and 
it has to be admitted that it has never 
rained very much. Just a few drops now 
and again. But now, what sunshin 

Indeed, the sun had broken through 
the clouds, it became warm and thc 


earth was g- Humming gaily, 
the manager went about his duties. In 
the afternoon, clouds began to gather 


once more, driven by a cold wind. He 
went inside, afraid of catching flu. The 
time for his next report came and he 
wrote: “The sun behaves аз usual. 
ready Copernicus has demonstr 
the setting of the sun is only 
In reality it always shines, only .. . 

Atul g very 
unhappy. When the first lightning struck, 
he shook off his opportunism and wrote 
simply: “17.00 hours. Thunderstorms. 
Next day brought another storm. He 
reported it. The day after, no storm, but 
hail. He reported it, A strange calm, 
even a feeling of satisfaction, came over 
It lasted until the postman brought 
nother summons. This time it was 
from the Central Authority. 

When he returned from the capital 
there were no doubts in his mind. For 


several days running he reported bright, 
sunny weather. Occasionally his reports 
struck a dialectical tone. For instance 


“Occasional showers of short du: 
have caused certain flooding, but nou 
can break the fighting spirit of the sap- 
pers and rescue detachments.” 

More reports followed with descrip- 
tions of fine weather. Some of them were 
even written in verse. However, some two 
months later he wrote a report which 
must have puzzled the authority. It 
said: “Blasted cloudburst.” Underneath, 
hastily written in pencil, was the follow- 
ing sentence: “But the baby boy who was 
born to the widow in the village is doing 
well. though. nobody thought he would 
last long." 

An investigation disclosed that he had 
written the report while under the in- 
fluence of alcohol purchased with money 
obtained from the sale of his meteoro- 
logical instruments. 

Thereafter nothing disturbed the sunny 
weather in his district. He was killed by 
lightning while walking round the fields, 
with a miraculous bell from Lourdes in 
his hand, trying to dispel the clouds. 
Basically he was an honest man. 


tion 
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Give him PLAYBOY 


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127 


PLAYBOY 


COOL APPROACH. ceoniinuea from page 85) 


tradition. Cold pressed boar's loaf served 
with a honey-flavored mustard was the 
pride of ancient Roman gastronomy. In 
the Middle Ages, the French charcutiers, 
alists in pork, as well as the rélisseurs 
Or roast-meat specialists, were offering 
ready-to-eat meats in public cook houses. 
То this day the French and French- 
American shops, featuring charcuterie, 
display not only elaborate cold pork 
products but the whole confraternity of 
galantine, game pies and pütés of the 
finest meats and poultries extant. 
When you're deploying cold cuts on a 
r the cold meats obviously the 


from the Gallic cold-food specialist who 
knows that the main theme becomes the 
center of attraction only with the help of 
an accent or a garnish, If, asa complement 
10 the mcat, you place à mound of cold 
vinaigrette on the plater, a 
simple-cnough task, you are moving in the 
ht direction toward cold cuisine in the 
grand manner. Put your cold glazed ham 
on a prechilled silver platter, carve a 
dozen or so slices as à frame for the ham, 
garnish it with lettuce cups filled with 
chowchow, deviled eggs or quail eggs, 
watercress or tiny two-inch cars of corn 
in tarragon vinegar — all, of themselves, 
minor gestures — and your cold ham be- 
comes a fine frigid fancy. 

All wines compatible with hot foods 
are equally pleasant with their cold ver- 
sions. For informal summertime cating, 
it would be hard to find better all- 
purpose wines than the Alsatian. The best 
of them on the shelves now is the 1959 
Gewuerz Ti r, a distinctive white 
wine with a pleasant, cool bouquet. 

A platter of cheese is always a rich 
epilog for a cold dinner or supper 
followed with a dark coffee. In sum- 
mer, a special word must be put in for 
the delicate cheeses of the camembert 
and brie types with their thin yellow 
ige crust, In their id, 
soft but not flowing. Although they're 
stored in the refrigerator, they 
should be removed about an hour before 
ng to let their bouquet ripen at room 
temperature. Triple creme parfait, the 
richest and finest of all, is excellent with 
a dark mellow port or iced kirsch. Here 
again, cheese is typical of the foods which, 
with Tittle effort, can easily be tr 
formed into rich classical desserts, as in 
Italian ricotta-filled liqueur-soaked cakes. 
ng order, 
ase they're 
or sea. Cold beef- 
tomatoes, cold Kennebec salmon 
and cold northern lobsters must always 
bc models of perfect freshness. Don't 
assume, however, that the whole art of 
cold cookery depends upon freshness per 
se. Smoked boneless pork loin, in its 


min 


ns- 


128 canned version, is often superior to the 


run-of-the-mill fresh offering. A really 
fine canned pûtê of liver often outranks 
а pûlê maison that’s been sojourning on 
the refrigerator shelyes for a week or so. 
Air-cured hams like prosciutto or Smith- 
field are usually a year or two old before 
they've reached their prime. But once the 
slicing starts, they should be eaten within 
Cooked seafoods like shrimp or 
should be eaten the same day 
they're boiled, although an additional 
day in their own stock in a very cold 
refrige not harm. them. Even 
with all the summer fruits now in their 
full tide, it’s doubtful if a peach melba 
made from fresh peaches and fresh rasp- 
berries equals the bliss of ice cream rest- 
ng on big canned elberta peaches topped 
with imported melba sauce. 

Lastminute dishes are often notorious 
for stretching those last minutes into 
hours In the fare which follows there 
are sometimes s s ted by 
long intervals, for m or ripen 
flavors. But the total effort in 
is designed for the freewheeling host who 
wants enough time to cat, drink and be 
merry along with his guests. 


CLAM JUICE Co 
(Serves four) 


TAIL 


2 Boz. bottles clam juice 

14 cup catchup 

14 cup heavy cream 

1 cup cracked ice 

Salt, celery salt, pepper 

2 teaspoons horsera 

Juice of 1 lemon 

f dashes "Tabasco sauce 

1⁄4 teaspoon Worcestershire sauce 

Pour clam juice, catchup and cream 
into blender. Add ice and several dashes 
each of salt, celery salt and pepper. Add 
horseradish, lemon juice, Tabasco and 
Worcestershire. Run blender at high 
speed for 10 seconds. Pour into prechilled 
old-lashioned glasses, cach with a large 
ice cube. 


BAGNA CAUDA 
(Serves six to cight) 


1 size bunch celery 
1 large cucumber 

green peppers 
' 


1 bunch thin scalli 

1 pkg. small bread sticks 

1⁄4 lb. sweet butter 

4 large garlic cloves, crushed 

2 tablespoons anchovy paste 

1⁄4 pint heavy cream 

Lor. can whole white truffles, finely 
minced 


ns 


Pepper 
Trim leaves from celery. Cut off root 
end and separate bunch into pieces. 


Run a vegetable peeler along outside of 
celery pieces to remove tough strings. Cut 


cucumber into pieces the same size as 
celery. Cut peppers in half through stem 
ends. Discard seeds and stem ends of pep- 
pers. Cut peppers lengthwise into 
ces. Separate endive into pieces for 
pping. Cut root end off scallions, allow- 
ing about 1 in. of green part to remain. 
1 ables on top of ice in a large 
salad. bowl. Place bread sticks near chaf- 
ing dish. In the chafing dish, over a low 
flame, melt butter. Add garlic. Sauté until 
garlic turns brown. Remove garlic and 
discard. Add anchovy paste. Mix well. 
Add cream and truffles. Add a generous 
dash of freshly ground pepper. Let liquid 
simmer about 5 minutes before guests 
dip vegetables and. bread sticks into the 
bagna cauda (hot dip). 


COLD CREME VICHYSSOISE 
(Serves. six) 

314-07. pkg. instant potato flakes 

1 quart milk 

2 cups 

1 сир | 

4 packets instant light broth 

1 teaspoon salt 

14 teaspoon white рерре 

14 teaspoon MSG seasoning 

1⁄4 teaspoon garlic powder 

Chopped chives 

In a large saucepan heat 14 cups milk 
only until bubbles appear around edge 
of pan. Add potatoes, Remove at once 
from flame. Stir until well-blended. 
balance of milk slowh i 
stant broth, salt, pepper, ) 
lic powder. Pour hall of ingredien 
well of blender. Blending must usually 
be done in two steps since most blenders 
will not hold all of liquid. Blend for 20 
seconds, or until ice dissolves. Add more 
milk or cream if lighter soup is desired. 
Pour in chilled cups. Sprinkle with chives. 


CRAB MEAT AND AVOC. 


DO COQUILLE 
(Serves. four) 

1 Ib. fresh or canned crab meat 

1 medium-size ri 

1⁄4 cup mayonnaise 

1% cup celery, finely minced 

2 tablespoons green pepper, finely 
minced 

1 teaspoon Dijon 

1 hard-boiled egg, 

2 teaspoons chives, finely minced 

2 tablespoons lime juice or lemon j 

Salt. peppe 

2 large canned pimientos 

8 large ripe olives 

fully remove any pieces of tendon 

or shell from crab meat. In a mixing bowl 

combine crab meat, mayonnaise, celery, 

pepper, mustard, egg, chives and 

ice. Remove avocado from shell. 

Cut into 

wire strainer over bowl. Force avocado 

gh strainer into bowl. Міх with 

ingredients in bowl. Season to taste 


е avocado 


nustard 
ninced 


age dice. Place a large fine- 


with salt, pepper and MSG. Pile crab 
meat into 4 coquille shells, smoothing 
mounds with a table knife. Cut pimientos 
crosswise into 1j-in. rings. Place overlap- 
ping rings on top of crab meat. Garnish 
with ripe olives. 


MARINATED SHRIMP, SOUR 
CREAM DRESSING 
(Serves four) 


134 Ibs. cooked shelled shrimps 

М cup olive o 

14 cup cider vinegar 

1 mediumsize onion, diced 

1⁄4 cup celery, diced 

2 tablespoons fresh thyme, minced, 

or 1⁄4 teaspoon dried thyme 

2 tablespoons fresh parsley, minced 

Salt, pepper 

1 pint sour c 

1⁄4 cup chili sauce 

Dash Tabasco sauce 

1 head Boston lettuce 

In a deep bow! place shrimps, oil, vin- 
egar, onion, celery, thyme and parsley. 
Sprinkle generously with salt and peppei 
Mix well. Cover bowl, and let mixtu 
marinate 
In a separate bowl соті 
chili sauce and Tabasco 
sour-cream mixture 
or large old-fashioned glass Place 
center of round or oval platter. P 
lettuce leaves around platter. Remove 
shrimp from marinade and arrange on 
lettuce leaves. (H raw shrimps in shells 
are used, buy 3 Ibs) 


m 


e 


ne sour cream, 
се. Spoon 
10 glass dessert dish 


SWEDISH POTATO AND KRAUT SALAD 
(Serves four) 


6 mediumsize potatocs 
1 cup Ild 


1⁄4 cup salad oil 
5 tablespoons white-w 
1 teaspoon sugar 
2 tablespoons aquavit 
1 tablespoon parsley, minced 
Salt. pepper 
Boil potatoes in 
about 1⁄4 hour. Di 


ackets until tender, 
When cool enough 


to 
about gin. thick. I 
combine scallions, sugar, 


aquavit and parsley. Add potatoes and 
sauerkraut. Toss thoroughly. Add salt 
and pepper to taste, Chill thoroughly. 


CURRIED MUSHROOM AND 
ASPARAGUS SALAD 
(Serves four) 


2 Goz cans whole mushrooms, dr: 

10-02. pkg. frozen aspa 

% cup mayonnaise 

2 tablespoons sour сг 

1 teaspoon curry powder 

1⁄4 teaspoon lemon juice 

1⁄4 teaspoon sugar 

1⁄4 teaspoon onion, grated 

Salt, pepper 

Cook asparagus until tende 
Chill well. In a mixing bowl combi 
mayonnaise, sour cream, curry, lemon 
juice, sugar and onion. Add mushrooms 
and asparagus, and salt and pepper to 
taste. Toss carefully until blended. Serve 
well-chilled. 


FRESH ASPARAGUS VINAIGRETTE 


(Serves six) 


Ibs. fresh asparagus, jumbo-size stalks 
tablespoons olive oil 

2 tablespoons red-wine vinegar 

1 hard-boiled egg yolk 

9 


teaspoons parsley, minced 


sand. Run a vegetable pecler over aspara- 
gus. starting about 1 in. from 
remove scales and stringy outer portion. 
Cut about 114 in. from ends of aspara- 
gus. removing tough woody parts. Tic 
paragus ch with butcher 
cord. Lower asparagus into boiling salted 
water and cook until just tender. Don't 
overcook. Remove from water and chill 
thoroughly. Combine all other ingredi- 
ents in blender. Blend 15 seconds. Add 


into a bu 


salt if desired; ch 
enough to season dressing. Pour dressing 
over chilled asparagus on platter or pass 
dressing in sauceboat. 


ese is usually salty 


NESSELRODE CHEST 
(Serves six) 

3⁄4 cup bottled Nesselrode sauce 

8-07. sponge loaf cake 

6 oz. ricotta cheese 

4 oz. triple sec 

2 oz. light rum 

Confectioners’ sugar 

Drain Nesselrode sauce, reserving juice. 
Combine juice with triple sec and rum, 
mixing well. Cut off top layer of cake 
about 1⁄4-in. thick. Set aside. Hollow out 
center of cake, leaving chest with 14 
k wall all around. Sprinkle half of 
juice on bottom of cake. Sprinkle balance 
of juice on inside of top slice. Mix ricotta 
with Nesselrode fruit. Pile into cake. 
Place top laver on cake, dry side up. 
Sprinkle generously with confectioners’ 
sugar, using a flour sifter. 


STRAWBERRIES IN LIQUEU! 
(Serves. four) 
1 quart strawberrics, hulled 
1⁄4 cup strawberry jelly 
1⁄4 cup heavy sweet c 
2 tablespoons confectioners’ sugar 
1⁄4 teaspoon vanilla extract 
8 oz. strawberry liqueur 
Tf clear strawberry jelly isn't obtain- 
pple jelly or red- 
ıt jelly may be substituted. Beat 
jelly in bowl until soft. Mix strawber- 
ries with jelly, coating thoroi Ina 
chilled bowl, beat cream until thick. 
Fold in sugar lla extract. Spoon 
strawberries into prechilled glass dessert 
dishes. Spoon whipped cream on straw- 
berries. Pour strawberry liqueur on top. 
Summer, it need not be pointed out, is 
the season for self-indulgent indolence. 
The above recipe a fare 
start toward idyllic warm-weather host- 
ing. All right, everybody into the pool. 


па уа 


PLAYBOY 


MEASURE OF FASHION 


holes; it should be firm, closely spaced and 
inconspicuous — an unmistakable sign of 
excellence in a ready-made sui 
Only if it passes muster with top 
grades should you allow yourself to be 
coaxed into a tryon. Once inside the 
dressing room, it should be a matter of 
habit to transfer to the new suit your 
belt and all articles normally carried in 
your pockets. If you don't, the altered 
coat and uouser measurements will be 
in unsightly bulges. 

With billfold, handkerchief, comb, keys 
ıd pocket change in place, you may 


find that the suit feels a bit too snug or 
п the shoulders, 


too roomy, especially 
chest, waist or seat. If so, it’s possible 
that the particular label or model you've 
chosen is cut to somewhat different pro- 
portions for your size than that to which 
you're accustomed. Or it may be simply 
that you've gained or lost a few pounds 
since your 1 her 
event, it would be advisable to try the 
next size lager or smaller rather than 
attempt to alter an ill-fitting suit. 

These preliminaries past, the time has 
come for a few moments of reflection in 
the three-way mirror. It is a sad fact that 
many men, otherwise quite knowledge- 
able, become putty in the hands of the 
fitter. Without points of reference, the 
gentleman is lost as to what he should 
look for, be critical of, or be firm 
about. The illustrations accompanying 
this article will act as your guideposts. 

Your stance during the fitting should 
be completely natural: forget about that 
rigid posture instinctively adopted by so 
ny men, or the result will be a suit 
which looks well only when you're stand. 
ing süflly at attention (and how often is 
that). Unless you resist also the selt- 
conscious urge to pull in your stomach, 
the trousers will be uncomfortably and 
unattractively tight after alteration. 
Though the tailor might prefer you to 
conveniently stationary through- 
out the fitting, it is import 


t suit purchase. In ei 


(continued from page 81) 


mal activity you would expect to assume 
while wearing it. Reassure yourself, 
therefore, that it will look and feel 
equally well while walking, bending and 
sitting with your legs crossed. Lift your 
arms: If excessive folds appear at the 
shoulder and along the sleeves, as well as 
the expected creases at the elbow, the 
arm holes are cut too low and must be 
raised. Observe also whether the sleeves 
remain at the proper length, with arms 
both bent and extended, to display the 
requisite one-half inch of shirt cuff, as 
shown on page 80. Allowing for variable 
shirt dimensions, you can replace the 
rule of shirtslecve length with the more 
accurate “rule of thumb": When stand- 
ing with your hands held naturally at 
your sides, the jacket cuff should be pre- 
ely 414” from your thumb. 

In addition to the other 
check points, 
hang of the jacket. If it appears to dr 
unevenly, with one side slightly low 
than the other and possibly a bulging 
lapel when buttoned, it may be that one 
shoulder is slightly lower than the other. 
This can be remedied by padding the 
lower shoulder back into balance; the 
resultant wrinkling of the material over 
the pad should then be corrected by 
taking in the shoulder seam. For those 
with broad shoulders and small waists, 
it’s strictly S.O.P. to find that most read: 
made jackets large cenou 
e thi shoulders will be overfull in 
the body: the fitter should be advised to 
take in the back and/or side seams as 
much as necessary to create а more fitted 
ne showing a sliver of light between 
sleeves and coat body. If you spot a 
taut horizontal crease on the back of the 
jacket just below the collar, it can mea 
that the collar or shoulder points s 
h the fitter can ea: 
ng in the appropriate s 
or simply that the jacket is cut too narrow 
across the shoulders (in which case the 
next larger size is recommended). Once 
gain it should be pointed out that the 
tailor is merely a craftsman, not an al 


illustrated 
ls as the 


pe 


h to accommo- 


chemist, and there is a limit to the 
changes he can make. Most suit sizes are 
designated, in ad m to their shoulder 


measurement, as short, regular or long, 
and in spite of the salesman's blandish- 


not bc made to fit a short- 
sted man without something being 
distorted elsewhere in the garment. Simi- 
larly, if you allow the tailor to adjust a 
gapping collar, you may find the skirt 
of the jacket shortened, and it will hang 
lower in front than in back. Where 
there isa vest, it should be cut — taking 
n or letting out. the shoulder seams as 
required — just to cover the trouser top, 
covering the belt as well as the shirt 
in front. 

In fitting trousers, 
bad fit at the outset by unwitti 
thi 


many men ensure a 
ly hiking 
ir pants highcr than they normally 
r them in overcompensation for the 
olten-overlarge waistline before 
‚ This common error, which 
will disrupt all the measurements from 
waist to cuff, can be avoided by the 
simple expedient of wearing your belt 
and cinching it to the accustomed notch. 


The hips should be cut full enough to 
allow for easy access to and normal use of 
pockets without breaking the clean verti- 

cal trouser line with unsightly bulges or 


partially exposed pocket linings, but they 
shouldn't be so full that the pants hang 
loose and baggy. Suitable adjustment of 
the side seams is the answer. The simpler 
single operation of only ta 
back seam should not be permitted, as 
the side pockets may be pulled out of 
position, giving the hips a deceptively 
wide appearance. If the seat either sags 
or hugs, it should be altered accordingly 
along the back seam— with all your 
usual pocket articles in place — to pro- 
duce a snug (but not tight) fit. As you 
walk before the mirror, note whether 


the trouser legs appear to move with 
you or 
of 


around you; if surplus folds 
fabric flap against your call, the legs 
cut too full for your proportions 
— particularly if your feet are small — and. 
should be ti in along the side seams 
to crcate a tapered line from knee to culf. 
If they're too snug, on the other hand, 
the seams should be let out enough to 
accommodate unusually muscular calves 
or thighs without outlining their con- 
tours. 
As you stand, finally, with your weight 
on both feet, make sure that the wim 
tiloring of the trousers makes а clean 
break at the shoe tops When you return 
to pick up your purchase, you'll be ready, 
1 тузоп to verify that every 
s been ma specified, to 
step out in high sartorial style. 


le 


CAR ON THE MOUNTAIN 


(continued from page 64) 


ble Indian sonofa- 
is yours! 

лосей that the person who 
1 suffers no (іске 
1 aches before he 


less mise! 
bitch. Th 

(Let it be 
has drunk mex 
of his speech, His h 
is even drunk, and he does not stop 
drinking the stuff until it is too late, but 
his speech remains lucid till the end.) 

"phat car is yours!” Mr. Wilcox те 
peated, “What th is left of it” He 
burst into tears. Sobbing, he folded his 
D together and started across the 
square toward the bus. Three steps later 
he fell over the curb on his lace. 
Though the muscles of speech enjoy an 
immunity from the effects of mescal, 
those of locomotion do not. Mr. Wilcox 
needed help; Miguel. provided he 
got him onto the bus. The proprietor 
of the Alvarez rushed out wav the 
Cuenta: Mr. Wilcox threw some bills 
out the window, and the bus took off. 

‘The Indians in the square and around 
the car watched his departure with as- 
tonishment; and well they might, since 
it was the last any of them ever saw of 
him. 

Miguel felt as if he 1 been having 
if he, and not. Mr 
the one who was drunk. 
Yet there was the paper in his h . He 
took it over to the Cadillac and k it 
the fender, the better to study it. 

lo was around back, taking off 
his clothes, but all the loafers were still 


d 


on 


asking cach other what had happened 
to the gringo. Miguel said in a loud 
м is my antomobi 


They did not have to look at him 
closely to ascertain that he was dr 
it was self-evident. They con 
speculations about M 
did not press the matter: he 


i 
ued their 
Wilcox. Miguel 


new what 


an impossible thing he was saying. He 
left the squ 
Ime 


and the town, and an 
hour he was among 
guey and could see his son ru 
about in the dirt yard of his hut. 

His wife met him at the doorway, his 
Estrella: tall, skinny, fiercely proud of 
man who could read and write and 


down on the stone 
nd told her everything. 

“So we own the automobile,” he said. 
“Iu is worth more than you с; 
We could wo 1 our lives 
have the wealth of that automobile.” 

“Why did he give it to you?” his wife 
asked. She did not believe for one mo- 
ment that he really owned it. 

“Because he was drunk and discour- 
And because I was 


the 


able to talk to him. 
“What will we do with this treasure?” 


Estrella asked, and Miguel's eyes lighted 
up. 

"We will use it to lift ourselves to 
better things. After we get it to run 
again and I have 1 cd how to drive 
it, I will carn much money with it and 
then in time I will sell it and with thi 
money I will go to school and become 
an educated person. In this way we will 
break away from this life.” 

Estella let her eyes move over the 
parched red earth with its harsh crop: 
over the barren yard with its fence of 
cactus and its few mangy chickens; 
then back to her husl 


we will never leave this place.” 

The next morning Miguel went down 
the mountain to lay claim to his automo- 
bile. Diosdado had gone back to Acapulco 
when it became dear that the gringo 
had left for an unknown period of time. 
Pepe of the filling station was sitting on 
the ground, 1 iust the pump. 
car was where it had always been, 
with many parts scattered about. Miguel 
sat down beside him, 

"Fell me, Pep he said. "If you 
owned that car, if the rich. American 
gave it to you — what would you have 
to do to be able to use it?” 

"Are you ary?" Pepe asked. 

“No, Í mean just suppose — if he gave 
it to you.” 
ned and spat. “That Diosdado 
ic, he is a butcher. 
It will take six months to put the eng 
back together." 

"But the papers, the documents. 

“Well, 1 do not have a license to drive, 
so I would go to Taxco, to the oficina 
de trinsito, to get the license апа also 
the paper that says 1 own the car." 

"What docs that cost iguel asked. 

Pepe shrugged. Miguel took the title 
from e his shirt. "He gave me th. 
car. Here is the 5 

Pepe took the paper and pretended 
he could read it. As he did so, his 
pression changed from apathy to ange 
“IE this is the truth," he said, “then I 
u to get your accursed automobile 
у place of business.” He got to 
to make gestures; he 
spok nched teeth, "You 
damned maguey farmer — you and you 
patch of rocks! WI right have you to 
get this automobile? / was the one who 
Iped him. / took all the trouble to 
get the mechanic. / gave him the use 
ol my yard.” He spat again, turned, and 
went into his filling station. 
el took the next bus to Taxco. 
h the fare was only six pesos, it 
was an expense to reckon with. In Taxco 
he sat down on a bench in the sq 
and put on his shoes. Then he inquired 
as to the location of the oficina de tran- 
sito. It was an imposing building near the 


pei 


x- 


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132 


cathedral. Miguel took off his hat as he 
entered. 

He was directed to a waiting room. 
In the immemorial way of persons il 
authority, and because he was a nothing, 
they let him wait for an hour, hat in 
hand. Eventually he was shown into a 
room with a fat man behind a desk, who 
asked him his business Miguel pro- 
duced his assignment of title and asked 
to have the necessary papers issued in 
his name. The fat man looked at the 
document, and then at him, with amaze- 
ment. 

"Absolutely impossible," he said. 
“But no, señor, it is true.” 

'A forgery. Clearly a forgery. 

Miguel said no, it was true and au- 
thentic. There was more argu back 
and forth. Obviously the offi 
not believe it possible for such a miser- 
able peasant to own so fabulous а pos- 
session; there was no place for such a 
thing in his reality. At last, nonetheless, 
he gave Miguel some forms to fill out in 
triplicate, 

It was late in the afternoon before the 
task was done. Just before closing time 
he took them to the official. The official 
made some notations, asked some fur- 
ther questions. He was still angry about 
the whole thing. “Forty pesos,” he 

Miguel faltered. “Señor,” he sai 
do not have 40 pesos. 


"Aha!" the fat man cricd, slamming 
the lat of his hand down on the forms. 
mpossible and now we 


s impossible.” He sat back in his 
bracing himself with both pud, 
hands ag , and 
swept the room with a gaze of triumph, 
though, as it happened, the room was 
otherwise empty. “This rich man, this 
fellow wlio owns an automobile worth 
big man without 
even 40 pesos in his pocket." Contemptu- 
ously he dropped the papers into the 
wastebasket. 

Miguel left the building and spent 
the night on a bench in the square. In 
the morning he took the bus back to his 
village. They had thrown the parts of 
the motor into the back seat and had 
pushed the Cadillac out of the filling 
station and into the street. Miguel 
climbed into the front seat and sat be- 
hind the wheel, placing his hands on it 
nd staring through the windshield. The 
s, handles, pedals and buttons were 
ll a mystery to him; yet he saw himself 
s the master of this vehicle, driving it 
skillfully over the mountains and through 
the steep streets of Taxco and Acapulco 
and— who could tell?— Mexico, D.F., 
itself. Full of hope and strong resolve he 
set off up the mountain to his home, and 
on the way he made up his mind to sell 
the burro for the funds he would need. 

He explained this to Estrella that eve- 


ist the edge of the desk 


10,000 pesos— tl 


ing while she was grinding the corn for 
the tortillas. She kneeled at the stone 
metale and as he spoke she said from 
time to time, "Yes," or, "Ah, the burro," 
or, "I see.” Once, when he paused, she 
asked, "What do you thi 
for the burro?" 

"Oh," he said, "200 pesos at least.” 
Pause. "Well, maybe only 150. Anyway, 
plenty." 

"Surely," she said. "And we can carry 
the maguey down to the mill on our 
backs— it will not be difficult.” Pause. 
“There is also the license to operate the 
automobile, no? But that is probably 
fice." 


‘Well, no, but it 
nk" 

“That is good," she said. "And your 
friend Pepe will not ask any pay for 
ing you how to drive 
uel thought of Pepe's animosity 
and of the fact that he did not know 
how to drive anyway, and said nothi 
She worked a few moments in silence. 
‘One good thing," she said. “The dam- 
age to the motor — Diosdado did that, 
so he will have to put it back together. 
At least that will not cost anything." 
Ha!" said Miguel. He got up and 
walked to the cactus fence and stared 
out a long while across the hills. After 
a while he came back and stood by the 
door. "I think it is not so important 10 
sell the burro right y," he said indif- 
ferently. “That can wait unti 


s not expensive, I 


w: 


The next day, in the village, he dis- 
covered that his automobile had made 
enemies of his friends, Not only Pepe 
but all the Indians in the square looked 
at him with silent hostility as he made 
his way to the car. He had come down 
the mount the hope of borrowing 
the 40 pesos, a peso here and a peso 
there; now he realized there was no 
point even in trying. 

He discovered. something else: 
asleep in the front seat. C s the 
brothe w ol the mayor and there- 
fore the local policia. He was greed 
powerful, and a bully — nobody to fool 
with. His presence in the car meant that 
trouble lay ahe: uel found out 
what it was when César, with much heav- 
ing and belching, awoke. 

Aha!" he said. "You. You keep me 
ting all morning” He got heavily 
and ominously out of the car. “You eve 
keep me up all night” 

"How is that so?” said Miguel, 

César kicked the front. wheel. “How 
long you think that tire stay on the 
when you leave it here in the public 
street all night?” 

“But 1 cannot move it," Miguel sa 


César 


zar wa 


id. 


"There is something wrong with the en- 
gine." 

“Yes,” César said. "But 1 have the re 
sponsibility to prevent crime. АП night 
I spent in this car, to keep the tires 
from being stolen.” 

Miguel knew that this was a lie, If 
César had spent any time near the car 
at all, it was in the hope that he might 
steal the tires undetected. However, one 
does not express such a thought to the 
policeman whose sister is married to the 
mayor. Miguel said nothin; 

“And also the responsibility," César 
said portentously, “to punish crime. 1 
therefore place you under arrest. 

° Miguel said. “What have I 


ıl parking and obstructing traffic 
1 the town square. 

“But there is no regulation here about 
parking,” Miguel said, “and there is no 
obstruction, Sec?” 

For the bus had just a 
pulco and had drive 
Cadillac, Both men watched Diosdado, 
in the company of а city-dressed Mex- 
ican with a brief case, get out of the bu 
and enter Pepe's gas statior 

“Why is he here with that city pi 


César asked. 
“1 will soon find out,” Miguel an- 
swered. 


César's tone changed, became more 
conciliatory and at the same time more 
urgent. “Well, we do not like to be too 
severe. No. You have broken the law 
and you should go to jail, but that would 
be foolish. After all, who would il 
you were put in jail?” — and here his voice 
took on rich organ tones — “However, a 
ty of some sort must be paid.” 
There is no jail in this town," Miguel 


said. He was frightened, but he had the 
sort of m 


ıd that made him say that sort 


stepped closer. "Fool!" he hissed. 
"Get smart! We could make things very 
tough for you. Do you want me to con- 
fiscate the car, or do you want to listen 
to a sensible proposition?” 

Miguel said nothing. 

“The mayor and I have talked th 
over, We agreed that it would be gener 
ous not to put you in jail or levy а large 
fine that you could not pay 
would have to take the car. Instead, when 
you get the d are using it to 
make money. you will pay us 20 pesos а 
week for all our trouble with you 

“That is indeed generous" M 
said. “That is 1000 pesos a у 
want from me." 

“Better than losing the car" César 
said harshly. “Think it over. Think it 
over very carefully, my friend." And he 
slouched off across the square to spend 
the rest of the day playing cards with 
his brother-in-law. 


and we 


r to run 


Dios 


ado and the city Mexican must 
have been watching from the gas sta- 
tion, for now they came out to where 
he was standing, and Diosdado said with- 
out preamble, “This is Señor Lopi 
from Acapulco. He is a lawyer. We wish 
to speak with you about the automo- 


Yes," said Miguel. “Everyone is now 
ing to me about my automob 
It concerns the bill for my work on 
the vehicle.” Diosdado said. He handed 
over a paper, which Miguel looked at. 
“Three hundred pesos. This is a bill 
you might give to a rich American who 
docs not know what things are worth. 


sp 


whole 
ied from. 


dado said, his voice rising. "Oni 
day of work, and my clothes ru 
the o 

"You arc ridiculous,” Miguel said. 
“You did not fix the car, you tore it to 
pieces. Moreover, the car was not mine 
when you did the age: it belonged 
to Señor Wilcox. id your bill to him. 
And I will give you my bill [or 300 
pesos’ damage to my car.” 

Now the lawyer spoke. "Let me 
n to you a point of law. When а 
c does work on a car, the owner 
If it is a new owner, never- 


must p 
theless he must ра 
^p assure you, señor; 
“that I will not pay." 
“IL the owner does not pay," the Iaw- 
went on, 


Miguel said, 


уе he сап be prevented from 
using the car until the bill is settled. 
X done with a mechani п." He 
opened his brief case and took from it 
a document and a tube of glue. "The 
law allows me to attach this lien to your 
vehide. If you remove the per, or 
make any use of the vehicle, you w 
most assuredly go to jail." 

“I have heard а lot about jail this 
morning," Miguel said. 

With a few swift motions the lawyer 
per to the windshield. 
sure you wil ish to settle 
this claim," he said. 

The whole affair had ta 


еп on a fan- 


ucl 
m sure, señor,” he 
said, “that I do not have this money 
and that you have a sensible and gen- 
us proposit 
s а matter of fact, yes” the lawyer 
said. “Señor Diosdado is willing, if you 
are not able to pav, to cancel the debt and 
give you in 

1000 pesos for th 


from the brief сазе and displayed them. 

Miguel laughed harder. "For a mo- 
I thought T was in trouble, but 
now I see that it will all work out for 


the best.” He stopped laughing abruptly. 
“AIL T have to do is sell you my car for 
a tiny fraction of what it is worth and 
all will be well.” He spat in the dust. 
“That is in the milk of your mother,” 
he said. 

The lawyer flushed. “I was told. you 
were an intelligent man,” he said, “but 
I find that you are the worst sort of 
fool.” 

“АП those who are trying to cheat me 
say I am a fool,” Miguel said, “and per- 
haps Lam. But I am not such a [ool as 
to let you do me out of my c 

The insult was almost more than they 
could bear; but the two city men, alter 
Tiguel’s powerful body, bore i 
wyer said. “We will 
get nowhere w diot.” 

“You mean we can't make him sell us 
the car?” Diosdado cried in anguish, 

"Come on, let's go," the lawyer said, 
and went back gas station. 


Miguel made a second trip to Taxco, 


where there was a dea automobiles. 
This time he did not bring along hi 
shoes. and therefor told to leave 
when he entered the showroom. At last, 


however, he succeeded in 


n of the manager. 
now it is dificult 


to believe, 
said, “but I am the owner 
of a Cadillac of 1948, and I wish to 
sell it. 

The nager looked at him with the 
ne amazement as the fat man in the 
oficina de tránsito. “How did you get 
this ca he asked. 
iguel said, “This is even morc dilli 


” He took out the certifies 
ıd showed it As the m 
‚ Miguel saw the cupidity spread over 
his face. 

There is something very much wrong 
with that the manager sud, "if the 
gringo gave it to you.” 

“It had a little engine trouble, and the 
mechanic in our village could not fix it.” 

“And where is that" 

Miguel told him. 

“Nombre de Dios, it would take a 
day to get there and back. A 
trouble, you say? What trouble? Burne 
out bearings, perhaps, or a thrown rod?" 

“I do not Miguel. re 
plied. "I do not know very much about 
motors." 

“It is surely something very serious. 


know, seno 


“Tve been trying to tell you all week—'m 


not Anthony, I’m his messenger . 


m 


133 


PLAYBOY 


134 


What else is wrong about the vehicle?” 


Tell me — what do you th 
did car is worth?” 

In the newspaper I saw an advertise- 
ment for a Cad of 1948,” Miguel 


this splen- 


s voice began to harden 
for the kill. “That, my friend, was for 
car in Mexico С excellent con- 
newly polished and ready to drive 
лу. I asked what you thought your 
car was worth." 

Miguel said, “I know that my car is 
not the equal of the car in the adver- 
tisement. I would make great 
ances. Still, I would like to get perhaps 
5000 pesos for my car." 

The pity in the manager's expres 
was cloquent, but his voice was pitiless. 
“My friend, do you realize what you arc 
asking me to do? You are asking me to 
spend all day going to look at а car that 
is probably worthless. If it should prove 
to have some value, I must come back 
with a truck and tow this car over the 
mountains — two more da 
xcuse me," Miguel said, "but you 
could go out in the truck on the first trip." 

"]t costs more to take the truck," the 
manager said crossly. "In any event, I 
must then repair the car, and believe 
me, this will cost thousands — thousands. 
In conclusion 1 must pay the lien on the 
car, with all the expense of a lawyer. 
And still 1 must sell the car before 1 see 
centavo of my money. Why, this deal 
could ruin me completely. And for this 
you want me to pay you 5000 peso: 
1 am deeply moved, señor,” Miguel 
said coldly. "Perhaps you will tell me 
how much you might be prepared to 
рау” 

The manager shrugged and seemed en- 
irely indifferent. He turned to his desk 
and began searching through some 
papers. “It really is not of much interest. 
If the car is no worse than I think it is, 
1000 pesos would be the very most I 
could соп 

Miguel turned without a word and 
went out. Surprisingly, the man 
vied after him. “Of course,” he 
is possible that the damage 
Severe. In that case the value mi 
as much as 1500 

Miguel faced him. "Senor," he said, 
with dignity and hatred, “I will not deny 
that 1000 pesos is а lot of money to me. 
It is more money than 1 have ever 
owned at onc time in my life. Neverthe- 
less, 1 will burn up the car before I sell 
it to you. 

Again 


ах 


le: 


he spent the night in the 


square. During the many hours of that 
night he tried to imagine what other 
attempts he might make to sell the car 
fairly, at something like its true value, 
aged condition, so far out in 
the country, and with the lien on it; and 
he realized that anyone he approached 
— anyone — even if he went all the way 
~ would insist on cheat- 


he got back to his town the 
ternoon, he went one by one to 
‚чш ly ndolent 
who had looked 
such hostility two da 
wanted to explai 


the 
posture! 


me 


He 
something to them, 
and to enlist their assistance. 


before. 


That night, around 11, while the 
town slept, a dozen of them gathered 
quietly around the car. Each had his 
burro with him, and a length of rope. 
Miguel was there too, with six bottles 
of tequila. Quietly they made the ropes 
t to the [ront bumper and to the 


quietly they urged the burros 
m the car. It 
nd 


and with th 
was not until they were out of town 
well along the road up the moun 

anyone spoke. 
sar," one of them said. “He is stay- 
up all night in the automobile, so 
that no one should steal the tires, 
And at last, with howls of glec, they 
could give vent to their joy at the deed 
they were doing. It was а game now in 
which they all shared: outwitting the 
corrupt Authority and the City Thief; 
stealing the prize from under their 
noses, nullifying it, turning it into a 
t with a superb disregard of the 


n 


cost. The first bottles of tequila began 
to make the rounds. 
“The thi anothe M 


is not allowed to use this automobile 
until he pays the 300 pesos. Therefore, 
he is placing it in safekeeping, to pro- 
tect Diosdado.” 

Моге laughter. Pushing, 
shouting encouragement to the 
and resorting frequently to the bottles, 
they made happy way up the 
mou The first part of the trip, 
along the ma 
they turned. off it to the left 
the narrow 


t road, was easy. Later 
nd took 
led 


more 


time а motor vehicle had ever traveled 
here, and the 
the burros by push 


n were obliged to help 


g it over the larger 
boulders and lifting it out of the pot- 
holes. After about hall-a-mile of this, 
оне of the men, looking down the hill- 
side, which was almost too steep for a 
toboggan run, said: 

“IL Miguel docs not pay the 300 pesos, 
the lawyer is at liberty to come and take 
the car away. 


This called for another round of te- 
quila, amid renewed shouts of laughter 
ind а showering of epithets on all who 
had power, and on all who wore city 


clothes, and on the steepness of all 
mountains, particularly this one. The 
thereupon set themselves to defeat it, 


and the car lurched upward toward the 
most difficult part of the task, where the 
cart tracks went off in the wrong direc- 
tion and only a donkey trail marked the 
few hundred yards. Here it 
necessary actually to carry the machine 
most of the way. Finally it stood before 
its destination. 

“On the rise behind the house,” M. 
guel commanded, “Facing the sunset.” 

They tore a hole in the cactus fence, 
and the car was hauled through. Estrella 
and the little boy came out to watch. 
The men, all magnificently drunk by 
now, heaved, shouted, nd grunted. 
The castern sky had begun to light up 
before they were done, pleased with their 
work and very tired from it. They un- 
hitched their animals 
circle around the car, stroking it with 
affection, still delighted with the fabulous 
nd improbable feat they had pulled off. 

Miguel, hombre,” one of them said, “I 
never thought I would know a man who, 
with a treasure of 10,000 pesos, would 
drag it up to the top of his mountain 
Where no one will take it from me. 
Miguel said. 

"You might use it a 
other said, "but then you would ha 
to pay César 20 pesos а жее 

"Aud Diosdado would put you i 


J 


wa 


last 


sang 


and stood in a 


а henhouse,” an- 
ve 


There was a last round of laughter. 
Each ol the men, passing before Miguel, 
reached out and shook his hand; he was, 
and would remain, a giant in their eyes. 
Then they faded into the dusk of the 
hillside, 


Miguel did not use it as a henhouse. 
He did not us ай, in the practical 
sense of the word. He admired the way 
it dominated the landscape, facing silent 
and useless the huge valley below. Some- 
times Indians from faraway would climb 
the hill to sce the marvelous car on the 
mountain; often, when they did so, they 
would find Miguel sitting in the front 
seat with his hands on the wheel, enjoy 
ing а moment of calm as the sun went 
down after his days work, At times, 
Estrella would join him there, and оп 
ns they sometimes occupied 
His next two children, 
\ ncisquito, were begotten, 
with joy and pride, in the back seat of 
the Cadillac of 1948 of Señor Wilcox, i 

the glory of the setting sun. 


PLAYBOY FORUM 


intended to review The Playboy Club's 
license status, with a view to revoking it. 
Hefner got off an immediate letter of 
protest to Governor Rockefeller concern- 
ing this sceming attempt al reprisal by 
the SLA and he made his first public 
statement to the press on the matter, after 
the long months of silence necessary dur- 
ing the investigation 

Under a headline, “ROCKEFELLER BACKS 
PLAYBOY CLUD, the New York Times 
stated that the Governor had announced 
he would not permit any attempt to re- 
voke The Playboy Club's liquor license. 
Variety stated, at week's end, “Playboy 
(mag and clubs) entrepreneur Hugh М. 
Hefner may yet emerge a hero as result of 
the spotlight on corruption within New 
York's State Liquor Authority. He said 
it well that, what should have been the 
legal right of any applicant for a SLA 
license, became an intrigue. because of 
the chicanery within the agency. 

“Those in the know in metropolitan 
New York circles, and presumably the 
cvil extended throughout the state, had 
complete awareness of the absolute life- 
and-death powers of this agency over 
anything and anybody having to do with 
liquor licensing.” 

During all these New York high jinks, 
the Mayor of St. Louis gave the Playboy 
Club prexy a key to the city (in exchange 
for a Playboy Club key, just as the Mayor 
of New Orleans had done before him) 
and the St. Louis Variety Club voted 
Hefner “Showman of the Year.” Playboy 
prepared to open Club number six in 
Phoenix and the Arizona State Liquor 
Commission voted approval of a license. 
Then the head of the commission, in- 
vested with the power to make the final 
decision in such matters, unexpectedly 
and unexplainably rejected the license 
request. Playboy went to court the very 
next day, and the judge found that the 
Club would be “in the public interes” 
and granted the license. 

Back in New York, Playboy filed two 
separate suits to require the SLA to with- 
draw ils objection lo the Manhattan 
Playboy Club operating as a private key 
club, and to require the cabaret com- 
missioner to grant the Club a cabaret 
license. New York justice moves more 
slowly than Arizona’s, and these cases are 
still pending; in the meantime, the lack 
of a cabaret license has deprived New 
Yorkers of live entertainment in their 
Playboy Club for тоте than half а year, 
deprived several dozen performers of the 
opportunity 10 work in the Club's mag- 
nificent showrooms, and соч Playboy 
more than $800,000 in additional rev- 
enue, Despite these problems, and the 
obvious expectation of the cabaret com- 
mission that the lack of an entertainment 
license would mean certain disaster for 
the enterprise and the loss of Playboy's 


(continued from page 10) 


$4,000,000 investment (a nice little pen- 
айу for a difference of opinion over the 
Club's concept and the Bunny's cos- 
tuming), New Yorkers have made the 
Manhattan Playboy Club the most suc- 
cessful night spot їп America. 

The veal culprit in all of this is the 
political system that puts such staggering 
power into the hands of a single city or 
state official; at its best, such power is 
too often administered capriciously; al its 
worst, it leads to the kind of corruption 
that has plagued the New York SLA. 

Did Playboy Club executives do the 
right and proper thing in cach of these 
situations? Considering the alternatives 
that presented themselves at the time, 
and the final outcome of each situation, 
we think so. And of this much we are 
certain: no member of The Playboy Club 
executive staff has violated cither the 
letier or the spirit of the code Hefner 
established for the Club operation when 
it began. Mistakes have undoubtedly 
been made in both the establishment and 
operation of the six present Playboy 
Clubs, and because our executives ave 


human, there will undoubtedly be mis- 
takes made in the future; but every at 
tempt is made to correct them as they 
occur and to learn from them, too. Taken 
as a whole, the Playboy Clubs are as re- 
markable a success in the night-club field 
as the magazine is in publishing, and 
we're equally proud of each of them. 
Each has established a record of honesty 
and integrity that any big business would 
have every reason to be pleased with. 

As for “The Playboy Philosophy,” it is 
quite obviously a highly subjective view 
of the society in which we live, and of 
PLAYBOY'S part in it, but it honestly 
represents Editor-Publisher Hugh M. 
Hefners own attitudes, ideas and ideals, 
which have affected every aspect of the 
Ynov operation. 


“The Playboy Forum” offers the op- 
portunity for an extended dialog be- 
tween readers and editors on subjects 
and issues raised in our continuing edi. 
torial series, “The Playboy Philosophy. 
Address all correspondence on cither the 
“Philosophy” or the “Forum” to: The 
Playboy Forum, vraynoy, 232 E. Ohio 
Street, Chicago 11, Hlinois. 


“Fashion never stands still.” 


135 


PLAYBOY 


136 my proposal impossible were le 


IMP OF THE IMPOSSIBLE 


soon as the incumbent directors learned 
what 1 was trying to do, they would 
spare liule effort to stop n 

Impossible? Yes — at first 


the other hand. I [elt my program for 
building an integrated. self-contained 


mployees 
the general public. 1 believed 1 could 
prove this to other stockholders, z 
their confidence and thus their voting 


y campa; 
lide Water Assoc 


In the end, I had 
set out to do — and owned enough shan 
10 hold nume 
pany. Obviously, my original plan was 
possible, despite all surface indications 
to the contrary, 1 might add that the 
company — and its thousands of stock- 
benefited fron 


control of the com- 


holders — have 


$890,000,000 in value. 

1 encountered — or perhaps 1 should. 
1 stumbled into— another poten- 
lly possible "impossible" situation in 
940. My cousin, the late Hal Seymour, 
and 1 w ioning in Mexico 
stopped off in Acapulco. The dim 


s one of my 
sports — we decided to stay awhil 
One day— and. purely. by accident — 


I met another tourist who exuberantly 
dedared he'd discovered “the world's 
most I " and asked me if 


Га care to see it. E agreed that 1 would, 
almost backing out at the last minute 
when I dIcaricd we'd have to take a truck 
through some 15 miles of tropical forest 
10 reach the spot. But 1 went anyway, 
mly to the side of ancient 
truck that jounced and bumped alon 
а crude dirt trail which looked as though 
it had been unused since the day it had 
been blazed by some wandering bronto- 
saur 

My first glimpse of Revolcadero Beach 
was ample compensation for the dis 
comfort of the journey and balm for my 
bruises. My tourist friend hadn't е 
gerated. It was the world's most b 
lul beach. After a few more visits, I 
made up my mind to buy several hun- 
dred acres of the property and build а 
luxury resort hotel on the site. 

Now, most people 1 know generally 
gree about most things, but when I 
punced my intentions to buy and 
build at Revolcadero Beach, their re- 
іон were uniquely una 
“Impossible! 
‘The reasons they 


"mous. 


e Гог considering 
n- 


(continued. from page 82) 


and, 1 must admit, ostensibly reasonable. 
The land I wanted to buy was com- 
pletely undeveloped: it would cost a 
fortune merely to clear it, There were 
no roads and no utilities; these would 
have to be built and provided at s 


gering cost. Revoleadero Beach was ui 
known and olf the beaten path: people 


would not pay luxury-hotel rates in а 
resort that wasn’t situated in a "fashio 
able" location. The type of resort T en- 
visioned would need boat landings and 
another fortune would be 
to build and them 
Europe was already at war — it was fool- 
hardy to invest large sums in any fore 
country 
So the objections ran—on and on. 
They varied in nature, but they all 
added up to a one-wovd total: "Impos- 
sibl 
1 thought — 1 knew — the project. was 
entirely possible. Development of the 
land alone would increase its value. The 
natural beauty of Revokadero Beach 
and the construction of the type of hotel 
I envisioned there would be enough to 
make the resort "fashionable." Lower 
г and material costs in Mexico 
would at least. Шу offset the added 
from scratch on 


ions cor 
ht the land. Pearl 
Harbor was attacked shortly alterward, 
and the United States entered World 
War П. My plans for Revoleadero Beach 
were shelved for the duration. 

Jt wasn't until 1956 that the Hotel 
Pierre Marques fins Revol- 
cadero Beach. When it did, the luxu- 
rious resort hotel proved. to be all Га 


anticipated, and its instant success cs 
ceeded all hopes — another “impossible” 
project that was 10-percent possible 


from the begin 
many others — la 
and after. 

Back in the 1920s, a drilling bit that 
twisted off in a hole generally was a 


ng. There have been 
nd. small — before 


serious, expensive headache. Days, even 
weeks, were spent fruitlessly "fishing" 
for the bit. Meanwhile, the hole could 


not be drilled deeper, costs continued to 
mount up and frequently the oil [or 
which one was drilling would be drained 
ой by nearby wells. 

ng" was accepted as 
possible remedy for 
seemed to be no feasible alternative. 
Then, in 1927, a company in which I 


held an interest had а тїзї on a 
Santa prings, California, drilling 
site. Several weeks were wasted while the 
crew “fished” for the bit. Thinki 


ch better than none, 
d by the near- 


possible new app 
1 went to a stoneyard 


est cemetery, where 1 bought a six-foot- 
Jong marble shaft and had one end cut 
per. Returning with it to the drill- 
ing site, 1 told the drillers to throw it 
down the hole — which they did. 

The simple expedient worked. The 
heavy te shaft slammed the bit out 
te whipstocks have 
been used successfully in similar situ 
i able occasion се 
then. In the oil industry, they're called 
“Paul Getty Specials. 

In the 1940s, it was considered impos- 
sible to drill horizontally in the oil 
пех. 1 was from convinced. that it 
couldnt be done by a newly developed 
technique utilizing flexible curved tub- 
ng and а mud pump. Shortly after 
World War H ended, I had experiments 
carried out on one of my properties. 

The technique was improved and re- 
fined in the course of these experiments 
nd soon proved entirely practical and 
eficient. As а result, horizontal drilling 
is now fairly commonplace. Many once- 
difficult 
can be solved quickly a 

Even six y до. many experts 
observers in the oil indust 


rounded even its de- 
signers by its trouble-free efficiency ever 
since it went into operation in 1957. 
In very recent years, various "authori- 
ties” have held that the oil-tanker market 
is glutted, making it impossible to oper- 
tanker fleet profitably. Getty i 
terests m а large tanke 


ate 


find it quite possible to operate it at a 
supcr- 


tidy profit—and have more 
tankers on order and a-building. 
~ > but there i 
ny need to continue 
along thes: li 
Every successful businessman has 
y similar ones. 
АШ top 
made the 


id 


n 1 know have 
west strides up the success 
adder because they were able to see the 
possible in what others rejected or ig- 
nored as the impossible. Aud, 1 
hastily and emphatically, they mana 
to avoid taking large steps backward 
because they generally were able to rec 
gnize the impossible and give it a wide 
berth. 

1 empl 


businessm 


€ the word "generally" be- 


cause everyone makes some mi No 
one's record is perfect. 

Tve spent more than one large sum 
drilling thousands of fect into the 


ground in the belief it was possible 1 
would strike oil—only to bring in a 
bone-dry hole, 

I've sold more than one lease because 
I thought it imposible to find oil on 
the proper 4 then learned to my 
sorrow that the n 
otherwise, drilled а well and brought in 


a producer. 
I'v le many other mistakes and 
miscalculations — more of them than I'd 
to remember on days when Im 
ag а tight collar. There aren't any 
1.000 batters. If there were, baseball 
wouldn't be much of a game —and if 
businessmen always made the right de- 
ions, business wouldn't be business. 
The point I'm driving at is that the 
successful businessman is the опе who 
makes the right choice between the 
possible and the impossible more often 
than not. The seaso 
vc at such deci 
guesswork. Nor docs he decide one way 
or another because he has a hunch or a 
clairvoyant p ion. A great deal of 
careful. thought and consideration goes 
to resolving the problem of the pos 
sible versus the impossible whenever it 
arise: 
No, there aren't any inflexible rules or 
money-back-guaranteed formulae for de- 
termining whether something is Icasible 
or not. If there were, the question would 
come up. However, there is 
ordered, logical method by which any 
given business situation can be studied 
and weighed — and. by the use of which 
the of error ly reduced. 
Confronted by the perverse imp of 
the impossible, the 1 businessman 
organizes his thinking s all 
aspects of the situation with meticulous 
objectivity. He does this by ask 


care 


uot a 


emon 


neve 


s gr 


tant of which follow 
1. What — precisely 
is the situation, proposition or issue un- 
der consideration? 
is at stake — what are the costs, 
ihe minimum and maximum 
the company stands to gain and lose? 
3. Arc there any precedents, and if so, 
be considered valid and ap- 
instance? 
arties — buyers or 
sellers, brokers, competitors, customers, 
nd to gain or lose cither way? 
5. What are the known obstacles and 
difiiculties the company faces if it goes 
they be 


nd in detail — 


overcom 
6. What other difficulties are likely to 


—and if they do, what resources 
ble and what steps may be 
en to cope with them? 

7. Are all the facts. known — could 
there be any additional, hidden pit- 
falls? 

8. How long will it take to accomplish 
the objectives or goals in question 
is decided to proceed? 

9. Would the company stand to 
more by devoting equal time and effort 
to something else? 

10, Are the personnel who would be 


responsible for handling the matter fully 
qualified and dependable? 


Once he has the answers to these 
questions, the businessman weighs them 


in the balance to determine whether 
the undertaking is possible or imposs 
ble. If the scales tip heavily in one 
direction another, his choice is not 
hard to make. П, on the other hand, 
the plus and minus factors tend to bal- 
ance, then he must use his judgment, 
sense of proportion — and even his busi- 
эз intu t a decision. 
The vetera 
goes through this check list of questions 
automatically wh there 


ever are any 


doubts about the practicality of a busi- 
ness situation. 
The young executive or beginner in 


business would do well under such cir- 
stances to sit down with pencil and 
per and actually list the questions and 
his debicand-credit answers to them. The 
tyro is likely to obtain a clear— and 
sometimes entirely new and dillerent — 
view ol the problem confron im if 
he sees the pro-and-con arguments and 
the various pertinent factors spelled out 
in black and white. He'll thus have be 
fore him a detailed inventory of the 
advantages disadvantages. the po- 
tential rewards and potential d: 
all the elements forming the complete 
desi 


the overall picture, the 
ble to see les and 
aspects, Haws and strengths, expedients 
and alternatives, and potentials and pit- 
falls, which had previously eluded him 


or which he hadn't given much thought 
to before 
Once it's all in front of him, he is 


like a chess player who studies his own 
pieces and those of his opponent on the 
board, then gocs on to plan his tactics 
and strategy and anticipates the oppo- 
nent's countermoves. 

"The chess analogy may well be carried 
further. Like the chess player, the exec 
utive or businessman can foresee which 
moves will “take pieces" from his oppo- 
nent and which will cause him to “lose 
pieces” of his own. He'll be able to make 
ess as to whether a certain 
gambit or atack will confer an ad- 
vantage on him or his opponent. But, be 
s as it may, eventually he must make 
his decision. Is the situation possible — 
or impossible? Should he play, forfeit, or 
resign the game? 

In business, as in chess, the fu 
choice always and inevitably depends on 
the most important of all [actors in any 
situation — the judgment of the individ- 
ual concerned. 

Possible — ог impossible? When you 
are in business, it's up to you to decide. 


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137 


PLAYBOY 


138 her in a position of b 


PLAYBOY PHILOSOPHY 


ception, confirms that the reason Onan 
was put to death was that he had violated 
the law of the levirate, by which a man 
must provide his deceased brother's wife 
with offspring, so that the family's pos- 
sessions could be handed down to direct 
descendants. The Catholic writer Canon 
E. de Smet, in his book Betrothment and 
Marriage, also comments upon thi 
тош the text and context, however, it 
would seem that the blame of the sacred 
w s directly to the wrongful 
frustration of the law of the levirate, 
ntended by Onan, rather than the spill- 
ng of the seed.” 
It was as part of its comprehensive at- 
tempt to make the sexual act as difficult 
as possible,” observes Taylor, “that the 
Church devised laws against the practice 
of abortion.” The Romans, Jews and 


Greeks had not opposed abortion, but 
Tertullian, following an inaccurate 
translation of Exodus 21: 22, which re- 


fers to punishing а man who injures а 
pregnant woman, popularized the notion 
that the Bible held abortion to be a 
crime. Rabbi Glasner states, “The Bible 
itself does not mention it at all. .. . One 
might argue that therapeutic abortion, 

least, would not be considered objec- 


tionable, since the embryo was consid- 
ered a part of the mother (like a limb), 
id пог a separate entity. ylor 


ates that though the error in transla- 
ice been recognized, the 
ns its position op- 
nd this opposition 
become incorporated into secular 
Which nicely demonstrates tha 
moral laws may not as often be derived 
from Biblical authority, as Biblical au- 
thority is sought to justify the particular 
prejudices and predilections of the time. 

The Church's interpretation of the 
story of Adam and Eve in the Garden of 
Eden provides an even more striking 
ple of construing Scripture in ways 


posing all abortioi 


has 
law. 


the story wa 
the "forbidden 
' Adam tasted in the Garden w 
s, with Eve cust in the role of the 
temptress. Thus the Original Sin that 
Adam handed down to all of us w 
sexual in nature. But the Bible makes 
no such statement: the Book of Genesis 
indicates that Adam ate from the tree 
of the knowledge of good and evil and 
it is for acquiring this knowledge, which 
made him godlike, that he was ex- 
pelled from Eden. No reference is made 
to sex in connection with Adam's fall 
from Divine favor. (It should be noted 
that in the story of the Garden of Eden, 
the female is once again viewed in an 
avorable light—uot only is she 
ated [rom one of Adam's ribs, placing 
i his possession, 


(continued. from page 16) 


but Eve is also the one who t 
Adam into breaking God's comm 
ment, thus causing his downfall. 1 
variation of the story, menstruation was 
explained as а "curse" imposed upon 
women for Eye's treachery in seducing 
Adam) 


SEXUAL CONTAMINATION 
IN WOMEN 


ions of th 


mpts 
ad- 
a 


Church 


were especially hard on women, Pre 
Chri »cieties had treated women 
as property: the medieval Church per- 


petuated this belief and considered them 
the source of all sexual evil as well. One 
philosopher of the period stated, “A 
Good Woman is but like one Fle put 
in a bagge amongst 500 Snakes, and if 
a man should have the luck to grope out 
one Ele from all the Snakes, yet he 
best but a wet Ele by the Тайе." 
Taylor points out that the Church's 
was derived from earlier 
n superstitions, It preserved the 
nitive belief in the power of sex to 
contaminate. It was for this reason that 
ied couples w 
from intercourse for three nights after 
marriage — the socalled Tobias nights — 
and once having perform:d the sexual 
act, they were not allowed to enter a 
church for 30 days, and then only on 
condition of doing 40 days of penance 
and bringing an offering. Theodore fur- 
ther extended the belief in sexual con- 
tam on when he ruled th was a 
sin for a menstruating woman to enter 
a church and imposed à penance for any 
infraction of (his dictum. 

We remarked earlier on the incest 
fears that pervaded early Christianity and 
lurther emphasize the superstitious 
nature of the Church's attitude toward 
sex. Many cultures, though by no means 
ll, have regarded it as incestuous to 
par bling. But in the 
llth Century, the Church bec 
creasingly obsessed with incest fe nd 
extended the ban to first. then to second, 
and finally to third cousins, But this 
was not all, So strongly was the notion 
of sympathetic contagion embedded in 
the collective psyche, so intense were 

i at god- 
fathers and godmothers were included 
in the ban; next, even the relatives of 
the priests who had baptized or con- 
frmed an individual included; 
finally, even the two adults who had 
been sponsors to the same child in bap- 
usm or confirmation. we 
from ever marrying one 
some small villages, it is not too 
fetched to imagine that these regulations 
soni nes cli wd см able 
candidate and condemned individuals to 


re required to abstain 


ET 


were 


itetime of celibacy in the same way. 
as Taylor points out, as the complicated 
ic regulations of the Australian 


blackfellow. 
As a further restriction on marriage, 

Christians were forbidden to marry Jews, 

or the followers of any other religios 


In fact, copulation with a Jew was re- 


garded as a form of bestiality and carried 
the same penalties. And in this there is 
a certain irony, since it was from the 
as derived their 


to complicate and hinder the perform- 
ance of the sexual act, but there is 
yet one more: the Church proclaimed 
that no one could marry for a second 
time, even if the first partner had died 
—a doctrine which was allegedly sup- 
ported by the Pauline text stating that 
а man who puts away his wife and mar- 


ries another commits adultery: even 
though St, Paul had made it clear that in 
this he referred to putting away a living 


It was as a 
gram that the medieval Church opposed 
polygamy, though the Jews had bee 
polygamous, and (he carly 
fathers did not object to mul 
© either. Even the strict St. Augustine 
considered it permissible to take a sec- 
ond w f the first was I 

Because it considered marriage a con- 
tamin g process, the Church at first 
refused to perlorm the marriage cere- 
mony, but later — as a part of its compr 
hensive attempt to control all se 


matters — it urged couples to take their 
ge vows i 


в: 


ma 
its m 


the church; because of 
we position regarding the mi 


ried state, however, it did not 


that a civil marriage w alid, for to do 
so might have indirectly implied a greater 
pproval of the marital state than they 
were then willing to accord. It was the 
‘Tudor monarchs, untroubled by such 
questions of theology, who first pro- 
claimed church marriage compulsory. 
The Church then refused to perform 
marri: п times of 
the y t one 
point © were only 25 weeks in the 
year when marriages were legal, . . 
The Church also restricted the hours 
i h the marriage vows could 
first declaring that such an 
occurrence should be done openly, "it 
established that marriages must take 
place in daylight, but later defined day- 
light as eight л.м. to noon.” 

nce it was the intent of the Chu 
to reduce sexual opportunity to the min 
mum, it recognized no justification for 
divorce. The early Church had recog- 
ed divorce for a limited number of 
includi barrenness and rc- 
y and the pi 


reports tha 


h 


tial books allowed divorce in ts of 
prolonged absence, or capture by the 
enemy in wartime, but the fully devel- 
oped medieval code conceded only es 
pecially granted Church annulments and 
ns (the latter allowing for no 
y of marriage to another). 

It is from the Church's superstitious or 
agical view of the sex act that we 
get our idea that a mar has not 
been truly consummated until coitus has 
been performed. By “logical” extension 
of this premise, it was considered big 
mous for a woman to marry if she had 
previously committed fornication with 
someone else; it was also considered 
mous for a husband to continue to sleep 
with his wife after she had slept with 
nother, The performance of the sex act 
was thus believed capable of crc 
some new relationship betwe 
als and could ev 
a previously licit re 


Tt was felt that se: ly dwelt 
within woman, since she tempted man, 
who would otherwise remain pure. Thus, 


not only sexual intercourse, but the 
very presence of a woman was Чоман © 
attract evil and conta 
plague it was conside 
to sleep with women or ev 
beds, as this increased the risk of 
"plying that the spread of 
disease is a uniquely heterosexual phe- 
nomenon. 

This degradation of the female and 
the lowering of her status was very dif 
ferent from the position she held 
с; n times. In i 
Rome, women had enjoyed a status nea 
equal to that of men; they had been 
allowed to preach, to cure, to exorci 
All these rights had 
adually taken away, and by the 
Middle Ages married women ceased even 
to have leg: tence. Blackstone com- 
ented: “The very being or legal exist 
ence of the woman is suspended during 
the marriage . . . for this reason a m 
cannot grant anything to his wife or 
enter into any covenant with her: for 
the grant would be to presuppose her 
pirate existence, and to covenant with 
her would be only to covenant with 
тазе." 

Because a wife was her husba 
erty, to seduce her remained 
inst property (even as in ¢ 
times), and a 
the husband's first recourse was to bring 
civil action for damages against a wile's 
lover. A husband had the right to inflict 
“moderate chastisement" upon a wife 
who did not obey him and il law 
allowed him to "beat her violently with 
whips and sticks." J. C. Jeaflerson, in 
Brides and Bridals. notes that it was 
permissible to thrash a woman with a 
cudgel, but Mes to knock her down with 


ad's prop- 


ROMANTIC LOVE 


A quite different attitude toward 
women also began to develop during the 
Middle Ages, and from it we derive many 


love. A school of poets sprang up, who 
called themselves troubadours, and who 
extolled the virtues of a relationship be- 
tween a man and woman, in which the 
woman was placed upon a pedestal and 
the man sought to win her favor. The 
rules governing “courtly love,” as it was 
called, were elaborately worked out and 
were written down about 1186 by Andrew 
of the Court of Queen 
Trealise oj Love was soon 
ated into the principal foreign 
ges and became a standard work 
throughout Europe. 

The Church opposed the troub 
because they elevated the position of 
women, but the concept of courtly love 
was not a sexual one; it was the prelimi- 
nary wooing that was the 
thing. and the underl 
nature of these romantic relationships 
(which is responsible for some of today’s 
most persistent notions about с 
mance) indicates that this was simply one 
attempt to sublimate the treme 
3s of guilt, about any m 
tion, that Church-perpeti 
sions had produced. Andrew's 
Treatise listed a number of reasons for 
not bringing a romantic allair to any 
physical conclusion. and listed as the 


dours 


“worst” of crimes, “engaging in the work 
of Venus.” A majority of the trouba- 
dours’ poems were actually rife with re- 


ligious references and they did much to 
glorify the Virgin Mary 
h troubadour extolled the virtues 


woman who he both loved 
and obeyed — who he wooed, but hoped 
never to win, who he considered superior 
to himself in every way. Taylor comments 
that it would probably be a good psychia- 
tric guess that the troubadours were, or 
would € been, troubled with impo- 
tence if finally faced with their n 
this is consistent with the observation af 
Rilke to the effect that the troubadours 
feared nothing so much as the success of 
their wooing. Many were probably p 
sive homosexuals. Thus the troubadour 
Rambout of Orange says that if you wish 
to win women, you should “punch them 
in the nose" and force them, as this is 
what they like. “I behave differently,” he 
adds, "because 1 do not care about lov- 
ing. I do not want to be put to trouble 
for the sake of women, any more than if 
they were my sisters: and so with a 
I am humble. obliging, f 
and gentle, fond, respectful. and faith- 
ful. . . ." In Dame's Purgatorio, two 
woubadours are found in the sodomites* 
circle of Hell. 

L'amour courtois of the Middle Ages 
„ according to Morton H. Hunt, 
ithor of The Natural History of Love, 
in his chapter in Julian Huxley's The 
Humanist Frame, ". . . a compelling rela- 
tionship which could exist only between 
a man and woman not married to cach 
other, and which the man was the 
pleading, humble servitor and the woman 
the disdainful, c com- 
pounded of quasi-religious exaltation, 
much public discussion of aesthetic mat- 
ters and of etiquette, ‘purified’ and often 
unconsummated sex play, and the queer 
fusion of chi 
good character 


istresse 


ic ideals and concepts of 


with the practice of 


"They made their getaway in a '56, 
'60, 61, 62 от '63 Volkswagen!” 


139 


PLAYBOY 


140 


secrecy, deception and illicit relation- 
ships. . . .” Hunt says in addition: 
“[Courtly love's] proto-romantic quali- 
ties of sadness, suffering, distance from 
the beloved, difficulty of attainment of 
desire, secrecy, and the like can all be 
explained in psychological terms, but 
they would never have been admired 
and idealized had love not been forced 
by... religious asceticism, and the sub- 
servient status of the wife, to remain 
outside and alongside marriage. 

^... Courtly love, during its carly 
centuries, was ideally functional for both 
the individual courtier and the courtly 
class. But for the bourgeois of the Refor- 
ion, it was disfunctional in that, 
mong other things, it required more 
ime, moncy, and cultivation of taste 
than the middle class possessed; more- 
over, it was in conflict with their gencral 
sense of morality. When, however. it was 
modified enough to be 
sfunctions disappeared. 
fter, antic love leading to 
marriage ally suited the 
] and business с m |: 


commerci 
is in this modified form that romantic 


lov 


found its way down to the present 
time, reaching its apex in the 19th Ce 
tury. Of this period. Hunt says: “. . . The 
19th Century — that high-water mark of 
romantic and sentimental feeling — was 
a time when many men were made im- 


potent or masochistic by the prevailing 
love mores and many women were 
varped by frigidity and frustration," 


In The Medicval Manichec, S. Runci- 
n reports that the very same area 
which gave birth to Courtly Love (Prov- 
ence and the Languedoc) developed а 
related religious movement known as 
Catharism. Though soon declared by the 
Church to be heresy, it became so popular 
that it was openly preached, was sup- 
ported by many nobles, and seems to have 
replaced, to a large extent, the orthodox 
Church until the savage persecutions of 
Simon de Montfort wiped it out, and 
most of the troubadours, too. 
stressed sexual abstinence: 
ted members were required 
not to sleep with their wives. They felt it 
was desirable to forgo all fleshly pleasure, 

was “wicked,” but because 


wiped ou 


they believed it slowed up the attainment 
of enlightenment. A number of similar 
sects sprang up, which were related to the 
chaste romanticism of the period. In 
these, women were accorded a higher 
status than they enjoyed within the ortho- 
dox Church, but chastity was stressed, 
even between man and wife. 

"The notion that man should, and 
could, rise above sexual temptatio: 
was not a new one, by any means, and 
we have mentioned that the carliest 
Christians first sought to transcend sex 
and, f: g in that, turned to repres- 
sion, which the Church found worked 
far better. The orthodox Church vigor- 
ously attacked all of these sects as heresy, 
but it was, in time, itself affected. by 
the ideals of this romanticism 

Taylor observes that in the hands of 
the saints, the notion of transcending 
sex “was twisted into a more athletic 
and masochistic form, becoming the 
famous ‘trial by chastity,’ in which one 
sought to demonstrate one’s sell-control 


by finding the greatest extremes of 
temptation. .. .” It is said that St. Swithin 
constantly slept in one bed with two 


beautiful virgins, which led fellow dergy- 
men to rebuke him for the risk he was 
incurring. St. Brendan attempted a simi 
lar feat, but found that. though he could 
resist the temptation, he was unable to 
get off to sleep, and returned (o his 
monastery discomfited. 


SEX AND THE CHURCH COURTS 


The ecclesiastical courts had the ex- 
dusive right t0 uy a 


the Church, which 
matters of religion, but quest 
morality and sex, as well. The system 


and content of canon law which grad- 
ually developed was completely differ- 
ent from the common law, which was 
used by the civil courts. Whereas. the 
common law was primarily concerned 
with the protection of the rights, person 
d property of the individual, canon 
law frequently regarded as offenses ac- 
tions which harmed no one. Thus they 
proceeded against individuals for "im- 
pure thoughts,” in exacly the same 
manner as modern dictatorships practice 
“thought control” The Church at- 


tempted to prescribe behavior in not 
only the major matters of life, but in 
many minor matters also, such as enjoy- 
ing the sight of a priest in trouble, refus- 
ing to sing in church, sitting in the wrong 
pew, and even for passively encouraging 
or favoring such “crimes.” 

One of the most rem: ble laws 
evolved by the Church court used mar- 
ge as a punishment for fornication. 
In 1308 the Archbishop Winchelsey de- 
veloped a procedure whereby a contract 
was drawn up at the time of the first 
offense stating that, in the ev 
third offense, the parties were to be 
considered as having been man and 
wile from the time of the first offense. 

Nor it be argued u such laws 
were established for any logical or 
ethical reason, or to foster lasting per- 
sonal relationships, for the Church also 
held that it was а worse crime for a 
st to marry than to keep a mistress, 
ad to keep a mistress was worse than to 
ge random fornication. In A 
History of Sacerdotal Celibacy in the 
Christian Church, H. C. Lea writes that 
when a priest was accused of being 
married, it was a good defense to reply 
that he was simply engaged in indis- 
criminate seduction, since this carried 
light penalty, whereas the former 
volve total suspension. 


The Church courts had at their dis- 
posal the ultimate penalty of excom- 
muni i 


Чоп which, in 
„ could include the 
ghts, and imprisonment, if the offender 
persisted In time the Church 
so influenced public opinion that the 
secular courts began to support and re- 
force the ecclesiastical courts and, with- 
out the protections of te church 


more 
loss of civil 


n his 


and sta xtraordi- 
nary prohibitions eventually became em- 
bodied in the civil law (where some of 


th 


a still persist today 

Nonetheless, it was apparent that no 
mere phys system of supervision 
could hope to regulate the most private 
behavior of men even their very 
thoughts — only а more subtle psycho- 
logical control, based upon terror, could 
do that. The Church had coni 
emphasized afterlife — thc a 
hi the disadvan: 
But now an additional стр 
placed upon the horrors of eternal 
damnation and what it would mean to 
spend an eternity roasting in hellfire. 
Jt must be recognized also that the 
continually increa repression of sex 
by the Church might be expected to | 
produced a greater interest in fanta: 
of sadistic horror in both the cler 
and the general public, since modern 
psychiatric preception has revealed the 
nimate link that exists between sex 
and pain and how a repression of the 
sex urge tends to produce sado-maso- 
chistic and other abnormal ir i 


av and 


уе 


s 


It is not surprising. therefore, that Tay- 
lor reports: “By the beginning of the 
12th Century. some of the predictable 
results of sexual repression had begui 
о appea to perversion, 

and heresy 


bounded. . . . 
A great number of Christian ascetics 
have described how they were unable 
10 escape all feeling of sexual desire 
and how they tormented themselves and 


subjected their bodies to excruciating 
tortures in the vain attempt. Taylor 


writes, “In this unenviable state, men 
quick to find sexual overtones in 
every object, every action of ой 
And it was just these men — restless, 
эру. obsessed, driven by the ener- 
of their bottledup libidos— who 
pt to attain positions of power 
id stamp it with their 


men ol God at- 
born sexual 
erse they became; 
mor 


these 
tempted to deny the 
nature, the more ре 
the more perverse, th 
they were with sexual sin: greater con- 
cern led to greater repression; perversity 
became perversion and still more re 
pression was thought necessary. The 
Church's obse 
sell-perpetua 
continued to increase through. the. cen- 
turies until it finally burst in the holo- 
сайм of the inquisiti 
bloody corpses spread 
of Europe. 


SEX AND WITCHCRAFT 


Near the end of the Middle Ages, 
Pope Innocent УШ issued the Bull 
Summa desiderantes, most often re- 
ferred to as a bull against witchcraft, but 
the sexual nature of its content indi- 
cates that it was something more than 
that. h ly pr 
isuing the dedaration by 
subordi Sprenger and Kramer, who 
returned from Germany with wild tales 
of sexual excesses chery; the 
churchmen and people of the community 
violently denied the charges, but the 
ration was issued just the same, and 
| Kramer were appointed 
itors. Soon after, they pre- 
pared and had published a famous hand 
book on the subject, Malleus Mallefi- 
stated: “АШ witcheraft 
Hust, which in women 
° With perfect logic. it then 
adds that the primary source of witch- 
s the quarreling of young women 
aud their lovers. This small volume might 
dered today a near-classic casc- 
book of sexual psychopathy, The popu- 
larity of the Mallens, which rapidly w 
Unough 10 editions, gives some inc 
tion of the perverted preoccupation the 
m such matters at the 
time. The three main subjeds of 


more 


concerned 


осети WHS acti dded 


to 


two ol his 


te 


and wi 


carum, which 


eral public had 


he book 


were impotence, conversion hysterias and 
sexual fantasies: all of these were said to 
be caused by witchcraft. And since th 
incidence of impotence, hysteria and 
sexual fantasy in such a sexually re- 
pressed society must have been stagger 
ing. it is not surprising that the witch 
hunters had no difficulty in finding a 
ample number of “victims” as evidence 
of witch magic. 

Once they had found a "victim." 
finding the witch was a relatively sim- 
ple matter. The techniques used by the 
Inquisitors guaranteed results: The vie 
first asked to name whomever 
wht might have cast the spell 


upon him: f in hbors 
were interrogated and me 
the witch: the Int 


lect a likely prospect or 
the general public was some sked 
to pick a candidate. The suspect wa 
then arrested; tortured until he “con- 
lesse." and then burned at the stake, 
or otherwise disposed. of. 


Persons of both sexes and all ages— 
from small children to the most elderly 
— were accused, though the biggest 


the: 
ету. 


group consisted of young girly i 
teens. Both the accused and the ac 
came [rom every stratum of society and 
many prominent persons were involved. 
To cite a single example fom C. Wil- 
liams’ book, Witchcraft: In the mass 


persecutions in Bamberg between 1609 
and 1633, when 900 persons were 
bumed to death, one of those executed 
was Johannes Ju bu aster of 
the city. Under to he confessed to 
witchcraft; asked to name his accom- 
plices, he denied havi but 
tortured again, 4 Shortly 


before his execution, he was permitted 
to write to his daughter. He told her 
not to believe what he had confessed — 
“It is all falsehood and invention. . . . 
They never cease the torture until one 
says something,” 

lu his article, The Sabbats of Salan, 
in last months rLavwoy, E. V. Grillith 
described some of the rituals purported- 
ly practiced by witches of the time and 
doubtedly tue that in a period 
of such extreme sexual. repression some 
Devil worship really did exist. It was 
during the Mth Century that the Black 
Mass was born, in which the holy 
sacrament of the Church was tumed 
into a ritual honoring Lucifer, and the 
nude body of a y 1 was used 
as an altar, from which were read the 
Devil's Commandments. with the “Thou 
shalt nots” of the Ten Commandments 
changed to “Thou shahs.” But it is 
doubtful that these practices. were as 
common as is generally assumed. The 
actual number of Devil worshipers will 
never be known, but it is certain that 
only a small percentage of those ex 
cuted for witcheraft were actually guilty 
of any crime. whatex 


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Torture was not always required to 
elicit confessions, however. Many came 
forward of their own free will and ad- 
mitted such sins, even though they 
knew that such admissions virtually as- 
d their deaths. If this seems strai 
one necd only be reminded that even 
today any major murder brings forth 
mber of "false confessor" who 


ad 
(see The False Confessor, PLAYBOY, 
January 1958). Psychiatry would explain 
п overwhelming need for punish- 
ment that some deranged indivi 
experience because of an inner fe 
guilt that is completely unrelated to the 
act that they confess. In а time when 
ety was so thoroughly gu 
it is easy to understand why so 
any willingly came forward with con- 
s that were pure fanta 
gh the inquisitions sp 
include other forms of heresy, the pre- 


dominantly sexual nature of the trials 
continued to the end. In fact, the very 
term “witchcraft trials” is а misleadi 


the 
Church wished to suppress and the inqui- 


misnomer, since it was sex that 


sitions were a means of suppressing 

It was a basic assumption, during the 
trials, that all witches (of both sexes) 
had had sexual relations with the Devil. 
АШ inquisitors worked with an estab- 
ished manual of questions, and since 
these were almost wholly sexual, they 
were usually successful (with the help 
of a little torture) in producing sexual 
E 


ly Christianity, the Devil had 
played a relatively minor role. But 
early in the Hth Century, Satan became 
а very definite and prominent figure in 
religious dogma, with detailed app 
nce, habits and intentions. He 
viewed as the immortal enemy of God, 


was 


exclusively occupied in trying to mis- 
lead men into denying or perverting 
Christian morals and. practices. Various 


lesser demons were described as the 
members of the Devil's staff of subor- 
dinates, all organized in a hierarchy 
very similar to that of the Church. 
Not only were Satan's chief lieutenants 
given names, the exact number of his 
rmy of demons was calculated: 7,105, 
б. The Devil frequently engaged in 
those forbidden sexual acts that were 
prohibited to man and in some ac 
counts he is described as having a forked 
penis, so that he could commit for 
tion and sodomy at the same time. The 
Devil was both insatiable and sadistic, 
sometimes demanding intercouise 50 and 
60 times a night. Though he lives in 
the bowels of the earth, mid fire and 
brimstone, he was often described as 
icy cold to the touch — especially his 
sexual parts, The clergy had an expla- 
for this i if 
s cle, ingenious: “Having no 


їса- 


ation that w 


noth; 


ess 


semen of his own, he gathers up that 
of mortal men 


ed in their night 
ions, storing it up 
1 abhorred body for later 
usage." The Devil's demons were either 
male (incubus) or female (succubus), 
and could change from one to the other 
at will, Griffith writes, “Practicing this 
quidechange artistry was, t a 
favorite trick of the hellish visitors: 
often a man would be locked in amorous 
embrace with a succubus . . . when the 
devil would transform [herself] to a 
male incubus, with attendant complica- 
tions which the demon found hilariou 


The reverse also took place, when the 
witch, at 


female the height of h 


t, found her hell- 


ish gallant had. gone aglimmering, le: 
ing her in the arms of a succubus. 
The subconscious fears of homosexuality 


in such imaginings is obvious. The 
Devil, who was "Prince of the Air" as 
well as of the Darkness, could also 
make himself invisible and thus have 


intercourse with his converts in the very 
presence of the godly. 

In order for the Church to underta 
these “witch hu, necessary 
to reverse a position held for several 
centuries: the Church had previously 
declared that witchcraft was a baseless 
superstition. In 785 the Synod of Pader- 
horn had ordered death to anyone who 
killed another for being a witch; Charle- 


e 


ts it 


was 


magne confirmed this ruling and the 
Canon of Episcopi ordered bishops to 
combat the belief in witchcraft and to 


ехсоц 
in such 


municate anyone who persisted 
beliefs, An Irish Council had 


ruled, “Whoever, deceived by the 
Devil, belie the fashion of the 
then that anyone can be a witch 


on this account is to 
undergo punishment of death.” John of 
Salisbury, Archbishop of Canterbury, 
displayed remarkable psychiatric per- 
ception for his time when, in the 12th 
Century, he stated that “some falsely 


ppens are poor women or simple 
d credulous people. 
The change from this enlightened 
view started with John XXII, who— 
gathering together all the wildest fı 
ments of superstit 

Super illius specula, which [or 
the new auitude. His quite 
camp gainst the new sin helped to 
develop in the people a paralyzing sex 
of dread and danger. A papal bull issued 
by Pope Lucius I instructed the bishops 
to investigate heretics, forcing persons 
"found marked by suspicion alone” to 
prove their innocence or be punished. 
Officers of the law who did not cooperate 
were excommunicated. Further enact- 
ments followed in 1374, 1409, 1418, 1437, 
1445 and 1451, and the witch-hunting 


craze became a dominant reality through- 
out Europe. 

Prominent theologians wrote fervent 
appeals to the public (Sprenger and 
Kramer actually coerced the Senate of 
the University of Cologne into endorsing 
th Malleus Malleficarum). 

It was finally asserted that to deny the 
reality of witchcraft was heresy. The 
ecclesiastical courts elicited the coopers 
tion of the civil courts, for the Church 
did not wish the responsibility of shed- 
ding blood itself; the religious court 
turned the hapless persons accused over 
to the civil authorities with the sanc 
monious recommendation to avoid the 
shedding of blood, and the state then 
sually hanged or burned the victims, 
nce this did no: ‘olve bloodletting, in 
the strictly literal sens 

It was during this period that the civil 
courts consented to recognize сори]. 
with the Devil as a capital crime. The 
proposition that witches engaged in night 
flights became dogma in 1450: this made 
it possible to argue that accused persons 
committed sinful witchcraft many miles 
away without being seen en route or hav- 
ng to rely on more customary means of 


e into which many of 
those who made the accusations and 
cks managed to work themselves 
can only be understood by recognizing 
the subconscious sexual pleasure that 
was undoubtedly linked to much of the 
dism of the inquisitions. Only a society 
as sexually repressed, and consequently 
perverted, as the one we have described 
could have produced such an appaili 
spectacl 
all ages, [rom 5 to 75, were often stripped. 
ed during the questioning. Their 
bodies were poked and prodded, espe- 
cially the genitals, for it was believed 
that witches could be identified by the 
existence of insensitive spots on their 
anatomy. A long needle was sometimes 
sed for this purpose — the inquisitors 
pricking every inch of skin to the bone; 
this was considered a form of examina- 
ion, incidentally, and. not torture. If a 
was found in the 
victim's cell, while he was being held 
prisoner before or during the trial, this 
was recognized to be a demon in disguise, 
come to visit the accused, and. provided 
additional evidence of guilt. 

“Trial by Water" w потег tech- 
nique for determining guilt. The accused 
trussed and tossed into a river. If he 
floated, he was believed to be a witch and 
was put to death; if he sank and drowned, 
his innocence was established. 

In The Sabbats of Satan, F. V. Griffith 
describes the trial and execution of a 
comely young woman of 24, a Hildur 
Loher of Würzburg, who was typical of 
the many who were put to death in th; 
period. She was а bride of a few months; 
her husband had been the chief witness 


spider, louse or Пу 


w. 


record is still 
al 


against her and the co 

intact; her crime was having had ses 

relations with the Devil. 
The owner of a brothel 


n Bologna 


was condemned in 1468 for keeping а 
fed exclusively with succubi. He 
torn from 


house st 
was sentenced to have his flesh 
his bones by red-hot pincers, 
he was burned and his ashe: 
In the German community of Lind- 
m. which in 1664 had a population of 
600, 30 persons were executed. In 1589 at 
burg in Saxony, a town of some 
phabitants, 133 were burned in 
Toulouse the number 
п one day was 400. It was claimed. 
towns there were more 
ig to H. C. 
is said to have 
ithin three months, 
hop of Bamberg 600, a Bishop of 
Würzburg 900." Eight hundred were con- 
demned. apparendy body, by the 
Senate of Savoy. Pa his History of 
the Inquisition, boasts that in a century- 
anda-half. from 1404, the Holy Office 
had burned at least 30,000 witches. 
Nicholas Remy (1530-1612), an inquisi- 
ne with 800 executions to 
stated, “So good. justice 
that last year there were no less than 
16 killed. themsel rather than pass 
through Н. Williams, in The 


he 


tor from Lor 


in Spain, Torqu 
10.290 persons to the stake 
to prison. 

No one knows the total number of 
human be 
па est 
few 


ada personally sent 
па 97.371 


єз range from а conserva- 
hundred thousand to several 
be safely assumed, how- 
more persons were put to death 
for religious reasons by our Christian 
icestors than were killed in all of the 
European wars fought up to 1914. 

The blame, of course, does not attach 
itself only to the 
Protestant reformers were, i 
even more ical and they persecuted 
“witches” with even greater ferocity. 
Iu Scotland, the church porches were 
equipped with a box built there espe- 
cially to receive anonymous denuncia- 
tions. Taylor reports that “Calv 
Geneva, 
punction, burned h 
Luther 
De 

The records include numerous confles- 
sions that were denied after the torture 
the accused 
th. In Spain and England, i 
vestigations into some of the trials were 
instituted and some real attempts were 
ade to arrive at the truth. James I was 
so distressed by much of the typical * 
he completely altered 
previous attitude in favor of witch hunt 
ing. insisted on fair trials for the accused, 
exposed false confessions and accusa- 


with crocodile tears of 


cs of all 


ed, but this did not sa 


dence" d 


tions, and saved the lives of five women 
charged by a hyste 
when Sa 

wave of accusations in 1611, he reported. 
that among 1300 persons accused, there 
was not a single genuine case. After he 
made his report, the preaching of ser- 
mons on witchcraft was prohibited and 
from that time forward, little more was 


with is not that of 
from hon 


gradual emergence 
st error to enlightenment, so 
much as a sudden awareness of the mass 
madness that had. dominated. Europea 
life for so long and that stands as a hoi 
fying monument to the effect extreme 
sexual repression can have upon a society 
d the form that it с 

church and state are one. 


Because of the considerable response 
to this editorial series, PLAYBOY has in- 
troduced a new feature, “The Playboy 
Forum," in which readers can offer their 
comments — pro and con — on subjects 


and issues raised here. No previous fea- 
ture published by this magazine has 
prompted so much reaction and debate 
—both in and outside the pages of 
PLAYBOY —and since many of the sub- 
jects discussed are, we feel, among the 
most important [acing our free society 
today. we will continue the “Forum” 
Just as long as the letters from readers 
warrant. 

A limited number of the first seven 
installments of “The Playboy Philoso- 
phy" have been reprinted and all seven 
may be had by sending a check or money 
order for $I to viaywoy, 232 E. Ohio 
Street, Chicago I1, Illinois. 

In the 10th installment of “The Play- 
boy Philosophy,” which appears next 
month, Editor Publisher Hugh M. Hef- 
ner completes his analysis of the history 
of religious sexual suppression and be. 
gins a consideration of the effect this 
tradition of guilt and shame has had 
upon contemporary socicly. 


“AILI can say is, you sure must like ice 
cream a hell of a loi!" 


143 


PLAYBOY 


144 


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PLAYBOY’S INTERNATIONAL DATEBOOK 


BY PATRICK CHASE 


SEASONED TRAVELERS tend to agree that 
the best time to embark on the ultimate 
vacation trip — a jaunt around the world 
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