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ENTERTAINMENT FOR MEN OCTOBER 1974 • $1.25 


"WHAT A DREAM ISSUE... 
AN OUTRAGEOUS INTERVIEW 
WITH AL GOLDSTEIN, 

THE EDITOR OF ‘SCREW’... 


PAGE AFTER PAGE ON 
THE BUNNIES OF 1974... 
JAMES DICKEY WRITING 
ABOUT THE SOUTH... 4 


ARTICLES ON SLY 
STONE AND A. J. FOYT... 

THE OCTOBER PLAYBOY’S 
AREAL EYE OPENER!” 


100% Scotch Whiskies. 86.8 Proof. Imported by Somerset Importers, Ltd., N.Y. 


Bob really knows how to throw a party. 
He never runs out of Johnnie Walker Red. 


TheSubaru 
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Count the months, 


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‘See your Yellow Pages for the dealer nearest you. 


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Imported by Subaru of America, Inc., Pennsauken, New 


We cover your new Subaru 
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It’s a lot of warranty, but Subaru 
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PLAYBILL ^16 weird. Nixon, swollen leg hazard- 

ous to his health, touched down to peanut-gallery 
in Maine and told us t the world у 
fer thin it had been two weeks earlier. That was nice 
10 hear; but it made us wonder what had been going on two weeks 
before that they weren't telling us about. One of the agreements 
they signed gives Dick permission to defend Grand Forks, North 
Dakota, with ABMs. In return, Brezhnev gets to ring Moscow. And 
then there was that amazing and sober moment when the Russians 
pulled the plug, blacking out ‘TV screens U.S. network corre- 
spondents talked about dissidence. “There was never a more vivid 
demor 
between the two systems." Herbert Gold, who visited Russia some 
time before the Presidential trip, also felt that difference, palpably, 
as he moved through. Moscow, Very soon after he arrived, official 
Russia knew that an American Jewish writer with intellectual So- 
Viet friends was visiting, and he describes in this issue its none-too- 
subtle surveillance and clumsy attempts to 4 to illegal 
acts. In. Russian, “To Be Silent" Is an Active Verb is hi 
| this and of conversations with his repressed but defiant friends. 
“I now receive three or four letters every week from people I met in 
the Soviet Union," says Gold, “begging for some help, contact, hu- 
man feeling." "There's much of the last in his account, which is 
illustrated by Roy Schnackenberg. Gold's new novel, Swiftie the 
Magician, is due this month. 

Because of his novel and film, Deliverance, James Dickey is far S 
beticr known (and wealthier) than any truly gifted poet ever expects 
to be. Writers of his stature are usually the province of obscure liter- 
ary journals. But Dickey stirred up a unique lyrical mix of aesthe 
cism and adventure with his story and the masses responded. None 
of which has diverted his talent, as you'll see from reading Small inti 
Visions from a Timeless Place, part of his new book, Jericho The 
South Beheld, by Dickey and Hubert Shuptrine, to be published by 
Oxmoor House. Quoting from the introduction he wrote for this 
selection: “These paragraphs are, quite frankly, an experiment. 
They are impressionistic vignettes—or, with luck, prose poems— LAW. IKEDA 
having to do with the American South, the place where I was born 
and where 1 hope to die." The experiment works. 

No one we know is more of a tourist than Stall Writer Reg Potter- 
ton, who, for a few years now, has done a good deal of the magazine's 
vel writing. Who else, then, to follow and observe a mercilessly 
polite band of Japanese tourists through the eminently scrutable 
West? At Large in the Land of the Tooth Bandit finds Potterton 
comlorting a pouting sumo wrestler impatient for the majesty that 
is "Disneyrand," while fielding questions on our sewer systems. 

Sewers. That's certainly where the mind of our interview subject, 
Al Goldstein, editor of Screw, wallows. Contributing Editor Richard 
Warren Lewis lost a coin flip, got the assignment and spent several 
days exploring Goldstein's outrageous, uptight and very funny opin- 
ions on subject number one. OL the experience, Lewis would say 
only, “ГИ get you bastards for this.” 

October's fiction requirements are more than satisfied by David 
Elys The Light in the Cottage, illuswated by Dan Morrill, a 
haunted-house story wherein the ghost wreaks severe and final re- 
venge; Stephen Minors Three-Part Harmony, in which a groom's 
possessive mother is upset by her son's choice of wedding partners; 
and Just My Luck, by Warner Law, about a smalltime crook who lives gra 

Finally, there's John Grissim on Sly Stone (Sylvester the Cat) and William Neely on A. J.—4s in Foyt: two 
stars from decidedly opposite ends of the universe; Charles Gaines's report on the bizarre rites of guaranteed hunt- 

ng, Old Dance on the Killing Ground; a look at hi-fi speakers, Making Sound Waves, photographed by Shig Ikeda; 
Ron Specr's recipes for homemade wine, Lie a Lot and Use a Fairly Clean Two-lr ‘our; "Lepke's" Lady, on lov ly 
Mary Wilcox, as seen through the steamy lens of Ken Marcus; Robert L. Green's Playboy's Fall and Winter Fashion 
Forecast; the demented visions of a considerable cartoon talent, B. Kliban; and two annual goodies—The Playboy 
Jazz © Pop Poll and a sexy survey of Playboy's Bunnies. That's the way it is, autumn 1974, from Chic: go, where you 
know fall i: begins to turn gray. If you'd just as soon pretend you're somewhere else, turn the page. 


tration,” said NBC's John Chancellor, "of the difference 


agg POTTERTON 


a 


E 


MARCUS. GREEN KLIBAN 


ndly for а few hours and pays later. 


42 
PEER 


2- 
A 
T 
-Ñ 


5 


3 


vol. 21, по. 10—october, 1974 


PLAYBOY. 


CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE 


РАТ эс сш М з 
DEAR PLAYBOY eua n 

PLAYBOY AFTER HOURS. = Е 7 

EVENTS... - - = 18 

DINING-DRINKING 2 : 20 

Spes RECORDINGS... = peu - 20 
MOVIES... = - E 24 

THEATER... = ” 26 

BOOKS US = —€— €— 06 

TELEVISION... = 36 

MUSIC —M — 2 

THE PLAYBOY ADVISOR - 45 

THE PLAYBOY FORUM... E 

ору, PLAYBOY INTERVIEW: AL GOLDSTEIN —candid conversation 63 
THE LIGHT IN THE COTTAGE— DAVID ELY 78 

А. J.—AS IN FOYT— personality WILUAM NEELY 82 

ULAEPKE'S" LADY —pictorial —— —— = е и: 

SYLVESTER THE CAT—personality B JOHN GRISSIM 94 

PLAYBOY'S FALL AND WINTER FASHION FORECAST—attire.. ROBERT |. GREEN 97 

JUST MY LUCK—fietion... —— WARNER LAW 105 

FLYING HIGH— playboy's playmate of the month a 106 

PLAYBOY'S PARTY JOKES humor. né 

OLD DANCE ON THE KILLING GROUND —erticle CHARLES GAINES 118 

MAKING SOUND WAVES—modern living = epi 

THREE-PART HARMONY — fiction. Е STEPHEN MINOT 124 

IN RUSSIAN, "TO BE SILENT" IS AN ACTIVE VERB—article. ..... HERBERT СОШ 128 

BUNNIES OF 1974—pictorial as 130 

THE PLAYBOY JAZZ & POP POLL. тат 


— c ALBERTO VARGAS 148 


THE VARGAS GIRL—pictorial __ 


4 Cottontails THREE WOMEN—ribald classic. ч 149 
AT LARGE IN THE LAND OF THE TOOTH BANDIT—article .. REG POTTERTON 151 

SMALL VISIONS FROM A TIMELESS PLACE— prose poetry JAMES DICKEY 152 

LIE A LOT AND USE A FAIRLY CLEAN TWO-BY-FOUR — drink. RON SPEER 157 

WORD PLAY —salirc. ROBERT CAROLA 161 

ON THE SCENE—personalilies _ ——Ó 166 

THE KINKY WORLD OF KLIBAN —humor. B. KUBAN 170 

PLAYBOY POTPOURRI 198 

Musie Poll Poa FOLLOW-UP: THE HANDWRITING ON THE WALL. IRVING BRESIAUER 227 


GENERAL OFFICES: PLAYBOY BUILDING. 919 NORTH MICHIGAN AVE.. CHICAGO, ILLINOIS 60611, FETURM POSTAGE MUST ACCOMPANY ALL MANUSCRIPTS, DRAWINGS AND PHOTOGRAPHS SUBMITTED 
TF THEY ARE TO GE RETURNED AND NO RESPONSIBILITY CAN BE ASSUMED FOR UNSOLICITED MATERIALS, ALL RIGHTS IN LETTERS SCUT YO PLAYBOY WILL вс TREATED AS UNCONDITIONALLY AS. 
SIGHED FOR PURLICATION AND COPVPIGHI PURPOSES AND AS SUBJECT TO PLAYBOY'S UNRESTRICTED RIGHT TO EDIT AND TO COMMENT EDITORMLLY, CONTEKTS COPY TIGHT © 197: BY PLAYBOY 
ALL RIGHTS RESERVED. PLAYBOY AND KABIT HEAD SYMBOL AME MARKS OF PLAYBOY, REGISTEYED US, PATENT OFFICE, MARCA REGISTRADA, MANGUE DEPOSCE. NOTHING MAY вс PEPMINTED 
IN WHOLE OR IN PART WITHOUT WRITTEN PEPMISSION FROM THE PUBLISHER. ANY SIMILARITY BETWEEN THE PEOPLE AND PLACES IN THE FICTION AND SENIFICTION IN THIS MAGALINC AND ANY 
REAL PEOPLE AND PLACES 15 PURELY COINCIDENTAL. CREDITS: COVER: MUDEL SUZANN SNEEMI, DESIGNED BY TOM STAEDLER, FHOTOGMAPHY DY гомгго POSAT- OTHER PHOTOGRAPHY BY 
CURTIS BROWN, LTO., P. э, GEORGE BUTLER, P. 3, CARAAI CARLO. p. % DAVID CHAN. P. 3 (2), 132, 135, 136, 137, 136, 139; JEFF COPEN, P. 3 (2): GARY COLE, P. 3; PHILLIP DIXON, P. 133. Y 

RIHARD FEGLEV Р. 33. JAMES GLODUS, P. r5, 26 (2). PHIL HASTINGS. P. 3 DRIAN © MENNESSEY- P. 192: DWIGHT HOOKEN, P. тэт. 133 (2) 130, 125, UNG, P э; NEM MARCUS, F- 130: RONNIE 
MELLON, P. з. MINDAS. P 132 (3). 134 (2). GERNOT PLITZ, P. 135; POMPEO POSAR, P, 191, 117: BOB REED, Р. 3: DENNIS SCOTT. P. 134; SUZANNE SEED, P. 3 (2): VERNON L. SMITH. P. 3 


VOL 21. NO, 10, PUBLISHED MONTHLY ВУ PLAYEOY. IN NATIONAL AND REGIONAL EDITIONS. PLAYBOY DLDG.. 910 н. MICHIGAN AVE., CHGO.. ILL, 60611. SECOND-CLASS POST- 
ND AT ROOL, MAILING OFFICES. SUBSCRIPTIONS: IN THE U. $.. $10 FOR ONE YEAR. POSTMASTER: SEND FORM 3379 TO PLAYBOY. P.O. Бох аг. BOULDEP. COLO. B0302, 


PLAYBOY. остовея. 19 
AGE PAID AT CHGO. {LL 


The white rum gimlet. Now blessed by the people 
who know the most about gimlets. 


RECONSTITUTED 


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We'd mail you a free sample 
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gimler is chat delicious 

PUERTO RICAN RUMS 


©1974 Commonwealth of Puerto Ric 


For free recipe book, write Puerlc Rican Rum, Dept P-19. 
1290 Ave. of Americas, N. Y., N.Y, 10019. 


PLAYBOY 


Minolta helps you 
grin and bare it. 


You can get back to nature with a camera that doesn't get in the way. 

You're comfortable with a Minolta SR-T from the moment you pick it up. 
This is the 35mm reflex camera that lets you concentrate on the picture, 
because the viewfinder shows all the information needed for correct ex- 
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a Minolta SR-T, so you're ready to catch the one photograph that could 
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And when subjects call for a different perspective, Minolta SR-T cameras 
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Get down to basics with a Minolta SR-T. For more information, see your 
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for details and registration. Or write: Minolta Creative Photography Contest, Box 1831, Blair, Neb. 68009. 


PLAYBOY 


HUGH M. HEFNER 
editor and publisher 
ARTHUR KRETCUMER editorial director 
ARTHUR PAUL art director 
SHELDON WAX managing editor 
MARK KAUFTMAN photography editor 


MURRAY FISHER assistant managing editor 


EDITORIAL 
ARTICLES: mvp BUTLER editor + FICTION. 
KOBIE MACAULLY editor, STANLEY PALEY associ 
ate editor, VICTORIA CHEN HAIDER, WALTER SUB- 
LETTE assistant editors « SERVICE FEATURES: 
owrw modern living editor, ROGER 
NER assistant editor; WOBLKY L. GREEN 
fashion director, wwvib PLATT fashion 
editor: THOMAS mawio food & drink editor 
CARTOONS: MICHELLE UERY editor + COPY: 
ARLENE BOURAS editor, STAN AAIBEK assistant 
editor = STAFF: с. BARRY COLSON, GEOETREY 
NORMAN, ROBERT J. SHEN, DAVID STEVENS S 

editors; LAURENCE GONZALES, RFG POTTERTON, 
DAVID STANDISH Staff writers; DOUGLAS MAU- 
ER, DOUGLAS C. BENSON, WILLIAM J. HELMER, 
GRETCHEN MC NEESE, CAML SNYDER associate 
editors; JOUN BLUMENTHAL, 1. F. O'CONNOR, 


JAMES К. PETERSEN, ARNIE WOLFE assistant 
editors; SUSAN HASLER, MARIA NEKAM, BARRARA 
NELLIS, KAREN PADDERUD, LAURIE SADLER, BEE: 


ма T. ZIMMERMAN research editors; J. PAUL 
cerry (business & finance), NAY MENTOFI 
MARD RHODES, RAY RUSSELL, JEAN SN 

KD, BRUCE WILLIAMSON (movies), JONN SKOW 
contributing editors + ADMINISTRATIVE 
SERVICES: РАПСА PAPANGELIS. administra- 
live editor; кох JENNINGS ттд! permission 

MILDRED ZIMMERMAN administrative assist 


ART 
srt ri, RERIG vort asociate directors; 
ов POST, ROY MOODY, LEN WILLIS, CHET SUSKE, 
DRDON MORTENSEN, JOSEPH assistant. 
directors; JULIE. YILERS, VICTOR HUBBARD, 
GLENN STEWARD arf assistants; H. MICHAEL 
SINON executive assistant; EVE HECKMAN 
administrative assistant 


pa Е 
PHOTOGRAPHY 

млинхх GRAROWSKE west coast edito 
GARY COLE IS WAY) associate edi- 
lors; wu. lechnical editor; виа. 
AKSENAULT, DAVID CHAN, RIC FECLEY, 
висит HOOKER, rowrro Posar staf) pho- 
tographers; DON AZUMA, BILL, and MEI FIGG 

BRIAN D. HENNESSEY, ALENAS URBA contrib- 
uting photographers: FRANTZ associate 
photographer; oov — JOUNSON assistant 
editor: ахо Rewe photo lab supervisor: 
JANICE MERKOWIIZ moses chief stylist; 
ковенг enews administrative editor 


PRODUCTION 


Jons Mastno director N varco mm- 
пре’; FLEANORE WAGNER, WTA JOHNSON, 
MARIA MANDIS, RICHARD QUARTAROLL assistants 


READER SERVICE 
CAROLE CRAIG director 


CIRCULATION 
THOMAS в. WILLIAMS customer services; 
WEN COLDRERG direclor of newsstand sales; 
ALVIN. WIEMOLD subscription manager 


ADVERTISING 
HOWARD w. LEDERER advertising director 


PLAYBOY ENTERPRISES, INC. 

. reus business manager and 
associate publisher; RICHARD S. ROSENZWEIG 
executive assistant to the publisher; 
RICHARD м. korr assistant publisher 


Every other men's 
hairspray we know of 
goes on wet. 

And when it dries, 
it leaves your hair stiff. 


That's why we created 
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Our Vitalis Dry 3. It 
makes their hairspray 
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HAIR CONTROL | 


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© Bristol-Myers Co., 1974. 
Unretouched photos taken immediately 
atter spraying. 


Brigade. The French cut shirt. 
- Because ә woman is just 


interested in a man’s shape: 
esheisinhers. \ j 


А Frenchman in good shape would never hide. 
ре behind a shirt that’s too loose and billowy. 
But for some strange reason, American men do. 
We don'tthink that's fair. So we created Brigade. 
ur h Collection of shirts. Slim. Trim. Higher . 
atmholes. Narrower sleeves. Perfectly proportioned. >> 
| Very elegant. Very sleek. Very European. * у 


= 


PLAYBOY 


MONTEZUMAS OFFICIAL GUIDE 
TO THE ANCIENT TEQUILA ARTS. 


The Aztec Empire. It's long gone. However, Horny Bull™ Cocktail. A horned animal symbolizes 
modern man is rediscovering its secrets. the 7th day of the Aztec week, representing high 
Akey to the rediscovery is the Sun Stone, a MAZATL "7 spirited and casual fun. The 


sort of time-capsule that outlines the history of the e drink: 1 oz, Montezuma Tequila 
Aztecs and, according to Montezuma" Tequila, © ГТ > over ice in unusual glassware, 
what the Aztecs liked to drink and when they mason jar, jelly jar, beer mug etc.; 
liked to drink it. Ы fill with fresh orange juice or orange 
Within the inner ring of the breakfast drink. 

Sun Stone are twenty symbols; 
one for each day of the Aztec 
week, Сас symbol also sug- 
gests what kind of drink 
might be appropriate го 


Tequila Fizz. The rain symbol- 
hà izes the 19th day of the Aztec 
week, representing cool re- 
freshment. The drink: 2 ох. 


serve on thar day. Ў о A Montezuma Tequila; juice 

sisi % lime; teo- 
Montezuma 23) TIG spoon sugar: 
Margarita. Ge < КО Е (oq two dashes 
The flower ©» Ng : oronge bit 
symbolizes (9 5 D wu» LLP) ters stir in 


the last day of ће Aztec 
week, representing the 
ultimate in true beauty and 
pleasure. The drink: 2 oz. 
Montezuma Tequila: № ох. 
Triple Sec; juice 4 lime: pinch of 
salt; stir in shaker over ice; rub rim 
of cocktail glass with lime peel and ene and uncomplicated plec- 
spin in salt; strain shaker into cocktail gloss. sure. The drink: Pour 1% 
Bia Bn ie mu » 4 ог. of Montezuma Gold 
Tequila-Pineapple Liqueur The 3rd Tequila in shot glass. Put salt on back 
day of the Aztec week is symbolized | — of thumb: hold a wedge of lime between thumb 
by а house, representing hospitality шаа 8 САШ ОПО Ist finger; lick salt, drink Tequila, bite into lime 
and at-home entertaining. The drink: S88 in one flowing motion. 
fill o jor half way with chunks of ripe pineapple: Montezuma Tequila. In White. In Gold 
pour Montezuma Tequila to the brim; add 1 teo- Made in the tradition of the finest ancient tequilas. 
spoon sugar (op- = For additional Tequila Arts recipes, write: 
tional); cap jar and Montezuma Tequila Arts, Barton Brands, 200 South 
place in refrigerator Michigan Ave., Chicago, Illinois 60604. And may 
for 24 hours; drain тмони Tonatiuh* smile upon you. 


of gud ord Seve Montezuma 
AI Montezuma 
TEQUILA 


QUiAMUTL О fall gloss 
over ісе; fill with club sodo; 
garnish with lime shell. 


Tequila Straight. Water sym- 
bolizes the 9th day of the Aztec 
week, representing simple 


liqueur. 


“Tonatiuh: Aztec god of the sun 
©1974 80 Proof. equilo Вопоп Distilers Import Co. New York New Yor! 


DEAR PLAYBOY 


DELI m 


COMMONER DENOMINATOR 

The July interview with Barry Com- 
moner is one of the most refreshing J 
1. So many large companies 
are «o bent on profit and are so u 


have ever г 


con 
cerned with real needs that l'm not sure 
even God can help us. 
Victoria Bullard 
Fayetteville, North Carolina 


Your interview is a m: 
journalistic exposition. Commoner is 
probably the finest, most perceptive in- 
tellect interviewed by you in а long time 
1, 100, believe that more and more Amer- 
icms are beginning to challenge the 
myths of corporate America. Now, more 
than ever, as we are led from one crisis 
to another by those who are more inter- 


terful piece of 


ested in their annual balance sheets than 
in building a decent society, people arc 
beginning to see that, in Commoners 


words, “once you understand the problem, 
you find that its worse than you ever 
expected 


Michael P. Moffitt 
Institute for Policy Studies 
Washington, D.C. 


Commoner faults U.S. oil comp: 
for not concentrating 
in this county. The fault, however, 
lies not with the ой companies but 
with the Federal Government, which has 
never allowed a single exploratory well 
to be drilled on the Atlantic Seaboard, 
whi 
ry with price controls on interstate nat 
ural-gas sales and which has delayed the 
building of the Alaskan pipeline. Com- 
moner’s hysteria about U. S. ой comp: 

s is so acute that if Exxon and Shell 
jointly discovered the cure for cancer, he 
would scream, “Antitrust!” 


ies 
their exploration 


h has strapped the petroleum indu: 


Thomas L. Torget 


Spring. Texa 


Conary to Commoner's claim, U.S. 
oil companies have not “walked away 
from exploration in the U.S." 


^" Over the 


five-year period, 1968-1972, the domestic 
peuoleum industry drilled а тош] of 
138000 wells in the U. S, at a cost of 


18 billion dollars. During the 1970-1972 
period, nearly 79 percent of all petroleum 
wells and nearly 72 percent of all ex- 
ploratory wells drilled in the free world 
were drilled in the United States. And 


during the 1968-1972 period. some 21 
billion barrels of crude oil and 78.7 tr 
lion cubic feet of natural gas were added 
to the nation's proved reserves. This in- 
cludes the nearly ten billion barrels of ой 
ul 26 trillion cubic fect of natural gas 
found on Alaska’s North Slope but not 
yet available to consumers six and а half 
уси after their discovery. 

Frank N. Hard, President 

American Petroleum Institute 

Washington, D.C. 


Just as your July issue arrived on the 
stands, the Sierra Club, the nation's 
est activist conservation organization, 
learned that the Federal Energy Ad 
istration admitted that a Тагве portion of 
the oil that will be carried via the Alaskan 
pipeline would, prior to 1985, go to Ja- 
pan. So much for the oil companies’ argu- 
ment that we need the Alaskan pipeline 
to meet our energy necds. 

Stuart M, Isracl 

Columbus, Ohio 


In arguing for some form of nationali- 
zation of the oil industry, Commoner 
states that private industry has failed to 
do а good job of organizing the railroad 
industry. In laci, private enterprise did 
4 superb job of building our railroad sys- 
tem. Our railroads have been destroyed 
by four decades of onerous and ignorant 
Govern by the Inter- 
state Commerce Commission and dozens 
of other bureaus. I simply can't believe 
that the system that has failed us so m 
erably with the post office, railroads and 
clectric utilities (not to mention Water- 
gate and wage-and-price controls) offers 
any promise of а solution 

Charles Flynn 

Chicago, Illinois 


nt 


g on behalf of the Transporta- 
tion. Association of America, of which I 
president, I would like to differ with 
Commoner. Nationalization is not an 
appropriate, adequate or effective meas- 
ure with which to cope with current 
transportation or other bu: prob- 
Jems. It is dear from your interview that 
Commoner espouses socialism as the 
"wer do such woes. This nation has 
been vigorously opposed to socialistic 
government. and. economics 


Commoner 


PLAYDOY, ocronen, 
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about it. 


New Special Edge, with more 
protective lubrication than any foam, 
lets you press harder, shave Close, 
and still get a comfortable shave. 
And that's something 
а sensitive face can smile about. 


EDGE is a trademark © 1974 
S.C. Johnson & Son, inc., Racine, Wisc., U.S.A, 


п 


PLAYBOY 


12 


Tell her 


you love her. 


Everyday. 


Anenduring 


reminder. 


Lady Sheaffer? 
as precious as it is practical. 


The “Lady Sheaffer” collection 
of high fashion gift: 


Give her a keepsake. 
From $5.00. 


р» { 


малкото ми 
pL 


SHEAFFER. 


гоп COMPANY 


claims to distrust “hig business.” What 
he actually distrusts are the America 
people whose demands set the course for 
ss, big and small. By nationalizing 
industries, Commoner would 
ove the decision-making 


economi 


proces to the political arena, No longer 
would the people have—as they do now 
in our free-enterprise system—a direct 


voice т instead. 
ted in a 
small coterie of individuals who would 
assume the right to make those decisions 
in the people's name. 


economic deci 


as 


such power would be concent 


Paul |. Tierney 
Washington, D.C. 


Commoners statement that trucks use 
five times 


s trains to move 
ht is typical of his 
broad-brushed propagandistic approach 
to economics. The Department of Trans- 
tion has admitted that a shift of 
lroads would. 
save only 1.6 percent of our energy, would 
st 15 billion dollars and would require 
st 15 years. И trucks. were climi 
i movemen ev 
would have to 
ilroad siding. I would suggest 
Commoner shut down his tax- 
exempt center and return to his 
home in Russia, wher 
tions arc realities, 
H. Dillon Winship. h- 
Cha of the Be 
American Trucking Associations 
Washington, D.C. 


The question of who should r 
railroads has provided a lot of a 
as to which ec uld oper 
ate 

ofr nd trucks in Sovier trcight 
transport and М some facis all 
who debate this question should. consid 


er: The Soviet Union is two and a half 
times the size ol the United States and 
has only a third as much track mileage as 


red that Soviet 
iheir ca 
еу can 
ows did. 
sc in track miles. 
the labor force and 
Ш in the number of loco- 
ау, Soviet railroads 
dle three rimes as much freight 

as ours do and Soviet freight c 
stand idle only one fourth of the time 
U.S. freight d 'wrthermore. the 
viets ошу rec egan conversion. 10 
more сйс ic and. diesel-electric 
t hey di 
been mostly 


эре: 
reached 


пу 


сгсазс at 


in use. 


at elec 
es Wh 
plished so 


com 
with 


should the 
the U.S. 
and Government officials ever really be- 


come serious about taking айап 
action toward the cfhei of U.S. 
freight transport, the ly forget 


ideological differences and look to the 
Soviet Union for technical assistance. 
"Thats а hell of a way to run a rail- 
road" could take on a whole new 
meaning. 


Robert C. Mullally 
East Lansing, Michig, 


Few, if any, discussi 
crisis thar faces this 
world have been me 
your interview. “We 
any [railroad] 
says Comm 


of the energy 
i а the 


er 


tionwide е 
дета this, Amirak 
ап, response to problems of 
providing services essential to indust 
societies as they reach maturity. There is 
1 riding on this experiment. 

R 


Lewis, President 
National R; 
Passenger Corpora 
Washington, D.C. 


You 
vou beli 


both way 
ve in profits ог you 1 
Commoner’s nogrowth. commu 
dise. Ds thar simple. 
В. W. Pete 
Belle 


If Commoner is right, it looks like our 
golden age will go down in history as 
lar briefer than the Iron, Bronze 
Stone ages that preceded it. 


It is my firm belief that nuclear tech- 
nology cau withstand the most searchin 
1d open inquiry, because it has evolved 
trom the very beg à salety con 
siderations foremost 
liam О. Doub, C 
Energy Cc 


In any technological society. the need 
for large amounts ol energy is implicit. 

ll need mor 
imum needs 


erview, Com 
inadequate 
energy needs, but his 
ism is of fission; һе overlooks the 


prospect. of 


| conscrv 
that, while all othe 
х ves could be exhausted i 
1000 years, the energy ble fro 
deuterium n could Та for al 
1 fusion reactors, 


їп great 10 fission. reacte 
would be |y harmless. both 
operationally mentally. ‘The 


ЛЕС, for 
» aggressive. rese: 


Hits faults, is conductin 
directed 


Warning: The Surgeon бепега! Has Determined 
That Cigarette Smoking Is Dangerous to Your Health. Now, lowered tar KGDL Milds 
т "M ^ 


WSON TOBACCO CORFONALION 


0.9 mg. nicotine: Kings, 17 mg. "tar." 1.3 mg. nicotine; 


mg. nicotine, av. per cigarette, ЕТС Report Mar. 74 


PLAYBOY 


Morgan—a dummy recording head in the best seat at the Boston 
Symphony's Tanglewood Music Festival—gave Bose a key 
answer acoustical engineers had sought for ten years. The shrill and 
harsh sounds characteristic of even the finest of conventional 
home music loudspeakers were apparently caused by beaming sound 
waves directly at a listener. 

In alive performance, sound waves from musical instruments reflect 
from all surfaces of the hall and arrive at a listener's ears from all 
directions. The same sound comes to each separate ear milliseconds 
apart. Our mind pulls it together. Like a willow swept by rain, we 
are bathed in sound, and just as our two eyes unify 
an image, so do our ears cooperate. 

As simple as this seems, Bose engineers spent years at exacting 
experimentation to discover that more precise electronics 
wouldn't close the gap between the experience of concert music and 

conventional hi-fi. The answer lay in how music travels to our ears. 
So Bose created an unconventional speaker which grazes music 
off the walls of your listening room, forming a spatial environment of 
sound similar to that of a concert hall. 
The precise illusion of sound spread through a room is uncanny . 
comes from areas, not points. Sit anywhere in your room: your 
ears needn't focus; the sound is there . . . fifth row center. Bose owners 
know that the difference between a fine sound system 
and a great one is the speakers. 


It all begins with the speakers. 


Ask your franchised Bose dealer to A-B 
our 901° with any conventional speaker, 
regardless of size or price. 


For information on Bose Direct/Reflecting® 
speakers, write us at Dept.B 
To locate your nearest Bose dealer, call toll | 
® 


free, 800-447-4700. In Illinois, call 800-322-4400 


The Mountain, Framingham, Mass. 01701 і 


toward the attainment of controlled. fu 
sion—a program that deserves better rec- 
ognition than Commoner has bestowed 
upon it 


Michael Dunn. 
Seattle, Washington 
Stay tuned in; Richard Rhodes reports 
on fusion in our next issue 


Though I agree with much of wh 
Commoner says, Fm afraid that your 
otherwise commendable interview with 
him leaves your r 
pressions of the population. movement 
that are. mislcadin No onc ] know iu 
the population movement claims that 
population control is the “only solution 
to the problems of pollution and energy 
shortage," to use your interviewer's 
words. Nor do we dream of reducing 
population by 86 percent, as Commoner 
s. We do believe that the problems of 
pollution and the shortages of energy 


aders with some im- 


and food are aggravated by continued 
population growth. To quote the Re- 
port of the Commission on Population 
Growth and the American Future, 
"While slower populat owth pro 
vides opportunity [to solve our prob: 
lems), it docs not guarantee that such 
opportunities will be well used. It sim 
ply opens up a range of choices we 
would not have otherwise." 

Miriam Wolf 

Ann Arbor, Michigan 


Commoncr states that he considers him. 
self lucky to use his knowledge as a tool 
with which to inform the public. It is we 
who are enormously lucky to have him 
and people like him, 

Joseph D. Pasquino 
Cleveland Heights, Ohio 


LIVING DAHL 
Roald Dahl's Bitch (PLAYnov, July) is 
a fantastic piece of fiction. Its only short 
coming is the lack of a scratch. ‘n’ snilf 
at the end so we all could experience 
the effects of the most powerful aphro. 
disiac ever created. 
Sieve Raglin 
Lincoln. Nebraska 


BUBBLE, BUBBLE 

L thoroughly enjoyed Mordecai Rich. 
les July account of the 1973 Gnostic 
Aquarian Festival in Witches’ Brew. I 
did, however, notice one slight inaccura 
cy. Richler wrote that a fellow witch and 
1 were unable to m. 
ly did make it rain! Oh, it wasn't 


e it rain, We most 


one of your spectacular rains- just a 
hesitant drizle off and on for the next 
few days. The rub is that Mordecai had 
asked for sunshine! 

Carolyn Clark, High Priestess 

Church of All Worlds 

St. Louis, Missouri 


Witches’ Brew is a predictable reac 


tion on the part of those ill-informed 


Acme's got America 
wearing denims 
on their feet. 


When Acme first introduced denim in ѕо you can be sure our denim boots are 
our Асте” Western boots and Dingo” boots, everything a denim boot should be. 


it started a stampede. Since then, a lot of And they're priced to leave you with some 
denim-come-latelys have stepped upon cash in your jeans. 

the scene. But still nobody makes denim When you're looking for denim 
boots like Acme. boots, insist upon denims branded with 


We're the world’s largest bootmaker, 


Гасме] dingo’ 


more boot for less bucks. 


We also make Hawkeye’ boots. 
For the store near you, write: Acme Boot Co, Inc, Dept. DE104, Clarksville, Jenn. 37040. A subsidiary of Nonhwest Industries, lnc. 


PLAYBOY 


16 


nt only to expose witches, 
voyants as frauds. As 
1 witches seldom attend public 
gs—because 90 percent of witch- 
meets are bullshit. 

Bill Wheeler 

Association of Cymmry Wicca. 

Athens, Georgia 


Witches’ Brew К. Vm sure, а truc 
port at occurred at a particu- 
ar witches’ convention. What is sad is 
that these people have become the sole 
representatives of and spokesmen Гог the 
Old Religion. The Old Religion was а 
genuine religious expression that met 
three needs. Cosmology: Tt explained 
how people came to be and how they fit 
into the syste: whole. Consolation: 
It gave meaning to the sorrows expei 
enced here оп earth. And ethics It 
grounded a code of behavior. None of 
these major aspects of the Old Religion, 
however, come through in the degener 


form in which it is apparently practiced 
today. 
‘ol Ochs, € son 
Department of Philosophy 
(mons College 
I sey 
Robert Sherrill’s July opini 
on CIA director Will Colby, No 


Success Like Failure, is worthy т 
essential to enlightening the publi 
people like Sherrill who, by exposing the 
flaws in our system, offer a bit ol hope 
for us all. 


(Name withheld by request) 
‘ederal Reformatory 
El Reno, Oklahoma 


Sherrill paints an accurate picture of 
the dilemma facing America when our 
Government allows men like Colby to 

to the wp even after failure and 
crimes against humanity. This problem 
will continue until we Americans abol- 
ish the structures in our society that 
spawned Colby and his CLA assassination 
machine. 


Tim Burz 
nizing Committee 
for a Filth Est 
hingto 


SIC TRANSIT, GLORIA 
Thank you for Frederick. Exley's en- 
counter with Gloria Steinem and his waltz 
down memory lane in Saint Gloria and 
the Troll (rivnov, July). 
P. T. Rothacher 
Toms River, New Jersey 


Saint Gloria and the Troll places a 
great deal of its emphasis on Exley's per- 
sonal attitude. toward such subjects as 
n. As a lesbian, I believe Exley 
ith very little insight imo the 
subject. I believe th safely say 
that his brielle, described as а 


lesbian in the article. is no lesbian at all 
but merely a frustrated straight who 
turned to other women when men 
couldn't get her rocks oll. Lesbianism is 
a positive statement ol sexual prefer- 
ence, mot as Exley writes, something 
“every noble soul accepts,” as he accepts 

icer а self 
contracts й sm is no “disease. 
a Medical Assoc 


ithheld by request) 
fornia 


It can't be possible that your m 
aders identify with the poor, 
petent and totally misled “ 
wrote Saint Gloria. I it is, I'm going to 
stop praying for the women of this coun- 
пу and start praying for the men 

Jada Bouvién 

Cypress, California 


Even when compared with his classic 
novel, A Fan's Notes, Exley's Saint Gloria 
is no disappointment. 

Glen Creason 

Los Angeles, California 


Apart from a talent as abundant as 
of his idol, Saul Bdlow—plus a 
illiant comedic sense—Exley seems to 
be that precious rarity, a thoroughly hon- 
est no-bullshit guy. Congratulations to 
PLAYBOY for giving this topllight. writer 
the audience he deserve: 

John Bright 

North Hollywood, Californi: 


FFDERAL CASE. 

Kudos to Douglas Bauer for his excel- 
lent artide on a month in Federal 
Court, Nothing but the Truth... and 
Other Lies (pLavuoy, July). For a non- 
lawyer. this young writer has an 
awareness of what takes place prior to 
d during a cial, amd his ability to 
take the temper of litigants in closely 
contested tr с depicted in 
his report is simply excellent. 

A. Don Crowder, Attorney at Law 
Dallas, Texas 


mazing 


|5 such as th 


Bauer did an excellent job of report- 
ing some of the ies in our courts 
today. But 1 still think what happened 
10 Ouo Kerner and Theodore Isaacs is 
sad. Г wonder if maybe we are sometimes 


y Atherton 
Rockford, Illinois 


STRANGE CUSTOMS 
Your July article Diary of a Customs 
Inspector. by Frank Jacobs and Peter Pit- 
а joy to read. In 1973. I м: 
в inspector, so the article 
brought back some gre 


Jacobs and Pitkin fail to. 
the American consum 


expenses, over 
holiday pay, Sunday pay. night«lilfer 
tial pay, incentive awards, health insur- 


ance. life insurance and retirement 
benefis of the Customs oflicers. who 
delay, annoy and harass us. 


W. T. Toney, Jr. 
Nacogdoches, Tex: 


When I was in the sm 
it was the first Ty passenger met 
who determined the extent to which the 
er was to be inspected. The trav- 
colored folder 


gling business, 


wt no check and 

check, and so on. Now: 

cobs and РИКИ s changed. 

You guys sure make it hard Гог someone 

like me to make au honest living. 

(Name and address 
withheld by request) 


ccording to 


‚ the system h 


LENNY LIVES 

Your Playhoy After Hours review of 
Albert Goldman's Ladies and Gentle- 
men—Lenny Bruce! (втлувох, July) 
an attack on the author rather than a r 
view of wha knowledge 
able а ms is “the 
greatest sustained closeup in the history 
of biography." The nameless schmuck 
who wrote your picce takes 
task for using Lenny 
the book. Lenny h 
ballsiness, so let's talk about the balls 
it took for Goldman—who was а pro- 
fessor of сотр: it Co- 
lumbia for 20 years—to write this book 
in the style he did. As one of the 
who allegedly “helped put [the] book 
together,” I warned Gold 
likelihood of violent а 
this technique. Critics have never been 
able to understand that one can be both 
а hipster and lemician at the 
same time. What your reviewer forgets is 
that Lenny’s la 
$ the language of the 
as for your reviewer's 
about the book's costing 
e that’s just gone 
ich Playboy 
Press has made oll of How to Talk Dirty 
and Influence People since Lenny's death. 

Chic Eder 
San Luis Obispo, California 


Em 


ng shprit 
bucks a 


ien 


upto 51 


It's about time somebody had enough 
sense to put down the assholes who a 
leaping on the Bruce band w 
that there's money to be made and now 
that it’s socially acceptable to do so. C. 
gratulations to PLAYBOY for telling it 
like it i 


now 


igon 


Jef Glavick 
Forest Hills, New York 


San Francisco? Los Angeles? 


Straight Bourbon 
Whisky | 
86 PROOF у & | 


ISULE a BOTTLED sx EARLY TIMES, 


Move over vodka, gin, rum. Here we come... 


INGREDIENTS: 2 oz. EARLY TIMES, '% oz. Sweet Vermouth, 1 Dash Bitters. INGREDIENTS: 2 oz. EARLY TIMES, 1 oz. Triple Sec, orange juice. 
RECIPE: Stir 2 oz. EARLY TIMES, %% oz. Sweet Vermouth, 1 Dash RECIPE: Fill highball glass with ice. Add 2 oz. EARLY TIMES and. 
Bitters with ice; strain into stem glass. Garnish/cherry. 1 oz. Triple Sec. Fill with orange juice, and stir. 
Float teaspoon Grenadine. 


perience 


INGREDIENTS: 1 oz. EARLY TIMES, ?4 oz. Green Creme de Menthe, INGREDIENTS: 1 oz. EARLY TIMES, 1 oz. Triple Sec, 1 oz. Dry Vermouth. 
% oz. White Creme de Cacao, 1 oz. Coffee Cream. RECIPE: Combine 1 oz. EARLY TIMES, 1 oz. Triple Sec. 1 oz. 
RECIPE: Shake with cracked ice 1 oz. EARLY TIMES, Dry Vermouth, with cracked ice; strain into stem glass. 
% oz. Green Creme de Menthe, % oz. White Creme de Cacao, Garnish/lemon twist. 
1 oz. Cream. Strain into whisky sour glass. 


на < соо Nm 


oer eet 


INGREDIENTS: 2 oz. EARLY TIMES, INGREDIENTS: 17 oz. EARLY TIMES, 
4 oz. Pineapple Juice, 2 oz. Cranberry Juice. 1 oz. Green Creme de Menthe, 1 oz. Simple Syrup, 7-Up®. 
RECIPE: Shake 2 oz. EARLY TIMES, 4 oz. Pineapple Juice, RECIPE: With ice mix 1% oz. EARLY TIMES, 1 oz. Green Creme de Menthe, 
2 oz. Cranberry Juice, with cracked ice; 1 oz. Simple Syrup; strain into stem glass, top with 7-Up*. 
pour in highball glass. Garnish/'/ slice orange. Garnish /cherry, straw. 


— _ ПЕЕ 
The Boston Bourbon Магу 


INGREDIENTS: 1/ cz. EARLY TIMES, Tomato Juice, Worcestershire INGREDIENTS: 11% oz. EARLY TIMES, 
Sauce, Tabasco Sauce, Slice of lime (or Favorite Bloody Mary Mix). ‘4 oz. White Creme de Menthe, Dash of Bitters, Lemon Peel. 
RECIPE: Combine 1'4 oz. EARLY TIMES, Tomato Juice, RECIPE: Rub edge of rocks glass with lemon peel; over rocks 
Worcestershire and Tabasco Sauce to taste (or Bloody Mary Mix). add 1% oz. EARLY TIMES, 7 oz. White Creme de Menthe, 
Add ingredients to highball glass filled with ice. Garnish /lime slice. Dash of Bitters, and stir. Garnish/lernon peel. 


x Ny 


INGREDIENTS: 4 oz. EARLY TIMES, 1% oz. Cranberry Juice, INGREDIENTS: 1% oz. EARLY TIMES, 
1 oz. Lemon Juice, 2 tablespoons Sugar. М oz. Apricot Brandy, *? oz. Grenadine, 2 cz. Lime Juice. 
RECIPE: Blend at high speed 4 oz. EARLY TIMES, 17 oz. RECIPE: Shake with ice 172 cz. EARLY TIMES, 7 oz. Apricot Brandy, 
Cranberry Juice, 1 oz. Lemon Juice, 2 tablespoons Sugar. У oz. Grenadine. # oz. Lime Juice. Pour in highball glass. 
Add ice until punch is "snow." Serves two in rocks glasses. Garnish/lime slice, green cherry. 


m 5 


INGREDIENTS: 1 oz. FARLY TIMES, 1 oz. Creme de Banana, 
Ys oz. Triple Sec, /^ oz. Lemon Juice, 2 oz. Pineapple Juice. 


Wherever you are, and whatever you mix us with, cola, 
RECIPE: In Blender combine 1 oz. EARLY TIMES, 1 oz. Creme de Banana, ginger ale, the uncola, cherry soda, lemonade, water or just 


oz. Triple Sec, ' oz. Lemon Juice, 2 oz. Pineapple Juice, with ice; a clatter of ice cubes, once you know us, you'll love us. 
pour in highball glass half filled with cracked ice. Garnish/ pineapple slice, straw. 


ў 
we 


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Early Times Pussycat Glasses, P.O. Box 378, Maple Plain, Minnesota 55359. — p К 
[знн АЙКЫН ын ий нат, Pull out Insert here —> 

More opposite page 


‘The Florida senate, in reject- 
the Equal Rights Amendment, 
explained its rationale through a spokes- 
man: 


Саһ you imagine an 18-year-old 
girl, raised in the Church, being drafted 
into a barracks full of hardened military 


There's no doubt in our mind that th 
story's apocryphal, but а reader in West 
Germany claims that something very 
much like this happened, A German com- 
pany ordered а shipment of coffee from 
U. S. firm, but when it arrived, rats were 
discovered in a couple of bags. The Ge 
man firm is supposed 10 have sent ше 
following letter (and if it didn't, it should 
have): 


Schentlemens: 

Der last two packetches ve got uff 
koflec vas mit rate schidt mixt. Der 
koffee may be gutt enuff, but der 
ratt schidt schpoile der trade. Ve 
did rate schidt in der 
zamples vich you sent us for exam 


пог see der 


inashun 

Id take so much time to pik der 
kolfee. It vas a 
mistook, ya? Ve like you to schip us 
der koflec in von sak und der ratt 
schidt in der odder sak, den ve mix 
it t0 suit der kostomer 


t turds from der 


Write please if ve shood schip der 
schidt bak und kip der koffee, or if 
ve shood kip der schidt und schip der 
koffee bak, or schip der hold schidten 
vorks bak. 

Ve vant to do rite in dis matter, 


but ve don't like dis rattschidt 
business. 
Da-da-doo! When a California firm 


named Dy-Dee Wash sued Tidec-Didce 
Service for 
Didec-Tidee, a superior-court judge ruled 
gainst Dy-Dee, saying that T'idec-Didee's 
advertising as Didee-Tidee did not con- 
[use customers of either firm. 


Diaper advertising itself as 


Must be dynamite stul 
Greenville News т South 


Carolina. re- 
ports it, a Dr. Marvin J. Short said that 


while alcohol usually passes out of di 


PLAYBOY AFTER HOURS 


body within eight hours, "a compound in 
marijuana usually remains in the body 
from [our days to a weed. 

A couple more tidbits for name-drop- 
pers: The new president of the American 
Fertility Society is Dr. Coy Lay and the 
coordinator of San Francisco's Pregnancy 
Control Center is а Miss Knightly. 


А jocular gentleman named Allen 
Lewis walked into a dentists office in 
Farcham, England, and asked for a check- 
up. He told the doctor he was terrified of 
dentists and he wouldn't open his mouth 
unless first given a blast of laughing gas 
The dentist complied. After Lewis’ guf- 
faws had died away and he began to doze, 


the dentist opened Lewis’ mouth and 
discovered that he had no teeth, “I just 
have a thing for laughing gas" Lewis 


later told police with a chuckle. 

Caron Fisk, catcher for the Boston 
Red Sox, was modest about his major- 
league record: "Гуе been hit in the groin 
five times since May first." Aside from 
Fisk's aches and. pains, however, the real 
problem for newspapers how to 
the reports. 
Buddy LaRoux told reporters, 
inal injury, during spring t: 
the worst, ... Fisk's testicles were terribly 
swollen.” As The Boston Globe later put 
it, “Local newspapers held long, soul- 
searching editorial conferences to deter- 
ine whether the word testicle might 
appear in print... . It was finally decided 


wits 


handle medical Trainer 


he orig- 
ning. was 


that, as part of the body, the testide of 
k could be identified—probably since 
every other pubic affair was being dis- 
cussed in newspapers, magazines and on 
radio and television 


An ecology bumper sticker in 


Angeles: stuck FOG! 


Los 


Could those Scandi. 
navian sex changes? For 200 years, the 
Danes have called their famous aperitif 
Cherry Heering. Henceforth, the name 
will be Peter Heering. 


this be one of 


Movies rated X have been banned in 
Covington, Kentucky, for т 
highway safety. A judge ruled that the 


sons of 


Dixie Gardens Drive- 


the films. because 


1 must stop show- 
nude scenes had 
caused. massi 


Interstate 75. 


e mallic tie-ups on nearby 


When The Providence Journal Bul- 
letin reported that Dennis Evans had 
been arrested "on the spot" during а 
burglary at а drugstore, Evans called 


y 


PLAYBOY 


18 


from jail to complain that his professional 
skills had been slurred. He was picked up 
by police, he said, an hour later and over 
а mile from the store. Furthermore, he 
stid, he had never been picked up “on 
the spor” during amy of his burglari 
The newspaper ran a frontpage correc- 
tion the next day 


head at the office? An Iowa 
ance company specializing in group 


health insurance allowed this unusual 
daim: "Compensation for gonorrheal 


arthritis which was accelerated. by an 
employment-connected blow." 


In a story about a 
tion ceremony, the Buchs County Courier 
Times reported this lively event: "Craig 
Fry did some impressive work on the 
Joanne Krouse gently soloed 
ful sons 


h school gradua- 


two beaut 


EVENTS 


Neva Friedenn is becoming our Un- 
official Historian of California Weird— 
which, as you might imagine, keeps her 


opening of the OddBall 
ssorunent of programed 


Olympics—an 
lunacies designed specifically to add ne 
mes to the Guinness Book of World 
Records, held, naturally, at Century City 
in Los Angeles. The place isell is a 
startling visual symbol of one-up. 
a complex of Beverly Hills high 
leaves no simple geometrical shape un- 
built. oid her 
soaring rectangles everywhere. So it's n 
surprise that the Century Square Shop- 
ping Center has decided to overachieve 
in the open air, publicizing itself through 
such come-one-come-all events as Gold- 
fish Swallowing, Face Slapping and P 
е g contests 

But by Sa 
of the marathon events, Waan A 
Serran has already been here four and a 
half days. keeping himself awake, moving 
slowly to and fro in a rocking chair. Cur- 
rent world record: 307 hours, 30 minutes. 
Wuan's out to break it because he's just 
hack in LA. after a lot of travel, he's а 
little between things and has а mother 
who's a doctor and can put him back to- 
gether if he rocks himself to bits. His 
sion had begun to fuz 
"PH be halluci 


ship. 


-an а 


us 


after the first 


ау 
ing by the time you 
come back с urday," he promised, 
and he's as good as his word. By now he's 
hot just seeing things, he's not seeing 
things that are plainly there, He's also got 
an earache, a sore throat from talking too 
much and finally—to Hash forward a few 
days—a nervous breakdown. But it's all 
taken care of: His mom comes by and 


ves him a trank to eliminate the sm 
g/weeping, municdepresive, battle- 
fatiguelike symptoms. She and Wuans 
ladyfriend also administer hugs, and 
pretty soon he's straight again, says he 
never really was scared. but only so dis 
oriented that it was like watching som 
one who needed a lot of help and it just 
happened to be himself See, in Cali 
fornia you can do most of it outdoors, 
even your epiphanies. It turns out U 
the soporific effects of rocking were i 
conflict with Ше need to мау awake, 


and, with rocking out of the way, Wuan 


up two short of his goal. Wuan'll live; he's 
only 20. As a matter of fact, the Century 
City promoters and journalists who con- 
ceived the OddBall Olympics were all 
under 30—as were most of the aspiring 
record breakers. And thiy series of youth 
ful follies turned out to be the I 
record-breaking event of its kind i 
history of the world, no lic, with 42 scores 
broken and set for categories new and old. 
‘And so the sleck ladies with shopping 
bags who are, really, looking for a col- 
fee shop—frankly, a tuna salad—get in- 
stead a couple of hundred OddBall 
spectators right in the sluts, and they 
practically lose their 
rifying blast of sound: ‘The Roto Rooter 
Good Time Christmas Band is doing i 


тап» from а ter- 


strange brassy thing, creating an alloy of 
Spike Jones, Dan Hicks, the more lyric 
modes of Zappa s the Live Gold. 
fish Swallow as. The previous 
Guinness record was 995 at a sitting, here 


broken by John Parker, who after two 
hours can be caught peering into the 
nearly empty fish bucket, rellections 


from the water d fe 
tured young face. He's just made his 
300th kill, and he's mesmerized. John 
says he didn't practice prior to the con- 
test, and he's not sorry: You have to swa 
low cach individually, and even 
though you can [eel them wriggling only 
to the base of your throat. it’s 
enough. After that, it's his opinion, th 
must get scrunched or something, 

Bill "Fox" Foster is an older, fire-hy 
drantshaped guy in a hat made from the 
sides of Coors cans. He's semipro. At 
Beer Chngging. He entertains patrons in 
his Wilshire Boulevard bar by down! 
mugs so fast they'd swear he's throw 
over his shoulder. But he's not, 
Olympics, he's set 


onc 


down 


git 
At the 
the record, a mug 
in a split second. in Tull view. He chugs 


two to anybody else's one and can do it 
imost as fast standing on his head. For 
cach fear of this peculiarly American 
yogi, Foster's fans repeat his hortatory 
chant. which roughly “Siggy-saki. 
siggy-saki, hoy, hoy, hoy.” at sports-cheer 
tempo. After that act, all young amateur 
Jerry Cowan can do is go after а differ- 
ent record: He chugs а 4-ounce pitch 
of beer in 5.2 seconds! He says later that 
he warmed up with just three beers on 
the way here, that he customarily d 
case а day and hustles his talent 
pop at bars where he's unknown. 
"So what was that T saw you de 
ht after? Was it maybe belching: 
Dh, that. Хо. After E put the pitcher 
down, I happened to look over at ü 
kid caring the goldfish. What 
was me gaggi 
А wander down the mall leads p 
timers and counters: past the ten-year 
olds on pogo sticks. the unicycle riders, 
the album-cover-on-the-fnger spinner, the 
Ieaplrogyers, the marathon pool. players 
They're all reaching the 10,000th hop. 
the 40th mile, the 18th hour, whatever 
From afar comes the cry that someone 


you saw 


has just eaten 17 bananas in two minutes. 
Somewhere kids are cating hot dogs, 
grapes, cheese, cookies, spaghetti, ice 


(ream, prunes, pizza. pancakes, pickles 
are playing paddle ball, Frisbee, air hock- 
cy, checkers and Monopoly both. open 
and on d under 
water: are ма 
one leg, twiddling thumbs, burp 
in 15 seconds, “Burper” Bernstein). ca 
wheeling, clapping, carrying bricks, cram- 
ming chewing gum into their mouth. . . - 

Ош here on th of Western civili- 
zation, American adults have pretty much 
defaulted on the responsibility to chal- 
lenge the famous eccentricity of their 
contemporaries in England; up till now, 


© Leviton 4074 


The sextant: 
solid brass with silver inlay. 
Made about 1835 by Bates of London 
for trans-Atlantic sailings. 
The cigarette: 
a modern blend of 4 premium tobaccos 
gathered fronr$ continents, 

Apóüntries dnd states. 


Micronite filter. 
‘Mild, smooth taste. 
Americas qo cigarette. 
Kent 


må ficat. 005: 18 mg "Gr for Deluxe 100's, 
rive, РТС Report Ма. Їй. 11 > : Ў 


PLAYBOY 


20 


British adults have dominated the Guin- 
ness Book. So these California kids have 
had to мер in, and the OddBall Olym. 


pics people have had to maintain 
certain standards, though nearly invi 
ble, of id convention. The sim- 


pler, titer recent forms of attaining 
notoriety were disbarred from the first; 
kes and marathon kissers were 
пей down cold. But a few totally new 
concepts were lost that way, chances for 


events more sophisticated, fresher, too. 


id that first 
and then eat it. In front 
the record, 


Saturday and . . 
of everybody. Е 


DINING-DRINKING 


San Francisco is renowned among 
diners out for two drink-and-eat elabora- 
tions: the family-style, prix-fixe adapta 
tion from the Italian (or French, Spanish 
or P nd the Union or Montgom- 
cry Street swingle-dingle body-exchange 
bar with cheeseburgers. The Washington 
Square Bar & Grill (1707 Powell Street), ov 
g its urban park and the marvelous 
ake Church of Peter and Paul, 
y alone in a diminishing coi 
п emphasis on hearty roasts 
Лепей salads and economical 
drinks for marathon talkers. Ownership 
is sophisticated (we'll get to that), but 
perhaps the chef is the key. Here, Aldo 
Persich, а G0ish triestino, pretends to 
по cordon-blew crap but is a great. all- 
round cook and bon vivant, much be- 
loved by the ladies who keep pecking into 
the kitchen to see how the minestrone 
bubbles. Style comes next: a neat, dean, 
Third Ауспие-Чесо motif, with San 
Francisco prints and a piano and а rich 
mix of clientele—the sheriff and Ital- 
an-neighborhood. socializers; Margo St. 
James and the май of Coyote, the whores" 
benevolent association (see this month's 
On the Scene); statters from the local 
offices of Newsweek, The New York 
Times and Rolling Stone; writers and 
nd widely unknown pocis who 
udy the wetness of a glass on а 
bar for possible inspiration. N 
the place has history and social depth. 
Deitsch, one of the famous St. Louis 
beatniks of the Fi 
hanging arou 
cisco while he did the cooking and they 
ate his food. Ed Moose got tired of man: 

political campaigns for worthy 
. Together they decided to open a 
rd Avenue bar in 
athip-Italian North 


1 


Beach, and found this place opposite 
Washington Square Park. And now 
s the Washington Square Ва 


tasty 
t modest prices, and 
and Ed actually making money on 
nds who used to eat at their 
The WS.R&G has 


m 
the fri 
places for free 


swinging doors, proper paneling, antique 
bar and nor too much attention yet. The 
lunchtime special recently was а cold- 
roastbeef salad with cucumbers, hearts 
of palm and avocados, just because Ed's 
wil felt like making up a 
lunchtime salad of cold roast beef and 
things. Other days, other whims. At ay 
night they emphasize serious eat- 
ig and conversation, simply by 


presenting their anachronistic 
formula of honest chow à A 
Vitalienne and 


hearty drink 
«d the mel- 
low evil 
Irish vil 
Deitsch PE: 
Moose, Once 
in a while, a 
piano play 
comes in, if it's 

someone they enjoy. Once in a while, а 
politico comes in to plot the liberal re- 
volt, if it’s someone they сап stand. But 
on a stack of back copies of PLAYBOY, 
Deitsch and Moose swear the Washington 
Square will never join the body-exchange 
iks. Believe them. Washington Square 
& Grill is open from 10 а.м. to 2 a.v 
through Sunday. No credit cards. 
tions for large groups only (115- 
982-8123). 


RECORDINGS 


T's по disparagement of The Band, 
probably the best rock group in the 
country, to say that its music is not for 
anguished lovers. The Torture Garden 
is simply not part of its lower 40. Never- 
theless, with The Band playing impecca 
bly behind him, Bob. Dylan creates опе 
of the most agonized and vindictive/ 
romantic antiheroes on record. Or the 
st, depending on where уоште 
$ from. The key songs on this I 
double album, Before the Flood (Asylum). 
re Most Likely You Go Your Way (And 
ГИ Go Mine). Lay Lady Lay, It Ain't 
Me, Babe and Like a Rolling Stone. 

Always ап impressive dramatic singer, 
Dylan now touch your soul at the 
beginning of а verse and then, fal 
with pitiless irony on the last word. deft- 
ly cut your heart out (“But you know 
you're not that strong!"). The vocal ef- 
fect is like biting into a creamilled 
chocolate that explodes on impact. Or 
he'll chide the lady of the song with a 
gooly tragic qu his voice that ulu- 
lates between Frank Fontaine's imperson- 
ation of a drunk and Emil Jannings 
cockaow at the end of The Blue Angel. 
Whether the effect thrills or shocks or 
merely makes you wonder Why, Bob, 
Why? depends again on your point of 
view. We're in the Why, Bob? division, 
even though we admit that the satanic 
choral taunt “How does it feel?" on 
Like a Rolling Stone freezes our blood. 
Phe thaw comes with The Shape I'm 


In, which The Band lays out like a 
straight flush on a horse blanket. Cl 
ly, the listener has changed hotels. Clas- 
ics such as The Night They Drove 
Old Dixie Down and Up on Cripple 
Creck are not as good as the carlier ve 
sions, but who knows—some night whe 
your heart irrepressible and 
unpredic m Cripple C 
might jump like a from cut to сш 

g brass bed, lie across 


We're concerned about you out th 
We hear you haven't been с 
self lately, what with worrying about 
taxes and narcotics and the dedine of the 
West. So here's what we want you to do. 
Go ош, get in the car and drive down- 
town. Stop at the liquor store for a cou- 
ple of six-packs, then go to the record 
shop and pick up Reom Full of Roses, by 
Mickey Gilley (it’s on the Playboy Rec- 
ords label, so there is sor 
for us). Take your purchases home. Pop 
a top. turn the volume up a little loud, 
take a load off your [cet and enjoy. Enjoy 
some real good country music, oldies 
such as Swinging Doors, San Antonio 
Rose and Faded Love done right. Gilley 
(see this month’s On the Scene) has 
pl nd plays a piano that's 
just honky-tonk enough. He sounds like 
ry Lee Lewis and plays with his 
stead of his fists. Now. whe 
things get going good, help yourself to 
nother beer, turn the record over and 
listen to the other side, sing along a little. 
There. See, you feel better already. 


©. 
oying your- 


nt voice 


For 30 years his music could hardly get 
a bearing, and now he’s considered Amer 
iors Б Charles Ives— 
idealist, businessman, eccentric 


atest compose 


ness and writing his unique kind of music 
that reflected everything from his Соц 
necticut boyhood to politics to Shake- 
speare. Yet the old gentleman couldurt fail 
to be pleased by Charles Ives: The 100th Anni- 
Masterworks), a fine 


versery (Columbi: 


five-LP sampling of his genius. Including 
previously unreleased selections and 
few improvisations never belore heard 


the set is nd tribute to 
Ives orchestral, chamber and choral 
works—not to mention his songs, many of 
which are superb. The four symphonies, 
wisely not included here, are ble in 
. One disc is 
ry rare record 
s of Ives p compositions: 
her contains bits of insight and remi- 
niscence by friends, relatives and aso- 
ciates. I's a warm portrait and a full onc. 


anywhere 


good recordings elsewher 
wholly devoted to some v 


g his ow 


k of the Smithsoni- 
ic where 


For those who th 
an Institution as our national au 


Innsbruck II—That's the name to ask for when you want a classic Western outfit with distinctive 
yoke back pockets and striking contrast Stitching. Both jacket and flares feature 100. per cent 
cotton sloan sateen that's rawhide tough, yet brushed denim soft. Flares $16, jacket $20. From 
The Lee Company, 640 Fifth Avenue, New York, N.Y. 10019. T 


Acompanyof V corporation 


PLAYBOY 


Heineken— 

the finest beer 

from Holland is 

the #1 imported 

beer in America 

because Heincken tastes tremendous. 


Exclusive U.S. Importers: 
Van Munching & Со, Inc., N.Y., N.Y. 


"75 
Heathkit Catalog 


World's largest selection of electronic kits — 
starring Heathkit digital-design color TV, digi- 
tal date & alarm clocks, calculators, weather 
instruments, stereo & 4-channel hii, fishing & 
marine gear, metal locators, automotive tune-up 
gear, а comprehensive Amateur Radio line-up, 
R/C modeling, test instruments...hundreds 
more. See them all in the new Heathkit cata- 
log — yours free for the asking. Just fill out & 
mail in the coupon below, 

‘Meath Company, Dept. 38-10 e 

Benton Harbor, Michigan 49022 


C] Send my FREE 1975 Heathkit Catalog | 


Name. 
Address — 


суве — Ap 
asu | 


everyone's oddball collections of war 
planes, sea shells and bubblegum cards 
get dumped. The Smithsonian Collection of 
Classic Jazz (Smithsonian) will come as a 
bit of a shock. It starts with Scott Joplin, 
ends six LPs later with John. Coltrane 
and is about as intelligent ап appraisal 
of the jazz scene from then to now 
we've come Like Sutter's Mill, 
it has nuggets strewn about just wait 
ng to be picked up. Louis Armstrong's 
West End Blues, Art. Yatum’s Willow 
Weep for Me, Basie’s Lester Leaps In. 
lington’s Ko-ko, Charlie Parkers Em 
braceable You and on and on. A lengthy 
booklet on the contents is included and 
the boxed edition сап be obtained for 
521.50 [rom Classic Jazz, Р.О. Box 11196, 
D.C. 20044. 


across. 


The songs on Elto 
once prove that he and lyricist 
Bernie Taupin are capable of brilliance 
as well as excess. Caribou (MCA) con- 
tinues the current fad of recording your: 
self in odd places. This time its the 
Colorado studio /ranch home of Chica- 
go* mentor, James William. Guercio. 
Unfortu the setting didn't help 
the m much Yt 


John’s latest entry 


te: and Caribou a 
no Honky Chateau. Elton gets as mellow 
and emotive as he's ever been on Pinky 
and Don't Let the Sun Go Down on Me 
(featuring as added attractions а couple 
of Beach Boys on backup vocals) —which 
leaves only eight songs that are too cute 
d directionless or too reminiscent of 
past work to be very exciting. Caribou is 
by no means a failure, bui 
with John's best work, we'll 
Maybe it was the altitude. 
From a solid "Yes," Rick Wakeman 
has wavered to a qualified. “Maybe” in 
his new solo album, Joumey to the Cen- 
ter of the Earth (A&M). Even by bring- 
ing in such heavy sidemen as Jules 
Verne, the London symphony Orchestra 
and David H Wa 
Rick has managed to produce only a 
naive attempt at a * 
that would be great as the sound track 
of a Disney musical. It makes you won- 
der what sort of curity tempts а tal- 
ented electronic musician to “legitimize” 
his sound by smothering it in pseudo- 
symphonic strings. The result is a mixed- 
métier mess of good «тїр rock and 
sizzling synthesizer, splattered with silly 
ires of 19th 
cently split Yes 
A sad п 
ny ind 


ive it a 65. 


narrator 


classical-rock" cantata 


orchestral cà Century ro 


Wake 


manticism. 
to pursue more of the sa 
take, indeed, if this record is 
tion of what's to follow. 


You really do have to give Chris Jagger 
points just lor chuizpah, He's Iollowing 
tough act in brother Mick—which isn't 
sy. even if you're Stevie Wonder. And 
now Jagger the Younger has put out his 


second album, The Adventures of Valentine 
Vox the Ventriloquist (Asylum), with a little 
help from the likes of Peter Frampton 
and Chris Stainton. Much of it, not 
surprisingly. sounds like Baby Rolling 
Stones—which, we would add, isn't the 
worst thing in the world to sound like. 
10% less polished, and his v 
rife, but neither was Mid 


t ter 


sin the early 
s. Remember how he didn't hit one 
right on the Gol "Live" if You Want It 
version of Satisfaction? For Chris, it's 
more of a problem on the slower num 
bers, where the musical energy goes limp. 
But some cuts, such as Where Ате the 
People and Like а Dog, are really good 
rockers. Don't dismiss this other Jagger— 
he's getting better all the time. 


With the death of Duke Ellington, we 
can expect to be inundated by musical 
“tributes” that most certainly will be 
pouring out of the record companies 
And some of them will be enough to 
make ше Duke roll over in his grave. 
Not so, however, with Ead Hines Plays 
Duke Ellington / Piano Solos Volume 2 & Vol- 
vme 3 (MJR). The Раша recorded these 
ile Ellington alive andike 
volume one—they are superb interpre- 
tations of a wide spectrum of the pre- 
cminent jazz composers works In a 
Mellotone, Satin Doll, Caravan, Just 
Squeeze Me and ten others are all weated 
with love and respect and the Duke 
couldn't have asked for any more than 
that. Available for $11 from Master Jazz 
Recordings, Вох 579, Lenox Hill Station. 
New York, New York 10021. 

Still in his 20s, Gil Scot-Heron 15 
a novelist, poet and songwriter to be 
reckoned with. Now he's given notice 
that the music world can make room for 
а new colossus. The message comes in the 
form of a Stra st LP, Winter in America, 
which finds Scott-Heron coleading, with 
Brian Jackson, an awesome quartet. Both 
sing and play piano: 
provides the heavy keyboard work, while 
Scott Heron handles the lead singing in 
an untutored but startlingly effective 
voice. It's а real coming of age for him as 
a performer. We can hardly wait, though. 
till seasoned singers such as Joe Williams 
get hold of these compositions, some of 
which arc by Scott-Heron alone, others 
co-authored by him and Jacks 
Go with You, Brother is a slow-moving. 
intense lament for the black unity that 
doesn’t exist in America, sung dramati- 
cally over ап eleciric piano. background 
that will give you the chills, Rivers of My 
Fathers represents Scott-Heron’s yearning 
ral home: mpassioned 
vocal kson's rippling acoustic 
piano Gury them up a mental river that 
cu t through Africa, and а few other 
continents besides; for even when Scott- 
Heron addresses himsell most specifically 
black audience, he's never really 
anity itself is the subject 


Peace 


for his a 


© 1974 Pfizer 


бу things because they re new. 
пк about them first. а 
lass boats. 


eady spent so muc 


ib of mine... 


living it up now. 
ith my wood 


PLAYBOY 


and his artistry is capable of touching 
anyone who listens. 4 Very Precious 
Time is a nonpolitical song, a nostalgic 
remembrance of first love, so tender it 
hunts (that's typical of the moods these 
people create). But later they get political 
in, with а vengeance, in the form of 
Ш ,Ogate Blues, a poem that takes apart 

g Richard" in as scathing а manner 
as you'll ever hear. It leads to an album- 
dosing reprise of Peace Go with You, 
Brother aud makes its message—“Now, 
more than ever, all the family must be 
together"—all the more poignant. The 
revoluti there one?—may not be 
televised, but we hope that Scott-Heron 
kson & Co. will be; they ought to be 
nd scen—by everyone. 


MOVIES 


If you miss movies in the grand old 
tradition of The Maltese Falcon and 
The Big Sleep, pay а visit to Chinatown. 
Director Roman Polanski made it, and 
made it right, in his classiest picce of 
work since Rosemary's Baby. We may 
have come а long way, baby, but it’s gr 


g 
to be back in the year 1937 while Polansl 

nd screenwriter Robert Towne (who 
copped an Oscar nomination for his 


script of The Last Detail) sp 


a a sharply 


а ПМ melodrama about а cynical pri 


d an unexpected 
open ı up a virulent case of fast- 
ng civic corruption. Towne's con- 
voluted plot 
demands close 
attention 
but pays off 
with some 
brash in- 
sights into 
the way a 
city like 
Los Angeles 
was grafted to- 
gether out 
of greed. 
lies, 


bing and official coverup. Actor-director 
Jolm Huston, usually one of movieland's 
premium hams when he gets in front of a 
camera, shrewdly underplays his role as an 
arciconspirator, while Polanski himself 
appears as a pint-sized hatchet man who 
s to cut olf Nicholson's nose. Yes, 
there's shoot^cm up violence, but it's semi 
cooled by intelligent dialog. elegant 
cinematography (credit John A. Alonzo) 
id Faye Dunaway’s stunning detachment 


as an enigmatic widow who dabbles in 
promiscuity and knows much more than 
she dares tell. Mainly, though, Chinatown 
provides a showcase for Nicholson as J. ]. 
Gittes, a tough loner with his own inviok 
ble code of ethics, like those hard- 
nuckled heroes Bogart and Cagney used 
to play. In this era of rip-offs, Watergate 
cvasions and public apathy, there's wel- 
lief in а slick, suspenseful detec- 
tive thriller that peddles excitement along 
h a certain moral indignation. 


come 


bly smaller enter- 
tainment dividends in a whole batch of 
current releases about different breeds 
of lawbreakers. 99 ond 44/100% Dead casts. 
Richard Harris as а professional super- 
Killer hired to seile a gang war be- 
tween two Mob chieftains named Uncle 
Frank (Edmond O'Brien) and Big Ed- 
die (Bradford Dillman). Director. Jolm 
Frankenheimer's clumsy semispoof is set 
n some golden age of gangdom when a 
fink often ended up in the East River 
with his feet anchored in cement. That's 
treated as а joke, though euheimer 
never manages to find the humor of it. 
Dead is 9 and 44/100 percent dull, 
memorable only as a moviegoers intro- 
duction to Harris’ costar, former fashion 
model Ann Turkel, who became Mis. 
Harris after finishing the picture. We'll 
have to weigh down our congratulations 
with a heartfelt wish for better cin 
k next time- 


„ Stacy Keach 
eric Forrest play a pair of wild-assed 
West Virginia mountain boys who travel 
to Washington, D.C, to help heist 
5600.000 from an armored car, planning 
to open a seafood restaurant. with their 
share of the loot. Under director Jack 
Starrett, Gravy Train generates а lot of 
kinky local color but starts coming 
glued once the caper is accomplished. 
Both Keach and Forrest are aces а a pair 
of born losers hankering for their slice of 
the American dream, yet they are asked 
to behav ike criminal 
e stupid to inspi 
sympathy, too dangerous to be 
as downs. Margot Kidder adds a few 


un- 


film's contriv 
ils and overemphasis on 
Jog, this is the kind of bad 


dei 
backwoods d 
movie 0 
sheer gusto. 

"Ehe habit of treating high crimes 
high comedy begins to look trendy in тт 
Horrowhouse, based on a diumomd«apcr 
uuiller by Gerald A. Browne and direct- 
cd by Aram (Cops and Robbers, End 
of the Road) Avakian. Though Jeffrey 
Bloom receives credit for a screenplay of 
sorts, writeractor Charles Grodin (The 
Heartbreak Kid himself) is credited with 


the “adaptation,” whatever that means. 
In any case, Grodin's dry throwaway style 
Fuzzes up his role as a young American 
gem dealer who agrees to steal just about 
all the world’s diamonds—some 12 bil- 
ion dollars worth—from a huge Lon 
don firm called The Consolidated 
Selling System. His partners in crime 
include James Mason, Trevor Howard, 
several trained 
cockroaches and 
a beautiful rich 
girl with 
nerves ol 


steel, who 
drives like a 
avorite in the 
Indianapolis 
500. As the girl, 
\ Candice Bergen 
] | is beautiful and 
b 7. audacious, hut 

awfully damned regal 
to fill shoes made to order for а scaner- 
brained comedienne. Meanwhile, Grodin's 
virtually nonstop sound-track commentary 
attempis—sometimes amusingly—to slide 
over the intricacies of Browne's novel 
with a shrug of the shoulders. But the 
film's flashes of wit are dissipated by 
yawning credibility gaps. and the wit 
isn't all that ffas/ry im the first рысе— 
les you're regaled by Sir John Gielgud, 
ау commander in chief of Consolidated, 
reacting to the news that two of his direc- 
tors are “on holiday" at а moment of 
crisis by snapping. "I don't care if theyre 
on pot... 1" Not what you call your A 
material—except from the incomparable 
Mason as a doomed, long-suffering em- 
ployee who manages simultancously to 
beat The System and save ГЕ Harrow- 
house from galloping mediocrity. 

It can't be casy to wring а lousy per- 
formance from George С. Scott, one of 
the best actors in any 
embarrassingly loutish and unfunny in 
Bonk Shot. Playing a master crook who 
breaks out of prison and hatches а plan 
to steal an entire bank simply by hauling 
it away (well, it’s a branch office, tempo- 
rarily doing business in а mobile«railer 
unit), Scott sports heavily blackened суе- 
brows, as if someone hoped he might 
impersonate Groucho Mars. Broadway's 
Gower Champion (of Hello, Dolly! 
countless other stage hits) directed this 
mess, using lots of com-pah-pah music on 
the sound track to indicate which parts 
were meant 10 be wildly hilarious. Exam- 
ple: Scott striding into a drugstore to buy 
two pounds of saltpeter to curb his lust, 
so his female accomplice, Jo: 
dy, won't distract him hom the 


iedium, but he's 


mm 


caper, or swimming off into a sunset fi- 
nale, while a narrator info that 
two months later the First Na Bank 


of Samoa was robbed by a man still drip- 
ping wet. Cassidy. heralded as а dazzli 
new screen sexpot in the Marilyn Monroe 


М ЕМОҒҒ VODKA 80 & 100 PROOF. DISTILLED FROM GRAIN. STE. PIERRE SMIRNOFF FLS. (DIVISION OF HEUBLEIN, INC.) HARTFORO, CONNECTICUT 


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We wondered recently how 

come wed mixed Smimoff 

with so many fancy juices 

but studiously avoided plain 

old gingerale. Maybe because © s y 

our parents had mixed ae = 

gingerale with everything, we — To make a Copperhead, 

were rebelling. pour 14 oZ'of Smirnoff into 
Anyway, we did it. We mixed atall glass withice. Add 

Smirnoff and gingerale,added a — 4oz.of gingerale, a squeeze 

squeeze of lime іо make itour of lime and stir, 

own, and named it the 

Copperhead—a lively drink = 

a with a bite. leaves you breathless® 


PLAYBOY 


YOU DON'T HAVE TO 
WAIT FOR TOMORROW 
TO ENJOY A 
SUNRISE. 


Until now, if you wanted a spectacular sunrise, you had to 
be in the right place at the right time. A bar. A restaurant. 

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and grenadine needed to 
make one. 

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CLUBS. ANYTIME, ANY PLACE, ANY REASON. 


THE CIUE* Coctals, 25.48 Froot ©1974 The Clu Ontiling Со Hartford, СТ. Menio Pk. СА. 


class, appears to have hitched her wagon 
toa fizzling star this time. There may be a 
market somewhere out there for such 
gibberish as Bank Shot, but they should 
never have let George do it. 

How the hell can moviegoers accus- 
tomed to an electrifying diet of sex and 
shock be persuaded that they might actu 


ally enjoy Ан Carney in а thoughtful 
human comedy about an old man and his 
rney plis Hany, a cat pl. 


tale so charm- 
n should need 


n Harry and Tonto, 1 
ing and gentle that a per 
а dose of Gelusil as an antidote. Re- 
member, however, that writer-producer- 
director Paul Mazursky also made Blume 
in Love, Bob & Carol & Ted & Alice 
and such comme: successes 
not about to turn pure 
but dreary litle Art film. The movie, 
strengthened by Carney's crusty, low-key 
performance, describes in original, de- 
lightful and consistently surprising terms 
how an old fellow past retirement age— 
and tired of being mugged in hiis Upper 
West Side New York nciphborhood—hits 
the road to find a resting place on the 
beach at Santa Monica. En route, he 
tries to settle down with a married son 
(Phil Bruns) im хири picks up a 
way teenager (Melanie Mayron), 
who ultimately teams up with Harry's 
dson (Joshua Mostel) to wry life on 
1 Colorado; visits his testy, 
(Ellen Burstyn, 
ly pungent cameo) at her 
bookshop in Chicago: looks up a senile 
oM lame ( itzgerald) who 
once danced with Isadora Duncan: gets 
rested in Nevada for pissing in public: 
and finally finds his go-getter son (Larry 
Hagman) going quietly to pieces in L.A, 
Con men. cowboys, Indian chiefs (Chief 
Dan George. as a matter of fact) and sun- 
dry hustlers keep Harry and Tonto from 
slipping into oblivion as a picce of senti 
mental schlock. party because every 
father's son and daughter among us has 
d to leap the generation gap from 
one direction or the other. Despite the 
theme—and the cathe movie is rated 
R by the М.Р.А.А. because of a scene in 
which young Mostel casually calls his 
Aunt Shirley (Burstyn) a cunt. Mazursky 
tly refused to delete the line. and 
born belief in Harry and Tonto 
hored by Josh Greenfeld) keeps 
along рипийу Irom start 


other 


and is out. 


has ғ 


his st 
(cc 
things purring 
to finish. 


Another feline is à central figure in 
The Nine Lives of Fritz the Cat, a sequel 10 
Fritz the Cat, creator Ralph Bakshi's 
Xrated animation film that clawed the 
Swinging Sixties to shreds. Bakshi had uo 
part in Nine Lives, and the diference 
shows. Obviously, producer Steve Krantz 
and director Robert Taylor favor a kind 
of toilet humor—cat litter, maybei—yet 
Fritz was never meant to be a sewer cat, 
no matter how many four-letter words he 


wailed. He is now presented as a 
Seventies dud ys high on grass 
id says things like, “М m I hung up. 
strung out and uptight,” thus placing 
imsell а full decade behind the times. 
Having done the Sixties, this new Fritz 
goes tipping forward and backward, 
from America during the Depression er 
он тїпапу to outer space, even 
to а supersegregated U.S, of the futur 
when all black cats are confined to the 
state of New Jersey. Though wildly amh 
tious, Krant/s Nine Lives is diffuse, imi 
tative, uncertain and sorely lacking w! 
Bakshi had to spare—the touch of mad 
genius that separates a Swiltian soci 
satirist from а mere cartoonist with 
for soft-core sensationalism. 


Audience movies. so-called, are th 
with little snob appeal and scarcely 
enough dramatic substance to whet a 
critic’s appetite, though the ticket-buying 
public eats them up. Dirty Mary Crozy Lorry 
is a prime example in the gutsy get-rich- 
quick tradition of Walking Tall and 
Billy Jack. In Dirty Mary. Peter Fond; 
asan George and Adam Roarke sup- 
ply ample star power às à trio pursued 
through Southern California by bad 
luck. police cars. stunt drivers and a heli- 
copt fter they've extorted $150,000 
from a supermarket manager by holding 


fan 
required to act oi ag pit stops. Vic 
Morrow, as a rugged defender of law and 
order, oversees the epic chase, which 
quite literally smashing. АП the shiny 
ate-model. automobiles piled up by di- 
лог John Hough, who cut his direc- 
ial teeth on TV's The Avengers, may 
turn out to be one of 1974's soundest 
investments. 


7 


Golden Needles is the present-day ver- 
sion of an old B movie, rainy-Saturday 
swf co-starring Joe Don Baker (Walk- 
ing Tall's burly superhero) and Eliza- 
beth Ashley in a foolish adventure y 
that whisks them f Hong Kong to 
LA. and back again. The timely peg 
sel is acupuncture, and those 
titular needles, for which dozens of Kung 
Fu show-olls would kill. are embedded 


па legendary golden statue. Properly 
placed, they assure incredible ph 
feats—and longevity—for the lucky 


who owns then 


. of course, 
h such a premise, anything goes: 
roomful of deadly cobras; lots of nasty 1 
Пе pricks, if you'll pardon the expres- 
sion; plus a sl wesome mistress of 
the man ances Fong, 
who, praise Buddha, helps the good guys. 


While the ge uni 
film continues t0 locus on 
close-ups of. pumping geni 
some evidence ha las sof- 
tened in an effort to reach a wider audi- 
ence with movies of discer 
Among those worth honorable me 
is the long-lelayed Flesh Gordon, a comic- 
strip spoof coproduced by porno pioneer 
Bill Osco, whose Mona was a milestone. 
Flesh Gordon has an intentionally sappy 
script bolstered by loads of droll phallic 
sight gags—everything from an 
a 

destructive sex ray emanating from the 
Planet Porno (ruled by W 
occasionally addressed. as 


tive sex 
room sized 
there is 


Assholi- 


your 
ness). The fun peters out (sorry, couldn't 


resist that one, either) at about the hall- 
way mark, yet Flesh Gordon is a nice try 
at reviving the old Saturday serial in 
shades of blue. 


Knee-jerk liberals, who are dismissed 
with a sneer in Death Wish, are bound to 
| the movie dangerous. reaction 


fascist and primitive. Director Michacl 
blunt, expert 


iller 


Winner ше th : 
probably all those things. But terrorized 
residents of New York City and others 
like them, afraid to walk the streets or 
use their parks and subways, will be 
tempted to raise three cheers as they 
watch Charles Bronson playing а well- 
todo Manhattan 1 
onetime conscientious objector—who be- 
comes a gun-toting vigilante after his 
wife and married daughter (Hope Lange 
and Kathleen Tolan) are viciously ас 
tacked at home by three sadistic thugs 
The wife dics of her wounds, the daugh- 
ter ends up im а mental hospi ud 
Bronson qui s № the street for 
vengeance ag xd all predators. 
until nearly а dozen muggers are shot 
dead or taught a lesson that leaves them 
. The police, hi 

imed by а sharp drop in с 
pprehend the dedicated vigilante m: 
ly 10 suggest that he get out of town. * 
sundown?” he asks with a slight smirk. 
There lies the key to the solid appeal of 
Death Wish, which is actually a modern- 
dress Western endorsing the simple eye 
foran-eye code of the good old days. “If 
the police don’t defend us, maybe we 
ought to do it ourselves, 
and proves 
movi 


business. executiv 


“Br onson muses, 


is will surely 
ize about rushing outside w form 
а posse, if that’s what it takes to restore 
law and onder. By touching an exposed 


25 


PLAYBOY 


26 


nerve in fearful contempo 
Winner has handed granitefaced Bron- 
son the role most likely to show movie- 
goers at home what European audiences 
him ages ago—a rougl-cut super 
» par excellence. 


in the streets 
of New York is sent to reform school, 
comes out, goes to prison for robbing 
Western Union telegraph boy to buy 
flowers for а pal's funeral and returns 
home again to find his best friend ind 
best girl hopelessly hooked on drugs. 
With minor variations, that might pass as 
the plot for a behind-bars gangster melo- 
d of the Thirties. But The Education 
of Sonny Carson pmething else, be- 
cause it’s tough and real and deadly se- 
rious. Sonny Carson explores rather than 
exploits the dilemma of an urban black 
hoy, played (in maturity) by Rony Clan- 
newcomer to movies who 


А scrappy 


and reemerges 
Harlem-bred Burt 
Reynolds Rony does а fine 
job of gettin, essence of Mwina 
Imiri Abubadika’s autobiographical nov- 
cl first published in 1972. Director 
Michael Campus, shooting on location 
in Brooklyn. recited. youngsters. from 
neighborhood gangs for much of the 
and though the prolessional actors 
1 (Joyce Walker as Sonny's girl 
i Benjamin and Mary Alice as his 
arents) are excellent, the movie draws 
its strength. from its genuine slum kid: 
who belt the author's message across as if 
they were performing street theater. But 
look elsewhere for hand-dapping enter- 
тети or optimistic reassurance about 
improvements in ghetto life, ‘cause these 
€ mean streets. 


зо now 


Really reaching for laughs, For Pete's 
Soke stars Barbra Streisand as а young 
New York housewife who gets herself 
hock to Mafia loan sharks by borrowing 

3000 1o help her dropout student- 
husband, Pete (Mic п). follow 
а hot tip about investing in por 
futures, Before Pete's Sake has run its 
Trenetic course, the heroine—whose hu 
band calls her Henry 

{ta оп accounta s 
her contract sold to а peripatetic madam 
(Molly Picon) with a stable of whorir 
housewives. When part-time prostitution 
^t jell, Hemy is sent out as a kind of 
iver bombs and ends up 
driving a truck for a gang of New York 
caule rustlers—chasing cows on a stam- 
pede through downtown Brooklyn and 
all that. Certified. Streisand fanatics will 
probably go home happy; everyone else 
would be well advised to go home early, 
since director Peter (Bullitt) Yates han- 
dles broad farce as if he were direct 
ing à demolition derby. Worst of the 
wounded are Fstelle Parsons, in a heavy 


ht man's role that consists mostly of 
tion shots at those rare moments 
when Barbra stops to catch her br 


THEATER 
Tom Eyen, who wrote The Dirliest 
Show in Town and many other spicy 


stage cartoons, such as The Three Sisters 
(from Springfield, Ilinois): А Trilogy. 
has the kind of crazy pinball humor that 
makes one want to shout "Tilt!" Two 
ol his 


distinctly un-Chekhovian siste 
Hanna and Sophie—longüme ой-ой- 
Broadway staples—have, happily, sur- 


faced off-Broadway under the tide Why 
Hanna's Skirt Won't Stay Down. Why. in 
deed? Because weird Hanna spends her 
days in а Long Island funhouse standing 
over a breeze hole, which sends her into 


ht. This is a place 
for her to lei down and her sl 
up. and also to confide the 
bizarre life, which includes a ferocious 
rivalry with her bald sister Sophie, a Jer- 
sev City Avon lady, and repeated run-ins 
with a handsome narcissist named. Ari- 
zona. In his Nmericindlag bikini, Arizona 
swings on a trapeze, does push-ups and 
plays a gallery of sex roles for the pushy 
sisters. In keeping with the mad-camp di- 
alos. the acting is Day-Glo. with most of 
the comicstrip cutups provided by Helen 
Нап, who has built a career out of 
playing tacky Hanna, For the occa- 
sion, the Top of the Village Gate 
Bleecker amd Thompson streets) has 
heen turned into a gaudy funhouse, com- 
plete with barker. 


BOOKS 


Bobby Fischer became obsessed with 
the game of chess when he was seven and, 
since then, has not been known to show 
lasting affection for another human 
being or for anything else produced by 
nature or made by man. Raised by a di- 
vorced, ambitious mother (she once pick- 


eted the White House to push her son's 
career) and everlastingly surrounded by 
sycophants, hustlers, weaklings, bullies 
and users of every stipe, this authentic 
American genius bee тесе 
long before pube: t 13 won a 
game so masterfully it is still remem- 
bered as Ше Game of the Century. Bobby 
Fischer vs. the Rest of the World (Stein & 
Day) is the sad and nasty tale of what 
happened in 1972 when Bobby defeated 
Boris Spassky in Iceland то become chess 
champion of the world d Darr 
the author of this fascinating chro 
(also of The Day Bobby Blew 
rtAYBOY, July 1973. which is included in 
this book), portrays the man as two 
thirds Neanderthal, with the other third 
evenly divided between lout and spasti 
with an occasional flash of insane, inex- 
plicable br 


virt 


As an eyewitness to the Icelandic 
saga and зотей tial 
principal—Darrach is a qualified re- 


porter. and though he has a regret 
iste for rustic similes and betrays a sour 
distaste for Fischer. he draws an eerie and 
convincing portrait of an individual af- 
flicted with immeasurable talent and the 
grace of a corpse- 

Our hero c 
vel 


he 
m lone heavily burdened with par: 
noia. He worries about plots to destroy 
him with drugs and poisoned food. The 
s will get him: the Russians ave 
alter him. The lights in the playing hall 
itors and informers surround 
But never does he voice a doubt 
that he will beat Spassky. “Everyone 
knows I'm best, so why bother to р 
is Bobby's response when reminded of 
his contractual obligation to meet the 
Russian in Reykjavik. 

Conned by his lawyer into 
flight. Bobby escapes at К 
port, precipitating th 
ng of outraged newsmen and intensi- 
[ying the dramatic outbreaks of grief and 
hysteria that apparently affect everyone 
dose to the Fischermania. At the end. six 
weeks after the match, Bobby has turned 
down deals reportedly worth 510.000.000 
and has gone the 
guarded compound of a radio evangelist 
sect in California. Two thirds of hi 
5156.950) prize money have already been 
spent, Darrach says—some of it on taxes. 
the rest going to a California church. 

Bobby's last words in the book are 
from a wistful conversation with the aw- 
thor when he daydreams 
new car and meeting a beautiful hitch- 
hiker, "I mean, you could pick up a nice 
irl, right? ... I mean, it would be ad- 
enturous, right?" It seems that nobody 
ever told Bobby to just get out there 
and do it. 


ries no passengers: 


aking a 


uedy Ай 
g a running fight 


underground in 


about driving a 


As every schoolboy knows, New York is 
the Empire State and New York City 
the Big Apple. What no schoolboy knows 
is that, under six successive governors, 


'xoq 
jooud-usna» 


Ајолғцои seusaJja1 


PLAYBOY 


28 


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the Empire Stare had за emperor а 
that. under five successive mayors 
Big Apple had а gargantuan worm. The 
"empcror-wonn. 


7 ло usc Hamlet's phrase. 
was Robert Moses. In an outsize book 
(1296 pages). The Power Broker: Robert Moses 
and the Fall of New York (Knopl). Robert А 
Care lowers the boom on the man who. 
for four decades, was hailed Бу press and 
public (who evidently hadit read Ibsen) 
as the ster Builder. And build he did. 
The miles of highways. h 
expressways: id 


sc». parkway, 
cres of parks. play- 
grounds. beaches; the dozens of “slum. 
clearance” projects for which. he was 
personally responsible are simply stagger- 
ing. When an elusive speaker. watch 
the fountains flow in the refurbished Bry 
ant Park, compared him to the Biblical 
‘smote 


rock aud brought 

ds cheered. ‘This was 
Holy Moses!" was, 
in New York. not an expletive but 
encomium. 

Face it-—Moses П was a genius, In the 
er period, he Вай a computer 
brain. He was also. briefly, an idealist 
After Yale (09) and Oxford, this big. 
rich, charming, athletic. handsome man 
came home о New York determined to 
“serve the people.” He wok a re 
look at the Tammanyridde 
rated city and he dreamed the im 
di п. AL fast. he went nowhere 
saw that politics wi 


tic 


amd he 


drafting, getting laws р 
that, seemingly innocuous, were Го 
fishhooks iu the fine print. Thu 
he went to work, He muscled through 
the chain of Loi 


ways that culm 


along the way, so what? 
ade, his d became the r 
formed the map of both cit 
il he were 


one-man ісе 


He drove forward, us 
publicity. blackmail, charisma, con 
competence—until he had по fewer than 
12 official titles. His crowning coup was 


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to create the “authority” concept, where 
by. controlling the toll moneys from 
bridges and throughways. he had a huge 
bank roll and total independence. He 
used his imperial satus to the hilt. Even 
F.D.R., then President (their hatred was 
), had to eat the words h 
у wrote to Harold Ickes dur 
fight over PWA ands: “We'll be able to 
sing "Where was Moses when the lights 
went our " И was only when he ran 


mutu; gloar 


afoul of Nelson Rockefeller that he 
began to lose. The World's Fair of 


1961-1965 was his off-key swan song. Fi 
nally, old and deaf (he would not tole 
ме а hearing aid) lost and grave 
wounded in the ego (he had по heart), 
he was an aged. ailing lion in search of 
lyocles. He did not find one 

» traces this epic in unnecessarily 
minute but fre 
stressing how Moses’ love affair with the 
моторе (though he never learned to 
drive) at the expense of mass transit—his 
demolition of countless slum dwellings 
without providing housing for the dis- 
powessed—made New York the 
choked, ghetto-ridden mugger haven it 
has become. Thus. the worm in the Big 
Apple. Sure, there are multiple monu 
ments to his prowess, from Riverside 
k ro the Niagara complex, but the 
cost is only now be to be 


“ 


uly fascinating detail. 


smog 


So if you want to ren 


and 


tical power lust 
mparable only to the Nixon cabal. 
this is the book for you. /f you can lift it! 


ies 


Harold Robbins’ latest job, The Pirate 
(Simon & Schuster), opens in а sand- 
storm in the Arabian desert. The wile of 
а wealthy Moslem doctor is pregnant and 
Her husband wants a son to con- 
tinue the male line, but h 
sporting about it, beca 


ready 


s awfully 
loves his 
matter what she has. Enter a 
wandering Jew on a donkey. Nice work. 
Harold. The Je ther David Ben-Gu- 
rion or Moshe Dayan. He's definitely not 
Howard Hughes. His wife is about to 
give birth, too, but his preference as to 
gender isn’t revealed, Guess what hap- 
pens Guess who gives birth to a dead 
girl and guess whose wife dics alter deliv- 
cring a healthy son? Right 

Cut to the interior of a private 707 
Yhe pla bout to land at 
Nice ior reeks of hashish and 
amyl nitrite, Two naked girls lick cach 
to a frenzy, watched by the no 


se he 


wife no 


years later 
J is ине 


nks he's 
handful of poppers—Harold’s people al 
1 more of everything than the 
of the girls and 
ian thrust up 


ways пе 


rest of us—he grabs or 


performs а powerful Har 


the back passage 
Cut to the Arab-Jewish h 
can wile. She's squatting on a 


юу Ameri 
let after 


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PLAYBOY 


32 


paying off а gigolo. She's got rose-tipped 
breasts and а silkysoft pubic mound. 
Other princiy el 
shining halfmoon buttocks, dark aure- 
oles around the nipples. ten-inch penises 
and aching clitorises, all of which throb, 
pulsare, grow hard and thrust savagely 
ccording to function. 

the Arab-Jewish hero, consum- 
mates big business deals, cats Iranian c 
ar and gets licked and sucked whenever 
gt off his feet. Oc- 
ays. “The ways of 
but this meditative 
plunge into theology is usually brought 
to an abrupt end when something fum 
and fleshy is taken in the mouth. 

Baydr receives a check for $24,000,000 
His Rolls and а San Marco speedboat 
await his arrival, ‘There is a di 
necklace from Van Cleef, a spliner 
group of Palestinian guerrillas, a promot 
er who wants to make а movie about 
Mohammed aud a horny masturbator 
who unloads his burden from a balcony at 
а posh party. "Мау Allah shower his bless 
ings,” murmurs someone in a flashback 
le character i 
black stud from 
nch and 


irfree mounds, 


mond 


Enter the most ple 
the plot: a bisexual 
Georgia who speaks fluent 
brings Baydr's wife to a thr 
induced by coc 
а philosophic tum of mind. 
fuck." he said. “I don’t give a damn as 
long as there's a hole to stick it in." 

nother bidet scene, and then on to 
the California bankers, some Japanese 
industrialists, John. Kennedy in a flash- 
back, a hijacking. Baydr's guenillenym 
phomaniac daughter says 


“You have a 
beautiful cock, do you know that? Thick 


and lovely. It’s very American. 

Re-enter the legendary Ts 
Baydr’s real father, who doesn't get 
once. Not even licked or sucked. 
general stops a bullet, On the way out, he 
s. "There is but one God. . . ” Does 
this mean what it appears to mean? Har- 
old juggling with the symbols again? We 
are all brothers under the foreskin, Jew 
and Arab. Gosh, Harold. 

Truman Capote was once asked by 
Johnny Carson on the Tonight Show 
how he rated Harold Robbins as a 
writer, Truman smirked snullled. 
hat's not ng. Johnny." he 
pausing for a Jack Benny beat, “th: 
typing.” How could you, Truman? Let's 
hear it for Harold, everyone: Опе, two, 
three, stroke: one, two, three, stroke 
Now look what youve donc; you've 
ruined page 74. 


ие 


= 


and 


aid, 


wri 


Since the razor-sharp Lucky Jim (1954), 
Kingsley Amis’ novels have ranged im- 
pressively far and wide, though the finc 
mean edge of their wit often seems dissi- 
pated into bitchy misanthropy. Ending Up 
(Harcourt Bra novich), a partial ге 
covery of [orm, unemotionally studies the 
palsied Gätterdämmerung of five unstable 


old people, locked a 

surly, combative dance of death. 
ble, the irritable master of thei 
wheezy revels, is suspiciously impassive. 
a semiinvalid whose only relict i 
malicious schemes, acis and 
His valet Shortell is an unge 
boozer—also, Mis gentle 
homosexual lover. Bernard's sister Adela 
is a tiresome paragon of spinst 
able impulses. Her friend Ma s a 
sensual septuagenarian who carries on 
Byzantine conversations and correspond- 
ences in her own Чону lingua france 
(baby talk); she's losing her memory. 
too. In an upstairs bedroom, stroke vic 
tim George lies 
mobility: A former historian, 
exhibits symptoms of “nominal 
unable to remember the names 
mon objects. All are mummified 
vate attitudes and obsessions: spasmodic 

resions smolder g them. Л 
lavish Christmas dint 
golds sententious children 
ilies, presages open warfare. George's dog 
for predictable doggy 
svigold’s psychotic cat 


nard 


1 scarcely noticed im 


he 


gaucheries) 


10 mi 


nd рае 
nding Up Mails about some and starts 
never finishes, bur its harrow 
on of elderly existential paralysis 


A team of superspies teethed on African 
demirevolutions gets a domestic assign 
ment: Assassinate a minor Senate candi 
date, a general opposed to Vienam, 
during the 1968 Presidential campaig 
At the Lt minute, the assignment is 
called off and the team disbanded. Three 
years Liter, its members begin to die sud- 
den deaths. Why was the assignment 


aborted? Who is wasing the retired 
spies? Those the questions David 
Chacko's taut, machismo novel Gege (St. 


tin’s) raises, and the 


answers come 


ly after the questions are entwined 
in bizarre, baroque complications, after 
bodics litter the landscape, after shoot- 
outs and hell-for-leather chases, 
or three recent Presidents are implicated 
and the CIA has all but come apart at 
ihe scams. G 

nar 


iater 
y be far too prescient to fit 
our new unde ol undercover 
bumbling à la Watergate (of wh 
Doppelgänger}. but hi 
n skill at insight adds chill- 
gly to the novels lorce. Chacko, two 
books in—his first, Price, was 
and incest in rural. Ohio—demonst 
himself to be а novelist of talent and 
power: Gage sticks in the reading like 
plastique, just as desperat 
If Chacko had been a plumber, w 
be loyal subjeas of King Richard the 
First by now. 


pout love 


If you've been exposed to Raoul Walsh, 
whether at film festivals, lectures or 
watching Rid 
TV series on American film maker: 
you know that the yarn-spinning one-eyed 
New York cowboy who made What Price 
Glory?, High Sierra and White Heat and 
so many other fine movies is among the 
t o a dying breed: a director who 


ke himself with solemn serious- 
ness. That's abo how he comes across 
in his autobiogr 


bin 
delight to read, but it is sure to frustrate 
en dismay cinéastes digging into 

ме for some personal statement of 
artistic principles from this noted auteu 
He had none. He thought of himself as 

c ng art to the cr nd 
that may be why so many of his movies 
stand up so well. Walsh was present at 
the creation—an acting protégé of D. W. 
Griffith's who got his first break as a direc 
tor from the old master (filming Pancho 
Villa's march on Mexico City) and then 
played Johu Wilkes Booth in The Birth 
of a Nation. Walsh was well 
as a director before movies started 1 
talk. and when they did, he was better 
ost to handle them, with 
of his 
own gilt of gab. Always a man ready with 
«агас. he peppers them through his 
portraits of Hearst, Chi tand 
Wayne. The best of them all 


ablished 


When asked by a lady И. 
Prince Hamlet had had зех 
with Lady Ophelia, Barrymore thought 
а moment and replied. “Only in the 
Chicago company, madam. 


The Man with the Candy (Simon & Schus- 
ter) is one of those books in which it really 
doesn’t matter whether it’s well written 
ог not because the su s so repulsive 
as to be enthralli pried “The 
Story of the Houston Mass Murders,” 
Jack Olsen’s book is perhaps а shade too 


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PLAYBOY 


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polite, too kind, too generous to the par 
ents of the young victims and comes 
down a little too hard on the Houston 
police force and the mother of Dean 
Corll, the Candy Man. In essence. the 
book isn’t even re 
murders 
pot smoking 


ly about the mass 


pout haircuts and 
drinking and bore- 
dom and pov id the fact th 
body really а dmm about the 
poor or the disturbed or crazed until 
something they do makes headlines. As 
Olsen writes: “The discoveries of. Mon 
day morning brought the total number of 
bodics to 25, the same number attributed 
to the farm labor foreman Juan Corona 
in ifornia, “That ties Coron: à news- 
edly. Later in the day 
diggers uncovered a pair of bodies 

Now Houston had the modern American 
murder record all to itsell.” The Man 
with the Candy is a terribly sad and ugly 
book, and not altogether because of what 
arthed in Houston when W: с 
ley shot the man for whom he had 
been procuring te 


paperman said exe 


» boys 


In 1976, the country will be 200 years 
old. Colorado, the luckless hero of James 
Michener’s sprawling novel Centennial 
(Random House), will celebrate its cen- 
tury of statehood. Readers who—having 
started now- 
book will feel a lot older than either 


nay then be finishing the 


For this is a grindingly exhausting book 


clumsy and monotonous. Centennial aims 
to tell the whole history of the Colo- 
rado Territory. It documents the Pleisto 
cene roisterings of rutting diplodocuses 
the bad-tempered antics of prairie bison 
in heat: after. hundreds of pages of en 
peers for- 


cyclopedic adventuring, it st 
ward to a sour present time, in which 
cattle barons turned ecologists now view 
with weary resignation the collapse of 
Nixonism and the garish proliferation of 
neon-lit hot-dog stands. The best thing 
that сап be said for this book is that 
andfatherly fear—that “the 
lin’ spot on earth” can't be 
saved from plasticizing and. pollution— 
seems genuine. One believes his fright- 
ened regret that our future looms so 
bleak, that we are mot better, more re- 
sourceful people. That is the best thing 
that can be said. Here аге some of thc 
other things. This book scems а lament 
led, avaricious rape 


Michener's 


best rema 


over the wrongh 
of the land and its people: bur the stock 
holders “manipulations of nature” are 
diagramed with such loving attentive- 
ness that Michener is, in effect, writing 
advertising copy for the evils he pretends 
to deplore. His narrative strategy was. 
pretty obviously, 10 throw everythi 
could think of into the book ad hope 
to God some of it would work. 


‚һе 


Examples: A displiced Mennonite 
farmer stumbles onto the mutual mas 
sacres that follow betrayals of U. S-Indi- 
an treaties by "Ehe Great White Father 


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PLAYBOY 


36 


SEAN CONNERY: An original. 


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РРАВ 


їй Washington." Schemes to drive cattle 
overland from Texas, force peaceful 
coexistence between cattlemen and sheep: 
herders, ky plainlands 
ions of crippling 

п 


Pa 
matic rattlesnake bites (whenever a char- 
acter must be replaced. quickly)—these 
turbulences repeatedly elicit е shy. 
aces of stoical men, the tear- 
d. hrmset chins of plucky women. 
In this whole long book, there is one good 
story: of the mounta ide forced into 
cannibalism when his hunting party is 
blizzard (“Said the judge, “Alferd 
Packer, you voracious, man-eating son of 
a bitch. They was only seven Democrats 
in Hinsdale County, and you ate five of 
them 

Centennial has the ‘Tolstoyan sweep 
aud synthe power of an Edna 
Ferber, the plainspoken cl of a 
fundamentalist chain letter, the imag. 
ive freshness and punch of a deodor 
ani commercial. И is as American as 
apple pie and ice cream—abour 9000 
square miles of the stult, mixed up. И 
300 James Micheners were chained to 
their typewriters through infi 
long. О Lord. how long would it be be 
with something 


lost in 


how 


fore they could come u 


better than Centennial? 


TELEVISION 


It's that time again, when television 
screens all over the nation are lighting 
up with what the networks wonld like us 
to believe is The Greatest. New Season 
Ever, Since last. year, anyway. Pulitzer 
Prize-winning ТГ columnist Ron Powers 
of the Chicago Sun-Times herewith lets 
us know what we're in for: 

This new season, the television. net- 
works will have something for everyone— 
if everyone Estée Lauder. It w 
the Year of the Cosmetic, both 
tively and literally, in prime time. Three 
hours a day to make Roddy McDowall 
look like à chimpanzee for СВУ’ Planet 
of the Apes. Three hours a day to make 
Hal Holbrook look like Abraham Lin 
coln Гог NBC's series of хіх specials 
based on the Сай Sandburg books, God 
knows how many hours to make 
Angie Dickinson look 1 ie Dick- 
inson for her new NBC series, Police 
Woman, Then there is ABC's new thrill- 
er. The Night Stalker. starving Darren 
McGavin—with à monster every 
week. My, how the puny will fly. Such 
TV Кечир we haven't seen since Presi- 
dent Nixon had his last press conference. 
Indeed. having Filed conspicuously Tast 
season (among others) in the area of be- 
vable scripts, the networks seem to be 
their сие this fall from the Adn 
vell: Never mind the content— 
nd me a t Cosmetology is all. 
aple, ABC will try to make up. 


new 


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PLAYBOY 


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Sonny Bono to cover the scar left by the 
amputation of Chér. Wistful Sonny, who 
indicated to TV writers during their an- 
nual T V-season-preview hegira to Holly- 
wood that he misses his old CBS Sonny 
and Chér Comedy Hour perhaps morc 
pes 
1 to work with her des 
their upcoming divorce—moves to АВС 
to host The Sonny Comedy Revue. (This 
prospect led one er 
"A Sonny without Cher is lil 


isses Chér herself- 


done on 
Mary Tyler 
Moore's old pal at CBS. Rhoda 

yed by V. Harper. no 
stranger to a dab ol eye shad- 
ow he 


start a Tite sitcom 
of her own and— 
arly in the 
series—marry 
guy who 
has a young 
child. The 
spooky thing 
about the 
people at 


acters almost as real il pespte 
me for Rhoda to get m; 
ind thar we could find the right guy 


for her." writer Lorenzo Music told the 
critics. “Rhoda,” he added with a mystic 
glaze in his eye. “has gotten worthier and 


worthier.” That, Mr. Music, is still an 

open question, Man proposes and Nielsen 
isposes. 

So much for grease paint 
id of goo. in the form of 


Another 
“‘heartwarm- 
will be much in 
1. The Waltons begat 
nd this fall the latest of 


evidence this f 
Apple's Way 


the begouen include The New Land 
-off of the Swedish films The Emi- 


grants and The New Land) on АЛМ 

Little House on the Prairie (based on 
all those Laura Ingalls Wilder books) 
оп NB Bonnie Ведейл and Seow 
Thomas star in The № © Michael 
Landon, late of Bonanza fame, is the 
principal dweller Lue House. Vhe 


and 
struggle 


press release 
on about “sharing faith 
to carve out a lile." 
Again, as last year, just about the only 
character in Hollywood's television col- 
ony who eric aids of 
kind is a tough and talented ex-Los An- 
geles сор named Joseph Wambaugh. 
Last season, NBC's Police Story—which 
Wambaugh created —was the most solid 
of NBCs scattered new-show successes. It 
was successful in part because Wambaugh 


ins Сом 


any 


stood chin to chin with network execu 
tives and insisted that the anthology 
series show policework as it really 
dangerous, unglamorous and olten w- 
—or he, Wambaugh, would pack 
nal walk out 

Wambaugh is back this year. In fact, he 
resigned his job with the LA 
concentrate full time on keeping Police 
Story honest. But he Iready warned 
David Gerber, president of Columbia Pic 
tures Television (which produces 
Police Story and other shows for 


force to 


that Columbia and NBC seem 
Lent on using the prestige 
of Police Story to launch 
Angie Dickinson’s new 
series, Police Woman. Miss 
Dic son introduced 
her character in an 
episode of Police 
Story last winter: 
she will return with 
a weekly show this 
fall that will be 
good deal more 
escapist and frivo 
lous than suits 


ИР Wambaugh’s pal- 
ate, Miss Dickinson 

one of three new 
policewomen on net- 
work TV this fall. The 
others are Teresa Graves, who plays the 
tile role in ABC's Get Christie Love! 
and the el Jessica Walter, who will 
do at least two segments of NBC Sunda 
s а woman police chiel 


Mystery Movie 
in San Е 

This is being touted as the most drasti- 
cally changed new season in TV history 
with more than iwo dozen new shows 
scheduled in prime time. Somehow. 
though. the shows domt scem all that 
new. Perhaps the creative mind has got 
stalled How 
point of 
when the 
{pes solemnly re- 
“a series about 


ncisco. 


the Hollywood Freeway 
else can. one explain the hi 
the TV-writers’ junket 
ducer of Planct of the 
ferred 10 his show as 


people.” described McDowall as “а 
swinging bachelor" amd. so help me. 
talked about ting dom scratch" 


rather than continuing the plot line laid 
out by the five preceding Apes movies? 
He actually looked faintly puzzled when 
the correspondents cracked up. 


MUSIC 


Just before going onstage to conduct 
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very much aware of the extraordinary 


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PLAYBOY 


The The 


Discovered Undiscovered 


PX A Even though we've been 
Е "E | around since 1870, 

‚ very few people know 
we do some things 
\ the other Tennessee 

Sour Mash distiller doesn’t. 

Like letting the mash 

| sit а day longer and 


| cooling while we charcoal 
filter. If you want 

| to know why, you can 

| either buy a bottle 


\ of George Dickel or 
call the man who 
makes it, Ralph Dupps. 
At 615-851-3124, 
Tullahoma, Tennessee. 


There's another 
Tennessee 
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but there's only one 
George Dickel. 


LED AT THE DISTILLERY 


© 1974 + GEORGE A. DICKEL А CO. + 86.8 PROOF - TULLAHOMA, TENNESSEE 


demands 


а concert. places upon the sym- 
phony conductor. И he feels drained 
during а performance, he сап, benween 
numbers, casually put his hand behind 
iis back and retrieve an energ 
bonbon to munch on. He has 
known to deviate from this routinc only 
when he [eels an eve рей 
need to leed the Before con 
ducting Gétterddmmerung at 
Garden in London one night a few years 
zo, he had secreted two cough drops 


hee 


more c 


audience. 


Cov 


the pocket, Onstage, Solti turned to 
loudly coughing concertgoer in the fro 


row. snapped, “Here, take these!" and 


the lozei 


cs. 


phony has become 
па 


у st celebrated orchestra 
Soli may well be the world’s pre 
nent conductor. Certainly he’s the only 
опе in the Seventies who's made that 
pinnacle of pop journalistic acclaim. the 
cover of Time. Only Herbert von. Kara- 

А 


val. ndisputably, 
the world’s best organized mae 
ing al life 


with ан, he mixes 


rehearsals and performances with busi- 
mess meetings, transoccanic travel, plav- 
time with his iwo 

allypri bis second marriage (о 


you CLV reporter Valerie Pitts) 
pl -three years in 
npulsive tone in 
usc Solti feels that he has 
ich up. А native of Hungary, he was 
a due starter—his career delayed by 
ld War Two—and didn't get his 
first conduetin in Munich under 
1 American 
he was almost 
study: he can't absorb ihe sc 
next concert while 
it as some present-day conductors. are 
siid to do, Even during vacations at his 
mer retreat near Castiglione della 
Pesctia, on Italy's T yrrhes 


its bec 


post, 
of oc 
4. Nor is he 


a scushore, 


he rises at seven AM. to study his scores. 
Nevertheless, under pressure, Бе can 
t of 


эпите 
Decca Records, 
he sometimes learned as many as 100 
pages of Waguer a d. 

Solti is [requently in demand as а guest 
conductor for operatic as well as for sym- 
id such ments de 


even gre 


er attention 


mand, of course, 


to detail. Notable were the visual and 
ical dilhculies encountered while 
g rhe Schónberg opera Moses 


t sc: 


und Aron for the Paris Opera 1; 
Solti is one of the few conductors 


son 
who attempt. this challenging score. The 
musical problems were numerous, but 
the visual ones were spectacuku: His 
Moses und Aron had an orgy scene verg 


Lady Valerie observes 
conduct 
had 


g on the explici 


р 
ed in London in the mid 


at an earlier Sohii production 
isties, 


№ makes me look 
like I know what 


I'm doing: 


James Lowe, N.J. 


Actual Size: 5-12"x 3x 114" 


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more nudity than the 
ig some English 
crs to ruminate 


rench one—shock- 
en and inspiring oth- 
ag the opera 


іп repertory—but | audiences 
ded with fi and critical en- 
all performances were sold out. 
ids the idiosyn- 
crasies that have ch. zed other great 
conductors: Toseanini’s tantrums. Bee 
cham’s wit. Koussevivky’s dilettantism— 
Serge’s father-indaw bought him an or- 
chestra with which to learn to conduct 
or even the flowing capes of Ber 
and the jevset image of Von Кага 
professionally. he is one of the 
active of conductors. His baton 
body movements are reminiscent of a 
boxer's—large. angular and highly cho. 
(Vot is dot Hung 3 


he must 
podium. Years of hol 
and moving them in tense, disciplined 
patterns—for as much as [our and a half 
hours a day—have left him with muscu- 
lar and vertebral problems. “I cannot 
move my head more than a few inches to 
the right or left without turning my 
whole body," he says. On the podium. 
therefore, he must rotate his torso 10 the 
right—sometimes with a leap—if he 
wants to direct his attention t0 the cello 
or the bass. then whirl to the left if he’s 
addressing the harp. 

This is the sixth season in which Solti 
has led the Chicago Symphony, and it 
likely to be the most notable. The 
rent. European tour- concerts in 11 
cities—is the second the orchestra has 
taken, and the first in which its primacy 
has been acknowledged. During the tour, 
it will complete а recording of Bectho- 
ven's symphonies, P 
big book on the symphony 

rivel 


тїзє for Novem- 


ber release is 
and its conductor te titled Season 
with Solti. And then there will be, amid 
the continuing rhythms of the season, two 
symphonic spectaculars to be performed 
in both New York and Chicago: a concert 
of Salome, with R t Nilsson, be- 
dis Requiem. 
Price, in the spring. It all 
provides the kind of bonbon lor mu- 
sic lovers that andiences can’t tuck in 


Solti’s tails. 


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TSEXY SEXY 
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А. Sideburns too long and too wide. End 
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all over. Then gave it a layered cut. 

Also recommended: frequent 
shampooing with Brylcreem Once A Day 
Shampoo to condition the hair while 
washing away excess oil, dirt and loose 
dandruff. 


B. This guy was fighting natural curl with 

a cut that was too clasely crapped on sides 
and back. We let it grow for two months. 
and shaped it. 

Because curly hair is porous and tends 
to dry out quickly, we used a dab of 
Brylcreemto condition while helping to 
keepthe hair neat and manageable all day. 


C. Too much hair, too little face. We took 
off 5 inches. Gave him a scissor cut, parted 
onthe side to add more width and fullness 
to the top. 

When hair goes through this change 
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real holding power all day. 


D. This guy's hair was all wrong for the 
shape of his face. Too long in back and too 
much of one length. 

We cut off 2* inches in front, 3 inches 
in back. We layered it on top for more body 
and gave him a geometric cut along the 
edges for the New Short look. 


Brylcreem believes 
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THE PLAYBOY ADVISOR 


I have enjoyed an active 
it that Г had ihe basics 
down. but now and then 1 discover ту 
naiveic. For example, Bitch, the story by 
Roald Dahl in the July rravnov, says that 
there are women with “an extraordi 
ily powerlul muscle in a region where 
other women seem to have no muscles at 
all.” My gynecologist advised me that by 
exercising my vaginal muscles regularly, 
1 could strengthen them to the point 
where E could massage or even hold my 
man me—incessing the friction 
ity of feeling for both. myself 
m. He sum 
muscles at least ten times а day. He 
ded that it would take а good six 
paths. but the end would be reward 
ing. The exercise apparently tightens 
and fems all the related. muscles. sup- 
porting the urinary and reproductive 
uaa—making pregnancy and recovery 
much casier. Why didnt someone tell 
z—Miss B. C, 


ested thar E tense the 


me this five years ag 


Austin. Texas. 

You didn't ask. The training of erotic 
ell h 
but American women h 
become comfortable а 
ested in such an active vole. If you want 
10 go deeper into the subject, consult 
Mex Comforts “Joy of Sex.” He suggests 
tying to draw a large Pyrex test tube 
into the vulva without using your hands 
(how's that for serious scientific value, 
Тийе?) Comfort aho quotes English 
Richard Bur- 
Jon as saying that any woman can learn 
aginal and pelvic muscles “by 
her mind into the just con 
We agree. Master this technique 
and your boyfriends will love you jor 
your mind. 


musculature is и 


own in the East, 


only recently 


th or even inter- 


writer and adventurer 


to nse her 
throwin: 


cerned 


vious a 
man whose picture 
ages of Zig 
is this guy? 
Pennsylvanii 

We hate to blow his cover, but Mon- 
sieur Zig-Zag was a Zouave—an Algerian 
recruited. by the French атту to fight in 
the Crimean War. The North African 
soldiers и 


ces cc 


Who 


ve nolorions dopers, who 
th a cloud of 
“Hi Yo- Huh?" 
Zouaves were noted for their briliant 
uniform of gaiters, baggy trousers, short 
and open-Jronted jacket and tasseled сар 
or turban, They made good targets, as 
you can imagine. Legend has it that an 
unfortunate Zouaze broke his pipe in the 
heat of battle and was forced to roll his 


would into. battle 


smoke and а hearty 


weed in pieces of a field map. Indeed, Zig 
Zag may have originated the famous 
phrase “Praise Allah and pass the papers." 


Gio ladies siy inat onty a woman knows 
how to please another woman. My lover 
doesn't exactly з 


it of her mind with 


смалу or multiple 


ws when P per 
form cunnilingus with her. and Fm be 
nning 10 think Paced lessons. (Neither 
ol us had donc it belore.) 1 teed like 
dunce sitting in the comer looking 
lis. Maybe 1 could. find а lest 
Hips on oral sex. What do ус 
-D. H.. Dey Moines, Iowa 

ay claim is a classic example of 
word-of-mouth advertising—the people 
who believe something me the people 
who spread й. We are veminded of а sim. 
ilar proposition: that you can never find 
а person who makes love as well as you 
cun masturbate. Logi like that could keep 
а good man down, Fortunately, а little 
feedback will impro 


any situation, and 
Jeedlack is one thing you get а lat of in 
oval sex. There is one truth in the lesbian 
love тр: A woman can have [un without 
getting shafted. Cunnilingus is the per 
fect complement to coitus; what your 
genitals can do. the vest of you can do ux 


well and more reliably. Face it and you'll 
find that it is а pleasure to give pleasure 
without being worried about impotence, 
premature ejaculation or size. Who eaves 
И somewhere in the world there is a 
Frenchman with a 124nch tongue. who 
can hold his breath for 20 minutes? If 
you want fo we yom tongue as a substi 
тше penis. or approach your partner like 
an oxygen musk 


aright ahead. H makes 
igh, to explore and ex 
ой the differences between cunnilingn: 
and coitus, Save the penetration for later 
and focus Lightly) on the clitoris. In terms 
of pressive, less iv more. Flickering 
touches with the tongue, nibbling, ng 
ging or sucking motions with the lips, in 
combination with manual stimulation— 
just about everything works at one time 
or another, Duration is open-ended. А 
few minutes is fine as foreplay, but the 
event is fantastic in aud of itself. Don't 
stop until your pariner asks you to. И 
you miss а few days of work, it will be 
wonh the effort. If she asks you to stop 
hefore you get started, yon тау have а 
problem, but one that is easily overcome 
The recipient of oval sex should never 
be passive en reserved. H she wonders why 
you are. doing it, chances are she won't 
find от. At the very least, she must pay 
attention, The shift in atitude can be 
subile oy dramatic. One woman told us 
that the first time she got off. her lover 
simply lifted her by the buttocks so that 
her pelvis was the highest point of ker 


more sense, thou 


JA Song 
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I5 A 
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PLAYBOY 


46 


body. The blood rushing to her head, or 
ашау [rom it, increased and focused the 
erotic tension. Possibly your pariner is 
worried about the act's being distasteful. 
If she is healthy, that concern is usually 
fictitious, Tell her that you enjoy what 
you're doing. As Nathaniel Bynner. the 
Brooklyn bard, says: “Distaste is da best 
tasie in da world.” 


С.е опе: wi freshman 
in college. a girl I'd d high school 
called and asked if she could come up 
for a weekend. Wi н а hotel room 
watching the Late Show, talking about 
old times and why, although we h 
been close friends, we had never slept to- 


ether. “Circumstances,” 1 "and a 
Табе sense of modesty.” 1 pointed out to 
her that E had never scen her in а bath- 
ag suit, ler alone а camp 
counselor during summer. She 

hed. took off her clothes: I lost my 
virginity and missed the last half of 


a Spencer Tracy movie. Chapter two: А 
few years after I received. my degree, a 
girl Га dated during my sophomore year 
visited me for a weekend. She told me 
that she had just returned from the 
south of nce, where 
signed and sewn a bathing s 
ly. Nice work if you can get it. | 


юг had de- 


right on 


ted out to her that I had never seen 
let alone naked (1 


a bathing suit 
worked at loading fr 
that summer). She 1 
glorious. Chapter three: 
Changed jobs amd mov 
Coast. One of the se 
old called up 


ht cars duri 
ed. eic, М was 

Last year, I 
М 10 the West 
ies from the 
asked И she 


and 
could visit. She ariived, we sat on the 


осе 


beach, talking about old times, spe 
cally, why we had never slept together. 
alse sense of mod- 
este" Т said. and pointed our that T 
had never seen her in a bathing suit 
belore (New York being New York). 
Again. the cosmic etc. What's the prob- 
lem? I know a good line when Г hear 
one. and it always works, right? Wrong. 
1i turned out that cach of these girls was 
on lier way to be married. They had al- 
ready made up their mind to sleep with 
me and just needed an excuse. I've never 
heard of this happening to other guys. 
Is it common?—M. P., San Diego, 
California. 

Yes. I's the same old story [rom Bikini 
atoll to nothing atoll. The practice is the 
woman's equivalent of a bachelor party. 
Father than hire a complete stranger to 
jump out of a cake and rape them, some 
prospective brides look up old friends for 
а final fling, Supposedly, it's more person- 
al that way. The rationale for the act 
varies: Some say that when you're in 
love, you become aware of the other 
loves in your life and would like to pay 
respects. Others view the event as a burn- 
ing of bridges—only the past is а draw- 


‘Circumstances and a 


bridge that they'd like to get а rise out 
of at least once before they move on. 


y stereo sounds great—except when 
п operator decides to get in 
touch with other members of his sub- 
species. At any time during the day or 
night. my listening pleasure may be shat 
d by the epic “Roger Wilco buys a 
shirt” or the saga “Roger Wilco paints 
the guest room.” Last week I wied 10 
tape piece of music. only to be inter- 
rupted by this makeshift Marconi relat- 
ug line for line an All in the Family 
episode, 1 mean, really! The number of 
his broadcasts. indicates that he is an 
ivalid who has nothing bener to do: 
the level of his babbling suggests that he 
is a mental deficient who is best kept off 
the street. И хо, D sincerely regret my 
hy toward the fellow. Is there any 
I can. do to rid myself of this dis- 


turba Я 

A spokesman for the FCC tells us that 
ате no legal means for silencing a 
garrulous gadgeteer—the airwaves belong 
to the people, hams make great hero 
sandwiches in the event of emergencies, 
ete. You have three choices: One, record 
his call number, find out his address from 
the FCC and enroll him in a public- 
speaking corse: two. record his call 
number, find out his address and take 
ош a contract on the dude; three, contact 
the manufacturers of your components or 
а local service representative. They are 
familiar with the problem and know the 
type of filters that will keep your listening 
pleasure private. 


F currently work for a large, well-know 
insurance company in а department that 
has a female supervisor. She is а 30-year- 
old divorcee: I am in my early 2%. А 
few weeks ago, I was told to report to 
her office just before che end of the day 
(a Friday). No sooner had the other 
employees lelt than she politely informed 
me that she wanted me and that it could 
benefit my future with the company. 
Since she is very attractive, and 1 was 
not getting any at the momen, I figured, 
We ended up at her place 
very. fulfilling weekend. We 
spent most of the day and night in the 
хас регіо мегсошзе, oral sex, 
anal sex—all done in varied positions. 
On Sunday, 1 got a real surprise. She 
told me she was end over 
and that she wanted me to watch and 
take pictures. Ву then, I was game for 
anything. When the doorbell rang, I 
climbed into the closet as ordered and got. 
the cameras ready. The guest turned out 
to be a girl work. who had started 
about the same time I did. They spent 
considerable time making gay love and 
even went as far as to use a strap-on 
dildo on each other. 1 enjoyed watching 
this act and had a fantastic ball after the 
girl left. Today at work, the supervisor 


told me that she wanted me to move 
with her and share 


ness. She spelled 


n 
їп her sexual happi 
wanted. 


from me. which joining her 
and others in threesomes. Naturally, 
I am moving іп. Do vou think Im 
making a mistake —T. ХМ. Hartford 
Connecticut. 


Sounds to us like you lifted this plot 
рот some X-rated “Up the Organiza 
tion” that you bought at Weird Harold's 
adult bookstore, H so, you left out the 
social twist that 
usually mars pornographic fantasies of 
this sort—the hero finds that he really 
loves the other girl, but when he declares 
his true love to the supervisor, she pulls 
out pictures that she had taken of him 
threatens blackmail and everyone lives 
unhappily ever after. Moral: I's OK to 
have a skeleton in the closet as long as 
il doesn't own à camera. И you're serious. 
then you do have a problem, Don't give 
up your apartment. Insurance companies 
are notoriously conservative—some dont 
issue policies to unwed couples living 
together or charge higher premiums if 
they do. They are probably less lenient 
with employees. Office affairs vequive a 
great deal of discretion, a quality you 
obviously don't possess, since you wrote 
us this letter and now some 30.000.000 
readers know about your exploits. 


“redeeming value 


А recent issue of Newsweek included 
an article on PLAYBOY'S imitators in which 
The Playboy Advisor was mentioned. 1 
hate to quote Newsweek, because 1 know 
it has misquoted or misread your advice 
“The Playboy Advisor dispenses tips to 
letter w 


ers on how to repair their 


stereos or make reservations with Amtrak. 
Penthouse's. advice columnist. Xaviera 
(The Happy Hooker) Hollander, leer- 
ingly counsels readers who are turned on 
by amputees or are wrestling with an 
enema fetish.” You've never dealt with 
these subjects, and I wonder, is there 
a reason why?—L. R., Chicago, Шик 
You bet. А magazi ets the per 
sonal tastes, needs and/or obsessions of 
its editors. The editors of this column 
are foot-loose, fancy-free and dedicated to 
the pursuit of happiness. Our social skills 
are such that we ате not limited to part 
ners who can't run ашау. And with 
friends like ours, who needs enemas? 


nc re] 


АП reasonable questions—from fash- 
ion, food and drink, stereo and sports cars 
to dating dilemmas, taste and etiqnetle— 
will be personally answered if the writer 
includes а stamped, self-addressed en- 
velope. Send all letters to The Playboy 
Advisor, Playboy Building, 919 N. Michi- 
gan Avenue, Chicago, Ilinois 60611. The 
most provocative, pertinent queries will 
be presented on these pages cach month. 


SHOWN & WILAMSON TOMCCO COM, 


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Reading Entertainment for Men 


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THE PLAYBOY FORUM 


an interchange of ideas between reader and editor 


on subjects raised by “the playboy philosophy" | 


ANGEL OF MERCY 

Don't tell me nurses are all sexless pill 
dispensers. Recently, when I had а bro- 
ken knee, а darling nurse was massaging 
my leg with oil. Noticing that my temper- 
ature and pulse were low, she proceeded 
to skillfully titillate me to erection and 


masturbate me, with my 
cooperation. 1 was exhilarated, my В 
beat speeded up and my body warmed 


all over. | stopped coughing and my 
knee quit hurting. Then 1 slept like a 
baby. Heaven bless nurses likc her who 
are interested. in comforting the whole 
body. 
(Name withheld by request) 
Houston, Te 
We hereby invent, and bestow upon 
this anonymous nurse, the вълувох Flor- 
ence Nightingale Award. 


CARRY ON, NURSE! 
Britain's Royal College of Nursing has 
given the nod to nurses who wish to take 
part-time jobs as striptease artists to sup- 
plement their meager incomes. It seems 
that nurses from one London hospital 
have been doing just that, and 30 percent 
of all qualified. British nurses already 
have ра jobs in their offduty 
hours, because their salaries as nurses 
average only 551 t0 567 per week. Under 
those circumstances, the nursing college 
declared that nurses who work part time 
as strippers will not be punished. 
Charles Dickson 
Detroit, Michi 


-time 


EQUALIZING THE SEXES 

Г would like to propose a great leap 
forward im the struggle to equalize the 
sexes: Young girls should undergo hymen. 
eaomy with the same regularity that 
male infants are subjected to circumci- 
sion. The hymen is, after all, а superflu- 
ous piece of tissue that most girls will 
eventually lose anyway. And, without 
the question of the intact hymen. there 
rounds Гог senseless 
inity, 
which would then be equally unprovable 
in both sexes 


over los of vi 


Ken Logan 


Massachusetts 
What? Deflower all virgins in the bud? 
Newer! 


THE BREAST REPRESSED 

The prudes 
cease to astonish me, 1t appears that not 
only is the fusion of sperm and egg an 


shenanigans of never 


obscenity to these types but even the meth- 
od by which mammals nourish their young 
is naughty. In Chula Vista, Calilornia 
the trustees of Southwestern College have 
passed a resolution, by a four-to-one vote, 
ng a female instructor for bri 
ing her baby to school and nursing it 
The students have already been polled 
and 9 percent of them support the 
teacher, but the board doesn't care about 
that. Breast feeding, they announced in 
their resolution, is “unprofessional con 
duct.” They have now decided to fire the 
Tady for her failure to repent, тесин and 
button up. Is there any natural, ordi 
nary. wholesome aspect of life that these 
bluc-nosed fanatics won't. besmirch with 
their prurient sex haired? If being a 
living animal on their planet is so embar- 


censur 


rassing to them, why don’t they build 
а spaceship and leave earth? Maybe 
they can find а planet where repro 


duction and caring for the newborn are 
unnecessary 


AMERICAN SEXUAL COMEDY 

Dr. Albert Ellis once wrote a book 
called. The Sexual Tragedy 
ud, though some of the grim effects of 
our taboos justify that title. I've often 
thought a book about sexual problems 
in the U.S. might better be titled. The 
Imerican Sexual Comedy, Where else 
can one find people as hilariously in 
tional about every aspect of hu 
der as here in the land of the free? For 
instance. a letter in Abigail Van Buren's 
column. “Dear Abby." concerned a father 
who asked his teenage daughter what size 
bya she wore. The girl was embarrassed 
and her mother was indignant. Abby 
sided with the ladies and implied Dad 
was a kook to cv ask such а question. 
Jers then jumped into the fray with 
ir own opinions and Abby admiued 


American 


twenty 10 one in 
vor of Dad's right to know. However. 
she printed another letter delending her 
own position, from a father who com- 
mented that he coulda't care less what 
size bras his daughters wea 

Nobody in the whole debate asked 
why the question should be such а no 
no. The anxiety generated by the 
evidently includes a secondary taboo on 
suiting the reason for the original taboo. 
А foreigner might be led to believe that 


sue 


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PLAYBOY 


52 


information about bra sizes is at least as 
dangerous as nuclear secrets and would 


wonder what havoc. Dad might wreak if 
he ever found out the wuth. 
D. Levine 
Skokie, Illinois 


KEEP IT IN THE FAMILY 

A while back, a woman wrote to Aun 
Landers about the odd solution she and 
her husband bad devised Гог the prob- 


Jem of his sterility. Wanting children, 
they persuaded the husband's. father to 
impregnate the wife, thereby assur 


that the child would carry the family 
genes. Naturally, Landers refused to 
endorse such a violation of Judaeo- 
Christian taboos, Another reader wrote 
in furiously to denounce this breach of 
all that’s holy, Said this authority on mo- 
р To the mother, the child would 
he a m we (her husband's 
brother). а son, and a grandson, To the 
woman's husband, the child would be a 
stepson and а brother. To the fatherin- 
law, the child would be a son and а 
grandson. He would also be his own 
Cousin. . .. Worse yet. the child would be 
his own uncle 


zii 


[em that people sull think 
their do prejudices the 
moral laws of the universe. What consti 
hes incest. depends on where you are. 
and when. Many societies permit imer- 
course berween noublood relatives (cg. 
а man and his daughter A dew 
have gone futher: The E Phar- 
aohs married their own sisters in order to 
intain dynastic control of the throne 
Cleopatra was the product of six genera 
tious of brothersister marriages. Incest 
even happens in the Bible: Abraham's 


tribal e 


ура 


wile, Sarah. was also his half sister 
Even is the face that 
few Chr the influence of 


such erotic. mythology on their own leg 
ends. God, as Father of all humanity, is 
Father to the Virgin Mary: as the Holy 
Ghost. He is her husband. ог lover. (im- 
рге нот): and as Jesus. Не is her son 
Thereby. own father, His own 


cil 
His n 
estuously sexy of all the 
n 10 


nellathe »hers Joverhusband 
and the 
solar gods who die and rise 
preserve the crops, One can imagine the 
horror of Landers and her readers il this 
family ever discussed their intimate lives 
in her column. 


lost 


Wi | Smith 
Newark, New Jersey 


BISEXUALITY AND DECADENCE 

Most people don t want to change their 
own sexual orientation and coulda 
ke such a eli if they did want 
10. Consequently, mutual tolerance is the 
only sane attitude toward one another's 
sexual drives—whether heterosexual, | 
sexual or homosexual 

Tsay this to make it clear that 1 am not 
writing as some sort of Bible-toting [unda 
mentalist when I warn that the current 


c eve 


FORUM NEWSFRONT 


a survey of events related to issues raised by “the playboy philosophy” 


TEEN SEX 

WASHINGTON, D.C—Aboutl 30 percent 
of unmarried American girls from the 
ages of 15 to 19 have had sexual inter- 
course and about one third of those have 
been pregnant at least once, according to 
a study by two Johns Hopkins University 
sociologists. Professors Melvin Zelnik 
and John F. Kantner base their estimates 
on data collected three years ago among 
a random sample of 4611 girls as part of 
a continuing study of adolescent sexual- 
йу in the U.S. Their latest findings, re- 
ported in Family Planning Perspectives, 
indicate ihat about ten percent of the 
over-all teenage female population be- 
cames pregnant before marriage and 
that for every ten babies born live to 
U.S. (еепацету, six are conceived ош of 
wedlock. 


ACADEMIC. FREEDOM. 

penton, rexas—A Federal district 
court Пах permanently enjoined Texas 
Woman's Сибенйу from enjorcing a 
rule that unmarried women, 22 or young- 
er, nol living with parents, must мау in 


whoolapproved housing. Ruling on a 
suit by а 1%yearold TWU student who 
had vented an сатри apartment, (he 
court hell thar "students do not velin- 
quish constitutional rights upon entering 
a university” 


DANCING AS FREE SPEECH 

xew vouk-The U.S. Count of Ap 
реа!» for the Second Сатсий has ruled that 
danci en mude dancing, is a farm of 
expression protected by the First Amend: 
ment and may nol be prohibited by local 
authorities 


The decision struck down an 


ordinance in North Hempstead, Long 
Island, and, presumably, similar ordi 
nances in other towns. However, city offi 
cials said the decision would be appealed 
to the U.S, Supreme Court, and Nassau 
County district attorney William Cahn 
said he would continue arresting topless 
and bottomless dancers under the state's 
pulliclewdness statute. 


TWO KINDS OF JOY 

st, Lous—By mistake, a local book 
supplier sent a St. Louis Catholic gilv. 
school 25 copies of “The Joy of Sex” in- 
stead of “The Jay of Cooking.” The error 
was discovered by the company, not the 
school, which had paid Ше bill without 
protest. 


NO JOY IN MUDVILLE 

сихаххАТЕ-А 19-year-old Ohio Uni- 
versity student was arrested by police alter 
he dashed onto the outfield during a 
major-league baseball game as part of a 
class project. He explained in court that 
the purpose of his act, conceived as a 
“sheet arts” project for 
class, was “lo discover the fears that stop 
you from functioning” His professor 
confirmed his моту and said the idea was 
for students to overcame their self-con- 
sciousness and inhibitions bY 


а basie-design 


doing 
things they ordinarily would never con 


sider. The judge said, “I wish yon a lot of 
luck in your academic endeavors” and 


fined the student S100 jor Despassing. 


STAMPING OUT ANARCHY 
cimeaco—A Federal district judge has 
given a five-year prison sentence to a 30 
year-old draft resister who pleaded guilty 
to charges of vandalizing three. Chicago- 
area draft offices between 1969 and 1972. 
Яе hearing Charles Bishop Smit ex- 
plain why he became ап 
anarchist- pacifist, Judge Edwin А. Rob 
son handed down the sentence and said, 
“This court cannot cast ifs lol with an- 
ату I would feel derelict in my duty if 1 
did not impose a penalty to serve as а 
deterrent to those whe think they would 
Jollow in this defendant's footsteps.” 


how and 


COPS VS. ROBIN HOOD 

мимелекее—4 23-year-old man has es 
tablished his legal right to feed expired 
parking meters and leave car owners a 
note requesting a one-dollar donation to 
finance his philanthropic work. Nettled, 
police threatened to charge Bruce Vanier 
with “throwing a missile on а vehicle” — 
а seltaddiessed envelope saying “You 
have just been rescued from a 55 parking 
ticket by the Robin Hood public-parking 
eid"—but the city attorney decided the 
ordinance was too vague to apply; the 


police also throw such “missiles” in the 
Jorm of parking uckets. The police then re- 
lented on the man's meter feeding, bul tick- 
cted him for riding an unlicensed bicycle. 


JUSTIFIED JAIL BREAKS 

LANSING, маснісах— Гле Michigan 
court of appeals has ruled that fear of 
sexual attack is justification for a convict 
fo attempt to escape from prison. In re- 
versing the escape conviction of а Michi- 
gan reformatory inmate, the court said, 
“The lime has come when we can по 
longer clese our eyes to the growing 
problem of institutional gang rapes т 
our prison system.” 

Elsewhere: 

= In Louisiana, a state senator has in- 
troduced a bill in the legislature that 
would provide a possible death penalty 
for the rape of men as well as of women. 
Senator Nat Keifer said he considered 
rape a heinous offense regardless of the 
victim's sex and said the bill is aimed at 
stopping homosexual attacks їп the 
Slate's prisons. 

* т Massachusetts, Governor Francis 
W. Sargent has signed a bill allowing 
males to file charges contending they 
were victims of rape. 


CRIMINAL CONSORTS 


DEXVER—The Colorado state parole 
bourd has decided to waive certain rules 
so that two former state-penitentiary in- 
The 


mates can be married. two met in 
prison, where the bride-to-be was serving 


Ы 
I KOS D 


RE 2 


а sentence for passing bad checks and 
the prospective bridegroom was in for 
theft. One of the obstacles to their mar- 
riage was a regulation forbidding parole 
10 associate with “known criminals"—in 
this case, with cach other. 


RESTRICTIONS ON SEARCHES 

SAN FRANCISCO—The U.S. Border Pa- 
trol's authority to мор and search ve- 
hicles has been limited by three Federal 
court decisions, In two separate rulings, 
а Federal appeals court held that the 
patrol cannot operate fixed check points 
for the stopping of cars, nor can it stop 
and search а vehicle without a warrant 
or probable cause. The Supreme Court 
earlier had ruled unconstitutional the 
patrol’s so-called roving searches for aliens 
and drug smugglers away from the 


border. A U.S. Attorney's office spokes- 
man said the lower-court rulings would 


probably be appealed. 


MAINTAINING THE FAMILY 

PIILADELPHIA—The housing commis. 
sion of Philadelphia has decided that a 
landlord may refuse to rent apartments 
lo single men and women who want to 
live together. “There's a moval aspect of 
it,” sid one 70-year-old commission 


member. “We want to maintain the fami- 
ly." The local-newspaper reporter who 
covered the story noted, “The decision, 
while affecting action the commission 
may take on such matters, has no legal 
bearing and demonstrably has no influ- 
ence on current lifestyles.” 
SEE NO EVIL 

ALBANY—After much healed debate, 
the New York state assembly killed a bill 
that would have allowcd contraceptives 
10 be displayed on pharmacy shelves. Op- 
ponents contended that such open dis- 
plays would encourage promiscuity 
among young people. The bill's sponsor, 
Mrs. Constance E. Cook, commented aft- 
erward, “I'm surprised they allow people 
to sell beds in this state. 


LIMITING ABORTION 

MBany—Aniraborlion forces in New 
York have succeeded in modifying the 
state's four-year-old liberal abortion law. 
The amended stainte now reqnires that 
abortions performed after the 12th week 
of pregnancy take place in a hospilal on 
an inpatient basis and that а second 
physician be present. during abortions 
performed after the 20th week of preg- 
nancy “to take control and provide im- 
mediate medical сате for any live birth 
that is the result of the abortion.” Gover- 
nor Malcolm. Wilson's approval of the 
measure followed his “very active” sup- 
port in obtaining the bill's passage at the 
urging of Conservative Party leaders in 
the legislature. 

In Minneapolis, a three-judge Federal 
court has struck down Minnesoin's 1973 
abortion law, which prohibited abortions 
after the 20th week of pregnancy except 
to save the life of the mother. 


vogue of bisex 
nicious. Basic sex ion is a very 
delicate psychological factor that should 
not become politicized—and certainly 
should never be fanaticized. Yet this is 
what is happening in the avantgarde 
portion of the population. Young people 
(and some older people who are political 
radicals) are being propagandized into bi 
sexual experimenting, at 
al stability. 
This is not just my opin 
Grizzuti Harrison, а well-know 
writer, complained 
vine that such politicizing of 
preference is “a little like tak 
through Cloud Cuckoo Land. For one 
thing, watching women bludgeon and 
contort themselves into the ‘politically 
appropriate’ sexual behavior and emo- 
tional responses can be pretty disturb- 
ing" Many feminists, she have 
become “political lesbi ht wom- 
en who, ` rc the oppression 
of the n to be lesbians, 
Many others have been brainwashed 
i Wg the claim real. The same 
thing is increasingly happening to liberal 
males who often find that supporting gay 
lib verbally isn’t enough: they must be- 
come gay, or part gay. to be fully accept- 
able in radical chic circles, 

This. E think, 
people can 
the most. e aspect of lile, when 
they must submit to sexual totalitarian- 
ism, the very integrity of the self is col- 
lapsi е people, Ги sure, will 


id per- 


real risk 


. Ba 
feminist 


ncc. When 


hay said of the political bisexu 
are selling a phony sexual utopi 
which the kingdom of the orgasm w 
supposedly replace the house of the ego. 
L. Solomon 
New York, New York 


BLISSFUL BISEXUALITY 


Гуе Бе bisexu 


1 for four years— 
since 1 was nd it’s the only scene 
that makes sense. Between being raised 
а Methodist, reading (and digging) 
Playboy and supporting women's libera- 
tion. I came out of college totally con- 


fused about who or what 1 was. After a 

jety of miserable heterosexual experi- 
ence, J was sexually afraid of both 
women and men. gi bout having de- 


sires that were merely selfish or just my 
own trip. unsure of who or what to follow 
moral guide. Then, oue night while 
on LSD, I ended up in bed with my two 
best friends—a guy and a gal. ]t was fabu- 
lous, and 1 suddenly realized that we are 
ach a galaxy, and getting communication 
feeling from one galaxy to another is a 
fabulous accomplishment. The п 
е all weird, strange 
never really Enow the other perso 
When I understood that, T understood 
пу definition is a social fiction, in- 
g the definitions of male and 


mis- 
distorted: we 
fully. 


sions 


53 


PLAYBOY 


female. Every human bi a wonderful 
mystery to mc now, and I know I can 
never solve any of these mysteries fully, 
but they are all infinitely ating and 
infinitely lovely. Some people may say 
this is perversion, but I say it is cosmic bi- 
sexual bliss. 

(Name withheld by request) 
imbridge, Massachusetts 


ROYAL ASS 

1 enjoyed the letter. titled “The Bul- 
garian Connection" in the July Playboy 
"orum. Here's another vote for anal in- 
tercourse as the living end. 1 had gone 
along for more than 20 years with a 
happy. married sex life. when Г was sc- 
duced, literally, by another male, a col- 
í my age. Since then, my 
still as good. varied and 
juenr as ever, but оссазіопг Шу I get 
little seasoning with homosexual in- 
tercourse. Attractive specimens abound 
who are eager to bed down with a ma- 


hetero sex 


fr 


com- 
pares to the squeeze of a sphincter on a 
cock buried up to thc hilt in a smooth, 
firn 
Its given me understand 
spect for those who prefer 
sexual love style, 
(Name withheld by request) 
Гисѕоп, Arizona 


ss. 


ig and re- 
strictly homo- 


TRAILERS AND TRIBULATIONS 


My fiancé and 1 (both 203) 
have heen living together 1 town 
for almost a year, We bought a used 
mobile home that was already set up 
in a trailer court in town. When we 
called the owner of the court to let her 
know about the change in owners, she 
said she couldn't rent to us in our "prcs- 
ent situation." She left us with three 
alternatives: (1) pay her rent to hold 
the space but not move in ший after 
we're married; (2) get married. immedi- 
ately so that we can move into the trailer 
at er to а new 


п our mi 
)a sm; 


re moving the trailer. Why should 
we get married just because somcone 
doesn’t approve of us? Having moved 
here from a large city where people don't 
pass judgment on one another, we were 
surprised to discover this sort of preju- 
dice still extant in 1974 
(Name and address 
withheld by request) 


WHERE'RE THE COPS? 

Until recently. when a man went out 
on the streets of Phoenix, Arizona, to buy 
sex by the hour, his major worry w 
whether or not the woman had V.D. 
Now he also has to worry about whether 
ог not she has а badge. Early this ye 
the city passed a strict open-solicitati 
law that quickly produced 
such heinous crimes as signaling to pass- 
ing motorists. But that’s far Пош all. 


Besides pursuing the sellers in this profit 
able business, the police have made a big 
push to arrest and prosecute the buyers as 
well. As a former policewoman working 
on the vice detail, 1 was paraded up and 
down Van Buren, where any woman on 
the street at night is assumed to be a 


hooker. (I rationalized that my job was 
to enforce laws, not to approve of or 
agree with them.) Though dowdily 


по trouble 
When 


dressed, I had 
potential custom 


attracting 
John ap- 


proached, my job was to give the im- 
pression, without saying as much, that 
I was available. Once he made the sugges 


tion that I have sex with him for a price, 
I would lure him down the block, fake 
motel key in hand, to a spot where my 
cover officers and 1 would arrest him. An 
hour and three or four arrests later, I'd 
return to the office to do my paperwork 
while other members of the 13-man vice 
squad busily plotted their strategy for 
catching the girls working Van Buren. 
(My first few nights out, several patrol 
officers. stopped and interrogated me. 
The astonished looks on their faces when 
they recognized me suggested they 
thought Т was moonlighting!) 

Alter J quit the force for personal rea- 
sons unrelated to my vice-squad assign- 
ment, I ran into a friend whose car had 
been broken into. He was mumbling 
something about "Where're the cops 
when you need them?” Thirteen of them, 
at least, are out on Van Buren arresting 
adults who have agreed freely to trade 
sex for money. They'll probably be there 
until the city re-evaluates its law-enforce- 
ment priorities. 


BEHIND THE BUSH 

An intriguing item in the Manchester 
New Hampshire Union Leader told of a 
University of New Hampshire cocd who 
was accused of indecent exposure for 
wearing only socks, sneakers and scarf i 
a public place. The complaint against 
her was dismissed by Judge Joseph Na- 
deau, because although her pubic hair 
was visible, her genitals weren't, and the 
state statute says specifically thar there's 


no indecent exposure without a display 
of genitals. Tt hardly seems fair. New 
Hampshire's law ates 


st males, whose genitals are not nat- 
lly concealed. In light of the court's 

ion, incidentally, I can't help won. 
dering if the young lady would have 
been convicted had she been walking on 
a shiny floor or wearing patentleather 
shoe: 


Paul Vogel 
Marshfield, Massachusctts 


JAPANESE MECHANICAL SCREEN 

Т was amused by the July Forum 
Newsfront’s report on Japan's war 
against the photographic display of 
pubic hair. Interestingly, the Japanese 


customs office doesn't view as censorship 
its requirement that importers of PLAYBOY 
and similar publications ink out offend- 
ing areas. “We do not censor,” said Tet- 
suro Ando, chief of inspection of the 
Tokyo customs bureau. "Customs officers 
do not decide whether something is art 
or pornography. We just mechanically 
screen all items coming into the country 
to keep out those that are harmful.” 
1E this sounds idiotic, be informed that 
there are in Japan no restrictions on the 
importation of written hardcore; that 
nude shows and performances 
are allowed in the provinces while in 
Tokyo performers must wear С sti 
and that three TV channels show strip- 
teases late at night. In short, the conflict 
between tra and moder 
has created а n that makes 
sense to modernists or to traditionalists. 
Don't laugh at the Japanese, however: 
American ws are equally absurd 
and contradictory. Contrary to the hero- 
ic imagery of historians, humanity does 
not march bravely forward into the 
future but staggers blindly and half- 
terrified every step of the way. 
Jeffrey Brown 
Los Angeles, California 


BOSTON BROADCAST 

Just prior to the Massachusetts Su- 
preme Court's decision striking down the 
State's obscenity laws, 1 video-taped а 
personal commentary for WBZ-TV, in 
which I stated: 


Since the U. S. Supreme Court has 
thrown the pornography question 
back to Massachuseus, Massachusetts 
should throw it away and forget 
It. 


Our enemies are the and 
the thieves, not the voyeurs and the 
exhibitionists. Its time that a vague 
question of public morality yield to a 
clear-cut question of public security. 


I can't daim to have influenced the 
court’s decision, but perhaps I helped 
many of my fellow citizens to accept. it. 
More pcople should take advantage of 
opportunities to speak out on behalf of 
civil liberties. 


Paul R. Trustei 
Woburn, Massachusetts 


DEEP IN NEW HAMPSHIRE 

A county official in New Hampshire 
has defied the madness of censorship and 
he may suffer for it. John Eames, county 
torney for Grafton County, New Hamp- 
shire, who owns a movie theater along 
with his brother Jeremiah, was arrested 
on orders of the state's attorney general, 
Warren В. Rudman, for showing Deep 


Throat and The Devil in Miss Jones. 
"I'm 


After his arrest, Eames said. 
standing up for a principle I be 
Somebody has got to. Consenting 
should have the right to choose what they 
want to sec, hear or read.” Rudman took 


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steps to suspend Eames from his post as 
the county’s chief law-enforcement offi- 
cer, but Eames said he would run for 
another term of оше and make а 
campaign issue of his decision to show 
the films and his consequent arrest. 
"When people voted. f two years 
ago. they knew who they were voting for. 
They knew my family was affiliated with 
theaters. We were showing X-rated films 
before I was elected." 

Governor Meldrim Thomson sanc 
moniously declared himself “deeply d 
turbed and concerned” that Deep 
Throat was being shown in New Hamp- 
shire. “I am sure the auorney general 
will make every elfort to curb the flow of 
this filth into our stite 
ously tried to 


iversity of New 
Hampshire from the deadly menace of а 
aystudents organization. | suppose I 
should consider myself lucky to have my 
morals protected by such men. 
Gary Genestreti 
Portsmouth, New Натру 


HEALTH IN THE HEARTLAND 
А Sioux Falls, South Dakota, jury 
viewed Deep Throat and found the thea- 
ter showing it innocent of exhibiting ob- 
scene material D think irs significant 
that this was a jury verdict and not an 
appeals-court decision. One might imag 
at such a verdict would be possible 
cw York or San Francisco, but it is 
hardly to be expected in а Midwestern 
town such as Sioux Valls. 
Laurence |. Zastrow, Director 
Office of the Public Defender 
Rapid City, South Dakota 


ERODING MORALITY 

Those who favor 
censorship е the argument 
that there is no е that porno; 
phy causes sex crimes. In so saving, they 
are attacking a straw man. No sophis- 

wed advocate of censorship claims 
1 pornography causes antisocial be- 
ior. The real purpose of laws pr 
scribing pornography is to mainte 
public moral standards. As Justice John 
M. Harlan wrote in Alberts vs. California, 
“Ir seems to me dear that it is not irra- 
tional, in our present state of knowledge, 
10 consider ас pornography can in- 
ducc а type of sex nduct which а 
stare may deem obnoxious to the moral 
fabric of society 

The indiscriminate dissemination of 
pornography. over the long run, can only 
have a corrosive effect on moral standards, 


all 


every law represents а moral jud, 
for example. that murder 
laws cim protect morality even 
an't inspire it 


ан 


wrong—and 
if they 


Michael Hodge 


Fine. But whose moral standards are 
you talking about? Yours? Ours? Nixons? 


Al Goldstein's? You think porn lowers 
the moral tone of our culture, but it can 
just as well be argued that its morally 
beneficial, Many people find й enter 
laining and jor some it’s educational or 
therapeutic. And most of the performers 
say they have [un making it. Moral stand. 
ards spring from particular religions and 
philosophies that should пой be imposed 
by law on persons of other faiths от be- 
liefs. Legislators, judges and juries can't 
be expected 10 agree on what is moral or 
immoral, and morality is not a matter of 
majority vote. Our founding fathers 
acknowledged this in prohibiting a re- 
ligious establishment. If any moral prin- 
ciple should be embodied in criminal 
law, it's the one that each of us has а 
right to go to hell av heaven in the man- 
ner of his own choosing, provided he 
doesn't by to coerce anybody else into 
following the same route. 


LEARY'S MARBLES 
па Leary’s June Playboy Forum 
about husband “Timothy's suit 
California prison system: ret 
firms my assumption about his low marble 
Tes also à good example of the 
logic that the more off-the-wall social 
reformers are olfering these days. 

Granted, prisons don't seem to have. 
abilitating inmates. But 

doesn’t. mean. as Mrs. L 
ests, that its rhe prisons th 
ing the criminals. A vast 
crimes are committed but few crin 


much. success rcli 
that 


reported, fewer criminals are apprehend 
ed and fewer still end пр So 
most crime doesn't stem from prisons or 
prisoners. unless Маз, Leary wants to 
suggest that inmates are giving rre- 
spondence courses. 

1C Mis, Leary really wants to see “prej 

e. folly and corruption.” 1 

she free herself from the widespre 
session with Water nd look at the 
vested interests and sheer stupidity that 
make а travesty 
system: defense attorneys who believe in 
acquittal ar any сом. jurors who vote not 
guilty out of cowardice or sentir 
ity, prosecuting attorneys who 
bargains and correctional officials 
who overlook their cha isbeliavi 

Indeed, science and reason can 
politics. But what makes Timothy Lea 
suit quixotic is that it is based о 
tion rather than 

nher than reason 


prison 


accept 


leci 


sciene 


on naiveré 


Bue what else can 
we expect from а pitifully drugriddled 
mind such as Leary? Maybe PROBE. 
could declare its ulterior motive by re- 
aming itself. more honestly, LSD—for 
Let's Spring the Dopers. 

William D. Harrell. Jr. 

Chesapeake, V 


COMPLETE FREEDOM 

PLAYBOY resisumec to Government 
intervention in matters of personal mo- 
ality has been a breath of fresh air in a 


world of lega 
there 
right of individu ] self-determination 
carries responsibility for consequences. 
The Government should not attempt to 
restrict fornication but it should not Бе 
expected to provide welfare and care for 
children produced as a result of fornic: 
tion. ‘The Government should not in 
fere in our drinking and drug habits but 
it should not have to bear any of the 
costs of treating victims of these habits. 

I don't know which came first—legisla- 
tion of als or u casonable ере dl- 
ence on vernment | 
us from the consequences of o 
I do know that freedom springs from 
responsibility. Until we stop looking to 
Big Daddy for a solution to all our prob- 
lems, we will find his long nose poking 
into our affairs. 


Fred L. Pullen 
Florida 


THE PRESIDENT'S MORALS 
The Watergate transcripts apparently 
have produced а painful disillusionment 
һ Richard Nixon among members of 
fundamentalist Protestant religious sects, 
who were previously among the Presi- 
dents staunchest supporters. Ап artide 
Vashingion Post quotes the 
11, pastor of the 


Convention, as 
brought us to a 
." The leading 
Christianity To- 


time of grief a 
evangelical pul 


aham has said 
mot but deplore the 

ns. 
ing and 
dropping more 
n had been ex- 


ploded in history before he took offic 
hardly a peep of moral indignati 
heard from these churchly. souls. 


did preciou: 
10 Nixon, or to anyone 
that morality concerns more than sex, 
dope or the prev of orher people's 
Certainly, their silence about his 

mpages never gave him a clue 
that hurting people might be i 
1 Bur 
пароїњ, Indiana 


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sexist cultural role traditionally assigned 
10 women, PLAYBOY continues to build the 
myth even bigger, as if the epitome ol 
womanhood were а 3622.36 20-year-old 
irginal-looking bourgeois movie star 
PLAYBOY attempts to bc objectively 
liberal: however, in actual practice 
PLAYBOY is subjectively bourgeois. It is 
i ble to be truly objective and 10 
function as a capitalist enterprise, too 
The sexist crimes of PrAxmov, the all 
time historical pimp, have been noted. 
nd it is inevitable that the day will ar 
rive when the machismo mercham will 
be dealt with accordingly. ;l'enceremos? 
Michael Shane Guile 
San Quentin, California 


Gesundheit! 


WHEN CHILDREN SEE PLAYBOY 

As а sex educator (and a practicing 
child psychologist. for more ihan 2 
years), I'm often asked by р 
read pLaysoy if harm result. from. 
young children finding and looking at 
their copies of the magazine. The par- 
ents scem especially worried about the 
male child who likes what he sees. Per 
mit me to assure parents (or those of 
you concerned about younger siblings) 
that the only harm to be concerned 
about is adult anger, or disappro: 
which can trigger cither guilt fee 
compulsive behavior. (Guilt provides the 
energy for the involuntary гере 
ideas or behavior) In all cases I know 
about, the whole family benefits when 
the parents are unconcerned about their 
child's discovery of PrAvnov or when it 
is used as an opportunity for some infor- 
mal sex education. 

1 also often hear concern from parents 
that the idealized image of the Playmates 
may give young children the wrong indi- 
cation of the way the average woman 
looks. Nonsense. They know what the 
average woman looks like just look. 
ing around them. 

Interested readers can write to our in- 
stitute for free publication lists and for 
material about sex education in the 
home by sending 25 cents in stamps or 
coin to cover postage and handlin; 

Sol Gordon, Director 

Institute for Family Rescarch and 
Education 

760 Ostrom Avenue 

Syracuse. New York 


nts who 


10 


ABORTION MYSTIFICATION 

People who oppose the passage of 
some form of right-to-life amendment to 
the Constitution must somehow main- 
tain that the fetis is not human. Usually 
ven is that the fetus is in 
capable of sustained existence outside 
the mother's body. As a definition of hu- 
п ty, this is arbitrary 
Let us discard sophistry and assert, sim- 
ply enough, that any organism, in 
whatever stage of development, that. can 


the reason 


М 


nd capricious. 


= 


If Beethoven were alive today, hed be recordi 
on Scotcli brand recording tape. 


ng 


Beethoven was a genius. But he So, next time you record something 
was even more than that. take a hint from the master. 
He was a pro. Use"Scotch"brand—the Master Tape. 


He was tough and demanding 
and insisted on perfection in every- 
thing he did. Just like the pros in to- 
day's music business. The people who 
may be putting a hundred thousand 
dollars on the line when they walk into 
а studio to put down a record. 

And nearly 80% of all master 
recording studios use "Scotch" brand 
recording tape. 

What else would Beethoven 
record on? 


3m „ааа. TheMaster Tape. 


58 


PLAYBOY 


60 


be called Homo sapiens is human. The 
construction of any elaborate argument 
to deny this is mystification in order to 
first dehumanize and then murder those 
whose existence. has become inconven- 
ient to us. Both ^ nd Southern rac- 
ists justified their murders with the 
п that the victims were not really 


Furthermore, the contention that the 
fetus is not viable outside the mother is 
simply not truc. When technical problems 
t will be possible to 
ags in the laboratory 
as well the womb. Thus the embryo 
may possess the potential for sustu 
existence apart from the mother, the de- 
nial of which forms the crux of argu- 
ments for legal abortion. 

As John rdinal Krol of Philadel- 
phia noted at the Senate hearings on 
the proposed constitutional amendments 
t would ban legal abortion, there 
е as many deaths—of fetuscs—each 
week from legal abortions as there were 
from the atomic bombing of Nagasaki. 
Abortion is another manifestation of the 
dehumanization in our society that made 

У and Vietnam possible. 

Hugo Carl Koch 
New York, New York 

It always strikes us as incongruous 
when people who say the state has а 
right 10 require women to bear children 
and who deny individual: the right of 
choice in moral questions compare others 
to Nazis. Why not make an effort 
to understand the argument for legal 
abortion instead of dismissing it as soph- 
istry and mystification? The nonviability 
of the fetus is not the crux of the case 
Jor abortion. We've never used this argu- 
ment and we don't think it’s a good one, 
since it could be applied to anyone not 
physically self-sufficient. Nor do we 
claim that a fetus is not Homo sapiens. 
The point is that taxonomy is not moral- 
ity. For all Americans who do not sub- 
scribe to the religious doctrine that 
abortion is murder, the question of the 
moral and legal status of the fetus re- 
mains an open one. The existing legal 
situation permits all women to act in ac- 
cordance with their conscience. The pro- 
posed constitutional amendments would 
destroy that freedom. 


МНО OWNS YOUR BODY? 
Proponents of lo 


ht to own their own bodies. While I 
agree with that viewpoint, few people 


realize how radical а dem is. Virtu- 
ally every government in the world 
claims to own the bodies of its citizens, 


male and female, and tries to control 
them as it sees fit. I refer not only to the 
агу draft (in which a man is seized 
into slavery and sent into battle) and to 
antinudity laws but to all the statutes 
everywhere regimenting our forms of self- 
decorati ice, it is against the 


Tanzania for а woman to wear а 


see-through blouse or some cosmetics. 
ү y forbids men to wear 
short. ens bell-bottoms or 


Isracl forbids swastika decorations, even 
though this sun symbol was used by Bud- 
dha and thousands of other mystics long 
before Hitler abused it as the emblem of 
Nazism. People in various parts of the 
United States harass Jongshaired 
ily clad women and anybody м 
ing decorations based on the matior 
flag (unless they happen to be ei 
of a major political party, working at a 
convention). And so it goes, all around 
the world. Certainly, we should own our 
bodies; but we are fighting an uphill b 
tlc in trying to make governments recog- 
ize that right. They still bel 
т property. 


men, 


ve we are 


James Clark 
Detroit, Michigan 


LEGALIZING HEROIN 

Incredible. That's the word for the let 
ter from Sanford P. Cohen, New York 
State Libertarian Party candidate fo 
Congress, who advocates legalizing the 
sale and possession of hard drugs (The 
Playboy Forum, June). Cohen has failed 
to do his homework. Hard drugs are not 
here to stay. Tough laws and vigorous en- 
forcement do work. For example, Brook- 
lyn, which once led New York City in 
the number of new drug addicts reported 
each year, managed to slow the tide, re- 
porting a 45 percent decrease in new 
cases during the last half of 1973. The 
Bedford-Stuyvesant ghetto showed а 57 
percent decline 


new cases. 
You can never satisfy an addict's habit, 
because he or she is сопы 
for a higher high. The addict will shoot. 
as much as you give him. Legalizing hard 
drugs would be committing mass murder. 
as substituting methadone for 
that's like giving an alcoholic 
instead of rye. There have been 
more deaths in New York City [roi 
methadone than from heroin. Lega 
ization would only make the drug 
problem worsc. 

Robert D. Hantz, Deteaive 

New York Police Depart 

New York, New York 

Hantz is Robin of the two-policeman 
leam nicknamed Batman and Robin, 
whose exploits in the Bed[ord-Stuyoesant 
area are portrayed in the movie “The 
Super Cops.” 

Dr. Milton Helper, former chief medi- 
cal examiner for New York City, has 
stated that reports that methadone was 
killing more addicts than heroin were 
not accurate. He blamed an overzealous 

(concluded on page 210) 


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any other U.S. brand. 

The best way to buy color TV is 
to compare performance. 


PERFORMANCE 
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PLAYBOY 


62 


Introducing Clarks 


POLYVELDT 


IN TIMES LIKE TITESE WHEN NOTHING LASTS, 
POLYVELDT IS REVOLUT 


Leather | 


has invented a wholly new 
ое that's made to be more 
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shoe. It's called Polyveldt, 
arks of England can 


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Polyveldt puts an end to 
all that. Its sole is an in- 
credibly durable new ma- 
terial. In abrasion tests, the 
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year 
and a half of constant 
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lighter, so it doesn't 
cause the kind of 
fatigue other shoes do. 
Flexible, soit movesthe 


Y. 


way your foot does. And it doesn't 
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In addition, the Polyveldt sole has 
proved to excel in traction on wood, 
Stone, tile, concrete, every kind of 
surface we could find. So climbing 
up a rocky slope or running for a cab, 
you're more surefooted vith the 
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But the most important charac- 
teristic of Polyveldt is its comfort. 
Inaregular shoe, if you stepped on a 
sharp rock, you'd feel the point 
through the sole. Ina Polyveldt, the 


Sa. sole accommodates the unevenness, 


acts as a shock absorber, and 
keeps your foot evenly cush- 
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sole was determined 
by careful study of 
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putting“rolling pressure” on all the 
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of England. 


ww. AL GOLDSTEIN 


a candid (ugh!) conversation with the outrageous editor of “screw” 


An ACLU. attorney says, “He gives 
freedom of speech a dirty name.” De- 
seribing Screw, the 18-page шее Му sex 
tabloid that AU Goldstein edits and pub- 
lishes, New York Court of Appeals Justice 
John Gabrielli wrote, "It's hard to con- 
ceive how a publication could reach any 
Jurther lows in attempts to appeal to pru- 
rient interests.” an opinion with which 
the U.S, Supreme Court, late this July. 
refused to differ by denying hearings on 
several New York obscenity convictions. 
Serew's Irreverent mix af scatology and 
porn hay even carned Goldsiein the dubi- 
us distinction of being called the world's 
Joremost pornographer by The New York 
Times. Screws. parent. company grossed 
more than $2,100,000 last year—partly in 
profits [rom ily production of a hard-core 
film feature, “И Happened т Holly- 
wood” (in which Goldstein played a 
major role), but mostly from the papers 
105000 circulation. Though the profit 
margin has been substantially dimin 
ished by $214,000 in legal fees and fines 
[rom nine obscenity arrests diving its six 
years of publication, Screw has acquired 
а kind oj semivespectable reputation 
among the lecherati as the paper of record 
on sexual phenomena, however eccentric: 
Hs list of subscribers includes 122 college 
libraries and the Library of Gon 
well ax such celebrities as Sammy Davis 
Jr., Gore Vidal and Judith Crist. 


T 


“Afler ту review of ‘Deep Throat; it 
became а huge hit. Later I interviewed 
Linda. Then she went down on me. I ran 
the photos and my description of it. It 
was a paradigm of personal journalism. 


Serew’s formula for success derives 
from the duuzpah and kinky sexual 
lastes of the 38-year-old Goldstein and 


the unerring business instincts of his 
pariner, 30-year-old Jim Buckley, both of 
whom carn $1550-a-week salaries for 


their efforts. When they met. Goldstein 
had recently been fired from The Na 
tional Mirror. a lurid sensationalist tab- 
loid for which hed written some 1200 
hiction-masquerading-as-jact stories. bear- 
ing such headlines as “wire Ds up 
CHILDREN, FEEDS THEM TO GOLDFISH” and 
BARBER SHOVES SCISSORS UP. GIRLFRIEND'S 
"At the lime, Buckley was edit- 
ing a failing underground newspap 
The New York Free Press, 10 which Gold- 
slein submitted an article dealing with his 
previous experiences in industrial espio- 
mage. Thice months later. they decided 
to pool their assels—a total of 5500—10 
publish material that would pavallel the 
unconventional sex life Goldstein was 
leading and feeling guilty about. 

Jn the annals of journalism, the imme- 
diate impact of their merger was hardly 
comparable to that of. say, Scripps and 
Howard. Printed on the cheapest paper 
possible, the first sue. of Screw consisted 
of 12 pages of skin-flick reviews, frontal- 
nudity photographs and tips on how to 
buy the bes dirty 
Square. The 7000-copy print run cost a 
since Buckley did the type- 


хозтки 


books on Times 


meager 521 


"Screw. leads the league in tastelessness. 
Our photos are filthier, our articles more 
disgusting. Our stock in trade іх raw, 
flailing sex. The word love is alien to us. 
Who needs love? Yuch!” 


selling and Goldstein supplied most of 
the breezily sophomoric writing, That 
issue's graphic illustrations, which in- 
cluded a woman provocatively holding a 
salam and another woman seated on a 
man’s penis, were lifted from UPA. files, 
The National Mirror and a pornographic 
mailorder circular, When shocked dis- 
Lributors refused to supply Screw to news 
dealers. Goldstein himsell civentated the 
25-‹ет paper by bicycle and subway, 
sweettalking his way ото 24 newsstands. 
“We didn't know we had а hit Jor a long, 
long time” he recalled later. “We always 
thought cach month, then each year, 
would be the last ane.” 


Bejore his breakthrough with Screw, 
Goldstein's life and times—a pathetic 
combination of sexual. professional and 
social frustrations—would have fascinated 
most analysts and, in fact, have already 
heen heard by ten therapists over the 
past 19 years. His case history starts with 
the embarrassing stutter that plagued him 
until he was 12. А year later, as he tells 
who'll listen—he began 
masturbating regularly and relentlessly. 
His loss of virginity at 16 was arranged 
by his family and consummated in a 
hotel room with his uncle's girlfriend. АТ 
17, he says he brooded constantly about 
whether to kiss dates good night on their 
doorstep or rape them behind the bushes. 
Пу 18, he boasted the largest collection 


ite anyone 


‘CHARLES W, BUSH 
“My partner, Jim Buckley, feels that I'm. 
a clown, an exhibitionist, a dangerous 
menace to society, that I should be hosed 
down and thrown а pound of raw meat 
before 1 go 10 bed at night.” 


63 


PLAYBOY 


of pornography in his Williamsburg, 
Brooklyn, neighborhood —much of it lib- 
erated from his father's bureau drawer. 
By 19, he claims he was spending most of 
his time with hookers, and soon after his 
20th birthday he contracted a case of clap 
while serving in the Army. 

During а period of uncharacteristic 
stability and serious-mindedness in his 
mid-20s, Goldstein worked asa press pho- 
lographer for The New York Mirror and 
later, as а part-time. freelancer, covered 
Jacqueline Kennedy's 1962 visit to Paki- 
stan, a tour of Moscow by four American 
governors and Chi Guevara's speech- 
making punditry in Havana—where a 
misunderstanding caused him to be ar- 
rested and jailed for [our days and his film 
to be confiscated. Then, at 27, after a 
whirlwind courtship, he took time out 
from his catch-ascatch-can career to 
elope with Lonni Leavitt—a 19-year-old 
student whose family bitterly opposed 
the marriage. To achieve the measure of 
rectitude he thought his in-laws required, 
Goldstein abandoned photography and 
Jor two years became a crackerjack life- 
insurance salesman, ranking 13th out of 
5000 colleagues at Mutual of New York. 
But he hated wearing a tie and suit, and 
finally resigned. The marriage itself 
ended abruptly one day їп 1965—after 
two and a half years—when, Goldstein 
says, he returned to his apartment and 
jound the furniture gone, his suits 
slashed by a knife and Louni's wardrobe 
and personal effects missing. “Is prob- 
ably the closest 1 ever came to wanting to 
kill myself,” he told one of his analysts. 

Goldstein soon discovered that the 
thousands of dollars of credit-card bills 
he claimed were run up by his estranged 
wife—which he was unable to pay—had 
ruined his credit rating and consequent- 
ly his ability to obtain steady employ- 
ment. For three months, using a micro- 
phone to hustle customers, he ran a 
1еп-сепі-а-рисћ carnival-midway game al 
the 1965 New York World's Fair. After 
making unsuccessful stabs ai selling en- 
cyclopedias and rugs, and working as а 
contact man for а pharmaceutical com- 
pany, he went on welfare for a ycar and, 
to make ends meet, sold his blood on five 
occasions. 

In desperation, Goldstein finally land- 
ed а $200-a-week job as an industrial spy, 
infiltrating Bendix Corporation assem- 
bly lines in Long Island City and Elmira, 
New York. He was required to file regu- 
lar reports analyzing the mood of his fel- 
low workers prior to a union election— 
or, to put it more bluntly, he was finking 
on his buddies had terrible guilt about 
prostituting myself this way,” he told his 
shrink. “I figured 1 had scen such injus- 
tice in my own life, that Га been fucked 
around so often, that I might as well fuck 
other people. And I needed the money." 
Meanwhile, in the wake of his divorce, 
becoming panicky about being alone, he 
was making eight and nine dates a week, 


along with numerous backups. After a se- 
ries of abysmal failures on the singles-bar 
scene, he tried computer dating—wiih 
indifferent luck—and ultimately began 
contacting correspondence clubs, most of 
which turned out to be phonies. Of the 
54 women he addressed in four months, 
there were only two responses—bolh 
from hookers. 

At was while he was trying yet another 
job, driving a cab, thal he met Mary Phil- 
lips, a blue-eyed blonde stewardess from 
Charleston, South Carolina, who eventu- 
ally became his second wife. “I married 
her bigamously so I could fly Pan Am to 
Hong Kong at 90 percent discount,” he 
insists. When he and Buckley formed 
Milky Way Productions, the incorpora- 
tion articles were placed in Mary's 
name—to avoid any legal hassle from his 
fast wife's attorneys. After Mary divorced 
Goldstein 16 months later, he said, “One 
reason 1 love her so much is that she had 
the intelligence to walk out on me.” 
Today, they remain such good friends 
that Mary frequently baby-sits with Jor- 
dan Ат Goldstein—the middle name is 
homage to Ari Onassis—a_nine-pound, 
13-оипсе baby born last May to Gena, his 
third wife. Goldstein's unique birth an- 
nouncement, the parody of a Screw cover 
showing Gena nursing their child, bore 
these come-on headlines: “TALES FROM 
THE CRIB!” THE DIRT ON DIAPERS!” 
“BREAST-CRAZY KIDS!” "WATER SPORTS FOR 
BEGINNERS!” Disenchanted a Jew wee 
later, Goldstein told his latest analyst, “1 
don't know if I like being а father. The 
hid has already taken over one room of 
our Jour-room apartment and точ of my 
wife's altention. When I want to fuck, 1 
to make an appointment.” 

The romance of Goldstein and the for- 
mer Gena Fishbein, then a 29-year-old 
grade school teacher, began with а blind 
date to a relatively sedate nonsex movie, 
Roman Polansk?s Playboy production of 
“Macbeth.” Her late father had been a 
Screw subscriber, but she knew of Gold- 
stein only vaguely, remembering little 
more than television footage of him being 
arrested. Like Gena's father, Goldstein 
admits he has turned ош to be а pig- 
headed, stubborn, fascist head of the 
household. But somehow, possibly be- 
cause Gena participates in group therapy, 
their marriage has survived 22 mercurial 
months. 

To further plumb the depths of Gold- 
stein's frenetic psyche, we assigned Con- 
tributing Editor Richard Warren Lewis, 
who had interviewed him last year as part 
of a “Playboy Panel" on “New Sexual 
Lifestyles.” His report: 

“When 1 talked with Goldstein the last 
time, the setting was his 14th Street Man- 
hattan office, where a stuffed and mount- 
ed shark with а halfeaten dildo in its 
mouth hangs from the ceiling, the breasts 
on a wooden torso of a woman light up 
when his private phone rings and the 


buttocks of а mannequin protrude from 
underneath a refrigerator—while а pro- 
cession of hookers (some of whom he 
impulsively balls on the wall-to-wall 
carpeting), dirty-book writers, nude mod- 
els, hustlers and con artists passes by his 
desk. 


his time, fortunately, Goldstein had 
decided to flee the fear and loathing that 
were plaguing him in Manhattan— 
where he had spent the previous wee 
end test-firing а .38-caliber pistol. and 
writing letters demanding police protec- 
tion in anticipation of the feedback from 
a forthcoming series of articles on Mafia 
infiltration into pornography. Seeking a 
respite in the Southern California sun, 
he carried with him a bound volume en- 
compassing Screw's first year, sheaves of 
copies of letters and clippings detailing 
his latest escapades and two lape-record- 
ing devices into which he periodically 
dictated material for his soon-to-be- 
published autobiography, ‘The Prince of 
Рот.” And, as usual, he was complaining 
about his corpulence. Weighing a mere 
185 pounds when he married Gena, his 
"S" frame had ballooned to an endo- 
morphic 242 before slimming down to its 
present 216. 

«Тһе only exercise 1 get these days is 
fucking, Goldstein said. Clearly, he must 
have been doing a lot of that lately, since 
he had just won a TV set equipped with 
three screens in a weight-loss wager with 
Lyle Stuart, publisher of his autobiogra- 
phy. Still, he couldn't resist wolfing 
down а sausage-and-mushroom pizza and 
a couple of ice-cream cones before we 
began talking on а cantilevered deck 
overlooking downtown Los Angeles. As 
Goldstein languished in the sun, chcerily 
reminiscing through his bound volume of 
Screws as if it were a family album, it 
semed appropriate to begin by dis 
cussing their provocative contents.” 


PLAYBOY: Why is Screw more successful 
than the other dirty und und news- 


papers that flood the market? 
GOLDSTEIN: Because we lead the league in 
tastelessness. use our photographs 


re morc dis- 
п theirs. We make no effort to 
tistic. Our photography are so explic- 
it the readers can see the come running 
from a girl's mouth. Our stock in trade 
‘othing is left t0 the 
ination. We review and rate stag 
movies, gay movies, fuck books, 
lesque, topless bars, model studios, health 
and leisure spas—otherwise known as 
age parlors. We're like Consumer 
Reports, except that our interests go far 
beyond toasters and compact cars. The 
word love is alien to us. Who needs love? 
Yuch! We deal with m; rbation, the 
most common ty for most 
people. in graphic words and pictures. 
We offer heavy doses of heterosexuality, 
lesbianism and male homosexuality. The 
most important factor of all is that we 


bur- 


sex 


— © | 


Win a Gourmet holiday in Europe 
with a One Dish Supper Recipe. 


reciation of last year's nationwide respons: DUM, osthe listing of ingredients and proper measurements and the clarity 
Seagrams VO. Canadian whisky and Gourmet Magazine of directions 
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present the 2nd annual Seagrams V.O. International. „3, 4. All entries will first be reviewed by Creative Food Service, Inc. 


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Contest rules and regulations: 

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» experts will select the 25 semi-finalists, 5 finalists and the ulti- 
mate winner. The decisions of the judges will be final 


i N X Finalists and semi-finalists will be notified on or before 
holiday for two in Europe: fourteen days / 
г December 31. 1974. 
MES ho 


LE cn 


5. Employees cf Joseph E. Seagram & Sons, Inc. 
g and affiliates, retailers and wholesalers of alco- 
holic beverages, Creative Food Service, Inc., 

Gourmet Magazine, their advertising agencies 

and their immediate families are not eligible for 

this contest. Entrants must be of legal drinking 
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6. The all-expense paid European Holiday for the 


winner and guest includes deluxe accommodations, 
first class airfare, evening meals, airport transfers, and 
00 cash to cover incidentals and miscellaneous meals. 
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All accommodatiors will be double occupancy, 
То qualify, your "One Dish Supper" entry must list all the 7. This contest is void in states or localities whe 
ingredients and proper measurements in order of use, and give restricted by law 
clear directions for your methodofcombining and/orcompleting 8. Tobe eligible for judging, all entries must be postmarked no later than 
midnight, November 15, 1974. None will be returned. All entries become 
the property of Joseph E Seagram & Sons, Inc. who will have the right 
to use the names and likenesses of all finalists and the ultimate winner 
for advertising. publicity and promotional purposes. 
xpense paid holiday must be taken within the calendar year 
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И be awarded to the runner-up cut of the 5 contest 


asselected by Gourmet Magazines panel of experts. There will be 


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MAIL YOUR RECIPE ENTRY TO: 
Gourmet Holiday 


Dept. L, Р.О. Box 300 
Church Street Station 
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Seagram's 
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: А A 
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PLAYBOY 


68 


know our kinky audience—those who've 
been overlooked by other publications. If 
we had the money to conduct a comprc- 
hensive survey, I'm certain we'd find a 
preponderance of foot. fetishists, ass fuck- 
pederasts, onanists, sadomasochists 
rest of the denizens of the s 


as 


sympathize with, because they're just as 
horny as Г am. Its for these people th 
we print pictures of dykes going down on 
cach other, 300-pound hookers, a guide 
10 smut in the Library of Congress, por- 
nographic puzzles, instructions on how te 
give deep throat and what purports to be 
à photograph of Golda Meir's old Jewish 
cunt. 

PLAYBOY: How can such a raunchy publi- 
cation stay in business? 

GOLDSTEIN: We've had some close calls. 
Screw is so vile and ugly in its unrelent- 
ing eflorts to achieve sexual candor that 
I've been arrested ten 1 
dealers ha 
130 occasions. We ntly delend- 
g our First Amendment rights. Law- 
enforcement agencies сап harass us, but 
they'll never stop us. If necessary, we'll 
just keep on paying fines. Some of our 
scariest confrontations, though, havent 


been with the law at all but with pr 
citizens. 
PLAYBOY: What do you mean? 


in the mail every week. 1 even got 
death tape with a guy yelling how he w. 
gonna strangle me because I was so vile, 
I was corrupting America, and only a 
Jew could stoop so low. 
PLAYBOY: Have these teats prompted 
ny special security precautions: 
GOLDSTEIN: Not until recently. Now I have 
а parttime bodyguard, а burglar alarm, 
bulletproof glass in the office and 1 wear 
a bulletproof vest. Somebody told me 1 
should get a bulletproof jockstrap, to 
protect the real heart of my existence. All 
these new precautions are the result of 
something that happened just a couple of 
months ago, when we were terrorized by 
two gunmen. The Trojan horse was 
somebody knocking on the door and 
saying that he was delivering food and 
coltee. I said, "Let him in." It was really 
Pavlovian; mention food to me and the 
doors open wide. So in walked two guys 
pul . Next thing I know, one 
guy's got a gun. pointed at me and he's 
throwing some people on the floor. I had 
a shotgun in my office, but I didn't reach 
lor it—because my immediate reaction 
was that it was an obscenity arrest. Only 
when 1 started getting shoved around and 
heard one of the guys saying, “Us guineas 
are tired of what you been writing about 
the Fan did I realize this was some- 
thing more serious and dove for the floor 
in front of my desk. It was sacrilege, like 
violating a shrine; on the same place I've. 
come so many times, I almost went. 
There were 15 of us piled two and three 
high. several staffers and some hookers 


and pimps who had just dropped into 
the office to place their ads. We were 
told to remove our jewelry and hand 
over our wallets and purses. 1 was afraid 
1 was gonna die, but all 1 could think 
about was this very expensi 

1 оп. а $2500 Pulsar. L's the only gold 
thing 1 own. And besides, it was essential 
to my profession as a critic. For some 
time I'd been using it to time the inter- 
vals between sex scenes in fuck films. 5o 
I slipped the watch under my shirt. 
Then, when I was dragged up by the hair, 
ha gun jammed ар 
watch slid down my shirt and into my 
pants leg. I kicked it under a hooker who 
was lying next to me. Later I told her she 
could have a years free advertising in 
Screw for shielding my watch with her 
body. One gunman kept slamming ше 
imo the wall and repeaung, “You're 
gonna have to stop writing about us.” I 
looked at the gun, which was at my 
temple, and. visualized what it would be 
like to be pistol-whipped. Some of my 
stallers—who are imo — masochism— 
probably would have come three or Io: 
Not me. 1 reached into my pants 
pocket and gave them my last $20 bill. 
PLAYBOY: In the long run, isn’t your live- 
lihocd—if not your life—more seriously 
threatened by recent Supreme Court deci 
sions that allow 


most any local citizens’ 
group to haul you into court for violating 
community standards of obscenit 
GOLDSTEIN: The prosecutors will still find it 
difficult to shut us down. Half of our cir- 
culation is in New York City, whose con- 
ndards_ per 
hard-core films, dildo stores, dirty book- 
shops and hookers walking the streets. 
The other 50 percent is spread out among 
such as San Francisco, Los 
Angeles, Atlanta, Boston, Dallas and С] 
vo. | we're busted in any of these 
locales, we'll just ask for jury trials, and 
I'm sure we'll be vindicated. We've never 
had any circulation in those Neandertl 
areas of the South and Southwest where 
lante committees are most likely to be 
formed. So Supreme Court or no Supreme 
Cour, Screw will probably get even 
dirtier. 
PLAYBO! 
dirtier? 
GOLDSTEIN: Well, you know those perfume 
ds—when you scratch the surface, you 
get a whiff of cologne? 1 would love to 
have а centerfold that you could scratch. 
and smell pussy. While awaiting that 
milestone in publishing, we'll expand on 
our outrageous reputation by running a 
how-todoit article by a most unusual 
rl I recently met. Gerry Damiano, the 
porn film maker who made Deep Throat 
plans to use her in his n ic. She's 
his new Linda Lovelace. Not only can 
she give superb head but she sings while 
she sucks. While my cock was going in 
and out of her mouth, she sang How 
Much Is That Doggie in the Window? 


How could it possibly get any 


PLAYBOY: On key? 

GOLDSTEIN: Are you kidding? She's got a 
voice like cl. This is a great rou- 
tinc. If only Ed Sullivan were still on tele- 
vision. Iı would really be terrific И she 
and 1 694 while she was singing and 1 
could sort of hum an accompaniment. 
And then we have Honeysuckle I 
Screw's ultimate woman. For the past 
two y she's been writing а regular 
column for us called “Diary of a Dirty 
Broad," Honeysuckle is a stripper who 
read an article we published two years 
ago about a turmokthe-century French 
vaudevillian whose act was mostly farting 
to music. She was so impressed with what 
you can train your ass to do that she went 
on a selfimprovement program such as 
man has never seen. I first saw Honeysuck. 
le as I walked into Jim Buckley's office, 
and there was this girl stand her 
4 shooting Jergens Lotion across the 
room—ejaculating it from her pussy onto 
the wall 19 feet away. 1 thought that was 
unbelievably disgusting, so naturally, we 
made her our symbol—like the Playboy 
Rabbit. We've sold 10,000 calendar post 
ers of her spr way that 
would even a gynecologist. 

For every month on this calendar, by 
the days she has her period are 
in red. The days when she's 
probably got the «ар are printed in 
black. She is without а doubt the most 
unhygicnic mass of femininity I've ever 
encountered. She's а one-woman slum. 
Among her unique talents is putting а 
broom in her cunt and sweeping the 
floor. She also uses her cunt to play the 
saxophone and blow out candles. Honey- 
suckle is so dirty even Z wouldn't touch 
her, She's always got some sort of ooze 


na 


percolating in her box. She would keep 
an army of 19 shrinks so busy that they'd 


need shrinks to take care of them. But 
you know something? She's a sweet, nice, 
alm innocent kind of creatur nd 
she's the only person on the ма who 
calls me Mr. Goldstei 
PLAYBOY: Another 
you've featured 
nique Van Cleel, 
you called her. W 
to this story? 
GOLDSTEIN: Г: terested in anything 
dealing with especially farout sex prac 
tices. In all the years I've been involved 
with Screw, the weirdest day I ever spent 
wa her home in The Hague. 1 had 
seen The Balcony and read а lot about 
Monique, but I didn't know much about 
dominance and bondage, which are h 
specialties. Her whole trip is humili 
tion. She locks people in closets, pisses on 
them, hangs guys upside down from ће 
ankles and utilizes pain devices th 
tighten around the testicles. Monique's 
place looked like a three 
Gestapo com 
PLAYBOY: And you were only a spectator? 
GOLDSTEIN: No: for a short while, 1 became 
one of the side shows. Monique ordered 


bizarre personality 
n the newspaper is Mo- 
the torture lady," as 
t was your attraction 


g circus from 


ndant’s dr 


My 
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PLAYBOY 


70 


me to get down and kiss her on the foot. 
"Then she put me in the pillory and man- 
aded my hands and legs. Milton Berle 
might have gotten into the French maid's 
outfit lor the occasion, but 1 passed on 
that. I would have felt ridiculous. Any- 
way, eventually she spanked ше. But I 
was relieved to report in my story that 1 
didn't get a hard-on. Even so, it was а cir- 
culation builder. 
PLAYBOY: How successful were the Jac 
queline Onassis nudes you published а 
couple of years ago? 
GOLDSTEIN: [hat was onc of our mile- 
stones, It was а new record sold 
530,000 copies at 75 cents apiece. It’s the 
only issue we ever had to print twice— 
despite the fact thar all the publicity 
about it was by word of mouth. We tried 
to promote that issue, but Variety, Wom- 
en's Wear Daily, The New York Review 
of Books, New York magazine and The 
New York Times turned. our ads down 
In the copy accompanying the photo 
graphs, we called Jackie “the world’s 
richest pussy.” The pictures were full 
frontal nudes shot on the island of Skor- 
pios with an extra-long lens. You can 
dearly see Jackies big bush and hard- 
nosed tits. 
PLAYBOY: Do you think it was Lair to in. 
vade her private life that way? 
ve private lives? Do 
we private lives? 1 don't 
can invoke Executive priv 
private comments. 
PLAYBOY: But Jackie's neither ап actress 
nor a politician. 
GOLDSTEIN: 1 embrace the papara: 
losophy. Everything is fai 
duding a connover 
figure such as Jackie Oi 
ked her to walk around n 
late her symbolically wi 
phs, pulling her down to 
p thinking back to 


we 


phi- 
in 


T wanted to у 
those photog: 
my ovn level, I ki 
the time 1 accompanied Jackie t0 Ра 
1 as a photographer, when she was м 
Mrs. Kennedy. 1 was sweaty and hot, but 
she was always so immaculate, so impec 
cable. She never had diarrhea, because 
she drank only water flown in from the 
United States. Fm certain there were 
some destructive components in my mot 
vation, but we were the only Amer 
publication that had the guts то run 
those photos. 

Movic 
“the hidden se beth Taylor” — 
which turns out to be ihat whe 
was nine years old, she didn't 
dress she wanted —are the ultimate 
off. They don't deliver; they're to 
Tull of shit. Serew really delivers. When 
we ballylioo nude photos of Jackie Onassis, 
we have nude photos. There's a pavoff on 
ide. This is where we've Попе 
ybe 97 percent of the time. 


thar 


promise you 


PLAYBOY: What about the other three 
perc 
GOLDSTEIN: ГИ joke around. е offer 


а special introductory bargain subscrip- 
tion rate, 11 issues for 59.95, which costs 
more than our regular rate. Or the time 
I printed splashy ads announcing the 
opening of a nonexistent massage parlor, 
exclusively for women, called The Gold- 
cn Tongue Salon. The copy promised 
that the greatest, most agile and 
powerful tongues would be assembled to 
satisfy women in a plush setting, that 
there would be men whose cocks were so 
strong you could hang ten umbrellas on 
them. Since so many women like the idea 
of going to bed with blue-collar workers, 
we said the men would be dressed in blue 
ad that The Golden Tongue would re- 
semble a police station, The address and 
phone number we published were actu- 
ally those of the police station on 515 
Street. When the real police answered. 
we figured would-be customers would 
think it was part of the gimmick, The ad 
ran for five weeks and the wouble started 
when the cops’ wives began complaini 
1 don't think the cops themselves were 
all that upset, because when my secretary 
illed the station. amd said she'd like 10 
ike an appointment Гога massage, they 
told her to come on down, And I under- 
stand а lot of the boys in blue asked to 
islerred to that precinct during the 
ad campaign. But finally D got arrested 
on one of the dumbest charges ever filed 
aginst me—harassing a police station. 
Outside of а nal jokes like thar 
our hype is always up front: unlike the 
movie-scandal zines, Screws most 
conservative section is the outside, Irs 
the only part that's not dirty. We don't 
want to offend innocent. passers-by. 1 
опт prick on the 
cover, because I might be busted for pan 
dering. ГИ use the word ass as in 
“Teaching Your Ass New Tricks.” “cause 
it could mean your burro. And pussy 1 
can get h. because it might be a 
cat. That's the only part of the paper 
where I show any reticence at all. Once 
we've vamped the reader on the caver, we 
lure him inside. then grab him by the balls 
and hold him for the remaining 47 pages. 
PLAYBOY: Who is the Screw reader? 
GOLDSTEIN: A demographic study weve 
done indicates that the percentage ol col- 
lege graduates who read Scr 
major distribu is second only to 
The New Yorker's. But unless you're very 
much into the sexual market pla 
10 films, fuck books and massage stu- 
body reading 
усаг. Because in 
would have read 
hing we have to say. We'd 
g ourselves. 
How do you 


most 


se the word c 


w, in our 


ce of 


only be repe 
PLAYBOY: 
problem? 
GOLDSTEIN: We actually have Wednesday 
morning staff conferences at which we'll 
talk for hours about what sex acts we 
haven't done lately. We've run articles on 
how to cat pussy better, how to lick 


handle that 


assholes, how men shouldn't be uptight if 
their girlfriends put а finger or a vibra 
tor up their ass. We've covered the cunt 
from. every angle imaginable—inserting 
the nose, the elbow. How many syni 
posiums can | print on how to suck 
cock? After six years. it’s brutally hard— 


or should T say soft? We have to repack- 
ge our product more often than the 
the 


automobile manufa qns 
sime problem any other 
has—and surely Screw is а house org 
any way you want to look at it. I doubt 
whether a new fucking position has been 
developed in 4000 yea 
constant. vari: 
dreaming up different set 
micks—like making it on a trampoline or 
punting an apple in your partuer’s 
mouth while vou fuck her in the ass 

We have an article coming up by a girl 
who insists that big cocks make а diller- 
ence. I'm sure tharll be 
meone else saying th 
he fun, too. Wh: 


. but we need 


ions. so we improvise by 


s or gim. 


followed. by 


se 1 cocks cau 


1 sm 
wever side of the bed 
we're on. we'll turn the mattress over and 
get another angle. Irs not always c: 
Considering what colossal {ас Кой we a 
We once ran а “Pick the Prick” contest. 
lor which six of us from Screw were sup 
posed to be photographed with cocks 
volt, then hard. The iched 
the hard and soft cocks to photos of our 
faces would win Screw T-shirts. The photo 
session that produced the pictures for this 
layout was a farce: There we were, six 
guys standing together naked, like а 
bunch of kids ready to play doctor—only 
there were no nurses, Nobody could get 
1. our stall is incredibly 
is am operation—except for 


vaders who 


sophomoi 


mc. of course. 
PLAYBOY: You тели you're the only ma- 
une employee of Screw? What about 
Buckley? 

GOLDSTEIN: Buckley who? 
PLAYBOY: Your partnei— 
GOLDSTEIN: You mean 
New York? You'd be 
up that accusation. 
PLAYBOY: C'mon, Al. 
GOLDSTEIN: OK. OK. I've had и partner for 
мх years named Jim Buckley. Not. the 
Senator. When 1 met my Buckley, he was 
the only member of the underground 
press who owned stock. He doesn't spend 
опеу. He doesn't Шу like a 
diver. He's a lovely, sweet man—hut 
he's а repressed Catholic; which means 
that he's monogamous. He d 
around. He's never been 10 an orgy 
ned down а blow job from 


m Buckley. 
the Senator Бот 
er be able то back 


e. He's rea 


с 


once 


Lovelace. What a disgrace! This man 
would be happier in the Vatican. He's 


| to the whole 
m, I don't bc 


my cross to bear, 
1 field. But v 
rew would have been successful 
n urge for self-destruction, 1 
would have been out of business by the 
third issue. 

im's very stable, very structured: he's 


sexu 


With my oi 


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PLAYBOY 


72 


not comfortable with people. He's also 
unhappy that 1 get the publicity. We 
own Screw 50-50, and yet Jim is an un- 
known—even to hi vile and f у. 
Screw is reilly an extension of me. Buck- 
ley feels that I'm а down, an exhibition 
ist. a dangerous menace to society. that Т 
should be hosed down and thrown a 
pound of raw meat before 1 go to bed at 
ight. J feel that my exuberance, my 
pionee incts are what we need in 
Serew's pages. If we were to have an ex- 
tension of Buckley's personality i 
c, we'd have a blank notebor 
In the pages of Screw, I've accused В 
of being a latent homosexual—wh 
bly has something 10 do with his 
Catholic 
happy in the alla 
for three y Jim would 
make а wonderful faggot. I have а genu- 
ine, deep respect for him, but I ca 
ceive of a man who doesn't fuck 
given the opportunities he has. That's 
why he's a subject of constant ridicule for 
me. He's also thin, attractive and—whiat 
makes me angriest—his cock is bigger 
than mine. 

PLAYBOY: How do you know? 

GOLDSTEIN: We once had replicas of our 
cocks made of Lucite, J have mine on dis- 
play in my house, properly placed on the 
mantel, with high-imensity illumination, 
My wife and I fight about that a lot. 
When her mother is coming over, she 
wants me to hide it. Of course, 1 refuse. 
I'm very proud of my cock, even though 
Iwish it were larger. 

PLAYBOY: Why? 

GOLDSTEIN: It stands to reason that if there 
are enough men who covet big boobs, 
there's going to be an equivalent percent- 
age of women who care about big cocks. 
A lot of men—including mc—would like 
to believe it’s not how large your cock is 
but how you use it. But I think th 
bullshit. Г know two guys who are big in 
sex films—Marc Stevens and Harry 
Reems, and both of them have outra- 
geously large cocks, They fuck their 
ns out with women who want to be 
balled by a big and famous dick. I feel 
sorry lor № ise that’s all he is—a 


Navy 


Morgan h 73-inch boobs; 
they hang down so far th 
tesque. But our readers are fascinated 
by them. There will always be a market 
for side shows. Linda Lovelace proves 
it 

PLAYBOY: Linda Lovelace may have been 
Screu's most important. discovery. How 
did you happen upon her 
GOLDSTEIN: I discovered Linda just doing 
my job. The people who owned the 
World Theater in New York City told 
me they had a great fuck film they want- 
cd me to sce. At first, they thought the 
title might be The Sword Swallower, but 


they were afraid newspaper айу 
ing departments would refuse to run 
that title. The alternative, Decp Throat, 
seemed innocuous enough. 

So I went to review the film, and I w 
suddenly confronted with Linda Love- 
lace onscreen. She had a lot going—or 
should 1 say coming?—for her. She was 
lovely, thin, young and fresh. Most of the 
women in fuck films have pimples on 
their es or are uncommonly lat. Ве- 
cause I have а weight problem. I like very 
thin women, My current wife weighs 99 
pounds. I mean, I like them emaciated. 
Deep Throat was cute; it moved along. 
It had music. It | . But mostly it 
had Lin a brilliant. cocksucker. 
While I was writing my review. | couldn't 
forget the come pouring out of the corner 
ol her mouth as she sucked Ha 
cock. Her enthusiasm and her vitality 
were wonderful. 1 hung on that 
film that I got H hard-ons. I gave Deep 
Throat 100—е maximum score—on the 
Peter-Meter, our yardstick service to read- 
on the erotic content of movies. 1 
wrote the most laudatory review I'd ever 
written—dealing with this дїї who 
sucked cock. But 1 never mentioned her 
name in the review, probably for the 
same reason I bought Rolls-Royce stock 
before it went into bankruptcy. 1 didn't 
realize Linda would be a star. 

PLAYBOY: What effect did the Screw re- 
view have on Deep Throat’s popularity? 
GOLDSTEIN: Before my review, the film 
pened and closed in California in four 
days, After my review, it quickly became 
a huge hit in New York, 
house records. Five weeks later 
who owned the World Th 
if 1 wanted to interview Linda. 


He 
thought it would be good for business. 1 


said, "Jesus, sure, ГА love to meet her; 

We met in a small, cold, $17-a-night hotel 
room, and it was the most difficult inter- 
view I ever conducted, because she's real- 
ly inarticulate. Chuck Traynor, then her 
husband and “ma » most of the 
talking. Alter the interview, I said, “Lis- 
ten, Га like you to suck my cock." I fig- 
ured she was just a hooker anyway, so I 
wasn't embarrassed. She said fine, Chuck 
said OK, and she blew me. My parmer, 
Jim Buckley, photographed this summit 
meeting. 1 van the photos of her sucking 
my cock and my description of 
а par: of personal jou 
PLAYBOY: : What was it like? 

GOLDSTEIN: | felt very alienated, There I 
was with the world’s greatest cocksucker, 
and yet it was a lonely experience. I w 
sweating. She was hot. But it was fals 
because it was not spontaneous. ] have 
an average-size cock of about seven inch- 
es, and the fact that it disapp 
her throat interfered with my concentra- 
tion. | kept thinking: Am I that small? Is 
she that good? Should I come now? My 
attention kept wandering. She was sitting 
on my face in a 69 position, and as I was 


d down 


cating her, I knew I wasn't bringing her 
any pleasure. 1 was feeling very selfish, so 
L asked, “You don't really come this way, 
do you" She said, "Yeah, 1 come.” It 
finally dawned on me that this was a 
nonmonetary gift from thc distributors 
for my review. So then I was able to just 
come in a detached sort of But it 
was like working. I felt like a hooker fak- 
ing an orgasm with a John. I left there 
feeling sad. 

PLAYBOY: Still, was the experience differ- 


ent from making it with any other 
> 


w 
GOLDSTEIN: То tell the truth, it was а nov- 
епу. I had never fucked а woman in the 
mouth like that before. It seemed so hos- 
tile. And I remember cating her pussy— 
which was hairless, something 1 don't 
particularly like. As I looked up. while 
she was moving up and down, I saw she 
Joose-fitting chemise. As the 
chemise blew away from her body, 1 no- 
ticed scar tissue all down her chest. Sud- 
denly. Г realized why I never saw Linda 
naked in Deep Throat. The director 1 
to shoot around her scar. Until then, I 
was getting off on seeing her in the che- 
nise, ‘cause I like a woman in clothing. 
105 so much more exciting than a woman 
totally naked. But those scars turned me 
off a litle. 


What was the reaction to 
photographs of Linda servicing 


you? 

GOLDSTEIN: My wife hated them. The read- 
ers loved them. After the Lovelace story 
appeared, 1 began running anything I 
could find about Linda. She was my star. 


She was my Marilyn Monroe. If I were а 
faggot. she would have been my Judy 
Garlmd. Anything she did was news. 
Some friends of mine found some cight- 
millimeter films Linda had made before 
Deep Throat—movies where she gets 
fucked by a dog and gets pissed on. I ran 
the stuf and Linda and Chuck got terri- 
bly angry. I tried to explain to them that 
anything she did was news. Apparently, 
they felt that being a cocksucker was 
news, but to be fucked by animals—that 
was too kinky to be published. So I be- 
came the enemy. Two of her friends, 
managers or whatever you want to label 
them, called me up and said they were 
going to break my legs. 
PLAYBOY: It’s surprising that nobody from 
the A.S.P.C_A. called- 
GOLDSTEIN: They probably would just 
have asked if the dog was happy and who 
had custody of the puppies. Anyway, 
Linda was making tours, people kept ask- 
ing her about these photos. She told 
them they were fakes, 2 composite. She 
said the same thing in her autobiogr 
phy. Well, we have the original movics, 
and Гуе sued her for $250,000. As I som 
times jokingly say, we're going to have 
the dog testify. 

Linda's book, Inside Linda Lovelace, 
came out almost 12 months to the day 


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74 


after I met her in that hotel room. She 
had a fancy press party in New York to 
launch the book, I've never seen the 
press more awe-struck. They were fight- 
ing to get her autographed photo. Di 
ing the party, Traynor called me over 
and said there were grand juries that 
were trying to nail her on the dog pho- 
tos, that they had these big movie con- 
tracts in the offing and that 1 should lay 
off. Later, during a question-and-answer 
period, I waved the photos and said, “In 
these hands are photos of you, Linda, 
being fucked by a dog.” She replied. 
i Al Goldstein thrown out of tli 
press conference" And three goons 
threw me out. Only in America could a 
cocksucker go so far. In the process, 1 be- 
came а casualty, But Em still thrilled av 
being party to her success. 

PLAYBOY. You mentioned carlier that 
Screw conducts extensive testing not only 
of sex acts but of sex products. What are 
some of these devices like? 

GOLDSTEIN: First let me say that not only 
are you dealing with the ultimate whore 
in this society—the mail-order bu 
you're dealing with a field that has no 
safeguards, because the consumer is gi 


ridden and apologetic about buying the 
product. Screw fills that need by testing 
and rating every sex product that comes 
onto the market. In the first issue, I con- 
sumer-tested an gina that sold 
for $19.95. It was like a hairy pillow, with 
a vibrator inside a hole. It was advertised 
as а marital aid for spouses who were 
having difficulty getting an erection, but 
obviously, it was for guys who, instead of 
renting pussy, felt that for $20 they could 
have their own. I, for one, had trouble 
getting а hardon; 1 had never tried to 
fuck a pillowcase before. But | kept 
thinking that it would be great to take 
with you го а movie on a Saturday night, 
since you'd only have to buy one ticket. 
And you wouldn't have to worry about 
bringing it home too late. And it 
wouldn't have cunty comments to make 
about your performance in bed. The fact 
that this gadget sold meant that people 
needed it or wanted it and so it was 
= some consumer need. Most pub- 
ons didn't even acknowledge its 
existence. 

The same thing with vibrators; even 
Rexall's is selling vibrators these days. ОЁ 
course, the displays show a woman with 
the vibrator under the nape of her neck. 
But you notice they never sell square vi- 
brators; they're all cock-shaped. I 
are also readily available. I've alwajs felt 
some wise guy should invent a dildo with 
а flashlight on the end so you won't get it 
in the wrong hole if the lights are off. In 
any case, the marketing of dildos is a 
great step forward for middle i 
them, since I've 
d I hardly 
the ass. 


los 


We have women test 
n the ass а 


never been fucked 
ever fuck a woman 


PLAYBOY: Why not? 
GOlDSTEIN: Well, I will 
wants it, but frankly, I th 
Screw published а symposium on ass 
Tucking—there were four men and four 
won па none of the women admit- 
ted liking it. The women acquiesced be- 
cause the men liked it, but none of them. 
came unless a finger was caressing the 
clitoris at the same time. It seemed то be 
more of an accommodation. In some way, 
1 think of it as а violati 1 think its 
sort of like spitting on a woman. The 
faggots who work in my office, of course 
feel completely differently. They say the 
sphincter muscle is a great source of pleas- 
ure. 1 would be ashamed to be fucked in 
the ass; or maybe I'm just afraid I'd 
like it. 

PLAYBOY: How many of the sex products 
rated by Screw do you test yoursel 
GOLDSTEIN: [п the beginning, I tested all 
of them. Now I've delegated a lot of stult 
out, since some of the products represent 
а health hazard and 1 figure that's what 
my freelancers are here for, One of the 
benefits of being a publisher is having 
somebody else put his ass on the line 
That's what happened with the Cock En 
larger, the most dangerous product I've 
ever scen. Anybody who buys something 
like a cock stretcher has to be very naive 
or exiremely gullible. This Rube Gold- 
berg gadget is a dear-plastic tube about 
five inches wide and 12 inches long 
equipped with an exterior rubber bulb. 
‘Theoretically, you would put your cock 
into the tube and then press the rubber 
gizmo to suck the air out of it. The pres. 
sure change supposedly would enlarge 
your cock. Well, all it did was cause little 
air bubbles inside the tester's cock. There 
was no enlargement. И he had really 
been hurt badly, I wonder if he would 
have been covered by workmen's com- 
pensation. 1 could see him writing on the 
insurance daim: “ГИ never fuck aga 
Anyway, we rated the Cock Enlarger 
not acceptable" and “dangerous to your 
health. 

PLAYBOY: По you continue to accept ad- 
vertising lor products you find dangerous? 
GOLDSTEIN: Why shouldn't 12 I don't want 
to be a censor, like The New York Times 
or The Village Voice, which, lor in 
stance, won't accept ads for Screw. 
PLAYBOY: We're talking about responsi- 


И the woman 
ak it's hostile. 


the public's problem. Let them read our 
ratings and find ont the real facts about 
products like the Fuekamatic, as 1 call 
it, which looks like a 
er with a cock attached. 1t sells for 
and probably costs eight dollars to make 
You can carry it around from room to 
room, plug it into any electrica] outlet. 
What I like about it is its variable-speed 
device; it'll fuck away at dillerent speeds, 


like а spastic. When 1 tested it, 1 used it 
on the girl I was seeing at the time. 51 
liked it, but little wo 
rough because it was difficult to angle 
properly. You almost had to hold it 
one hi 
“not acceptable. 

Another product we evaluated was 
Accu-Jac—a fully automatic electric cock- 
sucking machine that cost $119.95. This 
elaborate device had dilierentsize sleeves 
for diflerentsize cocks and twin inputs 
powerful enough to make two guys com 
simultancously. 1 was afraid to test i 
so my ad m 


she found it a 


ad as it carried on, We rated it 


ser and а Screw contribu- 
tor were chosen. They both came. In fact, 
they got so at they we 
reluctant to give it back to me. When 1 
saw they weren't electrocuted, I took it 
into my office, dosed the door and tried 
it myself. 1 came, but 1 had to look at 
photos of women to do it. The machine 
itself wouldn't even induce а hard-on. 


hed 10 it t 


PLAYBOY: Have you tested any other prod- 
ucts yourself? 
GOLDSTEIN: Different-shaped nich tick- 


lers: Jile devices like rubbers that go 
on the head of your cock. They're sort of 
silly. When my cock French tickler 
on it, it looks like it's wearing а clown's 
hat. I also tested cock deadeners called 
nduro and Prolong. They were sup- 
posed to desensitize the head of your cock 
We told the readers that there were medi- 
ons on the market that do the same 
ng at one tenth the price. 
Something I did recommend was Auto- 
Suck—a bargain at 519.95. It looks like a 
nincinch vibrator, only it’s hollow; you 
put your cock inside. And when you plug 
it into your car's cigareite lighter, it vi- 
brates. The theory is if you're driving 
along or if you're stuck in traffic on the 
throughway and you have nothing else to 
do and the radio's boring, you may 
well plug in the Auto-Suck and come. 1 
tried it out one Sunday on the Brooklyn- 
Queens Expressway, on the way to visi 
my parents. Trafic wasn't heavy, but I 
had trouble getting it up. Guys who are 
really into Auto-Suck like to honk the 
horn or flash their lights when they come. 
But I was worried that if I came, I would 
lose control—'cause that's one of the great 
joys of coming. 
PLAYBOY: Does AutoSuck have a war- 
ranty? 
GOLDSTEIN: Үс 
two years, whiche 
PLAYBOY: What elements contribute to 
other Screw ratings—of a massage studio, 
for example? 
GOLDSTEIN: The ambience and, naturally, 
the options available to the custome 
When we evaluate studios, we aw: 
them from zero to four cocks. Much of 
our text is cuphemistic. I wish we could 
say drat stu has a wonderful girl 
who really gives a swell blow job. That 


as 


thi 


i—5000 ejaculations « 


er comes first. 


Winston 


tastes good like a cigarette should. 


Warning: The Surgeon General Has Determined 
That Cigarette Smoking ls Dangerous toYour Health. слата m. 4 nevnoLos товассо со 
20 mg."tar", 1.3 mg nicotine av. per cigarette, FTC Report MAR. 74. 


PLAYBOY 


76 


would help the reader. But it would also 
help the cops close the place down. 
PLAYBOY: Which of New York's mass 
lors warrants the highest rating? 


board. you'd find outside a 
п tavern. H 1 had ter al cancer, 
that’s where Га go to die, For 5100 you 
get an hournd-a-half. champagne bath 
with three sunken tub. The 
champagne is Taylors New York State 
ather than Мапи Cordon Roi but 
who cares when it’s being poured over 
your head and dribbling into your mouth 
while these nude essing you 
body and anointin; 
15 just wondrously 5 
PLAYBOY: What else do you get for $1002 
GOLDSTEIN: That's it. И you w: 
you've got to negotiate. If you're inter- 
ested in a ménage à bois or a ménage à 


ч. 


qualre, you're t 

S400. And you should tip the 

apiece. One break is that they accept 
BankAmericards, Fd also recommend 


Relaxation Plus, the massage studio in 
the Commodore Hotel. Fach of 
rooms has a different motit. One of them 
is decorated in а jungle setting that in- 
dudes live parrots in a cage. There's also 
а geisha house, a West bordello, a 
200! spaceship, a sultan's den and a 
Roman bath. The room I love best they 
called the Al Goldstein Infinity Room. 
That's not a plug, because I haven't yet 
used it sexually. I want to lose weight be- 
lore 1 do, because I'm not currently pre- 
pared to look at myself in the four-wall 
d ceiling mirrors. 

PLAYBOY: Do you honestly think you'll 
ever get slender enough to face that? 
GOLDSTEIN: It may be hopeless. I'm com- 
ink about 
all ше time. Гус been known to 
myself into such stomach camps that, 
rather than an aphrodisiac, 1 need a 
stomach pump—or a shot of morphine. 
Which is ridiculous, because to me the 
sensual pleasures of food and sex are al 
most interchangeable. If I were a gow 
met, which I'm not, I'd love to edit a 
food magazine. Because people like James 
Beard or the editor of Gourmet magazine 
don’t upset anybody—except people on 
diets. Whereas in the sex 
whether you're a photographer or a hoo 
er or a publisher—jou have to go over 
ll kinds of hurdles. The Church it 
veighs against you, pressure groups try 
to put you out of business. Our society 
made it much easier to satisfy your 
senses through eating than through sex. 
There's wemendous prejudice against fat 
people, but they don't get arrested, just 
cml sed. 

PLAYBOY: If you've been too embarrassed 
to use the Infinity Room, why was your 
name attached to it? 


[s 


nc 


d 


pletely fucked up in food. 1 th 


GOLDSTEIN: I guess because I'm synony- 
mous with some quality control in this 
field. It makes me feel like the Duncan 
Hines of pervo. 
PLAYBOY: Have you ever 
zero 
GOLDSTEIN: Sure. 

PLAYBOY: Whar's a zcro-ratcd place like? 
ооштанм: You walk ито some back 
yards and garb; 

Б 19 ib bun ОБЕ. walk Ta 
pool gume in progress among four guys 
who look as if they had played extras on 
The Untouchables. The place exudes re 
Mafia decor. Its basic 
day-old pastrami. You 
can almost smell puddles of cat piss. 
You're shunted into a room wh 
are some women who resemble bulkalocs. 
It's smoky. it's dirty and you're made to 
feel as if sweat is oozing Irem every pa 
in your body. 

PLAYBOY: How much better are the places 
> and two-cock rat 
They're more like а dentist's 
x. You make it on а surgically pre- 
pared table, perfunctorily. It’s not 
fun. Keep in mind that as the rating 
up, the places get larger. Instead of get- 
ting a hand job in a closet, you're g 
it in a nicesized living room. But I don't 
like going to these places for a hand job, 
ause 1 prefer my own hand. I'm really 
quite good at that. Some people say when 
you masturbate, you meet a berer class 
of person. АП things being equal, 
though, I prefer blow jobs. 

PLAYBOY: What do they cost in а massa 


na place a 


there 


ge 


t a three- or four-cock studio, 
general price would be 510 for 

560 for fucking. If you look 
stupid or like а tourist, if you wear a 
tic or your shoes are mismatched, the girls 
will charge you а 50 percent premium for 
ignorance. If you tell her you love her, 
she'll probably charge you а 100 percent 


you 
а blow job 


ing in a place like this 
she'll probably charge you а 200 percent 
premium. If you tell her you're going to 
make her а rLAYsov centerfold, she'll 
probably throw you out. These figures 
are just for the inside services; you 
should tip the girl an extra five dollars. 
The studio itself gets $20 or $25 for the 
half hour or 40 minutes you spend there. 

PLAYBOY: Do these places guarantee satis- 
faction? 

GOLDSTEIN: They don't even guarantee the 
most obvious amenities. I visited onc 
massage studio recently where the girl 
who blew me sted I wear a rubber. I 
was so insulted 1 couldn't come, That 
studio lost one cock in its rating for mis- 
representation, И you pay for a blow job, 
for God's sake, you should get a real blow 
job. 

PLAYBOY: Do you get a discount at ma 
age studios? 
GOLDSTEIN: I. feel that I shouldn't have to 
pay at all, since I'm the editor of Screw. 


П. since she's working. 
a minimu: 0 up to $50, depending 
on how good she is. 
PLAYBOY: As editor of а prest 
publication, if there is such a 1h 
you get a lot of freebies? 
GOLDSTEIN: I usually don't get laid unless 
1 pay for it. IE I were а real swinger, like 
Bernie Cornfeld or Hugh Hefner, | 
would be getting laid every night with 
lots of new people. That doesn't happen. 
But I'm obsessed with it. I feel I'm much 
more typical of the normal Атенсли 
male tham affluent people who have 
their choice of harens. So, basically, Ган 
for sex. And hookers supply an 
ї outlet, Let's say Fm [eel 
iety because Pm late on а deadlin 
or I have to be in court, or I've been 
going through contact sheets 10 pick sex 
photos. and I've been turned on. 1 need 
а release. HE J want to save 550, ГИ g 
into the Screw rest room and jerk off 
the toilet. Or ГШ call a hooker, dose the 
door to my office and зау. "No calls for 
10 minutes.” and PH fuck on the 
couch or the rug. One time 1 had a hook- 
cr blowing me under the desk while 
people were coming in and out of my of- 
Sobody was aware that she was there 
Occasionally my voice would raise a Hile 
bit or Га cough. That was kinky. I would 
ike to sce Screw so successful that E could 
permanent girl 1 could phone out 
e 1 call the local eatery that 
She could be on wheels in 


mis sex 
ng, don't 


eis pizz: 
а іше cubide to the side of my offic 


could press a button and have her come 
out like a train on tracks and service me. 
It would probably add only another $200 
's become a 
That would 


multi 
be total <: 
PLAYBOY: Wi hat percentage of your extra- 
m ivities is with hool 
GOLDSTEIN: Probably 85 р 
ly, 1 see a couple of them 
hookers very comfortable to be with. 
make love with my wife twice а week— 
Saturday and Sunday—and also visit a 
massage studio twice during the wee 
The hookers I like best are called “re 
dentials"—where I go to their home or 
tment. 1 tell them 1 would enjoy it 
morc if they were having a good time, too. 
Isay, "I know I'm paying. Not only am I 
a John but I'm editor of Screw. So 1 want 
it to be a little different. If I give you 
pleasure, it would really be nice for me. 
But please don't fake it. Don't tell me my 
cock's big. Don't tell me I'm the most 
wonderful lay. That's insulting.” They 
respect me for that. 

PLAYBOY: How docs your wife feel about 
your visiting prostitutes? 


cent. Obvious- 
week. I find 


GOLDSTEIN: Gena is very afraid I'm going 
to give her V.D. 105 amazing that I 
haven't had anything since 1 got gonor- 


thea in the Army at the age of 20. My 
shrink feels I must be immune to it. I 
(continued on page 212) 


WHAT SORT ОЕ MAN READS PLAYBOY? 


A man who knows beauty when he sees it. And he sees it all around him. In interesting objets d'art. 
In the company of a lovely young lady. And monthly, in the pages of his favorite magazine. Fact: 
Men devote nearly two hours to reading each issue of PLAYBOY. By way of comparison, that's about 
triple the time men spend reading any newsweekly. To make your product a collector's item with 
this involved, responsive audience, advertise it in the pages of PLAYBOY. (Source: 1973 Simmons.) 


New York - Chicago - Detroit - Los Angeles - San Franciseo - Atlanta - London - Tokyo 


someone=or something— 
had been ins ~~ 

their. heuse, Tough every 
door-had been locked 


fiction By david ely rae sins Me it happened; they thought nothing about 
it. Having returnéd a&er-daik. [rom a cocktail party, Carl and Pauline Bays left 
their car as usual in the circle where the road ended and climbed the winding steps 
shat were cil into the rocks At the halfway point, he steps turned sharply and the 
corrige cane tito view above them-Jt wasthen-that they-saw the light in the kitchen. 


At first they assumed that some friend had stopped by for a visit (they never 
locked the cottage, for it was only a summer place), but when they found no one 
waiting for them there, they concluded that one of them must have turned the 
light on by accident before they left for the party. It was still daylight then, so they 
wouldn't have noticed it. The second time was more puzzling. As usual, before they 


ILLUSTRATION BY DAN MORRILL 


a А 


the light 
in the 
cottage 


PLAYBOY 


80 


left, Carl turned on the little outside 
lamp down where the steps turned. 
(That was а safety precaution. Without 
the light, someone unfamiliar with the 
turning might take а nasty fall) The 

he made certain that all the inside lights 
were off, so that the cottage would be 
dark when they came back. 

And yet on their return, they found 

that the bathroom light was burning. 
Again, the cottage was empty. 
No doubt about it this time,” Cart 
id to Pauline. “Someone was here, all 
ght.” But a visiting friend would have 
left a note, and there was no note. 
“There may be something wrong with 
the electricity.” Carl added. "That could 
be dangerous, if there's a short circuit or 
something. ГИ have it checked." 

The electrician came that same week 
(which in itself was а minor mirade), 
but he found the system in perfect order. 
“L had а cat once.” the man said when 
arl told him wl 


cat would turn c 


th 
the house by 
ting the switches with its paws. so when 


self, jumping up and bat- 


we'd come back at night, it looked 
party.” 
But Carl and Pauline Bays had no cat. 


The third пей was the light in 
their bedroom then—Pauline became 
upset. “I don’t like it,” she said. “Some- 
body's playing a joke on us, but it isn't 


funn; 
Carl didn't like it, either. What trou- 
bled him most was the lack of an obvious 
explanation. The cottage was set high on 
а rocky spur overlooking the ocean, a lo- 
mote to attract casual passers- 
Tt couldn't be seen from the road, 
and besides. no one drove out tliat far at 
night. It hadn't been a burglar who had 
entered, for a burglar would have taken 
someth boule of liquor or the 
portable iypewriter—and nothing w 
ising. A prankish child 


or four miles 
gine that any of 


their friends would be capable of such an 
odd joke. In any event, all the people 
they knew well had been at the same 
parties on all three occasions, Could it 
have been someone the town? 
These Maine villagers were sometimes 
peculiar if they took a dislike to an out 
sider. But that was very unlikely. C: 
amd Pauline were a proper Bostonian 
couple in their late 30s, spare and dry 
and unobtrusively elegant. They ma 
tained a crisp and quiet public disci- 
pline: it was almost inconceivable that 
they could offend anyone, 


from 


The next tine they went out for the 
evening, Carl locked the cottage. 

“That'll do it” he said briskly. 
“Whoever our little visitor may be, he 
obviously isn't the type who goes around 


breaking down doors. When he finds the 
place locked, he'll go away ag 
she,” he amended, for he was а lawyer 
and phrased even casual statements with 
care. "We've seen the last of it, 1 think.” 
“We haven't seen it at all," said Pau- 


someone who lived here while we were 
gone?" 

"Don't Бе 
Carl said, and with r y 
a caretaker who checked the cottage once 
a week during the winters. In the sum- 
mers of their absence—they had not used 
the cottage themselves for seven ye: 
they had rented the place to friends 
Forget this stupid business. Pauline.” he 
said. For a few moments they stood at the 
top of the steps, watching the sunset fire 
the sky and tint the choppy little waves 
that slapped against the rocks far below. 
"Isn't that magnificent?” he said, smiling 
down at hei lm glad we decided to 
come back.” 

"You decided. I really didn't want to." 
But I wouldn't have insisted if you 
hadn't agrced. And you're not sorry now, 
е you? 
No, 1 suppose not," she said slowly. 
“It Ба beautiful place. But sometimes I 
can't help remember S 
Look, Pauline. We said we wouldi 
talk about that," he said, and there was a 
sharp note in his voice. "That belongs to 
the past—and we're living in the present. 
now." 

"Yes, of course," she 1. "You're 
right, Carl.” She smiled at him and took 
his hand; together, they descended. the 
steps. 

The evening. however, did not turn 
Out to be pleasant. They were dinner 
guests of Carl's 
McRettrick, who had а rambling old 
summer place on the hill overlooking the 
"s brother, a professor of 
visiting. with his wife 
and children. The brother, Ralph. was 
one of those talkative enthusiasts who 
gatherings, assuming 
ests them will also interest 
others. TI as nor to Pauline's liking, 
for parties stimulated her, too, to take a 
I role, and that eve- 
ning Ralph MeKeurick celivered wl 
was almost а monolog on hi 
child. psychology (which wa 
soi merest to Carl and Pa 
they were childless). 

Professor — MeKettrick’s particular 
theme was the learning ability of very 
young children, which he expounded 
with the сизу authority of a practiced 
lecturer, his nasal voice resounding in 
the night air. The table had been set out 
on the veranda, where the politely att 
tive faces of the other guests glowed i 
the light of candles. Down below. wi 
the lamps of the village and those of the 
boats anchored in the harbor. 

"Children аге incredible 


а 


ng— 


leading convers: 


research in 
no per- 
„for 


achievers, 


Professor McKettrick iying. "but 
their capacity lessens year. A child 
of four can do less than а two-year-old, 
and so it goes. An infant, by the same 
token, makes the two-year-old look like a 
dullard.” 


t the other end of the table, saw 
that Pauline was the only onc not watch- 
ing the speaker. She was looking down at 
her plate, a slight frown on her face. 

"Recently we've been focusing ou 
search on an even earlier period,” Proles 


sor McKeurick continued. “The earliest 
possible period, in 
“Life before conception?” someone 


asked jokingly. 
“Not quite that. No, I n 
tal period. 


an the prena- 


hin the house, a baby cried 
Pauline shivered and laid down her des 


sert fork. 
“There's a real achiever for you—ihe 
unborn child,” Professor McKeutrick 


went оп. “Не has to cover eons of biolog- 
1 history in just nine months. The ac 
complishments of the baby and the 
toddler are nothing compared with what 
the fetus does: 

“So then it's the fetus who's the smart- 
est of us all." said the man to his left 

“Well, of course we don't think in 
terms of conventional intelligence in this 
connection." replied Professor McKet- 
tick tolerantly. “It’s more а matier of 
sheer creative drive—the thrust of the in- 
stinct to live." 

Carl cleared his throat and cast a swift 
warning glance at his host. 

"Naturally, there are technical. dif- 
ficulties in studying the fetus,” Professor 
McKettrick said. "Much of our attention 
is necessarily concentrated on the moth- 
er—and on that strange. phenomenon, 
the marvelous calm and serenity of pr 
nant women. Nature scems to insist on it, 
to protect the emotional. stability of ше 
unborn child. I n 
we've run 
aling cases of sci 
with по physical defects and an арра 
ently tranquil infancy. It's these cases 
that Jead us to suspect that the answer 
may lic in the prenatal period. The 
mother may have suffered sever 
jonal trauma 
question of misca 
study from this standpoin 


‚ too. 1 might 


uline pushed back her chair, her lips 
working. Сап, too, seemed upset. The 
other guests were a reaction 
but Profesor McKettrick's. profes 
zeal had immunized him ag 
ceptions. 

The unborn child draws life and love 
from the mother." he declared with an 
agreeable smile, “But the reverse can also 
be true. The fetus—' 


arc of th 


al 
st such 


His brother hastily interrupted. him. 
“Ralph, if you don't mind — 
"The fetus" Profesor McKettrick 


(continued on page 222, 


"You never told me there was someone else, Fairfax!” 


he drives the stockers 
as good as those georgia 
boys and the road 
racers as good as those 
europeans. so that 
must make him just about 


the best there is 
ни: —J7-————XmÁewe——7 — MH 


НЕ WAS STANDING atop the 

pit wall hands on hips, 

looking out through slitted 

eyes at the Frenchmen— 

people he distrusts because 

they serve fish with the 

heads and tails still on 

them. And if that isn't 

enough, they all talk this 

goddamn funny language. 

Close beyond the first tight 

circle of Frenchmen was a 

looser stand of European journalists, all of 
. waiting for some of those 
clean, cutting, kiss-my-ass quotes they had 
heard about. And beyond them all, parked 
оп the edge of the track, sat the car. 

"The car was Ford's Mark IV, rear-engined, 
lowslung and roofed over, strictly low- 
mileage; 2580 pounds, exactly 499 horse- 
power in its 427-cubicinch engine. It sat 
there with its tail up and its nose down like 
a good race car should and on the hood, 
roof and doors it wore мо. 1. There was по 
special significance to the No. 1—but there 
was real meaning behind the red color. That 
was there to piss off Enzo Ferrari. 

Now he reached into his back pocket and 
pulled out his wallet: the standard leather 
fold-over model. It was so full of money that 
it would barely fold over. “Here, hold onna 
this," he told a friend. ‘The Frenchmen all 
sighed. The journalists all sighed; some of 
them jotted down in their notebooks, “Much 
Indy money.” Then he turned to a crew 
official. "I know it’s famous and all that 
stuff. 1 mean: I know this here is the scariest 
track in Europe and all that. But what I 


mean is: This here"—and 
he waved one hand out at 
the track—“this here is just 
a country road that twists 
around a whole lot and runs 
through a bunch of trees, 
right?" 

Several heads nodded. 

nd А. J. Foyt shrugged 

e his driving suit 

Well, then." he said, and 
he smiled. 

He has bone-white teeth, something of a 
natural dental wonder. He is probably so 
full of calcium that you couldn't break him 
with repeated blows of a tire iron. This hard- 
gloss, Kelvinator-door smile has been known 
to paralyze full grown women at tight range. 

It was France in June 1967 and a couple 
of weeks earlier Foyt had won the Indian- 
500 for the third time. He was the 
g of the racing world, a status he had 
carved out over 12 years of the meanest 
hornyhanded driving anyone had ever seen. 
And now hc was set to drive the 24 hours 
of Le Mans with Dan Gurney as copilot— 
over a 8.475-mile course that savages the best 
men in the world. 

Just outside town, along old RN158, the 
main drag from Alencon to Tours, the road 
widens up quite a bit and becomes а dead 
straightaway for about three and one half 
miles. Once every year they chase all the 
hay shakers off there, the horse-drawn wagons 
and old Citroëns and older men pedaling 
bicycles loaded up with bunches of tied 
twigs—and it becomes the Mulsanne Straight, 
then and now the fastest stretch of road 


ADINI 


personality By WILMAM NEELY 


ILLUSTRATION BY ERALDO CARUGATI 


83 


PLAYBOY 


сусг incorporated into a closed circuit. 

There are trees up close along both 
sides and down toward the end of the 
straight you have to be hitting 200 or 
210 miles an hour or you might as 
well park it. And as if you haven't got 
enough to do just hanging om, they've 
got this row of signs off to one side that 
tell you something—if you could read 
the things at that blind speed. Well, the 
signs are counting down kilometers, be- 
cause at the end of the straight, just after 
this little 200-mile-an-hour soft right-hand 
dog-leg, they've. got this 35-mile-an-hour 
comer where you've got to suck every- 
thing up tight. Suddenly you're going in 
the other direction. Back off a bit and 
hit the brakes; really mash down, then 
drag it down to first gear and breathe 
the brakes. Then hammer her back up to 
somewhere around 180 mph; gear down 
10 40 mph for a right-hander, gear down 
again for that slow left-right; punch it 
back to 160. Stand on it some more and 
crank it around the White House Cor- 
ner and you had better plan to be hit- 
ting 180 and dimbing as you go past the 
pits or everybody will think you're a 
fucking tourist. Over the hill and into 
the esses, where, usually, you are sud- 
denly right up to your ass in little Alfas 
buzzing along in their own little race. 
You do all this 350 times in 24 hours, 
driving through night and day, and half 
the time it is raining down at one end of 
the wack and sunny at the other—and 
most of the time they've got this cross 
wind that huffs up and blows you over 
one whole lane. 

Foyt had it wired from the start. The 
Le Mans track really is just a Ние old 
country road, like he said. Anyone who 
would pump it full of special mystique 
and read extra romantic nuance into it 
just doesn't understand what it is that 
makes Foyt so special. Foyt recognizes a 
road and a car for what they really are 
and what they can do. And he bites 
people who don’t do the same. 

They won it, of course, and for the 
record, they covered $249.6 miles in 24 
hours at an average speed of 135.48 miles 
an hour, shattering the track record by 
the biggest margin in the history of the 
event. (They also averaged five and a 
half miles per gallon of gas and burned 
20 quarts of oil.) On the victory stand, 
after spraying — everybody—including 
chairman Henry Ford П and his new 
bouffant wife—with champagne, Foyt al- 
lowed as how “I tole you; damn, I tole 
you guys, that this here road isn't 
any different than a whole lot I have 
drove on.” 

They loved him in Europe; they still 
do. Foyt marched through Le Mans chin 
out and shoulders up in a stance that is 
peculiar to stock-car racers, and every- 
body else looked somehow fey by com- 
parison. He also said exactly what he 
meant—in the land of the devious 
quote. 


European Journalist: First you win zc 
Indy. And now, ze historic 24 hours of 
Le Mans. These two victories will make 
you famous, no? 

А. J. Foyt: Famous? Lissen: ГИ tell 
you what made me famous. You see this 
here right foot? Well, that there foot is 
what made me famous. 

At lunch a few days before the race, 
sitting on a sun-washed terrace at one of 
the world’s better restaurants, Foyt had 
growled softly at the waiter: "Gahdamn," 
he had said. “You expect me to eat this 
here fish? Lookee here, the little old sum- 
bitch is staring at me.” And while the 
fish was being whisked away for proper 
"Texas trimming, Foyt had grinned at his 
companions. “This here is a trick coun- 
try,” he said. 

It was a clean, hot day and the com 
panionship was good—fellow race driv- 
ers, really the only humans with whom 
Foyt feels at large ease. Denis Hulme was 
there, the big, affable New Zealander who 
had just been named rookie of the year 
at Indy, and whom everybody calls The 
Bear. Roger McCluskey was there, a 
small, very tough survivor of the same 
sort of racing that had created Foyt: 
everything from midgets to stockers to 
Indy cars. 

This was the summer before the mi- 
croskirt had really moved over to the 
U.S. and among the diners on the ter- 
race was a scattering of bare thighs, be- 
longing to these golden, willowy girls 
who were looking on at the drivers, 
clearly interested. 

“1 wonder if it's true about French 
ladies; you know, where they don't wear 
any pants,” one of the drivers said. 

Everybody looked around. "Man," said 
another, “if you don’t find out in a place 
like this here, you'll never know." 

At the table next to Foyt, one of the 
girls leaned over. 

“You are the racing drivers for Le 
Mans, no?" she said. 

Foyt flashed her the smile and she 
practically pitched forward into her 
quiche Lorraine. 

“Uh-huh,” he said. Then he paused. 
“Well, all of us here except this one.” 
He pointed to McCluskey. "He's really a 
monkey.” 

She nodded brightly, accepting that. 
“I see the monkey,” she said. 

McCluskey looked at her and shrugged. 
“Yeah,” he said. "Well, hell, ma'am, I 
can see yours, too.” 

Anthony Joseph Foyt, Jr, now 39 
years old, was born in Houston, Texas, 
of sound stock and raised up to be steady 
of kidney, a kid with the good sense to 
leave school before they got to John 
Greenleaf Whittier or, worse yet, social 
studies—the sort of thing that can screw 
up a brain for fair. "I couldn't study any 
longer,” he says now. "] could already 
take a car apart and put it back together 


better п it was . . ." and he concludes 
the sentence with a sort of shrug indicat- 
ing that anybody who needs more 
schooling than that will probably grow 
up to be some sort of bum, anyway. It is 
a matter of record that the exact last 
time he ever took any advice from any- 
body was in 1946. He was 11 at the time. 

The senior A. J. remembers it well: 
t after the war and I owned 
and campaigned two midget race cars in 
those days. So I took one of them to Dal- 
125 for a race and Miz Foyt went along 
with me. We left one of the cars at 
home—and we left A. J. home, too. 

“Well, when we got back—I guess it 
was about 5:30 in the morning or so—we 
found the whole yard tore up. I mean 
everything was gone. The grass was all 
chewed to bits and there were tire goug- 
es all over the place. The swing set we 
had in the yard had been knocked over; 
the place was one mess. knew right 
away that A. J. had got some of his 
buddies to push him and that they had 
got that midget fired up; it didn't have 
a self-starter. And then—after 1 had 
stood there and looked at the messed-up 
yard, 1 went into the garage and saw the 
car. And I knew what had happened; he 
had caught the thing on fire and had 
burned up the engine. It was sitting there 
with the paint all scorched. 

“I went right into the house and into 
his bedroom; I was thinking of whap- 
ping him. He was laying there playing 
he was asleep, but 1 could tell he wasn't 
really. My wile said, ‘Well, don't say any- 
thing to him right now when you're still 
so mad.’ So І didn't shake him up. But I 
knew right then, standing there in the 
kid's bedroom, that he would have to 
race, that there wasn't going to be any 
other way." 

Next day, Dad dispensed the advice: 
"All right, you want to race, you can 
race. Only thing you got to promise me 
is always to drive something good. And 
one more thing: Stay the hell off the 
grass." 

"The rest is history, suitably laced with 
legend. Foyt drove his dad's midget cars 
at first, developing a sort of personalized 
balls-out, catch-me-«ome-kiss-me style that 
became part of his trademark. The oth- 
er part consisted of those teeth and a 
jaw line that might have been done by 
Gutzon Borglum, plus realsilk shirts 
and crisp fresh white pants for every 
race. The pants probably did it: He ac- 
quired the nickname Fancy Pants and 
promptly kicked the hell out of anyone 
Who said it in the wrong tone of voice— 
and by the time he was ready for bigger 
cars, it was clear that he was going to be 
either a champion driver or the damned- 
est middleweight ever to come out of 
Houston. 

First time up at Indy, A. J. Fancy 
Pants talked himself into the Dean Van 

(continued on page 92) 


тез ап а... ee E > У FE 99 
on mary wilcox, A | | \ 
who turns on - ты ДЕ ге < 
the heat with || А | \ 
tony curtis ied Ls 


ties. 
r and 


Lepke jumps Бай and leaves his wife ond. 
adopted son to go into hiding. Hiding 
turns out to be no fun, but the widow 
Marion provides a few diversions, 


The kitchen scene with Lepke, played 

by Tony Curtis, ond the long-awaited out- 
come, below. The next morning, Lepke 

denies that anything happened between them. 


door." Starting as a ballerina in Indianapolis at the 
age of four, she eventually abandoned professional 
ballet for the screen (“A ballet instructor once told 
me I had prima ballerina in me from the waist 
up") and has played minor roles in Marlowe, Love 
Me Deadly, Willie Dynamite and the aforemen- 
tioned Lepke, starring Curtis. In the film, directed 
by Israel's prize-winning Menahem Golan, Магу pro- 
vides Lepke with a hideout, but nothing ignites be- 
tween the two until. , . . Fade in: The kitchen again. 
Same heat, same crook, same lingerie, Marion says 
good night. Lepke follows her into the bedroom, sees 
the silhouette of her naked body in the doorway. He 
walks toward her; she walks toward him. They meet 
at the bed. She takes off his suspenders. . .. Fade out. 


"Tony Curtis was great to work 
with,” says affoble Mary. "Alwoys 
professional and willing." With 
emphosis on the willing, no doubt. 


Before Lepke, Mory co-storred 

in a surreolistic film called 

The Kirlian Effect, as a sexy 
private nurse who teases old men. 


Although she frowns upon much of the special 
treatment most fomous actresses receive, 
Mary's acting ambition is to live in a foreign 
country and hove scripts sent to her 


1 always wanted to be a ballerina," says 
Miss Wilcox, “but I just couldn't knock 
off those extra curves, Ballerin eto 
be thin as bean poles.” That's showbiz 


PLAYBOY 


92 


ary 
fide (continued from page 84) 


Lines Special, a hot car of the day— 
hanging in there in 16th place. Three 
years later, he won the race, $117,975, 
and he has been getting richer ever 
since. "You know,” a sponsor once 
mused, “for a guy who didn't get any 
schooling, Foyt sure knows how to read 
a contract.” 

"Through the years, the United States 
Auto Club has watched A. ].5 career 
with special pride, mixed with a sort of 
bemused dread. Foyt is enough to make 
ion proud and he is always 
a cedit to the game and all 
that bullshit, but he also has а keenly 
honed sense of swift justice. In a 1963 
episode, at а badass, no-account sprint- 
car race in Williams Grove, Pennsylva- 
nia, Foyt felt that fellow racer Johnny 
White was cutting him off at the turns 
This sort of maneuver was a source of 
considerable irritation to Foyt and the 
moment the race was over, he vaulted 
out of his car and sprinted over to 
White. 

According to one U.S.A.C. official, A. J. 
opened the conversation by slugging 
White, who reported the incident, and 
Foyt was suspended from racing. 

At the appeal, Foyt brought McClus- 
key along as a character witness and, in 
his best courtroom manner, explained 
what happened: "1 didn't either slug 
him,” Foyt said. "Oh, 1 had him around 
the head pretty good and I was holding 
him, all right. But 1 didn’t hit him.” 
And McCluskey provided the clincher 

"A. J. didn't hit White,” he testified. 
“If he had of, he would have tore his 
head oft." 

Case dismissed; driver reinstated. 

The reputation grew, shot through, 
in no special order, with all sorts of 
highlights: 

* Not too many years ago, at a midget 
race in Terre Наше, Foyt failed to qual- 
ify because of car troubles and a deterio- 
rating track. The winners purse was 
only $600, and any man would have 
been well out of it, but Foyt was ticked 
off. So he walked down the line, found 
the right driver and paid him $100 to let 
him have the 24th, and last, starting po- 
sition. By mid-race, Foyt was im first 
place, and he won. as they say, by a mile. 

* In March of 1964, Foyt showed up for 
the 12 hours of Sebring, a sportscar race 
that draws both tough and clegant gen- 
tlemen from the road-racing world. The 
Le Mans-type start sort of threw him: 
Foyt is a driver, not a sprinter. As a re- 
sult, he got a late start. 

The field roared away, and just as the 
smartasses in the crowd were pointing 
out that one should never—but never— 
leave one’s proper niche in the world, 
the cars came around again. 

And there was Foyt: He had passed 51 
cars on the first lap. He rolled by the 


stands and gave them his kiss-my-ass 
shrug 

And now he is on top. Ву count, Foyt 
has won more races and more champion- 
than any other driver alive: in 
midgets, sprint cars, dirt cars, stock cars, 
Indy cars, sports cars and God knows. 

А few years ago at Indianapolis, they 
told the story around the pits about the 
race driver who lost it in the second turn 
and skidded all the way to the pearly 
gates. Saint Peter walked up and put his 
arm around the race driver's shoulder. 
“Listen, son," he said, "you're in heaven. 
Don't look so unhappy.” 

“Hell—I mean, er—excuse me, shucks, 
1 was right smack in the middle of my 
best season, | had that championship 
all locked up. And now I can't race 
anymore." 

“*Course you can," said Saint Peter. 
“This is heaven, t it?” And so Saint 
Peter took him down and showed him a 
solid-gold track that was so unbelieva- 
bly beautiful that the driver just stood 
there and quivered. 

"What about race cars?" he asked. 

"Race cars" Saint Peter said. "Race 
cars. Just take your pick." And he waved 
an arm toward the pit area. 

"The race driver casually strolled over 
to а goldand-white rear-engined Offy 
and scraped at the finish with a dirty 
fingernail. Just as he thought: 14-kt-gold 
and mother-of-pearl. 

“Try it, son,” Saint Peter said. 

“I don't know. I mean, man, this here 
is a weird scene," he said. All the while, 
he was easing himself into the cockpit. 
He buckled up and slipped on his hel- 
met. The car roared to full power—a 
throaty, solid sound he knew well—and 
he wheeled it onto the track. First lap, 
he broke the track record. Then, sudden- 
ly, he was in шас. There were race cars 
everywhere and he was blowing them off 
like he had never been able to do down 
there at Daytona or Indy. Not even in 
this best season of his. Why, he could 
put that rascal up high in the corners or 
down low. Anywhere. And it stuck right 
in there, 

Alter six or seven sizzling laps of weav- 
ing through tr; 
and it passed hin 
the finger. And right there on the driv- 
er's helmet were the Is A. ГЕ He 
wheeled the car i coasted to a stop. 
nt Peter strode up. 

What's the matter, son? You were 
turning some pretty fast la] 

“I didn't know Foyt was dead," he 
said. 

"Oh, that's пог Foyt. That's God. Не 
just thinks He's Foyt.” 

It was weeks before anyone told Foyt 
the story. The man who d 
nelli Jones, who is carved right out of 


d it was Par- 


concrete: if Foyt had punched him. the 
resulting fight would have torn the track. 
up for miles around. 

“Very funny,” Foyt said and stomped 
off. 

A visitor talked with A. J. in a motel 
outside Daytona last year. Foyt was tired 
after a hard day on the track. Неа 
blown an engine and now he watched 
television as Evel Knievel jumped а 
bunch of Mack trucks. 

“You know, he's all right, Evel,” Foyt 
said. "He's been out to my farm and 1 
kind of like him. 

It is the highest compliment A. J 
gives anybody. 

He eased his burly frame onto the bed 
and patted down his hair to cover the 
forehead that is becoming more and 
more apparent these days (А. J. had 
шей a hairpiece at Atlanta a couple of 
years ago but shelved it after Bobby Alli- 
son met him in the pits and said, 
"Where's your daddy, sonny? 1 wanna 
talk to him about his race car."). 

“You know,” he mused, looking up at 
the ceiling, “a lot of people worry about 
getting to be 40. Not me. Hell, I'll be 40 
next January and my refiexes are just as 
good as ever. A man’s reflexes don’t 
change. Only his eyes. And lemme tell 
you, when your eves go, you're through. 

“I mean, did you see that goddamn 
thing the A.P. wrote about me a couple 


20/15 and thats what counts. 
turned back to the television. 

“You think he'll ever jump that Snake 
River Canyon? 1 do. He's crazy enough 
to do it. He is.” 

And he rubbed his scarred hands over 
his eyes. The hands tell a lot. The knuck- 
les of a fighter and fingers of a mechanic. 
But that was $2,500,000 ago. 

As if on cue, he speaks of those early 
days (perhaps the A.P. story did get to 
him): 

"You know, there were times when 
people actually booed me for breaking 
"Tommy Hinnershitz record on thosc 
Pennsylvania dirt tracks. Thats when I 
was running the sprinter 
отту was so popular that the fans 
couldn't stand watching him get old and 
seeing а smartassed young kid from 
Houston taking his records away. But 1 
ink his eyes went on him. 

Why, I used to waich Tommy run 
that track, and it was a sight to behold. 
We were running knobby tires then. You 
know, them big old skinny things with 
knobs for tread, and they were rough. 
You had to run a lot harder with those 
tires on the dirt tracks then. I mean, you 
ran in hard and deep т the corners. 


Voom!” Foyt uses racing sounds as 
punctuation, semicolons and all. "And 
once you committed yourself, it was too 


(continued on page 188) 


FODA 


“So this is what they mean by prostituting your art.” 


SYLVESTER 
THE CAT 


want to know why they 
call him sly? read on 


personality By JOHN САБ 


IN SLY sTONE's encapsulated universe, life 
isn't always theater but travel can be. One 
afternoon late last year, it was a ride from 
the residential hills through the East 
Oakland ghetto to the airport. At 98th 
Avenue and East 14th, his Japanese body. 
guard, Turu, Zen cool in leather and 
aviator shades, punched buttons to send 
conditioned air whooshing from discreet 
vents throughout the seven-passenger 
Mercedes. At a stop light a moment later, 
Bubba Banks, an old friend, put on ап 
eighttrack cartridge, while across the 
street in front of V. J. Liquors, a few 
brothers smiled at the sight of black faces 
behind tinted glass—righteous solidarity 
with the player's player. As the Doggie 
Diner came and passed from view, a sleek 
unsmiling beauty named Kim, wearing a 
creamy satin blouse with nipple accents, 
leaned forward from the seat opposite 
and with the tip of her perfectly mani- 
cured little finger gently, carefully, sen- 
sually dabbed a bit of Chap Stick оп Sly's 
possibly parched lower lip. 

He nodded thanks and resumed an un- 
necessary call to L.A. to make sure the 
color TV was being properly installed in 
his new toy, a $40.000 custom Titan 
coupe. The mobile-phone connection 
was bad, but Sly's 16-track voice compen- 
sated. Lightly squeezed next to him was 
his longtime secretary and  off-and-on 
girlfriend Stephani—lithe, alert and aris- 
tocratic—an open TelAddress book on 
her knees, the little finger of her hand 
resting almost innocently on his forearm 
“You can slow down, Twi, we got time.” 
She was speaking to the chauffeur, an 
amiable but spaced blond kid in his mid- 
20s whom Sly, with deadly accuracy, had 
nicknamed Twilight. 

Nearing the airport, Sly finished his 


PAINTING FOR PLAYBOY BY ED PASCHKE 


PLAYBOY 


call and leaned back against butterscotch 
upholstery, a study in Nudietailored 
Пахеп gabardine with gold trim. "A 
Titan?" he grinned, responding to a re 
quest for a description, "It's a car that 
looks like a car that a rock star would get 
who's just starting to make it big and 
wants everybody to know it" A long 
pause followed chuckles as the company 
rode in silence. 

At length Sly looked up. "You really 
gonna write some good shit about me?" 
The tone wavered between genuine curi 
osity and testy роп. 

"Oh, absolutely." 

Another long silence. "This time he 
pulled his dark glasses down to the tip of 
his nose and stared over the rims. "Are 
you sure you're not a cop?" 

‘The mood was ful, not hostile. 
That т itself is indicative of Sly's tem- 
perament these days. The haughty petu 
lance and outofcontrol craziness long 
attributed to one of pop music's most 
gifted artists are less evident now. Appar- 
ently, after six years of mercurial success, 
30-year-old Sylvester Stewart has begun 
to mellow. There's a tentative openness 
about him, but not at the expense of his 
role as a purveyor of definitive flash. 

That evening Sly, preceded by a small 
fleet of limousines, pulled up to the stage 
door of Hollywood's Aquarius Theater 
in a sleek 1936 Cord, white on white 
(from his collection of six vintage cars). 
‘The occasion was the taping of a show 
for ABC's In Concert series with Sly К 
the Family Stone as headliners. Word 
quickly spread through the packed studio 
audience. The band, already on hand for 
five hours, immediately took stations at 
the back of the revolving stage and ran 
through a short sound check. Then Sly 
took charge and cued the first number 
as the stage rotated to face a by-now- 
euphoric audience. 

‘The set sizzled. The Family Stone, 
nine in all, was arrayed across the length 
of the stage, a glittering swirl of calfskin 
pants suits, satin shirts, rese-tinted glass- 
¢s, leather fringe, frost-blue turbans and 
stacked heels. Center stage in sunburst 
glory stood beautiful sassy Sly. resplend- 
ent in а sparkle-plenty white V-necked 
jump suit and rhinestone belt. With a 
matching wide-brimmed digger-style hat 
perched jauntily atop a full natural, he 
towered over everyone, even as he sat at 
the organ. Here was the quintessential 
Sly, a scintillating presence, his earthy 
resonant voice sounding easy and com 
manding, booming through а solid wall 
of dazzling teeth that outrivaled the gold 
Star of David pendant around his neck. 
Six songs and 40 minutes later, he closed 
with I Want to Take You Higher, the 
heavy-voltage hit that had clectrificd 
Woodstock. 

Everyone was happy with the show, 
but a few hours later. Sly capped the 
night with another performance. Having 
returned to his Bel Air home, a three- 


story Tudor residence that once be- 
longed to Jeanette MacDonald, he was 
preparing to leave for the airport when 
the police arrived. A girl had led the 
local precinct claiming she 
held prisoner. 

Sly stood sideways in the center of the 
wood-paneled foyer roughly 15 feet from 
the door and politely but firmly denied 
anything of the sort. The officers asked 
to search the house. “No, I do not want 
you to come in." He spoke carefully, 
а model of lucidity. More questions. 
More denials. Another request to enter. 
Another refusal. It was a tense stand- 
off until Sly made the right move—he 
hollered upstairs to have every woman 
in the house come down. Immediately, 
Stephani, Kim and Cynthia Robinson 
(one of the best horn players in the 
business) stood before the door with just 
the right amount of indignation. After 
some hesitation. the officers retreated. 
As the door closed. someone upstairs 
reported eight squad cars outside. The 
house was surrounded. 

Sly went directly to the phone. “This 
is gettin’ fonky. I've already had one 
beef with the Man and I swear to Gawd 
1 ain't about to have another.” 

‘Twenty minutes later, after failing to 
reach any of a half-dozen high-priced 
lawyers, he began to relax. After all, he 
was innocent. “I'll call Mayor Bradley if 
I have to. If I can't get him, ГИ call Doris 
Day and have her come over.” 

Now, that would be something. Sly 
had met her the year before through her 
son Terry Melcher. He had even sung 
Que Sera, Зета with her a1 a highly publi- 
cized Beverly Hills party and later re- 
corded the song. "The encounter was a 
gossip columnists dream—pop music's 
premier black superstar linked with Mizz 
Doris, the archetypal plantation owner's 
daughter, symbol to millions of all that is 
white and wholesome. That had kept the 
rumor mills on both coasts buzzing for 
months. If there had been more to it, Sly 
wasn't saying at the moment. He had fi- 
nally reached а mouthpiece. "Now, lis. 
ten,” he said after hastily explaining his 
dilemma. "You get your partner and 
anybody else you know and get over here 
fast and you be white and you be heavy!" 

As it turned out, the visiting Bel Air 
police contingent had already left. Fol- 
lowing a momentary silence, the air was 
filled with the sound of the Gord's crack- 
ling exhaust as Mr. Innocent roared out 
of the driveway. 

If Sly Stone is brilliant as а stage per- 
former, he's a near genius as a recording 
artist, He has had an immense impact on 
the music industry. His uncanny sense of 
bottom-—of the rhythmic guts of a song— 
makes for а unique sound that has 
been widely copied. Janis Joplin. for 
one, sought that fceling from her band. 
Moreover, Sly developed an entire reper- 


toire of new electronic sounds that has 
been a major influence on such notables 
as Edgar Winter, Billy Preston, Curtis 
Mayfield and Stevie Wonder. In all, few 
facets of todays music have not been 
affected by his in s. Not surpris- 
ingly, he commands one of the highest 
royalty advances ever offered an individ- 
ual artist—$1,000,000 per album—and 
his record company is happy to pa 

"This was not always the case, however. 


to deliver а proi At that time, 
superstar Sly was falling victim to his 
own swift success. Increasingly isolated 
and surrounded by sycophants and self- 
proclaimed bodyguards, he had become 
impossibly arrogant and irresponsible. 
Not only did he fail to do an album but 
his record of no-shows, late arrivals and 
last-minute cancellations was the worst of 
any major performer since Judy Gar 
land. Few promoters would book him, 
his band was frustrated, his drummer 
quit and his manager sued him, while Sly 
himself was widely rumored to be overly 
fond of cocaine. Finally, after two years 
of this near-lethal lifestyle, he decided to 
get straight. In the spring of 1973, Sly 
returned to writing, recorded an excellent 
album, appropriately titled Fresh (which 
quickly turned gold) and began touring 
on weekends—showing up on time. He 
was back on top. 

Sly's life still borders on the surreal. 
His world is still self-centered (through 
circumstance as well as inclination); his 
routine is still a continuous succession of 
limousines, airplanes, hotel suites, con 
cert stages and studios. Yet there are dif- 
ferences, chief among them the fact that 
he up and got himself married, in grand 
style, last June. He has also moved back 
to quieter San Francisco and has sold 
his Bel Air mansion. In the meantime, he 
has concentrated оп his first love—mak- 
ing records. 

То Sly the recording studio is the ulti 
mate toy, a vast jungle gym into which he 
channels enormous energy. Early last year, 
when he finally started his long-overdue 

album, he was a man possessed. And 
when he couldn't book enough time at 
he scheduled sessions at an 
other, working day and night for weeks. 
commuting between the two in a mobile 
home. And during that period—even 
though no one except studio engineers 
ever laid eyes оп him—he was always 
dressed to go onstage. 

Nor has the pattern changed. This 
year Sly spent most of the first three 
months encamped in or near the Record 
Plant, a lavish state-of-the-art studio in 
Sausalito just north of the Golden Gate 
Bridge. Aided only by an engineer and 
an assistant, he would work 50 and 60 
hours at a stretch, sleep for eight hours in 
an adjacent office, then begin again 
When he finished. he had some 30 or 40 
cuts from which to select the best ten or 

(continued on page 101) 


She'll need a few more seconds to get ready, she soys; 
but her date is right on time—in a peocoat suit of 
Donegol tweed, about $275, and an overcoot also of 
Doneaal tweed, about $225, both by Bill Kaiserman 
for Rofael, worn over a cotton turtleneck, by Cardin, 
$20. So don't just stand there, dummy, step inside. 


PLAYBOY'S 
FALL AND 
WINTER 
FASHION 
FORECAST 


the definitive statement 
on the coming trends 

in menswear 

and accessories 


attire By ROBERT L. GREEN 


TY Does say October on the cover 
of this issue, but, as you can see, 
it’s not the season for Halloween 
masquerading. The eccentric, 
the outrageous, the defiantly 
personal modes of dress that 
flourished а couple of years ago, 
when the flower children were 
threatening to make Salvation 
Army Edlectic a mainstay of 
American fashion, are essential- 
ly gone. Pimps and musicians 
still go their own way, of course. 
The rest of us are turning back 
to the quiet elegance of suits and 
sweaters and the secure touch of 
tweeds, flannels and corduroys. 
The approach of winter has 
something to do with this; so 
does the fact that each and every 
trend in fashion guarantees its 
own countertrend, and so, per- 
haps, does the current swing 
toward conservatism. (Haircuts, 
as you've undoubtedly noticed, 
are back in style, too.) Not that 
individuality has been sacrificed: 
The layered look, with its infi- 
te possibilities for variation, 
is still with us; and even the 
most conservative outfit can ex- 
press duality if properly 
garnished, See what we mean? 


97 


Our guy doesn't mind nursing o drink—but this 
‘one’s starting to turn into steam. He’s looking 
cool, however, decked out in с Shaker knit, hooded 
ond pocketed pullover, $B5, wom with wool 
slocks, $85, and a cotton turtleneck pullover, $1 
all by Ralph Lauren for Polo. 


A book of Bouhaus interiors helps kill some time. Not 
that our man needs odvice on design: Check 

the way he’s combined that acrylic knit cardigon, $45, 
with on oxford buttondown, $14.50, both by Gont, 
plus an acrylic knit turtleneck, by Arrow Cosuol 
Wear, $12, ond flannel slocks, by Corbin, $45. 


PHOTOGRAPHY BY BILL ARSENAULT 


100 


Make it snappy, he says. And she says, Mm-hm. 
They're both thinking obout his can't-lose 
outfit: а two-button gabardine suit, $350, and 
silk scarf, $25, both by Ermenegildo Zegna, 
plus a texturized polyester shirt, by Yves 

St. Laurent, $20. Do you think she'll snap to it? 


í 


The mirror doesn't lie; neither does the clock. (He's 
checking to see what day it is) Things, however, are 
still basically сорасенс, particularly that suit of 
cotton corduroy, with coin lapels and leather 
butions, by Flo Toronto, $85, and thot turtleneck of 
Orton acrylic, by Holbrook, about $11. Tick, tock. . . . 


101 


Ап overwait problem? Ah, well, stasis has its own 
virtues, if the scene is as cozy os this one—and if you're 
wearing а two-tone satin-front cardigan, by Gentleman 
John, $20, a cotton knit spread-collar shirt, by Larry 

Kone for Raffles Wear, $25, and gabardine slacks with 
wide straight legs, by Gil Cohen for Boulet, $28. 


She's ready, now, for him to help her get it 

оп. He's already got his things on: goatskin 
jocket, by East West Musical Instruments, $180, 
chenille sleeveless pullover, by Stanley Blocker, 
$20, linenlike shirt, by Sero, $17.50, and 
tweed slacks, by Tattersall, $35. 


Finally, the hoppy couple emerges, ta light up the tawn— 

‘on easy task for him with a Shetlond wool suit, by 

Lebow, $285, polyester and cotton shirt, by Coreer Club, 
$12, wcol necktie, from Kipper by Berkley, $6.50, plus 

that eight-button, fur-collared cact, by Tom Fallon for 
Cortefiel, cbout $140. And we were just getting comfortable. 


PLAYBOY 


104 ché case and removed the ph 


SYLVESTER THE (ДТ continued rom page 9) 


twelve for this year’s album. The man 
likes to work. 

He also likes to hang out on the town 
when time allows. То spend an evening 
riding with Sly is to be fully occupied 
with the business of going places, or at 
east getting ready to, and it can be a lot 
of fun. The destination is the journey. 
Опе travels in limousines, engages in 
endless discussion about where to go next 
id usually spends part of the time 
parked in the marquee limelight of a 
trendy night club, flirting with foxes. 
‘There are variations, like the night Sly 
debuted his new chariot 

There he was, sitting in his pristine 
white Titan outside the entrance of San 
Francisco's Hyatt Regency hotel—watch- 
ing Kung Fu on a giant Sony. The car it- 
self was а better show, an extravagantly 
customized Lincoln Continental with a 
puckered grille, wide white sidewalls and 
an amazing roof antenna that looked like 
ah ү curb feeler leaning into а hur- 
с. Rising rock stars aside, one can 
envision pimps and pl. 1 over the 
country ordering duplicate Titans, in- 
duding a Mission Control dashboard 
phone with its row of digital stand-by 
lights. 

Inside the hotel, a formal dance and 
concert was in progress, sponsored by 
Black Porsche ше. a club comprised 
primarily of blacks who own Porsches. 
Sly was ostensibly there to see Graham 
Central Station, a new group fronted by 
Larry Graham, his ex-bass player, but to- 
night was also an opportunity for one of 
the trend setters in black fashion to drop 
on 2000 people dressed to the nines, 
He entered the crowded. lobby and 
stood there in his blackand-silver jump 
suit, flanked by Turu, Bubba and his 
velvet-clad Spanish driver, Sergio, who 
on cuc ceremoniously helped him remove 
his silver maxicoat. Sly then ambled hap- 
hazardly about in his trademark walk—a 
kind of modified funky chick. nd 
fumbled with an Instamatic camera that 
refused to flash. Turu, who was carrying 
in his gloved hand a leather attaché case 
containing a phone, marched to h 
put down the case and very seriously ex- 
amined the camera's batteries while Sly 
coyly eyed the lobby from beneath his 
high starstudded hat. 

The drop-in and his entourage entered 
the ballroom and drifted along the side 
lines. He paused briefly when а wide- 
суса girl asked if he was really Sly. 
“The name's Slip," he grinned, hooking 
a thumb over his belt buckle incrusted 
with sty in large letters, “М” friends call 
me Slippy.” (They do, in fact.) She no- 
ticed the buckle and giggled with embar- 
‘assment. A moment later the party 
found open seats at а large table occu- 
pied by several fashion-plate executives 
and their ladies. Тиги opened the atta- 
ne. “Hello, 


operator, hello, hello?” No response, but 
that didn't seem the point, anyway. 
Twenty minutes later Sly, followed by 
Turu and Sergio, exited the ballroom by 
a side door and explored several empty 
conference rooms in search of a bath- 
room. When none was found, there was 
no choice but to head for the men's 
lounge off the main lobby. 

Among the first to spot Sly as he strode 
in was a sharp young blade whose jewelry 
and clothes left no doubt whom he idol- 
ized. He was preening himself in the mi; 
ror and when the Original suddenly 
materialized behind him, he froze for a 
fraction of a second, staring, then re- 
gained composure. Sly ignored the dou- 
ble take and the noticeable drop in the 
conversational noise level. With a touch 
of ritual, he unclipped his belt and hand- 
ed it to Sergio, who carefully garlanded 
it over the maxicoat draped on one arm. 
Sly entered a stall and closed the door 
while Sergio positioned himself in front 
at parade rest. The atmosphere was 
heavy with dignity 

Sly is a constant user of telephones. 
Sometimes it seems he calls people just 
to reassure himself that he's still alive. 
‘There's a loneliness there and he admits 
iu: “И I ever stopped bein’ lonely, it 
would only tell me how lonely loneliness 
can be. 1 know how it is and that's why I 
make sure I'm never lonely.” His voice is 
a cross between Lord Buckley and a la- 
conic street dude so stoned he might 
crash before completing a sentence. But 
behind those lidded eyes, Sly isn't miss- 
ing a trick. "He's always talked like that,” 
claims ex-Family Stone drummer Gregg 
Errico. "But what а lot of people doi 
realize is that beneath all that mumbling 
and rambling he’s usually telling you 
what he really thinks.” 

Among those who have discovered this 
were a scriptwriter and а movie producer 
who last fall met with Sly in New York to 
discuss his possible starring role in a fea- 
ture film. After outlining their proposal, 
they asked his opinion. He spoke slowly, 
letuüng his voice trail off until it was 
barely audible, at which point the p: 
resumed their discussion with the others 
nterrupted to an- 
ng. The 
two offenders quickly fell over themselves 
apologizing, whereupon he suddenly sat 
bolt upright in his chair, beamed tri- 
umphantly and cried, “Gotcha!” 

Despite numerous offers from 
studios, Sly has yet to sign a contract. To 
some degree, he's reluctant to gamble on 
his unproved acting talent, but he also 
seems to be looking for a part that fits his. 
sclfimage. What that image is he won" 
say, exactly, but his secretary, Step 
will. "He still considers himself basically 
а young street hustler, по matter how far 
he's come. In a lot of ways, those are the 


people he identifies with the most. И 
means а lot to him that he's зиссее‹ ded in 
their eyes and that they respect him. 

Sly recently talked about doing his 
own script. “I think 1 could write the 
screenplay Г wanna act in, but I don't 
wanna get into doing it, because it would 
detract from what I know I can do best 
right now.” He looked around as every 
body nodded in agreement. For a few sec 
onds he stared into space, alone. 

1 wish somebody'd disagree 
just to make it interesting." 


He found something interesting indeed 
10 do last June. At a quiet litde gathering 
М 


dison Square Garden, before 21,000 
of his most intimate friends, he married 
Kathy Silva, the sensitive Japanese- 
American who'd had their son nine 
months earlier. 

lt had been announced in May, and 
depending on where you were sitting, the 
seemed either grotesque or just 
ight. Taking the solemn vows in front of 
al those freaks with their brains fried 
or clubbed senseless by Quaaludes and 
then doing a set afterward seemed a little 
odd to some people: but then, it seemed 
at some level to be just what rock "n' roll 
is supposed to be about, so showbiz and 
nuts that it became a beautiful state- 
ment about how deeply rock has pene- 


trated some lives. And й was also 
something to do. 
"There was, of course, a moment when 


it looked 1 the whole thing would 
ll through. "That was on the preced- 
ing Monday, when—you guessed it—Sly 
failed to show up at the Municipal 
Building to get the wedding license. 
But it was only his old habit of getting 
there late—an hour and a half after his 
scheduled arrival. But he did make it, and 
that meant the wedding would be legal— 
no matter what else it would be. 

By Tuesday night he was calm enough 
about Ш to spend the entire night in 
the studio. At seven A.M., he phoned his 
manager to wish him good night. Wednes. 
day. the day of the event, dawned cha 
otic and stayed that way right through 
the reception, which was to be held on 
the Starlight Roof of the Waldorf. Much 
of the turmoil was due to thc consider 
able presence of the media. Over 100 
photographers asked for and didn't get 
photo passes, but more than 50 did—a 
little army from Newsweek (four camera 
men with a photo editor to direct them), 
three from Tine and equivalent numbers 
from A.P., U.P.L., the rock press, etc. And 
there were six television camera crews of 
least four people each. At the Garden 
on Wednesday night, they were all mill- 
ig around backstage and on the sides of 
the stage, because there wasn't a pit in 
front of it where they could do what 
they do. 

Backstage was also packed with Eddic 
Kendricks and band (the opening 

(concluded on page 208) 


was that a smile on fortuneS face or a frown seen upside down? 


fiction By warner law соло 1 srorren the plastic credit-card case 
lying helplessly on the sidewalk in front of the Hollywood drugstore, 1 knew this 
was going to be one of my lucky days. 1 casually kicked it up to the building, dropped 
a pack of cigarettes on it and picked them up together. 

Not until 1 was safely back in my grubby little aparunent did I examine 
my find. There was a driver's license issued to William L. Wilson, who lived on 
Sunset way out near the ocean. There was a Master Charge card with Wilson's 
signature on its back. Also in the accordion-type holder were credit cards for 
five oil companies and four Los Angeles-area departmentstore chains. Not a single 
card had expired. What more could anybody wish for? (continued on page 156) 


ILLUSTRATION BY CHARLES SHIELDS 


E. ed 
АЯ) yd 


У, MIGHT think that 

a girl who was born in 
Panama, schooled in 
California, New Jersey 

and Spain and who has 

also lived in the Philippines 
might want to plant her- 
self somewhere and keep 
her feet on the ground. Not 
Ester Corde, True, since 
1967, she's resided in 

San Diego. But “Home, 

as Ester says, "is the skies." 
"The skies of Pacific South- 
west Airlines, to be exact, 
for whom she works as a 
stewardess. “I take a lot of 
pride in my job," says 
Ester, an attitude that's 
impressed her employers 


PHOTOGRAPHY BY RICHARO FEGLEY 


"Cordet doesn't sound Pan- 
amanian," says Panama-born 
Ester, "but I'm part French." 


enough to promote her to 
in-flight instructor and 
assign her additional duties 
as a public-relations repre- 
sentative in her off hours. 
"I love everything about 
flying,” she says. “There's 
always something new 

to learn.” Apparently so, 
because what's Ester's 
favorite [ree-time activity? 
Flying lessons. “Unfortu- 
nately,” she says, “I haven't 
taken all the instruction 

I necd"—the prin- 

cipal reason being those 
aforementioned PR dates. 
Which have led to sev- 

eral free lance modeling 
jobs (including a pair 


of TV commercials), which, 
in turn, have revived in 
Ester a long-dormant desire. 
to act. "In high school,” she 
recalls, “I was a member 
of an acting group. Many 
of my classmates, like 
me, were children of Serv- 
icemen and, although we 
read more serious things, 
we most enjoyed pui 
Service comedies.” Not sur- 
prisingly, Ester's dramatic 
preferences tend toward 
the comic. “I'd prefer noth- 
ing better than someday to 
be described by moviere- _ 
viewers as ‘a gifted comic 
actress’ like Barbra Strei- 
sand.” And, like Streisand, 
Ester wants to sing, 
although she admits she'll 
"need a lot of voice coach- 
ing" before she'll ever 
give singing or musical 


ning movie actresses: I 
wouldn't mind starting 
at six AM, Аза 
stewardess, I've done that 
many times.” And, after 
all, the name Ester 

does mean star 


“Of all н 


he ресе 
< [ER E n ihe 
! Spanish,” 


“Although Гуе lived in the U. S. nearly all my life, I'm still Panamanian. But I've finally decided to become an American citizen." 


On a flying lesson with a friend, Paul (below), Ester boards 
the Cessna awaiting them at San Diego's Lindbergh Field. "I 
haven't soloed,” she admits, "but next time | get ta copilot.” 


Aboard her Pacific Southwest flight to San Francisco, Ester 
(above) demonstrates emergency procedures. After serving 
dinner, she takes a few moments to chat with passengers. 


& 
E 
= 
s 
= 


PLAYBOY'S PLAYMATE OF THEMONTH 
E 


"I think this is а good time for me to be considering a career as an actress,” says Ester. "It used to be you couldn't even 
dream about being in a motion picture unless you had a light complexion. But now the movies are really opening up." 


PLAYBOY'S PARTY JOKES 


А politician who had just arrived in hell was 
being shown around the place. Passing а pit 
filled’ with unspeakable slime, he saw John 
Dean covered up to his waist and Haldeman 
and Ehrlichman submerged up to their necks, 
but then, a litle farther оп. John Mitchell 
standing only kneedeep in thé stuff. "Hey," 
said the politician to his tour guide. “how come 
ole Mitch rates such preferential treatment?" 
“Don't worry about it,” replied the attendant 
devil. "He's standing оп Nixon's shoulders." 


Te was a blind date, but the handsome bachelor 
ed по effort to impress the girl—dinner 
with cha ne, the theater, dancing . . . and 
then, finally, the fellow's apartment and soft 
music and candlelight and more wine. “Just 
how.” the girl asked drea y from the дер! 
ol the couch, "did Bob describe me in sett 
up our date? 

UWell—er" the man began, "he told me 
you were pretty in а perky way, were an excel- 
lent conversationalist, had an attention-get 
figure 

“But he didn't,” broke in the girl as she coyly 
undid his zipper, "say anything about my being 
а pushover?” 


Ош и 


cunnilinguist as а Mi 


span 


hed Dictionary defines millionaire 
mufler. 


A rather poor student named Gowdy 
11 heart is salaciously rowdy: 
Though he never gets A's, 
His magnificent lays 
Make his dates rate him magna cum laude? 


When ihe executive came home from work one 
evening, he found his small son sitting on the 
front steps, crying, The father asked what was 
wronj па the boy said, “That Mr. Cole next 
door is а mean man 

“Why?” the father inquired. 

"Because he brought Mommy some ice cream 
and didn't give me any!" sobbed the son. 

"Ice cr Are you sure e cream?" 
asked the man. 

"Sure Im sure.” wailed the youngster, 
“cause 1 heard Mommy tell him to hurry up 
belore it got solt.” 


And then there's the young th 
fondly known to the men in the office as 
Secretariat —not because she's a good secretary 
but because she's a wonderful mount. 


Our Unabashed Dictionary defines brownie 
points as boobs on a girl scout. 


An M.D, who was late for a golf date was rath- 
er curt with patients whose phone calls kept 
delaying him. The next day, his nurse said, 
“Doctor, several people жеге upset when уо! 
cut them short yesterday.” At that point, a man 
who had been sitting quietly within earshot 
in the reception room got up and departed 
hurriedly. 

Who м 


ian. 


sked the physi 


"Someone named Johnson," answered his 
nurse, "who wanted to speak to you about 
circumcision. 


Don't you think 1 look younger without a br; 
simpered the aging trend follower. 

I must admit you do, dear,” replied her hus 
band, putting down the sports section. “It's 
drawn all the wrinkles out of your face.” 


What's disturbing many priests and nuns these 
days, we understand, is cloisterphobia. 


һе been getting a lot of complaints from clients 
about you.” said the madam to onc of her 


girls. 

Listen pped the prostitute, "I give 
my Johns as good a time as any other girl in 
the place! 


"Maybe yov do in most ways,” the madam 
retorted, "but there's just this one thing—stop 
whistling while you work!" 


Our Unabashed Dictionary defines bicuspid 
хап A.C./ D.C. spittoon. 


The police had just deposited ап unconscious 
fellow in the hospital emergency room and the 
intern in charge asked for а rundown on the 
circumstances. "He was parked with this girl, 
see,” said one of the cops, "and the girl claims 
that he suddenly began to fondle her breasts 
and she became upset 
And then what happened?" 
“She lost control of herself and bit his penis. 


Heard а funny one lately? Send it on а post- 
card, please, to Party Jokes Editor, PLAYBOY, 
Playboy Bldg.. 919 N. Michigan Ave., Chicago, 
TII. 60611. $50 will be paid to the contributor 
whose card is selected. Jokes cannot be returned. 


“Remember, what's an unnatural act for you 
isa natural act [от me.” 


17 


‘Thus the principle which inspires 
hunting for sport is that of artificial 
ly perpetuating, as a possibility for 
man, a situation which is archaic in 
the highest degree: that early state in 
which, already human, he still lived 
within the orbit of animal existence. 
— ORTEGA Y GASSET 


T shot him. I shot him nine times 
with the .290 Swift. I hit him every 
time, and-every time the bullet splat- 
tered on his outside. One time I hit 
him in the face and took away his 
lower jaw and still he didn't die. He 
jus bled and began to зпар fruit- 
lesly with half а face at his own 
dragging guts — ROBERT RUARK 


Tr gs FIGHT дм, Monday, February 19, 
1973—George Washington and Eric 
Whitehouse's birthday. Outside, the tem- 


perature is zero degrees and the sky is - 


hard, dear blue. Inside, Web Keefe is 
cooking breakfast. He hobbles around 
the small kitchen on a cane, pouring 
orange juice, getting out silverware, fry- 
ing eggs. He is a big man with gray hair 
and a bad hip who doesn’t look his 63 
years. He has the same loose, unlocalized 


article 
By CHARLES GAINES 


when you take all of the 

* chance and all of the luck out 
of hunting, what you're 
left with із... slaughter 


= 
© 
а 
b 
Gd 
a 
R 


120 Gr: 


look of strength. and the same sort of 
tough, shrewd [ace that John Wayne has. 
Which is maybe why his voice surprises 
as it does. Web's voice is a pliant, nasal 
croon: an old woman's voice. 

He is owner-manager of Wild Hill 
Hunting Preserve in Ely, Vermont, Be- 
cause of his hip and his age, he does the 
domestic chores. Tough face and all, Web 
is the one who buys the food, makes the 
beds and cooks the meals. In the living 
room, his partner, 28-year-old Bill Rich. 
ter, is doing his part of the work: man- 
talking with the paying customers. He 
throws Jim Whitehouse's rifle up to his 
shoulder. It is a set-triggered overand- 
under Heym, built in Germany. The 
bottom barrel is 8mm x 57mm; the top is 
a shotgun barrel that shoots 16-gauge 
solid-lead Brenneke slugs. 
ice," says Bill. “Из good to have 
that slug backing you up with these 
boar. . 

“Bill,” croons Web from the kitchen. 
Bill listens, stock to jowl. “Bill . .. could 
you give me a hand with these plates?" 

Bill and Web go way back—22 years 
back, to. New York, when Bill started 
school in the Westchester County system, 
where Web was a superintendent. Web 
liked the blond German kid's style: the 
way he enjoyed fighting bigger boys and 
loved contact sports (he was all-state in 
football and a state-champion wrestler 
in high school) During the summers, 
Web гап a boys’ camp in Ely and exten. 
sions of it in Montana and Canada; and 
a5 soon as the boy was old enough, he 
took him up to work at the Canadian 
camp. Bill devoured most of what there 
was to learn there about the wild со 
try and how to hunt it. Then, hankering 
after grizzly and caribou, he got a pilot's 
license and a job as а hunting guide i 
Alaska for a while. In the meantime, he 
and Web had gone into business. In 
1959. they drove to Tennessee in a truck 
and brought oack nine Russian hoar to 
Vermont. With the boar and $15,000 
worth of fence, they figured on starting 
the first commercial hunting preserve in 
New England. But problems developed. 
They had no preserve permit; and the 
town of West Fairlee, spooked by vi- 
sions of mean big pigs chuffing up front 
yards, voted the importation of boar ille 
gal. Web and Bill had to execute the 
animals. Shortly afterward—with some 
help from the governor—the town 
changed its mind, the game commission 
gave them a permit and Wild Hill рге- 
serve was in business. 

Web's breakfast is caten at two tables 
by a picture window. The house, a lodge 
for hunters in thc winter and Web's 
home in the summer, stands at the top of 
a hill overlooking undulant Connecticut 
River Valley country. At the bottom of 
the hill by the road is a large pen with 
hay spread on the snow near its center. 

ing peacefully in it are a couple of 


dozen sika and fallow deer, dainty, tiny- 
hoofed ruminants from Asia. Down the 
road is a similar pen full of Russian boar. 
These are Wild Hill's stock in trade, As 
he eats, Eric studies the penned deer 
through the window. He has just fin- 
ished fixing a 1.506 variable Zeiss scope 
to a beautifully crafted 7x57 Ferlach 
rifle. Today is his 15th birthday. He is a 
quiet, chubby boy with a vulnerable face. 
His father and his older brother Jimmy 
are here for boar. Eric is supposed to kill 
а fallow deer, and the biggest thing Ве 
has ever shot at before is a rabbit. 

Web leans back in his chair, eying 
Eric's brother. "Now, remember, if you 
get а shot, make sure you do the job." 
immy looks back at him: 17, dressed in 
air of mooschide pants his father has 
given him. “A wounded boar is your 
boar,” says Web. 

“That's right,” agrees Bill. 

Jim Whitehouse, Sr., rises from the 
table. An oil-company executive nearing 
50, he is a likable man given to piercing 
looks and crisp hunting talk that glints 
with specifics: velocities, reticles, trajec- 
tories. Before moving to Connecticut, he 
lived and hunted in England and Germa- 
ny, where he bought the eccentric set of 
guns he has with him and the moosehide 
knickers and Tyrolean hat he wears. He 
and his sons arrived last night for a two- 
day stay. This is his first American pre- 
serve hunt and he's not sure what to 
expect. He is sure that he by God wants 
Eric to get а deer on his birthday and that 
he wants a couple of boar heads for 
mounts. When asked why he picked a pre- 
serve to introduce his sons to hunting ani- 
mals, he says, “I wanted them to get a sure 
chance on dangerous game. The wild 
hunting's too Шу." That's another thing 
Whitehouse is sure of. He needs none of 
Web and Bill's prepping to convince him 
that wild boar are mortally dangerous. He 
doesn’t need the story about the hound 
thrown 30 feet in the air, ripped open 
from throat to tail, nor the ones about 
how many times Web and Bill have been 
attacked and cut. He believes. 

He examines the .44-magnum Smith & 
Wesson that Bill carries the woods 
strapped to his leg, the short arm that 
would be responsible for stopping any 
charging animal that he and his sons 
were unable to stop. It is a chunky, for- 
midable weapon, capable of putting a 
bullet through an automobile engine 
block. Whitehouse seems pleased with it, 
just as he is obviously pleased with the 
man who totes For nobody ever 


looked more like a hunting guide is sup- 
posed to look than Bill Richter docs 


With his blond curls, his clcar blue eyes 
and Tab Hunter features, with his full- 
back's build and strong smile, he looks 
like a lot of things ought to look, includ- 
i ms in World War 


Whitehouse hands the gun back to Bill. 
“Tell me,” he asks resonantly, “you've 


;—what’s the second 
g you take into the 


done a lot of hunti 
most important t 
woods: 

"Well" says Bill, considering, 
would depend on where | am...” 

“Toilet paper, my friend,” booms Jim. 
“Toilet paper.” 

Everyone is standing now, pulling on 
boots and gloves. Web wishes the boys 
luck and the group files outside behind 
Bill, who has put on an old duckhunting 
hat and a patched parka but no gloves. 
Eric, who is last in line and who will sce 
blood running from an I's nose for 
the first time today, wears a skinning 
knife at his hip. 


There are nea 1000 commercial 
hunting and shooting preserves in this 
country now. Every year there are more. 
Basically, they are all state-licensed bu: 
nesses where pen-raised birds or fenced- 
in game is kept or released on private 
land for hunters who pay, often through 
the nose, for whatever they shoot. 

What they shoot and what they pay 
Can vary considerably. Some preserves 
deal only with upland game birds— 
pheasant, quail, chukar partridge, etc— 
that are raised in pens and stuck under 
bushes just before a hunt. Others get 
into ducks: tame mallards, usually, h 
are made, in a variety of ways, to fiy over 
shooters in blinds. The going rate at 
these places is two to ten dollars for an 

land bird and five to ten Гога duck. 

‘Then there are the big game preserves 
like Wild Hill. Most of them maintain a 
on of native and distinctly 
animals in fenced acreage of 
ng size, say from 100 to 75,000 acres. 
A place called Hunters Haven Fast in 
Walland, Tennessce, for instance, has 455 
acres behind fence. There you can hunt 
black and brown bear, Russian boar, 
mouflon, Barbados and aoudad sheep, 

, fallow, red and axis deer, elk, goat 
d turkey. Only five of those animals 
are anything like native to the United 
States. The rest are known in the trade, 
appropriately, as exotics. They are the 
Tomance of preserve hunting, animals 
you used to have to be Hemingway to 
shoot, and that's where the money is. 

Let's say you happen to have always 
had a craving for a go at black buck—a 
medium-sized black-and-white antelope 
with spiraling horns, a native of India 
and one of the most elegant of all plains 
animals. Well, all you have to do is pack 
it on down to the Y. О. Ranch in Moun- 
tain Home, Texas, and you can shoot all 
the black buck you want for $750 a crack. 
"There are more black buck there than in 
all of India, where they are now protected, 
(Or there used to be. Severe weather in 
1973 killed many of them. They won't be 
hunted again at Y.O. until 1975.) For 
$1000 at the У. О. Ranch, you could kill 
an ibex or a snow-white ram or, for less 

(continued on page 178) 


modern living 


the music goes 
round and round 
and it comes out here 


EPI's Model 1000 (right) is 
one holf of o nice рой. The 
Tower's four 1” tweeters ond 
four 8” woofers radiote the 
sound in all directions equolly. 
There is no way to detect 

by listening where the music 
is coming from, so they put 
these invisible speokers in 
very visible 6%’ cabinets 
that weigh 180 pounds ond 
cost $1000 apiece. 


The Equasound 2 (obove left) 
stacks а 10” woofer, a 4” 
midrange driver, a 1^ and two 
2" tweeters into a 42" cabinet 
that costs $329. The RTR Indus- 
tries’ 280 DR Speaker (above 
center) hos а 10” woofer and 
two 2%” tweeters on eoch of 
three sides, plus onother 10” 
woofer planor-looded near the 
bottom of а 39” rosewood 

122 cobinet. Cost. $329. 


PHOTOGRAPHY BY SHIG IKEOA 


The Infinity Monitor (cbove 
right) offers three distinct 

drive systems—o 12” woofer, 

а 4%” midrange dome ond 

an ice-croom-cone-shoped 
Walsh tweeter—for $429. 
Design Acoustics’ D-12 Speoker 
(feft) holds nine 2V 
tweeters, a 5" midronge unit 
ond а 10” woofer in o pedestal- 
mounted dodecahedron that 
stonds 30” and costs $425. 


"T à 
MAYBE YOU THINK that ers should be felt, not 
heard. You put on a Led Zeppelin album, jack up the 
bass and relate to the music the way a tackling dummy 
relates toa linebacker. Maybe you like classical music. 
You put on a stri juartet and get off on high- 
uray tone MAS the local d nuts. What. + 
ever; it's clear that sound systems—and good sj rs 

in particular—aren't a luxury; they're а meret | 


_ Ohm Fs (second ond fourth 
speokers above) use а Walsh 
cone that pulses radially. 
There is no front or back to 
the sound ond one unit — 


T 
* 


v 
< 
Ау 


fiction By STEPHEN MINOT 


thosewhom the bishop in blue jeans hath joined together, let no mom put asunder 


T hree-Part 
Harmony 


нЕ HAD RATHER expected hi 
mother to make some kind 
of protest at the wedding 
She might simply refuse to 
talk to anyone beforehand 
or tap her foot in anger dur- 
ing the ceremony or remain 
g in the back of the 
a slim раг in her 
longest gold holder. He was 
braced for something like 


that. But a tantrum! And 
one of her class-A, star-stud- 
ded, gilt-edged, glorioso tan. 
trums, 

H 


at that. Too much! 
sister Мер had 
ned him the week before 
that they might be heading 
for some heavy scenes. At 31, 
she was five years older than 
Benedict and had had five 
more years to observe the 

m they called 


phenome 
Mother. 

No cozy nicknames for 
Wilhelmina Blessing. Not 
one of her three husbands 
had managed to utter the 
slightest. variation on that 
name—both fist and last 
For the two children it was 
Mother and it was to be 
enunciated clearly. Only 
once had Benedict tried an 
affectionate shortening. 

и on his 21st birth- 
day—some fivc ycam ago 
now. His birth had falle 


on 


the day before Christmas, 
giving the three of them a 
double celebration. ("Yours 
was practically a virgin 
birth, И you know what 1 
mean," she used to say when 
he was far too young to 
know what on earth she 
meant.) Double celebration 
but half the gifts, of course. 

At any rate, the three of 
them had been drinking 
margaritas since carly after- 
noon, chatting and watching 
the sun sette slowly into 
the atmospheric coze over 
ting for his 
thday dinner to be sent 
up from Young Foo's, when 
he proposed а somewhat 
blurred but heartfelt toast: 
“It hasn't always been easy, 
he said, glass raised, 
we've had some royal battles, 
but through it all. you've 
been our mom.” 

“Our what?" 

“Our... .." Sobriety washed 
over Benedict like а cold 
wave. The word he had 


tered was ап obscenity. In 
the awful silence, they could 
hear distant sirens. Some- 
where a fire was raging. 

“ОГ all the vulgar, de- 
meaning terms,” she said, 
voice trembling beautifully. 

“Mother,” Meg said, “he 


PAINTING BY CHRISTINA RAMBERG 


"t mean 


did и was a slip 
of the tongue.” 

“Didn't mean и? Why 
would he say it if he didn't 
mean it? Since when am I 
"Мот" to anyone? 15 that 
what you call me behind m 
Thars my mom over 
she's а housewife’ 
Well, let me tell you, Rene- 
dict Blessing. 1 can take а 
lot of blows and stabs in the 
back, and God knows 1 had 
to with your father, but 
there are certain vulgarisms 
1 will not tolerate.” 

At times like that, Вепе- 
dict was reminded of the 
fact that as а girl his mother 
had been given voice lessons 
nd was actually in а Broad- 
way musical once before her 
first marriage moved her up 
to a higher station. Yes, she 
did have a gorgeous voice 

But he couldn't say that 
just then. He had other lines 
to deliver. 

“Lam sorry," he s 

“He is sorry.” Meg 

"It's the salt in the drinks, 
It drives men to 


held out both hands, invit- 
ing him to мер forward 
Then, holding his temples, 
she kissed him on the brow 


125 


PLAYBOY 


the mouth. "Dear boy, 
, and the food 


and then on 
you're a charmer," she sai 
arrived. 

But for all his charm, he had not fig- 
ured out a way of telling her that he was 
at long last about to be married. That 
bothered him. In addition, it was on his 
shoulders to make the arrangements for 
the service as well. Arabella, his intend- 
ed, was once a sculptor but now called 
herself а constructionist. She worked 
largely in plastics. At that moment, she 
was in the middle of a new construction 
that required all her waking hours, so 
Benedict had agreed to take care of ev- 
erything. Time had not been a problem. 
As assistant art editor on a women's mag- 
azine, he could take a day off for a cause 
like this. But the responsibi of it all 
had left him somewhat unnerved. “Му 
firs marriage" he said sheepishly to 
Meg, who had been through it twice al- 
ready. With typical kindness, she agreed 
to go with him to the church and meet 
the minister. 

105 a long cab ride from the West 
le, Manhattan, to Brooklyn Heights, 
and he was apprehensive. Meg must 
have sensed that, for she stroked his 
hand, saying. “Next week at this time, 
you'll be settled into your new life and 
you'll hardly know the difference." 

When they arrived at the address, it 
turned out to be a brownstone. “This is 
a church?” she said. 

“You've been out of touch.” 

Actually, he hadn't been exactly in 
touch, either. Born and raised in the 
city, neither of them had been inside a 
church in their lives. But they had seen 
pictures. And Saint Patrick's this was 
пог. 

But his beloved Arabella had heard 
that this was indeed a church and that 
the Freedom Under Cod group was "de- 
vout and legit"—her phrasing And, 
more to the point, they were willing. 

Meg and Benedict mounted the stairs, 
holding hands. Не was grateful for the 
support. He had never met an honest-to- 
God minister. 

The man who answered the door was 
reassuring. "Bless you," he said, taking 
both their hands. He was round-faced, 
bearded and wore а sloppy gray sweater, 
Levis and sneakers. “I'm Bishop Elling 
ham and you must be Benedict and 
Arabella.” 

“Not exactly," Benedict said. 
lot exactly?" 

“Well, I mean, this is my sister, Meg." 
He put his arm around her in an allec- 
tionate hug. 

"Sister? Far out." 

"She just came along for the ride," Ben- 
edict said, abruptly dropping his arm. 

“A stand-in?" 
"Aren't you sort of young to be a 


126 bishop?" Meg asked. 


“OL course. But so is our group. And 
5o"—he put both hands on Meg's shoul- 
ders for emphasis—"was. Jesus.” 

‘Then he gave them а tour of the 
church. The two first-floor rooms had 
been joined to make a pleasant meeting 
arca in glistening white. On Sundays 
and Wednesday evenings, he told them, 
they had services in which they bor- 
rowed rituals from all religions. And on 
other evenings, they had. group-herapy 
and encounter sessions. They liked to 
К of themselves as an extended 
family. 

peaking of fami 
denly, “we have a kind of problem.” 
“Everyone does," Bishop Effringham 
said cheerfully. "Every family is a cluster 
of problems. Every family is weird. 
He raised his hand like a figu 
Greek icon, letting his words sink in. 
“But with а good family, all those weird 
needs fit together like a jigsaw puzzle. 

“I didn't say we were w 
said, drawing herself up a 
say that at all. It's just that Mother used 
to be on the stage. She has a certain the- 
atrical presence. It can be a problem." 

“What kind of a problemi 

“She might make a scene,” Benedict 
said. 
Splendid," Bishop Effringham said, 
clasping his hands together. "А marriage 
is a scene, With Freedom Under God, 
everyone is free to add to the drama.” 

“I don't think you understand," Meg 
said. 

“Be not afraid, child. Life is one enor- 
mous psychodrama. 

That night, Benedict made a full rc- 
port to his beloved Arabella and to 
Tulip. а young Chinese girl who shared 
Arabella’s spacious loft. 

"Hold this," Arabella said, pointing to 
à length of red-plastic tubing that was to 
be bent around a pylon of dear Plexi- 
glas, forming a coil. "So what's with this 
bishop? Is he legit?" She showed Tulip 
how to stroke the plastic tubing with an 
electric heating pad, making it pliable. 

“Oh, he's legit,” Benedict said. “He 
showed me his card. They have a whole 
group going there, you know. Maybe we 
should attend," 

"To hell with that" Arabella said 
mildly. "But I'm not knocking them if 
they'll do the service. 1 want it done 
right, you know. No hokey stuff." 

"No hokey stuf,” Benedict 
"Genuine." 

The smell of hot plastic wafted about 
him. Tulip stroked and he bent the 
tubing into place and Arabella super- 


5," Meg said sud- 


said. 


vised, muttering, “Good, good. Easy does 
75 no rush.” 
Who's coming?" Tulip asked. 
“Just us and a small group from the 


gallery and, of course, Benedict's sister 
and dear mother.” 
"Don't be nasty.” 


“I wasn't. I'm never, but never, nasty 
She's a magnificent thing. A Happening, 
that woman is. Tulip, dear, don't rush it. 
Gently. Just a bit more right there. Bene. 
dict, lift it just a bit. Oh, good. Very 
good. You really are marvdous. 

The day of the wedding turned out to 
be one of those raw, gray days when the 
sun starts setting at noon. The slush in 
the streets had crusted over and so had 
Mrs. Blessing's rage. Meg had finally vol 
untccred to tell her the dread news and 
her reaction was not at all as bad as ci- 
ther of them had feared. After a day of 
hysterics in which she had to be sedated 
by the family doctor, she adopted a role 
of chilly disdain. 

Benedict had spent the previous night 
at Arabclla's loft, which was not the first 
е, but it was a bad tactic, nonetheless. 
His mother had said several times that 
she would rather see her son move in 
with “that plastic freak" than actually 
get married, but consistency was not her 
forte and every time he stayed down- 
town, she went into a sultry rage. 
erfectly charming of you to come 
uptown,” she said to him with a flip of 
her head just as soon as he had entered 
the apartment. "I thought perhaps you 
were expecting me to look up this al- 
leged ‘church’ in the Yellow Pages and 
find myself a cab." 

"It's а tense day,” Meg said. "Let's not 
get dramatic. 

“TH say it’s a tense day," her voice be- 
ginning to take on the old musichall vol 
ume. "My son marrying an amazon 
plastic freak." 

"She's a sculptress" Benedict said 
steadily, selecting the traditional term 
for his mother's benefit. "She works in 
stainless steel, Plexiglas and polyethyl- 
enes. She happens to be an expert in 
the bonding of heterogencous thermo- 
plastic resins. She's published articles on 
heterogencous bonding agents." 

"Sounds obscenc to 3 

“I's not exactly your field, Mother 
But you know that she's taught at the 
New School. And she's shown uptown.” 

1 bet she has. But not her plastics." 

“Mother,” Meg said sternly, “ 
vulgar.” 

Mrs. Blessing shifted from 
s. pressing the back of her 1 
brow and dos 
I've been through—i 
to the eyes of a psychi 

The wedding itself was a beautiful, 
restrained aff The bride wore a flow- 
ing Renaissance gown in wine velvet 
with a daring scoop neck and full sleeves 
gathered at. the wrists, and a wide- 
brimmed hat in matching material. The 
entire ensemble served to accentuate 
her dramatic height. 

(continued on page 206) 


would bring tears 
ist" 


128 


c 


A 


IN RUSSIAN, a great nation still waits 
“TO BE SILENT” : history with all its power, 
IS AN performing the act of 
ACTIVE VERB го), puzzling silence 


article By HERBERT GOLD 


once AGAIN the Soviet Union, that great 
preoccupying hi fills my hours. 
Long ago I studied “friendly Russian,” 
singing the old songs about wide plains, 
willing maidens and birch-filled forests; 
1 was trying to be a good liaison with 
our gallant Soviet allies. In volleyball 
tournaments with Russian officers, we 
wanted to win and so did they, and we 
also wanted to be friendly—all of us 
wanted that—and the friendship was 
precarious but worth working for. 
Russkies and Yankees both like to 
laugh, yes? Drink, yes? Other things, 
yes, oh, yes—let us like all those 

things together, plus Pushkin 

and Tolstoy and, sure, Jack London 
and Mikhail Sholokhov. why 

not? And volleyball, too. 

When this war was over, we would 
all enjoy peace and love and remember 
how we sang Pólyushka Pólyeh to- 
gether during blackout times. 

And ing in the airport 
lounge in San Francisco and read. 
ing in the (continued on page 150) 


iow Lam wai 


. BUNNIES Of 1974 


R BUNNY WATCHERS, it's 
been a very good year 
Not only could every- 


bodys favorite two-legged 

e couontails be seen in their 

` natural habitat, at Playboy 

Clubs and Club-Hotels from 

" San Francisco to London, but 


f them—each of whom Вай 
been voted Bunny of the Year 


from her home hutch—entered 
viewers’ homes in some 80 
cities, via a colorful television 
spectacular. The 1974 Playboy 

e Bunny of the Year Pagean 
syndicated nationwide, 
a smash success—beati 
such tough compe 
Saturday-night primetime [a- 
vorites in several markets. 
Featured in the hourlong show, 
besides the Bunny contestants, 
were host Don Adams, veteran 
entertainer George Burns, the 
Ike and Tina Turner Revue Se 
and the comedy team of Jack ШШШ 
Burns and Avery Schreiber. 
The panel of judges, too, № 
consisted of celebrities: syn 
dicated columnist Earl Wilson, 
pro-football star Larry Csonka, 
comedian Bill Cosby, arti 
LeRoy Neiman, author-critic 
Rex Reed, motion-picture sta 
‘Timothy Bottoms and singer- 
actress Connie Stevens. After 
(text concluded on page 140) 


A 1971 vacation from her native Florida convinced Beth Mortin (far left) that San Fran- 
cisco was her kind of town. her is Nicole Ciser, formerly of Atlanta and London. “Always 
wanted to be a stew,” says Jet Bunny Karen Ring (above), “but this job surpasses my wild- 
est dreams.” Atlanta Bunny of the Year Karin Sims (below) and a friend recently streaked 
through а restaurant, а theater and а bar—" where it was so crowded nobody noticed us.” Oh? 


it’s that time again— 
a pictorial portfolio 
of international cottontails 


Sorry about thet, Popeye: Bunnies Condy Collins of St. Louis (above) and Sue Morks of Miami (below left), when we queried them about their 
lly-they detest spinach. (Whot Candy does like, she says straightfacedly, is fried green tomatoes.) 
* skindiving to collect specimens for her salt-water aquarium. Kim Behrend of Phoenix (below righi) spends her spare time 
she wants ta become o veterinarian. Less sure of her goal, Los Angeles’ Vicki Cunningham 


likes and dislikes, responded ide 
OF duty, Sue дое: 
raising and showing Doberman pinschers; eventually, 
(opposite) has signed up far an elaborate battery of aptitude tests ot UCLA. Selfishly, we hope she sticks around the Playboy Club awhile. 


Last time we phoned Randi Stewart of Great 
Gorge (above), she answered oll out of breath: 
She'd been out digging in her morigold 
bed. Patti Begley (below), when not trouncing 
Cincinnations at bumper pool, plays baseball. 


Konsos City Bunny Niki Gentemann (abave) 
оррозез women’s lib: “Why should any women 
get down off her pedestal and be man's 
equal?” November 1973 Playmate Monica 
Tidwell (below) has become a Chicago Bunny. 


we sor 


"| wanted to be o fashion model. but they told me | wos too lorge-busted,” soys Denver Bunny Linda Durst (opposite). Foshion's loss 
ovr goin. Moxine Fox of Manchester (above left), one of Playboy's three British outposts (others: London and Portsmouth) is an aspiring 

actress who's oppeored with the local Library Theatre group. Moxine tells us, inexplicobly, that she doesn’t core for men with money. (Line 

forms to the left, poor boys.) That's Dolly Ryan of Playboy’s Club-Hotel in Ocho Rios, Jamaica, in seeworthy Bunny bikini ot right above 


the pensive beauty below is Cyndee Russell, o cottontail at the new Los Angeles Playboy Club in Century City whose avocotion is corpenti 


Boston cottontail Aleesha Ellis (above), who's quite obviously а spellbinder in her own right, is into the study of witchcraft. The 


enchantment Chicago's Angie Chester (below) wove around the judges c! the Bunny Beauty Pageant was, she vows, nonaccult. But it worked: 
She was named Intemational Bunny of the Year in the competition, seen via syndicated television around most of the country. Another 
stor of the pageant was Detroit's entry Terry Bellant (apposite, below), who confesses that during the rehearsals and taping sessions, 


she fell head over heels in love with one of the guest artists, veteran showman George Burns—whom she labels “an absolute doll.” 


Boltimore's Kristi Motera labave) holds а degree 
in eorly-childhoad education fram Towson State 
College and wants to open her awn preschool- 
To do that, she'd have ta rise early, o hobit 


Laura Misch of New Orleans (right) can't stand. 


A chance ta work at Lake Geneva led Illinois coed Greta Marshall (above left) to shelve her books far a spell. Also considering а change is 
New York's Barbara Mack (above right); you've seen her recently in a Playtex bra commercial, but, says she, “I’ve been modeling since | was 
nine, and I'm abaut ready for retirement." Libby Saleh (below) Bunny-hopped through six other Clubs befare lighting in Los Angeles—where 
new friends hove found she’s a demon poker player. "Му brother taught me when we меге kids. The loser go! to wash the dishes, so | had to 


be good—or I'd spend all my time at the sink.” Montreal's Celine Ratelle (opposite) is saving her Bunny money to finance a trip to Europe. 


> 


PLAYBOY 


due deliberation, they came up with 
a winner to fit the gold-lamé costume 
reserved for the International Bunny of 
the Year—1974: Angie Chester, a 21-year- 
old native Chicagoan. 

‘Angie, a Chicago Playboy Club Bunny 
since 1972, will spend a good part of her 
as International Bunny of 


Club-Hotels in the United States, Cana- 
da, Jamaica and England. After that, 
she'd like to give showbiz a whirl. She 
already has, in fact, having landed a 
small part in Three the Hard Way, star- 

ng Jim Brown and Fred V 
“It was just a walk-on, but 
beginning," Angie says. A screen test with 
Playboy Productions—one of her many 
Bunny of the Year prizes—may give her 
another boost up the entertainment lad- 
"And," she remarks philosophi- 
cally, "if I don't make it, I can always go 
back to school and become an X-ray 
technician." 

Angie's runnersup for the top Bunny 
tide were Debra Whitaker, Cin: 
Ginette Pelissier, Montreal (named Miss 
Photogenic by the Los Angeles Press 
Photographers Association in а pageant 
preliminary event); Kacey Cobb, Los An- 
geles; and Nancy Turner, Miam 
Bunny contestants themselves voted one 
of their number, Magali Brajdic from 
Miami Beach, Miss Congeniality. Other 
finalists were, from Atlanta, Karin Sims: 
Baltimore, Sheila Ross; Boston, Rencc 
Ann Worthington; Denver, Susan Sturm; 
Detroit, Terry Bellant; Great Gorge, Aly- 
son Merkel; Jamaica, Judy Dalrympl 
Kansas City, Niki Gentemann: Lake 
neva, Mary Hardt: London, Fleur Patter- 
son; Manchester, Sharon Longworth: New 
Orleans, Debi Brown; New York, Naomi 
Camilla Johnson; Ports- 
mouth, Jo Campbell: St. Louis, Jackie 
Sabatino; and San Francisco, Jan Seratt. 

Playboy's is not the only beauty 
pageant that's been drawing cotton- 
tail entrants. Portsmouth, England, Bun- 
ny Lynne Plested, as а matter of fact, 
started her winning ways at the age of 
three, when she won a baby contest. She's 
since garnered such titles as Miss Fareham, 
Miss Southsea and Miss Southern Telev 
sion and has represented Portsmouth in 
the finals of the Miss England, Miss Brit- 
ain and Miss United Kingdom TV 
beauty contests. New York's Karen Hill, 
Miss Bucks County, was first runncrup 
for the title of Miss Pennsylvania in last 
years Miss Hemisphere contest; and 
Great Gorge Bunny Renée Walitis was 
Miss Teenage New Jersey in 1973. Lake 
Geneva Bunny Greta Marshall was a final 
ist in the 1974 Miss Ilinois-Universe pag- 
cant. Randi Stewart, another Great Gorge 
Bunny, and Kim Bowers from Atlanta 
also made the finals in teen beauty 
comtests. 

Nor is Angie Chester by any mi 
the only Bunny to break into show bu 


140 nes. Los Angeles cottontail Jan Hughes 


has appeared in the films Uptown Sat- 
urday Night and Соју. She also played 
a TV role in The Odd Couple, as did 
fellow Hollywood Bunnies Rosemary 
Melendez and Tricia Williams. Hutch 
sister Ninette Bravo has been seen on 
three TV series— The Streets of San Fran- 
cisco, Owen Marshall, Counselor at Law 
and The FBI—as well as in the screen 
feature 4n Act of Vengeance. Due to 
appear in Funny Lady, Barbra Streisand's 
sequel to Funny Girl, is another L.A. Bun 
ny, Brenda “В. J." Miller, a veteran of 
TV exposure on the Mannix series. Down 
New Orleans way, Vanesa Hutchinson 
landed the role of voodoo queen Marie 
Laveau in the film Marianne, which was 
shot on location in Louisiana. When the 
Banacek series shot an episode in Boston, 
local couontails Dina McDermott, Ann 
Marie Messano and Fabien Walters were 
ed for on-camera duty. And Den- 
Cheryl French, who jumps and shows 
horses for fun, worked in Barquero with 
Lee Van Cleef. You may not have recog- 
nized her onscreen, though—she was a 
stunt woman. Working on the other side 
of the camera is Boston. Bunny Jennifer 
Ellis, who directed а Chamberlayne Jun- 
ior College production of Ibsen's Hedda 
Gabler on Boston's television channel two. 
Modeling is a field attracting. increas- 
ing numbers of Bunnies. One Bunny who 
has made it to the pages of PLAYBOY is 
New Orleans’ Laura Misch, featured in 
Divers Pleasures on pages 141, 
143 of our June issue. 
asked me if that was Mark Spitz 
pictures with me," Laura reports. "Of 
course, it was а male model, but if they 
want to think it's Mark, I let ‘em believe 
it." Since that PLAYBov layout was photo- 
graphed in the Dominican Republic, 
Laura got an expensepaid trip to the 
Caribbean out of the deal something 
she considers an additional plus afforded 

by her Playboy connections 
Six very special cottontails—the Jet 
Bunnies who май Hugh M. Hefner's Big 
Bunny DC9 jet—are up in the air on the 
job a good part of the time. Current ment 
bers of that high-flying contingent are 
Anne Denson, Maynell Thomas, Joy Tar- 
hell, Sharon Gwin, Karen Ring and Sue 
Huggy. All have gone through а 
hostess school as well as Playboy Bu 
ning and are based at the Ch 
ayboy Club when not on outofaown 
assignment. 
One nominee for busiest Bunny of the 
year might be Great Gorge's Alyson Mer- 
kel. She's the featured vocalist with her 
own group, A-T & Т. which has been ap- 
i -Hotel's Playmate Bar: 


142 апі 


ght-member Виппуси 
of four ten-minute programs 
io station WNNJ in nearby New- 
ach week (two olfering travel tips 
and two presenting book reviews); and 
she’s studying for her third-cass FCC 
license in preparation for a career in 


broadcasting. All this, of course, in addi- 
n to her regular Bunny assignments. 
"Social life?" asks Alyson. "None. Don't 
have time" Former hutchmate Waren 
Smith. now Bunnying in the New York 
Playboy Club, has already earned her mas- 
ter's degree in radio-television and moon- 
lights as a disc jockey for station МРС. 
"There's no dearth of cotton- 
tails, either. Montreal's Bu Suzie 
Prenovost and Lou-Ann Uyeda have ap- 
peared with the Keigo Imp 
Dancers: Great Gorge's M. 
is an ex-Rocketie. Debbi Crowe of At 
lanta appears with the Decatur-DeKalb 
Civic Ballet and performed with Gene 
Kelly in a Theater of the Stars production 
this past summer. New York Bunny Dana 
Dixon, a ballet teacher for three yea 
won a two-year Ford Foundation scholar 
ship to study the dance in 1966-1967 
i ng just about 
everything, at both undergraduate and 
graduate levels. Los Angeles cottontail 


ial work at St. Louis University. 
ic Dimes of Boston is getting her 
degree in civil engineering from North- 
eastern University, while Simone Pertui- 
set, Montreal, is finishing requirements 
for a BS. in ecology from Sir Geo 
Williams University. As Detroit's Terry 
Bellant points out, “Working for Playboy 
is а perfect way to put yourself through 
school, because the money's good and 
the hours are so flexible. I plan to enroll 
at Wayne State University here and take 
a course in medical technology; after 
class, Г can go down to the Club and 
work a night shift." 

"Those flexible hours also make Bunny 
hopping an ideal two-carecr job. espe- 
cially for a girl who's trying to ger her 
own business enterprise started. Bunny 
Portlyn Mason owns a health-food store 
in the city of Lake Geneva, near the 
Playboy Club-Hotel, where she works; 
while down in New Orleans, Bonnie Wil- 
liams operates ап organicbaking busi- 
ness. "Best customers for her homemade 
bread and oatmeal cookies, all baked to 
order, are her fellow Club employees," 
Bunny Mother Barbara Page reports 
New York Bunny Jane Ball is pursuing a 
: writing a cookbook, 
to be published by Simon & Schuster. 
Denvers Cheryl French, the equestri 
enne mentioned above, is doing research 
in biofeedback and the physiological ef- 
fects of color, Perhaps least-likely second 
job is that held by another Denver Bunny. 
Susan Sturm, who works as а parole offi- 
cer. Viewers who saw Susan on the Bunny 
of the Year telecast would volunteer to 
be in her custody any day. 

Plans are already under way for next 
year’s Bunny Beauty Contest; check in 
at your local hutch for the schedule in 


your area 
B 


(0 


THE PLAYBOY JAZZ < POP POLL 


vote for your favorites for the 1975 all-star band 


SEVERAL YEARS AGO, the late Albert Ayler put out an album called Music Is the Healing Force of the Universe. Those 
words have stuck in our mind, and we'd like to think they're true. Jf they are, then п needed more today than 
ever, because there's а lot of healing that needs to be done, as anybody can confirm with a glance at a newspaper. 
Fortunately, there are a lot of musical healers at work. Of course, not all our Pied Pipers are on such a positive trip: 
Some have never thought about healing anything except their own bank balances and there are more than a few 
who—after years of being ignored or ripped off—are in no shape to heal anybody, since they themselves are so badly in 
need of some kind of balm. Needless to say, our ballot separates performers by the inswuments they play, not by their 
spiritual conditions. , it’s amusing to look over these listings of names and think about the variety of stories behind 
them and the variety of personalities they represent: flashy showbiz types, workmanlike studio guys, transcendental 
innovators, folksy primitives. Many types of music are also represented; and it's reassuring to us that many of the people 
we've talked with feel that their favorite schools have been underrepresented. One person thinks we don't get enough 
jazzmen on the ballot. The next guy says we don't include enough rock groups. Or country singers. Or Latin musicians. 
You're probably wondering why it's reassuring to hear complaints. Well, it lets us know that people care about what we 
do. And if all sides think they're underrepresented, then perhaps we've managed to be fair. Which isn’t all that easy. 


141 


142 


BIG-BAND LEADER 
(Please choose one.) 

1. Burt Bacharach 
2 Count Basie 
3. Louis Bellson 
4. James Brown 
5. Les Brow: 
6. Ray Charles 
т. 
8 
9. 


. Eumir Deodato 
. Mercer Ellington 


. Stan Kentor 
18. Henry Manci 
19. Chuck Mangione 
20. John McLaughlin 
21. Sun Ra 
92. Buddy Rich 
23. Bobby Rosengarden 
24. Doc Severinsen 
k Terry 
ld Wilson 
. Stevie Wouder 
ak Zappa 


TRUMPET 
(Please choose four.) 
1. Nat Adderley 
2 Herb Alpert 


6. Ruby Braf 
7. Oscar В 

B. Randy Brecker 

9. Billy Butterfield 
19. Donald Byrd. 


15. Buck Clayton. 
16. Miles Davis 


19. Jon Faddis 
20. Art Farmer 


Bobby Hackett. 
Bill Hardu 
Al Hirt 

. Freddie Hubbard 
vy James 
Jonah J 
Thad Jones 


37. Doc Severinsen 
38. Woody Shaw 
39. Clark Terry 
30. Charles Tolliver 
41. Snooky Young 


TROMBONE 
(Please choose four.) 
1. Chris Barber 
2. Dave Bargeron 
3. Harold Betters 
4. George Bohanon 
5. Bob Brookmeyer 
6. Garnett Brow 
7. Jimmy Cleveland 
В. Buster Cooper 
. Vic Dickenson 
10. Maynard Ferguson 
11. Carl Fontana 
12. Curtis Fuller 
13. Benny Green 


1+ 
15. 
16. 
17. Slide Hampton 
18. Wayne Не 
19. Quei 
J: J- Johnson 


Grachan Moncur Ш 
Turk Murphy 
James Pankow 


Bill Watrous 
29. Dicky Wells 
i Win 


ALTO SAX 
(Please choose two.) 
1. Cannonball Adderley 
2 Gary Bartz 
3. Al Belletto 
4. Anthony Braxton 
5. Benny Carter 
6. Emilio Castillo 
7. Ornette Coleman 
8. Hank Crawford 
9. Sonny Criss 
10. Eddie Daniels. 
Desmon 


Jackie McL 
Charles McPherson 
James Moody 
Oliver Nelson 
Anthony Ortega 
Art Pepper 
Marshal Royal 


28. Tom Scott. 
29. Bud Shank 

30. James Spaulding 

31. Sonny Stitt 

32. Fe Strorier 

33. Grover Washington, Jr. 
34. Bob Wilber 

35. Edgar Winter 

36. Paul Win 
37. Chris Woods 
38. Jimmy Woods 
39. Phil Woods 


TENOR SAX 
(Please choose two.) 
L Gene Ammons 
2. Curtis Amy 
3. Gato Barbieri 
4. Mike Brecker 
5. Sam Butera 
6. 
1 
8 


А! Cohn 


Gcorge Coleman 
. Bob Cooper 


Lockjaw” Davis 
12. Joe Farrell 

13. Jimmy Forrest 

14. Frank Foster 


LIST YOUR CHOICES IN THE 1975 PLAYBOY JAZZ & POP POLL ON THE FOLDOUT BALLOT THAT FOLLOWS 


16. 
17. 
18. 
19. 
20. 


Jerry Fuller 
Stan Getz 
Dexter Gordon 
Johnny Griffin 
Eddie Harvis 
Joe Henderson 
Jim Но 


. Illinois Jacquet 
‚ Robin Kenyatta 

. Rahsaan Roland Kirk 
. John Klemmer 


Yusef Lateef 


. Boots Randolph 
. Sam Rivers 


Sonny Rollins 
Pharoah Sanders 


. Tom Scott 


Archie Shepp 
Wayne Shorter 
Zoot Si 


. Buddy Tate 


Lucky Thompson 
anley Turrentine 
Junior Walker 

Grover Washington, Jr. 


BARITONE SAX 
(Please choose one.) 

1. Pepper Adams 

2. Jay Cameron 

3. Harry Carney 

4. Leroy Cooper 

5. Benny Crawford 

6. Eddie Danicls 

7. Charles Davis 

8. Charlie Fowlkes 

9. Chuck Gentry 

10. Jimmy Giuffre 

M. Frank Hittner 

12. Bill Hood 

13, Jim Horn 

M. Steve Корка 

. John Lowe 

5. Gerry Mulligan 

Jack Nimitz 

i. Pat Patrick 

. Cecil Payne 

. Romeo Penque 

. Jerome Richardson 

Ronnie Ross 

. Clifford Scott 

. Bud Shank 

. Lonnie Shaw 

Sahib Shihab 

. John Surman 


CLARINET 

(Please choose one.) 
Alvin Batiste 
Bamcy Bigard 
Acker Bilk 
Phil Bodner 
Ray Burke 
John Carter 
Buddy Collette 
Eddie Daniels 
Kenny Davern 
uddy De Franco 


‚ Pete Fountain 


Bob Fritz 


. Jerry Fuller 
. Jimmy Giuffre 
. Benny Goodman 
5. William Green 


Jimmy Hamilton 
Woody Herman 


. Peanuts Ниско 


20. Rahsaan Roland Kirk 


. Walt Levinsky 
. Fred Lipsius 

. Matty Matlock 
. Bob Palmer 


John Payne 


. Art Pepper 


Russell Procope 
Jerome Richardson 


29. Tony Scout 
30. Pee Wee Spitelara 
31. John Surman 

39. Bob Wilber 

33. Phil Woods 


PIANO 

(Please choose one.) 
Mose Allison 
Burt Bacharach 
3, Count Basie 
4. Eubie Blake 
5. Воппей Bright 
6. Dave Brubeck 
1 
8 
9 


. Jaki Byard 

. Ray Charles 

. Alice Coltrane 
10. Chid: Corea 
Li. Stanley Cowell 
12. Neal Greque 
13. Bill Evans 
14. Tommy Flanagan 
15. Erroll Garner 
16. Herbie Hancock 
17. Roland Hanna 
18. Barry Harris 
19. Donny Hathaway 
20. Hampton Hawes 
21. Earl “Fatha” Hines 
22. Nicky Hopkins 
23. Dick Hyman 
24. Ahmad Jamal 
25. Keith Jarrett 
26. Elton John 
27. Hank Jones 
28. Roger Kellaway 
29. Robert Lamm 
30. Milcho Leviev 
31. John Lewis 
32. Ramsey Lewis 
33. Les McCann 
34. Marian McPartland 
35. Sergio Mendes 
36. Lee Michaels 
37. ‘Thelonious Monk 
38. Peter Nero 
39, Randy Newman 
40. Oscar Peterson 
41. Billy Preston 
42. Leon Russell 
43, Joe Sample 
. George Shearing 


. Lonnie Liston Smith 
Billy Taylor 

‚ Cecil Taylor 

McCoy Tyner 

. Mary Lou Williams 
Neil Young 

Joe Zawinul 


ORGAN 
(Please choose one.) 
1. Brian Auger 
2 Booker T. 
3. Milt Buckner 
4. Ray Charles 
5. Wild Bill Davis 
6. Bill Doggett 


LIST YOUR CHOICES IN THE 1975 PLAYBOY JAZZ & POP POLL ON THE FOLDOUT BALLOT THAT FOLLOWS 


7. Charles Earland 
8. Keith Emerson 

9. Clare Fischer 

10. Ronnie Foster 

И. Johnny Hammond 
19. Isaac Hayes 

13. Groove Holmes 
14. Garth Hudson 

15. Dick Hyman 

16. Keith Jarrett 

17. Al Kooper 

18. Gap Mangione 

. Ray Manzarek 
Dave Mason 
Brother Jack McDufl 
Jimmy McGriff 
Lee Michaels 

Don Patterson 
Billy Preston 

Sun Ra 

Shirley Seon. 
тту Smith 

Rick Wakeman 
Walter Wanderley 
Stevie Winwood 
Khalid Yasin 


BESSRSERERBESS 


VIBES 

(Please choose one.) 
Peter Appleyard 
Roy Ayers 
Larry Bunker 
Gary Burton 
Warren Chiasson 
Gary Coleman 
Don Elliott 
Gordoa Emanuel 
Victor Feldman 
Terry Gibbs 
Gunter Hampel 
12. Lionel Hampton 
. Bobby Hutcherson 
. Milt Jackson 

Stu Katz 

Phil Kraus 

17. Johnny Lytle 

18. Mike Mainieri 
19. Garry Mallaber 
20. Buddy Montgomery 
21. Red Norvo 
22. Dave Pike 
23. Emil Richards 
24. Cal Tjader 
25, 
26. 


FS earn aveaene 


ках 


. Tommy Vig 
. Clement Wells 


GUITAR 
(Please choose one.) 
- Arthur Adams 
. Laurindo Almeida 
Chet Atkins 
|. Elek Bacsik 
Jeff Beck 
б. Joe Beck 
. George Benson 
8. Chuck Berry 
9. Richard Betis 
10, Roy Buchanan 
11. Dennis Budimir 


M3 


144 


12. Kenny Burrell 
3. Charlie Byrd. 

. Glen Campbell 
Eric Clapton 

. Larry Coryell 
Steve Cropper 

. Rick Derringer 
. Herb Ellis 
. José Feliciano 
Gafa 

. Eric Gale 

Jerry Garcia 

. Grant Green 
Buddy Guy 

. Jim Hall 

. George Harrison 
. Ferry Kath 

. Barney Kessel 


. Freddie King 
. Alvin Lee 

. Pat Martino 
. John McLaughlin 
Топу Mottola 
Jiminy Page 

. Joe Pass 

Buck y Pizzarelli 

. Keith Richard 
Robbie Robertson 
Carlos Santana. 
Cat Stevens 
itephen Stills 

. Gabor Szabo 

. Peter Townshend 
. Philip Upch 


T-Bone W; 


Johuny № 


BASS 
(Please choose one.) 
1. Dud Bascomb, Jr. 
>. Max Bennett 
3. Keter Betts 
4. Walter Booker 
5. Ray Brown 
6. Jack Bruce 
7. Mike Bruce 
8 Herb Bushler 
9. Joe Byrd 
10. Ron Carter 


16. Richard Davis 
17. Chuck Domanico 
18. Donald “Duck” Di 
19. George Duvivier 
20. Cleveland Eaton 
21. John Entwistle 
22. Wilton Felder 


26. Eddie Gomer 


Ch 
. Rufus Reid 


. Joe Morel 


Rick Grech 
Bob Haggart 


. Percy Heath 


Monk Montgomery 
Carl Radle 
К Кан 


у 


Larry Ridley 


. James Rowser 
J 
. Cel 


je Ruggiero 
al Songhouse 
Kyoshi Toganaga 


. Bill Wyman 


El Dee Young 


DRUMS 
(Please choose one.) 
ager Baker 


G 


. Louis Bellson 


Hal Blaine 


- Art Blakey 


John Bonham 
Roy Brooks 
Karen Carpenter 
Kenny Clarke 
Cobb 
Billy Cobham 


. Cory Cole 


Bobby Colomby 
Alan Dawson 

Jack De Johnette 
Bobby Durham 
Vernel Four 
Gucrin 

ico Hamilton 


Том 


Hayes 
Roy Haynes 
Red Holt 

Stix Hooper 
Paul Humphrey 
Al Jackson, Jr. 
Elvin Jones 

Jo Jones 

Philly Joe Jones 
Connie Kay 
Jim Keltner 
Mel Lewis 
Shelly Ma 


. Harvey Mason 


Roy McCurdy 
Buddy Miles 
Mitch Mitchell 
Keith Moon 

› 


Alp 
Idris Muhammad. 
dy Nelson 
Carl Palmer 
Bernard Purdie 
Buddy Rich 

Ben Riley 


© Mouzon 


. Max Roach 


Mickey Roker 
Bobby Rosengare 


AB. Danny Seraphine 
49. ding Soi 
0. Ringo Starr 
Tate 
1l Thompson 
Charlie Watts 


OTHER INSTRUMENTS 
(Please choose one.) 

Lan Anderson, flute 

Elck Васак, violin, violectra 

. Ray Brown, cello 

Paul Butterfield, harmonica 

Buddy Collette. flute 

Papa John Creach, violin 

- Bob Dylan, harmonica 

. Keith Emerson, Moog 

soprano sax 

10. Maynard Ferguson, 

superbone 
Старе, violin 


1 
2. 
3. 


phrey, flute 

Kershaw, violin 

18. Rahsaan Roland Kirk 
flute, manzello, stritch 

19. Yusef Lateef, flute, oboe 

20. Hubert Laws, flute 

21. Charles Loyd, flute 

22. G Mancuso, baritone horn 


- Chuck Mangione, Flügelhorn 
24. Herbie Mann, flute 

- Benny Maupin, reeds 

Les McCann, Moog 

- Charlie McCoy, harmonica 
James Moody, flute 

Airto Morcira, percussion 
Walter Parazaider, flute 


flute 
- Luc Ponty, violin 
Ra, Moog 


1 Richards, cymbalom 

ngo Santamaría, congas 

uggs, banjo 

bastian, harmonica 

Bud Shank, flute 

. Ravi Shankar, sitar 

40. Jeremy Steig, flute 

k Terry. Flügelhorn 

42. Jean Thiclem: 

33. Joe Venuti, violin 

Watkins, French horn 

ank Wess, flute 

. Michael White, violin 

Russ Whitman, bass sax 

. Bob Wilber. soprano хах 

49. Stevie Wonder, harmonica, 
clavinet, Moog 

50. Rusty Young, steel guitar 


harmonica 


MALE VOCALIST 
(Please choose one.) 
- Mose Allison 
2 Harry Belafonte 


LIST YOUR CHOICES IN THE 1975 PLAYBOY JAZZ & POP POLL ON THE FOLDOUT BALLOT THAT FOLLOWS 


у Beni 
Brook B 
Andy Bey 

6. Bobby Bland 
7. David Bowie 

8. James Brown 
Oscar Brown, Ju 
Solomon Burke 
‚ Jerry Budler 

- Ray Charles 
Roy Chak 
David Clayton 
Alice Cooper 
Davis Jr. 


яке 


homas 


- George Harriso 
27. Johnny Hartm: 
Donny Hathaway 
. Isaac Hayes 

. Mick Jagge 


35. Elton John 

34. George Jones 

35. B. B. King 

36. Kris Kristofferson 
37. Steve Lawrence 
38. Joh 
39. Jerry Lee Lewis 
40. Gordon Lightfoot 


42. Johnny Mathis 
43. Curtis Mayfield 
44. Paul 


thony Newley 
47. Randy Newman 
48. Harry Nilsson 
49. Buck Owens 
50. Wilson Pickett 
1. Robert Plant 
Elvis Presley 
Arthur Prysock 
Lou Rawls 
Jerry Reed 
56. Charlie Rich 
. Leon Russell 
Frank Sinatra 
59. О. C. Smith 
60. Cat 
61. Rod Stewart 
62. Grad 
63. James Taylor 
64. Johnnie Taylor 
65. Lcon Thomas 
66. Mel Tormé 
dy Williams 


5 


70. Bill Withers 
71. Bobby Womack 


72. Stevie Wonder 
73. Neil Young 


FEMALE VOCALIST 
(Please choose one.) 
1. Joan Васе 
2. Pearl Bai 
3. Maggie Bell 
4. Barbi Benton 
5. Teresa Brewer 
6 
7. 
8 


. DecDee Bridgewater 
. Lana Cantrell 
i. Vikki Carr 
9. Betty Carter 
10. Chér 
11. June Christ 
12. Judy Collin 
13. Rita Coolidge 
14. Ella Fitzgerald 
15. Roberta Flack 
16. Aretha Franklin 


19. Lena Horne 

90. Carole King 

21. Teddi King 

22, Gladys Knight 
23. Cleo Laine 

24. Peggy Lee 

25. Abbey Lincoln 
26. Miriam Makeba 
27. Barbara McNaix 


28. Melanie 
29. Вене Midler 
30. Liza Minnelli 
31. Joni Mitchell 
32. Melba Moore 
33. Maria Muldaur 
34. Olivia Newton-John 
35. Laura Nyro 

36. Odetta 

37. Esther Phillips 

38. Flora Purim 

29. Bonnie Raitt 

40. Helen Reddy 
E 

42. 

43, 

A. 

45 

46. 


2 Della Reese 
la Ronstadt 
. Diana Ross 
. Buffy Sainte-Marie 
. Esther Satterfield 
. Carly Simon 
47. Nina Simone 
48. Valcric Simpson 
49. Grace Slick 
50. Mavis Staples 
51. Barbra Streisand 
52. Tina Turner 
53. Sarah Vaughan 
54. Dionne Warwicke 
55. Margaret Whiting 
56. Nancy Wilson 
57. Tammy Wynette 


VOCAL GROUP 
(Please choose one.) 

1. Allman Brothers Band 

2. The Band 

3. Bec Gees 

4. Bread 


5. Jackie Cain & Roy Kral 

6. Carpenters 

7. Delfonics 

8. Dr. Hook and the 
Medicine Show 

9. Doobie Brothers 


10. Earth, Wind & Fire 
11. Emerson, Lake & Palmer 


. 5th Dimension 


12. 
13. Four Freshmen 
14, 


„ Grand Funk Railroad 
5. Grateful Dead 


16. Guess Who 

17. Jackson 5 

18. Jefferson Airplane 

19. Gladys Knight & the Pips 


Led Zeppelin 


21. Loggins & Messina 
22. Paul McCartney & Wings 
23. Harold Melvin & the 


Bluenotes 


24. Moody Blues 

25. O'Jays 

26. Tony Orlando & Dawn 
27. Pink Floyd 

28. Poi 
29, Rolling Stones 
30. Scals & Crofts 


ter Sisters 


35. Temptations 

36. Three Dog Night 
37. Tower of Power 
38. Ike & Tina Turner 
39. War 

40. The Who 

41. Yes. 


SONGWRITER-COMPOSER 


(Please choose one.) 
1. Mose Allison 
2. Ian Anderson 

3. Harold Arlen 

4. David Axclrod 
5. Burt Bacharach 
6. Thom Bell 

7. Carla Bley 

8. Oscar Brown, Jr. 
9. Dave Brubeck 


10. Ornette Coleman 
11. Betty Comden-Adolph 


Green 


12. Chick Corea 
13. Miles Davis 

14. Eumir Deodato 
15. Neil Diamond 
16. Bob Dylan 

17. Gil Evans 

18. David Gates 
19. Dizzy Gillespie 
20. Tom T. Hall 
21. He 
22. George Harrison 

23. Isaac Hayes 

24, Freddie Hubbard 

25. Mick Jagger-Keith Richard 
26, Antonio Carlos Jobim 


іе Hancock 


27. Elton John-Bernie Taupin 
28. Quincy Jones 

20, Thad Jones 

30. Carole King 

31. Kris Kristollerson 

32, Robert Lamin 

33. Michel Legrand 

34. John Lennon 


. John D. Loudermilk 
. Henry Mancini 
Johnny Mandel 
. Curtis Mayfield 
Paul McCartney 
Eugene McDaniels 
. Johnny Mercer 
. Charles Mingus 
. Joni Mitchell 
‘Thelonious Monk 
. Oliver Nelson 
. Randy Newman 
. Harry Nilsson 
. Laura Nyro 
Kenny Rankin 
. Lou Reed 
, George Russell 
l. Leon Russell 
. Lalo Schifrin 
il Scott- Heron- Brian. 
Jackson 
. Seals & Crofts 
Horace Silver 
59. Shel Silverstein 

. Paul Simon 
. Cat Stevens 
. Stephen Stills 
j. Jule Styne 
L James Taylor 
. Allen "Toussaint 
. Peter Townshend 
. Jimmy Van Heusen 
Sid Wayne 
. Stevie Winwood 
). ВШ Withers 
- Stevie Wonder 
. Neil Young 
. Frank Zappa 


INSTRUMENTAL COMBO 
(Please choose one.) 

1. Cannonball Adderley 

2. Gene Ammons 

3. Art Ensemble of Chicago 

4. Roy Ayers 

5. The Band 

6. Gato Barbieri 

7. Al Belletto 

8. Art Blakey 

9. Blood, Sweat & Tears 

10, Dave Brubeck 

11. Kenny Burrell 

12. Charlic Byrd 

13, Chase 

14. Chicago 

15. Billy Cobham 

16. Ornette Coleman 

17. Alice Cooper 

18, Crusaders 


UST YOUR CHOICES IN THE 1975 PLAYBOY JAZZ & POP POLL ON THE FOLDOUT BALLOT THAT FOLLOWS 


72. 


75. 


Miles Davis 
Emerson, Lake & Palmer 


. Bill Evans 


Stan Getz 


i. Dizzy Gillespie 


Grand Funk Railroad 
Al Grey-Philly Joe Jones 
Herbie Hancock 


. Eddie Harris 


Hampton Hawes 


. Earl Hines 


Al Hirt 
Groove Holmes 
Paul Horn 


Hot Tuna 


Freddie Hubbard. 
Bobby Hutcherson 
Illinois Jacquet 


. Ahmad Jamal 
. Jefferson Airplane 
. Elvin Jones 


В. B. King 

Rahsaan Roland Kirk & 
the Vibration Society 

Kool & the Gang. 


. Yusef Lateef 
‚ Led Zeppelin 
. Ramsey Lewis 
. Charles Lloyd 

. Loggins & Messina 

. Malo 

Chuck Mangione 
Herbie Mann 

‚ Shelly Manne 

. Hugh Masekela 

. Les McCann 

. Marian McPartland 
. The Meters 
Charles Mingus 

. Mode: 
58. Thelo: 
. Airto Morcira 


Јат Quartet 
us Monk 


New York Jazz Quartet 


‚ Ohio Players 
i2. Oscar Peterson 


Return to Forever 


Мах Roach 
. Sonny Rollins 


Pharoah Sanders 


. Santana 
. The Section 


George Shearing 
Horace Silver 


. Sly & the Family Stone 


Jimmy Smith 


. Lonnic Liston Smith 


Supersax 
Clark Terry 


i. ‘Lower of Power 
. Jethro Tult 
i McCoy Tyner 


Jr. Walker and the All Stars. 
G ington, Jr. 


wer Wasl 


- Tony Williams Lifetime 
2. Paul Winter Consort 


Phil Woods 


l. World's Greatest Jazzband 
. Young- Holt Unlimited 


LINE ---- 


THIS 


-- CUT ALONG 


Please put down the NUMBERS of listed 
candidates you choose. То vote for a person not 
shown on our lists, write in full name; only one in 
each category, except where otherwise indicated. 


BIG-BAND LEADER 


FIRST TRUMPET 


SECOND TRUMPET 


THIRD TRUMPET 


FOURTH TRUMPET 


FIRST TROMBONE 


SECOND TROMBONE 


HE 1975 
PLAYBOY 


THIRD TROMBONE VIBES 

FOURTH TROMBONE GUITAR 

FIRST ALTO SAX BASS 
IND ALTO SAX DRUMS 


FIRST TENOR SAX 


SECOND TENOR SAX 


OTHER INSTRUMENTS 


MALE VOCALIST 


BARITONE SAX 


FEMALE VOCALIST 


CLARINET 


PIANO. 


ORGAN 


VOCAL GROUP 


SONGWRITER-COMPOSER 


INSTRUMENTAL COMBO 


PLAYBOY JAZZ & POP HALL OF FAME 

Instrumentalists and vocalists, living or dead, are 
eligible. Artists previously elected (Duane Allman, 
Herb Alpert, Louis Armstrong, Count Basie, Dave Bru- 
beck, Ray Charles, Eric Clapton, John Coltrane, Miles 
Davis, Bob Dylan, Duke Ellington, Ella Fitzgerald, 
Benny Goodman, George Harrison, Jimi Hendrix, Mick 
Jagger, Janis Joplin, John Lennon, Paul McCartney, 
Wes Montgomery, Jim Morrison, Elvis Presley, Frank 


Sinatra) are not eligible. 


PLAYBOY'S RECORDS OF THE YEAR 
BEST INSTRUMENTAL LP (BIG BAND): 


BEST INSTRUMENTAL LP (FEWER THAN 
TEN PIECES): 


BEST VOCAL LP: 


Маше and address must be printed here to authenticate ballot. 


Маш 


Address 


City. 


NOMINATING BOARD: Cannonball Adderley, Gregg Allmon (Allman Brothers Bond), Herb Alpert, lan Anderson, George Ben- 
son, Ron Carter, Eric Clopton, Billy Cobham, Chick Corea (Return ta Forever], Miles Davis, Neil Diamand, Billy Eckstine, Keith 
Emerson, Maynard Ferguson, Pete Fountain, Stan Getz, Benny Goodman, Lionel Hampton, Slide Hamptan, Al Hirt, Freddie Hubbard, 
Milt Jackson, Eltan John, J. J. Johnson, Rahsaan Ralond Kirk, Poul McCartney, Gerry Mulligan, Oscar Peterson, Boots Randalph, 
Buddy Rich, Danny Seraphine (Chicago), Dec Severinsen, Carly Simon, Jimmy Smith, Ranald Townson (The 5th Dimension), Sarah 
Vaughan, Edgar Winter, Si Zentner; plus all the other musicians listed in last February's results; and Steve Backer, ABC-Impulse; 
George Butler, United Artists / Blue Note; Stan Cornyn, Warner Bros.; Milt Gabler, Commodore; Nat Hentoff, writer; Teo Macero, 
Columbia; Mork Meyerson, Atlantic; John Snyder, СП; Bab Thiele, Flying Dutchman; ond George Wein, Newpart Jazz Festival. 


Before compiling the list of performers on the pre- 
ceding pages, we sent nominating ballots to all of the 
above—the list came to several hundred people. Now, 
our readers’ ballot has a finite number of spaces, so, of 
course, we can’t get everybody on it—and for everyone 
we add, we have to drop someone. So we try to get a list 
that reflects the range of today's musical spectrum—and 
it's possible that one or more of your favorite artists may 
not be included. If so, do not panic. You can still vote 
for that artist; just print his (or her) name in the appro- 
priate space on the ballot—which is the flip side of this 
detachable page. 

If the person you wish to vote for is on the list, you 
don’t need to write the name—just the number. Last 
year, some readers wrote in names when numbers would 
have sufficed, which made things a little bit harder, not 
only for them but also for the people (and computers) 
who tabulated the vote. 

The difference between a Big-Band Leader and the 
leader of an Instrumental Combo is the difference 


between nine and ten. If the group has nine pieces 
or fewer, it's a combo; ten or more, and it's a big band. 

Speaking of big bands, the rcasen you are asked to 
voté Гог more than one person in some categories is that 
big bands usually carry several men in those categories. 

In voting for the Jazz & Pop Hall of Fame, keep in 
mind that the following pcople are incligible, because 
they've already made it: Duane Allman, Herb Alpert, 
Louis Armstrong, Count Basie, Dave Brubeck, Ray 
Charles, Eric Clapton, John Coltrane, Miles Davis, Bob 
Dylan, Duke Ellington, Ella Fitzgerald, Benny Good- 
man, George Harrison, Jimi Hendrix, Mick Jagger, 
Janis Joplin, John Lennon, Paul McCartney, Wes Mont- 
gomery, Jim Morrison, Elvis Presley and Frank Sinatra. 

When you've completed your ballot, make sure it has 
your name and address on it; otherwise, it won't count. 
‘Then mail it to Playboy Jazz & Pop Poll, Playboy 
Building, 919 N. Michigan Avenue, Chicago, Illinois 
60611. Ballots must be postmarked no later than Octo- 
ber 15, 1974. Results will be in our February 1975 issue. 


ILLUSTRATIONS BY ROLAND C. WOLFE 


THIS 


ее УЧ 


THE VARGAS GIRL 


"There's nothing like this 
exercise for developing the 
thighs . . . well, almost nothing.” 


Va egas 


three women 
AS A BENEFIT to the fair votaries of Love 
and as an aid to wanton youths who revel 
in their soft embraces, we take the lib- 
erty of offering a buyer's guide [or our 
loyal readers. 

The shops of Venus have never been 
more clegantly filled than at present 
Marylebone, the new bazaar, shines with 
loves and graces on display: Govent G: 
den тот; our ancient Drury is 
still the favorite of many. Bagnigge. St. 
George's Spa offer the choicest goods; 
there is much to be found in the pur- 
tieus of Whitechapel, farther east. 

Herc, then, is our guide, suited to 
every pocket and to every whim and 


offers 


fancy the most extravagant sensualist 
could summon: 
Miss Ном ed, No. 10 Castle 


Street, Oxford Market. 


Her lily bosom and her tapering 
watst, 

Her pointing lips, would tempt a 
saint to taste, 

Love's sweet. Elysium she will soon 
make yours 

And bless with raptures new the pass- 
ing hows 


Our sweet Polly, that at present reigns 
the perfect model of innocence and good 
паше, has not yet entered her 19th 
year. Before she enlisted into service at 
The Thirteen Cantons, her former situa- 
ion enabled her to learn something of 


! 
the ways of life, her father being а tabor 
and pipe player at the fashionable shops 
in town. Although Polly made little use 
of his lessons concerning the proper use 
of the lute—not having an car for 
music—she soon attained а proficiency 
in а more natural. instinct and сап now 
play any strain. without compla 
ways setting an expert tempo upon re- 
quest, although allegro is her finest 
melody 

It is not а twelvemonth since the Mid- 
dlesex invader broke down the road- 
block to new highways and, conscious of 
her merit and worth, she is now in daily 
expectation that some good citizen will 
ta 
from the disagreeable necessity of noctur 
nal perambulations. 


ke her into keeping, thus freeing her 


from "А List of Covent Garden Ladies" in Ranger's Magazine, 1789 


She is a middle sized, genteel-made girl. 


with fine black eyes and ha 
good teeth and а sweet affable temper. 
The dairy hills of delight are beautifully 
prominent, firm and elastic: the sable 
channel below is now properly adapted 
to the sons of Great Britain—when she 
has traveled the public roads 12 months 
the Hiberni 


т. exceeding 


more, à sons may then, per 
haps. find the parts suitably adjusted for 
their use as well. 


Miss сц 
Street, Golden Square 


t, No. 123 Queen 


All night she'll keep you at wanton 

play, 

or suffer slumber till the dawn of 
day. 

Till tir d nature melted into bliss. 

Dissolved in sleep still pants the hu- 
mid k 


This pleasant creature at present pos- 
sesses every requisite to form the good and 
agreeable bedfellow. Youth and beauty 
shine with а most superlative brightness. 
and not more than 16 months have passed 
since she made her first dive into the pub- 
lic stream. 

She is of fair complexion; the hair 
that ornaments her person is a light 
brown, but that which shades the Сур- 
rian fountain is much darker. This grace 
ful armor has been near three years in 
riving to its present state; at the early 
ge of 15, the soft down just peeped 
through the snowy skin. Now, with an 


de, it surrounds the Elysian 
the most 


envious sh 
and is proof ар; 
stubborn repeated attacks. 

A word to the wise: This lady is in 
genteel keeping by а gentleman of the 
name she now assumes: thus, her favors 
cannot be expected on ordinary terms. А 
single air is half а guinea: for a nocturnal 
rondo, she expects four times the 


mansion 


inst 


Miss С. rd, 


Street, Oxford Square 


She thrust атап the bushes her fair 
hand 

To draw the plant, and е 
she drew 


сту plant 


ILLUSTRATIONS BY ВРАО HOLLAND 


Ribald Classic 
She shook the stalk, and brushed away 
the deve. 


This ladys character 
ing well her name, bei 
skilled in the 
hotbed, but 
partner to be concerned in the business. 

Her person is pleasing, she has the 
roses in her cheeks, encircled with beds 
of neverdailing lilies: she takes a guinea 
to be engrafted upon and is a very 

ceable sprig of harebell. She is much 
esteemed by the lovers of. planting for 
having a beautiful show of navel 
wort а fondness for rampions, 
Adam'sapple tree, sensitive 
plant, nutmegs and other such valuable 
productions. 

И we are not misinformed, this lady is 


answers exceed. 
exquisitely well 


art ol raisin, 


plants in a 


urally she wishes for 


one of the d 


ughters of fortune, having 
substantial income left to her from an 
nt whom she literally flogged 
out of the world, and will probably do 
so to more, as she is as expert at this 
maneuver as Mrs, B. ch herself. of 
Chapel Street, Soho. 


Economy is seldom a virtue practiced 
by females of her profession, but we can 
produce an instance of it in this damsel 
that is as whimsical as it is extraordinary. 
The chandlers shop. which furnishes 
her with instruments of delight, has 
reed to provide her in wun with t 
coffee, bread, butter and all other 
des sold in the shops at a considerably 
reduced price—on condition that she 
does not purchase switches, brooms and 
such anywhere else: and it is generally 
believed that itis indeed а contract advan 
tageous to both parties. 

While Venus holds her court, Mor 
s is kicked out of doors. Therefore, 
but the 

the truly 


arti 


Mise none 
none but оғаш, 
е but those furnished with the finest 
parts to engage in the contest. Come, 
then, ye metallic Hibernians, ye brawny 
Scots and ye genuine beebeating Britons, 
replete with health, vigor, youth and 
money. for this lecherous girl of only 
18 will case you of every article 


post experi 


—Retold by John C. Dickson EQ u9 


PLAYBOY 


150 


“ТО BE SILENT” 15 AN ACTIVE VERB 


Los Angeles Times the statement of Dr. 
Nikolai Blokhi 


[Solzhenitsyn] has long deprived 
himself of the right to the lofty tide 
of citizen of the U.S.S.R. That is why 
depriving him of his citizenship and 
turning him out of the U.SS.R. is 
correct, a very correct decisi 


Serendipity strikes the theme for this 
return to the Soviet Union. Last night I 
heard Bob Dylan sing: 


Tune will tell 


Just who has [ell 
And who's been left behind. ... 


Who are these noupersons whom Dr 
Blokhin and Dr. Dylan celebrate in dil 
ferent ways? Nine years ago in. Moscow, 


on, 1 saw 


the guest of the Writers Ut 
mostly official persons, hospitable, wary 
and well. Bur 1 got a whilt fom the best 
of them of those others, the nonpersons, 
burdened with their. stubbornness, and 
this time ГИ seek them out through 
the enveloping Intourist-comtort fog. In 


California, news of the human-rights 
moyvement—the writers and scientists 
those warded in psychiatric hospitals be 


«ихе to dis; 


v with the government is 
crazy, the lovers of the word. the 
Jews. the political prisoners—is being re- 
placed. by the Nixon-Brezhnev business 
men's detente, with Dr. Armand Наппие 
leaping up to announce a fresh wade deal 
every lew days. Alexander Solzhenitsyn 
has just been expelled—a slight setback. 


They decided not to administer harshei 
Ireatment to a man watched so closely by 
the West. 


Yea, the sparrow hath found а house, 
id the swallow a nest lor herself. where 
she may lay her young” —Psalar 81. “The 
son of man hath not where to lay 1 
head "— Jesus 

А stewardess looks at my ticket and de- 
vs. "Moscow! Wow! Why? 
Skiing 

“Oh, wow, g 

I settle dow! м t0 5 
the window, trying to remember my Rus- 
sorting out my Mos 
cow and thinking ahead to what 1 can 
expect of trouble this time. 1 manage to 
turn olf the stewardess. As Dr. Blokhin 
s correct, а very correct decision. 


ovy." 


Ic out 


si 


Pan Am Lounge, Keunedy Airport; Orly 
tirport, Paris 

15 that Andy Warhol I sce before me? 
It's his two-tone wig. his blank stare 
the Esquire (ihe maesno looks 
glum). his chirping entourage gathered 
to bid him tita. The Soviet Union will 
be different. 

Warhol gets off in Paris 


new 


Rushing through Only and climbing 


(continued from page 128) 


straight onto an — Aeroflot Iytishin, 
bound for Moscow, seems odd for а 
tied Francophile. I doze in this g 
stratospheric global dawn. The melan- 
choly of the traveler headed. away from 
home is followed by thoughts that dart 
10 and fro li s cold as 
foxes. I soothe my disrupted metabolism 
by getting interested in the. Russians re 
turning  home—women with flowers 
from the Champs Elysées. wrapped in 
plastic: bearded, fur-cipped young men 
with affable, amiable, slovenly, oldtime 
students’ case (is it а chess team): gray 
bureaucrats in ice-blue suits and 
plastic brielcases attached like prosthetic 
devices to their arms, Their sleepswol- 
len. cholesterol-stulfed faces lock as il 
d ану lively dreams years 
Bet the nice plump stewardes, 
in the neck than the California 
the middle, docs isk 
g to ski in Russ 

The last time T flew Aeroflot to. Mos- 
cow. one filmy plastic glass served. ev 
one for drinking, and you had to wait 
till di was free. amd it way misty with 
strange lips when 1 finally thirstily re- 
ceived it and it played Misty for me. 
This time elegant little. private cups— 
progress under socialism. 


те- 


e arctic foxes. 


wide 


Rassiya Hotel, Red Square 
Only one bag was lost in tramsii— 
mine. 


ne ni 


How do I de self on my 
first day in Moscow? Who am I now? Т 
am a man in sub-zero temperature. lonely 
for clothes, books. scarf. gloves, hat. Who 
else am J? 1 am sweaty man. man with 
seacts, worried about papers that might 
be found in my bag. 1 am man who 
needs a bath. 

At customs they go throu 
case carefully i 


h my briel- 
\ girl reads aloud from 
а book I've brought for 


hiend. onc of 
my own novels, and makes it sound Hike 
German. She calls her superior. He calls 
his superiors. A group of ollicers is hud- 
dled over my book. saying, “Verv 
interesting." But they don’t mean the 
like и. They mean: Why is this writer 
coming here as а tourist? 1 understand 
their Russian, but 1 look. dull and tired, 
because that. seems d ‚ the very 
look. about 


g helps. Bur als 


corre 


conca wa 


lost bi 


» since Т 
the Sevier 
yn and Andrei Sakhi 
l of the writers Andrei Sin 
vavsky and Yuli Daniel. the plight of 
the Jews, P applied for my visa in 
Washington, not San Francisco. И their 
bureaucracy functions. I could be turned 
back from the airport. 

1 pass with а chill stare from the chief 


ave 


written 


md spoken about 


Union, Solrhes 


тоу. the t 


My Intowist car takes me to the 
Rasiya, which is to the idea of a hotel 
what Los Angeles is to the idea of a city— 
massive, intimidating, overgrown. Its the 
largest hotel in Europe, perhaps in the 
world, and the clevators often work. 
Since I have nothing to unpack, ГИ cat. 

In the offic g room reserved 
lor foreign tou m placed at table 
with two E 
beria. Ruddy is the word for them—le 
Deef. They've just come from drilli 

xà. and now they're hunting oi 
ural gas during the ‹ 


six months in some Godlorsake 
and drink ourselves qo sleep eve 
Wb then we come out with our 
money and get laid." says Ruddy Oi 

“L only have to drink for two months 
Fm not staying any longer this time 
says Ruddy Two. 

"Those 


rs. Those Venezuc- 


lm girls, that’s got mixed 
blood ha ‹ says Ruddy 
One. а six-month п an analytical 
mind. "Lets have 1 
сап sleep. hey 

Ruddy Twos nose cures out and 


down, his pouting tl 
so that they nearly 
on a uniqi 
ar 


1 lips out and. up. 
cet, and his face is 
mespace warp. looping 
und to recle back into НУ a lonc 


ly. defiant. minimal face. oth 
goddamn night when the British Em 
pire's son doesn't set,” he declares, push- 


ing the table away from his chair. 

К enough. of their vodka. 
over Red Square, snowy 
and forbidding. and notice Berber girls 
dancing by the fireside near St. Basil's, 
А bunch of Venezuelan wenches are 
whooping it up near Lenin's tomb in the 
below-zero weather, 1 decide 10 go for a 
walk. wake up and realize 1 can't 
temperature. especially since my w 
clothes haven't arrived. 

Perhaps Г could borrow. а coat. from 
the tail P have already noticed lurking 
down the halls of the Rassiya Hotel. He 
wears а tail's winter uniform of fur hs 
and black overcoat 
mididleofiheaight | melancholy 
returns, the travelers disease, the chill 
eliness that 1 used to think a com 
pound of fear dor morality and the 
Iouising of metabolic rime zones. More 
than that, ef course, As Solzhenitsyn 
Says. а transplanted. person is like a tree, 
all the Luge and tiny roots and rootlets 
cut. hurt, bleeding. until it finds its 
place again. And il 
Why do exiles sufler so? A traveler gets 
a whill of it during his sleepless mid 
nighis. No wonder tourists behave so 
badly— hurt children, “Travelers 
remember the postcards they sent, not 
what they felt as they finally decided, 
What the hell. РИ write some cards. And 

(continued on page 190) 


I didn't d 
І look our 


doesn't, it withers. 


hey 


ГИ japanese R. MURAYAMA, tourist, has been in 
E America less than two hours and already 
3| package he's having a travel adventure. A swarthy lady 
Э to whom, I take it, he has not been formally in- 
tour explores | roauced is trying to steal his gold teeth. This in 
broad daylight on the steps of the Science Acad- 
emy in Golden Gate Park, San Francisco, and 1 
west and finds| <n supply no information about the events 
us immediately preceding this act of piracy, for 
it inscrutable | it was already in (continued on page 158) 


| the american 


ILLUSTRATION BY WILLIAM BIDEREOST 


By JAMES DICKEY 


These paragraphs are, quite frankly, an experiment. They are 
impressionistic vigneltes—or, with luck, prose poems—having 
хо do with the American South, the place where I was born and 
where I hope to dic. My method, or lack of it, was simply to cut 
т particular memories and impressions and to go with them 
wherever they took me. 

The general plan of these pieces demands a good deal of the 
reader, 1 ask him, first of all, to give up his external identity— 
that is, his body—but to keep his senses preternatusally alive. 1 
ask him to become invisible and to be able to take any shape that 
gets him deeper into some aspect of the South, or Jericho, as 1, 
with the help of the King James Bible, have renamed it. 

I make no pretense of possessing Biblical scholarship. It is suf. 
ficient to my purposes that there was a Promised Land and that 
Jericho was the first city in it. Those facts and the fact that Jeri 
cho fell, as the South fell, in the American “Iliad” of the Civil 
War. Those are the only conjunctions I wish to make. The test 
of what 1 am trying to do here is purely mine and, beyond the 
connections I have indicated, is no fault of the Bibles nor of 
King James's. 

The idea of the reader's becoming invisible and omniscient, 
ranging unsystematically over the Southern land and through 
many types of Southern people, is fundamental hee. І should 
like the reader to be able to become a horse, а pine tree, а house, 


а church, a stock car, a hen, a rattlesnake, а human prisoner, a 
blues player at night in his cell listening to a freight train, a rac- 
coon т a tree, а revivalist in a tent in midsummer. 1 should like 
the reader to help me behold the South and not simply sce it 
And I should like him to behold with such intensity, with 
whatever help these paragraphs are capable of giving, that he 
will look into the nearest mirror and half-belicve that if he con- 
centrates strongly and imaginatively enough, in his individual 
way—one known only to him, and from bith—he will see him- 
self fade out before his own eyes and become what these para- 
graphs most want him to be: a Spirit, the Essence of himself, a 
Beholder of Jericho. 


Nothing remains of it but the four stone columns that 

were the chimneys. The rock stumps of aristocracy, the 
Jericho version of Greek, the broken Doric, are easily overcome 
by ivy and a recent ler from Japan, kudzu. But 200 yards 
away are slave quarters, 200 years old, still standing, though roof- 
less, and the future of Jericho is boiling within them. Here was 
something wrong. A child of two bloods was conceived here. The 
owner, the Man of Columns, knew how and when, but he could 
not say why. His only son went out through his own children 
into the world. The house and thé Old Jericho fell, but the 
blood went on. It has flashed a left and a right—another left and 
right and the opponent is down. A new heavyweight champion 


түз wherea child was conceived. The great house is gone. 


SMALL 
VISIONS 

F E 
TIMELESS 
PLACE 


the south as one poet 
has known it 


PLAYBOY 


154 


speaks quierly of the need to love cach 
other, but he fights. Far from him, the 
shell-walled ruins of slave quarters seethe 
with meaning, and History refers to them 
at every moment. 


Noise, and a huge racket assembling. 
s is producing, and the man turning 
s in the foreground. has come off 
the farm to produce it. He has а long 
wolfish face and bad teeth, but he's got 
the noise of making automobiles beaten: 
He sings at the top of his lungs. Not even 
a Spirit can make out the words, but we 
know that he is singing because now he 
is dancing long-legged. buck-dancing with 
the slowly whirling car frame. 


Behind third base, and free of the 
looms. The girl from Ellijay. Georgia, 
watches the batter of the other girls’ soft- 
ball team. Her mind, a maze of shuttles 
and bobbins, concentrates meanly. We're 
gonna kill "em. We're second in the 
league. Inside the mill, the Jooms fly in 
place, and we leave the field and drift 

aside. then flicker g the highspeed 
threads. In the waterfalling thunder and 
the shadowy haze of garment speed, in 
the hum ol runaway geometry, we sec 
faces, all faces of Jericho. One of the ways 
we rose from the ashes was into the mill. 
Phe faces belong to the land, the fing 
to the thread. 


Powersawed from a pine forest, the 
marble quarry looks. at dusk. as though 
it might be the kugest square hole in the 
world, With a beautiful dreaming mo- 
tion appropriate for descent into the 
open country of gravestones. we go down 
to sce the only man left. from the da 
work at the bortom, He is stand 


on 
top of a great oblong block. ghost-white 


with dust, and his eyebrows sparkle пи 
than his eyes ever could. In a harsh net of 
cables he is waiting to lift himself. Охе 
head, the dim sky begins to groan, and he 
to rise. He sails upward through Time, 
from the Beginning to the Now. It is so 
dark that the strata of cons may well be 
shullling geologic cras at will or by 
chance, and may put the End in there 
somewhere, among the innocent ages. А 
Jew years more of this work and the man 
will buy a farm; he was born and raised 
оп one. He steps off the block into the 
woods that stand around the place it wa 


ash. 
nd the dust of the graves runs off 
nd the crane operator get into his 
ad the moon ide for the 
led. woods aro 
ps into the huge hole in 
ture, prepared to scek the Answer of the 

ared to find the square root of 

at it. 


cut from. He washes his face at a м 
мапа. 


ht 
nd the unearthed 


АЙ over Jericho we like to hang 
around. When you hang around, in this 
land, you hear nd you ma 


your own. On country porches and in 
town squares. on hunting trips—for we 
are great hunters, here—even in the sub- 
urbs, the tongue matters. We are the most 
outrageous and creative liars in the 
world, and we take our time to make th 
lies а lot more interesting than the truth, 
in the strictness of its dreaming, could 
ever dream. You know that you are some- 
where in the tingling and living Web of 
Jericho when somebody says to you- 
you just overhear: Now, there was 1 
old boy who drove for the gove 
knew him. Well, I didn't 
him: I knew a cousin of his. 
lived in Social Circle. Georgi 
loved clothes. He worked filling sta- 
tion— Texaco. 1 th a5— part time, 
and he kind of doubled up on his money 
to go to Atlanta and buy clothes every 
. So he saves enough for this one 
ight to 
Robert Hall's, s walking down 
them bare racks, and he sees this one suit 
he just about goes through the roof over. 
Spends all his money for it. So he gocs 
back home to Soc ele and he's walk- 
ing down the main street in this suit. and 
а buddy of his stops him and says, Jack, 
that is some kind of good-looking stack of 
threads you got on. Brings out the color 
п them strange eyes! Man, е gals 
around here are gonna mob you! But 
Гуе got to tell you one thing: The left 
sleeve is too short. Well, Jack looks at 


he goes on back to Atlanta and 
пе salesman, Look, can't you do 
something about this left sleeve? The 
salesman says, Don't worry about it. Just 

ad of pull your shoulder and your arm 
in the sleeve and the slecvell 
match up. So Jack says. ОК. PII ny it. He 
goes home, holding that left arm just so. 
Then he meets another friend that says, 
Jack. 1 really like you in that new suit. 
jverybodys crazy about it, But. damn, 
the right sleeve is just too long. Back 10 
Robert Hall's. This time the sale: 
says. You've got the thing licked on the 
let side. Now just take your right arm 
and kind of shoot that arm out a lite 
more than you usually would. Thar'll do 
it. So he goes back to Social Circle and 
meets another buddy. Jack, the buddy 

ys. that suit is great. But the doggone 

s are тоо long. Poor Jack is in de- 


one more trip to Adanta, He does, and 
the salesman tells him that the solution 
to the whole problem is to hold his left 
lapel with his chin and then take his left 
nd kind of hunch his pants up 
е and he's walk- 


ing down Main Street. He's staggering 
alon; 


tiying to hold cverything together, 
п Не meets a man and his wife. The 
fellow and his wife go on by, and when 
they get where he can't hear "em, the wife 
says, Did you scc poor Jack Walker gc 
down the street, all bent over with arthu- 
ritis? At his age, too! And the guy says, 


ih, but don’t that suit fit him good! 

Stories. We listen. They 
ends of Jericho, and everyone ma 
them. Good. Гуе got a good one for you. 


There was this old boy... - 
If you want some of this stuff, the scab- 


by-béarded man says to us as we аррса 
out of moonlight, you got 10 pay the high 
dollar for it. This here is good corn lil 

ker: E done run the bead myself. It ai 
from one of them ground-hog. stills 
don't use nothing but copper. Have 
drink of this and you'll. materializ 
drink. We don't come out of invi: 
hut invisibility shines . and the 
hummingbird is more wi especially 
in the stillness of fight, the vibrating 
center. There we sce another bearded 
man, running a joyous bead. We reel 
around the still coils, ruby-throated, 
praising copper. No one can see us: We 
are sheer delight, pale beyond the pale, 
the law. 


A bridge, and а caged rattle. An at 
tendant at a tourist reptile farm is bounc- 
ing a red balloon off the spring-tensioned. 
back-coiling head of a rattlesnake. The 


oon are lying hundreds of alli- 
gators, sprawled on the land of Jericho 
over and under each other, lolling in the 
water. halfemerging from the locked 
scum as in the true. the evolutionary 
Fden. They bring the Everglades: The 
vast river: and the ponderous heads gaze 
up—only the eyes out of the water—with 
an aesthetic appreciation known only to 
the Lower Forms of life, for strangely 
shaped birds. Someone says, 1 can tell 
you, Jack, that th tor is one beast 
of which it can truly be siid that if 
you've seen one, you've seen them all 
This zigzags us into cowboy: 
Florida. Here we are mixing w 
and attacking the Santa Gertrudis. | 
Eastern beast from the markets of Ind 
g at us between palmetios. 
We ride on Jack Feagan's shoulder, the 
sin blazing on him through us. still full 
of mountain moonshine. He pulls his 
carbine from the saddle boot, stops and 
sights down the shimmering blue barrel 


now switch 


into sandy, shimmering water. O dusty 
vegetable excitement, all around! O the 
Junczooming light of insects! He fires 


through the sweat haze of salt, the pool 
jumps with gold scales, rolls with a 
sickening belly The айдаш 
though he were teming meat from the 
world itself. His teeth are closed like a 
jigsaw. His cyes open upside down. Jack 
holsters the carbine, and we go over. The 
prehistoric life dye is hanging slowly 
sideways through the sun's drying water 
Brain matter floats around. One of the 
(continued on page 220) 


spins as 


OME Ro ОГО 


“OJ course it's possible to contract V. D. in a public washroom. 
So if I were you, my dear, Га stop screwing in there!" 


155 


Y 


PLAYE 


156 


just my luek continued рот page 105) 


I whistled happily as Г sat down and 
ticed the signature of William L. 
Wilson a few dozen times. It was sim- 
ple and easy to duplicate. My luck was 
holding. 

1 long ago realized that everything 
thats happened to me in my 27 уса 
good or bad, has been due to pure luck, 
good and bad. Or, put another way, it's 
all up to the w ill of God. There are days 
when everything comes up asparagus 
when it's selling for 90 cents a pound. 
And then there are days when you сап 
brcak your finger in a bowl of spinach. 

An example of a day when God was 
out to get me was one morning three 
years back when I was ripping off an 
auto tape player in а car parked on a 
winding street in Hollywood at three 
1 saw car lights coming and I lay on 
the scat. The car passed me and then 
stopped, and 1 soon looked up to see a 
couple of uniformed cops staring in 
at mc. 

As my luck would have it, it turned 
out that the damn саг had been stolen. 
Also, I had the tape player half un- 
screwed, which was so difficult to ex- 
plain that I was taken to the Hollywood 
police station and held. 

Fo make matters worse, the manager 
went into my apartment that morning to 
spray for cockroaches and saw 5 
other auto tape players and called the 
law. The value of these was more than 
enough to move me into grand theft. 


Even worse than that, it was my mis- 
fortune to be on probation at the time, 
simply because a year before, a pet hoa 


constrictor had escaped and, unlucki 
for me, had slithered into my unlocked 
garage, and while people were searching 
for it. they came across my collection of 
97 hubcaps and turned me in. This 
being my first arrest, the judge put me 
on probation for a ye: 

This time I felt lucky, so I pleaded 
guilty to the amotape-thele charge and 
threw myself on the mercy of 
judg ately 
have the same name as mine—Timothy 
Murdock—and he was so incensed and 
outraged that I'd sullied his proud name 
that he s ne to three years in 
which is in the fer- 


nother 


в, who unfortu turned out to 


hs of growing the most 
beautiful vegetables you ever saw, I 
was let out, My parole officer got 
job with a Los Angeles swimming-pool- 
construction company, helping the guys 
who knew what they were doing. I didn't 
carn much and barely managed to get by. 
After Soledad, J stayed as clean as а 
ain-washed eggplant I didn't want to 
get caught doing anything that would 
send me back to the clanger. 

It was while raising vegetables in Sole- 
dad that I found God. What I mean, 


са 


either a cabbage is going to head or it 
isi; either 1000 radishes will go to leaf 
or they won't. It doesn’t depend on how 
much you water or fertilize the damn 
things; God in Ніз infinite wisdom 
makes decisions cven for vegetables. 

So when 1 found the credit cards, I 
knew at once that God had put them 
there for me to find and He wouldn't 
have done so if He hadn't wanted me to 
ke use of them. I figured He knew I'd 
been a hard worker and a mighty good 
but poor boy for over a year and that I 
deserved a few nice thing 


Besides. this was a Saturday and God 
knew that William L. Wilson couldn't 
report his lost cards till the banks and 


credit departments were open again on 
Monday, which gave me two days with 
out any sweat. God always knows what 
He's doing. 

1 made a list of things I really needed, 
like new tires and some clothes. Then 1 
listed things T wanted, like a supply of 
good booze and some cassettes for my 
stereo. At the end of this list, I wrote: 
"Great big expensive dinner im really 
high-class place! 

But I didn't want 10 cat alone, so Т 
called Doreen, a very luscious and desir- 
able girl who sometimes posed for nude 
photos and whom I'd dated a couple of 
times but never made out with, mostly 
because she liked big spenders. I'd told 
her F was an executive trainee who was 
slated to become sales manager as soon as 
Га learned all about swimming pools. 
Doreen suggested sweetly that I call her 
after J made sales manager. 

She ит sound too thrilled when I 
asked her out to dinner that night, but 
when I told her ГА won $3100 on a daily 
double and wanted to get rid of some of 
it, her voice went up an octave and she 
said that, as a matter of fact. she'd been 
hoping for a date tonight, because her 
friends Marcia and Harry had just got- 

ged and they wanted to cele 

e with another couple at Chev 

and very expens 

where all the movie and TV stars went. 

I told her I could afford any те 

in the world and we made a d 
seven. 

Not being exactly a lame-brain, T then 
called Chevalier’s and made sure they 
honored Master Charge cards. 

Half an hour later, wearing the only 
suit Thad, I went down and got into my 
ak I barely got 
“New battery!” went onto 


a new 


car. The battery was so wi 
it started 
my list 

I'd decided to find a gas station well 
out of my neighborhood, but when I was 
halfway to downtown L.A., God whis- 
pered in my car, "You stupe! When you 
charge at a gas station, they put your li- 
cense number on the charge slip 

Phew! I stopped. and. cursed—without 


blaspheming—and pondered, and fi 
remembered. something and drove back 
to Hollywood and up into the hills and 
along a road 1 sometimes used as a short 
cut. Luckily, the car was still there. It 
was up on blocks next to an old shack 
п with vines. It still 
had its license plates. No one was home 
and no one drove by while I removed 
them. Then I drove to a dead end and 
switched. plates 

T was almost in downtown L.A. 
when God told me, "You idiot! There 
are по "74 tags on those plates and it's 
nearly April! The cops could stop you 
and the numbers won't match your regi 
tration card!” 

I thanked God and parked and with a 
screwdriver tried to peel the plastic "74 
from my own plates, bur the 
ings wouldn't come off. No wor 
nobody steals them. So Г had to drive 
all the way home and boil water and 
pour it over the plates. 1 finally got the 
tags off with a razor blade and went 
down to put them onto the other plates, 
but they wouldn't stick, so T had to go 


and was overgrow 


am 


wp and get some rubber cement, and 
this worked 
1 checked my watch: it was 2:30 


ready! With all this futzing around, I'd 
wasted half the day! 

1 finally found a remote gas station 
nd told the man about my daily double 
and said I could now afford four really 
good steel radials and а battery and 1 
wanted gas and oil, too, and also some 
new windshield wipers. My bill came to 
$235.87. 

Then I drove back to Hollywood and 
to a liquor store and bought three cases 
of very fine assorted hard booze and a 
све of expensive wines and а case of 
French champagne at $8.75 a bottle, 
with, of course, ten percent off for the 
case, which saved me 510.50. which I 
spent on Macadamia nuts, which 1 love 
but can never afford. 

"The bill was over 5450 and the clerk 
who took my Master Charge said he had 
to call in for any purchase over $25 
While he was dialing, Г suddenly got 
panicky. Maybe this Wilson was a dead- 
beat who hadn't settled. his account for 
months! But all was fine. God was still 
sitting on my shoulder. 

Then I drove to Music City and 
bought $123 worth of stereo tapes. Again 
they checked my card and again all 
was OK 

I walked up Vine Strect to а jewe 
store and spent 5275 for some lovely 18- 
kt gold and aquamarine carri to 
match Doicen's eyes. E knew what 1 was 
doing. 


у 


I'd saved the best for last. If there 
one thing I really like, irs buying 
clothes. 1 even like trying on expensive 


things J couldn't possibly afford. I drove 


(continued on page 171) 


licalotandusca 
-, fairly clean two-by-four 


Ц ~ drink ByRON SPEER for that little old wine maker —you— 
0A a down-home guide to getting it on with the grape or whatever else is handy 


PROBING THE MYSTERIES of making wine is a popular 
pastime these days, and most wine books have 
been so simplified that anyone with a Ph.D. 
in chemistry or advanced calculus can pro- 
duce a decent vintage with very little trou- 
ble. All you need to do, according to the 
books for that little old wine maker— 
you—is to fit hydrometer A.14 into fer- 
mentation lock 8-CLR, mix a yeast that 
would be the envy of General Mills, 
multiply one fourth the gravity table 
times the square root of the nutrient, 
then bottle and save for seven years. 
What's needed for a good wine, 1 noted 
in the last winezmaking book I 
read, is а “reasonably well-balanced 
must" That sounded reasonably 
well balanced, but I couldn't discov- 
er from the author what a must was. 1 
decided finally that, in my case, it meant I 
must keep buying and forget about bottling. 
It was about this time that fate interceded 
and I found myself dispossessed of my big- 
city job and back in the cattle country of 
northwest Nebraska, where 1 was reared. This 
isn't exactly a wine drinker's paradise. A well- 
stocked liquor store in these parts has 78 
brands of bourbon, three kinds of Scotch, an as- 
sortment of vodka and peppermint schnapps— 
and two kinds of wine, Mogen David and 
something a litde sweeter. So it was back to the 
winemaking books for me, in hopes that 1 
could convert rhubarb and currants and apples 
into vin ordinaire, as I think the wine books 
call it. My thirst for a glass of the grape was 
great—but my comprehension had not grown. 
Then, as abruptly as any dry-voting, wet- 
drinking Baptist in the South, I was saved. It Вар- 
pened on a hot September afternoon. I was 
driving a herd of cattle down the Niobrara River 
Valley when I happened to see some wild grapes. 
Standing near them was an old friend, Leonard 
Peters, wearing a baseball cap and bib overalls. An 
unlikely costume for a savior, but savior he was. 
“Wouldst thou care for nectar blessed by the 
gods?” asked Leonard, or words to that effect. (Ac- 
tually, he said, “Get off your horse and have a drink, 
if you can strain it through your hippie mustache.”) 
So I dismounted and Leonard took me to his base- 
ment, where he commenced uncorking samples of his 
work. Nothing fancy in appearance, since the bottles 
had previously held vanilla extract, cranberry juice and 
soda pop, but plentiful, vintage stuff. Maybe the best усаг 
ever on the Niobrara River was the vine of "73. 
I had a tad of currant, a swallow of chokecherry, a goodly 
helping of rhubarb, a taste of dandelion, a swig of apple, 
a mouthful of wheat and even two varieties of grape. 
Then I worked my way back through his stock, marveling 
with every sip (out of the bottle, of course; goblets aren't 
big in these parts). They all were potable. (I'm throwing 
in potable to add alittle class (continued on page 172) 


ILLUSTRATION BY FREO NELSON 


PLAYBOY 


158 


Land of theTooth Bandit 


progress when T arrived at the scene. 
(I should say near the scene, as Гуе 
maintained a discreet distance, not want- 
ing to intervene, in case it embarrasses 
the old gentleman or causes a public 
disturbance.) 

The other 
yama’s tour group and their gi 
where in sight; they're wander 
on the other side of the park, i 
Japanese tea garden, perhaps, 
Mr. Mt 
ago when he decided to ta 
stroll. It was because he detached himself 
Irom his fellow travelers, thereby con 
tadicting an abiding myth about Jap: 
nese group instincts, that Г followed him 
to the Science Academy, where I found 
him in his present situation— 
that some might construe as clear proof 
of that venerable maxim from Zen: The 
e that sticks up is soon. hammered 
down. 


members of Mr. Mura- 
ides are no- 


where 
ayama left them a little wh 


situation 


is a nota- 
tion to this effect name on the 
t distributed at the San Fran 
ng by Jalpak, the 


H8 of his compatriots) 
package tour of the American West. They 
have cach paid about 5735 for the wip, 
ils and optional side wips extra 


L 
ub 


(continued [rom page 151) 


cont; 
nd a 


ing a free pair of paper slippers 
1 of Fujicolor, 20 exposures. 
Having joined the group in the United 
States, 1 get none of these accessories, al- 
though, as an honorary member for the 
ground arrangements, ГИ see San Fran- 
sco, Yosemite National Park, Los An- 
geles, Disneyland and Las Vegas. 
But back to the attempted plu 
Murayama's Ikt, dazzle 

1 think the Iady is of Hispanic origin, 
dark, middle-aged and not unati 
she holds a hardcover Spanish-Germ 
dictionary tucked under her left arm. For 
all I know, she could be Canadian or 
Yugoslav. What is certain is that she's 
grasping Mr. Murayama’s jaw with her 
left hand and manipulating his teeth 
with the fingers of her right: gently but 

aly, a competent dentist on the job. 
None of the people passing by shows any 

nterest in her work. 

1 wonder what Mr. Murayama will tell 
his friends when he is home, sitting on 
the tatami, dicking the slide-project 
controls. "Oh, уе, it's customary in 
America to be greeted by strangers who 
fondle your teeth. A Mexican ritual, pos- 
sibly, still observed in certain parts of 
California. 

1 can't 
mo 


der of 


M 


understand. why he doesn't 
He's just standing there, no 
sign of alarm or even apprehension on 
his genial, nut-brown face, Perhaps he's 
suffering from terminal jet Elev 


= 


= 


yi 


№ 


I 


с us 


“He may be Colonel Sanders to you, bit he's 
Adolf Eichmann to me!” 


hours on the plane (it was held up by 
strong head winds over the Pacific), ar- 
riving in a time zone 17 hours behind 
the one he left, and then straight onto 
the bus for five hours of sight-seeing. 
This might account for his condition of 
simulated. rigor mortis—or have 1 mis- 
read the entire thing? Did he perhaps ask 
the woman to feel his teeth and, Изо, why? 

But there, the dilemmas are resolved: 
She s herself by dropping one hand 
to Mr- Murayama's crotch and giving it 
a friendly squeeze. The old gentleman 
steps back, an awakening grin on his 
face, and presents the lady with a fiber- 
tip pen from a collection of pens clipped 

is breast pocket. Then he bows, war- 
nd walls quite rapidly to the place 
behind the open-air stage where the 
buses are waiting. 

Before the group arrived this morn 
Tony Yan alpa i 
representative, briefed the tour guides on 
their responsibilities, the first of these 
being to make sure that the people 
boarding the s g buses out- 
side the terminal were bona fide members 
of the group and not unrelated passengers 
from the same flight. There have been 
occasions, Mr. Yanagase explained, when 
nonmembers, evidently tired and d 
oriented after the journey, have attached 
themselves to Jalpak groups, causing un- 
necessary confusion. 

н) Japanese going one way, 
so they go the same way,” Mr. Yanagasc 
says. To prevent this, guides stand at the 
Customs exit and exhibit the company 
colors. They do not carry flags. "They 
don’t like them," Mr. Yanagase says. 
“They think flags are stupid. 

In the parking lot outside the arriva 
terminal, soft cries of astonishment punc- 
шасе the sunlit morning as members of 
the group hurry from one vantage point 
to another, absorbing first impressions of 
the republic through the viewlinders of 
Nikons and Canon Super 8 movie cam- 
cras. One man has captured the likeness 

concrete abutment of the ramp 
ading to rhe departure building: he 
photographs it from three angles. Other 
Cultural prizes are discovered and re- 
corded i 

Clic c grille of a ^71 Torino. 

Whirr: 60 seconds of American am; 
walking toward terminal 
long shot of a € 


Click: general view of the parking lot, 

looking west. 

traveling panoramic survey 

from the tails of distant airliners, across 

open ground, zoom and fade on large 

building. 
А thin 


rinning young man wearing a 
de of a shaggy fur material 
gives me his business card, the third 
I've received since the group arrived. On 
k of this one is the handwritten 
inscription, “Tabo, assistant manager of 


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PLAYBOY 


160 


у Moroguchi in Kyou 
scinated by the stance of a 
st a nearby 
h 


ight Fami 
Tabo is 
driver who leans aga 
building, indolent and cowboyish, wi 
the sole of onc raised shoe pressed ag; 
the wall and fingers hooked into his belt. 
“You never see old people stand like 
that in Japan,” Tabo says, raising а cam- 
cra. “Very . . . casual, But so heavy, I 
think. How hurting if falling down, all 
that heavy. Yes. Everyone too big in 
America. Eating too many food things. 
"What's a night family?” 
1 don't know how to say in 
bur it come from America. 


glish, 


Before boarding the buses, the original 
group of 119 is divided into smaller 
groups according 10 length of visit and 
optional side trips. Some members arc 
staying longer than eight days, others 

sady left to visit relatives els 

small percentage are goi 

to Mexico. We have six honeymoon сон 
ples. one of whom. strictly speaking. is 
cling in sin. This will be rectified 
tomorrow by marriage at a local Protes- 
tant church. “We prefer to use the Prot- 
estams.” а Jalpak guide explains. “The 
Catholic ceremony takes too much time 
and the priests always want people to 
convert. Protestants are not so fussy. 
These vagaries of occidental religious 
to surprise my informant, who 
“The real wedding is held when 
they return to Jap: 


buses, following Highway 101 to San 
rancisco through a suburban landscipe 
of factories, railroad yards and indige- 
uring works in neon and 


pleasant lady who speaks fluent English, 
translates the guide's commentary that is 
relayed over the speaker system. It is a 
bly efficient sound system, pow- 
eful enough, опе would imagine, to 
-sized iceberg, but the lady 
ext o me and the rest of the 
show no discomfort. 

“I suppose he's describing the si 
Task. 

“A little. but mostly other things—in- 
dustry, freeways, water and power sup 
plies, house and land prices, Califor 
history, bridge construction and 
ture. Very interesting lor us Jap 

“Why is everyone laughing: 
"Because someone ask why there are so 
ny motel signs. In Japan, motels are 
ces where lovers go lor oue or two 
ars. Small places, very discreet.” 


group 


“We have the same system here.” 

“Yes, but so indiscreet. АП those big 
motel signs everywhere—nor same in 
Japan.” 


At Civic Center, our 
tures, an unauthorized man is discovered 
mong us. He looks distracted and «polo 
getic and is led away. explaining himself. 
I want to know whether he's one of 
those errant followers who have slipped 
through the airport cordon or whether 
he has merely been assigned to the wrong 


t stop for ріс 


Tabo, the furry-necktied young m 
lights at Civic Center carrying enough 
photographic equipment to start а mail- 
order business. He draws my attention 
to a scruffy old Saab parked in front of 
the bus. 

“Why this car so dirty? In. Japan we 


COCHRAN! 


“My God! That's my gynecologist!” 


keep cars clean 
dirty thi 
“What do you do with the old ones?” 
“ALL new cars i 
front of tre 


Always new ones, not old 


In a window on Post Street, a resident 
displays a metal sign made to resemble a 
California license plate and be the 
leners rk ххх. Should I try to explain 
this to the nice lady in the next seat? Bet- 
ter not. И she was so upset by the motel. 
signs, God knows what she'd make of the 
political statement. 

On through Haight-Ashbury 

"The former mecca of the hippies” 
my seat companion translates, The words 
Arren Ginsbergeru and Grateluru Dead- 
1 boom from the speakers, st 
cataleptic youth on the curb into 
blance of movement as we pass 

We stop for more pictures at Tw 
aks. Afterward, as we drive down the 
l. Таро takes the seat behind 
nd leans over the top. "Too much c: 
ing in America," he says. "Too much 
heavy people.” Не is becoming critical 
on the weight question. Time to take de- 
fensive measures. 

1 ask him, "What about that m; 
the back of the bus?" This is a Li 
hulking individual whom 1 
first time at the Twin Peaks мор. He 
wears an aquamarine Lee Trevino golf 
cap with a long peak and has one of the 
biggest faces I've ever seen. 

Ah, he not typical Japanese," Tabo 
> "This по wrestler, Name 
Morning Ocean—has famous restaurant 
Kagoshima.” 

Morning Ocean looks rather. fed пр. 
I've noticed. Yawns а lot—understand- 
ble after the flight and the sight-seeing— 
nd he hangs around the edges of the 

wd when we stop. looking broody and 

пуопс. Keeps the golf 
p pulled low over his cars and fiddles 
h the peak. Once, when he removed 
it to fan himself, 1 saw that he w 
his hair long, upswept ed at 
the crown in a topknot, sumo style. Irs 


at 
ge 
w for the 


n su 


© 
rarely talking to 
c 


w 


also coed with а potent 
ry shiny. “Necessary him 

much and plenty sleeping," Tabo 
ишу. n hungry 


adl the time 


"They run this all goofy," our bus 
er says. “These people need rest— 
shouldn't be running around like 
this all day. Flying straight from 
for crying out loud, 

We're standing by the bus w: 
turn from lunch ata 
rs Wharf restaurant. The sight- 
secing tour is running almost two hours 
xondiug 10 the driver, 
who, I've learned, is known to the guys at 
Silver Fox, I like our d 
: am incredibly dapper turnout, flight- 
deck overtones in the uniform, with sleek 


salire By ROBERT CAROLA WORD P LAY 
mes with the king's english in which words becoi 


more fun and gan me delightfully self-descriptive 


Decembrr ‘Twogether 
ОЕЗЕСТ 


<RROS МИМШҮ 
DETOUR  Q'tto 


СІРЕ ONSE 
UNSOFISTICATED . 


PLAYBOY 


162 carry those F 


“Organdy party dresses at 
home, little black evening dresses at the office —as a 
transvestite, my son is a joke." 


gray hair dressed in a voluptuous duck- 
tail, fronted by rancher's mustache and 
black wrap-around shades. His bearing is 
that of а man who has seen many m 
sions in heavy flak over enemy lines. I 
am sure there are crow's-feet behind the 
dark glasses. 
In the hin 


est tradition of his kind, Sil- 
ver Fox excellent source of intelli- 
gence. (Yesterday I met а bus. driver 
from the same company who informed 
me that his model-train layout was worth 
$6000, that he was formerly a wealthy ir 
list and that the catering fran- 
chises in the national parks of America 
were controlled by the Mafia.) Silver 

just confided that Madame 
shek owns more real estate in 
Angeles than any other living person 
and that in San Francisco, the Japa- 
nese travel agency that makes millions by 
running convoys of buses filled with 
horny Japanese men to the brothels in 
the Nevada desert. I commit these items 
to my notebook. 

“They're the greatest people to work 
for, the Japs,” Silver Fox says. "You 
could pay me double and I wouldn't 
ach and German assholes 


up the block, but ГИ take your typical 
Japanese tourist anyplace. Nicest, politest 
people you could hope to mect. Great 
tippers, too.” 


Our first jet-lag victim: а girl who col- 
lapses after lunch and is helped to her 
feet, blushing. 

Heavy going for the afternoon part of 
our tour, Jetlagged casualties on 
sides, but our guides amplified v 
chatty and bri 
pause. My seat companion is asleep and 
all I can do is recognize the occa 


g Irom the speakers, Alcatraz, Machine 
Gun Kelly, Tony Bennett, Candlestick 
Park, the Giants, 

‘Then Vista Point, our last stop before 
checking in at the Hilton. Once again we 
get out with our cameras. 

А Japanese youth, not one of our 
group. sits in a dramatic pose on a low 
wall overlooking the cliff at Vista Point. 
He has hair to his shoulder h 
dressed for the frontier, with fringed 
buckskin jacket and leggings over Indian 
moccasins. The hat is early Republic Pic- 
tures, a little out of context. Many of the 


younger members of the group pose with 
him for photographs, but one man from 
our bus, Hiroshi Kurita, after speaking 
to the youth, apparently doesn't approve. 
"That boy been in America three 
months," Mr. Ku forms me. "Can- 
not go back to Japan with hair like that 
Mr. Ku crisp gray crewcut and 
the build of a karate instructor. He takes 
deep breaths when he gets off the bus 


mines his surroundings with 
shrewd, measuring суе 
ve at the Hilton late the aft- 


and are told to stay on the bus 
| the baggage has be 
This takes 90 minutes. Tour 
other parts of the world might in the 
same circumstances rise from their seats 
and ery for blood, but, being well be- 
haved and exhausted, we do as we are 
told. E have just learned that before room 
keys arc issued, there will be a 30-minute 
in the Teakwood Room at 
the group will be acquainted with 
tricacies of Ameri atel proce- 
dure. Eleven hours on the plane, five on 
the bus and now a le Fortunately, 
we get almost an hour of free time before 
leaving for this evening's four-hour 
nightlife tour. 

“These briefings are most important," 
Mr. Yanagase says. “Japanese tow 
study hard before coming to America, 
they try to learn everything they can, but 
we must explain certain points for older 
people.” Among these essentials are ad- 
ва Western-style bed, the 

nts, telephones and shower 


Я 


місе on us 
hotel restau 
controls. 
In the Teakwood Room, Morning 
Ocean sprawls in his chair, huge fists on 
his knees and eyes closed. He looks like a 
man who would wke a bath and eat his 
food any way he chosc and the hell with 
it. Everyone else, miraculously revived, 
pays close attention, though some of the 
honeymooners look restless. The group 
advised to deposit valuables in the hotel 
safe and пог to leave money belts in the 
room. “We tell them not to walk west of 
the Hilton or below Market Street," Mr. 
js. “The language barrier is 
problem for J People mis- 
understand them and take away their 
money, unfortunately. 
The night tour has fewer than 90 
members, the others having given up for 
the day or, alarming thought, gone down 
to Market Street to practice their English 
and learn about urban crime. If so, I 
hope Mr. Kurita, who is not among the 
nightlife party, is leading the column. 
Our first stop is the rooftop bar of the 
Fairmont Hotel, where we receive one 
free dr middleaged journali 
from Ehime gives me his card and invites 
me to join his table of half a dozen gr: 
suited men. My host and his comp 


+. 


©. TheQuintrix picture 
` With an extra prefocu 
_our sharpest pictuig е 


This year space-age technology comes 


to Panasonic color TV. The Quintrix 
picture tube. It has an extra prefocus 
lens. That concentrates and focuses 
the electron beam. To bring you our 
sharpest picture ever. . Е 

It's also our 2 
brightest picture 
ever. Because the 
new Quintrix tube 
is mounted ona 
powerful 28.5 kv 
chassis. 

But our picture 
tube isn't all we 
borrowed from 
outerspace.Fvery ES І 
ОџаігесоІог“ set ВЗ NES 
has a modular Quintrix picture tube with 
chassis. With 75%  toncenralad electron peam. 
ofthe circuitry on five modular boards. 
So if service is required, it's usually as 
easy as snapping the old module out 
anda new one in. 


And our 
circuitry is - 
100% solid 
state. For re 
greater reliability 
and less power , 
consumption. 
About 30% less than 
our conventional 
hybrid sets. | 
` And there’s Q-Lock™. 
One button that electroni- 
cally controls color, tint, 
brightness and contrast. Even 
when you change channels, Q-Lock’s 


- Circuitry seeks out the best picture. 


Quatrecolor. With the „= Y 
unique Quintrix picture (o) 2 
tube and extra prefocus x 
lens. For our sharpest, 9 


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just slightly ahead of our time. 


AOWMAUTA 


“In Russia, you'd be painting your tractor.” 


164 


belong to a Japanese political organiza 
tion that, as Ї understand it, occupies the 
neutral ground somewhere berween Billy 
Graham and the Waffen $S. They are 
leaving the tour tomorrow to go to 
Miami. 

We study road paving, drainage sys- 
tem, construction and newspaper offices,” 
the journalist says. “Also, we like to 
meet women and—ah—have big party 
You work for girlie magazine. You fix, 
please.” 

He translates this for his friends, who 
look at me with skepticism. Questions are 
flung across the table. 

“This man over here very interested in 
gambling and sewers,” the newspaper- 
man says. "Не want to talk to you about 
these things. 

“They're not my strongest subjects,” 

“You like journalism? We like jou 
nalism. Topless journalism, yes? We 
drink to journalism 
Cheers.” 


By the time we've visited Finocch 
(House of the Fabulous Female Imper- 
somators) and the Condor (The Fabu 
lous Carol Doda), our small contingent 
shows signs of advanced wilt. Morning 
Ocean, asleep at his table, wakes abrupt- 
ly at the stripper music, focuses hungrily 
on the siliconed contours onstage and 
drops his head onto his arms when the act 
is Спрей. We are led back to the bus, 
dragging our feet. God knows how eve 
one will recover for tomorrow's trip to 
Yosemite: another ten hours on the bus, 
ting right after breakfast. 

When we return to the Hilton, Morn- 
ng Ocean starts growling and demand- 
g food. He wants a steak, but the hotel 
restaurant is closed. Standing in the 
lobby, rubbing his stomach and making 
vigorous hand gestures toward his open 
mouth, he reminds me of a large fledg- 
ling that somehow missed the last feed. I 
offer to weat him 
steak place along the street. There, 
Morning Ocean disposes of two sirloins 
and iwo servings each of sautéed cauli- 
flower, home-fried potatoes, а bowl of 
clam chowder, cherry pic à la mode and 
the contents of the br sket, 

With our guide t T ask ou 
bloated friend what he thinks of San 
Francisco. 

"He says this place too slow, not so fast 
as Tokyo." 

“Which part of the trip is he look- 
d to most—Hollywood? Las 


ad our guide 


not 


“Buy clothes. Cannot get clothes to fit 
п Japan. He come to buy clothes 
and see Mickey Mouse in Disneyland.” 
large smile seules on Morning 
Ocean's face at these familiar words. 


"Disneyrand," he 
Mickey Mouse." 


says. "Disneyrand 


And up soon alter dawn for the fou 
hour ride to Yosemite. Morning Occan 
hasn't joined us nor have many of the 
other people I've met, but Seiicho Mori- 
mura and Kikuko, his extremely pretty 
wife, sit across the aisle and translate our 
guide's running commentary. It is the 
same as yesterday's but adapted to suit 


our rural surroundings: real estate, free 
ways, agriculture, the ns of 
houses. homes.” 
Seiicho so much 
space in names for 


streets. Not same in Japan.” 
We stop in Modesto at Web's Burger 
Stand, Three busloads of Japanese visi- 


shutters, the boy grins uncerta 
drives off in a spectacular dusty skid. 

Our route takes us south of Victor, Cal- 
ilornia, where nine people were found 
murdered this morning. What does Sei 
icho think about that? He looks at h 
wife and murm nething before an 
swering. “Americ ich blood coming 
from many places ing in same 
place,” he says, hes In Japan, we 
have mostly one people in same place. 
You have many different kinds. This not 

ways good.” He does not want to pur- 
sue the topic. 

An uncomfortable moment at the / 
wahnee restaurant in Yosemite when we 
arrive for lunch. One of a dozen business 
suited men at а table near the back, а 
man in his 50s, looks at us with undis 
guised hostility and remarks in a loud 
Jesus Christ. they're everywhere. 
1 don't expect th 

Another man at the ys: “You 
ought to see them in Europe, they're all 
over the goddamn place." We take ou 

am alcove at the rear; 1 don’t 
any of the English speakers 
rd what was said, but we c; 
in an untypical silence. 
d. 1 find the Mo 
nding at the edge of a steep. wooded 
- A waterfall drops in a thin sunlit 
y from a СМГ thousands of fect above 
d an unscen river crashes and grum- 
bles among the tall pines on the ca 
yon floor. "Amer re very fortunate 
to live in such beauty.” Seiicho says. "It 
must make them very happy.” 


The Western Airlines flight to Los 2 
geles the next morni 


n 


ans 


Japanese, a stewardess re- 
to ex 


who teaches English and Jap. 
language school 
ing her words slowly and deliberatel 


the stewardess gives Mr. Matsuo his in- 
structions: “Tell them we so sorry about 
delay. We go soon. We give everyone free 
drinks." Inexplicably, she adopts the 
pidgin-English inflections of a mission- 
arys wife. Mr. M han ex 
pression of baflled intelligence. 

“I doubt if they feel like drinking so 
carly in the morning,” he says. 

"But free! No money, see? Little bot 
tles. Mini-a-tures.” 

Later, the stewardess explains to me 
why so many Japanese tourists visit 
America. I's because their government 
г fare, enabling them to use 
ings to buy houses and land. 
strikes again,” 1 


personal 
“The yellow рей 
suggest, having swallowed the contents of 
two little bottles. 
^] don't know about that, 
surc arc a lot of them around. But I like 


but there 


them, I really do—they're cute.” 
Mr. Matsuo, questioned afterward. 
confesses that he would appre il 
his gover 
the United States Government pays 
zens’ expenses when they go on vacation 
North on the San Diego Freeway and 
into Hollywood to start our L.A, sight- 
seeing tour. A round of applause greets 
the announcement that Califor 
the first state to import Japanese cars in 
quantity. We are given a detailed analy- 
sis of the city’s water problem and, unac- 
countably, an outline of the history of 
Texas, starring Davy Crockett, the Golda 
Rusheru and the Aramo, On the Strip, 
we pass two advertising benches at a bus 
stop. My shrewd friend Mr. Kurita 
what the signs mean. One, issued by the 
Los Angeles Police Department, says 
FOR THAT RUX-DOWN FEELING TRY JAY- 
WALKING; the other is an ad for Groman 
Mortuaries. Г try to exp! y the ju 
as is slightly—infini- 
illy—humorous. Mr. Kurita looks 
ic as though I had just begun to froth 
at the mouth. 
"Look, Mr. 
hitchhiking: 


Kurita, there's. somconc 


"The man holding up h 
wants someone to stop and give him а 
ride.” 

“Why he not ма 
thumb? W thumb mean: 

"Look at that girl, isn’t she lovely?” 
sty young California blonde. lean and 
lowy; tight faded Levis, golden-brown 
e midrill. 


g and 
© from, 


Mr. Kurita dent bowled over by 
Grauman's Chinese Theater, either—or 
Mann's, as it is now known. Не was 
under the impression that a mold of Mar- 
ilyn Monroe's bottom was displayed 
the stead, he finds her fect 
ands. "Feet not interesting,” he 

(continued on page 168) 


165 


MICKEY GILLEY smelling like a rose 


artists. stardom spells prosperity. Not so 
local Houston celebrity for the past few 
tryand-western single Room Full of 
opelled him suddenly to national prominence. The 
illey can’t really afford fame. and irs cramping his 
1t owner of the most lucrative dance bar in the Hous- 
. Gilley, with his piece band, used to be the major 
antraction, drawing cap: kend crowds. “But ever since 
Room Full hit.” s Гуе been on the road so much I 
id tthe club, Almost never on week- 
going to cost me money to pursu 
this new cn id по idea that r 
off ike that" Born in Natchez, Missi 
pus parents in Ferriday, Louis 
first cousin, the one and only Jerry Lee Lewis. 
and singing Gospel music in church, Alter high school, Gilley 
entered the construction business, keeping а маа eve on 
his cousin’s progress. When Jerry Lee hit with Whole Lot-ta 
Shakin’ Goin’ Ou, Gilley decided construction was not his truc 


Thats why 


After 


y. outside Houston. “When T 
frst saw that place, 1 laughed." Gilley recalls. “It was а tin 
ilding out in the middle of nowhere with а bar and a couple 
of wooden chairs. Hell. you could see the sky through. the 

i resurrected, Gilley's (leatured on the cover 
ree ed Playboy album Room Full of Roses 
reviewed elsewhere in this issue) seats up t0 2400 cowboys, 
tail т and businessmen, Says Gilley: “I dort know 
about this stardom bit, Aside [rom my finances, it’s also 
fieree.” Pause, “Thei 


nma mess up my golf game somethin 
n, there isn't much you can do to a 19 handicap, is ther 


JOHN MAHER fiom the gutter to the street 


“WERE IN THE recyding business. We take human beings that 
society has thrown out and get them back into shape.” So says 
John Maher, president of San Francisco's Delancey Street 
Foundation, а community ol alcoholics, ex-addias, thieves and 
prostitutes—an eclectic mix of those who've roamed hard 
through the nether lands. Maher has undergone a pretty thor- 

gh recycling himself. Born on New York's Lower 
he took up the twin. professions of felony and drug 
at an сапу age and wound up at Synanon. He sa 
Street differs from Synanon 
substitute lifestyle. We don 
the Amish and we'd be the Jews.” Whi 


d 300 
fr 
ing comps 


lives 
indudes 
and a bodyguard service. So it pays its own way 
nd has gradually earned the support of almost everyone in 
town. “The liberals like us "cause of the wonderful good we 
do.” says Maher, that playful exaggeration aimed at the bleed- 
ingheart mentality he has little pa h, "and the hard- 
hats dig us because we preach the work ethic. We don’t care a 
helluva Jot for the whiners on Haight who think playin’ with 
their wee-wee in public В a revolutionary act.” Delancey Street 

arouse neighborhood nervousness some time ago, when 


to two mansions in the fashionable ific Heights 
“Trying to re- 


ids— tha 


Maher defended the move 
bilitate an addict in the slums is like vying to cure a drunk in 

7 Delancey stayed. and grew, Maher next plans to start 
centers in New York and Chicago. "Ya see, we're "he says. 
We think this country's streets are lined with gold and we 
doit know that we can't have some of i rdless of the fact 
that we're justa bunch of bums tryin’ to grow up a little." Ihe 
wants to move Delancey to our street, he's more than welcome 


arca of the city, B 


ici 


EFT COHEN 


JEFF COHEN 


MARGO ST. JAMES chair‘madam” 


SHE 15 THE unofficial hostess of hip Sa 
all the obligatory colortul jobs: cocktail wa 
extra, hooker. The skid-row derelicis who 
House Hotel love her. and so do the North Beach literati 
Vif Richard Hongisto is on her board of directo’ c 
ul Krasner and Kate Millett. Margo St. James 
lam of COYOTE (Call Off Your ОМ Tired Ethics). the 
first ‘Givilaights organization for prostitutes, was arrested in 
1961 for prostitution—before she ever turned a trick. И took 
а year and а half for the conviction то be overturned for lack 
ol evidence. Afterward. she decided. “Everyone wa 
lieve E was a whore, so I might as well bc onc." Shu 
1 never did diat much hooking, because 1w Ily in it 
for the money. E just wanted to pay my rent and feed my 


sco. She's had 
movic 
Harbor 


neve 


friends.” А healih-food enthusiast, а nondrinker, a jogger and 
а feminist, St. James is hardly typical of the image that prostitu 


years, The link berween 
is obvious. she says: “H a 
to do with her own lile 
decide to sell her own time 
for profit. Thats up Iront. at least, Lots of women make that 
financial arrangement, only they call it m M San 
Francisco's city jail. she teaches courses in. grooming and 
money management 10 the hookers. COYOTE initiates Le 
ion whenever appropriate: funded by dona 
it works lor deer 


tion has generated lor the рам 2000 
women's liberation aud COYO LE 
woman has the right to decide wh: 
d be good at 


then she e 


wal 
y step 10 equality of the sexes. There are now two Пейн 
chapters. ASP in Seattle and PONY in New York, where 
millionaire philanthropist Stewart. Mott serves on the board 
Since COYOTE uses Y. M.C.A. оке space and St, James is а 
frequent Bay Arca talkshow guest, it all seems very legit some 
how. But Margo puts everything into the right perspective 
“Tve gone public. First 1 sold ass. now I plan to kick som 


167 


PLAYBOY 


168 


Land of the Tooth Bandit (continued [rom page 165) 


mutters. “More interesting if bottom. It 
says bottom in my book. 

Morning Ocean's big moment arrives: 
Disneyland and Mickey Mouse. He is 
dressed for the occasion in a kimono ol 
delicate blue and white, with white socks 
and wooden sandals. The hair, thorough: 
ly greased, is magnificent. As he crosses 
the lobby of the Beverly Hilton, nostrils 
twitch in the miasma of dead goats it 
exudes, but Morning Ocean strides to 
the bus without looking left or right. 
1 have never seen such a purposeful ex- 
pression on his face. We sit together on 
the drive to Anaheim, our conversation 
restricted to the repetition of the word 
Disneyland and a sort of competition in 
which we name the central cha 
from Uncle Walt’s Magi 


think he has a guilty secret about Snow 
White 
My weight-obsessed friend Tabo isn’t 


coming today. He's lurking around the 
hotel pool. hoping to meet the girl he 
но on last night's sightseeing tour 
chinatown and the Mexican market 


° 
important figure 
business. When Т 
low minutes ago, he g that те. 
markable shaggy fur necktie again. I ad 
vised him to leave it off for the day. 
Arriving at Disneyland, we file 
through the gate d for tours. 
Morning Ocean actually runs when we 
мо my 
posing with a 
Snow White 


panese record 
the lobby а 


get inside, shoving his camera 


hi 
be 


ids. I photograph 1 
ar, a tiger, Peter Pa 


(twice), Goofy and 
Other visitors give him the 
hold and stand next to 

graphed by their relatives 
sumed by his costume that Mo 


Captain Hook. 
children to 


when the noon parade passes, he stands 
on the sidewalk, waving happily. About 
а dozen of us leave carly in the aft 
noon, but Morning Ocean stays behind. 
The last I sec of him he is buying Mickey 
Mouse T-shirts in a store on Main Street. 
xuralarge size. 


Interlude at the ticket counter, Los 
Angeles International Airport, while we 
ve waiting to board a flight to Las 
Vegas. A pink-haired lady im а psyche- 
delic muumuu has engaged the hus- 
band of one of our honeymoon couples 
п conversation. 

“My husband and 1 were in Japan a 
year ago. Wonderful counwy, charming 
people. We planned to return this year, 
but my husband died a month after we 
came home. 

“Аһ, T am so sorry. 
Thank you. We h 
time. Is this your first 
States?” 

EV 

“And you're going to Las Vegas now? 
You must be drilled about that." 

“Yes, I think so, but Las Vegas is not— 
ah—our final purpose in United States. 
Yosemite and Grand Canyon more bcau- 
America beautiful country.” 
"Oh, that’s just scenery. You'll love 


1 a marvelous 


sit to the United 


^I know she can't type, file or take shorthand. How about 


giv 


ing her a job as a paperweight?” 


as. Tell your wife I think she’s a love- 
ly шие creature.” 
“Thank you 


Our hotel in Las Vegas is the Stardust— 
пос the plushest on the Su ip, but it has 
a neon sign the size of a small town and 
the group members are duly flabbergast 
ed. On my way to make a predinner run 
on the tables, I pass the wide-open door 
of Mr. Murayama's room. The old gen- 
deman is engaged in calisthenics of some 
sort, bent over with his back to the door 
and wearing what can only be described 
as a G string. Ds clear that he wa 
tention at the briefing. 

From friends in Las Vegas I hear that 
ambitious plans are afoot for the expect 
cd increase in the number of Japanese 
visitors, so instead of accompanying our 
group on the Vegas bus tour—our num- 
ber now reduced to about 1 am 
mecting Joe O'Raych. Mr. O'Raych, in 
addition ло being a former slot mechanic 

nd. currently, hotel and casino execu- 
tive at the Tropicana Hotel, is а convert- 
cd Buddhist and a member of Nichiren 
Shoshu of Amer 

“You can say it’s a lay organization of 
believers in the teachings of the true 
he says when we meet in the 
ma colle shop. Approximately 
every three minutes, Mr. O Rayeh's name 
is announced from the ceiling and he 
leaves to take a telephone call. In this re- 
spect, he appears to be orthodox Vegas. 

“We spent somewhere between cighty 
thousand and a hundred thous: 
lars on а Tropicana promotion р: 
Tokyo” Mr. O'R: s berween 
absences. “We've got Japanese menus, an 
audio-visual presentation in Japa 


pa 


basic rules for craps, roulette and 
blackjack—and we're giving hall-hour 
gaming lessons exclusively for Japanese 
guests.” 


A man wearing tinted glasses and a 
colorful ensemble of woven chemical fi- 
hers approaches our table and whispers 
urgent words into Mr. O'Rayeh's car, He 
introduced as Rick, the manager of the 
hotel's keno office. He, too, is a member 
of Nichiren Shoshu. “I was a Catholic Го 
thirty years.” Rick says. “Then I got in- 
volved in Nichiren Shoshu. I can't tell 
you what it's done for me—every day 1 
look at myself in the mirror and say, 
“There you are, that’s you!" I would 
have pursued this theological line, but 
Rick abruptly resumes his whispered 
urgencies and then gets up and leaves. 

Mr. O'Raych gives me his card. It's 
printed in English 
a lot of time ov 
it—just love that county 


There is а rumor 
of Japanese businessmen—rich bi 
nessmen—dropped a fortu 
months ago on the tables at the 
Hotel, somewhere between $1,000,000 

(concluded on page 172) 


town 


P Tala ta 


ef 


-E „= 


That Cigarette Smoking Is Dangerous 


THINK SILVA THINS 10 


Genera 


Warning: The Surgeon 


THE 
шл аа 
KLIBAN 


Join us as we tour the padded brain 
cells of this unique cartoonists mind 


humor 


YES, IT WAS... WAS IT 
600р FoR You, тоо? 


YOU LITTLE ASSHOLES 
DONT KNOW HOW, 
GOOD Youve бот 1T - 


КАЛ CANT MAKE ме! 
ITS DARICIN THERE! 1 wont GO! 
LEAVE ME MONE! Ги. TELL! 
YOULL BE SORRY! 


YOUD BETTER COME NOW, Doc 


TOR 
PLEASED To МЕЕТ You SHE'S STRTING TO HAVE HER BABIES! 
А TirwitLow You SAY? 


PLAYBOY 


172 


Land of the Tooth Bandit 


(continued from page 168) 
000,000, according to the rumor. 
won these figures to Al Guzm 
ands PR director, and ask if he can 
verify the amount 
No comment." 

“Can you be more specific? 

"Let's just substantial amount of 
money was played.” 

On my last day with the tour—it's 
going to Honolulu, I'm flying to Chica- 
go—we return to the Beverly Hilton 
Los Angeles, where the group will w 
for those members who left at the bi 
ning of the week on independent travels. 
My jour iend and his political 
where, he 
tells me, they had more luck with the 
drains than with the women. Morning 


Mickey Mouse T-shirt. Tabo reports that 


п the nightlife tour 
t the pool. He has a 


the girl he met © 
never showed up 


many typical farmers") and about Ame 
ican food, "! g taste same. Chick- 
n like steak, steak like hamburge 
nburger like chicken. Plenty food on 
plate, not plenty different taste in 
mouth." Everyone is looking forward to 
Honolulu, where theyll spend a n 
and a day before going home. 


ah 
Jem, you se 
one who speaks Japanes 


They can always find some- 
‚ Order meals 


restaurants, argue with taxi drivers. go 
shopping without being swindled. They 
feel [ree in Hawaii—it's almost the same 
s being home. 

1 have а farewell drink with the Мо 
muras, who, like everyone I've spoken to, 
would like 19 come back alone 
nd spend more time. During his week in 
ted States—his first visit to this 
country—Seiicho Morimura has been 
listening. “I think Ameri 
can people have not much nuance,” he 
s in his usual hesitant, questioning 
hion. "Not gentle. Very friendly, but 
too hard, not shy. Japanese people too 
shy, yes? We think perhaps necessary to 
be shy sometimes so other people not 
ns, but maybe in А 
care what oth- 


worried by acti 


ca many people not alwa 
ers think. This с: 
time we come, 
not so hard.’ 


be worr 


ever 


Old. Mr. 
most of his fiber-tip 
them among the nati 
els and replenishing the collection in his 
breast pocket from a hidden supply. 
Over the past few days, he has formed a 
friendship with two other elderly men, 
wiry and wizened like himself; possibly 
he chose them for reasons of collective se- 
curity. as both are generously fitted with 
gold between the gums. I never did ask 
Mr. Murayama about adventure that 
Golden Gate Park. No doubt 
proverb that justifies discretion 
ters of this sort. 


has given away 
ШЕШТИ 


there is 


“Well, il’s good to see you out of your gourd again!” 


lie alot 
(continued from page 157) 


10 this story. It means fit to drink.) 
"Forsooth," I cried, “this wine belongs 
to the gods and should be saved for the 
ages! Let's have another round 
We did. In fact, we had two more 
rounds. The next day, I got the cattle 1 
ing out of a neighbor's cornfield. 

The suit still is pending, but that's anoth- 


your recipe. 
reluctant, knowing how cr 
kingdom had become im the past 

say no whe 


plified books put out by wine makers. 
"Ive never had any trouble under- 
nding how to fit the hydrometer into 
the fermentation lock and mix the must 
with the yeast to get the right specific 
gravity for the ient" he said. "But 
the only problem is, after I bought all 
that junk and read all those books and 
followed all those directions. the wine 
tasted awful. So I found an old settler's 
recipe for making all kinds of wine, 
that’s what Г use now. 

"What," inquired L “de you call your 
method?” 

“The wo-by-four recipe,” he replied 
“If you've been in the city so long you've 
lorgoten what a two-by-four is, it’s a 
board two inches thick and four inches 
le. D take а two-byfour and beat the 
fruit to death with it, and go fn 
And 1 don't use anything else somebody 
sells except sugar and maybe a couple of 
oranges and lemons, 

And then he dicated his recipe to me, 
after swearing me to secrecy while my 
right hand was placed on an old volume 
of Wine Making Simplified. Fortunate- 
Jy. I had my crossed on the book 
when 1 took the oath of secrecy. 

The best thing about making home- 
made wine my way (you'll notice it's be- 
come my way) is that you can use и to 
make wine out of almost anything ¢ 
grows and doesn't bite. For exampl 
soon as Г returned from the cattle round- 
up to my home m the little town of 
Crawford, population 1821. Г spotted а 

һан 


wi 


m there. 


put the apples in а huge wooden salad 
bowl found a fairly cle. 
in the yard and pounded the з 
а pulp. 

Te was fun. 
rosy-cheeked, sel 


) two-by-four 
ples to 


Low of them had the 
assured appearance of 
shots I had known 
1 dumped the pulp 
ic garbage c 
hed as soon as I borrowed it, added 
water and covered it with a dish towel 
Once a day J stirred the concoction 
with a wooden stick—all the books say 


bosses and other 1 
п the рам. The 


а si 


gallon pl 


never to use metal—and on the eighth 
day I strained it through а pillowcase, 
throwing away the pulp and the pillow. 
case, and returned the nectar to the ga 
bage can. Then I added sugar, lemons 
nd oranges, let it set for 24 hours, 
stained it through another pillowcase 
nd poured the brew—with the help of 
а 39-cent plastic funnel—into gallon jugs 


and screwed on the lids very loosely 
med my first batch Saddle Rock 


1 
Sauterne, in honor of the towering butte 
west of Crawford. Then, changing the 
mounts of sugar, lemons and oranges. I 
created Sand Creek Chablis, White River 
nd Soldier Creek Sherry. 
onths Liter, T bottled the wines, 
а and brown bourbon and 
Scotch boules saved by my favorite bar- 
1, Ruth, down at Mary's Баг, and my 
igned appropriate labels. and then 
we decided to throw a winetasting party. 
During the soiree, a lovely young thing 
came up to me and said, “The wine is 
wonderful. How do you make it 

I started. my pitch, going back to the 
time Saint Paul said a glass of w 
good the tummy, then 
plained, "What I do, really, is get ше 
some apples and а two-by-four and pound 
the apples about а bit, and then dump 
them into a garbage cin— 

The lovely young thing drifted off 
rather suddenly, leaving her glass of 
“wonderful” Soldier Creek Sherry on the 
kitchen table 

The next time I was asked how I 
created such a tasty treat, I shrugged my 
shoulders, threw out my hands and 

m sorry. oll family. secret 
That seemed to make the wine even 
astier, Apparently, а lot of connoisseurs 
of homemade wine don't want the details, 
just the delights. 

I'm going to share these delights with 
but before doing that, I want to 
t ош Шаг you can make sweet or dry 
пс, as you prefer, 


e was 


for and ex- 


s 


s an 


subtracting sug: 
t follows is for my favorite version, but 
you can make Saddle Rock Sauterne or 
White River Rhine or Soldier Cre 
Sherry simply by changing the amount of 
sugar, orange and lemon additives. And 
the recipe for Pine Ridge Rosé can be 
amended, too. My friend Leonard Peters 
ays it also works for blackberries 
rants, raspberries and other fruits and 
ber 


If you own a 
tation Tock, and know how to use it, for- 
get my method. But if you like to drink 
good wine, for maybe ten cents a bottle, 
here we go. 


SAND CREEK CHABLIS 


Gather ten pounds of apples, cut out 
the rotten spots, cut the apples in half, 
place in a wooden container, such 
large salad bowl, and pound, seeds, core 


as a 


“Look out, Leon! H's a subpoena!” 


and all, to a pulp with a two-by-Iour. Put 
the pulp into a fi 
ог crockery cor (no metal), pour in 
four and a half gallons of cold water, cov- 
er with a cloth 
day, stirring daily with a wooden stick. 
On the cighth day, strain through a dish 
towel or muslin cloth, return the liquid 
to the container, add eight. pounds of 
sugar, the juice, rind (grated) and pulp 
of six lemons and three oranges, stir and 
leave for 24 hours. Strain through a cloth 
again, put into gallon jars or plastic con- 
tainers with the lids on loosely, and do 
your drinking at your favorite pub for 
two months. Then, checking to make 
sure no bubbles are in the brew (if there 
are, let it stand for up to another month), 
strain again, pour into green or brown 
bottles, cork and pour on melted red wax 
10 help seal the top. and rack, drink or 
have а party. The books say to leave it 
racked for a year or two, so I alw 
ake enough to drink some now and age 
st. 


m 
the 


PINE RIDGE KOSÉ. 


Gather grapes from the vines or the 
supermarket, mash thoroughly with a 
two-by-four and put the pulp and juice 
into а plastic container, measuring to scc 
how much you have in quarts or gallons. 
Then add an equa jount of boiling 
water and let stand for 24 hours. Strain. 
d measure the juice left. For each gal- 
Jon of juice, add two pounds of sugar. 
Mix well, let stand for 24 hours, strain 
d put into gallon jugs with loose caps 
L bubbles cease. Bottle and hav 
t 

If nothing else, my method cuts down 
on book-buying costs. And I think you'll 
find the end. product tasti pod, 100. As 
friend Leonard says, it's not the size 
of the hydrometer, it’s the way you use 
the two-by-four that counts. And it’s as 
ego building as hell to know that not 
even Aristotle Onassis, with all his mil 
lions, can drink Sand Creek Chablis 
unless he’s at my house. 


173 


PLAYBOY 


174 


(continued from page 156) 
€ шек pus 


up and parked across from The Broad- 
way Hollywood, a big department. stor 
Id heard they had a first-class men’s 
clothing department. and, anyway, I fig- 
ured that if William L. Wilson had а 
Broadway cre the place was 
good enough Гог me. 

Inside, Г told the salesman that I had 
bad news and good news, the bad being 
that а fire їп my apanment had de 
suoyed all my clothes and the good 

ing that Га just gouen а huge check 
surance and wanted to buy a 
complete new wardrobe. He was thrilled 
for me and envious. I gave him the cred- 
it card and asked him please to check my 
account here, just in case Mis, Wilson 
hadn't paid her Broadway bills. 

While he was dialing, I suddenly real- 
ind that the Broadway credit depart- 
ment had to be open today and that 
Wilson could have phoned them about 
his card! I plotted my escape route 
through the aisles. But the salesman 
soon hung up and beamed at me 
id. "A-OK! Shoot the wor 
The sky's the limit!" 

That was all I needed. Boy, did 1i 
fun at The Broadway! I tried on 11 ex- 
pensive suits and bought eight. 1 also 
bought ten райх of slacks. five sports 
coats. six pairs of shoes, 24 shirts. 12 ties 
and 28 pai socks. They had a big 
sale on undershorts, so I got two dozen. 
J also bought some handkerchiels. Th 


bei 


son 


I selected a beautiful black gabardine 
overcoat and a suede jacket and а cash- 
mere-lined white pigskin car coat. 

Luckily, everything fit me perfectly 
right off the rack. But Fd forgotten 
about cufling all the trousers, which the 
salesman said would be ready on Tues- 
day. Sweating a little, I told him 1 had t 
have one suit for tonight and that 11 
а very good cheap tailor who could fi 
ish the trousers. 

While waiting for the suit pants. I 
wandered around the floor and bought. 
three pieces of beautiful matching lug. 
gage. in case I could ever afford to go 
anywhere, six. pipes and five pounds of 
tobacco, a silk dressing gown from Lon 
don and some mink-lined leather slip- 
pers and а quart of cologne. God, but 
s great 10 be rich! 

When the trousers were ready and Га 
signed the slips—ihey totaled $3026, 
duding $181.56 sales Uix—the salesman 
and another clerk were kind enough to 
help me сату all my stuff acros the 
street to my car. Since my trunk was fall 
of booze, we had to pile everything onto 
the seats. 

A fat down walked. by. “Well, I see 
you bought ont the store! Whose credit 
card did you use, Horace?" He walked 
riling 

The salesman dutched some of my 
clothes to his chest. His gullible eyes 
were worried. 


d 


п 


to his car. cl 


“I was all out of tonic. ГРУ gin and Dr Pepper.” 


I laughed. “Tired old joke. I never 
ап before. 
"said the salesman, relieved. As 
he left, he said he hoped Га been sat 
fied with the service and that Ве hoped 
ГА come hack soon. I felt kind of sad, 
knowi; I could never set [oor in 
his department again 

1 looked at my watch. It was five after 
x! I drove home, unable to see out my 
rear window for all the clothes. It took 
me 20 minutes of running up and down 
stairs to unload my сат 

Then I shaved and polished my iced 
nd showered and sloshed myself with 
cologne and put on new shorts and new 
socks and а new shirt and the new dark 
suit and new black shoes and tied a new 


the mirror and grinned at the most gor- 
geous dude Fd ever seen in my life! 

Doreen greeted me at her door at 7:0 
wearing a tight haremidvilfed dress that 
told the almost unbelievable. ith. and 
nothing but. When she saw my two bot 
Пех of champagne, she kissed me. I told 
her to chill it, for late 

1 gave her the 

wanted to sh типе with 
someone 1 really cared about. When she 
saw the 18 К. marking, she scr 
with delight and r 
them on and shouted i 
she then gave me was the hig: 
payment for later my lips have ever 
enjoyed. 
Chevalicr’s is in Beverly. Hills and its 
terior looks like a room in San 
The waiters were running 
white ties and tails and for a split second 
1 thought they'd all gone crazy and w 
wying to set fire to the drapes with 
torches, but then I realized it was only 
Raming food on swords, which you never 
McDonald: 

As the headwaiter escorted us across 
the huge room, all the men bug-eyed De 
and hated welldressed handsome 
y me. Marcia and Нату were 
ly at a table. He turned out to be an 
attorney and she worked in а bank and 
they tractive couple, except 
th "Boo!" in cach 
er's ears and the ling 

We had drinks and D studied 
the menu. which was written by h: 
You'd have thought they could afford to 
have it printed, at those prices, which 
would have sent J. Paul Getty running 
our screamin 

“Golly, this place ix exper 
reen said joyfully. "I hope y 

ough money.” 

1 didt," 1 sai 
old Master Charge card. Shoot the works! 
The sky's the limit!" 

Harry said he didn't carry credit cards 
anymore, because he kept losing his wal 
Jet and had spent too many hours on the 
phone notilying everybody. Now he just 


ing that I 


amed 
ud put 


пто a mirror 


see 


were ai 


Dore 


nd 


sive!” Do- 
u brought. 


“ 


"but E have my trusty 


рез saved our marriage 
thanks to Marantz speakers. 


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PLAYBOY 


176 


wried a money clip. He said he'd "o 
me cash for his half and 1 could charge — kerose 
the whole thing. Thi: Between courses, Doi 
1 didit | did the boo-kiss 
attendant. we didit giggle much. and Marc 

The headwaiter came to take our or- Harry told us to hold oll till Luter. 
ders. Doreen got hers up to S40 with no АШ in all. it was the happiest eve 
trouble at all, simply by ordering caviar I've ever spent. И wasn't until we were 
and the smoked salmon and then азрага ng our after-dinner соНсе that M 

i ise sauce and then filet ted to torture ше 

mignon flambé with side orders of onion intentions were good, but she said 
ves, which Tast that she hoped Fd kept ihe phone num- 
because they bers Га received along with my Master 
sc my card was lost or 
the assistant m 
ndh. she knew how n 


was right about the wines, which | 
frertaste at all. 


cen and ] abo 


le bit. except. that 
and 


gus with hol 


а вур 
g but ai 
it way my uu 


were full of noil 
Whe 
thought. “Oh, кейе ik br 
ad asked for the same as Dorcen's fell imo dd 
Harry and Marcia weren't about to forged si 
pinch any pennies. either. Harry re of things! So now there was a speci 
vealed that he was a great wine lover hour phone number to call at n 
and he picked for us а nice little white on. weekends. but a lot of cardholders 
at 517.50 and a modest red. which he wi of this. 


Be rof a 


тө ordei 
sv com 


пу cards 


asy 


hands of dirty crooks wh 
| charged all kin 


The he went out wearing um ig shoes. 


smoked salmon was а very li k and But oh. boy ted proud- 
not salty. The beef way he Harry 1. “Do they go imo a once they get 


"I understand, dear. Your impotence 
is caused by your [ear of not satisfying me. But it 
doesn’t bother me anymore.” 


* Click, clack, bibbi 


los repor 


У goes 


the telex! Whirrr, chink, dunk goes the 
1 was half expecting The 


compute 
Trolley Song. “And in a matter o 
sues literally minutes the. account. is 
frozen all over the whole United States! 
And woe beride any dirty little creep 
who tries to use 
"Think ol t 
palins began to sweat. Му 
thump so Joudly Г wondered why no one 
xd и. Water wickled down mv chest. 
ose bun pred. while chills a 
му. АП 1 wanted. 


ps er 


fever set in simult 
was out of there. 
Пу. the waiter n 


ind. handed. 
the check to Harry. He studied ir. flinch 
ing only slightly. and then handed it to 
a mountain of 20s and 
ng half of a thirty 


the waiter, who 
|. "Thank уо 


Wilson." and left. 
“Wilson?” Dorce 


sked me. “Wilson?” 


expla “my 
1 was just a little tyke 
ned 
lopted me 
and chan y Alte 
he died, E went back to. Tim Murdock, 
but Fm still [c Wilson.” 
While 1 sat there drumming the table 
and waiting for the waiter t0 come back, 


arried а m; 
who later 
me to | 


Harry told me how casy it was to go to 
м and di 


ne, but I 
wasn't listenin ew that at 
this ve 


‹ 


nge your na 
ише ГК 
cashier was m 


number to someone who was probably 
shouting back, “Arrest that man! He's 
not Wilson! He's a dirty crook! Thar 
card was just reported fost, ten. minutes 
The ассо тозеп 
The wa lor w 
to he 


icd. 
drum 


er was ge 
like seven hours. E beg 
roll—the suspense 
play in the circus 
dives olf the 100-foot platform. 
bucket of water. The drum roll kept 
ng louder and louder and 


ki 
ist before the nut 


l they 


Doreen shouted in my car. L 
t inches. 

€ nervous," she said, “Wh 
"oso d 


ous about? Aren't у 


T kissed hi The waiter walked up 
md put down a silver tray with my 
card amd а pen and the Master Ch 
slips on it and J nearly collapsed with 1e- 
liet. 1 picked up the pen and dropped it 
into my colle 


e 


‚ and I wrote down 
T could with my trem. 
nds and totaled the bill and 


bling 1 


jut then the headwairer walked up, 
beaming, and picked up the slips and 
tore the half and said, “TI 
won't be needing. Mr. Wilson, we've just 
caleulsted tha are our ten thou 
sandth patron! And so you must honor 


с ме 


you 


our guests 
th fell open 
; Пу? Honest 
derful! That’s— of you!” 

“Ies our pleasure,” he said, motioning 
who wheeled up a cart laden 
ag liqueur bottles 
sample some of our ligueurs: 

He left and Doreen and Ma 
Harry bubbled with joy as they « 
liqueurs. 
rry smiled 
old bu 

"Oh. sure. 
sce the hug 
then, God 
for 


у eves 
s won. 


t me. "Got some money 


fo 


ch.” T was sorry 10 
pocket. but 
overtime 
an't have 


three different liqu 
that maybe we were being 
and so we got up and left. 


There were two police officers wait 
for me in the foyer—one by the registra- 
tion desk and the other by the door. 
They were in plain clothes, but 1 knew 
who they were even before the first one 
asked, "Mr. Wilson?" 

"Yes?" I said. 

He showed me his badge. “Serg 

everly Hills pe 
Dorecn 


bhed my arm. 
the trouble, Se asked 
ney 

new they'd get me, won- 


Гог rhai” Doreen asked, 
mions," 1 said. "About 


ag tickets. D det them 


t Seller frowned at me and 
inced at Doreen and. like a de 
n. kept his mouth shut. 


"But how did they know vou were 


here?" Doreen demanded. 
E d. “They obviously spotted 
my license plate in the parking lot." To 


Harry. I said, “This may take some 
Would you mind taking Doreen hom: 
1 kissed her fondly. ht, sweetie. ГИ 
call you when I cam. 

With “Good lucks” and “Good nights" 
the three lefi. 


mc 


He 
E 


my torn charge slips to the sergeant. 
“I'm very sorry about this" he said 
10 ше. 

Un 


OR. И маат 


lly great мау 


“Will you tell the cook for 
was the best damn meal I ever had in my 


He'll be pleased to hear it, sir." 

On the way down to the i 
tion, I did some heavy thinking 
L Maybe Hed meant for me to re- 
turn the credit. cards а 
with Wi L. Wilson, who м 
cenuic multimillionaire with a 
ter who would fall for n 


d get in good 


е 
at God could be a litte 
ar He wants from me. 


ad thinker, I per- 


I do wish t 


ога prol 
ally believe that Е 
nicae with the average person is the 


s failure 10 come 


то church 


on so few. people 


ys and so many end up in the 


77 


PLAYBOY 


178 


OLD DANE continued from poge 120) 


су, a number of other animals repre- 
wing four con all under the 
‘no kill, no pay” system that virtually all 
preserves employ. At other places around 
the United States, you could hunt Ame 

can bison, nilgai, Corsican ram and H 
layan thr. And there are herds of cland 
and огух being readied for consumption. 


me 


na- 


Himalayan jai? Nilgai? Yes .. . well, 
they come from game-park surplus, most- 
Iy, these exotics, and are trucked around 


the country on demand. Of which there 


Among preserve people at this point 
п the history of American hunting can 
heady, evangelistic faith that 
they are the future. And things do seem 
to be funncling toward them. Game-sup- 
porting public land. the lite of it that is 
left, has a clutch of grim projections fac 
ing it. including Paul Ehvlich’s that the 
country will have to build a city of a 
quarter of a million people every 10 days 
for the next 30 years to accommodate all 
of us. Many wild-game species are dwin- 
dling toward disappearance. In addition 
to these depletions of natural resources, 
the swelling popularity of preserves in- 
dicates that the nation’s hunters could 
be running low themselves on the stam 
ina, learned skills and patience that wild 
hunting requires. It is stunning how 


any things a man hunting phcasant, 
say оп a preserve doesn't have to do. 
He doesn't have to own or find the land, 
ог get permission to hunt it. He doesn't. 
have to buy or train a bird dog. At some 
places, he doesn't even have to bring a 
gun. He doesn't have to learn the cover 
or anything about the habits of pheasant. 
He doesn't ev үс to dean and pluck 
his birds, for most preserves will swap 
him wrapped and frozen ones for his. 
“Emphasize to all who ask that the net 
cost of bagging а big-game animal at a 
club such as yours is certainly no greater 
р to some 
distant point оп public lands, and it is 
far less painful. Further, who can assure 
the hunter of the positive presence on 
public lands of the game he is after? 
advises P. C. Chr 


one imagines, as 
they listen to this cheerfully logical re 
sponse to any possible quibbling over 
value. The animals, the birds are here, 
seems to be the position, painlessly and 
immediately available to anyone who can 
pull a trigger, some of them animals you 
used to have to travel weeks and spend 
thousands to get 10. 

But there is more to it than that, more to 
the widespread and increasing attraction 


“Forgive me, for I have ginned." 


of preserve hunting than just the abso- 
lute certainty of the presence of game 
and the case with which it can be killed, 
И that were all it took to satisfy hunters, 
there would be more enterprises like the 
one Roger Caras, the naturalist, tells 
about—a kind of reductio ad absurdum 
of preserve conditions. Caras learned 
about a farmer in Maine who gathered 
up black-bear cubs in the spring and 
raised them. When they were large 
cnough, he placed them in individu, 
cages where sportsmen came, money in 
hand, to shoot them through the bars. 
The successful preserves know some- 
thing much deeper about the American 
hunter than that farmer did. And they 
have found intricate v sto it. 


ys of getu 


[Killing] is, as 1 discovered yester- 
day. a question of art. When it is 
difficult to kill the thing. whe: 
1 achievement come int 
that the killing is worth while. 

И. WHITE 


АП hunters are the same people. 
ERNEST HEMINGWAY 


The preserve is a 1500асге tract about 
nine miles from the house. Strictly out in 
the counuy. The ri g into it is 
completely hidden from the blacktop by 
bank to make it as inaccessible as possi 
ble to poachers, with whom Wild Hill is 
constantly at war, Bill Richter takes us in 
in two groups by snowmobile and there 
are signs all along both sides of the road, 
saying, DEPUTY SHERIFF PATROLLED, WARN- 
ING: WILD BOAR 
of theater: pay 
EATEN. ВШ, it 
she 

А mile or so into the woods, the road 
ds at a chinked-log lodge, where hum- 


ers stay during the spring, summer and 
fall. Located dramatically beside a small 
«€ full of rainbow, brook and Kamloops 


rout (they couldn't resist an exotic here, 
cither), the lodge could be a stage set: It 
the archetype of a!l hunting lodges. 

А pair of moose antlers hangs above 
the door. Оп a wooden fence, a few im- 
pressive jaws of boar bleach in the sun, 
Inside, huge beams muscle across the ceil- 
g and stone fireplaces yawn at cither 
end of i m. The 
seems "done," by some dece 
ializcs in hunting camps. Old leather 
ewn coflee tables, Frank- 
lin stove, copper pots, stulfed ducks, shell 
belts, а bear-trap ashtray, iron cots, соо 
skins, moose calls, a skunkskin hat, deer- 
піст gon holders, boar tusks, mounted 
rook trout and walleye, а whole stulled 
bobcat on a limb and, hanging on the 
eplaces, the 
baleful heads of goat, decr, caribou, fox 
and boar, On a wall by the door is a pho- 
tograph of Bill and Fred Bear, the bow 


interior 


ог who 


Warning: The Surgeon General Has Determined 
That Cigarette Smoking Is Dangerous to Your Health. 


Kings. 17 mg. "tar," 1.2 mg. nicotine; 
100. 21 mg "tar." 1.5 mg. nicotine 
av. per cigarette, ЕТС Report Mar, 74. 


* 1974 оч 


PLAYBOY 


180 lookin 


hunter, crouched beside a dead caribou 
some high, windy-looking country. 

Jim Whitehouse and his boys look 
around and handle things silently in the 
reverent semidark, like baseball fans in 
Coop by God . . . now, this 
is what you call a hunting lodge. 

We don't start walking until almost 
ten—boar, says Bill, don't start to move 
until it warms up—and by then the tei 
ture is in the 205. И is a windless, 
; perfect as an egg. The 
sun is warm and snow is lalling from the 
evergreens when we start, cach f; 
ing a brilliant dust that hangs 
sky. Because of a recent thaw and freeze, 
the snow is aust under four or five 
inches of new powder and we walk with- 
out snowshoes, north along а wail behind 
Bill, with low white-spruce country on 
the left falling beyond the trout lake to a 
stream bed and high ridges on the right 
Merlin couldn't conjure a better day or 
place for hunting exotics. 

Within a quarter of a mile. Bill turns 

off the trail and we follow him cast up 
one of the hillsides to an open hogback 
and along it im the sun, se deer 
tacks, He walks slowly, looking back 
often at Whitehouse and stopping to 
scout whenever Jim seems tired. 
Jou can smell them this time of year," 
he says at one pause, mysteriously, Юг 
no one is sure exactly what it is he can 
smell. "It's a musky smell you can pick 
up a hundred yards away." 

Whitehouse and the boys look around, 

oses lifted. Then, when Jim has his 
breath, we go on. cont 
slight southern. curv 
through old Merino-sheep meadows now 
overgrown with pine. Bill points out 
some old si 1 na 
rowcr Шап а whitctail's, and the twin, 
intimate tracks of a. pair of fisher cats. 

Around 11 he finds k, 
which. perfectly sersibly, looks like а 
pig's. “Boar track,” he says, kneeling to it 
and running the k of his hand across 
it to tell its freshness. And then White- 
house and the rest of us learn wl 
are doing, We are looking for a 
one of the arbitrary paths that boar de- 
cide to follow through the woods. This is 
not one. This is simpl 
tack in the snow, Jooking very much 
a pigs. Bill ponders for 
squinting. The deer, he reckons, are now 
in the hemlock. 

We head upward again, geting near 
the ranges of the Catalina goat and mouf- 
lon sheep, two other exotics Wild Hill 
maintains, which are yarded on the high- 
est meadows and not hunted in the winter, 
On this Vermont hi turc 
with scales and horns growing out of its 
chest could app nd every one of us 
would just watch it, nodding, and wait 
for Bill to tell us what it was. 

He stops at the edge of a comice over- 
bowl of thick birch, evergreen 


cloudless day, 


-decr tracks, longe 


boar tr 


single boar's 
ike 
moment, eyes 


lc now, а cre, 


аг а 


and beech, and beyond it the valley 
where the lodge is. In a moment, White- 
house pants up and sits in the snow, 
breathing raggedly. Bill looks at him. “I 
think we've gone far enough,” he says. 
"Well just sit here and watch this litle 
bowl for a minute. Sce if we can pick one 
out" He crouches like Deerslayer, t 
just off the snow, right forearm lying 
across his left knee, his duck-shooting cap. 
pushed back, squinting from the lip of 
the cornice into the mat of trees below. 
There is no movement down there, yet 
the suspense is palpable. A raven caws 
over his left shoulder. Snow falls from a 
hemlock in a bright shower. The instant 
seems choreographed. 


“What, uh, do they look like?" asks 
Jimmy Whitehou 
“They'd look black from up here, 


brindle. Some arc black 
and a few are a sort of silver color 

Whitehouse edges up ro the cornice be- 
side Bill and sits with his rifle across his 
lap. peering into the trees for something 
black. 

Sus scrofa, the animal they are looking 
for, has been hunted for one reason or 
another since the Stone Age. On the wall 
of a cave in Altamira, Spain, is an encr- 
getic portrait of a boar done 15.000 years 
before Chris. And testifying 10 some 
strange intimacy primitive man must 
have felt with the beast, a mature male 

discovered in the Nean- 


skeleton has be 
1 ground on Mount Carmel, 


Most are really 


derthal bur 
dutchiug the jawbone of one to bi 
chest, The European variety was intro- 
y Mountains in 1912 
and he fe in those hills, where 
he is known affectionately as “Roosian” 
and has distinguished himself by killing 
and maiming more hunting dogs than 
y other game animal 
Physically and temperamenta 
ly wild boar is, without doubt, а fierce 
piece of work. A big male is deep through 
the chest and n: in the hams, i 
maybe three fect high, five feet long 
weighs around 350 pounds. He 
with amazingly quick thrusts of his head, 
using two curved lower tusks that can 
be as long as seven inches and sharp 
cnough to pare a fingernail. The Greeks, 
who hunted him with great verve and 
feared him above the waxed at 
agth about the boar's ferocity. And in 
Europe during the Middle Ages, along 
with brown bear and something called an 
aurochs, he was classified as "black game,” 
the hunting of which was known 
heroic and reserved for royalty. One of 
these four animals, at var 
places, ngled out for i 
blackness to be hunted by 
alone—to pl 
to the king's Force of Good. This graced 
animal, this game of kings, was always 
Sus scrofa, 

Alter about five minutes of watching 


duced into our Smo 


now 


ow i 


lion, 


ous 


deepest 
the kin 


га sort of 


the timber, Bill looks at his watch. and 
suggests we start back down. Web will 
have lunch waiting. We go down much 
quicker than we went up and come out 
on the trail to the lodge a couple of 
hundred yards from where we started up 
the hillside, completing a pleasant two- 
hour circle. We walk back to the lodge 
along a line of the seven-foot, mesh-wire 
fence with electric bottom wire that coi 
the preserve: in single file, at lei- 
sure, like hikers on Mount Katahdin. 
Back at the truck, Jim Whitehouse is 
worried. As Bill hides the snowmobile 
the woods, he wonders just w 
is here. ЛИ morning without cv 
а boar or а deer? It occurs to him that 
тіс birthday has only a few hours to 


the story 


go. He can't help but wonder just how 


nd he is de- 
T's sake not to walk 
is like the one this 


set up this deal is after all. 
termined for his hea 
up any more mounta 
morning. 

Web will assure him at lunch that they 
will sce some boa стпооп; that 


off. But just then, м 
empty truck 


by the gam 
meatless and for 


п із а 


Australopithecus after а [ruitless drive of 
mammoth. 


That citizen was likely the first cre 
ture ever to use weapons to КШ other 
animals. And though he lived some 
2,000.000 years ago, certainly owned по 
moosehide knickers and used a fisted 
rock instead of a 51500 rifle, there is coi 
nective tissue between Australopithecus 
and Jim Whitehouse, Between him and 
Тоб us who hunt. 

lis necessity to survival cut away be- 
fore history began, the sport has гер 

edly been judged, both by those who 
hunt and by those who don't, against this 
very good reason for not doing it: It 
hurts and kills to be hunted, and no ae 
ture should have the right to impose 
sullering and death on another cicature 
lor pleasure. In recent history, partic 
larly in America, the judgments have 
been more frequent and more severe, 
leading 10 what is now one of the coun- 
туз truest polarizations, between those 
5.000.000 to 20,000,000 who hunt, Killing 
animals and birds they don't have to kill, 
and those who believe with a vengeance 
that they shouldn't, To the latter group. 
тапу of whom don't know a rifle from a 
shotgun. a hunter seems as dated and use- 
less and ugly a thing as a souvenir Luger. 
He is suspected of political savage 


sciously confusing hi 
And he is almost aut 
10 be 


pe 
cally assumed 
nent of hunters who 
ing despoilers. 
That sort of thinking can make a man 
sel-conscious. In defense, hunters have 
tended either to simply yell back at the 
pinko fag aceps or to пу to rationalize 


“Look—I appreciate your talking to те, and 1 know 
you mean well, but you're boring. 


PLAYBOY 


182 


something t 

has, 

by muuering about the 

spend on conservation or h 

crops... or how ai 
nyw 


just feels good and that 


at best, а tenuous rational basis, 
millions they 


found in 
the work of the formal hunting apologists, 
thoughtful men who hunted and wrote 
rd, the second duke of 
Ortega у Gasset, Ruark, 
cy are the true hunt 
ists, preoccupied with doing the 
thing the way it ought to be done and 
lizing and romanticizing variously as 
they go. The composite picture they 
paint, in books such as Ortega's Medita- 
lions оп Hunting, of what the Good 
Hunter is, or ought to be, looks some- 
thing like this: He 

y grin and unlimited endurance and 
skill, who knows calmly that we are all. 
па men, born to die, and that 
s the game 
he hunts not to be too plentiful or casy 
to find and he demands of it a full set of 
working instincts 
ainst. He considers himself just another 
predator in the scheme of things, like 
а Бареа or a lynx, taking no more than 
he can eat and renunciating the part of 


his superiority that could allow him to 
poison a шош stream or shoot his ani- 
ls from tanks. He is а natural, alert 
man, in a comíortable bond of wood 
smoke and dogs and aching muscles with 
others like himself, knowing and loving 
what he hunts pturing as he does 
it the innocence of his unconscious 
past... something like that. 


the beleaguered modern. hunt 
himself into and be proud of. That's the 
way he wants to look. No one, after all, 
wants to be a shooter of bears in cages. 
But between the idea and the reality falls 
this bitching little shadow. More often 
п not, the modern hunter is, in fact 
man who works eight hours а day in- 
doors, a little skinny on endurance and 
skill, with little time and less wind. He 
would like to trail that caged bear like 
a Cree Ind nd dispatch it with a bow 
and arrow, but he can't. To paint himself 
o that portrait—to justify his hunt- 
ing to himself—he often needs someone 
10 give him the numbers. 

And, as it happens, there are people 
around who can do that. Not quite, 
of course. They can't really n him 
into something he isn't. But by taking 


“Of course, Mrs. Morrissey, there's no law that 
says you have to use this room as a bedroom." 


out a few of the hard parts, they can make 
him feel like that something lor а few 
hours ог days. Magic is the word. And 
there аге people around who can get it 
for you wholesale 


Vhe pre 
reason. 


est enemy of hunting is 
“ORTEGA Y GASET 


‘Two she be. 
shit. 


ERNEST HEMINGWAY 


One shot, meat. 
Three shots, he 


«n 


Jim Whitehouse would like to do only 
this kind of hunting, he is saying. This 
way you get away from all the slobs in 
the woods These preserve people ca 
cull out all the bad animals. The thing 
controlled. And you know уоште go 
to get game. 

But he doesn’t look all that sure. 

We are back in the woods at 2: 


5 after 


lunch, following Bill down the lit- 


Ue path from the lodge again. There is a 

able digestive droop to things. 
me, instead of turning uphill 
we go through the preserve 
fence into the thick spruce woods. The 
walking is harder in here than on the 
hillside—there is more loose snow and 
every fourth or fifth step breaks то 
the crust. Bill stops at the edge of a little 
stream that runs from the south end of 
the пош pond and w 
Eric 10 cach their b 
er and thinner boy, has had no trouble 
keeping up and he scems a little bored at 
this point. He puts his eye to the Н 
sold Weular scope on his rile and 
sweeps it arc across the woods i 
front of us. It is not a boy's gun. It is ai 
8x57 Mauscr with set triggers. When 
the rear trigge 
опе so that the slightest. pr 
the rifle. 

“We want to look for trails 
Bill says. "If we find а trail, we'll find 
them in here.” He tells us that he killed 
1 boar just down the stream a couple of 
days ago and that he knows there are fal- 
low deer around, feeding on the balsams, 
He is visibly different from this mom- 
ing—his expression a little less polite and 
vague. He looks to be fixed on what he 
doing now а, uh, you'll want to be 
liule quiet from now on,” he adds. 

k south, crossing and recrossing 
the stream on a lacework of snow bridges 
d stumbling often in the drifts. About 
а half mile down the stream, Bill stops 
again in a small clearing. Fifty feet from 
where he is squatting is a bloody wallow 
in the snow. He takes a deep breath and 
looks around. We seem to have 

Very businesslike now, he 
across to the сам side of the stream and 
down a blood-spotted path, past two or 
three bright piles of frozen. animal in- 
nards, About 500 yards into the trees, the 
path opens into a kind of amphitheater, 
where he tells the boy to stand beside 
three big pines. "You see where the 


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better join the Club. 


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PLAYBOY 


“T have discovered a heavenly bod: 
right across 


g crosses the brook there?’ He 
points to where the path crosses a snow 
bridge, leads up to а gentle rise, then levels 
oll aud disappears into the spruce. Е 
nods. "Well, you keep an eye out, Som 
times they come through there" Eric 
nods again. "Good hunting," says Bill 
and he touches him on the back. Eric 
nods and watches him melt into the trees. 
Whitehouse aud Jin put on 
stand where they are and told to watch 
south alon; ik. "Em going 
to run around in the pucker brush and 
see what I can. kick out. You guys don't 
move unless I yell." Bill tells them. Then 
he disappears and there is а palpable 
ing down of the moment over 


у are 


the stream h: 


d darkening fast in 
sy woods, After we can по longer 
‚ there is no sound but the oc- 
casional pop of a freezing limb. With 
nothing to look at but the encirding 
spruces. with the coming on of night and 


the silence and the knowledge that there 
we, well... boar, black game, out 
there—ir's а little spook 

In ien minutes, Bill is back. He 
Wh nd myself 1 


ile hill where boar 


tub. lows. 


the snow and posi- 
tions Jimmy just downhill from us to the 
left. Then he leaves again after whisper 
ing this new information: “Ni 
shoot опе of а pair or a group. fr 
Just freeze, because if the rest sec. you, 


after 


the street!” 


befor 
inutes we crouch ii 
at the wallows and 
s of the trees, watching the clo 
down of dark. We are surrounded. 
here by Jimmy and Eric and Bill—all 
within easy shoot v in these 
blind woods: a disquieting realization— 
and abo by a heavy, tangible presenti 
ment ef animals: animals. present. and 
iving and dead, rising out of gut 
ps. Exotic animals. With sight failing 
like the light, a sense of countless unsee 
prevences develops—a sense of the woods 
as crowded with humers and hunted, of 
perceptions straining toward one anoth- 
ег through the tissue of air: aurochs be 
hind uces, curs cocked; listening uilgai 
and bison and oryx: Australopithecus 
crouching somewhere а halted 
Duke Edward drawing a bow 
tree blind. Mystery develops. The woods 
seem bansheed. Whitehouse and 1 listen 
for other things listenin; 
Then there is a shot, splitting the 
quiet like an ax. "Eric" whispers Jim. In 
1 few minutes, there is another shot з 
then а third, Jim talks сх 
gota цип sho. i 
he w п, he got him. That 
x on top of the world. 


the snow, 


ино the 


stone: 


па 


You 
know, this is the way you keep kids close 


to you—out of the house. away from the 
cocktail parties" A fourth shot inter- 
тир him. “That's four shots," he says 
looking puzzled. 

The deer came out of the woods on the 


nd stopped about 75 feet away. Jt 
a little six-point fallow that would 
s out to about 60 pounds. Eric raised 
ifle and pulled off the firs shot, 
missing it cleanly. ‘The deer moved a few 
feet forward and gazed at him. The sec 
ond shot caught it in the gut just behind 
The deer stood still. 
lt, slowly, so tha 
just visible over a little ridge of snow. 
"ric shot a third time and the deer didn't 
move. He looked at the animal. his mouth 
open and uembling and all the color 
gone from his face. “I think it’s dead 
but doesn't know it vet." he said finally 

Then Bill Richter appeared in the 
spruces and velled for 

This is the part I don’t like.” Eric 
said. As he crossed the stream. the deer 
stood up. blatting, and walked about 15 


feet into a dear patch of snow, Then it 
knelt again 
Eric joined Bill by the deer. He cra- 


dled the rifle in his arms. “Whar should 

Г do now?" he asked, watching the deer 

The deer was trying to hide itself by dig- 

ging with its forehooves in the snow. 
Shoot it.” said Bill. 

The deer stood up slowly and looked 
at Eric and Bill. It turned a slow 180 de- 
grees and begin walking directly away 
from them toward the woods. 

"Now would be a good time,” Bill 
commented. 


Eric raised the rifle and pulled. the. 
igger, but the chamber was empty 
“Better щиту up, Eric," said Bill soft- 


ly. "You don't want him to get into the 
woods." 
ith the deer about 15 feet away, Eric 
ded and shot, putting the bullet up 
the deer's rectum and killing it. 
Good hunting." said Bill. He shook 


ісу hand. “How do 


you feel, fell 
"so my 


me." 
Jim Whitehowe is happy. Не 
his son has bagged a fallow on his birth- 
day. He just hopes it was а good head 
а clean Kill. As it is five o'clock by 
me Eric's shooting stops. he doct 
we will see any boar this after 

But they have tomorrow for the b 
d and shiver i 
for Bill 
It is nearly 
g that sonnds 
ing from boughs 
being cleared. М 
and Whitehouse 
materializes into 


ооп, 
We 
the tightening cold 


Ю when I hear some- 
first like snow fall- 
nd then like brush 
des, then grows 
on his Enees when 
ir of boar, one be 
hind the other, ng through saplings 
downhill along a kine in the trees, п 
ing chufhng pig noises, looking blunt 
nd Маск against the snow. 

are maybe 50 way and 
Whitehouse shoow— 


t us whe 
"chances his throw. 
it, aud chances 
place 
already dead 

stares. For 


ish have 
The lead boar 
ind leg kicking, 
The second one stands and 
more than two minutes, the 


4 


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PLAYBOY 


hind leg kicks, the second boar stands 
without moving—gricving or confused ог 
looking for us—and Whitehouse whis- 
pers, "Freeze," litanylike, through his 
teeth, Then the standing boar whirls like 
а black cape and is gone over the hill. 

At that moment, Bill yells to us from a 
few feet away, spectrally present again at 
the moment of truth. “Good shot," he 
says. "Now you want to go up carefull 

We go up carefully and abreast c 
where the boar lies, snout in the snow 
and a qu e bullet hole between its 


eyes. Dead, in the almost full dark, it 
looks now like only a large black p 
Whitehouse yells for Jimmy. Then he 


lifts his boar's head by an ear. There are 
no tusks. “It’s a sow," he says. “The other 
one must have been the boar. 
It's a sow. But it’s a пісе sow," says 
. He looks diversely harried, as a stage 
manager. Kneeling, he runs а forefinger 
experimentally in and out of the hole in 
the animal's skull, bringing out pieces of 
bone and brai Ш broken up. 
he says. “But it won't hurt the mount. 
Jimmy comes up now, his rille slung 
on his shoulder, and bends over the boar 
to gut it with his boy-scout 
all watching him work. 
ке is smoking and Jimmy is sit 
the snow when the second boar 
rss out of the woods again. He is with. 
in ten yards, coming down and slanting 
across the hill. In a blur Jimmy is up, his 
gloved right hand fumbling on the rifle 
lor the sec wigger. The rille fires once 
while it is still at his hip and the bullet 
kicks up snow ten feet from Richter 
"Take off that goddamn glo 
ather shouts at him. 
Jimmy heaves the rifle to his shoulder 
nd runs with it like that at the boar, still 
gloved and firing as he goes, Bill, White. 
house and I scattering behind him. 
uke off the glove,” his father yells 
aga 
On his third or fourth shot, Jimmy hits 
the animal. It rolls behind a dead tree 
id is running again when it comes 
upright and then is gone into the trees, 
“I got him. I got him, didu't 17" Jimmy 
s, turning to Dill. 
Well, you Ait him, all right. But it’s 
too dark to look for him now. We'll let 
him stillen up and come back tomorrow 
with the dogs. 
Whitehouse comes over and puts his 
d on the boy's shoulder. "You just 
got а little excited is all. A little buck 


his 


ow and a wind is rising. 
ting Jim's boar, puts a 
торе around its snout and hoists i up 
into a tree. 

By the 1 
Jimmy h 
ing themselves, letti 
spread through them like a drink. The 
birthday deer, опе boar in a tree and one 
in the bush, stiffening up—not bad for 


© he finishes, Jim and 
© both relaxed and are enjoy- 
the finished day 


186 two hours’ hunting. Bullet right between 


the eyes. Eric's mother is going to be 
pleased as punch. And after this mom- 
ing, all of it coming at once like that. 
“Old Eric really carned his bones today, 
didn’t he?” Whitehouse says. 

“Sure did, Thar's a wonderful boar.” 

“Well, it's а sow, but it's got good size. 
The оне you shot must have been the 
boar.” 

"Let's take it easy going out. Fm a lit 
Че bushed,” Jim says to Bill as we start 
picking our way back through these 
black, occupied woods, leaving the boar 
dangling like a totem from а spruce. 

You've got just that little touch. more 
stamina than I do. .. 

“ү says Bill. But right now, it’s 
ard to tell. Right now, Bill Richter 
looks exactly like what he is—a man who 
has put in a hard day on the job. 


It took. Ri 
cur and a silent tra 
baying until he sees his animal, about 
five minutes to find the wounded boar's 
scent. He found it just on the far side of 
the trout pond and within ten minutes, 
he and the other dog had found the boar. 
From where we stood near the stream, we 
could hear the deep oval barking uphill 
and to the west and working toward us. 
Iv’s a sound the Good Hunter loves; a 
sound Ortega у Gasset с 
ing what polyphony is to music, raising 
the sport to its most complex and pertece 
fon 

But nobody here seemed to be paving 
any attention to it. The object of it, after 
all. was a wounded goddamn wild bom, 
who, stiffened up or not, could tear 
somebody asshole from elbow. As the 
baying got closer, coming downhill di 
recily at us, no one could quite figure ош 
what to do with himself. I mean, do you 
hunker down, or climb а wee, or what? 
у аге bringing the thing right 

. - - There were no instruc 
tions [rom Bill and he had slipped off 
somewhere in the woods a Bui 
Jimmy knew what he was supposed to 
do: He was supposed to kill the boar, 
nd he moved manfully in front of the 
rest of us, gloveles this time, to do that. 
Jt was considerably casier to feel brave 
once the ppesred. root 

ng dolefully and without conviction at 
the two dogs, who were managing to 
1 snap at the same time. In the light of 
day, driven by two small dogs, the boar 
looked hopeless and tractable as a sheep. 

J ed until he had a dear shot 
па shot the boar in the head. lt fell 
dead without movement and ihe dogs 
commenced to grow] and pull at it. In its 
neck, there was а ragged hole big enough 
to put your fist into where Jimmy had 
wounded it the night before. 

In a book about huming, Hemingway 
writes about “the elation. the best ela 
tion of all” of killing off a wounded and 
dangerous anim ybe that’s what Jim- 
my Whitchouse fe d to чей. 


hot-nosed mountai 


ler who doesn't be: 


my w 


The boar was another sow, weighing 
round 200 pounds and with a pair of 
tusks that barely reached its upper lip. 
We got a long look at this one while Bill 
was dressing it, scooping handfuls of red, 
bluc-gray and purple interior into anoth 

mong the spruces, It is à hard 
animal to sentimentalize, but there is 
beauty in ihe deep chest and n 
hindquarters aud. di 
the stiff brindle ha 
bristling ruff down its neck. Curious 
about what they find to car, these wild 
boar, when there is three feet of snow on 
the ground, I took the stomach from 
Bills pile and opened it with а knile 
What they cat, apparently, is Who 
knows where they find it 

Jimmy and 1 dragged hi 
the woods and sat on it in the snowmo 
bile road, waiting for the others to bring 
out the опе in the tree. The torn pink 
tissue around the boar's head wound, 
like a small shell crater under one саг. 
was still jerking. From where we sat, we 
could see the lodge up the road, looki 
like а hunting lodge out of D 
with its ch logs and. moose а 
Even the woods around it looked s 


boar out of 


the Hunter who lives in the Lodg 
man with an easy grin. 

It was 11 o'dock. After they got the 

other boar out, Bill would take us and 
the two animals by snowmobile back to 
the truck and then back 1 the house, 
where he would hang the boars and the 
fallow deer from the roof of a shed for 
pictures. And Whitehouse, pleased as 
punch with everything, would arrange 
lor the butchering of his animals and for 
the making of their heads into mounis, 
Then he would take his sous and the 
liver of Eric's deer in а Baggie and go 
home. 
The night before, after a lot of strong 
ale talk about women and boar and the 
European hare and roe deer Jim had 
hunted in Germany: after grace was 
and Jim made a birthday toast 10 Eric, 
congratulating him on his deer and call. 
the killing of it the happiest event of 
ic's Jile next to lx and having 
m for a father, we had told 
me that whether dogs found the 
wounded boar or the next day, he 
was happy. He knew they would get a 
second. boar. And he didn't mind at all 
the 5900 he was spending. His kids were 
having a real ex He would be 
back, maybe next time to wy for those 
whatsis goats up in the high country, 

"The thing is..." he e ih 
is, you always get what you pay for at 


place like this. 


: a big 


5 


“He just shouts ‘Open sesame!’ and I'm powerless.” 


187 


PLAYBOY 


188 


ack of. You had to run in 
ways. 


they 
did. it would throw the whole goddamn 
r out ol the park.” Foyt said. “Blooey! 
t was so rough that a lot of people 
got fractured elbows and broken arms. 
just from nying to hang on to that 
wheel. D got two busted elbows. Man, 
1. it looked like ev- 
erybody had been in а hatchet fight 
“And ol Tommy would rum in so 
hard that he'd get the car up on its right 
wheels so far you could sce the whole un- 
dercamiage. He could have sold bill- 
board space on the bottom of the ca 
Аһ, hell, aid. “Those were the 
days. 


when 


кс was 


“I still tell anybody to go to hell if T 
feel like it.” Foyt says. "I mean. some 
people think that old crash at Riverside 
slowed me down. but look at my record. 
1 won Indy again after that and Le Mans 
and the Daytona 500 and a hell of a lot 
of other races, Is that slowing down?” 

The Riverside crash, however, makes 
him stop and think. It 


years since it happened, and it was the 
only time he was ever t 
(this does not count routine breaks, 
bruises, burns and lumps. including be- 
ing run over by one's own race car). 
м Riverside, Foyt was running im a 
NASCAR stockcar race on the road 


course and had been one of the front 


SIN 
1. \ (continued [rom page 92) 


runners most of the afternooi 

About two thirds of the way through 
the race. the twisting course had taken 
its toll on the 4000-pound stocker: The 
brakes were completely gone and a quick 
pit stop determined that they couldn't 
be repaired. At this point. а lot of racers 
would have parked it behind the pit 
wall and gone for a Coors. Foyt roared 
out of the pits and ducked in behind 
Junior Johnson, one of NASCAR's best 
and a man A. J knew he could trust 
One does not follow just anybody closely 
when one has no brakes. A. |. knew that 
Junior was not apt to make a mistake. 

It worked for about ten laps and. true, 
Junior did not make a mistake. But the 


in front of Johnson did and Junior 
hir his lu ing no idea 
Ком d ny to hit. They 


were just entering the sweeping turn 
nine at about 140 mph. А. J. had a f 
tion of a second to weigh the situation. 
He could hit Junior full-bore in the rear 
or tum right. He turned right and the 
car leaped over the embankment. The 
nose dug in and the force catapulted 
the car 50 feet into the air: mmed 
down on its top with a sickening crash. 
Foyt was unconscious when they got to 
m. Ir wasn't until they got him to the 
al d discerning, doctor discov. 
back. 
` they pro 
in that race 


h 
hos 
ered that 
Foyt will never race ag 
nounced; the sort of тей 
drivers could set to music. 
It took Foyt roughly two weeks to 


“Biggest goddamn Jairy I ever saw!” 


convince the doctors that he would be just. 
as well ofl at home in bed. From there 
it took him another week to convince 
his wile, Lucy, that he would be better 
off in the Arizona sun, watching an Indy 
ce from а nice, easy wheelchair. 


Two weeks ker, he was watching 
He 


гасе from а easy e саг. 
winced a lot as he got in and out of the 
car and everybody knew that he as- 
suredly hurt like hell during the races, 
but he was back racing. 

Now they say he's mellowing. 

1 doit feel that I have to prove my- 
self. H1 decide 1 want to win, I go out 


d win. H I don't, I just don't cire,” he 


But can one believe that the best race 
driver around doesn't cure about win- 
ning? He drives as hard today as he eve 
has. And he isn’t shy about declaring 
intention to pass another car. Е mea 
he waves you aver, you ought really to 
give him room. 

And he knows the quick route around 
every track in the counny. “I know the 
uacks pretty good now," he says. “But I 
can never tell exactly how I'm going to 
drive a track until the time comes. When 
d. 1 just follow the groove, 1L 1 
1 behind. 1 just work my way back up 
front the best way Г know how. My 
hands get tired in a 500-miler from hang: 
ng on to the wheel. Sometimes on the 
suaights 1 open my hands and push 
down on ihe wheel with my palms to 
rest my fingers. If things are ge 
well. I might drive wit 
it’s no Hollywood effect. 
get tired." 

Foyt has been. known 
though. A few years ago at Daytona, he 
had his Ford running so far out in front 
of the pack that he could have coasted 
the remaining five or six laps. He had 
led the race for so long that the covey of 
Ford executives in the paddock arca had 
servations for the victory 
ight. His pit crew was 
lounging on stacks of tires exam 
their fingernails. That's when Foyt c 
out of the fourth turn, backed off the 
celerator and ducked into the pits foi 
an unscheduled stop. The Ford execs 
froze. The piccrew members fell all over 
themselves getting to the pit wall. They 
m Foyt poked his head 
through the window 

“You all want me for anything?" he 
asked. Then he flashed the white smile, 
dumped it back into gear and roared out 
of the pits. still comfortably 
He won. of course. 


to ham it up. 


tthe Associated Press 
Gated Press can kiss his ass 

He ding by his pit, looking out. 
at the world through the slitted. eyes— 


ready to talk only to those he really cares 


wh 


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PLAYBOY 


190 


to talk to. A driver comes into view. 
This is Paul Newman. Mr. Blue Е 
the face that American millions adore; 
there are folks all over Dayton: 
and women alike, who would give their 
right front fenders to stand alongside 
pit wall and chat with Paul Newman. 
True, Newman has credentials: he 
а race driver himself, though undistin- 
guished, in а sport that regularly attracts 


men 


movie stars. Steve McQueen races: James 
Garner is а bull: so is опе Smothers 
brother—and who really gives а damn 
which one it is? 

They chat until Foyt figures he has had 
enough. He turns to the growing circle 
of fans. “Lisen, you guys, Г gott he 
says. And then he turns to Newman: 

“So long. Steve." he says. 


“ТО BE SILENT” IS AN ACTIVE VERB 
(continued from page 150) 

then they are ill-mannered, drunken, 

demanding of joyless luxuries. 

What to do without my duffel? 1 look 
out at the winter scene, sky and snow 
glowing. Moscow glowin 
crated winter light. like an 
immobile in the scope of universe. Soon 
the morning snow sweepers 
those widows with legs wrapped in rags. 
Moscow looks frozen inside and out. and 
1 shiver as I lean across the radiator to 
the frosted glass in accesses of swooping 
doubt as all the Soviet people I've seen 

ide across my bia 
nd wounded and stubborn 
ve. Americans are not а happy 
Of course not. Russians neither: 
brothers of a sort 
My Russian is beginning to come back 
ad, ах language always does, the Rus 
sian language more than most, it tells 
about history, hope, dread, soul, Nine 
years ago. a woman at the Writers Union 
stood silently weeping because no one 
answered when I explained why I 
couldn't be, in their terms, a “progres- 
sive.” (Because if Г were a Soviet writer, 
Г would be dead.) She approached me 
later with а philological comment: “You 
know, in Russian, the verb ‘to be silent 
is an active verb." And then I came 
upon these words in the stage direction 
at the end of Pushkin’s play about ty 
anny, Boris Godunov—but what great 
Russian work is not about the convul 
sions of ty nolstfuyil 
anslition would read 
s de dren 
strangled. all finished): “The people are 
silent.” But it really says: “The people 
perlorm the action of silence.” And that 
вит it, either. “The people enter a 
world of silence.” Narod byezmolst{uyit. 
“People withoucwordsthere stand.” 

Jt can't be translated, But that’s what 
they are still doing. except for the brave 
and tragic few who dety and suffer. 

The word for dissident means those 
who think differently. Andrei Sakharov, 
the great Soviet physicist, has said there 
are many moral people whe are secretly 
joined together, without knowing onc 
another, without even any physical. con- 

ct, with links now eflectively severed 
by the secret police; but nevertheless 
they are joined. simply because they are 
moral people. The most famous of them 
is Solihenitsyn. Не has been through all 
the tyrannies—the cancer tyranny, the 
concentration-camp tyranny, the police 
censorship tyranny, even the conventional 

oui ng- ad husband 
own-weary-olwile ty —and now 


its selfgen 
stral body, 


look 


gowiiterwa me 


he has come out in some spectacular 
balince and health within a prolonged 


threat of martyrdom, He refused to leave 
his Russian soil for comfortable exile 
umil they picked him up and threw him 
out. He gripped his birthright with 


©1974 Hiram Walker & Sons Inc., Peoria, Ill, 


PLAYBOY 


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his strength, alternately patient. with 
explanation, scornful, howling with rage 
in letters to the Swedish Royal Academy, 
which negotiated with Sovict authorities 
about a diminished Nobel Prize ceremony 
in Moscow, to the Writers Union that ex 
pelled him, to publishers who would no 
longer print him, to colleagues who 
turned prudent backs, to foreign jour 
пајыз, even to Kosygin, Brezhnev and 
the Presidium, to anyone in the path ol 
his memory of pain and his prayer for 
the future—and especially to the note 
books in which he inscribed the history 
of shame. And now, after imprisonment 
abuse, cancer, threats and exile, he has 
achieved а kind of health. Amazing 
grace! OL course he is obsessed and often 
wrong, like all prophets. But he has 
found his path in the way of the great 
19th Century Russian novelists. who be- 


lieved in God, in benevolent authority, 
in sin and redemption and the destiny of 
the great, sluggard, ominous Russian 
people. Like Dostoievsky's, his passion 
turns out to have more worth than mere 
rightness. 
Pyotr Grigor 


hero being "tr 


nko, the general and war 
cated” in an insane asy- 
lum for supporti 

ment, 
soldi, 


g the democratic move 

may have sown more of a 
rs stalwart courage. Sakharov, who 
linked the free-speech movement with 
the right of Jews to emigrate to Israel, 
may show a broader world sympathy and 
culture. Others have suffered buterly, 
unknown, hustled into cumps or prisons 
or psy 


ic infernos or into а still, sti- 
fled silence like the predawn streets of 
Moscow at which I stare now from my 
window. But Solzhenitsyn, because he 
knows how to howl, makes his pain real 
to the rest of us in our comfortable, anx- 
ious, unquict chewheres He may not 
even be the best man among a brave 
company, but he speaks for them all 
"Therefore, he also speaks for us. 

If my clothes don't show up, hell 
speak for a scarecrow. But somehow 1 
imagine my duffel is safe in some office 
at Shiryemyétyiva А nber One. 


At eight лм, D wake to watch the 
snow siii drifting down over the onion 
domes of St Basil’s and Red Square. 
In this children’s paperweight vision, fig- 
ures are marching to work with karakul 
or thick fur hats, black greatcoats; they 
would be more picturesque 


somchow 
without their plastic briefcases. At the 
Intourist office downstairs, 1 mobilize 
the ladies who must find my luggage. 1 
insist. Гат definite. 1 will accept no fa- 
talistic shrug; I prefer my own clothes. I 
narrow my сусу and uuer pedantic un 
grammar in my best Cornell accent. An 
energetic soul gets on the phone to the 
irport, spelling out my name for the 
luggage handler at the other end: 
“Gospodin Gold! Gold! Galina! Olga! 
Ludmilla! Dmitri! GOLD!” 

She promises to pursue the subject as 


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PLAYBOY 


192 


1 head for my limousine and guide. In 
the clothes 1 wore in San Francisco, ГП 
see Moscow with a sturdy Intourist ex- 
plainer in fur hat, plastic boots. rimless 
glasses, capacious purse. My luxe tour 
gives me a black Volga. smelling new, a 
blank Intourist Larein 
smel he is ready to 


chaulleur, an 
ng of her furs 
swer every question 
you will see Tines in shops. do nor be sui 
prised, It can he attributed. you know, to 
the gr ng power of the Soviet 
people. . 

“There you see concert hall, Tcha 
kovsky concert hall, seating capacity one 
thousand five hundred. That gray build- 
ing is called Satire Theater. The name 
speaks for itself. The building to the 
ight is movie hall 
‘Are those Chinese?” | asked, point- 
ing to a little line of Jap: 

“Very few Chinese here now. Only em- 
ху. Our apartment houses 
good. hor water, heat is from central 
heat plant, coming from steam. central 
Г will now briel you on our medical 
system...” 


эп know, when 


ese tourists. 


are very 


sosh, you're so good lo me 


We trudge along а sightscer’s wa 
The car waits. motor chugging. chauf- 
feur dozing. Snow. slush, spit, fur cap 
There are 7.000.000 people im Moscow, 
50,000,000 in Soviet Union You know, 
fifth largest city in 


Moscow В now 


world,” re 

No one 
u've n 
place. 


a this weather. 


nt to get some- 


al 


got 10 w: 


But all E want is to r 
jet lag. receive my baggage, proceed with 


from 


over 


my secret desire. which is to know more 
than: “Birch (ree, you know, is symbol 
of youth, something slim, slender. Here 
is Moscow University, named for Lomo- 
nosov. great scientist. Now I will give 
you briefing on Soviet education system. 
Alter finish school, no problem to find 
job, v know. There are 
y for everybody. Women | 


always place 


fist choice, also collective farmer" I 
knew that Jewish kids were having 
trouble entering humanities and ans 


programs. but Lareina was saying 
body force to go to school or wor 
zen decide. Lomonosov found univ 
in 1755. very ways dom 


Senator, 1 wish I 


was old enough to vole.” 


Church. Lomonosov always good at art. 
mosaics. specialist in Russian language 
astronomy, in 1781 he discovered fest 
that Venus had atmosphere. Somehow he 
found it out" The key was spinni 

of control in her back: a spring had 
snapped. She applied emergency slow 
down equipment to her tonsils. "Now 
university bears his name, Lomonosov, in 
city of Moscow. 
Yo, T couldn't just walk throu 
halls of the university to look at students 
hers and classes, "For that you 
1 pass. Ask. It is matter of de- 
tails E do not f ze myself. 

The Stalinoid towers, black wi 
weather. made me think of Brig] 
Young University, probably minus foot 
ball, The university hulked over the sky 
line. isolated by guards, like an imperial 
barracks. 

1 wondered if my bag was finished get- 
ting through the K.G.B. inspection serv- 
ice while this G a with the tape 
loop ratified her Life with a sweet librari 
an's conviction. If her lips were less thi 
if her glasses didn't have that rimless dull 
glitter, she might have gotten the jump 
on the West. Instead. yawning away, 1 
hummed softly the bad word of the 
hour: “Solzhenitsyn.” My excuse was that 
we had passed an anti-Solzhenitsyn. post- 
cr in a window on Gorky Street: some- 
thing about а toad, а squat. а spew. the 
usual runningdog view of a dissenter 
reina explaines 
1 tell you story. To explain question 
is very good Alexander Solzhe- 
nitsyn, Bad Child is title of story. So. Т 
have child he was treat too severe. Pun- 
ished, you know. The camps in the Cult 
of Personality time. That is all finish 
now. We regret. But now we apolo 
those who arc dead receive pensio 
he never forgives. He keeps оп wri 
ic old way script 


out 


h the 


mili 


rushen 


pswer 


He суса sends 


abroad. So naturally he is sick. we send 
Tike sick child far away." 
Amazed. 1 asked. “Are you a mother 
You send a sick child into exile?” 
“Others” she stated, "we пеш very 
d, maybe worse thim Solzhenitsya— 


ater all we cure his cancer—they say 
thank you for apologize. He never Ior- 
give. He repeat. repeat, repeat 

I was scratching han bought 
for foreign currency the Byeryóz 
ka shop to which Lareina had led me 
The subject of Solzhe ished 
and the key whirled on. 

Lenin Library, twenty-five millio 
volumes in one hundred seventy 1 
guages.” 

It was snowir 
Downfell the sw 
tabolism, Cal 


itsyn was 


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194 


Communist Party or viet 
nd Fd like some news be- 


but offici 
newspapers 
sides the strikes in France— 
"We camnot buy foreign papers be- 
cause we save our hard currency—very 
easonable,” she remarked, with her pe- 
culiar habit of judging her own com- 
nt and finding it good. The plump 
noon turned up to sec how I was taking 
Also perhaps to avoid the influx of 
ile foreign propa 
And now a few words about our Krem- 
means fortress. 1 hope vou 
: two dynasties from the 
n Lam ask who is our 
lly answer: We have a 
€ your Water- 
ian, is the 
m of the Su- 


Podgorny, 
the Pres 
- The prime minister would 
a Mr. Bredinew is the 
general scaretary of the Communi: 
our unique party. There are twenty tow- 
ers in the Kremlin walls, five of them 


her You look 
ter person, yes? Vi e Jew 
person from our Ukraine, too. you know,” 

You don't need to be a weather vane, 
1 thought, to see where the wind is 
blowing. 

“Tomorrow you will sce Palace of 
st Cooper t 


ny room at the Rassiya 

gulped down several glasses 
Palace of Central Moscow 
Water Кесу Plant. Аз “'3-In-One™ 
Oil protects bicycle gews. this product 
protects the toi 
played in memory my 
imental р 
reina is Russian 
me of all n: 
France—but is especially honest Russian 
name, too." 

At the Intoui 
good news: Bi 
ceed to airport to identify: 

“Why don't they just send it here?” 
ou will proceed to airport to 
identify.” 

At he 


shou: 


х Spanish, Portugal, 


st desk I received my 
will pro- 


шше К.С. 
gathered about my ski bag. * 
these books?” My mouth w: 
1 had done wrong. Teacher said. I 
shouldn't lave brought books to my So- 
viet 

Pushkin. A cop wa g from the 
jacket of an English edition of Fathers, 
which describes the story as that of “a 
Jewish t from the Uk 
Good old Lareina. "Very 
1 ще cop. And with t 
like a flock of pigeons attended by con- 
feni. they Ilew off and released me. But 
where was my ski bag when my ski bag 
was lost? (Footnote: Never again in the 
Soviet Union would I be attended by 
less than а crew of dicks. In. the worst 
wh-hour «ток, with lines gesticulzting 
for taxis, 1 would never do more than 


terest 


diagnosis, 


raise my fu cab would appea 
My tail be 1 of life, like steam 
heat. Sometimes 1 could even hear the 

n а nearby 


thick 
ound 


ed paroxysms. A drunk E ре ШЕШШУ 
toward me and pulled off by his 
friends. Г noticed that one sleeve was in 
his pocket, The war is not finished vet. 
He thought Т w: ng because of his 
missing. arm: staring because he 
as a crazy drunk. A till hood asked if I 
wanted to change money and glowed in 
the dark with invisible neon: orric 
кан. BLACK MARKETEER, A pasty blonde 
ly wanted to go to my room and 
throbbed with invisible їз: OFFICIAL. 
кв. мною 

To bed alone, My phone rang in the 
middle of the night and 1 lurched like 
the drunk toward it. No one. 


Again an hour later. 
Т took. the phone off the hook. Now 
out. 1 


theyll not know if Pm in or 
bedded down comfortably. v 
cver-babbling Miss 

By the end of the fist week I had 
made certain delicate psychological с 
Drations to the fact of being followed. 
watched and по doubt taped. At first 


ranoia wi 


dificult compan- 
d 1 suffered a fading of confi- 
blur of doubt, an iteh of plaint 
those occasional stabs at futile 
fast, leap in and 
Then I tried rea 
Little could happen to mi 
than a quick hustle to the airport 
the people I talked to didn’t mind 
always warned them. why 
then I tuned back to the ridiculousness 
of it all and my eves learned that old 
Moscow roll toward the сей 
Fred! Emi really loyal!” one for 
dent used to address his bug—and it was 
reduced to а mere fact of li 

Nevertheless, the | 
Other stations were fussily turned to 
mine. Everyone jokes: but everyone is 
also sapped by that interfering buzz. 

In the bar of the hotel, a man in 
orange jacket and brown teeth. tall, with 
a friend in brown jacket and orange teeth, 
g for me. As | walked 
у sleeve and pulled 
yousced-lown-Lwish- 

You wish change 


and 
evasion (walking 
out of cabs or trolleys) 


other 


ni 


ness remained. 


1. "Oh! How: 
practice-my-English. 
myeh 
Хо, 

“Two for onc,” 
"Very good г: 
1 was followed everywhere. Since ille- 
1 money didn't stimulate n 
mething As I strolled 


said his little friend, 


maybe 


else could wi 


оп a quiet street, a new yellow Soviet- 
built Fiat pulled up, three girls and one 
driver, who hunched over his wheel to 


visible, а successful ma- 
The n front hissed, beck 
nnounced, “Hallo! How are you? 


e to change monych? 


о really 

I peeked inside, enjoying the packed 
perfume of this cargo of dumpl 
were hustling me from a yellow 
erted street near Red Sq 
cow, U.S.S.R. “Irs illegal." I said 

One of the bac backups pointed 
to Devushka One. You like to go 
10 restaurant with this girl private?” 

Devushka One flapped an angry hand 
ас her colleague. "Padazhdyityi, padazh- 
dyityi Сай, w ) She looked еер 
по my eyes. She exhaled а deep, frosty 
bubble of haze the winter 
aned forward to whisper. 
kwhere you fro 
. K.G.B. Directory of 


liance. 

As soon as I refused, the driver, 
ging the wheel, pulled away with screec 
g tires. Г was alone for a few moments, 
nite walls of this granite 


hug- 


plugged with monuments. and 
museums, plack in the night. The 
ie seemed to have been laid and ereet- 


ed with а Pharaoh's efforts. It w: 
cold. it was dark, there were the 


М 
rough it like 


bartender ran out of 


Black &White. Arf. 


PLAYBOY 


196 


towers of neighborhood godless muse- 
ums nearby. The coldness of Moscow's 
beauty testifies to a certain cost. 1 
walked, thinking of the blocks of apart- 
ments farther out, where people like my 
fricnd—call him Yuri—worry about their 


hearts, tr photographs of their 
friends, make a life in their dreadful 
privacy. 

The vellow Fiat was gliding alongside 


Hallo!" 
ош sure?" 

The next night, a trio of happy boule 
vardiers stopped me on Gorky Street, 


called а tinkly voice. 


a familiar spot on my 
You like it here?’ 
“Terrific city’—my crispest English 


waste-no-time style. 

“Alas! No free emigration, you think? 

1 shrugged. 

"So now we go talk a little, practice 
Fnglish, drink a litile"—and they boxed 
me in and were moving me along. 
Чо-о-очо,” I said, drawling my vowels 
ng my bowels. It was less out of 
clegance than out of what could proudly 
be described as Stark Terror. "Fm just 
ng along now down to my hotel 
Oh, y 
tion, is forbidden 


I broke free. They would have to slug 
me and drag me. Somehow, at this Iate 
hour, they expected me to be drunker. 
They tried а new tack. A keen young fel- 
low with a sharp nose and bright bluc 
eves, a little drop of moisture at the end 
of his nose and a glop of yellow in the 
corner of cach eye, declared: "You ar 
artist. So I sell icon cheap. for few dollar. 

“I believe it might be forbidden,” 1 
said. 

Oh, dear." He sighed the same deli- 
cious flirtatious smile as the girl in the 
t "Lovely icon for few dollar," 
he murmured, and the droplet on ihe 
end of his nose fell to the swept stone, А 
irio of volunteer police in their red arm 
bands, looking for drunks, marched by. 
The Three Iconeers followed them. 


yellow 


ion with a 
1 prove Is 


Valodya reports a conversa 
K.G.B. interrogator. “What 
racl is bad 


“Then let me go to fight badness in my 
own counti ij 

"This is your motherland.” 

“I can't fight anything any longer 
here except to go. I want to go home, al- 
though Гуе never been there.” 

1 have made contact with various out- 
casts— Jews, nationalists, religious people. 


“Five minutes, Master Strudler." 


those who believe in the common free- 
doms. ] also take the police with me 
on my Intourist guided tours. Before а 
ng of a baptism: is group of 
ering. They catch cold.” Before а 
wedding dance: “We Russian have same 
sense of humor as you American, not the 
From the historical point of 
ing, also from the ar 
And here is Rublev, top man 
ting 

1 twist around to look at a line of 
а. frost-blowing women at a food 
You may have noticed 
our consumers waiting in queue. This is 
not because of shortage. This is because 
our people are so rich they are pressing. 
pressing. pressing to buy goods.” 
carrying forbidden thoughts—to para 
phrase a master—wonderlully concen- 
trates the mind. My friends among the 
dissenters arc so desperate they no 
longer fret about being followed. My 
tails and their tails stand like the shiver- 
ing baptized outside the door. 1 have 
lunch at the Restaurant of Si the 
new Intou Hotel. 1 turn down an. 


shop. 


other K.G.B. offer to exchange money: 
"How are you I practice my English give 


you three rubles for one dollar? 
The place should be called The Res- 
wal Light Bulbs in 


"Pop art," explained my friend Sasha, 
“represents the excess of things—soup 
cans, Jell-O boxes. Sock art represents 
the excess of ideology—slogans. poste 


sha explained that they do these si- 
pictures of slogans and poster 
yles, not really satirical, they don't 
mean to be funny, they mean to be true. 
No. without seeing. 1 couldn't really un- 
derstand. Yes, the artists were desperate 
for a window to the West and would be 
pleased to ha ‚ even with my po- 
lice tail. Sasha and 1 took a cab ава 
another car followed us 

Sock art, socialist op ан, is the cre- 
ation of two young men, Alexander 
Melamid, м ried, 
pregna 
watchful 
e 
their painters’ union fo 
radation and they are not Soviet painters 
anymore. They are forbidden under- 
ground painters, Nonetheless, they are 
| painters. The two meu work in a 
"ment. in what looks like а So- 
sopgle-eyed 


av 


wile 
аг, divorced, 
They used t0 be Soviet paint- 


Now they have been expelled from 


ecological deg- 


bel 
plainer. Of course, better just to look, 
but sometimes words help. The sturdier 


nd his glasses, was the p 


Komar, a bit of the soccer player 
style, carried and propped paintings in 
corners for me to examine. 


“I'm sorry 10 bother you,” 1 say 
“No bother. We like.” 
(continued on page 200) 


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serious interest in the weird and the Gothic. For a $10 
contribution, you get to attend not only lectures, discussions and 
films but the annual banquet at which awards are given 
for the best horror movies, literature and television programs of 
the year. Note: It's strictly a bring-your-own-coffin affair. 


THE FRENCH DISCONNECTION 
Here itis, the latest in Watergate chic— 
а Continental-style telephone called The French 
Disconnection that Communication Control 
Corporation at 441 Lexington Avenue in Man- 
hattan is selling for $2700. Inside the gold- 
tone-plated exterior is a remarkable miniaturized 
device called the Wiretap Trap that, with а 
mere turn ofa knob, “automatically renders any 
illegal wire tap, present or future, totally 


inoperable.” For $2700, let's hope so. 


STICK IT IN YOUR NOSE 
Dr. Johnson called snuff brain food and its use 
uted to the curing of noli me tangere, dropsy, К 
poisoning from arrows, night sweats, consumptio 
pox. Aside from all t 
you tap the box thre 
inhale and—whammo! You've just dynamited your sinuse 
nt to sample such dynamite snuffs as Bezoar Fine Grind, 
Camelopard No. 5, High Dry Toast, Jasmin and Wren's Relish 
among a total of 18 especially blended varieties, send $7 to 
Dean Swift Ltd., Box 2009, San Francisco 94126. Snuff sa 


s been attrib- 

^s evil, the 

and the French 
the ritual of snitling is kind of keen— 
nes, gingerly lift a pinch to your nose, 
And 


AN EYE IN YOUR PUNCH 
Most people wear their eyeballs on thcir 
faces. Now you can wear an eyeball on 
your finger. How? By sending your ring 
size, сус color and $38 to the Kali Jewell 
Company (1848 Thunderbird Street, Troy, 
ег of some of the weirdest 
sterling-silver talisman jewelry in 
Christendom. You can also get, for $36, 

а black-widowspider ring—and, for 

$25, a roach clip with а black widow 
embedded in plastic. Or is it a spider 

dip with а roach in plastic? 


GREAT SHA 
Charlton Heston, Lorne Greene and 
a cast of thousands—in what? The Ten 
Bonanzas? No, in Earthquake. Based on a 
story by Mario (The Godjather) Puzo, 
Earthquake, which is soon to be released, 
dramatizes the neat lite things that might 
happen the next time the San Andreas 
faults. Furthermore, the picture will employ 
a new electronic system that will simulate 
the full audio impact of the cataclysm. Fun! 


GOLD DIGGERS OF 1974 
Today, you don't have to look like Gabby Hayes or hang around with a 
mule to be a bona fide prospector. All you have to do is join The Pros- 
pectors' Club of Southern California (3216 Sterling Road, Bakersfield). 
For a $7.50 membership fee, you get to attend the annual Prospectors' & 
Treasure Hunters’ Convention to be held this October fifth and sixth in 
California City. Events indude the Finders’ Keepers’ Treasure Hunt and 
ing the lost city of Atlantis. 


Gold P 


ng Contest. Extra points for loca 


PORN PUZZLES/DIRTY DOTS 
Remember all those tedious youthful 
hours you whiled away working follow- 
the-dots puzzles in tattered kiddie maga- 
zines? Or, in later life, the times you 
mpass direction” as “E.S. 
yell, now, better sharpen your pencil, 
as there's sex life in those old chestnuts; 
to wit: Dirty Crossword Puzzles and 
Aduli Connect the Dots, the latter 
subtitled “You Too Can Be a Pornog- 
rapher.” Each retails for $2 from 
American Publishing, 125 Walnut Street, 
Watertown, Massachusetts. (OK, what's a 
three letter word for “Bodily orifice sur- 
rounded by crumply skin"? Answer: ear.) 


RUM'S THE WORD 
So you think you know about rum: It's the stuff you put in a daiquiri 
or soak the baba in. Friends, whatever you know about rum, it's as 
nothing compared with the savvy amassed during a lifetime of guzzling, 
cooking, restaurant management and gencral knocking about by one 
Victor J. Bergeron, beuer known to the world as Trader Vic. Vic tells 
all, from cocktails through desserts, in his recipe-laced book Trader 
Ріс Rum Cookery and Drinkery, to be published by Doubleday 
soon at $6.95. We'd say the price alone is a reason to yo-ho-ho. 


199 


PLAYBOY 


"ТО BE SILENT” IS AN ACTIVE VERB 


g in the style of heroic so- 
m, the style of Lenin on the 
enin on the steps. memori. 
izes the father of Melamid. A timid man 
is embedded in Pharaonic stone. Ah. real 
people here, but they are sw 
idea. T begin to understand. A 
given a fancy frame and signed—as W. 
hol might sign a photograph of a motor- 
cycle and sell it as his. PARTY AND PEOPLE 
лик охе А. Melamid. соммихзм WILL 
wiUMPH— V. Komur. The familiar ob- 
ject is personalized and brought back 
where it belongs. to the voice of а man, 
so that it can be judged by men. Con- 
versely, intimate subjects. girls. parents, 
flowers, the things allowed by com- 
missus as long as they are taken 10 
be landscape, the gran- 
diose the double- 
es ше 
smile, since I have lived only a few d: 
among this gigantesque tumor of ideolo- 
gy. Methodically, patiently, ferociously, 
they respond to its affront to the spirit. 
They paint a cigarette box, even as 
baud would paint 
tes, but I see now the 
glorification of the Sputnik program that 
i t of Soviet tobacco 


A p 
cialist т 
ountain, 1 


nner, 


expressing 
think of double views. Yes. it m 


nything. 


rks very precisely: "The mass cul- 
ture which surrounds yon is tomatosoup 
cam. The mass cuiture which surrounds 
их ds poster about maternity, is slogan 
about party and people united, is por- 
trait of Solrhei h Fangs. is 
Daya for eye 


Moshe 


its shades drawn, the closed-down oppo- 
site of an artist's loft in, say, New York 
or San Francisco, is a succession of vi 
sions of Soviet reality. “In our 
we cannot get rid of posters,” Komar re 
wks. "So when we paint girls, they 
ve this cubist look. It is not always so 
|. 
“Thou 
be we need shock treatment. 
little bit sad,” says Melamid. 
interesting diagnosis. 
We all think a bit on this, and then 
Melamid proceeds with what inter 
him more than his fate at this moment— 
to make sure I begin to understand the 
vision he has come to as he works here in 
the dark, with bare bulbs, with shades 
drawn. with 
t 
асай of 
driven into himself by the pressure of 
mass. We want to show how men are 
made alone and we paint together, 
Komar and 1, to eliminate personal fact 
d show only fact.” He notices that I 
п uncomfortable about this small- 


h they say we are сагу and 
That is 
"It is an 


w 


(continued from page 196) 


We work nor 
t. Art is a tool for us.’ 
s are good. 
aked smile from. Me- 


group effort 


1 
“Spasyiba.” 


lamid. Kom chaste 
acknowledgment. 
“Painting is your form of, uh, the 


word we use ш Ameri its almost а 
diché now . . . dissidence? 
“We've heard the word. Ne, we 


not dissidents, we 
make 
active теги: 

But we would all г 


e 


work than filter theories through several 
e barriers. Komar sets up а con- 
un painting, only the 
«Не. They 
time 


langua 


s a hammer 
e taking the psychology of the 
and expressing it i 
use, indeed, it fills the 
d not with inertia. 
The shades are drawn. There are no 
buyers, They show me dozens of р 
gs. No, this is not inertia 
For example, the Nose Series. The 
nvented а one-eyed р: 
mov. He is 


and they have 

ings, 64 of them, four 
t a different season, but 
at the same place, the same time of the 
year, until his purging. ("Why was he 
purged?” J ask. “Nobody knows.) Im- 
pasto, blur, artschool selftaught model- 
ing. Buchumov never moves. Farly on, 
in 1917, there is a counuy church, The 
church disappears. There has been a rev- 
olution. А tree grows. The sky remai 
the same, year after year. The life of Bu- 
chumoy literally frames the events, and 
1 begin to giggle with the h 
tition of one silhoucttc—his nose. The 
one-eyed painter, of course, sees his nose 
as a fixed heroic structure. As the vision 
tikes me, 1 begin to laugh, but the: 
don't even smile, So many noses in the 
crude, nearly identical frames of the 64 
painstaking, talentless oils. Bergson de- 
scribes humor as coming from the per- 
ception of mechanical repetition where 
there should be original, individual 
adjustment to reality. 

“It is not satire,” says Komar. “We are 
just stating the fact. And he pays with 
his life.” 

"You will perhaps notice." says Me- 
lamid, “that the nose gets a Tittle 
as Buchumoy ages. Noses do so." 

Its in the Russian tradition to be Г 
cinated by noss. Gogol’s neses paraded 


down the street like people. The series 
stops suddenly. Melamid shows me a 
typed book, а tribute to Buchumow He 


must have died in 
tact 


ome purge. Out of 
id. sadness for the execution of the 
ginary painter, T don't ask how Bu- 
mov sinned. The seriousness of their 
effort makes Western art foolery seem 
merely uivial. 


I the known works of 
lov, the serf genius 
art in the 18th 

inventoi Me- 


They also ow 
another painter, Zy 
who invented abstract 
Century. "Our. Russian 
lamid “murmurs proudly about their 
creation. “У now how Russians dis- 
covered everything?” Melamid and Ko- 
таг have alo written the biography 
of Zvablov and collected the usui 
demic tributes. 

During the worst days of St 
the painters who made th 
repeated heroic expressions of 
Speaking, Stalin ‘Thinking, Stalin Sym- 
pathetic, Stalin. Steellike abo produced 
ап avalanche of landscapes. by some 
comfortable reflex. action. Komar and 
have parodied these loboto- 
mized Landscapes without the glorifica 
tion nized abstraction. Under 
the ight bulbs they have been very 
busy and very productive, undistracted 
by galler exhibits or 
public dis 

In another тоот they have con- 
structed a space they сай Rai. which 
paradise. It is filled with collage, 
wire construction, breezes, painti 
ages, paste-ups, and as they let me live in 
ita lile, they turned on а tape of die 
st instructional mutter of Soviet 


broadcasting. It was an environment. of 
not so 


mixed хийс and hope and 


eries—maps, nudes, colors, shapes. 
flowers, perspectives, memories. When 1 
had had enough, I signaled to be let ou 
Their faces were bland. They hoped 1 
enjoyed the trip. 

To be expelled from their union for 
lating the principles of socialist real- 
m means that these two young men are 
пом outlaw artists, This is а contradi 

i s. If you're not a member of 
the union, you're not an artist. They 
write leners of protest to officiaklom: 
olfiiallom does not stoop to 
outlaws. Ollicialdom has more important 
papers to shullle, They know that the 
K.G.B. is gathering information about 
them. Sock art must seem insane to cops. 
What ppen? What happens when 
only the cops аге free. The world will 
not protect. unknow из. И they 
are declared crazy, who can argue for 
them? No wi As Mela 
says mildly, "The average Soviet psychi 
wist will certify us 

The novelist Vladimir Maksimov and 
the physicist Sakharov came to see their 
work. ‘This will not protect them. Ne 
men somer But what is the 

i 
k 


swer 


1 is necessary 


They are not dissidents or revolu- 
tionaries or heroes. They аге only artists 


tensity. АП they have is d 
stubbornness. They have some playful 


КАТ: ажы; AW 
SSS SS OW ка 
ч а ть 

эй CN REN Р 


— À 
к 


PLAYBOY 


202 


visions and some poign: nd they 
ck time and space. pa and 
freedom to work through that stubborn 
itch of creation. Who will keep them 
from hi they try to provid 
native to Letrak City, Moscow branch? 


nva 


I enter the warm clutter of an intellec- 
tual Russian. apartment—books, records, 
photographs. furniture of all periods, 
many chairs, as if an audience is expect- 
ed (and, indeed, the evening is a pertorm- 
ance, the guests are an audience), dark 
ters, the smell of 
n a Frisbee uously 


wood, sw 

wool, gui 

perched on a bookshelf n 
р. 

ead 


scarves, 


sternak, trays of che 


butter, 
app 
Kuliurny was the traditional Russian 
word that expressed this style and it 
meant graceful. таси}. loving, inrellec- 
tual; and perhaps it also had overtones 


and collec. cog 


nd more food hour. 


g every 


inst the world. Someone is sin 
ne of whose couplets runs: 


Those with empty eyes т leaden face 
Tell me to pay their debts. 


Nine years ago. 1 made a friend in the 
Writers Union. He shrugged helplessly 
over the "problem" of losif Brodsky, 
poet, who had been sent to a 
lor parasitism—he was not 
poet. My friend was “evolved.” perhaps 
more evolved than others, but after all, 
socialism has bettered the lot of men. He 
would keep his peac 

Now my fiend 1 
some things—Solzhenitsyn, the 
Sinyaysky and Daniel. the use of m. 
General Gi 
а gritted his te 
as the 


s spoken out about 


of 


renko 


hospitals 

and others 

such matters 

Dubtek’s m with a human face" 

at the end of the tragic Prague summer, 
the bitter anti 


rmed cr 


"social 


about 


ionis campaign, 


Mate and Municipal Life makes no 


moral judgments. We merely say that a man with two wives 
should carry twice as much insurance.” 


with its archaic теми 
prudence has only | 
My friends from 19 


. His partar 
ally saved him. 
flourishing after 


the Khrushchev thaw, are now outcast, 
unemployed, 
bei 


threatened. They were 
harassed by success and the fi 
gainst cynicism in the mi P 
Now they look. unworried 
than n ago. Per 
only thinner, They a 
are free now," 
down like 
thrums, They sip tea, nibble bread, sing 
the songs that make trouble and Taugh 


fallen N 


when E ask what their best hopes are. An 
And 


old fiend answers: “Hopeless!” 
then he picks up his guitar and s 
new song, full of bears. snow, dru 
olution. “We're fighting for peace 
gelling ready fos 
done that m 

My friend Yur 
it is time for a 
ceiling and makes that familiar circi 
gesture of a tape whirling on its spool. 

We blow pulls of frost 
long dark block, plodding 
ice. Yuri has a complicated matter to dis- 


by 


wars, we've always 


s to me, "And now 
He points to the 


cuss. A few yems ago, an Ama 
friend, a writer. offered him a gift of 
money. He refused, a little insulted. 


even, "I was working, my wife worked, 
no problem. Now. Now would vou rell 
him I am so happy for the success of his 
Jast book? But 1 con no longer publish 
my books. My wife uo longer has job. So 
И he would still Кс... No." 
"TII cell him.” 
“The situation is difficult for us now. 
Ви no. 
“Tl make sure he understand: 
It has to do with things he has said 
and not said, petitions he has signed and 
not signed, even with books he has read, 
languages he knows. With the dillicult 
times. And so if this American friend 
would still like to make a щй... He was 
wringing his hands. There were frozen 
tears on his cheeks. Rage and pride take 
strange, contorted shape on a sturdy 
o! Please do n 
Don't worry, ГИ expl 
"Sometimes we're not. sure 
have enough to cat!” he cried. 
We walked back in silence. 


grandfather's facc. 


if we'll 


arb has d. 
lashed, sleepy. eyes and the 
Тахе slouch that tends to initate раге 
and make girls long to improve a fellow's 
ch He is also a very intelligent 
young man, a micobiologist by profe: 
sia hair grow long; he 
wears jeans with zippered pockets; he 
looks like a Berkeley graduate student. 
But instead of the pleasures of coffee- 
houses and grant-getting, a trick of histo- 
ry has put him imo a tortured maze at 
the age of 26. He happened to be born in 


the Soviet Union. He has requested а 
himself and his non- 
hc round of abuse, bi 
He is an 


ow his life. 


ther іу an internationally re 
nowned gencticist, Soviet war hero who 
lost a leg at Stalingrad. Sasha himself 
placed in a research institute. where. 
the single Jew. he had good hopes of a 
comfortable career. Instead, hc has been 
out of work for iwo yems, arrested, 
hounded by the police, beaten up by 
mysterious anonymous strangers, because 
he requested to be allowed what the 
Universal Declaration of Human Rights, 
which the Soviet Union voted to adopt, 
preseribes—the right of free em 
tion, without which men are serfs. 

Why has he chosen this difficult fate? 
He is a cheerful man, not a suicidal one 
He makes trouble for family 
not just himself. and he has interrupted 
his research at the crucial age of rapid 
achievement. and there is reason to fear 
his sacrifice will be in vain, they will 
hold him prisoner and toy with him— 
why? 

We hung our tog 
the streets of M. 
with 


nd friends. 


her; we wandered 
noses bi 


T met his 
watchin 
make their 
m and pretty 


nd long. braids, 


cold, beards 
many of them 
troubles unroll before the 


friends, 


decisions. His wile, a sl 
broad face 


fixed lunch. She practiced her Hebrew 
оп me and showed disappointment at my 
vocabulary. I let their story unfold as we 
pulled apart the chickens and ate mar- 
velous black Russian bread. made from 
American détente grain, which somehow 
norphosed. during its sca trip from 
glutinous Wonder Bread to chunky 
strong chomy h 

Sasha could 


but instead he risks prison for 
tain sojourn in a troubled little n 
far away. He began to think of himself as 
а Jew and to inform himself of what this 
meant only after he decided to go to Is- 
racl. Now he is reading the Bible, remak- 
his history. His fair Slavic wife w 
a Sta of David around her neck and 
s her Hebrew-Russian dictionary 
Yt fret too much about what 


car 


and doe: 


happens то her in the street. Why? 
The example of Istatel’s triumph and 
suffering led him, no doubt about that, 


hut his life in the Soviet state. despite his 
family’s favored status, determined. his 
As a brilliant graduate. he was cho- 

1 by the head of a research department 
to cuter his program. When his n. 
put fo 


mc was 


d. the political overseers— 
ed 


call. commissars— 
the chiel: “Why do this Jew? 

“He's vary good. He's valuable.” The 
professor hinted he would resign il his ve- 
quest were not 


what we used 


nec 


cmment. favors sci 


res this Ru 
for him. But as things developed—the 
Six Day War. the an 


resni 


not for him— 


chief said, 


So he swept the stree 
it rankled. 


could have lived с 
dled. де 
away from my brothers.” 

Не warned. his par 


asked him not to. 
longer have the 


judgment and the К.С 
sav. “Vou sec. 


he a good researcher. but we know our 


ence and somezimes a 
nd up against а cop. it 


he doesn't abuse the privilege. 
“AIL right. You can have him. Take 


esponsibility. 


other people. for Sash 
became 


asked to do "volunteer. street- 
labor" and refused, and his 
Look. 1 stuck out my neck for 
- They'll never give me a 


on his day off. Bui 


vastly 1 
пей. cod- 
looked 


А few little problems. Bu 
lortably. | 
] had 


tly milked, 


d his spon- 
boratory that he 


ат the research Ja 


med to ask for an exit visa. They 
His father would no 


chicf would be berated for poor 


В. overseer would 
ч} you. you may 


we w; 


med at 
Negro! 


ess.” His wife's brother ser 
“Better you had manied 


Now if 1 have to put down that 1 have 


РН 


„= Zareyton 100s >. 
БЕННЕТ, eS, 
NERIS. 1 


King Size: 21 mg. таг", 14 т. nicotine 
100 min: 21 mg "tar 15 mg. nicotine; av. per cigarette, FIC Report March 74. 


Warning: The Surgeon General Has Determined 
That Cigarette Smoking Is Dangerous to Your Health. 


PLAYBOY 


204 


relatives in Israel, all is lost, promotions, 
everything!" 

He told his chief he was determined. 
‘The man shrugged. sighed, turned away. 

He went to OVIR, the visa office, and 
applied. 

OI course, he lost his job immediately. 
His application was denied, and denied 
gain, and denied again. No means to 
live, No chance to keep up his skills. Не, 
100, is threatened with the mental hospi- 
tal, He carried old copies of Scientific 
American with him wherever he went. 
“OL сошзе. very interesting, but I am re- 
search, | need lab. Of course, it is also 
rather hard to concentrate.” 

Two years of this. He works as a labor- 
er to avoid the charge of parasitism, Не 
is now a rcfusenik and a Moscow Jewish 
activist, Many of those dear to him are 
lunt by his action. His family, his spon- 
sor, some teachers. "Well, th 
their choice, they have to permit mine,” 
he says, but clearly it saddens him to be 
the source of pain ана trouble for others. 

He is les nglish and Hebrew, 
and wailing—especially the last. Patience 
comes hard for a young research scientist. 
Uhese are the years of creation. 
wile was also a scientific researcher 
also lost her job. She is better at 
brew than her Jewish husband, One con- 
solation in all this, she says. is that they 
spend more ti together. They are 
holding hands. 1 am holding the wings of 
а chicken in two chicken-smelling hands, 
They laugh at my negligible chicken- 
skills. 
ha talks freely about his troubles. 
iliar part of 


v have made 


cing followed is now a f 


his life. He writes open letters to the Pre- 
sidium of the U.S.S.R. and арр 


demonstrations in Red Square. He visits 
other refuseniks and non. Jewish dissent- 
ers, such harov, and those who 


strive for internal reform. and even perse- 
cuted Baptists and other religious people 
and U ionalists. He says about 
а young K.G.B. probationer who tried 
clumsily to entice him into а money- 


changing operation: "Poor kid. Не 
stuck. 
You don't hate those who mike 


trouble for yo 

Не. 100, is а Russian, He accepts. He 
says: "Maybe ГИ go away to prison for a 
year or two. Usually, alter that, they get 
tired of the game and let us go. 

“I prefer not to go to prison," remarks 
his friend Vladimir. Kozlovsky. a scholar 
of Sikh culture, a researcher into Eastern 
ions, а compiler of slang dictionar- 
s. who apparently also has secrets tha 
equire refusal of a visa, His last job was 
doing а running oral translation of The 
Godfather for a private showing. 

“How do you feel about those who are 
still waiting, those who will never take 


your risk 

Sasha is two de ager than T, 
but he looks at me with pity for my 
American simple-mindedness. "How can 
they throw away all their beliefs, all they 
e suffered for?” he asks me. "How 
can they tell themselves not only that 
they will die but also that all tli 
were a disaster? Don't you те 
ds went to their deaths 
shouting "Long live Stalin!’ as the firing 
squads fir 


"We try to relieve the monotony as much as possible." 


We spend the day 
walk about, He points out the cha 
feured cars of important people w 
curtains on their windows. The faceless 
bureaucrats don't want their faces seen as 
they glide through their domain.® 

When I get a cab for the trip back to 
my hotel, it also contains а girl. She of- 
fers me а quick cuddle home. Although 
it’s cold and lonely in here, I decline. She 
stares straight ahead 

Red Square, the Rasiya Hotel, а hot 

h and pushups T hope the girl won't 
get a demerit because her khow-areyou 


ossiping, cating, 


t morning. As I 
n the wintry sun of Red Square. 
the soldiers stand at attention in front of 
Lenin's tomb and it sec 
at the same guided tourists from Easter 
republics, waiting 1o file past the waxen, 


melted relic of the great untouchable 
ten 


leader, 1 June nearly 
years ago. Someone has brought them v 
ter coats aid fur hats. Healthy, spick-and- 
span officers clatter by in their high boots. 
One young captain holds his daughter— 
the age of my youngest by a hand and 
takes his salutes with the other. The child 
toddles in the stiff, bundled gait that 
seems almost natural now. I, too, am swad- 
dled in layers of wool, leather and fur. 

lam waiting to meet Lydia, 
ex, at the Intourist Hotel. The city looks 
clean despite sky«larkening belches from 
the stacks of the electric plant nearby 
No dogshit (no dogs. either), little litter 
of paper and squads of old babushki 
sweeping the square with long birch 
brooms. But once you leave Red Square, 
the somber, closed-down look of Moscow 
makes you forget it’s really а nicely 
scrubbed town—a layer of brown reserve, 
al, no commer- 
who 
swept up by the citizen militia along 
with the litter. Somehow the stark slo- 
ed on white or black—coxwU- 
тизм WILL TRIUMPH OF PARTY AND PEOPLE 
uxtreD—are no more invigorating th 
PEPSI TASTES GOOD or ГМ OK YOU'RE OK. 
Komar and Melumid are still telling me 
something, which is what artists are sup- 
posed to do. They go on going on. 

Lydia is not afra 
Nothing more to lose 
now. She belongs to a group that 
has sworn to take the consequences of 
its judgment of life 
cares what happens to her. Des 
she is a twinkly, specta- 
ded. grizzly middle-aged lady with that 


me. 


here 


ad hardly 


®AL presstime, 1 received. word from 
underground that my friend. 
Alexander Goldfarb was in hiding, pur 
sued by the K.G.B. His friends are 
threatened with prison unless they be- 
tray him. А brave young man is being 
hounded to destruction. 


sources 


Was 


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PLAYBOY 


FIRST. RINSE OUT KOUR BATHTUB. CALL. 


э LOTS OF TWEM 
UP YOUR FRIENDS. тираш 3 BLOCKS OF ICE IN 177 
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een ame а! Now You HAVE A CUERVO SUNRISE 
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THE ONLY THING LEFT To Во 
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EITHER 8 QUARTS п 
THE TUB OR @ DoLLoP 
IN THE GLASS. 
STIR ITE 
ITS твев FUN 
O THAN STIRRING- 


JOHN 


Е Socks, 


еа 


4 BOPROOF. JOSE CUERVO" TEQUILA. IMPORTED AND BOTTLED BY ©1974 HEUBLEIN, INC., HARTFORD, CONN. 


critic: moyement—reform, free speed 
of information, no prison or 
asylu sidents—she worked as 
translator for Intourist, It amuses her to 
shock her former colleagues by appearing 
here. She says happily, "Good, the food 
for lunch is better than it used to be. The 
матен will be happier." 


exchan 


n Moscow, 
г of Ји 
п his blue- 


On опе of my last days 
Melor Sturu: 
tia, invited me to v 
walled sunny offices 
The name Melor 
Marx Engels Len 
Melor's parents must be old-timers. The 
last time 1 saw him. he was а correspond- 

i песо, Now, minty 
ed 


s- 


French suit, he offered me the custor 
Russian hospitality, tea, cookies. sweet 
and savory eatables on a tray, served by a 
lady he described as his “colleague.” She 
whisked the food off the tray and then 
the colleague whisked herself 
how have you been?" he asked 
I was talking fast about his suit, 
healthy look, our mut 
Vork. 1 feared emh 
about what I was doing. whom seeing, 
but his real concern seemed to be to ex- 
press hurt because. of ап open letter to 
Exil Shorris. published 
й How сап poli 
he 
but why 


questions 


in The N 
tics and personal life be confused? 


asked. “I am a Soviet person 
blame me for political hurt: 

А moment of melandioly enveloped us 
along with the sun. the smell of lemony 
tea, he silence of incomprehension. 
Shorris Ii about the gleeful So- 
g оГ war upon the Arabs and 
friendship. “He 
would not have written so after the Six 
Day War," said Sturua. "Because there 
was what the Arabs call a victory this 
time, naturally, he was emotionally up- 
set. I was not so concerned.” 

That night E went to the farewell party 
for Vladimir Maksimov, the novelist, who 
was being expelled 10 France. Hundreds 
of people flowed through his apartme 
all day long. to say goodbye. Those ob- 
serving outside looked like the plain- 
clothesmen T have seen at demonstration 
y in thick black. сөл 


changed the: 


heads. The crackling of occasional hidde 
kies might be confused with the 
nt robots. 

iksimov weaved 


walkie- 


In his tiny kitchen. М 


slightly, pressed his pugnacious lips to- 
gether and а disaster, 
сатам 


"Why not enjoy your exile: 
former laborer, sell-educated 
ened. Less famous than Solzhenitsyn, he 
knows how trees wither when their roots 
cut. 1 talked about Turgenev. Naho: 
Кох, Bun all the Russian writers who 


worked in exile, "Why not just enjoy 
Par T asked, feeling foolish, like any. 
onc who suddenly ds еН iu ше 
consolation business. 


ЗА disaster, a catastrophe, and do you 
understand ше?” He stared at me wit 
glaze of rage. How could he explain 
thing? Comfortable in Cal 
could I know about his earth, his history, 
his hope to live in peace with his own 
people? Only at home did life have any 
теши 


ve 


ght of the peculiarity of this n 
tion, where those who desperately w 
y are shipped into exile and others, 
who feel they can survive only elsewhere, 
re pinned in place like wriggling insects 
the pleasure of people who seem to 
have no pleasure and give no reasons, 
Belligerently Maksimov shouted 
ne: "I'm nor Turgenev, I 
thought Т heard him say he was greater 
than Solzhenitsyn. It was sad to be drunk, 
hurt, expelled fom the only 1 
and world he understood. “Maksimov 
wants to be a Russian!” he howled. hi 
was a long party for him 
Then Г went for another midnight 
supper—getting heavy on cheeses, sau- 
sages, butter, bread—at the apartment ol 
some friends from my last visit, when I 
hac found them atractive Soviet people, 
enthusiastic about forcign literat 
very i . but making out OK in 
Soviet reality. They would never rock the 
boat. Well. the boat 
rocked. They are expelled from the Writ- 
ers Union, black-listed: and they are not 
world-renowned. but they are decent. dis 
tinguished, thoughtful, warmheartei 
the late end of middle age and fixed in a 
limbo of no work, no money, no travel; 


tellect 


has been 


now 


So much [or Mother Goose. Now the myth 
about vaginal orgasms. .. 2? 


they are frozen in а winter they cinnor 
understand: fear, threats, isolation, and 
g in a peculiar din 


theless, their Russian gaicty 
pokes its head out for che evening. A gui 
tar, songs and exchange of jokes. eager 
questions about writers whose hooks they 
по longer receive in the пий. An old 
man who looks like a Tolstoyan peasant 
Idish head with a thin mane ol 
nc, grizzled beard. gr 
everyone, male or female, 


wer kisses foi 
makes а nonpeasint reply to my ques- 
tions about. Maksimov. "Some manage to 
leave for the West. Some Jews cin go to 
Israel. The rest just disappear. They stay. 
1 don't mean die, 1 mean silence. 1 me 
drink or silence. Gone. That is not bra 
drain. What Maksimov s 
that is true. Tt is soul drain.” 

“Whar can I de 

He looked at me with hi: 
ing. old man’s face, and took his pe 
mts heavy май and pounded the floor 
with it, and shouted with a certam Rus- 


id, disaster, 


rosy. © 


ман pride: “The Soviet Union will not 
he solved. or solve itself. at the will of a 
traveler! 

And all these friends are fixed in a 


frieze of joy and 
nd inwardly, ar 


themselves, їп judg- 
ment of the presumptions of human 
will, Time will tell who will fall and 
who has been left behind. My rosy. cheer 
ful old friend keeps his manuscripts in 

metal box, He las a weak heart and 
will die one of these days, And a great 
nation is still waiting in history with all 
i g the act of a noisy, 


205 


PLAYBOY 


206 


ri Harmony 


пема than 


Three-Pa 
Th 
had anticipated—Avabel 


сл 


more g nyone 


s friends from 
the gallery : 1 critics 
Benedict's associates from the magazine 
ad a number of his mother’s circle of 
id 


dealers a 


ad 


quiet little knot of C 
to Tulip. In addition. there wa 
tering of individuals trom var 
of life in a profu 
bers of the cong 
sense of shared 
put it. 

The program started with readings 
from Rimbaud and Baudelaire delivered 
by the bishop to the accompaniment of 
a threestringed Chinese violin. А group 
from the congregation be Har 
Krishna chant while the bishop wafted 
the room with incense. 

Then the bishop moved to the heart 


а seat. 
ous walks 
of costumes, mem- 
long for "the 
as one of them 


tion 
bliss. 


(continued [rom page 126) 


of the servic 


having the partici] 
d reading (0 them his 
th to join the participants in holy 
wedlock, At ihe moment of the 
tional statements and responses, all hell 
broke lose. 


n hands а 


trad 


It was coming from the back of the 
crowded room. Benedict couldn't ее ex- 
аспу what was going on t the 
haze of incense, but there was no que 
tion as 10 who was the star performer. 

His mother’s voice, thrilling in is 
est contralto vibr: Hed the church 


“godda brothel” ihe guests 
weirdo, plasticfreak cultists” and the 
bishop "a son-ola-bitching Lower East 


the bishop kept saving. 
kling. "Splendid. 
s of Rome! Twi 


ht of 


hat's far enough, Cyrano.” 


Exit Mrs. Blesing And Meg. For a 
hushed moment, the audience listened 10 
the offstage tirade drift from the 
It died, finally, with the slam of 
the cab d 


“And so.” 


sue 


the bishop said. finger tips 
touching. “revitalized and rededicated 
by thar stirring, performance, we move 
on to the culmination of this union; 

As soon as the fi 
had been made, 


iouncement 
ped out by 


himself. The cab thar had brought Ara. 
bella and Tulip was still waiting. He 
commandeered it. Though married. he 
had a filial obligation to fulfill, He was 
sure that everyone would understand. 

Th was an agonizing rides crawling 
through the darkness of a winter'salte 


noon rush how 


The 
horny. pneumatic drills Iro 


icking meter, the 
street crews 
Ш blended in his mind with the chants. 
He ev thought he could he 2a 
wailing of rhe th 
lin. Were all weddir 
"Ive just been 
wrong. Are wedd 
culi: 
“Always.” 
ic. 


the 


this traumatic? 
wried. Things went 
ngs always this dilli- 


the cabby said. "Believe 


Benedia found this beautifully reas- 


ig. 

Bur his mothers apartment. was de 
serted and his anxiety renmned. The 
doorman hadn't seen either of them. В 


edict went 10 Henris and searched the 
dirk booths—his mother would never sit 
at the bar—but they weren't there. He 
went on w the Volga, an obscure cock- 
tail lounge favored by aging White Rus- 
sians. This time he was right 
them were ac a little table in tlie comer 
drinki 


He sat down w 


Fhe wo ol 


hout a word 


naled to Bro ne more 
of the Judging by the napkins. 
Meg and his mother were into their third 
round. Fast work. Still по one talked 
They were leaving the opener to him 
“Did vou see that threesuinged Chi 


э. the waiter, for 


same, 


nese Violin? Wasn that something?” 

h was Hike lancing а boil: “Violi 
You talk about а weirdo vi Р You sit 
there alter an айай like thar and valk 
about a violin as if we've just been to 
some international musical soiree? How 
could you 

Anyone else might have felt that his 


had been the wrong opening move. but 
Benedict had observed his mother f 
more thau two decides. He knew from 
experience that по one moved his moth- 


er with app or reason. Dis 
traction. im These were the 
only tactics that w 

“And the dl be said. “Have 


vou ever heard Hare Krishna. given so 
nuch Feeling? 

“Feeling? My God. Benedict 1 should 
have had you committed.” 


i" he said to Meg. 


ig. As weddings go." 
„ stood up. "Y 

Insane" На 
AIL heads in the Volga were 
her direction. The captain 
Bruno stood nearby, smiling like 
pprehension. “What did 


both 
voice 


absolutely insa 


had risen. 


and 


about the music after conducting a ritual 
that was а positive obscenity. There are 
mo standards lelt anywhere. It would 
serve you right if I stepped out that door 


hr in front of a сар. Monster 


a 


time to shift tactic 
rvelously," Benedict said, stand. 
ing. too. "No son deserved more. A ter 
ble strain on you. Other mothers would 
have suppressed their feelings, would 
have been caten out. You express your 
honest convictions. Right out in the 
open. Just exactly what you feel. And 
that takes courage. Гуе learned that 
from you. Whatever courage 1 have, Гуе 
learned from you.” He picked up both 


her hands, clutched them toge 
Kissed them. “Thank you, Mother." He 
turned to the captain and the waiter and 


the nearby tables. ve been the luck- 
dest son in the world.” 
Mrs. Blessing stood there, caught for 


once without words. Benedict couldn't 


be sure, but he thought that there were 
tears in her eyes. One last kiss, full on 
the lips. and he was gone. On the run. 


Avabel 


When he reached . he was 


flush with the sense of victory—the mas- 
ter diplomat who has singlehandedly 
avoided a nuclear confrontation between 
He opened the door 


major powers. 
with his key and caught the familiar. 
sensual smell of hot polyethylene. The 
lights were out and for one dark mo- 
ment, he was afraid that he was in for 
another search. But no, there were candles 
lit. And at the [ar end by the studio win- 
dows were two forms. It was Arabella and 
Tulip dancing slowly to a recording of 
soulful Tibetan temple music. 

He sa the water bed, home 
at last. The gentle undulations under 
the covers soothed hi 
rything solved 


dow 


Arabella asked. 
“А great ritual parting, Everything 

solved. Sorry to I the church. 

But you knew I'd be back, didn't you: 
“OF course, love.” 


е you 


She stopped dancing for a moment 
and gesumed to him. He danced with 
her for a while. Later she stepped back 
and he and Tulip continued. Не al- 
s found her thin, adolescent body a 
amt contrast with Arabel 

fullness—like sweetandsour pork. he 


"s ripe 


thought. No, more like a rich port and 
a light Chablis, alternate sips. 

Without planning, completely at case, 
they moved to the water bed together. 
He began kissing the supine Arabella 
while Tulip massaged his thigh. 
sy does it" Arabela whispered. 
"There's no rush. 

Lovingly, hands were undoing clothes. 
was no sure way of knowing 
whose were working on which. Fabric 
re and there. The Tibet 
ns slid up and down the scales 
with serpentine sensuality- 

“Why was she so uptight 
voice asked. It was coming from behind 
him now, but he couldn't tell whether 
those were her hands massaging him. His 
cheek was resting оп someone's arm or 
ps a leg. “What set her ой 
Who knows?” Benedict said, shifting 
again, probing new 
was the service. T m à the bishop 
said. ‘Do you, Arabella, take these two 
good people as your lawful mate: 
Dh, good," Arabella whispered, but 
she wasn't ng about the bishop. 
"Very good. You know, you 
really marvelous." 

Benedict felt no sensation of strange- 
ness, of experimentation. Indeed, it was 
as if he had been doing just this all 


his life. 
ü 


slipped away 1 


two are 


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207 


act), his crew. 


ally in Vogue, 


PLAYBOY 


By a quarter of n 
well into his set, but in the backstage 
t was just background 
watching the first 
-party limos 10ll to а stop. 
of the band and 


honor. The men were wearing black 


and battle jackets covered by the 


liquid gleam of gold sequins. К; 


quined dresses 


Then came the limo bearing the cou- 


ple's parents. They were a 
but sparsely. Mr. Stewart. Sly's father, 
had a few gold sc 


Iso sequined, 


“Tell him you're a 


SYLVESTER THE CAT continued from page 101) 


sarden staff, Sly’s retinue— 
and 11 of the tallest, prettiest, 5 
k girls you ev 
black. They were the brides 
of them turn up occasioi 
and all work as higllashion models. 

Kendricks was 


line of the night: “I always wanted a 
rden wedding.” 

Sly and Kathy arrived a little after 
ninc. More gold: his a jump suit that was 
1 gold sequins, with a floor-length cape 
ipping from his shoulders like a golden 
aterfall; and hers а dress vagucl 
spired by a sarong, with train, also solid 
gold. Under the TV lights, with flash- 
bulbs and strobes silently exploding 
where, a 
ed anyone within 50 tect 
probably the point—to be so 
human eyes cannot look upon you. 

Бу 9:30—right on. schedule—the pro- 
cession started onstage. First the models, 
1 carrying golden palms (їп honor of 
uhys home, Hawaii) and then ше 
band, Sly's mother, by way of Kicking 
g olf, made a speech about how 
d how "Me and my 


w 


I that gold practically blind- 
ich was 


ppy she м 
mister hav 

t Slys 12 
About Tomor 
t. A nice f. 
since she was very loud 


compa ily touch, but 


awful 


Taurus!” 


and couldn't find the right notes. Follow- 
ing the band in the procession were the 
parems of the couple, plus three small 


and 
nd the minister, Bishop В. В. 


lentified children. Then came Sly 
Kathy 
Stewart from Siy's family church in Oak- 
land. By this time the audience was a 


held of flashbulbs going off and the 


screams were more and more frenzied— 
and it took several requests Гог q 

the cere 

а brief 


the midst of the super- 
De Mille st amd clamor, Bishop 
Stewart managed to give the moment a 
touching and very real dignity. By ten 


Somehow 


m 


final se. 
the couple oll 
wedding р ed while the stage 
was set up for the concert, Jan Hod 
field said the next d. - New Yor 
Post that Sly's playing wasn't the great- 
est "Well, what the hell, how many 
bridegrooms really do perform. well on 
their wedding nights?" Nice line. but not 
accurate. Му did play well—mostly old 
hits such as Stand, Dance 10 the Music 
amd Higher, plus a couple of songs (гот 
new album. Not transcendent, but 
ood as you'd need 

By 11:30 а large clot of photographers 
had < 10und the elevators lead- 
s Sunlight Roof. 
They were waiting for the cel 
arrive. What they got were some society 
folk. some aor and an unbelievable 
crush of would-be gate-crashers——from 
people vieldii bottles and issu- 
ng death threats 10 stoned kids who 
iming to be Truman 
Capote or whoever entered their minds. 

Bur the party went well. A dance b 
ned — Webster 
was a Japa- 
vo sushi bars: p 
turned all the way 
шем wedding cake 
lopped with a gold 
record. Sly and Kathy arrived about one 
лм. They cut the cake. did an hour's 
worth of obl partying and left for 
more private pleasures. The рану lin- 
ered a il after three. d 
ие, as parties must these days, with a 
streaker. 

College sueakers arc into it for the 
риге dumb fun. of doing something to 
mind-boggle the straights, bw Муз 
streaker had other reasons, since he was 
in veal life a star of porno films. His dash 
across the pearly empty Starlight. Roof, 
cock jiggling past the party's re 

vasn't Hasher high 


Чот 


о 


broke 


dered in c 


caded Бу 


someone na 
Lewis played all night; ther 
nese bullet. including 
lons of booze: n 
up to ten; and the bi 
nybody ever. sav 


I пей ui 


Which 


ога whimper—but with а commerci 


у) She Sh end, 
Mas 


poid; 94 pish Mead 
ти 


night eam. m. ake aman., 


Onish mead a disarming uw made RB 
with aged heathi henen Liga а x 
mang van the Mp 


«о obvaccorwilft- E 
Aa ame ana 


PIPE TOBACCO LACED WITH AGED 


f he Fenty THER HONEY LIQUOR 


Thy Кү i 
and лос how Ahe- 


PLAYBOY 


210 


PLAYBOY FORUM 


opponent of methadone in his office for 
giving а misleading account of autopsy 
reports on addicts. 


Тат impressed by the letter from San- 
ford P. Cohen. I wish I lived in New York 
so I could vote for him. 

Patricia Bond 
Denver, Colorado 


SANITY AND THE LAW 
At last, one public officia 
State has taken a ма st rhe ма 
Draconian antidrug law. which was 
passed mainly for the purpose of further- 
ing Nelon Rockefellers Presidential 
mbitions. Manhatan t attorney 
Richard H. Kuh has announced thi 
those arrested Гог selling small amounts 
of methadone will be given a chance, be- 
fore they arc indicted, to plead guilty to 
lesser, misdemeanor charges. Under the 
ultraharsh Law. they would normally face 
mandatory life imprisonment. 
А New York Times editorial compared 
Kuh's stand with that of 17th. Century 
court offidals who. during the witch- 
hunt mania, found ways to circumvent 
the cruel. punishments imposed by that 
era's laws. As the Times pointed out, 
“Mr. Rockefellers politically inspired 
monstrosity has failed to have any 
measurable impact on the flow of drug 
or the operations of major narcotics deal- 
ers.” Perhaps Kuh’s action is а first step 
back to sanity and compassion. 
J. Edwards 
‘Atlantic City, New Jersey 


in New York 


id а, 


POT AND SEXUAL FUNCTIONING 

Rescarchers at the Reproductive Biolo- 
gy Research Foundation reported that 
heavy marijuana use—at least four days 
а week for six months—by 20 healthy 
men signific: decreased their plasma 
testosterone levels and sperm counts 
(Forum Newsfront, June). Two sub- 
jects reported actual difficulty function- 
ing sexually. The researchers were careful 
to note that they could not check the 
potency of the marijuana used, 
did they know the subjects’ horme 
levels before they began to m 
juana. Despite these limitations, the re- 
search was g ally carried out with 
sreat care, and the consistency of the find- 
ings indicates that mari fects hor- 
monal functioning 

Because there is under. 
standing of the effect on human. behav- 
ior of reduced plasma testosterone, the 
significance of these findings is unclear 
however, it’s possible they may be 
vant to the consistent report by users th 
marijuana affects their sexual exper 
ence. (My “High States: А Beginni 
Study," a Drug Abuse Council 
confirms the frequency of such 
reports.) Marijuana alters the percep- 
боп of time and many users say that 


nor 


little or no 


(continued from page 60) 


sexual 
lor 
contact, 

orgasm, is often felt as more 
tiated апа more specific than 
Aso. it is generally agreed that 
empathy with the p: 
The мо from 


na's influence a 
ars to go on for 


under mariju 
experience app 
time. Each phase of sexui 
particul: 
“ше 
usual. 
there 
ner's 


the 
К.В.К.Е. provides the first evidence that 


response 


there may be an objective pliysiologi 
e to the consistent subjective 
report of changed sexual response. 
Unto ely, these tentative findings 
are being cited erroncously by oppo- 
nents of marijuana decriminali 
Mi 
policy at reducing the harm 
caused by defining marijuama users as 
iminals: it is not based on a finding of 
harmlessness, nor is it intended to cn- 
The authors of the R.B.R.F. 
study recognized this problem when they 
testified before the U. S. Senate Internal 
Security Subcomniittce: 


We wish to draw the 
between our role as scientists 
concerned citizens. 

[As scientists] our position is si 
ply that of wanting the legislators 
and the public to be well-informed 
on all sides of this issu 

[As concerned. citizens] we would 
now like to state our personal hope 
for a move toward the decriminali, 
tion o marijuana possession 


We should decrim 
while continuing valid research ellorts 
into the potential effects of marijuana 
on the user 


Zinberg, M.D. 
ве, M 

Dr. Zinberg is à member of the Jaculty 
of Harvard Medical School, the Boston 
Psychoanalytic Institute and the advisory 
board of the National Organization for 
the Reform of Marijuana. Laws. His most 
recent book, written with J. Robertson, is 
“Drugs and the Public. 


suchusetts 


THE PERILS OF POT 

An artide in the June tenth issue of 
U.S. News & World Report confirmed 
my long-held suspicion about marijuana: 
Ir's physically dangerous. The article re 
ported on the results of an i 
ob marijuana use by the U.S. Sena 
Internal Security Subcommittee, Without 
going into all the details, suffice it to say 
That a number of distinguished scientists 
testified that marius nowhere 
the innocuous substance that you and 
other druglaw reformers have tried for 
so long to pretend it is. Another article. 
by Washington Post writer Robert Jof- 
fee, also suggested that using pot cn- 
tails serious physical risks: It apparently 
causes chromosome damage, endangers 


ides, produces psychological de- 
pendence. lowers male testosterone levels 
(thereby undoubtedly causing sexual 
problems and possibly impairing sexual 
development and disrupting maturation) 
and adversely affects the body's. immu 
nological system. 

nce marijuana is clearly а much 
greater peril to human health than even 
some of its dettactors had previously sus 
pected, 1 think me to end the cru 
de to liberalize laws 
you're honest | think you'll hi 


J 


"st 


against its use. T 
ею 


mes. Johnson 

Chicago, Minois 
re honest, and we disagree. The 
“distinguished scientists” who presented 
their findings to the subcommittee were 
chosen from among those known to be 


We 


hostile to marijuana use. (Subcommittee 
chairman Senator James О. Eastland stat- 
ed before the hearings began that. their 
purpose was to offset what he viewed as an 
“imbalance in the published information 
generally available to the public on the 
subject о] marijuana") Many equally 
distinguished men of science have chal- 
lenged the findings of these who testi- 
fied. and in some cases have found it 
difficult or impossible to vepeat their ex- 
periments and achieve the same resulis. 
(See “Killer Weed Returns,” “The 
Playboy Forum,” July.) 

These scientific arguments are a differ- 
ent issue. from the legal question. Advo- 
сагу of decriminalization is not based on 
the premise that marijuana is harmless 
but on the fact that the state has no justi- 
fiable interest in incarcevating people for 
using it. Jailing users certainly doesn’t re- 
habilitate (hen, nor is it at all. effective 
as a deterrent to others; the Govern 
ments own figures show that marijuana 
use is increasing rapidly despile all legal 
attempts to discourage it. All one can say 
for the punitive approach is that it adds 
to whatever problems the user already 
may ha 

Several state bar associations. have 
gone on record in support of legalizing 
the controlled sale and use of mari- 
juana. In fact, many vocal auti-marijuana 
spokesmen themseh 
of decriminalization, They include Sena- 
tor Eastland, who stated that he and the 
subcommittee are “opposed to sending 
young people to jail [or the simple pos- 
session of small quantities of marijuana 
for personal use... . This is no longer 
at issue.” 


е. 


s favor some form 


“The Playboy Forum" offers the 
opportunity for ап extended. dialog. be- 
tween rcadeis and editors of this pub- 
lication on subjects and issues related to 

The Playboy Philosophy.” Address all 
correspondence to The Playboy Forum, 
Playboy Building, 919 North. Michi- 
gan venue, Chicago, Ilinois 60611. 


“It is my feeling. Mr. Bronson, that if you don't find fulfillment 
with Chloé, you're just not going to find it." 


PLAYBOY 


212 


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PLAYBOY INTERVIEW 


(continued from page 76) 
know from reading The Playboy Advisor, 
of course, that I can get the dap from cat- 
ing pussy or geuing a blow job. Gena 
says it would take her a long time to get 
over her hatred of me if I gave her any- 
thing. This is a constant area of tension, 
PLAYBOY: Do you and Gena have other 
as of tension? 

GOLDSTEIN: How much time do you have? 
1 really love my wife, but I also feel I са 
love other women and I fuck around. 
This is no secret. Gena not only knows 
about it but later she has to be con- 
ng about it in print. 
gets her crazy. And causes fights. She 
really feels our sex life should be private. 
So we are constantly at war. would 
like me to be nice: nd, L think, less 
hun But I am what I am. So it's a 
hard trip for her. Most times she knows 
I love her. But she's also aware that 1 
have a great со з for exhibition 
istic candor. And и nnl to her. 
We've been able to r agreement 
concerning extramarital sex. She simply 
insists that none of my sex take am 
from any of her time. So 1 fuck around. 
dayrimes, Since I wouldn't see her in the 
daytime anyhow, she figures its OK as 
long as we're together at night. As soon 
it gets dark, 1 become married ag: 
My extamurital relationships a 
right with h long she doesn't 
know about them and as long as they're 
not blarant 
PLAYBO 
blatant? 
GOLDSTEIN: What I'm doing now is bla- 
tant—alking about it in praynoy. Bla- 
tant is rubbing her nose in it—like going 
to an orgy and having great sex and then 
going home and telling her about the 
fantastic blow job 1 got or the beautiful 
tits on а woman I Laid and saying it was 
the greatest night of sex I ever had. Or 
bringing it up in a fight, saying, “I don't 
need you. I got laid last night elsewhere.” 
Or maybe telling her mother. Basically, 
that would be exploding the very roots of 
the marriag 
PLAYBOY: Does Ge 
portunity 
away? 
GOLDSTEIN: Absolutely not. Our relatio: 
р isa chesical double standard. Gon- 
sidering the atypical life I lead, I'm 
azed to find how valid some of the old 
values are. I tend to think this country is 
on the brink of a retum to sexual cor 
ventionalism, that a lot of the unfashior 
able old values—a nice house and a 
family—will suddenly begin making 
more sense. And those values have always 
embraced. cheatin lor the man. I like 
ng around, bur 1 also like 
home to somebody I love 411i 
ing the security of a main, 
nship. Gen: 


What would she 


consider 


have a similar op- 
to fool around when youre 


sh 


important 


keeps asking how I'd 


Tsay. "И 


like it if she did the 2 thing 
ld be over.” 


он did it, the marriage wo 
‘That gets her very upset: she says i's un 
fair, Then I admit it's not only unfair. it’s 
medieval—but. that’s where I'm at. I've 
got to honor my craziness. I can see Gen: 
geting really pissed at me and starting to 
fuck around at some point. Probably not 
for the next four or five years, Maybe by 
then ГИ be open to some change. Be- 
cue it really is unfair, what I'm doing 
But maybe by then ГИ care less. The first 
seraich on your new ly hurts you. 
It doesn’t matter after that. With Gena, 
Vm sure that after theres a few more 
dents in her, ГИ be more willing to lend 
her out. But for now, I still feel insecur 
warm lady and 


because | know she's 
other guys could make her come. So | 
can't allow her the same freedom T insist 
on for myself. I still need the excitement 
of little firecrackers going off in my ass- 
hole. No matter how hard you try, keep- 
ing sex in marriage exciting is impossible 
Gena's superb, but eventually, things be 
come predictable 

PLAYBOY: What is superb about Gena 
GOLDSTEIN: My wife is the greatest hump 
Гуе ever had. And she's a great cocksuck 
er, bener than Linda Lovelace. One ol 
her holds on me is that 1 know she'll do 
anything I want. But this interview is 
bound to cause another fight. I don't 


саге, "cause 1 want this to be the most 
honest interview тглувоү has ever ru 
even ng my marriage 


al 


and 19 friendships and ту analy 
relationship. Gena and I have had so 
many fights anyway that they should be 
assigned numbers. Like number 97 was 
the fight we had about my blow job in 7t 
Happened in Hollywood, а hard-core 
film that Screw financed and produced. 
Г was curious to see what happens to the 
brain as you're being done when there 
are П people on the set, cameras go 
and lights blazing. 1 really feel my cock is 
in fine shape: I'm $8 and it gets up and 
pops its load nicely. But this particular 
day I didn't come for three and а hall 
hours, because I felt very alienated; I was 
just a hunk of meat trying to conform to 
a certain schedule that had been pro- 
gramed for my cock. Г was supposed to be 
а stud who would ejaculate at the right 
moment. A very pretty actress named 
Kathy finally caught my come in a chal- 
ice. I really didn't get to talk to her much 
while we were filming, because my cock 
was in her mouth. After the shooting, 1 
invited her to lunch. She refused. It 

mazed me, because she'd given me а 
nice blow job. Tt was like my cock was 
good enough to suck, but 1 wasn't good 
nough to have lunch with. 

Anyhow, Gena has refused to see the 
film, But at least she no longer zaps me 
about it. Her analyst says she must make 
a choice: If it's that painful dealing with 
а personality like me, she can move out: 
or accept me for the crazy person and 


Get set for some more 
really great Times, with some 
more really great drinks. 


The Baltimore Bang 
INGREDIENTS: 1% oz. EARLY TIMES, 
% oz. Apricot Brandy, 
1 oz. Lemon Juice, 1 teaspoon Sugar. 
1 RECIPE: Shake with ice 117 oz. 
EARLY TIMES, % oz. Apricot 


1 tsp. Sugar. Strain into sour 
А Blass. Garnish/cherry, 
w$ orange slice. 


The Denver Mint 
INGREDIENTS: 1' oz. EARLY TIMES, 
% oz. White Creme de Menthe, 
% oz. Lime Juice, 2 teaspoons Sugar, Club Soda. 
RECIPE: Shake over ice 1' oz. EARLY TIMES, 
EXE 


М oz. White Creme de Menthe, % oz. Lime Juice, 
2 tsp. Sugar. Strain into highball glass, filled 
with ice, stir in Club Soda. 

Garnish/orange slice and straw. 


The Milwaukee Madness 
INGREDIENTS: 1 oz. EARLY TIMES, 

"4 oz. Peppermint Schnapps, 1 Dash Bitters. 
RECIPE: Add | oz. EARLY TIMES, 

% oz. Peppermint Schnapps, 

1 Dash Bitters to ice filled rocks | 

glass; stir well 


The Philadelphia Filly & 
INGREDIENTS: 1 oz. EARLY TIMES, 
1 oz. Brown Cacao, 1 oz. Cream, 
RECIPE: Shake vigorously 1 oz. 
EARLY TIMES, 1 oz.Brown Cacao, 
1 oz. Cream with cracked ice, Aas 
Strain into stem glass. se 


The Minneapolis Hustler 
7T INGREDIENTS: 2 cz. EARLY TIMES, 
1 oz. Sweet Vermouth, 1 oz. Orange 
Curacao, № oz. Lime Juice. 
RECIPE: Shake over cracked ice 2 oz. EARLY TIMES, 
1 oz. Sweet Vermouth, 1 oz. Orange Curacao, 
oz. Lime Juice. Strain into stem glass. 


To know us is to love us. 


=~ >) Тһе Tampa Tarpon 


INGREDIENTS: 1% oz. EARLY TIMES, 
V: oz. Triple Sec, 3 oz. Orange Juice, 
1 teaspoon Sugar, Club Soda 
RECIPE: Shake 1^ oz. EARLY TIMES, 
% оз. Triple Sec, 3 oz. 
Orange Juice, 1 tsp. Sugar with 
ice. Pour into highball glass, stir 
| in Club Soda. 
Garnish Pineapple slice. 


The Reno Sp! 
INGREDIENTS: 1% oz. EARLY TIMES, 
1 oz. Apricot Brandy, 
2 oz. Pineapple Juice, Club Soda. 
RECIPE: Shake 1 oz. 
oz. Apricot 
Brandy, 2 oz. Pineapple Juice 
with ice; pour into highball 
glass, stir in Club Soda. 
| Garnish/pineapple slice. 


The Phoenix Bird 
/ INGREDIENTS: 1 oz. EARLY TIMES. 
& oz. Creme de Banana, '⁄ oz. 
Triple Sec, 1 oz. Fresh Cream. 
ECIPE: Blend 1 oz. EARLY TIMES, 
> oz. Creme de Banana, '/ oz. 
Triple Sec. 1 oz. Fresh Cream with 
; strain into sour glass. 


The Memphis Sling Shot 
INGREDIENTS: 1 ог. FARLY TIMES, 
% oz. Sloe Gin, 1% oz. 
Z7-Up®, 3 Dashes Lime Juice. 
RECIPE: Stir 1 oz. EARLY TIMES, 
% oz. Sloe Gin, 1'2 ог. 7-0РЯ, 
3 Dashes Lime Juice with cracked 
ice, pour into sour glass. у - 
[^] Gernish/orange slice. cem s 


The Kansas City Cutie 

INGREDIENTS: 2 oz. EARLY TIMES, № oz. 

White Creme de Menthe, \/. oz. Coffee Liqueur. 

RECIPE: Stir 2 oz. EARLY TIMES, ' oz. White Creme de Menthe, 
М ог. Coffee Liqueur in rocks glass. Add ice and serve. 


Early Times Glass Offer 


To ert a home entertainment set of 24 

elegant glasses. stemmed Martini 

glasses, 6 Whisky Sour glasses. 6 High- \ T, 
ball glasses and 6 Old Fashioned glasses), 

send $9.95 to Early Times Home 

Entertainment Glass Set, P. О. Box 

1080, Louisville, Kentucky 40201.) 


Now you're set for some 
really great Times. 


exhibitionist that 1 am. 
assumit 


She married me 
Change me, as all 
women do, and still in't reconciled to 
the fact that she's not going to succeed. 
PLAYBOY: You said Gena hated the pho- 
tographs Screw published of Linda Love- 
lace perlorming her specialty оп you. 
What did she say to you about them? 

GOLDSTEIN: She didn't say anything, She 
sulked, went and 
the displayed а 


she could 


another 
She 
Jewish-princess cuntiness that sh 
at, because she learned it from her moth- 
cr. I told her that I'm the George Plimp 
ton of sex: I want to do everything. I 
must live my own lile, both sexually and 
emotionally. Screw and my needs come 
first. The m e is secondary. If she 
lelt, I would miss her, but without Screw 
and my writing, I might expire. I tell her 
that my life is my paper and chat if she 
herself to that, fine. If 
e ends, It's a decision she 


into room 


slammed door 


s good 


сап subordinate 


not, the m 
has to make. 
PLAYBOY: 
1 daytime soap opera 
GOLDSTEIN: It gets worse. Belore we got 
married, my analyst wanted to meet with 
Gena, to explain why he thought Т wasn't 
the greatest candidate for . Не 
Fm infantile, compulsive, always 
icting out my fantasies. He's right. m 
absolutely а child—and 1 wouldn't want 
There's nothing ГИ 


Phis is be 


ning to sound like 


marria 


feels 


to lose that quality 
inhibit myself from doing. But she knew 


that ahead of time. A prenuptial deal 
was made that 1 wouldn't write in Screw 
Гуе honored 


about my sex life with Ge 
that, but there was nothing in the deal 
about my discussing her with PLAYBOY. 
PLAYBOY: Is Gena one of Screw's avid 
readers? 

GOLDSTEIN: Not if 1 can help it. Usually, if 
there's something potentially dangerous 
in the paper, I don't even take the latest 
What 
1 can't believe 


Screw home, But then she'll. say 


аге you hiding His wee 
it. I'm sure Hefner doesn't sneak around 
the way 1 do. One of the issues 1 didn't 
take home contained my article on 
pussy. You know, I'm probably the great- 
est pussy cater in the United States 
PLAYBOY: How can you be sure 
GOLDSTEIN: Let me amend that to read 
brilliandy superior and dynamically crea- 
tive. Women have continuously told me 
I'm really excellent. I 
cated an activity: 
saturation point of skill 
as good as a guy can be. И we were talking 
about wine, ГА be grand cru, first-class, 
first growth. There might be other people 
e as good as I am, like certa 
nbonists who are able to double 


not that compli- 
you quickly reach a 


But I thi 


ak Fm 


who i n 
tre 
triple-tongue. I can't do that. Sometimes 
1 wish Га kept up with my music lessons: 
if Га only realized the training guys like 
Tommy Dorsey were getting! 

PLAYBOY: Why were you afraid to take 
the 


and 


home issue of Screw containing 


your artide on cunt 
GOLDSTEIN: Because not only docs the arti 
cle deal with how I eat pussy but in it 1 
describe eating a girl who happens not to 
be my wife. I didn't want to have a fight 
with Gena again. That's not very coura- 
geous of me, but, shit, it's certainly sell 
vative. Who wants to have to sulk 


PLAYBOY: 


marriage 


Ivs hard to believe that 


could 


any 


survive so much stress. 


Do you really think it’s worth savin 
GOLDSTEIN: Definitely. yes. It's almost like 
I need that litle bit of friction in both 
my personal and professional lives. It's 
funny. What induced me to marry Gena 
was а test in Cosmopolitan called some. 
thing like “Are You a Door M: I was 
impressed with her very high score. in 
dicating that she wouldn't let me shit 


on her 

PLAYBOY: But isn't that exacily what 
you're doing, and however upset she gets, 
isn’t she tolerating it? 

GOLDSTEIN: It's not totally She 
also extracts а price. There are some psy 
chiatrists who theorize that in a masochis- 


ne-sided 


tic relationship. the masochist really has 
the sadist. Because 
I'm dependent on her accepting my 
strictures, she's really in control. Alter I 


saw the results of that Cosmopolitan 


more power than 


quiz, I took her to Portugal and said let's 
t married—and I don't regret it 
We wound up being married ш 


Barney Google's, an East 


S. 


713 


214 


Are you paying through 
for aerosol deodorants? 


Propellant mokes up a large part of 
is a solid deodorant that applies evenly, 


exacily where you want it. So it lasts a 
lot longer. 


Get off your can. 
Get on the stick. 


aerosol deodorants. Mennen Speed Stick? 


the nose 


club. The rabbi who married us had been 
arrested for his work in the peace move- 
ment and thrown out of several aflu- 
ent synagogues when he complained that 
they weren't supporting the poorer syna 
gogues. I liked him because he seemed 
like a crazy. During the he 
said. “Tomorrow, on the marquees of 
all the porno theaters in New York, it 
will read, GOLDSTEIN 15 MARRIED." He 
id, “There's so much shit in our society 
that only the sincerity of two people to 
make a marriage work has true meaning. 
Because if they're together, they can help 
fight the crap that permeates this world.” 
My family had never seen 3 rabbi like him 
before. Neither had I, for that matter. 
PLAYBOY: What did you give Gena for a 
wedding gift? 

GOLDSTEIN: | bought her two kinky night- 
gowns. One had bra openings allowing 
the nipples to come through. The other 
1 а zipper down the pussy. Г bought 
them at a schlock shop down in the 
Times Square arca. For myself, 1 bought 
some briefs with a cock embroidered on 
them. Would you like to sec them? 
PLAYBOY: No, thanks. But did either of 
you ever wear them? 

GOLDSTEIN: Oh, sure. We do lots of trampy 
things. We set scenes and play-act to keep 
things lively. It's so mandane, I'm almost 
mbarrassed to talk about it. We look at 
fuck films to get turned on. Then I make 


стопу, 


bel 


jeve I picked her up at a 1 
times we just randomly pick page 
The Joy of Sex. One time 1 was doing a 
таре number on her and wanted to tie 
her up. I couldn't find any торе, so I had 
to use а 15-1001 extension cord. I'm your 
typical inept male lover. I can do that 
slam, bam, thank you, ma'am, routine, 
100. Bur basically Г don't want to come 
too quickly, so ГИ think of things like 
parking meters, laundry lists, typewrit 
ers—anything that’s counterproductive to 


s out of 


eroticism. 1 won't lose my hard-on, but 
ГИ lose my focus. If I wait too long, 
hi. ГИ be so tired I just can't com 


"C know how other guys operate, but 
Tiell my wife it's пог necessary for me to 
come all the time. And I don't want her 
to feel she has to come every time. 
PLAYBOY: You make your rela 
sound terribly unromantic. 
GOLDSTEIN: 1 suppose our philosophy for 
togetherness would best be described as 
Make war, then make love." Let me tell 
you about one final source of irritation. 
I keep telling myself I'm part of a sex 
revolution, and yet my wife and I fight 
about whether or not | should wear 
wedding band. She'd like me to w 
onc, expecially when I'm out of New 
York, so si rs will know I'm not a 
said before, she doesn't 
care about my fucking them, but she's 
id VIL get into a meaningful relati 
ship and leave her. And she feels t 


ionship 


ring is a red flag. She says I owe it to 
her—and others—to announce that I 
belong to her. She sounds like те, telling 
me that 1 belong to her. Which infuriates 
mc. So, on principle, I refuse to wear 
one. Besides, it would cramp my style on 
out-of-town trips. 
PLAYBOY: What kind of trips? 
GOLDSTEIN: I spend a lot of time on the 
college lecture circuit. That's one of my 
major sources of sexual informatioi 
and dough. Three or four times a 
month, I get paid from $500 to 52000 
for each appearance. Usually I screen It 
Happened in Hollywood and then ра- 
cipate in question-and-answer. sessions. 
‘The kids are extremely open and recep- 
tive to me. 1 tell them. “When I went to 
college 12 years ago, my concern was get- 
ting laid. Are you guys getting laid 
enough?" And they'll say, "No!" To the 
women, ГЇЇ say, "How many of you can 
just grab а guy's cock and say, "Are you 
feeling horny?" I never see а hand go 
up. Which proves that the candor 
dialog has opened up. but the substance 
hasn't changed that much. These kids 
also reveal an awareness of their parents! 
hypocrisy concern 
that the words they were told to live by 
were very different from the actions of 
their parents. They're trying to lead their 
own sexual lives, as much as possible, 
consistent with some truth. They have 
trouble dealing with the generation gap. 
Their parents’ generation smooched. in 
the back seat of the car or went to a motel 
to have sex. These kids would prefer to 
have sex naturally. maybe even in their 
parents’ bedroom, 
PLAYBOY: What sort of questions do these 
students ask you? 
GOLDSTEIN: Here are some of the most 
common ones. One: “How authentic are 
the Screw classifieds that advertise pas- 
&YDSY girls, foot fetishists, horny 
housewives and headmistresses home for 
the summe: 1 answer, “The ads in 
e as real as the employment ads 
in The New York Times. There's some 
exaggeration and there's some dishon- 
esty, as in any other advertising field. 
The buyer should beware: the guys’ cocks 
may not be as big or the women as ravish- 
ag as claimed. But we don't sit in our 
offices and concoct classifieds out of thin 
ad 

Two: “Are you in the porno business 
strictly for money?" I realize that Wat 
gate has made these kids cynical, but T 
bridle when IE hear th 1 may be making 
а lot of money, but 1 really believe I'm 
doing some good by demythologizing a 
lot about sexuality. 

Three: “What's your sex life like?” 1 
tell them, “I'm constantly in search of 
pussy, but mostly I have то pay for it or I 
don't get it.” 

Four: "Do you get to meet all of the 
raunchy women you publish pictures 
of?” 1 say, "My sex life is probably less 


our 


exciting than that of most professors 
whose classes you take, at least the profes- 
sors who look up the micromini dresses 
of 18-year-olds. I almost never meet 
models who аге photographed for Screw. 
Ninerynine percent of the photos are 


tiken on the West Coast and bought 
from photo houses. Most of them arc 
shot after fuck films are completed by е 


g on 


terprising still photographers waiti 
the side lines. 1 nt to get 
volved with gett 
make sure they're of age 
don't have needle п 
“Wh 
like” 1 have а stock a 
like any othe 
ten inches. 

‘They also ask what kind of women, be- 
sides Linda and my Jewish-princess wile, 
really turn me on, I answer: Girls with 
D-fashion-modelish. long 


in- 


ag girlsand having to 
nd that they 


She's just 
ke 


pely calves. If a girl has 
Шу don’t want to fuck or 
Big tits don't hold much appeal 
for me. Pussy does. I'm oral. Гус never 
met а pussy I didn’t like. When I see a 
woman, my first sexual instinct is not to 
fuck her but to eat her. Most women I go 
down on come. The fact that 1 give them 
pleasure makes me feel more masculine. 
It removes my anxieties, takes the heat off 
for me. 

My favorite fantasy is making it with a 
WASP princess like Cybill Shepherd. I 
like her frozen look. Га also love ke 
it with Marilyn Chambers, the porn star. 
Jane Fonda, she attract 
pretty. skinny and articulate. I tend to be 
drawn to strong women, or women who 
will reject me. That's probably why Glo- 
1 Steinem is а woman I find especially 
desirable. Г also think she's attainable. 1 
can really jerk off to the thought of her, 
because 1 сли conceive of making it with 
ler somed 
PLAYBOY: R. 


е because she’ 


I doubt that she's the 
self-sufficient feminist she says she is. I 
still feel that а good pussy cater like my- 
self could open her up to sex 


t bad. Is a Walter Mitty К 
wr 1 go through. Yet if she and I 
were at the sume party, Fm sure 1 would 


stay in the corner, too embarrassed to 
c myself. 
Is there anyone else who trig- 


gers your fantasies? 
GOLDSTEIN: I would go down on Tricia 
Nixon. And William Buckley's wife looks 
very desirable to me. There аге many 
conservatives I'd like to ball. Pat Nixon 
is an exception. but that’s only because 
of her waxiness. She looks like something 
out of. Madame Tussamd's. But 1 keep 
dreaming of getting laid by all ki 
women. The only problem is that Tn 
rarely successful. Many otherwise accessi 


ids of 


Does shaving burn your face? And your 
ofter-shove make it feel worse? You need 
Mennen Айс? after-shave and skin conditioner. 
Afta soothes and protects against the dry, 
chafing effects that sun, wind and shaving 


have on your face. 


Dont get burned. 


Get Afta. 


ble women—feminists, ex-nuns 
ish princesses waiting for 
doctor—won't go to bed with me because 
they think my standards are so high that 
they'll fail. 

PLAYBOY: Are you sure that's the reason? 
GOLDSTEIN: Definitely. They assume I've 
balled my brains out all over the place 
and alter Linda Lovelace they'll be inad- 
equate for my needs. It’s as if they'd be 
playing stickball with k Aaron 
When I spoke recently in Kalamazoo. 
Michigan, a student feminist starred out 
being very antagonistic to me during the 
question<ind-answer period. But later, 
after 1 had finished autographing copies 
of Screw, we got to talking and she in 
vited me home with F Т was thinking. 
“Oh, boy, wow. I'm going to get laid. 
But once we got to her house and into 
some light necking, she began а whole 
number: “Ah, you must get this all the 
time, so much sex. My husband left me 
а year ago and 1 haven't done 
I'm not going to be any good” Desper- 
ately I tried to reassure her, but she 
i “IL couldn't compare with all 
women you've been with.” I 
couldn't believe it. ally I said, “I 
won't judge you, I won't compare. you, 
lets just fuck.” Nothing doing. 1 never 
got laid; she just drove ше back to my 
motel room, where I relieved my frustra 
tions by jerking off. That sort of thing ha 
happened so often now that Гуе come to 


па Jew- 
their 


next 


since. 


like Gay 
à compre- 


expect it. A well-known wri 
Talese—who's curently doi 


hensive book on contemporary sexual 
mores—hits on a woman with an affirm; 
tive, aggressive direciness. Ней simply 
sk а woman if she wants to make it with 
him. I'm incapable of picking a girl up. 
I can make small talk, but unless there's 
a very obvious welcome, I'm dead, 
PLAYBOY: Why? 

GOLDSTEIN: I'm so afraid of rejection. I 
envy the approach of a Talese. He and I 
e spent an appreciable amount of 
time together recently. About six or eight 
months ago. we participated in а four- 
hour boat orgy that took place on the 
River and Long bland Sound. 
There were four guys and six women 
Usually, you have to bring а woman— 
which is called a ticket—but since we 
considered celebrities, we got 
without escorts, Talk about name-drop 
ping ns to fame, I fucked side by 
side wi у Talese, When I die, 1 w 
that as my epitaph. 
PLAYBOY: How deep 
the orgy scene? 
GOLDSTEIN: For с. I was very l 
into orgies. But my feelings about them 
always seem to be vacillating. When I go. 
they disappoint me. But when I don't go. 


ast 


I remember the nice thi 


s—like the an- 


on 


ty and excitement of fucking new 
bodies, Last year. after a SIECUS confer- 
се that included all of the heavyweights 


215 


PLAYBOY 


216 


of the sex world, I left this group of pon- 
tificating professionals to attend an orgy 
hosted by my partner's brother. I got 
undressed, w: 


ked into the bedroom and. 


discovered ng of 
sev 
was being cate 
in her mouth, fucked it, came, wei 
got dressed and left. 1 have no id 
she 1t all scemed so weird and de- 
hed; it wasn't а substantial, mi 
ful. experience. It would be a lot simpler 
И there were vending machines—maybe 
they could be called. Vagin-olas—where 
for a quarter I could insert my cock, get 
vibrated, come and then go. 

PLAYBOY: What kind of people do you 
meet at orgies? 

GoibsrEN: By and large, the men all 
seem to be older and fat and tabby, sad 
physical specimens who obviously never 
auended a health dub. Lonely men, 
getting old and frightened and desper- 
tely ing out for one last tit. To me 
the orgy just represents а very nice con- 
text for wealthy people to get desirable 
bodies without the coarseness of having 
to pay. 1 can make it at an orgy. I can 
fuck. 1 can come. I can do all the things 
that all the sexual athletes can do. But I 
d it lonely. I find it sad. 

PLAYBOY: Don't you ever get tired of mak- 
ing sex your whole world? 


sy chain con 


п or eight bodies. I found a girl who 
nelt down, put my cock 
t out, 


GOLDSTEIN: Oh, sure. Г get saturated with 
the stuff. Man does not live by cock 
alone. When 1 get tired of the sex trip, I 
go to the Radio City Music Hall and re- 
w the stage show. What I seem to be 
fighting ag | ennui. Г 
was in а group-therapy thing for a while, 
but I left it a few months ago. Each 
of my 12 fellow neurotics һай vivid 
fantasies. M е food fanta- 
sies. I wanted to be in а bathtub filled 
with milk shakes. The problem is that 1 
have seen and participated in every vari 
ety of sex imaginable, so nothing—other 
than the search for fresh pussy—seems 
new anymore. 

I've seen people fucking in every possi- 
ble way; Гус seen wall-to-wall fesh ac 
og I've had 
mouths all over my bod: 
“ mes, I've had Nav 
stroking away on те behind the podium 
during a panel discussion of pornog 
phy in the media, before 1000 people 
and a TV crew at NYU. It’s like if you've 
been to the moon once, you don't want 


to swi 


Гуе been 


I've been in 
та Hollander 


се 


10 go back. 

Things have heen so calm lately there's 
almost а tranquillity to my life. My w 
gave birth. and I've been sued for libel 
four times in the last month. But still 


“As near as I can translate it... 
‘Queen Nefertiti, ruler of the Nile, daughter of 
the gods, empress of the Mediterranean. .. met Tutankhamen, 
king of the delta, messenger from the heavens, most 
exalted prince of the universe . . . and on this 
spol gave him a blow job. ^ 


there 
by 


ng. I haven't 
. That makes 
me nervou ing? I really 
need the attention of being arrested, be- 
cause that means I'm still bugging the e% 
tablishment, that I'm still gadfly to the 
state. Acceptance of me and Screw would 
be the kiss of death. 

PLAYBOY: Judging from the Supreme 
Court's refusal to hear your appeal from 
those New York obscenity convictions—in 
upholding them—that acceptance 
t seem exactly imminent. Were you 


Vt enough 
arrested in two у 


1 doubted wheth 
© us a hearing. Our 
ited, 


Nixon appointecs. 
the Court would 


ing. We c . We don't surre 
our raunchy material w 
about redeem 
s own redeeming 
PLAYBOY: Would you elaborate oi 
GOLDSTEIN: Lm saying Им 
the very fact th 
hard-on. 165 
that a soft cock 
hard cock. Our laws. postulate that pic- 
tures of mayhem, blood. violence are OK. 
Soft cocks are OK. But a hard-on is bad. 
And actual fucking—or as а New York 
court said in one of our cases, "ultimate 
sex activity '—is bad. As 1 sat in the 
courtroom in Albany and heard the old 
judges using this phrase, 1 realized its 
them against me. These are old. people 
who don't fuck anymore. They don't 
speak for ше. So we took our guilty de 
sion and used it in promotion copy to 
sell subscriptions. We're not humble. 
We're not contrite. furiaes Ше 
courts. Basically, w 
respect you as 


sic 


nore redeem 


ag we don't 
you find us 
g you the 


us, we're not. 
going to be appreciative. That gets them 
crazy. 

PLAYBOY: Have you ever considered the 
possibility that you might wind up in 
prison? 

GOLDSTEIN: Гуе already been to jail on ten 
different: occasions, nine of which were 
for obscenity busts, Fortunately, 1 never 
had to stay overnight. And the same fel- 
low, Donald Gray of the morals squad, 
arrested cach time. Since he knows 
L dike Chinese food, he always makes 
sure 1 get booked at a precinct house 
d cat а sumptuous meal 
ach а 


1 invited him to my wedding. But the 
vileges he grants me can hardly 
make up for the eml d 
others—have suffered. In one of my first 


rrassment I 


Can you spot 


Almost everyone at the 
beach today has a gimmick 
ind the one who doesn't 
1. Море. He's Harmon Nee 
Gimmick: His singing voice, 
that sounds like two chalk slates mating. Even his cigarette sings 
—every time he inhaies, its multiple filter whistles "Dixie." 2. Not 
Laura Enertia, beach queen. Gimmick: More movable parts than 
a Swiss watch. Has a waiting list for crew when she surts. Smokes 
Ms. feminist cigaretles—whose taste just msses, too. 3. Not 

Bull” Gene Biceps. Gimmick: His waterproof makeup. Doesn't 


the кипе Filters smoker? 


21974 В. J. Reynolds Tobacco Co. 


always hold arms thal way—this morning he mistook spray starch 
for his underarm deodorant. Smokes his fa! cigars down so far, 
the ashes drop behind his teeth. 4. No. He's Tyrone Shulace, beach | 


pest. The ''58" stands for his Т.О. (He thinks "offshore drilling” 
is something the Marines do.) Smokes Ний 'N Puff superfillered 
cigarettes, You have to draw so hard, an art diploma comes 
with them. 5. Right. He enjoys the beach, not the beach crowd. 
Needs no fads or gimmicks in his cigarette, = 
either. Camel Filters. Honest tobacco. Good, $ 
rich flavor, 6. Unidentified frying object. 


Camel Filters. CAM EL 


They're not for 


Warning. The Surgeon General Has Determined 
That Cigarette Smoking 15 Dangerous to Your Health. 


[ыле хожа ба ес уол. | вс — 


19 mg "tar" 13 mg. nicotine av. per cigerente, FTC Report MAR. 7. 


PLAYBOY 


218 


obscenity busts, four blind news dealers 
were also charged and arrested. We were 
sent to the Tombs prison in New York 
and placed in а 12-0у-10 cell with 40 
other people, most of them junkies. Guys 
were peeing against the walls, nodding 
out and puking over people lying on the 
floor. When I saw this blind news dealer, 
who was being held for selling my paper, 
tapping his way with his сапе toward the 
only urinal, I wanted to roll up and float 
away. J felt such compassion 

this man. Later, the charges 
Dlind dealers were thrown ow 
was obv 


us that they had no way of 
knowing what they were selling. 

PLAYBOY: If you did go to jail for any 
length of time, how would your sexual 
needs be taken care of? Would you start 
making it with fellow convicts? 

GOLDSTEIN: 1 would hope so. I would prob- 
asexual. Pm sure Га 
get very bored with solitary masturl 
tion. I could see myself avoiding sex with 
others lor two weeks at the most, and 
then it would be cither а padded cell or 
reaching out for а guy—whether it be ac- 
tive, passive or both. 
PLAYBOY: 15 that just 
fantasies, or 1 


nother one of your 
ге you actually partic 
pated in homosexual relationships? 
GOLDSTEIN: Well, I don't know if this 
counts, but I once wrote about my expe- 
ences theater where you can 
get blow jobs. It's a sleazy joint in 
York frequented only by men. Nobody 
looks at the films, but up in the balcony 
you can find whatever sex you want. 
Some guys are on their knees and others 
are standing up; those on their knees 
want to suck cock and the others want to 
get blown. It was weird. People 1 thought 
ight be cops—in suits and vests, crew. 
cuts and wedding rings—were suck 
cock. Guys in Icather—Marlon Brando 
types, toughtooking guys ГА avoid on 
the these were the effeminate 
ones. They would generally be the cock- 
suckers—or I was their cocksuckce. 
PLAYBOY: So you didn't just observe and 
report? 
GOLDSTEIN: No, I participated. One guy 
who blew me was an old man who took 
his teeth out first. It was fantastic, better 
than Linda Lovelace. Most guys are bet- 
ter cocksuckers than nyway. 
Nine out of ten blow jobs in the theater 
re superior, ‘cause the guys are really into 
it. You come and another guy steps in, 
like a mass-production line. Over several 
hours, some of these guys cin blow as 
many as 80 or 90 guys. As for myself, I'm 
still very conditioned to the fact that ho- 
mosexuality is a no-no. But I keep think- 
ng ahead to when and if I my first 
homosexual experience. It might be hard. 
to deal with. 
PLAYBOY: How would you describe what 
Е to you in the theater И it 
a homosexual experience? 


a movi 


ew 


streer 


women, 


GOLDSTEIN: И was, absolutely. But Т feel 
that as long as I'm passive, it's incom- 
plete. 

PLAYBOY: Thats hairsplii 
GOLDSTEIN: At least it’s pubic hairsplitting. 
Actually, D think bisexuality is much 
more than being committed to 
being а heterosexual or a homosexu 
Bisexuality is as natural as driving dillei 
entcolor cars. H 1 was renting from Avis 
or Henz, it would be silly to express a 
preference only for black cars. 

PLAYBOY: We've bi 
about bisexual chic. Is there any genu 
evidence of increased publie acceptance 
of bisexuality? 
GOLDSTEIN: Oh, уе 
year’s Hula-H 
nomenon becomes es 
world, slick mag; 
rush an article into print. 
magazines will pick it up and the activity 
becomes more acceptable. So you soon 
е what amounts to 1- ull line 
prophecy. But when a sexual phenom- 
enon finally makes the news magazines 
like Time, it’s probably about т 
and wither away. By the time the big 
magazines move their asses, the picture 
covered has already changed. If you w 
to find out. what's really happet 
have to read Screw. Or ask n 
PLAYBOY: You mentioned а wl 
your ten 
scenity. What were the grounds for the 
other one? 


sane 


is this 
op craze. When some phe 


blished in the ses 
ly 
‘Then other 


ines will gene 


that 
ob- 


le а 


nine ol rests were 


GOLDSTEIN: That was my most dram 
rest, the only one that’s be 
n. J was charged wi 


uic 
seen on tele- 
h conspiracy in 
volving pedophilia: erotic con- 
duit and a child. When 
myscll 
nother obscenity arrest. 
t thing Г know there's TV c as, 
п handeulfed and I'm involved with 
this ring of baby fuckers. Its head had 
been selling photos of himself, in the 
classified section of Screw, getting blow 
jobs hom his threeand-a-hali-year-old 
амеша Many people still think 1 was 
а participant or had knowledge of what 
was happening. Which I didn't, 
nocuously offered photos of preteen- 
agers for sale. It that sex 
would take place. Any 
hassle, we were found guilty of accepting 
an obscene ad and we were fined 57000. 
ad can be obscene, I don't know. 
rre as pedophilia is—and personal- 
ly 4 find it ugly—l still think people have 
the right to buy photos of cight-ycar-olds 
t to. The problem is when 
moves into the area of action, because an 
eight-year-old can't evaluate a sexual over- 
ture. The pedophilia arrest was the first 
one where my mother called and asked 
whether Г was really involved. 
PLAYBOY: What does she think of Screw? 
GOLDSTEIN: 1 don't think she understands 


v 
а case 
tact between an 
1 was told 10 tu 
assumed it w 


оне day, 1 


The ad 


it. In the ез 
paper 


s, she was listed in the 
ger, because Т 
e to have a Jew 


ly di 
business 
would be ni 


ish mother on the masthead. After we 
had done an antice on J- Edgar Hoover's 
being а faggot, she was subpoenaed by a 


d jury. She didn’t particularly mind 
АН she asked was that Г pay for her 
cab fare. She knows what I'm doing and 
she’s h as long as Em not pushing 
drugs. Even if Гы being arrested or 
handculls, she Гес at least I'm important 
PLAYBOY: And y the 
GOLDSTEIN: He keeps writing to district a 
worneys to. leave ше alone, My mother 
keeps wanting to picket thi 
to ignore it, that this is just a pol 
volving door. In а way, Fm being per 
cuted in the same way that Lenny Bruce 
was P frequently identity with Lenny. 
He also was compulsive, he had a wi 
problem and yet deep down was a good 
Jewish boy who wanted 10 be loved and 
respecied. Не used fowrleuer words as 
shock weapons in protest against. estab- 
lished ideas about language and sex the 
same way 1 do. But | would never be 
found dead in a bathroom with а needle 
in my Га be surrounded by 11 
empty Baskin-Robbins containers оп the 
floor—proof that Т had eaten. myself 10 
death, Like Lenny, the kind of message 
I'm trying to get acioss is so anti-clitist, so 
guttruthful. so distasteful that there is 
no way it could have come їп through 
the hont door. We both had to come in 
through the servants entrance. 

Like Lenny, Гус never had much use 
for veligivus institutions either. I could 
d why the Church want- 
ed to jail him for using the word mother 
fucker. Nor can | comprehend why the 
me Clinch people want 10 put ше 
way and run my news dealers out of 
business. И you look at our editorials in 
the early issues of Screw, you'll see where 
Fm atticking the Churdh all the time 
їз the most repressive force 
ery. It's survived, but thank С 
ers have decreased. Most Catholics know 
из bullshit, and hence ignore its words 
on abortion, birth contol and all the 
rest. But it’s still there, making money 
For me, the Church is the enemy. 
PLAYBOY: Do you believe in God? 
GOLDSTEIN: 1 believe theres. something, 
but 1 dont know what itis. E guess Ги 
an agnostic. However, 1 did list God on 
the masthead es ак 
Screw's spiri e 
God. I thought He'd he happy to get rep- 
resentation. If there’s a God, I'm sure 
He's jerkin’ off 10 енеди, As а matter of 
fact, if I hadn't decided to specialize in 
degeneracy with Screw, 1 might have be- 
come a rabbi. 

PLAYBOY: Why? 
GOLDSTEIN: So I could really make a profit 


оп degeneracy. 


never underst 


in our soci- 
d its pow- 


in our 


“Honestly, Irving 


sometimes I think you like salami with 
pickles, ketchup and Tabasco more than you like me!” 


219 


PLAYBOY 


220 


STALL VISIONS continued jron page 151) 


beasts of Jericho, here even before us. 
His thoughts are of the waters of crea- 
tion, blown into fragments. Jack says to 
him, Well, now, Old Buddy, did I hurt 
yore head? 


It’s about time we stole a car, or went 
with somebody who did. We do, and rob 
а little bank. We cross а state line with 
our boy, Junior Spruill, get sentenced 
nd go to the Atlanta Pen with him. We 


leave any time, but he can't, and 
h the good old Wilkesboro, 
boy to 


we stay w 
North Carolin: 
pens. He just 
holdup money to put 
overhead engine. He talks to himself all 
the time à about Cale 
arborough, Richard Petty, Donnie Alli 
son. The Pen people make him shave off 
ideburns and work in the laundry 
where he talks to himself, talks to us all 
the time. 

Ever tell you about the first time T got 


n a double-cam 


bout stock. cars. 


caught? 1 was running these country cops 
crazy. I knew every damned back road in 
every county, and the ways in and out of 
"ern, and the ways to cross the highways 
from one to the other. They just couldn't. 
catch me in the county. My mistake was 
to rob one country bank in a little old 
town in Tennesee and th 
over here and wy my first city job. 1 
looked all over town for a branch bank I 
found one in a shop- 
ed my car and stuck 
my cap pistol in my pocket. I buy those 
things at Woolworth’s. The Government 
makes you fancy ‘em up with a lot of curl- 
icues and junk, so people'll know they're 
just for kids. Bui—lisien here—you can 
take and file that stuff ой. That's wl 


come on 


do. and then dve the gun black. 1 never 
se when you lay 
(d pull 
nd 


use an automatic, bee 


that thing up on the counter 
that hammer on a revolver back, 
they see that cylinder turn. around, 
does something 10 'em, Anyway, I went 


“The formula for the special ingredient has been a closely 
kept family secret for generations.” 


into Kroger’s and got а couple of candy 
bars so I could have the paper sack, and 
went into the bank with my cap pis- 
шу co: "D have по 


under 


k that hammer she started 
ey in with both hands—but 
ne 1 got to the door, some- 
} with 


just about t 
body had an idea Г was getti 


su 
1 got to my car, damned И a lady wada't 
I with a car where they'us 
nd a police dog and no 
ma. 1 turned. around, and а squad 
car was pulling up. T heard the sireen of 
another one, and I reckoned the be: 
thing would be to try to get into one of 
the big department. storcs and ride the 
elevators around just like | used to ride 
back county roads: You know. cor 
m. 1 figured to get in the back w 
so E started down an alley right next to 
the nearest big store. But the damned 
door only opened toward the outside, 
nd when I looked back they was abo 
three squads of cops coming down the 
alley, carrying riot guns, rifles, tear ga 
bilies. pistols, God knows whatall! And 
there I was, down to my last roll of 
And I will tell you. I do believe to this 
day that if Pd'a had another roll, I 
сопка scattered the whole bunch. 
Goodbye, Junior Spruill. We're going 
through the Great Gray Wall as though 
it were nothing but damp, unpleasa 
fog. Goodbye and get out. Let's go [or 
those country ro Firecracker 500. 


two litde girls 


Here is the Other Rive 
sissippi, but something observed 
from the position of a butterlly on а 
stone. The water is too dangerous for you 
not to have given yourself а way out that 
has nothing to do with water. This is an 
Appalachian mountain river in the fall, 
in the afternoon. The stone is a big. 
smooth boulder where the North C: 

a river falls out of the i 
such fury that all systems of thought are 
made impossible. The white water crash- 
ез continually on all sides, and a delicate, 
i spray fills the idal and 
exciting air. On cach side of the river are 
deep woods, and through the haze of 
water is a борса, who understands why 
this place is like it is. 


not the Mis- 
est 


гу with 
pine tees. 7 s Kennesaw 
Mountain, where Joe Johnston held off 
Sherm: my for wecks. We come in 
like a widescreen film camera on 
man in a t. dimbing up pine. 
straw-covered ground. There was plenty 
of fighting here, over 100 years ago. 
md Joshua Hawkins comes here to hear 
the singing. It is for his cars and no oth- 
ers, for he is seeking out, with a World 
War Two-vintage mine detector, the 
War under the Pine Straw. Hear, now, 
the beginnings of a metallic scream. It i 


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louder as we approach part of an old 
breasuwork. "The eye moves forward from 
Joshua Hawkins and picks out a place on 
the ground. In slow motion, a surplus 
Army foxhole- and kurinedigging shovel 
strikes d War shrieks un- 
. Hands go into the hole, and а 

sted cannonball is laboriously 
and tenderly lifted out. Cradling the 
unexploded shell, he heads back for 
Аана, down the way that Sherman took 

Beer. A little, isolued country juke 
joint. Two young men in a booth. 

How come? one asks. 

I told him Гиз gonna do it, if he didn't 
keep from messin’ around with her. | 
told him twice't. He didn’t pay no 'ten- 
tion to me. I went on home and got my 
shotgun. 

You're 
gonna come 


у. J- W. Hi 
ter you. So a 


people are 
e hers. 


I just walked up to the window. 
“us d e dancin’, Just them two. 
. Look out chere, Lonnie. Mary 


Frances hollered and backed off. I just 
want both of you to see who done it, I 
said, and let drive with both Бан. I 
throw'd the gun in the car and come 
right on downtown to the sheriff's office. 

What's gonna happen now? 

1 don't know. And I don’t care. But Га 
do it again. Wish't I could. I'd like that 


Another 
derground. 


city. Colfechouse night, un- 

An old black man tunes th 

only new guitar he's ever owned. His 

iscoverer says Aren't you nervous, 

John? All your life you've been playing 
jd hands. 


nows good 

music rybody wound Teoc 

and Avalon—them Delta boys—they 

knows what's goin’ on when а man picks 
guitar, 

. I mean, these people are dif. 

re even maybe a few music 

there in the audience. And 

nervous, this first time? Not 


down 


"re not 
all? 
Nawsuh. 
knows 


I knows what I knows. I 
nd I been knowing it. 


We nest among 
membranes sense 


the snakes. Their 
something and they 
strike throi The box opens and 
hand reaches in, picking up two sn. 

ad us with them. The rattles are c 
like June bugs, and we 
up the bare arm of Ше worst 
slide in bewildered fury and coil around 
neck. Süll striking at us, still ham- 
mering their heads against phantoms, 
they use the preacher's body as the base 
from which to strike at the Angels, at 
Ghosts, at the of Jericho. The 
preacher takes us in his mouth, to 
show more faith. The snakes begin to 
speak a flickering language, and talk 
of the River Jordan, 


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222 


light in the cottage 


iably, "can also absorb the 
‚ the mother's fears, the 


went оп ami 


mother's tensio 
mother's rage— 

“Please excuse me,” said Pauline, hur- 
riedly rising. Her face was pale in the 
candlelight. For а moment she swayed, 
her finger tips pressed to the surface of 
the table. Carl got up quickly and went 
around to her. Then she left the veranda, 
ng into the house, Carl following he 

‘The other guests stirred in sympathetic 
concern. Even Professor MeKetwick 
seemed to divine that all was not well. 

George МеКецгіск excused himself 
and sought Carl out, with apologies, “My 
God, Carl" he said. “I'm terribly sorry 
about this. I should have said something 
to Ralph beforehand. but Га forgotten 
all about i 

"She's rest 
all righ 


he'll be 


g. Don't worry 
few m Ca 
was wan ace was tightly 
d "I dowt think it was the subject 
itself. George—not only that, anywa 
125 mostly just being back here 
thought that after all d 
be all right. but > 
spairing gesture. "И you wouldn't mind 
making our excuses, George, we'll just 
slip out the side way.” 

But Pauline regained her self-posses- 
d insisted on making a reappear- 
се. Poised and smiling, she made her 
»dbye rounds, ex she was 


wn. 


He made a de- 


subject t0 mi laches, which 
me on without any warnil 
At the car, Carl told her: "We don't 


have to go back, you know." It was at the 


(continued [rom page 80) 


cottage that she had fallen and miscar- 
ried. "We can take a room at the inn 
right here in the village. and then tomor- 
row we can drive down to Boston." 

Pauline shook her head. "No." she said 
quietly. "That would be cowardly. Of 
course we'll go back to the cottage." 

“Are you sure? 

"Absolutely su 
the car. 
you?” 

"Of course. Front amd back. Don't 
worry, Pauline. It's locked tight." 

But when they returned to the cottage. 
they saw that the light in the spare bed- 
room was on. 

Pauline sucked in her 
clutched Carl's sleeve. He 
front door. “It’s still locked," he 
tered. "Wait here a minute." He went 
round to the back, glancing in at the 
windows as he passed them. "The back 
Чоогу locked, 100,7 he told her when he 
And Ies 
He unlocked the front door and 
Pau n the 


E 
You did lock both doo 


а 
the 
mut- 


breath 
tested 


returned. nobody's inside. 


муг 


е 


entered. 


nation of the windows and the two doors. 
There was no evidence of a forced entry. 
МЇ the windowpanes were in The 
nd doorjambs were 
“АП right," Carl said finally. "There 
are only two ways of getting into this cot- 
tage when its locked, without breaking 
in,” Pauline looked at him question 
ly key,” he said. “No,” 
t suspect Mr. Fowles.” Mr 


he 


added, “I 


"Check your dip stick?" 


Fowles, the caretaker, was the only other 
person who had a key. “But someone 
might have taken his key without h 
knowledge and had it copied,” Carl said. 
The answer to that is to have the locks 
changed.” 
You sa 
ting in 

Сай smiled wryly. "Well. . . there's 
the chimney.” He went to the hearth and 
squatted, peering up the opening. “The 
flue is open. It's pretty narrow, (оцу 
The only thing that could get down 1 
way would be a squirrel or a bird... a 


there were two ways of get- 


uline shuddered, thinking of a bat 
about the darkened cottage, 
ing a way out, and brushing against 
a light switch. 

‘OF course, a bat or a bird would leave 
excrement,” Carl went on thoughtfully 
“So would a squirrel, probably, and we 
haven't fou But the thing to do 
block the flue the way Mr. F. 


board be- 
irst ГИ 


up the 
"Oh, God, don't do th 
line. She had a vision of some scorched 
ag writhing in the embers. 
Well, all st block it," Carl 
“No time like the present” h 
ng over to the wood box and 
lifting the board. “And then 
TIE get busy arranging for the locks to be 
changed." 


tomorrow 


By the time they next went out for the 
there were new locks on the 
The window latches had be 
checked, too, 
ие. 


doors. 


nd the win- 
= securely, and 
locked the doors. He also put tiny slips of 
bs. Иа 
r were opened, the paper would fall 
out or slide down to the hinge, providing 
nootlied 
some sand on the doorsteps, to obtain 
footprints. Sti 


Гаме 


paper low down in the do 


de 


th satisfaction. “Beyond 
псе cannot go,” he re 


dy starting down the 
won't find апу foot 


you say He caught up 
h her and took her arm, annoyed. 

She shook off his hand and went si- 
dently down the rest of the way. “I'm 
sorry, Carl." she said as he opened the car 
door for her. “I's just nerves. Please 
don't mind what | say." She looked back 
up the rise. The cottage was hidden, but 


the jagged curve of 
against the sunset sky 


teps showed dark 
"s go back and 


throw the г 


з power switch,” she said. 


"Then we'd lose the light out on the 
steps." he objected, starting the eng 
"Besides, it's simply a matter. of takin 
precautions. Гуе covered every possibil 
ity this time.” 

She made no reply but sat brooding by 
his side as he drove into the village. 

It was midnight when they returned 


Carl hurried up the steps. 

"I don't want to see it,” Pauline said 
suddenly. She stopped before reaching 
the turning and sit down on one of the 
steps 

Carl went on without her. “Look.” he 
called down to her exultantly, "the cot- 
tage is dark! What did I tell you?” 

She got to her feet and slowly mounted 
the steps while he inspected the sinded 
doorsteps with his pocket flashlight and 
verified the unch 


ed positions of the 


slips of р: 


"It work " he announced 


returning from the back of the house. 
“Both doors are the same. Nobody went 
inside. 1 can guarantee that, Pauline. 
Come on." She joined him at the front 
door as he put the key in the lock, turned 
it and opened the door 

This time the light in the living room 
was on 

“Oh, 


God." 1 muttered. The 


shutters had blocked the light from the 
outside. He'd forgotten about that. Pau 
line, behind him in the doorway, һа 
made a choked little cry. "Anybody here: 
Carl called out, his voice brittle. He made 
a hurried search of the place, but, as 
usual, he found nothing out of place and 
no sign of entry 

Lers go away from here," she said, 
her voice trembling, her cyes wide. “We 


know what it is now. Let that be 
enough." 

We don't know," Carl snapped. 
owe talking nonsense, Pauline." He 
paced about the room, trying to master 
his agitation. Then he turned to her 
more calmly. "There's no reason for you 
to stay here. ГИ put you on the noon 


train tomorrow." 


She looked at him with vague alarm. 
"Me? What about you 

I'm going to get to the bottom of this." 
he said. “There's one answer left and I 
intend to prove it out. It’s the lights. 
There's got to be something wrong with 
the lights. ‘That fellow from the village 
didn't find it—but that just means he 
wasn't competent 


Tomorrow I'm going 
10 phone Boston and get am absolutely 


first-rate electrician to come up here, and 


then we'll see—or | will. anyway. You'll 
be back home tomorrow night 
"No." she said dully. “М you're 


staying. 
Fault t 


ГИ stay, too. 
n yours. 


it was more my 


to do with it. You know that. 


refusing to ent 
halfclosed and her 
tight in a stra 
us wanted i 
dered. 
did." 


10 her 
into the room. He slammed the door. 
"What's past is past!” 


said, did 
to a d 
Cul" She giggled. 
saying 


member?" he said slowly. “ 


He frowned at her. “That has nothing 


She was still standing in the doorway, 
the room. Her eyes were 
mouth was drawn 
ge little smile. “Neither of 
she said, and she shud 


We both 


“We wanted it dead 


Stop this, Pauline.” 
“We murdered и. And now 
“You've got to stop!” He strode across 
seized her wrist and pulled her 


"You heard what Georges brother 
t you?” She let him guide h 
ir. “Is smarter than we are, 
“Whats the old 


"The one about the wise child? 


Don't you re- 
It's a wise 


He looked at her coldly 


child that knows its own father." 


“Oh—I'd forgotten. I didn't mean 


that.” She slumped in the chair. pressing 
her h: 


nds to her face. “I'm ... I'm sorry 
1 
Never 


went to а window à 


mind." Hc turned 


Druptly 


nd opened it, 
They could 


ng the shutters wide 


hear the wind in the pines on the north 
side of the cottage and the rhythmic slap- 


g of the waves down below. From far 


away came the cry of an owl, hunting 


“Wey 


ot to pull ourselves together,” 


Remember. Before you say “Tequil 


Ina marvelous Margarita, 
a super Sunrise 
or maybe just daringly straight... 
nothing compares with 
Smooth Olé Tequila. 
It’s got that Mexican spirit. 


TA if OLE MARGARITA: 
| 14 ozs. Olé Tequila 
^1! 1% ozs. Triple Sec 
=! Y oz. Lemon or Lime Juice 
| Shake well with ice 
and strain into 
sall-rimmed cocktail glass 


EIGHTY PROOF. ©1974 SCHENLEY IMPORTS CO., N.Y., N.Y. 


a; always say “Olé” 


PLAYBOY 


he said in an unsteady voice. He didn't 

look at her. “It's an clecuical. problem. 

"That's all it is. An electrical problem." 
“And if it isn't? id softly. 


He made no 


The Boston electrician arrived two aft- 
emoons later, Carl followed him around 
as he inspected the wiring and the 
switches 

"Nothing wrong with any of it, Mr. 
Days." the man said finally. 

There must be. I told you wha 
pened. You must b 


t hap- 
some- 


e missed 


Took,” the man said. "А switch is a 
switch. and when it’s off, it's off. I don't 
go on by itself. These switches are good 
switches, understand? And the wiring is 
OK. The guy who put it in, he knew his 
stult.” 
IE you went hack ove 
“I could check it a hundred times, it 
wouldn't make no difference, but ГИ do 
t once more just to satisfy you 
Fhe clectrician’s second. 
check of the system finished wi 
same conclusi 


rw 
Сай kept зоатіп, 

fuming. “The only th 
gotten in would be 
tered, stooping to inspect 1h 
along the kitchen wall. "But 
ции on fights. А snake, maybe. Or a cat. 
There must be wild cats around her 
He approached Pauline, who was s 
lisilessly on the sofa. "You 
lage tor 

ий 


1s 
go into the vil- 
You cani stay with 


going to find out. 
t does i а for all. Ther 
some rational explanation. Probably а 
simple one.” There was a roll of thunder 
ar out at sea. “It’s going 
he said, resuming his restless 
"ГИ drive you in to George's. 
е back and wait, There's 
id of," he added, glanc- 
g at her defensively, “but you'll be bet- 
n the village. 
id. "TI stay. t00.” He pro 
tested this. but she wouldn't change her 
nd. "I'll stay." she kept saving. Her 
mner was apathetic and resigned and 
she seemed withdrawn, Only when the 
thunder boomed closer and the lightning 
Mashed did she raise her eyes. 

“Weill make it look as though we've 
Carl said. "We'll drive the car up 
the road a hundred yards or so and park 
g the trees. Then well walk back 
ий wait. АШ righi?” 
made no response. 

“We'll sit here—right here—with the 
lus off,” he said. 


once "s 


n the distance, f: 
10 storm, 


othing to be af 


she s: 


one, 


xcept for the onc 
down the steps. 

“And then? 
"Il find out. 


"Do yo she 
id quietly. 

"Of course 1 do. 

"You know already.” 

He turned awa 
Let's go,” he said. 

By the time they had. hidden the car 
nd the screen of trees and were walk- 


really want to know? 


impati 


tly. 


ing back, the sky was darkening r 


and the first drops of r: 
patch of s 


n wei 


ig clouds. 
stormed that ni 
y were climbing the steps. 

No, it didn’t.” he said. and then he 
caught himself, “Don't talk about thia 
he told hi 


ayway- The steps were 


wer 
He unlocked the front door. The cot- 
ark. He swung his llashlight 

am about the living room. "You sit on 
the sofa, Pauline. FH take this chair. And 
we'd beuer not ralk. That might sp 
things. 


"lt won 

Be q 
were lost in à burst of thunder that broke 
bove the cottage. In the lightning that 
flared through the unshuttered window: 
he saw her [ace livid and distorted. her 
eyes staring. 

Tell me, Carl, 
ck me—" 
Don't" he said. 

“When you struck me, which one did 
you want to ki 
Oh. God." he munered. 

“Was it me , .. or it? Or bot! 
7E didit want to kill апу 
"I didn't know what I was 


she said, “When you 


str 


doing.” 
И you hadw't hit me, I wouldn't have 
fallen.” 
H wasn’t my child.” he shouted. Again 


ov exploded. Her white Tace 
c and swiftly faded, and they 
dy in the darkness as the rain beat 
1 the roof and the shutters hummed 
» the wind. 

Then the center of the storm passed 
nd the rain slackened. "Listen," she 
whispered. but the only sound was the 
rain. Then that, too, died away. He 
could hear her breathing and his own. 
His chest was tight and he was perspir 
ing, alihough the night was cool. “Lis- 
she whispered c swung 1 
here 
ng ve 


bout, strai 
" he heard her s; 
and he tensed. i 


g 1o see 
in a sha 
“Irs here, 
aware of a shape in 
knes, something he sensed 
sand he stood, grippit 
Hasblight tightl 
The front door opened. 

rshly. He flicked 
m that 


ice 


It was P; 
t 


iline. She had gotten to her 
nd gone to the door, 


fe 


“Lea d и.” she sa 
here in this room- 
Don't be an idiot!" 


105 here right now!" 

“There's nothing heres he shou 
flashing the beam around the empty 
room. When he swung it back to the 
doorway. she was gone. 

He cursed and went to the doorway. She 
hurrying down the steps. “Pauline!” 
He siared down the steps. Somethin 
wrong. The lamp at the turning was off 
Then he heard her cry ош. and as he 
pointed his flashlight beam down the 
steps. he realized that she had. missed her 
footing. She had vanished. 


y WAS 


Pauline!” He descended the steps 
quickly. sweeping the beam from side 10 


Pauline! 


side. He stopped ai the т 
ing. For a few moments he listened. bu 
all he could hear wa i 
against the rocks. “P: 


п bur there was 


the be 


waves 


cried 

He went to the edge and po 
flashlight down. 

He saw her sprawled on ihe rocks, 30 
fect below. Each br wave sent 
spray washing over her. 

He ran. back up to the сонаве. The 
telephone was just inside the door, the 
of emergency numbers ticked to the wall 
above it A flick of the flashlight: was 
enough t0 pick out the one he wanted. 
His voice, as he spoke, was racked by 
gasping sobs. “Ни 
“And bring rope. For € 
forget the rope. 

As he was starting down the steps 
n. he remembered the clothestine and 
round to the back to get it. frami- 
ly pulling it loose Irom its fastenings. 

He hurried down to the turning and 
looped the line around the kimppost, 
g it again and again. He flashed 
п down. The free end of the linc 
gled near the rocks where she lay m 
rionless beneath the driving spray 
one last glance up at the dark 
couage. he cased himself over the edge 
nd started down. The line held. Ir was 
the slippery cliflside thi yed him. 
His feet lost their pu i 
ids slid scorchingly along the 1 
he fell. 


у. hurry," he said. 


d's sake, don't 


The police had no dillicul on 
structing the sequence of events in which 
Pauline and Carl Bays met their deaths 
There was the telephone call, the clothes- 
ne tied to the Гашрроч and the two 
bodies close together on the rocks. The 
fact that the cottage was brightly, rium 
phantly iuminated—all the lights were 
on in every room—scemed of no particular 

cance and was not mentioned in the 


official report. 


“L can cross the street by myself, sonny. How'd you 
like to help me get through the night?” 


225 


PLAYBOY 


226 


CRAZY GINZBURG 


Ralph Ginzburg, that brandied fruitcake of 
a publisher, is at it again. 

First he devilishly exposed the intimate 
parts of Fanny Hill and Lady Chatterley to a 
blushing America while those erotic classics 
were still banned. 

Then he bought himself a $2-million libel 
suit by daring to question Barry Goldwater's 
psychological fitness to finger the nuclear trig- 
ger when Gold water was running for President. 

Next, with his muckraking magazine Fact, 
he risked the wrath of the mighty by attacking. 
Detroit (for building, cars that were not crash- 
worthy; this was before Ralph Nader). drug 
manufacturers (for selling cyclamates which 
had been proven to cause chromosome dam- 
age), and the tobacco industry (for attempting. 
to hide the link between cigarettes and cancer; 
this was before the Surgeon-General’s report). 

Still on the rampage, he brashly waved a red 
flag in the faces of prudes and bigots by run- 
ning a photographic study of a nude interracial 
couple in his elegant quarterly Fros (this bit of 
lunacy won him numerous graphic-art awards 
-and eight months in prison). 

In no way “rehabilitated,” he turned to the 
field of consumerism and set it on its ear with 
his hugely successful, greed-gratifying news- 
letter. Moncysworrh, in which he published 
such bawdy, ond useful, articles as "A Con- 
Sumer s Guide to Prostitution.” 

Now at the peak of his madness, Ginzburg 
is about to come out with the wildest, most 
enticing,exasperating, you-can'tlive-without-it 
periodical of his career: Avant-Garde Biweekly. 

This dynamite tabloid newspaper will com- 
pletely demolish all preconceptions of what a 
tabloid newspaper should be. И will be as 
irrepressible, ingenious, sensual and thorough- 
ly mad-as Ginzburg himself. 

Drawing upon the talents of the most bril 
liant artists, writers, photographers and још 
nalists of our day (see list below). he will pro- 
duce a paper of incredible power that prints 
high-compression news, pantsdown profiles, 
\d-searing photographs, nc-bull edito 
turn-'em-over-n-theirgraves obituaries, sy: 
tem-beating consumer tips, last-laugh politic: 
cartoons, kissof-death reviews of cin 
books and theatre, hash-pipe fiction and 


-out-and-frame-it illustra- 


poetry, and eai 


tions. Avant-Garde is going to be one of 


those things you 
say you've seen it. Ай 

Just look at this list of the kinds of far-out 
articlesand features Avant-Garde will print: 
ае 
Gerald Ford's Devotion to the Teachings of 
Mao Tse-Tung--Based on actual quotes. 
The U.S.'sPlan to Grow Opium 
Is Cancer Contagious?—Startling new facts. 
Coming: Psychiatrie Screening for Presidents 
Bella Abzug's Crazy New $2 Bill 
Inflation-Proof Bonds: Another Bright Idea 
from George MeGovern 
Psychic Castration: Vasectomy's A ftermath 
A Day for a Lay—First publication of the late 
W.H, Auden's long-suppressed erotic masterpiece. 
Kennedy vs. Nader: A Preview of the "76 
Democratic Convention. 
Early Simon, James Taylor, and Baby Sarah: A 
Family Album 
The Book that Terrifies the CIA 
“The Way We Were": Drawings by John 
Lennon—Of himself and Yoko Ono. 
The Personal Political Convictions of Chan- 
cellor, Reazoner, and Cronkite 
California's Coed Monastery 
Unde Sam at 200—412 notables (including Otto 
Preminger, Dr. Albert Sabin, Cleveland Amory, 
Раш Krassner, and Marshal! MeLuhan) offer 
suggestions for celebrating America's Forth- 
coming bicentennial. 

Pot Bust—The discovery by Boston surgeons 
M.S. Aliapoulis and John Harmon that heavy 
use of marijuana тау cause gynecomastia 

“development of female breasts in men- 
Nixon’ FreudianSlips—A nhilarious collection. 
The Zeppelin Will Rise Again- y experts 

discovering that, fuet wise, Wis One of the 
most efficient conveyances ever devised. 


Golda Meir's Recipe for Gefilte Fi 
The 108-Ycar-Old Pilot 


Pre-Mortem—28 celebrities (includ ing Federico 
Fellini, Art Buchwald, Woody Allen, and Gore 
Vidal) write their own obituaries. 


Howard Hughes' Plan to Mine the Ocean Floor 


They May Have to Eat Their Words—The 
Army's Natick Laboratory claims it is on the 
Verge of developing edible newspaper. 


Caroline Kennedy 's Sensitive Photography 


egor to see just to be able to 


Hunter S. Thompson: The Counter-Culture's 
Gonzo Journalist. 

The Shah of Iran's Reliance upon Dream Inter- 
pretation in Governing His № 


After the Wankel, the Stiding—A report on the 
engine of the "8057 


Down by the Riverside—A report on folk singer 
Pete Secger's successful one-man crusade to 
clean up the Hudson. 


This Crumb is No Milktoast— 
hip world's courageous, outras 
cartoonist Robert Crumb. 


Arthur Miller's Next 
Down Strike—Protest plans of the Commit- 
tee to End Pay Toilets in America. 
————J 

Asyou reading Avant-Garde will be 
like being plugged in to a fantastic inter- 
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pleasure-centers of your mind. 

Avant-Garde boasts the most formidable 
list of contributors ever gathered by a ре 
Odical Among them are: Andy Warhol. 
Peter Мах. Norman Mailer. Dick Gregory. 
Charles Schulz, Allen Ginsberg, Sloan Wilson, 
Roald Dahl. Dan Greenburg, Melvin Belli. Kurt 
Vonnegut, William Styron. C.P. Snow, Jerry 
Rubin, Joyce Carol Oates, Isaac Asimov. Ken- 
neth Tynan, Cleveland Amory, Richard 
Avedon, Herb Gold, William Burroughs, Jame 
Baldwin, Alexander Calder, Каас Bashevis 
wer, William Bradford Ни. Cornell Capi. 
alvador Dali, and Muhammad Аһ 

In format, Avant-Garde is « попрагей. Its 
dramatic layout, innovative typography. and 
lush color will take your breath away. Under 
the inspired art direction of Herb Lubalin, the 
world’s foremost designer of publications. 
Avant-Garde will raise the tabloid newspaper to 
а new art form. 

Avant-Garde is available by subscription 
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What's more, if you order right now, you 
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To enter your Charter Subscription, simply 
fill out the coupon below and mail it with $5 
to: Avant-Garde, 251 W. 57th St., New York. 

Mail your check today. Avant-Garde is 
going to cause the greatest cultural cataclysm 
since the advent of the Ве 


AAN i 
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AVANT-GARDE MCMLXXIV. 24° 


FOLLOW-UP: THE HANDWRITING ON THE WALL 


In our 


August 1971 issue, we pub 
lished “The View from Kilroys 
Hend,” a collection of strange and 
wondrous graffiti recorded by then- 
Colonel Irving Breslauer, with Ken 
Sams, after years of careful research 
in Air Force latrines. The Ай Force 
didn't appreciate it. In the months 
after the appearance of the article, life 
а for Colonel Breslauer; and in 


the following short piece, he recalls 
how it went for him—and for the 
Air Force. 


neral gripped the arms of his 
Xd peered over the half. glass 
es that were perched on the end ol 
his nose. He looked over the top 
ses whenever he could, ау il 


a both sides of the collar, his 
tense look. and the knuckle-whitening 
ip he had ou his chair was very 
intimidating. 

Mostly, D wast id of genctals, 
but since my article in rrAvnoy had 
lished, I had been led to be- 
I needed 10 be ой my best 
Coupled with a chain of 
gling my career, 
g made me ner 
t 1 pressed on 


been pu 


Thad just reached the stage where 
Twas about to make 
when the general coiled i 
al forward as 
raised his rump . 
no ordinary fart. [t was 
reer changer. Г could tell by the ex- 
pression on his 

ble effort 


incisive point 


ace that he had. put 
t. And by 


(to 


done anh 
prol 
was used to get 
had to raise np to move a recalcitrant 
Гатау. that’s what he did. My 
presence wasn't even acknowledged, 
even though my story cone 
very much. 

How did circumstances ever. place 
me in a position where 1 could be so 
demeancd? 
ce 1912, 
and. faithfully ary service 
ol my country. Г was a colonel. 
iy first weeks in Vietn: 
few orientation trips into the field 
Naturally, 1 used whatever facilities 
were available, Whether in the senior 
officers’ mess at MCAV headquarters 


ng unus 
bly wasn't unusi 


in Saigon or in а makeshift onc-hole 
lean-to in the boonies, all the toilets 
had one thing in common. People 
wrote on the walls. 

I began collecting thousands of say- 
ings and. cataloging them by subject. 
1 then teamed up with a friend and 
we sent the best to PLAYBOY. 

T was home on leave the week the 
cle appeared. The magazine sold 
local hero. People 
in the village pointed me out to or 
another, with the more courageous 
(mostly children) asking for auto. 
graphs. I was given the best service in 
local stores and asked dozens of times. 
When do you think you're going to 
do another one?" 


out and 1 became 


But that week proved to be the ze 
ny y career, at least for 
the time being. The leave was over. 1 
had to report for duty. I left my family 
in North Carolina and took an air 
planc to St. Louis, which was the 
dosest city to Scott. Air Force Base, 
Illinois, my new duty station 

As 1 entered what was scheduled to 
be my office, my se y said. “Colo- 
the chief of staff wants to sec 
you right away." 1 wasu't concerned. 
The chief of stiff was а two-star 
whom Га known since he was a colo- 
nel. He was а friend and 1 had heard 
he was one of the people who 


nith of liter 


had recommended me for this job. 
Не probably wanted to say hello. 

His secretary announced me and 1 
threw him а sharp. e when I 


walked into his office. 

Sit down, Inv!" 

Nothing ominous about that. He 
should have siid, "Sit 
Lauer,” if he was 

“Irv, do you В 
write fo 


down. Bres- 


ad, 
ve 
AY BOY?" 


ives who 


"Do you know 
ne who writes for 
"No, sit.” We wei 
1 what we both knew w 
Well, then, do you know anythin 
ele that appeared in t 
month's Mavuoy with a name Eke 
yours listed as the authe 

"D wrote it, and T guess there's no 
sense asking you if you liked it.” 

“Irv, several of your old friends rec 
ommended you for this job here, and 
now this article appears. Hs the talk 
of the Pentagon. It doesnt she 


yone with your 
PLAYBOY?" 
v both ying 1 


s truc. 


w 100 
mudh respect for the Air Force or the 
Government.” 

т. the article just reported what 
Gls had written on the walls all over 
Viemam. I have given my entire 
adult life to the Air Force. I have en- 
joyed most of it. If we can't stand to 


laugh at ourselves or take a little criti 
cism. especially if it is the truth, we're 
in trouble.” 

“Well, the general is upset by this. 
He asked for vou specially and. here 
you are with а questionable article in 
a girlie m: ad long hair like a 
hippie.” 

A new 
yesterday, and it's wi 
“Better get it с 
ral sees it. He's n 
because of the articl 

I guess that’s when 1 started to get 
out of the Air Force. Forty-eisht years 
d. a colonel, married, with colleg 

children, just back from Vietr 
where Thad been on the u 
seling our leaders 
programs th 


tack. “ 


» my hair cut 
egulations." 
ain before the 


E 


bout infor 


1 would become па 

policy—and 1 w checked. for 

haircut length by a two-star general 
The baber knew Thad just gotten 


as bi 


а haircut and thought it was hysteri- 
cal. “Did you really come to get your 
hair cut again, or to check and sce il 


your article was here?” 
"Just cut. it exactly 


ike you do the 


йине. Hell, 
t the day before. 

Thirty minutes 
the barber's с After all, Irv." the 
general had said, "you do represent the 
command. You don't need white side 
walls like me, but. 

Three haircuts in 24 hours 
Air Force record. Pm sure. When I fì- 
nally mer the bos, he didn't siy а 
word. but for the next ten months 1 
took my du 


aps wherever T went 


Ey 


пет 


erybody had s g to say abou 
the article: “Did you get that article 
cleared by Defense, or did you do all 
your shithouse resea 


а novel.” Such are the perils of fame 
the Air Force. 

My commanding: oflicer—the 
never direerly re 
Vm told he 
ed. And I'm not 
sure why, but his mindless act tied 
the bow in the ribbon that wrapped 
up my Air Force career, T retired 
within 90 days. 

Now, as E look back, Гуе concluded 
that guys in the Air Force are not any 
thing special. Mostly they arc tr 
& to make a living in the way they 
know best, Some are good, some are 
bad. Some are honest, some are crooks 
Some are gentlemen, some are g 
Some fart quietly, some raise 
leg. Some even write for PLaynoy. 


ge 
ferved to the 
was thoroughly bri 


ticle. bu 


227 


PLAYBOY 


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READER SERVICE 


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answers to your shopping questions. 
We will provide you with the name 
of a retail store in or near your city 
where you can buy any of the spe- 
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example, where-to-buy information is 
available for the merchandise of the 
advertisers in this issue listed below. 


We will be happy to answer any of 
your other questions on fashion, 
travel, food and drink, stereo, ete. 
If your question involves items you 
Saw in PLAYBOY, please specify page 
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as well as а brief description of the 


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PLAYBOY READER SERVICE 
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“PLL PLAY THESE"—THE WILD WORLD OF POKER, FROM 
THE FIRST ANTE TO THE FINAL RAISE: TIPS ON TACTICS BY 
JON CARROLL, LURE AND LORE OF THE GAME ВУ ©. BARRY 
GOLSON, AN AFFECTIONATE GLANCE BACK AT THE ALGONQUIN 
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“SEX AND THE SINGLE SCREW''-A YOUNG STUD, AFLOAT 
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“CHEESECAKE MADNESS"'—IF YOU WERE SCARED SHITLESS 
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“THE LEGEND OF STEP-AND-A-HALF"'—FOR THE IMAGINARY 
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**GOD'S BIG FIX'"—THERE /S A SAFE, UNTAPPED SOURCE OF 
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“SEX IN CINEMA—1374"—12 PAGES OF PICTURES ON WHAT'S 
HAPPENING IN AND OUT OF FILMDOM'S BEDS, BATHTUBS AND 
CUTTING ROOMS—WITH TEXT BY ARTHUR KNIGHT 


“IS ANYBODY OUT THERE DOING HIS JOB?" —SOME STUDIES 
OF THAT RARA AVIS, THE HONEST POLITICIAN (WE ACTUALLY 
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“THE AGGRESSIVE CHICK"—IT'S HARD FOR A GENT TO KEEP 
HIS VIRTUE TODAY, EVEN IN CARTOONS—BY ALDEN ERIKSON 


“THE CHARM"—THE DYING MAN HELD THE SECRET TO EVERY- 
THING, BUT WHAT THE HELL WAS IT?—BY RAY RUSSELL 


50 
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