Full text of "PLAYBOY"
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| WATS MADE FOR WEEKENDS LIKETHIS. ==
Pack the Pipers Scotoh. ‘it’s all set to go іп itssown Zippered case.
Pipers— blended and bottled in Scotland by Seagram's.
È Seagram's
13 o pipers f
м Scorci wisst
The care and feedins of your pipe.
Apply a littleT.L.C.
So you just got a new pipe! Congratulations.
New pipes are like infants. Both can bring
you a great deal of happiness. Both
require tender, loving care.
Неге are a few suggestions on how you
should "baby" your new pipe. These
T.L.C. steps will help you get all the
pleasure you expect from smoking
1. Before smoking your pipe for the first time, moisten
a fingertip with water and rub it around the inside of
the bowl. This will insulate the bowl against the heat
of the first smoke. Then, be sure to use a quality
tobacco, May we be so bold as to suggest Amphora?
2. то “break in” your pipe only half fill the bowl for
the first few smokes. Tamp the tobacco evenly and be
sure top surface of the tobacco is well lit. (See.
illustration above.)
Se when you pack a full bowl, press the tobacco
lightly in the lower part, more firmly up on top.
4, то build an even "cake" smoke the tobacco slowly
to the bottom. Occasionally tamp the ashes gently and
rekindle immediately if light goes out.
5. A pipe should keep its cool. If yours is getting hot,
set it aside, tamp the ashes and don't relight until the
bowl feels comfortable in your hand.
O. When you've worked hard, you enjoy a rest. So
does your chum, the pipe. Never refill a hot pipe. Let it
cool and switch over to one of your other pipes. We
can all изе a little variety now and then.
Ё. When you finish a bowlful remove the ashes with
your pipe tool. To absorb excess moisture insert a pipe
cleaner in the shank and put your pipe to bed in a
pipe rack, bowl face-down.
A layer of carbon will build up in the bowl of your
рірс as you continue to use it. This is good as it
improves the draft and provides even burning. But
don’t allow the carbon layer to be thicker than the
thickness of a penny.
9, Build up a collection of pipes, (The right hint
before your birthday, Father's Day or Christmas
wouldn't hurt.) Rotate the use of your pipes, take good
care of them, keep your pipes clean, and they'll return
to you years of pleasure and contentment.
- For an even light, circle the
24— — bowl with match to cover
5 entire top area.
То “break in" a pipe smoke
slowly to the bottom.
А good pipe tool is indispensable.
After smoking, insert pipe
cleaner and place pipe bowl down in rack.
Handcrafted pipe by
Nording of Denmark
How to avoid tongue bite.
There are two possible reasons for tongue bite. One is
excess heat in the bowl. Instead of puffing, draw
slowly on your pipe, follow these nine steps and you'll
go a long way toward avoiding the problem.
The second possible cause may be your tobacco. The
investment in a quality tobacco will reap an excellent
return in flavor and mildness. Amphora's unique
Cavendish process results in exira mildness while our
top-notch taste comes through.
Millions of pipe smokers start off their pipes with Amphora.
And stay with it. They made Amphora what it is today.
The largest selling Cavendish pipe tobacco in the world.
Send for our
FREE Brochure
Our new brochure, “A Man and
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| you have any specific questions
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drop a note to the President,
Douwe Egberts, Inc., Bldg. E,
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Oceans apart
PLAYBOY
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PLAYBIL THE NOSTALGIA CRA which looks like it's here to stay, has certainly summoned many glor ious things
from the past—old movies, old clothes, old songs. Now, even the old Depression may be coming back
for an encore. Banks are closing just like in the good old days and Gerald Ford is beginning to sound a lot like Calvin
Coolidge. And if that's not enough to have you stashing your pennies beneath the floor boards, check out our special
Depression package, Who's Afraid of Hard Times?, in which Larry L. King casts a melancholy сус backward and Wil-
liam F. Rickenbacker takes a cautionary look forward. King, who was born and raised during the Јам Depression, recalls
what it was like to be wiped out and reduced to picking cotton on a Texas farm, Оп a slightly more positive note, Rick-
enbacker, son of Captain Eddie and author of several books on the economy, blames our economic problems оп а wishy
washy Government but feels that another depression can be avoided. We'll just have to wait and see.
“When the chips are down,” John Kennedy once said, “money counts more than religion." Well, the chips аге cer-
tainly down, but for those of us who are running low on money, religion can bea handy fail-safe. As Robert Sherrill tells
us in Elmer Ganty for President (with artwork by John Hunt), that old-time religion is alive and kicking in Washing-
ton, D.C. It seems that everyone in the nation's capital, from Gerald Ford on down, is praying these days and Sherrill
is highly skeptical about the virtues of this peculiar trend. It should be noted that two months after Sherrill's article
[n > Iu iu eric: na а K а 0:
==л р n the lingering mysteries of Chappaquiddick appeared in
the New York Times Magazine last July, Edward Kennedy
scratched himself from the Presidential sweeps! i
month, Sherrill attacks the lingering effects of God
ington. Stay tuned for the results.
Albeit truth is, indeed, stranger than fiction, the short stories
in this month's issue are pretty, well. unusual. Ben Maddow
contributes Up Ош of Zoar, an intriguing futuristic tale of mo
rality. Jesse Hill Ford treats us to а bizarre tale of Southern law
and order in The Jail; and in Holy War on 34th Strect, illus-
tated by artist John Youssi, Norman Spinrad, former vice-
president of the Science Fiction Writers of America, posits the
SHERRILL chance encounter of several belligerent religious groups on a
busy New York street.
As defense correspondent for the McGraw-Hill World News,
and a Pentagon aficionado off and on since 1960, James W.
Canan is impeccably qualified, we feel, to expose some of the
crazy goings on in that weird place. And weird it surely s
you'll see by reading Tally Ho in the Pentagon, which is ex-
cerpted from Canan's forthcoming book, The Superwarriors
(to be published by Weybright & Talley). In it, the Air Force
and Navy start an argument over a fighter plane and end up
challenging cach other to a dogfight to the death with live
ammunition
We feel a little laughter now and th
why we're publishing Chariots of the Clods?, John Hughes's
take off on Erich Von Däniken. Hughes, a talented copywriter
for a large Chicago advertising firm, says his current activities
clude color blindness and twaddling.
As always, personalities abound in this issue. Jack McClin-
tock, a frustrated country-music songwriter, contends in Just а
Good Ole Rhodes Scholar that composer-singer-acior Kris Kris-
iollerson may, indeed, be the star of the Seventies. Billie Jean
King, certainly a star in her own right and perhaps The Woman
ol the Seventies, exchanges some volleys with Joe Hyams in this
month’s interview. And actress Margot Kidder tells us about
her сапу introduction to rLaynoy in an autobiographical essay
accompanying a pictorial shot by Doug Kirkland.
Now that you're wondering how we've managed to pack ай
that entertainment into a magazine that costs less than two
pounds of sugar and still make ends meet, don't go away yet:
ng from wigs to plastic wrap
ctivity in Ripped Off, cre-
around, including Paul
Gremmler, who is also responsible for our exercise-equipment
feature, Shaping Up. Wrapping up the package is J. Frederick
Smith's expert lenswork on outerwear to ward off those
chill March winds. And at this point, if you're still worrying
about the national debt, inflated prices and rising unemploy-
ment rates, snuggle up with our March Playmate, Ingeborg
Sorensen—she’s guaranteed to take your mind off the economy.
n can't hurt, which is
CANAN
Fhere's more. Watch how everyth کے
KIRKLAND gets peeled away in a flurry of erotic
ated by seven of the best photographe:
vol. 22, no. 3—march, 1975
PLAYBOY.
CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE
PLAYBILL =. s o£
DEAR PLAYBOY n
PLAYBOY AFTER HOURS А sf
ВООКЅ imc 22
MOVIES кшн ы - 26
RECORDINGS... — mews EL
THEATER - 38
THE PLAYBOY ADVISOR _ 43
THE PLAYBOY FORUM 47
PLAYBOY INTERVIEW: BILLIE JEAN KING —condid conversation ss
UP OUT OF ZOAR—fiction 2. —————..BEN MADDOW 72
SHAPING UP—modern living... = 76
HOLY WAR ON 34TH STREET—fi
NORMAN SPINRAD 81
CASSOULET—food ..
З „THOMAS MARO 82
MARGOT.— pictoriol essay MARGOT KIDDER 86
JUST A GOOD OLE RHODES SCHOLAR-—personolity......JACK MCCIINTOCK 95
ELMER GANTRY FOR PRESIDENT—orticlo -ROBERT SHERRILL 96
NORSE STAR—playboy’s playmate of the month... 98
Clods' Choriots PLAYBOY'S PARTY JOKES—humor. 108
TALLY HO IN THE PENTAGON—o
JAMES W. CANAN 110
WARMING TRENDS—ottire ROBERT 1. GREEN 113
CHARIOTS OF THE CLODS?—porody JOHN HUGHES 117
TRAVELER'S AIDS—accouterments = 119
THE JAIL—fiction JESSE HILL FORD 124
RIPPED OFF—pictorial . А = 127,
THE VARGAS GIRL—pictoriol z ALBERTO VARGAS 136
ESSAY ON WOMAN-—ribald classic. er PEGO BOREWELL 137
WHO'S AFRAID OF HARD TIMES?— article WILIAM F- RICKENBACKER 138
memoir... ss -LARRY L KING 139
SEX $НОРРЕ—һитог................... z .........RAYMONDE 141
ON THE SCENE—personolities = 156
PLAYBOY POTPOURRI. - —€—— 182
The Јой LITTLE ANNIE FANNY—sotire.__ HARVEY KURTZMAN ond WILL ELDER 207
GENERAL OFFICES: PLAYBOY BUILDING, S19 NORTH MICHIGAN AYE.. CHICAGO, ILLINOIS вон. RETURN POSTAGE MUST ACCOMPANY ALL MANUSCRITS. DRAWINGS AND PHOTO-
GRAPHS SUBMITTED IF THEY ARE TO BE RETURNED AND NC RESPONSIBILITY CAN BE ASSUMEO FOR UNSOLICITEO MATERIALS. ALL #ICHTS IM. LETTERS SENT TO PLAYBOY WILL BE
STEELER, PHOTOGRAPHY BY POMPEO POSAT. OTHER PHOTOGRAPHY DY: PAIMONDO DOREA, P. 3; MARIO CASILLI, P. 98, 89 (2), 100 (2), 101 (4), 107 (2); DAVID CHAN, Р. э; BILL AND MEL
TIGE. P. 102; CHRIS FORT, P. 3; BILL FRANTZ, P. 19-121; PANDY COSS, P. 3; RICHARD N. HEWETT, Р. 102 (2), 103 (2); DOUGLAS KIRKLAND, INTOCK, в. з.
SUZANNE SEED, Р. 3 (2) VERNON 1. SHITH, P.3: JEFFREY WHEELER, Р. 3: LINDA WHEELER. Р. 3 (2); ERRATUM. ''SARIOT-—INCROYADLEI^* PICTORIAL, JANUARY 1378 15506, VERGEZ/STYGMA.
AGE PAID AT Сне. ILL., AND AT ADDL. MAILING OFFICES. SUBIC
The Los Angeles NS
INGREDIENTS: 1 oz. EARLY TIMES, 1 oz. Creme de Banana.
% от. Triple Sec, %4 oz. Lemon Juice, 2 oz. Pineapple Juice.
RECIPE: In Blender combine 1 oz. EARLY TIMES, 1 oz. Creme de Banana,
% oz. Triple Sec, М oz. Lemon Juice, 2 oz. Pineapple Juice, with ісе; pour in
highball glass half filled with cracked ice. Garnish/pineapple slice, straw.
1 oz. EARLY TIMES, 1 oz. Triple Sec, 1 oz. Dry Vermouth.
RECIPE: Combine 1 oz. EARLY TIMES, 1 oz. Triple Sec, 1 oz.
Dry Vermouth. with cracked ice; strain into stem glass.
Garnish /lemon twist.
The Boston Bétitbon Mary
INGREDIENTS: 17 oz. EARLY TIMES, Tomato Juice, Worcestershire
Sauce, Tabasco Sauce, Slice of lime (or Favorite Bloody Mary Mix).
RECIPE: Combine 132 oz. EARLY TIMES, Tomato Juice,
Worcestershire and Tabasco Sauce to taste (Ог Bloody Mary Mix).
Add ingredients to highball glass filled with ice. Garnish /lime slice.
BG Proof Езгу Times Distilery 1.8 ETOC 1975.
INGREDIENTS: 2 oz. EARLY TIMES, 1 oz Triple Sec. orange juice.
RECIPE: Fill highball glass with ice. Add 2 cz. EARLY TIMES and
1 oz. Triple Sec. Fill with orange juice, and stir.
Float teaspoon Grenadine.
INGREDIENTS: 1 oz. EARLY TIMES, % oz. Green Creme de Menthe,
% oz. White Creme de Cacao, 1 oz. Coffee Cream.
RECIPE: Shake with cracked ice 1 oz. EARLY TIMES,
% oz. Green Creme de Menthe, % oz. White Creme de Cacao,
1 oz. Cream. Strain into whisky sour glass.
Straight iion ^
"a
n
Wherever you are, and whatever you mix us with, cola
ginger ale, The Uncola;" cherry soda, lemonade, water or Just
a clatter of Ice cubes, once you know us, you'll love us.
Early Times
PLAYBOY
Minolta helps you
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You're comíortable with a Minolta SR-T from the moment you pick it up.
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And when subjects call for a different perspective, Minolta SR-T cameras
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Don't let anything get in your way. Be prepared with a Minolta SR-T. For
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Is your comera о meons of sell-expression? If so, enter Ihe Minolta Crective Photegrophy Contest. Grand
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oble prizes will be aworded. Nothing lo buy. Minolta equipment nc! required. See your Minolta dealer
lor details and registration. Or write: Minolta Creative Photogrophy Contest, Box 1831, Blair, Neb. 68009.
PLAYBOY
HUGH M. HEFNER
editor and publisher
ARTHUR KRETCHMER editorial director
ARTHUR PAUL агі director
SHELDON WAX managing editor
MARK KAUFFMAN photography editor
MURRAY FISHER assistant managing editor
EDITORIAL
ARTICLES: GEOFFREY NORMAN edilor, DAVID
STANDISH assistant editor e FICTION: ROMIE
MACAULEY editor, STANLEY PALEY associate
editor, VICTORIA CHEN HAIDER, WALTER sUn-
LETTE assistant editors e SERVICE FEATURES:
том OWEN modern living editor, ROGER
WIENER assistant editor; ROBERT L. GREEN
fashion director, vavo PLATT fashion
editor; THOMAS Mawo food è drink editor
CARTOONS: MICHELLE URRY edilor « COPY:
ARLENE. KOURAS editor, STAN AMBER assistant
editor = STAFF: c. MARNY COLSON, GRETCHEN
МС NEESE, ROBERT SHEA, DAVID STEVENS senior
editors; LAURENCE. GONZALES, REG TOTTERTON
staff writers; DOUGLAS C, BENSON, WILLIAM J.
HELMER, CARI- SNYDER amociate editors; Jon
BLUMENTHAL, J. F. O'CONNOR. JAMES RL PETER.
SUN assistant editors; SUSAN HEISLER, MARI
NEKAM, BARBARA NELLIS, KAREN PADDERU
LAURIE SADLEK, BERNICE Y, ZIMMERMAN 1e-
search editors; J. PAUL cerry (business &
finance), NAT HENTOFF, ANSON MOUNT, RICHARD
RHODES, RAY RUSSELL, JEAN SHEPHERD, BRUCE
WILLIAMSON (movies), JOHN SKOW contribut-
ing editors = ADMINISTRATIVE SERVICE:
PATRICIA PAPANGELIS administrative editor;
ROSE JENNINGS Fights & permissions manager;
MILDRED ZIMMERMAN qdarinistrative assistant
E
TOM STAEBLER, KEKIG POPE associate dircclors;
NON HOST, ROY MOODY, LEN WILLIS, CHET SUSKI
JORDON MORTENSEN, NORM SCHAEFER, JOSEP
PACZEN assistant directors; JULE FILERS,
масток HUBBARD, GLENN STEWARD art assistants;
W. MICHAEL SISSON executive assistant: ЕМЕ
CKMANN administrative assistant
PHOTOGHAPHY
MARILYN GRABOWSKI west
CARY COLE, MOLLIS WAYNE asociate edi
tors; ma suutrs technical editor; mui
AKSENAULT, DAVID CHAN, RICHARD FEGLEY,
DWIGHT HOOKER, POMPEO POSAR staf] pho-
tographers; DON AZUMA, BILL and NEL кибе,
BRIAN D. HENNESSEY, ALEXAS URIA contrib-
uting photographers; MLL FRANTZ associate
pholographer; JUDY JOHNSON assistant
editor; tro каве, photo lab superviso:
JANICE ывкомпг moss chic] stylist;
monter chews administrative editor
coast editor;
PRODUCTION
JOHN MASTRO director; ALLEN VARGO man-
ager; ELEANORE WAGNER, RITA JOHNSON,
MARIA MANDIS, RICHARD QUAKTAROLI assistants
READER SERVICE
CAROLE CRAIG director
CULATION
THOMAS с. WILLIAMS customer services;
BEN GOLDBERG director of newsstand sales;
ALVIN WIEMOLD subscription manager
ADVERTISING
HOWARD W. LEDERER advertising director
AYBOY ENTERPRISES, INC
komer s. PREUSS business manager and
associate publisher; RICHARD з. ROSENZW!
executive assistant to the — publishe:
RICHARD м. КОЕР assistant publisher
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A Rabbit is very thrifty. 38 miles per „@
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on the highway in the 1975
model Federal Environmental Ж
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nifty 24 in the city.
A Rabbit is very roomy.
We mounted the engine
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passenger room. So what you
have is a sub-compact on the outside -
with all the room of some mid-size
cars on the inside.
A Rabbit is a Hatchback. And you don't pay
a penny more for that extra door.
In car talk, the Rabbit has front-wheel drive, rack-and-pinion
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<. ү\срРУ days are here 099“
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LT. IMPORTED
ЭЭ? жашик.
How does a Scotch get the lion's share?
We haven't become king of Scotches: Not yet. Butwe know how to conquer all other Scotches.
Just be tastier than any of them (with a little more Scotch flavor than they have). And cost less
than any other first class Scotch (quite a bit less). As itis, we're up to 8ve million bottles.
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AS ЖЫР, TA M REATUS en The spirit of success.
DEAR PLAYBOY
E] sores ғ.лувот MAGAZINE - PLAYBOY BUILDING, 919 N. MICHIGAN AVE., CHICAGO, ILLINOIS 60611
OH. HENRY
In his Decembe
singer, Garry Wills gives the answer to the
question, What makes Henry run? Ob-
viously, it is his love of power, and his
tactic of servility aud obsequiousness to.
tain it. He took on William Elliott's
docuine to get a leg up at
ard. He became ап advocate of tacti-
cab nudear war because this would im-
pres General Gavin. He approved the
simas bombing of North Vietnam,
since he figured this was what would
please President Nixon. He screamed
loudly about the publication of the Pen-
on papers. and so set the stage for the
break-in of Ellsberg’s psychiatrist's office,
because this was the temper of the Nixon
White House. He went along with, and
perhaps even initiated the bugging of col-
leagues, again because he knew this would
be great guns with the dim minds a
White House. In his later life.
Kissinger has т
with those who see the кой in simpl
tones, as do El N
Brezhnev, than with the more sophisti
cated, like John Kennedy and Chou En
j. The question might be asked wheth
he hay an olound philosophy or
is noth than a super litmus
paper for the
Tr Collin, Editor
The Washington Spectator Newsletter
hington, D.C
Garry Wills Kissinger seems to have
missed the point in its discussion of the
roots of power. The implication 1 got is
that the Rockefellers bought and sold a
Harvard international scholar to Gov
ment and then sat back to reap the bene
fit. Lets not forget who nominated
Gerald. Ford, who in turn nominated
Rockefeller and who bought and sold thu
soul of Henry Kissinger in the first p
Roger S. Manni
Palmyr
This "super y Kissinger. is
undoubtedly the most dangerous man the
world has ever known. While creating
the impression of being a genius, he has
the uncanny ability to simultaneously col-
lec the laurels if he succeeds
someone else take the rap if he
fluenced only the cz:
: this Ras-
nlluences the most powerful olfice
im the world: the U.S. Presidency. Is he
really all that capable? Well. which diplo-
mat worth his salt could not do the same,
when empowered to give away the assets
of the United States—money, arms, po-
litical support and know-how—in order}
to achieve a goal? Nixon wa
for Kissinger—Ford even le
Dirk M. Brink
Hong Kong
Kissinger is unique because he can con-
sistently manipulate to his advantage the
enormous complexitics interwoven into
word politics today. The personality
Garry Wills so aptly sketches оС Kis
ger shows the relationship betwee
complexities of the man and his
successfully with the.
at,
to d
complexities of governm
HUNTING SONG
I read the article Old Dance on the
Killing Ground. by Charles Gaines, in
the October issue with understandable
се my sons and I were
rt of the object of that exercise.
s appears to have colored the hunt
a finished product that
mihunting. It is remark.
could have
ned such a posture, since our hunt was
uted in our attempts to keep hini
is photographer friend from being
- My son did not kill
al shot up the
pros.
nd
gored by the bo
the fallow buck with a fin
rectum. He killed it with three shots
the lung cavity. und D have the ph
phs to prove it. Gaines had less те
spect for the boar d
1 told him to "freeze
: to the
with nearly 200 pounds of live mate
atehing us rather closely. In retrospect
we did and when
preventing
vimal
1w:
a passive society without understandin
the ramifications of wildlife overpopula-
tion and subsequent wasteful s
of such. wildlif
the same tune but gladly
resulting from а successful hunt, Game
management ін our big country is emi
пешү successtul and hunting within the
parameters laid down by the wildlife
PLAYBOY. MARCH, 1975, VOLUME 22, NUMBER 3. PUBLISHED MONTHLY тү FLAVEOY. PLYBOY musLEINE, эт NORTH wc
AVENUE, CHICAGO, ILLINOIS 606i. SUBSCRIPTIONS: IN THE UNITED STATES. ITS POSSESSIONS AND CANADA. S24 Fon THREE
RENEWALS. CHARGE OF ADDIESS: SEND GOTH OLD AND NEW ADDRESSES YO FLAYDOY. PLAYBOY EUILBING. 919 NORTH MICHIGAN.
THERY SMYTH. KARKETING SER
ES DIRECTOR, NELSON утс
ANE ALLOW зо DAYS FOR CHANCE. MARKETING: IMAG 2. ROSENZWEIG. DIRECTOR OF MARKETING
MARKETING MANAGER, LEE GOTTLIEB, DIRECTOR CF PUBLIC RELA
TIONS. ADVERTISING: HOWARD W. LEDERER. ADVERTISING ELNECTOR, HERBERT D. VANELOYEG, As:
JULES XASE, JOSEPH GUENTHER, ASSOCIATE ADVERTISING MANAGERS. 747 THIRD AVENUE, NEW YORK. MEW YON V
TE ADVERTISING DIRECTOR.
SHERMAN KEATS, MANAGER, S19 NORTH MICHIGAN AVENUE; DETROIT: WILLIAY F. ROOPE, PANACER. BIG FISHER BUILDING. LOS ANGELIS.
Add your own dash of TABASCO”
Sauce at the table...to soups.
Free booklet!" The Exciter"! 24 colorful, fun pages
containing tips on how to use TABASCO at the
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1975. TABASCO is.
ines 2d emen м
PLAYBOY
12
specialists is, or ought to be, a healthy
outlet for our violence between wars and
at the same time serve to control wild-
life population, which, as far as deer
e concerned, is greater than during our
Colonial be, gS.
J. W. Whitehouse
Lyndonville. Vermont
Gaines теріс
Whitehouse claims that my story “Old
Dance on the Killing Ground" is essen-
tially antihunting. It is not. 1 myself
have been a bird hunter for more than 20
years and will continue to be one as long
as there is wild shooting available, For
the small percentage of American big-
game hunters who are true woodsmen
and sportsmen, who hunt with skill and
endurance and who have affection for
the animals they hunt, I have nothing
but respect (too much respect, I might
add, to go along with Whitehouse's sor-
did notion that they do what they do
in order lo bloodily while away the time
between wars). Не also states that the
story is full of inaccuracies. He is mis-
taken about that, too. 1 have по doubt
that he has pictures of a variety of holes
in the fallow decr his sons Swiss-cheesed
on the hunt; but I have one that testifies
drearily to the final anal shot that killed
the animal. Finally, Whitehouse's belief
that he and his sons were ever put into
a position of having to protect me from
being gored, his conviction that there
was any real danger at all attached to
his hunt, is touching substantiation of
the story's central point: that fantasy is
what preserve hunting is all about.
RATING REDFORD
Ihe Robert Redford interview
(rLaynoy, December) is certainly one of
your best. Larry DuBois really broke
through all the barriers and exposed Red-
ford for what he v
compassionate hum
Nashville, Tennessee
Most actors who catch m
the screen are а disippointment when I
bout them. Not so with Redford.
The interview is so honest and озеп
hed that for once I felt a genu-
ty and humanness from
the subject. He made me feel
ag through a moment of
m, ау if 1, too
compassion, desp:
iencing hi
‚ humor and айса
Lorraine Mason
Pompano Beach, Florida
а make a lovely
the master. of
у cliché from the old—‘riddle of the
Sphinx"—to the new—"“The press
lible, human like the rest of us"—with
every shading in between ("Fame is a
twoedged sword"). But if he remains an
actor, we'll give him more interesting ways
to say what he has to say.
Robb White
Santa Barbara, California
MONSTER MASH
Ма Brooks and Gene Wilder are
azy! I was certain Blazing Saddles,
which I found uproariously funny, would
be the limit. But Young Frankenstein
(rrAvnov, December) promises to be even
funnier. Bra
Hilton Cranston
New York, New York
Mel Brooks and Gene
offscreen as they are
15 it true tha
Wilder are as cra
in their movies?
Harvey White
New York, New York
Absolutely not. As you can see by this
photograph, Brooks and Wilder are
actually somber, retiring men who lead
normal, quiet lives like the rest of us.
Humor is no laughing matter to them
and they conduct themselves with
restraint and refinement at all times.
1 can't figure out why everybody thinks
Mel Brooks and Gene Wilder are so
damned funny. Quite frankly, I thought
Blazing Saddles was one of the most bor-
ing flicks I'd seen in ages—chock-full of
obvious sight gags and cheap jokes. Young
Frankenstein looks even worse, И the ex-
cerpts you published are supposed to be
the best parts, I'm going to make a mental
note to avoid the movie.
Doi
Cı
Eldridge
igo, Ilinois
ider and Brooks have to be the dy:
namic duo of Seventies comedy. 1 can't
t ıo see Young Frankenstein in its hi-
larious entirety on the screen,
Law
nce Smith
mi, Florida.
CHELSEA PEARLS
It was, indeed, a pleasure to read James
Г. Farrell's aride Remembering the
Chelsea (pLavwoy, December). I found
most informative, since it covers a
period before my 20-year association with
the Hotel Chelsea. It appears that not too
much has changed, since we are still con-
sidered to haye the most creative clientele
anywhere. I would have liked Farrell to
terviewed some of our more prom
ent writers, artists, musicians. actors
and actresses who are in the mainstream
of the arts. However, the discussions and
earthy conversations in the Chelsea lobby
accentuate the friendly ambience.
Stanley Bard, Director
Hotel Chelsea
New York, New York
Your publishing of James T. Farrell's
reminiscences Remembering the Chelsea
underscores the fact that its author is alive
and well and, though he has recently
passed the 70-year mark, still thinks
deeply and widely. He is hardly to be car-
marked as the “proletarian” blood-and-
guts author of that far-off decade, the Red
Thirties. In. this icle, which so well
displays one of the sharpest yet gentlest
wits imaginable, there is an especially
poignant and revealing passage in which
he remembers visiting Edgar Lee Masters
at the Chelsea. Farrell
pathy and some show of p
ters was told by his inferiors that the
no longer wanted him, that the n
Masters was no longer a drawing
for people interested in letters. He
admits to havin; resentment over
very condi
ad off since the mid-
elf, Apparently,
letters, we all too
cagerly anticipate the diminishing of pow-
er or at least of popularity of a w
if the new had to knock off the old ii
order 10 s im attention. ШШ this. s un-
to
'arrell's
RON the
felt
fairly ofter
Ree ncaa
s of literary fashion, 1 was most
touched by his tentative judgment regard-
g the new when he wrote of Andy War-
hol and his devotees. He has held off from
any stringent judgment, as if wanting very
much to be happi ed by some new
aesthetic
Bany Wallenstein.
The City College of the
City University of New York
New York, New York
ter.
nt Professor
UNLISTED NUMBERS
I must commend you on all the guys
you managed to dig up for your Dial-4
God Golden Pages (PLAYEOY, December).
However, there are quite a few that you
happened to miss. In fact, if I may say so
without this being regarded as a plug for
the radio station for which I work, your
research would have been much easier and
e complete if you had just listened to
us for a For instance, you state that
you couldn't find any "female asp
Well. a daily feature on our station is
Moments with Martha. Female. Nothing
Jewish? Well, we've got one titled The
Jewish Voice Broadcast. Can't get much
plainer than that. In addition, there're
Jimmy Swaggert, David Epley and near-
ly а dozen more. You should have been
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Kings & Longs, 17 mg. “tas,” 1.3 mg. nicntine, av. per cigarette, ЕТС Report Oct, 74
PLAYBOY
Forcolor reproduction of complete Wiid Turkey painting ty Ken Davies, 19 by Z1 send 51 to Box
Wild Turkey Lore:
The Wild Turkey is one of the
heaviest birds capable of
flight. Yet it is unusually fast.
Тһе male bird has been
clocked at speeds as high as
55 miles per hour.
As America's most
treasured native bird,the
Wild Turkey is an apt
symbol for Wild Turkey
Bourbon—America’s most
treasured native whiskey.
WILD TURKEY/ 101 PROOF/8 YEARS OLD.
Austin Nichols Distilling Co., Lawrenceburg, Kentucky
tuned in the day an exorcism was per-
formed on one of our programs before an
audience. For the atheists (equal time, you
know). we even feature a program from
Radio Moscow.
David M. Hallow
Chicago. Illinois
As we said before, don't call us, we'll
call you
CASTING OFF
Once again, no respect! In Dan Green-
burg's piece How to Cast a Porno Film
and Not Get Too Nervous (pLavuoy, De
cember). Carl Gurevich doesn't. give the
real reason ] turned down the role. The
truth. of the mauer is, I didn't want to
be in this movie because I get laid in it.
and since I'm in show business, Гуе been
fucked around enough. By the way, this
isn't the first porno part Гуе turned
down. I turned down a classier sex picture
once, a Danish film. They spoke in Eng-
lish, but the sex was dubbed in
Rodney Dangerfield
New York, New York
1 thoroughly enjoyed Dan Greenburg's
amice How іо Cast а Perno Ейт and
Not Get Too Nervous in the December
issue of pravnov. 1 was, of course, very
surprised to find my name mentioned in
such an erotic piece. lt seems Greenburg
placed me in New York during the film
ing of a movie titled Fourplay. 1 think
that he has mistaken me for another
comedian who also appeared on the Re.
publican Presidential Ballot in 1970. I
can provide proof that during the period
that this film was being made, 1 was on a
personal appearance tour for the Daugh-
ters of the Pan-American Revolution. As
to photographs depicting someone look-
ing like me with a nude actress, I can
categorically say that D was misquoted
(rtavuoy, April 1971). Throughout
Greenburg’s article, he refers to a chubby,
charismatic procurer by the name of Carl
Gurevich. In checking my records, I find
that there was such a man who contacted
me in regard to starring in a film. To the
best of my recollection, he was interested
in my playing the lead in the remake of a
spiritual film called The Robe. For the
many middleof-the-road Americans who
have always supported me, 1 deny em.
phatically having anything to do with the
kinds of people described in the afore
mentioned article. And that’s по shit?
Pat Paulsen
Beverly Hills, California
MIDDLE GROUND
I knew if I waited lor зопрһ,
rLaynoy would publish an article like
George Johnson's Stuck in the Middle
with You (etaywoy, December). It's
worth the wait. No matter how you slice
it—one guy with two gals or one gal with
two guys—it makes a delicious sandwich
Г was delighted to discover that Johnson
did not neglect the ménage à trois that
| oe THING HAPPENED on Saturday afternoon. I rolled out my new
Kawasaki 7-1 and four hamburgers burned-up on the Stevenson's barbeque; the
Brady's livingroom never got painted; the Kresser's livingroom gathered more
dust; the Gelbert's tennis match was pointless; Lisa Harwayne's piano lesson went
flat; and 23 snails, 12 slugs, and at least 17 beetles had the Howell's
garden for lunch.
The thing is, I remember back when a flashy new car would draw guys in our
neighborhood away from their appointed week-end tasks (irritating the ladies
no end). I guess times have changed. | can't say it was my 7-1 itself that did the
trick. I mean, not everybody knew he was lookin’ at a 903cc, 4 cylinder, 4-stroke
legend — maybe the best touring bike ever made.
They know that now, but I kinda think it was the idea of a motorcycle that
turned 'em on. Like way down deep each guy sort of understands motorcycling,
evenif he’s never hadariding experience. Don't ask me to explain that experience.
It's a feeling. Not that junk about the sun on your face and wind in your hair.
It's more an urge to get on a bike and. ..just...go. With a secret notion you won't
want to come back again. Besides, it's good looking at the world without looking
through a windshield.
‘Course! didn't mention any of that on Saturday. Ifigurcd Kawasaki
keeping quiet might restore peace in the neighborhood. lets the good times roll.
PLAYBOY
CAN
PROMISE
YOU THE
WORLD
—AND
DELIVER IT.
All you dois fill out the coupon
below, mail it to us and you
become an official OUI
subscriber. Then, every month,
you receive one very fresh
copy of that most worldly
magazine, OUI.
Please enler my subscription for
O 1 year $10 (save $5.50 off $15.50
single-copy price)
Г] Bill me later
O Payment enclosed
(please print)
919 №. Michigan Ave.
Chicago, Illinois 60611
16
finds one gal getting it all together with
two guys. This sandwich arrangement ac
tually makes more sense from a physi
logical standpoint than the one-man trio,
no matter how durable and imaginative
the lone male can be with his two females
‘The solo girl can handle everything the
two guys cin dish out for as many hours
as the guys can keep it going.
(Name and address
withheld by request)
GABRILIAD'S ODYSSEY
or years now, you have been fecdi
sick material to sick minds. With the
publication of The Gabriliad (PLAYBOY,
December), you have submerged to a
lower depth. Now you seek to desecrate
all that we hold holy. Its enough that
you are allowed to deface God's crea-
tions on such a lowly scale for perverted
amusement. You want to defile God
Himself. Our air is polluted by greedy
profiteers. Our water and sometimes our
food are polluted. Now you scek to tunnel
into the last resting place of sanctity of
our minds and mockingly stain all that
we hold pure. 1 insist you do not have the
right to violate and twist our personal
visions of God and His most holy mother,
which we hold so emphatically pure. I
shudder to think who will be your defense
one day if you continue this erratic course.
Edward T. Jarrell
Chester, Pennsylvania
Strangely enough, 150 years ago, a Rus-
sian chief of police had a reaction similar
to yours concerning Alexander Pushhin's
“Gabriliad.” Throughout his life, Push-
hin suffered banishment and. disgrace as
a resuli of his subversive works, but he re-
mains today one of Russia’s most impor-
tant literary innovators. “The Gabriliad"
was not meant as sacrilege but, rather, as
а willy protest against the Russian estab-
lishment and the Orthodox Church and
its practices.
FISH TALE
Following the November Hunter
Thompson interview with The Great
Shark Hunt (evaysoy, December) was
one of your most outstanding cditorial
decisions. The good doctor does not strike
close to home with his political insight;
he blows the whole damn house up! If
only the keen thinking that comes from
Thompson's drug powered cerebrum were
in greater supply, we might not be in thi
screwed-up national state. And we might
have more writers skilled in Gonzo Jour-
nalism carrying on in the great Frar and
Loathing tradition. Thanks, PLAYBOY.
George F. Kaywood
Charleston, South Carol
OFF BEAT
I'm shocked! To learn after 38 years
that somcone named Larry L. King has
been secretly following me throughout my
entire life, from the bathroom in my
home town during my teens to my present
status, approaching an “old boy.” Where
could he have hidden in that bathroom,
behind the hamper? No, that's where 1
scurried when I realized that the hook on
the bathroom door might not hold. And
noise in the high grass down by the
ver, could that have been Larry L- King?
That first backseat job. that car w:
two-door! He couldn't have—but wai
1 remember, she did have a satisfied smile
on her face just belore—- Well. at any
rate, if it was Larry L. King, I have
to compliment him on Getting Off
(рїлүвоү, December), a subject I have
been—ah—close to for many years.
W. H. Netherland
Savannah, Georgia
CAR FARE
Brock Yatess December article, The
Sportsedan; Roughing It on the Estate,
is one of the best car features I've read
in ages. Like many others I prefer an auto-
mobile that is engineered to be driven,
rather than a compact living room to
transport me to my destination. There is,
however, one line in the article with
which Vd like to take issue—the one re-
ferring to "night school chiropractors.”
First of all. there is no such thing as а
night school chiropractor. Although 30 ог
10 years ago this reference might have
been accurate, nowadays state licensing
requires at least two years of college in
addition to another four years of chiro-
practic college, which is roughly equ
lent to medical school. Courses in
anatomy, physiology, microbiology and
pathology, to name a few. You would
have to spend an awful lot of nights to
get through a regimen like that.
Donald Bernstein
Hempstead, New York
Right. And now that you mention it,
we've got this nagging pain in the small
of our back... .
SINGER'S SONG
Isaac Bashevis Singers Tale of Two
Sisters (rr Av Boy, December) is an extraor-
dinarily enjoyable reading experience.
Singer has taken much from the Biblical
story of Jacob (see Genesis 29-31), twisted
it exquisitely into a Kafkaesque setting,
written it in Conradian narration and
produced a masterpiece of short fiction.
Victor A. Fleming
Chapel Hill, North Caroli
PHOTO FINISH
1 was enormously impressed by the
artistic expression achieved by photog:
rapher Victor Skrebneski in Claudia Ob-
served (PLAYHoy, December). Although
it goes without saying that Jennings is
an extremely photogenic subject. Skreb-
neski has managed to capture her in a
particularly beautiful pose.
Michacl Green
East Lansing, Michigan
We Deliver...
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Riotous humor . . . intoxicating females . . . explosive fact, fiction, interviews
... plus much more! For delivered-to-your-door convenience and savings, too
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address - = - - =
ےون 2 peat 3
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[ГГ] charge to my Playboy Club credit Key no.
A a
Rates ard credit apply to U.S., U.S. Poss., Са:
APO-FPO address only.
ee eel
The one thing it
doesn't have is
why you should
have one.
The brilliant 1975 Honda Civic
CVCC engine burns its fuel mixture
so efficiently it meets 1975 emissions
requirements without a catalytic
converter.
And no catalytic converter means
no catalytic converter problems: no
service or replacement problems.
And especially no gasoline problems.
You can use regular, low-lead or
no-lead gas in a Honda Civic CVCC.
And talk about gas mileage. The
Honda Civic CVCC 4-speed got about
28 miles per gallon around town,
about 38 mpg on the highway in
EPA lab tests.
There is also Honda's front-wheel
drive. It gives you brilliantly respon-
sive handling. And you also get
Hondas remarkable use of space —
as one look inside the other leading
subcompacts will show you.
If all that's not enough, consider
the one other thing the Honda Civic
CVCC doesn't have: a big price tag.
CVCC and Civic are Honda trademarks. Vinyl top
optional. © 1975 American Honda Motor Co., Inc.
HONDA CIVIC
What the world is coming to.
Warning: The Surgeon General Has
That Cig to Your Health.
PLAYBOY
AFTER HOURS
joe Haggard showed up for jury
duty at the district courthouse in Al-
bany, Oregon, wearing a pants suit. The
judge dismissed her, explaining that he
didn't allow pants suits in his courtroom.
Mrs. Haggard protested: "I can think
just as well with my pants on as with my
pants off.” The judge, thinking things
over, was impressed with Mrs, Haggard's
logic and rescinded his ban.
When you've
flaunt it: Employees of Amtrak, the Gov-
ernmentsubsidized railroad, spent about
$750,000 in 16 months traveling on busi-
ness to different points along the Amtrak
route, The money was spent on air fares.
Considering the number of this Mor-
mon leader's wives, the inscription on а
lure country-
side
шоп
ment in
Whit
ham, Ver
mont, goes
right to the
point
Big bolfs, Oriental style. The program
for the Japanese Cinema on
North Clark Street adyertises the follow:
ing features:
Chicago's
Yellow Ribbon Medal—Situation
comedy of a man who works for the
Sanitation Department collecting hu-
man waste. Keeps his occupation a
secret from his family only to be
found out when he is honored f
years of service with a yellow ribbon
medal. You will chuckel [sic]!
Tora-san Goes French—Love again
confuses Tora-san. For the sake of his
new-found romance, Tora-san reluc-
tantly forgoes his favorite meal of
Miso soup and rice for one of French
rolls. This is the latest of the Tora-
san's Series which will keep you
laughing.
The Great Tremor—Situation
comedy based on the great carth-
quake 50 years ago: predicted to oc-
cur every 50 years. Merchants invade
the town with survival kits, causing
confusion and laughter.
А 17th Century vol-
ume of gardening hints discovered by a
rare book seller in England advises people
Bugs go bana
whose gardens are plagued by caterpil
lars to hire a pretty lady for the day. The
woman should walk three
times around the garden top-
less and barefoot, the guide SN 1,
advises, which will cause \ /
the caterpillars to fall
off their perches, The solu
tion will not work at sunrise;
however.
A member of the Fi
representatives asked to be recog
nized, produced two daggers and sug
gested that members of the opposition
party stab themselves. “Would my motion
be in order?” he asked. Oh, yes, replied
the speaker of the house. The motion
was in response to a parliamentary ma-
neuver the day before, in which the oppo-
sition leader had produced two nooses
and invited several government members
to hang themselves.
There's а bit of morbid wisdom in
this misprinted headline in the San Jose
Mercury-News: "FOOD SHORTAGE MAY BE
JUST AROUND CORONER.”
Police in Los Angeles are on the look-
out for a pair wanted in comection with
a bank holdup, but they're having trou-
4
ble getting a description to go on. АШ
they know is that a rather well-endowed
young lady and a male companion walked
up to a male teller, announced a stick-
up and walked away with the money.
Seems the lady wore a blouse so sheer
that the teller claimed a “bare-breasted
bandit” had pulled off the job. He was
unable to describe either
person's
face.
The labor of
love: A new con
tract inspired a
Pennsyh
union
man and
nia
his roommate-
rlfricnd of
из to start
g seriously
settling down.
the new agree
provision for free
two
thin
about
Included
ment was
NS dental care to the families of
carbcanyiug members. Since
the lady's teeth needed work, they de-
cided it was as good a time as any for the
two to form a union of their own.
Who was that masked ma
From the classified section of The Seattle
Daily Times: “Austin-Healey 3000, 1965
Silver with Tonto. $2500."
ayway?
"Truth in blooperism? From the Uni-
versity of Virginia student newspaper:
“A very impotent meeting of the Counse
lor’s Committee on Human Sexuality will
be held at seven рм."
Expletive repeated: Awakened by si-
rens, John Smith leaned out of a sixth-
floor window in a Los Angeles hotel to
scream curses at the police. He lost his
2)
PLAYBOY
22
SHOULD WE ALL
Another travesty of justice has end-
ed in America. After three months,
56,000,000 and total confusion, we
have a verdict in the Watergate
cover-up trial And what does it
prove?
It proves once more that conspir-
acy statutes, which have mainly been
used to curb dissent in Amcrica, are
just as abhorrent when used against
those who would curb
dissent.
It makes no differ-
ence that the Water-
gate five were less
honorable than the
ago Seven—the
t is that we should
put the conspiracy
principle in the gar-
bage can, where it
belon;
Lawyers are in
unanimous agree-
ment with Supreme
Court Justice Robert
H. Jackson's state-
ment that the con-
spiracy concept is “зо
vague that it almost defies definition."
We must remember, however, that it
was the force of public opinion that
got rid of Richard Nixon, and not the
lawyers.
Most are quick ro understand the
absurdity of a statute that says that
those who participate in a conspiracy
in any degree are equally culpable re-
gardless of when they signed on. As
one ecology-minded court has said, “It
is immaterial when any of the parties
entered the polluted stream. From that
moment, each was as much contami-
nated as though an original conspira-
tor.” This may make fine sewer-pla
logic, but it doesn't make for good law.
he next problem.
Law permits the gambit of naming, but
not formally indicting, any number of
coconspirators. The obvious purpose
of this maneuver may be to induce or
coerce the weaker small fry to testify
for the prosecution in exchange for
immunity from indictment. This, plus
what has come to be known as plea
bargaining, may have really put the
Goverument in the business of suborn-
ing perjury.
Then there is the problem that the
conspiracy concept permits the prose-
cutor то herd a group of defendants
into the same courtroom for trial. The
curtailing of juror challenge is but a
minor inconvenience, so the Govern-
ment tells us. but let's look
Mass trials make mass confusion.
"n
{ HANG TOGETHER?
Each defendant, with discrete inter-
ess to be protected, will certainly
have one or more lawyers, till the
courtroom is overflowing with bodies.
It is not uncommon in such trials for
the judge to have difficulty remember-
ing the names of the accused or their
lawyers and mismatching them ас
cidentally. (Judge Julius Hoffman in
the Chicago Seven trial immediately
comes to mind.)
If an experienced
trial judge cannot
keep the dramatis per
sonac straight, then a
jury cannot. very well
be expected to. And
even if they remem
ber that much, they
must figure which de-
fendant was benefit-
ed. There is little
doubt that a juror in
his frustration. will
abdicate his fact-find-
ing role and assume
that all evidence,
whether damning or
absolving, relates to
all the defendants.
This herding process, and the mass
confusion to which the conspiracy con
cept lends itself, is just the beginning
of the problem. The very grouping of
the defendants and their lawyers, who
in political cases may manifest surface
similarities in speech and dress, cer.
tainly gives rise to the thought of a
conspiratorial association. Whether
they be hippies or honkies, these birds
of a feather must be conspiring to-
gether. (Bobby Seale showed great
sense in the Chicago trial in establish.
ing his identity. Remember, he was
the one who was bound hand and foot
in a chair and grunted through a gag
every time a reference was made to
him) Incidentally, that trial opened
with Seale's being introduced for the
first time to his fellow conspirators.
And we thought that guilt by associ-
h the F
No prosecutor has a mandate to
proceed with this nonsense, and се
tainly the Special Prosecutor, whose
sk was to ferret out the perverters
ofour laws and spirit and punish them
accordingly, was not given a shotgun
to fire into the crowd.
We shall side with Clarence Darrow
in his assessment of our use of the
conspiracy concept Darrow, il
another wicked time, said, “It is a
serious reflection on America that this
worn-out piece of tyranny . . . should
find a home in our country
пск TUCK
balance and fell 50 teet to the pavemen
As soon as he'd been placed in an am
bulance, Smith picked up where -he left
off. He swore at the police during the
entire ride to the hospital.
his notice appeared in a Washington,
D.C., Government office: OUR GOVERN-
MENT IS AN EQUAL-OPPORTUNITY EMPLOY-
FR. HIRE THE MORALLY HANDICAPPED.
BOOKS
Alexander the Great looked around
one day, saw that there were no more
worlds to conquer and began to weep.
World markets, of course, are another
thing entirely. Take Chile, for example;
the CIA and LT.T. already have. As de-
scribed in Global Reach (Simon & Schuster),
the overthrow of the Allende regime is
almost а minor example of how the short-
range political sts of any given
country can be made to serve the long-
range interests of the global corporations.
Gunboats don't work anymore. From our
Government's point of view, it was cheap-
er and politically less hazardous to attack
South American Marxism with the eco-
nomic weapons of a huge international
company. The message was simple: Your
service will be disconnected unless your
balance is paid. Recent revelations about
the CIA and LT.T. in Chile make the
book particularly timely, but its purpose is
пе the roles that virtually all such
ary entcrprises"—companics such
as LT.T., Shell, G.M., С.Е, Pfizer and
xxon—play in determining the welfare
of millions of people, particularly in poor
cr countries. Irs the position of authors
Richard J. Barnet and Ronald Е. Maller
that the global corporation is the first in-
stitution in history dedicated to central
planning on a world scale and that such
Corporations today have more power than
22
sistorized ignition system to increase spark efficiency.
And a 5-speed transmission that's easy on gas and on
the engine because fifth gear is an overdrive.
There's also a Celica ST with the same new engine
coupled with a 4-speed synchromesh or, if you like. an
Standard equipment, includes 8,000 rpm
tach, an electric clock, a resettable trip
odometer and an AM/FM stereo radio.
the С
vinyl. In the
Reclining Hi-back front bucket seats. In
(shown here) upholstery is knitted
Г, it’s plush fabric.
iter, 4-seater, 5-speeder.
The Celica GT is about the hottest Toyota around.
It's got a new 2.2 liter hemi-head engine with a tran-
optional 3-speed automatic transmission.
Both Celica GT and ST come loaded with standard
equipment (of course). AM/FM stereo radio. Power front
disc brakes. Radial tires. Styled steel wheels. Rear
window defogger. Wall-to-wall carpeting.
Celica. For people who want a great looking car. But
don't want to spend their lives paying for it.
5-speed overdrive in the GT. With th
4-speed is standard, automatic is
Small car specialists for over 40 years.
TOYOTA
See how much car your money can buy.
PLAYBOY
24
any government to organize people
(meaning technologists and Jabor) and
goods (meaning everything from food to
factories). Barnet and Müller devote
much of their book to explaining why
and how traditional economic theories
have helped spawn an elite supranational
business community with the kind of clout
the United Nations cin only fantasize
about. The book is—for a treatise on eco
t—readable and enlighte
alas, somewhat utopian.
"Put an Irishman on the spit,”
G. B. Shaw, "and you can always get an
other Irishman to turn him." In The Irish
(Harper & Row), Thomas J. O'Hanlon
has done one hell of a fine job of skewer-
ing Ireland. dean through, revealing the
dichotomy of a land that can one moment
explode with “bombings so powerful that
the victims become unidentifiable blobs of
flesh to be scooped with brush
into plastic bags like offa
the next, spin tales of fairy rings and
leprechauns, “This book is а patient, lov-
ing, nerve-jangling. benevolent, but, 1
hope, objective portrait of a people who
are wandering around slightly dazed after
а head-on collision with the 20th Cen-
comments the author, Head-on
collision is right. Where but in Ireland
could you find a ludicrously low suicide
tous of the de
friends and relatives, never
е of death to suicide, even.
wrote
ceaseds'
be the
as-
boule of poison or hı
locked room. The Irish is “about a people
who have developed an admirable instinct
for the art of survival.”
Haugh, Read it and weep.
If we knew as much about the ph
ology of sex as do Masters and Johnson,
would we beter understand the curious
relationship between fucking and fuck-
ing up? Dr. William Н. Masters and
Virginia E. Johnson think so. In The
Pleasure Bond (Little, Brown), they come
in from the cold gray light of clinical
research to examine the need for emo-
tional commitment and to share with us
the sexual histories of numerous men
and women who wander in and out of
five "symposiums"—ranging from extra
marital sex to second
marriages, with
pauses in between for swinging and, of
course, women's liberation. All things
considered, we might expect a refreshing
ntidote to the drivel of Dr. Reuben,
5
rap sessions with g ай of
strained informality g goes, they
say, so long as the people who are screw-
ing on the ceiling or in the refrige
care for each other and do not view sex
s а service to be charted, calculated and
billed to the recipient. "As you are giv-
ing you are also getting,” Masters in-
forms one couple. But, as it develops, he
and wife Vi a give nothing of them-
selves, open up no areas of their own
lives for the purpose of comparison and
contrast. What they offer. instead, are
icy analyses of other people’s hang-ups
While that enforced detachment may
be well suited to the laboratory, it be
comes a trifle stiff in the context of a
group conversation. And their plea for
responsiveness seems, well, hardly origi
nal. Still, this husband-and-wife team
knows every prick song and descant in
ihe sexual repertoire, and their casual
asides offer fascinating bits of informa.
tion. We learn, for instance, that after
n moves in her sleep to
touch the male, who stays put. And we
discover, through them. that a female's
sexual pleasure usually increases alter
childbirth duc to an increased blood flow
to the pe Now at work on a
lengthy investigation of homosexuality.
Masters and Johnson perhaps published
The Pleasure Bond to remind us that, in
the interim, they are alive and well-
meaning. They have done no serious
damage to their considerable reputations
as social scientists, but we come away
with a feeling, for better or worse, that
they are more scientific than social.
son was brainwashed in his
youth by N Socialism and then by
East German communism. And, though
he now lives in West Berlin, his repudia-
tion of both dogmas has made him no
champion of Western politics. either
Johnson rebels against all dogma and
Anniversaries (Harcourt Brace Jovanovich)
he directs his biting wit at that revered
dogma carrier, The New York Times. Vis
protagonist, Gesine Cresspahl, a German
émigrée who left East Germany and now
works in a New York bank, religiously
Uwe Joh
reli;
eads the Times as her primer to American
life. The paper, always anxious to be of
int
vice, like an old-maid
war, racism, rental ads, etc, and becomes
in effect another main character. As Ge-
sine reads, she remains silent, and the om-
niscient author intrudes: “Why do you
remain silent, Gesine?” he asks. She re-
plies, “Lets not get involved"—a cruel
echo from Hitler's Germany. Johnson
forces the issue. He is compelled to un-
derstand his own past as well. Unrelent-
ingly, he assembles a collage of broken
lines of dialog, pictorial images, nagging
memories, brazen headlines and news
clips, and stories that altern
past and present, gripping you by their
narrative power alone. The skillfully
devastating voie and the ingenious as-
semblage give a stunning authority to his
merciless vision. Surely, in Plato's Repub-
lic, Uwe Johnson would have been
banished.
serves up
te between
Way back before Christmas, when Reck
Dreams (Popular Library) came out (with a
whopping 400,000 first printing), the pub-
lishers, with much ballyhoo and press-
agented fanfare, exhibited the original
Guy Peellacrt photo collages at а down-
town-New York gallery. Though regular
art patrons might have attended, the
people who queued up for a whole city
block (“to view the remains,” as one acer
bic critic wrote) were, for the most part,
men and women in their early 30s, looking
sartorially dated in their mid-Sixties fash-
ions. A surprising number brought their
children with them. and one tot in a KEE
ON тарскіх, Tshirt was heard asking his
aging. longhaired father why they were
there in the first place. “A lot of the
people in these pictures were my heroes
when I was а kid," the father replied. To
which the tot rejoindered: “Daddy, how
could you like such ugly people?” Wheth-
cr or not Peellaer's illustrations (it's
really hard to categorize them as art) are
ugly, they certainly are Jurid, and to any-
one who grew up with the mythology of
rock, they're thrillingly tacky. Janis lies
nauscatingly drunk in a motel room. Jim
Morrison is the object of Icering old
queens in a leather bar. The Stones, in
garter-belt drag, look like
sions of the Holy Family in Bolivi
gious postcards. Most of the other il
lustrations show the rock stars as fallen
angels, androgynous monsters in a rev-
crent nightmare (the black side of dreams,
after айу in а style reminiscent of the
sentimental, tinted movie posters of the
Тіс or the cheap John Е. Kennedy
memorial throw rugs ‘still available in
certain novelty stores in the Latin sec
tions of New York. Nik Cohn’s bricf but
savage commentary suggests that rock
might have been a more fragile art form
than we imagined and thar its stars were,
for the most part, beautiful Christmas-
tree ornaments: gorgeous and lumines-
cent when they adorned the tree and
nothing but scattered pieces of plastic
when shattered.
_ Some pundits claim that Rock Dreams
signifies the end of the age of freaks, but
another recent and captivating book be-
lies that premise. In an odd sense, Pumping
fron (Simon & Schuster) is a fine com-
panion volume to Rock Dreams. Freak
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flavor that has made this the
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PLAYBOY
26
can be a synonym for subculture. The
pop-music subculture has mass appeal.
Others, such as midget wrestling and fire
cating, are more esoteric. Novelist Charles
Gaines and photographer George Butler
are pioncers in the almost primeval world
of body building (pumping iron means
lifting weights). Concentrating on big
stars such as Arnold Schwarznegger and
Mike Kats, Gaines (whose Stay Hungry
is certainly the best novel ever about body
building and one of the best recent novels
about anything) manages to bare the soul
of the bodybuilders and is able to draw
their most secret thoughts from them.
Schwarznegger tells Gaines about pump-
ng his musdes: "We say you have to
admit that a good pump is better than
coming. Somebody off the street wouldn't
understand that, but sometimes a pump
is the best feeling you can have.
You'll love this one: Two of the Missing:
Reminiscence of Some Friends in the War
(Coward, McCann & Geoghegan). The
journalist as punk, Viemam as a kind of
Disneyland Deliverance, the war, like
good whore. made me а man—the worst
ind of bullshit. The titular two are Sean
Flynn (son of Enol) and Dana Stone.
both photographers, both presumed killed
in Vietnam. 1 hey may not have been the
vicious romantic adolescents that author
Perry реше Young makes them out to
be: there is a strong suspicion that they
are just stick figures manipulated to
conform with what Young's fantasy con-
structs. He seems to believe that the Viet
nam war existed so that Americans could
come to grips with the reality of absurd-
ity. (It’s good to turn it around, picture
a Vietnamese soldier striding down a
street littered with bodies in, say. Hous-
ton, musing to himself, “Funny, I don't
feel а thing.”) There are no Vietnamese
in this book, except corpses and bar
girls; there is no sense of place. Come to
think of it, there's nothing to read at all
in this book. Young strings words like
play money, cardboard chips, unweighted,
unfreighted, as barren as his vision. There
is too much being pi
don't need silly books about Vietnam:
Flynn and Stone (who were at least
courageous) don't need this kind of fawn-
ing epitaph. No, you won't love this one.
“It's easy to see why Red Justice com-
mands respect from the other drivers. He
goes deeper into the turns than any of
them and comes out quicker.” This i
one major reason why stock-car racing is
а lot more important down South than
things like Watergate and the Golan
Heights. Jerry Bledsoe tells a lot about
stock-car racing in The World's Number One
Flat Out, All Time Great, Stock Car Racing Book
(Doubleday). Another tidbit he reveals i
what it takes to be а beauty que
side. Simple: big tits. If anythitig, he tells
you a lot more about racing Шап you
really need, or care, to know. In fact, the
book is so eclectic that most of it will sail
right over the heads of ай but the most
avid race Гап. But even for the gung-ho
racer, there's a 100 much
tack promoters and fins and preachers
and too little about the one thing we all
really want to know more about: the driv-
ers. And de
the
of rac
iule abour
nitely too little about some of
ques and physical sensations
and off the track.
There аге references w great and wor
drous things. such as the bootleg turn,
but it leaves the reader wanting to know
a whole lot more. Like how to do it. Hell,
techn
n both on
there are going to be people all over
America fucking up bootleg turns. But
to real race fan
. a large chunk of the
book's charm is explained in the closin,
paragraph: “The stock-c
American cowboy. There aren't any
new frontiers, not even the moon any-
more. The only thing left for these guys
is to go a little deeper into the first turn."
It's just too bad Bledsoe doesn’t get very
deeply into their heads,
Naturally, we ате fond of Vladimir
bokov. Why по? After all, the old
man's 75 and everybody loves а literar
giant. But there are limits, and Tyrants
Destroyed (McGraw-Hill), a collection of
short stories, goes beyond several of them.
Unless you are obsessive about Nabokov,
you might find the never-ending indexing
of his work a bit tedious. Of course, thes
stories are good. (Опе, A Nursery Tale.
won a 1974 Playboy Writers Award; an-
other, The Admiralty Spire, was pub-
lished in PLAnov last month.) But that's
not enough for the great crossword-puzzle
car. He has to introduce each of the 13
pieces with newer and more involuted
treasure maps of his private linguistic
maze. "In this story," he writes of The
Vane Sisters (published in English in
1959), “the narrator is supposed to be
ar driver is the
new
unaware that his last paragraph has been
used acrostically by two dead girls.” Ul-
timately, one is moyed to ask, “So what?"
MOVIES
The siga of the Corleone family re-
sumes at andante tempo in The Godfather
Рат П, writerdirector Francis Ford Cop-
poles three-hour-plus epic describin
what happens to the Godfather cla
er Brando. Though it’s a tough act to
follow, even. Brando's role as Don Vito
Corleone is reprised in a series of flask
backs. occasionally awkward or irrelevant,
hyped by Robert De Niro's vital рога
of the young Vito as a Sicilian immigrant
with a taste for power. There's far less
violent action and old-fashioned excite-
ment than in the original, because Cop
pola (in collaboration with Mario Puzo)
chose to shape the sequel as a deeply
shadowed. almost operatic study of a
crumbling family dynasty. Replete with
another eloquent musical score by Nino
Kota. Part H rates а lower mark as sheer
entertainment but a big A for integrity
on a project obviously initiated to milk
а hot property bone-dry. The cast of char
acters at center stage is essentially the
same, led by Al Pacino in а brilliant en-
Corleone,
се as Michael
core perform
along with Robert Duvall as the con-
siglieve, Morgana King as Mama Corle-
one, 1 hael's bitterly
disillusioned wife, Talia Shire as his
neurotic thrice-married sister and John
ale. a scene stealer as the eldest and
the weakest Corleone son. One welcome
addition to the ranks is Actors Studio's
Lee Strasberg, pungently playing a Jewish
crime czar named Hyman Roth as if he
hoped to be mistaken for the Mafia's own
Meyer Lansky. A power struggle between
Michacl and Roth provides a semblance
of plot upon which Coppola works intri
cate variations. Pacino as Michael hı
become a cool and ruthless predaror—
buying up judges and Congressmen, rub-
bing out or ruining any man who ques-
tions his authority, claiming victims at
his whim, all ostensibly in defense of the
family’s honor. Moving from New York
to Las Vegas. from Cuba during the era
of Batista’s downfall to а Washington,
D.C., caucus room, where a Senate com-
nittee carries on a futile probe of organ-
ized crime, Godfather Part II is more
ambitious and cynical, but also more
diffuse, than its brash forebe: Hi
sweeping social landscape is the thing.
with the players moved like pawns
through an ancient drama of retributive
vengeance. Every new horror se
evitable, because the characters believe it
so. And in the dimly lit, overheated rooms
ms in-
where their intrigues are hatched, dne-
matographer Gordon Willis catches pre-
cisely the insular claustrophobic air of a
feudal castle full of fearful and suspi.
20th Century Borgias. Gone are the cozy
Almost everyone at the
Find the one who doesn't.
1. Nope. He's Harmon Nee.
Gimmick: His singing voice,
thatscunds like two chalkelates mating. Even his cigarette sings
—every time he inhales, its multiple filter whistles "Dixie." 2. Not
Laura Enertia, beach queen. Gimmick: More movable parts than
a Swiss watch. Has a waiting list for crew when she surfs. Smokes
Ms. feminist cigarettes—whose taste just msses, too. 3. Not
"Ви" Gene Biceps. Gimmick: His waterproof makeup. Doesn't
beach today has a gimmick.
01974 R. J. Reynolds Tobacco Co.
always hold arms that way—this morning he mistook spray starch
for his underarm deodorant. Smokes his fat cigars down so far,
the ashes drop behind his teeth. 4. No. He's Hugh Midity. Formerly
Channel 58's Whistling Weatherman. Lost his job because
the weather didn't agree with him. Smokes Sub-Zero icy Е
menthol cigarettes. Feels like he has a cold front right under
his nose. 5. Right. He came here to cool off, nol show off. No
gimmicks in his cigarette, either. Smokes аасы
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PLAYBOY
28
scenes
seem-
ingly
satu-
rated with the
aroma of home cook-
ing—this remote don's
castle is a heavily fortified Xan-
adu where men, women and children
serve Ше sentences, Skeptics who thought
the first Godfatler's progeny too lovable
ized will find no further cause
t the Corleones are mere-
ly the Waltons in wolf's clothing. The
second time around, Coppola has caught
them red-handed
ча
Stardust charts the further adventures of
a British pop-rock superstar of the Sixti
(played by David Essex, a rock star in his
own right) whose working-class origins
were the subject of an earlier English hit.
film titled That'll Be the Day, not yet
widely shown on this side of the A
tic. Taking over where his predecessor,
Claude Whatham, left off, director Mi-
chacl Apted—a British-T V alumnus with
one minor film (Triple Echo) to his
credit—has brought off a skin-decp but
sharply etched series of show-stopping vi-
gnettes that often resemble A Hard Days
Night revisited. The vencer of glamor and
heady success is still visible but flawed by
ania, drugs, groupies and ruth-
tion. As kingpin of a dyna-
mite rock group called The Stray Cats,
whose names and faces become youth-cult
;ymbols ally overnight, Essex as Jim
MacLainc (note a passing resemblance to
nt-
Paul McCartney) ends up a lonely, f.
ly ludicrous recluse in a castle in Spa
semireured with his faithful manager
(stunningly played by Adam Faith). ?
Laine's farewell performance—and, in-
cidentally, а deft satire of pop-culture
pretensions by director Apted. rock
oratorio about the Glory of Woman,
complete with a choir of vestal virgins in
white, televised world-wide for some
300,000,000 viewers. Behind the scenes,
in contrast, Stardust explores the tacky
truth of a showbiz milieu expressed by
Have you ever tried mufi-
in a bathtub in a British Railways
hotel?” Larry Hagman (as à manipula-
tive entertainment tycoon), French movie
newcomer Ines des Longchamps (as a
girl MacLaine loses along the way)
and The Who drummer
Keith Moon (as the
groups drummer,
ol course) stand out
as potential survi-
vors among the Six-
ties freaks that Stardust
: if they were
s of a species
seriously threatened, if
jj not already extinct
7
Two noteworthy new
documentarics explore the
animal world with excep-
tional sensitivity as well as an
eye for telling detail. The more
1 of the duo is Beautiful
People, which represents four years
J of wi 4 100,000 miles of
/ trekking through the wilds
/ of southern Africa by Jamie
Uys who wrote, produced,
directed, photographed and
edited the film. Uys's study of
life in the vast, parched Na-
mib and Kalahari deserts is
scenically spectacular as well
as ecologically enlightened,
flawed only by the usual tend-
ency of such films to force а
Disneyish note of anthropo-
morphic cuteness. Music hath
charms to dull the savage
beast—particularly when a
selection of all-time classics is
sneaked onto the sound track.
ansform fascinating ai
//
//
some ballet for birds, baboons
or what have you. The splen-
did work the director
Africa regist
tertainment on. па à sequence in
which a dozen species of furred and feath-
ered wild things get roaring drunk on fer:
mented berries needs no help from a
symphony orchestra. Otherwise, beautiful.
Birds Do It, Bees Do И begins with Bobby
Shorts smooth rendition of that Cole
Porter standard about love, and it be-
comcs apparent immediately that this
David L. Wolper presentation concen-
trates upon animals’ sex lives rather than
their migratory habits or territorial im-
peratives. With scarcely a jot of irrele-
vant fiddling around, Birds... Bees...
shows how penguins, bison, wasps,
snakes, grebes, giant tortoises, lions,
elephants and even snails do it (all snails
have dual sex and do it quite poetically,
despite the presence of Wolper's inde-
fatigable camera crews). “The great im
personal machine of reproduction"
turns out to be a miraculous topic for a
movie loaded with humor, cruelty, love,
fierce competition and blunt but end-
lessly fascinating facts of life. The film
ends on a nightmarish 1954 note depict-
ing the future in store for a world that
found the hydrogen bomb and is about
to unlock the ultimate secrets of selective
breeding. A baby mouse conceived and
nurtured in a testtube womb figures
prominently in the supporting cast of
Birds Do It, Bees Do It. If there were
a booby prize for the mating game's
least enviable players, however, the nod
should go to a couple of adult male hu-
mans employed by a superscientific
cattle-breeding establishment. One of
these gents (wearing ап arm'slengih
plastic glove) plants sperm from the
sperm bank into pregnable cows that will.
never meet a bull, while his collabora-
tor hasan even more
wretched job as
sperm catcher—wielder of a plastic va-
gina poised inside a motorized tractor
covered with cowhide to entice a rutting
bull. Wolper reveals a strong preference
for the joys of animal instinct over push-
button parenthood. We're with him.
Try to picture Jack Palance in a droll
parody of his Mr. Mean image as Vic
Morono, a Th mobster whose office
walls are lined with a complete set of Big
Little Books (Batman appears to be his
favorite). Morono’s best girl is a slum-
ming socialite named Wendy Ritten-
house (Carol Lynley), his archenemy is
Chico Hamilton (Warren Berlinger), his
biographer a mild-mannered newsman
named Russ Timmons (Adam Roarke).
Put them all together, they spell The Four
Deuces, which is what Morono calls
nightdub H.Q. and what director
Photographed at Smiths Cove, Nova Scotis.
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PLAYBOY
30
The denim tells you
it’s styled right.
Our ae tells you
it's made right.
Blue-sueded cowhide foot. And a 12-inch denim
top. This classic denim look is a good réason why
denim boots are as big as they are today.
And because this boot is from Acme, you know it's
carefully made with the best denim. And you know
it's priced to leave you with some cash in your jeans.
It's boots like this that have helped make Acme the
world's biggest bootmaker. аме
more boot for less bucks.
Dept. ADS, Clarksville. Tenn, 37040, A subsidiary of Northwest Industries, Inc.
William Н. Bushnell, Jr. and scenarist
C. Lester Franklin call this amiable low-
budget spoof of every gangster hero from
Cagney to Pacino. Chock-full of cartoon
titles seemingly pilfered from Dick Tracy
(let Palance/Morono pull his society heir-
ess into д carnal embrace on the bed up-
stairs, a title is sure to interrupt wit
"Meanwhile, Chico enters from the rear").
Four Deuces is cheeky. a bit racy, dead ac-
curate in its satirical aim and apt to strike
observant movie Бий» as а comedy slecp-
cr. Оп Deuces turf, gang war between
Vic and Chico consists largely of squab-
bling over a classy chantootsie to adorn
their respective clubs. E. J. Peaker
plays—with beautiful mock pathos—the
doomed songbird whose carcer explodes
into an epitaph. Palance, Roarke and
company all deliver performances in per
fect time with the Mickey Mouse music
таш
ов the sound wack. Scene by
scene, the movie is an c
of amusing
арс (by Ste-
shades of nicotine blue.
wtdeco tinsel, photog
phen Kav)
Everything looks authentically old and
played straight, but don't let that fool
you. Four Deuces opens а new
th
grad
me by
ving its nose with bright under-
aı Hollywood's stubborn
passion for nostal
c
Robert Redford narrates Broken Treaty ot
Battle Mountain, producer-director Joel L.
Freedman’s humane and bittersweet doc-
umentary about the Shoshoni Indians of
Nevada, who claim more than 24,000,000
acres of the state as theirs under an ir-
revocable 1863 treaty with the U.S.
Government. With its gallery of faces
uttering ancient ecological wisdom ("We
pray for green mountains and nice clean
water’), the film makes a strong case for
the Indians as а poetic, defeated people
up a: rm stuff and double
talk by cynical Washington bureaucrats.
At thi: a James Bond
movie is not something to quibble over;
point in 1
you take it or leave it, like Coca-Cola
and Cracker Jacks. Ninth in the series,
and the second time at bat for Roger
Moore as 007, The Man with the Golden Gun
marks but one significant change in the
screen image ol lan Fleming's legendary
hero: Though he devotes himself to non-
stop innuendo with lots of beautiful
women (mainly Maud Adams and Britt
Ekland), Moore's Bond almost appears to
be giving up sex; he doesn't score until
the final fade-out. Theres plenty of
enemy action, however, most of it set
amid the Oriental splendors of Bangkok
and Hong Kong and stemming from
Bond's hunt lor a miraculous solar-
energy device called the Solex Agitator.
The guy who has it is the malevolent
Scaramanga (played by Christopher Lec),
a professional assassin whe
paying a cool million to hit 007. Вис
who would pay so much to assasinate
him? Bond wonders modestly. “Jealous
someone is
husbands, outraged chefs and humiliated
tailors,” snaps M, the cranky chief of
British Intelligence. As the plot begins
to thicken, Bond encounters another
villain yclept Hai Fat (whose swimming
pool contains an Oricntal cupcake called
Chew Me) and a snobbish С
steward, pushing a local vino labeled
Phuyuck '74. Beyond the reduction of
sack time (with a lot of kung fu fighting
to take up the slack), there are no esen-
tial changes in a sure-fire formula that
director Guy Hamilton perfected as far
back as Goldfinger.
Exotic Bangkok, of all places. is the
setting for Emmanuelle, a lushly photo-
phed and sleekly erotic box-office
phenomenon that broke records in its
native France—outgrossing Last Tango
in Paris, for example—then scored an
equal smash in London, where movie
goers instantly began queuing up to see
the film version of a scandalous French
best seller. Emmanuelle in book form
was banned by the De Gaulle govern-
ment, but France today enjoys a new
climate of permissiveness that diminishes
the shock value of an anonymous confes
sion story, sai
(under the nom de plume Emmanuelle
id to have been writen
Arsan) by a French diplomat's wife
Director Just Jaeckin—a top fashion
photographer before he became
lionaire peddling sex—knows precisely
how to pose gorgeous people against gor
geous backgrounds to create a heady
mixture of glamor, sensuality and soft
core raunch that stirs the senses without
quite violating the impeccable good taste
that remains one of France's major ex
ports. Connoisseurs of American porn
will find the skin shots very tame, yet
Emmanuelle exudes an air of chic that
may attract both Harpers Bazaar brows-
ers (at least the hornier ones) and the
sort of closet voyeurs who might come
out for a movie as stylishly romantic as
A Man and a Woman—with a few of
The Devil in Miss Jones's low jinks dis
creetly hinted at. 1f noth
film launches the career of
mil
else, the
Эше ога
Sylvia Kristel, а nymphet whose sex
appeal as the titular heroine lies some
where in the Leslie
range. Director Jaeck
charm to the utmost from the moment
she lands i
on-Jane Fonda
1 exploits Sylvia's
1 Bangkok, as an eager young
ited with her swinging diplo-
mat husband (Daniel Sarky), who quickly
points out, “Jealousy is a thing of the
past.” Other wives in the diplomatic corps
hasten to add: "Here, our only enemy
is boredom . . . we ward it off by making
love" Emmanuellés chosen partu
eventually indude a jaded wife (Jeanne
Golletin), a stunning blonde archacolo-
gist (Marika Green), opium dealers, n
tive thugs and an aging roué (Al
Cuny) who scems to function as the high
priest of eroticism for Bangkok's restless
French colony. As the picture progresses
bride re
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THE SEX BOOK
BIKE PICTORIAL ERCYCLOPERA
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991 THE OOGS OF WAR.
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883 THE POLICE
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116 THE POLITICS
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117 THE PIN UP.
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975 SEXUAL BEHAVIOR
IN THE 19705
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Fred Mustard Stewart
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PLAYBOY
34
from simple pleasures to an attempt
at sexualphilosophical profundity, it
becomes more tedious than titillating.
And overblown dialog is a problem
throughout, characterized by such. pearly
banalities as, “А waterfall is only
beautiful if
you tell some-
‘one you love
about it.” The
witand sophis-
tication of
Emmanuelle
e prima-
айу visual,
summed.
up by several droll seduction scenes, plus
а sequence in which one of the heroine's
free-spirited femme companions (Chris-
tine Boisson) masturbates with a maga-
zine photo of a grinning Paul Newman
spread across her knee. The freakiest
single shot fixes upon a nude Thai per-
former whose specialty is vaginal ciga-
тепе smoking. But the best of show by
far is an episode aboard a Paris-Bang-
kok jetliner, pairing Emmanuelle with
two lucky fellow passengers—one takes
her in the toilet—for a sky-high im-
promptu that amounts to the subtest,
randicst five minutes in the history of
recent cinema, On the subject of scx,
French savoirfaire is clearly alive and
well and still thrashing around in Pari
Meanwhile. hard-core sex films (partic-
ularly the Made-in-U.S.A. variety) are
given a lift of visual and verbal sop
cation by The Private Afternoons of Pamela
Mann. Director Henry Paris, working
under a nom de film to avoid legal har-
assment, is, in fact, an established movie-
maker whose soft-core exploitation flicks
are famous for their deluxe style. Paris
lets all inhibitions tumble in Pamela
Mann, starring а bountiful California
blonde named Barbara Bourbon as a
young Manhattan matron with plenty
of free time for sexual experiments and
random political activism. Politics, it
turns out, is the film's socially redeeming.
gambit—cleverly mocked by a femme
reporter who often approaches Ms.
Mann abed, or in telephone booths. to
pop heavyweight questions about some
global crisis. The rest of the time, our
heroine eludes a private eye (Eric Ed-
wards), hired by her husband, while dash-
ing from rendezvous to rendezvous—in a
fleabag bordello (with Georgina Spelvin),
for example, or at the Plaza, where she
sneaks into an anteroom for a fast bash.
with the speaker invited to address a
р If
there is, indeed, a public primed and
ready for hard-core movies with genuine
talent and a bit of sparkle added to the
usual quota of cum shots, Pamela Mann's
premium-quality porn could become a
taste test that finally separates the dirty
old men from the healthily lusty girls
and boys.
RECORDINGS
Red Queen to Gryphon Three (Bell) is
Renaissance courtly love in a chemical
cracking plant. The ancient griffin tore
to pieces whatever crossed its path, and
on side one, at least, Gryphon continues
the tradition. Keyboard and guitar com-
bine with bassoon, recorder and krum-
horn to effect fantastical syntheses of
Mozart and Cream, del and Quick-
silver Messenger Service, as if the mythi-
cal grifin must dance a stately pavan
before vaporizing its lady into mustard
gas. Opening Move and Second Spasm are
the best adaptations of English Renais-
sance music we've heard. Richard Har-
vey's recorder work on Second Spasm is
unsurpassable. Lament and Checkmate
on side two, composed in the Russian
romantic vein, are less convincing; but
in hard times, half an interesting album
seems better than none at all.
Dixie lives! The World's Greatest Jozzband
in Concert, Vol. Il ct Carnegie Hall (World
Jazz) rates superlatives, not so much for
the regular members of the band—Law-
son, Haggart, Freeman, et al.—but for the
special guest performers, Bobby Hacker
and Maxine Sullivan. Sullivan is a
marvelous surprise; after all these years,
she is still a magnificent singer. Her four
songs—4 Hundred Years from Today,
The Lady Is a Tramp, I Gotta Right to
Sing the Blues and Keeping Out of Mis-
chief Now, the last two backed brilliantly
by Hackett—make one wonder why she
hasn't done more recording. The other
high point is Hackett's performance оп
When Your Lover Has Gone. The al-
bum's available through the тай for
six dollars from World Jazz Records,
4350 E. Camelback Road, Suite 190C,
Phoenix, Arizona 85018.
Van Morrison has a new album—
Veedon Fleece (Warner Bros) which he
thinks contains his best work since Astral
Weeks. We don't agree, being among the
legion who believe that Moondance was
one of the all-time perfect albums, fol-
lowed somewhat by Tupelo Honey. The
Morrison on those albums had a gift for
writing "naturals"—songs that seemed to
grow out of the wood and bronze of a
Martin guitar, songs that were there to
begin with, lying in wait for anyone with
a flatpick and six-string. The songs on
Veedon Fleece are accessible only if you
happen to carry around one of the tight-
est bands in existence—with horns,
strings, flutes and recorders complement-
ing the usual assortment of drums, guitars
and keyboards. The production cap-
tures a precise and relaxed competence,
akin to the title of one of the songs—
You Don’t Pull No Punches, but You
Don’t Push the River. Morrison has re-
placed the dense chunky sound of a
guitar strum with particles of music and
fragmentary lyric. The topics are vin-
tage—country fairs, comfort, strects, the
beckoning gestures of love—but the ex-
ecution is Jess focused. The man is a
saxophone player at heart; the songs are
ranged rather than written. Phrasing
is more important than phrases. You can
hear him trying out lyrical riffs, fingering
syllables, testing words for sound value.
Improvised language. The album is an
education, to be sure. Buy a copy and
listen, once or twice, to a lecture on ad-
vanced music making. Then put on
something you can play along to.
Scratch the parodic surface of The Roto
Rooter Good Time Christmas Band (Vanguard)
and you discover a reverence for the
Thirties and Forties popular tune that
borders on the mystical. On one cut, the
madcap L.A. musicians challenge the Om
of Hindu chant with the oom-pah-pah
of Beer Barrel Polka, And one need not
be an Eohippus to understand the Dar-
winian implications of the refurbished
Forties tune Pico and. Sepulveda, which
(© 1975-14. omotos тоссо со.
To the 3,000,000
people who started
smoking this year.
Despite all the arguments against smoking, one simple fact remains.
Last year, three million people started to smoke.
This year, the criticism will continue. And next year, too. But after all is
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35
PLAYBOY
36
declares that under the melancholic waters
of the La Brea tar pits, nobody's dreams
come true. Khatchaturian’s Sabre Dance
is rendered with all the gusto of a pre-
cision team of Cossack ambulance drivers,
while the Spike Jones chicken clucking
on Brahmss Hungarian Dance #5 is fim-
gerlickin" good. The album is not only a
fine piece of nostalgia but, by virtue of
the Roy Rogers-Dale Evans song Happy
Trails to You, its alo an American
hymnal.
Our carly-warning system put us on the
alert as soon as we heard Howard (Never
Leave Bad Enough Alone) Cosell provid-
ng the quintessential unctuous introduc-
tion, but we really weren't prepared.
given all the advance flack on the Madi-
son Square Garden extravaganza, for how
sad Sinatra / The Mein Event—Live (Reprise)
would be. Sinatra's voice is now his im-
placable enemy. cating away at the leg-
end more ferociously with each passing
year. The slow ballads with any range to
them wreak the worst havoc (Sinatra can
still deliver on the up-tempo, finger-
popping items that showcase his still-
superb ph and avoid giving him any
notes to cling to precariously), And Sina-
tra has been further betrayed by the Gar-
den acoustics. Despite the presence of
Woody Herman and his Herd. and de-
spite the talented. Don Costa acting as
producer, the musical backgrounds sound
incredibly Mickey Mouse—like a pickup
band at a cheap bar mitzvah. Even Sina-
s between-numbers remarks are cast
in a leaden Las Vegas mold. But we guess
you had to be there.
In the aftermath of his wagic what-
ever was in Memphis, Al Green is
probably busy checking out his own
mind. In the meantime, we get Al Green
Explores Your Mind (Hi) to check out, and
it sounds—as A. G. might say—mighty
fine. You get the usual dose of past and
future hits, plus some deep down groove
music (Take Me to the Rtoer) and some
rollicking sounds out of the Gospel tradi-
n (The City), not to mention the
blues (One Nite Stand). But Al isn't the
г to come out with some-
€s also Willie Hutch,
singer and musician
who's been around a while; he's got
it all together on The Mark of the Beast
(Motown). The title may sound scary
but it’s only a timely quote from Revela-
tion, and Hutch—hicked by Motown
space rhythms that are fantastically well
incered. (as always)—puts it to you
like a specialdelivery note from Yahweh
Himself, whether he's singing about
Armageddon (as on the title tune) or
bout love (I’m Gonna Stay; Woman
You Touched Ме). Finally, on Got to Find
a Wey (Curtom), Curtis Mayfield shows
he can still get those high notes as well
as anyone, And after grooving to Love
Ме (Right in the Pocket) and Mother's
Son—which mot only eschews brass,
strings and what not but also manages to
cook for a spell without drums—you'll
find yourself listening to Cannot Find а
Way, which is one of Curtis heavy-type
comments on whats happening (and
what's not happening).
The ghouls are at it again. Mere than
а Memory . . . The Uncollected Judy Garland
(Stanyan) is а garbage dump of sound-
track songs and recordings that Columbia
and Decca wisely decided were best left
in the vault. We take that back—Fasci-
nating Rhythm, the Gershwins’ classic
that leads off the album, is good enough
for a reprise, but the rest does a dis-
service to that benighted lady. And that
goes for a quartet of Harold Arlen-Yip
Harburg songs from an unmemorable
cartoon feature, Сау Purree.
It's depressing to think
that a composer
such as Arlen,
whose Wizard.
of Oz was
pure
gold,
should
have turned out such dross. Maybe the
rland cultists will snap up whatever
crumbs are offered them, but let the
objective listener beware.
They've grown tired of the barricades.
Now the defenders of contemporary aca-
demic music have adopted the smug, self-
satisfied pose of the classicists, the guys
who take for granted that their critics are
benighted fools. Foremost among these
poseurs is Charles Wuorinen, whose swol-
prose adorns а new Nonesuch album.
ig his Speculum Speculi (Mirror of
the Mirror) and Donald Martino's Not-
tune, What do you make of people who
refer blindly to "todays environment
of ever-expanding achievement” or pay
homage to the I2tone system: that is,
“Milton Babbitt's profoundly significant
formulations of the awesome composi-
tional wisdom of Schoenberg"? Who is
kidding whom, Charles? Anyway, the disc
contains significant, if not awesome, mu-
Yotturno won the 1974 Pulitzer
Prize—played on traditional instruments
by а fine group of 15 young performers,
the Speculum Musicae. While there is
some Babbittry at work here, you won't
find the usual clectro-blecps that we as-
sociate with Princeton, Columbia and the
New England Conservatory. Both pieces
are good solid 12-tone works: Martino's is
particularly interesting for its casual sym-
metry and its second-movement trans-
formation of noise into musical sound;
Wuorinen’s is a set of recurring va
tions that grow denser, more rapid and
more complex. It’s good to hear п
music of this school without the usu
dearonic/computer paraphernalia. Now,
if Nonesuch could get somebody to write
liner notes. . ..
Joni Mitchell has ys been a para-
doxical talent. She writes songs about
searing emotions and then often performs
them in the coolest possible way. Further,
while they scem to be autobiographical,
they casily evoke a shock of recognition
from her audience that inspires cither
idolatry or distaste. The intensity of her
work demands total concentration—or
total tuning out. ‘These qualities can be
found on Miles of Aisles (Asylum)—hcr
first "live" album—along with a new
dimension of warmth in her singing and
a relaxed feeling that started to emerge on
her Court and Spark LP. This set, which
constitutes a short history of her work
over the past decade. gives new life and
perspective to some of her previous work,
including Cactus Trec. Big Yellow Taxi
and Woodstock. She also
ew songs. Jericho and Love or Money,
the later being as good (incisive aud in-
tense with vivid imagery) as anything she
has done belore. Mitchell is accompanied
xpress, а
includes two
by Tom Scott and the L.A.
band of fine musicians, who help give
her some extra spark and cnergy.
lmit we're
OK. we as prejudiced as
the next guy; give us a hairdresser who
comes on as a record producer and we'll
sit back and smugly wait for him to fall оп
his ass. Well. Barbra Streisand's Buttery
(Columbia) was produced by Jon Peters,
her main man when it comes to hair and
heart, and you know something? It's
damned good. As a matter of fact, it's
some of the best Streisand we've heard in
a long while. For one thing, it has the
aforementioned reed man Tom Scott
providing many of the arrangements, fill-
ing in with solos and adding backup sup-
port to a staunch rhythm section. For
another, Streisand seems very much at
ease in А and absorbing collection
of tunes from the pens of such worthies
as the Pauls Williams and Anka, Bill
Withers, Buck Owens, Graham Nash and
David Bowie. Everything and everyone
works, so let's hear it for hairdressers!
Are you ready for some of Duke El-
lington’s С Jam Blues done on мес!
guitar? How about some Benny Good-
man-style big-band riffs on the fiddle? If
that turns you on, try Hillbilly Jazz (Flying
Fish), a wonderfully eclectic two-record
set laid down by some young country
There's not a wasted inch
d front. Switches, tog:
dials
Sony tec!
able radic
Heres a list
First, and
sndous sound
Only 8" high, the speaker is an over-
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Also, theres a "Squelch Switch" to sup-
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So what you end up with are the rich vel-
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st important, it makes a: tre-
Corp of America
vety tones thal normally come out of гас
too big to carry around
There are three bands, FM, AM, and Pub-
lic Service. (Police car 5
moving film" style tuning dial.
And a 60-minute timer that turns the
radio on and off.
Why not stop in at a Sony dealer and get
checked ou
Then find a lonely stretch of road, and
open her up.
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musicians (inclu
fiddle, Doug Jerniga
1 Bromberg on g
Vasar Clements on
on steel guitar,
tar) who've had
ars open. Country jazz goes back
40 years to the Bob Wills West
ern swing bands of the Thirties, and
Hillbilly Jazz makes a bow to the past on
па one, side one, a faithful reproduc-
Чоп of Wills's biggest hit, San Antonio
Rose. If you're not into that, how about
a very funky Delta Blues featuring Brom
berg on slide guitar, а Cajun-style Fais Do
Do, old country songs such as Brown’s
Ferry Blues and pop numbers such as Sen
timental Journey and Cherokee? The mu.
sic has echoes of everybody from Charlie
Christian to Eric Clapton, but it all seems
to fit together. Pour yourself a beer and
put on a solid country work horse such
as Little Rock Getaway. Get the true
roadhouse experience without worrying
about getting beat up in the parking lot
on your way home.
Decp Purple has always had a distinc-
tive sound—something like a thousand.
hot ja
d,
adios tuned to the same station а
cranked up to blast. Not very subtle, but
it does get your аце Belore Storm-
bringer (Warner Bros), the band churned
out eight albums that might have been cut
out of sheet metal; but on this new one,
Ritchie Blackmore has finally managed
to tune the fuzz from his guitar and get
do undistorted rhythm
and blues. With the wall of sound nearly
under control, Glenn Hughes's vocals
come on stronger, more soul than funk, as
is the way with British rock. There's
even some mellow pickin’ on the last cut,
st
almost—to
Soldier of Fortune, if you can believe
The result is an album you can
your living room without
traumatizing your plants—or in your
bathroom if you miss the echo.
THEATER
Walk into Sardi's or the Algonquin
Hotel or along Shubert Alley and you
realize that the British invasion of Broad-
y is complete. The majority of shows
that opened during the first half of the
season, and almost all the ones that
thrived, were British. The big dramatic
hit was Peter Shaffer's Equus; the boflo
comedy winner, Alan Ayckbourn's Ab-
surd Person Singular; and the top family
show, the durable Sherlock Holmes. At
Tony-award time, it will be an апа
wrestle between the Angles and the Sax-
ons. There is Jim Dale, a scamper
Scapino in his rumpled icecream s
Jolin Wood, a spiffy Holmes; Peter Firth
worshiping the great god Equus and
whinnying on cue lor his analyst, Anthony
Hopkins; Donald Sinden delivering his
London Assurance; Rex son paying
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ni o
) le hi-fi editors, record rev
` and the readers of the leading music-
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more Duals than any other make of
quality turntable
the tonearm, and if you enjoy getting All these experts did nct switch
involved with every record, a manual to Dual for convenience alone. They
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homage In Praise of Love, by Terence
Rattigan. The invasion has been mostly
masculine—ds You Like It stars an all-
mule cast—but here comes latecomer
Maggie Smith, in Private Lives. As soon
Britisher moves out, another ar
cs. The theater renamed by the mad
т Cook and Dudley Moore. in Good
ning, was next booked
Peter Ustinov,
offering his guide to
Who's Who in
one turns,
other Bri
E Hell. Wherever
there is an-
Peter—the
Peter pl: Shaffer and
Nicho Barnes та!
а deal), the Peter. di
‘There are also
И now at least
k Dunlop (whose
Neapolitan Scapino makes him a Franco
Dunloppoj and a pair of directing Johns,
Dexter and Gielgud.
Actually, the
whose Academy of Music presented a
three-month British Theater Season fea-
ing the Royal Shak e Company.
This season, the RS part of it is
not on Bro; turned to Brooklyn
with Gorki as well as Shakespeare.
American audiences are pleased. Critics
g. The box offices are booming.
Only Actors Equity is a Ameri-
cam actors search for tomorrow on TV
soap operas while their British cousins
work on the stage.
Tourism in London is down, and one
reason be that the London theater
is here. But if anyone wants to know
what will be on Broadway next season,
perhaps he should take that trip to Lon-
don alter all. Most of the imports began
ato
the National Theater, the Royal
speare Company or the Royal Court
Iheater, which shipped over the South
Alricam Sizwe Bana Is Dead and The
Island. These are nonprofit, state-sup-
ported theaters, which means, for one
thing, that Britain's tax dollars help
boost Bro ude we
should Actually,
money is one of the reasons—along, of
with the excellence of
shts—lor the enormous
number h imports. Costs have
risen so much in the U. S. that producers
cannot afford to take chances on an un
known work. The new American play
by a new American playwright is an
anomaly on Broadway. American-grown
shows—usually big musicals—tour the
provinces for as long as a year, as was
the case with Good News, before bravi
the main market place. The alternative,
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=
of course, is to look to Britain. Once a
play scores at the National or the RSC,
our producers enter, waving checkbooks.
What they want most of all today is a
London assurance.
Pick a theatrical chest-
nut, a stock-company staple, such as the
old Arthur Conan Doyle-William Gil-
lette melodrama based on Sherlock Holmes,
steep it in fog, mystery and mayhem and
cast it from within London's prestigious
Royal Shakespeare Company. The result
is a crackerjack chiller—with a prize at
the bottom of the package: John Wood.
Deerstalker hat, calabash pipe а
panache all firmly in place and a
itall look flashing in his steely
angular Wood is Holmes right down to
his aquiline nose—wily, wise and fiend-
ishly dever. Everything is easy for
Holmes-Wood, and everything seems casy
in this lavish Frank Dunlop production
induding the intricately detailed se
tings—which click in the dark, changing
swiftly from cozy Baker Street to the
creepy Stepney gas chamber at midnight.
There is по false move. Wood and com-
pany are unpatronizing, which makes the
show both faithful and funny. The ad-
venture in question brings Holmes in
collision with archnemesis Professor Mori-
arty (played with devilish amusement by
Philip Locke) and in romantic juxta
position with a pretty damsel in distress.
Holmes smites the villain, is smitten by
the lady. Actors, sets, costumes, turn-of-
iry atmosphere, the creaky plot
they all add up to а play-
terlocking puzzle, At the Broad
West Hih Street.
It's elementary
been extended through April, so you can
still watch Maggie, the Cof on а Ho! Tin
Roof, baring her claws and desperately
hanging on to her megrating mar-
i ıd realize that Tennessee Wil-
ing power of a deftly wielded scalpel
Maggie and Big Daddy are ако of the
most lifegrabbing theatrical characters
ever conceived by Williams. Next to
them, Brick, the football hero distressed
by his possible latent homosexuality,
es And for any actor—in this case,
Dullea—it is an uphill baule. But in
this first major New York revival of Cat,
a somewhat revised. version of the 1955
original, Fred Gwynne shucks his Mun-
sterisms for a forceful portrayal of the
uproarious thundering Big Daddy and
beth Ashley is an inspired Maggie as
silkily and sinuously tries to draw
her reluctant husband back into the
l bond (and bed). This American
akespeare Theater production by Mi-
chael Kahn is at the ANTA, 245 West
Sud Sweet.
a
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“Skibobbing the Trockener Steg is really exciting.
In fact, it lifted Sandy right out of her seat!”
i "Humpty Dumpty had ў, :
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wag Luckily, the only thing bruised
“Later, we toasted our adventure with ИД was her ego.”
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GYEARS OLD. IMPORTED IN BOTTLE FLOM
THE PLAYBOY ADVISOR
Some of the guys at work were talking
the other day about the peculiarities of
making love to a woman for the first
time. We discovered that, almost against
our will, we tend to revert to a high
school approach—“measuring” our prog-
ress from first ¢ to second base to
third base (where, оп the advice of the
base coach, we stop for some cunnilin-
gus), then on to home. My first-night feel-
g is, "I can do better than this. Hell, I
have done better than this.” I can't figure
out why we repeat that amateur mating
dance. What do you do on first dates2—
М.У, hassce, Florida.
It depends on how our companions
react when they sec our collection of
whips, chains, leathers, grope suits, ben-
wa balls, vibrators, French postcards
Jacuzzi baths, overhead mirrors and
video-tape cameras. Or, if we're at their
place, how we react when we see their
equipment. We are not always the one
to initiate sex and we almost never insist
on control of the event. Other than that,
we tend to proceed from left to right,
from the outside in, and so forth. These
are individual quirks and should not be
wed as strict guidelines. The high
school approach works as well as any
other—if you're troubled by its being
amateur (it’s not), simply reverse the se-
quence. After all, what you learn about
each other is more important than what
you know about sex. And no matter how
you begin, it’s bound to get belter.
Wid is ›сист—а spherical stylus or
n elliptical stylus? I enjoy music very
much and I would like to keep my LPs
in the best possible condition—R. B.,
Danville, Virgin
A spherical stylus resembles the tip of a
ballpoint pen; its tracking characteristics
have been compared to those of a bowling
ball in the gutter. They are usually found
on cheaper cartridges. An ellipical stylus
resembles the blade of a screwdriver; it is
harder to make and costs more than a
spherical stylus, However, the design per-
mils more accurale groove tracking, pro-
vides better high-frequency response and
eliminates pinch effect in the relatively
narrow portions of the record groove.
Make your choice and keep on tacking.
AQ; an independent freight shipper,
follow ап irregular schedule. Му
friend and J will get together for four or
five days, then not see each other for
eral weeks at a stretch. As you can imag-
ine, the infrequency enhances our mutual
horniness—when we do sec each other, we
fuck our eyeballs out. Apart from a little
soreness, neither of us seems to have suf-
fered any ill effects from these lovemaking
marathons. We joke about overindu
gence, then crawl back into bed to hav
one for the road. But I wonder, is it pos-
sible to do too much of a good thing?
Someone once told me that a sporadic
sex life can contribute to prostate prob-
Jems. Is this true?—W. W., Nashville,
Tennessee.
Every man vises to his own level of
activity; it is impossible to have too much
sex in a given amount of time. To para-
phrase a classical philosopher: Don’t ask
for more sex; you have and always have
had all the sex there is. Also, Dr. Masters
informs us that weekend warriors need
not worry—an erratic erotic life does not
lead to prostate problems. Make the most
of your layouers.
On weekends, I like to go clubbing
catch young sta ay up. old si
on the way down and waitresses оп the
лу home. At the end of a set. I usually
t a bill that includes both the cover
charge and the price of the drinks 1 have
been served. Should my tip be a percent-
age of the total or a percentage of the
price of the drinks alone?— ]. P., Chicago,
Minois.
It depends: If you view tipping as a
gesture designed To Insure Promptness
(a reward for services rendered) and want
to fight inflation, leave a percentage of
the price of your drinks and а міх but-
ton, If you view tipping as a gesture
designed To Impress Peons, leave a
percentage of the total bill. Some clubs
feel that if you can afford the tab, you
can afford the tip. Failure to do so is To
Invite Punishment.
Wi, fiancé and 1 live in ài
of the country: it was just an accident that
we cver met. We both come from large
families and last month we were shocked.
to discover that we are second cou:
We are still in love and plan to get mar-
ried. We are curious to know what the
law and science have to say about our
situation. A friend told me that incest is
a universal taboo. Is there any society on
record in which incest is accepted or
approved:—D. A., Santa Ci 3
If there were, do you think we'd be liv.
ing in Chicago? (Don't answer that.) In-
cest isa universal taboo; interestingly, the
more primitive the society, the broader
and mote restrictive is the prohibition.
For example, Trobriand Islanders in
Melanesia separate brothers and sisters
al birth, to be raised almost exclusively by
relatives of the same sex. If any members
of the tribe engage in incest, they are
expected (and “encouraged”) to commit
suicide as penance for the entire tribe.
Up against the wall, motherfucker. Most
societies view incest as a challenge 10
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43
PLAYBOY
44
what
Playboy’s done
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We've taken the bright
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wrapped it all up into one dazzling
Playboy-Club-Hotel. An island full
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For all of the delightful de-
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ga playboy club-hotel
ФУД осно Rios- jamaica
authority, especially where the integrity
of the family unit is the key to survival.
Sex with close relatives is considered bad
for the crops. In our society, the taboo
covers relationships between teachers
and students, doctors and patients,
bosses and secretaries—the ancient. wis-
dom about swimming in the genetic pool
пош applies to fishing in the office pool.
As for kissing cousins—nol only is the
incest relative bul it's a matter of degree.
The relationship between fist cousins is
known as fourth-degree consanguinity;
between second cousins, _fifth-degree.
Approximately half of the states permit
fourth-degree marriages, the other half
prohibit fourth-degree marriages but.
allow jifth-degree marriages. So go ahead
with your plans. Consult an attorney if
you have further questions. Finally, don't
take your honeymoon in the Trobriand
Islands.
ng a 20-year-old male, Y have my
e of sexual problems—acting out
fantasy being the main one. Recently,
I saw a movie that presented a novel
form of seduction: A guy met a girl in
the park. Both were wearing masks. Not
knowing who she was, and vice versa, they
made wild, passionate love, then depart-
ed without a word. The idea of such an
encounter appeals to me. I can imagine
the scene: А mere glance between com-
plete strangers and we would get it on,
weather permitting. I feel that by doing
it with masks, I would have the freedom.
to make love the way 1 want. I would
not let her facial expressions rule my
actions. Could you tell me if this is a
good idcaz—A. К. New York, New Yor
The editorial is divided on this
issue; we think it's a great idea (having
had the same fantasy ourself), but it has
to be put in perspective (for example,
the lime the Lone Ranger and Tonto
were surrounded by hostile Indians and
the Lone Ranger said, “It looks like the
end for us” and Tonto said, “What do
you mean us?"). The fantasy has its place,
but not in public. The police have been
known to take a dim view of people walk-
ing into Central Park wearing masks. Ас-
tually, masking is an ancient tradition.
Eastern potentates often had their concu-
bines and wives wear mashs; it saved them
the trouble of keeping track of all those
names. The carnivals of Rio ave oc-
casions for celebraling impersonal sex.
Go there or find a cooperative accom-
plice and try a masked ball in the
privacy of your own bedroom. She won't
find your mysteriousstranger routine
that stiange; she's probably had her own
fantasies of Zorro leaving his mark. A
plain mask will provide anonymity—
you'll feel like Everyman making love to
Everywoman. Or if you desire a change
Of face from come-as-yoware parties, try
celebrity sex. We recall an orgy (dc-
scribed in “Trashing” by Ann Feltamen)
where bedfellows wore the masks of
politicians (Richard Nixon, Henry Kis-
singer, Shirley Temple Black, Martha
Mitchell, et al.). Now that's strange, but
it goes to show: different folks for the
same old stroke.
Toast weekend, I attended a dinner party
in a very elegant restaurant atop one of
our new skyscrapers and when we ordered
a fairly expensive red Bordeaux, the
waiter told us it would take 15 or 20 min:
Utes to get it, since it was stored in the
basement some 1000 feet below. In re
sponse to our quizzical looks, he explained
that storing the wines at restaurant level
was bad for them and that it had some
thing to do with air pressurc. Was he tell
ing the truth or had the altitude afleaed
him instead ol the winez— T. P., Chicago,
Illinois.
There are а number of problems in-
volved with storing wines in skyscrapers,
but as far as anyone knows, altitude and
uir pressure aren't among them. Instead,
high-rise grape nuts in Chicago, San
Francisco, Toronto and other cilics with
restaurants perched atop these behe
moths have lo contend with air-condi
tioning systems that turn off at night
(fluctuating temperature being possibly
the worst of а wine's enemies) and
buildings that sway ever so slightly in
strong breezes, thereby preventing the
sediment in those vintage reds from prop-
erly settling to the bottom of the boitle.
The inherent space and cost problems of
storing 5000 or 10,000 botiles of wine a
fifth of a mile above the ground are a ma-
jor setback. To overcome these obstacles,
restaurants keep the wine in more tra-
ditional, temperature-contolled cellars,
rather than trying to mount a gimbaled
or suspended storage room on the upper
floors. Don't laugh; The Ninety Fifth,
atop Chicago's John Hancock Building,
actually considered just that,
Be just finished reading Erica Jong's
Fear of Flying, in which she recounts an
n who was on a
I didn't lose weight.
ecdote about a wor
t diet but who st
su
The doctor asked her to list everything
she ate, then, unable to figure out where
the extra calories came from, asked her if
she was sure she had listed every mouth-
ful. “Mouthful? 1 didn't realize that had
" The woman turned out to be a
ite who swallowed 10 to 15 mouth-
fuls of semen a day. Supposedly, “Ten to
day] turned out to be
seven-course meal at
the Tour d'Argent.” Is this true? A lot of
women are reading that book, and I'm
id that some of them will use the ii
s ап excuse to forgo fell
What are the ingredients, caloric count,
etc, of the average ејаси м. В.
Phoenix, Arizona.
АП right, you clowns—this is the last
time we answer this question. Take notes:
A short quiz will be given; pass the
lation?
written part and you get to take the orals.
The chemical composition of ejaculate
varies from individual to individual and
within (he same individual from time to
lime. Semen is essentially seminal plasma
and spermatozoa. Approximately eight
percent of the substance is dry weight.
According to the fine print on the
label, it contains minute quantities of
more than 30 elements—such as fructose,
ascorbic acid, cholesterol, creatine, citric
acid, urea, uric acid, sorbitol, pyruvic acid,
glutathione, inositol, lactic acid, nitro-
gen, B-12, various salis (sodium, zinc, cal-
cium, chloride, magnesium, potassium,
phosphorus, ammonia) and enzymes (hy-
aluronidase, spermidine, choline, sperm-
ine, purine and pyrimidine) and
desoxyribonucleic acid (DNA), Blood-
group antigens are also present. The ca-
loric content is minimal (perhaps one or
two calories per ejaculate) and the nutri-
tional value practically nonexistent. In
other words—it «won't blow a dict. And,
since semen does not contain any artificial
flavoring, meat by-products or monosodi-
um glutamate, your organically inclined
friends can continue their inclinations
toward your organ. Just in case Jong
writes another book, semen does nol cause
cavities, does not improve the voices of
opera singers, does not clear up the com-
plexion (even when applied directly from
the tube), nor does it cause the growth of
facial hair on the recipient. Il does cause
babies. If someone can still find an excuse
по! to perjorm fellatio, we suggest you
lake up where the guy who wrote ‘the next
letter left off.
How is it that I never hear mention of
autofellatio in your column? It is my
favorite form of masturbation. My accom-
plishments include not only putting my
penis into my mouth but also sticking
my tongue into my navel and placing my
mouth against my lower abdomen and
scrotum. Do many people have this degree
of flexibility in their bodies;—]. W., Syos-
set, New York.
Don't Ouroborus. Although it’s rare, we
have heard of people with this talent. A
few were jakirs, who managed the trick
after years of training; others were born
with the ability to make ends meet, And
then there are those who ате capable
of a sectocranial inversion (sticking one's
head up one's ass). Try that, if you
haven't already.
All reasonable questions—from fash-
ion, food and drink, stereo and sports cars
to dating dilemmas, taste and etiquette—
will be personally answered if the writer
includes a stamped, self-addressed en-
velope. Send all letters to The Playboy
Advisor, Playboy Building, 919 N. Michi-
gan Avenue, Chicago, Illinois 60611. The
most provocative, pertinent queries will
be presented on these pages cach month.
WHAT TODO IF YOUR
STOMACH STARTS GROWLING
JUST AS YOU PASS THE EXIT.
dust because you get hungry on the road
doesnt mean you can get off the road.
Besides. the sign that says “Food” can
mean anything from steak to a gas-station
vending machine.
Well. if there's one thing that can
satisfy that between-exits hunger, it's.
n Jini. The all-meat snack that
glove compartment, Or in
your glove, for that matte
And it comes in mild. spic:
bacon. or salami. At your grocer s.
o. whether you travel because
it's your job. or just because you
want to, take Slim Jim.
And stop a growling stoma
without having to stop the cas
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PLAYBOY
Cointreau...the artof lingering.
Pronounced "Kwan-tro."
There is a time for slowness.
Atime for not pushing it.
Atime for reveling inthe
deliciousness of the moment.
Moment of firelight,
friendship, music, love.
This is the moment for Cointreau.
Clear dry, elegant Cointreau with
its whisper of orange. Imported
from France. And today the best selling
brand of liqueur in the world.
Because everywhere in the world
there are people who believe that the
secret of the good life may be found
inthe Artof Lingering.
THE PLAYBOY FORUM
an interchange of ideas between reader and editor
on subjects raised by “the playboy philosophy"
WHITE HOUSE AIDE ON POT
I was pleased to see that Dr. Robert
L. Dupont, head of the White House Spe-
cial Action Office for Drug Abuse Pre-
vention, has stated publicly, "Criminal
penalties have clearly failed to prevent
widespread use of marijuana.” Dupont
addressed Tast November's conference of
the National Organization for the Reform
of Marijuana Laws (NOR ML), and his
appearance before that organization may
n itself be a sign that the Administration
is adopting a more progressive approach
to pot. Dupont was unwilling to call for
an end to marijuana prohibition, but he
said that "the key question today is wheth-
cr the benefits of deterrence are
at_a lower social cost than the current
criminal sanctions. I think that they are.”
I endorse Dupont's remarks, but I
would go further. The current marijuana
aws should be done away with because
they are unjust. The possibility that n
juana may have harmful effects
bad ground for making it illegal:
is a
it is
possible to obtain many harmful drugs
legally in this country. The real basis for
чапа laws is unreasoning prej-
udice, and arguments about posible
harmful effects are merely an excuse. It's
good to see a more rational attitude in the
White House concerning pot, but we've
still got a long way to go.
James Tobin
Chicago, Illinois
THE LAW'S DELAY
Attorney Gencral Willi.
announced that he would “
change in the marijuana laws" but that
he will enforce the present laws as long
as they are on the books. This is such
typical politician's thinking that it makes
t you just
official saying
welcome an easing of the laws
ast witchcraft, but until there is a
inge, he will go on roasting little old
‘This is known as responsible con-
servatism. It is actually just an e
for continuing to be stupid and sadistic
when you know better.
D. Stevenson
St. Louis, Missouri
More willing to join the 20th Century
was U.S. Attorney Earl J. Silbert of
Washington, D.C., who announced that
his office would no longer prosecute
people possessing small amounts of mari-
juana. The plan fell victim to the capital's
Byzantine politics, and Silbert was forced
to cancel it. The Washington Post hinted
me laugh—a little wildly. С
hear some
he'd
16th Centu
that the District's police department, after
months of talks and a private agreement
on the proposal, atiacked it when Silbert
announced it. According to the Post, pres-
sure to drop the plan also came from
Silbert's boss, Saxbe, prior to his resigna:
lion as Atlorney General. An assistant
explained that Saxbe “feels you have to
enforce the law.”
LIKE OLD TIMES IN TEXAS
Remember the horrible
young people who were caught with
mall amounts of marijuana in Tes
in the 1960s and sent away for long pris.
on sentences? Well, it's about to happen
again—in 1975.
In 1972. freelance writer Brent Stein
was arrested in Dallas, Texas, for al
legedly possessing about 1/18 ounce of
marijuana, At the time, Brent was writ
ing under the name Stoney Burns for
an underground newspaper. He was
stopped by police late one night and a
search of his automobile reportedly un-
covered enough marijuana lor two or
сез in his glove compartment.
Brent was subsequently convicted of
i and, though a first
offender, was sentenced by а Dallas jury
to the cruelly exact term of ten years and
one day in prison. At that time, he could
h: jved a sentence of from two ye:
to life in prison. By imposing a sentence
in excess of ten years, the jury precluded
any legal possibility that the presiding
judge might suspend the sentence or
grant Brent p
Now the Texas Court of Criminal Ap-
peals has upheld Brent’s conviction, even
though Texas has reduced its marijuan:
penalties. Since this is Brent's first offense,
under the current Texas law he would be
subject to a maximum six-month misde-
meanor sentence, ically, the legi
ture intended this new law to apply
retroactively to people, like Brent, who
had received longer sentences under the
provisions of the old law. But the retro-
active provisions of the new law were
recently held unconstitutional by the
Texas Court of Criminal Appeals, as ai
unlawful intrusion into the governor's
power to pardon and parole.
So Brent, now 31, is left in no man's
land. He faces the very real future of a
ten-year prison sentence for an offense
that would now be considered minor and
would be routinely dealt with by a pro-
bated sentence.
Last year, Governor Dolph Briscoe
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City. State.
PLAYBOY
48
ounced that through a plan called
ct Star he would seek an expedited
"review by the board of pardons of all
firstoffense marijuana possessors con-
victed for possessing quantities of four
ounces or less."
NORML is asking all concerned
people to contact Governor Briscoe (State
Capitol, Austin, Texas 78711) to request
that he immediately use his pardon and.
parole powers to avoid this impending
tragedy and injustice.
R. Keith Stroup, Executive Director
National Organization for the Reform
of Marijuana Laws
Washington, D.C.
Stein is now in prison, awaiting what
ever action may be taken by Governor
Briscoe and the Texas Board of Pardons
and Paroles. Stein was a prominent polit-
ical dissenter who defeated two previous
efforts to convict him on politically те-
lated charges. His friends claim this is
what motivated the Dallas jury to give
him such an excessive sentence.
Pr
FIENDS AND NUTS
Motorcycling over the buck roads of
the scenic upper Illinois River valley one
sunny t fall, I reined the big Duke
up at a restaurant for a warm drink. In
the parking lot, I observed an enlighten-
ing spectacle: Side by side were two
one displaying bumper stickers urging
KEGISTER. COMMUNISTS, NOT GUNS and GUNS
DON'T KILL, PEOPLE ро, along with a Na
tional Rille Association decal on the
windshield. The other was plastered with
such appeals as POT PRISONERS NEVER HAVE
A NICE DAY and REFORM MARIJUANA
Laws. The drivers, who had both pulled
in at the same moment, contemplated
each other with silent, heavy-lidded an-
tipathy as though each saw the other's
vehicle as being covered with pure shit.
I nearly laughed out loud at these blind
of gun fanciers alleged to number some
22.000.000 nationwide. In the other was
a member of an army of marijuana dev-
otees estimated at around 20,000,000.
Each nifested obvious contempt for
the others advertised divertissement.
Why? In my opinion, both have become
dupes of a conditioned reflex induced by
the mass media.
For years now, I have sten reports
to homes on nar-
colic raids and finding marijuana, along
with unregistered guns, hard drugs and
revolutionary literature. Today, the word
marijuana print conjures up in the
minds of the masses visions of saturnali
ciated with no other soc
are just plain mariju
As for gun buffs:
1 bugaboo, but
users. Just t
Former astronauts,
FORUM NEWSFRONT
a survey of events related to issues raised by “the playboy philosophy"
COLLEGIATE COHABITATION
A study conducted by a Cornell Uni-
versity psychologist and published in
Psychology Today magazine says that col-
legians, at least at Cornell, are shacking
up in ever greater numbers; 31 percent of
all undergraduates report having lived
with someone of the opposite sex for at
least three months. Dr. Eleanor D. Mack-
lin concludes {тот her survey that co-
habiting students are not necessarily
planning to marry but that living to-
gether is the modern verston of getting
pinned or going steady. The study also
shows that only five percent of male engi-
neering students [roe with single women,
compared with 60 percent of male arts
and science students; that 80 percent of
the cohabiters try to conceal it from their
parents; and that virtually no parents ap-
prove of the practice,
In Austin, two enterprising coeds at
the University of Texas advertised in the
Student newspaper that they would rent
out their address as a front for female
students who don't want their parents
to know they ате living in sin, After three
days in the paper, the ad drew only two
calls from curious reporters and numer-
ous calls from girls similarly looking for
ghost roommates who would contribute
to the rent but stay with their boyfriends.
ITS A MAN'S WORLD
EASTHAMPTON, — MASSACHUSETTS—State
police raided а large stag party for a
prospective bridegroom and charged a
31-year-old woman entertainer with com-
matting an unnatural act and participat-
ing in an immoral show. About 75 men
were attending the parly, but none was
Е
arrested. A police spokesman explained
that there is no law against watching ob-
scene acts, just against performing them,
OLD TIMES REMEMBERED
BOsTON—A person who can vividly re-
member his first drink from years earlier
may be especially prone to alcoholism,
according to a (сат of Harvard Medical
School researchers. Their study, published
in The Archives of General Psychiatry,
found that normal drinkers could recall
little about the first time they took a
drink, while those for whom alcohol later
became a problem had 100 percent accu-
racy in remembering such details as how
old they were, what they drank, how
much they had, who they were with and
so forth. "The vivid clarity and recall of
detail after many years also impresses one
that the first drink to the alcoholic was
something very different from the first
drink jor the nonalcoholic,” the research-
ers say. They suggest that for some people
alcohol may have a unique biological ef-
fect and that their indelible memory of
the event may indicate their susceptibility
to alcoholism.
SMOKING AT THE WHEEL
VANCOUVER, BRIT coLumBIA—Tests
conducted al the University of British Co-
lumbia indicate that marijuana smoking
can significantly impair driving ability.
The experiment involved 43 men and 21
women driving cars both on a special
course and on city streets after having
smoked strong, weak or fake marijuana
cigarettes. According to Dr. Harry Klon-
off, a professor of psychiatry, the subjects
who recewed the real pot tended to show
decreased awareness, caution and driving
shill.
NALTIES UNDER STUDY
WASHINGTON, D.C—AL the urging of
Deputy Attorney General. Laurence. Sil-
berman and other drug ofjicials, the Drug
Enforcement Administration has begun a
study to determine whether there is a way
to end jail sentences for possessing small
amounts of pot and, at the same time,
maintain a strong legal deterrent. DEA
director John R. Bartels, Jr., said the ma-
jor proposal under study is a civil penalty
similar to the year-old Oregon law that
sets a maximum $100 fine for pos
of less than an ounce of pot.
sion
CANDID COP
HARTFORD, CONNECTICUT —A Connecti-
cut state trooper has been forced to resign
after marijuana was found in his patrol
car and he ofjered a candid explanation
for its presence. He told his superiors that
he kept the pot in his cruiser in case he
needed it to plant on a suspect.
BARTER AND BIRTH CONTROL
BANGKOK, THAILAND—Contrace ptives
are being used as money under a gouem-
ment program to popularize birth control
in the rural areas of Thailand. According
to family-planning officials, the idea is
to break down cultural inhibitions and
embarrassment concerning birth control
by encouraging prople to barter condoms
and contraceptive pills for goods and sert-
ices. For example, the bus fare into the
town of Bang Lamung from several out-
lying villages is 12 rubbers.
TRUTH AND CONSEQU
спіслсо— Те American Civil Liber-
lies Union has filed a Federal suit on
behalf of a 28-year-old man who was te-
fused a job as a fireman in suburban Elk
Grove Village because of one teenage
homosexual experience. The applicant,
who is married and has two children,
and who scored in the top six percent
of the civil-service examination, disclosed
the incident during a pre-employment lie-
detector test. The suit argues that this was
“а constitutionally impermissible basis for
denying public employment, in violation
of the due-process and equal-protection
clauses of the 14th Amendment.
ICES
SAFER SEX FOR SINGLES
MADISON—Wisconsin's law banning the
sale of contraceptives to unmarried people
has been struck down by a three-judge
Federal court. For the past several years,
certain church groups and individual
opponents of birih control had managed
to defeat efjoris to repeal the law in the
legislature.
ROLL THE PRESSES
NEW vonk—4 Brooklyn Federal judge
has invalidated the seizure by school offi-
cials of a Farmingdale high school stu-
dent newspaper containing articles on
contraception and abortion. Judge Mark
Costantino ruled that the four-page sex-
education supplement in the confiscated
paper was “serious in tone and obviously
intended to convey information rather
than appeal to prurient interests? The
judge then enjoined school officials from
preventing distribution of the paper, cit-
ing First Amendment guarantees of free-
dom of expression.
M.
DATORY SENTENCE
miami—Despite a leniency plea from
his victim, a 15-year-old convicted rapist
has been sentenced to 30 years in prison.
The circuit-court judge who passed sen-
tence said he was bound by state law,
which specifies 30 years to life for the
crime of rape.
IF YOU CAN'T LICK "EM, ZONE "EM
noston—The Boston Zoning Comm
sion has voted to designate two down-
town blocks as an adult-entertainment
district and 10 restrict the spread of por-
nography shops, adult theaters and strip
joints in other paris of the city. The dis-
trict, known as the combat zone, already
is dominated by adult-cntertainment busi-
nesses. Similar businesses elsewhere will
not be required to close but no пеш ones
will be permitted to open.
DIRTY TRICK OF THE MONTH
манме Тһе Nashville police de-
partment has ordered its vicesquad. offi-
cers not to have sexual intercourse with
women they plan to arrest for prostitu-
tion. The order stems from a massage-
parlor raid in which two policemen
engaged in scx with two female employces
before identifying themselves as officers
and making If arrests. A police official
said that such devotion to duty “has
not been a policy in the past and will
not be a policy in the future" and or-
dered the arresting officers to get a health-
department examination.
ies, sports figures, cartoon-
ists, columnists, labor leaders, singers,
bandleaders, clergymen, all have been
enlisted in the moral assault on those who
cherish their right to bear arms. The me-
dia have methodically identified the ma-
jority of legitimate gun owners with the
minority of kooks, assassins, f: ics of
the left and right and criminals who mis-
rms. The dictionary of contem-
raging
Old
references to our quick-draw societ
West instincts and frontier mentality-
So, there sat two guys, each doubtless
knowing himself to be a victim of propa-
ganda, but each completely snowed con
a gun nut. If these two ever
together, I mused silently—
will never let that happen
Keith W. Wilson
Chicago Heights. Illinois
THE HOME INVADERS
One night last September, at about
three AM, a group of longhaired in-
wuders crashed a shotgun through the
bedroom window of the home of a 68-
-old lady living alone in Colorado
Springs. The woman ran into her kitch-
en, opened the back door and saw another
group of men standing outside.
them was pointing a gun st
she says, She slammed the door shut and
locked it. She heard the outside screen
door being torn off and ran into the li
ing room of her threcroom bungalow
in time to sce her front door kicked in
and several longhaired and bearded men
rush into the room. The invaders began
furiously rummaging through the house.
It wasn't а visit from a Colorado branch
of the Manson family. Rather, it was
what's become an all-too-common occur-
тепсе, the invasion of an innocent per-
son's home by Federal agents. In this
the men thought they had seen а
suspected heroin pusher emerge from the
lady's house. Once they realized their
аке, they were polite and apologetic
and promised to pay for the damage.
Whether they can adequately compensate
the woman for putting her through an
experience that would literally kill many
elderly people, I seriously doubt.
Hansen
Denver, Colorado
PRISONERS’ AID PROJECT
The Georgeville Commur
committed to helping prisonei
world people exchange ideas and infor-
mation, began two years ago when we set
up quarters in this rural community. The
project is directed by my wife, Sharlane,
and me; I’m the founder and former pub-
lisher of Penal Digest International. We
now have our own printing and publish
ing plant and we are gathering material
for a book of information for prisoners,
ex-prisoners and their families, which may
be the most comprehensive publication of
49
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its sort ever put together. It will be of-
fered free to county, state and Federal in-
mates and will deal with such subjects as
organizing communities, communications
and public relations, nutrition, prenatal
and infant care, jobs, parole plans, legal
resources, educational opportunities, the
penal press and organizations that will
help prisoners and their families. Sugges-
tions for material to be included in the
book should be sent to the Gcorgeville
Community Project, Georgeville, Minne-
sota 36312.
We are applying to the FCC for a 1
cense for an educational radio station
that will provide training for prisoners
and ex-prisoners interested in broadcast
We also have financial assistance
lable for prisoners who have expe
ence in the graphic arts.
Joseph W. Grant
Georgeville, Minnesota
ing.
THE PENDULUM
А few years ago, the news from Yale
was the huge demonstration on behalf of
the Black Panthers, The latest news is the
restoration of Claes Oldenburg's giant
lipstick sculpture and a new student pas-
time: seeing how many kids can stuff
themselves into a library study cubicle.
Last fall was the tenth anniversary of the
ee Speech Movement at Berkeley.
day there аге more fraternities at Berk
ley than ever and the students take for
granted the freedom to conduct political
activity on campus. Time magazine calls
today's college kids the "Selfcentered
Generation.” The times are most
ing for what they are not
not prosperous, not creative.
Wall, as one who cheered for the coun-
terculture, Tm not downcast. There's
nothing wrong with being self-centered;
it’s a healthier motive for wanting to
change the world than a false or naive
altruism. Many do-gooders are phony,
while people who say they are self-cen-
tered are usually sincere. And, in any
event, the world will change. These things
run in cycles. The hippies were the more
numerous and more influential descend-
ants of the beatniks. Similarly. within ten
years, the flower children and the New
Left, under new names, will be back, more
powerful than ever. Because of the
groundwork laid by the cultural revolu-
tion of the Sixties, the next one will be
bigger and better.
William Martin
Pittsburgh, Pennsylvania
terest
not exciting,
ROMANTIC ADVICE
I think The Playboy Advisor is guilty
of romanticism in telling M. P. that three
aboutto-be-married girls who had sex
with him must have had the same syn-
drome that provokes men into last-fling
bachelor parties (October 1974). Come
off it, Advisor. There is a simpler answer.
Notice that each girl apparently made
the initial contact and cach started the
conversation by asking why M. P. had
never screwed them on carlier dates.
Notice, too, that initially M. P. was a
virgin, but apparently none of the three
girls was virginal.
I suspect each girl was experienced
sexually, doubtless having grown accus-
tomed to frequent intercourse with her
fiancé (at least), was alone for a time, had
a normal horny urge and thought of an
old boyfriend who would probably re-
spond if encouraged. They all may have
actually been puzzled as to why M. P. had
never tried to fuck them, since other men
had tried and succeeded. An innocent
man is as intriguing to women as an intact
hymen is to men.
It wasn't, as M. P. imagined, that he
was giving the girls a line, No, they were
obviously giving him a line and it's one
that girls have been using for centuries.
I've used variations of it myself. My older
sister told me about it, back in my high
school days, when I had the hots for
boy who wasn't giving me what I wanted
What better way to get a guy into your
pants than to ask him why he hasn't al-
ready been there? What more obvious
way to interest him in your naked body
than talking about it, or about your swim-
suit and what it does or doesn’t cover, your
bra or other lingerie, nudist camps,
streaking or bare-ass swimming?
Back when most girls wore slips, I
used to start out many dates by standing
in front of a window or fireplace or
bright light and asking my date, in pre-
tended seriousness, if he thought I was
showing too much by not wearing a slip
(1 always managed to show as much as I
could), Later, I would confess I really
was only worried about what others might
sce and that I really had wanted him 10
have such a naughty view, but hoped he
wouldn't think I was just awful in want-
ing him to be interested in my body. This
is а never-fail approach with a man who
hasn't taken the initiative himself. A
little positive, unmistakable expression of
willingness to show one's feminine charms
will tum almost any guy from а bashful
or uncertain partner into a dynamic one.
As D say, every woman knows th:
Maybe The Playboy Advisor should trade
in his gothic novels for more uptodate
reading, like, for example, the rest of
PLAYBOY-
(Name withheld by request)
Washington, D.C.
SEX AT AN EARLY AGE
At the age of 14, I was initiated into
sexual intercourse by а beautiful, under-
standing and erotically adept woman of
about 35. She was a guest in our home
while her husband was absent and she
and I were alone in the house during the
day. She brought me to an erection and
then she got on top and we started
screwing.
She exploited my capacity, supposedly
common in tcenage males, for multiple
orgasms. She caused me to ejaculate in
her three times, holding my penis by
contracting her pubococcygeus muscle. 1
was worried at the time by her violent
contortions and the way she moaned like
a hurt child: now I know these signaled
orgasms. Our affair continued for weeks.
Each encounter consisted of an initial
penetration with multiple orgasms on
my part and several subsequent. penetra-
tions with single ejaculations. All the
while, she experienced overlapping rapid-
fire orpasms.
Eventually, she left our home and I
never saw her again. 1 have always won-
dered if all this did me any harm. Most
of the women Гуе told about it thought
it was destructive and perverse
Jt would be interesting to know how
other people react to this experience of
minc. Although it took. place over а gen-
eration ago, it's true even today that
most people object to the idea of sex be
tween a teenager and an older person.
And even though the double standard is
unfashionable, I think most people
would be more likely to tolerate an older
woman seducing a young boy than they
would an older man initiating an adoles-
cent girl. I doubt that even in these en-
lightened times we're capable of thinking
rationally about cross-generational sex.
The only adverse effect I've noticed is
that in my long history of erotic encoun-
ters, I've met only one woman who was
as uninhibited as that first one. Expect-
ing relationships in which women took
the initiative, I was usually disappointed.
On the positive side, I learned a lot at
an сапу age about female sexuality and
I've put this knowledge to good usc. The
experience certainly didn't diminish my
drive. I'm 58 now and women have
accused me of ejaculating “Like a horse.”
How they know so much about horses, I
can't imagine.
(Name withheld by request)
El Cerrito, California
SOMETHING ELSE
Ms. Something is the pseudonym of a
79-year-old lady who is bringing cheer to
all of us by testifying that the sex drive
need never fade away, much less die. 1
read her story in The Oregon Siatesman
are better than 36-24-36:
and her statisti
In the 28 ye: she be
Ms. Something has had
men, some lasting part of an evening, one
for 15 years. Her lovers have ranged from
a 15-year-old boy to an 82-year-old man,
The later seduced her with this line:
“The Bible says we should be like chil-
dren, so let's take our clothes off.” I'm
going to remember that one.
Ms. Something (who conceals her name
10 avoid upsetting friends and neighbors)
tells about her sex life on a video tape
that is presented in a class оп aging and
retirement at the University of Wash-
ington. To what does she owe her felic-
ity: Well, she practices transcendenta
me а widow,
s with
the new one
the only one!
JANE EAST
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51
PLAYBOY
52
meditation, but I think her real secret is
that she simply doesn't believe that sex
must stop because you are aged or have
lost your mate. According to the news
story: “She says she never had difficulty
meeting men and gives all credit to having
a cozy fireplace where she would invite
prospective companions to come and s
Ms. Something, I love you.
R. Sherman
Seattle. Washington
DIDDLING A DUCK
From The Wichita Beacon comes this
thought provoking item:
Answering a complaint of a dis-
turbance inside a parked car in the
400 block of East 21st, police sa
they found [a 34-year-old Wichita
man] in an unnatural sex act with
a duck.
He vas arrested for lewd conduct,
a misdemeanor, and released pend-
ing an appearance in municipal
court.
The duck, apparently taken from
a city park, was turned over to park
authorities, police said.
Well, I've made it with a number of
dogs, a moose or two, lots of chicks and
several bombshells, and J think that the
state has no business arresting this good
п just for fucking а duck.
(Name withheld by request)
Wichi ansas
The question is whether or not this was
a sexual act between consenting adults
in private. Because the item refers to a
duck rather than to a duckling, we may
assume that the sex partner was of age.
The fact that the act occurred in a parked
car on a public street raises the question
of privacy, however, and there is evidence
that the duck did not give its consent. If
the disturbance involved loud quacking,
flapping of wings and loss of feathers, it
would scem to us that the duck could
very plausibly allege rape; and if the
duck was, in fact, taken from a city park,
we have, it would seem, a clear case of
abduction.
LEGAL PORNOGRAPHY
The reading that law students have
to do is ordinarily pretty dry, but once in
awhile, one's eyes chance upon something
unique. In the 1945 case of Lason us.
State, the Florida Supreme Court held
that the term “abominable and detestable
crime against nature” includes the acts of
fellatio and cunnilingus. This is not a sur-
prising opinion, considering the time and
the place. What makes the case interest-
ig is some of the language quoted in the
decision. The accused's attorney argued
that fellatio is not forbidden by Flori
law and appeal brief, he asked the
court:
Does the one specific crime defi-
nitely defined and limited by [the
statute] comprehend or include the
action of a 76-year-old, aged Indi:
War veteran, feeble physically and
mentally, in, after having met the
two girls of 11 and 13 years of age
who solicited him, went to his resi-
dence and there they both get on the
bed, pull up their dresses and drop
down their panties, when he in turn
on bis back in the same bed allowed
them to diddle with his raglike penis,
uncrectable, lifeless and useless ex-
cept to connect the bladder with the
outside world for more than six years
since the death of his wife, utterly in-
capable of either penetration or emis-
sion, and wad it like a rag into their
mouths, and then, feeble and
aged condition, impelled by the ir-
resistible impulse, in turn, he would
kiss and put his tongue in their
little though potentially influenti:
and powerful vaginas?
Repeating this question in full, the
court answered, in effect, yes. І submii
that the attorney who authored the query,
W. W. Flournoy of De Funiak Springs,
Florida, deserves some sort of recognition.
Gregory J. Cook
Marquette Univ
Milwaukee, Wiscon:
In keeping with our custom of dispens-
ing awards at the drop of a letter, we here-
by bestow on W. W. Flournoy of De
Funiek Springs the Warren Burger
Award for Literary Excellence in Legal
Writing.
ty
ANATOMIC DISCRIMINATION
lt was with mixed emotions of delight
and despair that I read Paul Vogel's let-
ter (The Playboy Forum, October 1974)
regarding my dismissal of a complaint of
indecent exposure against a female streak-
er because the state had failed to prove
that her genitals were exposed. Vogel
contends that New Hampshire law dis-
criminates against men. State law provides
that a person is guilty of a misdemeanor
if he or she "exposes his genitals or per-
forms any other act of gross lewdness
under circumstances which he should
know will likely cause affront or alarm.”
Any discrimination lies not in the law
but in the difference between male and
female anatomy. "Allront or alarm" is
the kind of vague statutory language that
makes it all but impossible to arrive at
an objective determinati
In New Hampshire, to my knowledge.
we have not yet faced Vogel's hypotheti-
cal instance of a female walking nude on
a shiny floor or wearing patent-leather
shoes. While such a set of facts might
stimulate the imagination, it seems to me
unlikely to change the results of an at
tempted prosecution. A New Hampshire
woman, who called for my removal from
the bench on the grounds that a judge
should know that the genitals haye to be
exposed if a woman is naked, suggested
that my interpretation of the law would
not permit a finding of guilty unless the
woman were walking on air, with her
head touching the ceiling. While we have
able women in our state,
mplished that feat.
Judge Joseph P.
Dover, New Hampsh
You have some remarkable men in New
Hampshire, too, such as John Eames,
whose letter follows.
FIGHTING D.A.
As reported in The Playboy Forum
(October 1974), I've been involved in a
tedious and costly dispute with New
Hampshire's attorney general over the
showing of Deep Throat and The Devil
in Miss Jones at a local theater owned by
me and members of my family. Probably
I'm the first county attorney to be
charged as a public pornographer and
one of the few who take the position that
the First Amendment grants Americans
the right to choose for themselves what
books they will read or movies they will
see. The jury acquitted us on six of the
cight charges and deadlocked on the two
others, but attorney general Warren B.
Rudman has decided to retry me on the
two hung jury cha
It is estimated that the first trial cost
the state and the county approximately
$20,000, so the people up here are not too
happy about going through the entire
procedure again. Meanwhile, I am still
suspended as the county attorney, al-
though I won re-election last fall.
John B. Eames
County Attorney
Woodsville, New Hampshire
Congratulations on your re-election
апа semivictory.
FROM GRAVE...
Bil Wilke of Sarasota, Florida, com:
plains about a Catholic burial being de-
nied a 27-year-old girl who had been ап
abortion counselor (The Playboy Forum,
December 1974). Surely any organization,
be it a government, a church or a country
club, has a right to expel members who
refuse to abide by its rules. The position
of the Catholic Church on abortion is
quite clear. How, in all fairness, can any-
one even think about a Catholic burial for
a girl who lived a non-Catholic life? Опе
wonders whether, if she could be consult-
ed, she would even wanta Catholic burial.
Emett Loera
Los Angeles, California
. . . TO CRADLE
Stephen Gould is in error in stating
that Catholic priests would refuse bap-
tism to a child in order to punish it for
its parents’ belief (The Playboy Forum,
December 1974). In the case to which
Gould refers, the mother supported the
right of an abortion clinic to exist in
her community. Her acceptance of the
Church's teaching on abortion is ques-
tionable, and a priest could not baptize
a child if he were not sure its parents
would raise it as a Catholic,
An сусп more glaring error is Gould's
Warning: The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous toYour Health.
KAUMAN
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statement “Should a child die unbap-
it is condemned to limbo." No theo-
logian 1 know would stake his life on the
theory that God rejects the unbaptized
child: in such matters. no one knows what
God would do.
Kenneth C. Rothacker
Richmond Hill, New York
Granting that the Lord could waive a
few bureaucratic regulations and expe-
dite the entry of unbaptized infants into
the kingdom of heaven, our Catholic
friends assure us that thousands of nuns
have taught millions of parochial school
children that babies who die unbaptized
gel stuck in limbo. So there
ONE RIGHT ANSWER
You reply to my letter against legal
abortion (The Playboy Forum, October
1974) by stating that it is incongruous for
people who oppose abortion to compare
those who favor it to Nazis. You insinuate
that antiabortionists are Nazilike be-
cause we "say the state has а right to
require women to bear children" and be-
cause we “deny individuals the right of
choice in moral questions.” First of all.
requiring women to beget children, as the
Nazis did, is not the same as requiring
them то take responsibility for the pre-
dictable result of a voluntary act. Second
it is precisely in moral questions that
опе docs not have a right of choice about
how to act. In moral matters, ther
only one right way to behave, though
of course. men of good will may differ as
to what that is.
You also state “Nor do we claim that a
fetus is not Homo sapiens" and add that
"taxonomy is not morality." Well. legality
isn't morality either and while a fetus may
not at present have the legal rights of a
person. it still has inalienable moral
rights as à human being.
Hugo Carl Koch
New York, New York
Because no contraceptive is perfect,
total abstention from sex is the only way
a woman can avoid all risk of pregnancy.
And if she does become pregnant against
her will, to deny her the right to terminate
that pregnancy is to compel her to bear a
child. If, as you admit, people of good
will disagree on what is or isn’t moral,
whose view do we accept? We think the
final authority is the woman's own con
science. Until someone comes up with a
persuasive argument to the contrary that's
acceptable to people of all religious be
liefs—or no such beliefs—we'll stick to
the view that a fetus isn't а person and
doesn’! have inalienable human rights
“The Playboy Forum” offers the
opporiunity for an extended dialog be-
tween readers and editors of this pub-
lication on subjects and issues related to
“The Playboy Philosophy.” Address all
correspondence to The Playboy Forum,
Playboy Building, 919 North Michi
gan Avenue, Chicago, Illinois 60611
namo www: BILLIE JEAN KING
a candid conversation with the contentious superstar of women's tennis
If, in these days of raised female con-
sciousness, someone were 10 write а lib-
erated version of the old “hard-working
boy makes good” stories, he could find a
ready made model in the sports world’s
first genuine woman superstar. Billie Jean
King is a living testimonial to the tradi-
lion that anyone of modest. background
who has talent, wants something badly
enough and is willing to work his or her
ass off can be successful. She's the best
known tennis player in the
world—and the richest; she's becoming à
dynamic sporis promoter; and she's even
launching а new career in television.
Billie Jean was born November 22,
1943, in Long Beach. California. She was
а perfect child, “just a little angel,” says
her mother, Betty Moffitt. But she hated
doing the accepted little-girl things, pre-
fering instead to spend her time in the
back yard, playing catch with her father,
Bill, now a 31-year veteran with the Long
Beach Fire Department. To make ends
meet, Moffitt moonlighted at nights in a
plastics factory and Betty vang neighbor-
hood doorbells as an Avon lady and was
a Tupperware saleswoman. When Billie
Jean was four, her father, who couldn't
afford to buy hera baseball bat, serounged
up a piece of wood and carved one
Billie Jean developed fast, and for sev.
eral years was the biggest kid in her class
in school. By the time she was ten, she was
woman
“J realize now that being number one
isn't glamorous. H's more like being the
fastest gun in the West. You can never
let up, because you have to prove yourself
against all comers.”
а real tomboy—though that’s a word she'd
like 10 see stricken [rom our vocabulary.
She loved to play football in front of the
family home, especially if she could carry
the ball. She never lost a race at the fire-
men’s picnic, beating all comers—boys
and girls alike. She played basketball and.
was shortstop on a girls? softball team,
on which she was the youngest player.
en today, she recalls with pride one
game in which she made a shoestring catch
off а looping line drive, spun and threw
to third to double off a runner—saving
the game in the final inning. She was
mobbed when she came off the field. It
was her first taste of public adulation—
and she loved il. She still does.
Bul the Moffitts weren't keen on raising
a halfback or a shortstop. Опе day her
mother abruptly ended Billie Jean's foot-
ball caveer—on the ground that it wasn't
ladylike. Billie Jean asked her father what
sport a girl could enter. Moffitt thought
for a while, and finally suggested swim-
ming—or tennis.
“What's tennis?” asked Billie Jean.
“Well, you тип a lot and hit a ball,” her
father said. “I think you'll like it.”
Billie Jean liked it. She did odd jobs
for neighbors, raising a quarter here, 50
cents there; her parents chipped in and
she bought a nice new racket with ma-
тооп nylon strings and а maroon han-
dle, jor eight dollars. From the day of her
GM A
sud
“People want realism, and sports provide
that. What they see onscreen, or оп TV,
is rehearsed, edited, cut. They see me
sweating my guls out, missing the ball and
getting angry. That's real.”
first tennis lesson, in the Long Beach pub-
lic parks, tennis has been her whole life—
almost to the exclusion of everything else.
“A few days after her first tennis
game," her mother recalls, "Sister" —that's
the family name for Billie [ean—"came
home to tell her father and me, ‘I am
going to be the best woman tennis player
in the world. We took her at her word.
She was and is the kind of girl who means
what she says."
Every moment she was not їп school
Billie Jean spent on the courts or in the
back yard, banging a tennis ball against
an old wooden fence. Finally, she literally
demolished it, so her Jather built a new
one for her out of concrete blocks—and
set up a spotlight to allow her to keep on
practicing after dark.
When she was 15, Billie [ean—or [illie
Bean. as the sportswriters called her—won
her first big tennis tournament. Three
years later, she became the youngest per-
son ever to win a doubles championship at
Wimbledon. the shrine of world tennis—
and the place where she would go on to
take 18 titles in singles, doubles and
mixed doubles.
While attending Los Angeles State Gol
lege, Billie Jean met Larry King. a hand-
some blond prelaw student one year her
After а two-year courtship, inter-
rupted constantly by the demands of her
burgeoning tennis career, Larry proposed
junior.
TERRY O'NEILL
I don't like to win against men. But
there are young women on the staf] of our
magazine who say, ‘Oh, I love to beat my
boyfriend, because he gets so upset.’ Well,
now, that’s got to be a switch!"
55
PLAYBOY
56
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in a Long Beach coffee shop—at two AM.
the night before Billie Jean left for an
expense-paid three-month trip lo Aus-
tralia, where she was to take private les-
sons from Mervyn Rose, a former Davis
Cup player. Rose taught her a new fore-
hand, a new service and a bold new
strategic outlook on the game.
Billie Jean and Lavry were married
on September 17, 1965. The newlyweds
moved into a little apartment not far
from campus and Billie Jean stayed home
that fast fall and winter—because she
thought it important to be а good wife,
in the old-fashioned sense. But she was
unhappy. She still wanted to be number
one. And Larry gave her his full support.
The rest is tennis history. By 1971,
Billie Jean had become the first woman
athlete to have earned $100,000 in a year.
As the most influential figure in the pop-
ularization of the game in the past decade,
she helped engineer the most talked-about
tp in tennis when, in 1973, she defeated
varold Bobby Riggs in a $100,000
winner-take-all “Battle of the Sexes" in
Houston's Astrodome. Now 31, and de-
spite two operations on her knees, Billie
Jean still plays a man's power game—
rushing the net and glowering over it
like an angry bear, serving and volleying
with machinelike efficiency, relentlessly
overpowering her opponents with a com-
bination of strategy and speed. She runs
down balls other players wouldn't even
attempt to reach. Billie Jean King has
reached the top by following a formidable
daily training regimen. Every day she rises
carly, and after several cups of coffee—if
there's time, bacon and exgs—she is out
on the court, any court, working out with
other players. Drilling forehand, back-
hand, cross court, down the line, for
hows. At night, even while watching TV,
she flails her legs around with 1l-and-a-
half-pound lead weights attached to her
ankles, which she claims arc her weakest
point.
Today, Billie Jean and Larry King are
partners in King Enterprises, a multimil-
lion-dollar business built around. Billie
Jean's ability with a tennis racket. She
endorses products ranging from tennis
shoes to suntan lotion; publishes a maga-
zine, WomenSports; recently signed а six-
figure, two-year contract with ABC-TV to
do tennis commentary, a women’s sports
special and other projects; and is launch-
ing a new syndicated TV series, “The
Billie Jean King Show.” The Kings are
also among the founders of World Team
Tennis, the intercity tennis league that
made its debut last year, As player-coach
Jor the Philadelphia Freedoms, she be-
came the fist woman coach in any major
sport in the U.S.
Billie Jean's open pursuit of money
and fame has drawn criticism from ten
nis purists, She answers: “They love you
when you're coming up. But they don't
like winners. And they especially don't
like me, because I talk about money all
the time.
Actually, money is not the only subject
Billie Jean talks about—outspokenly. In
interviews, in editorials in her magazine,
she's spearheading a revolution in wom-
en's sports. Her platform is that they
should be separate but equal in every
way to men's sports. Billie Jean some-
times operates like a Thirties labor or-
ganizer, taking on all comers from the
Amateur Athletic Union and the United
States Lawn Tennis Association to male
chauvinists everywhere.
To find out what is really going on in
the mind of the most colorful and con
troversial woman athlete in sporis today,
vLayuoy sent free-lancer Joe Hyams to in-
terview Billie Jean. A tennis buff himself,
Hyams recently collaborated on a book
with Ms. King: “Billie Jean King’s Seciels
of Winning Tennis.” His report:
“Our first interview was scheduled for
1:30 вм. at the Hilton Inn near the Spec-
trum in Philadelphia, where the Free-
doms were playing. 1 met Billie Jean by
the newsstand; she was wearing a simple
white blouse, faded and bagey blue jeans
and a disgusted look on her face. ‘I defy
you to find a copy of WomenSports here
she said, reaching behind some magazines
on the rack's lowest shelf and extricaling
the current issue of her new publication.
which she carefully placed on top.
“In the hotel coffee shop, she ordered
breakfast: a cheese omelet, по toast and
lots of coffee. I was aware, as always, of
how much prettier Billie Jean King is in
person than on television or in photo.
graphs. Off court she is soft, feminine,
sexy—despite the glasses, а broad beam
and a flat chest. Every time I see her, I'm
reminded of Grace Kelly, who had equal-
ly unimpressive vital statistics but was all
woman—no question about it
“During the first of what were to be
several candid interviews, we were in-
lewrupted half a dozen times by fans,
mostly male, who asked for her auto-
graph. Later, we drove in her rented rust-
colored Ambassador sedan, which she calls
the “taco wagon,” to the Spectrum for a
workout with some of the Freedoms play-
ers, and that night I watched as she and
the Freedoms won their match against
Denver, before a partisan. audience of
7583.
“Another day, after a tennis session at
the Merrion Country Club, we drove in
the taco wagon through a blinding vain
storm across the rolling green Pennsyl
vania countryside, en route to New York
We paused al a McDonald's, where she
ordered a Big Mac and a vanilla shake.
‘1 used to live on 90 dollars а month, she
recalled, ‘working as a park playground
director und also standing in a cage at the
college athletic department, giving out
towels and equipment for women's gym
classes. It was a big deal in those days for
Larry and me to have a sundae. It cost 25
cents, had two large scoops of vanilla ice
cream and was great. As the Virginia Slims
people would хау, “I've come a long way.”
"The real question, thou here am I
going? We began our last inte
New York, on that note.”
view, in
PLAYBOY: This will be the first year that
Billie Jean King has not played the entire
Women’s Tennis Association circuit. Why
did you decide to cut down so drastically
at what would appear to be the peak of
your career?
KING: I'm not quitting tennis. ТЇЇ be play-
ing in World Team Tennis. I'm just not
playing the W.T.A. circuit this year. I
would have liked to have left two years
go, because 1 was so tired. It’s just not
worth it to work, work. work, work all the
time, as I have for the past 20 years.
PLAYBOY: If you wanted ro leave two years
ago, why didn't you?
KING: I didn’t feel the
the stage where I could. But there are a
lot of good women tennis players around
today. Maybe the first year it was true, as
people keep saying, that E was the one who
made it go; but not after five years. I want
to have some time for myself now, as a
person. And I need time to devote to
some of my new interests. I'd like to spend
more time on WomenSports, the m.
azine I started with my husband, Larry.
acd TV series, The
And I'm going to
leuthera
" эс, I'd like to
sce W.T-T. make it a big w
But t M L. troublc?
Aren't there a couple of franchises on the
verge ol bankruptcy?
KING: I think the future of W.T.T. looks
better than it did a year ago. W.T.T. i
here to stay: five years from now, it'll be
unbelievable. One or two franchises may
be in trouble, but out of 15 teams, with
the economy ће way it is, T think t
good. And ir looks as if Col;
to get involved, putting up a Colgate Cup
that we'd play for, like the Stanley Cup
in hockey. They'd also help us sponsor a
junior program in the cities where we
tennis teams and they'd help us pay for
TV time. With television, we have more
credibility, as well as more exposure.
Sometimes we h ng press
coverage for team tennis. That's why Е
pulled that stunt of trying to draft Bobby
Riggs for the Philadelphia Freedoms, At
least it made the papers.
PLAYBOY: Jt j publi
KING: Sure. I just couldn't resi: T also
drafted Elton John, just for fun. I met
him last September at a party; 1 have all
his records at home. He's promised to
write the Freedoms а song and he may
even become a part owner. You know, it's
= frustrated
athletes, just like many athletes are frus-
trated musicians. So І drafted Elton, to
make him laugh. Which he did.
12
PLAYBOY: How do you feel about being
a hustler for tennis?
KING: I don't know if I'd use that word,
You mean a promoter? I've alwa
that way, I think. I think tenni
thing to sell 10 people, whether they're
ors. I'm hustling for
something 1 believe in.
PLAYBOY: Doesn't all that hustling some-
how affect the purity of the game’
No. It makes it more pure.
PLAYBOY: Why?
KING: Because professional tennis, the kind
we're promoting, is honest. It didn't used
to be honest, in the so-called amateur days,
when they called it a pure sport, It was
very impure. Now everyone knows where
he or she stands. It’s a lot с: it’s
healthier; it’s aboveboard.
PLAYBOY: As tennis hits gone from
teur game to а big-money business, it's
become possible for the players to get
rich, as film stars, or roc
ers, do. But, like them, you a
to be manipulated by wheeler dealer:
other words, isn't big money starting to
pull the strings i
KING: To a certain extent
of pressure, people wanting
here and there, sa Tl give you this
deal or that deal.” For myself, I don't let
myself be manipulated as much as I used
10. If I don’t want to do something, I'm
not going to do it anymore, Everything
for theg
There's а lot
p vou to pl
"s not healthy.
You Know, it’s hard to have so many
I'm lucky in that 1 have so many,
when 1 was П or 12, you know, I
id tunnel vision. АП 1 wanted was to be
the world’s greatest tennis player. I may
have thought it was tough when I was
younger if I didn't haw gh money to
buy the kind of d nted. But that
problem was simple, although it might not
scem so to the average family trying to
make ends meet. Now I don't know which
way to go. Ih пу oppor
they drive me cr
PLAYBOY: You've dy mentioned some
of those opportunities that you've decided
to embrace. Your television show, for in-
stance. Tell us something about ii
KING: I'm really excited about
finished making the pilot, but w
ably have 12 one-hour shows.
on women who partici
anities
in their fields be ‘ed, the way men
athletes are. We’ lot of music in
the show, too, because Г want it to be fun
as well as inform
PLAYBOY: You're the hostess, the
viewer on the show?
KING: Yes. We'll have some guest reporters,
too. Donna DeVarona, the Olympic swim
mer—she won a couple of gold medals—
was a guest reporter on the first show. We
featured women drag-boat. racers, volley-
ball players. And I'm going to
Karen Mag
nter-
interview
nussen. She's a skater, was an
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57
PLAYBOY
Olympic silver medalist; she works with
the Ice Capades now.
PLAYBOY: Will you feature only women on
your show?
KING: No, I'll do some interviews with
men, too. It's supposed to be fun for
people, not just women's lib, Although it's
primarily about women, just as our mag-
zine, IVomenSports, is.
PLAYBOY: With the publishing business as
difficult to get into as it is, what prompted
you to start your own magazine?
KING: I think the seed for the idea prob-
ably goes back to when I was nine years
old and for the first time watched 2 pro-
fessional baseball game with my father. I
loved to play baseball, football, run track
races with the neighborhood boys. But
what struck me like a thunderbolt that day
was that there were no women on that
baseball diamond. My ambition to be-
come a professional baseball player was
shattered. Throughout my adolescence, in
fact, 1 found a subtle social pressure
against being an athlete. 1 decided on te
nis because it was, and still is, more social-
ly acceptable as a sport for girls.
Over my years of playing tennis, I
noticed that women's events received very
little coverage in the newspapers and mag-
azines. I used to complain that the sports
magazines never gave women a fair shake
The people who published them said,
Well, what can we write about? Women
aren't doing that much.” That’s like put-
ting the cart before the horse or the
chicken before the egg. There had to be
some way of letting young women know
there was a way to make a living playing
sports, that their desire to compete and
excel wasn't abnormal. "There had to be
some vehicle for women who were inter-
ested in athletics to find out what was
happening for women in all sports. So one
day, Larry and 1 were driving down the
Bayshore Freeway and I was complaining
‘Let's start our
'Oh, Larry. Of all
the businesses to go into, that’s got to be
the most risky.” Especially since we didn't
have much capital. But we felt it was the
right time to do it, so we did.
PLAYBOY: And how is the magazine doing?
KING: It’s small—our circulation's around
200,000. But that's a start.
PLAYBOY: А good start.
KING: Pretty good for a girl, huh? Ha.
PLAYBOY: Don't you find some conflict be-
tween your role as а publisher and your
role as a successful athlete, much in de-
mand for endorsements, and so forth? The
first issue of WomenSporls scemed to fea-
ture Billie Jean King on every page, in
the ads as well as in the editorial matter.
KING: The first issue was ridiculous. But
I'm trying to stay out of it now. I'm proud
of being identified with the magazine,
though. Гус had men come up to me after
a match, with WomenSports in their
hands, and ask me to autograph th
copies. Then they start telling me about
their daughters who are haying trouble in
their sports fields and how much the mag-
azine means to them. I want a very low
profile on the magazine; it's not just for
me. It’s for everyone. People on my stall
say, “Look, Billie Jean, you're going to
have to write something, more than just
the publisher's letter.” The past two or
three months, people have written in:
"Where's Billie Jean?”
PLAYEOY: Is it possible that you have be-
come, to many of your readers, the per-
sonification of IWomenSpots' lifestyle, as
Hugh Hefner is considered by some to
be the personification of the PLaYtoy
style?
KING: Well, I don't know. I certainly don't.
live like he does. First of all, 1 don't have
the money he has. And high living
doesn't turn me on.
PLAYBOY: You have to get to bed carly,
watch your dict?
KING: I have to watch my diet. As far as
getting to bed early, I don't know. . . . You
know what else he has that I dont? Тїшє,
But I don't think Га ever want to live the
way he docs. It’s super for hi E that’s
where he’s at.
PLAYBOY: Lately, some of the sportswriters
have started to refer to you in print as
sexy. How does that make you feel?
KING: I don’t understand it, but right on!
PLAYBOY: Dan Wakcfield, writing in Es-
quire, observed that most of his male
friends now have their favorite woman
tennis player, just as they used to have
their favorite movie actress. Do you thir
it’s possible that woman athletes аге re-
placing film stars as popular idols? Does a
guy put up Billie Jean King’s picture in
his room today, where a generation
he might have put up Elizabeth T
KING: That's happening to a certain de-
gree. I think people want realism, and
sports provide that. You can be a supcr-
star celebrity on television, in movies, but
people are sophisticated enough now to
know that what they see onscreen, or on
ТУ, is rehearsed, edited, cut. They scc me
going out and hitting a ball, sweating my
guis out, missing the ball and getting
angry: that's real. You can't fake i
PLAYBOY: And when Billie Jea g gets
mad, she shows it. What sort of things are
you yelling out there on the court?
KING- Very bad words. Four-letter words,
some of them. I think coaching this year
made me worse; it really put me under.
I've been just terrible. T try not to use
those words when I'm around young
people—although. actually, I think the
young people say worse words than I do.
PLAYBOY: You once told a reporter that
one of your mother's pet sayings was "Al-
ways be a lady.” Are you still a lad
Billie Jean?
KING: I still don't know what that word
means. | used to ask her, “Mother, what
does that mean?" And she'd say, "Well,
* But I never did. I guess she
means "don't swear, and. be gorgeous ай
the time.” I'm not into that. That's not
the way I am.
PLAYBOY: You're first and foremost a tennis
player?
KING: Now I think I'm beyond tennis and
into sports in general, and into speaking
to women and fighting for their rights.
Women depend on me and need me, and
there's a lot to be done. I mean, if you
look
the budgets for girls in school
sporis, for example, and compare them
with the budgets for boys’ sports. they're
ridiculous—especially at the high school
and college levels. 1 think it's time we
changed the psyche of the country, and
not just where women are concerned. I
don't want to see women pressured by so-
ciety to become housewives and mothers,
but I also have empathy for the little boy
who doesn't want to be a superjock and
his father says, “You're going to play
the little league.” I don’t go for that, ei-
ther, Let the boy do what he wants to do.
PLAYBOY: As you know, many people feel
the feminist movement has created a kind
of reverse pressure—to make women feel
they ought to have a career, that they owe
it to themselves and their sisters. What's
your feeling about th:
KING: If that were the core of the women's
movement, 1 wouldn't be interested in it
and I don't think most women would be
involved with it. И a woman wants to
have a career, I say fine, don't put her
down for it. But if she wants to be a house-
wife, right on; if she wants to be a mother,
that's beautiful. I want every woman to
be able to be whatever she wants to be.
That's what the women's movement is all
about. All we want is for every woman to
be able to pursue whatever career or per-
sonal lifestyle she chooses as a full and
‘equal member of the society, without fear
of sexual discrimination. That's a pretty
basic and simple statement, but it’s hard
sometimes to get people to accept it—or
even to understand it, And because of
the way other people think, it can be even
harder to reach the point in your own
life where you can live by it.
PLAYBOY; Somewhere along the line, Billie
Jean King, champion tennis player, has
become Billie Jean King, champion of
women’s lib. Can you trace that evolution
for us?
KING: I think the tw g point was
around 1966 or 1967. when I started rea!
izing that as a woman athlete I had very
few opportunities—and that society really
didn't accept women athletes as human
beings. It had such negative connotations
And I thought, that's so stupid. because
sports are so much fun, and a lot of women
had missed out because it wasn't accept-
able for them to be athletes. And I used
to rant and rave about it to Larry, and
he'd say, “Well, that's wonderful. What
are you going to do?” And he was the one
who said, "Women, first of all, are second-
class citizens" And I said, "Whaddaya
mean, whaddaya mean?” And he said
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because people keep women subservient,
by opening doors for them and things.
PLAYBOY: You don't like to have doors
opened for you?
KING: There's nothing wrong with it, €x-
cept thar it keeps you down in a
You're not assertive enough. Which is
truc; women do tend to wait for somcone
else to make a decision. Not so much any-
more, but they did.
Anyway, that all gave me something to
think about, and then I started trying to
see how I could make things change.
Starting with sports. Because there were
definitely very few, if any, opportunities
for a woman to make a career as an ath-
Jete, unless she came from a wealthy fam-
ily or somebody wanted to sponsor her.
There again, you're dependent on some-
G I wanted to
vehicle that would work for
ich, poor, any color. I started
out working very hard for open tennis,
until I found out women’s tennis would
suffer very greatly from that, because the
men were going to leave us out. So then
I channeled my interest into women's
tennis and helped create the women's
body else. I didn't want th
help create
circuit. And the way it's worked our has
been tremendous.
PLAYBOY: So you had sports, not women's.
liberation, in mind when you started the
circuit
Women’s liberation was part of it,
I was trying to create more oppor-
tunities, to make us equal. In practice, I
м; women's libber whether I labeled
myself that or not, Margaret Court says
she’s not a women's libber, but she defi-
nitely is, She's making her sccond come-
back after two babies and her husband's.
going to go on the circuit with her and
take care of the babies,
PLAYBOY: That's women’s lib?
KING: To me it is Maybe to somebody else
it isn't. I think it’s great, because they're
happy and for them it’s right.
PLAYBOY: There was a period during the
development of the women’s movement
when lesbianism was considered to be a
badge of honor. Did
KING: WHAT?
PLAYBOY: Some clements of the women’s
movement considered lesbianism a badge
of honor.
KING: Oh, God. That's a bunch of bull. I
er heard that one.
hen you never felt any psycho
logical pressure to try lesbianism as а way
10 demonstrate support for women’s
о. Gay women tum on to me some-
times, gay women's lib people. I get a
Jot of letters from them, but they're OK
when I meet them. They don't make
passes at all. They say, “Thank you for
what you're doing to help people be free
and to accept cach other for what they
are” 1 think that's a healthy thing.
PLAYBOY: Grace Lichtenstein, in her book
A Long Way, Baby, about women's pro
tennis, daims there is a split on the
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59
PLAYBOY
circuit between lesbian and heterosexual
players, Is that true?
KING: That's not truc. I don't understand
parts of that book at all. I think Grace
just wanted to sell a lot of books and
make a lot of money. She was around only
about a month and а half. Maybe a little
т. The book is just her personal
Well, there is another persistent
or—this one about you in particular.
at is that some time ago you told an
interviewer that you were bisexual, but
that the article was killed when your
sponsor, Virginia Slims cigarettes, heard
about it and threatened to withdraw sup-
port from World Team Tennis.
KING: That's the first time I've heard of
that rumor, and it's definitely not truc.
Although there's some lesbianism among
women athletes—just as there is homo-
sexuality among males—it's rarely an
issue. It isn't nearly as prevalent as some
people seem to think. T a misconcep-
tion people have grown up with—that for
a woman to excel in sports she must be
ore male than female. That's nonsense,
This kind of thinking puts off many young
rls who might want to get into sports.
nk the sex life of ath-
letes is an important issue.
PLAYBOY: You're not a lesbian yourself,
then?
KING: My sex life is no one's business, but
if I don’t answer your question, people
will think I have something to hide, so
Im in a bind. Im damned if 1 answer
your question and damned if 1 don't, but
Fil give you the answer: No, I'm not a
lesbian. That's not even in the ball park
for me. But even though that scene isn't.
in my bag, 1 think pcople should be free
to do whatever they want to do and get
their pleasure апу way they сап as long
s it doesn’t hurt somebody else. I'm for
eration at all levels, be it gay liberation
or whatever.
PLAYBOY: How do you feel about the fairly
common view that as women become
more emancipated they tend to become
tougher, more masculine?
KING: Society today forces women to stand
up for what they believe is right, and a
won who stands up for herself is al-
ways accused of being masculine. Speak-
ing personally, I've found that 1 have to
nd up for myself or else ТЇЇ come out
a loser. When I find I'm getting a little
hard, I try to catch myself and say, “Billie,
you're getting bitchy,” and cool it.
In my opinion, though, masculine and.
feminine are words that should be elimi
nated from our vocabularies. Like having
а baby doesn't make a woman more femi-
nine, anymore than it makes the father
more masculine. If a man is gentle. it
doesn't mean he's less of a man. [ think
he's more of a man, and more of a person,
yet most people think gentleness is a fem-
inine quality. 1 don't think we should get
hung up on role playing.
PLAYBOY: Do you deal much with other
recognized spokeswomen for the libera-
tion movement? Gloria Steinem, Betty
Friedan, Germaine Greer?
KING: І know Gloria the best of those
three. E think she's a tremendous person,
because she has the conviction to try to do
what she believes in. Like having ugli
guts to start Ms. m пе. I really admire
her for that. She's into different things
than I am, like politics. She's never really
been into sports. She thinks they're too
violent. Lasked her, “Gloria, what are you
talking about? Most sports are not vio-
lent, they're just fun." She said, "Well,
I don't pia that way, because I
grew up in а very poor neighborhood and
when | used to walk down the street, I'd
see even the bowling-league teams trying
to knock each other on the head after the
games. E just didn't want to be around
that part of life." Now, I grew up in Long
Beach and I went to the public parks to
play softball, play tennis, so that was my
experience аз a youngster. I grew up
thinking sports are fun and games. Gloria
experience. was different, and. that's why
to this day 1 can't really get her into sports.
You know, another person I really
mire who docsn't get the publicity Glo
gets is Pat. bine, an editor of Ms. 1
think she's a tremendous human being;
she has a lot of humor. She helped Larry a
Jot with getting our magazine started.
PLAYBOY: Speaking of Ms., how do you
feel about being a Mrs? In your auto-
biography. you said you were sorry you
were married.
KING: Well, marriage can be bunk, except
that it makes it easier to be together. So-
ciety leaves you alone more if you're mar-
ried. But I think the reason I said that in
my book was that people had been driv-
ing me nuts. They just didn't understand
our relationship at all and they were ask-
ing the same questions they'd asked for
cight years: Where is your husband?
Doesn't he travel with you? When are you
going to retire? Don’t you want kids? And
so on. They were always chipping away
at me, always expecting me to live up to
their own expectations rather than to
mine. 1 think that's a lot of rubbish, but
when you hear it day in and day out, it
gets a little heavy and tends to weigh you
down. If I were single again, I felt, a lot of
those questions would stop. or at least my
answers would make more sense to people.
Гуе thought about all that, and I've
decided that the reason I was getting such
heavy pressure from people is that most
rybody likes to be reinforced. А house-
wife would like me to quit and seule
down and have bı „ because it rein
forces her lifestyle, and some men don't
like career women because if their wives
went out to work, it might upset the bal-
ance of their relationship. Well, that’
their opinion and they're entitled to it,
but it’s not right for me. І believe we
should learn to accept people who aren't
into our particular roles. For instance, if
I meet a family that loves being together
24 hours a day, then I'm happy for them,
although it’s opposite to the kind of life
I lead. But in return, I think they should
say to me, "Billie Jean, whatever's right
for you is fine with us. You're OK, I'm
OK. Do whatever you choose to do." If
we could just learn to be more tolerant of
others, even though they're not reinforc-
ing our lifestyle, it would be a better
world.
PLAYBOY: "There's been talk for quite a
while that you and Larry are planning а
divorce. Is there any truth to it?
KING: The rumors got started when we first
got married. People said we wouldn't
make it, especially because I was involved
i to change things. They figured
n who's deeply into women's
lib has to be domineering. But our per-
sonalitics have never had anything to do
ih our marriage difficulties. Our diffi-
culties stem from the demands of our ca-
recrs. When we were married, we were
both so young
ying too much longer, may y
three or four years. Then I figured I'd re-
tire and have my kids and settle down as
the wife of a successful lawyer. I didn't
really know then that tennis was on the
verge of a series of revolutions that would
change the game forever, and neither of
us had any idea what impact all of that
would have on our own lives.
PLAYBOY: What were the worst years for
your marriage?
KING: I think our worst time together w
in 1969. right after Larry finished law
school. He wanted to live in H and
I said fine, but right away I was miserable.
That made my plane trip to the East
Coast—where most of the tournaments
were held—11 hours. And in the islands,
there
So I'd hop into Honolulu for a week, and
it was great when Larry had time off: but
he was just starting to practice law and
didn't have much time off. And when he
did. he liked to go swimming. Е didn't,
but I'd go lie on the beach and get a su
tan. At night we'd usually go out with
other lawyers and their wives, but that was.
another problem. I just couldn't handle
the social scene. I felt lost whenever I was
id for the first time I thought that
per ry and I were on different
levels. During the next four years, I
thought about divorce a lot, and by the
end of 1973, we were both tall
it. But we decided t0 hang
glad we did.
PLAYBOY: What made you both decide
nst a divorce?
KING: I'm not sure, except that we both
stopped talking about it. Part of the rea-
son was that during the winter of 1973 and
1974 1 was caught up in the aftermath of
match with Bobby Riggs and I was try-
ing to get WomenSports off the ground. 1
agai
PLAYBOY
62
California brandy and
water Before dinner. the
light clean toste makes a
refreshing change of
pace at cocktail time.
Over ice or with your
favorite mixer, it's brandy
so light you can serve it
any time ot all
coffee Its called a
Venetian Coffee and it
turns even a simple meal
into a celebration. Add
a jigger of California
brandy to coffee (along
with sugar fo taste) ond
top with whipped cream
iata nice way to end
the evening
Thee ое more mon t brands ol brondy grown in Catformia. labran САФАА )
was also getting into shape for the 1974
Virginia Slims tour. And Larry was tied
up almost daily with World Team Tennis.
Even if we had finally decided to go ahead
with ir, I think neither of us would have
had the time to file the papers
More important. I think we've come to
а pretty solid understanding about where
our relationship is. He's got his carcer and.
Ive got mine and they're like two bi
intersecting circles. At those points where
they meet. everything s great, Where they
don't meet, what can I say except that we
can both handle it because we know that's
just the way thi
few more years. If we ha
wouldn't have bi
at all, beca
h
are going to be for a
d divorced, it
a traditional split
se I'm pretty sure we would
е kept on living together. Consider
the amount of traveling we both did
nd the time we were already apart, even
а divorce wouldn't have changed our rela-
tionship very much at all
Actually. Larry and I are very blessed
because we have something most couples
don't have, and that is the same type of
goals. It sounds cold to me when 1 hear
myself saying that. but our goals are mu
tual. He works his bahoola off with all
the administrative and. technical details
and I'm out there on the court working
my bahoola off, but we're both working
for the same thing: to improye tennis and
other sports in this country and to give
all people—men and women in equal
opportunity to achieve whatever goals
they set for themselves
PLAYBOY: Ap:
how do you
rt from your common goals,
ıd Larry feel about each
other no
KING: I still love him and 1 know I always
will. And I know he loves me. But we dis.
agree on the meaning of love. To him,
it’s liking someone the most, and I feel
love is something special and far different
from liking. 1 understand what he's s
however. He's just not as emotional
as Тат. I'm more old-fashioned, d to
me love is really indescribable. It's some-
thing exta, something special.
On the other hand, E don’t feel loving
each other means Larry and 1 lave to be
together 24 hows а day. 1 don't think
that's where it's at, at least not for me
You can't measure love in time spent to-
gether, and тоо many men get a sense of
power [rom insisting that their wives be
with them when they want them. The im-
portant thing is wanting to be with some-
опе; then, when you're together, you
really appreciate each other more. You
remember the times apart and make more
of the time you have together, which I
don’t think most people do. But Larry
and I are into that now. We really enjoy
the time we have together, because it’s
precious.
PLAYBOY: Whit kind of guy is Larry?
KING: Very busy. His mind is always going.
He's very stubborn. Very intelligent. A
lot of us arc book smart, but he's more:
He's book smart as well as being able to
1975 Datsun.
Models at 39 MPG.
Other auto makers would be ecstatic if they
could claim one model with mileage like
that. We have three: The B-210 Hatchback,
2- and 4- Door Sedans.
In the U.S. Environmental Protection
Agency tests of 1975 cars sold in the U.S.,
our B-210 got 39 miles per gallon on the
highway, 27 in town. In today's economy,
that's the kind of economy you need.
But the fantastic mileage is just one
Datsun virtue. Good old-fashioned value is
another. Every B-210 comes with these
features included in its base price: 1400cc
engine, power-assist front disc brakes,
reclining bucket seats, carpeting, tinted
glass, electric rear window defogger, trip
odometer, whitewalls, full wheel covers and
much more.
Datsun B-210. Drive one today, and see
for yourself how much Datsun Saves!
63
PLAYBOY
64
fit together the pieces of a problem and
make it work.
PLAYBOY: What's he like as а hush
he jealous?
KING: No. He's very proud, we're both
па of what the other has done.
re you jealous?
KING: Of what? Of Larry? No. I think it's
great. 1 like to see him get more recogni-
ion Гог what he's donc.
PLAYBOY: We mean jealous maybe of Larry
and other women. Does that ever occur to
pu?
KING: Oh, y
probably be j
and? Is
eah, it occurs to me. I would
alous. "That's а good ques-
tion. I think I'd have to have а pretty
good reason before I'd get uptight.
PLAYBOY: But he's not really jealous
that sense?
KING: I don't know if he is or not. He
ns in. He's not like me
nse: Tm much more out front
PLAYBOY: How important is tennis to him?
He loves it. He's working at it, of
n administrative point of
view. And he goes out and plays every
moment he gets. I'm sure I'm the one who
got him into it as deeply as he is. but he
played tennis before I met him. At least
three or four years before I met him.
PLAYBOY: Well. does he have reason 10 be
jealous? Joyce McGonnigal of Johns Hop-
kins University quoted in a recent
ог Sports Illustrated as saying that
ids, lov ers and
1 find men tum.
on to you, following you around?
KING: Well, the Virginia Slims circuit has
its own groupies, fellows who hang around
our tournaments, It doesn’t always give
me a very good feeling, because 1 don't
know if they like me as а person or be-
Guse Fm a celebrity. | have a hunch if
1 weren't Billie Jean King, they wouldn't
be interested in me. so 1 don’t pay much
attention to them. Besides, I'm married,
so that gives me a little protection. I think.
І don't know.
PLAYBOY: Have you ever thought of tryin
ап open marriage’
KING: Larry and | talked about it after
reading the book Open Marriage aud, al-
though it sounds good in theory, I think
it would be pretty tough to put into prac-
tice. It really depends on the couple.
Speaking for myself. I don't think I could
handle it, and I'm not willing то experi
ment with it, because it might destroy
what we already have.
PLAYBOY: You've been married lor nearly
: by that time. most couples have
least one child. But in 1972 you
le headlines when you admitted to
dictated your decision?
1 got pregnant in lace February
came out positive, there was absolutely
I would de
no question about wha
and I agreed on an abortion fr
beginning. There was very little discus-
sion about morality involved in our de-
cision; we just both agreed that it was
absolutely the wrong time for us to bring
a child into the world. Even though we
had been married for fivc and a half years,
our marriage was not on as secure а foot-
ng then as it is now. We needed more
time together by ourselves to see where
our relationship was headed. And 1 was
entering a period of great change in my
life, personally and professionally, and
under the circumstances, I felt it just
wasn't proper 10 start a family, Addition-
ally, І didn't want to become а mother
unless I could devote myself fully to
motherhood and I knew that was some-
thing I couldn't do, wasn't prepared to
do. at the time. So 1 decided to go ahead
with the abortion
PLAYBOY: What wa:
KING: It was the simplest operation Гуе
ever had. 1 went to а hospital in Cali-
fornia, was knocked out. had the abor-
tion, spent two hours in the recovery
room and later the same day, Larry took
me home. There was no pain. по traum:
PLAYBOY: The news didn't get out till
more than а year after that. Why didn't.
you talk about
KING: I didn't think it was anybody's
business. But I signed a petition for Ms.
i avor of
г. the
"he Washington. Post,
interview whether
asked me directly in
I'd had an abortio edged the answer,
because, although I'd told some close
friends about it, I had never told my par
ents, because I was certain they wouldn't
"derstand. Asher’s story was headlined
DE POSSIBLE MRS. KING'S TOP
Although Asher hadn't quoted me
g Fd had an abortion, he'd put
two and two together and the story
out on the wire services and got big pl
My parents found out about my abortio
from the papers, not from me. Me:
while, Larry and 1 went to Hawaii and
when we returned to San Francisco for
Mother's Day with my parents, my mom
told me she had cried for three days when
1 about it. She just didn't under
nd. I tried to explain it as well as I
could: that Larry and I love kids and
ant children, but the timing was wrong,
inly. I was sorry E hadn't had the guts
“ABORTION М
YEAR.”
she
М
to tell her myself.
PLAYBOY: WI
news of your
KING: Hate mail started to come in, most
of igned and most of it vicious. But,
overall, a lot of good came from it. Sev-
1 women have told me that just know-
g Fd had an aboi i lor
them to have theirs,
public reaction to
ay It
decided. I certainly don't want to put my
own standards on other people and 1
don't want them putting their standards
on me.
PLAYBOY: Do you think, in retrospect, that
you did the right thing?
KING: It was the right thing for me at that
time, and it was right in the sense that
Гуе been able to help other women who
may want an abortion but are afraid of
censure from friends, family or society. I
don’t think every woman is meant to be
a mother. A lot of women have children
because of social pressures on them, espe-
cially from their peer group. Like, when
lass graduates and some of
the girls get married, two years later cv-
crybody is supposed to have a baby.
nforcement of each other's
s got to be changed. I'm
“Don't have babies." What
I'm saying is. “Make sure you're doing
what you want to do when you bring a
child imo the world.”
PLAYBOY: Would you like to have children
somed
KING: Yes, definitely. Larry and I talk
about it a lot. I think children are super
and I want to have kids by the time I'm
35 just for bodily reasons. But it wouldn't
make any dillerence. to me if I had them
1 or out of marriage. I know that'll blow
everybody's mind, but when 1 have kids,
theyll be Larry's, whether мете still
married or not.
PLAYBOY: If you weren't married to Larry
and were free to choose, would you marry
a tennis pl
KING: You
y the person you love and
not the person's profession. Many people
have a hangup about marrying someone
in the same profession, because if the
woma nes the guy. then all hell
breaks loose. But | think that if two
people are in the same profession, they
should be able to help each other and be
morc understanding instead of being
competitive.
PLAYBOY: What do you think of the ro-
mance between Chris Evert and Jimmy
Connor:
KING: I have mixed feclings about that,
because I think they're very young. but
1 feel they're good for cach other. They
h it hurts to lose and how
nd they can share
n oursh
know how mu
good it feels to win,
the ups and downs
PLAYBOY: Chris gets а lot of headlines, but
not as many as Billie Jean King. How do
you feel about being the number-one
er in terms of public
recognition. when Margaret Court. may
have won more tournaments?
KING: You mean major titles? I have pur-
posely not played in as many major title
tournaments as Margaret. Гуе been much
more active than she has in starting new
things, taking risks. Margaret's
waited, always been one of the s
people. She's a great tennis. player, bı
she doesn't like to think of new ideas. She
like to change. And that's finc—
t. Not for me. Now, 1 could
nd tried to play all the
woman tennis pl
doc
Tor Marga
have gone around
What right do
we have to call
Ronrico
Real Rum?
(©1974 GENERAL WINE & SPIRITS CO. NY.C. 80 PROOF
114 years ago when we started
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Today Rum Ronrico is still made
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That’s why we have the right to
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That’s what real rum should be.
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$: Р
major tournaments every year, but I
worked harder in other areas. She has won
more titles. But what are titles? A lot of
the titles we win haye no depth. I've won
a lot of tides, but 1 don't think they mean
anything. It's who you beat that makes
you get turned on.
PLAYBOY: You and Margaret have been
long time. In your book
Billie Jean, you said you've been thinking
lot about going head to head with her
n a 25-match series and settling things
ıd for all. How do you think such
would tum out?
KING: It’s hard to tell. I think right now,
the score would probably, be about ten
all, with five to go. I've become the kind
of person who rises to big oc
T think I could handle that kind of series
of matches better than Margaret, who is
very different from me, more mechanical.
She's taller and stronger physically, and I
ve to depend more on speed and skill
and my ability to make more shots. She
awt hit a topspin backhand and doesn't
lot of touch—but she doesn't need
it with her height, whereas J have to de
pend on it.
PLAYBOY; We've heard a lot about you and
about Margaret and about Chris. Are
there any good new women players com-
up?
KING: Oh, yes, lots. I sometimes wish the
media would get off the Ch
Evonne Goolagong, Billie J
Margaret Court thing. I think we've been
overexposed at times. Rosie Casals gets a
lot of mileage, but not as much. Well, she
hasn't earned it. In other sports, they're
always talking about the rookies, the new
players. We need more new faces. 1 think
with а network TV contract, people will
see more new faces, get more of a feeling
of dept
PLAYBOY: Is there
up whom you fear?
KING: I always fe:
competitors for
new player coming
i of them, because
you never know what may come out of
the woodwork. Martina Navratilova, the
Czech player, has а lot of ability. She's
very strong. She wants it.
PLAYBOY: You mean she's lean and hungry?
KING: She's pretty chunky. Says she's going
to lose some weight. Sure, I know what
you mean. She has talent, ability and, I
think, desire.
PLAYBOY: Spcaking of w
ever swearing off your
ice cream, in order to shed a few pounds.
Do you die € of your looks or be-
cause of tennis?
KING: Tennis. I don't care what I look like
s I feel good. 1 can move better
n thinner.
PLAYBOY: Who do you think i
play today?
KING: Rod Laver is probably the best play-
er ever, followed by John Newcombe,
who is more consistent and has the best
second serve of any player.
PLAYBOY: What do you think of Ilie
Nastase?
the best
KING: 1 think he's ridiculous, always iry-
ing to put his opponent off. He's a good
enough player not to have to resort to tan-
tums and theatrics on court—childish
gamesmanship. Off the court, however, I
really like him as a person. Also, he has а
great body. He and Roger Taylor are
really gorgeous men.
PLAYBOY: What do you mean by a gor-
geous man? What turns you on about men?
€ to see guys’ legs and their
bahoolas, which is probably one reason I
like to watch tennis. And I like to see
something alive in a man's face and eyes.
fostly, though, even if I'm turned on
physically, I want to know what a man
is like as a human being.
PLAYBOY: Any other male tenn
уо! Imire? What about Connors?
KING: Jimmy was golden at Wimbledon.
He was nervous but contained, and he
used that nervous energy properly. If you
can do that, you'll play super tennis—and.
he did.
PLAYBOY: What do you think is the dif-
ference between a champion and а con-
sistent runner-up?
KING: Champions пу harder and longer.
And on match point against him—at the
moment when the whole match is on the
line—a champion will suddenly get about
three times tougher, while the ordinary
good player will just keep on playing at
the same pac
PLAYBOY: With the exception of Arthur
Ashe, there are no black tennis champii
despite the ability blacks h
strated in other sports. WI
for that? 15:10 racial bias?
KING: Well, in many people's minds, tennis
is still a sport not only for the white but
for the rich. That's beginning to change
ом, but you have to remember that it’s
only recently that we began opening the
doors for all income levels. In five or ten
years, you're going to sce a lot of top
jers who are black or members of
other minority groups, but they're prob-
ably only 12 or 13 years old now. You
don't develop champions overnight.
PLAYBOY: Why do you think Ashe hasn't
made it to number onc?
KING: Because he can't compromise. He
hits every ball too hard. And І don't
think he ever thinks for himself. He's
pretty much a follower, not a leader.
Nevertheless, hes done exceptionally
well and has made it to the finals in a lot
of World Championship Tennis tourna-
ments. Personally, I always wanted Arthur.
to do better, because I like him. But I
don't think he'll ever be number one.
PLAYBOY: How do you think you'd stand
st Ashe or some of the other top
yers today?
KING: I wouldn't have a chance against
them. For that matter, some of the еч
players today—such as Pancho Gor
Pancho Segura and Tony Trabert—
would kill me. I've always said that. First
of all, they'd beat me on sheer strength;
and they'd have a psychological edge.
the reason.
PLAYBOY: How much of that is psycho-
logical edge? Why is a litle Ken Rosewall
faster and stronger than a big Margaret
Court?
KING: I'm not sure that he's faster and
stronger. What people don't realize is
that theres a huge overlap, a physical
overlap, between men and women, and
between different m nd different wom-
en. Margaret Court is much taller and
stronger than I am. Stan Smith is much
taller and stronger than Ken. Rosewall.
But we all play one another.
People always try to put women on one
side of the fence and men on the other.
You can't do that. You can't do that in
brain power. You can't do it in physical
power. There is an overlap. I may not be
the number-one tennis player in the men's
division, but that doesn't mean 1 couldn't.
hold my own somewhere in the men's di-
vision. Especially if Е had conditioned
myself for it for 20 years the way many of
the men have. Women aren't going to
catch up overnight, just like the blacks
and other minorities aren't going to catch
up overnight. It will take a while.
PLAYBOY: But it's been said that women
h st men. 15 that true?
KING: Yes. Г are Т don't like to win a
men.
NIEMALS my condition-
ng. There are young women on the staff
of ou azine who say, "Oh, 1 love to
beat my boyfriend, because he gets so up-
itch!
Well, now, that's got to be a sv
з the other extreme.
PLAYBOY: When you play Larry, does he
expect you to beat him?
KING: No, he gives me a go. He's getting
better. Probably in five more years, he'll
start beating me—and ГИ get really
ticked.
PLAYBOY: Why didn't Bobby Riggs do
better against you?
KING: Because he wasn't in shape and he
underestimated me after his match with
Margaret Court. If Riggs were to play
Gonzales. Pancho would tear him apart.
because Bobby isn’t even the best senior:
s the best promoter. I think Кіррѕ
ice, amusing guy, though, and he's
been good for tenn:
PLAYBOY: Do you think we'll ever see
another man-versus-woman match in
isa
different sport—and,
KING: I'm sure there'll be other times. Goll,
maybe.
PLAYBOY: What woman golfer is good
enough to challenge Jack Nicklaus?
KING: I didn't challenge а John New-
combe. I beat an old man, What if Carol
Mann and Doug Sanders played? They're
both great golfers, But I'm not sure it
would have the same kind of drama, be-
cause ours was the first. Bobby Riggs is an
unu personality. I think the combi-
nation is going to be difficult to find.
PLAYBOY: Just before the Riggs match,
your husband went on TV and read a
Statement explaining why Gene Scott was
doing the color instead of ex-champion
67
Introducing the first
Youre looking at a uniquelooking
automobile.
Its called the Pacer.
And it looks different on the outside
because it's different on the inside.
To begin with, the Pacer iş wider than any
other small car. So naturally, you get an
unusual amount of room.
And since its wider—and has a unique
isolated suspension system —the Pacer also
gives you an incredibly smooth and stable ride.
The hood of the Facer looks the way
it does because it was designed for aero-
dynamicreasons. To reduce the wind resistance.
Sotheengine doesn't have to work as hard
at highway speeds. And so you wind up with
better gas economy.
(The Pacer comes with AMCs proven
6-cylinder engine and a 22-gallon gas tank.
Which means you get outstanding perform-
ance, excellent economy and long-distance
driving range.)
With our doors we did something that
borders on wizardry. We made the passenger
wide small car
door 4 inches bigger than the driver's. So you
can get in and out of the back that much easier
(We also gave the Pacer a hatchback so you
can get your luggage in and out that much.
easier, too.)
This same ingenuity was also applied to
Pacer visibility. We wanted you to see as far
see. From our point
as your eye can
of view, that meant designing the car for
better all-round vision. From your point of
view, you'll be able to notice all the people
noticing you.
A final point. The AMC Pacer, the wide
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AMCs exclusive Buyer Protection Plan
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PLAYBOY
70
Jack Kramer. who's head of the Associa-
tion of Tennis Professionals. Larry made
it clear that you don't like Kramer and.
didn’t want him in the press box. When
did the feud start?
KING: That goes back to the time in the
Pacific Southwest Championships when he
screwed us up. I walked off, I was so mad
at him. He was the ofhcial referee and
when we had a dispute over line calls, he
couldn't be bothered to come down to the
court to make the final decision. He
up in the TV box, He could have been
down on that court in 20 seconds. I asked
for him and asked for him aud he woulda’
come down. I said, “That’s it. I'm not play-
ing." That just did it [or me. Up yours,
Jack, Why should I give him world-wide
exposure? He doesn't like women's tennis,
which is fine. But he won't admit it. He's
two-faced. 1 don't like two-faced people.
He really іх I don't think Jack cares about
anybody but Jack. The male players work
for him; he doesn't work for them.
PLAYBOY: Your share of the Riggs match
combined with your income from TV
commercials, advertisements, promotions
and other enterprises related to tennis
probably brought you an income of more
than a million dollars in 1974. Thats a
tremendous amount of money fora tennis
player to earn, especially a woman. Don
you agree?
KING: 11% a lot of money for anyon.
eam. Larry's the only one who can tell
you exactly what my income last year was,
because he handles the books. 1 have a
question for you, though: Do female
entertainers get than male
entertainers? No. Their pay depends on
whether they draw at the box offic
tertainment value, getting people through
the turnstiles, tha the me of the
game. One of the things we're tryin,
do in World Team Tennis is to enhance
the entertainment value of the sport.
PLAYBOY: Is 1 why W.T-T. allows, ev
encourages, yelling and rooting during
match? The Hawaii Leis, whose пате
inspired a series of bad jokes, passed out
megaphones to their fans during a recent
match. Pittsburgh has ly girls, th
Goola-gongs, and the Boston Lobsters
have as their cheerleading mascot a guy
dressed up in a red lobster with
racket in one claw and shocking-pin!
panty hose peeking out from under his
tail. In Philadelphia, a huge replica of the
erty Bell rings every time the Free-
doms win a set. As a player, don't you
find all this hoopla disconcerting?
KING: Not at all. I love partisan crowds,
for me or against me. Part of being a good
tennis player is being able to put up with
that and keep your concentration, The
point is that we want people to get in-
volved with tennis the way they're
volved with other sports. They don’t sit
on their hands when they're watching a
football or basketball game, so why should
they sit quietly to watch tenni
to
less
к ra
PLAYBOY: The point scoring in each
W.T.T. game is опе, two, three, four,
rather than the tr; 5, 30. 40,
game. And if a game goc to thre
three, the player who scores the ne:
; there are no adv
Do you think this new no-ad system will
become popular in other tournaments?
KING: Yes, I do. It’s much better, because
it makes the game more crucial, and the
more crucial points you have, the more
volved the fans get—although its much
tougher on the players mentally, be
they can't let up. And because the р;
don't go on endlessly, with advan
Bes
who's 39,
Bueno, 34, can keep up their careers and
perk ıs coaches. We've extend.
e top pros, and
ps stay o
ed the playing life of t
that’s all to the good
PLAYBOY:
Another unique feature of
5 format for play: one set each
singles, men's singles, wom-
en's doubles and men's doubles, with a
ten-minute break before concluding with.
mixed doubles —although not always with
the same players, which me:
of the players gets much of а workout.
Do you like that format?
KING: Most of the men I've talked. with
e that the traditional fiveset match
is ridiculous, because they all have such.
heavy schedules. I also think the audience
gets bored with long matches. In W.T.T.
we go to six all and then play а nin
point tic breaker, which makes every
point more dramatic for the spectator
It's casicr on the promoter, too, because
he can schedule a lot of matches, which
got to be a plus from his point of
ie
a lot ol tennis players in action. People
don't want to see stamina; they want to
see shill.
PLAYBOY: What part of the format do
udiences se to e most?
KING: Mixed doubles. I think mi
by far the most exciting form of
s that none
well as the fans’, who want to sce
ed dou-
nis.
PLAYBOY: Why?
KING: Because there's immediate identifica-
tion for everybody in th udience. A
man looks at Smith and wonders, “Could
I do that” И its a woman, she wonders
if she could return that guy's serve.
We're still not making tennis fun
enough for enough of the public, but
we're getting there. I want the players to
have better, more informative introdut
tions on television, for example. 1 want
to help other players learn how to express
themselves betti re Ше fu-
ture stars. It's like show busi . The
stars have to be personalities, not just
yers anymore.
movie stars?
KING: Court stars. It’s the same thing.
PLAYBOY: Arc you still in tennis because
you love it—or are you for the
money?
KING: Money doesn't make me try harder
and never has. I just want to go out and
do my best, and I firmly believe that’s the
way most athletes are. When I'm at a
table, negotiating a contract, 1 try to get
the most 1 can, but once the contract is
signed. I don't think it makes any diff
ence. Some individuals, and I'm one of
them, are going to bust a gut day in and
day out because that’s the way they are
as human beings. And the ones who won't
bust a gut aren't going to make it.
Another thing that motivates me is
fear of failing. On the way up, there's
lways that insidious, nagging fear that
you're not quite going to make it, that
the crunch you're going to come up just
a bit short. And once you reach the top,
there’s the absolute dread of the day when
it's all going to end. You can never win
enough titles, or money, or awards, be
cause people always expect you to do
it one more time and, of course, you come
to expect it of yourself. T. y he
pretty insignificant in the overall pic
ture, but for those few hours during a
match, it really is life or death.
PLAYBOY: Were you depressed after losing
at Wimbledon in 19742
KING: Of course I was. Winning is almost.
a relief, and you tend to forget a victory;
but losing always hurts—and you always
remember thal. Olga Morozova played
me to a T at Wimbledon, so I have no ex-
cuses—but I'm still upset about it. 1 was
ssed and angry with myself for 24
nd I didn't want to see people.
But then I started working a lot harder.
Thad given up ice cream for five months
nd was the thinnest I've ever been and
running every day, which, at 30 years of
age, was a lot harder on me than it was
a few years ago—and then to lose a
way! Man, that’s not easy to handle. But
I know that on n day I may lose,
because there are people today who can
beat me. I think that's what makes an
athlete humble. I've said it befor па.
IH say it a Victory is flecting, but
losing is forever.
PLAYBOY: Was there a tu
your life when you decided th
be number one?
KING: Yes, and ironically, it was a defeat
that told me 1 could become number one.
The tur point came during the sum-
mer of 1965 Forest Hills, when I lost
to Margaret Court. I had beaten lier once
at Wimbledon, in 1962, but lost 14 со
secutive matches to her after that, In the
first eight games of the first set in '65, I
played fantastically well and built а five-
three lead but lost the set, eight-six. The
same thing happened in the second set: I
had а five-three lead and even got to 40—
15, double set point, on my serve in the
tenth game. But then Margaret picked
herself up and I didn't. I played carefully
and didn't cut loose, Ci п players
never develop this ability. They play bi
liantly and steadily to the last point and
(continued on page 194)
g point in
1 you could.
WHAT SORT OF MAN READS PLAYBOY?
A man who has an appreciation not only for fine art but for the fine art of living as well. Whether
browsing through а famous gallery or through the pages of his favorite magazine, he exercises
taste and discrimination. And he looks to PLAYBOY for the finest in contemporary art and graphics.
Fact: PLAYBOY invests over a quarter of a million dollars a year to expand the graphic horizons
of its 20,000,000 readers and to present advertising in the most illustrious possible showcase.
New York + Chicago + Detroit - Los Angeles - San Francisco - London - Tokyo
4
out of
zoar
first he would have to commit
Uy. then a far greater sin,
all in the name of survival
fiction By BEN MADDOW
ALL WAS SERENE: the air, the
dry weeds, the dunes, the sky,
the flat, windless sea. Bernal,
inside the house, opened the
window so he could breathe
into himself the utter quiet,
v planes. There was a hint of
wild sige this year; perhaps the
rains had been heavier di
the past winter. Yes, why not
t 10 all gree
gs? Everything
animal. he said to himself. was
a monstrosity, an episode that
was soon 10 be finished. Be
cause on this particular Tues-
day, Bemal and his daughter
were still, as far as they could
discover, absolutely alone in
the world
Sarah had got up long be-
fore her
her 14th
d expec
amazement, or at lea:
of weather. She left the house
d lifted her long
п in both thick hands
as she ran down to the tide.
The sea had saved her life dur-
ing the half-hour w
when she wa
she sw:
and, with the help of a small
mask and a cylinder, preferred
to stay hidden, moving as
slowly as a leaf. muffled in the
ILLUSTRATION ву DOU
PLAYBOY
74
thick, salty, comfortable fluid.
The morning had become overcast; on
the slopes below the diff, the blue d;
remained shut and the ocean w:
the blade of a knife. Without undressing,
nah plunged into the slow wave and
propelled hersclf, side stroke. down under
a floating island of immense kelp.
Below, all was green and gray and sil
ver. A small school of sardines shifted and
turned away toward the open sea. Hidden
in the deeper shadow were two haddock of
different sizes, The lean one did a swim-
ming dance around the fat one, then
rubbed and wrestled with it
scales, and danced away, v:
they were quivering fa
Be low, thin, a lit-
Пе past six feet tall, with the heavy-
knobbed bones of a much heavier man.
His skin was a beautiful but somewhat
amb
ng fins as if
al stood at the w
mous brown, like coffee sweetened
with evaporated milk direct from the can.
He looked away from the sea and stared
at the blanched nails of his left hand, At
the edge of his vision, Sarah vose from the
sea bottom and took two great gasping
breaths. Salt water poured from the ends
of her long hair, from her ten fingers,
from the soft dark points of her breasts:
and drops glittered in the litile oily hol-
low at the base of her throat. She shouted
over the water, “Poppa! Poppa!”
Their house had four small rooms: a.
itchen with a great scarred mahogany
table out of some inland mansion. two
bedrooms aud a bathroom dhronically out
of repair. Bernal's room had shelves along
four sides and even at the back of the con-
necting door, When he brought more
books back from his weekly trip, he piled
them up on the floor in perfectly regu
towers; which, however, when an especial-
ly high tide shook the piers under the
porch, came flopping down and spread-
ing open, their pages full of mysteries.
"Come and look, Dad! I found them
ара
Bernal pulled оп his swimming trunks
nd went out onto the litle warped
porch. A long, paralyzing yawn distorted
his bronze Га
years, he had divided his waking di
half-hour sections, with a duty assigned to
h; but lately hie could no longer wake
up on time. His dreams held him power
fully and even ran screaming in his head
after he was awake
“They're so funny!" she told him.
ар
“The fish! Both of them!"
Bernal reached for his harpoon, hung
on two hooks set into the whitewashed
wall, The small saw-toothed blade was
secured by a fishing line to the staff; the
driving power was furnished by a stecl
ing, ingeniously rigged out of an old
camera he had found in $
He wound it up as he walked
water.
e. For the past six or seven
1o
са
еп
“We could have eggs for breakfast. I've
got some left," Sarah told hi
“No. I'm sick of that powdered stuff.
It’s killing me.
Sarah dove under the seaweed once
more. The two fish had separ
were twisting in spirals aro.
other. She he:
hammers tappi
each
age sounds, like tiny
n immense rock.
Were the fish singing to each other? The
fat one emitted a glistening jelly of i
descent beads; the lean one answered with
a fine, milky doud. In the intensity of
this interchange, the fish saw nothing but
themselves.
The harpoon, cleverly aimed, trans-
fixed the fem:
er unevenly, for breakfast, She was quick
and smooth in the water, but in the kitch-
en, her rather square body moved slow
and awkwardly; there was always а water-
proof Band-Aid somewhere on one of her
hands or the inner part of her forearms,
where a burn would be slowly he.
sang as she worked, and the words were а
second language that she herself had in-
vented. Bernal had always refused to learn
this private tongue, but he could under
stand, without particularly wanting to,
its emotional message; and today it was
teasing and seductive.
Sarah said. “I've got something to tell
you, Daddy.
"Have you?"
“But I'm not going to tell you. Not yet.
/owre too mean this morning.
"They sat down at the heavy table and.
Bernal closed his eyes and said the 23rd
Psalm out of the small Bible he had taken
from the Methodist church at Sea View.
Sarah snuck a few grains of sugar with a
wer forefinger
“Amen. No toast?" said her
“We've about run out of frozen br
We've got some bran muffi
“I'm going up to the top today,
nal told he
“You said that yesterday.
“I wasn’t feeling well.
“And get some raisins, if you can find
them.”
had a tenible headache last night.
Couldn't get to sleep."
“Poor Dad. The coffee is getting pretty
low, too.
“Don’t tell me about it, write out a list!
Т can't remember these things. Further
more"—cried Bernal, but he took a long
time before he came to it—"you're going
to have to quit swimming that way every
morning."
What way’
Naked. Almost.”
“With my nightgown on? How fui
you arc!" She smiled; it dazzled but
pained him. She continued, "Were they
dancing, the two of them?” and poked at
the scorched bits of fish on her plate.
“What were you going to tell me?
Sarah! Pay attention. Was it about the
fish?
“No, nothing, Dad."
“What was
ih began to make up her grocery list,
but she printed slowly, and before she
was done, her father had fallen asleep
in the kitchen chair. His lips puffed in
and out as he snored. Cords ran down his
neck, even in his sleep. bearing
“Poor Dad, Suppose he
dies. What would I do then? It would be
so funny around here without him." She
murmured her secret language to herself
and then went for a long and customary
stroll along the beach. The tide was going
out and there was always something new
on the naked shore. She intended to look
once again for the strange double crea-
ture she'd seen a week ago and could
somehow not bring herself to reveal.
She longed to sce it again: this dark,
wonnlike miracle, with its dou
that whirled and floated and sw.
in water but in air.
quadruple, and colored blue and white,
like foam after a receding wave. She
climbed over the rocks at the poi nd
there they were again: whole swarms of
them on the wet sand, on the boulders
black with water and fluttering into the
air Sarah ran back and forth among
them, laughing and waving her heavy,
sweating palms.
They were settling into pairs, like the
haddock she had seen under water. Many
were clotted together, the tail of one
curled back under the ttil of the other.
Adhering body to body, they would
Tift off into the shifting wind, awkward
and composite. She ciught one pair and
took them to her grotto, so she could look
at them through the magnifying glass she
had found last y. the sand
This moist cave, unapproachable at
high tide but quite empty otherwise, had
been her playhouse for many years. In a
dry niche where the air was trapped as the
sea rose, she kept her special toys; among
them a box of Chinese Checkers; a brown,
plush, imaginary creature that her father
called a bear: and а doll with a fixed and
glaring look. To these she added her new
treasure. The creature was quite oblivious
10 being handled. There was a curious
pulsation along its double abdomen. Pow
der came off onto her cupped palms. Sar
felt peculiarly excited, Were they one or
two? She tied to imagine she was one of
or both of them. Finally she thrust
dhering pair down the top of her
dress and felt them tremble against her
belly. Then she let them fall.
Wildly, irrationally happy, she
the way back along the beach, half
sand, half in the splashing tide, Her father
was putting on his bicycle dips. He stood
up. rather suddenly; he seemed out of
breath,
I want to go up there. You promis
me, but you've never done it.
(continued on page 80)
“That doesn't look like an X-ray camera to me.”
want to look sharp, feel sharp and live long?
as the pictures show, it can be lots of fun
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12)
о
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»
5
a
А
80
Up out of 204г „гон poge 73)
“I will, someday,” said her father.
"Why not now?
"Because there's nothing much to see.
“I don't care. I want to see ii
Sarah.
‘You've seen dead fish.”
Wess
“It's like that up there. Everything
dead. Except the trees and the grass.”
“It’s not anything that happens to us—
is it?”
“No,” said her father. “Not for a long,
long time, anyway.”
He was coming past her and fiercely she
took hold of him by both arms, just above
the elbows, where hed rolled up the
sleeves of his blue shirt.
“Sarah! Let go,” he told her. But she
held on, her face staring into his. Sudden-
ly, she found herself thrusting up against
him. He struck her across the face.
She cried out in real pain and ran into
the kitchen. Blubbering, she nevertheless
took the time to pick out several detest-
able chipped plates and broke them
against the table. She turned back to her
own room and shut and locked the door.
Outside, Bernal walked forward toward
the sea and let the tide wash up around
his ankles, icy and calm.
He denounced himself, whispering.
"God, I don't know what to do. Maybe
we're just animals. When my old lady
died, I should have pulled off the mask
and let myself die, too. Now look at this
mess!”
He stood motionless, letting the sea
move under and around him. “The hell
with it. Let the fish inherit the earth.”
Sarah watched from the window of her
тоот. He was coming back now: picking
the bicyde basket off the porch, clamping
it to the handlebars, wheeling the bike
up the soft, steep. crumbling path to the
top of the
"He's afraid of me,” she said, with some
pleasure.
There were no planes, no birds, no in-
sects, no traffic, no sound of any sort be-
sides the creak and whir of his worn, leaky
tires. The level asphalt road ran along
the edge of the east and west, glit-
tering in its own black light. Ahead of
him, where the sun rose, the old orchards
bore a fine weight of flowers but no fruit.
A few miles later, there was the small
empty town where Bernal once lived and
worked, and where he now did most of
his scavenging. It had the usual funny
Sign: WELCOME TO SEA VIEW, ELEVATION
642, POPULATION 220.
One of the houses had a redwood
garage and back of that, rising from a
confusion of orange nasturtiums, a gal-
vanized.steel antenna about 40 feet high.
Bernal went into the garage and sat down
before the console. On his left was a case
of dusty Cokes; on the right, pasted up
in a cirde around a photo of the dead
owner, who was a young, fat man, grin-
ning under a ragged mustache, were
framed letters from ham operators in
Hong Kong, Amsterdam and places like
Punta Arenas. He flipped on the built-in
microphone, coughed several times, sang
The SiarSpangled Banner and then
broadcast his message by heart. Sarah was
only three when the halthour war oc
curred, so it was 11 years since he began—
a total, he knew, of more than 500 times.
“My name is William Dickinson Bernal.
І live approximately 21.9 miles мем of
Santa Barbara on the coast of California.
As far as ] can tell, 1 and my daughter,
Sarah, are the only animals left alive.
However, it is possible 1 am wrong. И so,
will you please, please, please inform by
short waveat the highest possible wattage.
It will be tape-recorded automatically. I
look forward to your prompt reply.
He went to the supermarket on the
corner but could find no raisins on the
depleted shelves. He opened the big freez-
er and, by searching in the corners, found
a two-quart package of chocolate-chip ice
cream for Sarah, hoping it might be edible
still.
He returned to the transmitting shack
and set the tape to PLAY. It rolled on,
empty, minute by minute, until i
out. Though he had expected nothing
else, it made him unbearably sad. “ ‘And
Lot went up out of Zoar .
mured to himself.
He sat on his bike outside, in the shade,
till his fit of melancholy had somewhat
passed. During the past ten years, he had
programed his hours and days, typing
them out on sheets of legal-size paper, so
he would not give in to indifference and
apathy. Still, maybe it was time to change,
to take new directions and make funda-
mental decisions. “Suppose the human
species doesn't survive, so what?" he said
aloud. "Maybe it doesn't deserve that
privilege.
At the northern edge of Sea View, he
stopped at the gas station he used to run,
to inflate the soft front tire, He got a low
hiss and then nothing. He had forgotten
that the air pump had failed two weeks
ago. Things were falling apart; the pas-
sage of time itself was а form of exhaus-
tion, and that was just as true of himself
as it was ofa tool or a package of food. He
picked up small stones and hurled them,
in a kind of impersonal fury, at the bill-
board back of the pumps: JUST BECAUSE
YOU HAVE FALSE TEETH DOFSN'T MEAN YOU
CAN'T HAVE A REAL SMILE. A stone struck
the painted smiler.
Now, as if the anger had cleared his
head, he remembered that 11 years ago,
before the war, he had suffered a similar
spell of anger because Texaco gave а
franchise to a new station, some ten miles
inland. To reach it, he would have to turn
left on State 640-A; he had never traveled
that way before and had to force himself
he mur-
to do it. His loneliness had made him shy
of everything unknown,
it was a nice day up here, with a
cold wind off the mountains, the most
blue of which he could see if he squinted
his eyes. This Texaco station was a lot
more pretentious than his. It had pseudo-
Gothic scrollwork, and the two toilets
had different dogs painted on their front
doors: pointers for one, setters for the
other. There was a faded, torn American
flag on a staff near the lube pit. The pro-
prietor sat in a swivel chair in his office.
There was a yellow, stained pad under
one hand, a green ballpoint pen in the
other. His skin had dried, withered and
contracted, and beld the solid bones as
if in a package. The man's name was Joe
Yanka; at least that was the name printed.
on the bill pad.
It was Bernal's policy to clear away any
such relics of the war, particularly from
the places he had to visit. There was no
reason for it, because since the war, there
were no bacteria left in the air; so it was
simply a personal ritual.
He put a wire loop under Mr. Yanka's
arms and attached it to a hook on the back
of his bicycle and pulled the light, dry
thing out into the brush back of the sta-
tion. It caught on a manzanita and fell
apart into dust, shreds and broken bone.
He rolled up the wire, hung it back on
the bar of his bike and conducted a short.
memorial service: out of Ecclesiastes this
time around. He felt very cheerful: He
and Sarah, anyway, were still a
every day this became more astonishing.
He tried the air pump: It still had healthy
pressure. He hardened both his tires, first.
the front, then the back one, and as he
stood up, he heard a dog barking: twice,
three times, four, five, six, seven; but that
was all, and then there was only the sibi-
lance of the wind rushing up the adjacent
canyon.
The illusion puzzled him: was he going
insane? In that case, how would he know?
Do the mad know their true condition?
Any more than the sane know they are
sane? He had dreamed while awake sever-
al times during the past year, but gen-
erally of crowded baseball games and
naked women shouldering him the
conaete corridors, going home.
they made their father drink wine that
night... ^"
He took a branch road back toward the
coast highway. It was almost noon; the
asphalt quivered at the unwinding ends
of the road.
On his left, rising and falling with the
road, were the familiar white radar
domes, one large. one small, on the sum-
mit of the tallest mount: n the coastal
range; but he had never seen them so
close and at such an angle. These semi-
spheres were pure, scary and dazzling.
He began to coast downhill at last. Turn-
ing a switchback curve, he saw something
shining in the sun: a punctured can of
(continued on page 184)
" Lb.
fiction By NORMAN SPINEAD
SD
the fight to save fun citys soul heats up in herald square
HOLY WAR ON 34TH STREET We
THERE OUGHTA BE A LAW, or if there ain't a law, then there oughta be a place
where all the loonies can do their thing without driving a poor cop nuts. Like they
have in London, where I took the wife and kids on my last vacation—Hyde Park,
where all the religious kooks can stand up on their soapboxes and yell at each other
ith: ing up traffic. We g agh trouble on the street New York with.
ASSOULE
food By THOMAS MARIO
true, it’s a culinary production
number, but the resulis—ah, the results!
HE FASTEST WAY to gather a crowd for a cassoulet party is to simply call out the
ingredients—browned young goose, creamy great-northern beans, boneless pork
loin, garlicscented sausage, onions, tomatoes, herbs and bread crumbs—then
quickly stand aside to avoid being trampled. Anatole France described the cas
soulet’s savor as the kind “that one finds in the paintings of the old Venetian masters,
in the amber flesh tints of their women.” Amber tints aside, in making a good cassoulet,
you start with about ten times as much flesh as beans. By the time the cassoulet has
finished baking in the oven, and the beans have plumped out like a triumphant army
overriding a country and being swallowed up by it at the same time, the amalgam of
flavors will be such that when you taste a single bean, you taste everything. The home
of the cassoulet is the Languedoc region of France, where the geese and the garlic roam.
In its birthplace, pork is the principal meat in the cassoulet, (concluded on page 189)
PAINTING BY ELLEN LANYON
83
PLAYBOY
HOLY WAR ON 34TH STEEET
punching right across both of them, all
three being major arteries, islands and
с lights and а pattern so
t some outoftown yuk is
always panicking and creating a balis-up.
It ain't bad enough, you got Macy's and
Gimbel's and Когуеце and a major sub-
way station pumping mobs of pedestrians
into the intersection, just to keep things
nteresting.
Down on 32nd Street is the Hotel Mar-
tinique, where the Scientology nuts have
got a whole floor. A weird-looking crew—
got eyes that seem too close together, if
you know what I mean, and they like to
stare at you with them. There are always
a few of them hanging around on the
corners, trying to rope in the marks with
some kind of free aptitude test ог some-
thing, but that’s for the bunco squad to
worry about, they never gave traffic any
trouble. Not until, that
No, | think the whole mess really
started when the Hare Krishnas staked
out the northeast corner of 34th and
Broadway. Now, even New York,
which is a 24-hour freak show, the Hare
Krishnas are majorleague weirdos for
my money. Barbledlook kids in
orange robes, the guys with their heads
shaved, some kind of white gook on their
noses sometimes, playing drums and bells
and cymbals and dancing up and down
and chanting, "Hare Krishna, Hare Krish-
na, Krishna Krishna, Hare Hare. . .
Over and over again, till you know the
words by heart, whatever they mean.
They peddle incense and magazines, гоо,
but what the heck, there didn't scem to be
any percentage in trying to move kooks
ke that along as long as they didn't do
sidewalks up. Live and let
Wrong, Charley, as 1 was to find out the
hard way.
Because eventually the Scientologists
got to notice the crowds they were draw-
ing. There would be maybe a dozen or
so of these bozos in orange robes, chant-
ing, jumping up and down and staring
into space: naturally, they would draw a
crowd of shoppers from Macy's, tourists
from Keokuk, hippies from the East Vi
lage and grease from the Bronx and
Brooklyn. "Street theater," what they
call it, and so much of it goes on in New
York that we don't try to bust it up unless
it really impedes traffic or starts turning
ugly. I mean, who wants to turn a little
free-lance craziness into something for the
riot squad?
But the Scientologists, working the
sidewalks like Orchard Street pullers,
started homing in on these crowds of sta-
tionary people—easier to run their spiel
on marks just standing there than trying
to catch them on the fly.
Trouble was that the Hare Krishnas
had their own goods to. peddle—maga-
zines and incense and religion—and they
(continued from page 81)
were into hard-sell techniques, too. While
most of them were drawing the crowds
dingo act, two or three of the
least spaced-out types would be pushing
incense and magazines and catching
zens in raps.
Some poor schmuck from out of town
comes walking down the street with the
litle lady. ng up at the Empire
Stace Building or gawking at the free
freak show, and all of a sudden, he's star-
ing into a pair of spaced-out eyes attached
to a weirdo in an orange robe, saying
loudly: “Have you heard about our Lord,
Hare Krishna?”
Ones
‘Are you a
ees
Well. then, wouldn't you like to know
more about our beautiful Lord?”
SCIES
“This magazine will tell you, go on,
take it, it's yours!”
And he hands the mark the magazine
nd the guy. who by now wants nothing
more than to get the hell away from this
nut, nods thank you and starts to escape.
At which point he finds the Hare
Krishna freak standing in front of his
face with his palm out: “That'll be а dob-
lar.” Maybe six times out of ten, the yuk
will give him the buck just to get free.
Well, when the Scientologists started
working the same crowd, the scene began
to change. They started competing. The
same poor schmuck wanders down the
street, stops to look, and all of a sudden,
he is accosted by two loonies.
“Haye you heard about ou
Krishna"
“Pardon me, sir. I'm a student and my
school is offering these free personality-
profile tests to”
"Beautiful Lord”
“Right around the corner at the Church
of Scientology.
Both of them trying to stare him down
with the same kind of crazy eyes, you
know, too close together and too close to
his face. "Huh? What? Jeez, Maude-
He starts to freak.
religious mau
Lord, Hare
‘They start shoving magazines and per-
sonality profiles in his puss and grabbing
him by the sleeve. “What the — Buncha
crazy people here; come on, Maude, let's
go to the top of the Empire State Build.
ing or somewheres. . . ." And he brushes
the weirdos away and pulls the old lady
double-time down the street like а kid's
balloon.
In the beginning, this was about all
that happened; but once it began happen:
ing often enough. the Hare Krishnas and
the Scientologists started noticing each
other. You might think that this was
stating the obvious, but, Charley, these
were people who had trouble noticing
anything outside their own brands of
craziness, let alone cach other. № must
have taken them at least a week or two to
finally realize that the other loonics were
costing them customers. And from there
that there was another flavor
In that order
point, they started tak
each other for marks. Why not? To the
Scientologists, the Hare Krishnas were
just more crazy citizens in need of what
they call it, “processing”; and to the
Krishnas, the Scientologists were just
more unenlightened citizens who by
rights oughta be wearing orange robes.
shaving their heads, chanting and jump-
ing up and down like jungle bunnies. 1
think the main reason they started really
glomming onto each other, though, was
that both brands of loony were heavy
to staring.
You must've been in staring contests
when you were a kid: you know, first kid.
to blink or laugh or say something is the
loser. Silent staring contests. we used to
call ‘em. Well, the Scientologists and the
Hare Krishnas got themselves into jabber
ng staring contests, nothing silent about
“em, let me tell you. Charley.
The rube drags his up the street
to real
away from them, and they're left alone.
giving the heavy staring act to each other.
close enough to smell pastrami on each
other's breath.
"Come on. chant with us and experi
ence the pure joy ol"
“Seem to be fixated at a very low energy
level, but the Church of Scientology —"
“Hare Krishna, Hare Krishna
"Possible to reach a high preclear level
only eight weeks of-
“krishna Krishna, Hare Hare—"
“Come on, stop this suppressive behav.
ior and
“Hare Rama, Rama Rama,
Rama, Hare Hare
“You're really in desperate need of the
help only Scientology ——
"HARE KRISHNA, HARE KRISH
NA”
"Reach beyond your natal engrams
to”
“KRISHNA
HARE——
All the while staring at each other. and
the Krishna freak jumping up and down
finally. and lapping his hands in time
with his goombahs.
At this point it was that the northeast
corner of Broadway and 34th Street be
came something of a hassle for the
detail. Because sometimes these có
would really go on and get heavy. TI
Hare Krishnas would come in bel
their boy like sidemen
bunch of them would practi
round the poor Scientologist, bouncing
up and down, playing their drums and
bells, chanting and giving him the col
lective goggle-eye. Now, if it was you or
me in there, Charley, we would instantly
remove ourselves from such a hard-sell
(continued on page 190)
Rama
KRISHNA, HARE
"Albert, I couldn't marry a man who didn't trust me!"
85
BEAUTIFUL AND BRIGHT FILM STAR
MARGOT KIDDER REMEMBERS WHEN GLAMOR
WAS WHAT SHE READ ABOUT IN MAGAZINES
argot Kidder, incurable diarist and ubiquitous film
star, confided her ambitions to her diary when she was
a little girl in Vancouver, British Columbia. When
she was a bit older, Margot became acquainted with
PLAYBOY, as she recounts here in reminiscences that ave typically frank,
personal and unpredictable. If you're п hang-glide enthusiast, you may
have seen daredevil Margot kiting solo over the sere hills of Southern
California (her feats recorded in a (text continued on page 91)
PHOTOGRAPHY BY DOUGLAS KIRKLANO
87
On the beach near her
Malibu home, Margot's free
spirit thrives, os witness
her exuberant moods, left
and right. She calls these
exclusive PLAYBOY photos “the
Prettiest ever taken of me.“
documentary on the sport
for ABC-TV's “The American
Sportsman” series). She first
soared across movie screens in
"Gaily, Gaily," went on to play
а psychotic killer in “Sisters”
and was cast opposite Stacy
Keach in last year’s “Gravy
Train.” Her current credits
include “The Great Waldo
Pepper” with Robert Redford,
“Black Christmas” with Keir
Dullea and “The Reincama-
tion of Peter Proud,” which
co-stars Michael Sarrazin and
Jennifer O'Neill (Margot as
Jennifers mother, believe it
or not). For a change of pace,
watch for her as the seductive
Miranda in a forthcoming film
version of "Ninety-Two in the
Shade" with co-stars Peter
Fonda and Warren Oates,
directed and adapted from his
own best seller by novelist
Thomas McGuane. Plus many
more to come. And now that
she has been properly intro-
duced, we'll let Margot speak
for herself:
By MARGOT KIDDER
1 told the editors at PLAYBOY
they could publish these pic-
tures of me if they'd let me
write the words. The possibility
of someone writing "Margot
has more curyes than the Santa
Monica Freeway” under my
naked body didn’t appeal to
me. Now I'm not sure of what
it was I wanted to say. Maybe
I only wanted to rid myself of
a stilllingering irritation over
all the timc I wasted as an ado-
lescent bemoaning the fact that.
my body didn't look like the
ones in the PLAYBOY layouts; or
(text continued on page 176)
The Margot of today has a unique
way with men, money and traffic
tickets. The tickets she seldom
pays, and occasionally gets
caught by the police . . . “though
1 usually manage to elude them.”
Money? “I'm impossible. | was
going to sue my accountants
for fraud but found out l'd spent
every penny myself." As for men.
A few. "Recently, I've had this
crazy, possionote thing with
a guy who wants to moke love
їп parking lots and telephone
booths. Just great. But fidelity is
а problem for те.“
91
Her proudest public achievement, to date, was being accepted
by The American Film Institute's Directing Warkshop for
Wamen. But the private world of Margot is full cf her own
poetry, pensées and “my secret fantasies about Lord Byron.”
>“
o
n
be
&
ы
LJ
“Speak for yourself, John Alden.”
JUST A GOOD OLE
RHODES SCHOLAR
making it through the night with kris kristofferson
personality By JACK McCLINTOCK
KRISTOFFERSON stood still,
gazing blankly over the
other man's shoulder.
Most of the time he is
loose and easy, the deep
blue eyes level and. good-
humored. But tonight he
was tight, stiff, He was
backstage trying to get up
for the concert, but his
friend Dennis Hopper had
introduced this New
Mexico politician who
was running for governor.
A big bespectacled man
wearing a black suit all
pasted up with stickers
bearing his own name,
he was jawing earnestly
at Kristofferson, Kristoffer-
son was trying, but he was
having that kind of day.
"Things had piled up the
way they seemed to fre
quendy in the life he was
leading lately, the sort of
life that occasionally gets
so full it clogs. He was
making a movie with
director Martin (Mean
Streets) Scorsese, working
long hours and pitching in
with scriptrewrite ideas.
The movie was called
Alice Doesn't Live Here
Anymore; it was his fifth
film (after The Last Movie, Cisco Pike, Pat Garrett and Billy the
Kid and Blume in Love) and a good role, working with an actress
he respected, Ellen Burstyn.
Someone had asked him to appear on a telethon in Tucson
and he had arrived so weary and stoned that he could barely
talk. His telephone would ring and the caller, star-struck, bashful,
mute, would mutter something and Kris would grin and buzz
dully: “Shit, man, one of us gotta say something
The night before, there had been a Charlie Rich concert
followed by a pleasant reunion of old friends, a late and liquorish
picking session in Rich’s suite. For weeks Kristofferson had been
vibrating to the tensions of performing, had been unstrung by
travel, booze and unrest, descended upon by hordes of what he
variously called wackos, nutcakes and wimps. An endless side
show of spooky ladies turned up at his door bearing notebooks,
pet bobcats, grandiose schemes of various sorts—one talked her
way in and made a crazed telephone call to some faraway hus-
band who picked up his phone to hear the shrill, if invented,
news that his darling bride was runnin’ off with Kristofferson,
by God, and so there. All
this, while back home in
Malibu waited his wife,
Rita Coolidge, and their
new baby girl. a few weeks
old and seldom seen by
her father. And there
were radio people and
writers, everybody troop-
ing in and out and every-
body wanting—wanting
intimacy of some sort, a
roll in the hay or a soul-
illuminating quote and
enough bizarre behavior
to make a readable piece.
Piece is right. Step right
up and rip off a piece of
the beleaguered star.
“The funny thing i:
he had said in Tucson,
“people think you're mor
famous than you аг
Then he had looked star
ted, cocking his head.
“But if they think you are,
you are, aren't you?"
So he had flown to Al-
buquerque from Tucson.
napped awhile, emerged a
little rested—and then re-
ceived confounding news.
lt had been on the
radio. A process server
was staked out backstage,
waiting for him. And now,
as the politician rambled on, the process server was dearly the
main thing on Kristofferson's mind. Over the politician's shoulder,
he could see the man back there in the shadows, dark and patient
in a rumpled suit, the heavy sheaf of papers in his hand.
“And mention I'm moderate on marijuana," the politician
was saying, Kris having agreed to introduce him to the house
The singer finally spoke. “You know, half this audience is
probably red-necks. This is country music."
The pol looked enlightened at last and hastily bobbed his
head, eyes shining with understanding.
Kristofferson smiled wearily and turned away, heading for the
man with the papers. He collected them privately, with a polite
handshake. Striding back, glancing through them. . . . Suddenly
he looked up, grinning. “Shit, I thought it was for that deal with
the kid, It’s only some dude who claims he wrote Help Me Make
It Through the Night.”
Which was good news. There was a girl in Nashville and a
cute іше blueeyed boy. Denials of fatherhood. Some money
being paid, nonetheless, in a spirit, he (continued on page 122)
ILLUSTRATION BY CHRISTOPHER D. ANDREWS
in mE qe,
000 04)
ЖЕ py ly shal)
ST n ea
AD
ШҮ И ТЇЇ?
а= =т=, mmm mem т = юв м яв ш RR
ELMER
GANTRY
PRESIDENT
all over washington, the politicians are
praying. well, if the meek do inherit the earth,
somebody's going to have to run it for them
article By ROBERT SHERRILL some of the holy men and
strange prophets who have drifted across the deserts of Wash-
ington in recent years have at least been good for a laugh. Sun
Myung Moon, the visiting Korean who hinted he was Jesus Christ
and „к most of his time singing patri songs in the park
the White House—we'll miss him, no E that he's gone.
those funny
о used to turn up to preach a sermon P select White
‘tions, есен, such as Rabbi Louis Finkelstein of
i uH "Ihe finger of God
rivi
ШИШИ TTR A її! їйї 1и
she's already modeled on three continents,
but for miss march it’s only the beginning
minds the family drugstore while her father and brother are out driving
і cabs—to the Hollywood suburb of Bel-Air, where Ingeborg now lives in
the company of four Venezuelan monkeys and a toy dachshund. Rest
assured, though, that she got from O to B in the most logical way—via Japan,
where she toured department stores a few years ago, showing off Norwegian
fashions as part of a Nordic festival. An American photographer suggested
that she try Hollywood and she figured, “Well, I'm halfway around the world
| T's A LONG Hop from Oslo, Norway—where Ingeborg Sorensen's mother
|
Some construction was under way
near Ingeborg's house and she
picked up props for these whimsical
shots. Good thinking, as you see.
GATEFOLD PHOTOGRAPHY BY MARIO CASILLI 99
anyway; instead of going home by way of Alaska and Moscow, I may as well go via Hawaii and Los Angeles." So Inge-
borg—a former Miss Norway and Miss Europe who was also runner-up in the 1972 Miss World contest— paid a visit to
the Southern California glitter capital. Then another. And after shuttling back and forth a few times between L.A.
and Oslo, she moved to Hollywood for good. And it has been for good, as far as Ingeborg is concerned. She's been
very busy making TV commercials, and you've probably recognized her already as the blonde who says "Watch Joe
Namath get creamed!” in the Noxzema commercial ("How was Joe to work with? I'll just say very nice”). Ingeborg is
currently studying acting with Jeff Corey—she's already made a couple of films but nothing she's inclined to brag
about—and fully intends to be prepared for the big movie opportunity she's certain will come her way. Her family
Miss March isa former Miss Nor,
and Miss Europe who migyated to
Hollywood on a photograph:
Score one pointfor Ame:
In Norway, just about everybody
grows up on skis, and Ingeborg was no
exception. Now, when she yearns
for snow, she travels to Colorado.
Ona trip to Vail, Ingeborg rides the ski
lift (above) with her instructor, Dave Ross.
Below: Whatever goes up must come down.
isn't too crazy about her living in Hollywood ("We're extremely close, like most European families, who always want
to have the people they love around them"), but, she declares, “I have to live my own life." Not that Ingeborg, who
s Norway about twice a year, Я “People саге more about one another there than they do her
and they go out of their way to show affection. You always know you have friends. Here you have friends one day
and if you don’t have them the next, you don't much care. I'm sure that L.A. isn’t typical of America, though. Perhaps
the film industry has something to do with it, but the truth is that a lot of the people I've met out here are very arti-
ficial. As it happens, most of my friends—the people I spend time with—are Scandinavian." But even if she wishes the
folks in L.A. were “a little more real,” Ingeborg doesn’t want to sound overly critical, because she does like living
Ingeborg, who's nuts about Vail—
style” —relaxes on the terrace of a ski lodge (above), tries on some
fur coats (right) and enjoys a cup of coffee in a mountaintop tavern.
Ingeborg feels that in the future
she’s going to be making a lot of
motion pictures. We agree. We
just wish our pictures could move.
the Otherwise, I wouldn't stay." The Southern California climate is
a prime attraction: “If there's a fuel shortage here and you can't turn on
the heat, you won't freeze. Norway is cold, and you would freeze." And
she manages to enjoy herself, riding horseback, sketching or simply
socializing. Then, too, she has her pets: “Any time I feel really lonely,
I can talk to the animals—though I might have to get rid of the mon-
keys, because they're getting jealous of the dog, and Га rather hold
on to him." Now, what was that nonsense about leading a dog's life?
PLAYBOY'S PARTY JOKES
А woman suing her husband for divorce
charged that he was too uncouth to be lived
with. "He's an inveterate tea drinker, your
Honor,” she explained, “and wherever we
go, he always drinks his tea with his pinkie
sticking out.”
“But that's a silly criticism," said the judge.
“Why, lots of people drink tea with their finger
sticking out.”
“Who said anything about his finger?”
fm afraid that I have both bad news and worse
news lor you,” said the doctor to the Southern
bigot.
N-whats the bad news, doc?" gulped the
ent.
You have an incurable disease,
the medical man.
“Oh, my God!" groaned the racist. Then
muttered, "But what could be worse new:
“It's sickle-cell anemia.”
replied
A toothsome young starlet named Smart
Was asked to display oral art
As the price for the role.
She complied, met his gonl—
And then sank her teeth in the part.
The girl and her date had checked into a motel,
stripped, smoked a joint, leafed through some
pornographic magazines they'd bought on the
1 out a new type of vibrator on each
nd finally coupled in a frenzy. Now they
ctly side by side, at peace with the world.
ust think," mused the boy, "in one more
year we can walk into a bar and order a beer."
And then there was the old gentleman who had
massive stroke—which is what made him pop-
ular at Sun City orgies.
Our Unabashed Dictionary defines loser as a
man who's tried in small-caims court for
exhibitionism.
I sometimes have twenty or so consecutive or-
gasms using clitoral self-stimulation,” the bache-
Tor girl told the sex researcher.
"Good heavens, that’s fantastic!" exclaimed
the normally blasé researcher.
Dh, I don’t know," shrugged the woman.
“After maybe fifteen times, Y run out of
es, and from there on it's no fun!
Two women on a plane were chattering away
behind a man who was preparing to nap.
"How do you manage to dress so well on your
asked o
replied the other. "I
boyfriend who gives me five hundred
month for my favors.”
"s a great idea," rejoined the first
woman, "but I'm none of the men I
happen to know could afford that much."
In that case," said the wayward wife, "find
two guys who'll pay two-filty apiece, or four
who'll pay one-twenty-five——
At that point, the man in front peered over
the seat back. "Look, girls, I'm going to sleep,"
he said, yawning, "but give me a nudge when
you get down to five bucks a throw.”
Word has just reached us about the ultimate in
singles bars. It's a place where girls have to
show their LU.D to be admitted
lı was an everyday traffic occurrence: One car
had stopped for a light and the other had
plowed into it from behind. The only odd cir-
cumstance was that the first vehicle was being
driven by a minister and the second by a priest.
\ policeman came sauntering over as the two
clergymen began to expostulate with each other.
“How fast would you say he was
g" inter-
jected Officer O'Malley, “when he backed into
you, Fathes
Our Unabashed Dictionary defines French
square dance as а go-down hocdown.
The red-eyed widow asked the attorney about
her late husband's will. “I'm sorry to tell you,
my dear,” said the lawyer, “that George left
1 he had to the Happy Valley Home for
Indigent Gentlewomen.
“But what about me?"
“You're all he had.”
Heard a funny one lately? Send it on a. post-
card, please, to Party Jokes Editor, PLAYBOY,
Playboy Bldg., 919 N. Michigan Ave., Chicago,
IIL 60611. $50 will be paid to the contributor
whose card is selected. Jokes cannot be returned.
“The way I figure it, Captain, the aborigines
sense an acute infringement of them territorial imperative and are
retaliating with aggressive antiestablishment behavior!”
109
PLAYBOY
12
is for all the chips. There is по such thing
as finishing second. They lose and they
don't go home. A special breed of cat. As
the bomber pilots and the missileers jok-
ingly put it, the fighter pilots are great
guys to have around in the clutch, but
you wouldn't necessarily want your sister
to marry one.
During the Korean War, U.S, fighter
pilots, flying mainly the F-86 Sabre, shot
down Sovict-built Mig-I5s almost at will.
But when American and enemy fighters
tangled again, nearly a decade and a half
later, it was a much different story. The
two hottest fighters were the FA Phantom
and the Mig21. In Vietnam, the Phan-
tom could be said to have held its own,
but that's about all. It handled the Mi
17s and Mig-19s all right. But the Мір-21
was something else. As the war went on,
many Phantom pilots, without actually
putting the knock on their fighter, ex-
pressed the wish that they had a lighter,
quicker-turning warplane under their
sticks and less cumbersome weapons
under their fire-control switches.
A droop-nosed, hulking airplane (its
configuration has been likened to that of
a big rat), the twin-engine Phantom was
designed by McDonnell Douglas in the
Fifties primarily as an interceptor and
attack bomber. It was a Navy plane. The
civilian leaders of the Department of De-
fense forced the Air Force, against its
better judgment, to buy the Phantom as
its first line fighter. Fighter pilots draw a
clear distinction between a fighter and an
terceptor. A fighter is for going up
against other fighters, head to head at
close range. An interceptor can serve as
a fighter but usually gives away too much
in maneuverability. Many fighter pilots
will tell you that the last "pure" U.S.
fighter planes were the F-86 Sabre and
the F-100 Super Sabre.
In Vietnam, the F-1, with its Mach-2
speed (twice the speed of sound, which
varies up to 770 miles per hour, depend-
ing on air density), could outpace the
Mig21 slightly and outclimb it, тоо. But
he smaller, suppler Mig could make
tighter turns in a dogfight, terribly dis-
concerting—if not fatal—to the other
guy. The Mig was designed to stay home
and fight, as an “air-superiority” fighter,
and its $0-millimeter cannon and small
heatseeking missiles would do quite nice-
ly for that mission.
"The Air Force Phantom was equipped
ith a 20-millimeter cannon, radar-
directed. long-range Sparrow missiles and
heat-seeking Sidewinders for close-in
work, The Navy and Marine versions of
the Phantom had Sparrows and Side-
winders but—to the deep regret of its
pilots—no gun at all. Once it had un-
loaded its missiles, all it had left was its
speed to flee the fracas. The problem
was compounded, early in the air war, by
the high percentage of Sparrows that
failed to find their targets. A Pentagon-
industry team was rushed to Vietnam
to find out what was wrong. They later
succeeded in making the Sparrow effective
most of the time, but it was touch and go
for a while. The Sparrow, after all, was
supposed to be the Phantom’s chief com-
pensation for the extra shot of quicksilver
in the Mig21. The Mig, theoretically,
would never get close enough for the
fancy maneuvering that might be fatal
to the ЕЛ. The F4 would pick up the
Mig on radar, well beyond visual range,
and unleash a Sparrow, which would
blast off and blow the Mig asunder with
its 60-pound proximity-fuse warhead. The
trouble was, the Mig's skinny silhouette
made radar detection difficult until it had
approached within the fighting range of
its own choosing. Moreover, those planes
ош there, showing up on the Phantom's
radar screen, were not always Migs. There
was a lot of U.S. cargo and passenger
traffic in the air over Vietnam, and the
Phantom crews could seldom be certain.
Nothing was said about it at the Penta-
gon, but there were at least three instances
of Phantoms’ shooting each other down
with Sparrows before the rules were
changed. Visual identification of a
bogey was required before a Phantom
crew could fire its missiles. This played
right into the guns of the Migs. As a re-
sult, other planes were used as scouts
for the Phantoms. F104 Starfighters
would fly out ahead of the Phantom and
verify, visually, that the blip on the
Phantom's radar was, indeed, a bogey.
Then the Starfighters would veer off and
dart clear and the Phantom would fire its
Sparrows. An awkward arrangement. On
top of this, the Sidewinders, early in
the war, also were unreliable. Clouds buf-
faloed their infrared homing and guid-
ance systems. The Migs, catching on to
this, knew where to zag.
In the autumn of 1968, Major General
Marion Carl, then the commander of the
Second Marine Air Wing, declared at a
symposium on fighter aircraft: “We gave
up the guns too soon. Visual identifica
tion is required before beginning an
attack, It takes five seconds to get a mis
sile off. Five seconds is too damn much
when you are in a hassle.”
At the same symposium, Admiral John
S. Thach, father of the famous Thach
Weave fighter tactic that dates back to
World War Two, said, “The pilot never
gets what he wants. He needs guns
whether he has missiles or not. Missiles
are a fine weapon against bomber forma-
tions. Against enemy fighters, traditional
fighter tactics must be employed, and the
pilots need guns.”
As it had become obvious that the
Phantom would never outclass the Mig-
21, the Russians had threatened to make
matters worse. They rolled out several
new models of fighter planes at their
Domodedovo Air Show near Moscow in
1967. Most ominous of these was the
swing-wing Мір:23, capable of Mach 3
in dashes and, even more portentously,
of an acceleration on afterburner (a sort
of superhigh gear in jets that involves
an extra shot of fuel near the engine's
exhaust) that came dose to matching
flying saucers for streaking out of sight.
The Mig-23 first was called, by NATO
code namers, the Foxbat. This name later
was transferred to the Mig25, when it
came along, and the Mig?3 was desig.
nated the Flogger. Fortunately, Floggers
were never introduced to the skies over
Vietnam. The U.S. had nothing that
came close to matching them and, oper-
ationally, still doesn't. Floggers easily
could have checked the bombing of the
north and delayed the withdrawal of
U. S. forces. Or worse.
Over Vietnam, the Ling-Temco-Vought
ЕЗ Crusader was considered the Navy's
secondline fighter. But the Crusader,
used more sparingly than the Phantom,
accounted for 18 of the 55 Migs that
Navy and Marine jets shot down through
out the war. The Crusaders kill-per-
engagement ratio turned out to be three
times that of the Phantom. What did the
Crusader have thar the Navy and Marine
Phantom did not have? A 20-millimeter
cannon. Like the F4, it also had Side-
winders. But no Sparrows. One Crusader
victory over a Mig-17, 22 miles southwest
of Hanoi on May 23, 1972, was actually
a forfeit, and thus not counted among
the official kills. The Mig pilot spotted
two F-8s from the carrier Hancock com-
ing at him and bailed out.
The F-4 pilots learned from necessity
that they could make their planes do
things they never were designed to do.
Such as pull eight gs (eight times the
force of gravity) in turns, without the
wings’ falling off. Six and a half gs were
supposed to be the most they could with-
stand. The pilots did well with what they
had. They also learned that some of the
things the planes could do didn't count
for much in dogfights. Rarely were they
required to power up to anywhere near
the 1400 miles per hour they could at
tain. The publication Armed Forces
Journal. International told of how Navy
lieutenants Randy Cunningham and Wil
liam Driscoll shot down three Migs in
one day and then had to punch out over
the Gulf of Tonkin, on their way back to
the carrier Constellation, when their F4]
took a hit from a surface-to-air missile.
Both were rescued. Lieutenant Com-
mander Ronald McKeown and his weap-
ons officer, Lieutenant Commander Jack
C. Ensch, shot down two Migs on
May 93, 1972. According to the Jour-
nal, McKeown spoued a couple of Migs
and called Ensch on the intercom:
right behind you.
McKeown: "This is business. Quit
screwing around."
(continued on page 116)
‘TRENDS
ways
FOCUSING !
TO WEATHER
ЇЧ SEVEN STYLISH
A COLD SNAP
Who needs Alan Funt
with this kind of candid
action? The guy's not
bod, either, in his cotton
gabardine belted suit
that features raincoat
yoking, raglan sleeves,
epaulets and button-
through flap patch top
pockets, by Michel
Faret for Barney
Sampson, $150; plus a
multicolor floral-print
cotton shirt with pajama
collar and barrel cuffs,
by Cit di Milano for
Barney Sampson, $50.
OK, fellas, watch the birdie.
At left: а rubberized storm
coat, by Reggie for Peters, about
$25; and a waterproof cotton
parka, by Bert Pulitzer, $100.
Below: Gabardine zip-front jacket
and matching slacks, by Scotts-
Grey, $85 for both. Bottom left:
Sueded baby-lamb tie-belted
jacket, by Bill Kaiserman for
Rafael, about $375; and, right:
a brushed-cotton shirt suit, by
Nino Cerruti for Gleneagles, $90.
PHOTOGRAPHY BY 1. FREDERICK SMITH.
The pause that re-
freshes—and then it's
back before the lady's
lens in a nylon zip-front
windbreaker, by Mc-
Gregor, $14; сойоп
turtleneck, by Cardin,
$20; and a pair of Wool
gabardine slacks, by
Bill Kaisermon for
Rafael, $70
PLAYBOY
16
TAWA BY анаа
As McKcown related the encounter to
the Journal: "It looked like there were
only two Migs and we thought, ‘Man,
theyre really in over their heads. But
after we made that first turn, it started
raining Migs on us. Four Mig-17s. Two
Mig-19s. And the two of us. Suddenly,
we were surrounded. .. . In the whole
hassle, I don't think we ever flew above
5000 feet. Our wingman, Mike Rabb, got
one guy off his tail, shooting at him, by
flying between some trees.”
By mid-1974, McKeown was the com-
manding officer and Cunningham, Dris-
coll and Ensch were among the 13
combattested instructors of an intensive
fighter-pilot training program that the
Navy had set up at Miramar Naval Air
Station, California, in 1968, during the
especially suspenseful months over Vict-
nam. The Air Force had instituted a
comparable program called Aggressor, at
Nellis Air Force Base, Nevada. Ironically,
the Navy program was called Top Gun.
In the spring of 1974, the Tactical Air
Power Subcommittee of the Senate Armed
Services Committee held а “Mig killer
briefing.” The witnesses were Air Force
and Navy fighter pilots who bad distin-
guished themselves over Vietnam. Air
Force Major Steve Ritchie, an ace who
had shot down five Mig 21s, all with Spar-
row missiles, spun a spellbinding account
for the subcommittee:
"The average Mig battle took place
between 5000 and 20,000 feet in sub-
sonic flight.
The Mig21—compared with the
F4—is about half the size, it leaves
very little smoke, it is very hard to
see, it has a lower wing loading and
it can turn tighter than we can, and
that is very important in an air battle.
The F4, in comparison, is large,
bulky, leaves two big smoke trails,
easy to see; it does not turn as well
but has a little more power and a
lot better speed and acccleration—
particularly at low altitude—and bet-
ter wcapons.
"The average Mig tactic was to hit
and run. He liked to take off, stay
low, get behind, sneak up behind
and fire his heat-seeking missiles and
dive away. He was normally very
closely controlled by his ground radar
controller, who was also a pilot. He
was told when to jettison his external
fuel tanks, when to go full after-
burner, when to arm his missiles and
where to break off and where to land.
In other words, he was not trained to
think for himself very much, and I
think this is one area where we have
always had the advantage over our
adversaries. He seemed to have very
little appreciation for vertical maneu-
vering and mutual support. Often he
was not very aggresive. However,
there were certain exceptions to this,
and I would just like to briefly tell
you about my most exciting engage-
ment, which took place on the eighth
of July in 1972. It was a definite ex-
ception to this general nonaggressive-
ness of the Mig pilot.
I was leading the egress flight,
which means I was the last F4 flight
in. Our job was to be there to protect
the rest of the force as they came out.
Well, most of the action was normally
at the beginning of the mission, so 1
thought it would be a pretty dull,
routine day. 1 am coming inbound,
listening to the Mig CAP [Combat
Patrol] frequency and, sure
enough, the Migs are up, and one
of the Chaff escorts—Brenda Zero
One—has been hit in the left engine
by a missile from a Mig. He is hcad-
cd out, his left engine is out, fire
light on, bleeding fuel and hydraulic
fluid, announcing position, heading
and altitude on GUARD—the emer-
gency frequency.
Well, about this time, one of the
Mig airplanes—Dallas Zero Four—
has a fire light. He is headed out,
announcing position, heading and
altitude.
Historically, the North Vietnamese
ground radar controllers would vec-
tor other Migs against our people
that were in trouble. So I changed my
course and headed in the direction of
these two guys who were in trouble,
dropped down to low altitude—
about 5000 fect—and began to re-
ceive good information from Red
Crown and Disco. Red Crown is the
Navy ship off the coast that provides
radar and intelligence information
on the mission. And Disco, of course,
is the Air Force EC-121 orbiting over
Laos and providing that same service.
After about five or six 90-degree
turns in tactical patrol formation, I
was in the vicinity of Banana Valley
about 30 miles southwest of Han
I had just made a turn from a head-
ing of south to a heading of east
when I received a key call from Disco.
Disco said, “They are two miles north
of you." I rolled Ieft to a heading of
north and picked up a lead Міє 21
coming in at ten o'clock. I called, “I
got a Mig-2I left at ten o'clock level,
two miles closing.” I rolled left and
blew off the external fuel tanks and
went full afterburner. We passed
canopy to canopy about 1000 feet
from each other. He was а spit-
polished silver Mig-21 with bright-
red stars painted on him. Every other
Mig that I had seen—a total of 16
Migs—was a dingy silver. This one
was highly spit polished.
I did not see the numbertwo
Mig, and from studying their recent
tactics, which was one of the most
important things we did during our
training, I knew that if I did not sec
number two in a fairly close fighting
wing formation—what they called
bearing-of-aircraft formation—that it
would be somewhere in trail.
Of course, what they wanted us to
do was turn on the first Mig and the
number-two Mig would then come in
and shoot us down.
1 did not see the number two, so 1
rolled out and headed for the ground
in full power, unloaded the airplane
and waited. That was a little hard to
do, because the shiny Mig was either
getting away or he was turning to get
in behind me.
Sure enough, here came the num-
bertwo Mig, about 10,000 feet in
trail. І am down below him now. And
as he passed, I went into a left 135-
degree-bank, nose-down, slicing turn,
about six and a half gs. It turns out
to be just about the right amount of
turn in terms of energy maneuver-
ability—in other words, trying to get
around the turn and yet maintain
energy to fight with.
About halfway through my turn, I
picked up the number-two Mig in a
right turn, level and high. As I com-
pleted the turn, I noticed a large
angle off developing—or what we call
a large track-crossing angle.
То reduce this angle, I barrel-
rolled to the left, put the Mig in the
gun sight. I have the radar in bore
sight, which means it is looking
through my gun sight. What I did
was to put the Mig in the gun sight
and lock on the radar with a switch
on my left throttle called the auto-
acquisition switch. It wasa good lock-
on. Now I have got to wait [classified]
seconds to fire the Sparrow radar mis-
. I waited, squeezed the trigger
twice; they are always launched in
pairs for better probability of kill—
and it is another [classified] seconds
if you do everything right. And that
is a long time in an air battle,
The Mig-21 can generate a lot of
turn in [classified] seconds. So he saw
me and started to turn down into me.
І got the lockon at about zero
degree to ten-degrees angle-off, and
about 6000 feet. About the time the
first missile came off the airplane, the
Mig had turned into me about five
degrees, and he was 45 degrees past
my nose, about 4000 feet. I am pull-
ing about [classified] gs, which is very
close to the limit of the capability of
the missile.
The first missile came off the air-
plane and went through the center
of his fuselage. The second missile
went through the fireball.
The Mig broke into two big
pieces—a big fireball and a lot of
(continued on page 198)
PLAYBOY
ELMER GANTRY „аон page s7)
religious movement was beginning to
take place. It may increase its pace under
inistration of Gerald Ford, for
e Nixon. looks on religion as
actually thinks God talks to him. More-
over, he is surrounded by men who en-
courage him to think he is a vessel of the
Almighty.
One of Ford's closest spiritual coaches
is the evangelist Reverend Billy Zeoli of
Grand Rapids, Michigan, is also
sometimes a traveling chaplain for ath-
letic teams and a red-hot in such activities
as Youth for Christ. Every week. Zeoli
sends Ford a written pep talk and sug-
gested prayer. One of his memos suggested
that the President pray: "My Dear God,
why don’t You just come and sit down in
nd tel] me what to do?”
ng truth is that Ford prob-
ably believes God takes that chair and
gives that advice. When Ford went on
television to tell a stunned nation that
he had taken directions from God, not
the Constitution. He said. “The Consti-
tution is the supreme law of our land and
it governs our actions as citizens. Only the
laws of God, which govern our con-
sciences, are superior to it.” So, Ford—
who said that he was acting “not as Presi
dent but as a humble servant of God" —
followed what. poor old scrambled U
of M football brain told him were holy
orders and pardoned the unindicted
coconspirator.
It was а predictable move. Eleven days
earlier, in а press conference, Ford had
said tl he had "asked for prayers for
guidance" on what to do about the par-
don. Right then, we should have known
Nixon was home free. Any time a politi-
cian starts laying things at heaven's gate,
you can expect the worst.
In his very first utterance as Presi-
dent—an inaugural speech of only about
850 words—Ford mentioned prayer four
times and God four tines, which by mod-
ern Presidential standards was an incred-
ible gush of piety. At the forefront of
the movement, it's plain, stands a zcalot.
The movement I'm talking about was
correctly described by one magazine
(though with no apparent awareness of
rous qualities of the phenome-
n intricate web of groups and
individuals—almost an underground net-
work—stretching well across religious
1 boundaries, all of them
part of a small but growing spiritual
renaissance in Washington.”
‘The prayer groups, springing up like
toadstools all over Washington, have
been well publicized. From the President
to the leaders of Congress to the man-
darins of the Pentagon, in every pew of
the bureaucracy and the Federal legis-
118 lature, the big boys and little boys are
falling on their knees to ask God’s guid-
ance in their plundering of the republic.
The most notorious of the prayer
groups is the one in which Ford partici
pates (a very intimate group that includes
only ex-Defense Secretary Melvin Laird,
House Minority Leader John J. Rhodes
and Congressman Albert H. Quie) and
the one on Capitol Hill that allegedly
converted ex-White House hatchet man
Charles Colson before he toddled off to
rison.
But there are literally hundreds of
other knots of prayerful folks in Govern-
ment, all loosely tied together in an ceric
fashion through something informally
called The Fellowship. Usually it is not
even spelled with capital letters. It gets
its name from the fact that ma i
of its
sor. the International Christian Leader-
ship, and often meet at Fellowship House,
which has for years been headquarters
for the LCL.
The LC.L. has sponsored the annual
glorification of the status quo, the Na-
tional Prayer Breakfast in Washington,
for the past 21 years. It has become
а command-appearance occurrence, to
which about 3000 of the most powertul
теп, including most of the Cabinet,
members of the Supreme Court and the
cream of big business go each year. The
L. and the Fellowship Foundation
ave also helped organize hundreds of
mayors’, governors’ and busincssmen's
prayer groups across the land.
The Fellowship Foundation gets its im-
petus and its financial support from a
largely anonymous group of wealthy
businessmen, conservative politicians and
conservative clergymen who are inter-
ested in promoting a civil religion that
smothers political dissent and homoge-
nizes social protest.
That's apparently what the big prayer
ival in Washington is aiming at: a ге-
ival of the religio-political trance of the
Fifties, when the lith Commandment
was “Thou shalt not criticize thy leaders
or thy fatherland.” The hysterical anti-
ism of the McCarthy-Eisenhower
not by accident, with a
ts revival that saw the rise of
political chaplains such as Dr. Norman
Vincent Peale, Billy Graham and Billy
is, who preached the right
ness of controlling the country in the
name of Christian Corporate Profit, and,
if war should come, killing a million
Commies for Christ. The Fi were the
golden era of political Christianity, an
era. as one scholar noted at the end of
the decade, that was “marked by an ex-
traordinarily large component of pious
utilitarianism in which religion has been
made ulterior to almost every conceivable
human need, from nationalism and free
enterprise to business success and ‘pray-
ing your fat away.”
That old-time religion is coming back.
To the religious establishment of Wash-
ington—that is, to men such as Dr.
Edward L. R. Elson, chaplain of the
U.S. Senate and Eisenhower' former
pastor (he baptized [ke shortly after he
went into the White House in 1953)—
the rebirth of the Fifties means a turn
ing away from the militant activism of
the Sixties, when, as Dr. Elson remem-
bers, "too many clergymen substituted
grabbing a placard and geuing out on the
streets for praying. They should have
been sitting in thcir studies and poring
over books and producing a message for
the le, but instead they were out
pol i
ng the church.” But now, says
Dr. Elson, in the trumpeting voice with
which he summons God's blessings up-
on the Senate each morning, "We are into
the Seventies and religious people feel
there's been an empty space, there's been
a need for the transcendent, for God. T
think it's been here for the past two years,
but it's becoming more and more intense.
It's very clear that we are in the incipient
stages, if not the full flush of a new
spiritual awakening, the most impressive
I've seen in the 28 years I've been in
Washington.”
Not everyone in Washington rejoices
at this development. Some agree with
Congressman John Brademas, who is ac-
tive in the Methodist Church but avoids
the political prayer groups around the
House of Representatives because he has
“reservations about the dangers of re
gion being used to reinforce the state.
If the watering down of dissent is one
of the objectives of the religious move-
ment, the question is: How far would the
leaders of the movement go to squelch op-
position? The answer has not clearly sur-
faced as yet in the United States, although.
there have been suggestive moments. As
when, at a massive revival meeting in
Knoxville a few years ago, Nixon strode
onstage while a 5500-voice choir sang,
“How great Thou art! How great Thou
art!" and the Reverend Billy Graham
exhorted the crowd, “I'm for change, but
the Bible teaches us to obey author
ity"; and then, when some dissenters on
the fringe of the crowd began to chant,
"Peace now, peace now,” a claque of
good Christians who were worked up with
patriotic piety threatened to beat the shit
out of them.
Nixon and Graham were always а
pretty effective bullyboy team. At a
Charlotte rally to honor Graham at which
Nixon spoke, the crowd was “sanitized”
by bouncers who moved through the audi-
ence, picking out people wearing Mod
clothes and with longish hair and throw-
ing them out in a style that a Federal
judge later described as "a wholesale as-
sault upon the ights and liberties
of numerous citizens.” Nixon personally
(continued on page 160)
`
Vitalis p^
Н хаштй
і
| NAR
TRAVELER
Counterclockwise from 11: Brake
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leisurely junkets
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19
120
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spray, by Pierre Cardin, $10.
Private genital deodorant
spray, by Charles Revson, $5.
Equipage cologne and after-
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bar of lime-scented soap, by
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bronzer for men, by Yves Seint
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a stand to allow free styling
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with both hands, by Clairol,
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Mitchum Thayer, $3.50. Sham-
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Super Pro Style drier, by Con-
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deodorant, by Bristol-Myers,
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lotion, by Sea & Ski, $1.70.
Canoe after shave, by Dana, $4.
Portable Norelco shaver that
operates on batteries, by North
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Zizanie eau de toilette travel
spray, by Fabergé, $10. Braggi
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gritty gel face scrub, $6, both
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121
PLAYBOY
GOOD OLE RHODES SCHOLAR continued jrom page 95)
says, of friendship. Such things can get
rough. But—he grins—great, all the dude
wanted was $2,000,000.
He carried his relief into the dressing
room, where he slumped now, surrounded
by the band and visitors, pouring Jack
Daniel's into a Coke can, cracking: "This
looks like a team that's about to get its
ass kicked." In funky brown suede, he
looked rangy and tanned, not as fleshy
and rounded as in the films and photos,
and a little older. Not as tall, either,
perhaps 5/10” or so and slightly soft at
the middle but not paunchy, retaining
at 38 the boxer's muscular arms. His face
has a refinement of feature uncommon
in male country singers—the prosperous
California family had passed along kind
genes. There is that good, wide, white,
all-American-boy grin he displayed so
frequently as Billy the Kid, but the truly
arresting items are the eyes and the voice.
‘The eyes are clear blue and curiously
small, deeply set over high cheekbones.
‘The voice is a growly, buzzy purr, raw
brown sugar laced with a hoarse hint of
danger, а voice women love and lean
closer to hear because sometimes it does
not carry well.
"You look," he said, grinning back
over his shoulder, "like a bookend in
need of a book" It was the previous
afternoon in Tucson, in Vernon White's
room. White, the Warner Bros. publicity
man, had been saying how Kristofferson
was "real"— invariably the first thing you
hear about him—when the singer came
in, snapped open a beer, clambered onto
a bed and began chatting about acting,
boxing, boyhood. A few minutes later,
Toby Rafelson, the film's production
designer, arrived and arranged herself
cozily back to back against him like, well,
bookends. She grinned back as he talked
about stylish fighters he had admired and.
then slipped into a boyhood reminiscence.
"Back in Brownsville, they weren't
mean to the square people or the dumb
people. But in California, in junior high,
1 can remember starting а fight. Tha
what you did. I knew Га win and I di
Christ!” he said, staring into his beer.
“Tm still ashamed of that. I can see the
kid all bloody; 1 couldn't hit him any-
morc. .. ." He shook his head. He had
been boxing since the age of ten, hitting
the garage wall. “I still have fantasies
of fighting in Madison Square Garden.”
He was tired that day but wanted to
make the Charlie Rich concert, so we
drove over in a rusted-out Chevy station
wagon belonging to Vernon Wray, a local
friend of his. Kristofferson bought the
tickets for the whole entourage; and then,
inside, he slumped in а seat with his jack-
et rolled over his arms like a man wait.
ing for a plane late at night in an empty
airport, sitting up to do shrill two-finger
122 whistles and heavy pounding claps after
each song of Rich's, Bobby Bares and
Barbara Fairchild's, uying to help crank
up a slow audience. Fairchild sang a Hank
Williams song and Kristofferson leaned
over. “Can you believe that guy? He's
been dead since 1959 or something [1953]
and they're still doing his songs!"
In Rich's suite later, the lights were
off, people sprawled around the room.
service cart of beer, shrimp cocktail,
Scotch and guacamole dip, joints were
lit and circling like fireflies, with a guitar
following more slowly. Petite, blonde, big
eyed Fairchild was beside Kristofferson
on the couch, leaning toward him in tiny
slow increments. She took the guitar, did
a song she wrote: “When you want some-
thing different you come home to me.”
Kristofferson grinned widely. She has a
rich, butterscotch country voice and the
sentiment of the song, simple though it
was, was the real stuff. You could see Kris
marveling as the guitar went past him. He
passed it himself.
“You want to close the show, Kris?”
somebody asked wryly from a dark corner.
He was the only one who hadn't per-
formed. The eyes were on him, waiting.
Yet chere was a reluctance, a kind of
aw-shucks forelock tugging. He looked
startled, then hurt, then (reluctantly, it
seemed) took the guitar, strummed, sang:
“Who do you have to screw to get out
of this place?” Everybody laughed.
A blond kid from one of the backup
bands took the instrument and began
pitching his songs to Kris, the way you
know Kris remembers doing when Johnny
Cash was around. The kid kept looking
eagerly at Kris, who finally growled,
pleasantly enough: “You're gonna be a
fuckin’ star, man.”
Rich went to bed. Bare did a funny
song, popped another beer and then
turned quiet, wearing his cowboy hat and
a little smile. Kristofferson, in a corner,
somehow seemed to be in the center of
the room. The eyes on him. .. .
“I never dreamed it'd get this big," he
had said. “Five years ago, I was hopin’
to make ten or fifteen thousand a year
and pay my bills. Now I can make that
in a weekend.” Last year he paid a quarter
of a million in income taxes. One song,
For the Good Times, earns $70,000 a
year. Help Ме Moke It Through the
Night does nearly as well. He stars in
films, does concerts at will, the phone
rings and it's a rep for Sinatra begging
for a song. He's on the cover of the
Rolling Stone.
The name on his pay check is Kris
toffer Kristofferson and he tells inter-
viewers that the first feeling he remembers
is loneliness—"a separateness.” Yet, when
you try to picture him as one of those
sad-assed mopers you knew in high school,
the imagination fails. The presence he
has in films comes through even more
clearly in person and he seems always to
have been the one you envied—hand-
some, smart, wilty, strong, the girls all
over him, the eyes always upon him.
There are other contradictions, one of
the most obvious being that he writes
country songs, but he was never a bump-
kin. Kristoflerson grew up in Brownsville
and San Mateo, the son of an Air Force
and Pan American pilot, a major gen
eral. Pomona College, where he played
football all four years while majoring in
creative writing. He organized a rugby
team, boxed Golden Gloves, wrote sports
pieces for the paper, platoon commander
of the R.O.T.C. unit, made Phi Beta
Kappa, was written up in Sports Ilus-
trated—clean-cut, well rounded, popular,
talented. He won four of 20 prizes in
Atlantic Monthly's collegiate short-story
competition, wrote part of a novel, was
chosen a Rhodes scholar and sailed off to
Oxford, where he studied English litera-
ture, became enamored of William Blake
and argued poetry with gay dons at gen-
teel literary sherry parties.
And wrote country songs. And was
signed up by a British promoter who
changed his name to Kris Carson and
set about creating a new teen idol, a one
man Led Zeppelin. Time did a story.
And he dropped out. Joined the Army's
air arm, went to flight school, jump
school, Ranger school. Stationed in Ger
he assembled а country music
ing of himself (a captain)
and a group of enlisted men—an un
seemly familiarity that was invariably
noted in his efficiency reports. And drank
and smoked. And totaled two cars and
wrecked four motorcycles. Was ordered
to West Point to teach English. But
along in there, he had met a cousin of
Marijohn Wilkins, a Nashville song
writer (Waterloo, Long Black Veil) then
launching a new publishing house, Buck-
horn Music. He sent her a tape. She re-
gu Stop by if you happen through
NI took leave and visited Marijohn
and not long after resigned his commis-
sion, moth-balled the captain's uniform
and equipped himself with Levis and
cowboy boots. He was 29, poor, talented,
a Nashville cat. “Hoping we could take it
"til we'd make it to the top.”
Ken Lambert, his roommate in the
early Nashville days: "E never thought
he'd be a star. He was good, but a lot of
us were good.”
His mother: “Don't you think your
old friends'll think you're gutless, don’t
have what it takes?”
Fran, then his wife: angry, mystified,
hurt.
Marijohn: "I signed him on a $35-a-
week draw. all I could afford then.
There's a feeling you get. Some people
havean aura”
Kristofferson: “It wasn't easy.”
Marijohn suggested a teaching job at
(continued on page 170)
“For heaven's sake, Freddie, must you always wonder what
your uncle would have done in your place?”
123
124
ILLUSTRATION BY CHRISTIAN PIPER.
he had spent almost a decade in that cell, but the time was far from wasted | fiction By JESSE HILL FORD
HOW 1 FOUND the car
was I went with the truck
looking for some plows and
a harrow and a mowing
machine, horse-drawn stuff
we had a chance to sell to а
fellow who was farming
produce оп shares—tomatoes,
in particular, You сапт
cultivate tomatoes with a trac
tor. The sticks are too high.
He had located a pair of mules.
He was a Do Right, but that
isjanother story. A Do-Right
isa member of а small
religion we have in west
‘Tennessee wherein a man
pledges that he will do right
ándif a Do-Right is not
lazy, he’s a fair credit risk.
So һе needed the implements
and I said I'd go look and
see if I could Jocate them over
on my grandmother's place.
1 got into the tack and
drove over there. It was July
and I looked over her cotton
and beans and saw that
everything looked good.
She'd built her cage Jaying
shed spang at the other end
of the2000 acres instead of
putting it on the main road
like L advised her and I
crossed the stock gaps and.
the dust powdered on the
hood of my green truck. I put
up the windows and put the
air conditioning on and
turned up die music on the
country station and presently
Isaw the laying house and
drove оп back/to the barn,
white painted and neat. I
found;the key on my ring
and unlocked the doors and
swung them open and saw
the implements almost at
once and the stalls just as
they had been left, cleaned
ош and swept after the last
mule died, It was a fine
old barn and maybe I still
would not have found the
car except that I went walk-
ing down thc hall. looking in
the big old box stalls and
thinking how it was when Ї
was a boy. It was the fourth
stall down and when I saw
125
PLAYBOY
the car, red and low and foreign, with a
good bit of dust on it that had filtered
down from the old loft above, I took a
look at the outer wallboards and could
see where they had been removed in
order to put the car in there. My first
thought was of Sheriff, my little brother,
for І well knew his love of cars. And I
thought, Well, Sheriff has bought a car
and for some reason stored it in here
without saying a word to anybody about
it. Then I stepped inside the stall and
stooped down and rubbed the barn dust
off the license plate. New York State,
1965—1I crouched there in the silence
of the barn and pondered that. I could
feel my heart beating. I stood up and
opened the car door on the drivers
side. It sure needed greasing, for it kind
of groaned—a coffinlid groan—and 1
looked inside and saw that it was prob-
ably British and next saw that it was
a Jaguar. You don't see a whole lot of
Jaguars in west Tennessee. Fact of the
business, you so rarely sce one now that
the interstate has been put through that
there just isn't any telling when the last
Jaguar came through Pinoak, Tennessee.
‘The interstate, which cut us off the main-
stream of travel between Florida and the
Midwestern states, was opened in 1966.
I saw something on the steering
column held by little coil springs and
celluloid. І took it off the column and
read the name on the New York driver's
nse. S. Jerome Luben, male, black
brown eyes, age 2
ide Drive, New York City. Nobody
with a name like Luben could be mis-
taken for a member of the Pinoak Mis-
nary Baptist Church. I tossed the
nse, celluloid, coil springs and all,
onto the driver's scat and dosed the
door. It shut with a sound that was
somchow so final I stood there another
full minute at least before I could move.
Тһе dust of nine years іп a тше barn
was on my hands.
The year 1965 was the year Sheriff
left home for the Marines. I recalled
the day he left. I recalled a lot of things,
including the way he kept whispering
something and nodding to Henry. Henry
is the nigger who has worked for my
grandmother since he was a little boy
he kind of waited on Sheriff and buddied
around with him since Sheriff was litte.
Did I say my little brother is spoiled?
Spoiled rotten. The baby in the family.
My mother thought she was in the
change of life and went around eight
months thinking he was a tumor and
probably malignant until she finally
went to the doctor after she had got our
family lawyer, Oman Hedgepath, to make
her will, which would have left most of
her estate for the support of foreign mis-
sions. Mother worried about the souls of
the heathens. When Ocie Pentecost told
her she was pregnant, I think she felt
cheated. А month later, here came
һай
Rivers
126 Sheriff. That is not his name, of course.
His real name is Caleb Batsell Beeman
Baxter. Mother had an uncle in Somerton
whose name was Caleb and he got into
real estate and insurance and put his
signs up so they read: C. BATSELI. BEEMAN
FOR EVERYTHING IN REAL ESTATE AND IN
surance Nes. He put that sign on
every road leading in and out of town
and had a fine income all his life right
vp to the moment he fell into the wheat
bin and suffocated. Wheat is like water,
you fall into it and you go under. Unde
Batsell could not swim.
Mother figured Sheriff would be a
lawyer like Oman Hedgepath and have
a sign on his door and a shingle hanging
in the breeze оп Main Street. reading:
с. BATSELL. в. BAXTER, which she thought
would make everybody with any law
business want to see her youngest son.
As for me, 1 was never in her mind
otherwise than somebody to run every-
thing. To gin cotton during ginning
season and combine beans during bean
season, to buy hay and manage for the
silage and between times build rent hous
cs and work in the store and manage the
tractor-and implement company and make
private loans and buy farms and run the
sawmill—or, in other words, just like my
daddy always did, to ran everything and
see to everything and mind everything
nd when there was nothing else to do, to
п behind the meat counter and
step
weigh hams.
Not Sheriff, though. Once it got
through her head that he was not а tumor,
she saw the practice of the law
Then he started to grow up and almost
from the first word lie spoke, it was ob
ous that all in the world he would ever
want to do would be to be a sheriff and
enforce the law. It was all that he spoke
about, and because he was the baby, we
gave him toy guns and little uniforms and
hats and badges. He went around dressed
like that and went to school that way.
What else would we call him but Sheriff?
Everybody in Slipo County thought he
was cute as a bug and during the straw-
berry festival every year, we'd build him
a float in the shape of а sheriff's patrol
car with little wheels on it and 1
and all and Sheriff would ride in it, with
Henry and a couple of others pulling him
in the children's parade. Time and again
he won first or got an honorable men
tion from the judges who come each year
from Memphis to judge the parade and
the beauty contest.
Then he got to high school and we gave
him an automobile and Grandmother
gave him police lights for the top of it
and my father bought him a siren from
Sears. I got him a real badge from a pawn.
shop in Memphis. It saved us from having
to wonder what to do for him when it
came Christmas.
If something happened in Pinoak, we
had Sheriff as our private police force to
investigate things and make arrests and
take people over to Somerton to the jail.
understand. but a con
venience in a small place like Pi
where you don't have a police force.
Sheriff, for the most part, confined him-
self to stopping out-of-state cars if they
were speeding or if they looked suspi
cious. He'd pull them over, get out, walk
up to the driver's side and tip his
He was young and blond and blue-eyed
and had such an innocent face. Yet be-
hind it there was always something that
made folks do exactly what he told them
to do. Show their driver's license, open
their trunk lid, even open their suitcases
He confiscated ever so much liquor an
beer, but never went so far as to actually
arrest anybody . . . that I ever knew any-
thing about.
He seemed happy and he seemed con-
tented. When he asked if he could have
a jail, my father consulted highway р
trol. They advised against it. The law in
Tennessee did not, they said. let folks
operate private jails. That could cause
problems, they said. Otherwise, as long as
Sheriff never arrested anybody or gave a
ticket or fined anybody, hc could pretty
wall do as he pleased. for he was a deter
rent to speeders. Pinoak got known far
and wide as a speed trap. Back before they
opened the interstate, the outofstate
traffic would drive through Pinoak so slow
you could walk alongside it the whole two
blocks. They'd come at
with Sheriff so close behind in his cru
he was all but bumper ro bumper,
Sheriff just daring them to make a wrong
move or do anything sudden or reckless.
More than anything else, he liked to
stop a € h a New York tag, for when
that happened. like as not he'd get a Toud-
mouth who would start to complain and
bitch and raise his voice and Sherifi
would end up practically taking the fel-
low's car apart in front of his eyes. New
York drivers were a challenge to Sheriff,
Looking at that red car gave me a chill
in spite of the heat.
I went outside and stood just beyond
the white-painted doors of the mule bar
I could sec the cage-laying house and hear
the hens and could smell that special odor
of hen shit and cracked eggs and ground
feed. I saw that Henry's truck was there,
so I went down to the packing room апі
found him. He had collected the eggs and
had them in the tank with the vibrator
that washes them and he was grading
them and putting them in big square
cartons of 50. The cracked ones he broke
all the way and put the yolks and whites
into big pickle jars to be hauled to the
poor farm and to the Somerton jail, be-
cause the old and the poor and the pris
oners are just as well fed on cracked
eggs as on whole ones and cracked eggs
come a whole lot cheaper; besides, other-
wise we'd have to feed the cracked ones to
the hogs. Henry never looked up and the
vibrator hummed and the water danced
the hen shit off the eggs and the smell of
(continued on page 146)
Nothing official
ROBERT KEELING
POMPEO POSAR
Berar
When the lady's between the sheets au naturel (preceding The guy above, enthusiastically manhandling what was
128 page), pulling aside that last bit of cover can be titillating. once a nightie, is really getting into the spirit of things.
GUS GREGORY
How long since you've seen a girl—let alone two—in lingerie the girls to wear in this scene,” says photographer Gregory.
like this? “I picked very feminine, almost outdated slips for “То me, that made it more of a fantasy, more of a turn-on.” 129
GARRICK PETERSON
“The sensuality of tearing those wet T-shirts is what 1 was shredding fabric is erotic in itself. The models, inadentally,
interested inj’ says Peterson. “The tactile sensation of really enjoyed themselves during the half-hour shooting”
DENNIS SCOTT
ч
Just because a girl is solitary doesn't mean she has to be Һет very own personal dreams, when even the flimsiest
in confinement. There are times when she's alone, dreaming wisp of sheer bikini panties becomes—simply—too much. |,
PAUL GREMMLER
£L
To photographer Gremmler, the combination of force and form in “something unusual, something it isn't normally
132 eroticism could best be realized by placing the human female found in. So 1 encased my model in transparent plastic wrap.”
GUS GREGORY
The image of a woman relentlessly but gently—even dain- connotes, to Gregory, every man’s “age-old fantasy—the desire
tily—tearing her lovers tank-top undershirt with her teeth to be raped. Trouble is, in real life it never seems to happen.” 133
Glothing’s not the only thing that comes off in amorous by- а ravishing brunctte—only to end up by ravishing a scduc
134 play, cs the stalwart above discovers when he begins seducing tive redhead, who quite literally flips her wig for him.
BILL ARSENAULT
One revelation deserves another in this hair-razing story. тоу sacrifice his muslache—especially when the facial un-
If a girl can shed her raven locks for love, surely her partner veiling can be accomplished with a little help from his friend. 135
THE VARGAS GIRL
“And you say it's called hot-dogging?"
essay on woman Ву Pego Borewell, 1763
ON NOVEMBER 15, 1763, the assembled House of Lords listened
to Lord Sandwich read a tong, indecent poem called “Essay on
Woman.” It was, of course, a parody of Alexander Pope’s famous
“Essay оп Man" and was purported to have been written by
John Wilkes. His lordship was trying to add some weight to the
charge of seditious libel against Wilkes and—as one of the most
dissolute, foulmouthed noblemen in England—thoroughly
enjoyed this effort to do his old friend in. Lord Lyttleton rose
in protest and asked that the reading be stopped, but the noble
lords cried, “Read on! Read on!” and, when the recital was
over, cheerfully voted the poem a “most scandalous, obscene
and impious libel.”
No one has ever proved whether or nol Wilkes was the
author—he was quite capable of obscene and impious libels,
but he was probably a better poet than the pseudonymous Pego
Borewell who signed the verses. In any case, Wilkes had had
the work printed on his own press and he was well acquainted
with it.
Wilkes, friend of Voltaire and Dr. Johnson and a brilliant
maverick in British politics, went on to become one of the most
fervent defenders of American rights against King George HI
The fourth Earl of Sandwich is remembered for having been
the first to put a layer of meat between two slices of bread—
in order to stay long at the gambling table without starving.
Awake, my Fanny, leave ner things:
This morn shall prove what rapture swiving brings!
Let us (since life can little more supply
Than just a few good fucks, and then we die)
Expatiate free o'er that loved scene of man,
A mighty mare, for mighty pricks to scan;
А wild, where Paphian thorns promiscuous shoot,
Where flowers the Monthly Rose but yields no Fruit,
Together let us beat this ample field,
Try what the open, what the covert yield;
The latent tracts, the pleasing depths explore,
And my prick clapp'd where thousands were before.
Observe how Nature works, and if it rise
Тоо quick and rapid, check it ere it fli
Spend when we must, but keep it while we cun;
Thus godlike will be deem'd the ways of ma
П me:
Say, first of woman's latent charms below,
What can we reason but from what we know?
A face, a neck, a breast are all appear
From which to reason. or to which refer.
In every part we heavenly beauty own.
But we can trace it only in what's shewn.
He who the hoop's immensity can pierce,
Dart thro’ the whalebone [0105 vast universe,
Observe how circle into circle runs,
What courts the eye, and what all vision shuns,
All the wild modes of dress our [emales wear,
May guess what makes them thus transfornv‘d a
But of their cunts the bearings and the ties,
The nice connections, strong dependencies,
"Ehe latitude and longitude of cach
Hast thou gone through, or can thy Pego reach?
Was that great Ocean, that unsounded Se:
Where pricks like Whales may sport, fathom'd by thee?
ppear.
Presumptuous Prick! the rcason wouldst thou find
Why form'd so weak. so little and so blind?
First, if thou canst, the harder reason guess
Why form'd no weaker, meaner and no less.
Ask of thy mother's cunt why she was made
Ot lesser bore thin cow or hackney d jade.
Or ask thy rawboned Scottish Father's Tarse
Why larger he than Stallion or jackass.
When frogs would couple, labor'd on with pain,
Ribald Classic
BRAD HOLLAND.
A thousand wriggles scarce their purpose gai
In Man a dozen can hisend produce.
And drench the female with spermatic juic
Yet not our pleasure seems God's end alone,
Oft when wespend we propagate unknown
Unwilling we may reach some other goal,
And sylphs and gnomes may luck in woman's hole.
When the proud Stallion knows whence every vein
Now throbs with lust, and now is shrunk again;
The lusty Bull, why now he breaks the clod,
Now wears a garland, fair Europa's god:
Then shall Man’s pride and Pego comprehend
His actions and erections, use and end.
Then say not Man's imperfect. Heaven in fault,
Say rather, Man’sas perfect as he ought:
His Pego measured to the female Case,
Betwixt a woman's thighs his proper place;
And if to fuck in a proportion d sphere,
What matter how it is, or when, or where?
Heaven from all creatures hides the Book of Tate,
АП but the page prescribed, the present state,
From boys what girls, from girls what women know,
Or what could suffer being here below?
‘Thy lust the Vi
Had she thy x would she skip and play?
Pleased по the last, she likes the luscious food,
And grasps the prick just raised to shed her blood.
Oh! Blindness to the Future, kindly given,
That each may enjoy what fucks are mark'd by Heaven.
Who sees with equal Eye, as God of all,
‘The Man just mounting, and the Virgin's fall;
Prick, cunt and bollocks in convulsions hurl'd,
And now a Hymen burst, and now a world.
Hope humbly. then, clean girls; nor vainly so:
But fuck the cunt at hand, and God adore.
What future fucks He gives not thee to know,
But gives that Cunt to be thy blessing now.
dooms to blecd toda
Y
137
article
ZAST SEPTEM
called unch oj
TQUE he me.
is
138
> the Presiden
Conomists
he
ILLUSTRATION BY OAVE GAAOT
Someone who picked Cotton in the
thirties and
reads the daily headlines,
Sweats bullets ang wonders why
they ever called 2 the “great” depression
article By. LARRY L KING I
your reaction to alll this woolly depression t
1 might if I knew your a €). but here's one ole boy it
scares. Not mildly worries, mind you, or causes
sional fretful tic, but simply disorders
his innards. Ther € millions of us,
or over Y recall the ес
а high percent
other depression more than we
tacks, cancer, hardened
for us by the
perverse iny
ап occa-
us mind and
in our mid-40s
onomic bust of
age of us fear an.
Уоту about hear
arteries or like aww:
actuarial ch;
» Who vivid).
Hoover's time, And
at-
ards planned
y own chil-
ntening nightmare.
Mounting depression tal ly has i fluenced my
daily we feverishly hoping to gain
а nest egg aga d
begun dogg
awaits, and have
turnin,
Е off surplus
Aper cuts of m
big.
tions. It do, n't
Iam kickin
spendthrift oy
milk
spected new pr
seem so laughable
ушоге,
8 myself, too, for h
er the past ten years. Oh, yes, I have been
areal butter-ind.egg man, hitting all the Whiskey and
trombone towns, buying drinks for the crowd and urg.
ing the Bg
ood times to roll from New Orleans to Nan-
tucket; it is a disease afflicting a certain stripe of m
aving been such a
an
138
PLAYBOY
who once didn't have a pit to poss in, a
reckless dispensation of resources a
as if one fears that the banks might
in. In a manic five-month spree
1972, 1 divested more than $12,000 on
purely hedonistic pursuits—money above
my true requirements or real obligatio
funny money just bumed and whoopeed
away—and now, monitoring the gloomy
economic forecasts, І think of how many
chickens and moo cows it might have
bought
But where John Henry had the fore-
sight to retreat to the earth's basic places
and things, I did not. More than a year
ago, deep in the Watergate dumps, 1
promised myself to move from. Washing-
хопа dreary ruin of marble monu.
ments, rhinestone dreams and brassy
political interlopers. where for 20 years 1
had felt much the transient and grew no
10015—10 more commodious Manhattan
qu Despite gathering misgivings
and a plunging stock market, I accom-
deed about three months
time to witness the coll:
Bank. a branch
of which reposes around the corner from
my new digs; although. its
played down in the press—publishers
being businessmen first and sponsors of
artists and prophets later—it. represented
the largest single bank failure in Ameri-
can history, It was not the best possible
welcome to the neighborhood.
I love it here—the apartment, the new
gear and accouterments, those surging ex
dremenis of die Big Apple so long merely
pled by a visiting country boy hoping
to throw his money away-— but 1 am newly
terrified at assuming the permanent cost
of the place. My rent has doubled and
the taxicabs ате metered. One encounter
formerly prosperous exstockbrokers in
the bars, searching the want ads and nurs-
ing their midday drinks. Construction
men can't find work, in a city perpetually
building. and sit over their beers with
haunted eyes and many ions of
their forme: о, Dick Nixon,
lips. I think more on the $7000
required to keep a tee: poard-
ing school. of older firm
or creas.
ingly require monetary attentions, of taxes
and business expenses and of my own
loose excesses.
Most of all, 1 think how unfriendly
were the nation's Gothams to their hope-
less millions in that earlier dark penniless
time. 1 conjure up visions from old books
and ancient newsreels of the special mis
cries of the cities: their bread lines, soup
Kitchens, corner apple salesmen, park-
bench sleepers, grim gray men in endless
ranks profitlessly seeking work, and their
dismal “Hooverville” settlements of card-
board, fruit crates, tin and tenis, These
had it rougher, I know, than those of us
relatively fortunate enough 10 hunker
down in the hinterlands, where we might
ters.
140 grow a few vegetables and produce our
own eggs, with a little creek fishing on the
le; there are damn few squirrels or rab-
is to be bagged for the family stewpot on
ks of New York. So I sit he:
within spitting range of Park Avenue,
luxury spoiled and more prosperous than
yesteryear might have believed, wonde
g what in God's good name I am doing
taking for neighbors those Wall Street
bastards my father railed and warned
against in the long ago.
There are brave words these days from
President Model T Ford and his White
House advisors that no new depression
will be tolerated; apparently, Mr. Hard
Times is to be run out of town like a rag
ged hobo. These jawbonings afford small
comfort to one who remembers the opti-
mistic rhetoric and arrogant expl
tions of the Gr Depression. President
Hoover: Prosperity is just around the
corner The worst will be over in 60
days... Many people left their jobs for
the more profitable one of selling ap-
ples (11) Calvin Coolidge: When more
and more people are thrown out of work
unemployment results. J. P. Morgan: The
market will fluctuate. Jackson
olds, president of the First National
Bank of New York: Ninety-nine out of а
hundred persons haven't good sense. John
D. Rockeleller: Believing that funda-
mental conditions . . . are sound . , . my
son and I have for some days been pur-
chasing sound common stocks. Thomas
W. Lamont of J. P. Morgan К Сог Jt is
the consensus of financiers that many of
the quotations on the stock exchange do
not fairly represent the situation.
Weil. thanks a heap, old fellows; and
thanks, too, to all publications from For-
tune to Reader's Digest for their cheery
reports of 1929-1932 even as our belt
buckles grew closer to our backbones and
grass grew in the streets, And a special
thanks to all you determined jawboners of
the present moment—you wearers of wis
buttons—who have succeeded to the pep
squad. But, damn it, I still think I ought
to be back home, wading cows with John
Henry Faulk and caning prickly-pear
preserves.
Not that I understand any more of eco-
nomics than the tapes show that Nixon
knew of the Italian lira or the British
pound sterling. But I know this much
Inflation’s galloping like Whirlaway in
the stretch; Wall Street's on its skidding
is like a Bowery bum (its periodic up
ward lurchings fail to soothe); unemploy
ment grows; banks fear that increasing
defaults of loans may jeopardize them
and, indeed, Washington has nervous с;
es
on 152 banks right now; our interna-
tional balance of payments is out of
whack; interest rates are impossible and
no mortgage money remains; the Ford
Foundation, in threatening to cut its rec
ord phil . hin of folding:
"The Ford Administration speaks of fewer
dollars for revenue sharing to hard-pressed
state governments and their subsidi:
тз
nger thr
chastising the Ax
ions are in conditions of fam-
shortages of ready
nd viral materi
even Nelson Rockefeller disclaims having
billion dollars, and such is official creep-
that a delegation of Congressmen
recently went counting to Fort Knox to
ke sure it does. And—harbinger of har-
gers among those of us who've grown
d fat—expense-account lunches are
s hard ro come by as forme
ihusiasts. Somehow, it seems I've
way before.
When 1 am required to write an autc
biographical sketch, it invariably begins,
“L was born on the first day of the first
x of the Great Depression —1929." Му
subconscious imagines the Fates, wearin;
black ind hideous grins, as they
danced jigs and gleefully slapped their
hered thighs in celebration of the
tough surprises they had prepared for
by King. My father was then a pros
pering blacksmith and had just built one
of the finer houses in Putnam, ‘Texas. 1
would mewl and gurgle in it little more
than a year before the local oil boom
would go bust and fly-by-night оре
would escape, owing the village black-
smith more than 10,000 hard-money dol
lars. The Great Depression soon would
show itself. My father lost everything;
though he would live another 40 years, he
never recovered. The King family, like
Steinbeck’s wretched Joads, took to the
road in search of that clusive prosperity
Hoover insisted was just around the
corner.
My first memories are of 1
mers converted
ine
soft
pes
"g
ye while my par
nd older siblings went off to pick
on e mes they found
somebody to sta! nd sometimes
they stationed me under a tree with an
old collic dog to stand guard. The new
Model T my father had paid cash for.
before the crash, pulled by mules from
cotton. field to cotton field: gasoline was
purchased only when it became necessary
то find new work in distant places. We
icly retreated to my father’s old
home place, where he had gone with his
g family in 1894: its fields long had
llow, so that older members of th
family had to grub stumps and battle
Johnson grass before being able to plant
There soon was a baking drought and a
grasshopper plague. 1 don't know if
you've ever seen thousands or millions of
grasshoppers assault a cornfield, а р
Id or vegetable gardens. First they cl
down the main plants, not only strippi
the stalk
no the ground after
the root e gone, it looks
if the field had been bombed ov burned.
Even when one had a bountiful harvest,
(continued on page 178)
со!
с blades or leaves but cating
for the person who has everything—
including a case of the hots
"Our baby!”
141
“I don't know what you're grumbling about,
lady—it is in а plain wrapper!”
“If you don't mind me saying so, ma'am—
you look like the sort of lady to whom
1 can confide one or two other functions
of this amazingly versatile machine. . ..""
“Esmond! I swear you've trying to ruin “Changing batteries at two in the morning
a very beautiful relationship!" sure ain't my idea of an emergency, lady!”
“Lady! For heaven's sake!" 143
"Whose damn Patent Reciprocating Adjustable.
Love Cushion is it, anyway?”
“Zelda! Either fix that thing or save your "Are you feeling as hilariously horny
foreplay till after the big fight!” às Lam, Miss Cheeseman?”
144
"That's funny—it don't look Jewish.” “You two got nothin! better to do?"
“Mother sure was right when she told me
1 couldn't go wrong with that nice girl next door!”
145
PLAYBOY
346 keys on С
THE JAIL (continued from page 126)
spoiled eges was in the room. The floor
was a little wet. A black-and-white cat was
leep on the sofa Henry had made for
himself by welding legs onto a truck scat
taken from a wreck.
Jerome Luben,” 1 said. “TI
thing to you?
He froze, egg in hand, just that quick.
Jerome Luben,” 1 said
He dropped the egg and it broke on
the wet concrete between his black, down-
athecl shoes.
Is he dead?" I asked.
Henry reach о the tank for anot!
er egg, got one, and then cut off the vi
brator. He wiped the egg carefully on the
corner of his apron. Flies were worrying
pout the floor, lighting at the edges of
the egg he had dropped.
“Naw, sah. he ain't dead. Leastwz
in't dead this morning.”
This morning? You saw S. Jerome
Luben this morning?”
Yes. sah. He looked OK to me.” In-
stead of. looking at me, he looked at the
egg in his hand and pushed with his
thumbnail at what might have been a
speck on its white, curving surface. "How
come you to know about him, sah:
1 just saw his car.
itle red automobile.”
Did you knock the wall loose?”
“I prised some of the boards loose. It
wouldn't go in if 1 didn't prise some
boards off. But now I nailed ‘em back.
“Nine years ago.
"Something lack that,” he said, still
examining the egg. "It had to be after
Christmas, wadn't it"
How would I know?" I said.
“It was after Christmas of sixty-five, I
b'lieve it was," he said. He never looked
blacker. 1 began to feel something be-
tween my shoulder blades in the middle
of my back, а cold sensation. He was so
utterly still. “Yes, sah. Sixty-five,” he said.
“What happened?
He wa g
was bound to cause trouble.
“Who—told who?”
"Your grandmother, Miss
mean
ss he
I tole ‘em it
uie Bell
ай. Tole her wouldn't nothing else
ppy that Christmas if he
a a jail Jest a teeny
Iwo cells, he tole her. That's
all he wanted Santy to bring him and
what if he went away to—where was it
“Vietnam.”
“Nam, that’s it. Wha
and got kilt and hadn't never had him
the pleasure of a jail of his own? Hi
started on her in the summertime i
weather about like this and she sent to
Birmingham for the contractor and they
come and built it and she handed him the
hristmas Eve. I was standing in
t if he went there
the kitchen next to the sink when she
nded them keys to him and made
п promise he wouldn't abuse his priv-
ilege and wouldn't make no trouble
id wouldn't tell nobody local from
round here anything about it. She tole
me I'd have to feed anybody he locked
ир and keep the jail swept and mopped
ud cleaned. good. She wadn't going to
endure with no dirty jail, she said. So I
promised and Sheriff, he promised, too."
Isat down on the sofa, The cat raised
her head and gave me a green stare. Then,
dosing her eyes again, she laid her head
ack down. I heard the vibrator come on
S. Jerome Luben,” I said. "Is he in
when I carried
Where the hell is this jail?”
I no sooner asked than something
dawned on me. It was like looking at the
flat surface of a pool. You can look ever
so long at the surface and you will see
only the reflection of the sky and the
trees, but then, sometimes very suddenly,
you'll see below it—you'll see a fish or a
turtle.
It had to be the poison house. We
bought farm poisons in such quantities,
П the new poisons and defoliants, the
sprays and powders for controlli
thing from the boll weevil to the
butterfly, plus all the weed killers. I re-
called drawing the check to the Birmi
ham contractor and wondering why
Grandmother got somebody from Al
ama instead of a Somerton builder, but
was Grandmother's money and if she
ated the poison house set off in a field
on the backside of nowhere, then it was
fine with me, because the poisons always
ve me a headache when I had to be
around them. I never went to the poison
house, not I or my father or any white
mam. It gives you a headache, а poison
room does. They say the stuff can collect
in your system and shorten your life. So,
for nine years, I'd been looking at
godd: ad never know
м before wondered
why Grandmother would put up a rwo-
story poison house and have a Birming-
ham contractor build it. Hell, Z could
have built the thing. Only when you are
busy as 1 am all the time, with one sea
son falling on you belore the last one
over—starting with cabbage and straw-
berries and rolling right on through corn
1d soybeans and cotton aud wheat and
winter pasture and back to cabbage and
strawberries again—you are so god-
апей relieved when anybody will take
even a little something off your back you
never wonder about it and you get so jo
ever ask questions. Nine years can 0
past you like a moth
never give it a second thought.
"Henry?
аһ?”
"Cut that goddamned thing off and
come with me.” I stood up, feeling light-
headed.
“Cut it off
You heard me.”
But I got to grade these eggs”
Who feeds him his di z
hz
Jerome Luben
He cut off the vibrator, wiped his hands
ad reached beneath his apron and
aled out his watch, He looked at it and
then shucked off the apron and threw it
onto the wuck-scat sofa before sticking
the watch back into the pocket of his
gray work trousers.
> need you to go." he said. He start-
nd would have gotten in his truck
s though to close the matter between us
once and for all. 1 give him credit. He
was letting me have my chance to stay
of it.
“Get in my truck, Henry.
He froze again. "You don't have to
go,” he said.
"My truck.”
He gave a sigh and turned then and
went slowly to my truck and climbed into
the passenger seat and slammed the door.
I dimbed in beside him and started the
engine and felt the air conditioner take
hold and start to cool me. It was the first
I knew that 1 was sweating so heavily; it
was cold sweat and dried beneath my shirt
1 left me clammy.
I pulled the arshift down into
drive and accelerated out through the
utc, over the stock gap and into the dusty
single Jane that spun between the pas-
tures, deep and green on both sides of
Next came cotton acreage, then a bi
field with corn st ar down beyond
it toward the bottoms. and beyond the
corn the groves of virgin cypress timber
far down in the flat distance like the far-
way rim of the world, as though beyond
that contained edge of green there would
be nothing else, just blue space and
stars. West Tennessee gives thar feeling
nd if you grow up with it, it never
Jeaves you, It’s big and lonely
lion miles from nowhere—tha
ing. 1 turned through the gate
tires slapped on the iron pipes spanning
the stock gap and the poison house
was straight ahead. I pulled around be-
hind it. Sheriff's car was there, parked
mrod straight on the neat gravel a
the side of its white front door was à
bove the seal the word SHERIF
1 below the seal in neat
black lettering: OFFICIAL BUSINESS ONLY.
The sawed-off shotgun was racked for-
ward against the dashboard and the two-
way radio that he always left on was
king to itself when I opened my door,
cut the engine and climbed down.
Henry didn't move.
I said and slammed my door.
He opened his door and climbed down.
"No need you to git mixed into this
ou
[9]
seal and
©1974 R. J. Reynolds Tobacco Co.
it wasnt for Winston]
I wouldnt smoke.
Taste isn't everything, It’s the only thing.
‘I smoke for pleasure. That's spelled T-A-S-T-E.
That means Winston. Winston won't give you.a new image.
All Winston will ever give me is taste.
Attaste that's very real. If a cigarette isn’treal,
it isn’t anything, Winston is for real.
The Surgeon General Has Determined
| That Cigarette Smoking Is Dangerous to Your Health.
PLAYBOY
148
mess, Mr. Jim
chance.
The radio
something,
itself,
“Follow me,” I said and headed for
the door. It was a pl minum storm
door and before ] opened it, I saw the
desk I propped up behind it,
True Detective or some such
magazine. His hat was on the costumer in
the corner. When I went in, grateful be-
cause the building was air conditioned,
he didn't stir. Maybe he thinks it’s Henry,
or maybe he just doesn't care, I told
myself.
Henry was behind me. The door clicked
shut. Sheriff licked his thumb and turned
a page. His blue gaze passed over me as
though I didn't exist. He looked almost
the same as he had looked the day he left
for the Marines, the same tan, the same
blond crewcut, the same innocent baby
face. Then he saw me. The swivel desk
chair creaked and he came forward until
his elbows were on the desk. Then I
smelled it. Henry had gone by me now
into what I saw was а kitchen adjoining
the office. I smelled rancid food and un-
washed despair and tired mattresses
stale Cigarettes—I smelled the s
every jail in the South, from Mi
Corinth, from Memphis ro Bil
Charleston to Birmingham I
them all and every little town between.
Finally, it is the smell of human fear, the
scent of the caged human
years of that, one y
the last, palpable as dust.
"Nice place," I said.
Sheriff looked at me, not sure yet what
1 knew. Give him credit, he's cool, 1
thought: my blood, my kin, my flesh, And
Thad as much hand in spoiling him rotten
as anybody. Maybe that’s what they teach
you at the University of Mississippi,
where I played and raised hell for four
years before the Army got me. They teach
you how to come home and continue to
spoil the little brother in the family by
letting him do what he damn well pleases.
Every family needs one at least with no
responsibility at all to burden him. Here
ours,
“You never seen it before?” Sheriff said.
He hollered at Henry: "What you doing
g me another
er muttered
asked something, answered
to
smelled
scramblin his
eggs.” Henry tum nd stood in the
Kitchen door, holding a pickle jar. I
could see the yolks and the whites. So
they fed him cracked eggs, the same as any
other prisoner in Sligo County. Henry
stood patiently. He was looking down at
the jar. In the opposite hand hc held
the lid.
5
“His—upst
look up and
below surf
"What the hell you talking about?
id Sherilf.
* whose dinner?" Sheri
1 Henry. He didn't
low, a sunken,
said.
"He knows," Henry said in the same
sunken voice.
1 found the car," I said.
“Oh,” said Sherill.
“The red car and a driver's license
nd
. now you know about him,"
Sheril said. "Figured you or Dad, one
was bound to come to the poison house
someday. I'd say it was my office and you'd.
go away and not worry, How come you to
find the car, Jim?
“Just unlucky. A Do-Right wants some
old tools and machinery"
“I told Henry I'd bust his ass if he ever
let it out. Didn't I tell you I'd bust your
Henry?”
yes, sah
Want me to feed him? It's
time.
“Goddamn it," Sheriff.
soddamn
е one question," Т said.
1 heard eggs hit the hot skillet
Shoot."
"Why would you lock а m
keep him locked up nine years?
You Why would I keep
him so long? It’s a fair question, I never
intended to leave him in here longer than
just overnight to teach him а lesson. He
passed through Pinoak that night doing
ety. 1 risked my life and never
until the son of a bitch was
lights and siren and.
g my car a fit. Goddamn him. He
could have been the death of us both.
He looked at me with that blue
re of innocence and passed his fingers
over the crown of his close-ropped hai
nd he swore at me.
о you locked him up for nine years.
You buried him alive because he cussed
you and he was from New York. Do you
know how long they'll keep you in prison
for this? Did it ever dawn on you
“I know all about it,” he said.
"God help u id. "God help us—
Henry's in it. Fm in it!"
"Look—go upstairs and talk to him.
Please? Go up and let Jerome explain
how it He understands it
and” He stopped talking and stood
up and took some keys off his belt and
went to the steel security door and un-
locked and opened it. I climbed the con-
crete stairs with Sheriff behind me
There was a hallway at the top with a
cell on either side of it and two windows
anda toilet and lavatory in cach cell. The
cell on the ad book
shelves on every wall to the ceiling. The
cell on the left was closed. I saw the
a slender, 1
wearing blue jeans and lo
‘Tshirt. He was cl
was cropped close to
work
up and
mean Jerome
above n
caught h
ight was open and
head like Sher
typewriter
and he м
book lay open beside him on the desk.
“What's for lunch?” he said. Then he
saw me and pushed his chair back, On
the rug that used to be
a pattern of
the cell floor lay
in my grandmother's рано
roses. "Who's this, Sheri
"Ics Jim.”
"What a surprise, I'm Jerome Luben:
He came to the cell door. swung it open
and put out his hand to me. We shook
hands, "So what brings you here?
“He found your car,” said Sheriff.
Henry told him.”
“You just now found out? Told any-
body?” He was handsome in а Jewish
and looked none the worse for we
There was premature gray at his temples,
just a touch.
Not yet I haven't told anybody," I
And
wa
Luben looked at Sheriff. "Why don't
you leave us alone for a few minutes?
Tell Henry to hold my lunch. Need to ex
plain things to Jim, don't 12”
Sheriff nodded and turned and went
back down the stairs. I heard the security
door clank shui
“We can sit in here, if you said
Luben, leading the way into the cell on
the right. “My library,” he said.
I recognized two of Grandmother's
parlor chairs and one of her floor lamps
t be upset Because what hap-
pened couldn't happen again in a thou-
ada million- years. I'm not angry,
you see that, don't you?
“Yes?” 1 said. “But what the hell hap-
pened? This is the ruination of my fam.
ily—the end."
Its not the end. Listen to me. It's
back in 1963 esh out of Columbia
Law School. I'm driving like a bat out of
hell, with no respect for anything—ask
ing for it. I've got long hair and a beard
and I'm smoking grass and everybody who
thinks the war in Vietnam is right is a
pissant in my book, shit beneath my feet.
Get the picture? I'm bigger and richer
and smarter than the world, the entire
fucking—pardon me—world. I know
Southerners do not use those words.”
"Nor often, no,” I said.
“So your brother stops me. Polite? A
complete gentleman. 1 tell him to cat
shit. 1 hit him, I spit on him. I'm beggi
him to lock me up so I can be some kind
of goddamned martyr and get. my ass in
jail and шу name in the papers and on
television and go home to New York
be a fucking hero. Now, understand, my
father has washed his hands of me three
years санісг and put my moncy in a trust
that keeps my checking account over
flowing. I mean, he's rich and my mother
was rich and she's dead and I've told him
what a capitalist pig he is and he hopes to
God he will never see me again. I'm
scorching the highway in the backward.
backwoods, medieval South, and who
stops me? Your brothe
"Lord have mercy," I whisp
"He brings me here. He.
red.
nd Henry
“You know, you're really not all that abominable.”
PLAYBOY
have to carry me bodily. I'm not coop-
ating, Then I blew it all to hell.”
"How?"
“I demanded my phone call.”
“Phone ca
“Phone call. My lousy phone call. And
Sheriff had to tell me there isn’t a phone
Isaid what kind of fucking jail was it with
no phone? I said did he realize what was
going to happen to him if I didn't
get my phone call? Did he know that he
had arrested a lawyer—a member of the
New York bar, an officer of the court, a
graduate of Columbia and much else?
Did he know how fucking rich I was? Be-
cause I was going to make a carcer out of
him. I had nothing else to do. I was going
to make him and Henry and anybody else
responsible for building a jail and lea
a phone out of it suffer until they'd
they had never been born! Oy:
I began to see. I began to see it all. He
went on. He was smiling now, that was
the wonder of it:
nd he finally had to tell me that his
grandmother had built the jail and he
wasn't really a sheriff, not even a deputy.
I had rolled a joint and was blowing
smoke at him and getting high and 1 told
him as soon as he let me out, I'd sce his
grandmother in prison, and himself, and
poor old black-ass Henry. And that did it.
He was due to go to the Marincs. He had
already enlisted. He went away and left
Henry to feed me.”
I didn't want to let myself think what
І was thinking. In the chambers of my
mind's memory, I saw the red Jaguar in
the mule barn. 1 heard the door chunk
shut; I felt all the finality of our family's
situation. Coming down to it, I saw that
it was me or S. Jerome Luben.
Luben was saying, “I’m sure Sheriff will
keep his мога. in which event ГЇЇ be free
next October. Not that I will leave.” He
frowned. “I find this hard to believe. 1
therefore know how difficult it may be
for you to believe.”
“Believe what, Mr. Luben?"
“That I'm finally rehabilitated. That
I love the United States of America, that
I'd go to war for my country if asked to
serve. T I'd even volunteer. Inward
things—I’m clean, I'm thinking straight.
He'll unlock the door in October, you'll
see.”
I knew I'd have to kill him. I felt my
heart stagger. He must have seen a change
in my face. He looked at me quietly.
“After you're free, what will you de
I asked. We'd bury him and the automo-
bile. The casiest way would be to poison
him, to let him die quietly in his sleep.
and just as he had been carried into
Sheriffs prison—unresisting but not co-
operating—so would he be carried out
of it and put deep in the ground. It was
the only way.
Luben smiled. “Are you ready for this?
I like your brother.”
My look must have asked him who he
was trying to bullshit, because he drew a
breath, smiled again and went on talking.
All the pressures of New York and the
world outside and his troubles with his
father and the other members of his fam-
ily, the drug scene, the antiwar movement,
the hippie underground, he was saying,
all that passed away once he was locked
up here, apparently for life, “АЙ that
shit, all those pressures were suddenly
gone. I say suddenly like it happened
overnight, when, of course, it did
maybe four years getting anywhere
h myself, trying to bribe Henry to let.
me escape, screaming at night. Then I
decided to cut my hair and get rid of the
beard. Sheriff had already told me I could
have anything I wanted within reason, as
long as T bought it with my own money.
These books, this library, the typewriter—
I've got nearly every worthwhile book
there is on penology. What started as a
lot of shouting back and forth between
Sheriff and me became long, leisurely con-
versations. He taught me how to play
dominoes. I used to enter chess tourna-
ments in my other life. Sheriff taught me
dominoes—a simple game but really full
of genuine American integrity. When I
got tired of dominoes, he went home and
got his Monopoly set. It was his kindness
and his honesty and, at some point, it
came to me that I liked him. T saw at last
that there had been no forfeiture of
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ity on his part. You follow me?"
"m not sure,” I said.
“All I’m saying is that I did wrong. He
arrested me and when I threatened him
like I did, in effect 1 locked the door on
myself. Now, after ten years, almost, you
ce the result. You see what I've become
Which is what?" I asked. I got the
feeling you have when a salesman goes
too fast and gets close to selling you a bill
of goods. In a desperate way, I wanted to
believe there wouldn't be any need to kill
him. The thing about him was that he
was so goddamned nice and likable and,
what's more, his voice and his accent re-
minded me of Sheriff's voice, just a touch,
or maybe an echo, but it got to me where
I lived. Yet I knew it couldn't be possible
that he was really one of us. He was a
New York Jew and a lawyer and he had
to hate us. He was dangerous as a rattle-
snake. “What arc you now?" I asked.
“A model prisoner, а rehabilitated man.
This is a copy of an essay for The Ameri-
can Journal of Penology," he said, open-
ing the top drawer of а little olive green
filing cabinet. “Wrote it in my spare
time.” he said, laughing a quiet litle
laugh at his own joke.
I looked at the title page. "Some Prob-
lems of Local Authorities in Administer-
ing Small.Community Jails and Lockups"
and, under it, “By Solomon Jerome Lu-
ben, B.A., LL.B.” “Well, nice, real nice,”
І said. My hand was trembling.
“That’s nothing. Take a look at these.”
you can have it, free
And he grabbed a long tube of rolled-up
papers from the top of the nearest book-
shelf and started unrolling it on the li-
brary table.
Seeing the back of his neck, I thought
maybe it would be better just to shoot him
when he wasn't looking. If I knew Henry
and Sheriff, they'd leave that part up
to me.
"Don't you want to see this?" he asked.
“АП right." And I moved in beside
him and looked.
"Front elevation," he said. "Innovative
design, eh? Wait till you see the modern.
features!"
All I saw was a long building.
“I'm financing the whole thing, We
break ground in October, when I walk
out of here, The end of the medieval
monstrosity that has been the bane of
every small community in the South.” He
peeled the top shect aside. "Of course,
there'll be а wall. Now, this is your floor
plan, your maximum-security block. Din-
ing hall is here. Exercise yard. Library, of
course. Kitchen. Sheriff and I have been
two years planning this little jewel.
Like it?”
I stood dumfounded. Again he said his
fortune was sufficient to see the place
built and maintained. He, S. Jerome
Luben, would be the administrator.
Sheriff would provide the prisoners, of
course, Henry might need help in the
kitchen, with so many additional mouths
to feed. "We'll have to cross that bridge
when we get to it." A dreamy look came
into his eyes. Small-town mayors and city
officials would be brought here, in grcat-
est secrecy, of course, he said. It was his
plan to see what he called “Sheriff's great
idea” applied all over the South, for
openers. “Ultimately, of course, it will
sweep the globe. Once they see how it
cuts all the red tape. No criminal law-
yers getting some bastard, some baby
raper, some fiend out just because his
confession got the case thrown out of
|, no court. Just the jail to
all jails, with an indeterminate sen-
tence for everybody. No mail, no phone
calls, Just. . . ." And he snapped his
fingers.
“Where would you plan to build
I asked.
“Why, here, right here! Can you ima;
inc a better location for the first one:
He pceled the next sheet away. “These
are below ground—solitary confinement
cells, soundproof, totally dark. I tell you,
Jim, when Sheriff and I get through with
this thing, it's really going to be some-
thing! Oy?”
I couldn't think what to say. I couldn't.
think, period.
“What a plan, what a beautiful fucking
plan,” Jerome Luben was whispering.
The steel door opened and clanged
below. Footsteps on the stairs; it was
Henry—bringing the eggs.
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PLAYBOY
182
physicists did that sort of thing, you'd
soon stop reading articles оп physics, too,
The whole thing would be funny if it
weren't so serious. These people are not
just arguing an abstract point in math
matics; their discussions are going to get
translated into policy. These questions.
volve taxing and spending, the buying
power of your dollar, the future of invest-
ment programs, the value of your savings
rights, the auractiveness of
oving to some fon
of buying а house. It’s not just a
duch of doubledomes dancing in the
footnotes. Those guys with the horn-rims
are wrecking your economy and your
chances for survival within it Their
problems. their confusions, their errors ai
either going to be corrected or you're
going to pay for them
OK, but doesn't President. Ford have a
h a name like Whip Inflation
ign country, the wis
Yes. and it’s about as relevant as а pro-
gram to Whip Gravity Now. For instance,
one of Ford's cures for snakebite is 10
"Learn how to use credit wisely. Postpone
necessary borrowing. Wait for interest
мез to come down, as they will" But
this is saying that newly created. purchas
ing power (a bank loan) is a cause of in-
flation—which it is—and if that’s bad.
then why doesn't the Federal Reserve
Board issue regulations to prohibit the
tem fom making any new
iking 5
loans? The Fed has full power to do that.
But who ever heard of a Government bu-
reaucracy accepting responsibility for the
results of its own regulatory decisions?
And interest rates will. most assuredly not
come down so easily. They did not rise to
historic heights because you and I were
living it up on credit cards. Interest rates
rise because lenders see further monetary
inflation ahead, causing further rot in the
buying power of the currency; they ask a
“If you don't like my coffee, how do you
like this, fascist pig?”
price in terms of the interest rate to com-
pensate them for the expected loss in buy-
ing power of the cash they get back when
the face amount of the loan is paid. If
Ford thinks interest rates аге coming
down, then he must think we should be
buying long-term bonds as а smart spec-
n. If he were in the investment-
advisory business, he'd be out of work
within six months. peddling quack ideas
like that.
Professor Ford's next answer to the
problem of gravity is, "Save as much as
vou can and watch your money grow,
which it will." He can't really mean that,
сап he? Suppose we all put all our money
into coffee cans. The country would go
onto a barter economy. We would be un-
able to function except at a greatly re-
duced level of economic activity. It is not
the existence of money that Creates infla-
tion or rising prices; it is the excessive
creation of new money—bank loans—and
this is permitted and even encouraged by
Governmental policy, not by you and me.
И you and I create money, its called
counterfeiting, right?
Dr. Ford also proposes that we "con-
serve energy, save on fuel and take the
pressure off scarce supplies.” Every natu:
val resource is scarce—that is, someone
‘form work in order to find it
е it usable. The way to econo-
mize is to let the price express the scarcity.
The most desirable girl in town can ас
cept only one dinner date per day; her
time is a scarce resource, А thousand guys
would like to take her out for a hot dog
and a root beer. She finds herself, how-
ever, saying yes to champagne and cha-
teaubriand. But why did Ford pick on
petroleum as a supply whose market be-
havior somehow sed inflation?
Every item in the market place has а
price because it is scarce. Ford must. be
g that the cure for inflation is for
ll to get along with less and less of
everything. With one great exception:
Like every politician, he never proposes
that we get along with less and les money
creation. Не owns the counterfeiting
chine and he intends to keep it runi
full speed
has ca
say
ng
The whole thing, | repeat, would be
funny if it weren't so serious. And the
whole thing rests on the old and very
tired ideas made popular by John Ма
nard Keynes in the Thirties. He held that
the Government could cure unemploy-
ment by engaging in monetary inflation
without harmful side effects. (Inflation
here means an increase in the money sup-
ply beyond whatever increase might be
enough to keep the price level fairly
constant.)
Along with this notion of Keynes's went
the notion that if you inflated the money
supply to achieve full employment, you
would automatically have boom times, the
IF YOU’ VE TRIED TWO,
YOU HAVEN'T
TRIED THEM ALL.
IMPORTEL
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м
(Smirnoff, white creme de cacao, milk)
This drink is aptly named. (
We couldn't discuss it among k
ourselves without arguing. à
Otherwise, wed have told you
about it ages ago. ر
We agreed on the Smirnoff Wil Г
We agreed оп ће creme de cacao. That's a problemwe hadn't
But was a White Elephant faced before. This drinkchas
made with milk? About that, 2 ozs. of liquor in it and if you
we couldn't agree. don't notice it at first, you are
So, we tested the drink both sure to feel it later. So,
ways. The milk version won. hopefully you'll treat it (and
hands down. “Delicious, tasters ^ yourself) with respect.
told us, “Youhardly know To make a White Elephant:
уоше drinking liquor" Рошг102. Smirnoff, 1 oz. white
“That’s why we opposed creme de cacao and 102. milk
putting milk in the drink in the into a short glass with ice. Stir.
first place!" said the people who e E
had opposed milk in the first
place. “It goes down too easy.” leaves you breathless*
perpetual quasi boom of the Keynesian
paradiso. Well, we have had 30 or 40
years of those policies in Washington.
Let’s look at the record. The unemploy-
ment rate was 3.9 percent in 1946. The
money supply was 100 billion dollars.
Since then, we have printed enough
counterfeit money—that is, “created new
purchasing powcr through the banking
system’ —to treble the money supply. It
is now almost 300 billion dollar. The
unemployment rate? Worse than before,
Around 7 perce ion, far from
curing unemploy kes it worse in
the long run
One element of the situation that de-
serves close atten y
of Government budgets. This factor has
been important in the accuracy of the
forecasts prepared by orthodox econo-
mists. In the past eight years, the Federal
expenditure has doubled, but almost 90
percent of the increase has come in pro-
grams thar are uncontrollable. Director
Roy Ash of the Office of Management
ind Budget says that uncontrollable items
account for three quarters of the Federal
budget.
What are these items and why are they
beyond control? Most of them are direct
handouts to individuals. Once the Con-
gress has passed a law setting up a system
of handouts, it finds it politically difficult
k down. For another thing. before
set up, there's no
n is the inflexibi
going to come around with their
out. Year after year, the claims keep
getting bigger and bigger—cl
the relief programs, Social Security
icare, retirement plans, payments to d
abled miners, disaster relief, Railr
Retirement
Hence, a new feeling of doom. Not only
the New Economists but more and more
American citizens are joining the ortho-
dox economists in fecling that a mon-
мег has респ created in Washington, а
nonster that is growing ever more threat-
ening, more destructive and more un-
controllable, For the first time in our
history, there are respectable numbers of
people who think the system itself{—Gov-
is out of control. There is w
ir. The stock market is
saying it can't sce beyond tomorrow, so it
prices a stock such as Exxon at six times
earnings, down almost 50 percent from
its high of a couple of years ago. The bond
markets are saying money isn't going to
be worth much, so you have to pony up
ten or twelve percent in order to borrow
two-year money. The labor market shows
all the signs of interventionist distortion—
high, inflexible and rising wage rates for
those lucky enough to hold jobs, coupled
with unemployment that also seems to be
high, inflexible and rising. Corporate
profits are weakened. Corporate y
is at an all-time low, Many industries—
“Look closely, ladies and gentlemen, and tell me if this man
has the equipment to be a rapist.”
blic utilities, the steel
difficult to raise new
ion. Wall Street is a
cemetery. The banking industry is in a
critically frail condition—all loaned up
longterm and unable to meet payments
on shortterm debts without luck or
subsidy. Brokerage houses, banks
anctals) are being crushed. А man I've
known since 1955, a Wall Street profes-
sional, last year lost everything he had—
simply by owning bluechip stocks in a
margin account, Mutual funds are down
40 and 50 percent in net asset value. S.
ings banks watch as their deposits drift
away.
In the midst of this unspeakable chaos,
we find economists in positions of power
mouthing the same old formulas from a
dead dreamer whose solutions have been
proved to be worse tl
A. Samuelson, the illustrious economist
whose textbook taught the nation that
we have nothing to fear from inflation,
now says there is no hope of finding any
feasible policies to offset the problems we
— problems caused in large part by
his very own policies.
There is one man, to be sure, who has
the answer to the problems caused by in-
flation. He says we should lick our plates
dean, give up expensive women, plant
rhubarb, stay healthy and brag that уе"
те
penny pinchers. If he could only perform
simple arithmetic, he might be brought
to understand the problem. But he’s over
the hill.
Perhaps because the President seems in-
sanely removed from the realities of the
problem, like a man chasing butterflies
in the midst of a volcanic eruption, the
people are beginning to panic. They ar
for the first time in 30 у alking about
a depression, There are prophets of doom
nning about the land, saying the banks
will close, the stock market will crash to
200 on the Dow-Jones index. all prices
will collapse save those of gold and silvei
They say mobs will roam the streets, shou
ing for bread. They advise you to head
for the hills. Buy a cabin in thc north
woods! Buy food in ип Learn to
sew! Put your moncy in an old sock!
Plant beans! ОЙ up your trusty Ai
lock! Learn to read books again! Grab
blonde! Forget reading! Refuse to pay
taxes! Hole up ti blows over! .. . and
so on.
Will there really be a great depression
once again? Well, the same people who
have brought you a correct analysis of the
present situation. (who foresaw it 20 years
earlier) are now іп a position to issue а
rather encouraging forecast. There is not
going to be a great smashing depression.
If the Government continues its present
mixture of recklessness and ignorance, we
ight stagger along for 30 years or more
before we reach the end of the road. (Eng-
land has been mismanaged since 1890 at
153
PLAYBOY
least. H will reach the end of the road be-
Tore 1980. That will have taken 90 years.)
Vast economies, with world-wide connec-
tions, created by large and intelligently
ptable populations, can withstand. in-
credible quantities of abuse, mismanage-
ment. taxation, regulation, inflation,
corruption, neglect. Bur there is always
n end to such trends. The quest
will the end come soon?
No. There has never been a serious de-
in ds,
n that was not related to а great
in the money supply. Under the
current institutional arrangements. it is
possible to foresee such a deflation.
Therefore, we shall not have a great de-
pression. But this may only mean that
we'll stumble along for many years of the
present mindlessness. Long-term rates for
stock market will follow the course of cor-
porate profits, sometimes following, some-
times leading; it won't enter a great new
upswing, but it may very well finish 1975
higher than it started. Unemploym
will remain about the same or get worse.
Crime will risc, as will the suicide rat
the insanity rate and oth es of
ial stress or decay.
Will а man on horseback ride onto the
mal scene and capture the people's
tion with his clean new visage, his
mcas
n of
ppen, but
there is no fundamental need for the story
to work out that way. Inflation causes
higher prices and the misillocation of
capital, leading to a lower standard of liv-
ing and a rising emphasis on specul
It does not necessarily lead to dictator-
ship. Collapse, despair and misery are the
secdbed of dictatorships. Or mi
defeat.
Muddling along for years to come—
that's about the outlook, unless we get
some people into office who know some-
thing about what they're doing. We need
new and correct interpr s of the real
world, and this means we don't need the
cher type who tells
us inflation is a sin for which we must
the penalty. There
chastisement we must
tion is simply a deliberate Gove
policy that happens to be dead wrong.
Many writers on inflation show a com-
mendable ability to retrain themselves
until the very end of their discourse,
fundamentalist pred
whereupon they take off into some ethe-
real region of moral judgment, usu:
l
dressed up in the rhetoric of the binge E
the hangover. I happen to agree that there
is a moral dimension in the universe that
our peril, but 1 also happen
eve that we are paying the price
right now amd don't have to await the
Day of Judgment for the wages of infla-
tionary sins.
Every time the buy
power of the
154 dollar goes down, there is a genuine loss
of wealth by all those who hold cash,
cash equivalents, dollar-denominated con-
tracts, pension rights, fixed-income rights,
ad so on. They suffer now for the distor-
tions caused by inflation. Everyone who
has to put up with shabby goods because
he can’t afford better is suffering nox
inflation is the birthplace of shabbiness.
Everyone who, with naive patriotism, fol-
Ford's silly advice is suffering now
to daim that some future generation must
for the current. inflation. We're all
ng for it right now. That's why the
called his economists together to
study the entrails of the royal bird. The
peons were growing restless and His Maj-
esty sought а conciliatory gesture.
Does anyone enjoy some benefit from
inflation? There are, of course, vested.
terests in inflation, They are, mainly, poli-
ficitns and bureaucrats, but there are
hundreds of other groups who mistaken-
ly think they are somehow favored by the
oings on. Government salaries have risen
much faster than any other salary group
in the country. Workers who get their pay
increase carliest can trade their new money
for items of value in the market before
their pay increase has caused the money
supply to rise and cause a general rise in
prices. If all prices and wages could rise
simultaneously and at a uniform rate, no
one group would ever feel benefited by
оп. And there are millions upon
millions of individual patterns and deci-
sions that have been built on the assump-
ion of a long contin infla
acts, pension plans, real-estate
ations, insurance programs, depreciation
schedules, tas s... It would be
bad public policy to upset all of these
ат ight, in the name of
n end to upsets.
But can't something be done—other
n licking our plates clean? Sure, The
Government could move very slowly to re-
тит to а perfectly balanced budget. Tt
could slowly withdraw from the financial
markets. It could slowly remove its hobbles
from the free market. It could return grad-
ually to a policy of stabilized money sup-
ply. The proposals are not new. But the
idea of putting them into effect gradually
should be yelled day and night at every
bureaucrat and every legislator in Wash-
ington—the town where overkill cast is
followed by overkill west, day alter day,
ший the population reels in confusion.
bility,
Note: Whereas the usual critic of the
free market complains that it's the law of
the jungle os to be replaced by
the rationality and orderliness of Govern-
ment planning, it is actually the reverse
that is true: Government planning leads
to planned chaos, and the invisible system
of free-market orderliness is the only
substitute.
As for personal investment survival in
the immediate period. there is no magi
formula, and you should beware of апу.
one who claims he has the magical secret
of wealth. Starting in 1970, I have advo-
cated increasing the proportion of your
portfolio invested in gold mining shares
or equivalent by ten percentage points
for exch year of the decade. This policy
should continue to provide adequate pro-
tection during the uncertain period be-
tween now and the resumption of sane
policies in Washington. Some time before
that resumption, the stock market will al-
ready have correctly forescen the glimme
ppier times and will have started its
next ten-year bull market. Consequently,
it seems wise to prepare for that moment—
gradually, again—by moving into common
stocks beforehand. A very aggressively
managed portfolio right now would be
50-50 gold (or other precious-metal posi-
tions) and short term market instruments.
Starti id looking ahead to the
eventual return of sane policies in Wash-
ington, you could move from the money-
market instruments into common stocks,
perhaps on a program of ten percent of
narket value per year.
What kind of stocks?
The kind I call Old Man River compa-
nies—companics that make and sell prod-
ucts thar have an excellent chance of
being bought, year in and year out, during
good times and bad. Companies without
major labor-union problems. Companies
ively immune to Government regula-
rerference. Companies without
too much debt. Companies with strong
cash positions. Companies with а long
record of steady growth through thick and
thin and a good prospect of extending
that trend into the next ten or twenty
years. H you buy stocks in such companies,
even times current carnings,
acquiring a cash dividend that amounts to
ven or eight percent of your purchase
we putting your money to
ay that will look pretty wise
n hindsight.
I don't mean to minimize the problems
we face. Bur it is evident that the prob
lems would seem far worse if there were
no answers. There certainly are answers.
good ones. There are theories that ех
plain the origin of the present difficulties
and that have correctly anticipated them.
Thus, the problems, though large, are not
mysterious or insoluble. It is only a m
ter of getting the good word from here to
there—from the minds of the many great
economists who have stuck to the truth
into the minds of the officials and the
spokesmen who have it in their power to
set the stage for the next great economic
miracle, H they will ever so gently remove
their fect from the country's neck, it will
rie up and star running again very
nicely.
mined
That Cigarette Smoking Is Dangerous toYour Health.
ККЕ өрер ыр UT UR CM T
DOS MUR Me ہیں با BL ole Vols ыг. =ч
Pon) spas ole ер RH
Warning: The Surgeon General Has Deten
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Be
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THINK SILVA THINS 10
156
CHARLES W. EUSH
ROBERT TOWNE the screenplay’s the thing
AFTER A LONG hiatus, the Hollywood screenwriter’s name has
meaning again in the movie credits, and Robert Towne, 39. is
one very good reason why, As the writer of Chinatown, he has
assured himself an important place in the 1974 Academy Award
sweepstakes. (Towne got a 1973 Oscar nomination for his
adaptation of The Last Detail, reworked especially for his old
friend Jack Nicholson.) Our picture of him may seem strange,
but it’s apropos; Towne often walks at night in the mountains
n fact, Chinatown took shape during
nighttime strolls. A native of Southern California, Towne can
remember the area as Raymond Chandler described it—lush
and pastel, the air filled with a sinister kind of excitement—
and a feel for Chandler's L.A. permeates Chinatown, which
may eventually have a sequel. Although Towne wrote his first
story at the age of five, he did some other things—commercial
fishing and mortgage banking—before settling into screenwrit-
ig. He put the final polish on Bonnie and Clyde and wrote
the crucial last scene between Brando and Pacino in The God-
father, but he is quick to admit that “actors are а screenvriter's
collaborator; they will, and should, affect the characters." His
career has not been without conflict. For instance, he won't
work with director Roman Polanski again—ego problems, he
says. He removed his name from the credits of The New Cen-
turions after viewing the first 20 minutes of the finished film;
it made him dizzy. Recognition has changed his life very little,
although he says, “It's easier to avoid getting down to work
now.” His newest film, Shampoo, written with Warren Beatty
(who is also one of its stars), opens this month. Currently,
Towne is adapting portions of the original Tarzan novel into
something more akin to his own concerns about the natural
world and its possible destruction. “И I ever made millions, I'd
do something eccenuic—like trying to save an endangered spe-
cics from extinction.” Why not? He's done it with scrcenwri
EDWARD HANNA heat wave in utica
nLUEDLOODS, the fakers and the big shots have been dr
ng this lousy town for too long,” charges Edward Hanna, the
feisty 51-year-old mayor of Utica, New York, whose "people's
government” has been outraging the establishment there since
his election 16 months ago. “They're all in bed together—the
banks, who don’t give a damn, the lousy monopoly newspaper
and the Chamber of No Commerce." Hanna claims that Utica
(Population 91.000) has been struggling under the hi
taxes and the worst unemployment rate of any
ting the situation, he decided: "It was
ive town or run for mayor.” He ran as an independent
and, in a four-way race, won 40 percent of the vote.
utes of taking office, Mayor Hanna ordered the
demolition of five and a half acres of dilapidated downtown
buildings to make way for shops, parks, a Holiday Inn and
Utici's own version of Rome's Spanish Steps. Subsequently,
he has cut the city’s payroll. lowered taxes and managed to
put the budget in the black. Hanna, whose parents immigrated
to this country from Lebanon, owns a rope factory and two
photo-equipment businesses and, until recently, accepted “only
a lousy dollar а year" of the mayor's $20,000 annual budgeted
salary (the law said he had to take it all). He has to be restrained
from writing out personal checks for hard-luck cases when
there are no municipal funds available. No nine-to-fiver.
he spends 16 hours a day in his office, dubbed “the town's
living room," where citizens wait to talk with "Hizzoner" per-
sonally about everything from real-estate deals to barking dogs,
and ıo listen to him roar invective at the city council, the
League of Women Voters and others who oppose him. His
critics say he is tactless (he agrees), that his diatribes are doing
Utica more harm than good, that he suffers from egomania
and won't delegate authority. Undaunted, Hanna counters all
that with, “I have everybody here against me—but the peopl
the country. Evalu
either 1
JOSE SILVA betting on alpha
ack in 1944, a 30-year-old electronics engineer named
Jose Si set forth through the strects of Laredo—for his in-
duction center. Now getting drafted is certainly an unlikely be-
ing for our story. But he wasso intrigued by the psychiatric
quiz he got that day that he went to the library and started
reading up on psychology. Then on hypnosis. Then on br
waves. He was delighted to find that mental activity was meas-
nd he started to visualize the brain as a kind of
"When impedance cquals zero, that's the
ing usc of cnergy.” Later, while operat
ing his own electronics he began working with his kids
10 sec if he could help them tap the deeper impulses of their
minds. Their schoolwork soon showed improvement—but when
they began to answer questions that he hadn't asked, he
he was on to something: "The development of the intui
factor—the so-called h sense.” He continued his research—
at a cost of about ha million bucks—until 1966, when he
taught his first paid “mind control” course in Amarillo. Today,
Silva Mind Control has centers in every American state—it's
also taught in schools and prisons—plus 10 foreign countries
nd the list is growing). It’s a 48-hour, no-machines course
that teaches you to quiet the “beta” activity of your brain—
that's so-called normal consciousness, which keeps tying itself
up in knots—and let the deeper "alpha" impulses be your
guide. As Silva pointed out—he was speaking by phone from
Costa Rica, where he'd just dedicated a new center (next week,
Mexico City; the week after, Atlanta, Georgia) —mind control
is a practical thing: “И can be used for business . . . health . .
education . . . for better family understandings, But that's
not all. Е sion of a new, improved species of
man, tha “We are off base right now, and
we need to become more humane.” Agreed. Mind Control may
not have all the answers, but we need whatever help we сап get.
resona;
ideal situation for maki
JOHN OLSON
EET
we 42
1. BARRY O'ROURKE
PLAYBOY
158
AIME УНШ ШШШ
system. I rcst casy knowing that my
questions NT. answers.
We no longer live with the mysteries
in our past. The evidence I present will
forever put an end to the question of
whether or not we are alone. The an-
cient junketers from space left many
imprints that are still with us today and
will be with us tomorrow (and the day
after tomorrow, and so on). It is my con-
tention that these visitors wanted to leave
something behind to be remembered by—
just as we have done on our moon
trips. They left physical objects (temples,
roads, amusement parks) and something
grander, something that will be with man
until his demise: tools.
When the ancient galaxy-trotters ar-
rived on Earth back in August of 30,000
B.C, they found two types of apes: ordi-
nary apes and apes with a future. The
apes with a future were our ancestors.
They were different from ordinary apes
in that they were rather flashy dressers,
and the galasy-trotters chose the more
fashionable creatures as recipients of
their tools and technology. And so it was
that man took the lead in the cvolution-
ary race. Looking back, I suppose that
every ape wishes he'd had sense enough
to dress for company.
The ancient wayfarers sought to turn
these apes into productive individuals,
but, as always, an ape would rather clean
a friend than listen to an engineering
lecture. As a result, the visitors left
"I'm a friend of neithe:
(continued from page 117)
Earth. As some sort of cosi
left behind their tools
of literature explaining construction,
medicine, mathematics and ballroom
dancing. It took some time before the
apes Iearned to use the tools and then
developed into man as we know him to-
day. Our debt to these ancient space folk
is incalculable. Let us all pray, before we
lay our heads down to rest, that these
ancient space men will not return and
ic joke, they
nd great volumes
ask us to make good on the debt.
CAR WASH AT THEBES
Amid the ruins at Thebes there stands
a perfectly operational car wash, com-
plete with a hot carnauba-wax machine,
capable of handling 30 cars am hour.
Symbols inscribed above the cash ге
(designed to hold goats the common
monetary unit of the time) have been
translated to read No CHECKS ACCEPTED.
BANKS DON'T WASH CARS, WE DON'T CASH
CHECKS. Rather unusual for a society
primarily concerned with not urinating
on its sneakers.
FORKLIFT OF LIBYA
In the middle of Libya's scorching
desert, there sits a Ione forklift. The
Robert Frei discovered it on an expedi-
tion to find the tomb of the late King
Ulat McKay. Instead of unearthing a
tomb filled with treasure, Frei unearthed
a rotting wooden forklift and a bag of
stale coconut chewies. Such a damor was
ni
Es)
aised over how to display а forklift
among the beautiful treasures of the Ber-
lin Museum for Antiquity and Profit that
the historical significance of the forklift
was overlooked. A pity so obvious an ex-
ample of alien presence on our planet
was discarded.
THE GREAT SHOE
Outside Calcutta in the midst of Roy
Rogers Shanty Town there stands the
Great Shoe, an enormous wing tip, size
40,000 DDDD. A few miles from the
Great Shoe, scientists have found the
remains of the Great Socks and the Great
Undershorts. The famed anthropologist
Clara Leoprdet was baflied by the size of
the Great Shoe, Socks and Undershorts
and was quoted as saying, “I wonder if
this giant throws his clothes about like
this at homel"
“THE TEMPLE OF THE TWEED PANTS
For thousands of years, the people of
Tacki Tacki in the South Pacific have
worshiped a pair of tweed pants (with
three zippers, suggesting an anatomy di
ferent from that of non-Latins). Island
legend had it that the God of Clothing
descended from the heavens on a silver-
sewing-machine bird and took a woman
from among the villagers “to mess with
for a couple of hours.” The divinely
duped husband burst in on the god and
his lover and the surprised god dashed
out of the hut and returned to heaven.
To this day, the pants left behind by the
god are worshiped in the hope that he
will someday return for the pants and
the villagers can get his autograph. Leg-
end or fact?
‘THE FRESCO OF THE CHURCH OF THE.
CARPETED CONFESSION BOOTH.
A fresco on the ceiling of this small
Romanian church has Jesus and the Holy
Ghost riding in a flaming rocket, strafing
a legion of Roman soldiers. A bubble
above Jesus’ head contains the words
Geez, what a мау to travel" A more
perfect artifact of the hoary tourists
could not be found.
THE LEGEND OF THE FAT MAN
On the island of Discovered 1934 there
be of extremely thin people
whose calorie intake rarely exceeds 120
per day. Yet the main figure in the
religious mythology is Big Ed, the Fat
Man. Big Ed was supposed to have arrived
island by plane and within an hour
umed all the food the natives
had saved for the rainish season. He com-
plained of gas and left suddenly for the
heavens in search of a bicarbonate. The
islanders still pile heaps of cold cuts and
extra-fancy cling peaches onto the Altar
of the Fat Man (a stone slab made to
look like a brownie). It is terribly ob
ous that the Fat Man wa
lives a t
ап ancient
space person and that a stone brownie
is no inducement for an intergalactic
journey.
THE FUTURE
1 believe I have sufficiently proved that
the Earth has been host to space travelers:
but what of the future? Of course, we can
only speculate, but I am confident that
my theories are sound. Have I been
wrong in the past?
There exists a theory (developed by
the Boys’ Club of Albany, New York)
that beyond our solar system time changes
radically—one day, for example, equaling
50.000 Earth years. If this theory is true,
then only a single day has passed since
the first space folk arrived. We can cer-
tainly expect them again.
1. It is possible that the space people
will return with more tools and knowl-
edge. This could be to our advantage
or to our disadvantage. It would be ter-
rible were they to return with the same
knowledge and tools as the first time
around. Consider what a deadly bore it
would be to have to listen to odd little
men reexplain the principles of proper
home insulation.
2. It is possible that the aliens might
return looking human. We might be un-
able to detect their presence, unless, of
course, we were to ask them who played
first base for the 48 Dodgers.
3. Perhaps the aliens will return and
give today’s apes the tools and knowledge
to help them in their evolutionary strug-
gle. If this were to happen, we could find
ourselves, in a few years, engaged in a
mighty battle with the simians. How long
would an ape sit in a zoo or a jungle if
he had the knowledge to produce nuclear
weapons? Looking to an even darker side,
suppose the aliens gave the knowledge
to insects or plants? Imagine the chaos it
would create with the welfare system!
FINAL NOTE
Since it is inevitable that we will be
visited by aliens again, you should pre
pare yourself for a possible meeting with
one. There are a few simple rules you
should observe for a memorable meeting.
1. Don't panic. Our popular fiction has
taught us that visitors from outer space
can be tricked into stepping on an elec
tified trap. Violence will only give us а
bad name around the univer
Treat them as you would any other
radioactive guest. See that they are com
fortable and don't invite them to speak
at your club or school.
3. If the aliens are giants, as they may
well be, use caution. Do not get them
angry and don't attempt to dance with
them. If they look as though they are
going to sit down in a residential area,
play the national anthem until they leave
To help stop Athlete's Foot
more families buy Desenex:
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That's because anti-fungal
Desenex contains a medically-
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And the number gets bigger
every year.
To help heal Athlete's Foot,
use Desenex Ointment at night
and Desenex Powder, or Aerosol,
during the day.
When used routinely, Desenex
provides continuing protection
against fungous infection.
©1974 Pharmacraft Consumer Products
оопа, cooling
Dedicated footer
Also available in solution form:
A PRODUCT OF ll RENAL CORPORATION
From Country Music’s
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Produced by Eddie Kilroy
On Playboy КЕСУ,
PLAYBOY
160
ELMER GANTRY (continued tron page 118)
thanked the chief bouncer “and the men
you recruited.
That sort of violent demonstration of
allegiance to the national religion is still,
as yet, a sometime thing in the United
States; but in other countries where some
of the same organizations are at work—
supported by the same U.S. dollars—
suppression in the name of patriotic
godliness has become a real burden. Few
leaders of The Fellowship acknowledge
this publicly. One who does is Wesley
Michaelson, legislative assistant to Sena-
tor Mark Hatfield of Oregon. Both Hat-
field and Michaelson have been among
"Washington's most vigorous Christian-
political evangelists and were for years
before the present movement took off.
They are, however, mavericks. They be-
lieve that there is a dangerous and essen-
in some of the
present revival. As Michaelson puts it:
“The latent assumption is that the solu-
tion to political problems is to get people
converted and committed to one another.
[But] overseas some of The Fellowship
people are the same generals who carry
out martial law.”
Campus Crusade for Christ Interna-
ional has sponsored а number of evan-
gelical events in Korea in recent years,
with the help of such church luminaries
as Billy Graham. South Korea is run by
one of the most brutal dictatorships in
the Orient. Preachers who oppose the
government are clapped in jail. William
Кк. Bright, the California businessman
who is president of Campus Crusade.
publicly announced his support of these
jailings on the grounds that if dissent
were allowed, the government would be
in danger. The only thing that matters,
said Bright, is that “in no country in the
world, including the U. S., is there more
freedom to talk about Jesus Christ tl
in South Korea.” Imprisonment to sup-
press religious freedom is wrong, he con-
ceded, but imprisonment to suppress
political freedom is OK.
“Really? It’s mandatory?”
mpus Crusade has close ties with the
that now dominate the
rcligious scene in Washington and has at
times pushed its influence into the White
House. Julie Nixon Eisenhower and a
number of Congressional wives meet
periodically for Bible study at the home
of Mrs. George Page, who is affiliated
with the national Campus Crusade for
Christ (Some of Washington's best
snoops, including columnists Rowland
Evans and Robert Novak, have spread
the rumor that it was the prayerful Julie,
always а favorite of Ford, who got to
him at a moment when he was feeling
Christlike and persuaded him to speed
up the pardon.)
С.С.СІ. president Bright's wife, Vo-
neue Bright, cofounder of C.C.C.L,
received the Churchwoman of the Year
age’s president
is Chicago insurance man W. Clement
Stone, whose $4,000,000 contribution to
Nixon also made him the biggest sup-
porter of God's chosen one. Nixon got
R.H.A's Churchman of the Year award
in 1970, George Romney in 1969.
Although neither Campus Crusade nor
Religious Heritage has advocated violent
suppression of sin and dissent, they have
worked closely with our Government in
propaganda campaigns. When dissent
was really busting out all over in 1970,
Religious Heritage of America’s Progress
Report (signed by Stone and by Wallace
E. Johnson, president of Holiday Inns of
America as well as chairman of R.H.A.'s
executive committee) noted: “President
Nixon has asked Religious Heritage of
America to undertake a program which
would ease tensions in our nation and
unify Americans. R.H.A. is embarked on
a ten-point program to achieve that." The
crusade would include a press campaign,
bumper stickers (1 Love AMERICA), an ad-
vertising blitz through the Advertising
Council of America ("Selling America to
Americans”) and a TV series entitled
The Miracle of America, starring Pat
Boone.
These aren't moi
ers who are finan
R.H.A. newsletter chirped, “
to Eddy Scurlock (chairman of Sci
Oil Company. Houston) for obtaining
the loan of a Learjet to fly Pat Boone
from Las Vegas to Washington so Pat
could sing the national anthem at the
religious service. And a big thanks to
Harry Smith, Big 3 Industries, Houston,
for loaning [sic] the plane. Harold
McNaughton, Palmdale, California, was
the first to come through with a $1000
gilt to help pay the hotel bill. .. . Bless
you, Harold.”
Don't shrug off R.H.A. as a business-
suited equivalent of the D.A.R., either.
Since R.H.A. was launched 24 years ago—
“to deepen our faith in a power behind
creation, to which we all feel a sense
of awareness and responsibility, as ап
and-pop store own-
antidote to communism"—it has lured
most of our biggest
nting for its awards,
y. There is a deep
this organization,
als and moderates in public life
are 1 not to join its activities. Along
with rightists such as Nixon and Francis
Cardinal Spellman, hallelujah-for-
America fes ies have also drawn the
likes of R. Sargent Shriver and Arthur
Goldberg (despite а memo to him from
a friend, warning that he might find him-
self “being used by rightwing extremists
when [you act] as honorary chairman of
the Washington Pilgrimage of R.H.A."),
along with pillars of Am such
В. De Mille, Lawrence Welk
and Paul Harvey
The turnout of moneyed opinion
shapers at R.H. A's annual America
anquet likes to hear such mes-
sages as that brought by Dr. Ernest L-
Wilkinson, past president of Brigham.
Young University. He pointed out t|
all our troubles started in this coun
h President Franklin Roosevelt, whe
€ strayed nent by di
nd relied more on government by
1 intellect’ h he meant
aders who told us “we must abandon
our former principles in order to ‘help
the poor! ‘protect minorities! "provide
its
[rom go
ме are being
ncer of moral
е” Asa result,
plagued by a cree
decay."
Does an outfit like R.H.A. ha
It was largely responsible for pe
dout?
Congress to stick the phrase
God
into the Pledge of All
nce, and
roup that cin pull off an abomina-
on like that is capable of anything.
The most celebra igious bonfire
in Washington is fueled by the
ship Foundation, The Fellowship, too,
has clout of a disturbing sort. For ex.
aple, when a swarm of Vietnam veter:
ans showed up in Wash: st year
to lobby for more vete and
Gib ts fares eames) гето O ПО
Mall. But the Na ark Service re-
fused to give them a permit. At the very
same time that the vets were h
shooed away, an outfit called CI
the Answer showed up in Washington
and asked permission to throw up two
Circussize tents and park the
of double-tandem trucks, cov
evangelistic messages, right on the Mall,
one tent right next to the Washington
Monument and the other next to the
Smithsonian museum. They wanted to
hold a monthlong revival. The Park
Service at first turned them down, too,
claiming that the Constitution frowned
on using Federal land for church work.
But aftcr Christ Is the Answer officials
met with the Senators who belong to the
Fellowship Foundation, the Park Service
THE ANCIENT
TEQUILA ARTS
OF MONTEZUMA
Montezuma ruled during the
Aztecs’ golden age. so the Halls of Mon-
tezuma probably echoed with the
sounds of celebration quite often
Today, you can rediscover the spirit
ofthe Aztecs, according to Montezuma"
Tequila, by looking atthe Aztec calendar.
This ancient calendar, called the
Sun Stone. has an inner ring of twenty
symbals. one for each day of the Aztec
week. These symbols also suggest what
kind of drink might be appropriate
for each day's celebration
Tequila Pina. The giant
condar represents
the 16th Aztec
day, symbolizing
rare pleasure.
The drink
Shake 15202.
Montezuma
Tequila with
З oz ріпе-
apple juice,
1 oz. lime juice,
sugar то taste.
Serve on Pb
racks in
Collins Ө)
glass. NY
COZCACUAUHTIL
Tequila Pup. The loyal dog
symbolized the 10th day
inthe Aztec week, repre-
senting faithful compan-
ionship. The drink; Міх TZCUINTL
in shaker with ісе, 1% oz. Montezuma
Tequila, 1 teaspaan honey, juice of 1
lime, dash of bitters. Serve in cacktail
gloss.
©1974. 80 proof. Tequilo. Borton Distillers import Co..
Tequila Earthquake. A circle with
radiant arms symbolized the 17th
Aztec day, representing the power то
move mountains and get a party shak-
ing. The drink: In blender, combine Ж од.
strawberriesand | [корс grenadine.
OUN Add 1% oz Montezuma
Tequilo, dash oforange bitters
and ice. Garnish with lime
slice and fresh strawberry.
Mexico Martini. The elegant
jaguar rep-
week, symbol of
graceful enjoy-
ment. Thedrink:
Stir with ice,
2 oz. Monte-
zuma Tequila,
1 oz. dry Ver-
mouth, 2 drops
vanilla extract.
Strain into chilled
cocktail glass.
Tequila Carambo.
The brave eagle rules
the Aztecs’ 15th
day, symbol af
free-spirited
fun. The drink:
Shake with crushed ісе 134 oz. Morte-
zuma Tequila, З oz. grapefruit juice. 1
tablespoon sugar. Add club sada, serve
in highball gloss.
Montezuma Tequila. In White. In
Gold. Made in the tradition af the finest
ancient requilos.
For all twenty ancient Tequila Arts
recipes write: Mantezuma Tequila Arts,
Barton Brands, 200 South Michigan
Avenue, Chicago, Illinais 60604.
And may Tonatiuh. the sun god,
smile on your celebrations.
Montezuma
TEQUILA
the nablest tequila of them all.
CUAUHTLI
New York New York
161
PLAYBOY
changed its mind and let them set up
their tents and preach against dissenting
vets, against abortion, against queers and
against dirty magazines.
The Fellowship Foundation owes most
of its present notoriety to the fact that
chief apostles allegedly converted
les Colson to Christianity and gave
his dirty-tricks licutenant, Egil "Bud"
Krogh, Jr., a prayerful send-off before he
went to jail for his part in the burglary
of Daniel Ellsberg's psychiatrist's office.
The Fellowship Fe ion's long-term
basis for fame is thar it has taken over
much of the work of its predecessor, the
ІСТІ.
То understand the dangerous side of
the current religious movement, one
should go back to the beginnings of the
LC.L. in Seattle in 1935. Seattle was a
center of labor radicalism in those days
and the local businessmen were kl
it would llame up in widespread strikes.
The business community launched I.C.L.
under the guidance of Abraham Vereide,
. arrogant, pious fellow who, be-
Seattle, was an itinerant
her in Montana who
liked to strut around with a six-shooter
in one nd and a Bible in the other.
e many immigrants (Vereide was a
native of Norway), he was determined to
be more ionic than the native-born.
Later he would boast that he “was led
to take the offensive against corrupt,
anti-American forces that were infecting
his community, The heart of a ing
immigrant was the womb in which 1.C.L.
was conceived by God."
So successful was Vereide
Methodist pr
Seattle that
viking heart
tricks to the nation’
servative politicians and industri
helped him launch the I.C.L. Once agai
the purpose to develop an atmos-
phere that protected the status quo and
retarded dissent, By the Fifties, he was
going great guns.
As in Seatile, the Devil
was portrayed as "anti-Americ.
or communism. It fitted in perfectly with
the spirit of the Fifties, with the spirit of
icCarthyism, with the spirit of Eiscr
hower's big-business theology. It was the
era in which godliness апа anticommu-
m were one and anticommunism and
proestablishmentarianism were one.
In 1953, Ver d his big-business
backers—with à ist from ho-
tel magnate Conrad Hilton—persuaded
isenhower to establish the National
Prayer Breakfast under the auspices of
Vereide's 1.C.L, Billy Graham became a
fixture at it and for the next 15 years he
delivered a sermon at the annual event.
Among the officials of the I.C.L. in the
Fifties and Sixties were men such as John
C. Broger, director of the Armed Forces.
Information and Education Directorate
162 at the Pentagon. Broger, who was also
or to Admiral Arthur Rad-
ford, Chairman of the Joint Chiefs of
Staff in the Fifties, was the fellow who
later authorized the broadcast to U.S.
troops overseas of a religious series pre-
pared by the notorious bigot and rabble
rouser Gerald L. mith,
Sometimes the LC.L. appears to have
been no more than a propaganda arm
of the Pentagon, It produced the film
Militant Liberty, which was conceived
by Broger and produced by Frank B.
ahr as part of the LC.L.'s “world-wide
against commu
s adopted by the Department of
Defense for its training program.
At the height of the Vietnam war, the
National Prayer Breakfast was one of the
White House's most important podia for
selling the war as a sacred venture. Gra
ham told one of the breakfasts that “there
are those who have tried to reduce Christ
to the level of à genial and innocuous
appeaser; but Jesus said, "You are
wrong—I have come as a fire setter and
а sword wielder.' ” L.B.T. liked tha
There has always been а strong mil
тагу tone to the Natio
fasts. Not only have the U.‘
chorus and Navy Sea Chanters by
hand for the hymn singing, not only have
Imirals and generals been there to de-
liver the prayers and addresses. not only
have the lay ministers chosen blood-and-
guts topics for their sermons but, at a
more practical level of brainwashing, the
breakfasts have often been broadcast to
hundreds of n y bases, where many
thousands of military personnel convened
for simultancous prayer exercises. A
few wears ago, the prayer breakfast
was broadcast to 1400 military bases
ound the world, touching the minds
of 200.000 Servicemen, Members of the
resident's Cabinet will often give s
mons at the breakfasts, Congressi
leaders will often tell how God influenced
their lives. But needless 10 say, no equal
time for the program; no
atheists. The thousands of military per-
sonnel who tuned in must have got the
idea that all their leaders, bathed in a
n cocoon of certitude, thought С
tianity was the cat's meow. There was no.
suggestion that many of our leaders are
paralyzed by honest doubts and d:
mic fears about their own and the nati
future. America, like its flag, scemed to
snap smartly in the breeze.
The LC.L/Fellowship Foundation
spends nearly a half million dollars а у
not only on the ^
fast but also to support hundreds of
mayors’ prayer breakfasts and governors’
prayer breakfasts and — professional-
athletes’ prayer breakfasts and campus
ayer breakfasts. It’s uplift all the way.
ner New York nkee star Bobby
ame a representative of
the Fellowship of Christian Athletes and
his pitch was just super: "God's Hall of
mostics 0
wi
Fame is for eternity.” Allen Morris, the
Miami millionaire realtor who helped
rst Orange Bowl prayer
contributed 10 an or-
izers’ handbook the advice that at ev-
ist God should be thanked for
ngs of living in America, of
dozen or
breakfasts cach week for
s to brass (but no
radical mixing of ranks): опе of these
sessions, according to The ? York
Times religion editor, Edward В. Fiske,
єз place at 6:30 л.м. every other Tues-
when "before concentrating on mat-
ters of war and peace, а dozen admirals
and generals assemble in the Secretary
of the Army's private dining room at the
Pentagon lor coffee, doughnuts and 90
minutes of Bible study.
This is nothing new. of course. When
Laird went in as Secretary of Defense,
he summoned the top-ranking military
chaplain and asked if the Pentagon had
yer room. He was informed that
there were dozens of rooms already in
ad hoc use for prayer and worship, but
none specifically des ed as a prayer
room. "Build one" he ordered. and it
was done. Generals who were about to
send mare bombers into the North Viet-
mese air to kill nonbelievers regularly
went to Laird's Meditation Room for a
spiritual briefing ahead of time.
Out of the Pentagon have come such
zealots as General (four-star) Ralph Е.
Haines, Jr., who was in command of all
U.S, Army land forces until he quit the
Service in 1973, after receiving the Holy
t at а Full Gospel Business Men's
ip Intei nal meeting. He
shucked his uniform with the dedaration,
“I would rather be a pri
of the Lord than a general
Sometimes it's hard to tell the
тсе,
‘The Full Gospel Business Men's Fel-
lowship International, which claims “His
banner over us is low has set out to
lert every member of Congress, the Su-
preme Gourt Justices and the President
to “the invasion of the green atheistic c
cer of communism which has so stealthily
extended its corrupt tentacles into virtual-
ly all arcas of our national life" and that
ic minority are actually control-
country." Judging from some of
ty
pates in a protest
igainst war or d ion. One of the
ЕСЕ МЕГ favorite pamphlets for
proselytizing is a speech by the chairman
of Acacia Mutual Life Insurance Compa-
ny, who warns that “if communism were
to prevail in this country—life insurance
would fail!” That level of evangelism, the
F.G.B.M.F.1. claims, has lured nine Sen-
ators and 23 Congressmen (including
Ford when he w
meeting:
tagon, there are
more prayer
everyone from cler
satanic minor
s still in Congress) to its
Most of them are leaders in the”
“Christianity? I thought you said to teach them choreography!”
163
PLAYBOY
and The
current prayer movement
Fellowship
As already indicated, the alliance of
the military and the politico-reliei
movement in Washington is so close it
looks like Thor has come into his own
at last. Scratch a member of The Fellow-
ship and you will almost invariably un-
believes in
g power of the Senate Prayer Break-
fast is Senator John Stennis, chairman of
the Senate Armed Services Committee. Te
way through Stennis’ nomination that the
Senate selected as its chaplain the Rev-
erend Dr. Elson, a retired colonel in the
U. S. Army Chaplain Corps. Elson is one
of the guys Johnson sent to oversee the
South Vietnam elections in 1967, as a
way of laying a sheen of respectability
on the dictatorship.
The Fellowship is always quoting some-
body like Lieutenant General Willard S.
al or Admiral Radford or General
Mathew B. Ridgway to the effect that
“the Spiritual Power of God is the an-
swer ro communism.” For a long time,
ne of the LC.L/s vice-presidents was
Lieutenant General M. Н. Silverthorn,
U.S.M.C. (Retired), who took time out
from praising God to help put togethi
the Victory in Vietnam Banquet Cor
mittee of America’s Victory Force in
1968.
of Amcrica has
the same ties. Its award for Clergyman
of the Year in 1974 went to Rear Ad-
iral James W. Kelly, former Navy Chief
of Chaplains, Colonel Paul H. Griffith,
ional commander of the Am.
n Legion and former Assistant Secre-
y of Defense, was once R.H.A's
president.
But putting aside the m istic lean-
ings of the prayer leaders, there remains
their just plain thuggish attitude toward
the general publi ight of the
Vietnam war, Stennis prods
Society programs with the billions they
are gulping down should be relegated to
the rear. . .. They should be secondary
to the war,” He put them secondary by
voting against Medicare, the poverty
program, urban-ussistance funds, child-
care programs, legal services for the poor,
manpower training and food stamps.
Does that sort of voting record come
from divine guidance? Ste ists that
he is in tunc with God and that when a
gunman shot 1 the lung several
months ago, he survived strictly because
high hand” intervened on his behalf.
Stennis’ counterpart as the most vig-
orous supporter of the House Prayer
Breakfast was, until he left Congress this
year, William Jennings Bryan Dorn of
South Carolina. “I like to think that
when I come out of there,” said Doi 1
am a little more tolerant and sweeter to
people.” In fact, his voting record shows
g4 that he would go to any extreme to cast a
vote against the general public, especially
if the vote would reach down and im-
prove the condition of the poor and
neglected.
The Congressional prayer groups are
packed with fellows like that—Dixiecrat
scribes and Republican pharisees. The
day of the Senate Prayer Breakfast “is the
best day of the week,” brightly beams
Senator Jennings Randolph, the portly
fellow from West Virginia. “At the end,
when we join our hands in prayer, you
n feel the grips tightening. You sense
that we are going out strengthened.”
Strengthened for what? When Randolph
first went to Congress more than a quarter
ry ago, he was a vigorous New
voted by his colleagues
the member who did most for his con-
ts. Nowadays, he works mostly for
nterests of coal-mi s and o
ics. After 78 men were killed in
an explosion in Consol's number-nine
mine at Farmington, there was а strong
movement on Capitol Hill, a movement
eventually successful, to write an effective
coalmine-safety law; Randolph, partici-
pating in what The New York Times
called a "skulking maneuver" directed by
the National Coal Association, wied his
best to gut the reform legislation. What
з pray for when he holds the
hands of his colleagues at the weekly
The LC.L/Fellewship Foundation
does not tell whom it gets its money from:
it wies to keep that a secret. But it is
t some of The Fellowship's
more generous support has come from
outfits such as the Eli Lilly Endowment
ad the Pew Memorial Trust (Sun Oil
Company money), both of which have
helped keep alive such right-wing groups
as the Christian Anti-Communism Cru-
sade, Truth About Cuba Committee and
the All-American Conference to Comb:
Communism, organizations whose pr
mary purpose is to keep Americans
shaped into rigid political orthodoxy and
to spread the Gospel that “un-America
ism" is the most venal of all si
The Fellowship Foundation lives from
the largess of such businessmen as that
nameless executive (presumably with an.
n its 1973
ancial s s having donated
tics to be derived from certain
rights located in the continental
shelf of Australia. Four months later, the
rights were sold (probably back to the
donor; that kind of "charitable" shuffle
the oil industry) for
tement
is common
$360,000.
The Fellowship now ha
$3,500,000 estatc—its 20 acres being опе
of the last big hunks of private real
estate in the center of Washington, D.C.
If the deal gocs through, this estate
will be general headquarters for the па-
tional prayer and politico-Christi
movement to be headed, apparently, by
its eye on a
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165
PLAYBOY
“Sorry, Mac, we got no eight-year-old masseuses.”
Senator Harold Hughes, who dropped
out of the Senate in January 1975.
Hughes recently conceded that “we've
been praying for it [the mansion]. We've
asked the Lord to give it to us. If he
does, we will consider that several
ades have taken place.” This is the kind
of sanctimonious hyperbole one must
ly, The Fellowship hasn't
asking the Lord for the mansion
rly so much as it has been asking its
fatcat supporters, and if they come
through it will be no miracle, for money
flows easily in the trough of these pious
patriots.
In the late Sixties, The Fellowship's
tone underwent a subtle change. Partly.
this was because the godly Vereide
went to his heavenly reward in 1960.
Partly, it was because, with Nixon,
F.H.A's 1970 Churchman of the Year,
going soft on international Commu
ts, the religious crowd felt it expedient
to begin tuning down the old hard line.
Anyway, it was no longer so fashionable.
The wild anticommunism of the Fifties
no longer sold so well: Witness the de-
cline of Dr. Carl McIntire, who still
preached a rabidly anti-Communist line
166 but could muster only a handful of sup-
porters for his marches in support of
Nixon's war policy. The prayer leaders
on Capitol Hill felt their image slipping:
Their ranks were too heavy with the
likes of the late Congressman James B.
Jtt of Orange County, California (ho
orary doctorate from Bob Jones Univer-
sity). “Frankly,” said the Congressman
who headed the prayer movement in the
late Sixties but who wants to rema
anonymous for obvious reasons, “we had
a pretty lousy reputation. Most of the
people who showed up for the prayer
breakfasts were hard rightwingers, Elk:
Club types. After they said a prayer, y
almost expected them to yell, ‘OK, bring
on the girls!’ I decided it was time to put
a different image on the group. so 1 be-
gan getting people like Mo Udall to
come around.”
It paid off. The reputation of the
Capitol Hill prayer groups did improve.
They seemed slicker, more contemporary,
more sophisticated—or slightly more.
The God they invoked was still a capital-
ist god, He still loathed communism, He
still sniffed at dissenters, He still vomited
on military deserters. But He was also
more decorous, He was now a more ac
ceptable God, in that He wore a vest
and, like most high-class lobbyists around
town, had a spastic colon for which He
drank milk regularly.
Vereide's mantle fell on the shoulders
of Douglas Coe, who had been an assist-
ant to Vereide since 1959. Under Coe,
politico-Christianity on Capitol Hill has
heen reduced to the roll of a Welcome
icim is verboten. It is a
nity with all the character and
ency of Saran Wrap. fitting neat-
ly and sanitarily over any bowl of politi-
cal-corporate corruption. Odor is reduced
to a minimum. The essential mission of
The Fellowship remained what it had
been undi i i
“personal”
coveting your neighbor's wife and de-
emphasize the public immorality of steal-
ing elections,
So, natura
it was just the kind of
having done what he could to blacken
the reputation of Ellsberg and hundreds
of other Americans on the “Enemies List"
that he helped concoct, he became bored
with life. The source of his conversion is
significant. He claims that none other
t Thomas L. Phillips, president of
the Raytheon Company, started him
up the sawdust trail. (Raytheon is one
of the nation’s biggest defense contrac
tors.) One day, whi i
Boston, he ran into Phillips,
friend, and told him he feeling low.
“Try Christianity for a pickup,” Phillips
said, or something to that effect. Phillips
urged him to put himself in the hands of
Coc when he returned to Wash
Coe processed Colson thr
the faithful—Senator Hughes, former
Congressman Graham Purcell and Con-
gressman Albert Quie. The proce
entailed prayer meetings at which
Hughes, Purcell and Quie prayed over
Colson, sometimes wept over him, and
brought him into The Fellowship by
holding his hand and hug
Hughes is a great believe
contact.
To say that the world was skeptical of
Colson's intentions is putting it mildly.
It was suggested that his conversion was
prompted by everything from mental de-
hydration to a crafty effort to help Nixon.
The skepticism was, of cour based
mainly on the difficulty of believing such
quick change could come to a man who
was, as one editor noted, just basically
rotten.
And the skepticism, as it turned out,
was apparently justified. Hughes assured
reporters that ^this baby in Christ" as
he called the hatchet mau, would forth-
with tell everything he knew about Wa-
страте. But Colson's rebirth of candor
didn’t pan out. He refused to publicly
admit in [ull detail his rascality, refused
10 implicate any other wrongdoers in the
Watergate mess, refused to disavow his
allegiance to the biggest crook of them
IL ‘The only thing he said he was sorry
bout was that the tapes had been re-
leased. When CBS interviewer Mike
Wall 1 Colson (who was being
accompanied by his spiritual keeper
Hughes) if he had wied to "make amends’
for his more obnoxious actions, һе
that he didn't think reform meant having
"to go back and пу to redo things . . .
done in the past." Furthermore, he denied
having pulled most of the dirty tricks
Wallace menti "Well," said Wallace,
no doubt voicing a common bafilement
among 60 Minutes’ viewers, "I confess
you leave me somewhat bewildered, then,
as to the meaning of your faith.” And on
when а Newsweek re-
porter tried to pin Colson down on what
his new faith meant in practical terms,
© turned the question away with the
d of fluffy response that is typical of
pout
а half hour or more to explain it all
ce. Peace. Serenity. It is hard to
Jt is clear that for such men as Col-
son and, indeed, for men at his level of
Government who are charged not with
crimes but only with antisocial mischief,
The Fellowship serves beautifully as a
kind of Lighthouse Mission for the Pow-
erful, where they can get a free bowl of
good publicity and a deloused cot on
which to sleep off their latest, if not their
last, power drunk.
Why would a fellow like Hughes want
to quit the Senate to become some sort of
high priest in an outfit like that? He is
no Dorn or Randolph or Stennis. He is
a decent man, judging from his voting
record. Why would he want to act as a
paid front lor this crowd? And what €
actly will his duties be when he leaves
the Senate and joins The Fellowship
professionally?
At this point, such questions disappear
down a black alley. Hughes has inten-
tionally built a mystery: “I have no fully
structural outline of the initiatives I will
take in this new work, but the arrange
ment 1 have with the two foundations
[Fellowship and LC.L] leaves me almost
unlimited freedom to proceed in w|
ever creative direction 1 consider best."
It is obvious that one of his duties,
whether he interprets them that way ог
not, will be to serve as a pious envoy for
top-drawer rascals in need of a patina of
repentance. It is also probable that he
will help lead the gullible Christians of
America away from thinking about things
like crooked corporations and into think-
ing about alcoholism, a nice diversion.
Hughes is a veteran Bible thumper on the
I-was-a-drunk theme: "I was beaten to my
Knees in despair [by alcoholism]! 1 cried
out to God, and from that moment my
lite changed!" he roared at the 1974 Na-
tional Prayer Breakfast audience, bring-
ing them to their feet with cheers and
thunderous applause, thrilled at the spec-
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167
PLAYBOY
Tus scarlet cape right over the horns of
thar old devil, demon rum.
Give him credit for full sincerity: the
question remains. is that all he hopes to
get out of turning to the lay ministry
just a chance to beat his breast? Which,
after all, is something he had been doing
on the side (for money) during his Senate
carcer. Isn't he cooking up something else
on God's back burner?
^ reasonable guess is, yes
to use his lay ministry as a launching pad
for the Presidency. He wouldn't be
William Jennings Br
Hughes, dropped out of Congress
himself
President:
over the country
the pol
from Bry
cian, he wa
the evangelist, As a politi
always spouting Scripture,
lways couching his political deba
nalogies and Biblical pl
no accident that Bry
most famous
shall not. press down upon the brow of
labor the crown of thorns, you shall not
crucify mankind upon a cross of gold!"—
sounded like something C ghi have
bellowed from a dark cloud over Gol-
hi
It worked. for Brya
the grassroots Christians,
. the populistic plain folk sal
thecarth types everywhere loved this
pseudoprophetic approach to ро
for him three
there
wing folks to put
weren't enough. God-
him in ihe White House.
Bryan, has a big chest and
voice:
Hughes, lik
a big sut and a booming
Bryan. he is ardently
Bryan, he seems to inspire co
that mythical creature, the "little man.”
Hughes's physical and intellectual appeal
like
on the evangelical circuit was accurately
forecast by the greatest of boondocks
columnists, L. T. Anderson: "Hughes
looks like an evangelist. It is easy to pic
ture | а cowboy hat. If Hughes had
Colson’s sins and a name like Jimmy
Tom, there would he no limit to what he
could accomplish, even in a crowded
field.”
Not only is he an exdlrunk, he is also
an ex-foorball player,
an ex governor «
(ows) and a lot of c
to good colorful political copy. He
exdawk. Nowadays, he sounds as
pacific as the dove that settled on John
the 1. He claims that if he
and we were attacked by
the he would not retaliate
ator ut never forget that this very
canny, practical Christian supported the
à ex-truck driver,
foursquare state
her exes that
war in V а until very late in the
me.
Hughes was a hardline supporter of
Johnson’ y umil John.
168 son's last year in office, at which time it
ither cour-
ion. What
admirers tends
to forget today is that in 1965, it was none
other than its hero who helped recruit
support for the war by putting together
a governors’ tour of Vietnam: this was
the tour on which Romney later claimed
he was brainwashed, Hughes's fans also
conveniently forget that he didn't change
his position on the war until his most im-
portant fund raiser tment-
store owner, told him to cither drop his
hawkishness or get somebody else to col-
lect money for his c;
dden, Hughes had
Like n
obviously had
reasonable to
gelism h: ictical side, 100. Like giv-
him a powerful political base from
which to 1
1968, when his third term as
would end. but Bobby
nedy persuaded him to run for the
stead. Presumably, he could now
be talked into disrupting his ministry to
run for the Presidency. Hughes does not
pretend he is absolutely leaving politics
forever. come what will. Quite the con-
trary. In just about every interview he has
had in recent months, he has left the im-
pression that “if God calls,” he will try
ministry
low;
for the Presidency.
What could he sweeter eater?
Here he will have а builtin campaign
organization stretching into every nook
nd cranny in the nation: prayer groups
on every major ver groups in
nization,
yer groups in Congress—all bubbling
with people who, whatever their party
alliliation, would be only too cager t
out and ring doorbells ог pass the hat
round the corporation board room for
their man of God, and, best of all, much
of it being done with tax-exempt dollars.
God will provide.
One can safely predia that a solid
front man like Hughes would win the
financial support of Christers such as
з Phillips: Spyros S. Skouras,
of Pradential-Grace Lines;
keeper J. Willard Marriott
(chief backer of Honor America 1
Billy Graham's idea): nt Stone;
and an assortment of oilmen—a group
whose enthusiasm has been so evident in
Washington's spir
а politici;
of wo th . The
Hughes to the Den
with the reasonable expectation that he
would be an casy candidate for a Repub-
lican 1 Ford to knock off. After all.
Ford has own prayergroup back-
ground: Hughes couldn't upstage him
ау an anointed of God. Furthermore.
Hughes has a kookie side to his religion—
or a side that most people would consider
kookie—and that would be easy to rid
cule. Wait till square America learns that
Hughes believes he talked to his de:
brother through till
square America 1 hes be-
lieves іп exirasensory perception. It
would titer all the way to the ballot bo
The second. possibility to explain the
support of the establishment for Hughes
is that whether or not he runs for Presi-
dent, he will be the most eloquent fellow.
it could possibly recruit for spreading
the word that America is blessed, take it
as it stands. forgiving corporate and pol
ical sins. looking away from the
Exxon is stealing us blind and to
bliss of the sweet by-and-by. Hughes's ver-
sion of Christianity is not likely to upset
the profits of Tenneco and Mobil
Lockheed. He will preach that we
kind and ‘ous people, that wi
sically а churchgoing,
people, that we want to
just like Mobil's ads say in The
York Times. lt is the kind оГ n
пу that bluuts sympathy for the torch
and the dissident march. As the black
football player from Baylor told Nixon.
and C at thei
revival: “Fd be the v
ihe country today
Jesus.
Poor old Hughes sounds 1
ready being suc
can and will use Watergat
a rebirth of this
ive a better life—
New
ost milit
E hada
t in
t found
Why Water; 2 Why not Vietnam?
Or the Ala Pipeline? Why not the
Lake Superior pollution? Or ar Cor-
ners? Why not the oil companies’ profits?
Why has God decided to we Wa
Can't God see the big pictur
Whether or not the piety of W
ton is sincere or false makes no difference,
of course, except as it helps v
across the nation for phony pr
harmful politicians. In 1968, Gr:
all-but-official endorsement of Nixon was
used constantly in TV campaign commer-
for Nix
tists’ most
are about
country. In
m, after all.
xd mired ballyhooer,
25,000,000 Baptists in
his inaugural praye
ham thanked God for help-
п the selection of our leadership
ter that, hé stuck so dose to Nixon
that he won the unwelcome title The
plai Graham was,
many of his critics feel, pressing quietly
for the unofficial establishment of a n
tional civil religion, a re
nds on its political
a religion that was summed up
ly by Billy: "We should work
but all we can really do is patch
up, because the real war is in man's
nd there
this
over
стрме.
makes no den
aders,
“Гое got great news for you, Charley . . . I'm not frigid after all!”
PLAYBOY
170
‘own heart. Only when Christ comes again
will the lion lie down with the lamb
and the little white children of Alabama
walk hand in hand with the little black
children.”
As early as 1970, knowledgeable rel
gion writers were reporting thar Graham
and other like-minded Christers both in
and out of Washington were hoping to
n interdenominational movement
way by 1973, molding together
the 25,000,000 Baptists with 15.000. 000
other conservative Protestanis—a poten-
tial wave of 40.000.000 prayers and votes
th indeed, be hard for dissidents
and liberals to swim against. The distrac-
tions of Watergate interfered with that,
disrupting its crucial base in Washing
ton. but now the momentum could be
redeveloped
Ironically. the only voices—few, in-
deed—heard speaking against the estab-
lishment of this civil religion come not
from the places you might expect: not
from the irreligious, that is. They appar-
ently aren't aware of what's up. The few
voices of protest come mostly from with
in the professional religious movement,
nd mostly from mavericks who have lit-
tle or no following. Even more ironically,
the most eloquent voice of warning comes
have
under
would.
“Really, Helen—
from dead center in the political-evan-
gelist movement, from Senator Mark
Hatfield, who was Graham's personal
choice for the Vice-Presidential spot on
the 1968 Republican ticket.
Hatfield has warned “how dangerous
it is to merge our piety with patriotism
a merger t sults in rhe belief
‘that God has blessed and has chosen
America as He did Israel: that [George]
Washington was like Moses, leading the
people out of bondage into a new land:
and that the Constitution and the Dec
laration of Independence (and remember
their authors were mostly deists) were
written after inspired prayer meetings.”
Hatfield became so upset at what he
feared was a drift toward a civil religion
that he once contemplated making a
public starement denouncing the Nation
al Prayer Breakfasts. Instead of di
that, however. he accepted an. invitation
to address the N.P.B., where he told the
shocked gathering, “We sit here today as
the wealthy and the powerful, But let us
not forget that those who follow Christ
will more often find themselves not with
comfortable majorities, but with miser-
able minorities.”
reception was noticeably chilly.
just because he wasn't all
you expected last night."
GOOD OLE RHODES SCHOLAR
(continued from page 122)
Vanderbilt, but
interfere w
struction jobs instead, emptied ashtrays
at Columbia studios, tended bar and
drank beer at the Tally-Ho tavern, made
his eager rounds with a battered guitar
and taped demos of his songs. The first
of the new breed. he encountered the
same old hopeful faces everywhere he
went, Marijohn was one, in a way, though
older than most and with more conven-
tional songs. College-cducated, she had
spent her first years in town trying 10
remember to drop her gs so as to fit in
She introduced him around. He met Chis
Ganny (Sundown Mary and Dreams 0]
the Everyday Housewife), Mickey New-
bury (Just Dropped In), Топу Joe White
(Polk Salad Annie, Rainy Night in Geor
gia), Dennis Linde, Steve D: у
Swan, Donnie Frius, Vince Matthews,
Red Lane
They were big, strapping, handsome
guys in Levis and boots, beginning to
smoke dope and get all haired over in
the fashion of the times. They could be
w touchy as Hell's Angels yet
mly supportive of one another,
hugging as unaffectedly as they fought or
seduced or drank or wrote songs—most
of which didn’t go. “We weren't com-
mercial,” Kris says wryly. "That was a
dirty word, because we weren't.”
ijohn says his first melodi
Williams
he said no, it would
h his writing. He found con
were
work
but she thought his voice too unusual, too
distracting, and persuaded Mel Tillis and
Johnny Duncan to come in and sin
all over Music Row hc toted his demos,
his own songs in other men's voices.
Two of his sidekicks were Li
all and easygoing, with blond
and a talent for leathereralt
for songwriting, and Vince
hig and intense, with
dark
Matthews,
ent eyes and
way of talking effusively into your
more damply as the ev
Matthews never finished high school and
tolferson still marvels at how
he handles concepts such as
nd angst, frequently mispronouncing
words because he has encountered them
only in print. The two in a way are not
much different from Kris. Both have writ-
ten songs as moving and witty and in-
sightful as many you see on the charts,
and both perform. As members of the
new breed, they'll probably never appear
оп Grand Ole Opry, but then, Kris never
did, either.
He moved in with Lambert and Lam-
ben's girlfriend. It was a two-bedroom
$50-a-month apartment. “There was no
furniture,” Lambert says, tipping back
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bed and somehow—I don't know—Kris
got the bed.”
Matthews joined in the laughter in а
way that said this told you how Kris
was, Looking awed even now, he stid:
"From the moment that fucker hit town,
he was a star. From that fist party.
everybody was talking about his songs.
Lamber ah. he'd already been
touted as a boy superstar. And guys at the
Pally-Ho were always talking about маг
they were gonna do, you know? They're
still there and still talking. But Kris was
doing He was a great gift giver.
1 was making leathergoods and I guess
half of it went to Kris for gifts, usually to
high-powered people.” But not always. Pat
Floyd, who used to work in Marijohn's
office. still has one of those leather purses.
Lambert stubbed out a Salem. "You
know, he wouldn't smoke anything but
Bull Durhams. There are only three or
four arettes that are hard to get like
that, Picayune, Home Run. But he chose
one of thosc.
He had this way of reluctance, you
know?" Matthews said. “Like, he was re-
Juctant to record. then he was reluctant
to perform or be interviewed. He was
always reluctant. Reluctant with chicks,
too. Hell!” Matthews gulfawed admir-
gly. "He knew what he was doing.”
I used to call him Golden Boy," Lam:
bert chortled. "Used to Le him off and
he'd say he was gonn: ch my lights
out. That was a saying of his. Billy Swan,
he’s got one eye and he pissed Kris off
one time and Kris ‘Billy, Im gonna
punch your light out.
а duker,” N
id he re-
called a time when he was working an
outoLtown club and Kris was in the
audience. A couple of beefy red-necks
were heckling Lambert, who finally had
enough and called them ou went
t ended
hı. But Kris was ready.
Г
along. "He didn't have to and
up we didn't
He was read:
Yet not many actually saw him fight
john said it happened once at her
house. with Faron Young. According to
Kris, Young had called him а phony,
kept it up and a tussle ensued. It was
called out of respect. for Marijohn's
furniture after they ended up sprawled
the fireplace.
"How do you two feel about him now
that he's made it?" 1 wondered.
Lambert: "I'm behind him. I like him.
I'm jealousof him.
And Matthews rolled back on the car-
and laughed
dur
Matthews never paused. "He's
n. He's pretty and sexy
and talented
а мат, man.
pretty.
and brilliant
nd rich and famous—he's
The Tally-Ho taver
now, the Cot
has a new name
пту Corner, but it’s the
same place—a Southern tavern, loud and
smoky and hash, with touchy Southern
male egos bumping around like snooker
balls on a threadbare table, the sort of
place long-hairs wisely stayed out of in
the Sixtics. A handlettered sign on the
wall reads: PATIENCE/MY ASS/PAL Gov"
OUT/AND KILL SOMETHIN”.
Among the glossy photos of country-
music stars is one of Kris, grinning, in-
scibed in his angular scribble to the
"Cathy, 1 Jove you, but I'm glad
I don't work here no more.
Beside me at the bar is a chubby,
round-faced man in a sport shirt, drink-
ing Budweiser from a sweating can. He
introduces himself over Waylon Jennings’
jukebox voice. He remembers Kris.
“He was real dean-cut then, not like
some of the others. І oi knew him to
say hello, but we got into an argument
once, It was right when Luther King was
killed and | was popping off about the
colored people and finally Kris said he
had some black blood, his ndmother,
or great-grandmother, I don't know. I
don't know if it was true. But I felt. bad.”
The man went quict, sipping. "But he
was the cleanestcut guy ever came i
this place. I guess he’s not that now
Kristofferson, in yesterday's jeans, is
on the plane to Albuquerque, sipping a
bloody mary and talking about his last
days in Nashville. His songs had sold from
the start, he conceded—Dave Dudley had
recorded Vietnam Blues and Roy Drusky
had done Jody and the Kid—but after
that came long dry spells, the last of
which had stretched itself out until he
thought it would smothei
"4 had written Help Me Make
Through the Night and it wasn't go
Man, I pushed it to everybody
duets, comedy acis; shit, anybody. 1
knew it was gonna be a hit someday, but
it looked like was gonna bc alter 1
was dead.
“Our second child was born with a birth
defect and | ran up a 510,000 medical
bill and I had $500.a-month support pay-
ments to make. I went down to the Gulf
and took a job flying helicopters out to
the oil rigs. I commuted to Nashville.”
When his contract at Buckhorn expired,
Marijohn suggested that he move to Com-
bine, a bigger house, He did. and just
about then it all broke open. He and
Shel Silverstein had written Your Time's
Comin’ and a forgiving Faron Young re-
corded it. Jerry Lee Lewis recorded Once
More with Feeling, Bobby Bare did Come
Sundown. Ray Stevens did Sunday Morn-
in’ Comin’ Down and Chet Atkir
whose good side is the only place to be
in Nashville, liked i . Roger
Miller cur Me and Bobby McGee, Ki
ferson met him and Miller recorded more
of his songs, Johnny Cash, always a men
tor of the new b 1 a song on his
TV show. Combine paid Kris's debts. Gor-
don Lightfoot and Janis Joplin did Bobby
McGee and Dennis Hopper heard it,
liked it, phoned Kris and invited him to
Peru for The Last Movie. Kris was seen
at Janis’ funeral (they had been close for
a time) and was cast as Cisco Pik
won the Country Music Assoc
Song of the Year award for Sunday Morn-
in? Comin’ Down, appalling the tradi-
ionalists when he showed up for the
. on
па said se
stof-
ed, d
171
PLAYBOY
morning?
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ЫЯ
ceremonies, they thought, either drunk ог
stoned. He says he was tired.
"And Т was hor," he said. sipping hi
bloody mary again. "I ain't worked a
lick since.”
He ain't done nothin’ since but work
licks, actually. He is as busy as anyone
in show business, though he seems to have
found spare moments for reflection. “1
have no illusions about being a heavy-
weight,” he said. "Back when I was a
Rhodes scholar, I thought 1 was, but you
қопа get over that or it cam keep you
from doing anything. .. . Right now,
I'm having a little burst of energy. 1 had
three years ago. But it won't last."
"Shit, my voice." He came off the Al-
buquerque stage, moving like a manacled
octogenarian, The politician and the
process server were dealt with and the
first set done, but he was still down. He
thought his voice wasn't going where he
sent it. The audience didn't notice; they
were up, pounding on their knees and
smiling. Now John Beland, one of the
band, was onstage, doing some ef his
own tunes, and the audience had turned
a little restive, and Kristofferson was r
membering another time like that at
some college in Oklahoma. “One of the
guys was performing and the audience
wasn't. payi ion and finally
somebody hollered out, ‘Anybody got an
"I went back up and took the mike
and said, ‘Hey. y
"He yelled back yeah,
Well—fuck you. "
He was staring down at the board floor
as he finished the tale. "President of the
college sent a letter around: ‘Don't hire
Kristofferson, he's hostile and narrow-
minded! ” He laughed bitterly.
Kristofferson thought the second. set
went even worse, though aguin the audi-
ence was pleased. He came off pale and
drained, looking like one of his own fa-
vorite lines—nearly [aded as his jeans.
Jim Mecker was there, a Fort. Worth
investor Kris had known in Europe, say
ag things like "He made his епу
ment conform to his fantasy" and urging
Kris to run for public office. It was Mecker
who had introduced Kris to a girl in
Europe, a girl he fall for and traveled
with. soaking up the feelings that went
into Bobby McGee.
Later, in Meeker’s Hilton suite, a dull
heaviness hung in the d Kristolfer-
son slumped in the center of the room,
drinking morosely and getting progres-
sively quieter. Finally, he went into the
bedroom, suctched out on the bed and
ked up the telephone. He dialed. The
call went on for a long time. He was on
ck, forearm thrown over his eye
if to shur out the whole day he'd just
been through. voice murmuring muzzily.
‘Then, suddenly. he is up and urging
you sp
aid,
us 10 go down to the lounge and hear
Jody Miller, who was playing there. “I
hear shes good.” He is always positive
about other performers
But only one drink into her show, he
Jeans over and says, “You wanna go?”
aes
Somebody in the meantime has sent for
a round, The drinks line up on the litle
plastic table. Jody belts out some Vegas-
style country, then does а Krisioflerou
song. Kris looks weary. A fricud leans
“Remember
across the table and says,
the time Wayne Newton was doi
Bobby McGee on television and 1 saw
you shaking your head—you
wincing? And J said, "Listen,
youre gonna hear your stuff on
in the shopping center...”
Kris leans over and burrs, shaking his
head slowly, "Al'm drunk a' shit.” and
seules low - Then he leans
back again and mutters, with a truly
moving bitersad twist in his voice,
"Cause I'm hostile and narrow-minded.
know,
fucker,
Tuzak
on his newest solo album has
ndin’ out the bottom ain't so
different from the top." The song
called Same Old Song.
It is the next morning and the sun is
pouring in through the motel window
when the telephone rings. “You want to
get together?” E go next door and Kris-
toffersou orders up Cokes. He looks
cheery and уйа, which seems odd in a
night person who is often bearish in the
moming (a Nashville acquaintance had
observed, “He wakes up with a left
hook"). But now some wheel had pon-
derously turned over and brought up the
shining side again, and he was briskly
dressing, wearing a white grin.
“Hey, 1 just talked to Rita. She said 1
called her last night, said 1 was tal
about tigers. Yeah, tigers.” (Tiger! tiger!
burning bright —William Blake) “Shit,
I don't know, this about tigers, that
bout tigers.” We ugh. "Yeah, after а
while, she said it was like “Tiger yell
ribbon round a ole oak wee.’ " He Jaughed
again and shrugged into a shirt.
I wanted 10 ask about the Jesus thing,
how an obvious intellectual had роце
into writing a Gospel song like Why
Me (Lord) a album called
Jesus Was a Capricorn. Some of it is iron-
ic, of course, and some critics have said
Why Me (Lord) is a kind of parody. Kris
had even been quoted as sayi
self. Even so. ...
"] don't like to
stopped moving aro
“People call me up and say, ‘I hear you've
been saved.’ I don't even know what it
means. I'm even embarrassed now to sing
Why Me (Lord).
He stopped again and then said. “It
was just a personal thing 1 was going
nd doing
g so him
lk about it."
d the room.
th
experience that I can't even exp
He had gone into a fundamentalist
church in Nashville. Jimmy Snow, Hank
Snow's son, was the preacher. Kris hadn't
been inside a church in а long time, per-
haps years, and went now only to please
some friends. But they sang Help Me
(Lord), a Larry Gatlin song.
“It really moved me; I never thought I
needed help before. I was feeling pretty
lost, but you know, I'm not the type to
Чо à public display of emotion. .
He paused again and looked up. ^
ain't talked to anybody about this. Well,
they're reading the Bible and all and the
iy says, Is anybody feeling lo:
"And I'm sittin’ there and—up goes
my hand.” He looked up with а self-con-
scious smile. “I'm sittin’ there like this" —
slumped, head down, a frozen picture of
despondency (as he had seemed the night
before) —"but my hand goes up.
“I thought, "That's enough, just to
admit you're wasted. The last thing
you'll catch me doing is—and I went
down there, down front. He says, ‘Are you
у to accept Christ? Kneel down
¢." And Ive seen movies of. Marjoe
and ай. and I'm not that type of dude.
But I'm kneeling down there.
“And he says, "You're not guilty.
“And I carry a big load of guilt around:
I can leel guilty about the weather. And
just sort of out of control, crying.
s like a release. It really shook me
up. I was so shaken on the way out I
could hardly light a cigarette," He lit a
cigarette.
“And then I went off and wrote Why
Me (Lord) and the news flashed around
that Kristofferson got saved, and now
everybody wants to talk to me about
к or sign their Bibles, and I don't
‘ough at the time. I had some kind of
8
t to.
I remembered an earlier talk. “I'd like
not to be disappointed in myself and
others. I get bitter. You know, no matter
how much you try. it seems like people
are only interested in their own bag. Like,
I was up for the concert and then here
comes the guy with the papers, Dennis
with the guy, a guy wants me to meet
his old lady—everybody wants a piece of
you. Ultimately, they'd like to see you
disembowel yourself onstage. And your
friends understand that—so you don't see
your friends."
He had seemed to think a moment,
picking up a nearempty Bull Durham
pack and weighing it in his hand. Finally
he had grinned again. "See, there's the
danger. Talking like that when most of
“em just come up and say you
Ihere's a line in one of his songs that.
һе had quoted to me the night before in
his room, when he was down and almost
out on his feet but still trying to “do an
interview." id, you motor
Scooter, can’t you hear him laughin?” 1
remember thinking, оп my way out the
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door, that he must have gone to sleep
with that laughter in his ears.
"Rita keeps him olf the streets,” says
friend of the Kristoffersons, sipping
Punch at the Tonga Lei on
Malibu Beach. "Like, Kris has a family
now. He hasn't been dose to his family
for a long time, They've seen one another
lately but not too much. He digs his
brother C Graig is in the military,
did everything the family wanted him
to do but make a million dollars." The
irony makes him laugh. "Kris did that.
"Anyway, Rita is really a. family per
son. The house is usually full of in-laws
when they're here. Her sister is married
to Booker T. [Jones] and they come down.
Her p ts have a house, Rita’ id.
mother—God, 1 wish you could meet
her. She's like 90 and remembers every
day of her Ше. Came out here in а
covered wagon. Kris wrote a song for
her birthday and you should have seen
her face when he played
“But Kris is still a loner. He's always
been moody. Sometimes you see him and
he's got a new joke and he can't wait to
play a new song for you. Other times
you know you're just not getting through.
He always tries, he's always polite.
he just gets withdrawn. Inside, he
a loner.”
It is а few months after
and the next d
still
Albuquerque
y 1 follow Vernon White
up the Malibu Canyon Road to spend
the day with Kris and Rita, Nothing was
planned, no interview. We were going
to sit around. drink beer, listen to
music, watch TV, have dinner. On the
ristofferson had been open and
friendly, if occasionally t d de-
pressed, which had scemed perfectly nat-
з that unnatural ion. One
wondered how he would be at home.
He was sitting by the Jacuzzi, shirdess
and bareloot beige Levis drooping on
his hips. He had lost some weight and
looked trim. When we walked up, hc
was pulling a Bull Durham filter tip and
n pardon, growl-
nd Agnew oughta form а
ural
ing:
x
1 company."
Behind him was a big blue swimming
pool, beyond that in the trees a new
kennel, nearby the new Jacuzzi built as
surprise by friends while the Kris-
tolfersons were away. White helped out
and says it’s just about the biggest
cuzzi he has ever seen, all lined with
“IIL hold eight therapeutically,” he said,
nd twenty socially.” Kris grinned and
told about a friend. who s: the hot
water for 12 hours one day, so stoned he
forgot to get out. emerging at last looking
aisins some
le
€ one of those little ра
people put in fruit salad.
Kris had finished a new album and we
went inside to hear some of the songs.
He and Rita have owned the house since
173
PLAYBOY
174
last February. This was September. They'd
spent three wecks there. The living room
cnormous. with a feldstone fireplace
and a great view of the Pacific that fills
the big windows. There's a playpen in
the living room, tape players and speakers
and а few books on the shelves, a handful
of knickknacks that might have come with
the house.
ince Albuquerque, they have done a
tour of Australia, New Zealand and Ja-
pan, recorded two albums, Kris finished
the Alice movie and did а cameo role
as a rapist in Sam Peckinpah's Bring Me
the Head of Alfredo Garcia—an enter-
prise for which he has caught flak from
friends. It was, some thought, “un-
seemly.” “It was a favor for a friend,” he
says flay. He had also been in Muscle
Shoals, coproducing an album for friend
Donnie Fritts. Then Johnny Cash's son
was hurt in an accident and Kris went
to Nashville to help out, so he ended up.
getting home later than he had planned.
Now they had all of a week off before
Kris was due back in Nashville to help
out on a Vince Matthews album—another
favor for a friend. Vince, in fact, had just
phoned. He wanted to apologize to Kris
for taking me to the home of the blue-eyed
boy in Nashville—an act of mere for-
getfulness that Vince had begun to see
as the grossest lapse in loyalty. He was
forgiven.
Kris went to a tape player: "I want you
to hear this one.” It was a new song called
Slow Down. He grinned at White. “You
know Mickey Newbury? When he heard
that song, he s
what you're sayin’?
When the next tune came on, he was
standing in the middle of the floor with
a Bull Durham between the fingers of
опе hand and a yellow home roll in the
other, describing how they were going
to dub in some wailing Cajun fiddles.
The chorus came on and he went, "Deoot-
deoot-de00000!"—Cajun fiddle style—
bouncing, conducting, jamming his arms
out and his hips forward. "Ain't that
gonna be great?"
He also had some news. The com-
plainant’s lawyer had dropped out of the
case concerning authorship of Help Me
Make It Through the Night, relieving
Kristofferson of a nuisance. He had been
offered over $100,000 to make a TV com-
mercial for stereo equipment—and turned
it down. "I've got a more romantic view
"Whyn't ya listen to
of the music. So much of our lives is bull-
shit already." (Another friend had quoted
him as saying,
Н make a commercial
kes one.") And he had
signed to do a film that he calls Son of
Star Is Born, about the rise of a rock star.
The music and the movies are moving
closer together now, he was saying, each
becoming a part of the other to the point
where neither is now more important i
his career than the other. I reminded him
of his hope to do a film Bergman style
and asked if he had had further thoughts
for such a step. But then he said
I've got a scene I'd like to put in it. .
A band gets onstage (goes the scene)
“Look at the corner apartment on the 12th floor.
That's what I want you lo do to me.”
and is doing the sound check, tuning up,
going about its business. But soon the
audience begins to chatter, clap, heckle.
The band starts то play and suddenly
clumps and clots of vegetables come zing
ing up—rotten tomatoes, cucumbers,
heads of lettuce like cannonballs, radishes
like pellets of shot going ssssss past their
heads, the tomatoes going smush-boom
as they hit the drums, hit the musicians.
But the band gocs on into the set as if
nothing were happening. They play,
really working out, but the flying vege-
tables get thicker, the people down front
start closing in and spitting, showering
them with saliva, vilification, vile curses.
But the band, blithely, placidly, earnestly,
plays on. Now the audience is on its feet,
throwing sticks and brickbats, laying
about themselves with clubs and night
sticks, clambcring over the stage and bust
ing up speakers and amps. The place
а shambles, Bur the band plays on oblivi
ously. And as they're about to wind up
the set, the audience really unlimbers the
artillery, pulling the pins on grenades
and lobbing them onto the stage: tracers
go arcing by, smoke rises and the stage is
starting to crumble as the drummer does
a final riff and rim shot, ka-choonk-ching-
bop, shutting down, and the leader of
the band—guess who—is taking a bow
and saying, growling politely, “And I'd
like to thank the sound people and the
lighting man and, of course. . -
Kris was breaking himself up with this.
The whole thing had a kind of Marx
Brothers quality, an innocent old-fash-
ioned slapstick obviousness It was also a
very neat, perhaps сусп unconscious
phor for what Kristofferson must
sometimes feel his life is like. We applaud.
Rita came into the room and the
atmosphere changed. It was Home now—
the friend was right. She carries it with
her. She is bright and hip, but calming,
too, pale, with luminous dark eyes and a
graceful, unself-conscious way of moving,
а low gorgeous voice and an educated
drawl. With her was Casey, five and a
half months old, dressed in bright yellow
and white. Big dark luminous eyes and
the shape of a good grin around her
mouth. Rita smiled at her. Kris smiled
at her. On the table was а copy of Di.
Spock's baby book. Casey smiled back
and Rita announced, "She has а new
tooth.” And leaned over to Casey and
confided dryly, with no trace of baby
talk; “You'll have tacos for breakfast.”
Everybody grinned foolishly, the way
people do around babies, and Kris took
Casey on his lap, holding her hands up
so she could stumble around there. He
winced occasionally as tender parts got
mpled, smiling into her eyes, bending
to rub his grizzled face into her belly and
saying, approximately: "Gaaaaaa-gaaaaa-
gaaaaa.” When he straightened up, Casey
hold of his nose with her plump fist
if it were a bagful of jelly beans. He
rolled his eyes at her and she choriled.
"I think I liked the way she talked,
you know what I mean? We laughed at
the same time,” he said when Rita һай
gone shopping for dinner. They had met
at the L.A. airport, sat together on the
plane and talked. They knew each other's
names but nothing about the other's
music; Rita had been singing rock with
people like Joc Cocker and Leon Russell.
She was going to Memphis, he to Nash-
ville. But after a while, he said, "I wish
you were going to Nashville.”
And she said, "Well, why don't you
get off in Memphis?"
So he did.
"It wasn't like looking at some beautiful
chick. It felt like I was comin’ home.”
Kristofferson is a Cancer, if you like to
meditate on such things. Cancers are
supposed to be creative and self-contained
but domestic and home loving, about half
of which had seemed to fit the Kristoffer
son on the road. Yet now here was the
other half dandling his daughter, romp-
ing with his dogs, drinking beer with his
shirt off, watching a football game on TV,
te whole Dagwood number, a whole new
Kristofferson. Even the intensity had
pulled far back into his eyes like a fox
going cozily into hibernation in а c
Rita came back and the endi
were cooking when Kris's new Irish
came trotting in through the big country
kitchen, sliding awkwardly on the floor
and getting laughed аса gawky, rangy
red pup, all legs, big feet and wet ador.
ing eyes.
"Gora name that dawg. We're thinkin’
of naming him Beauregard for the one
in Pogo. Call him Beau for short.
“Beau-weau,” pronounces Rii
soft smile.
Kris breaks up. "Y.
"Beau-weau-wea
“Yeah!
"Or call him Ralph." And somebody
barked the inevitable, obligatory “Ralph!
Ralph!”
with a
и"
Kris says, still
y for short,"
more of this nonsense, some
of it even sillier. There was the football
game, which Kris Monday-morning-
quanterbacked knowledgeably from the
front six inches of the co and there
was Maude with a cameo appearance by
John Wayne, who lumbered around and
growled in his famous John Wayne im-
pression as we ate the big Mexican dinner
and finished the last of the Coors. There
was some Tia Maria, and then there was
а report on Evel Knievel. It was heavy
on the machismo, Knievel relating with
his customary bravado how much cour-
age his life required and how posible
was his death. Kristofferson watched it
intently. Then he set down his plate
and picked up Casey. He shook his head.
"And they say rock musicians are self-
destructive.”
Ha
laughing.
There wa
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175
PLAYBOY
176
MARGIT (continued from page s1)
the hours I spent trying to figure out how
I, too, could get my breasts to shoot sky-
id when I lay on my back instead of
ing them fall down on either side of
myarmpits; or the trauma I went through
at 14, knowing that my true love of all
time, Peter Kendall, was in love with Miss
January's long slim legs, and that pretty
soon he was going to discover—as soon as
] let him remove my Hidden Fingers
panty girdle—that I had lumpy upper
thighs.
tcen is a nervous age for a girl.
You t to be perfect and no one will
tell you how. Your self-confidence is frail
as glass, easily shattered. PLAYBOY used to
ish mine regularly.
When I was 14, I bought PLAYBOY every
month, I'd get it off the rack at Kerrisdale
Pha ry in Vancouver and then hide it
under my Scientific American, so that the
hidden thief-catcher cameras in the store
wouldn't discover how low I'd sunk into
the tacky depths of depravity. Then, when
I'd pay for it, I'd keep my head down, so
the cashier wouldn't recognize me. If any-
one I knew happened to see me with it,
Га toss my head back and say in snotty
tones, “It has some great articles in it"
Actually, I never read the articles unless
they were about sex. I usually just rushed
home and locked myself in the upstairs
bathroom and looked at the pictures.
It was always demoralizing, Miss Janu-
ary had long thin legs, I had short thick
ones. The Playmate of the Year had bikini
marks that blended imperceptibly into her
skin, mine were like Magic Marker lines.
And the starlet in the March issue was
blessed with having no knees. It wasn't
fair.
Ah, sigh, sigh—I'd stare at page after
page of coy dollies with dripping-wet
smiles and curse my mother for not bring-
ing me up to look like them, all pink and
perfect.
Ihe memory is painful. I'd stand u
dressed on the edge of the bathtub with
g for balance, the
other holding the magazine out in front
th the foldout folded out. And I'd
re our bodies, section by section.
‘The breasts first; Hers were so high and
firm they practically put out her eycs—
mine swung in opposite directions, like a
close-up of Jean-Paul Sarue looking at
his fect. Her nipples were the pink shade
of spring roses—mine were a sort of muted
mud brown. Then the pubic hair: Hers
was backlit from some mysterious source
“Is this your idea of a joke, Hotchkiss?”
and glowed on her belly like angel floss—
mine just lay there like a Brillo pad, even
after I trimmed it with nail scissors. She
had a delicious little dent for a belly but-
ton—I had а doorknob. Then I'd compare
the thighs: Very upsetting. Hers flowed
in one smooth line from her hips—
e looked stuck onto my torso as a fat
afterthought. Each of her thighs meas-
ured a supple 15 inches—each of mine
measured а Rudolf Nureyev 22 (my waist
was only 23).
Then the worst part of the examina-
tion; the bottom: I'd look at hers for a
long time, mostly to put off looking at my
own. She had two perky, exactly round
halfmoons placed high on her back, and.
her skin was so taut over her flesh that it
shone. There no crease sepa
bum from thigh, only the slightest
ation of a shadow under the cheeks. I'd
force myself to look at my own. Carefully,
so that I didn't slip down and crash into
the bottom of the tub, I'd turn so that I
could sec in the mirror. No two half-
moons mine. It was all in one piece, a
flesh-colored Baggic full of hard-asrock
Jello: ncike droop
ing over my legs. And too low. Too low?
Jesus, compared with hers, it hung practi
cally to the backs of my knees.
Clearly, I was a hopeless case and would
never get to sleep with Warren Beatty
when I grew up.
My one consolation was that the man
photographed with Miss January while she
was trying on bras in Frederick’s looked
like someone who bathed in strawberry
milk five times a day.
At least Peter Kendall could sweat.
Still, I wanted to Jook the way she did. I
wanted 10 be rosy and umflawed and
spend my days romping naked through
the woods without embarrassment, I want-
ed to be perfect and unashamed. But that
seemed an impossible dream, my bottom
and thighs being what they were. Dance
dasses had not helped. Week after week
of trying to make my legs extend at right
angles from my hips, and what did I get
in return? A bottom that stubbornly re-
Iused to stand up and thighs like Tarzan's.
Short thighs like Larzan’s, useful only if
you had to jump from tree to tree. J had
no desire to jump out of trees, I just want-
cd to look like Miss January.
Young girls make heroic sacrifices in
the pursuit of beauty. Somewhere along
the line they're conned into believing that
once attained, will absolve them
and justify their lives ten times
over, no matter how wastefully they choose
10 spend them. Beauty would mean in-
stant adoration. Beauty would mean the
climination of fear. Beauty would mean
perfection.
Obviously, Miss January would have no
responsibility in life other than that of
keeping her fluorescent nipples eternally
erea. With her thin thighs, she'd never
need anything so worrisome as а carcer.
With my thighs, I was going to need
several careers. There was an ad in Movie-
land magazine for rubber belts that you
put batteries into and wrapped around
whichever part of your anatomy you want-
ed to reduce—without diet, pills or exer-
cise. The Hudson's Bay store in Vancouver
carried them in the lingerie department,
for $19.08. I blew my savings account two
thighs’ worth. I got home, went into the
bathroom and read the instructions. I
was to wrap the belt around me. Stick it
shut with that prickly stuff they use in-
stead of zippers on modern parkas. Then
I was to turn the dials on the side of the
belt up to five or six. Then I was to lie
back while a million magic fingers mirac-
ulously broke down fatty tissue and firmed
up my muscles.
I wrapped the belis around my thighs
and turned the dials. But who's going to
stop a dial at five or six when you've got
22-inch thighs? I zapped the dial instantly
up to nine, This was not a good idea. The
million magic fingers almost electrocuted
те... lightning bolts shot through my
flesh into my bones and my legs jerked
wildly in an imitation of St. Vitus’ dance.
I yelled at rraywoy and cursed Peter Ken-
dall and screamed foul things at Miss
January—but I kept the belts on. Then
1 vomited. Very aute. А 14-year-old girl
with two rubber straps lashed to her
body, jumping around and throwing up.
rraynoy should have taken a picture of
that.
I tried the belts a few more times, but
the results were always disastrous. So, in
desperation, I turned to Ex-Lax (I was
never fat, but Miss January was much
less fat, and that was all that mattered),
A girlfriend of mine had told me tha
you ate a whole 69-cent box of chocolate-
flavored Ex-Lax and washed it down with
coffee, you could lose six pounds a day
So I bought two boxes of chocolate-
flavored Ex-Lax (Гус never been any
great shakes on moderation) and ate them
one morning after breakfast. Like a fool,
І assumed that because my thighs and
bottom were the problem, the six pounds
would come from there. No such luck. І
lost eight pounds’ worth of water, break-
fast and lower intestine.
Obviously, I didn't spend my entire ado-
lescence trying to look like Miss January.
But I wasted enough of it to make me
hate her. I exercised in rubber sweat suits,
walked around with a quarter stuck be-
tween my buttocks (the idea is that you
use а Jot of muscles just trying to keep it
from falling to the ground at awkward
moments). І painted my nipples with
Blush-On, poured gallons of hydrogen
peroxide on my pubic hair, uying to
bleach it. And now? Well, now I'm older.
AIL 1 want now is to be human. But I've
grown up, and finally stopped trying to
change my body, and what happens?
Along comes rraynoy, wanting to photo-
graph it.
Hopefully, these pictures are of a real
honest-to-God in-the-flesh fucked-up-like
At first I
1 no to Praynoy, pleading male chau-
vinism. Finally I said yes in a fit of mis
sionary zea
body looks like, I thought to myself. I'll
be |
photographer to show me in ай my im
perfect glory.
IE I'd been brave enough, I might have
let Doug Kirkland take pictures of me
jus before I got my period, when my
stomach was all bloated. I'd have let him
take close-ups of my face after I'd been
crying. with black rivers of mascara run
ning down my cheeks. Td have sprawled
out flat оп а rug and let him shoot my
bottom with a wide-angle lens. I'd have
let him photograph my skin under hot,
hard lights, to show all the little bumps of
imperfection from being exposed to the
weather. I'd have let him take pictures of
my pubic hair so that it looked as if it
smelled of sex, not FDS.
But maybe I chickened out. When the
contact sheets came back from the lab. I
put huge Xs through the pictures that I
thought made me lock lumpy, However.
halfway is better than nothing. If you're 14
and reading this, take solace: You prob-
ably look a lot better than you think. And
nobody looks like Miss January.
everybody-else human being,
I'll show them what a real
ауе and outrageous and get the
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DIFFERENT BY DESIGN AND BETTER BECAUSE OF IT.
177
PLAYBOY
178
HARD TIMES (continued prom рше 110)
prices were so depressed th:
showed itself.
By the time I was seven, I. too, pulled a
cotton sack or performed other agrarian
tortures when not struggling with the
mysteries of the rural Texas school. Е can-
not claim to have excessively enjoyed it.
Indeed. my earliest private vow was to
escape the farm and all the unrewarding
toil it provided. I dreamed of running
away from home but deduced that the
road might not be a terribly profitable
place alter seeing streams of hobos hop
off freight trains on the Texas and ific
ilroad to fan out in our rural commu-
nity and beg backdoor food handouts.
My mother was terrified of them, especial-
ly when my father might be working i
some distant fickl or pasture: he cstab-
lished an old iron bell on the veranda
id she was under instructions to ring it
times of peril. I recall my father's being
ashamed to turn hungry men away, but my
mother's fear overcame his hum:
instincts. It was a time of fear.
T have since heard. or read, the De-
pression memories of others of my gener-
on: almost uniformly, they claim not
to have especially noticed their poverty
because everyone was in the same boat.
Ti nowledge did not comfort me: I
knew we were dirt poor, knew it every
waking hour, and 1 resented it and hated
it as some deep personal affront. When
of the good times—
litde profit
aitari:
—I stewed and grew angry because
1 could not remember having shared them.
When school adjourued cach fall for
crop gathering, 1 despised being part of
crant cotton-picking crews; we crowd-
«d like nto es of failed old
trucks, g from one cotton patch
а ser
nother among work.worn parents and
crying kids. I hated going from door
10 door with my mother in Cisco on Satur-
days. trying to sell eggs or vegetables to
people I imagined to be rich. I envied
their radios, cars, telephones and other
superiorities. Bile sloshed in my innards
when the high school football team
played on Friday afternoons and found
me short of the ten-cent admission price,
ad those of us without the wherewithal
were herded into the tiny school library
for guarding while our luckier compa
ped gaily off to the big game.
Pride gocth before a mighty fall; " my
mother quoted in an effort to make me
accept the realities. But I became а
quarrelsome kid. full of hates and a
gressions. onc likely to explode into
fistfights or pointless rages.
That we ate well, by raising our ow
hogs and chickens and cows. did not sat
fy the urge for coins to click: There sim-
ply was no money: few people had coins
of their own with which to buy our sur-
plus products. [heard my worried parents
talk at night, when they thought young
ars were deaf in sleep, about the impossi-
bility of new shoes ov new dothes or а new
plow. I eavesdropped while my father
and his angry contemporaries in their
ded blue-duck overalls cursed the banks
and threatened violence should mortgages
be foreclosed or secd-crop loans be denied.
Sometimes 1 would find my father stand-
ing on the porch or in the yard staring
blankly into space, and the expression
оп his face frightened me. There were
stretches when he might be gone for da
riding horseback through the countryside
in search of stumps 10 grub or horses to
shoe or any odd jobs that might contrib-
ute a dollar. As often as not, he returned
"Mr. Royston soon runs out of small talk.”
with nothing to show: I began to dread
his returns for the fresh new despi
produced
Alter such disappointments, my mother
privately lectured me to make something
of myself: to seek an education and some
gue main chance, to get up and get out
aS soon as nature and circumstance per-
mitted. to find some yellow-brick road. 1
had the notion that she somchow blamed.
my father, though I didn't think it quite
fair. My father preached harsh sermons
against The Goddamn Republ
learned, early on, that they were rich to
the very last in number and didn't give
shit for the To this day. I
feel obscurely guilty about once having
voted for one.
they
8 to register for Franklin
election in 1932; four
years later, however, E kuew that ever
sive The Goddamn Repul
he kept h month, while
a vital $25 came home to the family) and
for my father to find occasional. paydays
improving country roads or building out-
door privies under the sponsorship of the
Works Progress Administration.
Incellectually, I cannot now quarrel
with contentions that for all F.D.R.'s
pump priming, America did nor truly re-
cover Great Depression blues un-
til that fullemployment boom provided
by World War Two. But you cannot con-
vince me that all the midnight schemes of
the brain trusters went for nought or that
the paper shufflings of the New Deal's
alphabet-soup agencies failed to make im-
portant improvements or contributions.
In addition to the tangibles—jobs, new
schools and other useful edifices, emer-
gency food and dothing—the New Deal
brought hope where no hope had lived,
And it brought the faint promise, at least,
of a better tomorrow. When hope was all
you had, it was worth much morc than the
dry and distant recapitulations of histo-
rians ca later. generations under-
med at school that F.D.R.
would be making yet another of his “fire-
t was my bounden duty to
ake the word home. After a hur
who had embled for the latest
word from the new messiah. Those were
vital gatherings. the adults listening so
intently that even the most high-spirited
child knew not to require shushing. I
clung to every word the man said, and
though I didn't understand much of
1 was comforted by the sound and roll.
Afterward—when Roosevelt's confident
voice had wished us good night—while
popom and parched peanuts were
passed around, the old snulf-dipping
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ABSCA
179
PLAYBOY
180 relations!
farmers would wave their arms and sa
By gum, now, Clyde, that feller Rusa-
velt; he's got some good ideers; why, 1
wouldn't be a-tall surprised if colton went
up! Yessir! Then they would make their
bitter jokes about Hoover steak (rabbits
or squirrels) or Hoover cars (mule-drawn
wagons) or Hoover cake (corn bread or
biscuit), and surely some old nester—
his eyes growing mischiel—would say
something like / tole my ole woman
Vother day that 1 figger the Depression's
purtnear over "cause 1 seen a jack rabbit
runnin’ down the road and they wasn’t no
more than three [elles chasin’ it. The
would explode in rough laughter, th
the sharper edges momentarily knocked
off their fear. Uncle Tal Horn and Old
Man Parks might commence sawing on
their fiddles—playing Gorton-Eyed. Joe
or Buffalo Gals or Old Joe Glarh—while
feet tapped, children squealed and for a
litle while you could forget those new
burdens soon to come up with the sun.
Remembering all that, 1 have
ly caused severe social emb:
over the years should some academic
dandy or cretin ideolog look too smug and
well fed in contending that F.D.R. was the
opiate of the masses and delivered the
ases not: Some things you just can't
put a price rag on. I particularly recall
ig all splutiery and inarticulate in the
с of John Kenn albraith, War-
g Prolesor of Economics at Harv:
а few years ago, when some dini
siid over fine wine
sponse ro my Depr
why didn’t your family move elsewhere
where opportunities might have been
greater?” He was а young professor, and I
have despaired of the Ivy League from
that moment.
А woman named Caroline Bird wrote
a fine hook about the Depression and per-
fectly titled it The Invisible Sear: her
theory ran that many of us shall go to our
graves deeply wounded in our psyches by
those have-not years. She's right as v
My mother is in her 805 now, living in
that misty nether world where yesteryear
is more real than this living moment:
less Шап а year ago, T saw her cry anew
in relating her deep hurt when my older
brother went off to а ССС сатр being
plished in distant Arizona: “We had
two dollars and a dime. I tried to give
Weldon a dollar, but he wouldn't take
it. He struck oll across the pasture, walkin"
cight miles to. Cisco to catch а Govern-
- and it neatly killed me 10 see
him go without a nickel in his pocket. 1
cried a long time after he was out of
ighi.”
That brother is my senior by 15 years;
though E worshiped him as a kid brother
will, I grew extremely tired of he
from others how he had dropped out of
high school to wash dishes in a calé
that E might he bought
vival milk. No doubt it has colored our
through life: I was much
ing
older than 1 should have been before I
could fully appreciate his sacrifice, sim
ply because the guilt was too much. In
deed, I hardly had come of legal age when
I provoked a fight with him in order to
declare my independence. Not until I was
nearing 30 did 1 forgive him for all he'd
done for me.
As a young man in his
paying jobs, 1 was torn between
instinct to instruct unreasonable,
ing boses to go screw themselves and а
deep unspoken fear that should I lose that
job. I might not find another. It was a
thing I noted among many of my genera
tion. They suffered dull mulework, per-
formed overtime without compen
and paled in the company of irascible su-
pervisors: No matter that they then fune
tioned in the post-World W wo boom
id had the added sweetener of a record
local oil-based prosperity. Several old com-
I am certain, limited their ca-
reer opportunities out of fear that should
they fail in new adventures, they might
find themselves on the street. Some
now, when th ud the moon
they grouse in their cups of having been
born in the wrong time. One old friend
actually gav rly celebrating the tardy
cath of Herbert Hoover, who long had
1 past hurting him. Though mildly
ght have attended had 1
It is good, I suppose, that cach succeed:
ing generation. has difficulty transmitting
its darker experiences to the next. Thus,
fresh hope is not stillborn, people dare to
dream and the young are free to take
those foolish risks and. experimentations
necessary to the full life. But whether at
tempting to replant their [ears in a new
generation or honestly hoping to help the
Young avoid their own mistakes, parents
have а way of harping or preaching on
their own private dreads; as these dreads
are the product of their own histories,
their children—of another time and
place—cannot. identity. It was madden-
ing, when I chastised my own children for
wasting food or time or opportunity, to
ultimately comprehend that m
Depression. sermons were accepted
nothing more than the private preoccu-
patious of an old fossil. They humored
me along, sometimes exchanging quick se-
cret smiles, but I knew they could no
more envision bread lines or fa
or one third of a nation ill fed, ill housed
and ill clothed than I might understand
the gibberings of some lite green Ма
tian. They are products of the affluent
society and сап imagine no other.
For all my occasional uses of the De-
presion in making the obligatory pa
rental preachments, I did mot nuly
think—for years—that it would be possi
ble to Indeed. as a young
man working on Capitol Hill, I had the
nces of the late Sp
nother.
personal assur
hideaway office in the Capitol Building.
where the fortunate might be invited to
attend what he called meetings of “the
board of education,” the old man said of
ikers and businessmen who had the
temerity to vote Republican, “Why,
Roosevelt saved the bastards; he fixed it
things can't ever go bust again. He put in
laws propping up the economy and hc
saved those bastards, and now they don't
appreciate it" I believed him, for had
not Rayburn personally sponsored dozens
of F.D.R.s bills in Congress? And was not
booming? It was a time when few
s questioned the authority of
ty: а time when myths were for
promoting and old bad dreams were for
forgetting. We were almost a decade away
from that time when we might begin to
suspect that many of our problems might
be beyond quick solutions or that the
answers might not always repose in the
back of the book. In Rayburn's time, we
could not im that day when the oil-
producing nations not only would cease
snatching off their hais in Uncle Sam's
presence--mighty, unconquerable Unde
Sam, who always won his wars and ruled
over the quintessen state—
Dut would actually back him against the
1 and then shake a finger in his face.
The time had not yet come when Europe
would suspect the dollar and puzzled
ists would find themselves
we sud-
wasn't preferred.
in foreign ports be
more than a year now, we've lived
with the uncasy notion that certain exte
nal events may be beyond the economic
control of Washington or Wall Street—
unless we are willing to risk ап uncon-
trollable and unconscionable war. No-
body's saying war out loud from public
podia in Washington these days, but there
are mutterings: those who understand that
wars ате fought more for material gain
than for those more ethereal reasons found
in wartime i must have had the
dark unthinkable thought even before
President Ford and Hemy Kissinger be-
gan “ the oil-producing, nations
of the dangers inherent in their profits.
Given Watergate, the oil crisis and a
general confusion, the stock market has
gone into its dizziest and most prolonged
plunge the time of Hooverville
E soup kitchens; my older
nightmares have come back. into fash
1 fear that it can happen here.
ably will. if it hasn't already Remember
the last Great Depression was well under
way before people lulled by periodic up-
surges and hopeful false prophets felt its
true bite.
Morose thoughts, indeed, for one who
knows that midtown Manhattan doesn't
look like a good place to stake à cow and
who knows, 100, that fireside chats are
ikely to comfort as they did
icr time.
toric
м
since
es and
ge Bandcroft? Never heard of him.
You've got the wrong number."
" Bundcro[t? Geor
181
182
PLAYBOY POTPOURRI
people, places, objects and events of interest or amusement
AIRING YOUR BEDDING
"Like a spare bedroom in а bag,” claim the manufacturers of Inflate-A-
Bed (World Products, 5410 East 23rd Street, Kansas City, Missouri),
which they say offers the coziness of feathers, the support of springs and
the sensuousness of water without any of said ingredients. Not your
everyday boyscout-camp air mattress, Inflate-A-Bed boasts air-coil
construction and a nonclammy flocked surface that takes to water
like a lily pad. Furthermore, it’s available in three colors, three
sizes (twin, double and queen) and costs only $59.95 to $79.95.
You fill it from a canister-type vacuum and hope for the best. Ker-splash.
IN THE WORKS
You want information on cross-
country bus fares, you call
Greyhound, right? Need info on
your retirement benefits, call
Social Security, right? Sure, or
you can also get said dope—
plus the ABCs of desert survival,
auto repairs, mildew removal,
the formula for determining the
number of bricks needed to
build a wall and the recipe for
Lima Bean Creole—in a hefty
tome called Public Works (Links
Books, $10) that’s available at
your local bookstore. What distin-
guishes Public Works from just
another how-to guide is the fact
that most of the material includ-
ed has been legally ripped off
from the U. S. Government, plus
+ other sources, such as the Univer-
sity of Alaska and New York
Radical Feminists. Public Works
runs 1024 pages, and it's laced
with illustrations ranging from
instructions to 19th Century
engravings. Instant expertise for
$10—how can you go wrong?
THE JOY OF SEXTANTS
It’s nice to know that in this day and
age of digital readout timepieces and
instant-developing cameras, there's still a
source for items of historical technology,
such as huge tripod telescopes and spy-
glasses, ancient navigational instruments,
fabulous brass microscopes and other pre-
cision-made goodies from bygone
eras. The place to write to is Historical
Technology at 6 Mugford Street,
Marblehead, Massachusetts, enclosing a
buck for its catalog number 110,
which will be hot off the press in late
spring. Believe us, the objects to be
induded will blow your mind—and the
same goes for your bank balance.
POP ART
With the economy flagging and food
sources dwindling, why not do something
meaningful—like give the one you love
(or hate) a chocolate lollipop made in the
likeness of your face? The die (done from
your photo) costs $50 and each pop is 50
cents (minimum order: 120), from Astor
Chocolate Corporation, 48-25 Metropoli-
tan, Brooklyn, New York. You might even
wish to include a message—such as Eat Ме!
FOUND MONEY
NUKE KNACK Let's face it. The one thing you've wanted in
ЕЕЕ нту life more than fame, fortune and sex is to
were you cam send a nuclear see your bathroom on television. Now that dream
missile through the mail. How? | can bea reality, not only for your bathroom but
By joining Flying Búfalo Inc. for your kitchen, bedroom or living room as
(P. О. Box 1467, Scottsdale, well. Location Finders (200 W. 51st Street, New
Arizona), a computer com- York) specializes in scouting out unusual settings
mum diss гаас neri for advertisements and commercials. The lights,
mail games. They provide cameras and action might be inconvenient, А
Be cures te opponi end. but Location Finders has developed an ingenious
ire semel san ala way of assuaging these problems—money.
send them your moves at three Depending on how long the setting is needed,
dollars or more per game it will pay you 5200 to $1000 for its use.
(15 cents for game rules). The Now take a long, hard look at your pad.
games they moderate are
Nuclear Destruction, Time y a =
Trap, Board of Directors
and others. If you're an im-
patient warmonger, you
can even play a blitz game
that's faster. Blast off!
UNSQUARE T
For all you latent delinquents who're longing for an open-hooded,
souped-up roadster in which to terrorize the populace, here's your
chance. Total Performance Inc. (406 S. Orchard Street, Route 5,
Wallingford, Connecticut) is manufacturing a replica ofa 1993
Model T that comes equipped with a new Chevy engine, sealed
electrical system, Naugahyde upholstery and spoke wheels. It's
yours—along with a face full of wind—for only $5995. Take
it to the drive-in and watch the teeny-boppers turn green.
PRIZE BOOBIES
At first glance, you may think that the pillow
shown here is the handiwork of some sleazy
porno emporium. But, in truth, its manufacturers
are two little old ladies operating A&M Ent
prises at 120 S. Route 83, in Grayslake, Шіпо!
Their product, The Sensuous Pyramid Pillow,
is available for $15 (including postage) in a
variety of colors, with contrasting tips. And yes,
girls, they've also pillowed a portion of the
male anatomy. It, too, is fully stuffed.
FROG MAN
The latest in mail-order
madness comes from Richard
Mitchell, an artist who's
formed an eroticserigraph-of-
the-month club called Frog
Prints, at P. O. Box 203,
assboro, New Jersey.
month, Mitchell is offering
а $30 limited-edition bit of
naught
rekindle a spark in your jaded
old eyes. The name of Mitch-
«ЇЇ company, incidentally,
comes from a series of prints he
once did in which a frog
serviced a maiden in truly
wondrous ways. Rivvit!
h
PLAYBOY
Up out of ZOQT (ono pug: s0)
beer on the shoulder of the road, He had
seen hundreds and hundreds of them,
but in this case, the triangular puncture
was still wet. He stopped the bike and
remained perfectly still and listened.
After a while, he shouted. "Anybody
home?" Nothing answered. "Then, across
the gully at the left, he saw three pairs of
men's shorts and several socks hanging
on a plastic line: and they were dripping
wet, too.
Bernal's whole future now forked in
two directions. He could choose to pene-
trate this canyon toward the radar domes
or he could choose to forget it. He and
Sarah were not alone anymore and had
never been.
He chose to pedal slowly away. But as
he began to coast again, downhill, he was
attacked by an aging yellow-brown dog.
Getting off his bike, Bernal removed the
bag of groceries and beat the animal back
by swinging the bicycle basket. The strug-
gle had the isolating intensity of sex.
Bernal won: He got the furious animal
pinned under the basket and his right
foot held him safely down. The dog was
some sort of cross between a beagle and a
terrier: with whitening eyebrows and
many missing teeth, and whimpering now.
Bernal looked np: Against the sun was
a man with a weapon, slowly coming
toward him. He had a scant beard and a
spotted camouflage uniform and he w:
grinning. The submachine gun was slung
round one shoulder and aimed at Ber-
s chest.
‘Shit, I got to be dreaming,” said the
man. He wore a headband but no hat-
His eyes, whose irises were almost as pale
as the whites, made him look like a half-
blind albino.
Bernal said
you ples
rst get your shit heel off my fucking
“Pur down that gun, would
told his dog he
would kill him unless he quit snarling.
The dog retreated, growling bitterly.
Bernal took the basket and walked away
and was putting it on the bike, when
something leaped on his back, crying and
screaming and hugging him. Bernal shook
him off, finally. There were tears running
down the man’s face; he said he was Staff
Sergeant Kahnmeister and he spelled it
for him, still sobbing. Overcome again,
he hugged Bernal once more and then
shook hands. He kept saying, “Fanfuck-
intastic!” He wanted to know if Bernal
had anything good to eat in the grocery
Dag.
“Ice cream. You w some?”
‘The soldier tore it open and began to
m thinking of having my tooth capped.”
eat it straight from the pack. At the same
time, he began to talk. It poured out of
him, as out of a prisoner just released
from solitary. He said when the war be-
gan. the red phone rang and they—he
and his technical crew of six men—were
ordered to fire the weapon out of its con-
crete silo. But it didn't fire, so he asked
for volunteers to go down the 110-foot lad-
der into the reinforced pit and see what
was wrong: "A Ісак, or what the fuck.
Ihe rocket was rumored to be loaded
with some biological poison, so nobody
would volunteer, They suggested he do
it himself. “Shit on that old shit, 1 told
them." But he did it, anyway. He put on а
fire-control suit and took 2 mongrel
ppy with him. “In case the poor cock-
sucker started to dic, I was going to haul
my tail out of there.” But it was stifling
down below and he couldn't find the mal-
function; when he came up for air, the
other men were sprawled in the sunny
gravel: not bloody, simply d
"The enemy, Bernal expla
had much the same weapon.
said Kahnmcister,
"and I went down again, and so fast I
left my shit behind." He staved down in
the silo for several days, breathing from
the oxygen tank on his back at the slowest
possible rate and sharing ntervals,
with the puppy. They divided the K bis-
cuits between them. but when his canteen
of water was exhausted, he had no choice
He took
at aston-
ishment, he ight, and
the first thing Kahnmeister did was look
up at the sky. “Shit, I expected there'd be
no fucking stars left up there. But there
were. I fell down and aed like a baby.”
‘There was still some ice cream left in
the corners of the carton, and n-
meister unfolded the cardboard and gave
it to his old dog to lick clean.
“IE the two of us, fuck, we're
maybe there's others, hey, ma:
“No,” said Bernal.
"How do you know? Could fucking.
well be. Fucking Chir Fucking Aus-
ned to him.
agr
ill alive,
‘Absolutely not.” He told Kahnmeister
about the short-wave d the 11-
year silence.
"Still. shit. you came through. How
the fuck did you come through?”
"] was on vacation at the beach. Fish-
ing, with compressed air for my helmet.
Under water, I didn't realize what was
happening till I came up on shor
"Shit, man, it’s two fucking
“Well,” Bernal said, finall
йо a
Where the fuck you live?”
‘On the coast.” And he got back on
hnmeister made him describe the
place in demil, “Hell, T know where that
is. Just a couple of miles south of the
Marine range. Lousy fucking fishing.”
“It's better now," Bernal said defen-
sively.
hit, I'm coming with you, brother
IH pump, you get in the basket. I used
to rhle a bifuckincycle when I was a kid.
You never forget that апу more than you
forget how to shit."
But Bernal wouldn't do it that way.
He let Kahnmeister and his gun and his
dog ride aamped up double in the bas-
ket. The Marine never quit talking. He
d that till all the gas in military stor-
с had been used, he'd explored for miles
around, rolling across country in a jeep.
He'd even gone as far as Los Angeles
and went through the bank vaults, most
of which opened every day at ten AM:
he had accumulated a fortune in jewelry.
“What for?” said Bernal.
“Fuck my shit if I know,” Kahnmeister
admitted.
They had coasted down from the hills
and now entered a stretch of desert. It
had been a wet winter and patches of
lavender flowers illuminated the dust.
Kahnmeister said, "How the fuck is it
only the plants came through and noth-
ing else?
Bernal explained: “The gas combined
with the blood, so the ar als were all
strangled.”
“Don't plants breathe?”
“Not oxygen," said Bernal, somewhat
contemptuously.
"What about fish? I've seen fish
plenty of them. You must be giving me
a lot of fucking shi
“Poison didn't bother them—they were
under water,” said Bernal, And then he
added, “And so was I.” He was about to
mention his daughter but didn’t; and it
was perhaps at that moment that he made
his decision.
then, from a bush of dry, deadly
oleanders, as they wheeled past, a small
cloud of blue butterflies rose up in panic.
Bernal was a litde frightencd; he said
maybe a few eggs had survived deep in-
sa
е а cave and had been blown or
washed out. But the sight made Kahn
meister drunk with joy. He had сеп noth
ing of the kind since the war. If there
were butterllies, there might be bats. Or
birds. And if there were birds, maybe
there were cats. Or coyotes. Or even deer.
“Man, if I found me a deer, I swear T
would have a great old time for myself
before I cooked it for dinner
Bernal found himself growing increas-
ingly irritated by Kahnmeister's fantasies.
“We'll find a fucking boat and take
off around the world. You and me. Fuck
it, there's got to be some little old gal on
Hula Boola Wackie Shackie Island just
dying for cight inches of the best I just
can't shit believe there isn't. Women my
experience, they are so fucking tough,
they will survive where a crocodile
would crack his ass. Mama mia! You
and те... -
Bernal stopped the bike. Little whirl
winds of gritty dust roamed slowly. like
Alive
with pleasure!
Newport
Afterall,
if smoking isn't
a pleasure,
why bother?
Warning The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health.
185
PLAYBOY
185 drowsy; and as he |
sunburned
veiled dancers, across the
landscape.
“Fuck’s the matter?”
“Little tired,” said Bernal.
"You want me to pedal? I
fucking hint. You don't have to run a
flag up my ass." The Marine unfolded
himself from the basket. pur down his
dog and then his gun, both very gently.
and went to take a carclul pee in the
stone-dry roadside ditch.
“Fucking sanitation,” he apologized.
“They got it drilled into my head, shit, 1
do it automatically.” The dog went, mo-
se and humble, to sniff at his master's
legs. Bernal didn't move into the basket;
could not, in fact, until Kahnmeister
came back from the ditch and got astride
the seat. But the Marine was having some
sorr of difficulty. He said, "Look at this
peter, he's gor a mind all his own. Shit.
when we find that woman, she can be a
pig with four horns
d hair on her tits.
but this peter is going to take one look
and blow his fucking mind, which it’s
been so long, Christ Almighty, I think 1
had my last piece in Diego eleven fucking
shitass years ago. Oh, brother! Find us a
un, we can start the whole thing all
again, but this time, we're going to
1 fine, shit, I tell you.”
Bernal, waiting beside the bike, put
one foot on the left pedal and swung over
as he leaned down, hard. He was 30 yards
away before Kahnmeister realized he was
being abandoned. He ran after him, but
Bernal, putting all his fury into the ef
fort, was up over the rise and down a
long, steeply curving road. The Marine
made the mistake of running back then
to grab the submachine gun from the
ground
Behind him, Bernal heard the screech
and report of Kahnmeister’s volleys.
They were far off the mark. The dog,
though, w: curate and persist-
ent. He came raging alongside Bernal,
who pulled off the useless bicycle pump
from the crossbar and, still pedaling.
leaned over to thrash the animal bloody
id senseless.
Coasting downhill the next couple of
hundred yards, he had a terrible fright,
for looming up on the road was another
monster of some red sort, with four eyes
glaring at him: But these were broken
headlights flashing in the sun. It was
ply an abandoned convertible, with the
roof cracked open by the seasons: and a
distorted human face glaring from be-
hind the windshield: the driver whose
strangling death had swung it off the
road long ago.
A mile past this relic, his thighs knotted
with pain and he literally fell off the
bike in exhaustion, He crawled over into
the narrow shade of a phone pole. He
tried to figure out how far he was from
the sea. The fatigue of safety made him
n to sleep, his
more
mind was drawn back to his obsessive
problem. * ‘And it came to pass, when
men began to multiply on the face of the
earth, and daughters were born unto
them, that the sons of Ged saw the daugh-
ters of men that they were fa
One should, of course, fulfill the inten-
tion of God; but how was one to know
His intention? For there was no doubt
that all the races of humanity were no
damned good; crazy, in fact. All those
wars, murders, assaults, rapes, assass
tions; the cruelty of parents to their ch
dren, and of the children, when they
were grown large enough, to their white-
haired and arthritic parents; of one creed
to another; faction against faction; belief
against belief; street against street often
enough; or the wife digging love in a
rented bed and the husband breaking his
fist on her face; the youug whores sellin
one orifice or another at the going rate,
pimps sucking the moncy back
alation; of men embracing men,
nd women, women; and everywhere the
unimaginable made real. And all of this
was wiped out in a war of 30 minutes at
most. It wasa Divine High Colonic, purg-
ing all the filth out of the world.
But did He, Author of man, rea
mean His work to perish?
Bernal slept in this dilemma, woke after
sunset, rode a little farther in the da
ness, rested again, opened the bag of
groceries and ate a whole box of salted
crackers and, much later, drank and
washed at one of the Los Angeles reser-
voir, where the moon floated, a dead
world long ago. He got to the coast by
сапу morning but was still a couple of
miles south of his beach house. The sun
had not come up by the time he scram-
bled down the slope of the cliff, The sea
was shrunk down by a wall of rolling mist.
He walked toward his whitewashed house
and called ош, "Sarah! I'm home!” She
nswer; asleep, probably. The first
curious thing he noticed was that all the
windows were smashed. There were rows
of bullet holes, too, in the wooden siding.
He ran crouching to the porch and
reached up to get his fishing harpoon.
He pushed the front door open with
his foot and shouted, “АП right, soldier
I'm not going to hurt you. Come on out.
And wh he waited, the
spring as tight as he could. There was no
sound, no movement inside. He went into
the cool house, probing the relative dark-
ness with the saw-tooth point. His bed-
room, first on the right, was empty. In
nts of a
meal: ash and a
piece of fried potato on the floor. In the
bathroom, which led off the kitchen, there
was one of Sarah’s pink knit shirts; it had
been torn nearly in half at the V.
He ran—pure anger made his foot-
steps springy and light—and kicked open
the door to Sarah's room. The bed had
been neatly made up. He looked through
lly
he wound
the kitchen, there were remna
canned corned-beef h
ed window onto the beach.
There, led to a thin, twisted, salt-
bleached upright polc of driftwood, was a
piece of purple note paper, a box of
which he had gotten long ago from Sea
View for Sarah's tenth birthday and
which she used, for a couple of years, to
write letters to imaginary people. Was
this a message of thar kind?
Bernal swung himself out of the win-
dow and crossed the beach. There were
automobile tire marks but no car. Bernal
pulled the note down off the pole; it was
vibrating in the sea wind like a butter-
fly. The messag “Dear Dad, Charley
and I are going to Kelly's Wonderland
for a day or so. We were so hungry we ate
all the beef. But 1 cooked some chili beans
for you on the stove. Love and kisses.”
“Who the fuck is Charley?” First it
stuck him that here he was, talking
humeister’s language; and only then
did he understand that Charley might
just possibly be Kalinmeister's first па
He went back into thc
chopped off and
biscuit and some
noticed the cloth bag on а chair: It was
full of jeweled rings, brooches, necklaces,
liberated hy K г, no doubt, out
of bank deposit boxes; or maybe out of
the homes of dead, dry abitants. Ber-
nal, keeping the doth bag, ran out and
hurled the jewelry, like so many stones,
deep into the glittering sea.
But he found himself unable to think
in any but a circular fashion, What he
should do—or should have done—was
forbidden by every human society;
should the whole species therefore
Kahnmeister had арр
from this dilemma, yet the Marine was
the very monster who would perpetuate
the «nities of the human animal. It
would be right to try to kill Kahnmeister.
Yet if he succeeded, then he, Bernal,
would be thrust back into the dilemma of
sin or survival.
He went up the cliff and began to bi-
cycle inland. He reached Kelly's Wonder-
land and cycled around the leaning arch
of the gate and through the Villages of
the World. There was no sign of Sarah
nor Kahnmeister. Up above, on the Al-
pine Lift, numbers of parched, preserved
customers still looked down out of the
curved windows of the monorail car.
Walking back into the main concourse,
he heard a somber, clear, measured
voice: “When in the course of human
events. ЖЫ;
in the mouth of a rhythmically rearing
horse; nothing as cheap as marble, of
course, but colored and textured. poly-
ethylene; and equally real, or more than
real, a tricorne-hatied Thomas Jefferson.
high and noble im the saddle. Just be-
yond, in the moving shadow, he saw
Kahnmeister’s back; the Marine was eat-
ing caramel corn by the handful and
grinning at Sarah, who was dimbing up
me from a loud-speaker
“Ralph, Рос been waiting to get you in a good mood.
I want a divorce.”
187
PLAYBOY
188
behind Tom Jefferson and now embraced
his flexible figure vigorously. She wore
loops of diamonds and her hands were
spotted with rubies and emeralds on all
ten fingers. Off in the middle distance
was the red Plymouth with the split roof.
Jefferson continued, “Hold these truths
to be self-evident, that all men. . . .”
Kahnmeister began to pull Sarah down
off the automaton; she laughed as she
wrestled with him. Bernal ran forward
then with his fishing harpoon. He shout-
ed, “Sarah, get away! Get away from
him!
Poppa! Don't be silly!” And she
screamed as her father came up. Kahn-
ster dove for the ground at the first
. Caramel corn spilled out of the
box and under Bernal's feet. The sprung
blade cut across Kahnmeister's spotted
uniform, grazing diagonally, slitting open
the fabric. Blood rose all along the super-
ficial wound, Jefferson was saying. “The
pursuit of happiness, . . .” Sarah picked
up the expended blade while Kah
meister ran, crouching and blood bright,
to the ked Plymouth and unlocked
d got the gun out of the tru
“Don't fight, please don't figh
shouted, first to one man, then the other.
"Shit, that mother's trying to kill me.
“Poppa, run!”
‘The sunlight glittered everywhere like
enamel. Jefferson said, in his grave, com-
passionate voice, “Right of the people to
alter or to abo
Bernal had run back into the Photo
Future Р; Kahnmeister, with the
automatic weapon in both hands, went
after him through in entrance.
The interior was q ‚ except for
the display. On а sort of low stage was a
laser holographic exhibit: Fred Astaire
cing with Ginger Rogers. Smiling,
thin, astonishingly small, Fred, with 1
laughing and his long Ame
chin, was poised in middeap, a foot and
alf in the air, his feet in their
aculatc shoes twisted side:
Ginger pressed both hands in restraint
ol the pleated skirt flar
frozen turn. Both wi
in dark space, br
"Ri
ilion.
eyes
a im-
n to onc
dimensional, utterly real and quite trans-
parent.
Bernal ran through their projected
bodies, heading for the back схі
to throw off such
Jefferson outside, Kahnmeister knelt in
“By George, you're
right, it does look like two spiders balling
on a peanut-butier sandwich! And look at this one!
This one looks like two frogs making it on
a manhole cove
the auditorium and fired two short bursts.
Neither one struck Bernal, but bits of
green plaster exploded from the back
wall. Bernal reached the rear exit,
ked with a glowing sign, and was just
trying to open the door. It was stiff from
long disuse. Kahnmeister fired again. The
inc jammed and Kalnmeister, cy-
* pricd out the faulty
Ige. As the cylinder of brass fell to
soft yet metallic thud, he
exhalation more of surprise
He moved forward about three steps,
the gun clattering and boum
on the soundproof floor. Sarah was just
behind him and the harpoon stuck out of
his back as he fell
Bernal turned in the exit; and then, for
a long minute, the triangle—two living,
one dying—remained immobile, exactly
like Fred and Ginger, who showed no
emotion, either.
They left Kahnmeister where he'd
fallen and Sarah let herself be guided
out of the building. Then Bernal went
back in and retrieved the gun and the
harpoon, He tied the bike to the torn
roof and started the Plymouth and they
drove back in the afternoon to the beach
"m so sad.
house. Sarah kept sa
I'm so sad.”
ed room for
a her
lays. Bernal left food for her on
lone
T window she were a bi
but she ate nothing. He remained on the
d the Bible once more from
got up out of bed and looked at the sea,
She remembered an old candy bar in the
top drawer of the ereen-enamel bureau
in her room. She ate the candy slowly;
chocolate and coconut and cloying cara-
mel. The confection was called Love Is
Cool. On the wrapper was a picture of
two characters, each of them tattooed on
the back with their identifying name
John and Mary. They bad weit arms
around each other, in a field of bent grass
that concealed parts of their bodies but
not all, Sarah put the whole crinkling
paper wrapper in her mouth and chewed.
that, too.
Ir grew hotter all day long and by three
o'clock in the afternoon, though the shade
was still cool, even cold, the sun was blaz-
ing from sky and sand. Sarah went out of
the house at last, past her father on the
porch. She waded into the sea and let her
clothes float on the slow waves as she
peeled them off. Her arms were brown as
sweet chocolate,
Bernal, after а while, took off his own
sun-faded jeans and work shirt; and, lean,
dry and naked. put aside the Bible and
went unsteadily into the water, too,
often with only a token amount of
goose. sometimes just a stuffed neck or
а leg of confit d'oie. а form of preserved
goose in which the meat is kept for
weeks in its own render t. PLAYBOY'S:
cassoulet, to be practical, reverses the
order and gives the goose star billing. It’s
an opulent yet free-and-easy party dish
and at the table is outranked in size only
by a huge salad of leafy greens in an
olive-oil dressing. For working hand in
hand with the cassoulet, let there be
chunks of crusty sourdough French bread
and bordes of pinot noir ready lo be
poured semichilled—between room and
refrigerator temperarures—as many cas-
souletiers prefer it.
CASSOULET
{Serves six to eight)
710810, young goose
1 1b. boneless loin of pork
1, Ib. kielbasa (Polish sausage),
slices
2 ozs. salt pork or sliced bacon, coarsely
chopped
1 Ib, largestsize great-northern white
beans
] medium-size whole onion
2 cloves
1 bay leaf
It. pepper
1 Spanish onion, very finely minced
yin.
CASSOULET (out from paze s3)
rge cloves garlic, very finely minced
m spoon leaf thyme
12 sprigs parsley. very finely minced
16-2. can tomatoes
1 cup fresh bread crumbs
If goose is unobtainable, 2 4b. duck-
lings may be substituted. If possible, buy
fresh goose or ducklings or order goose
beforehand and ask butcher to thaw it
for you. Also ask him to cut goose into
12 pieces suitable for cassoulet. The neck,
back and wings should not go into the
cassoulet: they can be saved for а magnit-
icent stock for mushroom-and-barley soup
or lentil soup.
Wash beans well; drain: soak overnight
in enough cold water to cover with 1 in.
water. Stick doves in whole onion and
place in pot with beans. Add bay leaf and
1 teaspoon salt. Bring to a boil; reduce
flame and simmer slowly until beans are
tender—about 114 hours. Preheat oven to
375^. Remove from beans and discard
onion and bay leaf. Add salt and pep-
per to taste. Place pieces of goose, skin
side ир, in a shallow roasting pan. Sprin
Me with salt and pepper. Roast 1 10 114
hours or until goose is lightly browned.
Remove pieces of goose from fat in pan
and set aside. Save fat: some will be
needed for cassoulet; balance may be
used for flavoring other dishes with which
the flavor of goose fat is compatible. Place
silt pork in saucepan over low flame.
When fat appears. add Spanish onion,
garlic, thyme and parsley. Sauté slowly
until onion is deep yellow but not
browned, Add onion mixture to beans
Drain tomatoes, reserving juice. Chop
tomatoes fine and add, together with their
juice, to beans, Set aside. Set oven tem-
perature at 3007. Cut pork loin into
in. thick, Heat
in skillet 2 tablespoons rendered goose
fat. Sauté pork loin until lightly browned.
Spoon about a third of the bean mixture
into a 5quart deep casserole. Add halt
the goose, pork and kielbasa. Spoon an
other layer of oue third of the beans on
top. Add balance of goose, pork and
kielbasa. Spoon balance of beans on top.
There should be enough liquid in cas
serole so that when beans are lightly
pressed with spoon, the liquid rises to top.
Cover casserole and bake 114 hours. Re-
move lid: skim fat from surface of beans
and sprinkle with bread crumbs, Sprinkle
lightly with goose fat. Bake uncovered 1
hour longer, or until crumbs are lig
browned. Cassoulet may be placed under
broiler flame for a few minutes to brown:
watch carefully: avoid scorching,
Granted. it takes a bit of doing, but
would Sir Edmund Hillary have settled
for a hillock?
B
New Conceptrol Shields.
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183
PLAYBOY
190
HOLY WAR ON 34TH STREET
television commercial, right? I mean, it's
having an armpit shoved in your face.
Not your Scientologist. To him. it’s a
challenge or something. He stands there
staring right back, clutching his clipboard
of personality tests and playing to the
crowd.
Because by now there is а real crowd,
and they are all watching the contest to
see who flinches. I mean, after all, here
dozen crazies dancing up and
playing their instruments. and
chanting at the top of their lungs, giving
their all to put this one guy on their trip,
and him a beady-eyed character who's
giving them the big stare right back. Even
for New York, this is pretty good street-
theater stuff, тїрї
stows and pretty soon it's slopping
So the crowd grows
(continued from page 84)
over into the gutter of 34th Street and
they're not paying attention to the traffic
hts anymore and traffic trying to turn
right onto 34th gets blocked and ties up
Broadway and cabbies start leaning on
their horns and pickpockets start wor
ing the сока and truck drivers are turn
ing the air brown with their mouths and
а poor son-of-a-bitch traffic cop has to run
over and break it up before some old fart
in an Oldsmobile has а heart attack and
really screws wallic up.
Who knew who would win? Every time
it really got going, we had to step in and
break it up. And it was always a somewhat
surly crowd to move along, because they
wanted to see how the show would end.
Hard to blame them. After busting up
these w се times a
Чо contests two or thi
“1 know it hasn't been easy for you, having
to be both mother and father to me, but now that I'm grown,
Dad, how about being just a father again?"
day for half a week, I got to wondering
how it would come out, too. Sergeant
Kelly, in his gentle way, told me later that
this was my downfall, my ticket to my
present beat up here in Fort Apache in
the wilds of the east Bronx. where patrol
cars have to travel in pais. Like what
they say about curiosity and the cat... .
Not that I was crazy enough to do
anything more than think about it. I
don't care what Kelly says, 1 didn't pur-
posely create the “HOLY WAR ох зати
steer,” as the Daily News called it. You
think I wanted a thing like that to hap-
pen on my beat? You think 1 wanted to
be up here in yehupetz dodging bricks
and rousting savage junkies? Sure, I admit
1 this fantasy about letting the Heavy-
weight Staring Championship of the
World go on till a KO, but I had no in-
tention of letting it actually happen, no
matter what Kelly says. All that happened
was that this curiosity slowed me down a
that much I will admit.
But even that would've been OK if the
damn Mitzvah-Mobile hadn't been the
first vehicle to get caught trying to make
a right turn from Broadway onto 34th.
Picture this crummy old rented truck, a
covered delivery type, the back of which
is filled with these characters іп black
hats and long black coats. I mean coa
made out of horse-blanket material—in
June, with the thermometer hitting 85!
And they've all got scroungy beards and
long scruffy sideburns—H. ]
hippie Holy Rollers from Crown Heights,
something called the Lubavitch Society,
which I know on account of this is written
on the side of what is also labeled the
MITZVAU-MORILE, along with a lot of He-
brew graffit а picture of a mezuzah,
which is also some kind of ICBM.
There | am, standing on the Herald
Square island halfway across the inter-
section, pausing for just a minute—hon-
est, Charley—to watch the show before 1
break it up. The whole width of 34th
Street is blocked with people and the
crowd is starting to spill onto Broadws
l can see the shaved heads of at least a
dozen Hare Ki s bouncing together
above the crowd, and the chanting is
shriller and louder than Гуе ever heard
it before. even over the sounds of horns
and the screams of cabbies, There’s a lit-
tle gang of street hoods in the crowd and
they're starting to cheer and yell; they
seem a little loaded. Hippies are clapping
their hands in time with the chanting.
Even some on izen types аге
cheering and appl
I aoss over to the edge of the crowd,
but instead of waving ту night stick,
blowing my whistle and telling them to
get their stupid asses moving, I elbow my
way quietly through them, All right, all
admit
right, 1 I wanted to sce what
нь эла ила пила ити аш
time we stopped ?
^s
Enough people were arrested for marijuana
Don't you think it
in 1973 toempty the whole city of St. Paul, Minnesota.
Е
:
=
УМҮПГІЧУИІ
PLAYBOY
all the excitement was about before I
broke it up this time.
In the middle of the crowd, a dozen
Hare Krishnas were dancing and chant-
ing at the top of their lungs, as expected,
but what wasn't expected, Charley, was
that there were six Scientology nuts stand-
ing there with their arms folded and star-
ing at them. And 1 mean, those boys were
staring! Shoulder to shoulder, like statues
of the Rockettes, making like Bela Lugosi
on methadone; you could hang your
clothes out to dry on the lines between the
Krishna freaks and their spaced-out eye-
balls, Let me tell you, like the hippies
say, the vibes there were really strange.
The Scientologists just stood like furc-
plugs and stared, and that just made the
Hare Krishnas jump up and down faster
and faster and chant louder and louder.
“HARE KRISHNA, HA
NA,
E KRISH-
KRISHNA KRISHNA, HARE
And the crazier the Hare Krishna
freaks went at it, the harder and colder
the Scientologists stared. It got so heavy
that the crowd was lining up between the
silent starers and the jumping jacks, and
going to give pretty soon.
t, let me tell you, I un-
froze fast and started to move in, but,
da it, 1 was about a second too late.
udden comes this incredibly loud
blast of incredibly tinny hora music to the
tune of which a chorus line of weirdos in
beaver hats and Jong black coats dances
п between the Hare Krishnas and the
Scientologists.
What's this goyi
a Hasid who looks like a fulll:
shiva University.
Another of the beards accosts a thin,
pimply Scientologist. "Are you Jewish?
he demands.
“Allright, move it along!" I shout, wav-
ing my billy and stepping right into the
fruit salad. But it’s too late; the loony
bin has hit the fan.
Everyone is shoving literature in every-
one clse's face. Half of the Hare Krishnas
are jumping up and down and chanting
halfheartedly, while the others are trying
to brush away Hasidim, who are trying to
reach down the front of their robes to see
if they're wearing mezuzahs. The Scien-
tologists have seized the main chance and
are pushing their free personality tests
on the crowd that has now moved right
into the middle of everything.
“krishna Krishna, Rama Rama”
А h and tephillin are the strategic
deterrent of the Jewish peopl
“WIL only take an hour of your time
d it could change your whole life- sid
‘Hare Krishna,
“Baal Shem Tov
"L. Ron Hubbard:
I wy my best to break it up, but I ask
you, Charley, what could I do? 105 wall-
towall people now, and everybody is
screaming at the top of his lungs, and the
һа meshugaas?" says
ick for Ye-
, Hare Krishna——'
192 horns from the clogged traffic on Broad-
way sound like a dinosaur convention,
and Scientologists keep pushing their clip-
boards under my nose, and the Yeshiva
University fullback even has the nerve to
Frisk me for a mezuzah. Who can hear me
blowing my whistle like ап idiot? Who
can tell a goose-along from my billy from
somebody's elbow in his back? What was
Isupposed ro do, start hitting people over
the head and firing my pistol into the air?
How was I to know that the Mitzvah-
Mobile had a bullhorn?
All of a sudden, over the squawking
hora mu
in a thick Jewish accent only loud
enough to rattle your fillings: “Without
study of the Torth, in the streets comes
chaos!”
And this old bird in a beaver h:
black coat gives me a knee in the butt as
he pushes past me, jabbering into hi
portable bullhorn: “A mitzvi
keeps der Teufel away!" He looks like
Moses as played by Sam Jaffe, if you know
what I mean, Charley, and he makes
straight for the line of chanting Ki
freaks, drowning them all out with his
amplified grandpa voice. “Stop dancing
around like a Minsky's chorus line and
dance for joy in the name of the
At which point, all the Hasidim gi
people at random—Hare Krishna
tologists, hippies, street hoods, yuks from
Keokuk—and start whirling them around
in a hora. Whirl, whirl, whirl, then
change partners like a square dance. One
of them even grabs me and I find myself
spinning around like а yoyo. Everyone
is whirling around, then staggering into
each other like drunks, then whirling
again, orange robes, black coats, satin
jackets, shirt sleeves and skirts.
And then comes the moment when 1
know for sure that I have had it, when I
can feel the pavements of Fort Apache
slamming my size nines. Hoo-boy! Here
come the Jews for Jesus!
‘These characters everybody knows
about, because they've stuck up their
JEWS FOR JESUS posters all over the city,
and what flayor they are is self-evident.
What is also self-evident, unfortunately,
is that somewhere in Fun City is another
crowd that doesn’t like their trip. because
the city is also plastered with posters that
read, NOT WANTED: JEWS FOR Jesus. Lately,
the phantom opposition has taken to
spray-painting out JEWS FOR JESUS posters,
and the Jews for Jesus have taken to
painting out the мот WANTED on enemy
posters, cleverly converting them to more
of their own.
And here соте a dozen boy scouts with
five-o'dlock shadows in JEW FOR JESUS
T-shirts chain-ganging through the fruit-
salad hora like that Carry Nation and her
bad-ass biddies busting up a saloon, Can
that’s been fighting the poster war with
them?
“Accept the Lord Jesus Christ King of
the Jews!” they scream, actually loud
enough to make themselves heard; they
must be in practice.
“Bite your tongue, you should say such
a thing!" Sam Jaffe in the black coat lec-
tures back through his bullhori
“GOYIM!”" shout the Hasidim.
I try to step in between the front lines,
but there aren't any front lines anymore;
the Jews for Jesus and the Hasidim are
suddenly all over the place, going at each
other in groups of two or three.
“As Jewish as you are, bubeleh, and
don't you forget it
"Look at this meshugaas aud tell me the
Messiah's already come——
The Lubavitchers are trying to check
the Jews for Jesus for mezuzahs, who are
trying to push them away, a
na freaks have gotten their act back to-
gether again and are jumping up and
down, and dozens of weirdos in the crowd
they're h:
profile tests to everyone within reach and
trying to get them to fill them out right on
the spot. A Salvation Army lady in her
blue uniform appears, playing а tam-
hourine, Two black guys in white robes
selling newspapers Indians in turbans
with signs in Hindu lettering. Hasidim
are whirling unwilling Jews for Jesus
around by the wrists. Somehow 1 find my-
self dancing with a Hare Krishna. Some-
how I find myself putting a quarter into
a collection can shoved in my face. Some-
how I find myself filling out a free
personality-profile test.
Then I hear sirens—the riot squad to
the rescue!
But what pushes aside the mob like
bowling pins and comes to a panic stop
in front of me is not the riot bus but Ser-
geant Kelly’s squad са
And what comes howling up out of it is
Sergeant Kelly, his face so red it's purple.
his eyes rolling like Groucho Marx's.
veins standing out
head—bclicve me, Charley, а
would make Godzilla crap in his pants.
WHATDAHELLISDISGETYER-
ASSESOUTAHERE!' Sergeant Kelly
suggested to the crowd like King Kong on
bennies. A division of Marines would've
backed off from Kelly in this state, and
instantly the war was over and the parties
concerned were streaming away from
Kellys squad car in every direction,
while Kelly continued to bellow like a
bull moose in heat to encourage their
cooperation.
He was sull in top form when he
auention to me. Me, standing
there holding a half-completed free
personality-profile test,
Apache.
But you know, Charley, I got to admit
it, I still kind of wonder how it all would
have come out.
a
“Well, we found out what's been clogging up your drains!”
PLAYBOY
194 do with my life, I
PLAYBOY INTERVIEW (continued from page 70)
then they choke, which is what I had
been doing.
During thc trophy presentation, I sud-
denly realized that ГА had the match in
my hands and then didn't go for the kill.
1 knew then that I could beat Margaret—
and anyone else in the world, too. Jt came
то me just as clear as a bell: I really could
be number one. The next time 1 played
Margaret was in the finals of the South
African Nationals in April 1966, and I
beat her easily, six-three, six-two. Three
months later, we played again in the semi-
finals at Wimbledon and again I won,
easily. I finally had the right mental
attitude,
PLAYBOY: What do you love most about
the game?
KING: The perfect shot. I've made only a
Tew, but Е can still remember them. It's a
beautiful fecling, just like an orgasm;
thrills and chills all through your bod:
But once it’s over, it’s over, and after you
get the check or the trophy, all you think
of is the next match. You never linger.
But I remember one of the most satisfy-
ing shots I've ever hit was during the
1972 Wimbledon final against Evonne
Goolagong. Neither of us was outstanding
that day and I was playing just to win the
match as best T could and get off the
court. I kept going down the line on my
backhand all afternoon—that's the per-
centage shot—but there was just enough
of a crosswind to hold the ball up in the
air long enough for Evonne to run it
down. So I ted and told myself that on
match point I'd do just the opposite and
bomb a cross-court shot. 1 served. She re-
turned down the linc to ny backhand and
I just snapped a short topspin shor cross
court, catching her off balance, prepared
to cover down the line. My shot was a
winner. I threw my racket into the air
nd thought, I did it! J hit a perfect shot!
PLAYBOY: Do you always play to win?
KING: Not always, and never in social
tennis, when I just try to keep the ball in
play so every good time. Aud I
suppose 1 shouldn't say it, because most
people will never believe it, but I. have
let up а couple of times in matches be-
cause I felt sorry for my opponent. But
that's rare. I usually play my bes
PLAYBOY: Could you tell us whom you've
let up on?
KING: I could. but I won't.
PLAYBOY: You've said in the past that you
consider tenni: ant foi
KING: When tennis is pla
a. In what way?
ved proper!
Ме of getting an emotion:
Imost
al, reaction from both players and
nce—one similar to that you might
feel when you hear a great piece of music.
s thought that way, even when I
was a child learning to play. That's why,
when I was 19 years old and our minister,
Bob Richards, the Olympic pole-vault
champion, asked me what I was going to
nid. "I know exactly
what I'm going to do, Reverend. I'm go-
ing to be the best tennis player in the
world.
PLAYBOY: Do you consider yourself a rel
gious person?
KING: Not now. I was then. There was a
time when I thought of being a mission-
ary. Td prohably consider myself an
agnostic now. I don't go to church. Stan
Smith is really into religion, and I think
that's great for him. He says the written
word in the Bible tells you how to live
your life. I think it's most important that.
jou figure it out. 1 think it’s pretty ob-
vious how to live; you don't try to hurt
others, 1 think the spirit of God or what-
ever is within . . . people. I almost said
man: can you believe it? I'm conditioned.
PLAYBOY: In what м other than in your
attitude toward religion have you changed.
over the years?
KING: In the beginning of my carcer, when
I was a chubby little prodigy from Loi
Beach, 1 wanted everybody to love Billie
Jean King, and 1 was certain that when
I became a champion, they'd love me even
more. Now I know that it docsn't matter
whether people love me. What matters is
that E love myself and make myself happy:
then I can give love and happiness to
others, and it's not important that they
return it to me. And I realize now that
being number one isn't glamorous. It's
more like being the fastest gun in the
West. You can never let up, because you
have to prove yourself against all comers.
PLAYBOY: At thc moment, you're not num-
ber one—at least not as far as the U.S.
Tennis Association is concerned.
You've just been replaced by Chris Evert
as the top-ranked woman tennis player on
the U.S.L.T.A. list. How did that strike
you, in view of the fact that you beat
Chris two out of three times last ye
KING: Chris had a good year and she
deserved what she got. Rankings don’t
bother me. In the beginning, I was naive
enough to think that being a champion
would solve all my problems, but it often
creates more than it solves.
PLAYBOY: How has your lifestyle changed
in the past few years
KING: Well, for about six years, Larry and
Thad an apartment with à bed, a fold-out
couch, a stereo, a small desk and a huge
painting heavy on the blacks and grays
nd blues, done by nd of ours in 30
seconds with a spray gun. No furniture,
ly someth out of Future
Shock. Then, just recently, we moved
to a new apartment in San Mateo near
our magazine and offices. But I haven't
scen it yet and I'm sure one of the secre-
taries did the furnishing, because I don’t
have the time and there are so many other
things on my mind right now. I like things
neat and organized—as long as 1 don't
have to do them. And here in Philadel-
phia, I have a three-story house on Society
Hill that was built in 1730 and restored.
It’s a blast. I have somebody come in once
а week to clean and pick up and I cook
for myself. Dick Butera, who owns the
Freedoms, found the house and organized
the help. 1 wouldn't make it, with my life-
style, unless everyone were very helpful.
PLAYBOY: Do you take things with you
when you travel, to give you the feeling
of being at home?
KING: 1 like being mobile, so I'm not big
on that at all, I used to carry records with
me, but then I had to stop doing it be-
cause of the weight and bulk. But now
that I'm more or less based in Philadel-
phia, I've bought a great stereo anda tape
recorder and I'm putting everything I like
on tape—Gladys Knight and the Pips,
Aretha Franklin, Bob Dylan, Roberta
Flack, Helen Reddy, Chér. But I think
Elton John is probably my favorite, I
burn incense and listen to my records,
PLAYEOY: Have you ever smoked grass?
KING: Yes, I tried it, but I didn't like it. It's
just not my trip. Gen
PLAYBOY: Isn't that something of a contra-
when you've been so heavily in-
à tournaments sponsored by a
cigarette manufacturer?
KING: The Virginia Slims people have
never encouraged us to smoke. They just
try to get people who already smoke to
switch to Virginia Slims. They get a lot
out of the promotion—four years ago,
they were number 50, and now they're in
the top 20 brands—but so do we.
Anyway, about pot, I shouldn't put
my own trip on everybody else. If people
enjoy pot and they know about the harm
it can do and they still want to use it,
that’s their business.
PLAYBOY: Do you feel the si
pornography?
KING: То my way of thinking, pornog-
raphy is in the eyes of the viewer. You
and I can look at the same picture or
read the same hook and you might get
turned on while I don't. So what may be
pornographic for you isn't for me. Any-
way, I don't know why people get hung
up on such things. which T don't thi
hurt anybod:
PLAYBOY: Have vou ever seen a porn film?
KING: Larry and I went together to see
Deep Throat but left halfway through it
I wanted to see it all, but Larry wanted
10 leave.
PLAYBOY: Did you like it?
KING: It was OK, but too repetitious. Pd
probably go to see more porn films if 1
had the time, because I’m curious. I guess
1 want to try everyth
be not everything—so don't ask what 1
haven't tried yet.
PLAYBOY: In your recent autobiography,
you wrote that Ayn Rand's Atlas
Shrugged had done much to change your
life, How?
KING: Sometime in the spring of 1972, a
friend of mine rushed up to me with à
copy of Atlas Shrugged and said, “You've
volved
е way about
21975. Playboy Publications
OUI MARCHES ON
CONVERSATION WITH PAUL MORRISSEY takes you inside the far-out
head of Andy Warhol's movie director. Warhol's alter ego has a mind of his own.
SWINGERS MAGAZINES reviews the tabloids that let your fingers do the
stalking. In this case, A.C./D.C. is not the Washington Athletic Club.
HIP IN THE SEVENTIES gives you some sound advice on how to be “in”
without flipping out. If you can’t stand the pace, join the strategic slowdown.
TENNIS YOUTH TAKE-OVER examines the coup de court by the younger set
and their groupies. The net result is a love game.
GREAT MYTHS OF OUR TIME lists those childish rumors that used to keep
you awake nights. Reading this could make you go blind!
OUI GIRLS Vicky and Brigitte are enough to keep you awake nights, too. You
should only be so lucky.
AT YOUR NEWSSTAND NOW Just say ou!!
MARCH 1975
PLAYBOY
got to read this. You're Dagney Taggart.”
During the next few months, 1 read the
book and thought about it a lot and
realized that she was right, that in a lot
of ways I was like Dagncy Taggart. That
book told me a lot about why other
people reacted to me, sometimes pretty
strongly, the way they did. I can't sum.
rire the book in a paragraph or two,
but it seemed to me that the two main
themes were right on target: how an in-
tense love for something can be a source
of strength as well as weakness, and how
success can sometimes breed envy, resent-
ment and even hate. The book really
turned me around, because, at the time,
I was going through a bad period in tennis
and thinking about quitting. People were
constantly calling me and making me feel
rotten if I didn't play in their tournament
or help them out. I realized then that
people were beginning to use my strength
weakness—that they were using me
pawn to help their own ends and if
I wasn't careful, I'd end up losing myself.
So, like Dagney Taggart, 1 had to learn
how to be selfish, although the word self
i the wrong connotation. As I sec
ig selfish is really doing your own
thing. Now 1 know that if 1 can make
myself happy, I can make other people
happy—and wg selfish, so be
it. That's what 1 am.
PLAYBOY: When you were growing up. who
were your heroes and heroines?
KING: I didn’t have any. E always thought
it important to have your own thing. I
wasn't up on the film stars of the time,
because Т didn’t have money to go to the
movies when 1 was young. So most of the
people I admired were sports figures like
Hank Aaron. It’s funny how it all worked
out for him. I always thought when he
was a youngster that he was unappre-
ciated. Great wrists. Love those wrists.
PLAYBOY: What kind of people—sports
figures, movie stars, whoever—would you
most like ro spend your time with?
KING: The trouble with my life now is that
I rarely have time to spend with anyone
but the team, and it’s a pretty narrow life.
Thats one of the reasons I'm cutting
down on my schedule, so I can start spend:
ing time with other people and maybe
get out in the world
and learn a little.
to offer. But,
wer your question, my best friend
is my former secretary, Marilyn Barnett,
and some of the tenni s, such as
Fred Stollc arc fun to
be with. I'd also like to see more of Mar
cos Carriedo, who introduced Larry and
me at college. Dick Butera is a good
friend and a riot; he's interested in the
world around him. And Elton John has
been super to us. I'd like to see more of
him, too.
PLAYBOY: Why didn't you mention Rose-
mary Casals as a friend?
KING: Didn't I? Over the years that Rosie
and I were friends and partners on the
196 court, she often told me that she wanted
to be number one, OK. But I think she
envied my position so much that she came
to hate me. She tried not to, but I felt she
did and, although we're still friends, it’s
difficult for her, because we're in the same
profession and the media keep her in my
shadow. It's just not good for either of us.
Another girl I used to be friendly with is
istien Kemmer, a left-handed player.
One day she said to me, “I can't be around
you anymore, because I want to be the
best. and when I'm with you, I see all the
attention you get and it’s just not good
for me.”
PLAYBOY: Doesn't that kind of honesty
turn you off?
KING: No, it turns me on. The best thing
about it is that Kristien and I are goad
enough friends to be honest and open.
But Rosie wouldn't come out with it; I
had to pull it out of her. Kristien was so
open no way 1 couldn't
accept Us sad, in а wa
1 like, because it means I end up be
on my own a lot and more lonely.
PLAYBOY: Do you find it difficult to make
friends?
KING: You have to understand that most
of the people 1 meet are tennis players,
and sometimes it’s easy for me to be their
friend but difficult for them to be mine.
T figure ГЇЇ have a lot more friends after
I phase out and I'm not in competition
with them anymore. Most of the top male
players in tennis are my friends, We all
help one another, and that's as good a
basis for friendship as you can find.
PLAYBOY: We've heard that among the
male players, the Australians are legend-
ary drinkers. Is that true?
KING: Definitely.
PLAYBOY: What about the women?
KING: No, women athletes drink a lot less
than mcn. I suppose it's image again, the
way we were brought up. But women
athletes are also very serious about their
sport, about keeping in shape. The men—
Australian, American. anybody—drink a
lot more than the women.
PLAYBOY: Do women tennis players en-
gage in the kind of backslapping, locker-
room repartee that men do:
KING: Oh, we talk about men all the time.
PLAYBOY: Yeah?
KING: Oh, yeah. Who's got the best body.
We're very physically oriented, anyway.
PLAYBOY: Do you ever say things like,
"Boy, would 1 like to have a roll in the
hay with that guy"?
KING: Oh, yeah, Sure. The locker room is
exactly like that. That's exactly how we
talk. You got it!
Till say one thi
ng the women don't do
that men do, though. They don't talk
t. Maybe to their best friend, but
about
that would be it. Otherwise, they don't
„ “Oh, this guy was really great in bed"
or “That guy was lousy,” or whatever.
That's the big difference. Women don't
fecl they have to boast about it, For some
reason, men have been convinced that
they'd better be able to talk about it. I
always wondered about their talk: wheth-
er they're talkers or doers.
PLAYBOY: We haven't talked much about
another aspect of your career—your
А recent aide in The New
York Times said you'd have to be con-
sidered, along with Don Shula of the Mi-
ami Dolphins and Fred Shero of the
Philadelphia Flyers, as the coach of the
year. Do you like being a coach?
KING: Yes. I enjoy being Big Momma, and
it's gratifying to sec the players improve.
Julie Anthony has really come up this
year. Brian Fairlie’s serve has gouen bet
ter and Fred Stolle played better than at
any time in the past five years. Fred w
ally important to us, not only as
s a good coach, too. 1
grew up in team sports, and that's the
way the American psyche is conditioned
Everyone helps everyone else. The pli
ers develop more as human beings when
they're part of a team. They remain in
dividuals, but they're an integral part of
the whole unit.
PLAYBOY: Will we cver scc women coaches
in other sports— pro football, for example?
KING: ОГ course. day а woman will
be a coach in pro football or basketball
i eball. A woman can
s and if she's
qualified.
PLAYBOY: How long is that going to take?
About 20 yea
KING: Try five.
PLAYBOY: Last November, when you
turned 31, you said you were at a cross
roads in your life. What did you mean?
KING: [ meant I really don't know where
I'm at right now. The next decade should
be the best of my life, and while I'm
physically healthy, 1 think 1 should take
advan
ge of those years. I don't know if
PLAYBOY: From whom?
KING: Friends, college kids, people who
е to me and stop me on the street
Billie Jean, we need help." Politics
doesn't appeal to me, though. You have
to glad-hand people for their votes 52
weeks а year to get into office and stay
there, and all the precious time you spend
glad-handing and ass kissing takes you
away from the job you should be doing.
What I've said today may not be what
I think tomorrow, because the whole
process of learning and maturing is
change. The one thing I'm positive about
is that I want to sce certain things happen
in this country. I want to sce more wom-
en—not necessarily mein politics, and
I want to see sports change. But I don't
know what role I want to play in effec
these changes. I need time to think it
over in peace, to take a deep breath and
maybe sit on the beach and watch the
ves breaking for a while, See you when
I get back—maybe with a few answers.
Ll
PLAYBO
198
ЕКА 889 (continued from page 116)
debris. When the missile hit him, he
stopped. I kept turning, rolled out
and flew over the top of the left cor-
ner of the fireball and took a small
piece of debris through the leading
edge of my left wing.
At that time, I would have disen-
gaged, thinking the other Mig would
also disengage, because every other
time that I saw two Migs and one
Mig came anywhere near getting into
trouble, the other Mig would split.
In other words, again, they did not
seem to appreciate mutual support.
But now. the first Mig, the shiny
guy, hung right in the fight and tried
to shoot down my number-four man.
My number-four man called and said,
“Steve, I have got one on ше.”
So I started another dive for the
ground to pick up additional air
speed and energy, which I had lost
in the first turn. This time I came
hard to the right, a 135-degree bank,
а nose-down, slicing turn, about six
and a half gs. I came out of that tum
in a position on the shiny guy similar
to the one that I had had on his wing-
man just а few seconds earlier. And,
by the way, from canopy to canopy
on the first pass until the first missile
impacted on the wingman, it was 47
seconds, Here is the shiny Mig, and
here
my number-four man, and he
is getting a good position to shoot at
m—the Mig against my number-
four man, 1 came across the circle,
rolled up, put the Mig in the gun
sight and hit the autoacquisition
switch. It was a good lock. I waited
[classified] seconds and squeezed the
trigger. I had time to get one missile
off the airplane.
The Mig saw me, forgot about the
number-four man and started a hard
turn down into me. He was a little
better than his wingman, By the
time the missile came off the air-
plane, he had closed to 3000 feet and
was almost 60 degrces past my nose.
1 was pulling [classified] gs, which is
at or beyond the limit of capability
of the missile, I was reaching down
for my master arm switch, which
turns on the gun, in the hope of
getting a shot at him as he passed by.
The missile came off the airplane,
headed straight, appeared to do а 90-
degree right turn and smashed dead
center into the fuselage. The Mig
broke into two pieces, a lot of debris
and a big fireball.
At that time, there was another
flight of Мї 215 being vectored by
the North Vietnamese toward the
fight. We had gotten this inform
tion from Red Crown and Disco.
When I called “Splash,” which was
our code word for a Mig kill, the
North Vietnamese vectored the other
flight of Migs back to Hanoi. So we
got out of the area, hit the post-
mission refueling tanker and re-
turned to Udorn [Thailand].
Within weeks after he testified on Capi-
tol Hill, Major Ritchie retired from the
Air Force and returned to North Caro-
lina to run for Congress.
Paradoxically, Ritchie, whose F-4 had
a gun, never used it in making his kills,
while Navy Commander Е. $. Teague,
whose F4 did not have a gun, wished it
had. At the hearing, after recounting his
own Mig kills, Teague said:
I think it should be mentioned
that the Air Force, in its F-4, has an
internal cannon, and a very good one,
the Vulcan. The Navy F4 fighter
does not have an internal cannon. As
a consequence, we found ourselves in
the battlefield with Sidewinders and
Sparrows. The Sidewinder, of couse,
is independent of the radar system in
the airplane, whereas the Sparrow re-
quires that not only the missile and
all its links be “up” but the radar
be up as well.
I was in a fight at Quan Lang Air
Base in March where I found myself
Попе, thinking I was good, with four
Mig-17s. I felt very comfortable, until
all of a sudden the circle kept getting
smaller and smaller. I knew I could
leave any time just by throwing on
the afterburners and running. But
once you see a Mig, you want one
badly. So I stuck und. In that
fight. I had two perfect gun oppor-
tunities when the Mig had just
stopped going up in front of me,
where you fly right through them,
nd I could have hit him with a
ketball, but Т had nothing to shoot.
1 finally did get a missile off in that
fight that exploded on the Mig. My
wingman thought I had hit him. But
a bunch of junk came off of him and
I got credit only for damaging him.
Why did the Air Force F4 have a gun
and the Navy F-4 not have a gun? Simple:
The Navy hadn't dreamed that the Phan-
toms would be called upon to shoot it out
with cannonaders in Migs, in an air co
over a litde land mass in Southeast Asia.
"The Ff was to be a longer-ranging feet-
defense interceptor and consequently it
was fitted with extensive radar equipment
took up all the space in the nose of
the plane. When, in the mid-Sixties. the
Air Force realized they were going to need
а gun, the F-4 was redesigned and by shift-
ing the radar gear (a tedious, expensive
job) McDonnell Douglas opened up
enough space to stick the cannon in
the nose.
This did not, however, explain the
absence of cannons in the F-4s of the Fly-
ing Leathernecks. The traditional role
of the fighter plane in the Marine wings
has been one of clearing and controlling
the air over beachheads. This means dog-
fights—like those between the Zeros and
the Hellcats of World War Two, the
Sabres and Migs of the Korean War. What
it comes down to is that the Marine Corps
buys whatever firstline fighter plane the
Navy brass tells it to buy. And in the case
of the F- was not the Air Force ver-
sion but the Navy version that had begun
coming off the production lines first. The
Navy likes the Marine Corps to share
the research-and-development costs of its
fighters and help pay the price of their
procurement, off the same production
lines. Bigger production volume means
lower unit prices, better public relations
and Congressional relations and Navy
budgets that seem lower. This Navy tac-
of force-feeding fighters into the Ma
rine squadrons was to appear agi
we shall sce, in the stormy developments
of the two fighters that were chosen to
replace the Navy and Air Force Phantom
in the mid-Seventies: the Grumman F-14
Tomcat and the McDonnell Douglas
F5 Eagle. Their development is an
outstanding example of the Services
politicking and parochialism, under the
same Pentagon roof, all carried our under
the banner of a strong national defense.
The setting is, of course, the Pentagon,
Take a tour. Don't begin at the river
entrance or at the mall entrance on the
adjoining side. Instead, get off the bus
from Washington in one of the three
lanes that slice under one side of the
building. Mount the 27 steps to the Penta-
gon concourse, an arcade long enough to
contain five basketball courts, end to е
Along its length, on any given da
easel-mounted posters announcing
union of the Red River Valley Fighter
Pilots Association, or the Eighth Tactical
Fighter Wing, or a company of the Green
Berets. At lunchtime, now and then, the
Singing Sergeants of the Air Force or
some other military music group will set
up at one end of the concourse to enter-
tain the strolling secretaries and their
bosses. In warm weather, the noontime
entertainment moves outdoors to the
center court, a vast greensward laced
walkways, nestled within the Pentagon's
inner walls. Here, the brown-baggers
bring lunches from home or from one of
the nine snack bars inside the building.
Others patronize the luncheon bar, sport-
i al colors, at the hub of the
nt. Lunch in the park.
But not quite. Pentagonians call the
center court Ground Zero.
The man usually in charge of the bu
ness side of the Pentagon is the Deputy
Secretary of Defense. He is the systems
man, the hardware man. Save for Robert
McNamara, the secretaries themselves
have stuck to high policy. This division
of duties was especially striking in the
first Nixon Administration, when Secre-
tary of Defense Melvin Laird concen-
trated on getting out of Vietnam, pressing
the fl
h on Capitol Hill, reassuring our
O allies and working up the begin-
nings of the Volunteer Army. He dele-
gated the thorny task of coordinating the
ices and their contractors to his dep-
шу, rd, the "Mr. In
of the two. Packard would show how a
man who could cofound and develop a
nt West Coast clectronics. company
such as Hewlett-Packard, and make
$300,000,000 for himself while at it, could
also square away the Pentagon,
Packard wied to do two things that
turned out to be mutually incompatible:
reform the Services’ practices of procur-
ing weapons systems and, at the same
time, give the Services more leeway and
responsibility in the procurement; im-
pose on them much less than McNamara
had the decisions of the civilians. He
troduced the concepts of competitive
prototyping, fly before buy and design
to cost. Taken all together, these boiled
down, at a time of severe budgetary con-
straints, to forcing the Services and their
contractors to think ahead more about
the cost of a weapon in relation to its
performance; to build and test prototypes
of weapons, such as airplanes, before the
Defense Department would approve their
production; and, in general, to q
adding gimmicks and gadgets to weapon
ry just because some engineer thought it
would be dandy to do so.
“What we'te trying to do,” Packard
said, "is get these professional military
people—and the Service secretaries—a
larger say in the decisions that have to
be made. It is difficult for anyone to c
out a decision that has been imposed from
above. The Е-111 is an example. The
Navy was never very enthusiastic about
the Е-111. It wasn’t a Navy decision
But for all his good intentions, Pack-
ard failed to go far cnough, He gave the
Services too much rope and they hanged
him. The denouement was the develop-
ment of the new fighter planes.
In the Navy's lack of enthusiasm for
the F-111—and in the Air Force's resent-
ment, too, at having the Navy F4 forced
by McNamara—lay the seeds of
the Great Fighter Plane Battle of the
early and middle Seventies. Among the
wounded were to be Packard, William P.
Clements, Jr., who became Deputy Secre-
tary of Defense in the second Nixon Ad-
ministration, a whole raft of admirals
and generals—and the citizenry at large.
Let us begin.
The Navy, unable to unhorse McNa-
mara, played along with him on the de-
velopment of the bi-Service F-111 until
Hughes Aircraft Corporation had enough
of the Pentagon's money in pocket to
complete design and development of the
Phoenix missile. The extra-long-range,
uncannily guided Phoenix had been con-
ceived specifically as a weapon for the
F-111 in onc of its roles—never to be real-
ized—as а Navy interceptor. All the
while, the Navy had in mind putting the
Phoenix aboard another plane and for-
ng the ЕЛП. McNamara would not
be around forever.
Victory often comes to those who wait,
and soon McNamara was gone. Clark
Clifford was in his final month as Mc-
Namara's successor. Nixon had won the
election and would soon introduce a
whole new team to the civilian offices of
the Pentagon. The з leaders now
in those offices were packing their things.
The Navy struck. Tt signed a contract
with Grumman Corporation—which, tid-
ily enough, had been chief subcontractor
for General I ics on the F-111—to
build the F-M Tomcat as the endall air
defender of the fleet for as far into the
future as the tacticians could sce. Before
Packard ever set foot in the Pentagon,
the Tomeat contract had him by the tail.
Packard had the option, of course, of
ordering the Navy to renege. He ap-
proved the contract because it would have
been sticky not to do so and because the
Tomcat did promise to be a marvelous
plane, But he was not happy with the
terms, The contract locked the Navy into
ordering by а fixed date no fewer than
18 production models of the F-14 beyond
Us Tareyton
smokers
would rather
fight than
100 mm: 19 mg. "tar", L4 mg nicotine; av. per cigarette, FIC Report Oct. 7
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Warning: The Surgeon General Hes Determined
That Cigarette Smoking Is Dangerous to Your Health,
PLAYBOY
“May I suggest roast waiter?”
the original 12 development models and
the first production lot of 26. That was
a big commitment for production before
the first plane had ever flown. If the
Navy were to back away from this com-
mitment, the contract automatically
would. be broken and Grumman might
even be in a position to sue.
Muflling his misgivings, Packard fol-
lowed through, im the case of the F-14
program, on his theory that the Services
should be unfettered in their manage-
ment of weapons programs. He made
it clear that he was giving the Navy its
head. Two years later, he was in a mood
to hand the Navy its head. What hap-
pened in the meantime was ample evi-
dence of the natal agonies of a weapon
system when its wonders-to-be warp the
judgment of what it will cost or of what
it will do.
‘The twin-jet F-14 is, indeed, some air-
plane. It was designed to range farther,
fly faster, dimb higher and pack more
wallop than any interceptor ever built.
While it possesses some of the features of
a fighter, fighter pilots certainly would
prefer to call it an interceptor. Its long
suits are its fire-control system and its
missiles. With his AWG-9 radar and in-
frared-sensor-computer system, ће back-
seat Missile Control Officer of the Tomcat
can wack 24 separate targets, from sea
level to 80,000 feet, up to 100 miles dis-
tant. The silicon chips in the Tomeat’s
“little black boxes” of electronics are
synaptic with six Phoenix missiles, which
separately can seck out enemy planes or
missiles coming at the fleet from different
directions, altitudes and ranges, and with
Sparrows and Side Plus the F-14
caries a 20-millimeter cannon. The
Navy's response to the argument that a
Mig-23 or a Mig-25 would overmatch the
200 ‘Tomcat ina dogfight is simply (does it ring
a bell?) th her would ever get close
enough to turn on the Tomcats tail and
even then might find the Tomcat too
much to handle. The Tomeat’s infrared.
seareh-and-track system can be used along
with its radar or independently. Unlike
the radar, the infrared system can detect
and track targets without transmitting,
which means that it does not break radio
silence and cannot be jammed by enemy
electronic countermeasures. The infrared
system also cam count and pinpoint
clusters of targets that may show up on
conventional radar as mere blobs. Against
inched and ship-taunched missiles,
the infrared sensing range exceeds that of
the lar. Could not this Mandrakian
masterwork of sensors be installed on
some fighter already in service? Here is
what the Navy, in its self-serving fact
sheet on the F-14, had to say about that:
Navy studies show that the F-14
AWG-9-Missiles-Gun combination
provides an air-superiority increment
equal to that of at least three conven-
tional fighters. . . . It is equally capa-
ble on combat air rol, on escort
or in a dogfight. . . . This aircraft.
design has been evolving since
1959. .. . Navy fighter pilots have
been among the most important par-
ticipants in this evolution, and they
have the most to gain or lose by its
success or failure. To install the
AWG-9 and Phocnix missile on an
aircraft of lesser performance would
be equivalent to putting Willie Shoe-
maker on а mule entered in the Ken-
tucky Derby.
Nothing the Navy could have said
about the Tomcat would be so persuasive
as the spy case that showed how intrigued
the Soviets were with the plane, A So-
viet employee at the United Nations
contacted a Grumman engineer of the
"Tomcat about handing over its bluc-
prints, The engineer told the FBI about
the contact. When he met with the Rus-
sian and handed over the blueprints, FBI
agents swooped in for the arrest
‘A few months after this affair, the Navy
pitted the F-14 against the F4 in eight
air duels over Long Island Sound. Each
time, the “dogfight” began with the F-4
lready in the six-o’clock position, all
set to score an electronic hit. And each
time, the F-14 pilot wracked into a tight.
turn, got out of trouble and swiftly re-
versed the advantage. The Navy and
Grumman publicized these tials to the
hilt, But some fighter pilots remained
skeptical. In their opinion, beating an
F- proved litle, for the F4 was not a
pure fighter.
‘The F-14 program began to come apart.
Production fell behind schedule after а
failure of ti
the first ЕЛ4 prototype to crash,
second test flight, off Long Island. Four
months later, Grumman told the Navy
that it would be "commercially imprac-
ticable” to build any more than 38 Tom-
cats unless the contract were torn up and
a new one written that would provide
Grumman with an added $2,200,000 per
plane. the price
increase испеа the
amount by which Grumman had under-
bid McDonnell Douglas for the F-14
contract in the first place.
When the Navy broke the bad news to
Packard, he blew up. First, he was angry
with Grumman for not having given ad-
vance warning of big trouble ahead.
‘Then he learned that Grumman had
been trying to tell the brass in the Navy
F-14 program offices for almost a year of
the turbulence that lay ahead for the
"Tomcat program. Packard called a meet-
ing of the Defense Systems Acquisition
Review Council and let the Navy have
it. When he had finished chewing out
the admirals, he stormed from the meet-
ing room, roaring, “You're fired!” at all
of them, most notably Navy Secretary
John Chafee and Vice-Admiral Thomas
F. Connolly, deputy chief of staff for
aval air operations. The next day, Pack
ard called the council back into session
but pointedly omitted the Navy. He
apologized to the others for his outburst.
He said he was draftin; memo order-
ing the Navy to take а second look—a
hard one—at the F-14 program. The par-
ticipants at that meeting reported that
Packard seemed not only subdued but,
for the first time in their experience with
him, a shade dispirited. The word began
to spread that he of the Penta
gon and was longing to return to his
ranch, secluded in 50 acres of apricot
ces, near San Francisco. Six mouths
later, he was gone. So was Connolly.
Chafee followed five months later. But
Packard had left the Navy something to
think about.
He had instructed the admirals to find
out whether the McDonnell Douglas F-15
fighter newly in development for
„ could be adapted to the
fleet-defense mission. Chuckles of satisfa
tion could be heard throughout the Air
Force suites and in the board rooms of
McDonnell Douglas. This could mean
sweet revenge against the Navy for hav-
ng foisted off the F4 on the Air Force.
The tion was ominous for the Navy
and for Grumman, The F-15 program,
ich had counted Packard among its
cnthusiasti ding high.
5 was designed to make fighter
ve their whitesilk scarves
show their perfect teeth in exultation. Tt
was their kind of bird—an_ honestto-
goodness fighter that, unlike any plane
ever flown before. could effectively dou-
ble as an interceptor and as a long-range
escort of bombers. It would climb like a
rocket, accelerate like a missile. Jt would
not be armed with Phoenix missiles and
could afford to disdain them. But it
would bristle with Sparrows and Side-
inders at no saarifice of speed or maneu-
w
verability. And it would have a rapid-fire,
25-millimcter cannon. Its
through" the display and still bc able to
scan the sky around him. He would need
no missile-control officer. He would have
it all to himself, the way dps pilots
e it. The Fagle's twin engi
ing more than 40,000 pounds oe la
would make it the first fighter ever with
more thrust than weight. Well, not quite,
The F-104 had more thrust than weight,
but the adva аы worth much.
At top thrust, a red light would come on
in the cockpit of the F-104 that told the
pilot that he had better either slow down
or punch ош: His fuselage and wings
were about to melt. Not so the F-15. Its
ing surfaces were titanium and com.
emetal, almost impervious to ihe
sed by friction. And, best of all,
Force- McDonnell. Douglas F-15
development program was s
on target, as to both perform:
of the airplane. The Air Force planned
10 buy more than 700 of them and there
was nothing to indicate that this plam
might be upset. Moreover, it now seemed
that the Navy might wind up being
gged into the market for F-15s as well,
h would double the market and dras-
tically cut the price of cach plane
Meanwhile, Congress had forced а ceil-
the
ing price on the Navy and Grumman for
the E14. Grumman said it would go bank.
rupt, Frantic negotiations dragged on, as
the F14 program fou
Deputy Secretary of Defense charged into
the Pentagon at the beginning of the
second Nixon term, confident that he
could find a way to keep the F-14 flyin,
William P. Clements went to Washing:
ton from Dallas with a reputation as a
hawk and a half. A multimillionaire with
а hard-bitten look about him. he spoke his
piece in accents less mellifluous than those
стей, until a new
of, say, his fellow Texan Jolin Connally,
and in utter disregard of subtleties. His
penchant for bluntness was illustrated at
a Pentagon luncheon in honor of General
François Louis Maurin, chief of май of
the French armed forces. Clements ac-
costed Maurin, demanding to know why
the French had sold Mirage fighter planes
10 Egypt in contradiction of the an-
nounced French policy of not supplying
weapons to any nation that had been in
volved in the Arab-Israeli Six Day War of
1967. Maurin said he knew nothing of
ny such sales. “Why don't you know?"
ments asked. "Here they are." And
he plopped onto M ’s place at the
table intelligence reports and acri
photographs of Mirages on Egypl
Dallas computer tycoon Н. Ross Perot
id of Clements: “If you ever decide to
run over him, kill him, don't leave him
unconscious, He's as tough as anyone
you'll ever meet, and 1 mean that as а
compliment. Bill Clements could
handle anything he wanted to do. There
are basically two kinds of people—work
nd show horses. Bill is a work
When he arrived at the
Clements took change of the F-14 issue.
He visited Grumman's headquarters at
4, to sce for himself
n people
Pentagon,
ned. according 10 one of them,
a quick study, a businessman who under-
stands our problems.” When he got back
to the Pentagon, Clements took another
look at the Navy study of the F-15, which
Packard had ordered. It said, naturally,
that the F-15 would not really suffice. Tis
landing gear would песа to be strength-
ened, for slamming into carrier decks, and
its tail section would have to be equipped
with a hook. These additions would mean
much more weight. And the F-15 could
never, of course, match the
e or the firepower that would be
needed to combat the anticipated Soviet
tactic of saturating fleet defenses with co.
ordinated aircraft and missile attacks
Now Clements really mixed things
up. He prevailed upon Dr. Alexander
Flax, former assistant secretary of the Air
Force for research and development, now
president of the Institute for Defense
Analyses. Clements instructed Flax 10
supervise а crash study of the likelihood
of using the F-15 on carriers and/or
adapting the F14 to the Air Force mis
sion that had been plotted for the F-15.
The Air Force promptly joined the Navy
in the sweatbox. Puff sheets on both
planes poured out of the Services’ pub-
licity shops. Someone from the Air Force
slipped into the Navy F-14 program of-
fices a bunch of blown-up color photo-
graphs of an F-I5 with a tail hook and
the marking rJN—for F-snavy. The
Navy people did not think this was very
funny. A 1969 report by a Wall Street
investmentanalyst firm—Bear, Stearns &
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Co.—bcgan to look awfully prophetic, It
had been published at a time when both
the F-14, then called the VFX, and the
F-15, then called the EX, were still in the
experimental stage. Under the heading
"Pentagon Rivalries,” the report had
said:
How well a new airplane could do
against a prospective Russian fighter
is ply not really the batde
which now matters the most. A much
important and basic consid
eration is the "Eternal War,” that i
the Navy a st the Air Force and
the Army, all w the Defense De-
partment. It would appear that the
Navy created the VEX [F-1] partly
from a selfpreservation instinct to
escape subjugation by the Air Force-
administered F-I11 program. .. . The
Air Force, on the other hand, has
been quite embarrassed in the last
few years when circumstances have
dictated that it adopt tactical aircraft
developed by the Navy... . It
pears, however, that the Navy's
choice of the VFX concept leaves
considerable room for improvement,
and an Air Force ЕХ [F-15] could
now emerge with significantly better
sup:
FX alsa
the Navy.
Clements looked at the studies, heard
ош the admirals, generals, Service secre-
ies and corporate executives involved
nd went before the Tactical Air Power
Subcommittee of the Senate Armed
Services Committee. with a. plan-on-top-
ofplans that left the subcommittee in-
credulous, He proposed a three plane
prototype competition, with the winner
to become the Navy's new fighter: a
stripped-down F-14 sans Phoenix missiles
and firecontol system; ап ЕЛ5 recon-
figured for carrier duty and a modernized
F-4. Clements said this program, replete
with "f-offs" among the three contest
nts, would cost about $250,000,000 but
would settle the issue. The Navy
mediately end-ran Clements and leaked
its own cost estimate to the subcommittee:
$75,000,000. Whatever the cost, the sub-
committee asked Clements, why do you
need “prototypes” of planes that already,
in effect, exist? Where do you think you're
going to get the money? Clements said he
would answer the first question in detail
at a later date. He said he hadn't figured
out the answer to the second question. A
couple of weeks later, he told the House
Armed Services Committee that his pro-
totype-competition program would cost
only $150,000,000, because he had decided
to eliminate the F4 [rom consideration.
He said he would get the money for the
remodelings and fly-offs by slowing the
Navy's conversion of ships and transfer-
ig the funds from one place to another
in the Navy budget. The House pancl
seized on this with great fervor. It not
only denicd approval of the prototype
program but also cut from thc Navy
budget the $187,000,000 that had been
requested for conversion of the ships.
During this period, a Grumman
publicrelations executive telephoned a
publicrelations executive at Raytheon
Company in Lexington, Massachusetts,
which makes the Sparrow and Sidewinder
missiles, Worrying about the F-14 had
long since become their shared pastime.
“Don't tell me," said the Raytheon man
jocularly, on picking up the phone, “that
a Sidewinder has shot down an F-14."
Long silence at the other end and re-
flections on ESP. “No,” said tie Grum-
man man, "it was a Sparrow.”
High over the Pacific off California,
an F14 had practicefired a Sparrow.
Instead of dropping ten to twelve feet
before its rocket motor fired, the Sparrow
gyrated back upward and mashed the
fuselage, The F-14 pitched up, caught fire
and plummeted into the sca. Fortunately,
the Sparrow had been unarmed. The
pilot and radar officer were rescued. No
one held this mishap against the plane it-
self. But by now, the cost of each plane
in a projected production run of more
than 300 had soared to more than
520,000,000 and the Navy publicity mill
whirred furiously in behalf of the F-14.
Just in case Clements were to follow
through with his scheme to strip the Tom-
cat of its Phoenix system, the Navy began
emphasizing the plane's other virtues.
“The E14 fighter,” said a puff sheet, “is
not being purchased simply because it
can carry the Phocnix missile, This а
craft has many other features not cu
rently available in Navy fighters but
which are vitally needed to accomplish
the Navy mission. Its aiv-superiority ar-
mament load is flexible. .
The Navy also dragooned the Marine
Corps, which had planned to renovate its
squadrons with FAJs. Secretary of the
Navy John W. Warner and Chief of
Naval Operations Elmo R. Zumwalt bc-
gan pressuring М Commandant
Robert E. Cushman to buy F-l4s instead.
Cushman balked. All three were called
to testify before a House committee.
Cushman insisted that he wanted F-4]s.
ine
Zumwalt claimed that Cushman had made
Warner tried to keep
bad deci
the controversy from flaring any further
in public, saying that the issue was still
open and that he would make the final
decision. Stubbornly, Zumwalt, who had
become a z
referred to Cushman's bad decision. A
few wecks later, before a Senate commit-
tee, Cushman testified that the Marines
now planned to buy F-14s. He was asked
why he had changed his mind. “My mis-
sion has been changed,” he said somewhat
sheepishly, Simple. The Navy brass ar-
bitrarily had decided that Marine fighter.
planes would take on the extra duty of
helping Navy fighter planes defend the
Meet. To do this, they would have to
be Е-145. Senator Stuart Symington, at
the time the acting chairman of the
Armed Services Committee, accused
Warner of “shoving the F-14 down the
throats of the Marines.” Warner flashed
anger in his quick denial. It did not ring
true. Neither, for that matter, did Sy-
mington’s dudgeon. He represented Mis-
souri, home of McDonnell Douglas,
maker of the F-4 and the F-15. His con-
cern with resolving the fighter issue was
something less than pure.
Now the battle got very rough,
deed.
Dispensing with the superficial niceties
y fired
of interservice rivalries, the N
g for the
experimental engine then under develop-
ment by Pratt & Whitney. A “fact sheet”
ig the headline “THE F-15 Is INHER-
ENTLY A was circulated
in Congress and in the offices of the De-
fense Department. It went, induding the
italics, as follows:
Of the 34 major manned fighter-
bomber weapon systems developed
by the Air Force and Navy since the
Korean War, only three with simul-
taneous development of new engines,
new airframes and new avionics [a
perfect description of the F-15]
reached full production without m:
jor developmental problems. These
ircraft were the B-17 and B-52, Ai
Force bombers, and the F105, an
Air Force fighter bomber. Among
those aircraft which were canceled
or limited in production due to
simultaneous development. were the
YFi?, XB-70, F3H-I, ЕЛИВ, F-
IIA, SR-7l, B58 and ASA. All
other aircraft which reached produc
tion successfully had only one or two
components developed at the same
me. The F-I4 uses proven engines
and avionics, combined with a new
ай frame—it minimizes risk.
Like magic, the F-15 engine began act-
ing up in tests. In the first ten months of
1973, it broke down several times, caus-
ing fires and explosions. By the middle
of the year, vigorous Ben Bellis was in
hot water at the Pentagon.
Major General Benjamin N. Bellis,
, onc of the new breed of techno-
managerial generals. His mission: Direct
the development of the F-15 and shepherd
it into production. Qualifications: U.S.
Military Academy, 1946. Degree in mi
tary engineering, wings of a pilot. Service
with the Strategic Air С п
Force Systems Command; Special Weap-
ons Projects Office; Reconnaissance and
Electronic Warfare, Aeronautical Sys-
tems Division; Legion of Merit with oak
leaf cluster; Air Force Commendation
Medal with oak leaf cluster; Master
Missileman Badge—just to name a few.
Watching General Bellis get into the
cockpit of an F-15 was like watching
nderella dance with the prince. Bellis
“Actually, ma'am, they call me Squeezebox on account
of this here instrument I'm playin’.”
203
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would have done anything to bring off the
F-15 program. He did one thing that he
probably should not have done, in terms
of furthering his own career, but that, as
it turned out, may have been the best
thing at the time for his program. He re-
laxed the performance requirements of
the F-15 superengine just before it w:
put to final testing in the air. The Defense
Department and the Air Force had
specified that those requirements—ur
axed—were to be met or exceeded be-
fore the engine could be committed to
production. Bellis had the authority to
make his decision, but he made the m
take of not immediately telling his Air
Force or Defense Department superiors
what he had done. He just told them that
the engine had passed its air tests. They
then released $38,000,000 to Pratt & Whit-
ney to get the engine production started.
This might have gone unremarked had
not the engine encountered severe prob-
lems during а 150-hour endurance test-
ing. Run up to maximum thrust for long
periods of time in a ground chamber that
simulated high-altitude atmospheric con
ditions, the engine’s turbine blades kept
breaking off. Over one stretch, more than
half of the 64 blades had to be replaced
and their cooling tubes strengthened.
They were overheating badly. The Air
Force felt faint about it. The original
deadline for the testing passed, with the
engine still partially disassembled in the
aftermath of the latest of the fiery fail-
ures. Finally, the engine passed the test.
But the Air Force, already committed to
its production and staking the whole fu-
turc of the F-15 on its performance, was
forced to spend more millions on
component improvement.” A big black
cloud had settled over the F-15, Maybe
the engine would pan out and maybe it
wouldn't.
Bellis said of his decision to ease the
engine's air-test strictures: He had been
justified because the test pilots had found
that the F-15 airframe induced less drag
than its designers had anticipated. Thi
meant that the engine could be checked
out
cnürcty) still would
ass the standards.
ine ever built could have
passed that modified test," Bellis snorted,
nd still I have to walk into Washington
with my tail between my legs.”
Not long after all tl Bellis was told
that he would be reassigned as com-
mander of the Air Force Systems Com-
mand’s Electronic System Division at
Hanscom Air Force Base, Massachusetts.
"This appeared to be a natural progres-
sion in his carcer. He had seen the F-15
through development and into produc-
tion. Despite the trouble with the ground-
chamber testing of the F-15's engine, the
power plants of the Eagles already in the
ir were performing superbly. So the re-
assignment probably was no knock on
Bellis. Still, some in the Pentagon said
that he would have preferred to stay with
first love, the F-15, because it was not
yet fully out of the flak. They said his
move could be assessed as a boost upward
or а shove sideways only later, when his
promotion fell due
While in charge of the F-15 program,
Bellis figured in two incidents that showed
how passionate, even puerile, the rivalry
between the Air Force and the Navy over
the fighter planes had become. Addressing
a convention at Edwards Air Force Base,
California, the F-15 flight-test center, Bel-
lis extolled the F-15 as the fighter capable
of “gaining and maintaining air superi-
ority for the United States through atr-to-
air combat, using nonnudear weapon
in the post-1975 period." When Bellis
had finished praising the F-15's “firsts,”
а Navy F-14 pilot in the audience chal-
lenged, in all seriousness, the Air Force
to a duel between the Tomcat and the
Eagle, using live ammunition. To the
relief of the dumb-struck audience, Bellis
showed maturity by not responding in
kind. Privately, he must have seethed.
On the subject of possible dogfights,
Air Force Colonel Frank Bloomcamp and
avy Commander Rene “Call Me Sam"
Leeds agreed on one thing: The F4
Phantom, which both had flown in com-
bat over Vietnam, left an awful lot to be
desired. Bloomcamp, with a big grin,
called the dog meat" in compar
with the fighter he now flies
tical Air Command. Leeds, less assertive,
recalled that he'd had trouble seeing to
the rear in the F-4, that the Migs had
been especially troublesome
quarters, in pop-up situations
adapting the F4 to fighter tactics had
been “like trying to make a Cadillac into
a small sports car." So much for the F-4.
The issue now was the Eagle, Bloom.
camp's baby. versus the Tomcat, Leeds's
new love. Which would win if the two
superfighters, the subjects of so much
bitter controversy between the two Serv-
ices, were to go at it, missiles to missiles,
gun to gun, speed to speed, turn to turn?
Bloomcamp and Leeds disagree
course, on the outcome.
І interviewed Bloomcamp one clear
bluc day at Andrews Air Force Base near
Washington as he made ready to strap on
his parachute. In a few minutes, he would
pull shut the canopy of his sky-blue F-15,
i out and, in less than 30 seconds,
literally fly the fighter out of sight in а
near-vertical climb, How would he do
baule with the F-14? Would he win?
"Sure, РІ be glad to talk about it,”
Bloomcamp said. “Yes, I could take him,
especially if he wanted to come into
me and пу to turn with me. If he got the
six-o’clock position on me, I'd use the
turn performance I've got in this air-
plane and make him overshoot. My air-
plane lets me exploit classic tactics to the
maximum, at all ranges. At long range,
maybe we'd both be shot down carly in
and that
the fight. He's got the Phoenix; but Гуе
got the Sparrow, and it's a lot better bird
than it used to be. It could ро out and get
him. Just give me one chance to find
him and lock on, That's all 1 should need.
I'd probably sce him better. He's got a
second but the second man is busy
looking at the displays. Гуе got the best
cockpit visibility any fighter has ever had.
I think my radar is better than his. Ive
got the good look-down radar. If we both
missed with the radar missiles, I'd keep
coming. Га keep pressing the attack.
Everything I did would be aimed at ac-
complishing one thing: getting around
behind him, where he wouldn't see me.
As I come in, I shoot the IR [infrared
Sidewinder] missiles. If he’s not dead by
then. 1 go on in and get him with the gun.
1go from maximum-detection range right
on up to his tail pipe.”
By the time I interviewed Leeds, he
deskbound at the Pentagon, as the
ys F-l4 program coordinator. Leeds
had commanded the first Е-14
squadron at Miramar Naval
The squadron had just gone operatio
aboard the carrier Enterprise. “I wish I
were back with them,” he said. “I'm eager
to see us explore the tactics. We don't
know yer just how much this airplane can
actually do and I believe it will be even
better than we expect.”
Could he defeat the F-15? Leeds nod-
ded. But he said he prelerred to discuss
the relative merits of the F-14 and the
plane it was тер in the fleet—the
4—ánd leave the F-15 out of it. On be-
ing told of Bloomcamp's confidence of
victory in the F-15, Leeds allowed the Air
Force pilot his privilege but said that
confrontive comparisons served по pur-
pose: "I'd rather not play that game.”
‘The best thing in any air-to-air com-
,” the commander continued,
get the quick kill. The longer you stay in
the fight, the more risk you run—in any
airplane—that somebody will get in be-
hind you. The quick kill is the key to the
Е-14. It has the Phoenix and the Sparrow
and the radar-firecontrol system that
gives you a God's-eye view; continuous,
itomatic mapping and lod The
whole picture out there, You can pre-
empt rgets all at once with the
ar very long s. It makes no
difference whether you are up against
ly superior fighter
ives you selective, intel
ligent engagement. The radar even tells
you which target you should shoot at first.
and when you do, it picks out the next.
And not only at Jong range. The first
\ face us would get missiles shot a
them from very close quarters. That's
something they ve never seen before.”
But what would happen if the F15
penetrated the F-4's picket of missiles?
It would be very interesting,” Leeds
said. "It would be a two-man air crew
inst one man. The F-14 has an excel-
lent turn rate, 100. W pitted the F-14
wa
against the T-38 and the F-86, which is
probably the bestturning aircraft ever
developed up to now, and we've been
beating both of them in the dogfight.”
About 2 month after the interviews
with Bloomcamp and Leeds, an intri
guing story began to surface at the P.
tagon. lt seemed that Chief of Na
Operations Zumwalt, prior to his retire-
ment, had challenged Air Force Chief of
Staff George S. Brown, prior to his be-
coming Chairman of the Joint Chiefs of
Staff, to a dogfight "fly.oll" of the two
fighters. Brown accepted. The Eagle
the Tomcat did not actually go up agai
each other; rather, their performances
were measured by data-processing devices,
mounted aboard. which computed such
dogfighter vital signs as sustained g force,
imum g force, turn rate, turn radius
and thrust. In each category, according to
the charts, the F-15 was the clear winner.
The Pentagon kept the results classified.
Then Senator Thomas F. Eagleton
criticized the Pentagon for “covering up
the test results showing the F
ferior aircraft, in order to preserve the
pride of the Navy.” Eagleton's motives
were impugned at the Pentagon. Me-
Donnell Douglas is his constituent. But
he had gained access to the fly-off charts
s firing at the F-14 fr
“I am especially concerned,
agleton said, “that the U.S. Gover
ment have given erroneous
formation about the two planes to the
government of Iran.
Grumman. The Fl4 might have been
adequate in the air-combat role if the F-
401 engine it was designed to take һай
worked out. But with the 12-year-old T
30 engine, it is nothing more than a Ton
m:
14 to be an
in-
may
in order to bail out
Turkey, the name assigned to it by Navy
and Air Force pilots alike.” His reference
to Iran concerns the second of Belli
problems with the F-15.
It occurred at an air show of the two
fighters at Andrews Air Force Base. Shah
Mohammed Riza Pahlevi of Iran had
come to the United States to shop for
some American weapons. Iran was al-
ready on its way to possessing the finest
air force in the Middle East. But the sh
himself a pilot, was not content. Soviet
Foxbats, more heavily armed and longer-
sors in the long line of Migs, had been
casing his kingdom from altitudes up to
80,000 feet. The sh; mied a plane that
could go up there, if need be, or at least
fire up there, and get them. He had his
eye on the F-14 and the F-15. The Per
gon showed them off for him.
The F15 pilot demonstrated
Eagles near-vertical take-off,
climb, slow appro:
celeration and landing, keeping it simple
nd straightforward. But the F14
did all that and more: Immelmann t
fancy rolls, upsidedown passes Tha
night at the Pentagon, several Air Force
officers groused about what had happened
at Andrews. “We had agreed with the
Navy,” said one, “that the demonstrations
would be limited to specific maneuvers
The Navy turned it into a stunt show,
hot-dogging."
Bellis, who had been there, brushed it
off. He had briefed the shah оп the F-15.
on three occasions prior to the show, at
least once in Teheran, and was satisfied
that the shah, if he had any sense, would
favor the F-15 in the end. Bellis speculated
that even the shah would balk at the
$20,000,000 for the F-14 compared with
the
rate of
ast approach, ac-
“What good is it if you can't screw it?”
205
PLAYBOY
under $15,000,000 for the F-15. But the
shah fooled him.
rly in 1974, His Highness signed up
for 30 F-Ms at about $900,000,000. The
Air Force offered to sell the shah 53
Е.155 to go along with the F-14s and was
led to believe, by the Defense Depart-
ment officials, that the sale probably
would go through.
Air Force Secretary John L. McLucas
estimated that an Iranian order for 53 F-
15s would save the Air Force $150.000,000.
But the shah turned down the Air Force
offer and signed up, instead, for another
lot of 50 Fs, for an additional one bil-
lion dollars. The Air Force gencrals were
livid. Stories spread like wildfire in the
Pentagon. One of them suggested that the
Defense Department had juggled figures
10 make the F-14 less costly than it really
was and to make the F-15 more costly
than it really was. Why? To go along with
the Navy in wying to save Grumman's
solvency and to make sure that the F14
program did not meet an untimely death
for insufficiency of funding by the Navy
alone. Another story had it that overseas
salesmen of McDonnell Douglas had
pushed the shah too hard to buy ЕЛ%
and that he had reacted petulantly by
buying more F-H4s. Yer another version.
the most logical, was that the shah had
decided to buy only one type of fighter in
order to simplify the 10; -the spare
parts, ground-support equipment, train-
ing and the like—and that he was looking
forward to augmenting the F14 not with
the F-15 but with one of the newer, light-
weight fighters coming along. Whatever,
the Air Force was down, the Navy up.
But пос for long.
Moments Tater, it scemed. Grumman
me knocking on the Navy's door, like
panhandler from the past, demanding
another multimilliondollar escalation of
ng once again to
F-M production unless its
The Navy ple;
shut
contract were revised.
and Congress grumpily agreed. The
down
subsided for a while—until
went back to the Pentagon yet again, only
а few months later. The company h;
been unable to get bank I
over until April 1975. It was in the nasty
predicament of not having enough. cash
to continue to meet its payrolls. The Navy
had been "advancing" (Pentagon code
word for lending) Grumman money at a
ate of interest so far below the prevail-
ng commercial rate as to be laughable.
These advance payments had amounted
to about $51,000.00. Now Grumman
other $45,000,000 or so and the
lvances outstanding.
though the Navy agreed to increase
nterest rate on the next loan to a
level more like that of the real world, the
Senate voted overwhelmingly and angrily
to let Grumman get its loan from com-
nks like everyone else. Even
F14 buff Barry Goldwater took this
position,
In October 1974, a consortium of U. S.
banks and the Bank МеШ of Iran solved
Grumman's problem for the time being
by lending the company $200,000,000.
This enabled Grumman to pay back the
money that the Navy had advanced, main.
tain its cash flow and meet its payrolls,
continue F-H production at a steady pace
and look ahead to rolling out 80 Tom-
cats for the air arm of the Imper
Iranian Armed Forces. beginning
1976. Irony lay heavily in all this. Shortly
after the announcement of the loan to
Grumman, President Ford and Secretary
of Stare Henry Kissi ade back-to-
back speeches in which they hinted of
drastic measures against the oil-produc-
ing nations unless those nations lowered
the price of oil, which was threatening
to undo the economies of the U.S. and,
more immed . of western Europe.
In quick response, the shah reminded
Ford that in the batde over
Tran, as а member of the ой
ganization of Petroleum Exporting Coun
tries, stood squarely on the side of his
Arab neighbors. Was it possible that the
U. S. would be forced to take the ultimate
anti action and someday have to
fight against F-14s and other American-
made weapons in the Middle East?
Withal, the Great Fighter Plane Battle
inside the Pentagon had wrung out both
the F-14 and the F-15 programs and both
Services, too. Neither fighter, it seemed,
would be produced in anywhere near the
quantities that the Air
avy had counted on iı
The fighters would be augmented,
stead, by greater numbers of a new breed
of bird, much lighter, less costly, less
sophisticated in elearonics and weapo:
ry, bur superior even to the F-15 as
clear-weather dogfighter.
the quic!
that American pilots had lacked over Viet-
nam. The need for these new planes—first
called Lightweight Fighters and then Ай
Combat Fighters—was demonstrated by
the war in Southeast Asia and clinched
by what happened over the Middle East
in the Yom Kippur war of 1973. In three
Force and the
the beginning.
a
These would be
turning, swilt-sprinting fighters
weeks of combat, the losses of Isracli
planes ко surfaccto-ai iles was суе
popping: more than 100, costing hu
dreds of millions of dollars. This gave
pause to the Pentagon as it shaped and
sized its air wings of the future. The
heavy attrition of equipment to modern
ir-defense weapons is sufficient in itself
to militate against forming air forces ex-
clusively with planes costing $15,000,000
to $20.000.000 apiece. such as the F-15
and the F-14. One F-15 might be as good
as two or three lightweights, but when it
has been shot down, there is nothing
left and the air is the enemy’s. The new
Air Combat Fighters chosen for Air Force
production early in 1976 also caught on
in Europe, where NATO nations lined
up to buy them as replacements for the
aging American-made fighters in шей
inventories. The shah, naturally, indicat-
ed that he would be in the market for the
just about
Combat
eliminated any dh
the F-15, which had become too high-
priced for the European market as well.
The Eagle had been caught in the middle,
but its ma turer was fighting back.
As 1974 drew to a close, McDonnell
Douglas persisted in trying to sell F-I5s
to the shah and in Europe. Moreover, the
company made the Defense Department
and the U.S. Air Force an intriguing of-
fer: It would sell them 1000 or so Е-155
at about the same price they would pay
the same size fleet made up of a combi
ion of Air Combat Fighters and F-15s.
The extra quantity of s would enable
ny to lower the unit price and
enable the Air Force to have an all-F-15,
all-weather fighter force, thus simplify
the maintenance, spare-parts handling
pilot training. This proposition embar
rassed the Pentagon, which tried to keep
it quiet. The Air Combat Fighter was
where the action lay now, and McDonnell
Douglas was mucking up the scenario
The Pentagon likes to feed as many air-
plane manufacturers with new contracts
as it can. If it were to buy all planes of
any one type from one company. other
s would dic. In dealing with
aerospace industry that operates, in its
best years, at a grossly inefficient 60 pe
cent of capacity, the Pentagon's approach
is to hand out as much money as it can
хо as many companies as possible, rather
than concentrate its aircraft procurement
on a few companies and let the others
adjust to the commercial market or go
out of business. This may seem to be in
keeping with the concept of free ent
prise, but it really isn't. It amounts to
subsidies. The Air Force and the Navy
always seem to find a mission for an air
plane that a marginal company might be
able to produce and then see to it that
the marginal company gets the business
This makes for a Pentagon-regulated in-
dustry and for much confusion and waste
аай. procurement,
There will be still more goodies for the
industry even after the Air Force and the
Navy become fully stocked with F Ms,
F-14s and Air Combat ‘The Serv-
ices are already deep into "advanced"
fighter technology, involving new concepts
of propulsion, aerodynamics, electronic
ighters, too. Th
ce of his ever bu
nd
am, and just as surely as it led
n of new planes the new
m will, too, The one
а new superfighter is
be superseded. As
they the Pentagon: If it has al
ready flown, it is already obsolete.
wo
technology
sure thing
А DASH OF THIS, AND A SGUIKTOF THAT.
SHAKE WITH ICE AND А PIMENTO ~- THERE? TAKE
THIS EVERY MORNING AND YOUR BACKACHE WILL BE
GONE BEFORE YOU GET MY BILL.
MMM IT LOOKS DELICIOUS —
YOU DON'T
DRINK гт, DUMMY?
YOU INJECT 'T?
d
By-HORVEY KURIZMAN ÁND WILUELDER
-A COMPOUND
ОЕ VARIOUS VITAMINS,
GOLLY, HORMONES, CELLULAR
DOCTOR ~ ALL THESE EXTRACTS AND д SOUPÇON
THINGS =~- 1 MEAN, ARE OF AMPHETAMINE » НАНА,
THEY VERY STRONG? | NEVER FEAR, MY CHILD,
MEAN 1S IT HABIT WOULD X PRESCRIBE
FORMING? D. SOMETHING THAT WAS
HABIT FORMING!?
Н, RUTHIE -> DR, FEELGOOD 15 A
MIRACLE WORKER? HIS INJECTION MADE ME
FEEL $000 СЕ!
|
Z ~ FIXEO THE
— Gack, DID HE?
NO! BUT
WHO CARES!
PLAYBOY
LISTEN?
I DON'T LIKE THE
IDEA OF INJECTIONS.
YOU PROBABLY JUST
HAVE A PULLED
MUSCLE. MAYBE
BÀ YOU SHOULO SEE A
\ CHIROPRACTOR.
BUT, RUTHIE, THERE'S
NOTHING. кона WITH MY
a
FAVORITE TECHNIQUE
15, SIMPLY, YOU SHOW ME WHERE
IT HURTS, ANO 1 KIS5 THE
600600 AND MAKE IT
A FEEL BETTER.
-POH-LEASE^
DON'T SQUEEZE THE
PATIENTS!
IVE PALPATED YOUR
VERTEBRAE AND FOUND
SUBLUXATIONS THAT WILL HAVE
TO BE WORKED OUT?
208
You
CIO RIGHT
TOCOME
HERE, MISS.
THE |
CHIKOPRACTOR
DOESN'T
BELIEVE IN
POISONING
THE BODY WITA
CHEMICALS?
~ONLY WITH
THAT'S MR. WHIPPLE,
MY ACCOUNTANT? HE DOESN'T
TAKE OUR WORK SERIOUSLY ~> HE ANO.
THE OTHER FOOLS WHO DO NOT REALIZE
THAT CHIROPRACTIC HAS EMERGED AS A
GREAT, NEW, SCIENTIFIC APPROACH
DOESN'T
THIS MAKE
HOW'D IT GO, HON 2 DID.
DR. CRANKSHAFT FIX YOU UP ?
ТЕСИ JEEPERS? |
AWRENCH <= M
ТУЕ GOT SUCH А PAIN IN MY тунар
NECK My BACK FEELS GOOD ENDINGS.
Y COMPARISON: ACUPUNCTURE
WORKS LIKE
ANESTHETIC
RUTHIE,
1M GETTING
DESPERATE. THERE'S
AN ACUPUNCTURIST
DOWNSTAIRS. | THINK
TLL TRY HIM.
— YOU FEEL WHEN 1 VOU REALLY No
OO NET GDESTON TOUCH VOU HERE - FEEL REN 1 RUE YOD
HERE? > | SQUEEZE HARD
MYSTERIOUS WAYS OF THE EAST. TOR AOAN МГГА ЖЕ?
x" CROSE ÉVES NOU FEEL WHEN
1 TOUCH VOU HERE?
— HE PUT NEEDLES IN MY TOES?
HE BURNED INCENSE IN MY BELLY BUTTON!
IT WAS ALL RIGHT UNTIL I TOOK OFF MY PANTIES. 1.
SHOULD HAVE BEEN SUSPICIOUS WHEN HE SAID HE WAS
GOING TO INSERT HIS “LIVING NEEDLE"
1 BARELY ESCAPED?
“ОН, RUTHIE => WILL MY BACK
EVER BE NORMAL AGAIN?
EXCRUSE МЕ,
BUT THIS INSCRUTABLE
ORIENTAL 15 GETTING TOO.
SCRUTABLE. MUST ANESTHETIZE
AREAS OF OWN HUMBLE SELF,
OR ELSE I'M GONNA GET
MY LOCKS OFF.
EXCRUSE,
WHILE | STERIRIZE
NEW BATCH OF NEEDLES.
~ HALF AN HOUR LATER,
NOU HUNGRY FOR
MORE.
p
СТЕНИ
PLAYBOY
210
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DEWAR'S PROFILES
(Pronounced Do-ers “White Label")
DWIGHT RITTER
HOME: Scituate, Massachusetts
AGE: 32
PROFESSION: Author/Artist
HOBBIES: Film making, sculpturing, gardening,
breeding Great Danes.
MOST MEMORABLE BOOK: “Cris
Classroom”
LAST ACCOMPLISHMENT: Co-designed a
revolutionary method of teaching which
utilizes music to provide a learning base for
reading, writing, history and other subjects.
QUOTE: *Education in America is at a crucial
point. The next two decades should utilize
the development of substance in human beings.
That can best be done through our
s in the
educational system, which must change.” Authentic. there are more than a thousand ways
Я to blend whiskiesin Scotland, but few are authentic enough
PROFILE: Exuberant. Outspoken. A dedicated for Dewar's "White Label." The quality standards we set
believer in maintaining a close family life. down in 1846 have never varied. Into each drop go only
5 n 3 the finest whiskies from the Highlands, the Lowlands, the.
SCOTCH: Dewar's “White Label"« Hebrides.
Dewar's never varies.
Warning: The Surgeon General Has Determined
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riw: ro Kings, 16 mg. “tar,” 1.1 mg.nicotine; Longs, 77 mg, “tos,” 1.1 mg. nicotine, av. per cigarette, FIC Report 71.74