Full text of "PLAYBOY"
- |
1976 * $1.25
Was Richard
Nixon a Wimp in
High School?
Was Ann-Margret?
Raquel Welch?
Playboy Tells All
Sex Is Good
The Whale War: For Your Body!
High Noon Speeding
At Sea with Is Good for
The Russians Your Soul!
A long, hot summer
is easier to take when you take
Gilbeys and Holland House
Gin. Gilbey's Vodka. In one of Holland
e h L4
with it. ín
Don't take any heat from the sun this
year. Fight back with a cool, cool Vodka L—
Sour or Tom Collins or anything made with A
House's best-selling cocktail mixes. f xf } f
Gilbey's and Holland House are every- 4 CER |
thing you need for a great summer |
except the tan.
Gilbey's and Holland House. Dry Gilbey's
Instant
nci
= Distilled London Dry Gin. 86 proof. Vodka. 80 proof. 100;
Good News!
You will never have to
change blades again.
Introducing the new Gillette
disposable razor called
Good News! With its many
unique features, it’s the
most exciting razor in years.
What makes the Good News!
razor so different is A it's all
one piece. The handle and the
head that holds the blades are per
manently fused together, forever.
That means there's no cartridge
or blades for you to load, or mess
with, or misalign.
The handle itself B is made
of lightweight yet durable plastic to
give you the soft touch that ordi-
nary razors don't have. Good
News! handles like an instrument,
shaves with a feather touch.
Nicely grooved no-slip
ridges € that run up and down
both sides of the handle make it
easy to hold on to under the
slipperiest of conditions
Theres even a clear plastic
cap D that comes with every
razor to cover the blades so
they won't get nicked while your
waiting
next shave.
Smooth, slick, swift shave
after shave after shave on
just one Good News! razor.
And now about the shave.
The Good News! shaving
system features twin blades E with
all the cdvantages you get with
twin-blade action. Smoother,
slicker, more comfortable—you
name it-the Good News! twin-
blade platinum edges have it all.
By the way, locking the blades
permanently to the handle means
youre guaranteed the optimum
factory designed shaving angle
every time.
1 9
Platinum-Plus" twin blades
and handle are set at precise
shaving angle.
gue
And what hap-
pens when the twin
blades finally get dull?
After lots and lots of
i . great shaves, you just
ZZ throw the whole razor
b away and reach for
When the another Good Newsl
blades ore You chonge razors
finally dull, — instead of blades.
you just
toss the
whole thing
away.
Now heres
the clincher. The
complete Good &&
News! razor, han-
dle, twin blades,
cap and all, sells Good News!
for only a quarter ct quarter
That's right. Twenty- price.
five cents. When was the
last time you got something really sub-
stantial for a quarter. Even
loj the evening
22, newspaper can
run you that
much these
days.
Twenty-five
cents for
the whole
e
For shoves like
these at a price
like this, you can't
afford not to
try it.
Good News!
Look for this
packet at your
local check-out
counter.
The
Good News!
25‘ disposable
razor by Gillette.
€ 1974 The Gillette Company, Solety Razor Division, Boston, Moss-
Had it with hot taste?
Then put down what you're
smoking and pick up the
- extra cool taste of KOL.
Come up to KGDL.
=
| Warning: The Surgeon General Has Determined
hat Cigarette Smoking Is Dangerous to Your Health.
Sec
Kings, 17 mg."ter, "1.3 mg. nicotine; Longs, 17 mg. "tar,"
1.2 mg. nicotine, av. per cigarette, FTC Report Nov. 75
ON SEPTEMBER 22, 1975, Sara Jane Moore aimed a gun at President
Gerald Ford, pulled the trigger and missed. When her
entered a plea of guilty, the case was closed and all evidence
scaled. But there were too many questions left unanswered.
Frustrated, Moore decided to tell her story to free-lance writer
Andrew Hill. (The two had met while working on the Hearst-
sponsored People in Need program.) The Playboy Interview
is a startling profile of a troubled victim of the political system.
ps most startling is the dispassionate, rational account she
gives of an act most would consider insane. An unsettling mo-
ment for the editors came when, during a telephone conversa-
tion from prison, Moore commented that she'd been reading
uo Series on assassi she said. “I almost
1 could have become your final chapter." Fortunately,
s only part of next month's chapter, while in this i
art VI of the series, James McKinley explores the murders of
Malcolm X and Martin Luther King, Jr. King’s case was settled
but not solved,
Centuries from now, anthropologists will study broken tele-
ion sets and rusted automobiles the way they now study
bones and pottery shards for clues to a lost culture. John leonard,
who left his positi s editor of The New York Times Book
1 correspondent of that paper,
offers his view of television in And a Picture Tube Shall Lead
"Them. Kinuko Croft supplied the visuals. To explain our national
love affair with the automobile, we flagged down three speed
demons. Dan Gerber raced for five years, then went on to become
a poet, novelist and journalist. Here he gives us a detailed view
of vehicular mayhem at Indy—The World's Fastest Carnival
Ride, William Neely, who in the past has reported on stock-car rac
ing (fiction) and wuckers (fact) for PLAvsov, profiles Indy driver
Dick Simon, a six-time loser who enters the race every year, despite
the fact that he stands little chance of winning. Finally, free-
spirited highwayman Brock Yates gives his opinion of the natio
speed limit in 55 Be Damned!
As anyone who has resisted the urge to throw an empty beer
can out his car window knows, the whale is on the edge of
oblivion, the victim of an overzealous whaling industry. Jack
Richordson joined a crew of slightly freaky whale lovers as they
put their boat and bodies on the line against a Russian whal-
ing fleet. The Great Whale Batlle (illustrated by Rey Schnack-
enberg) recaptures the quixotic encounter. Richardson is
presently writing a screenplay based on the episode.
And now for the sex: When science writer Edward M. Brecher
and his son, Jeremy Brecher (also a science writer), sat down to
discuss the facts of lile, they compared notes and made a sur-
prising discovery. Sex Is Good for Your Health confirms wha
we've always suspected. Early to bed, and to hell with wealth
nd wisdom. Cartoonist John Dempsey doesn't need hard facts to
Review to become chief cultura
Ball-Turret Gunner, this month's fictional offering from novelist
odd tale of a 99 percent immaculate concep-
iion. Wayne Meoughlin supplied the artwork. living, whose
Brennbar's Rant appeared in the December 1974 rrAvsov, re-
ports that the story is the first chapter of a work in progress
tentatively called The World According to Garp. June is grad-
uation time: Yet another high school dass prepares to close its
lockers and leave the hallowed halls behind. Do people change
when they get out in the ral world? Not especially, says Ralph
Keyes, the author of /s There Life After High School? (The
article is an excerpt from a similarly titled book to be published
by Little, Brown this summer.) Now that the studying is over,
rest your eyes on Playmate Debra Peterson or check out Richard
Fegley's stunning pictorial of Playmate of the Year Lilian Müller.
With women like that in the world, who needs high school?
John Irving, is
PLAYBILL
IRVING
RICHARDSON
A
SCHNACKENBERG KEYES ~ DEMPSEY
PLAYBOY.
vol. 23, no. 6—june, 1976 CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE
PLAYBILL e i e cee cee cette eee reer cnn ct sen cnsew eens 3
DEARIPLAYBOY ee ar Sc dee e n
PLAYBOY AFTER HOURS e nr 21
SPORIS ... Em 24
At the Over-the-l
MUSICIENS Suet He ole Te ois ee eee s ROMS sie 9) FSI te © 28
National Lampoon, Burning Spear and the latest from Barbra.
MOVIES fete ee EEEE a tee sib pte cosa Se
Watergate, W. C. Fields, kids baseball and Robin Hood for adults.
BOOKS 40
Bernstein and Woodward's long-awaited new book on Nixon's last days.
SELECTED SHORTS
LOSTIINITHEISTARSIME PRU ei RICHARD RHODES 42
If extraterrestrials get our message, their only response may be "Huh?"
Speed Top P THE SAFETY FETISHISTS ......-.+--- 22.00.05 CRAIG KARPEL 43
í This year's new safety standards may well be the death of us all.
THE PLAYBOY ADVISOR ....... ebat cae Ua ooo em 45
THE PLAYBOY FORUM .............--++-- qued Med ee 51
PLAYBOY INTERVIEW: SARA JANE MOORE—candid conversation ... 69
Once a mild-mannered suburban housewife/accountant, Sally Moore reveals
the real reason she attempted to assassinate President Ford.
JENNY AND THE BALL-TURRET GUNNER—fiction ..... JOHN IRVING 88
A nurse discovers how to have an—almost—immaculate conception.
CAUTION: WOMEN AT WORK!—pictorial eo 1492
Thanks to fem lib, you find ladies doing macho things these days—like working
oil wells and operating jockhammers. Ah, but there is a difference!
THE GREAT WHALE BATTLE—article ........... JACK RICHARDSON 98
Our author joins a crew of ecologists out to get between the Russians and the
endangered whale. The Russkies, as it turns out, have no sense of humor.
AMERICA AT SPEED
nel 55 BE DAMNED!—article .......-.------ .....BROCK YATES 103
Nobody s paying much attention to that ridiculous speed limit, least of all our
author, who tells how to get around it.
THE WHOLE HERO-DRIVER'S CATALOG— merchandise
The latest in driving gear to make the open road a joy.
WORLD'S FASTEST CARNIVAL RIDE—sports . DAN GERBER 106
A former race driver provides an inside account cf the ritual of Indy.
LIFE AMONG THE ALSO-RANS— personality ... WILLIAM NEELY 178
Dick Simon is not your typical Indy leadfoot. He wouldn't mind winning, but,
Picture Tube P. 150 for him, that’s not the name of the game.
GENERAL OFFICES: PLATECY BUILDING, #19 NORTH MICHIGAN AVE., CHICAGO, ILLINOIS GOSI, RETURN POSTAGE MUST ACCOMPANY ALL MANUSCRIPTS, DRAWINGS AND PHOTOGRAPHS SUBMITTED
M MEY ABE TO Bt RETURNED AND NO RESPONSIBILITY CAN BE ASSUMED FOR UNSOLICITED MATERIALS. ALL RIGHTS IN LETTERS SENT TO PLAYBOY WILL BE TREATED AS UNCONDIWONALLY
ASSIGNED FOR PUBLICATION AND COPYRIGHT PURPOSES AND AS SUBJECT TO PLAYBOY'S UNRESTRICTED RICHT TO EDIT AND TO COMMENT EDITORIALLY. CONTENTS COPYRIGHT © 1276 BY PLAYBOY.
ALL RIGHTS RESERVED, PLAYBOY AND RABBIT HEAD SYMBOL ARE NARKS OF PLAYHOY, REGISTERED U.S. PATENY OFFICE, MARCA REGISTRADA, MARQUE DEPOSEE. NOTHING HAY BE REPRINTED IN
WHOLE On IM PART WITHOUT WRITTEN PERMISSION FROM THE PUBLISHER. ANY SIMILARITY BETWEEN THE PEOPLE AND PLACIS IN THE FICTION AND SEXIFICTION IN THIS MAGAZINE AND ANY REAL
torte ANG PLACES 42 PURELY COINCIDENTAL, CREDITS: COVER: PLAYMATE/MODEL LILLIAN MULLER, PHOTOGRAPHY BY ONTA, DESIGNED Df TOM STAEDLER: LILLIAN RULLER'S HAIR DY GILBERT
COVER STORY
Our Playmate of the Year cover was shot by Japanese lensman Ohta,
whose fashion photographs appeared in rLAvsov last January. Ohta had never
dealt with a Playmate before. "I was frightened at first," he says. "I expected
Lillian to be pampered. But she turned out to be an extremely professional
model." We could have told him that.
VODKA!—drink ...... Bash edd o6 acts ..EMANUEL GREENBERG 109
The drink of the Cossacks may turn out to be the only reason for détente.
DEBBIE'S DREAM— playboy's playmate of the month n.... 110
Ever since she was 14, Debra Peterson has wanted to be a Playmate—that's
what we call manifest destiny.
PLAYBOY'S PARTY JOKESs humour 120
PRIVATE EYES—modern living ees 122 anil WES
Everything you always wanted to know about telescopes, like how to get a
clearer view of that redhead on the 37th floor of the building next door.
SEX FOR YOUR HEALTH—article . ...EDWARD M. & JEREMY BRECHER 125
Need a good come-on gimmick? Here it is. Medical evidence proves thet do-
ing it will keep you young, active and alive, among other things.
PLAYBOY'S HISTORY OF ASSASSINATION—article . . JAMES McKINLEY 126
The death of Malcolm X may have been a gangland hit, but the killing of
Martin Luther King, Jr., remains the most suspicious of them all. Whale Bottle
PLAYMATE OF THE YEAR—pictorial jj. 132
The envelope, please. And lo, August Playmate Lillian Muller leads all the rest.
PRETTY KATE OF WINDSOR and TENEMENT TO LET!—ribald classics .. 145
PLAYBOY'S GIFTS FOR DADS AND GRADS—merchandise .......... 147
A contemporary treasure-trove for men of achievement.
AND A PICTURE TUBE SHALL LEAD THEM—article . . JOHN LEONARD 150 Driving Gear
The former editor of the New York Times Book Review tokes a witty look at
the one-eyed monster and concludes that television is the only thing holding
this nation together.
JUST ADD WATER—ettire ......................... DAVID PLATT 153
As far as today's swimwear goes, a little goes a long way.
IS THERE LIFE AFTER HIGH SCHOOL?—article ........ RALPH KEYES 157
Everyone goes through it, everyone gets traumatized one way or the other.
Even the famous, whose high school experiences (ond yearbook mug shots)
cre featured in this nostalgic walk down memory lone.
Saat guod dois JOHN DEMPSEY 159
: E 188
Quick hits on video-disc technology, a weird Navy project, research into the
chemical transfer of learning and mineral shortages
een 8 e eee A Healthy Sex P. 125
LA CHAPELLE OF BERNARD DAILEY'S IN LOS ANGELES. OTHER PHOTOGRAPHY BY: CHARLES W. BUSH, P. 3 (2); DAVID CHAM, P, 122-123,
P. 22) SHYLA IRVING, P. 3; TOM KELLER, f. 3: MEINZ KLUETMEIER, P. 3; JOHN MCCORMICK, P. 2, 2. BARAY O'ROURKE.
SMITH, P. 3 (2): UNITED PRESS INTERNATIONAL, P. 126 (1), 127 (0, 129 (2); mICHAND t. VETH, P,
FICK CLUTHE, f. 3, MIKEL COVEY, P. 3 (2); BILL FRANTZ,
P. 12, ME (1); SUZANNE SEED, P. 3 (21: VERNON L
105. DRESS DESIGNED EY ANDREA KALISH ARSEMAULT
P. 5, rome
CENE
PLAYBOY, JUNE. 1876, VOL, 23, NO. 6. PUBLISHED MONTHLY BY PLAYEOY, IN NATIONAL AND REGIONAL EDITIONS, PLAYBOY DLOG., S18 H, MICHIGAN AVE., CHGO.. ILL. eosi]. SECOND<LASS POST.
AGE PAID AT CHGO., ILL, AND AT ADDL. MAILING OFFICES, SUBSCRIPTIONS: IN THE U- S., $10 FOR ONE YEAR. POSTMASTER: SEND FORM 357) TO PLAYBOY, P- O. BOX 2420, BOULDER, COLO. 0C3O2,
LAYBOY
You can watch
^ the day drift by
with Minolta.
The stillness of that special moment
can last forever when you capture it with a
camera that responds to your mood.
You're comfortable with a Minolta
SR-T from the moment you pick it up. This
is the 35mm reflex camera that lets you
concentrate on the picture, because the
viewfinder shows all the information needed
for correct exposure and focusing. You
never have to look away from the finder to
adjust a Minolta SR-T, so you're ready to
catch the one photograph that could never
be taken again.
And when subjects call for a different
perspective, Minolta SR-T cameras accept a
complete system of interchangeable
lenses, from “fisheye” wide angle to super-
telephoto.
For many happy returns of the day,
try a Minolta SR-T. For mcre information,
see your photo dealer or write Minolta
Corporation, 101
Williams Drive,
Ramsey, New Jersey
07446. In Canada:
Anglophoto Ltd., P.Q.
Minolta SR-T
PLAYBOY
HUGH M. HEFNER
editor and publisher
ARTHUR KRETCHMER editorial director
ARTHUR PAUL art director
SHELDON WAX managing editor
GARY COLE photography editor
G. BARRY GOLSON assistant managing editor
EDITORIAL,
FICTION: Rome
CHEN HAIDER, Wal
SERVICE FEATURES: TOM OWEN modern living
editor; AVID. vet fashion editor; THOMAS
MARIO food & drink editor - CARTOONS:
URRY (difor » COPY: ARLENE BOURAS
editor, StAN
editor, VICTORIA
SHEA, DAVID STEVENS
GONZALES, DAVID STA
BLUMENTI
edito
istant editors; SUSAN Y
NEKAM, BARBARA NE
, KAREN
lilors;
NAT HENTOE
JEAN SHED RONERT S
WILHAMSON. (movies), Jotw skow contribut-
ing editors . ADMINISTRATIVE SERVICES
PATRICIA rAPANGELIS admi
ROSE JENNINGS rights & permissie
MILDRED ZIMMERMAN admin
ART
TOM STAEDLER, KERIG POPE a
BOR POST, ROY MOODY,
GORDON MORTENSEN,
asistani directors; JULIE
R HUBBARD, GLENN STEWARD art assistants;
HECKMANN administrative assistant
racz
vici
PHOTOGRAPHY
MARILYN GRABOWSKI west coast editor; JANICE
WERKOWIZ mosis associate editor: ‘Wows
WAYNE new york editor; BIL, ARSENAULT, DAVID
CHAN, RICHARD FEGLEY, DWIGHT HOOKER
rosen sla} photographers; now
KAS urea contributing photog-
Taphers; WLL FRANTZ, RICHARD IZUI associate
photographers: JOHNSON
assistant. editors; LEO KRIEGE color lab super-
visor; ronerr CHELIUS administrative editor
PRODUCTION
JOHN MASIRO director: ALLEN VARGO man-
ager; ELEANORE WAGNER, RITA JOHNSON,
MARIA MANDIS, RICHARD QUAETAROL assistants
READER SERVICE
GAYLY GARDNER director
CIRCULATION
BEN col director of newsstand sales;
ALVIN wIEMOLD subscription manager
ADVERTISING
HOWARD W. LEDERER advertis
PLAY BOY ENTERPRISES, INC.
RICHARD S. ROSENZWEIG executive vice-presi-
dent, publishing group, and associate pub-
lisher; RICHARD M. korr assistant publisher
eee ORAL AMO LENSES BAN AMT fg SERVICE COR € eT ION e e e ndl
GXIOYOIS ej
Built to take on
the city.
The Honda Civic.
The Honda Civic was born and bred
for the city. It is city wise - eity tough.
Designed specifically for people who do
most of their driving around town.
So. To make it nimble in city traffic we
gave it front wheel drive and rack and
pinion steering. You avoid tough situations
before they develop.
Because the engine is mounted
sideways, the Civic is small on the outside,
big on the inside; it has room for four
people. And parking? Parking’s a cinch.
Things happen quickly — without
warning - on city streets. You need to stop
—right now. So we gave the Civic power-
assisted front discs in a dual-diagonal
safety braking system.
And maybe best of all, the Honda Civic
CVCC comes with the brilliant Advanced
Stratified Charge Engine. It runs on any
grade of gas regular, low-lead or no- lead
- with no need for a catalytic converter.
And it got an EPA certified 32 mpg in the
city, 43 highway*
If you drive in the city, you need the
City Car: the Honda Civic.
There are over 600 Honda Civic dealers
all over the country. Test own a Honda
Civic soon. It's an unforgettable experience.
CVCC. Civic and Hondamatic are Honda trademarks.
(01976 American Honda Motor Co., Inc.
il Avg. d. & S-spced hatchback/sedan models.
get will vary depending on the type of driving you
your car's condition and optional equipment.
" d on Federal Highway Administration estimates:
55% city driving, 45% highway driving conditions.
**Manufucturer’s suggested retail price plus tax, license, transportation
charges, optional equipment, and dealer's preparation charges. Shown
With optional mag style wheels and 13° stecl-belted radial rires $388.40.
Civic CVCC 1488cc Price**
|. EPA Mileage Estimates”
Combined
| Hwy. | City | Hwy. & City
Sedan (4-Speed) $2979
32
32
Hatchback (a. Speed) $3189
(Hondamatic) $3349
2
25
Wagon (4-Speed) $3419
(Hondamatic) $3579.
|
L
|
|
Speed ert | 53469
Hatchback (c (Calif. Model) | $3469 |
| Civic 1237cc (Not avail. in Calif)
Avg. Sedan/Hatchback (4- & ET Spd.)
Emm (4-Speed) aE 82729
| Hatchback (+ Speed) DR $2939 |
(Hondamatic) | $3099 |
30
HONDA CIVIC
What the world is coming to.
Is your
cigarette less
an More?
Il it isn't Mor less than More. Because More is the first 120mm cigarette.
It's more in every way except price.
More has more style. It has more flavor. It has more. Over 50% more pufis
than most 100mm rettes. Yet More doesn't cost more.
And what's more, More comes in both regular and menthol. They're both
long, lean and burnished brown. Regular More delivers rich tobacco flavor while
More Menthol packs a cooling blast. Puff after puff after puff.
You'll find that More and More Menthol smoke slower and draw easy for
more enjoyment. They're more flavorful. Yet they're surprisingly mild.
More and More Menthol. They sit neat in your hand like they were made
for it and fit your face like they found a home.
Why settle for less?
5 Thefirst 120mm cigarette.
Warning: The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health. | FILTER: 21 ma. tar”, 15 mg. nicotine, MENTHOL: 21 mg. ter.
1.6 mg: nicotine, av. per cigarette, FTC Report SEPT. 75.
DEAR PLAYBOY
D s002655 PLAYBOY MAGAZINE - PLAYBOY BUILDING, 919 N. MICHIGAN AVE., CHICAGD, ILLINDIS 60611
TO JOG OR NOT TO JOG?
I don't know where you found Dr.
]- E. Schmidt, but in publishing his arti-
de Jogging Can Kill You! (evayuoy,
March), you probably killed more young
men than jogging ever will
Charles Davant, HI, M.D.
Blowing Rock, North Carolina
Schmidt's article on ihe
ive and.
y damage
I found 1
hazards of jogging to be inform:
opportune, considering the da
done to and by those countless, unin-
formed health seckers pounding the side-
walks of suburbia.
William Eaton
Oxford, Mississippi
What disturbs me as much as Schmidt's
failure to include any references for his
conclusions is his failure to offer any al-
ternatives. We at the N.. A., with the
support of over 1000 jogging doctors rep-
resented by the American Medical Jog
ging Association, recommend vigorous,
nonsuenuous exercise; for those
it and can do it successfully,
jogging. The altern:
offer no plan of positive action, grow fat
and die early.
Rory Donaldson
National Jogging Association
While it is true that running can, in
some people, create back problems and
perhaps a few other maladies, I feel that
the therapeutic benefits by far outweigh
ny deleterious effects.
Buddy Edelen
1964 Olympic Marathon Runner
Alamosa, Colorado
Unadulterated garbage.
Dana J. Pasig, D.C.
Davenport, lowa
Poppycock!
Neil I, Cohen
Pittsburgh, Pennsylvania
Get off your ass, Dr. Schmidt—jogging
can save you!
Fred Volpe
St. Louis, Missouri
1 am an orthopedic surgeon and J
have never seen a jogger with sacroiliac
trouble. Moreover, the ligaments and
porting structures of the body do not
PLAYBOY, JUNE, 1374, VOLUME 23. nU
necessarily give way with repeated stress.
In fact, repeated functional use of a
part, if not overdone, will strengthen
and enlarge it so that it can withstand
more trauma than before.
Bruce A. Miller, M.D.
Lincoln, Nebraska
I can hear the armchair athletes of our
great nation belching their approval in
unison as they lull themselves to death
with the false belief that their nightly
walk to the carbohydrate cooler in their
kitchens is sufficient exercise to stave off
an imminent myocardial infarction. for
another day.
D. C. Parker
strative Director
Spa Fitness
Grand Rapi
ered pharmacist t
fit trusses, I've been surprised by the num-
ber of young men needing them. T
to Dr. Schmidt's fine article, I now know
why they need them.
les R. Pelham
ibama
TUCK TALK
The 1976 Democratic Handicap
(PLavuoy, March) by Dick Tuck, is
highly readable, fascinating and provoc
ative. I am circulating it among my po-
litical advisors.
Governor Thomas P. Salmon
Montpelier, Vermont
There is no doubt that The 1976 Dem-
ocratic Handicap is up to Tuck's usual
standards.
David Jensen
Associate Press Secretary,
Governor's Office
Sacramento, Califo
My staff and T enjoyed reading Dick
Tuck's artide.
Senator Gary H
United States Senate
Washington, D.C.
Tuck's article is a testimonial to his
innate sense of humor.
Governor Ray Blanton
Nashville,
While I am obviously not an insider
when it comes to Democratic politics,
the conclusion of Tuck's article mi
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OF MARKETING INFORMATION: NELSON FUTCH, MARKETING MANAGER; LEE GOTTLIED, DIRECTOR OF PUBLIC RELATIONS,
ROVERTISING: HOWARD W. LEDERER, ADVERTISING DIRECTOR. DON HANRAHAN, ASSOCIATE ADVERTISING DIRECTOR; JULES KASE,
ADVERTISING MANAGER. 747 THIRD AVENUE, NEW YORK, NEW YORK 10017; CHICAGO, SHERMAN KEATS, ASSOCIATE ADVERTISING
MANAGER. MD NORTH MICHIGAN AVENUE; DETROIT, WILLIAM F. MOORE, MANAGER, BIA FISHER BUILDING: LOS ANGELES, STANLEY L
PERKINS, MANAGER, BIZI BEVERLY BOULEVARD: SAN FRANCISCO, ROBERT E. STEPHENS, MANAGER, 417 MONTGOMERY STREET,
English Leather.
1 aE e naoi.
smell as
during the week
as they do on
Saturday night.
If wearing English
Leather®Cologne makes
Saturday night special,
imagine what English
Leather After Shave could
dofortherestoftheweek.
Sowhy notuse both.
That way the people you
work with can enjoy that
same famous, fresh, clean
scent, asthe people you
play with.
Enolish Leather
After Shave and Cologne.
MEM COMPANY, INC., Northvale, NJ. 07647
Cologne 4 oz. $4.50, B oz. $6.50
After Shave 4 oz. $3.00, B oz. $4.50.
Available in Canada ©1976
u
PLAYBOY
12
not be as farfetched as it would appear
on the surface. This should be a very un-
predictable year in politics, and almost
anything could happen in New York
Ci
Gover mes E. Holshouser, Jr.
Raleigh, North Carolina
K
G LEAR
Thank God for Norman Lear (Playboy
Interview, March)! It is nice to know
there is at least one producer who gives
a damn abour the quality of programing
fed to the American public. I love his
idea of € the classics down our
throats. I would much rather digest Che-
khov or Miller than be forced to swallow
The Rookies ov 5.W.A.T.
Ronald R. Rowe
Hagerstown, Maryland.
Norman Lear is a producer-creator-
writer, but, nt, he has be.
come the voice of all those who want 10
see network television mature and grow.
id Levy, President
Lear is a rip-off master who never had
his life and prac
tices all the cheap-shot tactics of the way-
out liberal urban elitist who imposes his
value systems on an incurably ignorant
H.G:
Corrales,
Tince cheers for
thought people like him went the way of
the dinosaur. I's about time somebody
challenged the network executives as 10
what is acceptable fare for us corn-fed,
die- American, small-town hicks!
Gayle Plummer
Wentzville, Missouri
1 am enthusiastic and grateful for the
fact that Norman Lear is among us.
John Cheev
Ossining, N.
CORRECTION
In Vengeance Under the Law (PLAYBOY,
August 1975), it is stated t “Among
the Weathermen who planted a series of
bombs in 1969 and 1970, the most skilled
nd enthusiastic bomb maker was a gum-
toting FBI informer-provocateur named
athwohl." I happen to be
thwolil and know for a fact
t the above statement is not true.
Larry D. Grathwohl
Hayward, Californi
ANN’S FANS
Your Marc
Playmate, Ann Penning-
Robert M. Carse
Chicago, Ilin
Yve alway
s wondered why you rarely
show any of your Playmates wea
eyeglasses. I seriously doubt that all your
centerfold girls are gifted with perfect
vision, especially considering how gifted
they are otherwise. Glasses are sexy!
Greg Sawyer
West Lafayeue, Indian
Maybe you're the one who needs the
glasses, Greg. As you can see (can you
see?) by this centerfold shot, our March
Playmate, Ann Pennington, is, indeed,
bespectacled. Maybe you ought to clean
your lenses once in a while.
POLICE STORIES
Re Laurence Gonzales’ Who Can
Arrest You? (pLaywoy, March): Police offi-
cers are human beings. Contrary to pub-
lic opinion, we eat, sleep. have feclings
d familics and occasionally even laugh
ttle. No one values a person's consti-
tutional rights more than a police officer
does. That's because we are treated as
second-class citizens. We are not able to
enjoy the protections of the U. S. Con-
stitution as the ordinary citizen does. It
y that those people who hate us
can't themselves be put in our unenvi
ble position in life. Perhaps Gonzales
should examine his research a little more
closely before writing such unfounded
baloney.
a
mes P. Storney
ional Policemen's
Protective Associa
Milwaukee, Wisconsi
I thank Laurence Gonzales for calling
me the Saint Jude of homicide, the pa
uon saint of hopeless cases. (I only wish I
were.) I concur with many of his points;
however, 1 take exception 10 some of his
statements. He mentions that in 1974,
only 81 percent of those arrested were
prosecuted and then only 61 percent of
those were conyicted as charged. Thi
does not necessarily mean. as Gon-
zales implies. that the remaining arrests
were mistakes. All policemen know that
many people are released despite the
guilt because of legal technicalities and
the lack of good investigative work on
the part of the police
Sgt. Gerald T. McQueen
Manhattan Homicide Task Force
w York, New York
The answer to controlling cri
mplies. does not lie
in cleaning out the ghettos
every man and wo:
to make a decent living.
d giving
an equal chance
ier Benson
mi, Florida
A spectacu
dation and logic.
Patrick Owens.
Newsday
Garden City, New York
job of research, consoli-
We're living under al law and
we don't even realize i
Arnie Baxter
n Francisco, Califor
mar
Laurence Gonzales’ amticle virtually
scared the hell out of me. I never realized
1 here were so many cops crawling
around our count
Mike Sibley
Minneapolis, Minnesota
Gonzales has to be a total cop hater.
For example, he states that in Chicago,
33 citizens were shot and Killed by police
but only four cops were killed by citizens.
Were those 33 citizens just innocently
walking down the sucet © they
engaged in a felony that justified sell-
delense?
Gerald S. Arenberg, Executive
Director
American Federation of Police
North Miami, Florida
If Gonzales had checked into the true
reason for the drop in crime rate in Al-
buquerque during a recent. police strike,
he would have discovered that when the
local citizenry takes up arms to defend
itself from criminals, th ds of
crime become goddamn hairy and most
unhealthy, because Citizen John shoots
first and asks questions later
K. Jay Leonard
Moline, Illinois
Gonzales’ attempt 10 discredit efforts
of law-enforcement agencies by suggest-
ing that because only 81 percent of those
arrested in 1974 were prosecuted, th
maining 19 percent mistakes
absurd! Did he consider that perhaps the
vast majority of those cases were delayed
were
Banff National Park, Alberta, Canada.
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PLAYBOY
14
Theyear-round water sport.
Our traditional leather moccasin loves the water, fresh or salt.
The special elk-tanned leather dries to its original softness
no matter how often it's wet. Handlasted and handstitched.
Soft, antiskid Sperry Top-Sider” sole makes it perfect for
boating or street wear. $28.00 (Suggested Retail Price)
Write for catalogue: Sperry Top-Sider
24 Rubber Avenue, Naugatuck, Conn. 06770
JVC has changed
the face of high fidelity.
Inside andout.
JVC has eliminated rotary 0
controls completely and replaced them
with precision push-bultons and slide
controls on its new S300 stereo receiver.
The S300 is quality all the way in looks
as well as performance. to 20,000 Hz, with no more than 0.396
Unheard of in a moderate priced re- total harmonic distortion.
ceiver, the S300 offers JVC's exclusive Visit your JVC dealer. (Call toll-free
five-zone tone control SEA 800-221-7502 for his name.)
graphic equalizer system, Then see the S300. You'll
plus four meters — two for recognize it as the one
tuning and two for reading face that stands out in the.
power output in watts. crowd. App. retail value $400.
JVC America, Inc., 58-75 Queens Midtown Expressway, Maspeth, N.Y. 11376 (212) 476-8300
It even has dual recording/ dubbing.
The S300 delivers 50 watts per
channel, min, RMS, at 8 ohms, from 20
by defense motions and most of the other
charges dropped by the complainants?
William B. McDonald, President
National Police Pilots Association
Shenorock, New York
Gonzales replies to all comers:
1 do not hate cops and those who read
the article carefully should have seen
that. The piece is about the proliferation
of police in this country and seeks to
answer some questions, including the one
posed by the title. I am in favor of po-
lice, but I am against continuing to in-
crease their numbers and power when it
has no apparent or real effect on crime.
When police can kill citizens, and even a
member of the American Federation of
Police has to pose the question as to
what these citizens were doing at the time
they were shot, there seems to be a clear
need for more thorough investigations of
these incidents. And if the mal reason
the crime rale dropped in Albuquerque
was that police protection was replaced
by citizen. protection, that may be yet
another good argument for arming the
citizens and reducing the number of po-
lice and the range of their power. As to
McDonald's objection, he is correct the
figure may be lower due to cases that
are dropped.
HOW TO DOERS
1 enjoyed How to Do Everything, by
Peter Passell, in the March issue of
rLAYBOY, especially "How to Trace Your
y Tree.” As a longtime amateur in
genealogical research, I find it to be very
well written.
Kermit B. Karns
Kansas City, Missouri
I was very sad after reading the section
on how to calculate my life expectancy,
nce it showed I had died ten ycars ago.
The net result is that I died before I
reached 25. Can I use your chart to ask
Social Security to refund my contribu-
tions, since I won't be able to collect on
them, or at least can I get a charitable
write-off for said deductions?
Alben C. Farrell
Beverly Hills, California
SPRINGSTEEN VOCALS
I'm a Springsteen addict and I never
thought it possible to capture his per-
formances in print. But PrAvnov has
come very dose. James R. Petersen's
The Ascension of Bruce Springsteen
(rtAvmov, March) is one of the finest
pieces I have cver read on the incredi-
ble performer and his equally incredible
E Street Band.
Mark A. Lyvers
Riverdale, Maryland
Asa guitarist and self-appointed music
critic, I think Born to Run is the most
appalling example of the recording in-
dustry's all-out hype job. Apparently,
Ray-Ban SunGlasses.
So your eyes wont work
harder than they have to.
Your eyes use up a surprising omount of
energy. If they're not properly protected,
they may work harder than they need to. You
can end up looking strained. .. feeling drained.
Unnecessorily.
Thot's why you should wear real
sunglasses. With lenses that filter out ultra-
violet and infrared rays. Absorb excessive light.
Give you daylong protection against harsh
tiring glare. Lenses that are precision ground
and polished—just like prescription lenses.
No waves. No wiggles. No distortion. No
squinting. And no eyestrain
AllRay-Ban SunGlosses meet these
demanding standards. That's why they moy.
cost a little more. But isn't it worth it to help
your eyes look younger?
For the "Sunglasses and Your Eyes“
booklet, write Dept. 666, Bausch & Lomb,
Rochester, N.Y. 14602. Its free. We wont you
to buy sunglasses with your eyes wide open.
Ban
"debe by
Bausch&Lomb
Jean Shrimpton weers Rey-Bon "Careven" SunGlasses,
PLAYBOY
16
EAM
SERVING THE UNITED TASTES
OF AMERICA FOR Il YEARS
FROM 1795 TO TODAY-
SIX GENERATIONS OF THE BEAM FAMILY
HAVE BEEN MAKING THE WORLDS FINEST BOURBON.
T ie
L RENE
S
* oF THE 56 SIGNERS
Declaration of Independence
NOT ONE EVER FELL FROM GRACE
—WOr ONE By WORD OR DEED
EVER TARNISHED HIS FAME BUT
REMAINED PURE IN PUBLIC
AND PRIVATE LIFE To THE LAST ”
A d
PETER JOHANN MILLER
90 1556
WAS ENGAGED BY THE
x CONTINENTAL CONGRESS TO
1 "d TRANSLATE THE DECLARATION
OF INDEPENDENCE INTO
Vy 7 DIFFERENT LANGUAGES
FOR THE ENLIGHTENMENT OF
FOREIGN GOVERNMENTS.
AND RUSSIAN.
Aen eint
KENTU AIGHT
BOURBON WHISKEY
‘Distilled and bottled by
JAMES BBEAM DISTILLING. Mi
NOM Gtmuint minouT ey SipHATUAC
the industry can take anything it can
press into vinyl and, through a seven-
digit promotional campaign, sell millions
of records.
Pfc. Jack Seeley
APO New York, New York
A hearty E street congratulations to
James R. Petersen for his outstanding
character study of Bruce Springsteen. He
did what Time and Newsweek could not;
he captured Bruce on paper.
B. Douglas and O. Charles
The Backyard Bombardiers
Jungleland, New Jersey
SHORT TAKES
The Middle-Glass Squeeze (Selected
Shorts, PLAvnov, March), by Craig Kar-
pel, really says it like it is. Never have
so many been screwed by so few, though as
our bureaucracy grows, so increases the
number of Scree.
Tom Ellis
Redondo Beach, California
I. Rust Hills mentions in Help! Pleh!
(Selected Shorts, pLaysoy, March) that it
may mean something that sERUTAN is
NATURES backward, but it means nothing
that tums is sur. However, I'm sure that
he would be interested in the significance
of the soap that you wished everybody
used: DIAL, which equals LAID,
Sam Welker
Springfield, Missouri
FIRE BUGS
We of the Manitou Springs Volunteer
Fire Department appreciate your Fire
Belle pictorial on the all-American fire-
person, Vicki Cunningham. We've got 50
members and I'll bet we bought at least
100 copies of the March issue.
Verne A. Witham, e Chief
Manitou Fire Department
Manitou Springs, Colorado
In my 27 years in the fire-fighting pro-
fession, I have never seen fire equipment
as beautifully displayed as it was when
wrapped around Vicki Cunningham. You
can be sure that the March issue of
PLAYBOY will be a permanent fixture in
our firehouse. Vicki can slide our poles
any time.
Lt. H. Mead
Cortland Fire Department
Cortland, New York
Your March Fire Belle feature lit more
generalalarm fires in more firehouses
than any other pictorial in iar. One
question, though: Why couldn't you
have used our firchousc?
Jeff DeBell
Somers Volunteer Fire Department
Somers, Connecticut
You should have seen our waiting
list, Jeff.
Ba
PLAYBOY.
It's a real deal. 12 issues of PLAYBOY for just $10.
That's a $6.00 saving off the $16.00 single-copy price.
d And the convenience! Delivered to your door-the wild
humor . . . bewitching females . . . explosive
fact, fiction, interviews . . . plus much
more. Subscribe to PLAYBOY today.
CU
For phone service
call TOLL-FREE 800-325-6400.
In Missouri, call 800-342-6600.
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Please enter my subscription for 7
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EJ Charge to my Playboy Club credit Key no. E CC VC ee
T Tus z] lares and credit apply 10 U.S., . Poss., nada,
E addresses only. 701 m
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DAY: Longines G-II. High-visibility Liquid Crystal
Display reads constantly. Reads cledrly — even in bright sun.
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After all, time is the art of the Swiss. 8
PLAYBOY AFTER
ever shake hands with a Snowbird.
In an article titled “Flying with the
Snowbirds” (Snowbirds are the Canadian
Armed Forces Aerobatic Team), Canadi-
an Aviation stated: “Later, in the 409
Squadron briefing room, the Snowbirds
reviewed their performance from start-
up to shutdown. Debriefing was accom
plished with short, sharp ejaculations
and a lot of hand movements. The men
were not happy with what they had
done.”
.
We always knew he was a dope. Former
President Nixon has achieved a dubious
honor in Egypt. Smugglers have named
a type of hashish after him.
.
Stick it up your hypotenuse. According
to the Victor Valley (California) College
fall-semester bulletin, the mathematics
department will be offering two courses
in “Anal Geometry.
.
A star is born: An amateur astronomer
in Raleigh, North Carolina, was looking
through his telescope one night when
he saw a strange movement taking
place low in the sky. He looked out the
window and promptly called the police,
who arrested three men on the roof of a
nearby store. The celestial phenomenon
turned out to be the rise and fall of an
x being used to chop a hole in the roof
.
The Bethlchem, Pennsylvania, Globe-
Times reported an elderly nun stopped at
the Five Points Adult Book Store, only to
learn that her idea of adult books was not
the same as of the store's manager.
She thought it meant the store didn't sell
children's books
.
Senator William Proxmire has been
criticizing Government-financed research
projects as time and money wasters. Spe.
cifically, he questioned the usefulness of
a $102,000 project to study the effects of
alcohol on sunfish and a $90,000 project
that attempts to turn rats into alcoholics.
“Over the years,” said Proxmire, “they've
spent literally millions of dollars to turn
normal rats into rodent lushes with little
or no success."
.
A blow for law and order from the
Troy, New York, Times Record: “Mod-
crate head increases crime; extreme heat
curtails it.”
e
A California movie-theater marquee re-
cently advertised the following double
feature: The Happy Hooker and Your
Three Minutes Are Up.
.
Must be a new form of orthodontia we
haven't heard about yet. The following
two classifieds were printed in the New
Beach, Florida, News & Observer:
le—False Teeth, size 36-B cup.
son for selling: Too Small"; and “For
Sale—Bra, like new. Reason for selling:
Hurts my gums.
And we thought he was hiding out in
Argentina. . . . The Albanian govern-
ment has proclaimed that all citizens
whose names do not conform to the na-
tion’s “political, ideological and moral
standards" must change them. A govern-
ment spokesman gave, as an. example, a
woman whose last name is Hider. “We
have so many nice Albanian names, such
as Alban and Mimosa,” the official said.
“They are certainly nicer than Hitler.
5
The Pensacola Journal reported the
following bizarre story: "A shotgun-
wielding Fort Walton Beach resident.
caught the man he claims had been
peeing through a window at his wife.”
.
Lawn enforcement: A Macomb Coun-
ty, Michigan, woman kept getting wrong-
number calls from people asking if the
"grass is cut" and if it were “OK to pick
up the g uspecting that marijuana
dealers were trying to call suppliers, the
lady managed to get the correct number
nd gave it to the state police, who in-
vestigated, The number turned out to be
that of a sod farm.
"
A talk-show host in Vancouver, British
Columbia, unfamiliar with Scottish cus-
toms, asked a lady traveler who was
describing her recent trip to Scotland to
explain what a sporran is. (It’s the fur
pouch worn at the front of a kilt.) With-
out a moments hesitation, she replied:
"It's that hairy thing that hangs between
a Scotsman's leg;
.
Three Akron, Ohio, businessmen are
marketing a deodorant called Mafia Pro-
tection with the slogan "Your person:
bodyguard.”
To encourage borrowers, the San
Francisco Public Library system has come
up with the catchy slogan “There's more
to libraries than meets the eye.” That
phrase was proved more than accurate
21
PLAYBOY
22
when two library employees were caught.
flagrante delicto under a table in the
library commission chambers. Said San
Francisco's city librarian, pooh-poohing
the fuss: “This occurred during their
luncheon break and involved no expense
to the taxpayer. Unlike most proceedings
in the commission chambers,” he added,
“their efforts rose to a climax."
.
Inspired by the fact that the number
of divorces in America last year exceeded
1,000,000, Chicago photographer Louie
Grenier has devised an interesting alter-
native to the wedding album—a divorce
album. For a fee of $200, Grenier offers
to stay with the couple all day, taking
lid shots of them during the divorce
nples of what sort of
es will result are: husband and wile
pict
arguing with each other; husband and
wife dividing up possessions; bruises,
black eyes and other physical manifesta-
tions of “mental cruelty"; poses of the
departing partner packing and portraits
ol mistresses and boyfriends.
.
Isn't this carrying the Father of his
Country image a little far? The Midwest
Breeders Cooperative of Shawano, Wis-
consin, is having a special Bicentennial
Semen Sale. The ads, complete with a
picture of George Washington, are offer-
ing seven pipettes of semen for the price
of
PLAYBOY'S
Voted in for their efforts to control
overpopulation and sinus congestion:
scientists at the Medical Research
Institute in New Delhi, India, who
recently developed a contraceptive
nasal spray.
HOW TO PICK UP GIRLS
es, fellas, now
Nod
I mean you, can
learn how to pick
up girls in your
time! "Tall
short ones,
thin ones, tubby
ones, light ones
and heavy ones—
you name it. By
following a few
simple rules, even
the weakest excuse
among you will
suddenly b
pick up, w
muscle strain, girls
who weigh up to
500 pounds—or
your money back!
By studying thc
following fool-
proof techniques,
you'll learn not
only how to pick
them up but also
how to avoid her-
nias, how to utilize.
modern lifting
techniques, how to
overcome timi
how to deal with
resistance and how
to hold a girl in
the air for as long as two hours!
Just memorize a few of our guar-
anteed techniques and you're on
your way.
The Direct Approach
Some girls really get off on this ap-
proach—for them there's nothing
more charming and cavalier than a
blatantly aggressive fellow who will
walk up to them in a crowded bar
and pick them up right off the floor.
How can you do this? Simple. First of
all, have confidence in your ability
to move women. Be brash. (After all,
a singles bar is no place for timidity.)
Approach the girl, place your arms
around her waist, bend your knees
and just lift away. She’s bound to
be impressed by your strength and
charm!
Over Your Back
and Through the Bar
Some girls just won't let you pick
them up, no matter how suave and
handsome you may be. They will fight
you every step of the way. For this type
of girl, there is only one approach—
stand before her, subtly punch her in
the jaw, sling her over your back and
make your triumphant exit. This way
you will encounter no resistance in
“First of all, have
confidence in your
ability to move women.’
the pickup stage.
Also, you'll cer-
tainly be the life
of the party! And
remember: The
unconscious pick-
upce will most
likely be more
amenable to your.
whims than the
conscious one.
Feet First
Just because the
normal female
stance calls for
feet on floor,
head in air, is no
reason to limit
yourself to an or-
dinary vertical
pickup. Be imagi-
native! Approach
her, squat down
casually and feign
interest in her
choc leather. Then,
while she's not
looking, grab her
by the ankles and
sweep her up. You
will literally have
swept her off her
feet! If done with
finesse, this tech-
nique resembles the old pull-thetable-
cloth-from-under-the-dinnerware trick.
Done ineptly, it resembles the old
pull-the-dinnerware-off-the-able trick.
Cranes and Forklifts
"Ihanks to the wonders of modern
technology, you, too, can pick up
girls who outweigh you by up to 400
pounds with a mere flick of a switch.
Forklifts are both cheaper and easier
to m er than cranes, but there's
stakable panache in
picking up a girl with a crane. Just
k of it—there she is, standing on
a corner one minute and the next
moment she’s 50 feet above the ground
in the shovel of your cranel
Explosives
If everything else fails, if you
simply can't pick her up by using
those techniques, try this: Plant a
bomb firmly under the girl's fect;
weak explosive can raise a station-
ary girl at least five feet for several
seconds. And it's no strain on your
muscles at all. The only trick is get-
ting the girl to stand still while you
place a small bomb under her shoes,
but if she finds you attractive and
amiable, this should be no problem
at all. — JOHN BLUMENTHAL
“A LESSON IN
ARROW DYNAMIC”
Tilt-steerin:
column and inside
hood release
Aerodynamic styling
which provides stability
in crosswinds, also
gives us a very sharp.
looking Arrow.
The optional Silent-
Shaft engine is most
likely the quietest and
smoothest 4-cylinder
around
Standard power
front disc brakes and
variable-ratio steering
for superb handling
NEW PLYMOUTH ARROW has some important points
every economy car could learn from. First, Arrow
prices start at $3,1751. And that price includes
extras you can't even order on Rabbit, Pinto, and
Chevette. But if you want your Arrow packed with even
more goodies, order an Arrow GS, priced at only
$3,3B31. Ora fancy Arrow GT at $3,748.
And Arrow's gas economy is also
something to boast about. That's why we
put it in those big numbers at the right.
But economy doesn't stop there.
Arrow is made to be easily serviced, too.
The oil plug and filter are accessible from above the
engine. So, you can change the oil and filter yourself.
And if you've ever listened to the radio in a
four-cylinder economy car, you know the engine
sometimes gets louder than the radio. Now comes
Arrow's available Silent-Shaft four-cylinder engine.
Standard comfort
features like reclining
bucket seats and
tinted glass
Like all Chrysler built
cars, Arrow is covered
by a warranty so stron
we call it “The Clincher”
E HA ESTIMATES*
59724
hwy. G city
1600 cc Arrow GT, 5-speed.
Arrow comes with a
hatchback standard with
enough room for over
16 bags of groceries.
Arrow prices range
from $3,175-$3,748.
So you can order a
straight Arrow ar a
fancy Arrow.
Arrow can use
Flow-through
leaded ar unleaded gas
ventilation System
helps keep the windows
from fogging
Talk about quiet, it's even guieter and smoother
thana six-cylinder engine
Just because Arrow is a little economy car,
doesn't mean it has a little economy warranty. Read
Arrow's warranty and you'll see what we mean: For
the first 12 months of use, any Chrysler Corporation
dealer will fix, without charge for parts or
labor, any part of our 1976 passenger cars
we supply (except tires) which proves
defective in normal use, regardless of
mileage. You're only responsible for nor-
mal maintenance like changing filters
and wiper blades. And a warranty this strong just
has to be called “The Clincher”
Congratulations. You've just finished “A Lesson In
Arrow-Dynamics:’ Now the test. Put down this book.
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Introducing Plymouth Arrow. gim
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24
SPORTS
or a few days every July,
Fine city of San Di
drops the cloak of conserva-
usm shielding it from the
rest of South: Cali
that enclave of eccentri
that brought you everyil
from plastic grass to mush-
room milk shakes, in order
to host the Over-the-Line
World Championship (Cap-
tain Pizzgums and His Per-
verted Pirates 6, Mufldivers
3). A couple of thousand
sun-struck competitors gath-
er to play a game invented
on San Diego's Mission
Beach 23 years ago; accord-
ng to the sponsoring Old
Mission Beach Athletic
(Chicken Pot Pies 20, Star
angled Boners 9) the Ye-
since they don't pla
ball in Mexico, they
have the proper equip-
ment; at first they used
table legs and coconuts for
bats t balls, which was
because after ev-
back into the jungle for
more balls.
problem by persuading a
wood carver to whittle a bat
of softwood for him (Damn
Rabbit Died 4, Eddic
à 4 rs 2) and
g a baseball with
Club, that puts the O. T. I.
tourney (Valley Yodelers 14,
Downtown Dildos 12) right
behind the Pan-American
Games, participationwise.
Less partisan observers
claim it’s more like the
West Coast's answer to East-
er weck at Fort Laude:
‘The idea, as quick
readers may have deduced,
“The top teams take the game seriously,
which mostly means they're sober when
they play. Serious fans can be readily
spotted, because (Gobble, Nibble and Chew
11, Scrotum Strokers 5) they're the ones 3
facing the playing field."
m reached the bor
der at Nogales with $43,
t $41 of that on a plane
ticket to San Di and
there he was, as he is every
year, watching his mother,
Scuz Parker, play for the
s Throats (Tee
Weenies forfei
Inch Hardballers). “lm just
your average fan," said
is for cach team to display
as much ingenuity as pos-
from ycars gone by have included.
and The Foreskins, The Public Wealth.
The Titles Trio,
y Napkins, The Beaver Ballers,
s Prefer Blondes, The Fonda Peter
an Club, The Tenacious Testicles, "Ehe
All Prophylacties and The Nutcracker
years tournament is scheduled
for July 10-11 and 17-18; if, as seems
likely nything like last year's, what
spectators are in lor is a good, clean dis
play of dirty imaginations (Three Ugly
Roots 13, Barnacle Balls Finds Hairpie
10). In the 1975 tourney, about 1200
games were played, making more scores
(Trouser Snakes 7, Master Batters 4) than
it’s possible to include here. But some of
the more important ones will be fla
throughout this report, which explains
dering about. Like this: Coming Up the
Stick’em and Cum 10.
s like softball, only simpler.
The game
Each team has three players. A softball
is gently lobbed to the batter by a team-
mate and he or she tries to hit it over a
line with boundaries on each side. It's
a hit if none of the three fielders from
the other team catches it. There are (Late
Comers 4, Boston Red Cocks 3) no base
after the third per in-
Each game lasts five
If that sounds about as thrilling
checkers, consider the pow
exerted by the Wool Division for women
(Six Tits and Thr ts 6, Three Easy
Pieces 2), with teams like Andy's Birds,
known around Andy's Saloon as the Bird
ful attraction
1973 a Coors-
dubious measure of
immortality by slurring, "Emerson
boobs, lady,
served the c
about every woman there, and his style
was so much in keeping with the O.
ethos that the athletic club made
official cheer. Gries of “Emerson!
son!” now echo throughout the throng.)
The top teams (Pull the Wool Under
Your Eyes 5, Oral Roberts’ Waist High
Revival 3) take the game seriously, which
mostly means theyre sober when they
play, and there are even some serious fans,
who can be readily spotted because
(Gobble, Nibble and Chew 11, Scrotum
Strokers 5) they're the ones facing the
playing field. One such serious fan is Sam
ker. In order to be at last year's tour-
mock in
o, where he was turning
(The story goes that i
craved fan achieved
n.
After four days, 50,000
spectators (all for free), thousands more
empty beer cans (collected for recycl
by local boy scouts wearing ear mulls
hundreds of jugs of wi
stuck in the sand,
the bay (Need à
e, dozens of ca
t least one driven into
Screw 10. Tunnel
Tonguers 6) and a few dogfights—the
tourney site on Fiesta Island was Mission
Beach's dog run and the dogs, being ter-
ritorial creatures, seemed her to
understand nor to apprecia
sion—the finals were pl the
Wool Division, thrce local junior high
school phys-ed teachers who, after school,
called themselves the Uncocks (Glad-He-
AteHers 7, Buster Hymen and His Two
Bloody Buddies 3), their peeling noses
testimony to their hours of practice,
topped the Sandwenches, 2-1. And
the Open I n, George Brown's Hot
Rocks beat the Top Shelf Ramblers, who
were the heavies because no one could
figure out what their name meant. The
Hot Rocks won the final, 14-4, despite a
carlier, humiliating loss to the Ramblers,
As the sun and dust settled over Fiesta
Island and the dogs moved back in, Scuz
Parker was heard to wonder aloud,
“Wouldn't it be nice if next year Old
Faceful would let me be their bat girl?”
Lenny Bruce would have loved it.
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28
r the theatrical world, satire is
what closes on Saturday night.
For the perei adolescents at
the National Lampoon, however,
this bic of conventional wisdom
is just so much grist for their year-
round, multimedi. rody mill.
The most recent object of their
collective raspberry is that old
war horse rock "n' roll, and on
Good-bye Pop 1952-1976 (Epic), the
‘Poon gang gives musical fads of
the past two and a half decades
the R.LP. treatment through its
by now familiar burlesques of
Bob Dylan, Neil Young. soul,
country, reggae and English art
rock The trouble is that, with
the exception of the Neil Young
Good-bye Pop: wooden eulogy.
send-up, the tunes themselves are
either wooden and uninspired or,
as in Kung Fu Christmas and The
B Side of Love, smarmy and con.
descending. The best bits by far
are the brief appearances of the
unflappably hip FM decjay Mel
Brewer and his polar opposite, the
“Most recent object of National
Lampoon's collective raspberry is that
old war horse rock 'n' roll."
fact that her Berlitz Germa
none too perfect and you n
asleep before the last cut on side
two. Which would be your loss,
because I Loved You, written by
Ogerman and based on a poem
of Pushkin's, is the best thing on
the record. Claus plays piano ac
companiment beautifully, chord-
and filling in a modal style.
is the only song Barbra sings
in English, and suddenly every
word is clear. They've miked her
much more closely for this cut,
apparently not needing to mask
her foreign-language difficultic:
This sort of production cheating
is not “straightforward,” we sub-
mit—Bernstein to the contrary
As to the album's enormous ap-
peal, we prefer hor pasua
.
To the handful of Jama
reggae groups that are finding
popularity here, we may now
hopefully add Burning Spear.
Its first American release, Marcus
maniacally inane promo man,
Ron Fields, characters from the
carlier Radio Hour. In fact, aside
from the engaging lunacy of
the promo man’s hype for wailing
songs, the best thing about the
LP is the explanatory notes on
the back. And those you can read
in the record store.
°
Brass Fever (ABC Impulse) is a
knockout of a record, filled
with driving ensemble work and
breathtaking solos. George Bo-
hanon, Charlie Loper, Kai Wind-
ing and Frank Rosolino make up
the trombone choir on side one;
Bohanon, Loper and Garnett
Brown handle the chores on side
two, while trumpeter Oscar Brash-
car plays both sides. Jerome Rich.
ide
f ad flutist
Buddy Colleue are heard on side two.
But whatever the configuration, Brass
Fever moves along at fever pitch, whether
s Donovan's Sunshine Superman or
Bach Bone, which turns Johann Sebast
ide out. There are no "stars" on this
fourstar production, but the cast is
ardson is gs rced man on
Barbra Streisand singing
r and French art songs. IIS
g hot pastrami with Béarnaise
? Wrong; according to Lenny
Classical Barbra (Columbia) is a
“sensitive, straightforward and enormou
ly appealing performance.” The truth is
that, as her career in the movies shows,
the lady seems alllicted with a need to
Burning Spear: solid reggae.
shift fields and demonstrate for the
world how protean her talent is. So now
it's classical art songs, tomorrow it may
he Gospel music. The album in question
is produced by Claus Ogerman, whom
you may remember for his fine late-Sixtics
pop scoring; his string voicings are un-
mistakable and, on Brezairola and
auré's Pavone, fit perfectly with Streis-
and’s dreamy, low-keyed approach, But,
in fact, the album is just plain monot-
onous, though there is a variety of m
terial: a selection from Orffs Carmina
Burana, lieder by Wolf and Schumann,
two Fauré songs and Handel's great a
Lascia Ch'io Pianga, along with Dank se
Dir, Herr. Only the last seems to chal-
lenge Streisind to emerge from her
dreamy romantic funk. Add to this the
Corvey (Island), is fine, solid al-
bum throughout, revealing Spear
as more I. back than cither the
Wailers or the Maytals and heav-
ier into the African clement of
reggae than both. Most of the ten
songs were written, and all were
arranged, by Burning Spear
leader Winston Rodney, and they
are intensely rhythmic, chantlike
nd hypnotic. Individual songs do.
not stand out as, say, 7 Shot the
Sheriff or Pressure Drop did;
rather, the music forms a con-
tinuam that pleases and soothes
the stoned consciousness without
demanding full attention. This
is great music for nonhysterical
parties, making love and, perhaps,
extremely hip elevator
.
Before the debut album of The
Salsoul Orchestra (Salsoul) was available, v.
dio stations were already playing just
about all of the cuts from Tangerine
(brought back virtually intact, which
proves th: n old fruit is good eon
you can always squeeze out a little more
juice) to the disco-sexy Chicago Bus Stop.
And, as we went to press, a local station
was giving free copies of the record to any
new listeners who called in. The music—
produced and mostly arranged by Vince
Montana, Jr. who plays vibes with
MESB—is supposed to bc a combination
of Philadelphia disco soul and a little.
Latin lupe lu. As it turns out, it’s mostly
Philadelphia, and it’s also very good,
especially Salsonl Hustle, Tale of Three
Cities and Love Letters, a ballad on
which Montana does some very nice
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PLAYBOY
30
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things with his mallets. Of course, when
you think about the money that's be-
hind him, how could he not cut a good
record? Or, with that promotional cam-
paign out front, how could it fail to sell?
.
Far too many people have the idea
that listening to Chicago blues, especial-
ly as played by white musicians, is some.
thing that one did at an early age and
then grew out of, like reading Catcher
in the Rye and spending one's sopho-
more year feeling like Holden Caulfield.
This silly attitude is unfair not only to
the great black bluesmen but also to the
white performers who've stuck with the
music since its fall from popular grace.
Chief among the latter is Paul Butter
field, whose two excellent albums for
Bearsville surpassed anything he did in
his Born in Chicago days. Now, after a
two-ycar hiatus, Butter is back with Put Ir
in Your ker (Bearsville), which features his
brilliant harp playing and strong vo-
cals big band blues sctting that's as
audacious, and successful, as anything
he’s done. Veteran producer Henry
Glover (Dinah Washington, Ray Charles,
Hank Ballard), working with a 25-piece
band, has fleshed out Butterſield's ex-
panded musical ideas without oyerwhelm-
ing his unique musical personality, and
it's a credit to both of them that big-
band Butter sounds better than ever.
.
Jimmy Buffett could be called the
Rona Barrett of the folk-club circuit:
The songs on Havera Daydreamin’ (ABC)
chronicle the social lives of the enig-
matic floaters who inhabit roadhouses
and night clubs, the beautiful ladies
barely visible through the smoke, inevi-
tably too fucked up to mess with (but
the closer you get to closing time, the
less that seems to matter). Buffett's been
touring with a band this and the
album shows it: The music is stronger,
with a toe-tapping, asskicking romp,
which is perfectly suited to the lyric con-
tent. Buflett has never been classed with
Nashville's country-and-western outlaws,
but there is more outrageousness and ir-
reverence on this album than you'll find
on all of Waylon Jennings, et al.
.
Stanley Clarke may have a large fol-
lowing that considers him the top bassist
today, but we have to say that every time
we hear Ron Carter, wc can't belicve that
there's anyone who can touch him. Any-
thing Goes (Kudu) finds the eminent bass-
ist in charge of a group that includes
flutist Hubert Laws, guitarist Eric Gale,
reed man Phil Woods and the Brecker
brothers, all of whom contribute yeoman
service; but if you listen dose (and some
times it doesn't have to be that close),
you'll hear the dark spirit of Carter's
bass suffusing the five tracks. Not over-
powering them, mind you—just supply-
ing the perfect rhythmic force ficld
to make the session something special.
Once you taste white rum
and Schweppes, other tonic drinks just
wont stand a chance.
One taste and you become
totally involved with this delight-
fully refreshingdrink. In a matter
ofminutes you become a staunch
proponent.
Isthat really possible after so
many years of gin and tonics or
| vodka and tonics?
It's possible—
if the whiterum
comes from
Puerto Rico and
the tonic is
1 Schweppes.
Only in Puerto Rico are white
rums aged for smoothness under
the law.
And only Schweppes tonic
water is made from imported
essence to give it that curiously
refreshing taste.
"Together these two tastes
seem to fuse into a whole new
kind of summer drink. Something
indescribably soft and clean-tasting.
Next to white rum and
Schweppes, other tonic "fü
won'tstand a chance.
PUERTO RICAN RUMS
| ©1976, Commonwealth of PuenoRicc
director Michael Ritchie did in
mile to tecnaged beauty contests he
n The Bad News Bears to do to Little
League baseball (referred to only as "sand-
lot ball” on film, because timorous Little
League officials wanted no part of dugout
profanity by both kids and coaches). The
Bears, whose jersey pullovers identify
CHICO'S DAIL noNDS as the team's sponsor,
e ruthlessly exploited, in much the same
way the girls of Smile were, by status-
conscious adult achievers with their own
es to grind. Ritchie's satirical jabs are,
however, Iar lighter in Bears, based on a
first script by 26-year-old Bill Lancaster
(Burt's son), who writes amiably as well
as knowledgeably about fair play, pop
flies and the fierce will to win. Swarms
of precocious youngsters, led by Tatum
O'Neal as a 12-year-old ace pitcher,
would certainly steal every scene from an
ordinary actor. Working under the gim-
let eye of Waker Matthau, they are lucky
to steal a few bases; without him, in fact,
their sassy suburban cuteness might cloy
pretty fast. Matthau, easily the most lov-
able movie grouch since Wallace Beery,
plays a drunken minor-league has-been
who earns his livelihood as a cleaner of
Califo g pools and accepts a
spare-time job 82 155 to transform a team
of fumbling sprouts into champions. He
stans by teaching a couple of them to
make a good dry martini. The movie's
concentrated action seldom moves off the
playing field, and its minimacho gags
shatter every taboo a PG rating allows—
which simply means that juvenile beer
guzzling and jockstap jokes are ruled.
OK. While no way related to the Di
definition of a wholesome family
Bad News Bears is ultimately a senti-
mental ode to the spirit of good sports-
manship, or maybe a blow for kids lib.
But how many message movies have
Matthau on deck to guarantee a grand-
slammer?
.
Perhaps big romantic movies by, for
and about adults are not dead yet.
Though it olten seemed—back in the
rash when youth culis were in
flower—that nothing of real imporiance
could possibly happeu to people over 30,
director Richard Lester's Robin and Marian
challenges the vogue for kid stuff with
literate and wordly wise updating of the
Robin Hood legend by author James
(A Lion in Winter) Goldman. Sean
Connery and Audrey Hepburn (she grace-
fully aged and gorgeous after an eight-
year absence from movies) poke sly fun
in the title roles while adding superstar
authority to a larger-than-life grown-up
love story. Unlike Errol Flynn's wart
nd Olivia de Havilland's chaste
Maid Marian of yesteryear, these 13th
32 Century social revolutionaries—both on
MOVIES
Bears hits a four-bagger.
"These 13th Century
social revolutionaries—
both on the far side of
40—behave as if they
actually sleep togethei
Robin and Marian:
adult romance.
the far side of 40—bchave as if they actu-
ally sleep together. As Goldman and
Lester tell it, 20 long ycars have passed
ince Robin gave up robbing the rich to
help the poor; for a change, he went off to
the Holy Land to fight Richard the Lion-
hearted's religious wars but found the
Crusades "a disappointment Home
again with his trusty Little John (Nicol
Williamson), Robin meets bailadeers sing-
ing songs about him, mostly untrue, and
sees that the uncqual justice of yore is as
unequal as ever. The graying, displaced
folk hero also learns that his fair Mar
first tried si then became an abbess,
when the Sherwood Forest gang broke
up. hat in hell do you want? You
mever wrote," she says,
cally through her cow don't know
how," he answers [cebly. Lester's droll
but poignant fable for our time looks like
the millions it must have cost, even if the
stunning locations in Spain bear
resemblance to olde Englande. Yet there
is much more to all this jesting and
jousting than meets the eye. Punctuating
the three principals’ every line with a
new wrinkle, Robert SI Richard
is, Jan Holm and Denholm Elliott
brandish their broadswords and match
wits to make a point—proving age can-
not wither a sophisticated adventure film
that absolutely revels in maturity.
.
All the President's Men on film is w
peachable as an accurate, engrossing and
gritty inside view of invest e journal-
The book by Washington Post
reporters Carl Bernstein and Bob Wood-
ward gave the fascinating facts about
the movie shows the real
sweat and hustle that went into geuing
them. But that’s about it, Maybe we
already know too much about Water-
gate; we learn little here. A more ven
turesome movie might have explored
fully—instead of coyly hinting at—the
provocative notion that Bernstein and
Woodward, in hot pursuit of their story,
were as prone to deceit and coercion as
your average White House henchman. To
their credit, the authors took a harder
look at themselves than the film makers
do. Dustin Hoffman and Robert Redford
(as Bernstein-Woodward) are both mag-
netic, conscientious actors whose mere
presence hypes President's Men as lively
entertainment. though their star power
finally overwhelms the film itself. Gener-
ally, director Alan J
newshounds—a pair of mismatched
flies with chutzpah to spare—cither doing
their tough door-to-door legwork or joi
ing citysoom huddles (with Jason Ro-
bards as Post editor Ben Bradlee, Mari
Balsam and Jack Warden as sccondaank
Postmen). Washington, D.C., shot by cin-
ematographer Gordon Willis, looks like
an ideal setting for murky intrigue, and
Pakula keeps his Watergate calendar
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TE i LATE AGTA HERS
THE PRINCE OF WALES (1921-183)
"aea on cann
mat PRODUCT orscortawo MPO
mne access ‘conronarion KEW TORE
34
straight by plugging it into TV coverage
of Nixon's 1972 campaign. But scre
writer William Goldman's literal adap
tion stops short pages away from where
the book ended—even prior to the
Haldeman-Ehrlichman re
touching only the first act of an incredible
al drama, John Dean is barely men-
while “frequent references to
Liddy, Colson, Chapin, Mitchell, Klein-
dienst and Kalmbach flow into a scramble
of Watergate name-dropping that a casual
observer—or a desert-is
ions—thus
nd outcast who
missed the show live—might find puzzling
without benefit of some heavy advance
homework. Among the conspirators and
informants portrayed, Jane Alexander
steals her scene as the possessive, skittish
bookkeeper at C.R.E.E.P., while Hal Hol-
brook plays Deep Throat (Woodward's
mysterious, um
as if he we
Dracula. Ultimately, there's a cautiousness
in the movie version of President's Men
that keeps it from being the blockbuster
everyone anticipated. For real excitement,
go back and read the book. (Or its sequel,
The Final Days; see “Books,” page 40.)
Mother is dying of cancer, father is
full of drunken despair and their favor-
ite son comes home to Watts from a
hitch in the Air Force. Whether to join
the black revolution or to help himself
and his people by going to law school
seems to be Jeff's choice in The River Niger,
River Niger:
muddy waters.
based on an award-winning play staged
by New Yorks Negro Ensemble Com.
pany. Black playwrights need room to
develop, granted, but a movie screen may
not be the ideal place to display their
growing pains. Cicely Tyson, James Earl
Jones and Glynn Turn carry the
three central roles with skill and dignity
struggling through dialog so
steeped in social truth that one character
can't ask another to pass the sugar with-
out coming upon a clue to author Joseph
A. Walker's larger purpose. As a house
painter-poet in the L.A. slums, Jones
declares th: jack can eat, sleep, piss,
shit, screw, . for God's sake, stop
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PLAYBOY
thinkin’ ts the white man’s sick-
ness." Yet the words we hear are mostly
rhetoric disguised as folk poetry, in
the manner. of Clifford Odets and other
prophets of the people back in the
Thirties. A director named Krishna Shah
mounted this adaptation in a style so
theatrical that River Niger's plots and
subplots often collide oncamera. One
hall expects to catch a glimpse of stage-
hands hovering in the wings. pointedly
munching soul food.
.
heno life is examined from a
pier angle in Sparkle, which describes
how one sweet young songbird escapes it
via rhythm-and-blues—after tuning up
n Harlem as part of a trio deeply in-
debted 10 The Supremes of early Mo-
town. Though Curtis Mayficld’s score
thumps along sounding like top-ofthe
chart hits from the Fifties, as it should,
Sparkle generally resembles a B-movie
version of Mahogany, with newcomer
Irene Cara warmly singing her heart
ow—maybe to help you forget that she’s
decidedly not Diana Ross. Sparkle falls
in love, and sullers, and gives it all up.
nd ultimately returns to make the
time in a happy ending as soppy as
Mahogamys was. Such pap often puts
movie exhibitors into the black in more
ways than one, so there ought to be
casy pickings in this musical hope opera
concocted for the featurefilm. debut of
TV director and movie editor Sam
O'Steen (whose editing credits include
Carnal Knowledge and Chinatown). The
debut to note, however, is that of sultry
actressinger Loneue McKee as Sister,
the trio's loxiest lady, who succumbs to.
evil dudes and drugs—with spectacular
side effects—midway through the picture.
If she wanted to, Lonette might manage,
nultaneously, passable impersonations
of Diana Ross, Ava Gardner and Cyd
isse. Just try to pull your eye
.
a tipolthehat tribute for
five minutes dipped from any
. Fields film classic would accom-
plih more than the total footage of
W. C. Fields end Me. Loyal fans of that
iraxible comic genius already know
everything worth knowing about his off-
screen. behavior as an alcoholic rousta
bout and the avowed enemy of women,
ildren and dogs. And it’s doubtful that
new generation of Fields buffs will be
pos-
vocal acrobatics behind a Silly Putty nose,
though, at times, he looks disconcertingly
Dloated caricature of Van Johnson.
downbeat bio, directed by Arthur
ad based on the book by Fields's
Monti (who
as consultant on the film), features
Perrine, seriously miscast, play-
rlotta as if she were a Red Cross
Barrymore sponte ert tory as the
drunken flasher who exposed himself to
poor Cai in the Kitchen one night.
With W. C. Fields adding lesser injuries
to the flaming insult of Gable and Lom-
bard, Hollywood seems self-destructively.
determined to demolish its own myths.
.
As a comic Western in the anything-
goes tradition of Cat Ballou trom the
man who made A Touch of Class, pto-
ducer-director Melvin Frank's The Duchess
end the Dirtwater Fox looks like a movi
aspired by some fast arithmetic beside
a swimming pool in Beverly Hills. Sign
up Goldie Hawn, because she is practi-
ally irresistible, to sing and dance and
a musichall
cum her
The Duchess: impure Goldie.
with $40,000 he stole from a
vengeful bank robbers. C;
from beginning to end of
chase story, they ought to gross
at the box office. Frank’s hunch about
Goldie and George may have been
good one. She's a doll as the phony
duchess, aspiring to marry a. polygamous
Mormon so she can get a bit of bed rest
("one day on and six days off"), or when
she's simply drumming up business with
a bawdy dancehall ditty titled Please
Don't Touch Me Plums; and George is
1 freewheeling good form as her foil,
who'd like to get laid but would rather
get rich. Both are thoroughly flip con-
temporary types who appcar to be travel-
ing on horseback or by stagecoach mainly
because their Maserati is in for a lube
job. Unfortunately, the seript is written
the same way, with at least one wheel
spinning in a ruc plainly marked Holly-
wood 1976.
.
The fuzzy line between all-permissive
porno and so-called straight movies gets
fuzzier every day. Witness The Sailor Who
Fell from Grace with the Sea, co-starring
ad's vixenish Sarah Miles and Kris
offerson, who register as a white-hot
mtic team even when they keep
The Sailor has sex and
nudity to spare (check PLAYBOY next
month, for a July feature with firecracker
photos) but displays flesh primarily to
further the plot, not to detour it. The
result ture, sophisticated eroti
combining healthy heterosexual lust with
undertones of psychological terror. Mak
his film debut as a director, screen
writeradapter Lewis John Carlino chose
re novel by Japan's late. great
Yukio Mishima (who committed hara-
Kiri some five years ago), moved the
action from a Japanese port to a harbor
town in Devon and showed the good
ense not to go berserk the first time he
was let loose with a movie camera. In
fact, a kind of Oriental simplicity shapes
The Sailors visual style (lor which cine-
matographer Douglas Slocombe can
daim substantial credit) and leaves the
essence of the Mishima tale intact. Its
a fiendishly cruel, hypnotic story about
frustrated young widow with a grow
g son who spies on her most private
moments through a peephole between
bedrooms—which makes hi
their clothes on.
American fre
or repairs.
hter that puts into port
"he precocious little voyeur
reports what he sees to the chief of a
schoolboy gang that's into cigar smoking,
dissecting household pets and generally
defying parental authority. They begin
to brood about the widow's lusty, roving
sailorman as a good example of adult
“betrayal” and convict him in absentia.
To tell more would spoil the suspense,
stidiously spun out on film like the
nds of a spiders web, with a lethal
ibeat ending that really stings. But
there's no secret about The Sailor's sex-
wal intensity, with Kristofferson provid-
a solid ballast of potent,
Virtue for the formidable Miles.
outdoes herself here, playing a vulner
able woman in a state of perpetual
arousal, half sick with desire, so hungry
for love that she seems ready to come if
the right man just touches her finger
The
n does a lot better than
ah is sexiest of all while
ing in the car to pick him up, her
lips sweaty with anticipation; or while
i in her composure, later,
when he slips his hand under her skirt
proper English tearoom. If it had
ing else—and it has the depth and
intelligence that separate routine shock
from the semiclassics—The Sailor
Who Fell from Grace with the Sea could
nk on Miles as a pacesetter for next
s Oscar derby.
.
cd by a master m
s one of theelemental pleasures
of movicgoi and Alfred Hitchcock's
Family Plor satisfies that basic need i
witty, craftily contrived and zesiully
played suspense comedy about two
Francisco couples whose shady deals
51974 R. J, Reynolds Tobacco Co.
it wasnit for Winston)
I wouldn't smoke.
4
n d
Taste isn't everything. Its the only thing.
‘S [smoke for pleasure. That's spelled T-Á-S-I-E.
That means Winston. Winston won't give you.a new image.
All Winston will ever give me is taste.
Attastelthat’s very real. If à cigarette isn't ue
it isn it anything, koe isforr
Warning: The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous 10 Your Health.
id
PLAYBOY
38
on a collision course. Barbara Harris and
Bruce Dern—she as a phony spiritualist,
he as a sometime actor-taxi driver who
takes an occasional role in her psychic
cons—have been offered ten grand to
help an old millionaires (Cathleen Nes-
bitt) find a longlost heir to her family
fortune. Karen Black and William De-
vane are a couple of stylish kidnapers
who snatch a wealthy businessman,
then a high church bishop, asking price-
less gems as ransom. Neither couple
knows about the other until . . . well,
better leave the storytelling to Hitch-
cod. Working from a script by Ernest
Lehman, Family Plot has more twists and
turns than a can of worms, and Hitch-
cock opens it up with wicked relish, al-
most as if he were setting out to spoof
the kind of hair-raising thriller for which
he is without equal anywhere. Catapult-
ng Dern and Harris hell-bent for leather
down a steep mountain road in a car with
botaged brakes, he can make their
hysteria hilarious and still freeze your
blood—though you know damned well
he's not likely to kill off the stars of the
picture so carly in the game. It’s all a
game, of course, but how good it feels to
sit back, beguiled and a little breathless,
secure in the knowledge that a top witch
doctor has everything under control.
.
our June 1975 Playmate,
ng as Ben Gaz-
Azizi Joha
comes on sullen but stro
zara's favorite stripper in The Killing of a
Chinese Bookie. Gazzara himself gives an
honest, gutsy performance that makes
his abrasive strect-tough quality count
for something, playing the operator of a
dingy L.A. fleshpot called Crazy Horse
West; he impulsively runs up a huge gam-
bling debt, pays off the Syndicate guys
by gunning down a Chinese ganglord
they dont think he can touch, then
discovers they've got a contract out on
him to make sure the murder remains
unsolved. That’s the plot, which has been
used and reused in countless gangland
melodramas since James Cagney traded
his tap shoes for a tommy gun. What
sets Chinese Bookie apart is the utterly
naturalistic free-form style of filming on
which writer-director John Cassavetes
took out a patent with Faces, still his
best movie. Characteristically, Cassa-
vetes’ latest effort all but oozes atmos-
phere, letting the harsh light of day into
the night world of a feisty survivor and
skin peddler named Cosmo Vitelli
(Gazzara). The L.A. lush life, as shown
here, is about as appetizing as a stale
highball. While Cassavetes feels com-
fortable with such material, he has set
a tap for himself, too, by blindly con-
forming to his own tried-and-true bad
habits. The rambling, repetitive dialog
and hand-held camerawork, everything
seemingly improvised on the spot,
passed for brave originality a few short
years ago. But you've been there, John.
XRATED
A occhio character
does nose jobs, after
a fashion, in Let My Puppets
Come, which also features
a merrymaking mario-
nette in a clinch with a
gray-velvet spaniel, “I
couldn't . .. you're a dog,
she demurs, as he nibbles
her ear. To which the
pooch replies: "But I've
had all my shots . . . and
I'm a full-blooded cocker.
Though its questionable
whether puppets, coming
or going, can launch a
significant new trend in
hard-core, n
Gerard Damiano (of Deep
Throat and The Devil in
Miss Jones) has fairly solid
credentials as a trend-
setter. Damiano's latest
breakthrough is a kind of
Raunch-and-Judy show
employing live actors,
puppets and—to quote
him indirectly—Iots of
Porno Puppets.
chiffon, foam rubber and
Elmer's Gluc. None of it
quite sticks together, yet
Tet
My Puppeis Come
nly takes off in a dif-
direction, from
porno per se into pornographic self-
parody. Some woolgathering idea men
from a dummy firm known as Creative
Concepts hatch the plot when they agree
that making a fuck film is the easiest
to make big money, fast. After try
bestiality, operetta, a hospital fantasy
with a head nurse, an undersea epic with
a blowfish, etc., they shift their nel
schemes into the pal arena, where
rges of obscenity are much tougher
to prove. That's the socially redeeming
satire in an original, inollensive comedy
obviously aspiring to be a put-on rather
than a turn-on. Couldn't hurt.
.
As straight films
frecr—trading tat for tit, so to Speak
sex films tend to get st , sacrific
some hard-core action for story v.
and greater professionalism. At least
that's how it works in the career of
writer-director Armand Weston, a ser
ous-minded New York pornographer who
prefers the term erotic film to the blunt,
pejorative porno. Weston made Person-
als, followed by Defiance, and shows a
city for growth in his two newest
flicks, Hottest of the pair is Expose Me
Lovely, a slick private-eye melodrama with
a tidy plot, which introduces Ras Ki
sa Raymond Chandler-style stud search-
ing for the missing son of a Western
ential hopeful. Kean is a clean-cut
become sexually
"Damiano's latest
breakthrough is a kind of
Raunch-and-Judy show."
Redford-Newman type
with no discernible sexual
inhibitions who balls his
cool blonde client (played
by ravishing newcomer
Cary Lacy), as well as scv-
eral shadicr ladies (among
them Jennifer Welles of
Honeypie and Jody Max-
well, formerly billed as
"The Singing Stick-licker).
Perhaps the horny detec-
tivehero adapts easily be-
cause we know damn well
this is what Philip Mar-
lowe has been doing, b.
tween the lines.
Weston's The Taking of
Christina, based on an actual
case history of a young
California woman who
was kidnaped and raped
by two thugs in 1974 (then
risked a murder charge
when she pretended 10
join her captors, led them
back to her home and cut
them down with a shot-
gun), is an orgy of graphic
violence relocated in Up-
state New York. Al Le
sky and Eric Edwards,
two porno regulars who
have seldom had a chance
to act, play the heavies almost too per-
suasively; Bree Anthony is much less
convincing as their terrified victim. Chris-
tina is too chillingly real to be erotic, too
wobbly to stand alone without explicit
sex for a prop.
.
Sex films cannot ordinarily be judged
by the same aesthetic standards of content,
nd perception that apply to
movies. One of the rare excep-
tions is director Walerian Borowczyk's
Immoral Toles, which earned raves from
European critics while Emmanuelle was
merely raking in the chips. As a 1
the four episodes that n
(described in Sex in Cinema—French
Style in PLaynoy’s June 1975 issue) are
not explicit or even remotely raunchy. As
n outrageous survey of the sexual mys-
tique through the past five centuries, how-
ever, Borowczyk's work is rich, literate,
elegant and subtle. His actors are also
measurably better than the usual X-rated
exhibitionists, with statuesque Paloma
Picasso (Pablo's daughter, of all people)
appearing in one voluptuously undressed
episode as a 17th Century lesbian count-
es. Immoral Tales escapes the onus of
being casually dismissed as sexploitation,
not only because it’s an eyeful but also
because it’s actually about something—
the mystery and poetry and hypocrisy of
making love.
©1976 8nttish Leyland Morbi inc
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40
nless you're one of those
Ue whose ears close and.
whose eyes turn opaque at the
words Nixon and Watergate,
you can't have missed the me-
dia blitz surrounding the new
book by Bob Woodward and
Carl Bernstein, The Final Days
(Simon & Schuster). The book
doesn't have the page-turning
compulsion of All the Pres
dents Men (excerpted in
rtaysoy, May and June, 1974),
perhaps because its protag-
not a pair of young
Final Days: Nixon on the carpet.
“Tell our meatball President
TIL be there.” There are yet
more exposures: Nixon "edit-
ing" the transcripts he released
by simply tossing pages of
incriminating dialog aside;
Rosemary Woods apparently
erasing the first few minutes
of the famous l&and-a-half-
minute gap, Nixon erasing the
rest; his lawyer Fred Buzhardt,
listening to the "smoking gun"
tape a full three months earlier
than previously disclosed, put-
ting down the headset and say-
g a suspicious | -
resemblance to Robert Red-
ford and Dustin Hoffman. Nor
docs it have a mysterious Deep
Throat. But what it docs have
is some of the hardest-cdged
gossip ever to come out of
Washington. Clearly, David
senhower spilled his heart
“An hour later, Kissinger gets a call
from Nixon, now drun
don't ever tell anyone that I cried.’ ”
: ‘Henry, please
ing to himself, "School's out.
Given the intense media
coverage of the book's revela-
tions, the possibility exists that
once the sensational material
has been serialized, analyzed
and endlessly discussed, there
won't be much to read in the
hardback version. But a better
out to the reporters and they
apparently got to Henry Kissinger and
Alexander Haig—or to their closest confi-
is—but the overwhelming impression
is that Woodward and Bernstein must have
spent most of 1974 crouching in a White
House fireplace, taking notes furiously.
The main theme of the book is that
the United States had, in the final
months of the Nixon Admi
President who was dangerously unhinged,
overtly suicidal and, often as not, drunk
out of his head. There are scenes of
Nixon aboard his yacht, moaning: “Oh,
goddamn, goddamn, goddamn!” Nixon,
ccording to son-in-law Eddie Cox, stay-
ing up at night, “walking in the halls,
talking to pictures of former Presidents
on the walls.” His staff covering up for
the fact that Nixon rarely made it into
his office before noon. Nixon talking
despairingly to Alexander H: gif
it isn’t truc that the military has ways ou
of difficulties: pistols, for example. And
in one of the most wrenching
decision to resign h
ing in the Lincoln Sitting Room, Nixon
asks Kissinger to get down on his knees
and pray with him. Kissinger docs so,
only to see a weeping Nixon suddenly
bend over, pound his fist on the carpet
and cry out, "How did it come to this?
What has happened?” Kissinger cradles
the President in his arms like a baby,
then steals away, shaken, to his owi
office. An hour later, Kissinger gets a call
from Nixon, now drunk: “Henry, please
don't ever tell anyone that I cried and
that E was not strong.
The book traces Nixon's irrationality
back to his first term in office. Once, when
Kissinger was giving him his estimate of
Scoundrel Time: McCarthy had company.
U.S. casualti in n, the Pr
dents response was, “Oh, screw ‘em.” On
another occasion, Nixon called Kissinger
to inform him, drunkenly, of Bebe Re-
bozo's policy on the Vietnam war. From
that time on, Haig referred to the Presi
dent as “our drunken friend.” But for all
that is revealed about n, Woodward
nd Bernstein are in some ways compas-
sionate toward the man (with the excep-
tion of a cheap shot in which they make
the seemingly unprovable assertion that
Nixon wanted to divorce her husband.
1962 and thereafter "rejected his ad-
vances”). The reporters save their hardest
shots for the men who surrounded Nixon,
including Haig and Ehrlichman, who are
scen speculating on the nature of Nixon
and Rebozo's relationship—and most
especially including Kissinger. The Sec
stonish-
al man
retary of State is exposed as an
gly mendacious and hypocr
detesting Nixon from the outset, diagnos-
ing him as early as 1969 as “insecure and
maniacal,” tell friends that if he let
Nixon have his way, he'd start a nuclear
war every week, snapping to an assistant,
bet is that The Final Days w
be around for some time to come. It
n its entirety, one of the most lucid and
intimate accounts of the disintegration
of executive power we've ever read. If
it hadn't been written by reporters of
their reputation, it would still be a ter-
rific work of fiction.
.
It's unfortunate, as Garry Wills points
out in his excellent introduction to Lil
lian Hellman’s Scoundrel Time (Little,
Brown), that the peculiar Am i
ness of the late Forties and early Fifties
should have come to be known as Mc-
Carthyism. The Red-baiting Senator had
a lot of predecessors, not the least of
whom was the Red-baiting Congressman
Richard M. Nixon. He and others did
their dirty work via the House Committee
on Un-American Activities, and it was be-
fore the HUAC that playwright Hellman
was in 1952 summoned to testify. Scoun-
drel Time is Hellman's account of how
she dealt with that challenge; it’s a slim,
personal and oddly moving volume.
Hellman feels le hatred for the
established villains of the era—Nixon,
Joe McCarthy and his buddies Roy
Cohn and G. David Schine. “It was not
the first time in history,” she observes,
“that the confusions of honest people
were picked up in space by cheap bad-
dies who, hearing a few bars of popu-
notes, made them into an opera of
public disorder, staged and sung, as much
of the Congressional testimony shows, in
the wards of an insane asylum.” The rcal
scoundrels of Scoundrel Time emerge
the presumably liberal intellectuals: Clif-
ford Odets, Elia Kazan and others, who
spilled their guts as friendly witnesses for
YOU, HOWEVER, PROBABLY SAY BLOODY MARY.
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JOSE CUERVO Œ) TEQUILA. 80 PROOF. IMPORTED AND BOTTLED BY ©1975, HEUBLEIN, INC. ,HARTFORD,CONN.
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the HUAC. Hellman had believed in
their integrity, their devotion to freedom
of thought. "Simply, then and now,” she
writes, “I feel betrayed by the nonsense
I had believed. I had no right to think
that American intellectuals were people
who would fight for anything if doing
so would injure them: they have very
little history that would lead to that con-
clusion." When Hellman got her sub-
she strove for what seemed to her
the moral position. She offered to tell the
i ig it wanted 10 know
Hellman—but drew the
ling on friends. “I cannot
and will not cut my conscience to fit this
fashions,” she wrote to the commit.
ised in an old-fashioned
ion and there were cer-
tain homely things that were taught to
me: to try to tell the truth, not to bear
false witness, not to harm my neighbor,
to be loyal to my country." The com-
mittee refused her terms and, to avoid
incriminating others, she was forced to
plead the Fifth Amendment.
Hellman paid dearly for her stand. She
didu't go to jail, as her longtime lover
Dashiell Hammett had; she was, however,
blacklisted, and her income dropped
from $140,000 a year to $10,000. Most of
that was seized by the IRS. But she su
vived everything. even such small weird.
nesses as a farewell supper with the Henry
Wallaces the night before she left the
farm she and Hammett had loved ex-
tavagantly and been forced to sell. After
the Wallaces served her a supper con-
sisting of one poached egg atop à
shredded-wheat they presented
her with a goingaway present: a 50-
pound bag of manure. Would that it
were the only pile of shit this rem:
able woman has had to surmount.
.
Big Mac: The Unauthorized Story of McDonald's
(Dutton), by Max Boas and Steve Chain,
does its best to be a muckraking ex-
posé, and there is muck under the Big
Burger worthy of raking, but the book is
better read as nonfiction comedy—partly
slapstick, partly black. It is the true and
ying success story of Ray Kroc, select-
ed by fate to invent the Big Mac as surely
as Ocdipus was doomed to many his
mom. A phrenologist predicted a carcer
in food or music when Ray was four,
And, like Walt Disney—with whom he
served during World War One—Kroc
was as ambitiously American as Horatio
Alger, a hustler with a nose for anything
new. He tied radio (and had a hand in
the creation of Amos n Andy—are you
beginning to feel the inevitability here?),
caught the last fizzles of the Flor
land boom, sold a hot ncw item, paper
cups .. . but he never quite put it to-
gether. In 1954, at the age of 52,
selling multiprong malt mixers,
per unit. One day he got an
biscu
order for eight of them from a burger
stand in California. Instead of just process-
ing it—here comes the blast of genius,
folks—he wondered, “Why do those guys
need to make 48 shakes at once?" and
now he's worth $450,000,000. As Big Mac
shows, this all-American empire, with
cliavity buses and flags waving round the
clock, has grown in ugly ways, particularly
regarding such dread minorities as teen-
agers and blacks. But can you really hate
a corporation that has put a McDonald's
on the site of the Hiroshima bombing?
That for a time required its young em-
ployees to submit to lie detector tests?
That offers lectures at Hamburger U on
nemies of Short-
ening? And we've all been told often
enough that you might as well eat the
cardboard instead of a Big Mac—anyone
to McDonald's expecting a blast
ion shouldn't be walking around
loosc. McDonald's is like television: Every-
one indulges and everyone over 14 is a
little embarrassed about it. Admitting in
mixed company that a junkie who craves
only Big Macs lives inside you ranks in the
same order of sin as knowing how things
are going on General. Hospital.
H
Face it. Everybody in the world
agent for somebody except you and me,
brother, and I'm not so sure about you.
Given modern brainwashing techniques,
I'm not so sure about myself, either.
Richard Coudon, the author of The
Manchwian Candidate, obviously be-
lieves that i tion is a fact of life: In
his latest po thriller and general
good read. The Whisper of the Axe (Dial),
it is impossible to tell the good guys
from the bad guys without a score
card. Agatha Teel—a black lawyer who
equal pars Angela Davis and
icr—recruits an urban-guerrilla army
from the ranks of junkies, pimps and
sucet gangs. With a cast like that, it's
inevitable at least half of her army are
intelligence agents of one kind or an-
other. A great way to celebrate the
Bicentennial.
e.
There's a saying in the publishing busi-
ness that novellas get read by two people:
the authors agent and the author's
mother. We predict that won't be the
case with Bloodshed ond Three Novellas
(Knopl). Cynthia Ozick is (by her own
admis Jewish imitator of an Trish
writer imitating a Jew—Frank O'Connor
being the Irish writer, Isaac Babel the
Jew, And. like other great Jewish writers
(I. B. Singer comes to mind), she is
steeped in the stuff of fairy tales and folk-
lore, which gives her four novellas—
Bloodshed, A Mercenary, An Education
and Csurpation—áan. eci other-world.
quality, a feeling like walking knee-deep
in fog through a dense forest. For once,
the form that’s too long for m:
too short for books h
in a way that works. The only flaw is a
rambling, maudlin preface, spattered
with literary and religious references
explanations of what her novellas
bout.” They're about perfect; we cin
tell you that. Skip the preface and read
the stories.
.
Beginning with The Andromeda Strain,
continuing through The Great Train
Robbery and now in his Latest work, Eoters
of the Dead (Knopl), Mich hton has
demonstrated an extraordinary knack for
presenting his stories in such a fashion
that one is convinced he is reading an ac-
count of an actual event as reported. by
a participant—ihereby vesting relatively
innocuous tales with an appearance of
importance. "his new work is classic
icon. Taking the simple tale of a
Tenth Century Moslem diplomat sent by
the caliph of Baghdad on a mission to
. the author has him fall in with
nd of vikings (‘Northmen’),
taken against his will on a heroic cu-
sade to rid another viking band of some
nasty, flesh-eating barbarians (a tribe of
nderthals who somehow survived evo-
lution), eventually becoming à much-
bloodied viking hero in his own right
belore returning home. The story, pre-
sented in the form of a newly discovered
translation of the diplomat's offi
port to the caliph, is replete with anthro-
pological and sociological observations of
viking lile and contains more footnotes
and relerences—all fictional, of cou
than an Oxford University Press edition
of The Anglo-Saxon Chronicle. Believe
it or not, it works. Only by sheer will
power is the reader able to maintain a
mental lock on the book's sole realit
the fact that it is fiction, Someday, one
hopes, Crichton will be recognized for
what he is: the very best at what he does.
41
42
SELECTED SHORTS
insights and outcries on matters large and small
LOST IN
THE STARS
By Richard Rhodes
SCIENCE, dear dedicated moronic science,
the same that gave us polyvinyl chloride
ad the hydrogen bomb, has temporarily
given up trashing the moon and will soon
be trashing Mars. Not content with in-
vading hospitable neighbors, astronomers
are now looking to conquer new worlds.
Cornell astronomer Carl Sagan believes
that the major scientific achievement of
the next century may be the discovery of
alien civilizations out among the stars.
That. as Richard Nixon would put it,
could be the greatest event in the history
of the world. Or it could be a total flop. I
predict it will be a total flop.
Sagan himself is leading the forces,
scanning nearby galaxies with the 1000-
foot dish radiotelescope at Arecibo Ob-
servatory in Puerto Rico. He's reasonably
sure he's not wasting his time and his
guments are compelling, If you count
the many moons of Jupiter, Saturn and
Uranus as "planetary" systems, he points
out, then there are four planetary systems
in our unremarkable solar system alone.
Jupiter and Saturn. have atmospheres
rich in the precursors of life as Earth
1 four billion years ago. The star near-
est our sun, Barnard's star, is almost cer-
tainly orbited by at least two dark
companions the size of Jupiter, and six
other nearby stars are suspected. of har-
boring dark companions as well.
With 100 billion stars in our galaxy
alone, and. billions of equally populous
galaxies beyond, the universe is probably
host to billions of plancts, some of them
rthlike. A few may be civilized.
| associate Frank Drake estimate
a million civilizations in our galaxy at or
beyond Earth’s present level of techno-
logical development.” They believe that
the discovery of those million civilizations
would cheer us. Other considerations
wide. I'm not so sure. "I'd hate it," a lady
tid to me the other day. "I'd feel the
ame way I do when I go to New York.”
The United States and the Soviet Un-
ion have searched the sky eight times
since 1960, listening for de
apes or civilized noise. Some of the
searches are ongoing. Astronomers have
scanned about 200 stars so far and found
nobody home. They figure they'll have to
scan 200,000 to get a decent sample.
They're also sending messages. One
c they sent was a transmission of
s
mess:
1679 bits that left Arecibo in 1974, bound
for the uster in Hercules. It
might have said, "Hello," but it didn't. It
recited numbers one through ten, the
atomic numbers for hydrogen, carbon,
nitrogen, oxygen and phosphorus, the
formulas for sugars and bases in nucleo-
tides of DNA, the shape of DNA's double
helix. the shape and height of a human
being and the number of human beings
on Earth and the shape and diameter of
the Arecibo telescope. It said, in effect,
“The most important thing we want you
to know is how we got cooked up."
Before the Arecibo transmission, Sag
and his wile designed plaques for the
Pioncer spacecraft, the two unmanned Ju-
piter probes that are leaving our solar
system to wander the universe and that
someday may turn up in an alien back
yard, like the monolith in 2001. Sagan
“The man has a modest set of genitals
The woman has ne genitals at all.
and Drake wax lyrical about the plaques.
"hey call them cosmic greeting cards:
These plaques are destined to be
the longest-lived works of mankind.
They will survive virtually unchanged
for hundreds of millions, perhaps
billions, of years in space. When
plate tectonics has completely rear-
ranged the continents, when all the
present land forms on the Earth have
been ground down. when civilization
has been profoundly transformed
Richard Rhodes is a novelist, a Con-
tributing Editor to PLAvBo and a public
defender of private parts.
and when human beings may have
evolved into some other kind of or-
ganism, these plaques will still exist
They will show that in the year called
1973. there were organisms, portrayed
on the plaques, that cared enough
about their place in the hicrarchy of
all intelligent beings to share knowl-
edge about themselves with others.
But we didn't care enough to send the
very best. The plaques locate the sun in
relation to 14 pulsus. They diagram the
solar system and outline the Pioneer vehi-
cle itself. Superimposed on the Pioncer
sketch are drawings of a man and a
woman. They're censored. The man's got
a modest set of genitals but no pubic hair.
The woman's got no genitals l. In a
vintage gesture of male chauvinism, the
man gets to hold up his hand. The wo! n
discreetly looks aside—in embarrassment,
one imagines
Consider two aliens recovering Areci-
bo's 1679 bits and a Pioneer.
“Jesus, Grok,” one says, “looka this
plaque. The old lady's got no snatch
This here's the first shot the Earthlings
had at interstellar communication and
they were so hung up they couldn't even
show a lady's snatch.
“Yeah, Zok,” says Grok, an' the guy's
got no pub r I wonder why he's
holding up his hand,
“Maybe he's gotta go to the l
“Yeah,” says Grok, "'cause he's the
only one got something to go to the bath-
room with.”
Zok chews on a toothpick, if he happens
to have a mouth. “Boy, Grok, Earthlings
must really be ashamed of themselves.
Looka all them numbers all over th
plaque. Hell, they know things wi
dreamed of yet; we ain't even got a rock-
ct out to our third moon yet. You hear
that big bunch o' signals that came in
the other day? I counted 1679 bits,
nothin’ but numbers an' chemicals an
crap like that. They di'n't even say il they
peace or not."
.” says Grok, “they got the nerve
We could 1
throom."
c said something about
love or something about death, something
about kids catching fireflies on warm
spring nights, something clemental like
"E think, therefore 1 am." We could
have sent a song, or our best recipe for
pple pie, or an apology for presuming.
We didn't. We presumed
No matter. It was already too late. We
began announcing ourselves to the uni-
verse about 20 years ago, when our ordi-
mural communications—radio
and tclevision—became powerful enough
to carry beyond the immediate neighbor-
hood of Earth. That means the aliens
followed Vietnam and Watergate, saw
terrorist bombs and Bangladesh, under-
stand ICBMs and income s and oil.
They've watche nd All in
nev and Gerald R. Ford.
They may be out there. but we'll never
know. Who'd be dumb enough to tell us?
THE SAFETY
FETISHISTS
By Craig Karpel
sarery is dangerous.
L discovered this alarming new
ard when 1 took delivery of my m
Chevrolet Chevelle
Malibu Classic
Colonnade sedan
and casually asked
the salesman to
have the retract-
ing shoulder belts
replaced with
fixed shoulder
belts like 1 had on.
my 1973 Camaro,
of blessed memory.
He gulped. He
shrank. He
blanched. “We're
llowed to
re-
not a
touch th
straints
whispered, br
ing out in a sweat.
“Don't even ask
met"
The newfangled
shoulder belts are
equipped with
vehicle sensitive devices” that clamp
down—that are supposed to clamp
down—on the webbing if the car stops
abruptly, as in a collision. In other words,
I've got to trust my thorax to General
Motors and Ralph Nader—my old belts,
with bolts to the roof, were too foolproof
for the Feds.
The reason the foolpr
abandoned was that the
had to put in starter interlocks and
were concerned lest motorists universally
disable the systems. They introduced the
vehiclescnsitive belts because people
who were loath to wear shoulder belts
found them less confining. Then it
turned out that everybody disconnected.
fety fet
of belts were
nufacturers
the interlocks, anyway.
ernment decided not to requ
locks anymore—the public
resistant. So this year, there are no more
rter interlocks. But did this mean the
anufacturers went back to fixed belts?
Hell, no—in fact, they've be
to keep the vehicle:
was
re 100 perce
clecuic clocks. Dirt, dust a
make them funct
In other words, in the name of safety,
the new cars are equipped with belts U
are less safe.
Drivers like your correspondent, who
have come to know and love fixed shoul-
der belts, are supposed 10 make do with
the lax, permissive vehidlesensi
Drivers who despise shoulder belts cai
just razor-blade the stitching off the end
£ the shoulder portion of the new kind
nd let the belt slide permanently into
the retractor. So the net effect of all the
will make our lives 400
safetymongering of recent years is that
bondage freaks like myself who like to be
strapped to the seat of their cars can't buy
at any price an automobile equipped with
disciplincoriented shoulder belts well
versed glish arts.
The above example of ass-backward-
ness comes to you courtesy of Ame
ica’s safety fetishists, who are poing to
make our lives 100 percent safe if it
Kills us. The safety fetishists have made
progress in other product areas besides
automobiles.
Craig Karpel is a free-lance writer and
frequent contributor to PLAyBov who
lives the good, but dangerous, life.
nt sofe if it kills
Now that cating a pastrami sandwich
has become an act of
and grounds for having your life insur-
ice canceled, the question
whether absolute safety r
be the paramount conce
human
society. Isn’t rhe campaign against ni
trate-cured meats the coldest cut of all?
Is it really worth outlawing Roman can
dles and pinwhecls just to keep a few hun-
dred jerks from blowing off their pinkies
with cherry bombs? What if LSD does
cause chromosome damage? Maybe
better to ha children with three €
and webbed toes than to live as a dunder-
head. Why can't I inquire wistfully if
the store has amy preprohibition red.
flannel pajamas left to warm my litle
boy's buns without the saleslady’s loo!
at me as if I'd asked for a case of adul
sized Pampers? Isn't it better to build
springless, shockless snowmobiles so that
the hominids who ride them can get the
compression fractures of the lumt
spine they so rich-
ly deserve? What
do the safety fe-
tishistshaveagainst
Speedy Alka-Selt-
zer, just because
he fights stomach
upset with a com-
n of ant
nd aspirin
cid
an acid th
erodes
the stomach li
ing? Why put
sensible folk a
disadvantage by
discouraging fools
from poisoni
themselves with
patent remedies?
Doesn't the at-
tempt to eliminate
all danger from
our lives tend to
shift the risk i
herent in mortal
possibly more hor
existence to othe
rendous areas?
Meanwhile, I've located a gu
y who is
place my vehiclesensitive
with a pair of honest-to-good
ness fixed shoulder belts from a junked
773 Oldsmobile. I think he used to be an
abortionist. I've got to front the cash
before he'll do the job, and then I've got
to drive to his place blindfolded. Guy's
so secretive the embroidered. name over
his coverall breast pocket has been Xed
out. But Fm not kicking, because he
promises to let me in on a plan he's
Miami
got to smuggle pastrami into
Beach after they make it illo
"s—uh-oh— perfectly safe.
43
. For the price of
an imitation sports car,
you can own the
real thing.
"There are a lot of spiffy looking
little economy cars around today mas-
querading as sports cars.
"They drip with "features" like non-
functioning hood scoops. And
imitation racing mirrors. And tach-
ometers for automatic transmissions.
The problem is that by the time
you've added all the sporty options,
you've also added a small fortune to the
price of the car.
And you still don't have a sports
car. Only an economy car that vaguely
resembles one.
Obviously, we have a solution. In
fact, we have two.
The Fiat X1/9. Or the 124 Spider.
Instead of tires with raised white
letters to make the car look better, youll
find radial tires. To make it drive better.
Instead of a pseudo racing steer-
ing wheel, you'll get rack-and-pinion
steering on the X1/9. The kind used in.
racing cars.
And instead of being impressed
with a fancy racing stripe on the hood,
you'll be impressed by what we've put
underneath it.
Car rental. leasing, and overseas delivery arranged through your participating dealer,
Because where we come from, a
sports car isn’t a sports car because of
the way it looks.
Its a sports car because of the way
itdrives.
Which should explain why the
124 Spider comes with a five-speed
transmission. And a dual overhead cam
engine. And four-wheel disc brakes.
Itmight also begin to explain why
the X1/9, one of but seven mid-engine
cars in the world, was named one of the
ten best cars in the world last year by
Road and Track magazine.
Of course, we still think sports cars
have to look like sports cars. In the land
of Ferrari, ugly doesn't sell.
So we got the people who design
Ferraris to design both these Fiats.
Look atit this way.
If you're going to spend real money
ona sports car, the least you should end
up with isa real one.
S
A lot of car. Not a lot of money.
THE PLAYBOY ADVISOR
Fase you ever heard of couples’ trying
to pick up single women to complete a
ménage à trois? The other day, 1 was ly-
ing in the park sun-bathing when thi:
tiny dog started bringing twigs and sticks
and laying them at my feet. I looked up
and noticed that a couple were handing
twigs to the dog. They smiled and asked
me out to lunch. I declined the invita-
tion, because I wanted to stay in the
sun for a few more hours. Later, a friend
told me that the same couple had picked
her up a few weckends earlier with the
same trick. Apparently, the dog is trained
to fetch young girls. My girlfriend went
home with them and had a lovely day in
bed. Most of the action happened be.
tween my friend and the other young
woman—she claims that couples who are
on the prowl almost always do so because
the man can't satisfy the woman alone,
that the arrangement is a cover for lesbian
encounters. Is this truc—Miss M. R,
Chicago, Minois.
Hardly. Couples on the prowl are es-
sentially looking for a safe way to intro-
duce variety into their sex lives. In some
cases, a woman may be interested in ex-
ploring lesbian fantasies and feels less
threatened. if her mate is along. (These
same women would never engage in a
one-on-one encounter.) In return, the
male is often titillated by Seeing his wife
with another woman. If he were left out,
he would feel threatened. There are also
couples who pick up unattached young
men for much the same reason. The
phenomenon is not rare: The surprising
thing about couples on the prowl is their
Success quolient. More often than not,
the single person they take home has
some fantasies that need exploring, too;
for instance, making it with a Yorkshire
terrier.
Alex Comiort's The Joy of Sex taught
people that it was fun to tie up their
partners before making love. Bondage
and discipline was a fantasy to be ex-
plored by every liberated lover. Fine,
except my girlfriend and I really enjoy
it. We've even bought leather harnesses,
whips, etc., and that's where the problem
arises: We now have the tools to inflict
genuine pain on cach other. ‘The costume
Dall has lost a bit of its luster now that
irtiug the reality. We are thin
ing about using the whip for more than
a prop in our lovemaking. But we aren't
sure whether or not we can or should
cross the border from B/D to outright
Movies like Story of O
nd Joanna celebrate pain in the name
of love. We doubt the accuracy of those
sadomasoc]
pect. What motivates a serious sadis—
W. E., Teaneck, New Jersey.
Beats us. We're not sure that S/M
qualifies as a form of lovemaking. Ac-
cording to Ernest Becker, author of
the essay “Everyman as Pervert,” a sadist
cannot stand the mystery of another per-
son, her separateness, her uniqueness. “By
treating the flesh with violence and
causing it great pain, the sadist literally
makes of his partner a predominately ex-
ternal organism: There is no room for
subileties of thought, and no way of keep-
ing thought separate from what one feels
and expresses, when he is convulsed with
pain. The mind ‘comes out in the open’
in the screams and pleadings of the body.
There is no longer anything private or
aloof: The victim is reduced to the barest
terms of the body.” If that sounds heavy,
it is. The master and slave roles are de-
void of personality: In fact, sadists re-
port that the better they know their
victims, the less satisfactory the experi-
ence, The two actors in the S/M drama
are bound by force, the whip that con-
necls them. Pleasure is uncertain, pain
guaranteed. A sadist never asks his partner
if she came or, for that matter, if it hurt,
We'd advise caution: These situations
have been known to backlash.
Do you know of a place where I can
rent 16mm prints of contemporary films?
I live in the sticks; the nearest movie
theater is miles away and it shows only
Walt Disney flicks—bare sustenance for
a film student devoted to Bergman, et al.
Television reception in this arca is prac-
tically nonexistent, so I can't even catch
the latest on the Late Show. Enough of
my f my predicament that
we've pooled our resources, We are rather
intrigued by the idea of sceing good films
in the privacy of our own homes, with
the added treat of spiced popcorn and
spiked punch and the absence of No
SMOKING signs. We already have a projec-
tor and a screen—we just need the
movies.—G. A. H., Shiprock, New Mexico.
There are many groups of people in
this country who, like you, prefer to roll
their own. Several firms offer 16mm
prints of recent releases, in addition to
the standard oldies. Rental rates are
reasonable, especially when divided
among your friends. For $25, you can
catch Buster Keaton as “The General.”
For $40, Marlon Brando as “The Wild
One.” For a mere $100, you can watch
King Kong cop a feel from Fay Wray.
Newer films are somewhat more expen-
sive: For a mere $350, you can get “2001:
A Space Odyssey,” for $200, the classic
“Death Race 2000" and for $100,
Pam Grier in “The Avena.” Chances are
you can order the titles you want from
United Films in Tulsa, Oklahoma; Con-
temporary | McGraw-Hill Films in Hights-
town, New Jersey; ov Films Incorporated
in Wilmetie, Illinois. Write for their
catalogs: As a true film buff, you'll get off
on the stills. In the meantime, you and
your friends can debate whether or not
“Cries and Whispers" was Bergman's at-
tempt Lo create a situation comedy about
cancer.
ls shi;
AA few weeks ago, T was in bed with a
woman with whom I'm having a casual
affair. After foreplay, 1 found myself
turned on by the idea of anal intercourse.
I performed the job on her to the satis-
faction of us both. Then I had an over-
whelming urge to know what it felt like
to her. She selected a phallusshaped. ob-
ject from her collection of erotic toys
and, after some initial gentle probing
with her fingers, turned the tables. It
was extremely pleasurable. The only
thing that bothers me about the whole
experience is that now I find sex with
my wife rather uninteresting and am
afraid that sooner or later she'll notice
my lack of enthusiasm. I desire to repeat
the episode of anal sex and have even con-
templated using a vibrator or a dildo on
myself, Docs this indicate that a latent
homosexual tendency is beginning to sur-
face?—B. A, Seattle, Wash
There's no reason a man should not
find anal stimulation pleasurable: It
AS
PLAYBOY
46
would be a sad state of affairs if only
Jemales and male homosexuals enjoyed
themselves in so free a fashion. The epi-
sode does not indicate that you are a
latent anything. (Never mind the graffito
that declares: “If God had meant you to
be heterosexual, He wouldn't have given
you an asshole”) Relax. You are not re-
sponsible for the distribution of nerve
endings through your body. If you are in
trigued by this technique, don't be afraid
gest it io your wife. The very worst
that could happen is that she might tell
you where you can put it.
VI, girlfriend and 1 are into bare-ass
backpacking. We like to take off into
the mountains, take it off and then get
it on. Oh, natural! Unfortunately, most
of the parks in our area are overcrowded.
You might as well try to make it in
L
es Square. Any suggestions? We have
n extended vacation coming up and
ould like to go to some of the least
visited of the country.—C. M., Cam-
bridge. Massachusetts.
You should check out one of the BS
wilderness areas in the U. S,, which com-
prise some 12,000,000 acres of land
protected by law from man-made degrada-
tions. No cabins. No vehicles. (If you can't
get there on foot, you don't deserve to get
there.) The ten least visited areas are
Galino (Arizona), Mazatzal (Arizona),
North Absaroka (Wyoming), Gates of the
Mountain (Montana), Gearhart Moun-
tain (Oregon), Washakie (Wyoming), Sel-
way-Bilterroot (Idaho|Moniana), Teton
Wilderness (Wyoming), Scapegoat (Mon-
tana) and Pasayten (Washington). But de-
cording to a spokesman for the Forest
Service, there are reasons these places are
not frequented. The two Arizona wilder-
ness areas are pure desert. "Only the
snakes go there" The Wyoming and
Montana areas offer mountains, forests,
streams, elc. which might be more to
your liking. You don't need a permit to
use these arcas: I's first come, first served,
but there are quotas and it helps to
write ahead. For more information, con-
tact the U.S. Forest Service, U.S.D.A
12th and Independence, S.W., Washing-
ton, D.C. 20250. When you finally visit
one of these arcas, say hello to the
12,000,000 other rtAvmov readers who
have also taken our advice.
al
V enjoyed the descriptions of s.
a the Janu:
isor. 1 have wondered for
how two sn
C. V., New
Brunswick,
you
New Jersey
Are you that horny? Snakes seem to
prefer the back-to-belly approach. when
it comes to sex. (Thal may have been
what the serpent taught Eve.) The male
crawls forward over the female's back,
moving his body in an undulating fash-
ion. His tail twitches sideways over the
female's tail, increasing in frenzy. At the
peak of the male's excitement, a loop of
his tail is thrown under the female and
the cloacae openings are brought to-
gether, The male then inserts his hemi-
penis, resulting in fertilization. Sounds
like the latest dance craze, doesn't it?
veling through a small south-
ern-Missouri town, I came across a
unique relic sitting in the middle of an
open pasture; 10 wit, a blick two-door
sports coupe of European nufacture.
I had never seen anything like
n all-metal sliding sunroof (years
d of its time), knockoff wire wheels
inchers, at least) and wide pontoon
front fenders like the Cord's. It vaguely
resembled the XK 110-140
custom coach was obw
with much of the woodwoi
interior still in good
Henri Levallois,
Paris. Apparently, the car had been
sitting in the field for 12 or so y.
For the most part, it was a rusted, burned-
out carcass, but I would like to restore it,
using sheet metal and fiberglass to bond
together the rotted-out sections and,
wherever possible, replacing defective
parts with ori ones. Where can 1
obtain information on this ? Would
it be worth the effort to attempt resto-
ration?—S. A. M., Topeka, Kansas.
The car you describe is a worthless
lemon, a symbol of conspicuous consump-
tion, totally lacking in redeeming social
value, and where did you say that
pasture was? Actually, there is @ diamond
beneath all that rust. Delahaye was an
honored marque from 1894 to 1954. The
Type 135 was a 3.>-Liler concours
d'élégance touring machine, built from
1934 until 1951 (with an interruption
for the way, of course). With a top speed
of about 115 mph, it was one of the
fastest cars of ils eva, rivaling Bu-
gattis and Alfa Romeos. In 1939, for
example, a race was held in Britain to
determine the fastest car on the road. A
Delahaye Type 135 beat all contenders,
cven though the driver had to stop and
put out a small fire. Class. It was standard
practice before the war for one com-
pany to supply the chassis and the run.
ning gear of a car, while a master coach-
builder such as Chapron put together a
custom-made body to suit the client. Prop-
erly restored, the car could be worth a
great deal of money. If you want to under-
take the project, consult experts such as
the amiable and knowledgeable care-
takers of Harrah's Automobile Collec-
tion in Reno, Nevada, Making do with
sheet metal and fiberglass could destroy
the value of the car—you wouldn't try to
restore a Rembrandt with house paint
and a roller. Better to sell il as is, unre-
stored, than to ruin it forever. Otherwise,
bonne chance, you lucky bastard.
Kk it possible for a woman to have an
orgasm and not know it? When 1 make
love to my girlfriend, I can feel her vag.
inal muscles go into contractions (a s
of climax, according to Masters
johnson). but she claims that
feels only brief twinges of pleasure, not
the cosmic, all-encompassing. oce
stical garbanzo o
re always t
10 say, I feel somewhat frustrated. What
do vou sugges?—L. O., New Orleans,
Louisiana.
The word orgasm is like the word love:
Maybe someday there will be a ten-ton
stainlessstecl ORGASM sculpture erected
in Central Park and jewelry and station-
ery embossed with the word. After
they've seen it in print 10,000,000 times,
some women no longer know what it
means and are always suspicious that what
they experience isn’t the real thing. The
cure is fairly simple: First, a woman must
acquaint herself with the various stages of
an orgasm. As the clitoris is stimulated,
blood gathers in the pelvic region and
the vagina lubricates and expands, The
build-up of blood produces a tension in
the muscles of the pelvis, particularly in
those that surround the vaginal opening
and the rectum. Eventually, a reflex is trig-
gered in the responding muscles and the
vagina begins to contract, expelling the
blood from the pelvic region. (If a woman
does not experience this reflex, she may
feel discomfort from the accumulated
blood.) That's all there is to an orgasm,
folks: The contraction, followed by the e:
pulsion of blood. It can be strong or weak,
cosmic or suburban, depending on the
woman's altitude toward herself. If she
doesn’t put her mind to it, she may not
feel anything or, worse, she may experi-
ence excitement as discomfort. The cur-
vent idea is that a woman can learn the
Stages through masturbation or cunni-
lingus, and then, when she has intercourse
(a distinctly inferior method of directly
stimulating the clitoris), she will locate
them more quickly and surrender to the
flow of her own sexuality without fear
or hesitation, Then watch out.
she
All reasonable questions—jrom fashion,
food and drink, stereo and sports cars
to dating dilemmas, taste and etiquette—
will be personally answered if the writer
includes a stamped, self-addressed en-
velope. Send all letters to The Playboy
1dvisor, Playboy Building, 919 N. Michi-
gan Avenue, Chicago, Illinois 60611. The
most provocative, pertinent queries will
be presented on these pages each month.
Newport
Alive with pleasure!
After all, if smoking isn't
a pleasure, why bother?
MENTHOL KINGS Warning: The Surgeon General Has Determined
MENTHOL 100 * That Cigarette Smoking Is Dangerous to Your Health.
Don't buy any loudspeaker until
you test drive it. You're not going
to a recital. You're choosing a
roommate.
Challenge it. Put it through its
paces. Most loudspeakers can
handle mid-range, mid-volume,
mid-mid sound. That's no test.
Turn if up!
Really loud. Loud loud
Kig-next-door loud.
How does the loudspeaker
sound? Do you like it? Is it clean?
Is it clear? Or does it hum the low
lows when nobody asked il to?
Does it splatter the highs?
Is it fuzzy or distorted?
You don't have to live with loud
music, but you ought to visit there.
Loudness magnifies the imper-
fections that will scar your
subconscious at regular listening
JBL offers a number of different high fidelity loudspeckers
from S156 fo $3240. Shown here, from left, are L36, L166 and
L300. They are priced at $198, $375 and $897 each.
levels. Loudness tells you what
time will do to your ears, your
head, your disposition. Now:
TURN IT DOWN.
Way down. Take it to the edge
of silence, and then come back
a little.
Can you hear every part of
the music, or does it sound like
half the band went out for a
smoke?
Are all the textures and detail
and harmonics of the music still
there, or is only the melody
lingering on?
Nobody wants to live with a
loudspeaker that can't make its
point unless it yells
So. Tum it down.
One last thought: don't let
anyone, including us, tell you
what you like in a loudspeaker.
You're dealing with a very
personal, subjective matter of
taste. Loudspeakers are art.
Buying them is, too.
That's what this message is
all about.
We're all in this together.
UBL
For the JBL dealer nearest you, call (800) 243-6400. in Connecticut, call (800) 882-6500.
James B. Lansing Sound, Inc./3249 Casitas, Los Angeles 90039
TRZ IT’S OUT TO STEAL
THE AMERICAN ROAD
ENGINE: 4 cylinder, over-head cam, electronic ignition.
STEERING: Rack and pinion. Race-type 13" steering wheel.
BRAKES: Power assisted, front disc.
PRICE: $5549 manutacturer's suggested
retail price P.O.E. Inland transportation, local taxes
and preparation charges extra.
OPTIONS: Air conditioning. AM, AM/FM,
or AM/FM stereo cassette.
First consider what you see: a
bold, slashing wedge taken from the
Grand Prix racetracks of the world;
the dashing shape of things to come.
Now consider what you dont see:
the edge of the wedge knifes through
the wind, forcing the front down for
solid control. The slippery silhouette
cuts drag. Enhances power. Adds
miles to the gallon. (Our E.P.A.
estimates are 29.9 mpg on the road,
20.7 in city streets. Your mileage
will vary depending on the type
of driving you do, your driving habits,
your car’s condition, and optional
equipment you have.)
Consider sensation: a swift,
nimble, taut two-seater that holds the
road as if it had hands.
Consider comfort: shut your eyes
and youre riding a luxury sedan (sports
Cars were never like this). You enter
the cockpit without acrobatics, sit
and stretch in voluptuous space.
Consider the overriding sense of
it: unlike the new breed of complex,
fragile sports cars, TR7 emerges a
beautifully simple and simply beautiful
machine; a triumph of dependability
priced at only $5,649. It's a steal.
For the name of your nearest
Triumph dealer call 800-447-4700.
In Illinois call 800-322-4400.
British Leyland Motors Inc.,
Leonia, New Jersey 07605.
THE PLAYBOY FORUM
a continuing dialog on contemporary issues between playboy and its readers
NUDES VS. PRUDES
Black’s Beach, near San Diego, has been
the setting for a local drama that might
be titled "The Naked and the Dead” or,
perhaps, “The Nudes and the Prudes.
The nudes represent as many as 20,000
pcople who visit Black's Beach on a single
day to bathe in the most healthy and
natural way, without fetishistic swimsuits
to smother and restrict various parts of
their anatomy. The prudes are an
known number of superstitious folk who
believe in such primitive nonsense as that
naturalness is offensive to the imaginary
gods or demons of their tribe or violates
the taboos and might cause earthquakes.
(There are many of these precivilized
hominid types at large in California, as
elsewhere in the Union.) The battle came
to some kind of idiotic dimax when
one of the spokesprimates for the prude
brood argued before the city council that.
Black's Beach should be dosed because
too many people were using it and might
create an environmental problem. To this
brilliant reasoning, an opponent replied
simply, “We are in a very funny position
in a democracy if we make something il-
legal because too many people want to
do it.” The council voted five to four to
keep the beach open and the prudes re-
tired from the battle, probably to hatch
further mischief against civil liberties on
behalf of the al totems.
James Sims
Los Angeles, California
PRURIENT PLATES
In response to Wayne Tustin’s lewer
in the February Playboy Forum about
his trouble with the state of California
over a so-called obscene license plate, I
offer a true story of my own. Shortly
alter the great state of Texas began is-
suing pere nse plates, I was
driving from Kingsville to Austin and
saw a car bearing the plate sReap-8. Now,
as any good Texas boy who was raised
in a border town knows, the Spanish
word for bread is pan and for cight
acho, Put those words together and they
become panocho. And in Spanish-
American border slang, amy variant of
that word—panocha, panochic or what-
ans pussy. The Texas Depart-
ment of Motor Vehicles had been had.
K. E. Smallwood
Denver, Colorado
ORGASM REBUTTAL
In the February Playboy Forum, a
s that Lew. men. under-
stand or sympathize with the female who
is unable to reach orgasm. If she really
thinks this is still true, she must be having
n awful streak of bad luck at choosing
her bedmates. My experience has shown
that men are increasingly sensitive to the.
needs of their sexual partners and. care
very much if orgasm is not achieved.
asm on frigidity and look no further. I
{eel sorry for anyone who sleeps with
“We are in a very funny
position in a democracy
if we make something
illegal because too many
people want to do 1t."
one of these guys, but then again, she
shouldn't even have gotten near the bed-
room with him in the first place.
(Name withheld by request)
Portland, Maine
ON AND ON
Women are now discovering the beau-
tiful experience of orgasm, but most m.
are too lazy or impatient to work
providing enough ditoral stimulation.
1 know of men who seek other women to
take care of their sex partners needs
first, then these men proceed to reach
their own sexual satisfaction. Still other
men will give their women vibrators and
tell them to take care of themselves and
holler when they're ready to come.
It has been some time since I have ex-
perienced the frustration of the sexual
act with a man, I am a beautiful, intel-
ligent young female who wants her
climax just as much as any jock wants
his. At present, I am proud and happy
to have an emotional and sexual rcl
ionship with a lovely feminist woman.
We are both disgusted at the idea of being
used as sex toys by male chauvinists.
Our sexual experiences a
mic. There is nothing more satisfy
than waking up to a long, loving genit
kiss instead of a hard-on. And for us, or
sex can go on and on.
(Name withheld by request)
Santa Monica, California
APHRODITE'S BOX
Here's my invention for jazzing up a
humdrum sex life: Go out and buy dozens
of good erotic novels (not cheap porn but
classy items by masters like D. H. Law
rence and Ariosto). Cut up the books, rc-
moving the individual sex scenes, and
staple the pages for each scene together.
Put all the stapled passages into a large
file box. I call this Aphrodite's box be-
cause it contains nothing but goodies, in
contrast to Pandoras box, which con-
tained nothing but trouble. Then, when
you and your lady are ready for an eve-
ning of fun, reach into the box and pick.
script at random, Take olt your clothes
nd read the passage aloud, with her tak-
ng the female dialog and you the male;
atc the m ion. When
ng, act the scene
dition of a
can liven
al experience. One
warning, however: Be very careful with
Terry Southerns novels. You are likely
to end up laughing so hard you can't re-
tain your firmness of purpose.
(Name withheld by request)
Cincinnati, Ohio
BUGGED BY BUGGERY
The two letters in the
Playboy Forum about anal inte e
quite right in suggesting that it can be
very painful if performed by inexp
enced people. The man who introduced
me to anal sex never used a lubricant
and was not all that gentle. Since I didn’t
bn
course
51
know anything about anal intercourse
and was a reticent young woman at the
time, I said nothing. And on some occa-
sions I did enjoy it. But I still feel some
rectal pain, and it's been a year and a
half since I stopped this practice. People
need to be educated about anal inter-
course so that fewer will suffer as I have.
(Name and address
withheld by request)
PLAYBOY
Iam a woman who firmly believes in
the prindple of to each his own, but
when it comes to anal intercourse, I feel
I must draw the line. For one thing, it
hurts like hell and, for another, it can
be downright dangerous. For the price
of a little perverted fun, one can suffer
lacerations of the rectum and colon. If
the male switches from rectum to va
without washing thoroughly, the female
can suffer a vaginal infection. Further-
more, it makes you walk and sit uncom-
fortably for days; this from accidental
personal experience.
I would advise the two assholes from
Baltimore and Atlanta to consider these
points before indulging in any more
perverted pleasures.
(Name withheld by request)
Garfield Heights, Ohio
A MATTER OF TASTE
Frenchie, Steve and I are roommates
and we have been debating the pleasures
of oral-anal contact. Frenchie and I agree
that doing it can be just as much fun as
having it done to you. Steve, on the
other hand, says, “To have my anus
licked would be fine, but to do it to
nother would be degrading to my
manhood." Frenchie and 1 feel there is
nothing wrong with cating an anus and
certainly nothing degrading about it.
We would like to know whether you
have any figures on this subject, such as
how many pcople—male and female—
do, in fact, enjoy giving or receiving this
pleasure.
(Name and address
withheld by request)
In business and politics, quite a few.
As to how many indulge in analingus
for purely sexual reasons, we know of
no surveys on the subject, But never
mind how many people like it or don’t
like it; the three of you seem to know
where you stand on the subject and
that’s all that really counts. Alex Com-
fort calls the practice. feuille de rose,
which means rose petal, and advises,
“Don’t do it if you don't like the idea
or be afraid to suggest it if you do.”
NO LOVE FOR THE GUV
In February, The Playboy Forum pub-
lished a letter describing the way Gov-
nor Meldrim Thomson of New
Hampshire used the power of his office
to punish a motorist who gave him the
finger while driving on a Massachusetts
52 highway. Alter reading this, I received a
FORUM NEWSFRONT
whats happening in the sexual and social arenas
BOOZE VS. SEX
New rescarch indicates that heavy
drinking, which can reduce male sexual
capacity, accomplishes this by stimulat-
ing the liver to step up its destruction
of the male sex hormone. According to
a study conducted in New York and re-
ported in the journal Science, the toxic
effects of booze, consumed in substantial
quantities, cause the liver to produce up
1o five limes the normal amount of the
liver enzyme that breaks down the
body's testosterone. The study involved
a group of men who, under controlled
conditions, drank the equivalent of a
pint of 86-proof whiskey a day for four
wecks.
PREGNANCY CLAUSE
ATLANTIC CiTY—Women who wish to
compete in the Miss America Pageant
must henceforth sign a statement de-
claring that they are not and never
have been pregnant. A spokesman for
the pageant said that the previous stipu-
lation—that a coniestant was not and
never had been marricd—failed to
cover abortions and unwed mother-
hood. Two years ago, the pageant had
to amend its bylaws to prescribe that all
contestants be female. Too many men
were entering and sometimes winning
college beauty contests.
ABORTON LAWS VOIDED
NEW ORLEANS—A three-judge Federal
court has ruled five Louisiana an
abortion laws unconstitutional, while
upholding the state's right to prohibit
use of Medicaid funds for elective
abortions. The court struck down laws
prohibiting abortions, the distribution
of abortion instruments or devices and
the advertising of abortion services and
abortion counseling. It also voided a
statute requiring a parent or spouse to
give consent for abortions im certain
cases.
SCHOOL FOR TRANSSEXUALS
Lonpon—Britain’s National Health
Service has started a night school at
Charing Cross Hospital for transsexuals
to teach men who have changed their
sex to behave more like women. The
instructor is a former model, who e.
plains, “I pay a lot of attention to
teaching them to walk like women and
help them learn to use make-up and
stop thinking as men.” She also teaches
them to stop opening doors for her and
lighting her cigarettes.
RAPE DAMAGES
ROCKVILLE, MARYLAND—A 24-year-old
woman who filed a civil suit against
two men who raped her in 1972 has
been awarded $365,000 in damages. She
told reporters she may not collect much
moncy but hopes her example will in-
Spire other rape victims to report the
crime and otherwise take action against
rapists.
HOMOSEXUAL RAPE
ST. FRANCISVILLE, LOUISIANA— Two in-
mates of the Louisiana State Peniten-
Liary are the first persons to be indicted
under a new state law making homo-
sexual rape, like heterosexual rape,
punishable by death. Homosexual rape
previously was classified as a “crime
against nature,” carrying a maximum
penalty of 15 ycars’ imprisonment.
NEW MARIJUANA LAWS
South Dakota and Minnesota have
become the seventh and eighth states to
decriminalize the possession of small
amounts of marijuana. The new South
Dakota law prescribes a maximum civil
fine of only $20 for an ounce or less of
pot but does not go into effect until
April 1, 1977. The Minnesota law is
already in force and provides a civil
fine of $100 for up to 1.5 ounces.
NEW MARIJUANA TEST
Los ANGELES—Researchers at UCLA
have developed a test that accurately
measures the amount of tetrahydro-
cannabinol (THC), marijuana's psycho-
active ingredient, in a pot smokers
blood. Developers of the test say it
could greatly facilitate studies of mari-
juana’s effects on the smokers and pro-
vide law-enforcement agencies with a
means of determining marijuana in-
toxication in drivers.
NEW MARIJUANA STUDIES
NEW YorK—Several recent studies of
chronic marijuana. users, conducted in-
dependently in half a dozen countries,
have found the drug to have no ap-
parent adverse effects on the human
body or brain. The research, reported at
a New York Academy of Sciences con-
ference, corroborates and expands on
an earlier Jamaica study and tends to
contradict theories that pot smoking
reduces production of the male sex
hormone, lowers natural immunity to
disease or affects motivation to work.
The studies were conducted in Costa
Rica, Egypt, Greece, Jamaica, Mexico
and the United States, generally among
older persons who had smoked pot
from 10 to 28 years.
THREE-TIME LOSER
MARION, ILLINOIS—A 26-year-old Fed-
eral-prison inmate, serving a two-year
sentence for illegal use of credit cards,
has filed suit in circuit court for divorce
from three wives. His attorney ex-
plained that his client would be getting
out in a few months and wanted to
“wipe the slate clean and start anew.”
This new life, the lawyer admitted,
could possibly include charges of
bigamy.
GRANDPA'S GAUNTLET
ACOMD, ENGLAND—d 63-year-old grand-
father has been leading a campaign
of harassment against a neighbor-
hood cinema club that shows films he
considers pornographic. When club
members are ready to leave after their
weekly erotic movie, the elderly smut
fighter assembles up to 40 of his friends
and neighbors, who wave flashlights and
chant, “Dirty old men!” A spokesman
for the club said the situation was
“getting a bit volatile, but we don't
want to call in the police.”
ALIMONY ISSUE
HARTFORD, CONNECTICUT—The Con-
necticut Commission on the Status of
Women intends to review recent
divorce decisions of a judge because he
ordered alimony payments stopped for
a West Harford woman when her
youngest child becomes 21. The judge
cited “the recent social, political,
economic and professional emancipa-
tion of women" in ruling that women
are not “entitled to a perpetual state
of assured income, or as some would
characterize it, assured indolence.”
THE BLOB LIVES
SAN FRANCISCO—A Canadian research-
ers unusual experiment has raised new
questions about determining legal
death by means of an electroencephalo-
graph. At a San Francisco medical
conference, Dr. Adrian Upton of Mc-
Master University in Hamilton, On-
tario, reported that an EEG hooked up
to a brain-sized lump of ordinary lime
Jell-O registered enough apparent
brain waves to qualify it as being
alive. The wave activity, it turned out,
was coming from nearby intravenous-
feeding artificial respira-
tors and other typical life-sustaining
equipment.
machines,
letter from Governor Thomson appealing
for funds on behalf of an organization
called the Conservative Caucus, Inc., of
which he is national chairman. Although
I had previously supported this organiz
tion, I wrote to the governor, explaining
that I was turning down his request be-
cause of his conduct. Such abuse of an
official position is indefensible.
Walter B. Jones
Clear Lake City, Te
FIGHTING FOGGY BOTTOM
In November and December of 1974.
I was a rock musician associated with
the Joffrey Ballet during a tour of the
Soviet Union sponsored by the U. S. De-
partment of State. As a member of the
an rock group
to tour Russia, I visited Leningrad and
Moscow, as well as Riga, Latvia, and
Vilnius, Lithuania, spending about one
week in each city. On returning to the
U. S., I began work on a book describing
the experience. E finished it in July 1975
and started submitting it to publishers.
Then representatives of the Joffrey
Ballet called and told me I couldn't
ite anything about the wip without
first consulting the State Department.
They claimed the ballet’s contract with
the department (which 1 had never
signed or even secn) prohibited anyone
from publishing such a book until the
U.S. Government had had a chance to
examine it. I phoned the State Depart-
ment and was told I had an obligation
to submit the book because I was con-
sidered a State Department employee
during the tour and came under the
department's directives. The purpose of
inspecting my book was to sce that it
was a balanced presentation that would
not injure relations between the Soviet
Union and our Governmer
I refused to comply with the de-
mand, feeling that the Government has
no right to require that literary works
about the Soviet Union conform to the
foreign policy of the U.S. and that it
had no right to hold me to a contrac-
tual provision I'd known nothing about.
Last January, the legal director of the
American Civil Liberties Union, Melv
L. Wulf, wrote a letter to Secretary of
State Henry Kissinger asking him to
withdraw the contractual provision and
end the policy of such requirements
on Governmentsponsored tours. Wulf
wrote, "In light of very recent history,
it seems extraordinarily ill-advised for
the State Department to assert the right
to ngs of Ameri
citizens in order to avoid embarrassment
of foreign governments and their
peoples."
lam happy to say that I received a
letter from Guy Coriden, director of the
State Department's Office of International
Arts Affairs, telling me that the pro-
vision would be waived for me and
Vegetables, the first Amer
R
ie the wr
an
PLAYBOY
would not appear in future contracts.
Prentice-Hall will be publishing my book,
Rock Goes to Russia, this fall. I hope this
resistance to tlie Government's censorship
attempt will be a warning to other writers
to remain vigilant in the protection of
their First Amendment rights.
Thom Gambino
Maspeth, New York
WASTE NOT, WANT NOT
Government promises notwithstand-
ing, consumer prices have mot been
stabilized in this country. It appears thar
nothing will be spared going the way of
the five-cent candy bar and three-cent
postage stamp. Soon we may even be
bowled over with news storics like this:
The Metropolitan Toilet Author-
e perfect Bicentennial souvenir
ity (M.T.A.) and city officials met
A BIC (bee-eye-cee) Multiple Play Manual Turntable is one of the early this morning in emergency
finest turntables you can buy at any price. session in an attempt to resolve the
It also happens to be the only multiple play turntable developed and city's current pay-toilet crisis. It was
built entirely inthe USA, and we think it has alot to say about some announced yesterday that, due to in-
particularly American qualities we're celebrating in this bicentennial year. creased economic pressures, many
It's innovative. When it first appeared it did things no other turntable public facilities would be forced to
could do. Today it’s still miles ahead of the competition from abroad. increase the price of pay toilets
It's tough and honest. There are no frills for the sake of frills. Just a from ten to 25 cents. City officials
rugged instrument that does what it's supposed to do...superbly. and the M.T.A. emerged from their
‘Technologically it’s a masterpiece. And in the best American tradition meeting with a compromise pay-as-
it's priced so that anyone seriously interested in good music can afford one. you-go plan in place of a flat rate.
There are three models: the 940 — about $110, the 960— about $160, and The plan was immediately chal-
the 980 — about $200. See them at your audio dealers. Or write for information lenged, however, and taken to the
to B. C Turntables, Westbury, N. N. 11590. K state supreme court, which, in special
session, ruled that the compromise
ETE NOUSRESCO ADWSENOF ANETHE 1976 was in flagrant violation of squatters’
rights.
Early this afternoon, the M.T.A.
countered with an offer of two-for-
one weekend sales and special rush-
hour rates in an effort to abate the
winds of protest. But critics de-
scribed the proposals as “a tissue of
compromises.”
In desperation, city officials ap-
pealed to the state for aid, but the
governor dedined to involve him-
self in what he called "a messy situ-
ation." He was quoted as saying that
he would like to “wash [his] hands of
the whole
Poli
try,
consumer movement, could not risk
Razors turning the other check to such a
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Some clarification is needed to calm
down public hysteria over a film phe-
nomenon known as Snuff. This dreary.
ng hoax earned $203,000 during
the carly wecks of its New York run,
was closed in Philadelphia after being
picketed, was denied a license by Mary-
land's censors and drew excited press
comment—if not paying customers—
aller opening in cities across the coun-
uy. The fuss that paved the way for
. with credulous
mored to be a repulsive and inevitable
new dimension in pornography.
simulated screen sex gradually escalated
into actual sex, then did it not logically
follow that violence in films might also
become hard-core? Well, yes, if you sub-
scribe to the logic of, say, mass murderer
Charles Manson, who popularized snuff
as a synonym for murder and was
rumored to have filmed ritual murders
by members of his tribe.
Though no one has ever found a
Manson murder flick, stories persisted
that other such films were on the mar-
ket—probably made in I Amer-
ica—with black-market prints going
for $1500 apiece and up, tickets to
furtive private screenings costing sick
thrill seekers $200 a head.
Early this year, New York distribu-
tor Allan Shackleton of Monarch
Releasing Corporation leaped to fill
the gap between fact and fancy and
fat profits by launching Snuff in Man-
hattan. According to Monarch's una-
bashedly offensive ad campaign, this
was it: “The Bloodiest thing that ever
happened in front of a camera. . .. The
film that could only be made in South
America . . . where life is CHEAP!"
With Shackleton coyly avoiding a state-
ment about whether the filin's horren-
dous final scene was real or faked, Snuff
richly fulfilled his primary objectives of
whipping up controversy and boosting
box-office re
Snuff, in fact, is a totally fraudulent
shocker (aptly described by one Mon-
arch spokesman as "a piece of shit")
that was made in Argentina in the early
Seventies, as a sleazy exploitation
quickie titled Slaughter. Badly dubbed.
into English and generally inept, the
movie describes how a murderous M
sonlike girl gang goes around killing
people. Awkwardly tacked on to the end
of this crude trivia is a seven-minute
film within the film that has nothing
to do with what went before but shows
a fully clothed blonde actress being
dismembered by a mani male
armed with a knife, shears and a port-
able buzz sa g was
shot in New York, at a cost of several
SNUFF AND CENSORSHIP
thousand dollars, by a rightly embar
rassed group of commercial film hacks
who would rather remain anonymous.
Aft lengthy investigation, Manhat-
tan's district attorney officially declared
Snuff bogus; his men had met the sup
posedly murdered actress and her di.
rector and determined that: ~The
so-called killing scene is nothing more
than conventional trick photography."
"The more important issues raised by
the Snuff case are crassly dismissed as
elevant” by Shackletoi e hyster-
ically exploited by bluenose groups
secking some moral justification for
film censorship and are further ob-
scured by such liberal do-gooders as
Susan Sontag, Eric Bentley, Ellen Bur-
styn and Gloria Steinem, who con-
demned Snuff for selling murder as
sexual entertainment, Of course they
object to murder. Who doesnt?
But why link sex with murder, hard-
core with homicide, unless there's a
curious, inexplicable need to equate
them? Especially since Snuff bears little
or no relationship to porno films as
such but might be compared with con-
temporary cult-camp horror classics in
the vein of The Texas Chainsaw Mas-
sacre, Night of the Living Dead or
even Andy Warhol's Frankenstein. One
answer was suggested by that p
spoken king of smut, Screw publisher
AL Goldstein, who swept away Snuff
and the entire snuff-movie panda
nium as "bullshit created by the morals
squad to give pornography a black eye.”
Though he may overstate it, Gold.
stein has a point about the selLap-
pointed or state appointed guardians of
our morality—who are miles off the
beam in secking to use snuff films
ammunition in their dogged battle to
ban explicit sexual material from
screen, stage and page. High levels of
outright violence are still tolerated,
even on television, both in fictional
form and as news coverage. An anti-
obscenity militant is more likely to
express alarm that sex films, hard-core
or soft, are showing a trendy increase of
heavy S/M and bondage sequences to
entice customers weary of the same old
fuck-and-suck formula. True enough.
But none of it is being forced on a
ptive audience.
lf taste and discretion. were subject
1o legislative decree, we might all live
in a pure, happy, sexually potent, un-
polluted totalitarian state where no
one would be crazy enough to lay out
four dollars or more to see Snuff, But it
doesn't work that way, so why don't we
all settle down and let the market place
get rid of our garbage?
—BRUGE WILLIAMSON
o-
“Tve always been opposed to waste,
both within government and with-
out. It should be eliminated with-
out delay.” He did not elaborate.
Michael D. Aita
air Lawn, New Jersey
PUNISHMENT AND CRIME
There are people spending years in
prison for having a little bit of weed on
them, but a woman who murdered her
own son gets only six months
The woman in question is a school
teacher whose 18-year-old son was taken
to the hospital with a drug overdose in
April 1975. Doctors had pronounced him
out of danger, but she took a pistol and
shot him six times as he lay, semicon-
scious, strapped to a stretcher. She was
sentenced to a term of 4 to 95 years in
Augus, and in December the governor
of Ohio commuted the sentence to one
to ten years, She was released on parole
in February, less than a year after killing
her son, and says she intends to retuim
to teaching.
Kenneth Starbuck
l, Ohio
EMPLOYMENT INQUISITION
l was quite interested in the letter
from Manucl Ramos, who had been
given a grant from Yale University to
nd out what his friends from the old
drug and flower days are doing now (The
Playboy Forum, February). 1 found that
it isn’t easy for a person to move from
the counterculture to the straight world.
I have a secretarial job with a big
corporation. I passed all of my inter-
views easily. When I accepted the job.
the personnel department told me to re-
port for a medical exam. The nurse took
my blood pressure, noticed two marks
on my arm and Jooked at the other arm,
which has a mark on it as well. She
asked me whether I had gi blood
recently. Since she gave me the excuse,
I took her up on it and replied afirma-
tively, though I've never given blood
my life. She kept touching the m
on my arms and mumbled something
to herself thar was inaudible to me. But
suddenly hit me that no big company
is likely to be willing to hi ex-
junkie. My answers to the rest of the
interview questions were a pack of lies.
My need for a job would not allow me
to answer truthfully such questions about
my past as: Did you ever have venereal
disease? (Twice) Have you ever been
heavily sedated or tranquilized for any
reason? (When I was in a mental hospi-
tal kicking a methadone habit.) Are you
ave you ever been addicted to
any narcotic drug? (Heroin, methadone,
you name it, I took it.) There were many
other questions that I couldn't answer
honestly. Yet I had to sign the form.
1 have been totally clean—not. even
pot—lor over three years, and I resent
s
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this kind of prying. Even if 1 were on
a methadone maintenance program, it
seems to me that information about my
history of drug use should be known only
to the treatment center. I hope even-
tually I will not feel it necessary to hide
the fact that I was strong enough to kick
several heroin habits à a methadone
habit that was much more difficult. For
now, I feel I've done what I had to do
in order to get job.
(Name withheld by request)
New York, New York
THE NEXT STEP ON GRASS
Now that eight states have reduced or
eliminated crimin
session of small
s of pot, I'm
concerned about where we go from here.
Decriminalization is a desirable first step,
but it makes no sense to me that it be
accompanied by heavy jail penalties for
sale of pot. For one thing, we all know.
that an occasional narcotics agent isn't
above enticing pot users into making
sales or even planting extra weed on
ns to make a bigger bust.
Furthermore, if some of our legislators
now say that smoking grass is harmless,
it’s ridiculous to throw people in
for dealing the stuff. 1 think it's time
those of us who favor marijuanadaw re-
form stop calli
and start talking legalization.
adelphia, Pennsylvani
All the states that have adopted de-
criminalization kept some civil
penalty for possession, showing that
legislators still don't think smoking grass
is a good thing. Recognizing this, the
National Organization for the Reform of
Marijuana Laws has called for studies to
examine various ways of regulating mari-
juana traffic. “which would both mini-
mize the potential for abuse and not
encourage use.” We agree that eventual
legalization of the sale of marijuana is a
al and humanitarian necessity, but
let's take one step at a time.
have
BEATITUDE
When my husband and I met, he admi
ted that he had been to bed with one other
girl before me and that he had been mas
turbating for years. We took a course in
human sexuality at the university where we
met and it opened our eyes and answered
some of our qu
about masturbation wasn't satisfied, After
some practice, my husband brought me
to my first orgasm by masturbating me.
The experience was marvelous and I
ed him how he felt when he mastur-
bated himself. As he told me about wh:
happened to him physically and mentally,
he got an erection and I felt excited. The
thought of actually watching my husband
have an orgasm (you don't get to sec much
when you're screwing) turned me on even
sions. But my curiosity
more. So I shocked us both by asking
him to beat off in front of me. He had
never done that before in front o!
d felt a little shy about it, but we both
thought it would do us some good.
As a result of that night, masturbation
has become a regular part of our sexual
repertory. We masturbate each other and
ourselves and when sexual excitement is
at a peak, we either get off in this manner
or proceed to intercourse. It is a beautiful
experience.
(Name withheld by request)
Columbus, Ohio
MARRIED MASTURBATORS
After reading all the happy testimon
als from married. masturbators in The
Playboy Forum, I've decided that I won't
do any masturbating just now. Im going
to save it for marriage.
E. Nash
Detroit, Michigan
ONEROUS ONANISM
You might be interested in the view-
point of an existential psychologist on
masturbation, Much of my time is spent
speaking with and listening to students
When they discover they can trust me,
they open up and describe to me the
most amazing behavior, experiences and
feelings. There is one issue, however,
that, except for those few who delight
ng. can be spoken of only
great he n and profound
shame and guilt —masturbation.
The feelings mest people have about
masturbation take one of two forms.
First, we may think that if we mastur-
bate, it is a symptom that our sex life
is not adequate or not normal or not ful-
filled or not seltactualizing. According
to this belief, il we have to masturbate,
its because we're not screwing enough;
and if we're not screwing enough, its
because we haven't taken our rightful
place in the fantasy land of continuous
orgies; and if we're not living in this
fantasy land, it's because we aren't prop-
erly relating to others; and if we aren't
properly relating, then—and this is what
it boils down to— € somehow weird
or sick or disturbed or lacking. Or,
second, we may think that if we mastur-
bate, it's because we are afflicted with
loathsome, animalistic, ungodly drives.
In the first case, we feel we're lacking
in social or interpersonal development; in
the second, in spiritual development (i
we have failed to destroy our bodies).
Both attitudes lead to a single self
nterpre hat either psychologically
or morally I am a disaster area. The real
disaster is the fact that even the most
supposedly enlightened of us in our
psychologically sophisticated and emanci-
pated society that expertly advises us on
sexual know-how can still cling to these
merciless notions of masturbation.
Whether we are living alone or with
someone else; whether we are indulging
in a grcat deal of interpersonal sexual
activity, a little or none at all; whether our
we are at the moment alone or with
someone else: whether we do it ourselves
or another does it for u Il right to
masturbate. As I write this, I feel helpless
because I cannot cite any medical or scien: 9
tific evidence that supports this, I cannot
compose any eloquent argument to justify 8
this, I cannot prove this. But it's true, It's easy with Remote £0. We call this TOTAL CONCEPT.
nevertheless. In fact, it's perfectly in Go to the nearest phone, dial Everything is built into one
order that I feel helpless now, because it's your own phone number and self-contained unit, by design.
silly to attempt to justify that which the small beeper you Built-in Remote Control, built-
doesn't need to be justified: Masturba- carry with you will trigger your in VOX lvoice actuation,
tion is its own justification. Record a Call automatic tele- records as long as the caller
On the other hand, the mountain of phone answering machine to play V
self-destructive feclings that falls upon | back all your stored messages * ee
i ap i rapid rewind, fast forward,
us as a result of our attitudes toward | Lon can then command Record ull B
5 yo „E.D. message light and
masturbation is what must be examined, | — 9 Call 80 to hold these mes erue
a DA ae B sages until you get back, et the many other features.
because it can never be justified. When Elke n e Approved to be plugged
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a great and onerous weight had been control). with no monthly
lifted from them, ‘They wish that some service charge.
one had set them straight long ago; tl
especially wish that when they were
young, they had been persuaded to ignore
their parents, tea
told them that they were committing Remote 80 $299.95 . . . Other models: VOX 70 $199.95, AUTO 60 $169.95
mortal sin or that they were queer. .
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7 sii, Pennsylvant
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SEXUAL SNACKING
As a happily married, uninhibited
woman, I'd like to state that 1 think oc.
casional masturbation for husband or wile A
is fine, as when the other partner is ill or Candypants is the
unavailable. But for one parmer to mas- totally-edible
turbate on a regular basis, without the raste sensation
knowledge or consent of the other partner, that's sweeping
is pure selfishness in my opinion. He or e
she is cheating the other of sex that is comes ind rug
tfully the partner's. er
hink of good sex as a good meal. If Split, Wild Cherry
you snacked on and off all day, how - and Hot Chocolate
would you feel when you sit down to a —you & your loving
good dinner that had been prepared espe- friends will come
cally for you? Well, you'd probably eat, back for more.
but the edge would have been taken off Order Now, before
your appetite, right? How much more the rush!
you would have enjoyed the meal if you'd
used a little self-control and. been really
hungry when you sat down to eat. When
you masturbate, you're taking the edge
off your sexual appetite and denying your
partner that extra energy that makes the
m
difference between just good sex and > ee AA SEND ME! 3 835
7 Dear Gentleperson, I've enclosed a check or money order. [Illinois residents, please acd 5%
really terrific sex. sales tax). Please send me. the following one-size-fits-all. totally-edible, set-me free pair/pairs
(Name withheld by request) of male/female Candypants for $5.99 a pair or $11.00 for two pair
McLeansboro, Illinois
We find it hard to swallow thai : Name
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59
Pioneer has
conquered the one
big problem of
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Cp Je
. 4 * ;
L
*
The high price.
The best way to judge the new
Pioneer PL-510 turntable is to
pretend it costs about $100 more.
Then see for yourself if its worth that
kind of money.
First. note the
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The massive.
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45 RPM.
‘The S-shaped tone arm is made
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functionally grouped for one-handed
operation.
But the most expensive feature of
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as in the costliest turntables.
Thats why the rumble level is
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stringent JIS standard. And thats why
For under $200;
ou can now own the
direct-drive PL-510.
the wow and flutter remain below
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The PL-510 is truly the inaudible
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Vibrations
are damped out
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suspension.
The base floats
on rubber
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inside the four feet. And the turntable
chassis floats on springs suspended
from the top panel of the base. Stylus
hopping and tone arm skittering
become virtually impossible.
But if all this won't persuade you
to buy a high-priced turntable. even
without the high price. Pioneer has
three other new models for even less.
The PL-117D for under 8175:
= The PL-115D for
under $125% And
the amazing
PL-112D for
under $1007
None of these
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vone of them has more wow
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So it seems that Pioneer has also
conquered the one big problem of
low-priced turntables.
The low performance.
U.S. Pioneer Electronics Corp.,
75 Oxford Drive. Moonachie,
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Y PIONEER
Anyone can hear the difference.
For informational purposes only. The actual resale prices will be set by the individual Pioneer dealer at his option.
PLAYBOY
62
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..... ̃ TAM erii
THE WAY
THEY
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outside marriage and anything else that is
considered either normal or abnormal for
men or women. So what do you say about
bestiality? nly, Tm just curious. I
grew up in a rural community in south
Texas where this was a common joke and
where a few of my high school friends
even bragged how they had made it with
various animals, from sheep to heilers to
hens. In fact, I didn't know that sex with
ls was a criminal offense until I
got into college in 1962 and the subject
Gime up among some prelaw students in
the course of a beer party. I never had
sex with an animal, mostly for lack of
opportunity. But it never occurred to me
that there was anything perverse about it,
and the country boys I grew up with
never indicated that they would prefer an
animal to a girl, It was simply a ques
tion of availability—what or who would
cither hold still the longest or protest
the least. Anyway, that’s how I saw it.
and while this wasn't my meat (so to
speak), 1 have never considered it sick or
understood why laws would be passed to
make it a aime. I never knew anyone
who would screw an animal if there was
a human available, and I never knew an
animal that would care one way or the
other as long as it was properly fed and
cared for,
(Name withheld by request)
Tulsa, Oklahoma
In ancient times, women were consid-
ered the property of their husbands, who,
10 this very day, tend to be possessive and
jealous when their wives engage in sex
with strangers. Modern farmers feel the
same way about their livestock. Libera-
lion takes timc.
BUILD-UP TO A LETDOWN
Tm a new nursing mother and I
regularly attend meetings on techniques
of breast feeding. One aspect of a prob-
lem we often discuss is the letdown re-
flex, which is the filling of the breasts
with milk from the ducts. Hopefully, it
occurs cach time the infant is due to
Iced. Experienced breast-feeding mothers
are aware of it as a tingling sensation
and it happens automatically for them,
but new mothers have to make it
happen. There are various ways to do
this, such as taking a hot shower, having
a cup of hot milk or drinking beer, w
or brandy. 1 am just beginning to be
able to control the letdown reflex, but
I never prod ly as when
I perform fellatio. So far, though, I've
been too shy to share this trick with
other mothers at meetings.
(Name withheld by request)
Abilene, Kansas
CORRECTING IMPOTENCE
In the November 1975 Playboy Ad
visor, a rather complicated surgical pro-
cedure was described as one answer for
the problem of impotence. Fortunately,
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PLAYBOY
impotence can also be corrected through
a fairly simple operation that can be per-
formed by a plastic surgeon or a urolo-
gist in almost every state. Basically, two
5 rods are inserted into
two compartments of the penis so that
the man is able to have intercourse. The
penis bends quite easily, allowing the in-
lual to wear clothing without any
embarrassing bulge. Complications are
re and the hospital stay is between
three and. five days. Intercourse may be-
gin six weeks following surgery.
Problems of impotence are rarely scri-
ously discussed and the subject is often
treated with humor. However, to the man
who suffers from erectile impotence,
whether the cause is psychological or or-
ganic, the results can. be personally dev-
tating. The man usually has the desire
nd the ability to ejaculate, but he just
cannot get an erection. This brings about
sclf-doubts, anxiety and depression, since
his feelings about himself are often close-
ly related to his sexuality.
It is true that most cases of erectile
impotence are psychological. There are,
however, many organic causes; for ex-
mple, there are probably at least
1,000,000 men in the U, S. who are impo-
tent from diabetes alone. As for ps
logically impotent men, there are some,
perhaps a great many, who do not re-
spond to psychotherapy. No one should
perform the penile imp i
the psychologically impotent person as
the method of first choice. Certainly we
would recommend a full medical and
psychological evaluation and a trial of
psychotherapy before turning to surgery.
But we in medicine cannot turn our
backs on the psychologically impotent
patient when conservative measures fail
When a modern surgical procedure is
available to alleviate a problem, it would
gic to deny the benefits to a pa-
be tr
tient simply because the cause
fied as psychological.
James O. Stallings, M.D.
Des Moines, low
identi-
SMALL BREASTS PREFERRED
I am shocked at the idea that some
women would attempt to augment the
size of their breasts through plastic
surgery. Small ts are beautil
They're a turn-on in the sense that no
matter how old the woman, her breasts
will remind a man of a girl. And small-
breasted women tend to look good at
age, while their big-breasted counter-
ts tend to droop like cows as they
have children or reach middle age. If it
is true that men are attracted to women's
breasts as a regression to in it is
also true that breast size has nothing to
do with milk output. And small-breasted
women can go without bras more suc-
cessfully.
Hopefully, in the future, women with
big boobs will be looking for ways to
reduce their bust size so as to look as
bre:
youthful and exciting as their small-
ted sisters.
Dave Thor
Moses Lake, Washington
SEX, FUN AND THE VATICAN
As a former Catholic, 1 was interested
the press reports on the new Vatican
declaration on sex morality. Was it
possible, I kept wondering, that my
favorite practices might now be accept-
able to the Pope and the college of
linals and I could return to the
bosom of mother Church? Alas, no. Near
ly everything I like is still verboten. by
Rome—except for one thing. According
to a Vatican spokesman, the Church “is
fully al pleasure so long
it d in a legitimate way
marriage
What a breath of fresh air! What a
revolutionary doctrine! As Lewis Car-
roll once wrote, “O frabjous day! Cal-
looh! Callay!”
(Name withheld by request)
New York, New York
in favor of sexu
e
THE POLITICS OF ABORTION
Who is Ellen McCormack? According
to lvertisement in a newspaper pub-
lished by the Catholic Diocese of San
Diego. she is seeking the Democratic
nomination for President of the U. S. As
a candidate whose only interest is pro-
moting the antiabortion cause, she
perpetrating a completely legal de
ing of the American taxpayer.
She has successfully raised the necessary
minimum amount of money, and the
Government will provide matching funds
for her campaign coffers, under terms of
a Federal law designated to aid the less.
financially fortunate running for that
office.
With the funds thus collected and as
socalled bona fide candidate, McCor-
mack will gain access to the media. She
has no real intention to scck the Presi
dency. Instead, she will spread what, in
my opinion, is a brand of religious
bigotry by disseminating antiabortion
material across the country.
That seems to me a serious blow to
our freedoms of choice and religion. Aud
we taxpayers are underwriting half the
cost.
ad-
Robert A. Butts
San Diego, California
RIGHT TO MISERY
The tto-lifers are nothing more
than true believers whose mental de-
ficiencies include a compelling need to
ding to some grand theology, to defend
it with spurious reasoning and, if pos-
sible, to validate it by imposing it on as
many other people as possible. They
don't give a damn about life, particukw-
ly the quality of life. They would ruin
individuals lives with compulsory child-
birth and would sce millions of children
starve, live in poverty or without love
and opportunity for happiness, just to
honor theological doctrine propagated
by the institution that dictates their be-
liefs and otherwise relieves them of the
ndividual responsibility to think. If the
Pope went crackers and decreed that
every third child be sacrificed for the
greater glory of God, the fetus people
would find some way to justify that
madness, too.
Walter Herman
Chicago, Illinois
PAPAL PARADOX
The Italian parliament is considering
a bil to liberalize abortion and the
Vatican has issued a statement describ-
ng abortion as "Hitlers revenge.” One
of the favorite pieces of illogic used in
Catholic antiabortion propaganda these
days is the attempt to equate the destruc-
tion of fetuses (which are not persons)
with Hitler's genocide (which w
petrated on persons). Consider
Vatican’s abject silence about Hitlei
crimes, the hypocrisy of this is sickening.
it is easier and safer to pick
on pregnant women now than it was to
criticize the Nazis in the days of their
power.
The Vatican also turns a blind eye to
the fact tha ent abortion
was enacted by Hitler’s pal, the Fascist
dictator Mussolini. This totalitarian law
calls abortioi nst "the in-
tegrity of the rac
Its those who would prohibit abortion
who arc the Hitlers, not those who would
give women freedom of choice.
L. Miller
Los Angeles, Calilornia
The only time Hiller ever gave a
woman a choice was when he asked Eva
Braun whether she'd. rather shoot her-
self or take cyanide.
ABORTION AND MINORITIES
When he suggests that legalized abor-
tion will somchow result in the denial of
personhood status to racial minoriti
the mentally retarded, Hugo Carl Koch
(The Playboy Forum, Febru:
to acknowledge the social conditions and
tudes in those countries where abor-
tion has been readily available for ye:
For example, in Scandinavi i the
Peoples Republic of China, the care
afforded to those who are aged, infirm or
mentally retarded appears to be much
better and more extensive than in such
countries as Brazil, Chile or Spain, where
the right to legal abortion is denied.
Earlier in this century, Naz Germany
enforced onc of the harshest antiabortion
and anticontraception policies the world
has ever known. Clearly, this did not go
along with respect for life generally.
Iso, one has but to look at the people
who consistently vore against abortion
ights, such as Senators Dewey Bartlett,
James Buckley and Jesse Helms; they
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also consistently vote against social-
welfare policies that would benefit the
elderly, minorities, the mentally retarded.
and other handicapped persons.
Roger Johnson
Chevy Chase, Maryland
A WOMAN'S CONSCIENCE
I congratulate you on your response to
the antiabortion letter from Hugo Carl
Koch. You express my feelings on abor-
tion and religion in one short paragraph.
Three years ago, at the age of 15,
I was an overly ripe female just waiting
to be picked. A horny male of 28 plucked
me—and got me pregnant. After battling
ith my Catholic parents, I obtained a
legal abortion and survived it with no
physical or mental scars. The only thing
I lost was an unwanted fetus. What did
I gain? Selfreliance and self-awareness.
I agree with rtayeoy 100 percent.
The final authority on the morality of
abortion can only be the woman's own
conscience.
(Name withheld by request)
Scouts Valley, California
As a woman who believes she has a
right to terminate a pregnancy, I found
myself in total disagreement with Hugo
Carl Koch's letter. There are many
children in orphanages, many of them of
minority races. There are still more chil-
dren in unhappy, underprivileged and
overcrowded homes. And how many child
beatings, most of them unreported, take
place each year? How many children are
growing up unloved because their parents
went through with a pregnancy only be-
cause of religious beliefs? Just what kind
of hell arc all these children going
through?
It really upsets me to sce a person
arguing against abortion from some
purely abstract, philosophical position,
without really thinking about the un-
wanted child in the unhappy home or
considering the feelings of the woman
with an unwanted pregnancy.
I, as a woman, am glad we have legal
abortion. I have too many goals to have
them cut short by a child 1 would not
want and to whom I could not offer a
loving, complete home. I feel a whole lot
better living with my conscience know
that 1 have not brought one more help-
les, unwanted child into this world. 1
am content to Icave childbearing to the
people who truly want and will love
the child they conceive.
Bravo, PLaynoy, for standing next to
women in our fight for liberation and
our lives.
Sandra Stohlman
Maple Heights, Ohio
CONSULTING THE EXPERTS
Your reply to my letter opposing legal
abortion states that “legal abortion is anti-
arian: It rejects the idea that the
state can compel pregnant women to bear
tota
ALUXURY SEDAN BASED ON THE BELIEF
THAT ALL OF THE RICH ARE NOT IDLE.
Since the time of the
Caesars, the inspiration for
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suit of opulence.
Opulence often to the
exclusion of all else: per-
formance, efficiency, engi-
neering intelligence.
5070 mph, 5.9 seconds
Fant" fe ecors or Warme wr
magazine.
Even today one sees
occasional evidence of this
misguided sense of priorities
—this basic misunderstand-
ing of what it is that consti-
tutes true luxury.
Opera windows that
obscure vision. Mammoth
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cars. Interiors fashioned
more along the linesof a
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At the Bavarian
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the most refined in-line
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Patented triple-hemi-
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THE MAN WHO
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ing capabilities
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Road holding —driver
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And, to be a bit blunt,
BMW gives you a superior
suspension system. Instead
of the “solid-rear-axle” sys-
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the BMW suspension is fully
Results of the Motor Trend" 200 Ft
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Superior road holding abilities of the
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A DECIDED LACK OF
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While inside, the BMW
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Ol (brake) fade:
rey re used tne
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The more and harder t
Stronger they seem to gel "The editors of
Motor Trend sumup the results of their
rigorous multipleston brake test
fully engineered to perform a
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Individual seats are adjust-
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For many serious
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© 1976 BMW of North America, In
You can tell a lot about an individual by what he pours into his glass.
Beshimills
oe
The“Novelist” glass created forthe Bushmills Collection by Henry Halem into their glass since 1608.
A blend of 00% Irish Whiskies 86 Proof Bonded in Ireland. The Jos, Gameau Ca, New York, NY OH
children against their wishes." May I
point out, following Aristotle, that virtue
is a mean and that it can turn into a
vice both through excess and through
defect. Both anarchy and the rule of
Jaw are antitotalitarian, but the former
is a vice through defect, while the latter
is a mean and therefore a virtue. To
compel a woman to become pregnant is
totalitarianism; to compel her to take
responsibility for the predictable result
of a voluntary act, requiring her to bear
the child, is the rule of law
You state that the doctrines of the
great ethical teachers of the major rcli
gions, which ] cite as authority in my
opposition to abortion, are "wide open
to interpretation," and add, "Its any-
body's guess w Moses, Jesus or Bud-
dha might say about the question of
abortion in the light of today's biologi
cal and medical knowledge." Aside from
congratulating you for the most sopho:
moric statement ever to appear in the
pages of PLAYBOY, I would like to state
that modern biological and medical re-
scarch tells us that once technical prob.
lems are surmounted, human beings will
be gestated in the laboratory as well as
in the womb. Thus, the embryo possesses,
fter all, the potential for sustained c:
istence apart from the mother, the denial
of which formed for a long time the
crux of the argument for le bortion.
You further state that “citing higher
authority is often nothing more than a
way of ducking responsibility for one's
decisions.” I would suggest that just as
when one has a medical problem, he
doesn't treat himself but consults a phy.
sician; or when he has a legal problem, he
doesn't represent himself but retains an
attorney; so when one has an ethical di-
lemma, he doesn't go to the man in the
street or solely to his own conscience.
Unless one is gifted with the talent and
temperament for ethical speculation, he
is likely to be at least partially in error
Hugo Carl Koch
New York, New York
You seem to think that God invented
screwing for the primary purpose of
making women pregnant and producing
babies, and that anything interfering
with this process is against God's will
Believe what you like, preach what you
believe, but don't try to impose your
theology on others. Thats the rule of
religion, not the rule of law. Childbirth
may well bea predictable result of sexual
intercourse, but predictable doesn't
mean incvilable or mandatory, even by
Aristotle's logic.
The Playboy Forum" offers the
opportunity for an exlended dialog be-
lween readers and editors of this publi
cation on contemporary issues. Address all
correspondence to The Playboy Forum,
Playboy Building, 919 North Michi.
gan Avenue, Chicago, Illinois 60611,
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PLAYBOY
68
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...and now its time for a Cutty.
nao reaver: SARA JANE MOORE
a candid conversation with the woman who tried to kill president ford
In the twilight of early morning, June
8, 1975, a black man named Wilbert
“Popeye” Jackson and a woman friend
were sitting in his car in San Francisco's
Mission District, talking. Suddenly, there
was a burst of gunfire, and when it
stopped, both Jackson and his compan-
ion were dead.
At 3:30 p.m. on September 22, 1975,
near San Francisco's Union Square, a
single shot vang out, aimed at President
Gerald R. Ford. The bullet missed and
the would-be assassin, Sara Jane Moore,
was immediately subdued.
The two events are not unrelated—
and both were entangled with an even
more bizarre crime, the kidnaping of
Patricia Campbell Hearst. Sara Jane
Moore, a middle-aged divorcee then
working as a free-lance accountant in
the East Bay Area, had volunteered book-
keeping services for the People in Need
program set up by Randolph Hearst to
distribute food to the poor in fulfillment
of the demands of Patty's kidnapers,
members of the Symbionese Liberation
Army. Through PIN, Moore met Popeye
Jackson, a revolutionary who headed the
United Prisoners Union in San Francisco.
Hearst and Moore believed that Jackson
might, through his prison sources, be able
“I was stunned that I missed. I just
could not belicve that I missed. My aim
was true, the shot was good—it was just
that the 38 was a faulty gun. I had never
fired that particular gun.”
to establish contact with the S. LA. So
Sara Jane—or Sally, as she often calls
herself—became the liaison between Jack-
son and Hearst. All of which brought her
to the attention of the FBI, which re-
cruited her as an informant, asking her
to report on the leftist groups with which
she was becoming affiliated—and to
whose doctrines she says she was gradual-
ly converted.
From the beginning, Moore was fas-
cinated with Jackson, whom she regarded
as her political mentor. Eventually, she
gave up her comfortable home in sub-
urbia to move into an apartment in San
Francisco only a few blocks from where
Popeye lived. The proximity, not inci-
dentally, made it casier for her to continue
her FBI-divected surveillance. Jackson,
however, began to lose favor with other
revolutionaries, who believed he might
have received favors from the establish-
ment, notably Hearst, in exchange for
his help in the search for Patty. When he
was killed, Moore—knowing it was she,
in statements made when she had tried
to repudiate her FBI relationship, who
had let the cat out of the bag about the
Jockson-Hearst connection began look-
ing over her shoulder. She’s been doing
so ever since; her conviction that she was
marked for death, she has said, made it
"There's one part of me that’s glad 1
didn't kill another human being, but my
intent was to kill him. I knew what I
was doing. The Government has tried to
make me look like a crazy woman.”
easier to risk the assassination. attempt.
Who is Sara Jane Moore? Is that even
her real name? Most reports say that she
was born Sara Jane Kahn on Febyuary
45, 1930, in Charleston, West Virginia,
and that Moore was her mother’s name.
Other published accounts vary; some say
she was married twice, others four times;
that she had borne four children, or five;
that as a WAC in 1950 she fainted near
the White House, suffering from amnesia.
Moore herself refuses to clarify her past.
Adding to the air of mystery surrounding
her case is the fact that U.S. District
Judge Samuel Conti, in pronouncing a
sentence of life imprisonment after she
entered a plea of guilty to the charge of
attempted assassination, sealed all the
trial evidence.
Andrew Hill, a fiee-lance writer and
television newsman in San Francisco, met
Moore during her stint with the People
in Need program. A year later, he saw
her again, marching in support of Cesar
Chavez United Farm Workers. After
her arrest for the assassination attempt,
Hill wrote an article about Moore, which
she read. Deciding that he was perhaps
one representative of the media she could
trust, she invited him to visit her in her
cell in the San Francisco County Jail,
STEPHANIE MAZE
"Look at me—would you believe it
if 1 said, "I'm an FBI pig? A white,
upper-middle-class suburbanite wander-
ing around in the left? That's why I was
good at it; I just don’t look like an agent.”
69
PLAYBOY
70
where she was incarcerated before sen-
tencing. She has since been transferred
to the Federal prison at Terminal Island,
California. Hill's report on his two ses-
sions with her, on which, plus several
subsequent telephone conversations, this
interview is based:
"I wondered what everybody else won-
dered about Sara Jane Moore: How did
a seemingly well-educated, middle-class
divorcee get entangled in such a mess?
And why did she think knocking off the
President would solve her problems?
These are the things I asked her, and,
to my surprise, she answered my ques-
tions with glib candor. She talked mostly
about the FBI, about how she had
naively believed that its agents were truly
her friends, and about her resentment that
that aspect of her life had not been more
fully publicized. She spoke compassion-
ately about her nine-year-old son, Fred-
erick, whom she has tried lo protect from
the consequences of her action. She has ar-
ranged for him to live with friends in
her absence.
“I came away from the sessions with
the feeling that here was not so much a
political kook as a victim—perhaps the
yield of Bicentennial America, an un-
blended brew of stars, stripes, media
hype, domestic spying and urban guervilla
warfare. It's especially difficult to cast this
buoyant woman in the vole of assassin, Yet
she has insisted, in court, that such was,
indeed, her intent. Our conversation
began on that note.”
PLAYBOY: You told the court at the time
you entered your guilty plea that you did
tend to kill President Ford when you
shot at him. Do you still stand by that
statement?
MOORE: Yes, I wish I had killed him. Since
I was arrested, I've been in four different
jails. In each of them, people have asked
me, "What were you trying to do when
you fired the shot?” I always say, "I was
trying to kill him." "That's good for a min-
ute or two of dead silence, because every-
body expects I'm going to be struck dead
on the spot. But then—whether the wom-
en are black or white, old or young,
assault and battery, possession of mari-
juana or whatever—every one of them
says, with really intense emotion, “I wish
you had killed the motherfucker,”
PLAYBOY: Whiat, specifically, do you have
against President Ford?
MOORE: Oh, Ford is a nebbish. I have
nothing against him personally. It was
the office of the Presidency that I was
trying to attack. Killing Ford would have
shaken a lot of people up. More impor-
tantly, it would have elevated Nelson
Rockefeller to the Presidency, and then
people would sce who the actual leaders
of the country are. I guess I was giving
credit for a lot
political awareness than he has.
You see, what we have now is a phony
n for
Government. Nobody ever elected Rocky
to the Vice Presidency; he was governor of
a state, Nobody elected Ford President; he
a Representative from a Congre
al district. We've never
racy here or anything ev
it; now we don't even hav
government. We have a facade up there,
and people say, This proves the system
works." But it doesn't. All it proves is
that they—the real rulers of our coun-
try—have got a good thing going. Killing
Ford would have meant that people would
have had to face Rocky head on, which
should rouse a lot of people out of their
ng daydreams.
PLAYBOY: But how can you possibly jus-
y assassination as a tool of political
education?
MOORE How you justify hitting a
child? That's what you do when you
spank him. A government that uses as-
tool—whether against po-
al leaders in other countries or against
its own citizens to put down dissent—has
to expect to have that tool turned against
“A government that uses
assassination as a tool—
whether in other countries
or against its own citizens—
has to expect to have that
tool turned against it.”
t the necessity for it, but E think
it will be used more and moi
kill another human. being, but
ll him. I knew what
l was doing. The Government has tried
to make me look like a crazy we
Thats impression being delibe:
fostered—with the press's enthu:
operation—that I am a poor demented
woman who wi and in a
moment of madness fired at Geral
PLAYBOY: Isn't that the most likely expla-
nation of your act?
moore: Look, in cvery cise of violent
political protest, there is a serious attempt
to put it down as a kook's act and as
quickly and quietly as possible sweep it
under the rug, where we try to hide the
growing discontent of the people in this
coun Am I mad? That was for the
psychiatrists and the courts to decide, and
they said I was competent to stand trial.
if am mad, it's because I was driven
10 it by a growing feeling of rage at what
has happe! this, my country, and a
growing feeling of frustration at being
unable to do anything about it.
You know, there's been a lot of talk
about the need for more money to pro-
vide protection for Ford and other poli
cians. Doesn't anybody realize that the
j to protect our so-called leaders
tive change in
this country so that we would have
leaders who are of the people, a Govern-
ment by the people and for the people?
Thats what our American tradition says
supposed to have. What we do
have are PR puppets controlled by
corporate money monsters: enemics of the
people. Somebody, somewhere along the
way, must strike the spark that will kin-
dle the prairie fire of a revolution i
America. I tried and failed.
PLAYBOY; You've been quoted as saying
il you had had your 44, if the police
hadn't confiscated it, you would have got
Ford. Is that what you feel?
MOORE: Well, you know, I was stunned
that I missed. I just could not believe that
I missed. The trajectory of the shot,
the hi ol the gun, leads me to believe
that my aim was true, the shot was good—
it was just that the .3
Thad never fired that
-38 I used that day. The police had confis-
cated my 44 the day before, so 1 had to
get another gun that morning, Septem-
ber 22.
PLAYBOY: And your shot went wild. What
were you aiming for?
MOORE: His face. 1 knew he was wearing
a bulletproof vest. It was always going to
be a face shot. I'd been practicing.
PLAYBOY: What did you practice on?
MOORE: A board about cight inches wide.
PLAYBOY: Can you recall any of your feel-
ings that day, when you fired at the
President?
MOORE: I can even recite for you a poem.
1 wrote at the time. I think it expresses
my Icelings as well as anything:
Hold—hold
Still my hand
Stcady my eye
Chill my heart
And let my gun
Sing for the people
Scream their anger
Cleanse with their hate
And kill this monster.
PLAYBOY: Was there no moment at which
your determination wavered?
MOORE: Oh, yes. There was a point where
anything could have stopped me and al-
most did. The most 1 little th
and I would have said, “Oh, this
ludicrous. What am 1 doing standing
here?" There was a point where I was
trapped . . . L was actually up on the
ropes, my hand in my purse, my finger
on the trigger and the hammer back on
the gun. I couldn't move, even if 1 had
wanted to leave. I did try to leave once,
but the crowd was just so tight . . . there
was a point where I thought, “This
to be the most ridiculous thing I ha
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PLAYBOY
72
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done in my entire life. What the hell am
I doing here. getting ready to shoot the
President?” I turned around to leave.
Couldn't get through the crowd.
PLAYBOY: Weren't you concerned that you
ht shoot an innocent bystander?
MOORE: One of the things that bothered
me about my court hearing was that one
of the Secret Service agents lied about
that. He said I told him I would have
shot into the crowd. Actually, I told him
I wouldn't have. That morning, I was
listening to the newscasts about the Pres-
ident's coming in at the airport. The me-
dia people reported that he had been so.
surrounded by Secret Service men that
they hadn't been able to see him. And I
thought, “Oh-oh,” because that possibil.
ity had never occurred to me. If he had
come out with people very close to him or
in front of him, I would not have fired.
PLAYBOY: The possibility of Ford's being
surrounded never occurred to you? Only
a few weeks earlier, Lynette Fromme had
pointed a gun at him, in the same part
of the country. Certainly you realized he
would have guards?
MOORE: Yes, 1 knew he would have guards,
but a politician can't appear to fear the
people and has to risk some exposure to
them. "Thats why I had wanted to go to
Palo Alio, where he was spcaking the
day before—to see what kind of security
was around him. But I never got there,
because I was picked up by the San Fran-
cisco police on orders—as I learned later
that night—of the Secret Service.
PLAYBOY: What was their reason for sus-
pecting you?
MOORE: The San Francisco Police Depart-
ment said it had had a tip I was carrying
a loaded gun. The gun, my 44, was not
loaded, and they let me go after a couple
of hours. But they did keep both the gun
and the ammunition they found in the
car. When the Secret Service men picked
me up later that night, they admitted it
was they who had ordered the arrest
They said it was because they had had
a tip I was going to Palo Alto with a
loaded gun and might be planning t0
shoot the President. I told them I had
wanted to go to Palo Alto to attend the
anti-Ford demonstration, not to shoot the
President, and that I had a gun with
me because I always carried it
At the end of the interview, 1 à
“What the hell does all of this mean?
"They said, “In the future, any time you
and the President are in the same city, we
will come and get you and at least talk to
you." I asked. “For how loi or the
rest of your life.” And 1 was sitting there
thinking, "My God, for the rest of my
life!" They took me back to my flat about
midnight or one o'clock. This is going to
sound silly, but they had thrown mc onc
hell of a challenge. They had my gun.
they had my picture, but they had also
set things up so that the only chance I
had of doing this was the next day. "They
ked,
felt safe ... I seemed like such an un-
likely assassin-
PLAYBOY: When did you first get the idea
of killing Ford?
MOORE: I don't think there was any one
instant when I said, “I think it would be
a political protest
a nice thing to do
to kill the President.”
PLAYBOY: But there had to be some point
at which you started to take the steps that
would get you to Union Square on the
22nd of September.
moore: Yes, but 1 think that it was
culmination of things. I had been polir
ally active—active in terms of doing
as an FBI informant; 1 already
thing:
had the habit of political protest. And
there was more and more pressure being
put on me. There was considerable pres
sure brought on me from the lelt in
terms of proving my commitment—every
thing I did, everything they asked me to
do that I did, wasn't enough. And 1 was
getting angrier at injustices I saw. The
escalation of what to me was an accept
able political act had begun some time
before. There was also the need to break
the tie with the FBI.
PLAYBOY: What tie with the FBI? Haven't
you stated publidy tat you stopped
working for the FBI in 19742
MOORE: "That's the story I've always told
previously, but it was true only a as
it went. I did blow my own cover in July
of 1974, and for some time I didn't do
anything for the FBI. But I didn't
down and storm the FBI office and say
“I quit" And eventually, by 1975, I had
become a double agent
PlAYBOY: How long did you continue as
a double agent?
MOORE: All the timc.
PLAYBOY: Wait a minure. Were you. in
fact, doubling until the very last mo.
ment—say until the day before you took
the shot at the President?
moore: Oh, the day before the shot, I
don't think I was doing anything.
PLAYBOY: But right up to September 19752
MOORE: I'm not going to answer that, and
Fm not sure that I could. I talked to
Bert, my FBI conuol officer, the morning
of the assassination attempt, but it had
nothing to do with that. God, it is all
really hard to explain. But the FBI wasu't
going to throw me out and I wasn't feel
ing strong enough to break the tie by my
self. So, for a long time, I'd been trying
to do something that would accomplish
two things: Number one, it would public
ly commit me to several things I had said:
and, number two, I planned to burn my
self so badly with my FBI contacts that
they would not dare use me again.
PLAYBOY: We'd say you succeeded in burn
ing yourself with the FBI. But let's exam
ine what you just said about committir
yourself publicly. Can you honestly sa
that there wasn't something in you—
aside from any political considerations—
was seeking the limelight? Didn't you
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want to make history in the most notori-
ous way possible?
MOORE: No, I was not seeking publicity;
the world-wide publicity stunued me. My
world had become so small and so local
that I thought only in those terms. I
hoped the act would mark a turning
point in history but thought of myself as a
tool of history rather than a maker of it.
I still cannot fully understand or accept
how much attention has been focused on
me personally. It was the act and its
reasons that were important—that it
happened to be me was important. only
in that my background woud, I hoped,
embarrass and damage the FBI and the
Government.
PLAYBOY: When Judge Samuel Conti
pronounced sentence on you, he ex-
pressed the opinion that you never would
have shot at Ford if we still had capital-
punishment statutes on the books. You
wrote to him that the death penalty would
not have deterred you; you said you were
“already under a death sentence.” What
did you mean by thal
NOORE: I had been
threats, Just in the previous few weeks,
1 had finally got scared enough to ask
the San Francisco Police Department for
protection. I was going to get kiled. I'm
glad to see stories in the papers, finally,
that people are admitting they had told
me that. If anyone was saying 1 was safe,
I never heard it. I even got calls from
people out of town, saying, “My God, do
you know what we've heard from our
underground contacts?” They were call-
ing to tell me 1 was going to be killed.
The FBI had told me | was in danger
and they wanted to contact the S.F.P.D.
1 got them to promise not 10 do it with-
out my permission, but they did it any-
way. When people began dying around
me, though, 1 began to think maybe 1
was next.
PLAYBOY: People such as Popeye Jackson,
the black revolutionary friend of yours
who was murdered last June?
MOORE: Yes.
PLAYBOY: What reason did the FBI give
for thinking you were in danger?
MOORE: One of their other sources had
told them an organization on the left
had discovered 1 w pig and wanted to
take care of me. The FBI didn't know
for some time that 1 had blown my own
cover to the left; I didn't teil them. I
went through a very freaky time.
PlavBov: How did that whole tangle
your involvement with the FBI and with
the underground left—get started?
MOORE: I had been a political activist all
my life. People tend to think of a politi-
cal activist as a left-wing person, but a
political activist is someone who goes out
and does things. I had worked for things
I believed in for a long time, some of
them for 20 or 30 years, and they hadn't
got much better.
receiving death
PLAYBOY: Such as?
MOORE: Civil rights, particularly. I think
I first became involved when I was a
teenager and Marian Anderson was to
sing in a concert in my home town. There
was a controversy because she refused to
ing in a segregated public auditori
PLAYBOY: Where was that?
MOORE: I never talk about my p
at all. That's the choice I've made. J feel
if people who knew me wish to come
forth and identify themselves with me
that should be their choice, not something
1 dragged them into.
PLAYBOY: What about the more recent
past? How did you come to work for
the FBI?
MOORE: It all started when I volunteered
to work for the People in Need program,
the food-distribution centers that Randy
Hearst set up after Patty was kidnaped.
Popeye, who was head of the United
Prisoners Union, offered to help Randy
get in touch with Patty, and I was the
go-between, The FBI learned about it
and asked me who had made the offer
and I was afraid to tell them. I asked
them why they wanted to know and they
told me that they were not interested in
picking this person up; they were not
interested even in what he was going to
do. They said it was their policy never
to interfere with anything the family did,
that their sole concern was the safe return
of the kidnaped victim. After the victim
as safely returned, you bet your boots
they were going to go out and catch the
kidnapers and maybe kill them if they
resisted, but, according to them, until
that point, they never interfered with any
arrangements the parents made. But they
said, as 1 was well aware, Randy had be
ripped off dozens of times. We sat down
and estimated how many times Randy or
his agents had gone out on the street at
:30 in the morning with $300 to buy
information, We had all been this routc.
PLAYBOY: You speak of Hearst as Randy.
Had you him
kidnaping?
MOORE: No. I had met the Hearsts once
years before at a social function, but we
didn't know one another.
PLAYBOY: So you finally told the FBI
that it was Popeye who made the offer?
MOORE: Yes, I told them. Now, this was
a freaky thing. The FBI agents were in
and out of Randy's office all the time.
As a matter of fact, my first conversation
with than inside Hearst's
office itself. So when they said they
wanted me someone else from
the bureau, I said, “Fine.” And I called
them the next moming on my coffee
break—we had arranged that—and they
told me, “Go stand on such and such a
street corner and a green car with license
number so-and-so will pick you up." I
thought, “This has to be the wildest B-
movie nonsense I l
known before Pauys
had been
to me
c ever heard in my
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life.” They were serious; they do it just
like in the movies. I don't know whether
the movies are made because that’s the
way the bureau does it or whether the
movies have done it so often that the bu.
reau plays along, but I swear to God
it's exactly like that—the codes and all,
just like a very bad movie script. There
I was, standing on a street corner feeling
so obvious, when the green car pulled
up with a man in the back seat
PLAYBOY: Wlio was in the back seat?
MOORE: Bertram Worthington, who later
became my control officer. They wanted
to go somewhere and have coffee, but I
was scared, They had so firmly convinced
n't cool for me to be scen with
me it w
them that I was afraid to have coffee
with them. So I suggested somewhere in
Golden Gate Park and they said, “Well,
you're twice as obvious sitting in a parked
car.” We compromised by going out to
Pacific Heights and. parking.
something that’s very true
private place is a public place.
At any rate, I told the FBI then that
the man who had made the offer to
Randy Hearst was Popeye Jackson. Bere
said, “It’s highly improbable, but it's
possible that they would trust him."
PLAYBOY: They meaning the Symbionese
Liberation Army?
MOORE Yes. They asked me a lot of
questions about what Popeye said and
why I thought he kne people
and I answered them. They said that he
was telling the truth, that he did know
them. They asked me if I would look at
some pictures and I said yes. At a sub-
sequent meeting with Worthington. I
looked at the pictures, identified some
people I had either seen or met, identi-
fied one man I had met on two or
hey said
he most
ions.
They said that they had a continuing
interest in that one man in particular.
"Then I asked, "What has this got to do
with the SLA. and Patty and Popeye?”
They said, "We [eel that if anyone is
currently in touch with the S.L.A., this
man is.”
PLAYBOY: Who was he?
NOORE: I've never identified him publicly.
Ive given him a pseudonym; I call him
"Tom. When the FBI agents told me they
thought Tom was in touch with the
SL.A. I said, “You're joking.” They
assured me that they were not. I had
several conversations with Worthington.
He asked at onc point if 1 thought I
could arrange to see Tom again and if
1 was willi
with them
o do so. I agreed to work
nd Tom became my target
I was at that time attending benefits,
seminars and things on the background
of the left. I was listening to left people—
not the left people I'd worked with in
the antiwar movement, not liberals or
anything like that, but guerrilla types,
closer to terrorist types. Not Weather-
people, not S.L.A. but the group of
people in the middle who stand up and
support the bombers.
PLAYBOY: Did you come to belicve that
Tom was connected with the S.L.A.?
MOORE: Oh, well, he admitted it. Yes,
he knew most of the S.L.A. people. He
had recruited two of the original
women—not into the S.L.A. itself but
into an organization that he belonged to.
PLAYBOY: You don't know which one?
MOORE: Yes, but I'm not going to say.
PLAYBOY: Is he still active?
MOORE: Yes.
PLAYBOY: The FBI is therefore maintai
ing its continuing interest in him?
MOORE: Oh, sure. The FBI's going to chop
him down
id everybody else, too. The
FBI practice is to chop down the leaders
before they get anywhere. And they're
good at it.
PLAYBOY: Did the FBI also maintain an
interest in your connection with Jackson?
MOORE: The FBI didn't care that much
about Popeye. Ir used him as—kind of
a training thing for me. All that we
talked about in terms of Popeye was how
his people were reacting to me—how I
felt about what was being said at the
benefits and seminars I was attending;
in other words, was I being accepted by
And there were some mes
ap
repu
sociates. One of those messages I believe
to have been authentic.
PLAYBOY: Why?
MOORE: It had the right feel. Number
one, the way Popeye treated it; numba
g of it. By that time,
I was permeated with the S.L.A. I knew
people who knew its members; | had
read every communiqué, had a c
two, the wordir
I was one of the few people around who
had a copy of every onc of its tapes, every
one of its communiqués
PLAYBOY: What happened to your collec-
tion?
MOORE: I hope it hasn't been lost. The
FBI confiscated it after I was arrested,
but I think it has been returned to my
attorney's office.
PLAYBOY: Did the FBI believe the mes-
sage was genuine?
MOORE: No, the FBI had doubts about
its authenticity. One thing about the
FBI, irs very specific. For instance, if I
were writing a report on you today, I
would give the date, what time you got
here, that you ing brown
corduroy pants and Hush Puppy shoes.
were we:
eic, eic. I asked them once why they
kind of detail,
thought was trivial: where we had coffee,
whether you
wanted that which I
how you took your coffee,
ordered anything with it, the content of
your social conversation as well as your
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PLAYBOY
80
political conversation. They said it was
because they needed to know these
people as well as their best friends knew
them or better. I asked them why and they
said, "So we'll be able to predict how
they'll react." And they do. They know
the most intimate details about people—
if they really decide they want to know.
about you, theyll know how often you
go to the bathroom, I swear to God.
PLAYBOY: How much money did the FBI
offer for your services?
The money thing I would like
. I never took money for services.
money in the beginning.
but finally I did accept reimbursement for
expenditures. If they said to me, “Go to
this store and buy this book,” I would
go, and when I gave them the book, I'd
say, “That will be $1.55." The actual
amount of money I received from the
FBI was $816.26.
PLAYEOY: Were the FBI agents people you
could talk to and trust? Did you see them
socially and regard them as real people?
MOORE: In the beginning, yes, I regarded
them as real people—but I don’t totally
regard them as real people now.
PLAYBOY: What happened to alienate you
from them?
MOORE: Well, they targeted me to infil-
trate a group—they moved me very
quickly. First of all, by the time the
S.L.A. thing became moot, my purpose
had changed. The people this man, Tom,
knew were killed in the shoot-out in Los
geles where six S.L.A. members were
Killed, so it never came up again. He
knew Emily and Bill Harris, but they
weren't the people he really knew well.
By that time, I had really gone the
FBI route, infiltrating a Communist
cadre group and reporting on it. I was
by then a real Potential Security Inform-
ant, a P.S.L, as they call it. It was freaky.
I didn't like what I was doing. Those
people were not at all what the FBI
had pictured them to be—thcy'd pictured
them to be kind of cvil incarnate, paid
agents of a foreign government. They
painted them as real baddies and 1 met
them—and they weren't baddies at all.
The people 1 met were very dedicated,
extremely. I found I shared their dreams
and ] envied their dedication.
PLAYBOY: Which groups did you inform
on?
MOORE: I reported on the Vietnam Veter-
ans Against the War/Winter Soldier Or-
E ion, on the Revolutionary U
a the October League, on the Socialist
Workers Party and on the Communist
League, which later became the Com-
munist Labor Party. I reported on groups
and people peripheral to the Weather
Underground. I reported on the Prairie
Fire Organizing Committee. In addition,
I filed reports on the U. S. a People's
Friendship Association, the May First
Movement and K.D.P, which is the
Philippine Liberation Group. I also re-
ported on the Black Workers Congress.
PLAYBOY: What is meant by reporting on
groups and individuals? What, specifi-
cally, did you do?
MOORE: I take shorthand, so at meetings
I wrote up minutes. Al most meetings,
people take notes, so nobody paid much
attention to me. I made notes on conver-
sations that took place before and after
mectings: who said what to whom. I also
reported on idual people. I supplied
the FBI with addresses and phone num-
bers—even on one occasion stealing and
copying an address book belonging to
someone they had a continuing interest in.
1 reported on study groups I heard about
and who participated and what they were
reading. I looked at pictures taken at
demonstrations, identifying people and
their organizational alliliations. 1 gave
the FBI literature and, on a couple of
“One thing about the FBI,
it’s very specific.
If they really decide they
want to know about you,
they ll know how often you
go to the bathroom,
I swear to God."
occasions, copics of interr
of groups 1 knew. Some
1 policy papers
nes ] made
zations, spotting evi-
n them, and
so on. The FBI always likes to know who
in an organization is getting at the
group. One of its primary ways of re-
cruiting people is making contact with
those who are mad at organizations. If
they haven't already left the group, the
FBI tries to get them to smooth over
their differences, stay in the group and
report on it. If they've already left the
group, the FBI will contact them and
see if they want to be debriefed about
the organization.
PLAYBOY: Were your assignments specific?
MOORE: Oh, I rarely had real assignments.
They were more like suggestions to check
on particular groups. I didn't report on
every group 1 was associated with. I
worked in coalitions; I went to seminars;
1 met people; I listened. 1 jabber on and
on and it’s a real fooler, because people
analyses of org
think of me as old gabby box, but old
gabby box listens.
PLAYBOY: Did you ever give the FBI any
information that turned out to be de-
structive to the organizations and indi-
viduals you reported on?
MOORE: Well, I know now, because of the
things I've seen since my arrest, that
they started files on people they didn't
previously have files on. Someone asked
me if anyone was now in prison as the
result of any report tat I had made. I
countered that by saying there are some
people in prison on whom I had filed
reports. Whether or not anything I said
directly or indirectly responsible for
their arrests, I do not know.
PLAYBOY: Was Worthington your only
FBI contact?
MOORE: No, I answered questions for
other agents who knew me only in terms
of my code name. My veal identity was
known, I was told, only to my contact
and his immediate superior. Not even the
director himself knew my tue identity.
1 think that was a pile of shit, all that
supposed secrecy. Although the reason
the bureau gave me for it at the time was
really very good. They said they did not
want anybody to make a slip. In other
words, if 1 were somewhere where people
were being arrested, or if I were participat-
ing in a demonstration, they did not want
any other agent to make a slip in public
PLAYBOY: Why did you blow your own
cover in 1974? Was it under pressure
from left-wing organizations?
MOORE: No, there. was no pressure then.
1 had not yet converted to Marxism. I
knew so little . . . I still know very little
about Marxism. But I began to sce that
the leftist people I was working with were
not enemies of this country—they were
dedicated people working for qualita-
tive change. They were not evil. Yes, they
recognized revolution, they were dedi
cated to the armed overthrow of the
Government—because they did not think
there was any other way to do it. 1 be
came aware of how dangerous what 1
was doing was, how dangerous it was in
terms of those people. I was looking at
people getting arrested on the basis of
information like that which 1 was telling
the EBI—I was looking at people getting
killed. I couldn't do what I was doing
anymore. You can't fink on friends. You
can't be a snitch. I could always have
walked away from it; I could have just
gone back out to suburbia and done my
thing. I was still living in suburbia at
that point. But 1 didn't want to—I
wanted to continue to study. I didn't
know if these people had the right an-
swers, but certainly they seemed to have a
viable alternative. But the bureau still
knew where to find me; I would be under
surveillance like everybody el
afraid of the burea
agents are quite honest about killi
people. They have three ways they ne
tralize people. One of those three ways
is to kill them.
PLAYBOY: What are the two others?
They convict them or they has
1 they burn out.
PLAYBOY: Somcone the bure:
MOORE: Oh, yes; they're quite open about
the way they handle these things. They
Ik about nei
finally asked. th
by neutr
hesitate; they go armed.
vho first said to me
y shoot. For me to get up the courage
to try to shoot someone—you don't know
They really d
wone thinks they do, th
Death for them is simply a way
PLAYBOY: Is that what you were referring
to earlier when you said a government
that used tool must
expect it to be turned against
you have Jearned the use of
as a tool from the F
MOORE: P;
so much killing.
PLAYBOY: Just how did you go sth
ing your leftist friends that you h
n FBI informa
At first I told only Tom. That
à July of 1974, as I said. It was really
funny. The t that I told him 1 w.
pig—it was the first time I'd ever used the
word pig—I was just talking to him and
id. Theres something I've got to
Il you." 1
ve it. Look at me—would you
believe d, an FBI pig
white, upper-middleclass suburbanite
wandering around in the lelt? Well, he
didn't believe it, either. That's why 1 was
good at it; I just don't look lik >
But he asked me enough questions to
satisfy himself and finally he realized that
1 was, indeed, what I said I g
reaction?
1 the FBI would
nd it doesn't re
ve to tell you th:
you, they've got you.
id that they would never
Theres a simple virtue that separates
the extraordinary from the ordinary
Dedication.
The kind of dedication that produces
the identifiable excellence that makes
Beefeater Gin,
Beefeater Gin.
PLAYBOY
Jet me go—not and keep working on the
left. Tom had to talk it over with his
group.
PLAYBOY: Then what happened?
MOORE: The decision of Tom's group was
that I à security risk to them and
therefore they had to br off all contact.
with me. However, they believed in my
sincerity and thercfore they were making
what to them was a dangerous decision.
They would not tell anyone chec I was
a pig. I was left free to find my way in
the movement as best 1 could. So,
many months, Tom said nothing to any-
one. which means he was going directly
contrary to the code, and therefore I do
not feel that I can ever say who he is,
because I do not want it to land on him
that he didn't tell.
PLAYBOY: What did you say to the FBI?
MOORE: Nothing, at first. 1 got a call
from Worthington telling me he would
be in Washington and we would be out of
touch for a while. So e before
I told him I had blown m:
PLAYBOY: Bur even afte
for
your confession
to Tom, you went back to the FBI. Why?
nit,
MOORE: I'm not sure I can expla
partly because I. don't totally underst
why myself. When Tom said, “
your own way" and cut off all contact, 1
didu't realize how thoroughly I was going
to be isolated. When you're in a group,
you're getting mailings, you're talking
to people, you're going to
When they cut you off, you're really cut
off. 1 had periphe e contacts with
other groups, but I was not happy
with surface contacts. Being out of touch
with the FBI also made me realize to what
extent my studies had been directed by
them and that it was from them I Was
really learning who was doing what on
the left, I remember thinking the only
- way I was going to make my own way was
M going
10 have the Feds head me in another
direction.
I also began to remember things the
FBI had told me about Tom and his
Tom's group
might not be setting me up. What he
had done was contrary to all I had heard
about the way agents" were treated
when they were discovered. And you have
10 ember that violence and death were
real in the Bay Arca then—Marcus
Foster had been killed, Patty Hearst kid-
naped. The People in Need program op-
erated in a sca of threats and violence.
‘Then there was the S.L.A.'s fiery shoot-out
in L. A.
So I was struggling with my belie
struggling to find a place to cor
nd working, struggl
Worthington wa:
nything had changed.
When he had left, his instructions to me
had been just to continue but not to
contact the bureau “unless something
heavy happened." If that happened, I
was to ask for Frank Doyle, who wa
Ben's backup. Well, something heavy d
happen and 1 did make contact with
Doyle.
PLAYBOY: What happened?
MOORE: Lets just say 1 learned that a
group the FBI had been interested in
w . Anyway, I
did contact Doyle—and so the link stayed
intact.
PLAYBOY: Didn't the FBI suspect any-
thing?
MOORE: Yes, I did finally tell Bert I had
blown myself to Tom. As was the bureau's
policy, I was dropped as a source and
bout to take an acti
strongly "advised" to get out of the
movement.
PLAYBOY: That was still in 19742
k.
MOORE: Yes, carly
September, I u
When I refused to heed this advice and
ed to be successful in maintai
acts and even in making what to
them.
were
nt new contacts on
"T started actively
reporting to the FBI again.
But my heart and mind were
with the revolutionaries.
This is the part I do not
understand about myself.”
the left, Bert appar
fully with his sup
IP:
tly argued success-
eformalize
ever continued with a blown source.
And when did that reinstate-
th the FBI take placc?
MOORE: October 1974.
PLAYBOY: When and why did you decide
10 start telling other people, besides Tom,
something about your FBI activities?
MOORE In January 1975, I told Charles
Garry, the lawyer handling the San
Quentin Six trial, about my FBI asso
tion up to July of ‘74. He convinced me
my activities had been more harmful than
I realized and that I owed it to the
people I had reported on to let them
know what I had done, especially if I
n
were serious about continuing to wo
the radical left. He was right. It was
good advice. It eventually led to my
the assassination attempt and
¢ here in prison, but it was right.
I would not change that if I went back
to change things. lt was the only thing
I could do if I believed what I said and
wanted to continue workin,
PLAYBOY: So you followed Garry's advice?
MOORE: Yes. I called a leader in cach of
the three main organizations I had
worked with in the movement and told
them, I learned very quickly that 1 had to
be rigid about the July 1974 thing,
that I could not say that I had wafllcd
through that summer and fall if I wanted
1 in the movement, which I did.
me acceptance of me be-
cause I had come to them. Two organi
zations handled my story at tlie leadership
level, but the third one spread it every-
where, and it began to go around the
movement just like wildfire. And people
began to come down on me very, very
heavily. That's when 1 started actively
reporting to the FBI a he FBI is
right, you know, about what happens
when you get mad. But, at the same time,
my heart and mind were with the revolu-
tionaries. This is the part I do not under-
stand about myself. People say, "Why?"
and I Eu ^E can't a
at which I
ized th
ally doing, I
Became very e keeping up my
association with the FBI, because I began
to sce that was really the only way I could
serve the left. Now, that was probably
bastard reasoning, but I was piping in-
formation about the FBI to people in the
nt. Telling people who thought
e clandestine members of organi-
ons that the about them,
things like that. s scared, be-
cause if anybody id too much
attention to what I said, it would have
been obvious that some of the stuff I was
talking about I couldn't possibly have
known before July 1974, because it
hadn't happened yet.
PLAYBOY: But you wer
mation
to the FB.
MOORE: Yes. It was incredible. The faster
word about me spread through the move-
ment, the more new people came to me
me questions—and the more infor-
ation 1 was able to give about them to
the FBI.
PLAYBOY: Didn't that bother you?
ure it di nd I don't know how
dled that. Part of it was that I
thought if they were so goddamned
i . here 1 was, walking
ted FBI informant, or,
as they thought, former FBI informant,
and if they were so goddamned stupid as
10 talk to me, they needed to be taught a
lesson.
PLAYBOY: Onc might make the same obser-
vation about the FBI agents. If they
thought you had converted to the left,
why did they trust you?
MOORE: Oh, all right, 1 can give you an
answer to that. Number one, I had told
them I had become disillusioned with
Iso nfor-
bout people in the movement
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PLAYBOY
84
the left. Number two, the stuff I gave the
FBI was hard information. I never
fudged with them; what I gave them was
accurate. I had done something very
luable for them in the fall of 1974.
at was one of the few times that I
didnt have any struggle with my con-
ience. I will intrigue you a little with
That was the point at which the
seed of what finally happened on Sep-
tember 22, 1975, was planted. That was
the one time when my political beliefs,
what I wanted to have happen. coincided
with something that the bureau and the
Secret Service wanted.
PLAYBOY: You fave intrigued us. What
was it?
MOOR
Maybe sometime Til tell you
about it. Not now.
PLAYBOY. Why are you telling us these
other incriminating things now? That,
in particular, though you claimed to
have been converted to the left, you had
continued serving as an FBI informant?
MOORE: What I'm trying to do now is tell
the truth. Be honest. The FBI is likely to
make sure that I'm uncomfortable, but
so what? At this point, I really don't
Im in jail. There isn't anything more
anybody can do to me except kill me.
You sce, all this period, when I was
doubling, was a very freaky one in my
life. Nobody knew E was doubling. There
were actually not two but three Sally
Moores operating at that point: one, the
Sally Moore moving toward armed protest
and starting to work with people dedi-
cited to violence, telling no one—not the
FBL not friends on the left; two, the
Sally Moore, converted informant, strug-
gling to find acceptance with ihe theorc-
ticians and “respectable” Communists;
nd, ilice, Silly Moore, FBI informant,
reporting ou who was asking me wi
about my "past," as well as on the new
groups and people I ting.
People on the left said to me, “You've
get le write your experiences down
You've got to reduce to writing what
happened. Write down how
volved, what you did for the FBI,
you involved—you've got to reduce it to
writing.”
PLAYBOY: W.
that?
at did the FBI say about
MOORE: They first said cnough was
enough. that I should “st I" all
further conversation about my past.
When I refused, saying I couldn't get
anywhere without some public staremeni
Iw d to, one, stay with the story
1 had previously told, revealing no mor
and, if possible, even less than T had al-
ready admitted, and, two, be honest about
their instructions to me, their treatment
of me. In other words, to avoid telling
any more than I had to, but what I did
tell, make it the truth.
5o 1 tried to reduce my entire FBI e:
perience to writing, The written state-
ment was very important to people on
the left. There was some talk that my
statement could either be circulated
among the leadership in various cadre
groups on the left or be given gene
circulation, depending on what was in
it. There were six people who saw the
first draft. Everyone said, "No. It's too
dangerous: it’s too hot." L thought they
were talking in terms of what law enforce-
ment might do to me, not to people on the
left. I never used Popeye's name in the
statement, but he was instantly recogni:
able. When he was killed, all 1 could
think about was that I had fingered him.
When I hung up the ph
the news, my immediate thought was,
“Oh, my God, I've killed Popeye.” That
same weck, I got another call. The voice
on the other end sai You're next.
PLAYBOY: Is that when you decided to buy
a gun?
MOORE: I bought both of my guns from a
man named Mark Fernwood. He's one
of the leaders of the john Birch Society
in the East Bay Ares. Of course. had he
been on the left or even a liberal, he
after hearing
“When I hung up the phone,
my immediate thought wa:
‘Oh, my God, I've killed
Popeye. I got another
call. The voice on the other
s»
end said, Yowrenext.
h con-
ad of out
there making money. He was dickering at
one point with the U.S. Attorney to have
the gun 1 shot at Ford with returned to
him; he was going to sell it as a col-
lector’s item.
PLAYBOY: How did you make connections
with Fernwood?
MOORE: Well, I lived in the East Bay for
a while, in Birch country, and I knew
a lot of Birch people. J could see there
were people on the ra
the same things that the FBI was ar-
resting people for on the left. The FBI
was very interested in guns, who had
them, where they got them, how they
used them—things like th So every
now and then. I would talk to them
about somebody I knew who had guns,
somebody who was anti-Government, and
they'd get really interested. “Who was
it?“ And I'd tell them, “A member of
the John Birch Society,” and I'd get a
lecture on the right of citizens to bear
arms and protect their homes and such.
lical right doing
I got angrier and angrier at things like
that, so I got ready to get a gun. The
only reason I did was that my life was
anger. As a matter of fact, I asked
the FBI for advice on what kind of gun
10 ger. T asked my contact officers in the
in
FBI and I ako began asking other
people.
PLAYBOY: Wasn't that indiscreet?
MOORE: What's the point of geting a
gun to protect yourself and keeping it
a secret? I wanted people to know I had
the goddamn thing. People already real-
ized | knew how to handle weapons
‘That was one of my attractions to the leſt.
PLAYBOY: When did you learn how to
handle guns?
MOORE: Id had some weapons training
when I was younger, mostly rifles and
shotguns. Target shooting, skeet. I was
surprised that T retained as much as T
did. It’s like riding a bicycle, ! gue:
Once you learn, you never forget. Any-
way, because 1 could handle weapons,
the FBI loved me. I was an accountant
who knew about guns and they thought
the left wouldn't be able to resist me
Tt was almost true. Anyway, T was trying
out what kind of gun to get
idn't had much experience with
handguns. The consensus was that it
should be a revolver. Actually, the .44
was a little more gun than I wanted, a
heavier caliber, but I tried it and it
wasn't that bad. J thought it was going
to have a lot more kick than it did. 1
gun.
ly, I was going to go down to
the local gun exchange—to a perfectly
open and legitimate place—and sign my
name, wait my five nd get my gun.
All of a sudden, everybody said, “You
don't want to do that, because they report
all those to the police." I thought, “Well,
I've already told the police I'm going to
get the gun," but I wasn't saying that to
anybody eise. Everybody seemed to be
fi was
thinking of walking into a store and
legally buying a weapon. I just couldn't
understand that. Not everyone I know is
a revolutionary, but all I heard was,
You know how the police are about
guns" I said, “No, tell me how the
police are about guns." But a conservative
friend of mine said, "What's wrong with
giving your business to friends" and
told me he had a friend who sold ^
PLAYBOY: "That was Fernwood. Where did
you meet him?
MOORE: At his house. You know, just
going into the house, you would never
Know that he sold guns. You had to be
introduced by a Iriend. It was very much
like it would be on the left—they have
a clandestine group on the right, too.
They h secret shooting ran
secret firing range. One of them even
told me I should never buy ordinary
ked out about the fact that I
ve
ammunition; I should use dumdums.
"There's a diagram that you've probably
seen in the paper of how the dumdum
gocs in and makes a threeinch hole.
You talk about bloodthirsty people! No
one on the left is as bloodthirsty as those
right-wingers. This is the thing that
makes me angry. I spent those two years
since the Hearst kidnaping getting
angrier and angrier. Part of it wa:
I was learning on the left; part of it was
Marxist the
what
, which was really turning
on
PLAYBOY: Did you practice shooting on
the Fernwood range?
MOORE: Well, yes, I did shoot there once,
but I had shot clsewherc
PLAYBOY: You say your initial purpose
in buying guns was to protect yourself.
At what point did you decide, "Aha,
now I've gor a gun. I'm going to use it
on Ford"?
MOORE: That is the part that I don't think
I can talk about. I just haven't figured
out a way to talk about it and protect
everyone. Im not saying that anyone
helped me plan it. I'm just saying that
there are other things—which means
there are other people, thoi
terms of a conspiracy. There are arcas
I'm still not willing to talk about for a
lot of reasons.
PLAYBOY: You said that you'd been
threatened, that you were afraid for your
life. Did that push you to the point of
wanting to kill Ford?
MOORE: I n't pushed. What the death
threats that had been made against me
did was give me freedom. In other words,
I genuinely felt, I still do feel, that I was
going to be killed. I don't feel it as
Someone asked me if my
ord wasn't really suicide. I
so.
sh not in
strongly now.
attempt on
said, "Hell, no." I knew it then, but 1
really know it now, because I had none
of the depression or anything afterward.
It was a risk that I was running. But
the risk wasn't that great, because it was
a question of how I was going to be
killed, anyway. Was I ever that much
in danger? I don't know.
PLAYBOY: Why couldn't your protest have
taken some less lethal form?
MOORE: I tried other things. Before the
assination attempt, I talked to a New
York Times reporter and offered to set
d report
the FBI up by filing ai
and getting Worthington to set up a meet,
which the Times would have photo-
graphed, showing me signing it. The re
porter wanted to do the story but was
afraid of a setup. He was afraid of what
the FBI would do to him. I was stunned.
He was afraid that they would question
him or subpoena him for doing the story,
to find out what I might have told him.
I told him the FBI knew what I knew
and would probably assume I had told
Is it live, or
is it Memorex?
The amplified voice of Ella
Fitzgerald canshattera
glass. And anything Elia
Can do. Memorex cassette
tape with MRX, Oxide can
do.
If you record your own
music, Memorex can make
ail the difference inthe
world.
MEMOREX recording Tape.
Is it live, or is it Memorex?
85
PLAYBOY
86
him everything, but since they weren't
particularly interested in making it pub-
lic, they would have nothing to gain by
subpoenaing him. He was very much
1 that the FBI would see us together.
I never felt good about him and so I told
him I wasn’t interested in doing the story.
PLAYBOY: Did you try anything else be-
fore shooting at Ford?
MOORE I tried to go underground,
started attempting to contact one of the
guerrilla groups. I had made the first
ct with them—and then Popeye
led. After that, things moved too
The underground accused me of
the FBI warned me
that I was in danger and should contact
the S. F. P. D. for protection. The FBI
ako told me not to talk to the police
about Popcye's death; if they asked, I
was to use my First and Fifth Amend-
ment rights and refuse to answer ques-
tions. That made me more scared. An
offer of police protection came from the
S. E. P. D.; I refused almost in a panic,
telling them that, in effect, they would
be signing my death warrant. A journ;
ist who was writing a story about me
decided it necessary to interview my
FBI control officer. The FBI did not
know of the proposed story. so I begged
the writer not to place me in danger.
“I don't think you understand the forces
you're going to set in motion," I said.
The reply was that I was already in dan-
Ber, according to reports from movement
contacts. [The journalist in question con-
tacted reavnoy and denied the allega-
tion —Ed.] The interview with the FBI
took place. They warned the interviewer
that 1 was probably in real physical dan-
ger if the story was done. I heard the
tapes on which they said that—the jour-
nalist played them for me.
PLAYBOY: What did the FBI say to you?
MOORE They descended on me and
threatened me—told me to get out of
town, read me the riot act about going
public. Charles Bates, special agent in
charge of the ancisco office, told
me if the FBI did not like aw
the proposed story, they would
higher-ups at the publication to edit it
out, that they had done this before.
PLAYBOY: And did they make such a
request?
MOORE: [ don't know, but I kept looking,
in vain, for the story. Now, that little
episode simply sct me up for the next
chapter. When the FBI, along with
everyone clse—maybe even at their direc-
tion through informants in v: up
groups—told me to get out of towi
said I had no money. They, the im
wanted the information I had on the
underground, so they made a generous
money offer for it. When I demurred,
they added the inducement of relocation
for my son and me—even new identities,
if I insisted. 1 was tempted, mighty
fast.
fingering Popeye:
tempted. I was scared, and I also wanted
an escape from the course I had em-
barked on.
But I found I had finally reached a
point at which I couldn't trade someone
else's freedom for my own. And so finally
the fence walking ended—and the course
ahead was set. The many other things I'd.
considered as actions I might take against
the FBI and the Governme were dis-
carded as not really forwarding the
cause of revolution. I felt that assassinat-
ing Ford would. I never doubted that I
would succeed if I got a clear shot at him;
I'm a good shot.
How the plan went wrong from the
beginning was really like a two-reel com-
edy. I wanted to get away and go under-
ound; I started telling people I was
tired, that I needed to get away for a
while. 1 made arrangements for friends
to take my son, but those went awry.
I planned to sublet my flat, but that fell
through.
PLAYBOY: Why didn’t you just leave the
flat?
MOORE: It had everything I owned in it,
“Squeaky Fromme did her
thing. If it hadn’t been for
that, Ford would probably
have crossed the street to
shake hands and I would
have hada better chance."
some things that were precious to m
paintings, furniture, all the adult equiv-
alents of a child's Teddy bear. Besides,
I had an unexpected house guest during
the week that 1 intended to destroy
papers, including that list that says I
planned to a inate the President. And
good old Squeaky Fromme did her thing,
If it hadn't been for that incident, Ford
would probably have crossed the street
to shake hands and I would have had a
better chance.
PLAYBOY: Why hasn't your version of
events been more widely publicized?
MOORE: I pct so goddamned mad. I made
statements and nobody printed them. Are
the members of the press forgetting that
many of them have in the past told me
I was sensible, reliable, accurate, honest
and reasonable—even likable? Or, to
badly paraphrase Shakespeare, is it that
the mistakes and frailties of men live on
in the press, while the good is often in-
terred beyond recall? There are two or
three things I feel I ought to say to
people, particularly about the callous,
deliberate, manipulative techniques of
the FBI, whose agents are not
always believed, imparti
but instruments of po
using people as expendable tools for the
repression and harassment of honest dis
senters. J wrote a poem about the FBI.
I'd like to read it io you:
action—
Said the FBI, “You are a mother,
help us.
If they truly love the people, how
can they
deliberately cause such anguish?”
Said the FBI, "You are a patriot,
help us.
If they truly love the people, how
can they
deliberately cause such chaos that
lears
at ihe very fiber of our community?”
Said the FBI, “You are moral and
Christian, help us.
If they truly love the people, how
can they
kill and steal and bomb?”
So J went out among the people as
your agent.
To look for the kidnapers,
to lalk to the killers,
10 know the thief,
to find the bombers.
And 1 heard from the kidnapers,
who even in
their running had a
concern and love
for their brother, not knowing he
was being
a Judas to protect his own child.
message of
And then they died in flames—your
flames.
You are parents and yet you killed
and overkilled.
Where was your concern for the
anguished mother
or innocent kidnap victim?
are the killers:
hope, killers
of freedom, killers
You—smug,
protective and self-righteous.
You killers of
of children.
Yes, I learned to know those you
call thieves,
who take back for the people that
which was
torn from them, first with whips,
then with oppression,
in the name of “progress through
profits.”
And finally I found the bombers and
embraced them
as comrades, and now with flames
we speak our
Tove and our hate.
The spirit of Marlboro
in a low tar cigarette.
Marlboro
LIGHTS
LOWERED TAR E NICOTINE
Lighter in taste. Lower in tar.
And still offers up the same quality
that has made Marlboro famous.
Warning: The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health.
L E = 13 mg. ter, 0.8 mg. nicotine av. per cigarette, FIC Report Nov:75
ILLUSTRATION BY WAYNE MCLOUGHLIN,
fiction
JBXAOHNJIRVING
in which our heroine finds
a way to have
an—almost—immaculate conception
GARP'S MOTHER, Jenny Fields, was arrested
in Boston in 1942 for wounding a man
in a movie theater. This was shorty
after the Japanese had bombed Pearl
Harbor and people were being tolerant
of soldiers, because suddenly everyone
was a soldier, but Jenny Fields was
quite firm in her intolerance of the be-
havior of men in general and of soldiers
in particular. In the movie theater, she
had to move three times, but each time
the soldier moved closer to her, until
she was sitting against the musty wall,
her view of the newsreel almost blocked
JENNY/ANDIDHEJIBA
by some silly colonnade, and she resolved program at the head of her class and she her breasts were too large; she thought
she would not get up and move again. enjoyed being a nurse. She was an the ostentation of her bust made her look
The soldier moved once more and sat athleticlooking young woman who al “cheap and easy.”
beside her. ways had high color in her cheeks; she She was nothing of the kind. In fact,
Jenny was 22. She had dropped out of had dark. glossy hair and what her she had dropped out of college when
college almost as soon as she'd begun, mother called a mannish way of walking she suspected that the chief purpose of
but she had finished her nursing school Che swung her arms), In Jenny's opinion, her parents sending her to Wellesley had
TURRET,/GUNNER
PLAYBOY
90
been to have her dated by and eventual-
ly mated to some well-bred man; the rec-
ommendation of Wellesley had come
from her older brothers, law school men
in Boston at the time, who had assured
her parents that Wellesley women were
not thought of loosely and were consid-
iage potential.
ed major had been English
literature, but when it seemed to her that
her classmates were chiefly concerned
with acquiring the sophistication and the
poise to deal with men, she had no trou-
ble leaving literature for nursing. She
saw nursing as something that could be
put into immediate practice, and its
study had no ulterior motive that Jenny
could sec. She liked the simple, no-
nonsense uniform; the blouse of the dress
made less of her breasts; the shoes were
comfortable, suited to her fast pace of
walking. When she w: the night desl
read. She did not miss the
men, who were sulky and
ppointed if you wouldn't compromise
yourself and superior and aloof if you
would. At the hospital, she saw morc sol-
di than college men,
nker and less pretentious
if you compromised
yourself a lite, they seemed at least
grateful to sce you Then, sudden-
y. even the soldiers were full of the self-
I
importance of college boys—and Jenny
Fields stopped
with men.
ig anything to do
The Fields family fortune was in
shoes, though Mis. Fields, a former Bos-
ton Bass, had brought some money of her
own to the marriage. The Fields fan
had managed well enough with footwear
to have removed themselves from the
shoe factories years ago. They now lived
in a large shingled house on the New
Hampshire shore (Dog's Head Harbor).
There was a Fields line of nursing
shoes, and Mr. Fields gave his daughter a
free pair whenever she came home; Jenny.
must have had a dozen pairs. Mrs. Fields,
who insisted on equating her daughter's
leaving Wellesley with a sordid future,
ilso gave Jenny a present every time she
came home. Mrs. Fields gave her daughter
or so she said and so
Jenny assumed; she never opened the
ges. Her mother would say, “Dear,
do you still have that hot-water boule I
gave you?”
Aud Jenny would think a minute, be-
licving she had probably left it on the
train or thrown it away, and she'd say,
1 may have lost it, Mother, but I'm sure
1 don't need another one.
And Mrs, Fields, bringing the package
out from apparent hiding, would press it
to her, still concealed in the drugstore
paper; she would say, “Please, Jennifer,
be more careful. And use it, please!
As a nurse, Jenny saw little use for the
hot-water botile she assumed it to be a
touching, odd device of old-fashioned
and largely psychological comlort. But
some of the packages made it back to her
small room near the Boston G
Hospital. She kept them in a closet that
was nearly full of boxes of nursing shoes—
also unopened.
When Jenny had left Wellesley for
something as common as nursing, she
ed that, unintentionally, she had
dropped her family—and they, as if they
couldn't help themselves, were dropping
her. That must be how families are,
thought Jenny Fields. She felt if she ever
had children, she would love them no less
when they were 20 than when they were
two; they might need you more at 20,
she thought. What do you really need
when you're two? In the hospital, the
babies were the easiest patients. The
older they got, the more they needed;
and the less one wanted or loved
them.
When the soldier in the movie theater
first started changing seats—when he
made his first move for her—Jenny wished
she had her brothers with her. What she
did have with her wasa scalpel; she carried
it with her all the time. She had not
stolen it from surgery, either; i
castaway scalpel with a deep nick in the
point ably been dropped
on the floor a sink), it was no
sood for fine work—but it was not for
fine work that Jenny wanted it.
At first it had slashed up the little silk
pockets of her purse. Then she found
part of an old thermometer container
that slipped over the head of the scalpel,
capping it like a fountain pen. It was
this cap she removed when the soldicr
moved into the seat beside her and
stretched his arm along the armrest they
were (absurdly) meant to share. His long
hand dangled from the end of the armrest,
the flank of a horse
shuddering the flies away. Jenny kept her
hand on the scalpel inside her purse;
with her other hand, she held the purse
tight in her white lap. She was imagining
that her nurse's u e a holy
shield and for some perverse reason this
vermin beside her had been attracted by
the light. ("My mother,” Garp wrote,
form shone
“went through her life on the look-
out for purse snatchers and snatch
snatchers.")
In the theater, it was not her purse
that the soldier wanted; he touched her
knee. Jenny spoke up fa
your stinking hand off me," she said.
Several people turned around.
“Oh, come on," the soldier moaned,
and his hand shot quickly under her
skirt; he found her thighs locked tightly
together—he found his whole arm, from
his shoulder to his wrist, suddenly sliced
open like a soft melon. Jenny had cut
cleanly through his insignia and hi
shirt, cleanly through his skin and mus-
cles, baring his bones at the joint of his
elbow. (“If Lid wanted to kill him," she
told the police, later, "I'd have slit his
wrist."
The soldier, on his fect and
back, swiped at Jenny’s head with his un-
cut arm, boxing her ear so sharply that
head sang. She pawed at him with
the scalpel, removing a piece of his upper
lip the
of a th as nol trying to
slash his throat,” she told the police. "I
was trying to cut his nose off, but I
missed.") Crying, on all fours, the soldier
groped his way to the theater aisle and
headed toward the safety of the light in
the lobby. Other women in the theater
were screaming.
Jenny wiped her scalpel on the movie
seat, returned it to her purse and cov-
ered the blade with the thermometer
hen she went to the lobby, where
lings could be heard and the
ling through the lobby
doors over the dark audience: “Is there
a doctor here, please? Is someone a
doctor?
Someone was a nurse, and she went
to Jend what assistance she could. When
the soldier saw h. it was
not really from loss of blood, Jenny knew
how facial wounds bled; they were de-
ceptive. The deeper gash on his arm was,
of course, in need of attention ("A hun
dred and forty-six stitches!" Garp would
ay proudly, whenever he told his
mother’s story), but the soldier was in
no immediate danger of bleeding to
death. No one but Jenny seemed to
know that, there was so much blood—
and so much of it was on her white nurs-
form. They quickly realized she
done it, and the theater lackeys
would not let her touch the fainted
soldier; someone took her purse from
her. The mad nurse! The crazed slasher!
Jenny Fields was calm. She thought it was
only a matter of waiting for the true au-
thorities to comprehend the situation.
But the police were not very nice to
her, either.
"You been dating this guy long?" the
first one asked her, en route to the pr
cinct station.
And another one asked her, later:
"But how did you know he was going to
attack you? He says he was just trying
to introduce himself.“
"Thats a real mean little weapon,
honey,” a third told her, “You shouldn't
carry something like that around with
you. That's asking for trouble.
So Jenny waited for her brothers to
clear things up. The law school men
from Cambridge, across the river. One
was a law student, the other one taught
in the law school. “Both,” Garp wrote,
“were of the opinion that the Practice
(continued on page H6)
alling
"Careful, young lady—if it's aspotted one,
you'll get indigestion!”
PHOTOGRAPHY
BY RICHARD FEGLEY
CAUTION:
WOMEN
AT WORK!
Job opportunities being what they are these days, if you
find a woman in the kitchen, she’s probably a plunber
verybody knows
window cleaners are
actually frustrated
voyeurs braving dangerous
heights just to get a furtive
peek at some junior exec
seducing his well-endowed
new secretary, inside the
office. With the advent of the
lady window wiper, however,
all the spectators will be
on the inside looking out.
his conscientious
metalworker doesn't
really need an acety-
lene torch to make temper-
atures rise and sparks fly, but
then, you can't melt hard
metal with charm alone. By
this time, that hunk of
steel girder must be getting
pretty hot, just like the
foreman and the crew and
whoever else is watching.
93
catcalled. What's the world coming to? Unfortunately, the jackhammer
seems to be more in control of the sitvotion than its operator; but it's not hard
to see how a person could get carried awoy, whot with the vibrations and all.
Ne we fellows can’t even walk by a construction site without getting
ou
heard
of oil
barons, right?
Well, this being
the age of the
liberated fe-
male, the next
logical step is
obviously the oil
baroness. Seems
like a good idea.
If this pretty,
young wildcatter
can't bring in a
gusher, nobody
can. By the looks
of her, she's
already brought
in a few.
,
what happened
when a slightly
freaky group of ecologists
confronted a russian
whaler on the high seas
article By JACK RICHARDSON
ON A SUNDAY in late April 1975,
over 20,000 people gather at
Jericho Beach in the port of
Vancouver in British Colum-
bia to celebrate the departure of
an 87-foot halibut boat called
the Phyllis Cormack.
The reason for so much atten-
tion is that she is embarking
upon the fifth official voyage of the
Greenpeace Foundation, an
EAT Wi
organization that, since 1971, has
been sending expeditions into
Pacific waters on missions of
peace and ecology. ‘The pur-
pose of the present voyage had
been stated on thousands of
posters the foundation had dis-
tributed throughout Canada
and the United States. These ad-
vertisements depicted a diving
sperm whale and, in a black
bandit's mask, a seaman standing
U
BATTUE
behind a loaded harpoon gun.
Beneath the two combatants
was the announcement that
Greenpeace V intended to
put itself between the whales
and the hunters’ harpoons,
thereby both impeding and pro-
testing the killing of the earth's
largest creatures. As the speakers
this Sunday at Jericho admit,
that is a drastic and somewhat
melodramatic gesture, but it
seems the only method left that
might bring about the broad
public support necessary to force
the International Whaling
Commission to declare a ten-
year moratorium on the
hunting of whales. If a confron-
tation can be recorded on film
and the brutal methods of
modern whalers shown to enough.
people, then perhaps the whal-
ing industry will be forced to
99
PLAYBOY
defend itself against moral as well as
commercial arguments.
"Either way, the whaling industry will
be embarrassed if they meet us," explains
Bob Hunter, one of the founders and
president of the Greenpeace Foundation
and chief strategist for the present enter.
prise. “They're going to have to show
what hunting whales is like today or run
away whenever they see us. Retreat, how-
ever, is unlikely before a strictly spiritual
presence.
Hunter was a member of the first
Greenpeace voyage, an attempt to sail
into the waters around the Aleutian is-
land Amchitka in order to stop under-
ground atomic tests by the U. S. in that
region. It was an illstarred venture from
the first, with squabbling and rough seas.
It ended when, thinking they had ob-
tained permission from U.S. Immigra-
tion officials to go ashore while in a
small Alaskan port, they found they had
been misled. Subsequently, members of
the U. S. Coast Guard boarded the Cor-
mack and announced that should the
expedition continue toward the testing
site, the boat would be impounded and
the captain heavily fined.
The Cormack was replaced by Green-
peace Too (sic), the Edgewater Fortune,
a converted mine sweeper dispatched by
the foundation from Vancouver when it.
heard that the first boat might be im-
pounded. But the Edgewater Fortune ar-
rived too late to enter the testing area.
The third and fourth Greenpeace ex-
peditions were more successful. In 1972,
the Vega, a sailing vessel, was dispatched
to prevent, again through a passive pres-
ence, the French from conducting atmos-
pheric tests near the Mururoa Atoll in the
South Pacific. This time, having com-
mitted no breach of international law, the
Greenpeace boat's captain, David Mc
Taggart, claimed the right of freedom of
the seas when he was ordered to remove
the Vega from the testing area. The
French, being in no mood to debate in-
ternational law in the middle of their
scientific rituals, brought the case to a
quick dose by having a destroyer ram the
Vega and tov it from the area.
The following year, the French and
the Vega met again in the same waters
and for the same reason. This time, Mc-
Taggart came prepared with evasive
maneuvers should the French again base
their legal argument on their ramming
technique. He was not prepared, how-
ever, for an unabashed pirat
for the boarding of his ship by French
commandos and for an indiscriminate at-
tack on his crew and equipment. While
defending his vessel, McTaggart received
a blow that may yet cost him the use of
his left eye. Due to the ingenuity of
a female member of the crew, who hid
in her vagina the film on which this
moment in French naval history was re-
corded, French antiwar groups protested
100 loudly, and in the trials that followed in
Paris, the courts decided in favor of the
foundation in the matter of the 1972 col-
lision, and Greenpeace lawyers are still
pressing for a court judgment against
the exuberant French commandos.
And now, leaning against a bulkhead
of the Cormack, Hunter explains the
philosophy of the new expedition: “Be-
sides the masculine principle of active
interference, there should be a feminine
principle also—a passive imprecation."
The crew questions him respectfully
for details and he goes on to explain
that he intends to mount the back of a
slain whale and sit, crosslegged, in an
attitude of prayer in order to impress
upon the whalers that they are blasphem-
ing life itself by turning its most mag-
nificent creature into a commercial item.
The crew smiles and appreciates the
mage, but a few inquire about practical
tactics. Hunter's expression loses its vi-
sionary blankness and takes on a soft
look of amusement while he ponders the
question.
“Ah, it would be nice,” he says final-
ly, “if I could sit naked on the whale,
radiant in a rainbow, with dolphins
sing up from the water singing hosan-
nas. However, I'll be in a wet suit, with
two of you guys standing by in a boat
to pull my ass off in case the sharks or
the whalers get too excited by my beatif-
ic presence.’
This mixture of the realistic and the
visionary has, from the start, infused the
Greenpeace V project. When the cam-
paign to protect the whale began, sup-
port expectedly came in from the usual
professional sources of ecological con-
cern. However, the farewell gathering in
Jericho proves that the fate of the whale
has also become a symbol to the workaday
Canadian fishing communities.
As Patrick Moore, a young man with
a Ph.D. in environmental studies and a
member of the Greenpeace expedition,
puts it, the whale has become a "com-
mon denominator of threatened exist-
enc, a symbol capable of inspiring a
disinterested allegiance to all forms of
life.
"When we were taking on atomic
tests,” Moore reflects, "a lot of people
saw it as something political rather than
ecological. But the whale seems to get a
deep-level response, whether I'm talking
to school kids or Rotarians. It sort of
frightens everyone that something so
large, so awesome could be wiped out
and never be seen again. You don’t even
have to convince them with balance-of-
nature arguments. It's enough that some-
thing beautiful is being turned into
fertilizer and industrial lubricants.”
When Moore talks of the Greenpeace
program, his tone is that of someone
who has lcarncd that moral difficulties
abound in even the most obviously right-
cous enterprises.
"You know," he says one day, as the
Cormack moves through fiordlike inlets
of Vancouver Island, past mountains that
haye been scarred by lumber and mining
enterprises, “it hard to understand
so much hostile input when one was just
trying to keep beauty like this all to-
gether. But 1 guess I didn't appreciate
the problems of lumbermen and mine
owners. I didn't know how to relate to
them without sounding morally superior.
I mean, I used to give speeches and I'd
try to turn them on with lines like ‘A
flower is your brother.’ Then one day
someone threw back at me ‘Does that
mean a weed's our enemy?’ and I started
to realize it was time to add a little logic
to the vision.”
Now, however, the vision has come
to seem self-evident to the crew of the
Cormack as it sails out of the harbor of
Vancouver and begins its mission to
track down the hünters of whales. The
main task, of course, is first to find a
whaling flcet, not an easy assignment,
since the Cormack is not equipped with
sophisticated tracking devices and the
area to be covered is some 3000 square
miles of ocean. Besides making radio
contact and establishing from the fre-
quency a rough estimate of the loca-
tion of the whaling ships, there is little
Greenpeace V can expect from its ship's
technical devices. The radio will give
them a vague direction, but after that
it will be left to the chance of a visual
sighting, which at sea means that the
Cormack and the whalers will have to
come within 15 miles of each other on a
dear day and in waters calm enough to
keep a long, unbroken horiz
At the early strategy meetings, various
proposals were made as to how the prob-
ability of an encounter might be in-
creased. John Cormack, the 63-year-old
captain of the boat that bears his wife's
name, listens with the bemused wonder
of a practical sailor as Hunter leads the
discussion of plans and strategies that
include everything from demanding 1
the Canadian government. supply reco
naissance planes to consultation of the
1 Ching. In his years of association with
the Greenpeace movement, Cormack had
learned how to suffer such suggestions
with patience and good humor, waiting
until the proper moment to temper their
stratagems with crude nautical facts. He
finally summons them abruptly out of the
realm of mystical portents with a thump
on the galley table and a gruff reminder
that a course must be set in the prosaic
terms of latitude and longitude before
he will commit himself and his boat to
following it.
“You don't trust the I Ching?” Hunter
asks, aghast, and he and other members
of the crew chide Captain John about
his old-fashioned navigational methods.
“I don't care buggerall about what
that book says or wl some guru in
Vancouver told you," Cormack grumps.
Then he laughs with the rest of them.
However, along with the laughter there
Ommmmmmmmmm, Ommmmmmmmmm, Ommmmmmmmmm,
Ommmmmmmmm, Ommmmmmmmm, Ommmmmmmmm.
10¹
PLAYBOY
is a wary expression on his face, a look
of uncertainty as to how serious
crew is about these peculiar beliefs and
rituals. After some more good-natured
banter, he gives in to their demand that
he toss the J Ching disks to see if the
voyages lifeforce direction coincides
with the course he recommends. Hunter
fiercely studies the coins, and then begins
reading the judgment: " "Thunder stirs
the water of the lake, which follows in
shimmering waves. This symbolizes the
girl who follows the man of her choice
"I wanted to know where to find
whales and whalers,” Cormack moans,
shaking his head sadly, “and you come
up with a lovesick girl.”
“It’s a parable, John,” Hunter says,
But every re-
between individuals bears
within it the danger that wrong turns
may be taken.
“Well, we're going to sure take a
queer turn if we follow this advice,’
Cormack interrupts.
“The I Ching is a map for the spirit,”
Hunter answers gravely, but his face adds
a qualifying smile to this heavy defini-
tion. When he finishes reading, he listens
to the members of the crew interpret the
passage. Most are flattering and optimis-
tic, but Walrus Oakenbough, who serves
as the cook on the voyage, takes the view
that the 7 Ching has ferreted out a lack of
unity and resolve in their venture and is
warning them not to think that they can
drift on good intention to success.
lationship
Only two countries, Russia and Ja
are at present seriously involved in com-
mercial whaling. However, their influ-
ence is such that they have managed to
keep the International Whaling Commis-
sion from putting any meaningful re-
strictions on the number of whales that
can be killed annually. Certain species,
such as the giant blue whale, have been
so depleted that they are termed commer-
dally extinct and are no longer hunted,
simply because it would be unprofita-
ble to do so. Such species enjoy inter-
national protection. However, the sci, fin,
minke and sperm are still being regularly
turned. into pet food, oil, bone and fer-
tilizer at the rate of at least 35,000 a
year, which is the quota established by
the I. W. C. Moreover, since the enforce-
ment of this limit is left to the countries
that do the whaling—there is a Japanese
observer on à Russian boat, a Russian
on a Japanese—one can imagine that a
certain laxity exists in the count and
measurement of kills.
“A moratorium is the only way
Moore says. “Otherwise, they'll just pl:
a game with statistics until another and
then another species dies off. And the
moratorium have to include every-
102 one. Some of us thought the Eskimos
should be exempt, since they kill only a
few whales and the uses they put them to
are heavy into their cultural tradition.
But the Japanese can say the same thing
and can argue that their culture has
more people in it and therefore needs a
greater number of whales. No, the ban
has to be total, but it's not easy to take
anything away from the Eskimos.”
The Eskimos have not yet responded
to the Greenpeace interdiction. How-
ever, Japanese and Russian spokesmen
for the whaling industries, on hearing
about the purpose and philosophy of
Greenpeace V, have dismissed the under-
ng as the act of a group of fanatics,
Nevertheless, the issue is sensitive enough
for the Japanese government to have
ordered its whaling fleets to avoid any
incident should they encounter the Phyl-
lis Cormack, even if such avoidance
should mean abandoning the pursuit of
a vulnerable herd or the harvesting of
earlier kills.
“Which leaves the Russ and
they're mean sons of bitches. They see
Hunter praying naked on one of their
goddamn whales and they're liable to
think he fits right into their quota, too.”
This blunt estimation of the Russian
character is spoken by George Korotva
as he lies stretched out, sunning himself
in one of the rubber Zodiac boats lashed
to the rear deck of the Cormack. These
boats, shaped like a horseshoe and pow-
ered by outboard motors, are capable of
speeds that can pass a moving whale pod
iterally run circles around a catcher
boat traveling at full steam. Korotva,
a professional fisherman, is an expert at
handling these craft. Because of their
lightness, the boats zip and bound across
the water € a stone scaled across a
pond, and in choppy seas it is a major
feat just to keep from being abruptly
ejected between waves.
Besides instructing other members of
the crew in the use of the Zodiac, Korot-
va has another important function
aboard the Cormack: Since he speaks
Russian, he spends hours each day listen-
ing to the ship's radio, translating any
communications that are picked up be-
tween Soviet ships and deciding whether
they come from inshore trawlers or whal-
ing boats. If they come from the latter,
he and Captain Jack then determine
from the strength and frequency of the
transmission the approximate position
of the signaling ship. And, of course, i
a confrontation occurs, it will be up to
Korotva to deliver the Greenpeace mes-
sage on the brotherhood of life to the
Russian whalers in a way that won't al-
front their proletarian principles.
“That is going to be some crazy mo-
ment," he says, chuckling and slapping
the sides of his Zodiac. “They won't
know what the hell to do when I tell
them that the whales are their brothers.
and
No Russian is going to be overjoyed
about being called the cousin of a hump-
back or a sperm
Korotva, in his early 30s. is large,
heavyshouldered and looks sounds
like the strong, easygoing, simple Swede
who is always among the stock characters
of shipboard dramas. But Korotva is
er simple nor Swedish. He is Czecho
slovakian, a former student of psychology
at the University of Prague and an
escapee from a labor camp in Siberia to
which he'd been shipped for his involve-
ment in some student protests in the
early Sixties. He therefore understand-
ably feels little affection for Russians.
“These are wonderful bunch of
people," he says, looking at the crew
scattered about the boat, some singing
folk songs, others scanning the horizon
for whales and their pursuers. "But
they're crazy sons of bitches. They don't
know how mean Russians can be when
they think they are being made fools of.
1 wouldn't be surprised if they just go
ahead and blow up this damn fishing
boat.”
Besides the confrontations with whal-
ing flotillas, Greenpeace V intends to
carry out various experiments involving
musical communications with whales, for
the purpose of which the Cormack has
on board hydrophones, amplifiers, a syn-
thesizer and a 6000-watt generator to
keep all this electronic gadgetry operat-
ing. Two musici Will Jackson
Mel Gregory, are in charge of finding
the tones, melodies and harmonies that
will cause appreciative responses from
the whales. Thus, during the weeks that
the Cormack searches the waters of the
North Pacific, the tedium of shipboard
life is relieved by tonal tests that include
everything from the most sophisticated
electronic beeps and gurgles of the syn-
thesizer to the simple sounds of a one-
octave flute. ory, a short, bearded,
pixyish guitarist and composer, is certain
that some sort of intelligible counterpoint
can be established between whale and
man and has spent hundreds of hours
listening to recordings of the humpback
whales long, dolorous songs that seem
to echo and reverberate in distinguish-
able patterns.
‘The intelligence, musical and other-
wise, of the order Cetacea, a designation
that includes all wholly aquatic mam-
mals, has long becn the subject of various
scientific studies. Most of these attempts
to gauge the order's cognitive abilities
have taken place in conditions of cap-
tivity and have proved only that certain
species are docile to the extent that they
can recognize and imitate a limited num-
ber of human sounds and remember pat-
terns of prescribed behavior that allow
them to be turned into aquatic perform.
ers. And it has been only the smaller
(continued on page 192)
—
55 BE DAMNED!
let's face it; there are times when it doesn't make any
sense to stick to that stupid-ass speed limit. this is for those times
article By BROCK YATES , wsx ot cor rupting American youth and kicking
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tention to the Government's cockamamie 55-mph speed limit as I do to the Treaty of Versailles,
and, what's more, by observing a few rules of my own, I get away with it—most of the time.
Yeah, yeah, I know—speed kills, right? Safety freaks have been yapping about that for
years and, wringing their hands with concern, they tell us that lower limits and touglter law
enforcement will cut the death rate on the highways. A simple solution but patent bullshit.
"The fact of the matter is that pure speed on clear, uncongested roads has very little to do
with fatal accidents. It's the other ingredients such as alcohol (50- percent ôf all serious crashes
involve booze), drugs, mental disturbances, physical disabilities, suicidal instincts (some experts
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sports
By DAN GERBER.
IN THE EARLY FIFTIES it was
a movie titled To Please a Lady,
starring Clark Gable, with
actual race footage and the faces
of real drivers like Mauri
Rose and Wilbur Shaw and huge
ferocious cars resembling
U-boats on wheels. The tires
were absurdly narrow and
grooved with tread on only the
right half of the run
surface. The movie was my first
glimpse of a world that had
previously enthralled me purely.
with sound. I was ten years
old and to drive at Indianapolis
was the only thing worth
growing up for. Each Memorial
Day was spent with engine
sounds and the voice of Sid
Collins. It didn't matter
much what he said, it was just the
sound of his voice switching
to his reporters around the track,
the roar of the cars in the
a former race driver goes
to the brickyard as a
spectator and finds it a
combination of freak show,
hand-to-hand combat and
something perversely beautiful
INDY-
THE D
WORLD'S
FASTEST
CARNIVAL
RIDE
PLAYHBOY
background and the litany of what were,
for me, almost holy names: Troy Rutt-
man, Tony Bettenhausen. Jimmy Bryan,
n Hanks, Johnny Parsons, Pat O'Con-
nor and. most holy of all, Billy Vukovich.
It meant school was getting out and I
could get sunburned and go fishing and
spend three months on Lake Michigan
trying to let the magic names fade into
some kind of perspective. Whenever I
wasn't in a bathing suit, I wore slightly
grimy white-duck trousers and a grease-
smudged white T-shirt, because that's
what Vuky had been wearing in the one
photo I'd seen of him, sitting on a work-
bench, barefooted, his knees pulled up to
his chest, exhausted and dejected after
leading the 1952 Indy for 191 laps until a
50-cent steering part Jet go and put him
0 the northeast wall. "The tough little
driver from Fresno,” the papers called
him. using his standard quote, "Just
don't get in my way."
"Then Vuky won in 1953 and again in
1954. It was the way it had to be. Speeds
had climbed past the 140-mile-per-hour
barrier and everybody wondered if they
hadn't reached. the limit. "We're going
too fast out there," Vuky said.
"Well, Vuky," the interviewer reflected,
"yow'rethe onlyone who can slow it dow:
But he didn't slow it down. He qual
fied for the 1955 race at 141.071 miles
per hour, was leading the race at the end
of 56 laps when he crashed and was killed
auempting to avoid a pile-up on the back
straight. I saw the newsreel and the
photograph of the now-primitive looking
Hopkins Special lying upside down, the
hand of my boyhood hero protruding
from the cockpit as if waving goodbye. I
remember feeling somehow responsible
for Vuky's death. It was the first time I
hadn't listened to the race. My father had
taken me fishing in Ontario, and on Me-
morial Day we were flying down from
Saddle Lake in a pontoon plane when the
bush pilot tuned in the race on his radio
and told us that Vukovich had been killed.
1 asked him to tum it off. I didn't want
to hear the cars or Sid Collins and the
magic names if Vuky wasn't among them
anymore.
Another year went by and my aversion
to racing cooled. But it would never be
quite the same without Vuky. My inter-
est turned to road racing and more ex-
otic, if somehow less personally awesome
names like Juan Fangio, Stirling Moss,
Phil Hill and the Marquis de Portago.
It was more intricate and interesting rac-
ing, and I learned to pronounce Le
Mans like the French and Sebring and
the Mille Miglia and Nürburgring. But
as much as 1 pontificated that it was
dumb to turn left all the time, Indy, with
Collins and Tony Hulman orating “Gen-
tlemen, start your engines,” was still
where the magic was.
I never drove at Indianapolis. I never
even came dose. I raced sports cars for
108 five years, with moderate success, then
stuffed one into the end of the pit wall
at Riverside, broke every bone in my
body and quit. For seven years, I stayed
vay from racing, not wishing 10 taunt
myself with failed aspirations. "Then,
three years ago, at the invitation of Bob.
Jones, a friend who covers racing for
Sports Illustrated, I went to Indianapol
or the first time, as a spectator.
It wasn't quite the way it had been
in To Please a Lady. The bricks had
been covered with asphalt, the great
wooden pagoda replaced by a glass-and-
steel tower, and most of the names had
changed, There was a Bettenhausen, a
Parsons and a Vukovich, and, though
they were a new generation of drivers,
the sons of the men I had idolized, the
names retained their fascination. There
were newer names that had acquired
their own aura—Foyt, Ruby, Unser and
Andretti—and several, like Donohue
and Revson, I'd competed with on road
courses ten years earlier. I remember
being a little awed by the realization that
those men I'd learned to race with, and
sometimes beaten, were driving and even
winning at Indianapolis. Of course, they
weren't the same men, and neither was I.
But Indianapolis was the same track (at
least it was in the same place) and finally
going to it was like visiting a historic
battleground, with one important excep-
tion: Another battle would soon be
fought there and another and another.
New monuments would be built over the
old. Racing drivers must perforce live to-
tally in the present and pay no more
than a token deference to last year's win-
ner or last year's dead.
That was in 1973, and it proved a bad
year to reacquaint myself with racing.
During the final practice session before
qualifying began, I had just come
through the 16th Street tunnel on my
way to the pits when I heard a loud
whuump and turned to see Art Pollard's
both right wheels broken off on im
pact with the wall, sliding sideways
through the short chute. About 100 feet
front of me, the axle stubs dug into
the infield grass and the car began flip-
ping. Upside down, it skidded back onto
the track, flipped right side up and came
to rest in the middle of turn two. Pollard
sat motionless amid the alcohol flames,
visible only as heat vapors rising from
the car, and at that moment, a st
thing happened: Looking back on
seems improbable, but I could have
sworn I heard the crowd in the bleachers
on the far side of the track, in unison,
scream, “Save him!”
It was a full 30 seconds before the
crash truck arrived, put out the flames
and extracted Pollard from the car. The
two disembodied wheels rolled together
in formation and came to rest in the in-
field as neatly as if they'd been stacked
there for future use. Several hours later,
in an interval between qualification at-
tempts, they announced that Pollard was
dead. A woman in the bleachers be-
hind the pits broke into tears. There was
an official minute of silence, then qualify-
resumed, The announcer announced
a new onelap record. The fat lady was
cheering.
‘Two weeks later, I went back, waited
through the tension of two days of race-
delaying rain and two aborted starts, one
of them catastrophic, and went home. I
watched the carnage on television, Salt
Walther’s legs protruding from the
wreckage of his burning. spinning car,
Swede Savage's fatal crash in turn four
and the STP crewman hit killed by
an emergency truck speeding to the res-
cue. It seemed a more macabre spectacle
couldn't have been planned. Indy had
ived up to its reputation and anyone
who'd paid his five dollars hoping he
might sce blood got his money's worth.
‘The rules were changed the inter-
ests of safety. The fuel capacity of the
cars was halved to diminish fire hazard.
The size of the airfoils was cut and pop-
off valves installed on the turbochargers
to limit boost, all in hopes of slowing the
cars down. The track facility was im-
proved, spectator barriers strengthened,
the pit entrance widened and the inside
wall in turn four, the one that had killed
age, eliminated. The 1974 race was
one of the safest im the Speedways
history, no ies and no serious inju-
ries. Maybe I would go back to Indi-
it's the
cing's
fascination, the risk without which rac-
hg would be sterile and pointless, but
it's the almost historical certainty that
sometime during the month of May,
someone will be killed there that has
tended to make Indy seem more like a
Roman circus than a 20th Century sport-
ing event.
J remember that I was fishing in Key
West with Bob Jones when we heard
the news that Peter Revson had been
killed practicing for the South African
Grand Prix. I had known Revson and
raced against him back in the early Six-
ties. Jones had done a personality piece
on him for Sports Illustrated and had
spent many evenings with him in the
course of five years covering major races
The news came over the radio and, for
what seemed like almost an hour, neither
of us had anything to say. Finally, when
so much time had elapsed that it seemed
to come almost out of context, Jones
said, “You realize that for the next
months now, nobody will mention his
name,
“Yeah,” I reflected, “and when they
do, il] be as if he had lived twenty
years ago.”
It is easy to understand this sense of
detachment among the drivers. If they
were to ponder too deeply the dangers
to themselves or the deaths of their
(continued on page 176)
clearly a
i
"Im not interested in modeling for recognition—
just for money. And I’ve never had any desire
to act. I don't want to be a star. And I
don't like being the center of attention.”
w—
2
t
r
|
4
EBBIES
REAM
when debra peterson decided
she wanted to be a playmate
Seven years ago, she was too
young. later she was too shy.
now she’s obviously neither
PHOTOGRAPHY BY KEN MARCUS
“My parents didn't like the first two guys I lived
with, but they like my present boyfriend. As they
sec it, I do a lot oj crazy things—and they
think he’sstraight enough to keep me straight.”
wanted to do since 1
was about 14 years
old—and, finally, 1 got
wp the nerve," says
Debra Peterson, think.
ing back to the day when
she went to a photogra
pher and confessed her
secret desire to pose for
PLAYBoY centerfold.
Our ingenuous 21-year-
old Californian—she was
born in Santa Monica
and grew up in Rolling
Hills—had mo experi
ence before the cameras;
but, as you can sec, she
didn't need any. Her
parents weren't exactly
enchanted with her
move—"You know how
it always is with the baby
of the family" says
Debbie, who's the young:
est of four children—but
her boyfriend, a technical
visor to film makers,
gave her new-found mod
cling career a quick
boost by making a con
nection for her to do
some TV commercials. It
promises to be easier
work than breaking in
horses, which she used to
do professionally as a
groom and exercise girl
for a thoroughbred train-
er. She left the job about
a year ago, alter deciding
that the money wasn't
enough to make up for
the risk of injury. Deb-
bie's been riding since
she was six, when her
I was something I'd
“I wouldn't say I'm into women's lib. When I eventually
get married, I'd just as soon stay home and putter
around the house while my man goes out to work. Of
course, I don't plan on getting married for a while.”
parents—like a lot of
other people in Rolling
Hills, a well-to-do suburb
with plenty of trails—
bought horses for their
kids. When she was
about 15, though, her
parents split up. Debbie
had to give up her horse.
She stayed awhile with
her mother, then with her
dad, before striking out
on her own three years
ago. Now, in a sense.
Debbie's turning k
the clock; she's bought
a thoroughbred of her
ind she's kee]
him back in Rolling
Hills, which is a 45-
minute drive in her
VW from the Marina del
Rey apartment sheshares
with her boyfriend. In
addition to riding, Deb-
bie also goes in for water.
skiing, snowskiing and
flying. Obviously, her
fun time is going to be
limited as she gets more
modeling assignments.
And eventually she hopes
to go into business: "I'd
like to be a fashion buyer
or something like that.
So Fill most likely be
going back to school in
a year or two. Actually,
I hate school— but every-
's necessary if
you want a job that pays
„ Right—unless you
have some superb natu-
ral s and an instinct
1M for where to take them.
The vibrations are ob-
viously all positive.
as Debbie—who thanks
rLAxBov for adding a
positive new element
to her life—looks over
the results of a shooting
with West Coast
Photography Editor
Marilyn Grabowski.
GATEFOLD PHOTOGRAPHY BY POMPEO POSAR
“Sex is an important part of anyone's life; if
your sex life isn’t good, you end up bitching at
everyone. I enjoy sex with no qualifications—
as long as it's one on one. I don't go for orgies.”
PLAYBOY'S PARTY JOKES
Could you perhaps describe the expression on
your husband's face when you're having sexz"
asked the marriage counsclor.
"Well, usually it's sort of contorted with ten-
sion and excitement,” replied the woman, “but
I remember one time when it was contorted
with anger.”
“With anger? When was that?”
“That was the time he was peering in
through the bedroom window.”
Venereal-disease warnings being what they are
these days, we've heard about a fellow who
wouldn't let his date go down on him, because
she had an infectious smile.
A new stewardess was summoned to the office
of the head of the airline's training program.
“I've been told about that episode on your first
flight,” clucked the woman in charge. “Look,
Miss Larson, from now on when a male passen-
ger feels faint, I'll expect you to push his head
down between his own legs!"
Maybe you've heard about the marriage of the
dipsomaniac and the nymphomaniac. lt was
nip and fuck all the way.
l regret,” she announced with a smile,
“That our music must wait for a while.
1 would love a duet,
But I can't join you yet,
Because ragtime was never my style.”
Our Unabashed Dictionary defines red-light
district as an erogenous zone.
The bereaved widow was eulogizing her late
husband to her next-door neighbor for the
umpteenth time. "He was so kind, so gentle,
so considerate,” she sobbed. “He never beat
me. He neyer even touched a hair—not a hair!
He was a truly good man.”
“Yes,” yawned the neighbor, "and what
marksmanship.”
Hanging on the reception-room wall at his fa-
vorite massage parlor, reports a correspondent,
isa sampler that reads: HUM Is WHERE THE HARD IS.
Our Unabashed Dictionary defines vaginal
lubricant asa slitty slicker.
An egotistical and demanding job secker had
exhausted the employment agency interviewer's
patience. "I simply don't have anything match-
ing our clients’ needs with your stated require-
ments available right now, Mr. Clegg,” he
sighed with finality, "but I do have a sugges-
tion for a young man like yourself who says
that he's quite experienced in dealing with
women and likes to travel.“
“And what's that? Lets hear it.”
"Fuck offl”
A furious pounding in a hotel room late one
night awakened a number of guests. The house
detective was called and he used his passkey
to enter the room from which the noise was
with every breath. “Here, stop that!"
ed the security man. “You're d
whole hotel!”
"Damn the hotel!" roared the oldster as he
continued to pound away. "Its the first erec-
tion I've had in year—and both my hands
are asleep!"
Lisped a limp-wristed cowboy named Fay:
"It's a hell of a place to be gay!
I must, on these prairies,
For shortage of fairies,
With the deer and the antelope play.”
The anthropologist who had just returned from
a remote South Pacific island told a gathering
of colleagues that the members of the he
had been studying used palm-leaf suppositories
to relieve constipation. “And how do the
sults compare with those from the use of
lized medical treatment?” asked one of the
group.
“The results struck me as superior,” replied
the anthropologist. “In fact, with fronds like
those, who needs enemas?”
We doubt that you've heard about the 97-
year-old prostitute who got herself listed in
the Yellow Pages and now claims to be the
oldest trick in the book.
Ay
We
p
Our Unabashed Dictionary defines Australian
abortion as a womberang.
Quick,” shouted a woman as she rushed into
the drugstore, "do you have any way to cure
hiccups?”
"The pharmacist dashed out from behind the
counter, dropped to his knces in front of the
woman, flipped up her skirt, yanked down her
panties and gave her a resounding pubic kiss.
Then he looked up with a smirk and said,
“There—that ought to have done it. It’s the
best cure in town!”
“The hell you say!" exclaimed the woman.
"Just you wait until I get my husband! He's
outside in the car—hiccuping his head off!”
Heard a funny one lately? Send it on a post-
card, please, to Party Jokes Editor, pLaysoy,
Playboy Bldg., 919 N. Michigan Ave., Chicago,
Ill. 60611. $50 will be paid to the contributor
whose card is selected. Jokes cannot be returned.
121
e R MAL er Y n VR "s
= M ov : : „ mne SA i
° : . : .* how to get close
. » To some
G heavenly bodies
A 0 eh e eee Q a
5 o 0 X A 2 i
PRIVATE = =
rs)
» "TERRA REFRACTOR
SPACEMASTER ie
:
We soelsw doubt hot
e Galileo: Newton, Holley®and™
other pioneers of modem
astronomy hud in mind the type
of full moon That's pictured
heré when they squipted skyward
. questing further knowledge vf o
, heavenly.bodies. Bui we do know
athat today's telescopes and 1
spotting scopes are great fun—
and if you should zero inona -+
«planet or a, constellation while
trying tg'bring on object of «
somewhat different configuration *
into proper perspective, 5
that's OK, too. Invented in » ,
(concluded on page 190)
GUNSIGHTER-SCOPE
TURN TO PAGE 190 FOR DETAILED INFORMATION ON THESE SCOPES.
»
PLAYBO
55 BE DAMNED!
suicides, for example), junk cars, poor
weather, etc., that combine with speed to
cause problems. But there is no statistical
support whatsoever that a healthy,
reasonably intelligent person with good
eyesight and quick reflexes, driving a
quick, agile car with top-quality radial
tires, excellent brakes, steering, suspei
sion, ctc., is contributing to the highway
carnage. Convince me otherwise and TIL
back off. but until then, FIL operate in
good-natured protest against a speed-
enforcement system that I believe is shot.
through with inefficiency and hypocrisy—
and keep my eyes open and my foot dow!
Using # driving technique that was de-
veloped in Europe (where, until the
OPEC embargo, most countries had no
superhighway speed lünits at all—an
environment that quite logically produced
incredibly safe and roadworthy cars such
as the Mercedes-Benz, BMW, Porsche,
Alla Romeo, Ferrari) in the United
States was hard enough before the na-
tional 55-mph speed limit, but now it
takes some real concentration.
But wait a minute, you protest, didn't
1 Washington institute the
55-mph limit for two reasons—to save
lives and to conserve fuel? Of course they
did; the simple fact that it does neither
has had no impact on their thinking.
Consider these realities: As the economy
improves, the accident rate seems headed
for pre-fuel-crunch levels, proving what
antiestablishment traffic experts ma
tained all along: Altered driving habits,
not reduced speeds, temporarily reduced
accidents in 1974. Does 55 mph cut fuel
sumption? Obviously, the slower the
ng speed, the better the gas mileage,
except for trucks, which for the most part
must operate in a lower gear, which means
higher engine revs and more fuel burned.
And then we have really efficient small
cus with lightweight, slippery body
shapes that get better mileage at 80 mph
than some monster sedans get at 40 mph.
Add to that the general loss of efficiency
me wasted and you can
ith the guy who said, "Driv-
across Texas at 55 mph isn't a trip,
is a goddamn carcer!"
All well and good, you say, but i:
trying to drive fast in the United States
tantamount to robbing a bank armed
with a rusty spoon? I mean, the high-
ways are supposed to be swarming with
cops in high-powered patrol cars, poised
to ticket anybody who exceeds 55 mph.
Aren't the papers full of stories about the
California Highway Patrol (we scofflaws
call cops Chippies) convoying mobs of
cars between Los Angeles and Las Vegas?
Isn't the word out that Ohio has gone
crazy in some kind of asphalt pogrom to
enforce the new it? All true, Yes,
even great crossroads of desolation such as
emp:
124 Wyoming and Arizona have generated
(continued from page 103)
substantial—if spotty—enthusiasm for en-
forcement ol the “55.” Such states as North
Carolina, Utah, New Mexico, Pennsyl-
Maryland, New Jersey have
evidenced fitful urges to get tough, but,
like New York. Colorado, Indiana, IHi-
nois, Texas and others that have quietly
resisted this newest spasm of Washington-
based nonsense, they lack the moncy, the
manpower and the popular support to
make 55 mph effec
Nobody—not even your Aunt Ruth
with her '63 Rambler Americin—is going
will not accommodate such a sluggish
pace, They were designed for utterly s
speeds in the 70-mph range
velocities are simply dumb. When one
recalls that 85 percent of all traffic in a
given situation operates at a reasonable
speed, regardless of the posted limit, the
news that average interstate trafic is
loping along at about 65 mph is hardly
a revelation.
But that is sull not quick enough. My
particular preference is a cruising speed
the 75-80-mph range on open inter-
states, but a pace at which you can
get your ass handed to you practically
anyplace in the U. Therefore, a little
serious preparation is necesary if you
plan to run that quickly and (1) keep
your license for more than a week at a
time, (2) stay out of jail and (3) not go
broke paying fines. Actually, a fair
amount of field research exists on the sub-
ject of subverting the highway heat. There
is this underground coast-to-coast race
Baker Sea. to-
ophy Dash that
Tas produced incredible amounts of infor-
mation on the subject. Started in 1971 by a
semiweird journalist, car freak and gener-
al troublemaker named Brock Yates, the
Cannonball has been run four times
from inidtown Manhattan to the Portofino
Inn on the Pacific Ocean at Redondo
Beach, California, south of L.A. The pres-
ent record, including New York and L.A.
uaffic, plus all stops, is 35 hours and 53
minutes (set in 1975 by two Floridians
driving a Ferrari Dino), which works out
to an average speed of 82 mph. Can you
run fast in the United States? The '75
Cannonball had 18 entrants, all of whom
finished the run at an overall average
speed of 70.7 mph and got fewer than a
dozen tickets and warnings in the process.
Dangerous? Not hardly what the safety
establishment tells you: The four Cannon-
ball runs have involved 61 vehicles
ranging from 175-mph Ferraris to motor
homes and pickups—and 149 individual
drivers. Driving on the interstates at
speeds seldom less than 75 mph and often
over 100 mph, these people (myself
cluded) have recorded over 160,000 miles
h one minor accident. Yes, good
drivers and good cars can run quickly
and salely on the open roads. Here are
some of the things we learned along the
way:
Know thine enemy: Generally speak-
ing. the interstate system is in the juris
diction of the highway patrols of the
individual states. They haye different
operating procedures and use different
brands and colors of cars, etc. California,
for example, uses black-and-white Dodges,
often without a light or "gum-ball
machine" on thc roof, which makes them.
hard to spot in freeway traffic. California
uses very little radar or VASCAR, which
means the patrols catch people by sitting
on the freeways on ramps or making high-
speed “sweeps” through traffic, picking up
anyone they have trouble overtaking.
Many other states use unmarked patrol
cars (although they are generally identi-
fiable to the sharp-cyed for the following
reasons: 1, They are usually full-size,
solid-color, stripped versions of the regu-
lar Ford, Chevrolet or Dodge patrol cars
used by the particular state in question.
2. Somewhere on the car a tiny VHF
whip antenna and, in many cases, a spot-
light on the driver'sside windshield
pillar. 3. Specially built police specials
usuall ver on their suspensions and
use slightly wider tires than normal cars
4. They will usually carry official state
ense plates). This unmarked-car busi-
be frustrating; many is the time
ly trailed a slow-moving Dodge
or Ford that fits the description, only to
discover that the driver is a member of
the Office of Weights and Measures or
some such thing. Moreover, some states
are getting really sneaky—New Jersey is
using vans equipped with radar parked
on its overpasses and Arizona and Mary-
land, among others, have been known to
let their troopers use what appear to be
private cars and even old pickups. How.
ever, disguises can work both ways. The
1972 Cannonball featured a trio of sports-
car racers who ran their Mercedes-Benz
cross-country while decked out as Roman
Catholic priests. After being arrested in
Arizona for driving 95 mph, one of the
impersonators suggested to the patrolman
that he might reduce the speed on the
ticket to a more saintly—and less expen-
ve—velocity. The officer, vaguely s
picious, countered, “Yes, Father, we could
reduce the speed, but that would be lying,
wouldn't its“ Until you're sure, be sus-
picious of any vehicle on the road; it's
that simple. Memorize the brands and
colors of patrol cars in the areas where
you drive.
Highway patrolsuse three basic methods
to trap speeders: radar—a version of the
military device that measures speed via
microwave signals; VASCAR—a simple
time-distance computer, operated by the
officer from his car, that en no beams
or signals whatsoever; and the aged but
basically foolproof method of clocking
relative speeds by speedometer. In theory,
(continued on page 231)
SEX IS GOOD
RYOUR HEALTH
Would:
n uis
you know--the best
e
pe a pall
diei
ine
around turns out to
an By EDWARD M
JEREMY BRECHER
PLAYBOY'S HISTORY OF
ASSASSINATION .......-
m——— PART VIL
BLACK AGAINST BLACK
article
By JAMES MCKINLEY
the sixties saw the death
of our two major black
leaders, both working to
solve the same problems.
malcolm x advocated vio-
lent solutions, martin
luther king, jr., preached
a doctrine of brotherhood,
but they were both brought
down by gunfire, and
questions remain: did
elijah muhammad have
malcolm murdered? did
james earl ray shoot king?
Malcolm X {above left), the first black victim of politico! ossassina- in 1965 using a shotgun and handguns. Above center: Moments after
tion in America since John Kennedy's death, was a Black Muslim who the fatal shats, friends vainly try to save Malcolm's life, Below left:
had been suspended fram the sect by its leader, Elijah Muhammad Police remove his body. Certain that Elijah had ordered the killing,
(above right). Three Black Muslims brutally gunned Molcalm down Malcolm's followers burned down his Harlem mosque (below right).
This thing with me
will be resolved by
death and violence.
—MALCOLM X
I'm not fearing any
man. Mine eyes have
seen the glory of the
coming of the Lord.
— MARTIN LUTHER
KING, JR.
JOHN KENNEDY’s unfathom-
able death created in many
Americans a terrifving ex-
pectancy. If that could hap-
pen, anything was possible.
We sensed that the poten-
tial for political murder
had been only partially
discharged with Kennedy.
Somehow it was still sus-
pended above the nation, a
nearly palpable menace
awaiting its moment. Who
would be next we won-
dered?
The answer surprised us.
Our next two assassination
victims were not, as always
before, powerful white pol-
iticians. Instead, the assas-
sins struck black reformers.
Men, in fact, who in dif-
ferent ways—the one as
incendiary, the other as
were protesting
justices they believed
white politicians had
caused or tolerated.
The first to die, Malcolm
X, put his bitterness suc-
cinctly. Of Kennedys assas-
sination he said, “Chickens
coming home to roost never
did make me sad: They've
always made me glad.” The
chickens Malcolm had in
mind were not just in ghet-
tos; he felt they had also
winged in from Southeast
Asia and the Third World.
It didn’t matter that Ken-
nedy at the time of his
death was preparing
ranging civil rights leg
tion or that his inheritor,
Lyndon Johnson, was spon-
soring bills that in time
would inspire some black
leaders to hail him as the
Center right: In this 1956 phata,
a black woman wha was one af
the first ta ride in the front af the
bus after the desegregation arder
sits next ta Ralph Abernathy,
longtime friend of King, wha
is just behind him. As civil
rights marches grew, increasing
attention (and hate) was focused
on their leaders, especially King.
3
"Longevity has its place,” King
said to a crowd the night before
his death, “but I'm nat concerned
abaut that naw. ... So I'm happy
tonight, I'm nat worried about
anything. I'm nat fearing any
man." The next doy, April 4,
1968, James Eorl Ray (below)
watched fram his room abaut 200
feet away os King stood an the
balcony of the Lorraine Matel,
leaning over the railing, talking
ta friends. Maments later, at 6:01
P.M., Martin Luther King was deed.
ILLUSTRATION BY CHET JEZIERSKI
rh pomm
7 ANS
3 —
Moments after the fatal shot, King's aides point from the balcany in the direction from which the shot come.
A slug from o .30-'06 rifle entered the right side of King’s neck and went on to sever his spinol column.
Fatally wounded, King lies among the helpless witnesses, a motel towel covering the right half of his face.
greatest civil rights Presi-
dent since Lincoln.
That was not enough for
Malcolm, nor for King.
They wanted justice now,
freedom now. Like the
preachers sons they were,
they exhorted their disciples
to demand just that. But
before they could see those
demands met, each was
dead and his cause soon
faltered. Assassination had
again removed a leader and
deflected, perhaps thwarted,
his movement. For those
who kept faith with Mal-
colm and King, it was small
comfort that the ultimate
effects of their deaths were
unknowable. Better to turn
to assassination’s only other
constant, the questions of
just who killed them and
why.
With Malcolm it seemed
simple. On Sunday after-
noon, February 21, 1965,
three men attacked him
while he was addressing a
congregation of his Organ-
ization of Afro-American
Unity in the Audubon Ball-
room, at 166th Street and
Broadway, in New York.
The assassins were well
drilled. Two stood up about
eight rows from the TOS-
trum. "Don't be messin’ with
my pockets," one hollered,
and while Malcolm asked
them to cool it, his body-
guards moved toward them.
"Then smoke billowed from
King was buried in a plain wooden casket drawn through the streets by
mules. Millions mourned and hundreds of thousands lined the streets...
hus.
a Y* 8
but just hours after King's death, hundreds of thousands, shocked
ond embittered, olso took to the streets for another purpose: 125 cities
were threatened by the riots and looting that followed the ossassination.
PLAYBOY
a man's sock soaked in lighter fluid and
set afire in the aisle. As Malcolm and
his 400 followers stared at the confu-
ion, a man rushed the stage with a
sawed-off, double-barreled 12-gauge shot-
gun wrapped in a gray jacket. The blasts
caught Malcolm in the chest, blowing
him backward over a chair. Two other
men moved up and pumped shot after
shot from a .38 and a .45 into his body
before all three ran to escape. Two made
it, but a bodyguard's pistol felled one.
The crowd outside broke his leg and
would have led him if police hadn't
come to his rescue. They soon identified
him as Talmadge Hayer, a.k.a. Thomas
Hagan.
In the ballroom, Malcolm was dead.
His pregnant wife, Betty Shabazz, wailed
over his body, and another woman
keened, Oh, black folks, black folks, why
you got to kill each other?" That
was obviously. Malcolm's lieutenants
were sure Elijah Muhammad had or-
dered the Killing and that trained killers
from the Fruit of Islam, the Black
Muslim strike force, had carried it out.
Fourteen months before, Elijah had sus-
pended Malcolm from the Muslims,
ostensibly for his remark about Kennedy,
but really, they thought, because he
feared the startling charisma of Malcolm,
feared that Malcolm's new organization
would attract more blacks than thc
Muslims and, above all, feared that
Malcolm would tell what he knew about
sub rosa Muslim activities.
Malcolm himself had thought the Mus-
lims might kill him. They were respon-
ble, he'd said, for the fire-bombing of
his home just a week before he went to
the Audubon. That was their gratitude
for all he'd done. He'd built up the Mus-
lim organization in New York. He'd en-
rolled their most famousrecruit, the young
heavyweight Cassius Clay. He'd articu-
lated for them the black man's rage as
no one had. “If ballots won't work,
bullets will,” he had once proclaimed,
and now he feared he was to be the proof
of thar sentiment. That seemed ironic.
He, born Malcolm Little, the man who
his youth was convinced that white
racists had burned his home and killed
s father, who as Big Red (for
reddish hair and light skin, the legacy
of a “white rapist” grandfather) had
gotten through zoot suits and. processed
hair, through dealing cocaine and grass,
through burglary and six years in the
slammer, where he'd learned about Islam
and became converted, and then made
it up dose to Elijah's side, this man was
now to be killed not by the "white
devils” he excoriated but by his onetime
brothers. Still, even Malcolm admitted
they had reason. After he'd left the Mus-
lims, he accused the 67-year-old Elijah
of sexual promiscuity with teenage
“secretaries” and declared he would,
threatened, tell everything he knew; for
130 example, about deals the Muslims had
made with the Ku Klux Klan and the
Party to separate con-
tested territories into black and white
spheres of influence, There were rumoi
too, that Elijah’s sect had, like the Klan,
accepted money from H. L. Hunt, who
likewise thought it a capital idea to keep
black and white apart. Such revelations
could badly damage the Muslims. “Th
is set, and Malcolm shall not escape,
Elijah opined. No wonder that Malcolm
wrote, "Some of the followers of Elijah
Muhammad would still consider it a
first-rank honor to kill me.”
lt had apparently happened. Soon
after the shooting, police arrested. two
Black Muslims as Hayer’s accomplices.
Thomas “15X” Johnson was eventually
tried as the shotgunner. Norman "3X"
Butler was charged with being the third
gunman. Both had reputations as en-
forcers for the Muslims (at the time of
Malcolm's assassination, Butler was out
on $100,000 bond for shooting another
Muslim defector). In 1966, the three
were convicted of the murder and sen-
tenced to life in prison. A rougher sort of
justice moved faster than that. Within 36
hours of Malcolm's death, the Muslims’
Mosque Number Seven in Harlem
burned beyond repair, and for months
after, Malcolm's allies publicly, if futilely,
threatened to kill jah. But at least
everyone agreed: The Muslims. possibly
with outside encouragement—had assas-
inated Malcolm X.
That verdict still seems fair, even con-
sidering that no firm evidence ever led
beyond the three convicted assassins (Eli-
jah repeatedly denied any personal or
anizational responsibility, but it is
1 act that the Fruit of Islam
s do not act on their own initiative).
ever the case, Malcolm X was
dead. Many called that good riddance,
remembering his hysterical rantings
against whites, his calls for a separate
black nation, his exhortations to blacks to
buy guns and "get the white monkey off
your back." Yet near the end, Malcolm
seemed to have changed. He professed a
new idealism. Trips abroad and a pi
grimage to Mecca had convinced him of
the need for a brotherhood of all the op-
pressed, instead of war between the dark-
er and the paler races. Ironically, that
perception may also have helped doom
Malcolm. A story had it that because of
his visit, Moslems abroad had decided to
give money to his organization instead of
Elijah’s, a prospect that could have pro-
vided the Muslims with another motive
for removing Malcolm. Nevertheless, M
colm persisted in saying the Muslim doc-
trine produced zombies. He said he
was glad to be free of his hysteria, of "the
to be one, it will be in the cause of
brotherhood.” Unfortunately, he did not
die in brotherhood's name but in a
climate of violence that his early hate-
mongering may partially have made.
Only his magnificent autobiography sug-
gests what he might have become in other
climes. Sadly, the violent weather was to
hold, a fact deplored at the time of
Malcolm's death by King. who ruefully
said such violence “is not good for the
image of our nation and not good for the
Negro cause.” That was three years be
fore Memphis, where King became a
genuine martyr to brotherhood.
It was in Memphis, of course, that
Martin Luther King and James Earl Ray
came to be paired as saint and criminal ii
the pantheon of American assassinations.
Yet, as with Lincoln and Booth, Ken-
nedy and Oswald, there are vital ques
tions surrounding that pairing, so many
that we truly know only two things.
First, we know that at six P.M. on April
4, 1968, King leaned on the railing of
the balcony of Memphis’ Lorraine Motel
into the sights of a 30706 rifle. One min-
ute later, a bullet ripped through his
right jaw and into his throat and body,
killing him with a single shot that ended
his dream of social equality, that burned
Detroit and Washington, that launched a
world-wide search for his killer and that
ly brought in a skinny, petty-
escaped convict and lifelong
ously called Eric vo Galt,
Harvey Lowmyer, John Willard, John
Rayns, Paul E. Bridgman, Ramon George
Sneyd, but known to us soon and ever
since as James Earl Ray.
Second, we know that even if Ray did
kill King—and there is reasonable doubt
that it could be proved—he has been
victimized, almost framed, by legal and
judicial irregularities, the cover-up of im-
portant. facts in the slaying and a failure
by the FBI and Memphis police to in-
vestigate thoroughly the possibility of a
conspiracy.
To understand those two things, we
must be; with M n Luther King.
King was in Memphis to lead a protest
march in support of Local 1733, the
nearly all-black local of the garbage and
sewer workers union. The 1300 men had
gone on strike in February, asking for a
50-cent-an-hour raise, workmen's compen-
sation insurance and an insurance pro-
m. Memphis officials refused. Inevit-
ably, trouble built. The town seethed with
race hatc. Memphis’ black leaders called
for King, the Nobel apostle of nonviolence.
On March 18, 1968, King arrived from
Anaheim, California, where he'd given a
speech two days before. (Ray, then under-
ground in Los Angeles, had noticed it.) In
Memphis, King exhorted 15,000 people
to join in a work stoppage. It happened,
but the agent was a freak snowstorm,
not aggrieved citizens. One plan frus-
trated, King consented to lead a march
on March 28.
It was a disaster. Militant youths, the
Invaders, broke Kings nonviolent rules
(continued on page 210)
"Mmm. Tell another lie, Pinocchio."
131
AMAIE OF THE /
lillian müller created a sensation when she debuted
last august—but that was only the beginning, folks
PHOTOGRAPHY BY RICHARD FEGLEY
DMITTEDLY, we are sometimes inclined to overstatement. When Lillian Müller appeared as our August
1975 gatefold girl, we called her the most striking Playmate ever. Ever? Well, if not ever, then certainly
within recent memory. It should be obyious to all that we are dealing with a remarkably attractive
woman, After a year of observation and appreciation of the 12 beautiful ladies who graced our gatefolds
in 1975, our readers felt that it was inevitable and proper that Lillian should receive Playmate of the Year
honors. The editors concurred, if for no other reason than her eyes. Yes, her eyes. A correspondent for the
German magazine Neue Revue met our August Playmate and wrote: “With such a figure, it’s amazing that
one would first be drawn to her face. Deep-blue, astonished eyes look at you, always a little reproachful, always
a little surprised, as if immediately guessing your thoughts." Amazing, indeed, but Europeans have always
been subtle. Bruno Bernard, a famous Hollywood glamor photographer (and, incidentally, father of December
1966 Playmate Sue Bernard), met Lillian at Playboy Mansion West. He saw in her a rare and unforgettable
combination of eroticism and innocence. “Nobody escapes her eyes," he says. A few months later, he showed
the Playmate feature to a friend, Rolf Thiele, a West German director who (text concluded on page 198)
134
poe M
“I grew up in a small Norwegian village, where there was no such thing
as a life of glamor. Now, in Hollywood, I find so many people who are beautiful,
erotic, sensuous. They have style. They dress up to make undressing that
much more fun. Even everyday gestures are sexy. It’s good to celebrate life.”
136
As Playmate; I frequently visited Mansion West. It is everything I love about
California. It all sparkles—the sunlight, the jountains, the swimming pools, the
gardens and the conversation. It’s like a European salon, with one difference:
The people you mect are not only intelligent, they are exciting, loose, fun.”
“I look for certain qualities in a lover. He must be strong, masculine,
ambitious. He must be able to guide me and guard me. If a man has these qualities,
I will love him no matter what language we speak when we are together.”
NWN pp il
140
“Some women change men the way they change clothes. Not me. When I love
a person, I need him completely. I want someone I can just go to bed
with and hold on to. I make love when there is love. If there is patience,
care between two people, the sex cannot be bad. Do you understand?"
142
“There has been an explosion in my life and I have been very active, pursuing an
acting career. But I'm not living like a nun. I still find time to relax,
to bea little bit lazy, to concentrate on my man and Spend some time in bed.”
“Will that be all, sir?”
14
tivo droll songs trom Pills to Purge Melancholy, 1698
(Pretty Kate of Windsor and Tenement to Let!)
Pretty te of Windsor
Near to the town of Windsor, upon a pleasant green,
There lived a miller's daughter, her age about eighteen:
A skin as white as alabaster, and a killing eye,
A round, plump, bonny buttock, joined to a tapered thigh:
Then, ah, be kind, my dear, be kinder! was the ditty still,
When pretty Kate of Windsor came to the mill.
To treat with her in private, first came a booby squire:
He offered ten broad pieces, but she refused the hire.
She said his corn was musty, nor should her toll dish fill:
His measure, too, so scanty, she feared ’twould burn her mill.
Soon nfter came a lawyer, as he the circuit went:
He swore he'd cheat her landlord and she should pay no rent.
He questioned the fee simple—but him she plainly told:
TU keep, in spite of law tricks, mine own dear copyhold!
Next came a trooper who did of fighting prate,
Till she pulled out his pistol and knocked him o'er the pate.
I hate, she cried, a hector, a drone without a sting:
For if you must be fighting, frend, go do it for the king!
Next came a strutting sailor who was of mate’s degree:
He bragged much of his valor, of fighting late at sea.
She told him his bravadoes but lamely did appear:
For if you had stood to't, rogue, the French would not be here.
Next came a smug physician upon a pacing mare,
But Kate esteemed this doctor less than any had been there.
He was so used to clysters,* she told him to his face,
He always would be plunging his pipe in the wrong place!
The parson of the parish did next his flame revea
She made him second mourning and covered him with meal.
The man of God stood fretting—she bid him be not vexed:
‘Twill serve you for a surplice to cant in Sunday next.
If you want to know the reason why she was so unkind—
There was a brisk young farmer who first taught her lo grind.
And he was just the workman and his the ready skill
To open up her water gate and best supply her mill.
Then, ah, be kind, my dear, be kinder! was the ditty still;
When pretty Kate of Windsor came to the mill.
*Enemas.
Tenement to Let!
I have a tenement to let
I hope will please you all—
And if you'd know the name of it,
is known as "Cunny Hall.”
It's seated in a pleasant vale,
Beneath a rising hill,
And I shall let this tenement
Towhomsoc'er I vill.
For ycars, for months, for weeks, for days,
P'U let this famous bower.
Nay, rather than a tenant lack,
I'd let it jor an hour!
here's round about a pleasant grove
To shade it from the sun,
ILLUSTRATIONS BY BRAO HOLLAND
Ribald Classic
And underneath is well water
That pleasantly does run,
Where, if you're hot, you may be cooled,
If cold, you may find heat:
It is a well-contrivéd spring,
Not little, nor too great.
The place is very dark by night
And so it is by day,
But when you once are entered in,
You cannot lose your way.
And when you're in, go boldly on,
As far as e'er you can.
And if you reach the housctop,
You'll be my tenant man! LY |
MS
of law was vulgar, but the study of it
was sublime."
They were not so comforting when
they came.
‘Break your mother’s heart,” said one.
“If you'd only stayed at Wellesley,”
said the other.
"A girl alone has to protect herself,“
Jenny said. "What could be more
propel
But one of her brothers asked her if
she could prove that she had not had
previous relations with the m:
PLAYBOY
"Confidentially," whispered the other
one, "have you been dating this guy
long?"
Finally, things were cleared up when
the police discovered that the soldier v
from New York, where he had a wife and
child. He had taken a leave in Boston
d, more than anything else, he feared
the story would get back to his wife.
cryone secmed to agree that would be
awful, for everyone, so Jenny was re-
leased without charges. When she made
fuss that the police had not given her
back her scalpel, one of her brothers
said, “For God's sake, Jennifer, you can
steal another one, can't you?
7I didn't steal it,” Jenny s:
“You should have some friends,” a
brother told her.
“At Wellesley,” they repeated.
“Thank you for coming when I called
Jenny said.
you,
"V y one said.
“Blood runs thick,” said the other;
n he paled, embarrassed at the asso-
ciation—her dress was so besmirched.
"I'm a good girl," Jenny told them.
said the older one, her
lifes earliest model—for wisdom, for all
That was right. He was rather solemn;
he s. It's best not to get involved
with married men.”
"We won't tell. Momma,
one said.
"And certainly not Father!" said the
st In an awkward attempt at some
natural warmth, he winked at her—a
gesture which contorted his face and for a
moment convinced Jenny that her life's
earliest model had developed a facial tic.
Beside the brothers was a mailbox with
a poster of Uncle Sam. A little soldier,
all in brown, was climbing down, gently,
from Uncle Sam's big hands. The little
soldier was going to land on a map of
Europe. The words under the poster
said: sUPPORT OUR Boys! Jenny's older
brother looked at Jenny looking at the
poster.
‘And don't get involved with soldiers,”
he added.
But Jenny Fields was too confused to be
properly outraged, She was also sore—
her ear, where the soldier had cuſted her,
hurt her, and there was a deep muscle
cramp between her shoulder blades that
146 made it hard for her to sleep. She
the other
JE (continued from page 90)
thought she must have wrenched some-
in there when the theater lackeys
bbed her in the lobby and pulled
her arms behind her back. She remem-
bered that hotwater bottles were sup-
posed to be good for sore muscles and
she got out of bed and went to her closet
and opened one of her mother's gift
packages.
It was not a hotwater bottle. "That
had been her mothers euphemism for
something her mother couldn't bring he
self to discuss, In the package a douche
bag. Jenny's mother knew what they were
for, and so did Jenny, She had helped
many patients at the hospital use them,
though at the hospital they were not much
used to prevent pregnancies after lovemak-
ng; they were used for general femini
hygiene, and in venercal cases.
Jenny was appalled. She opened all
the packages. In each one was a douche.
bag. "Please usc her mother had
begged her. Jenny knew that her moth-
er, though she meant well, assumed that
Jenny's sexual y was considerable
do doubt, as
her mother would put it, “since Welles-
ley.” Since Wellesley, Jenny's mother
thought that Jenny was fornicating (as she
would also put it) “to beat the band.
Jenny Fields crawled back to bed with
the douche bag filled with hot water and
snuggled between her shoulder blades;
she hoped the clamps that kept the water
from running down the hose would not
allow à leak, but to be sure, she held
the hose in her hands, a little like a
rubber ros nd she dropped the noz-
zle with the tiny holes into her empty
water glas. All night long, Jenny lay
listening to the douche bag leak.
In this dirtyminded world, she
thought, you are either somebody's wife
or somebody's whore—or fast on the way
10 becoming one or the other. If you don't
fit either category, then everyone tries to
make you think there is something wrong
with you. But, she thought, there is noth-
ing wrong with me. :
She decided that all my festations of
her innocence were futile and only ap-
peared defensive. She took a larger apart-
ment, which prompted a new assault of
packaged douche bags from her mother
ack of nursing shoes from her
t, thus tri-
pling her previous allowance. It struck
her that they were thinking: If she is to
be a whore, let her at least be clean
and well shod.
In part, the war kept Jenny from
dwelling on how badly her family mis-
read her—and kept her from any bitter-
ness and self-pity, too; Jenny was not a
dweller. She was a good nurse and she
increasingly busy. Many nurses were
joining up, but Jenny had little desire for
nge of uniform or for travel; she
ary girl and she didn't want to
have to meet a lot of new people. Also,
she found the system of rank irritating
enough in the hospital; in the Army, or
could only be worse.
rst of all, she would have missed the
babies. She was at her best as a nurse.
she felt, to mothers and their babies,
and there were suddenly so many babies
whose fathers were away, or dead or miss
ing; Jenny wanted most of all to en-
courage those mothers. In fact, she envied
them. It was, to her, the ideal situation:
a mother alone with a new baby, the
husband blown out of the sky over
A young woman with her child,
life ahead of them—just the two.
of them. A baby with no strings attached,
thoughe Jenny. An almost virgin birth.
These women, of course, were not al-
ways as happy with their lot as Jenn
thought she would have been. They were
grieving, many of them, or abandoned
(many others); they resented their chil-
dren, some of them; they wanted a hu:
nd and a father for their babies (m;
others). But Jenny Fields was their en-
courager, she spoke up for solitude, she
told them how lucky they were. Some of
them came around to seeing it her w.
but Jenny's reputation at the hospital
suffered her crusade.
“Old Virgin Mary Jenny,” the other
nurses said. “Doesn't t a baby the
casy way. Why not ask God for it?”
In her diary, Jenny wrote:
I wanted a job and I wanted to
live alone. That made me a sexual
suspect. Then I wanted a baby, but
1 didn't want to have to share my
body or my life to have onc. That
made me a sexual suspect, too.
Jenny discovered that you got more
respect from shocking other pcople than
you got from trying to live your own life
with a little privacy. She told the other.
nurses that she would one day find a
man to make her pregnant—just that,
nothing more. She not entertain the
y that the man would need to
try more than once, she told them. ‘They,
of course, couldn't wait to tell everyone
they knew. It was not long before Jenny
had several proposals, She had to make
a sudden decision; She could retrea
ned and embarrassed that her secret
out, or she could be brazen.
A young medical student told her he
would volunteer on the condition that he
could have at least six chances over
three-day weekend. Jenny told him that
he obviously lacked confidence; she
wanted a child who would be morc sc-
cure than 1
An anesthesiologist told her he would
even pay for the child's education—
through college—but Jenny told him
that his eyes were too close together and
his teeth were poorly formed; she would
not saddle her child with such handicaps.
One of the other nurses boyfriends
(continued on page 169)
S
1 Electronic calculator/biolator
features on eight-digit capac-
ity for math computations, along
with biorhythm readings based on
your birth date, by Casio, $29.95.
i 2 Travel kit includes a canvas
overnight / sports bag, a
16-0z. bottle of YSL for Men
cologne, plus an I.D. tag, by
Yves Scint Laurent Parfumes, $30.
3 Combination lock that holds
WP 3312" of retractable woven-
steel cable is ideal for keeping
skis, bikes, etc., temptation-proof,
from The Horchow Collection, $12.
Photography by Richard Izui
liberty '76 golf irons
trimmed in red, white and
blue are Gyailable in numbers
from 2 to 9, plus pitching wedge
and sand wedge, by lynx, $350.
]
5 A simple yet elegant 18-kt.-
Wal! cold and ebony watch that
offers 17-jewel movement, sap-
phire crystal and black-leather
strap, by Baume & Mercier, $800.
6 Telephone-type C.8. radio
features a mike/speaker
handset with push-to-talk switch;
has crystals for 23-channel use,
from Radio Shack, $179.95.
147
148
Counterstrike, a two-player game in o
bross-hinged cttoché cose thot folds
7
out into a game boord; with 30 counters, 4
dice, doubling cube, cups, by Essex, 550.
í
8 Stoinlesssteel wrist colculotor/watch
with a sixdigit display ond o 12-digit
calculating copability performs moth, tells
the time, month and dote, by Pulsor, $550.
9 200 Box-belt-drive avtomotic turntoble
Í provides automatic, semiautomatic ond
manval operation; S-shoped tonearm holds
ADC VLM/ MK II cortridge, by BSR. $139.95.
M
Contax RTS offers automatic expo-
sure, unique self-winder ottochment,
$800 with 50mm lens; self-winder, $200; infro-
red flosh, $140, oll by Yashica ond Corl Zeiss.
i
Il The Weshing Machine
shower clutter, dispenses shampoo,
conditioner ond liquid soap, oll ot the punch
of o button, by Evolution Health Core, $29.95.
eliminates
e
12 Mobile I Searcher hand-held tunable
Idi sconning radia hos A.C. converter,
scons four public-service V.H.F. (hi
includes squelch control, by G.
[7
13 Model K 2900 LTD hos high-perform-
Mui once 908 ce, engine, alloy wheels,
Jordine exhaust, custom seot ond newly de-
signed suspension system, by Kawosoki, $3295.
channels;
$69.95.
[
l4 Top to bottom: Model T-100 AM/FM
stereo tuner, about $700, P-300 om-
plifier, about $800, and a stereo control cen-
ter, about $650, all by Accuphase from TEAC.
15 Seele d ce, dem ge
I chine ejects balls at five-second inter-
vols, includes on 8'x 8’ backdrop net, from
The Horchow Collection, $79.95 without balls.
mam
16 ESS speakers feature a Heil air-motion
' transformer with a special soft poly-
ethylene diophragm; ciled-walnut cobinet
meosures 35" x 16" x 16", by ESS, $396 each.
17 Cook 'N Co'jun, o chorcoal-water
smoker, seporotes coals from meot
with liquid, is self-basting, so needs little tend.
ing; olso serves os a grill, by Bosman, $50.
18 The balance of these fibergloss tennis
Ea. rackets is soid to obsorb shocks that
add to orm fotigue; plostic
sures tight strings, by Yomaho, $45 each.
19 The Pronto!, o no-fold Land camera,
is o low-priced way ta shoot SX-70
pictures, has Galilean view finder, focus ronge
from three feet to infinity, by Polaroid, $66.
20 Extra-strong fibergloss Hobie Sun-
doncer skate board can hold up to
3600 lbs. and still turn quickly on wide-track
urethane wheels, by Coachcraft Products, $60.
sleeve en-
149
and a pi
tube
lead them
tv has become a self-fulfilling prophecy: we are what we see
Unwittingly, then, had I discovered an
invisible Empire of the air.
— LEE DE-FOXEST, who invented
the Audion tube
The relationship between consumer and
advertiser is the last demonstration of neces
sary love in the West, and its principal form
of expression is the television comercial,
—CoRE vip al, Myra Breckinriuge
Television is chewing gum for the eyes.
—FRED ALLEN
article By JOHN LEONARD
IT WAS A DINNER PARTY in a handsome
apartment in Brooklyn Heights. The
view was handsome, and so was the food,
and so were the people, with the sorts
of faces usually to be found stamped on
Roman coins, Even the sullen surreal
smear of art on the wall above the
lowboy in the living room—a Techni-
colored artichoke, a test pattern—seemed
ace NN
ee \~ ^3
>s
handsome. I was among professors of
literature and sociology. 1, who professed
nothing more compelling than my-
self, had just been unmasked as a review-
er of TV programs for a local newspaper.
The professors wanted to know how any-
one could watch 20 to 30 hours of tele-
ision a week and stay serious, much less
sane. They nodded so sympathetically I
thought their heads would fall off and
scare the cat.
Well, how many hours of TV did they
ch each week? I took up pen and
paper. News? Five and one half hours, if
one counted 60 Minutes on CBS and
Close-Up on ABC. Documentaries? They
all imed to watch lots of documentaries
on hunger, crime, inflation, farm workers,
pensions, prisons and the Middle East.
I didn't believe them. Nobody watches
documentaries, Say one half hour, being,
generous. Drar specials? It was the
same. Everybody claimed to have watched
Kespeare, Ibsen, O'Neill Arthur
‘Fennessee Williams. 1 doubt it.
hour. Va i shows? Never, they
id. Nor even Carol Burnett, or
Minnelli, or Cher with Bette Midler and
Elton John? No. Still, I gave them an
hour. Situation comedies? Not really,
except, perhaps, for M*A*S*H and The
Mary Tyler Moore Show and, occasional-
ly, Rhoda or The Bob Newhart Show,
and once in a while All in the Family,
nee at a fever chart on the
cultural distemper. No one admitted to
watching Maude, and yet everyone had a
different reason for disliking it. An hour
and a half. Talk shows? Hardly ever.
Oh, maybe Johnny Carson's opening
monolog, which is always interesting be-
cause it tells us what can be safely reviled
the nation this week; and then, if the
st is Joan Rivers or Jonathan Winters
nberg or
nother 15 minutes; and
of course, if Norman Mailer is
o hours.
ion? For Remedial Serious-
ncss—Bill Moyers, Kenneth Clark, Jacob
Bronowski, The Robert MacNeil Re-
hour and a half; for Upstairs,
Downstairs, an hour; for William F.
Buckley, Jr, 15 minutes. Sports? Ah,
that’s different. Five shameful hours or
so, especially professional football and
basketball, or if Catfish Hunter is pitch-
ing; more in Olympic years; and much
more if a local team looks as if it might
make the playoffs Movies? Professors
don't count watching movies as watching
television. I do, either in prime time or
after the late news. They will watch re-
runs of the B movies of their youth—
Andy Hardy Meets Frankenstein's Sister-
in Lau, Sydney Greenstreet Goes lo a
Beach Party, inferior in quality to an
average episode of, say, Golumbo—until
the cows come home and the cartoons
come on. Ten hours.
That amounts to about 30 hours of TV
152 a week. And the total takes no account
PLAYBOY
gu
or Woody Allen or David St
Flip Wilson,
then,
W.
of Barba ters, game shows, soap
operas, political conventions and cam-
paigns, assassinations, moon shots, mor:
aturday-night “massacres” (as
incidents"
impeachment proceedings and Presiden-
tial preemptions. The preemptions
particularly time-consuming because, like
jet lag, it takes a day or two to recover
from them. We had one President on TV
impersonating Ed Sullivan, arms aloft
the famous V, operating as a
shot, flinging our heads through the
screen and to incredulity: Govern-
ment by jack-in-the-box! Surprise! Freeze
the wages go to Ci Look what
Daddy brought home from the office—
an invasion of Cambodia! Now we have
a President who impersonates Joe Pa-
looka: Eat your parsnips and the eco
omy will grow strong. This is known as
children's programing.
These calculations should
ined so much on the professoi
Every survey suggests that intellectuals
watch almost as much television as the
rest of us, even if their sets—instead of
being on display prominently in the
1, room, like a moonstone or a prayer
mat—are hidden away in the study, be-
hind Da Vinci's notebooks, under a
"Gcropegia woodii through whose tendrils
their children must hack a path to Gilli-
gan's Island. Moreover, intellectuals
tend to look at approximately the same
programs the lumpen do. The evening
in Brooklyn Heights ended with ever
body talking about Kojak. Did you know
that the late Lionel Trilling watched
Kojak?
not
Morley Safer, who was a superb corre-
spondent covering the war in Vietnam,
co-anchors 60 Minutes with Mike V
lace and Dan Rather. He also takes his
Jewishness seriously. Every year he has
to explain to his outraged young daugh-
ter why there will be no Christmas tree
in their house,
Safer used to live in Sneden's Landing,
a postage stamp of God's country across
the Hudson River from Manhattan. Po
haps the only tage of living i
Sneden's Landing is the vagary of tele
reception, The set in Safer's house
couldn't pick up the Channel 13 (public
TV) sig
One afternoon, Safer was ferrying his
daughter and several of her friends to
the circus or the Metropolitan Museum
of Art, it doesn’t matter which, His
daughter's friends were discussing Big
Bird, the Cookie Monster, Bert, Ernie,
Oscar the Grouch and the Muppets.
fer's daughter announced: “We don't
have Sesame Street at our house—because
re Jewish.
al.
we
At a series of seminars at Duke Uni-
versity in the winter and spring of 1975,
journalists variously electronic and other-
wise met to meditate on their profession.
Each was esteemed by his colleagues,
which is why he had been chosen to be
a Duke fellow in communications. Among
them was Russell Baker, nonparcil colum.
for The New York Times, and Bill
Greider of The Washington Post, Alan
Ouen of The Wall Street Journal, John
Seigenthaler of The Nashville Tennes-
sean and Ed Yoder, then of The Greens-
boro Daily News. Sander Vanocur, who
has done time with almost every network
there is, presided. And Daniel Schorr
the CBS reporter who makes as much
news as he reports, was the star.
The president of Duke is Terry n
ford, who used to be governor of North
Carolina. Terry Sanford runs for the
Presidency of the United States the way
other people run for the bathroom; he
needs to. At a reception in his executive
#5 in Durham, there was a receiving
through (gs » petfunctorily
shook h: h local dignit
duding the gracious Mrs. Sanford. Just
nce in the Course of these introductions
did the eyes of M 1 Mrs- Sanford
light up, like the dial of a radio. That
was in their gasp of recognition on
mecting Russell Baker. Their taste was
impeccable, but their sense of what con-
stitutes glamor in journalism was at least
a decide behind the times—which may
be one of the reasons Terry Sanford
nown as the Harold Stassen of the
Piedmont. Real glamor resides elsewhere
It resides, as the students at Duke
knew immediately, in Schorr and Van-
ocur. Among the students, they were
celebrities, in a dass with sports heroes,
movie actors, rock musicians, only seri
ous. Like a Cronkite, a Chancellor, a
Howard K. Smith, in the synopsizing of
the quotidian on our TV screens, their
faces have become front pages, mirrors
of events. They are heavy: They have
taken on the gravity of all they have re-
ported. Physically, they embody the
news. History has thickened, substanti-
ated them, And yet they are edited down
nt.
This density exerts our
attention. Through their images, we are
accustomed to trafficking with momen-
tous occasions. It is altogether natural,
then, that when they come personally
among us, we should think it an occasion.
Otherwise, why would they be here?
Even the print journalists at Duke
deferred to the TV density. The prob.
lems of electronic news dominated the
seminar discussions. It w clear from
film dips that the unblinking camera
could record the lump in the throat, the
trembling of the hand, the bead of per-
spiration that may, or may not, signify a
lie, whereas the typewriter had to resort
to adjectives and adverbs. Nobody
believes adjectives and adverbs. The
newspaper people were defensive and
(continued on page 200)
The scene is Concón, a
sandy peninsula on the
caast of Yucotón, just
the place ta study Mayon
hieroglyphics or to break
in your new swimsuit—
os these revelers, who flew
down via Mexicana Air-
lines (ond are staying ot
the Camino Real), con
testify. The strang-ormed
Tarzan (top right) weors
a terrycloth bikini, by
Gantner, about $10. (His
Jone's swimsuit is by
Catalina Sea Scopes.)
The guy at right sports a
pullover caftan with stand-
vp collor, by Christion
Dior, $50. At for right
are two more examples
of how to stay delight-
fully cool in Cancún: The
basket-weove beach
slacks with drawstring
waist are by Gil Cohen
for Boulet, $16; and the
calica sharts with side
weist buckles ore by
Hol- o- Po, $9. (The
lady, of course, is
keeping the coolest.)
PHOTOGRAPHY BY PATRICK OE MARCHELIER
Ore thing about a Mexicon
vacotion, you don't need
a svitcose full of clothes.
Our lad at right needs
only a zip-front catton
velaur top with patch
pockets and a ribbed
caller and waist, $14,
worn aver palished
Docron/cottan swim
shorts, $9, bath by
Jantzen. (Her bikini i
by Eeni Meeni Biki
Below: The chop at left
coaling it with his señorita
is oppraprictely attired
in a hoaded cotton
velour pullover with
three-buttan placket
front ond kengaroo patch
pockets, $32, plus a
cotton terrycloth bikini,
$7, both by Catalina. His
colleague sports e space-
age aluminum-caated
nylan Western-type jacket
featuring snap clasures
and side waist buckles,
$45, and nylon trunks, $16,
both by Pierre Cardin.
(Her bikini is by
Gottex of Israel.)
two opposing processes: catabolism and
anabolism.
Catabolism is the scientific name for
the destructive processes constantly at
work in the body—the breaking down of
proteins, the death of cells, the wasting
way of tissues. Anabolism is the repair-
ing and restoring. process—the building
up of new proteins, cells and tissues.
Good health depends on m
positive balance of anabol
bolic processe:
Dr. E. B. Astwood. professor of medi-
cine at the Tufts University School of
Medicine, describes what happens when
the catabolic processes dominate: "Fol-
lowing major injuries, alter surgical op-
erations and during fever or other severe
illness, there is a profound catabolic
. leading to a widespread loss of
of muscles, shrinkage of
is and loss of depot fat.”
PLAYBOY
over cata-
the vital or;
Our appetite and weight fall off and we
zest
lose red and white blood cells. Ow
for life fades. Our bones ma
against infect
immune reactions—are depressed so that
we become more vulnerable to a wide
iety of bacteria infec
The bodily wasting away that sometimes
occurs in old age is another nple of
the victory of catabolism over anabolism.
A physician, of course, will try to iden-
tily and remove the cause of any pro-
longed, severe and debili g disease.
He will also want to reverse the catabolic-
anabolic balance. Some physicians try to
by prescribing nabolic ster-
id—that is, a medicine that is supposed
to speed up the anabolic processes, stim-
ulating the body to build new proteins,
cells and tissues, The anabolic steroids
they prescribe are, in most cases,
thetic testosterone derivativ
that differ from testosterone. in only a
s prefer to rely on the
body's natural capacity to recuperate.
Whether they think of it that way or not,
these physicians are relying on one of the
most potent of all anabolic steroids—the
testosterone manufactured in the testes.
Once the anabolic processes overtake
the catabolic, with the help of either our
own testosterone or a prescribed testos-
terone derivative, we recover our appe-
tite and zest for life, feel better, eat more,
n lost weight. Our bones stop losing
calcium; our muscle strength and skin
tone improve. Our immune reactions
gainst infection return to normal; so do
our red. cell and white;cell cou
The importance of testosterone 10
normal development is demonst
the bodies of males whose testes f
mature properly at puberty or who are
strated after puberty. In the absence of
enough testosterone, the usual changes
186 that come with puberty don't occur. The
SEX IS GOOD eee from page 125)
skeletal muscles remain underdeveloped.
The skin is soft and thin. with a yellowish
pallor. There is mild anemia—a dearth
of red blood cells. The blood circulation
is deficient.
If testosterone is given to an adult
cunuchoid male in this condi
vigor ed within a Eu
a genera g of well-be
Astwood reports. There is a
weight as new proteins. cells and tissues
are manufactured. The anemia disap-
pears and skin tone improves. Excctions
of the penis begin within a day or two
and the genitals rapidly mature-
The healing of a wound is another ex-
mple of abolic process. New pro-
teins, cells and tissues are needed to repair
the damage. Anabolic steroids such as tes-
tosterone may hasten the healing process.
The effects of anabolic steroids have
also been studied in men who are neither
sick nor eunuchs nor wounded, One such
study by Drs. L. C. Johnson and J. P.
O'Shea of Oregon State. University re-
ported that muscular strength and ox,
gen uptake both increased when healthy
male college students were given an ana-
bolic steroid. They gained weight—but
their fat deposits did not increase,
dicating that they were building cells and.
tissues rather than adding fat.
Another experiment was run on six of
ihe strongest and healthiest young men
in the world by Dr. Gideon Ariel of the
University of. Massachus
mental subjects were
who had undergone inter
in weight lifting for two years. The Ariel
experiment lasted eight weeks—during
which the men lifted heavy weights five
days a weck and were tested on the sev-
enh day. The tests were designed to
determine the maximum weight each
man could lift from four standard posi-
tions known as the bench, the milita
press, the seated press and the squat.
During the second, third and fourth
weeks, a little trick was played on the six
athletes. Each man was given a pill con-
taining tive ingredients pla-
cebo—each told that it was
a substantia bolic
steroid resembling testosterone. These
placebos had very litle effect on the
maximum weights the men could lift.
During the next four weeks, three of the
men were continued on placebos. The
other three, without any notice to them
that their n was being changed,
were switched to a substantial daily dose
of a potent anabolic steroid, hetic
testosterone. derivati nent
was doubl the
athletes. nor ner knew which
men were receiving the anabolic steroid
and which were receiving mere placebos.
Each pill bore a code number and the
code was kept sealed in the office of the
no à
university's Student Health Service.
Thus. any possibility of a psychological
effect was ruled out
During the first week that
them were on the true
there was litle change in the men's per-
formance. During the next three weeks,
however, three of the men began lifting
heavier and heavier weights—heavier
compared with their own past records
d heavier as compared with the other
three men in the experiment. At the end
of the eighth week. the code was
unsealed.
As you may have guessed, the three
whose performance improved were the
three who had been receiving the testos-
clike steroid.
three of
The U.S. Food and Drug Administra-
tion strongly disapproves of any use of
anabolic steroids to enhance athletic
steroids. some doctors
ave harmful side effects.
Nevertheless, the use of these steroids
by athletes is said to be widespread, de-
spite the FDA w.
The anabolic steroids prescribed by
physicians are marketed under more than
two-dozen brand names by many of the
country’s leading pharmaceutical firms,
including Ciba, Organon, Parke-Davis,
Schering. Searle. Squibb, Upjohn and
Winthrop. But it isn't necessary to get a
prescription for one or to buy it at a
pharmacy. You can manufacture your
own brand of testosterone without vio
ing FDA regulations—and enjoy yourself
in the process.
At the Yerkes Regional Primate Re-
rch Center in Lawrenceville. Georgia,
a male rhesus monkey named Quid dem
onstrated how testosterone levels can
be raised and lowered without medica-
tion. through changes in sexual and
other activities. The research on Quid
was conducted by Dr. Robert M. Rose
of the Boston University School of Medi-
cine and two associates. Drs. Thomas P.
Gordon and Irwin S. Bernstein of the
Yerkes research center.
For the first two weeks of the experi-
ment, the Rose team kept Quid isolated
in his own ad periodically meas
ured the amount of testosterone. circu-
lating in his blood stream, Next, Quid
as turned loose as the only male in a
sort of rhesus paradise—a spacious out-
door compound inhabited by 13 female
thesus monkeys, several of whom were
in heat. For that two-week period, Quid
had all, engaging in the monkey
equivalents of necking, petting and sex-
ual intercourse whenever he felt like it—
interrupted only by periodic checks of
his testosterone. During his two orgiastic
weeks, Quid's blood-testosterone level
hed a peak more than twice as high
as during the two weeks he spent isolated
in his cage.
After the two-week sexual romp, Quid
was returned to his cage. Over the next
(continued on page 208)
sea
THE VOICE OF THE HIGH SCHOOL GRADUATE
By RALPH KEYES
IS THERE
LIFE AFTE
HIGH SCHOOL?
for those still brooding over
not being invited to the sock hop,
some short hits on the most sig-
nificant—and excruciating—
Sour years of everybody's life
“men scoot,” Frank Zappa once said,
"isn't a time and a place. It's a state
of mind.
Especially in recent years, as we've
lined up for American Graffiti, watched
Happy Days on television and made
Memoirs of an Ex-Prom Queen into a
best seller, America has become sort of
an ongoing high school assembly.
As the most tribal experience many
of us will ever undergo, high school
must be memorable. Never again are
we ranked so precisely by those around.
us and on so many scales. Through the
popularity polls of our classmates, and
their inexperience at tact, daily feed-
back was conveyed about how we were.
coming across. Such merciless judgment
is not easily forgotten; it’s the last time
in life we know just where we stand in
the scrutinizing eyes around us
Consequently, insight into a person's
high school behavior can usually give
us an accurate picture of that person
POP HISTORY QUIZ
Above are high school yearbook
photos of people you should recog-
nize today. Name as many as you
can, then turn the page for identifi-
cation. Anyone caught looking at his
neighbor's issue will be kept after
school. As always, neatness counts. J 157
158
today. Knowing what he was like in
high school can make, or seem to make,
everything fall into place. Because
study after study has shown that there
is seldom much difference in behavior
between adolescence and adulthood. A
look at one group of students 13 years
alter high school reports their “re-
markable persistence of personality
trends." What this means is that we're
probably stuck for life with the be-
havior we displayed in high school. If
noisy then, we'll most likely be talkative
now. Self-assured as teens, we'll appear
on top of things later. A study compar-
ing one group of physically mature high
school boys with another group that
took longer to develop found that 15
years later, the first group still acted
more sure of itself, even though its
physical advantage had declined over
the years.
For those who want life to be dif-
ferent after high school, this is dis-
couraging news.
But here is the encouraging news:
Although our behavior may
not change after
hand, qualities
that can lose
you status in
high school—
aggressiveness,
imagination and an
independent turn of
mind—may be just
the qualities needed
to make it in a
larger setting where per-
formance counts more than style. No
/
/' -Robert logue B
MN /
school, the setting does.
What succeeds in school % MEL
won't work later on. proves / [A
Physical gifts, looks,
a winning way and
an easy smile—except /]
for the occasional
Paul Newman or Ann-
Margret—are qualities
that won't get you
two seconds on PS
the evening news.
On the other
study has found any correlation
between high status in high school and
later achievement as an adult.
To the contrary:
One
report
KURT
VONNEGUT, JR.
A
graduates eight
years later found
no relationshi
whatever be-
tween social success
in high school and later
vocational success. “Some of the high
school wallflowers are now leading very
active social lives.” the report stated,
“and some of the sociometric queens of
the prom now have little social interac
tion outside their immediate family.
“A study of the
20 socially
most
popular
and "prominent
members of the senior
class showed that this group did
ve advantage or
success in either social or other areas of
youngadult performance when com-
pared with a matched group of socially
nonprominent peers.”
In other words, things do change
after high school and roles can
reverse—radically.
RICHARD NIXON
Richard Nixon's stern young face is
pictured next to that of president Bob
Logue's, in his consolation job of student-
body general manager at Whittier Union
High School. By the picture Nixon has
written:
I have gone 10 2 different
schools and have had 4 different
Student Body Presidents and, no
kiddin' Bob, you are the best I have
ever had. Really, Bob, you surely
have made a big success this year,
in everything you have done. You
know I've always been crazy about
Yet the memories, good and bad,
persist. Questions such as "What were
you like in high school?" “Were you
popular?" "How did you feel about
your body?" “What do you suppose
your classmates were saying about you?"
are not questions to which one gets a
simple yesorno answer. Those strug-
gling to respond are soon caught up in
a flood of memories—dates, dances,
fights, slights—long dammed by adult
propriety. "The memories are always
personal and usually animated. Masks
carefully constructed over the years
crumble after a few moments of ado-
lescent reverie. Bodies squirm, voices
change.
Revenge
All the arrogance you read about
stems from those days in high
school. It all stems from a desire
to be nobody's fool ever again.
—RORRY DARIN
Tam totally motivated by—I call
it revenge. — NORA EPHRON
I think for a long time there
was an element in everything I did
of “I'll-get-you-you-bastards.”
KE NIGHOLS
Someday, so help me, I'll be so
famous none of you will ever be
able to touch me again!
— RONA BARRETT
If they don't like me, someday
they'll learn to respect me.
— BETTY FRIEDAN
"Cause I was a Jewish girl grow-
ing up in a Samoan neighbor-
hood . . 1 left . . and, you know,
the old story about “TH show
them" . . . 1 really felt that way and
1 had a lot of anger built up in me
from those years. —BETTE MIDLER
Man, those people hurt me. It
makes me happy to know I'm
making it and that they're still
back there, plumbers and all, just
like they were. —JANIs yorLin
(continued on page 162)
athletics, etc, but I have never been
able to go out. You have certainly
done your part in that line. Very few
athletes have been able to combine
good grades, high office and athlet-
ics—but you sure have. Thanks a
lot for helping me this year at the
gate and in everything you could.
Boy, I've sure appreciated it. Re-
member me Bob, not as an orator,
scholar or anything but just as old
Dick Nixon, member of the Student
Body. Thanx—lots of love an kisses.
Dick Nixon
P.S. Stay away from Blondes.
it doesn’t take much to turn the
wedding march into a funeral dirge
THE
HONEUMOON
IS OUER
humor by
“Why can’t you ever have premature
ejaculations, like other men?”
“She's entitled to the big O, “Our marriage counseling is doing
Pete, old friend, and since some good. Warren isn’t always telling
you can’t hack it...“ me I'm full of shit anymore.”
“Remember, sweetheart open marriage. Ver funny."
Mutual trust. The freedom to grow to the capacity
of one's individual potential through love."
"Marge, I don't know how you're going to take this,
but I'm moving in with Sandra and Freddie."
162
LIFE AFTER HIGH SCHOOL?
If I had been a really good-looking
kid, I would have been popular with
my classmates, I would have been
smooth with the girls, I would have
started scoring at about age 14, I
would have been a big fraternity guy
in college and I would have wound
up selling Oldsmobiles. For sure, I
wouldn't have had the bitterness and
the fierce ambition I've necded in
order to become a successful free-
lance writer. —bAN GREENBURG
I'd love to do something about all
those football players I used to envy
high school. What's with them?
hey sell insurance and send th
kids for karate lessons every Saturday.
— ROBERT BLAKE
"Thank d for the athletes and
their rejection. Without them there
would have been no emotional need
and... I'd be a crackerjack salesman
in the Garment District.
—MEL BROOKS
I really knew despair.
— LAUREN HUTTON
(continued from page 158)
Why couldn't this have happened
10 me when I was 16 and needed it?
DUSTIN HOFFMAN
Ten Ways to Get High School
off Your Back
1. Go back to high school. Walk down
the up staircase. If anyone asks for your.
hallway pass, tell him to get fucked.
2. Work a high school cafeteria.
Give smaller portions to students who
resemble classmates you didn’t like.
3. Become a state governor. Impound
funds for secondary education.
4. Send a copy of your doctoral dis-
sertation to the counselor who said you
weren't college material.
5. Arrange to be given a nickname.
6. Have your portrait t;
should have appeared in the year!
7. Check the welfare rolls regul
for ex-cheerleaders and ex-football stars
from your class.
8. Become a Marine sergeant. Be
tough on guys who look like jocks.
9. Buy a team. Cut lots of players.
10. Make a disaster movie about crum-
bling high school buildings.
“Let me see that. I doubt that she asked
if your uncle makes good onions."
Who's Who of High School
Status Groups
Alice Cooper
James Dickey
Bill Graham
Dennis Hopper
Arthur Miller
Robert Redford
Jason Robards
John Wayne
Johnny
John Den
Kirk Douglas
Charlton Heston
It Robertson
Katharine Ross
Naomi Sims
Robert Young
Cheerleaders
Dyan Cannon
Eydie Gormé
Vicki Lawrence
Ann-Margret
Eleanor McGovern
Cybill Shepherd
ane:
Lily Tomlin
Raquel Welch
Dennis Hopper
nkletter
nor McGovern
George McGovern
Richard Nixon
John Wayne
Wm. Westmoreland
Student
Government
Warren Beatty
James Caan
Johnny Carson
Peter Falk
Hugh Hefner
Bowie Kuhn
Ali MacGraw
Bette Midler
Ed Muskie
Pat Paulsen
Philip Roth
John Updike
John Wayne
Newspaper
Steve Allen
Alice Cooper
Howard Coscll
Hugh Hefner
Ann Landers
Philip Roth
Jerry Rubin
John Updike
‘Abigail Van Buren
Kurt Vonnegut, Jr.
Yearbook
Steve Allen
Hugh Hefner
Honor Roll
William O. Douglas
Betty Fric
Henry
Ann Landers
t kletier
Shirley MacLaine
Eleanor McGovern
George McGovern
William Proxmire
Rex Reed
Barbra Streisand
il Van Buren
ger
Hoody
Merle Haggard
George Lucas
Michael Parks
Elvis Presley
Robert Redford
Frank Zappa
Dis-Honor Koll
Woody Allen
Bob Haldeman
Michael Landan
Arthur Miller
Gregory Peck
rl
Wallflowers
(self-described)
Erma Bombeck
Lauren Hutton
Ali MacGraw
Pep Club
Johnny Carson
Class Clown
Steve Allen
Johnny Carson
Dustin Hoffman
Bette Midler
Carrie Snodgress
Jonathan Winters
g —
ing.
ghd [ree again ^
The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous toYour Health.
PLAYBOY
164 planation of this lies
Again you have to pee?”
George McGovern
life after high school
for student-body president,
McGovern
972 opponent George
Iso have been struggl
the caption under his yearbook picture,
which ri or a debater, he's a ni
kid" A shy i igh school, the
future Senator went on to be elected
could
rovert in H
president of his cl
four in college, McGovern
B
ass three years out of
so admits
in civilian pilot train-
ing in college, then becoming a bomber
pilot during World War Two was in no
small part to refute the taunt of a high
school gym t
coward, “Tha
thing
South Dakota Senator rei
that enrolling
acher who'd called him a
ny-
nybody has ever said to me,” the
all
cut me more tl
Franklin Roosevelt
In his biography of Franklin Roose-
velt, who did not do well at Groton (“I
the
always felt hopelessly out of things
Pre
pothesized that those who did do well
nt recalled), John Gunther hy-
were rote steppers who marched off into
tion. "As a m
ter
obscurity after gradu
of fact," writes
nther, “the boys who
were the best ‘Groities’ usually turned
out to be nonentities later; boys who
hated Groton did much better, The ex-
the fact thar
the boys who became successes w
conformists: hence, they were
excluded from the compact group that
le the core of A great
ny people, even induding Presidents,
ach class. .
have overcompensated in later life for
slights and slurs undergone in school
days.
Jerry Ford
In his inaugural speech before Con-
gress, President Gerald Ford made a
confession.
“1 am here to confess," said Ford, “that
aign for president—ol
my senior class at South. High. School in
p Michigan—1 headed the
ket and lost.
a Re-
publ
In Washington, Willi
ched the President's televised confes-
sion with consteration. "I was amazed,”
Schuiling recalls, "absolutely amazed
that this little incident would be any part
ol his mind."
Schuiling is the man who beat Fi
in high school. Schuiling today is an in-
vestment banker. His office is within view
of the White House. On one wall, Ford’s
picture is inscribed, “With appreciation
for our long and close friendship." Be.
long after Ford's
ing gave his version of their
nd Rapids 46 years earl
m J. Schuiling
ncath this picture,
speech, Schu
contest
“You see,” he said, “Jerry had a few
close friends, while 1 had man
friendly acquaintances.” The
leaned back, hands clasped behi
head. “So I thought my root system w
stronger than his.”
Unlike his opponent, Schuiling was
not an athlete. His constituency came
from places like the Y Club and Zoo-
logical Society—some of whose members
got together with him [oi
planning picnic in the fall of 19
Lei see, there was Thad Willi
Schuiling ticked off on his fingers. “And
k her name was Carol Tully.
isbury
“That evening, while roasting our
wienies, and so forth"—Schuiling raised
his palm in the air—"No beer! That was
unthinkable! We thought we
g: lvantage by imme
ing the name of the Republi
the reason being that we were from a Re-
public:
would
na
n community.
left Jerry at a d
vantage
picked the name of the Progres-
Party. Now, the Republican Party
platform seems rather trite today, but it
was very important then." Schuil
paused, with a sheepish gri
What was it?
“Rings and pins before Christmas.
“You see, we were
thought this would be a way of encourag.
ing our parents to buy our rings and
pins for us for Christmas. Very few of
us had rings, so we were very anxious to
get them."
On that platform, and with the added
promise of two dances and a spring pic
nic, Schuiling's Republicans beat Ford's
Pro
seniors and
we
ssives
But I don't think the best man won,"
Schuiling was quick to add. "I just out-
ed him. I got to more of the, the.
uh"—the banker pondered his words.
“The student who was not involved in
many things, who liked some attention—
and Lthink they ri ed that the Varsity
Club would not be appointed committee.
chairman and that they would all have
an opportunity to parti
Did that happe
Yessir! Yessir!
How did Ford take the def
"Well he was the first one over
congratulate me. But apparently it ma
ag impression on him, because he
mentions it from time to time. And I
don't believe ever in the history of an
inaugural was such an insignificant per-
sonal situation brought out.
Do you remember by how much you
won?
"Yes, I do.” Schuiling leaned over his
desk. "But Fm not gonna tell you. Be.
it was a very, very comfortable
margin
Do you remember the
ae
tual count?
uh." His voice rose. "It was a very
What other outrageous luxury costs $12.00?
PLAYBOY
166
comfortable margin. You'll just have to
go ask the President and get the figure,
is!
ls it something you've remembered
over the years or did you look it up?
“Oh, I didn't have to look it up. It's
a figure that just stuck with me for
some reason.”
Kissinger
The young Henry Kissinger is recalled
“What
by one classmate as “a little fatso
you have to remember about H
1 of our Secre
is that he's the creep nobody
would ever cat lunch with.”
MATCH THE DESCRIPTIONS
Directions: Below are descriptions of
prominent people who have appeared
in the press. Following cach is a list of
possibilities for the person so described.
Select the person actually described.
1. "She was prety and blonde and
energetic and, as we used to say in high
school, popu
A. Jacqueline Onassis
B. Phyllis Diller
C. Alice Cooper
D. Barbara Howar
2. "She was not beautiful in either
the hip-swinging or prom-queen sense.”
A. Mai Monroe
3. “Onstage she sometimes projects the
air of a spoiled, slightly heartless prom
queen.”
A. Lily Tomlin
B. Karen Carpenter
C. Moms Mabley
D. Gloria Steinem
4. "In many ways, she reminds you
of the girl you necked with in the back
seat after Friday-night high school foot-
ball games.”
A. Ingrid Superstar (Andy Warhols
stable)
B. Dale
C. Julie Eisenhower
D. Indira Gandhi
5. "She has the waggish
Norman Rockwell cheerleader.
A. Bella Abzug
B. Chris Evert
C. Cybill Shepherd
D. Bette Midler
6. “Her style is pretty much what you
might expect from the giddiest girl in
the Hth
hs
e was the
how, without being fat.
A. Orson Welles
B. Gerald Ford
C. Richard Nixon
D. Robert Redford
Fat Boy, some-
8. "He looks like the well-bred right
guard on some winning high school
football team.”
C. Fran Tarkenton
D. Woody Allen
10. “At 50 fhe] is the same gawky,
overgrown Irish bookworm-turncd-class-
clown.”
A. Carroll O'Connor
B. Don Rickles
C. William Westmoreland
D. Steve Allen
11. "[His] mustache looks perennially
like a paste-on job for a role in the high
school operetta."
A. Burt Reynolds
B. Senator Hugh Scott
igh school
nodded’ to the subjects
and forth before his
back
trotting
throne.”
A. Henry VIII
B. Abbie Hoffman
C. Buck Owens
D. Lyndon Johnson
ANSWERS
Status on My Mind.
Mid-Term Exam
Directions: A list of social situations
follows. Some contribute to one's status
in high school; others don't. Indicate
ns that are high status with a T
ne, those that are low status with
for False.
Show up at the most popular
amburger drive-in with your
parents at ten P.M. on a Satur-
day night.
— Be put in charge of yearbook
icture captions.
get your locker combina-
tion so a janitor has to open
it as the halls fill up between
classes.
4. — Arrive late to class often, but
always with a flurry and a
comment that makes the class.
laugh and the teacher smil
5. . Your mother is elected. presi-
dent of the P.
6. . When you
class, a bi
is clearly visible around the
armpit.
ff Play piccol the band.
8. On slave day, bidding is loud
and Jong when you come on
the block.
9. .. When not at McDonald's, al-
ways sit at the crowded second.
table from the northwest cor-
ner of the cafeteria.
Consistently be seated in class
several minutes before the bell
rings.
1l. Break your leg skiing and
round school for a
month in a cast covered with
autographs.
12__Farn a letter sweater, but wear
it only occasionally.
13. . Carry a briefcase, usually fat
with papers, in the hallways.
10.
1. Show up late to an important.
party.
15. Make Honor Society your
junior year.
16. Kide your bike to school and
park it next to the main door
as the first bell rings and your
classmates stream in.
17. . When you cruise the drive-in
on Saturday night, there's lots
of honking and waving.
18. A girl with a small gold mega-
phone hanging around her
neck asks for an answer on a
test and you refuse because “it
would he wrong."
19. . Be assigned to IIR English,
the R standing for Remedial.
20. . Tan flakes of Clearasil fall
from your face to the floor as
you walk down the hallway.
Special Status Section for Women Only
30 AA
— — pierced cars
klets
imere sweater
A rumor circulates that you
went all the way.
Special Status Section for Men Only
our letter reads MCR.
57 Chevy
Chess Club.
chest hair
ture Farmers
ANSWERS
Women Only
F; 2. F; 3. F; 4. T; 5. F.
Men Only
T2185. PI R
SEX IN HIGH SCHOOL
“A cock teaser for sure.”
That is how one woman describes her-
self and fellow cheerleaders at a South-
western high school in the mid-Sixties.
"Wc knew damn well what we were
doing with those crotch shots,” she ex-
plains. “The cunt shots, the kicks—
we really dug that. We made up so
many cheers to expose ourselves. We all
pw Crown’
"OK, kid. This one's got a patriotic theme—
she's the Statue of Liberty, and as each guy
gets off the boat, she turns him on!”
PLAYBOY
168
knew. We didn't admit it, but everybody
who could put in a kick or show their
ss in a cheer they made up, it was im-
nd accepted.
mediatcly giggled ov
your skirt, it's like you're a big fucking
age. But it’s like ‘I'm pure be-
cause I'm here in a sweater."
“It's cock teasing.”
The woman saying this has since
porno films. With her is a former
cheerleader from Minneapolis who also
acts erotically d onstiige.
"The two agree that exhibitionism linked
their pre- and postgraduate careers, ex-
hibitionism and a taste for crowd control.
movies
(Interestingly, the male cheerleader's
background checked out; the female's
didn't.)
Breasts, of course, were the focal if not
the only point of female comp:
Breast size medium of ex
change, the gold to which all other cur-
rency was relative, And woe to the pauper
with but two small nuggets.
Yer, whi
extreme were binding their chests
desperate effort to squelch an abund
of riches. High school is simply not a
time when you want to stand out in any
way. Aci Dyan Cannon recalls he-
ing so embarrassed by a forward-looking
“Please don’t mistake us for drug addicts, sir.
We're mugging our way through college.”
bosom that she stuffed oranges in her
bra at night, hoping to hold down the
swelling.
“You should havc scen me when 1 was
in high school,” she said to an inter-
viewer. “My breasts used to be absolutely
huge. Really vim vam voom. I used to go
around the house with oranges in my f
to make them flatter. I was so ashamed of
them. I wished they wouldn't stick out
so much. I walked slouched over all the
time so they wouldn't look so big,
NICKNAMES
In so status-conscious an en
even something as innocent
takes on desperate sign
barometer of one’s social
In the first place, you to count
enough to be given a nickname. A nick
name means you're noticed. It means
you're included.
An innocent question asked of a
variety of people, “Did you have a nick-
name in high school?” most commonly
provoked the response: “No, but I would
ause | thought that
ke me scem more
popular. Consequently, I went around
giving nicknames to everyone else in
hopes someone would give me one, but
no one ever did
A nickname is not something you can
give yourself. Others must bestow it upon
you. Even a nickname you don't care for
means classmates have recognized your
presence, which isn’t a bad thing to have
recognized.
Those lucky enough to have nickname
status could rely on this as a subtle but
accurate gauge of status and its evolving
nature.
Raquel Welch, for example, as a young
teenager was known as Birdlegs because
of her long, skinny legs. In high school,
this was first changed to Rocky, then to
Hotrocks—“alter the equipment arrived.”
Burt Reynolds says his home nic
Buddy got changed to Greaseb:
Mullet by classmates, in recogni
his Ital ian origins
to Buddy after he beg
Some other childhood
called by celebrities include:
Burt Bacharach—Happy
Bradley—Long Tom
nicknames re-
Mel Brooks—The Shadow
Dyan Cannon—Frosty
Julie Christie—s.0. (Show-Olf) anc
Bugs
lice Cooper—Muscles McNasal
cis Ford Coppola—Science
m O. Douglas Peanuts
rrow— Mouse
rd— Junie (for Junior)
m Grier—Hawk
Hayes— Bubba
Dustin Holfman— Dustbin
Lauren Hutton—The Yellow Wax Bean
HIRAM -
WALKER
L MEN
And talk to each other. z Ws
It's one of life's best moments. A
And when you take ten, take fen. 488
It's smooth enough for her...with
the true bourbon flavor you like.
Sotry some. 2m
Ten High's value has made it 4
America’s third best- E
selling bourbon. Á
STRAIGHT BOURBON
WHISKEY
„ Aude.
ore, Hines
80 PROOF
©1976 Hiram Walker & Sons, Inc., Peoria, il. — 3
Meet the Monster
Panasonic introduces a high-power car stereo. With hi-fi
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You know how monsters
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2. A Volume Unit (VU) meter. To let you
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And there's still a lot more.
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The Monster won't be happy with puny
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asonic
just slightly ahead of our time
DALY
(continued from page 146)
treated her most cruelly; he frightened
her in the hospital cafeteria by handing
her a milk glass half-full of a cloud
viscous substance. “Sperm,” he said, nod-
ding to the glass. “All that’s one shot; I
don’t mess around. It onc chance is all
anyone gets, I'm your man." Jenny held
up the horrid glass and inspected it
coolly. God knows what was actually in
the glass. "Don't dri * the nurse's
boyfriend said. “Tha t an indica-
tion of what kind of stuff I've got. Lots
of seeds,” he added, g g. Jenny
poured the contents of the gl
potted plant.
“I want a baby," she
want to start a sperm farm.
Jenny knew this was g
ng to be hard;
she learned to take a ribbing and she
learned to respond in kind.
So they decided Jenny Fields was aude,
that she was going too far; a joke was a
joke, but Jenny neither took them serious-
ly nor offered them any humor of her own.
She was just determined about it; cither
she was sticking to her guns, just to be
stubborn, or, worse, she really meant it.
Her hospital colleagues couldn't make
her Jaugh and they couldn't get her 10
bed. As Garp wrote of his mother's di-
Her colleagues detected that she
felt herself superior to them. Nobody's
colleagues a
So they initiated a gettough policy
with Jenny. It was a staff decision for
her own good,” of course. They decided
way from the babies and
She's got babies on her
they said. No more obstetrics for
Ids:
a head.
So they separated Jenny from the
mothers and their babies. She's a good
nurse, they all said; let her try some in-
tensive care. It was their experience that
a nurse in the intensivecare unit quick-
ly lost interest in her own problems. Of
course, Jenny knew why they had sent
her away from the babies; she only re-
sented that they thought so Jittle of her
self-control. Because what she wanted
Was strange to them, they assumed she
had slim restraint. There is no logic to
people, Jenny thought. There was lots
of time to get pregnant, she knew. She
in no hurry. Jt was just part of an
eventual plan.
Now there was a war. In
care, she saw a little more of it
Service hospitals sent them their special
cases, and there were always the terminal
patients, There were the usual, elderly
cases, hanging by the usual threads; there
were the usual industrial accidents, and
automobile accidents, and the terrible
accidents to children. But mainly there
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168
PLAYBOY
170
were soldiers; what happened to them
was no accident.
Jenny made her own divisions among
the nonaccidents that happened to the
sol he came up with her own cate-
gories for them. One, there were the men
who'd been burned; for the most part,
they'd been burned on board ship (the
most complicated cases from Chelsea
Naval), but they'd also been burned in
airplanes and on the ground. Jenny
called them the Externals. Two, there
were the men who'd been shot or dam-
aged in bad places; internally, they were
in trouble, and Jenny called them the
Vital Organs. Three, there were the men
whose injuries seemed almost mystical to
Jenny; they were the men who weren't
“there” anymore, whose heads or s|
had been tampered with. Sometimes they
were paralyzed, sometimes they were
merely vague. Jenny called them the
Absentees. Occasionally, one of these had
External or Vital Organ damage as well;
all the hospital had a name for them;
four, they were Goners.
“My father,” Garp wrote, "was a
Goner. From my mother’s point of view,
that must have made him very attrac-
tive.” No strings attached.
Garp's father was a ball turret gunner
who had had a nonaccident in the air
over France.
“My mother was a stickler for detail,”
Garp wrote.
When they would bring in a new
casualty, Jenny was the first to ask the
appened, And Jenny
doctor how it had
classified them, sil
the Vital Org;
Goners.
And shc d little
sters. Private 1258 pp off his
nsign Potter stopped a whopper,
Corporal. lost his testes, Captain
Flynn has no skin, Major Longlcllow is
short on answers.
Sergeant Garp was a mystery. On his
35th flight over France, the little ball-
turret gunner stopped shooting. The pi-
lot noticed the absence of machine-
fire from the turret and thou
that Garp had taken a hit. If he had, the
pilot had not felt it in the belly of his
plane. He hoped Garp hadn't felt it
much, either, When the plane landed,
the pilot went to have a look at p-
By the time he got back to the ball tur-
ret, quite a number of people had gath-
ered to look at Garp.
Upside down in the ball turret, the
tiny technical sergeant was playing with
himself. For such a small man, he med
to have an especially large erection, but
he fumbled with it only a little more ex-
pertly than a child—not nearly so ex-
pertly as a monkey in the zoo. Like the
monkey, however, Garp looked out of
his glass cage and stared frankly into
the faces of the human beings who were
watching him; like the monkey, he
seemed quite comfortable upside down.
/ di uu
TAS. CREL
* Let's forget the foreplay—my finger is still
sore from plugging up that dike.”
“Garp?” the pilot said. Garp's fore
head was freckled with blood that
mostly dry, but his flight cap was plas-
tered to the top of his head and drip-
d there. didn't seem to be a mark
arp!” the pilot shouted at
. There was a hole in the Plexiglas
bubble where the .50-caliber machine
guns had been; it appeared that some
flak had hit the barrels of the guns. pos-
sibly exploding the gun housing
even shatt
there w:
“Garp?” said Garp. He was mir
the pilot, like a smart crow. “Gary
Garp, as if he had just learned the word.
The pilot nodded to Garp, encouraging
; he seemed to think this
was how people greeted each other. Not
Hello, Hello—but Garp, G:
“Jesus, Garp,” the pilot said. Garp
still had his goggles on and when the
pilot able to climb near him, he
gently pulled them off. A fine dust of
Plexiglas was all over Garp's face, but
the goggles had protected his eyes from
Something was wrong with
though. because they rolled
around independently of each other, and
the pilot thought that the world, for
Garp, was probably looming then
going by, then looming up again—if
Garp could see at all. What the pilot
couldn't know, at the time, that
some sharp and slender shards from the
flak blast had damaged one of the oculo-
motor nerves in Garp's brain, aud other
parts of his br: as well. The oculo-
motor nerve consists chiefly of motor
fibers that innervate most of the muscles
of the eyeball. As for the rest of Garp's
brain, it had received some cuts and
slashes a little like a prefrontal lobot-
omy—though it was rather careless
surgery.
he pilot had a great fear of how
carelessly a lobotomy had been per-
formed on Sergeant Garp and, for that
son, he thought st taking off the
blood-sodden flight cap. The pilot actu-
ally feared that if he took off the flight
cap, what remained of Garp's brain
might fall out.
arp said to the pilot, trying
up,
his new word.
“Garp.” the pilot confirmed; Garp
seemed pleased. He had both his little
hands on his impressive crection when
he successfully masturbated.
“Garp!” he barked: there was joy in
his voice but also surprise. He rolled his
eyes at his audience, begging the world
to loom up and hold still. He was un-
sure of what he'd done, “Garp?” he
asked doubtfully.
The pilot patted his arm and nodded
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PLAYBOY
172
20 FILTER CIGARETTES]
Warning: The Surgeon General Has
Determined That Cigarette Smoking
Is Dangerous to Your Health.
Fiter: 20 mg. tar 15 mg. nicotine
av. per cipere by FIC method.
to the others of the flight and landing
crew: Let's give a little support to the
sergeant, men; please, lets make him
fecl at home. And the men, respectfully
dumb-struck by Garp’s ejaculation, all
said, “Garp! Garp! Garp!” to him—a
reassuring, scallike chorus intent on put-
ting Garp at case.
Garp nodded happily, but the pilot
held his arm and whispered anxiously to
him: “No, don't move your head, OK?
Garp? Please don’t move your head.”
Garp's cyes roamed past the pilot and the
pilot waited for them to come around
again. “Easy does it, Garp,” he whispered.
"Just sit tight, OK
Garp's face radiated pure peace. With
both hands holding his dying erection,
the little sergeant looked as if he knew
he had done just the thing that the situ-
ation called for.
They could do nothing for Sergeant
Garp in England. He was lucky to have
been brought home to Boston long be-
fore the end of the war. Some Senator
was responsible. The U. S. Navy had been
accused of transporting wounded Serv.
icemen back home only if they
from wealthy and important Ame
families. In an effort to quell such a
rumor, which was damaging to the war
cliort, the Senator claimed that if any
of the severely wounded were lucky
cnough to get back to America, “even
an orphan would get to make the trip—
just like anyone else.” There was thei
some scurrying around to come up with
a wounded orphan—to prove the Sen-
ator’s point—but they came up with a
perfect person to enliven military mo-
rale. Not only was Technical Sergeant
Garp an orphan, he was an idiot with a
one-word vocabulary, so he was not com-
plaining to the press. And in all the pho-
tographs they took, gunner Garp was
smiling,
When the drooling sergeant was
brought to Boston, Jenny Fields had
trouble categorizing him. He was dearly
an Absentee, more docile than a child,
but she wasn't sure how much else was
wrong with him.
Hello, how are you?” she asked him,
when they wheeled him into the ward.
“Garp!” he barked, smiling. His
hands were wrapped in gauze mittens,
the result of Garp's playing in an acciden-
tal fire that broke out in the hospital comm.
pound on board his transport ship. He'd
seen the flames and reached out his
hands to them, spreading some of the
flames up to his face; he'd singed off his
cyebrows. He looked to Jenny a little
like a shaved owl.
With the burns, Garp was an Exter-
nal and an Absentee all at once. Also,
with his hands so heavily bandaged, he
had lost the ability to masturbate, an
activity that his papers said he pursued
frequently and successfully—and with-
out any self-consciousness.
observed him closely. since his accident
with the fire, feared that the childish
little gunner was becoming depressed—
his one adult pleasure taken from bim,
at least until his hands healed.
It was posible, of course, that G
had Vital Oigan damage as well. Many
fragments had entered his head; many
of them were too delicately located. to
remove. Garp's brain damage might not
stop with his crude lobotomy; his in-
ternal destruction could be progressing.
There'd been a patient before Garp
whose head had been similarly penetrat-
ed. He'd been fine for months, just talk
ing to himself and occasionally peeing
his bed. Then he started to lose his body
hair and he had trouble completing his
sentences. Just before he died, he began to
develop breasts.
Given the evidence, the shadows (the
white needles) in the X rays, gunner Garp
was probably a Goner. But to Jenny Fields
he looked very nice, A small, neat man, the
former ball-turret gunner was as innocent
and straightforward in his demands as a
three-year-old, He cried “Garp!” when he
was hungry and “Garp!” when he was
glad; he asked “Garp?” when something
puzzled him or when addressing strangers,
and he said “Garp” without the question
mark when he recognized you. He usually
did what he was told, but he couldn’t be
trusted; he forgot casily, and if one time
he was as obedient as a six-year-old, an-
other time he was as mindlessly curious
as if he were one and a half.
His depressions, which were well docu-
mented in his transport papers, secmed
to occur simultaneously with his crec-
tions; at those moments, he would clamp.
his poor, grown-up part between his
gauzy, mittened hands and weep. He
wept because the gauze didn't feel as
good as his short memory of his bands,
and also because it hurt his hands to
touch anything. It was then that Jenny
Fields would sit with him. She would rub
his back between his shoulder blades until
he tipped back his head and half-shut
his eyes, like a cat, and she'd talk to him
all the while, her voice friendly and full
of exciting shifts of accent. Most nurses
droned to their patients, a steady,
changeless voice intent on producing
sleep, but Jenny knew that it wasn't
sleep Garp needed. He was bored, he
needed adventure, some action—so Jen
ny entertained him. She also played the
radio for him, but some of the programs
upset Garp: no one knew why. Other
programs gave him terrific erections,
which led to his depressions, and so on.
One program, just once, gave Garp a
wet dream, which so surprised and
pleased him that he was always eager to
see the radio. But Jenny couldn't find
the program, she couldn't repeat the
performance. She knew that if she could
Those who'd
plug poor Garp into the wet-dream pro-
gram, her job and his life would be much
happier, but it wasn't that easy.
She gave up trying to teach him an-
other word. When she fed him and she
saw that he liked what he was eating
she'd say, "Good! Thats good.
"Garp!" he'd agre
And when he spat out food on his
bib and made a terrible face, she'd say,
"Bad! That stuff's bad, right?”
wp!” he'd gag.
The first sign Jenny had of his de
lerioration was when he seemed to lose
the G. One morning he greeted her with
an “Arp.”
“Garp.” she said to him.
“Arp,” he said. She knew
ing him.
Daily, he seemed to grow younger.
When he slept, he kneaded the air with
his wriggling fists, his lips puck
cheeks sucking, his cyelids trembling.
y had spent a lot of time around
she knew that the ball-turret gun-
ner was nursing in his dreams, For a
while, she contemplated stealing a. paci-
ficr from Maternity, but she stayed away
from that place now; the jokes irritated
her ("Here's Virgin Mary Jenny, swip-
ing a phony nipple for her child. Who's
the lucky father, Jenny?’). She watched
Sergeant Garp suckle in his sleep and
wied to imagine that his ultimate ro
gression would be peaceful, that he
would turn into his fetus phase and no
longer breathe through his lungs; that
his personality would blissfully separate,
half of him turning to dreams of an
egg, half of him to dreams of sperm. Fi-
nally, he simply wouldu't be anymore.
It was almost like that. Garp’s nursing
phase became so severe that he seemed
to wake up like a child on a four-hour
feeding schedule; he even cried like a
baby, his face scarlet, his eyes springing
tears in an instant, and in an instant
being pacificd—by the radio, by Jenny's
voice. Once, when she rubbed his back,
he burped. Jenny burst into tears. She sat
at his bedside wishing him a swift painless
journey hack into the womb and beyond.
If only his hands would heal, she
thought. ‘Then he could suck his thumb.
When he woke from his suckling
dreams, hungry to nurse, or so he imag-
ined, Jenny would put her own finger to
his mouth and let his lips tug at her.
1 he had real, grown-up teeth, in
toothless and he never
s this observation that led
where he sucked inen!
didn’t seem to mind that th
ing to be had there. Jenny thought that
if he kept musing at her, she would have
milk; she felt such a firm tugging in her
womb, which was both maternal and
sexual; her feelings were so vivid, she
believed for a while that she could pos-
sibly conceive a child simply by suckling
the baby ball-turret gunner.
It was almost like that. But gunner
Garp was not all baby. One night, when
he nursed at her, Jenny noticed that he
had an erection which lifted the sheet;
with his clumsy, bandaged hands he
fanned himself, yelping frustration while
he wolfed at her breast. And one night
she helped him; with her cool, pow-
dered hand, she took hold of him. At her
breast. he stopped nursing, he just nuz-
zled her. “Ar,” he moaned. He had lost
the P. Once a Garp, then an Arp, now
only an Ar; she knew he was dying. He
1 just one vowel and one consonant
left. When he came, she felt his shor
wet and hot in her hand. Under the
sheet, it smelled like a greenhouse in
summer, absurdly fertile, growth gotten
out of hand; you could plant anything
there and it would blossom. Garp’s
sperm struck Jenny that way: If you
spilled a little in a greenhouse, babi
would sprout out of the dirt. She gave
the matter 24 hours of thought.
“Garp?” Jenny whispered. She unbut-
toned the blouse of her dress and
brought forth the breasts she had always
considered too large. she whi
pered in his ear; his eyelids fluttered, his
lips reached. Around them was a white
shroud, a curtain on runners that en-
closed them in the ward. On one side
of Garp was an External, a flame-thrower
victim, slippery with salve, swaddled in
gauze. He had no cyelids, so it appeared
he was always watching, but he was
blind. Jenny took off her sturdy nurse's
shoes, unfastened her white stockings,
stepped out of her dress. She touched her
finger to Garp’s lips.
On the other side of Garp's white
shrouded bed was a Vital Organ patient
on his way to becoming an Absentee.
ad lost most of his lower intestine
rectum; now a kidney was giving
him trouble and his liver was driving
him crazy. He had terrible nightmares
that he was being forced to urinate and
defecate, though this was ancient his
for him. He was actually quite u
when he did those things, and he did
them through tubes into rubber bags
He groaned frequently and, unlike Garp,
he groaned in whole words. “Shit,” he
groaned.
rp?" Jenny whispered. She stepped
out of her slip and her panties; she took
off her bra and pulled back the sheet.
“Christ,” said the External, softly; |
ips were blistered with burns.
id the Vital Organ
rp,” said Jenny. She took hold of
his erection and straddled him.
Aaa," said Garp. Even the R was
gone. He was reduced to a vowel sound
to express his joy or his sadness. “Aaa,”
he said, as Jenny drew him inside her and
sat on him with all her weight.
“Garp?” she asked. "Good? That's
good, Garp.”
“Good,” he agreed, distinctly, But it
20 FILTER CIGARETTES
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173
PLAYBOY
174
was only a word from his wrecked mem-
ory, thrown clear for a moment when
he came inside her. It was the first and
last true word that Jenny Fields heard him
good. As he shrank inside her and
his vital stuff seeped from her and was
warm on his belly, he was once again re-
duced to “Aas”; he closed his eyes and
slept. When Jenny offered him her breast,
he wasn't hungry.
“God,” cried the External, being very
gentle with the D; his tongue had been
burned, too.
!" snarled the Vital Organ man.
Jenny washed Garp and herself with
warm water and soap from a lide white-
enamel hospital bowl. She wasn't going
to douche, of course, and she had no
doubt that the magic had worked. She
telt more receptive than prepared soil,
the nourished earth, and she had felt
Garp shoot up inside her as generously
as à hose in summer (as if he could water
a lawn).
She never did it with him again. There
was no reason; she didn’t particularly
enjoy it. From time to time, she helped
him with her hand, and when he cried
for it, she gave him her breast; but in a
few weeks, he had no more erections.
When they took the bandages off his
hands, even the healing process seemed
to be arrested; they wrapped him back
up again, He lost all interest in nursing.
His dreams struck Jenny as the dreams a
fish might have. He was back in the
womb, Jenny knew; he resumed a fetal
position, tucked up small in the center
of the bed. He made no sound at all.
One morning, when Jenny watched him
Kick with his little, weak feet, she imag-
ined she felt a kick inside. Though it
was too soon for the real thing, she knew
the real thing was on
Soon Garp stopped kicking. He still
got his oxygen by breathing air with his
lungs but Jenny knew this was simply
an example of human adaptability. He
wouldn't eat; they had to feed him in-
travenously, so once again he was at-
tached to a kind of umbilical cord.
Jenny anticipated his last phase with
Some anxiousness. Would there be a strug-
gle at the end, like the sperm's frantic
struggle? Would the sperm shield be lifted
and the naked egg wait, expectantly, for
death? In little Garp's return trip, how
would his soul at last divide? But the
phase passed without Jenny's observa-
tion. One day, when x was off duty,
"Technical Sergeant. ied.
“When else could he jc died?” Garp
has written. “With my mother off duty
was the only way he could escape.”
“OF course. I felt something when he
died,” Jenny wrote in her diary.
best of him was inside me. That was
the best thing for both of us, the only way
he could go on living, the only way I
wanted to have a child. That the rest of
the world finds this an immoral act only
shows me that the rest of the world doesn't
respect the rights of an individual.”
It was 1943. When Jenny's pregnancy
was apparent, she lost her job. Of course,
“First we'll learn about the birds and the bees, Susan!
Then we'll worry about faking orgasms!”
Jenny had long ago stopped trying to
convince them of her purity. She moved
through the big corridors in the parental
estate at Dog's Head Harbor like a satis-
fied ghost; her composure alarmed her
family and they left her alone. Secretly,
Jenny was quite happy, but with all the
musing she must have done about this
expected child, it’s a wonder she never
gave a thought to names.
Because when Jenny Fields gave birth
to a ninc-pound baby boy, she had no
name in mind. Jennys mother asked her
what she wanted to name him, but Jenny
had just delivered and had just received
she was not cooperative.
Her father thought she had burped,
but her mother whispered to him: “The
he said. They knew they
might find out who the father was this
way; Jenny, ok course, had not admitted
a thing.
“Find out if that's the son of a bitch's
first name or last name,” Jenny's father
whispered to Jenny's mother.
“Is that a first name or a last name,
dear?" Jennys mother asked her
Jenny was very sleepy. “It’s Garp,”
she said. “Just Garp; that’s the whole
thing.
"p th it's a last name,”
mother tokd Jenny's father.
“What's his first name?” her father
asked crossly.
"I never knew,” Jenny mumbled. That
was true; she never did.
“She never knew his first name!" her
father roared.
“Please, dear," her mother said. “He
must have a first name.“
"Technical Sergeant
Jenny Fields.
“A goddamn soldier; I knew it!" her
father said.
“Technical Serges
er asked her,
"T. S," Jenny said. "T. S. Garp.
"That's my baby's name." She fell asleep.
Her father was furio "T. S. Garp!”
he hollered. “What kind of name for a
baby is that?
Jennys
Garp,” said
* Jenny's moth-
Jenny told him later.
“It's his own goddamn name, all his
own.”
“It was great fun going to school with
a name like that,” Garp has written.
“The teachers would ask you what the
ials stood for. I used to say that they
e just initials, but they never be-
lieved me. So I would say, "Call my
mom. She'll tell you.’ And they would.
And old Jenny would give them a piece
of her mind.”
"Thus was the world given T. S. Garp:
born from a good nurse with a will of
her own, and the seed of a ball-turret
gunner—his last shot.
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WORLD'S FASTEST CARNIVAL RIDE
(continued from page 108)
competitors, their imaginations would
take control and make it impossible for
them to continue. Physical courage relics,
to a gr ent, on the ability to suspend.
the imagi and sometimes this kind
of control is transmitted to the outsider
as callousness. I was standing a few feet
away when Johnny Rutherford was in-
after the death of his
close friend Pollard. “It's too bad that
you can't turn back the clock,” he said
matter-of-factly. “Art was doing what he
loved to do, and there's a risk we all
take.” His statement seemed to echo
ilkner's, that “The irrevocability of
action is wagic" A few minutes later,
Rutherlord went back out onto the track,
qualified for the pole and set a new lap.
record of 199.071 mph, a heroic effort
that would have been impossible for
n whose mind hadn't been totally on
business.
Saturday, May 3, 1975, and the track is
supposed to officially open for pr
but the sky is overcast and threatens
Nobody expects any really hot laps the
first day out and, with qualifications still
a weck away, most of the top drivers
haven't shown up. There are several
rookics (highly experienced racers but
new to Indianapolis) who must learn the
track and turn ten observed laps within
h of several speed brackets to pass
their driver's test, and a few veterans,
anxious to get back in the groove and
check out thei The only real ques-
tion on anyones mind is who will be
the first driver onto the track. Being first
out has no effect on qualifying or on the
ace, but it, like everything else here, is
E
part of a tradition. It’s supposed to be a
coup. It generates a good deal of pub-
licity and publicity
sors and sells their products. Its why
torade and Surefine Foods and Jor-
gensen Steel invest up to $300,000 to run
n this race, the hope that their sponsor
ship will generate millions of dollar
worth of publicity, maybe even get a pic
ture of their car—their billboard on
whcels—on the cover of a national maga-
e, the kind of advertising money alone
n't buy.
Dick Simon, a 42-year-old retired in-
surance executive from Salt Lake City,
wheels his car to the end of the pit lane,
ready to go. Then a few drops of r:
fall and his crew covers the car with
plastic sheet. A band of Scottish pipe
marches onto the track and the absurd-
ly elaborate pageantry of May in Ine
anapolis has begun. Every flower show,
wash and tea party will append the label
500 FESTIVAL
dude a radi
a bridge tournament, a “Dress Up Like
Mom” parade, a “Look Like Your Favor-
ite Television Personality” contest, a
what attracts spon-
bubblegum-blowing contest and the
Mayor's Breakfast, at which 1665 paying
guests will hear Jimmy “The
Snyder pick A. J. Foyt as the rac
ner, meet the 500 Festival Qu
then adjourn to the opening ceremonies
, where each of those attend-
s permitted to make
ette or Cadillac.
one lap in hi
The 38 Buick official pace cars str
by, bearing celebrities. A few more drops
of r;
. The Festival Queen accepts hi
nd steps up to the microphone:
reckanize the twi ht
princesses behind me.” Now its pour-
ing. The band marches off, the crowd
scatters for cover and Simon's car sits
abandoned. fogging its plastic shroud in
the pit lane. The rain pools up all aft
noon, discouraging everyone but the golf-
ers on the Speedway golf course, their
official black-and-white umbrellas dotting
the fairways.
"The bar at the Speedway Mote
the atmosphere of a neighborhood tav.
ern. Everybody knows everybody, and if
you don't know everybody, everybody
knows you don't. But the waitress will
flirt with you all the same and you're
invited to listen in on any stories vou
like. lis fairly quiet this evening and as
I sip my gin and tonic, I remember sit-
ting there the evening after Pollard's
crash, overhearing a large man with rup-
tured capillaries tell how once in Kor
he'd put a . 45 to the head of his “moos
when he'd gone back to his hooch and
found her “shackin’ up with a nigger
supply sergeant.”
“Wha’'d you do?” his companion asks.
“I shot er head oll."
Really?"
"Yeah, but I missed and shot off her
foot instead.” The scalp beneath his
silver flattop flares with laughter and,
still laughing, he turns toward me. ^'
you don't know what happened to th
fella crashed in turn one, do ya?”
"He's dead." I don't want to discuss
Pollard this context, but it is the only
straight answer to his question
Aw, shit, I'm sorry" he
apologizing to me.
“You really shot her in the foot, huh?
His companion is intrigued.
“Naw, I never hit her at all. I just
shot the bed full of holes." He leans
toward the bar and covers his face with
his hand. “Aw, Jesus," he says and be;
weeping.
Something bumps my leg and I notice
seat belts dangling from each of the bar
stools.
It's getting dark and the
t let up.
The next morning, a rookie named
Billy Scott beats Simon to the track.
Scott passes his driver's test with no
problems. “A cakewalk.” he says to me as
he steps out of his car. But Ji i
who in six years at the Speedway has yet
ys, as if
ain still
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177
PLAYBOY
to make the race, is having trouble
again, He takes four or five laps to warm.
his engine, then stands on it coming past
the pits. I am standing next to a track
photographer when we hear the engine
noise fade in the first turn, the horrible
scrubbing of tires, an instant of silence and
the dull grinding thud of rubber, steel
and fiberglass embracing concrete. “Oh,
goddamn Jigger,” the photographer slaps
his thigh, "he done it again." Now the
track is officially open.
Already there is gossip about cheating,
and Foyt, as everyon is the
center of attention. George Bignotti,
who for years has been Foyt’s crew chiel,
has publicly accused Foyt of carrying
more fucl than the rules allow. Foyt won
the California 500 in a walkaway, and
Bignotti has suggested he did it carrying
n extra five gallons of methanol in the
nister of his fir - The con-
troversy has raged all ad, though
the concerns are genuine, I sense a certai
patina of show
No one. not even those with the most
peripheral interest in racing, seriously en-
tertains the possibility t nyone can
go faster than A. J., when and if he final-
ly gets around to
On the first day of qualifying, Foyt
pulls in after onc lap at 189.195. It is
the fastest lap turned in during the first
half hour of qualifications, but not close
to the 192.plus laps he’s been turning
n practice. He rants around the pits,
ostentatiously complaining about his
res, then storms olf to his gar
locks the doors. ‘The story goes
that he is so pissed off he has taken a
screwdriver and punctured all four tires
on his car. "d be a good trick," he
says later. “I'd like to see somebody try
it." There is also some speculation that
the tire (antrum is a ploy to get his car
back into the garage so he can tamper
with the U, S. Auto Club-installed tur-
bocharger pop ol valve and
crease its pressure.
Late in the afternoon, when the track
is cooler and three other cars have qual
fied at over 190, A. J. tries again. The
first time he goes by, everyone knows
that if he survives, the pole position is
his. I watch him power through turn
two, using every inch of the track, I can
feel everyone around me holding his
breath, A. J’s engine screaming at full
power, watching him slide to the back-
straight wall till there isn't an inch of
daylight between his right rear tire and
the unimpressionable concrete. I can
feel his engine vibrate all the way down
the back straight and into turn three. No
one is really surprised when they an-
nounce his fistlap speed of 195.313
mph, and we know we are watching
something so frivolously momentous, so
ethereally and courageously executed,
and yet seemingly so pointless—a. m:
unquestionably the best in the world at
w
178 what he docs, transcending even his own
LIFE
AMONG
THE
ALSO-RANS
By WILLIAM NEELY
IN ^ sPORT that has as its motto “First
is first and second is nowhere,” Dick
Simon is kind of an oddity.
For openers, he's not a winner and
docsn't expect to be, thank you. At 42,
he works on his own car and does his
own driving and, for the last six. years
he has made the starting field at the
Indianapolis 500 without a sponsor.
But Simon says: “The fact that Im
not going to win the 500, and I know
that, doesn’t take away onc bit of the
excitement. Just making the show is an
FT finish 33rd.
It y that philosophy that
aused Simon to lay down his actuarial
table and walk away from the board
chairman's job of a $70,000,000 holding
company. the presidency of one insu
ance company and the vice-presidency
of another—and to say goodbye to a
wife who gave him the inevitable
choice: "It's either that damn race car
or me.
Two days before the 1975 Indianapo-
lis 500, Simon. . elbows on table,
house trailer alongside the Gasoli
garage area, Inside the g
, the big-name racers—the hot dogs,
h their presence. But Simon had
en a break for this interview. It
seemed as if he had just walked out of
a board room instead of shimmying
from under his race creeper.
In the Formica-and-birch-venecr atmos-
phere of the trailer, he appeared some-
how calmer than the rest of the drivers.
He had that inner peace that comes
only with not having to worry about
the pole position or winning the race
or lugging a trophy home.
"I don't have a better chance of win-
ning than I did when J first came here
in 1970—maybe less," he said. "In that
first race, I was inexperienced and com-
pletely unrealistic. For one thing, I
figured I could win. I didn’t recognize
some of the things that could go wrong
1 I just charged forward. I think
that'sa plus for a driver.
ar on
Simon started Ist that year and
finished 1th. His best finish in six tries
t the Brickyard has been 13th.
He had mortgaged his home to buy
the race car and, with the little money
left over, he bought a used engine from
Dan Gurney. He arrived at the mecca
of all spare parts and
he began practice. Just like that.
a the odds were against us,
wemendously against us," Simon says.
"but some people don't mind odds. Ask
1ybody in Las Vegas."
With blind determination, Simon
took a tired engine that already had
500 race miles on it, which is roughly
equivalent to 100,000 miles on the
family jalopy, and practiced at Indy
until hell wouldn't have it. When i
came time for qualifying, Simon went
k to Gurney with a d ell me a
better used engine, Dan, and Ill give
you a postdated check. I'm gonna win
some money on race d
OF course, he hadn't qualified yet,
but Gurney sold him an engine for
$18,000 and took the check, dated May
31, the day after the race. Simon won
ers without an
exactly $18,000 that year at Indy.
“But
ed some assets,”
race car
we had g
ow we had a
and fwo engines.”
But somewhere during that first
he had adopted a slightly diffe
philosophy: “This attrition thing
portant. I mean, il you're running at the
end of the race, you have a pretty good
chance of finishing in the top 15. So I
made sure I was running and I made the
rest of the circuit, putting the purses
back into the car. As a matter of fact, E
have yet to take ten cents out of racing.”
Dick Simon epitomizes the back-of-
the-pack racer who comes every year to
fill one of the 33 spots in the race. While
the Bobby Unsers and Johnny Ruther-
lords are up front, there are a whole
bunch of cars behind them that don’t
have a ghost of a chance of winning. But
it takes 33 cars to fill the field, and if
race fans can't do anything else, they
can count to 33.
"So I don't expect to win the race
this year, even if accidents and broken
engines are at a record high. We're
for the top five, Now that I'm
in racing full time, I'll be able to tell
what it will take to win it next year.
Thats the year. Next year. We've set
the car up to run all day long at 180
miles an hour and that will put us in
the top five, maybe even in the top
three. Of course, that’s assuming that
one or two of the top cars break.” Of
ce,
nt
shootin;
before the race.
started 30th in 1975 in a
Simon
three-year-old Gurney Eagle, just to
prove his loyalty to the man who
trusted him, and he worked his way up
to ninth before an ailing engine put
him in the pits a few extra times. He
wound up 21st.
“Things didn't go like we planned,
but I still learned a lot. I know what
we need to win next year, Besides, this
was a gameplan race. I planned to
build for next year and I think we've
done it.”
A lot of fans at Indy think there
might be a next year. "You just can't
overlook the Dick Simons of racing,
says one fan, as he fishes around in the
ice chest for another beer. “Lissen, man,
it might not be 76 or even '77, but one
of them long shots is going to win this
race someday. Hey, where's the chicken,
Marth
And Dick 8
on certainly isn't over-
looking Dick Simon. He says: "In 1974,
I came here to be a charger and 1 did
just that. I q d tenth and went to
sixth before we got off the back straight-
away. I was making a move that would
have gotten me to third place—I was
really moving—when I broke my car
coming off four. All that happened in
the first lap. But at least I got the
charging bit out of my system. Seventy-
five was the year to build. Seventy-six
is the year to win.” That's the spirit!
Is the excitement still there? “My
hands still perspire before a race. I
perspire all over. And my knces knock.
A lot of drivers’ knees knock before a
ace, but most of them cover it up
ary well. I just let mine knock. It
sounds like there's a woodpecker in my
car. But when they drop that green flag,
I forget about knees and palms and
everything,” he says with an impish
grin and a sparkle in his eyes that
makes you remember what that race fan
said, the part about one of them long
aning.
e tears in my eyes when I
finish qualifying and know I've made
the Simon says. "I mean, we've
gone through so much just to get there
and to race. I've had third degree burns
twice—once at Pocono and once at
Phoenix. At Pocono, the fuel line broke
and with 120 pounds’ pressure, it didn't
a fireball it ignited. And at Phoen,
finished the last half of the rice with
ll the insulation torn away from the
water lines that run through the cock-
pit. My legs were pressed against the
red-hot pipes and it burned clean down
to the bone. But I finished sixth,
Because hes been a parachutist
and a ski jumper and now he’s a race
driver who burns himself before he
quits, Simon gets the hackneyed ques-
tion often: “Do you have a death wish?
Death wish, indeed.
“A lot of people ask crazy things like
that. But, man, I have no desire to get
hurt. I enjoy competitive things; you
know, reaching out and touching the
things that are exciting in life. And
there's still a lot of things I haven't
touched.”
Simon reaches out a lot more than
most drivers. Often other teams à
to test their cars, find out what's wrong
and why they won't go any faster or
andle any better. They ask Simon be-
ause he will “hang it out” more than
the average driver, take that ex
chance,
“I get out there and take the car to
the point where the back end or the
front end really slides. You can tell
what's wrong with a car that way. It
helps the other guy, but it also helps the
total Dick Simon. I me: I keep flirt-
ag with that exposure and keep train-
ng myself to take carc of the situa
1I figure it will make me
competitive driver. I don't ha
me left or the money to do it like
Foyt did. He's got years of experience
and literally thousands of miles of test-
ing here for Goodyear and other com-
panies.” Simon says.
How does a 42y
old racer who has
never won an Indy car race look to the
future? “I've got a lot of years left,
maybe ten, and I know someday TIl
come down into turn one at, say, 215
miles an hour, and I'll ease up a little
more than usual. FI be the first to
now and I'll say, "Oops, time to go."
"IE I win, though, I mean the big one,
Indy, I won't quit. I mean, that’s no
reason to quit, Foyt wouldn't quit if he
won that fourth one. I just don't want
to lose that feeling 1 get out there in a
race car. t know,.it just brings
out everything in you. Everything. IL I
won it, 1 suppose my racing would com-
pound phenomenally. l'd probably go
10 Europe and every place and try to
win everything in sight. So, you see, it's
not the money. I still wouldn't have
ny. But Ive had lots of chances 10
make money,” he s
‘The interview i: an end. It is
time for Dick Simon, race driver“
philosopher, to go back and become
Dick Simon, mechanic and parts boy
and tester of other drivers’ cars.
“I've dumped everything into rac
age. Everything.
We almost won in 1973. I was lcading
id [Gordon] Johncock was behind me.
It was past the half
looked like it would rain
Well, I burned a piston and as I
the pits in the rai
and watched Gordy
flag, 1 knew that someday the piston
wouldn't burn.”
at in
n that finally came
abilities, placing himself at the mercy of
intricately overstressed steel and rubber
and any stray speck of dirt on the track,
to go nowhere faster than anyone else
possibly could. For three minutes and
five and a half seconds, all the allega-
tions of cheating scem pointless. A. J.
Foyt owns the track and no onc will
dispute it. "I thrilled the hell outta my-
self three or four times out there," he
says, just to let everyone know it hasn't
been quite as casy or as predetermined
as it looks. Johnny Rutherford, who holds
the onedap record at Indianapolis and
won the pole position in 1973, made the
definitive statement on those four crucial
laps after qualifying a disappointing
seven mph off the pace: “Some days you
eat the bear, and some days the bear
eats you
Television has come a long w
transcribing sports action on a field,
court or track, observable from almost
any angle, to a Grcumscribed image
composed of dots and spaces on a screen.
capable of a multitude of points of view,
but again, only one at a time. Anyone
who has gone to a race after watching
them on television is astounded
fast the cars zoom past. Maybe part of
it is being there with the earspliuing
ne noise, the smell of rubber, oi
phalt, but when you get out from be-
hind the telephoto lens and see how long
those straights really are and how little.
time it takes a racing car to cover the
emingly immense distance from turn
four to turn onc, it causes a cei
cal sensation in the scalp and
of the spine that television viewers never
ly God. they're going fast.” T's
no longer the sort of leisurely motorized
game you've watched between commer-
ials. You feel the ground shudder under
your fect and it feels a little threatening.
But maybe the camera is better than
the naked cye at projecting the driver's
experience of speed. Of course, there are
vibrations, sounds and g-force sensations
that the driver alone can experience, but
when a man lives long enough at 200
mph, 200 mph becomes the norm and
he slows it down. Through his eyes, a
Jong as he remains in control, things
don't happen with the frightening ra-
pidity with which we perceive them.
For him, the n't a chaotic
but a calmly perceived series of sensa
tions; now, now, now and now. He fixes
on nothing and is therefore not startled
by the brevity of his relationship with
any object in the field of his experience.
It's a kind of Zen by default, in which
sur depends upon nonattachment
nd. single-mindednes: stall from
which no element can. be removed and
examined.
Apart from Foyts run, the greatest
spectator interest on the front straight is
generated by a rabbit. Qualifying is
stopped and several spectators chase the
rabbit up and down the track in front of
179
PLAYBOY
180
the pits, the crowd cheering, as in the
lion-feeding scenes in Quo Vadis, each
time they pass. The rabbit has strayed
into a jungle without cover, nothing but
asphalt, concrete walls and four pairs of
Adidas track shocs pursuing him. Five
minutes later, he is strung from the in-
field fence, dead from an apparent heart
attack.
It's a fairly reliable axiom that the
best drivers will be offered the best cars
nd rookies, unless they're already es-
tablished superstars, consider themselves
fortunate to have any kind of ride for
Indy. Billy Scott, the rookie for whom
the driver's test at 170 mph has been
a cakewalk, found that trying to push
the same car just 12 mph a lap faster to
make the race was a nightmare. And in-
ferior equipment wasn't his only handi-
cap. “Indy is the biggest race in the
world,” Scott says. He leans close to
be sure I can hear him over the of the
saw those huge grandstands full
of people watching me, and it suddenly
hit me where J was. A couple of times,
Td start down the front straight and hear
myself thin! I'm really at
Indy.’ Then Fd catch myself
"Cut that shit out and drive.
I took an eight hundred-and-sixty-nine-
foot spin coming out of turn three and
ended up on the grass inside turn four.
The car was OK, and so was I, but that
really got my attention, like a dog shittin*
a loggin’ chain.
Scott fails to make competitive speed
on two qualifying attempts and the car
Owner decides to try another driver,
Graham McRae, an Indy veteran. But
McRae's times are no better than Scott's.
On his last attempt, Scott overcooks it
coming out of turn four. The rear end
comes loose and he makes a spectacular.
"Too bad he didn't stuff
it beyond fi a driver quips. "Now
some other poor son of a bitch'll have to
struggle with it next year."
I tell Scott about my friend Dave
McDonald, who was killed 12 years car-
licr coming out of turn four in an
unstable car, how Jimmy Clark had fol-
lowed him in practice and told him he
should refuse to drive it in the race.
"But I couldn't do that." Scott seems
shocked by the suggestion. "I mean, if I
stepped out of a ride, I'd never get an-
other one. I'd be all washed up."
“The thrill isn't there anymore.” Andy
Granatelli, who, with legendary Novis
and his turbine car that died three laps
short of winning the 1967 race, has been
responsible for more innovation and
spectator interest tl any other man
in the Speedway's 59-year history, looks
most on the verge of tears as
bout his 29-year lover's quarrel
with Indianapolis. “Driving down here
each year, I used to get so excited I'd
start edging down on the accelerator,
"If you really loved me, you wouldn't ask me lo
go to bed with all your friends!”
going faster and faster, till by the time I
got to Lafayette I was driving flat out.
“But there's been too much tragedy,
he explains, “that and U.S.A.C’s contin
ual legislation against innovation. It all
comes to the rules.” He gets up and goes
to the refrigerator for a can of diet pop.
He's lost 50 pounds and waddles less con-
spicuously than he used to in those STP
commercials. "If they went to stock
blocks, stock oil, stock gasoline and
strectavailable tires, you'd have a better
race and you'd have something about the
cars the spectators could identily with.”
What about the changes they've
made,” I ask, "like wing restrictions and
mitations?”
“Thats a, start. But they didn't go
far enough. Look, you've got a govern-
ing board made up of 21 car owners,
drivers and mechanics, all legislating
own interests. I m you ever sce
a committee of 21 that ever got anything
done? No. What racing needs is a czar,
Limit the fucl to 200 gallons. You'd
slow the cars down to 170 and you'd have
a better race. The spectators wouldn't
know the difference. They can't tell if
a car's going 200 or 150. You ever no-
tice during qualifying how they never
cheer for the fastest cars till after they
hear the time announced? They can't
even see the drivers anymore, can't sce
their style or the way they drive, can't
even see the numbers from the pits any-
more,
“They killed my driver and my me-
chanic.” There's a kind of forlorn in-
tensity in his expression that, though he
doesn’t say it, pleads, Don’t you under-
stand? Two years earlier, the last year
Granatelli entered the 500, Swede Savage,
driving one of his cars, was leading the
race after 57 laps when he lost it coming
out of turn four, crashed brutally into the
ide ret; ag wall and suffered burns
from which he was to die a month later.
A Speedway crash truck, rushing the
wrong way up the pit lane, struck one of
Granatelli’s @ewmen from behind and.
he died an hour later. Those in the pits,
already horrified by the explosion and
almost total disintegration of Savage's
car, saw the mechanic's body tossed like
a rag doll 50 feet into the air.
‘Swede had just come out of the pits.”
G telli pau nd draws hand
across his forehead. “He'd taken ou
cighty gallons of fuel, and it was a com-
pletely differenthandling car than he'd
been driving a lap earlier.”
To understand why Savage lost control
in that particular corner, it’s necessary
to speculate on what he must have been.
thinking just before it
Bobby Unser, who h ly been
Savage’s teammate, had insulted him in
print, had told the media that Savage
couldn't drive, that he wouldn't even
indude him on a list of the 100 rop
drivers. Jerry Grant, who, like Unser, had
been driving a white Olsonite Eagle
explained it to me. The track was oily,
really slippery in the groove, and Swed
was running high, making time by stay
ing above the groove, where the track
was dry. I think what happened was that
he saw a white car in his mirrors and
thought Unser was closing on him. 1
guess he didn't realize it was me and
that Bobby was a lap down at that point.
Anyway, he must have been thinking
about what Bobby had said about him,
"cause he dove down into the groove to
close the door on me. The car was heavy
with full fuel tanks and he was just going
too fast to hold traction when he came
down into the oil slick. It just must
have been brain fade. For a second there.
nd must have been somewhere
The race was stopped for an hour and
15 minutes after the crash, restarted and
then called after 332 miles because of
rain. Granatelli's other car, driven by
Gordon Johncock. was declared the
winner, but it was a sad victory for Andy
The dietpop can is empty now and
Granatelli sets it on the table at the end
of the couch. “Last year, when we were
coming in over the airport, my wife
looked down from the plane and saw the
Speedway. The thrill is gone, Andy’
That's what she said." He looked down at
the floor and tapped his chest. "
isn’t here anymore.”
Dan Gurney is balancing on a small
bicycle in the Jorgensen Steel garage in
Gasoline Alley. I'm leaning against a
workbench and he scems to have me
pinned in the corner with the flashing
wheels of his unruly mount. He pulls
up into an occasional wheelie and I
notice, with some relief, that the frame
Drace bar is thickly padded. “We can't
forget we're in show business.” His blue
All American Eagle rests unattended
in the adjacent stall, race ready and
immacu We're competing for the
entert nent dollar with football, base-
ball, hockey, whatever's going on at the
same time, and those other things are
more solidly entrenched and better or-
ganized than we are.”
Like Granatelli, Gurney feels the rules.
as they now stand, are stifling champion
ship car racing. “I'd like to sce us ge
morc in ic with the rest of the world.
go to the Grand Prix formula and get a
full international sanction, so we could
attract foreign drivers again." I recall
Granatelli’s complaint that Indy had
become too homogencous, that there
were basically only two kinds of cars
there anymore, the McLarens and Gur-
ney's Eagles, and no more Jimmy Clarks,
am Hills or Alberto Ascaris. “If we
Gurney
e to bu ld a third
tier on the grandstands.” He also wants
to eliminate rules that 1 turbo-
chargers. “Turbocharged engines cut
down the noise and the diversity of
sounds and. frankly, thats a big part
of the spectator appeal.”
I remind him that the Indianapolis
500 is already far and away the largest
spectator event in the world
“I know that,” he smiles earnestly.
that doesn’t mean it couldn't be
A man from ABC interrupts to
ney they'd like to film an inter
view for Wide World of Sports. Dan
politely explains that he's busy right
now and that he'll get to it as soon as
he’s free. I feel slightly impertinent.
holding up ABC, like the flea with an
0 floats down the river, hol
ing for the drawbridge to be raised
but Gurney takes one thing at a time.
The man from ABC will wait outside
ith his crew.
"Where was I?” Dan smiles in apology
for the interruption. “OK, another thing
about turbochargers is that they make
the race so technologically intricate that
it works against younger, less experienced
drivers, so that you've got the same crop
of 40-ycar-olds out there leading the race
every y ace unique
is tradition and the ripples that it causes
all around the world. But what 1 don't
wi
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PLAYBOY
182
“Don't move—I lost my contact lens!”
like about it, and I guess it’s a part of
that tradition, is the amount of time we
have to spend here. It’s like a whole month
in a police state.” While we are talking,
I notice three Indiana state troopers
with night sticks, Sam Browne belts and
mirrorsfinish sunglasses in the bright
alley beyond the garage door. I don't
like to reinforce stereotypes, but they
look polished, impersonal and just plai
mean, like licensed bullies. Their
presence is an integral part of the
atmosphere of this race, as are the rioters,
sadists, muggers, streakers, fornicators,
motorcycle gangs, Frisbee players and
drunks who occupy the infield like 30
armed tribes. The faint odor of tear gas
is almost as common on race day as beer,
popcorn and hot rubber. I smile and
notice that the troopers are talking with
Bobby Unser, who, the previous weck,
was made a special sheriff's deputy, had a
iœ radio installed in his car and 30
utes later drove across town at un-
recorded speeds to be the on the
scene to arrest three teenagers suspected of
i uana behind an all-night
be it's necessary for it to be
that way in order to put this race on the
way it is,” Gurney scratches his head and
smiles wryly, “but we're all anxious to get
back to the United States when it’s over.
It’s the evening before the race and
Speedway, Indiana, has become a refu-
gee camp. Every fidd and vacant lot
within miles is packed with trailers,
tents, motor homes, sweating bodies.
piles of empty beer cans and backyard
barbecues, Refugee camps are better
organized. These are the Mongol hordes,
the Huns awaiting race day to storm the
es of Rome. Campfires glow. I’m cer-
tain I can hear the throbbing of tribal
drums, unintelligible chanting. Police
sirens are as commonplace as the ran-
dom explosions of cherry bombs. A prison
bus with heavily wiremeshed windows
speeds past. There will be a total eclipse
of the moon tonight and it seems to
hype the lunacy. Except for a few
nervous mechanics and stall personnel,
the Speedway is empty and quiet. From
a helicopter, it would look like a black
oval, a void in a galaxy of fire and chaos.
‘The motel room I'm sharing with Bob
Jones faces 16th Strect and is less than
100 feet from an entrance to the track.
It's a convenient bivouac, but only a
self-hypnotist could sleep here. Although
the gates won't open till five A.M., the
traffic starts stacking up shortly after mid-
night. I close the door, turn out the lights
and lie awake with the sirens, honking
horns, motorcycle engines and the anti
pation of the race. I wonder how well the
At nine o'clock, two hours before race
ne, I head over to the track. I've been
given a piss to shoot photographs from
the balcony of the Penske Suite overlook-
ing turn two. It's a precarious though
very pleasant setup. Drinks, snacks and
air conditioning will be available a few
steps away and the view of the short
chute, turn two and the back straight is
excellent, though Ill be sitting less than.
20 feet from the edge of the track at
the point where the cars begin to cxit
the turn. I felt a little exposed there
watching qualifying, fecling the vibra-
ion and heat from the passing cars and
gauging the strength of the cables rein-
forcing the wire fence that was all that
separated me from the track. I reminded
myself that it was only steel cables that
held up the Golden Gate Bridge and that
if they did fail, anything that happened
would happen so fast that I wouldn't
have time to torment myself with the
hope of escape.
The chairman of the bank, whose
traveler's checks have cosponsored the
Penske McLaren driven by Tom Sneva,
points out the bar and buffet, tells me
not to hesitate to ask for whatever I
necd. I stake out a scat on the corner
of the balcony where no one will bc
moving between my lens and the track,
fix myself a tonic water and check my
focus and exposure.
The prerace ceremonies have begun,
the celebrities have been driven around
the track, Peter DePaolo, winner of the
1925 500, has taken a lap in a Duesen-
berg that ran in the race in 1930, the
Speedway has been presented with a
plaque designating it a national historic
landmark and the fina
cation drift across the infiel
hand over the heart, a prayer in the soul
and brains in the head.” Now everything
seems to accelerate, including 350,000
pulse rates. Jim Nabors gargles Back
Home Again in Indiana, 5000 helium-
filled balloons are released, Tony Hul-
man takes the microphone: “Gentlemen,
start your injuns." The parade and pace
laps come off w ncident, the cars
snaking from side to side to warm up
their tires. Some of the drivers wave or
salute as they pass the suites of their
sponsors and I am reminded of knights
dipping their lances to the ladies whose
favors they wore. The ritual hasn't
changed, only become more commerci
For the drivers, the prerace tension is
over and they are locked into that im
penetrable concentration that comes the
moment they are strapped into their
cars. As they approach the starting line,
everyone becomes very quiet, probably
the one moment when none of the
nearly half million people in this arena
has anything to say. The engine noi
accelerates, a series of bombs explodes in
the air, and then a great cheer goes up
from the crowd. The announcer's voice
booms, “And the 59th Indianapolis 500
Mile Race is under way, the greatest
spectacle in racing.”
After the start and the excitement of
the initial laps, the race, for most of the
spectators, diminishes to a monotonous
stream of almost indistinguishable cars
and anonymous drivers flowing by at
over 200 mph. 1 don't mean that it isn't
still exciting. The noise itself is enough
to keep the adrenaline pumped up, but
you have to rely on the wack announcer
to understand what's happening. It’s very
much the way it was all those years I
listened to it on the radio, but with a
lot of special effects thrown I'm aware
that Johncock, who had jumped into
a commanding lead at the start, has
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PLAYBOY
184
dropped out. It’s a 500-mile race. Run-
ning away with the early laps may
please the crowd and momentarily put
driver in the limelight, but the chances
are he'll be all but forgotten when the
checkered flag falls. Foyt and Ruther-
ford are swapping the lead now, though
Im seldom certain who has it at any
ven moment. As the cars scream out
of turn two, it all seems effortless, though
they're fighting the limit of adhesio
They pass so close it almost seems I
can touch them. In twos and threes, the
engines surge down the back straight
like aircraft engines out of sync.
"There's a yellow light and most of the
cars head for the pits. For a full ten
seconds no cars pass and the silence is
startling. I'm keeping my camera ready,
watching what's coming out of turn two
and wying to answer the questions of
the distractingly pretty lady who has
taken the seat next to me. Our conver-
sation di inted, broken sentences
sequenced in the brief intervals between
passing cars. Occasionally, a whiff of
her perfume mingles with and subsumes
the perspiration and burning rubber.
Shes a young Grace Kelly type from
somewhere in Pennsylvan
Several times 1 up
c passing action down the back
ight. Sneva is running a highly re-
spectable fifth and is still very much in
contention. He pulls to the inside to lap
several slower cars and the precision of
his judgment keeps me standing. It
seems he won't have time to get past
them and back into the groove to set up
for tu three, and I realize that
that point hes traveling at about 220
mph. He's deep, almost too deep, but in
the last few feet, he cuts back to the
outside, clear of the traffic and right in
the groove. Then I remember how it
always looks more impressive from the
outside than it does from the driver“
scat. Once at Mosport, during pr
for the Canadian Grand Prix, I walked
over to watch at turn one while my car
was being worked on. I was frightened
and astounded at how ragged and pe
ous it seemed, the cars skidding and
stand to watch
vibrating through the reversecamber
downhill turn. "Jesus, that y" 1
thought. "How can they do it?” Then,
half an hour later, I went and qualified
ou the pole for the G.T. race. 1 didn't
know how to do it; J just did it.
More laps, more questions, more
fragmented answers: “They're limited
10——" two scream through the
turn, nose to tail, and I wait for the noise
to fade, "two hundred and eighty gal-
lons, which means that another
passes and I can feel the heat from its
exhaust, “at the mileage they're getting,
they. this time I'm interrupted by
the wack announcer's calling attention
to Wally Dallenbach, who ted in 21st
position and is now moving up toward
the lead at an alarming rate, "couldn't.
finish the race they didn’t do at
lea ” another car, “a few laps under
the yellow.”
Fve been watching Dallenbach. His
engine sounds stronger, pitched higher
and wound tighter than the other cars’.
And another strange thing is that though
he's gobbling up the field, his line
through the corners isn’t following the
groove. He's running through the m
dle of turn two cach time he passes, not
drifting wide and using the whole track
the way other cars do when they're turn-
ing hot laps. Each time he passes, it
seems he's operating on a separate p
ciple of physics, as if the laws governing
centrifugal force have been suspended
for him. Later I would hear rumblings
that he had a small tank of nitrous oxide
(laughing gas) that was being injected
directly into the cylinders, g him
an exta 150 horsepower with no i
‘ease in boost, and that his unorthodox
line was to compensate for the exta
sensitivity under his right foot. It oc
curs to me that if that were true, it might
be possible that the nitrous oxide was
being injected directly into Dallenbach
and that his extra speed was the result
of an altered consciousness. Whatever the
facts, Dallenbach is laughing on the 60th
lap when he passes Foyt and goes on
to open up a 22-second lead.
One hundred and twenty-six laps and
almost two hows of racing. Senses are
aning to numb and the stream of
rs is beginning to have a hypnotic effect
on the afternoon. I have a mild head-
he, my throat's getting sore and, for-
tunately, or unfortunately, Grace Kelly
king fewer questions. The tension
to dissolve into monotony. Fm
ss attentive with my Jens and have
pretty well determined that I won't have
to shoot any action on this turn tod:
Somebody taps me on the shoulder and
as I turn to my right, 1 hear a scream
from the crowd, followed by a loud dull
thud. I turn back to my left and there,
not 40 feet away and 20 feet in the air,
bove eye level, is the top of Sneva's
mes have engulfed the rear
half of his car and it's cartwhecling hori:
zontally along the wire retaining fence.
I have a stop-action image, look-
ing at the car as if from above as it
hurtles toward me, but not on film. I've
forgotten about For an in-
stant, I
man's death and that it will also be my
. Things have gone too smoothly, the
phere has been deceptively benign,
and it now seems this track has de-
manded another catastrophe. I leap over
the now vacant chair to my right and,
I tu toward the suite, I sce the re-
flection of the flames in the sliding glass
doors and feel the heat sweep acros my
back. The instant of danger has passed
and 1 turn back toward the track just
in time to sce the disembodied engine
tumble by in a ball of flame. Debris fills
the air like a flight of sand grouse. The
Nikon takes over, zipping off exposures
like a digital computer, onc last som-
ersault before the car comes to rest, right
side up and on fire. It really doesn't re-
semble a car anymore, just a burning
tub of metal, not 30 feet away, a driver's
helmet protruding from the flames. The
original fire had been burning oil, but
now the methanol has ignited and can be
seen only as intense heat waves blurring
the edges of the wreckage
The fire marshal is herding everyone
off the balconies and into the suites. He
sees my camera and press badge and lets
me stay, though Ive finished the roll
and have to change film. It is obvious
that Sneva is dead. It’s the most brutal,
spectacular and horrifying crash I've
ever see! nd I've seen at least a dozen
that were fatal. The scene in the suite
couldn't bc more macabre or more
comic. All these people know Sneva in
some cip Several of them are the
sponsors of his car and he's crashed and
been annihilated right in their laps.
Sneva's wife has gone into hysterics and
has been hustled out to the balcony
overlooking the golf course on the far
side of the building. Grace Kelly, who
was fixing a drink at the time, has faller
backward and sat in a tray of chocolate
brownies. The chairman of the bank,
in nervous relief, tells me how delighted
he is that I've been able to get good
tures. Though I'm sure it isn't his
intention, it sounds as if, in his role as
gracious host, he has arranged ile
Gash for my photographic convenience.
Everyone looks sick to his stomach
1 am changing film. “Did you get it?
look up into the wide eyes of a young-
executive type.
“Ya, I think so."
"Did you get Mrs. Sncv
"What?" Pm certain I've
stood.
“Did you get pictures of Mrs. Sueva?"
I choke on my own saliva and shake
my head. “I didn't hear th
"Good for you,” he
Good for you.”
The fire marshal lets me back out onto
the balcony to photograph the work of
the fire crew. There are clouds of
chemical vapors, flashing lights, scattered
detritus and crash crews diverting trafhe
to the grass verge inside the track. Then
I see something that, for a moment, T
am certain is an illusion, Sneva mov
His helmet is wiggling back and forth
nd he’s put his ms down onto thc
fuselage, trying to push himself up and
out of the cockpit, but he appears to be
stuck. Another driver has abandoned his
car and is trying to help the emergency
e
mis
F
. =
H te
mA
SS
185
"I'm sorry, young man, I just can't go through with this ceremony!”
PLAYBOY
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crew get Sneva out of the wreckage. The
struggle goes on for several minutes till
they finally free him, dragging him up
and out by his armpits. Not only is he
alive but he walks, with help, to the wait-
i ubulance, lies down on the stretcher
and is taken to the infield hospital. Still,
I am not confident he'll recover, 1
member how, two years before, Swede
Savage rode to the infield hospital sitting
up but died of his injuries a month later.
The ABC slowmotion replays show
Sneva pasing Eldon Rasmussen and
running just ahead of Foyt in the short
two.
chute between
Sneva's right rear tire touches R
sen's left [ront and Sneva finds
upside down and airborne, heading for
the outside wall at almost 200 mph.
Sneva’s car slams into the wall tail first,
the win; and rear wheels sep-
arating, in a protracted dance with the
flames and scattering fragments of metal
and fiberglass, the remains of the car
cartwheel three times along the wall,
then somersaulting three times down the
asphalt, to come to rest, on fire, in the
middle of the track. It's the kind of
accident usually associated with dirt
tacks at less than half these speeds
Three weeks later, Sneva is recovering
from his burns and practicing to qualily
for the 500 at Pocono when I talk to
him on the telephone. "It was like
dream," he tells me. "We watched. the
"EV replays and it looked like it was all
happening to somebody else. We passed
Rasmussen in the first turn and thought
we were by him in turn two. We glanced
1 the mirrors and he wasn't there,
he was right beside us and we saw that the
wheels were going to touch. From there
turns one and
as if we were d
lying in bed dreaming we were
flying through the air upside down.
After we first made contact with the
wall, we don't remember anything till
we woke up in the track hospital and
wondered how the car was." I ask hi
how it's going at Pocono and he tells
me that the first day out he was pretty
Ihe second day we started
rd through the corners, but I
t we weren't trying to
prove anytl
while" he concludes. "It makes
realize you really could get hurt do
this kind of thing."
After Snev crash, the race begins
an anticlimactic slide toward a rain-
shortened conclusion. Dallenbach, who
has maintained his lead, drops out 36
laps later, claiming his air intakes have
gouen clogged with litter from the
wreckage, g him to burn a piston
Some drivers have other theories about.
what has caused the burned piston, but
it is a sad end to what has been one of
the most spectacular, come from behind
drives in the history of the race.
in trafhc. It takes a litile
you
The sky darkens radically, the wind
begins to whip up hot-dog wrappers and
dust devils in the infield and, within
minutes, the 500 has been transformed
into a hydroplane race. The checkered
and red flags appear simultaneously and
cars spume rooster tails trying to make the
start-finish line. There are multiple and
relatively harmless spins and crashes, cars
sliding, looping lazily down the straights,
up the pit lane and through the corners.
It is Bobby Unsers good fortune to be
leading when the sky splits open and, in a
delicate ballet with his now tractionless
tires, he creeps toward the start-finish
line. There are 96 more laps that will
never be run and theories and arguments
by and for Rutherford and Foyt that, had
the race run its full course, they certainly
would have won. It is the luck of the
draw. It’s made heroes and corpses with-
out discreti
Back in my motel room, I fix myself a
drink and watch the rain pour down onto
the policemen channeling the postrace
traflic onto 16th Street. I notice that the
hair on the back of my arms has been
singed. It balls and crumbles off like
melted plastic. This month in
Indianapolis seems like an abruptly ended
dream. Two weeks from now, most of
these drivers will be racing at Milwaukee
and ii t much matter who has won
today. The race has been important only
because 350,000 paying spectators and
millions more by their radios and TV
sets have, by agreement, made it so. But
now it is all over and anot
is in force. The follow
section will carry the news that the Golden
State Warriors have beaten the Washing-
ton Bullets for the National Basketball
Association championship and the cover
of Sports Illustrated will carry a picture of
Billy Martin, “Baseball's Fiery Genius.”
L have an autographed picture of the
winner for my son and I'm beginning to
get drunk.
The next morning, there's a photo-
graph of Sneva's crash on the front page
of The Indianapolis Star and 1 recognize
my own figure, fleeing ignominiously from
the flames. On my way to the airport, I
drive past the Speedway and all I can see
is litter, two feet deep, in every visible
tunnel. passageway and concourse, more
than 6,000,000 pounds of it. 1 stop for a
red light and notice one more thing: the
corpse of a huge tomcat lying next to
the chain-link fence. Someone has con
siderately propped its head up on a
crushed beer can and crossed its paws in
repose. "There's my story, 1 thought. After
25 years of listening and dreaming, I've
seen my first Indianapolis 500 and this
is the one picture that will stick. Another
great event chronicled in trash, another
discarded container.
whole
This is our most expensive number The HP-810. Describing
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If you know the jargon, re
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The HP-810 has components like the acclaimed Dual 1211
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Theresa magnetic stereo cartridge with a diamond stylus. And
a cueing device plus anti-skating compensation to protect your
ecords from life's bumps, grinds, and scratches
Theres an amplifier powerful enough, so if you really want
on. Or you can simply listen to it,
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“ITS A SONY”
188
ENTERTAINMENT
SECOND SIGHT
After more than a decade of re-
search, Philips and MCA are about
to bring out Disco-Vision, a playback
system for video discs that attaches to
the antenna leads of your TV set (the
audio tracks can go through your
sound system if you want better quali-
ty). Philips will produce the player.
MCA will produce the discs and do the
programing (the majority from ma-
terial, such as The Sting, already
owned by Universal, an MCA subsidi-
ary). The player itself, expected on the
market in 1977, should retail for about
$500, with a 30-minute video disc in
the ten-dollar price range.
Disco-Vision, which is being touted
by Philips as a “new communications
medium" and not just a video-play-
back system to replace film or tape,
operates on a unique principle. The
metalliccoated disc (it looks like an
LP thats becn painted Rolls-Royce
gray) has grooves, or tracks, something
like a record, except that they are far
thinner and there are more of them
(15,000 per inch, as compared with a
conventional record's 200). The disc
spins at about 1800 rpm or 30 turns
a second. Each track represents one
frame and 30 frames per second is
the rate necessary to feed programing
to the television screen. This informa-
tion is retrieved by a helium-neon
laser beam that “reads” a series of tiny
TEC TAIN
an insider's look at everything you need to know to keep
up with, and flourish in, the latter part of the 20th century
pits or bumps in the tracks. Light is
reflected off the disc to a mirror, which
in turn feeds the varying signals to a
photo diode. These signals are then
translated into sound and motion.
In the demonstration. models, an
arm, much like a tonearm, passes over
the top of the record. Because some
people may have a fear of lasers (this
one is not dangerous), Philips will
bring out its production model with the
light source underneath, so that the
disc will be played tracks down. It is
recorded on onc side only, not because
of a technical problem but because
the disc is so cheap to manufacture
(about 40 to 50 cents) that it is easier
to use three 30-minute discs for a
movie than to try to squeeze it all
onto one record (also, the company
sells you more discs).
The fact that each track contains
one frame gives freeze-frame capabil-
ity. A select switch will allow the
machine to read one track over and
over, producing a stop-action effect.
This presents the interesting possibil-
ity of storing more than just movies.
As in microfilm, each frame could be-
come a page of a book, a painting in
a gallery, a stolen document relating
to national security or a gatefold from
PLAYBOY. And there are 54,000 in-
dividually selectable frames per disc.
There are plans to produce a super-
thin disc whose low production cost
would allow it to be bound into a mag-
azine. Hence, a sound-and-motion Play-
mate of the Month. Newsweeh could
show you newsreels Cosmo could put
on fashion shows. And the Playboy
Interview could be seen and heard in-
stead of read—which brings up the
subject of audio-only discs, also in the
planning stage.
The sound quality of Disco-Vision
is far better than that of current re-
cording systems. The incredible den-
sity of information on the disc would.
allow 100-track music or 500 hours of
stereo recorded on a single side. Disco-
Vision may, indeed, turn out to be a
whole new communications medium.
A SHOCKING STATE
For years, the Navy has been secretly
working on turning one of our states
into a giant radio antenna, Sound like
science fiction? It gets better. Project
Scafarer (earlier known as Project
Sanguine) has been kicking around
top-secret Pentagon corridors since
the Fifties. The idea is that_with a
giant broadcasting antenna (it would
cover between 2000 and 4000 square
miles), in the event of nuclear war,
when all other communications may be
knocked out, the Navy could bounce
very-low-frequency radio waves off un-
derground rock formations to com-
municate with submarines lying deep
beneath the oceans. (The fact that the
most important subs, Tridents, aren't
even built yet doesn't bother the
Navy) It’s a brilliant idea, but the
effects could be disastrous. Extremely
high voltages have been shown by some
investigators to be harmful to almost
every form of life (we aren’t sure how
much voltage will be needed by Sea-
farer. The Navy is currently daiming
5700 volts. Earlier reports had it as
high as 14,000 volts). Soviet studies of
the effects of powerful electrical fields
on the human body turned up symp-
toms of instability of pulse and blood
pressure, tremors of the arms and legs
and sweating. Diminished virility was
reported by about a third of the sub-
jects. Perhaps less harmful but certainly
more bizarre is the fact that fields of
such strength induce electric current
in almost anything made of metal. If
you park your car under some of the
765,000-volt lines we have in this coun-
try, you can get a hefty shock by touch-
ing your fender. The Seafarer antenna
could turn Cyclone fences into live
wires, The Navy was at one point
studying the feasibility of grounding
metal objects in whichever state it
chose. The official Government bro-
chure on the project, released after
the information leaked and the public
began protesting, states, “The results
[of studies] showed no significant
adverse effects on humans, animals,
plants or microorganisms at field levels
planned to be used.” The Navy is also
daiming that the installation of hun-
dreds of miles of underground cable
would not have an ellect on ecology
nor mar the natural beauty of the land-
scape. This is what is known in military
circles as an outright lie.
Since the public began protesting,
Seafarer has tried to find a home, the
two most desirable spots being Wis-
consins north woods and Michigan's
Upper Peninsula, both of which have
resisted vigorously. New Mexico and
Nevada are also under consideration,
though they, too, will probably protest.
And finally, since the Soviets don’t ask
their citizens what they want the mili-
BIOCHEMISTRY
tary to do or not do, we probably have
already developed a Zap Cap.
A SHOT IN THE DARK
A number of scientists, among them
Georges Ungar of Baylor College of
Medicine in Houston, have reported
success in what has become known
(perhaps inaccurately) as chemical
transfer of learning. They trained
normally nocturnal rats to be afraid
of the dark. Then they isolated scoto-
phobin, a peptide from the brain, and
injected it into normal, untrained rats.
The shot immediately made the rats
afraid of the dark. In another test,
extracts from the brains of rats that
had been trained to run a maze were
injected into untrained rats. These
animals then learned to run an identi-
cal maze far quicker than untreated
ones, indicating that the chemical car-
ried learned information about the
maze. Interestingly, the injection didn't
help the rats run any maze except the
one learned carlier by the subjects from
which the peptide was taken, indicating
a high degree of specificity for these
chemicals. These admittedly prelimi-
nary studies of the chemical nature of
learning and memory offer some intri-
guing possibilities. At least six other
learning substances have been detected
and some of them have been isolated.
But even the most brilliant scientists
GEOLOGY
— ——
sometimes have a boring tendency to
test for such things as fear of the dark
(who wants to learn that?) and the tend-
ency of fish to orient themselves to a
certain color. It might be more inter-
esting to try for a dog-housebreaking
peptide. Or, looking ahead to greater.
advances, an injection from someone
who can run 250 balls in a game of
straight pool.
RARE EARTH
While a great deal of emphasis has
been placed on conserving fossil fuels,
our supplies of other essential mate-
rials have been diminishing. The U.S.
Geological Survey released a 1975 re-
port predicting that by the year 2000,
the U.S. will be 100 percent depend-
ent on foreign sources for 12 essential
materials, most of them occurring in
mincrals. We now import 90 percent of
our manganese, cobalt, chromium, tita-
nium, niobium, strontium and sheet
mica. Ninety-six percent of our alu-
minum ore comes from foreign sources
and 100 percent of our tin has to be
imported. Without tin there would
be no “tin” cans (actually, tin-plate
metal), solders, bearing alloys, bronze
or brass. Ultimately, total "energy"
independence appears to be impos-
sible without the outlay of staggering
(and unavailable) sums of
money for mining and refining. [Y]
ILLUSTRATIONS BY JEAN-CLAUDE SUARES
189
PRIVATE EYES
(continued from page 123)
Europe during the 17th Century, the tele-
scope immediately began to unlock the
secrets of the heavens. Galileo's first
telescope—a primitive instrument. com-
prised of two lenses (convex and cor
cave) separated by a tube—aided in
destroying the popular philosophy that a
stationary earth stood at the center of
a revolving cosmos.
Although the telescopes pictured here
probably aren't going to enable you
to make any history-changing astronom-
ical discoveries, they are great fun to
gaze through. One peek and you'll find
that that old devil moon is quite a ball
of light; and when you finally tear your
ches away to zero in on one of the plan-
ets—by Jupiter!—the sight even beats
reruns of Star Trek. (Jupiter, incidentally,
is an especially good subject, as the pl
et’s visual detail is exceptionally cl
nd its atmospheric features usually
within the span of a night's viewing.)
You may wish to invest your money in
refractor telescope if you're just ge
ting into stargazing. It uses one optical
clement—the objective lens—to locus
light into a small image and a second
lens (commonly known as the eyepiece)
to magnify that image. Refractors come
in all shapes and sizes; many offer zoom
ability that will whisk you from, say,
a wide, bright 20X (20 to 1 magnification
power) to the detailed close-up of 45X.
Models with 24- and threcinch aper-
tures are readily available; biggies with.
fourinch apertures usually must be spe-
cial-ordered from a manufacturer.
Reflector telescopes (often called New-
tonians) are large tubeshaped instru-
ents that have an eyepiece mounted
near the aperture. They're ideal for a
serious exploration of the night sky. Re-
flectors feature a primary objective mir-
ror that receives light and reflects it to a
smaller secondary mirror called a diag-
onal. This second mirror, tipped at a
5-degree angle, reflects the image pro-
duced by the primary mirror to an eye-
piece that then magnifies it.
Reflectors call for a bit more im
refractors, as the Newto-
ian open-tube design allows dust and
film to collect on optical surfaces that
must, occasionally, be cleaned. Another
very slight drawback is that the alumi-
num coating on the reflector's exposed
mirror surfaces may deteriorate over the
years, necessitating a recoating. The re-
flector, however, makes up for these
slight inconveniences by providing the
owner with a truly wondrous view of
the heavens that’s relatively inexpensive.
There's also a third, more complicated
type of telescope on the market called
catadioptric, which essentially com.
bines the features of both refractors and
reflectors, In brief, catadioptrics amplify
190 light rays entering the scope by an
PLAYBOY
in-
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1. An 80mm spotting scope with a 45-degree prismatic revolving quadruple eyepiece holder
featuring 20X, 30X, 40X ond 60X eyerieces ond helical fine-facus control; comes with a felt-
lined quick-release clamp, sturdy tabletop tripod with vertical and horizontal fasl-molion clamps
ond a wood carrying case, by Ur
tran Scientific, $215. 2. Bushnell's lightweight Spocemaster I
zaam telescope is perfect for rugged field use; a large 60mm objective lens is coupled with a zaam
that moves from a wide, bright 20X to the detailed clase-up of 45X, $194.50 without mounting. 3.
For viewing heavenly bodies (the solar type), there's the Solarama Refractor, a 600X 80mm.
stru-
ment featuring a 1200mm focal length that lets you zero in on even faint double stars, by Tasca,
$699.95 with tripod ond hardwood carrying case. 4. The Terra Refractor all-purpose viewing scope
comes equipped with a 20X-60X zoom that lets you zero in on the heavens or distant landscapes
thigh-rises, too), alsa by Tasco, $199.95, 5. The eight-inch clear cperture of Celestron B collects
510 times as much light as the uncided eye and permits magnifications ranging from 50X te 500X,
by Celestron Pacific, $895, including a carrying case, 6. For antique buffs, there's the Ollway
Gunsighter-Scope, a brass 7X 50mm qun-sighting instrument used for spotting during World
Wars One and Two that comes with a waod-and-bross tripod, from Arthur Court Designs, $595.
involved lens/mirror partnership. The re-
sult is an instrument that offers optimum
viewing and exceptional compactness—
ie case in point being the Celestron 8
pictured here, which collects 510 times
as much light as the unaided eye and
permits magnifications ranging from 50X
to 500X.
Now that you've got an idea of what
types of telescopes you'll w
sider when making a purchase, let's t;
a closer look at their optical prope
First, theres something called light-
gathering ability. This simply means that
the more light that’s gathered through
a objective lens, the brighter the image
you'll sce. Light-gathering ability breaks
down to the following easy-to-remember
formula: Each time you double the diam-
eter of the objective lens, you increase
the light-gathering ability fourfold.
Resolving power is the ability of a
telescope to separate heavenly bodies
that are very close together. Poor resolv-
ing power may show two distant stars as
a blob of light: an instrument with high-
er-quality resolve will separate them into
distinct pin points.
Most telescopes—especially the import-
ed ones—come with a skyful of impres-
sive accessories, often neatly housed in a
handsome wooden box that can be left
out on display or stashed in a closet.
And almos ] models include a handy
little 5X or 6X telescope called a finder
that's permanently mounted on the side
of the instrument. The purpose of the
finder is just what the name implies; its
wide field of vision helps you locate
celestial objects much more easily than
you could with the big scope.
Other accessories that may be indud-
ed with your unit are: eyepieces for low,
medium and high magnifications; a Bar-
low lens, which doubles or triples the
magnification of cach eyepiece; a star
diagonal that will enable you to zero
on objects directly overhead; an erect-
ing prism that rights the upside-down
images refractor models originally pro-
duce; a sun sarcen and a moon filter.
There arc also some truly nifty option-
al goodies on the market in the form of
clock drives that rotate the telescope
along its polar axis at the rate of one
revolution per day. All the clock drives
we know of use 110-volt A.C. power and
allow for fine-motion adjustments by
means of control knobs.
A word about spotting scopes: These
and most inexpensive ref models
aren't powerful enough for sky watching,
but they will prov
of the apartment just across the way.
By now, we hope you're as turned on
to telescopes as we
ny heavenly bodies that we mig!
nterested in, be sure to let us know.
n
tor
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191
PLAYBO
192 panying thi
GREAT WHALE BATTLE
species, such as the dolphin, porpoise and
orca (“killer whale"), that have been in-
vestigated. Cetologists, while encouraged
by such experiments, feel that the true
test of the whale’s intellect can be made
only in its natural surroundings and
must involve sufficient numbers so that
the modes of communal beha n be
observed.
“Teaching a killer whale to jump
through a hoop," says Moore sourly,
"only shows the limits of the teacher's
imagination. We have to let the whales
i
teach us, which means listening, watch-
ing and uying to understand what sort of
life they have among one another."
The study of a pod of whales in the
open sea is, of course, a difficult under-
taking. Nevertheless, even the casual ob-
vations of whalers over the years have
led to certain general conclusions about
the whale'sabi telligence
among members of its group and to show
forms of complex social behavior, ranging
from play to elaborate patterns of defense
ast attack. The sperm whale, whose
gest of any animal's on
pparent intelligent actions, some of
which seemed quite malevolent to those
who hunted it in the last century. R.
of Moby Dick know how pal
ville felt the emanations of intelligence
from this particular whale to be yet how
deep a mystery its workings were to man:
lers
Genius in the Sperm Whale? Has
the Sperm Whale ever written a
book, spoken a speech? No, his great
genius is declared in his doing noth-
r to prove it.
Champollion deciphered the wrin-
kled granite of hieroglyphics. But
there is no Champollion to decipher
the Egypt of every . . being's face .. .
how may unlettered Ishmael hope
to id the awful Chaldee of the
Sperm Whales brow? I put that
brow before you. Read it if you can.
The whale's intelligence has become a
major element in the promulgation of
the Greenpeace cause. In press releases
and letters, whether sent to the heads of
government or to the principals of grade
schools, there is always great emphasis
placed on the intelligence of the endan-
gered whales, and therefore on their
closeness to the human species. So much,
in fact, is made of the whale's cerebral
powers that, according to the delicate
ethics of the ecological movement, it has
been felt by some that the campaign has
been tainted with elitism.
We've had to remind people and our-
selves that it isn’t all right to kill stupid
animals" Rod Marining says, accom-
remark with a soft burst of
(continued from page 102)
laughter and a perplexed expression. Be-
sides being Walrus’ helper in the galley,
Marining is the official Greenpeace press
secretary and publicist, and the mixture
of bafllement and melancholy humor in
his manner is most likely the result of his
having sent forth thousands of pleas, pro-
posals and ultimatums into the world
only to see them disappear into si
Ol course, many of the communiqués
he’s dispatched on behalf of Greenpeace
tend to baflle the reader into reticence.
Here, for example, are two press releases
sent on successive days to the wire serv-
ices of the world from the Phyllis Cor-
mack, somewhere at sea:
The Greenpeace Foundation, in
its effort to protect the whale from
the inhumanity of commercial cx-
ploitation and slaughter, demands
t the governments of the United
ida protect its expe-
the event that hostile ac-
taken inst i
tion is
‘The Greenpeace Foundation cate-
gorically rejects and disassociates
itself from the statement of the previ-
ous day. We will not be turned into
political or military tool.
Such radical shifts and re-evaluations
of policy might be expected from the
former head of the Northern Lunati
age of the Yippie Party, the Canadian
branch of that antic and social move-
ment that enlivencd the politics of the
Sixties. M. ag, however, asseris that
he has become much more serious and
subdued than he was in the days of the
d though he still wears his hair
ponytail and clothes that are
a patchwork of Yippie fashions, he does
scem, like many of the Greenpeace crew,
to have been worn down by past cr
sades, not to the point of indifference
but to that state of reasonable dedica:
in which one no longer needs flamboy-
ant uniforms of rebellion,
Lying on deck curled in a sleeping bag,
wining sees Walrus begin to collect
the vegetables for the evening meal from
the storage bins about the boat. He twists
himself slowly out of g and,
dragging the bag behind him, sets off
toward the galley. However, he pauses for
a moment to scrutinize an albatross that
has been a lonely follower of the Coi
mack for several days. The bird had been
n
sitting quietly on the water, but as the
boat passes by, it spreads its wings and
begins the long, d, splatting run
it needs on a windless day to become
airborne. Looking like a nervous clergy-
man running through puddles i
loshes, it is hardly a beautiful study in
animal grace. Neverthele: :
long, doleful profile shapes itself into
pleasurable wonder as he watches the
awkward beginning resolve into graceful
flight. That night he will send out sev-
eral dispatches praising the animal world
and excoriating human beings who obl
erate pheasants or pose for pictures
standing proudly alongside a suffocated
fish.
It docs not occur to one, until after
spending a good amount of time at sca,
that the tradition of keeping a ship's log
is based on something deeper than the
need for records. The log, with its care-
ful entries of time and location, its
carrying forth in narrative fashion thc
day-to-day life aboard ship, provides a
linear structure to the time at sea, a sense
of chronological purpose i ression
that man generally fecls is the proper
way to keep his experience tidy. How-
ever, the usual ways of measuring and
ordering the past are difficult to impose
on the long, repetitious rhythms of a se
voyage, especially one without specific
destination. The sameness of the ¢
shipboard rituals; the. single, encircling
horizon that makes all points of view
alike; the swells and sounds of the ocean
that mock the keeping of calendars—all
work against the serialized c:
obtains on land, and despite logs and
journals, events blend together and be-
come a mosaic of simultaneous scenes in
the mind.
During the first weeks of the voyag
there are frequent changes in the cr
some leave from boredom, others because
they've been found by Hunter wanting
in cither the skills or the attitudes neces-
sary for the purposes of the voyage. But
there are always recruits waiting to join
whenever the Phyllis Cormack enters a
port. Gary Zimmerman is one. An oc
nographer, he comes on board with diving
equipment, underwater cameras and a
ge shark cage he has built himself
nd from which he hopes to photograph
ious members of the suborder Squal
as they encircle and close in on a dead
or wounded whale. It will also be his
job, should Hunter's plan to sit in spirit-
ual protest on the back of a whale come
to pass, to escort him to the sanctuary.
of the underwater cage if the sharks
increase in number and frenzy to the
point where both the whale and its apos-
tle become objects of a furious communal
appetit
When Zimmerman talks of blues, h
merheads, makos, grays, white
and wobbegongs, it is in the matter Of.
fact rhetoric of one who has made these
monsters part of the practical experience
of his profession. His boyish, hand-
ome features remain set in a look of stu-
spect as he imparts to the crew
endless information on the manneri:
and habits of that order of a
tence u
“Well, I'll be! . .. Walt Comstock! .. . B Company, ‘fifty-five!
What brings you to this neck oj the woods?"
193
PLAYBOY
194
ikely to cause any ecological concern for
safety and preservation.
As the days pass, Zimmerman takes his
place in the frieze of shipboard life, as
do the three photographers who, in the
making of a documentary of the Green-
peace voyage, began by being everywhere
at once about the ship, filming all tha
moved or spoke, but who now are part of
the general static attitudes the crew mem-
bets become as they wait and watch for
some sign of good omen, some activating
signal t e not adrift in quiet
illusions about. their ability to effect a
fateful moment in such a vast and empty
area of the ocean.
And then, finally, it happens. The tab.
Icau of daily routine splinters into figures
of action. Whales are sighted. A pod of
“Jane, it's a fuckin’ jungle out there.
a half dozen grays is seen heaving
gracefully through the water a mile or
so off the starboard bow. Everyone
scurries into a position to observe the
rise and fall of the whales’ huge slatc-
colored backs as Cormack carefully
angles the boat in order to close the dis-
tance between it and ine moving pod.
e Trueman, the one woman aboard
ack, a professional diver whose
for the whale is n
ther seni
nor militant, and who, in fact,
agrees with the official Greenpeace
position that all whaling need be pro-
scribed for a ten-year period, climbs to
the highest point on the mast to look
and holler with delight as the grays
churn the water and spout the breath
into a vapor that creates, as it often
does in an early-morning light, the arc
of a rainbow over them. Carlie cies
out in wonder and all the instruments
aboard ship, from flute to synthesizer,
offer their particular tribute.
The whales, however, are not indis-
criminate music lovers. The more rau-
cous tone clusters of the synthesizer and
the rock song sent out through the under-
water speakers do not inspire an enthu-
siastic response from the grays, which
ender their judgment by submerging
and reappearing after many minutes at a
location far from the source of the con-
cert. “They are classicists,” Korotva says,
and, sure enough, excerpts from Beetho-
ven's Fifth Symphony dicit a happy
response; the whales draw nearer and
their movements calm into an appre
tive glide almost in tempo with the mu
Further experiments show that the gray
whales’ taste runs to a clear melodic line.
with or without complicated harmonic
embellishment. Beethoven or a simple
ballad sung, summed or fluted will keep
them into a critical brood deep benen
the surface.
Once the whales are used to the sounds
and sight of the Cormack, they permit
themselves to be followed and observed,
and occasionally they raise their larg:
whitespotted heads from the water,
if to return the curiosity and interest
of their new acquaintances. The Zodiacs
are sent out for closer contact and u-
tiously circle nearer and nearer the pod,
practicing the maneuvers they will exe-
cute when there is a t arty involved
in the meeting, pretending for now 1
the Phyllis Cormack is a whaling attack
boat and that they must keep between it
and the grays so tha
small rubber boats in order to strike and
explode in its victi The closer the
Zodiacs can stay to the whales, the less
increase the danger to the Zodiac oco
pints but will also, it is hoped, increase
the reluctance of the whaling captain to
give an order to fire.
However, after an hour or so, the joy
of sharing the sea with such marvelous
creatures begins to take precedence over
the grim practice of tactics. A desire to
frolic asserts itself, a wish to sport and
play with these great creat
a mutual fecling of trust
Those on the Cormack’s deck watch, a
little apprehensively, as a greater am
greater intimacy is established. between
the whales and the Zodiac crews, until
finally the boat driven by Hunter pulls
x distance of a gray. Paul
Watson, one of the more physically ad-
venturous members of the crew, a stocky,
ded young man who, according to
an oi
Voulez-vous prendre
un verre avec moi?
Black &White Scotch. s
Black & White. Its how you say fine scotch in 168 countries. If C
And it all began in 1884. 3
E
The Moscow Mule. K
off and 7UP®}
(Smi
Over the years it has become em
clear that there are several schools
of thought as to just what goes
into a Moscow Mule. Besides
the Smimoff.
There are the gingerbeerists.
The gingeraleites. And the
7UP loyalists. As for ourselves,
we hate to take sides.
We did, however, publish the
TUP recipe some years ago,
and it caught on so well that
it seems a good idea to To make a Moscow Mule,
repeat it here. We only hope pour 1% oz. Smirnoff into
that whichever way you make A tall glass or mug with ice.
the Moscow Mule, you'll handle Fill with N
it with appropriate caution. e 4
It gets its name, after all, from mimoff
an animal with a kick. leaves you breathless®
Hunter, has promised to put his body on
the line for the
to try to climb aboard its back. He slips
once, and then again. When he slides off
for the third time, the whale's tail, a
magnificent fanlike triangle of fuk
rises from the water and then strikes the
surface with an admonishing splash that
sends thc Zodiac carecuing backward
id spray and foam. The intimacy ha
gone too far and a maidenly slap has
signified an end to such improper ad-
vances. For a while longer, the pod is
followed, but since they are gray whales,
internationally protected. migra
north for the summer feeding, they will
lead to no meeting with Russian whale
fleets. Cormack signals th.
get back on course, the Zodiacs return
and, pleasurably exhausted by the expe-
ience, the crew watches as the whales,
still spouting their rainbow, roll on out
of sight
At night, around the galley, there
arc long. awed discussions and specu-
lation about cetaceans. The less experi-
enced ask excited questions, the more
nowledgeable tell stories of sperms,
humpbacks, bowheads and blues. The dif-
ferences between the Mysticeti, or baleen
whales, and the Odontoceti, toothed
whales, are discussed: how the former
strain plankton through the baleen slats
in their mouths, an almost continuou;
process of placid feeding that keeps them
always near the surface of the water; how
a toothed whale, like the sperm, will
dive to a depth of 600 or 700 meters in.
order to feed on its favorite dish, the
iant sea squid.
Since it will most likely be the sperm
whale that will be involved in a con-
frontation with whalers, there e as
many stories tokl about it on the Cor-
mack as Ishmael heard in tose "spout-
" and "gamming s that took.
place during the Pequod's voyage—how
eed, a Moby Dick, actually
called Mocha Dick by 19th Century
whalemen, who not only wrought havoc
on the chase boats that pursued it but
nd caused the sinking of
ships as well; how when
a sperm whale is wounded, others in the
will become
immediately sensitive to its agony and
go to assist it; and how herds of this
species once could be seen that num
bered in the thousands, so that the water
for as far as the eye scanned became one
vast scape of moving whales
It is now some seven weeks since the
Phyllis Cormack left Vancouver, but the
crew's mood is one of high-spirited an-
ticipation. Sometimes the moments of
elation take a mysteriously whimsical
turn, as when Gregory. during his turn
the ship's wheel, begins following
the moon, finding it a more beau
indicator of direction than the
COCHRAN!
“I don't mean to brag, but I have to
use prescription condoms. ..“
heading on the ship's compass. Roaring
vectives but laughing in spite of l.
self, Captain John drags Gregory by the
l from behind the wheel when he
s aesthetic na
en them almost five de-
gation has ta
grecs off cour
However, the energics are put to hard
practical uses also. A record of the Rus-
sian whaling fleet's daily position fo
the past two years when it was in this
arca of the Pacific is the one piece of
practical intelligence on which Hunter
and Cormack pin their hopes to reduce
the odds against an encounter. How
Greenpeace obtained this record is a
secret, but it does add a feeling of reality
to their quest, and long sessions are spent
studying and transferring its informa-
tion to chars and maps and then col-
lating these n ings with the Russian
positions given by the last radio contacts.
Everyone with nautical exper
board then contributes an n on
the heading most likely to lead to a sight-
ing of the whaling fleet, These are still
guesses, of course, but they are looked on
as becoming more and more edu
with each daily addition of i
“In a way, I wish it didn't have to be
the Russi ys Moore. “You know,
lot of people are going to sce us as
defenders of the free world nst
communisn
“Bur if it were Japanese," Marining
adds, “then we'd have the racial prob-
lem." He nods at a cartoon of the Green-
peace members guarding a submerged
whale from a Japanese boat that sports
an evillooking, slant-eyed. jaundiced fig-
ure behind a harpoon gun and reminds
the others how many objections from
groups normally sympathetic to Green-
have been received about this
ure,
“IE only Rhodesia were a whaling na-
Hunter si could all be
tion al
good guys and bad guys
„eilen
Moore is the first to witness the con.
firmation of their faith: n
catcher boats and a huge
named the Vostok. It is 9:30 in the morn
ing and the whaling vessels have appeared
as though a rendezvous w
had been prearranged. The crew
the deck and stares at the outlines of the
merchant ships, impressed and a little
subdued by their size and number. But
then jubilance grows over the fact that
their mission has achieved at least half
its purpose: and now if through per
sion or per ade they can press
the Russi into abandoni
their hunt altogether. . . .
“Well, I speak to them,” says Korot-
contacting the Vostok by radio,
and you can forget persuasion. I told
them who we are, that we are not decia-
dent bourgeois sentimentalists, that we
believers in the brotherhood of life
and all th;
A silence follows as everyone waits for
him to form the Russians’ answer. Korot-
va thinks for a moment, shrugs and gi
the most practical interpretation of the
Vostok's response.
l, ‘Fuck you!
ne Russian
lation is
her hunting ships begin to move away at
a good pace from the Cormack. Captain
John, however. who does not relish being
snubbed on the high seas, vows not to
lose them and sets out in pursuit. For
hours, the Russians try to clude him, but
somehow, even though the Cormack is a
slightly slower vessel, they never suc-
ceed, always finding that, no matter how
an odd
boat. blaring mu-
sic 1 messages from its speak-
ers, pops up to block their path
Suddenly, the pattern of flight and
pursuit changes. One of the chase boats
g toward che Cormack, an
ion that puzzles and excites the crew.
They debate whether this new maneuver
they rush on or double L
black.
195
threatening or simply means that the
Russians desire a face-to-face parley. Soon
however, they realize that the Russians
erest lies in the water, a large yellow
pole and buoy marking its position. It is
a dead sperm whale, probably killed the
previous day and left while the Russians
pursued others of its pod. Now a boat is
being sent to pick up the carcass and tow
it to the factory ship.
For a moment, the sight of the whale
PLAYBOY
causes stunned disgust and anger aboard
the Cormack and there is no thought of
using its mutilated back as an altar for
g the Gospel of ecology. Nor is
preachi
there any time. The chase boat fastens
a towline to the body and moves off in
seconds and there is nothing leſt to do
but try to revive the crews. spirits with
some tunes from the musicians.
Since harvesting the dead whale has
used the Russians to slow down, the
Cor k can now follow the chase boat
at close range, remaining alongside at an
even pace, so that the crews of cach ship
1 dearly see and acknowledge each
other. The Russian sailors look pleasant-
ly befuddled by the appearance of the
rainbow warriors and they laugh and
wave as Gregory, Jackson and others sing
about whales while Korotva shouts about.
their mission through a megaphone. How-
ever, as they near the factory ship. an
officer appears on deck, the sailors stiffen
nd all gregariousness disappears from
their manner. ‘Che whale is hoisted on a
winch onto the Vostok, where the process
of its reduction into commercial commod-
ities immediately begins.
“The smell,” Moore sa
there in that smell.”
And, indeed, the odor emitted from the
floating factory makes the Cormack back
away, but it soon is again dogging the
Russian boats as they move on to con
clude the day's business.
That conclusion, which has most lik
ly been transmitted to them by their
sonar equipment, is a group of six sperm
whales, which they and the Cormack sight.
at almost the same time. One of the at
ack boats immediately begins pulling
head from its sister ships, and this
brupt action means it is time for
crew to seriously obstruct the killing. The
Zodiacs are dropped over the side; Hunt-
er and Watson leap into one and a cam-
era team into another. They get off in a
few seconds, skimming actoss the water
at an angle that will cross in front of the
whaler. While the camera boat hangs
back, Hunter's gets directly ahead of the
Russian's bow and then uses its sup:
speed to move off straight line to-
ward the whales. It gets as close to the
pod as possible, for the whales are now
ert to the presence of danger and are
moving with erratic, thrashing move-
ments through the water. Each time their
196 direction shifts slightly, the Zodi
ys sadly. “It’s all
he
with them, and the Russian chase boat,
in turn, changes its course, so that the
angle of pursuit and protection remains
constant.
Then, with a comical breaking of the
tension, the engine of Hunter's Zodiac
stalls and the rubber boat, directly in
the path of the oncoming ship, bobs
helplessly up and down as Watson works
furiously to restart the engine. Those
watching from the Cormack are certain
that the Russians will veer off their cous
nt in order to avoid col.
liding with the Zod
But Korotva thinks otherwise.
“They'll steam right over them," he
says, and launches the last Zodiac with
himself in it, an action he'd never intend
ed taking, since, should he suffer an
accident and capsize. he would most like-
ly be hauled aboard the trawler and find
himself back on Sovi itory, a pros
pect of special dangers to him.
Meanwhile, the captain of the Soviet
ship is proving Korotva right. He stands
solidly on the deck and observes his boat
continue on a that will bisect
Hunter's Zodiac. An instant before the
collision occurs, a small swell from the
wake of the bow lifts the Zodiac out of
the way of harm, but the miss has been a
matter of inches. The Russian cay
smiles down at Hunter as they pass
Hunter returns this sportive grin
resigned shrug and a look that
cours
solves the incident of its apparent
callousness.
Korotva, however, is offering no ab
solution to anyone. Picking up Hunter
in his Zodiac, he soon overtakes the
Russians and is well on to approaching
the whale pod when the harpoon gun is
fired, sending its missile and the inch-
thick steel-centered cable to which it's
attached. whistling over their heads. The
harpoon enters and explodes in a female
whale about 100 yards in front of the Zo-
diac, and the lethal cable comes down no.
more than ten feet to the right of ir. The
struck whale jerks, convulses and, after
spouting great clotted streams of blood,
rolls slowly over and dies. Korotva circles
in his Zodiac back from the blood spread-
ing through the water and the attack
boat slows down almost to a stop, as
though drained of its playful mood by
the whale's death.
Then there is a sight that shames all
that has gone before it. The male sperm
of the pod, some 40 feet in length,
breaches the water, lifting its entire body
into the air as it twists to face the vessel
that has killed its companion. It seems
as if it might poise forever between water
and sky, but then it re-enters its element
with a sound and a turbulence that make
one think the entire ocean
cleaved. Its head
rocious anger, it rushes toward its enemy,
d during this charge, it seems that such
mightiness of purpose and size must be
capable of venting just retribution on the
offending ship. But the steel hull of
the ship survives its blow and a second
harpoon, fired at point-blank range, ends
itslife.
"That evening, the Greenpeace crew is
too dazed by what it has witnessed to
think it has accomplished anything at all.
Only gradually docs it realize that what
was recorded on film might ultimately
achieve what could not be done in one
dramatic confrontation. And, indeed,
Marining’s dispatches are no longer re-
ceived with indifference. Wire services
pick them up and television networks re-
quest film footage and interviews. When
the Phyllis Gormack docks in
cisco, reporters and cameras are waiting
at the pier, and it suddenly seems to the
Greenpeace crew that reason, after
all, to celebrate, for it has delivered on its
promise, even if that deliverance has en-
tailed a greater expense of spirit than
reckoned on. Even Captain John
aught up in the ebullient mood and
affixes a feather to the seaman’s cap he
has worn into stained shapelessness dur-
ing the voyage. Wives, girlfriends and
even a grandmother of one of the crew
are at the docks to welcome the rainbow
warriors, who for a few days have a well-
deserved lively port of call in San
Francisco.
But their voyage is not over. They
know how short the media's span of at-
tention can be and they want to take
advantage of this time in which every-
thing they say will find an outlet. When
it sails out of San Francisco, the Green-
peace V expedition is teeming with prac-
tical, hardhcaded strategics. But onc
evening a rainbow scems to form its are
solely about the length of the Phylli
rmack and Hunter, overjoyed at the
ight, jumps naked into the water. He is
persuaded back on board without much
trouble, but this act softens the mood of
the voyage, so that it takes on some
of its human contra nd moments
of humor
The crew of Greenpeace V will not, in
fact, meet the Russians again, but they
will be greeted. in port after port with
the respect of fishermen and the affection
of old and young believers in the defense
of life, and they will be offered dinners,
encouragement and even, on one oc
sion, a bottle of celebratory champagne.
They will also, early one evening, en-
counter a group of orcas once described
in a magazine artide as being "can-
nibals" with “teeth the size of bayonets.”
The Greenpeace crew will bring out their
flutes and they and the orcas will keep
happy company together until the long
summer twilight of the North Pacific
ends.
Bg
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PLAYBOY
198
PUNANTE OF Imt ZONK,
looking for a young woman to pl
major part in his latest film, Frauensta
tion (the tentative English title is Doctor’s
Dilemma), Some 300 candidates had been
tested without producing the right gi
She flew into
h and performed in three of the
al scenes from the movie. Thiele
didn't even bother to develop the film
but signed Lillian immediately, He told
a reporter (roughly translated), “She will
become at once very great with her wild
talent.”
Obviously,
there is somethi
g about
Lillian that defies translation. She ra-
diat mth, humor, intelligence and
mare, she charmed readers
across the country. As a fledgling actress
in her first film, she charmed an entirely
different audience. Her performance as
the wife of a doctor (played by Horst
Buchholz) drew raves from her fellow
actors. Stephen Boyd, who costars in
Frauenstation, was unrestrained in his
praise of Lillian. “I have had the pleasure
of working with the top women in the
motion-picture profession. Brigite Bar-
dot, Gina Lollobrigida, Sophia Loren,
Elke Sommer, Raquel Welch. And I have
the feeling that here is someone who can
do what all of them did. She is Brigitte.
She is Gina. She is Sophia. She is Elke.
She is quel. She has the ability to hit
heights that nc of the others ever
dreamed of. She's only 21, but she's right
there. She’s really exci
Lillian is fast becoming the darling of
the Continent since her debut in PLAY nov.
She has appeared on the covers of many
of Europe's leading magazines. Her life
has been rather heaic lately, as she
commutes between film assignments. in
ope and Playmate promotion appe:
ances in the U.S. (Become a gatcfold
girl and sce the world.) For someone who
(continued from page 133)
only two years ago was living in the tiny
village of Krist d, Norwa
seems rem: t ease with the sud.
den attention. "As a Playmate, I had
learned what is like to stand before
a camera, But acting is so much mor
challenging than modeling. It uses
morc of you. My first film gave me cour-
age and confidence,” she admits. "Every-
one was so helpful, from the little people
to the biggest stars. Smiling, friendly. The
offer for the first film had come, how do
you say, out of the sky? I had no real
training. Before I flew to Europe to
start filming, 1 had time for only two
cling lessons at Lee Strasberg's Theater
Institute in Hollywood. Strasberg says
that relaxation is 80 percent of acting.
Well, for the first two weeks on the set,
I was very nervous. But 1 would come
up to do a scene and everyone on the
et would look so quiet and so patient.
5 10 shouting. Just talking nice and
sit "Come on, now, let's do it.’ Some
e quite difficult. In one,
l had to cry—naturally, without the
onion, you know. Everything went all
right. The four weeks 1 spent working
on the film were the most fantastic weeks
in my life. It was like discovering a new.
me. Now I’m hooked on movies. 1 want
to be in as many pictures as possible.
And not just beautiful or erotic faces.
1 would like to take off my make-up and
bly
show what I look like when I get up in
the mort
ip.
Even before she had finished filming
Frauenstation, Lillian had signed a
contract for a second film with director
Thiele. In Rosemary's Daughter, the
sequel to Rosemary, one of the most
famous postwar German films (Luggi
Waldleitner, who was Rosemary's pro-
ducer, is also producing the sequel),
Lillian plays the illegitimate offspring of
3
—
ANA.
“I hope you
re satisfied! .
- Yow've eaten me
out of house and home!"
the woman who had been mysteriously
murdered. Lillian sets out to find the
Killer and uncovers a
dal in the gove
ing role and resulted from her Playmate
. "I love the role. Rosemary's
sexy, worldly, curious. In
short, very much like me. Also, I get
to sing and dance in the movie, which
should be fun.”
Li
Profumo-type scan-
frequent guest at Mansion
where she has been meeting the
luminaries of the film industry.
Playmate, and now Playmate of the Y
has been a catalyst in my life. Ive been
exposed to so many fine people; Hef
shows two or three films a week a alf
of Hollywood attends the screci I
can find out how the movies were made.
also.
re a bi,
I can
which
ange private showings
help. I guess I'm a lot
a
film I watch the
the act
film, Lillian wants to do an Ame
movie. Several offers arc under considera-
tion, but Lillian is being careful about
choosing the right role. “
being typecast as a sex kitten by Amei
can directors, have been blessed with
a beautiful body, but that's not enough.
In Europe, an actress is valued for her
ability to express a wide range of
Loren, Liv Ullmann—are beautiful, not
because they are pretty but because they
n. Some directors tend to usc
set decoration. I don’t object
g my clothes off in front of a
but it seems to me a waste of
they want me t
ways to be s
Lillian has a good reason for wanting
to work in an American movie: The
drive from Mansion West to a Holly-
wood studio would be a lot shorter
than the overthe-Pole flight to Europe.
When that Hollywood role happens
Lillian will be able to take the drive
style. Among the many prizes she re-
ed for being Playmate of the Year
vas a luxurious BMW 530i automobile.
But if she wants, she can leave the car at
home and ride her new bike, a ten-speed
AMF Roadmaster. Of course, then she'll
have to find room for such items as her
Panasonic hi-fi rig, her Sony color TV and
her Crisloid deluxe backgammon set. But
"s her problem
Obviously, this is a lady to watch. Some.
women would be content with all the
honors and recognition that go with the
tide PI te of the Year, but for Li
lian, it is just the beginning. She is carv-
ing out a carcer, and we are, to say the
least, proud of her. Keep your eyes open,
and in a few years, you may be able to
say, "I knew her when. . ,
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PLAYBOY
200 the wheel of
picture tube (continued from page 152)
depressed. What's more, with the excep-
tion of Baker, the clothes they wore were
not nearly so stylish as those on the backs
of the TV people. Newspapermen don't
expect to be looked at.
Something similar was apparent at the
[MORE] "counterconvention" in New
York last year. [MORE] is a monthly
magazine specializing in gossip about,
and criticism ol, the way journalists do
their jobs. For four years now, invoking
the name of the late A. J. Liebling.
who wrote press criticism for The New
Yorker, [MORE] has sponsored a conven-
tion supposedly “counter” to the estab-
lishmentarian meetings of the American
Newspaper Publishers Association. Last
year, all manner of media honchos,
mostly male and mostly pale, gathered
at the Hotel Commodore to complain
about the imperfections of the trade they
slum in and to compare book contracts.
Wallace and Rather had to beat off the
groupies with a stick, It was not that
they were, necessarily, better reporters
than David Halberstam or Nora Ephron
or Bryce Nelson or Charlayne Hunter.
But they were themselves occasions,
events—importance made corporeal. So
much of our consciousness consists of
television images that to meet the em-
bodiment of one of these images is some-
what like meeting what it is you think
you know, the contents of your own
head. You tingle. At the same time, you
are aware of the fact that you are not in
their stock of images. They have that
lvantage over you: an inviolate con-
sciousness . .. pure beings of the ether.
A leuer to the July issue of [MORE]
informs us that two women reporters at
the convention
sat down to await the start of a
el. A young man wearing staff
insignia told them to get up. The
seats, he d, were reserved for
the panelists. After some discussion,
the two intruders vacated the seats.
Then Mike Wallace sat down. He
not a panelist and this was
ied out to the apparatchik,
was
poi
The apparatchik replied: "I'm in awe
of power. 1 don't tell Mike Wallace what.
to do. There are two kinds of people in
this world: people you can push around
nd people you don't. It's as simple as
that.
On the Fourth of July in San Fran-
cisco, there was something called a Me-
dia Burn. It was organized by the Ant
Farm, a local collective of “conceptual
artists.” They piled 44 old TV sets on
top of one another in the parking lot
of the Cow Palace, soaked them with
kerosene and applied a torch. An actor
pretending to be John F. Kennedy made
a speech. Then someone climbed behind
rebuilt 1959 Biarritz
Cadillac, revved up and rammed the car
into and through the wall of smoldering
electrical detritus. Zowie. According to
programs distributed before the event,
onlookers were supposed to experience a
“cathartic explosion” that would liberate
them from the cultur nny of televi-
sion. The conceptu is—along with
the network film crews they had invited
to the Happening—recorded it all on
vidco tape and then rushed home to sec
if their denunciation of TV would make
It is a nice existen-
al point: We sccm incapable of be-
lieving that we have actually done
something until we see ourselves do
the six-o'clock ne
on television. ‘Then it is “real.” "Daddy,"
asked the little girl in the cartoon, "are
we live or on tapez" Only Jack Ruby
knows for sure.
Lionel Barrymore was . . . a great
1 of Time for Beany. When Louis
B. Mayer decided that television was
a threat to the motion-picture
industry and forbade sets on his
Metro-Goldwyn-Mayer studio lot,
Barrymore sent his chaufleur to a
local bar to watch the show and re-
port on the plot developments.
—The Great Television Heroes
I have been writing about television
for cight years. Once 1 compared the
medium to Jorge Luis Borges concept of
“the infinite.” In Avatars of the Tor-
loise, Borges claims once upon a time to
longed to compile "a mobile his-
tory" of the infinite, which he describes
as “the numerous Hydra (the swamp
monster which amounts to a prefigu
tion or emblem of geometric pro-
gressions).”
Swamp monster seemed an appropriate
simile for television, as mobile history
seemed for hundreds of reviews, each no
more than 750 words long. Borges gave
up on his project because it would re-
quire too many years of “metaphysical,
theological and mathematical apprentice-
ship.” He settled instead for gnomic
riddles, as I have settled here for anec-
dotes—arbiarily, if not randomly,
strung together.
Borges at least is taken seriously. TV
reviewers are not. Learn a trade, says
your mother; weave baskets, find God,
you are powerless to alter events or to
doud men's minds. By the time your
comment appears in print, the object of
it will have vanished or, if it persists,
millions of other people wil ready
have seen it and made up their own
minds. If your reviews are read at all,
it is by those who seek a confirmation,
either of their own gut reaction to a
new program or of their suspicion that
you are a jerk. You can no more review
TV according to agreed-upon criteria
than you can review politics or sports or
old girlfriends—or compile a mobile
history of the infinite. The lout on the
next barstool also considers himself an
expert.
But that is precisely the fascination.
In writing about television, you are
really writing about everything. Swamp
monster isn't, after all, appropriate. TV
is the sea we swim in. The trouble
that, like fish, we would be the last ones
to notice that we were wet or to ask ques-
tions about the nature of wetness. Con,
cluding his monumental three-volume
history of broadcasting, Erik Barnouw
remarks, “Five hours a day, 60 hours a
week—for millions, television was merg-
ing with the environment. Psychically, it
was the environment. What did all this
mean?"
In fact, it's now up to six hours and
cight minutes a day. Thar's how long the
average set is on in the American home.
Ninety-seven percent of Am
have at least one set. The average 16-
year-old has clocked more time watching
TV than he has spent in school. TV
Guide outsells every other magazine on
the nation’s newsstands. Television is
clearly more serious than venereal disease.
And yet we go on breaking down this
cultural phenomenon into individual
components. We study violence, commer-
cials, children's programing, news |
situation comedy. Of wetness, we have
only the dimmest of notions.
Theodore H. White, in his recently
published book on the fall of Richard
Nixon, Breach of Faith, at least gets the
ball rolling!
year before the [1952 Repub-
1] convention opened, an event
had exploded in American life com.
parable in impact to the driving of
the Golden Spike, which, in 1869,
tied America by one railway net
from coast to coast. In September of
1951, engineers had succeeded in
splicing together by microwave relay
and coaxial cable a national tele-
vision network; and two months
later, late on a Sunday afternoon,
November 18, 1951, Edward R. Mur-
row, sitting in a swivel chair in CBS
Studio 41, had swung about, back to
audience, and invited his handful of
viewers (3,000,000 of them) to look.
There before him were two tele-
vision monitors, one showing the
Golden Gate Bridge in San Fran-
cisco, the other showing the Brook-
lyn Bridge New York. The
cameras flicked again—there was
the Statue of Liberty in New York
and Telegraph Hill in San Fran-
cisco. Both at the same time. Li
The nation was collected as one,
seeing itself in a new mirror, on a
12 inch television tube. Murrow then
swiveled back to the audience and
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PLAYBOY
202 ment in illegal c
lifted his dark eycbrows in amusc-
ment, as if he were a magician per-
forming a trick.
And one realized this wis no
trick. On that tube, orchestrated by
producers in New York, the battles
of American politics would take
place with ever increasing intensity;
on its stage the emotions of America
would be manipulated.
White—a fruitcake over
which, with a heavy hand, the rum of
forcboding has been poured. A dis-
appointed romantic, he lapses into Speng-
lerianisms, gloomy odes. One of hi
many theses in Breach of Faith is that
television, along with publicrelations
agencies, changed American politics for
the worse. Symbol and slogan were sub-
stituted for substantive discussion. Well,
yes, indeed, “the emotions of Amer
would be manipulated,” as they d on
the airwaves ever since Franklin D.
Roosevelt's fireside chats on radio in the
Thirties. It is unclear to me why d
method of engaging political reality, of
nlluencing decisions, is inferior to the
ackroom deals that gave us as Prosi-
dents Pierce, Buchan Hayes,
Garfield, Arthur, sons, the on
again, off-again Cleveland, Taft, *
ley, Harding, Coolidge.
Such an argument is just a somewhat
more elegant. version of the apocalyptic
nonsense advanced by Pat Buchanan, a
recently disenfranchised Nixon Admin-
tration funky who has found a home
wi g the "News Watch" colum for
TV Guide. According to Buchanan, TV
news is undermining our democracy.
Surveys show that since 1963, when the
networks went to half hour nightly pro-
graming, two thirds of the American
people have come to rely on these pro-
grams as their principal source of in-
formation. Other surveys show that,
during the past five years, more
more Americans have thought worse
worse of our Government, the bu
community, the legal profession,
Congress and our military forces.
"This is typi
the
"What
ars to be do-
ing to the American body politic,” says
Buchanan, “is to undermine the foun-
dation of public confidence in our
institutions, and induce a sense of be-
derment in the American clectorat
Gosh. I'd suggest that more and more
Americans think worse and worse of our
Government. because several Presidents
ve lied systematically to us on tele.
ision, and one resigned before he could
be impeached, and another pardoned
him before he could be tried, and almost
every agency of the Executive branch
seems to have been used for partisin
political purposes and/or to have par-
ticipated in a cover-up of demonstrably
illegal acts. We think worse of the busi
ness community because of its involve-
paign contributions,
wi
bribery of public officials here and
abroad, n deals, assassinations and
other ways of overthrowing foreign gov-
ernments. We think worse of the legal
profession because so many lawyers went
m Watergate to f. We
think worse of Congress because it let
the war go on and let the economy fall
apart. (Oddly enough, respect for Con-
gress went up during the televised. pro-
ceedings of the Rodino committee,
survey it was not in Buchanan's interest
to mention, and so he didn't) We think
worse of the military because it lost a
and gained a My Lai.
OF course, the networks brought us
all this bad news, sometimes belatedly,
as in the cases of Viemam and Water
gate. Therefore, the networks are appar-
ently to blame for doing what most
American newspapers have shamefully
refused to do for years, which is to tell
us what we need to know, whether or
not we want to know it. As Garry Wills
has pointed out, most newspapers in this
country are in business to boost the com-
munity; publish ads for movies, restat
rants, banks, department stores and retail
grocers; provide comic strips, recipes
astrology columns and obituaries. For-
eign news is buried, if it is printed at all.
National news is hinted at in a couple
of paragraphs ripped off a wireservice
teletype.
The fact of the matter is that br
casting—originally a child of the mil-
itary (wireless, radar, etc), then a
ure of a huge economic consortium
T., General Electric, Westing-
then a mindless conduit
gencies who pack-
sed all their programs (the food, auto
industries, those wonder-
we you the quizshow
ndals—has almost by accident
hieved an independence from commer-
cial and local pressures unknown to
much of our free press. It is this inde-
pendence, this adversary capacity, that
has attracted the attention of those in
Government who confuse communica-
pitprop. "No other nation on
ys Buchanan, “tolerates thu
ar unrestricted freedom or untram-
w
(AT.
house, RCA),
of advertisers and the
meled power enjoyed by the national
networks the United States. And the
position of these nations is a good deal
more easy to appreciate today than ten
years ago.” Near unrestricted freedom or
wntrammeled power is presumably te
private property only of Presidents, and
Presidential speechwriters who perpe-
trate phrases like more casy. Genera
Amin of Uganda would appreciate this
point of view, depending, of course, on
the point in time.
Yes, Teddy White is more elegant, or,
as Buch ht put it, cleganter.
White deplores the emphasis on "style"
that television has brought to politics.
(Why. then, was Richard Nixon, an
almost totally styleless man, a fierce lump
of Silly Putty. elected to the Presidency
by the largest vote ever accorded a can.
didate for the office? To be sure, there
were other factors. There are always
other factors, which is why the “manipu-
lation" of emotions antedates. coexists
with and will oudast television.) He
misses the larger point.
During the Sixties, as everybody by
now is tired of hearing, our cultural co-
herence disintegrated. Whatever percep
tions we held of ourselves as a people
(sons of the Enlightenment, progressive.
perfectible), whatever presumptions we
indulged of our destiny as a nation (mi
sionary of democracy, cop of the cosmos)
took a brutal beating, There were
bloody thumbprints of the irrational on
every computer printout. Our leaders
couldn't appear in public without get-
ting shouted down or shot down. We
couldn't win a war against a bunch of
liule people in pa
despised us and lost themsely
music, in the raptures and
drugs. ms of blood; high-class.
middle-class, working-class, they were
long-hairs—we couldn't see their cars.
and if they hadn't any cars, how could
they hear the eternal verities? High cul-
ture was routed in the academy. Popular
culture turned to savage parody. The
blacks stopped wanting any part of us
Women got uppity. Gays came loudly
out of the closet. Athletes behaved like
ingrates. Homegrown monks appeared
on street corners peddling the nostrums
nd the
Movies were dirty
busive and even oi
saw something else, too. With the Pre
dency imperial in its arrogance, the
Congress sluggish and deaf, the courts
choked and confused, we saw the disaf.
fected, the powerless, the outraged, the
supplicatory and the spat upon petition-
ing the media, instead of the Gover
ment, for redress of grievance. It was,
and is, extraordinary babel of vic
timization. See our faces, hear our voices
Even the oil companies, fed
understood and unfairly blamed for the
energy crisis, are doing it, sending out
junior executives who have been wained
before U.H.F. cameras to propagandize
on talk shows. Television, these petition-
ers quite rightly believe, represents access
to the consciousness of the n The
ion may not like what it sees—it c
nly didn't care for the McGovern con
vention, for instance, nor was it much
moved by the various invasions of TV
studios by militant homosexuals during
"live" news programs—but it watches.
What the nation knows is what is oi
TV. I submit that television is our cul-
ture, the only coherence we have going
for us, naturally the repository of our
symbols, the attic of old histories and
g mis-
jon.
&
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PLAYBOY
204
hopes, the hinge on the doors of change.
We may not believe our Pre
Senators, our novelists, the dean:
universities, the m our pulpits,
the children sullen or surly in our living
rooms, Jane Fonda, Robert Altman, Bill
Buckley, Wilt Chamberlain or Melvin
Belli. But we are more likely than not
to agree with Jack Paar when he said,
“I am not a religious man, but 1 do
? Walter Cronkite.”
is interpenetration, or consub-
stantiation, of Amcrican culture and
television limited to the news programs.
The situation comedy is nothing less
ency, as the family
and the public school system are sup-
posed to be: The sitcom, after a lot of
thrashing about with events and person-
Alb ous appropri
or, helps them intern
ious decencies, define the wayw:
virtues, modulate peeves, legislate eti-
queue, compromise the inci
self with the damors of peer groups.
In the Fifties, that flabby decade, the
sitcom proposed as a paradigm the
competent father, the dizzy mother, the
innocent child. In the Sixties, it proposed
the incompetent father, the dizzy mother,
the innocent child, war as a fun thing
and young women with supernatural
powers (witch, genie, magical nanny,
flying nun) who could take care of their
men and their children, look cute and
never leave the house. In the Seventies,
it proposes the incompetent father, the
dizy mother, the innocent child—all
sitting around discussing abortion, i
fidelity, impotence, homosexuality, drug
addiction and death—and the carcer girl
(have talent, need sex). The inability of
the American father to lace up the shoes
of his own mind without falling off his
rocker has been constant, perfectly re-
fleaing and perpetuating our cultural
expectations.
If the sitcom is a socializing agency,
the talk show is a legitimizing agency.
Ed Sullivan for 23 years used to be our
legitimizing agency. His was the power
of sanction. He advised us on what was
permissible, He authenticated celebrity,
significance. Without his stamp—right
here on our stage—the package hadn't
really arrived, whether it was a mayor
of New York, a heavyweight champion,
an all American football player, a beauty.
queen or Elvis Presley. When he closed
up shop in 1971, it was almost as if he
realized that another legitimizing agency
had usurped his function: Johnny
son. Carson now presides over our con-
sciousness. He sits, a toad with a jeweled
eye, on our nights as though they were
lily pads, croaking ad lib, conferring
celebrity, defining the permissible. When
‘arson started making Watergate jokes,
all right to
make fun of the President. When he
luded to a toilet paper shortage, the
nation hoarded. When he left New York
for Burbank, New York fell apart.
As it dimly perceives our needs as a
nation, television tinkers with itself to
accommodate d nurture. A nation
cannot afford to lose its children and,
therefore, television gave us Mod Squad,
The Young Lawyers, Storefront Law-
yers, John-Boy Walton, Little House on
the Prairie. A nation cannot afford. the
secession of 25,000,000 citizens, even if
their citizenship has been but partially
and grudgingly conceded, and so television
gave us Diahann Carroll (Julia), Bill
Cosby (I Spy) and Flip Wilson (the first
male TV star since Milton Berle regu-
Tarly to wear a dress), and-when they
didn't work, it gave us Sanford and Son,
Good Times, The Jeffersons and a lot of
black detectives, private and public. A
nation cannot afford oftending and alie
ating women with brains who do r
work, and so television gave us, i
of cutiepie housewife witches, magical
nannies, flying nuns and dreamed-of
genics, a Mary Tyler Moore, a Diana
Rigg, a Valerie Harper, a Karen Valen-
tine, a Cloris Leachman and Police
Woman. If two Kennedys were killed off,
Hal Holbrook as a Bold One would be
born and then be borrowed later on to
suggest that homosexuals can have Mean-
ingful Relationships. If the institution
of marriage was in disrepute, Rhoda
would do the rehabi: ng and the
tion would weep with joy lor the first.
time since J Love Lucy had a baby in
prime time,
In addition, television cr style as
much as it records it. Crybabyism was
perfect for the Fifties, from Nixon with
his Checkers speech to Jack Parr and his
fat daughter to Charles Van Doren and.
Dave Garroway sobridden at what Pr
dent Eisenhower called “a terrible thing
to do 10 the American public"; that
as Teddy Kennedy
found out after he tried to explain Chap-
paquiddick on television to an unbeli
ing public, required something more
than squeezing your sincerity like a
lemon. TV in the Sixties found it
style of the media brat. The med
could be political, like Abbie Hoffman,
or commercial, like Mason Reese, but
was more likely to be sporty, like Mu-
hammad Ali, Mark Spitz and Jimmy
Connors. They are, arguably, the best
prize fighter, swimmer and tennis bum in
the world. Yet there is something in-
authentic about their image on the TV
screen and they seem to know it—some-
thing pinched in the face, something
ungenerous in the eyes, a lack of con-
viction about themselves as actors, for
which they try to compensate by antics
uous gesturing. It is a quality
ng not quite to believe the
celebrity conferred on you, so young, by
the camera; a fidgety smugness takes
over; what if, when the red ht
blinks off, you cease to exist? The media
brats are the new heavies; most of the na-
tion roots for them to lose. They are the
children of our watching, and our own
children imitate them, and they must be
punished.
What are we doing when we watch the
Super Bowl cach January on television,
with a half time full of starspangled
leotards, lunar modules, SAC bombers
in friendly overflight, prisoners of war,
the obligatory black singing the obliga-
tory anthem and the obligatory Vice-
President biting the nose of Pete Rozelle?
What does mean when we celebrate
the rising of the n: i
spring by watching the Academy Awards?
Are both of them exhibition games to
prepare for the Bicentennial, when we
will bestow a championship cup, an Os-
car, on ourselves?
What we are doing and what
are hoth aspects of the same activity
taches to our
t means
nd
pt
y n
Luther King funeral cortege, an Apollo
liftoff, the Olympics with or without the
murder of Israeli athletes, Armstrong
w Iki g on the moon, a President in
igning, the world
series. We are participating with our-
selves as a nation. There is really no
other way to participate, n the state
of the family, the church, the town, the
state, the arts. When there is an assassin:
tion or a Cuban Missile Crisis, or the
Beatles appear on the Sullivan show, or
Joe McCarthy takes on the American
Army and loses, or Joe Namath takes on
the nal Football League and wins,
or Kennedy pl: in the Gr
Debates and Billie King plays
Bobby Riggs in Great Hustle,
wherever we are, we turn on the set and
watch, because that is what we will talk.
about tomorrow, that is what we know,
that is one of the few things of which
we will be certain.
Fragmented, mobile, e
we are nomads on an industrial grid. We
get in ou ad go. But when we get
there, where are we, and what did we
leave behind? With our TV sets, we are
one big Mary Hartman, Mary Hartman
wherever we happen to be. hearing the
me messages, commercials for the salv:
tion of the soul and floor wax. Television
is another kind of car, a windshield on
the world. We climb inside it, drive it,
and it drives us, and w l go in the
same direction, see the same thing. It is
more than a mobile home; it is a mobile
ion. It has become, then, our common
nguage, our ceremony, our style, our
entértainment and anxicty, our sympa-
thetic magic, our way of celebrati
mourning. worshiping. It’s flimsy glue,
but for the moment it's the only thing
holding us togethei
ü
cars
Why is Tareyton better?
Others remove.
—
Tare
The Reason is
Activated Charcoal
The U.S. Environmental
Protection Agency recently
reported that granular ac- J
tivated carbon (charcoal) is
the best available method
for filtering water.
Asamatter of fact, many
cities across the United States have instituted charcoal
filtration systems for their drinking water supplies.
The evidence is mounting that activated charcoal
does indeed improve the taste of drinking water.
Charcoal: History’s No. 1 filter
Charcoal was used by the ancient =
Egyptians as early as 1550 B.C.
fine
Charcoal has been used ever since
thenin many manufacturing processes,
including the refining of sugar!
Charcoal made the gas mask
possible in World War I.
Charcoal is used today for masks that are required
equipment in many industries.
Charcoal helps freshen air in
submarines and spacecraft.
Charcoal is used to
mellow the taste of the finest bourbons.
Charcoal also plays a key role
in auto pollution 7" mum
control devices.
n improves.
Activated charcoal
does something
for cigarette smoke, too.
While plain white filters reduce tar and nicotine,
they also remove taste.
But Tareyton scientists created a unique, two-part
filter—a white tip on the outside, activated charcoal
on the inside. Tar and nicotine are reduced... but the
taste is actually improved by charcoal. Charcoal
in Tareyton smooths and balances and improves the
tobacco taste.
2. Thats why
us Tareyton smokers
would rather fight
than switch.”
Tareyton is Americas
best-selling charcoal filter cigarette.
Warning: The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health.
King Size: 21 mg. “tar”, 1.4 mg. nicotine;
100 mm: 20 mg. "tar", 14 mg. nicotine; av. per cigarette, FTC Report Nov. 75. 208
206
PLAYBOY POTPOURRI
people, places, objects and events of interest or amusement
YOU LUCKY DOG
God knows, the English have this thing about
animals. So much so, in fact, that one veddy
British firm, Denes of England Ltd., is currently
expanding its line of pet health foods to
America. (Twenty-five cents sent to Denes at
Box 92, East Rutherford, New Jersey 07073, will
get you a complete brochure.) Products include
dietary supplements made from raspberries,
parsley, water cress, tree bark, garlic, green leaf
and seaweed. Now, how about a doggy bicarb?
GETTING GOOD RECEPTION
Think you've heard everything? There's a
gentleman in Philadelphia named John Quillin
who makes electronic receptionist heads (in the
image of your choice) for $3000. Each 15-inch-
high head moves its mouth and eyes, notifies you
when someone enters the room, asks the visitor
to have a seat—or whatever you choose—and
then takes messages. (Full figures sell for
$10,000.) Quillin's latest head is on display at
"The Electric Callery, 24 Hazelton Avenue,
"Toronto, Ontario. No, it doesn't polish its nails.
SHE'S OUR (BLOOD) TYPE
Vampirella, the comic-book industry's “beautiful blood-lusting girl
from the stars," does a bit of starring herself in a full length
motion picture due later this year from England's Hammer Films,
leading entrepreneur of cinematic horror. The fact that the title
role will be filled, amply, by Barbara Leigh (who was featured in the
May 1973 PLAYBOY) should make us all suckers for this film fare.
THE LONG-GREEN HILLS OF AFRICA
For those of you with a yen to see East Africa like some bwana
from a Hemingway story might, Hanns Ebensten Travel at 55 West
42nd Street in Manhattan is offering a $2350 (not including air
fare), 17-day walking / camel safari through Kenya's Northern Fron-
tier. While foot-loose, you'll see the dik-dik and the elephant
play, explore Mount Bysion, home of the kudu, and chew
the fat with friendly natives. Hope that fat is nobody we know.
TAKING OVER THE TOWN
Yes, friend, now you can be the first on
your block to own a town. Coming up for
auction by Kruse Classic Auction Com-
pany of Auburn, Indiana, is something
called Frontier Town, an actual place
15 miles from Helena, Montana, that was
virtually hand-built over 20 years
by a guy named John Quigley. The town
includes a saloon, a jail, a church and
hundreds of authentic relics of a bygone
era. Just think, one day you're mayor,
the next, sheriff, then prisoner. . ..
SHEEPSKIN GAME
Wouldn't it be nice if you could get a
college degree without having to put up
with all those years of boring education?
Find out how you can in a soft-cover
book called College Degrees by Mail, from
John Bear, Drawer H, Little River,
California 95456 ($15). Buckner University,
for example, offers a “strikingly hand-
some Degree Certificate” for only $27.50.
Boola-boola and caveat emptor.
WAGON MASTER
The Beach Boys had a 34 wagon and they called it a woodie. Paul
Wilson has an auto business at 2455 N. Sheffield in Chicago and he calls
it Miniwoodic. Yes, litle wood runabouts resembling tiny '40 Ford
wagons (underneath all that gorgeous ash and birch, there lurks a used
VW) that Wilson is selling for $3200 to $4000 ready to go and including
a sun roof. Kit prices start at $995. Surf City, here we come.
INTELLIGENCE
QUOTIENT
The CIA may have supported a
few wrong dictators, and it may
have spied on a few of the wrong
folks back home, but don't let
anyone tell you it doesn't know
its ass when it comes to weapons.
If you get off on thumbing
through lists of same, $5.95 will
now get you a copy of the CIA
Special Weapon Supply Catalog,
from Normount Technical
Publications, P. O. Drawer N-2,
Wickenburg, Arizona 85358. It's
got the dope on all kinds of stuff,
from antitank mines to docu-
ment destroyers. Of course, you
can't get hold of the hardware,
but just running your fingers over
the pictures ought to be a thrill.
THE BIGFOOT STOMP
If you think most rock lyrics
are so much gibberish, wait
until you hear Bigfoot Sounds
Off, an LP available from Apollo
Galleries, Box 81, Lyndhurst,
New Jersey 07071, for $5.95.
Bigfoot, as if you didn't already
know, is the gigantic manlike
creature said to live deep in
the forests of Northern California
and the Pacific Northwest. Now,
for the first time ever, sounds
attributed to several Bigfoot
creatures have been captured on
tape for your listening pleasure—
plus info on how the record was
made (four persons witnessed
the performance). Stay tuned
for the second album: Bigfoot
Does the Bossa Nova.
207
PLAYBOY
SEX IS GOOD Continued fen, page 156)
two weeks, his testosterone gradually fell
to its previous level—indicating that if
you are a rhesus monkey and want to
keep your testosterone level high, you
have to keep working at i
During the seventh week of the ex-
periment, Quid was transferred to an-
other compound—this one occupied by
a tightly knit social group of 30 male
rhesus monkeys with no females. “The
response of the rcsident males was dra-
matic. Within minutes, they challenged.
and attacked the male [Quid] who had
just been introduced.” The Yerkes staff
had to intervene to break up prolonged
fights and prevent scrious injury to Quid.
Tn less than two hours, it was necessary
for his protection to remove him from
the compound and return him to his
own cage.
During the first two weeks of the ex-
periment, Quid's blood had contained
about 750 units of testosterone. During
his two weeks of sexual freedom, his
testosterone reached a peak of nearly
1750 units. Following his "brief but de-
cisive exposure to defeat,” it fell to barely
500 units—less than half the base-line
level. And it continued to drop—to less
than 200 units after nine weeks of caged
isolation. Quid was now suffering from
a severe testosterone deficiency.
How could this deficiency be cu
One way, of course, would be to give
Quid a series of testosterone injections
or oral anabolic steroids—but Rose,
Gordon and Bernstein instead simply set
Quid free again to romp with the 13 fe-
ales in their compound.
“Twenty-four hours after [Quid was]
introduced to the females, testosterone
showed significant increases," Rose and
his associates reported. Then Quid’s tes-
tosterone soared to new hi
less than 200 units after nine weeks of
isolation following his defeat to almost
2000 units after four days of unimpeded
swinging.
The Yerkes researchers put three other
rhesus males through the same series of
procedures, The same rises and falls in
testosterone levels, with only modest var-
iations, resulted in all cases.
Rose and tes point out
that their experimental results can be
interpreted in more than one way. When
admitted to the compound with the fe-
males, Quid and the three other males
each became, in turn, the dominant
member of the group—the “Alpha
” Later, in the compound with 30
hostile males, Quid and the others
cringed at the bottom of the dominance
hierarchy. It is conceivable that their
testosterone rose and fell as a result of
their dominance status rather than as a
result of their sexual arousal and sexual
experiences. Rises in testosterone levels,
however, have also been reported fol-
208 lowing scxual intercourse in rabbits,
elephants and bulls—with no dominance
gc to explain the rise. In some male
ls, testosterone goes up when they
are merely permitted to look at a female
in heat, with no social interaction or
sexual access to her.
How about humans?
As early as 1967, the effect of sexual
E 1 human testosterone levels
was studied by Drs. A. A. A. Ismail and
R. A. Harkness in Edinburgh. Two of
the males Ismail and Harkness studied
were of particular interest.
One refrained from sexual intercourse
for 18 weeks before the experiment
started. He continued to refrain for the
first 13 days of the experiment, during
which all of his urine was collected and
tested in 24-hour batches. During the
next eight days, he had sexual inter-
course four times. Following these sexual
encounters, his daily collection of urine
contained nearly twice as much testos-
terone as before.
"Ehe other research subject had no sex
for seven weeks before the experiment
began. His average urinary testosterone
rose similarly following a period of mod-
erate sexual activity (two sexual encoun-
ters five days apart).
Another human study was performed
by an associate of Ismail's, Dr. C. A.
Fe The Fox experiment was performed
on “a male subject aged 38 who has been
married for 11 years and has four ch
dren” and who had had “considerable
experience in experiments involving the
physiology of coitus."
Each night at ten r.x., for 45 consecu-
tive nights, the subjects wife drew a
small blood sample from his forearm
vein. Each blood sample was centrifuged
within half an hour to separate the blood
plasma from the cells; the plasma was
then frozen and stored until testosterone
tests could be run in the endocrinolog-
ical laboratory. These plasma samples
were the control samples.
During the 45 days of the experiment,
the research subject had sex with his wife
on seven occasions. “Sexual intercourse
took place by desire and was not the re-
sult of advanced planning. . . . The du-
ration of coitus was 15-50 minutes.“
During cach sexual encounter, the man
interrupted coitus before his climax so
that his wife could draw a blood sample.
She also drew a second sample within
five minutes after his orgasm. On every
occasion, the blood samples taken dur
and shortly after coitus contained moi
testosterone than the control sample.
On one occasion, for example, the
control sample contained 216 units of
testosterone, while the sample taken aft-
er orgasm contained 507 units. On an-
other occasion, the control level was 253
units, compared with 599 units after
orgasm.
To confirm these findings, Fox ran a
ng
parallel series of tests six months later.
The subject was somewhat more ac-
tive sexually during this second period;
he had intercourse with his wife on 11
occasions in six wecks. The findings con-
firmed the initial study: Sexual inter-
course raises male testosterone levels in
the human species as it docs in monkeys,
bulls, rabbits and elephants.
Sexual arousal without coitus or or-
gasm also raises human testosterone
levels. This was demonstrated at the Max
Planck Institute for Psychiatry in
Munich, where Drs. Karl. M. Pirke and
Gotz Kockott, with an associate, Franz
Dittmar, invited 16 healthy heterosexual
males aged 21 to 34 to look at some
Movies. Eight of the men, selected at
random from the 16, were shown an ani-
mated cartoon without sexual content.
The other eight viewed a color film in
three parts. “In the first part, the two
partners are shown petting and undress-
ing, in the second part foreplay and face-
to-face coitus are shown and in the third
part are shown foreplay and coitus in
various positions.”
Ihe penis of each male was fitted with
a device called a plethysmograph, which
measures the duration and intensity of
erections. The plethysmographic records
demonstrated that all eight of the men
in group A—the ones who watched the
porn film—experienced full erections
during portions of the film.
Much more important than the ple-
thysmographs were the catheters in-
serted into the forearm veins of the 16
film viewers, Through these catheters,
blood samples were drawn every 15 min-
utes—beginning 45 minutes before the
films were shown and continuing for two
hours after the showings were completed.
Thus, Pirke's team could compare blood
testosterone levels before, during and
after the films—and compare the sexually
stimulated men in group A with the un-
stimulated group B controls.
As might be expected, the control sub-
jects, who watched the cartoon, showed no
significant variation in testosterone. The
testosterone levels of the eight men who
watched the porn film, however, rose on
the average by 35 percent, even though
two of the men showed no increase.
Three members of the group showed
dramatic increases—76 percent in one
case, 64 percent in another and 54 per-
cent in the third. Testosterone levels con-
tinued to rise even after the film was
over—reaching a peak 60 to 90 minutes
after uic end of the porn film.
No theater, so far as we know, has as
yet posted a sign on its marquee: roh
FILMS ARE GOOD FOR YOUR HEALTH. But
the Munich findings suggest that a good
porn film contributes at least as much to
maintaining a strong body as a modest
dose of an anabolic steroid manufactured
by any of the big pharmaceutical houses.
For generations, young males in our
culture—and in Asian cultures as well—
have been cautioned to avoid "
excesses,” lest they ruin their health
Mahatma Gandhi refrained from coitus
altogether for many years in order to
conserve his resources. Medical folklore
warns of the “worn-out old roué," whose
early enjoyment of life has left him a
decrepit sexual cripple, prematurely
aged, a prey to many degenerative d
eases. Even today, there are men in their
20s, 30s and 40s who restrain themselves
sexually lest they deplete their powers.
The studies here reviewed confirm
perceptive observers have always
nown: The worn-out rou figment
of th xual imagination. The vigor
ous old man who still enjoys abounding
good health (and good sex) is the one
who also enjoyed himself in youth, young
manhood and middle age—and who thus
kept his testosterone level high.
‘The raising of testosterone levels is
not, obviously, the only way in which an
active sex life contributes to good health.
It just happens to be the only way that
has to date been carefully examined sc
entifically. Here are some other consid
erations affecting both men and women:
* Many doctors agree that by improv-
ing our mood and relieving psychic ten-
sions, sex makes us less vulnerable to the
numerous aches, pains and more serious
health impairments that are commonly
labeled psychosomatic or functional; t
is, arising from emotional stress, depres-
sion or other psychological factors.
Sexual intercourse," Dr. Neil Solo-
mon of the Johns Hopkins University
School of Medicine points out, “is an ex-
cellent form of exercise.” An ideal exer-
cise should require no special equipment,
should make use of as many bodily mus-
cles as possible, should enable you to im-
prove with practice, should be something
you enjoy and that you can do with an-
other person—and it should be some-
thing you can continue throughout your
life. Sex fills the order.
provides a valuable combination.
of stimulation and relaxation. During
sexual activity, blood presure and
pulse rate rise, much as they do when we
take a walk or climb a flight of stairs—
then promptly return to quiet resting
levels. It is precisely this sequence of
stimulation and rela: m that is gen-
erally considered conducive to good
health.
+ Many athletes report that sex the
night before a big game helps them get
a good night's sleep and lowers excess
tensions—both important contributions
to good health. Casey Stengel agreed.
“It wasn’t the catchin’ that caused the
problem for athletes,” he is supposed to
it was the chasin’.”
* Married men and women live sig-
nificantly longer on the average th
those who are single, widowed or di
vorced; that sexual activity plays a role
in this greater longevity seems likely,
though it isn't proved.
On the other hand, it's also pretty
obvious that abstention from sexual ac-
tivity is not necessarily a cause of poor
health. Many monks nuns and other
celibates, for example, enjoy abounding
good health and live into their 70s and
80s. Perhaps they have found other forms
of stim ion and relaxation to take the
place of sex; or perhaps freedom from
many of the stresses of life compensates
for the absence of sexual release.
Estrogen is the natural female sex hor-
mone, resembling testosterone in numer-
ous respects. It is chemically related to
testosterone; and it plays much the same
role in inducing female puberty that tes-
tosterone plays in male puberty. Just as
testosterone is manufactured in the male
gonads (testes), so estrogen is manufac-
tured in the female gonads (ovarics).
And, like testosterone, estrogen is an
anabolic steroid that serves a variety of
functions related to maintaining good
health.
What isn’t known, however, is whether
sexual arousal and sexual activity raise
female estrogen levels in the way ‘in
which they raise male testosterone levels.
Our hunch is that they do. Iv’s high
time somebody found out.
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209
PLAYBOY
DEATH CROSSES THE COLOR LINE
and some windows. They looted stores,
touched off a riot in which police killed
a I7yearold boy. Cops moved in,
plucked King and Ralph Abernathy and
others out of the melee and took them
to the fashionable Rivermont Motel.
(During the recent revelations of FBI
harassment of King, we found that the
bureau discussed leaking the news that
King was staying in a white establish-
ment, to embarrass him. In turn, one of
Rays attorneys has speculated that the
FBI really wanted to drive King out of
the Rivermont to the Lorraine, where he
could be more easily killed.) Anyway,
things were more yolatile than ever.
Could King come back for a second march
if they'd cool off the kids? King again
agreed. Theyd march on Friday, April
fifth. Thus it was that King returned to
Memphis from Atlanta on April third,
and checked into the black-owned Lor-
raine Motel. Lots of people knew it,
what with the TV and radio coverage.
The next day, he was shot outside room
306.
"The physical evidence proves no more
than that Ray was involved in King’s
assasination—something he has admit-
ted, asserting, “I personally did not shoot
Dr. King, but I believe I may be partly
responsible for his death." Furthermore,
other evidence—which Rays 1969 guilty
plea (forced out of him by his lawyer,
he says) prevented from being tried in a
court—suggests a conspiracy as much as
it does a lone killer. But in cither ca:
King was at the Lorraine on April
fourth. Where was Ray?
For a time, less than 300 feet away,
in a rooming house on Main Street. ‘The
room—5B, in the north section of the
double building—was a flophouse spe-
cial featuring à chipped iron bedstead
arched at each end like a leer. On the
bed was the April fourth edition of the
Memphis Commercial Appeal. In it w:
a report of King’s speech the previous
night, of his vow to march, and more, of
an incandescent prophecy. “Some began
to talk about the threats that were out,
of what would happen to me from some
of our sick white brothers. . . . Well, I
don't know what will happen now.
We've got some difficult days ahead. But
it really doesnt matter with me now.
Because I've been to the mountaintop!”
Then his people heard him
gevity has its place. But I'm mot con-
cerned about that now,” and then on,
his yoice building, until he shouted, his
broad face varnished with sweat: “So
I'm happy tonight. I'm not worried about
ything. m not fearing any man.
"Mine eyes have seen the glory of the
coming of the Lord! " The adulation
washed over him. Ir must temporarily
have cleansed him of the fear he'd re-
cently admitted to close associates and
210 friends, the fear that festered with every
(continued from page 130)
threat on his life since the first attempt
in 1958, with every confrontation, with
the fact of his surveillance by the FBI
(and by the Memphis police, even now, as
he spoke and, at the motel, from a fire
station across the street). He may also
have shed for the moment his correct
suspicions that J. Edgar Hoover's ani-
mosity had led to illegal wire taps, to a
letter suggesting that he commit suicide,
to the gossip spread about his alleged
sexual misbehavior.
All that is sure, though, is that the
next day anyone in room 5B could push
aside the gold-and-green-flowered plastic
curtain and see the balcony fronting
room 306 at the Lorraine. Ray may have
looked there, for certainly he was in the
room at times between 3:30 and 5:30 P.M,
on April fourth. However, no one would
have taken a shot at King from that win-
dow. You'd have to lean halfway out for
any sort of accuracy. But there was a
bathroom next door to 5B. From it, a
man could get a clear diagonal shot across
the weedy, bushy back yards and Mul-
berry Street, if he could get the rifle out
the window and stand in the cratered
bathtub, with one foot up on the edge
of it. And if he weren't interrupted. In
rooming house, the toilet got a lot
of usc, as it docs in places inhabited by
heavy drinkers. One such, named Charles
Quitman Stephens, lived directly next
door, in 6B. Charley had seen Ray
around 3:30 on the afternoon of the
fourth, he later said, and he'd gone out
into the hall when Mrs. Bessie Brewer,
the manager, was showing that fellow
5B after he'd rejected a room without a
view of the Lorraine. He told police
and newsmen that he could also identify
Ray as the neat, "sharp-faced" man
whom he'd seen in the failing twilight
running down the hall after the shot,
carrying a bundle, running, he thought,
from the bathroom, which had been
locked at different times between 3:30
and the shooting. Oddly, his common-
law mate, Grace Walden, said Charley
had to be wrong, that the running man
she'd scen through her doorway looked
nothing like Ray and that Charley didn’t
see the man until he was clear down the
hall, rounding the corner for the stairs.
Could it haye been Ray? No one de-
nies he was in the rooming house. Or
he had with him a 16 Model 760
Remington Gamemaster slide action rifle
fitted with a Redfield 2x7 telescopic
sight. About four o'clock, he'd bought a
pair of Bushnell 7 x 35 binocul: the
York Arms Company a half mile away,
perhaps for observing King. And the
binoculars, along with the rifle (one spent
ng in the chamber and none in the
hot dip), several other .30-06 car-
including five military rounds, a
greenand-brown bedspread, a Browning
rifle cardboard box, a 15" x 20" blue-
foi
urges,
plastic overnight case filled with toiletries,
a white T-shirt (size 42-44), a pair of
darned — gray-and-white-paisley under-
shorts (size 34), a transistor radio, two
cans of Schlitz, a pair of pliers, 2 tack
hammer and The Commercial Appeal
make up the famous "bundle of evidence”
that Ray is said to have dropped in the
doorway of the Canipe Amusement Com-
pany on Main Street after the fatal shot.
Ray—or, more properly, Ray as John
Willard, the name he'd given Mrs.
Brewer—also was the bathroom. His
palm print, the police said, was on the
wall above the bathtub, where he'd
leaned to get into the tub to take the
shot. The scuffmarks of shoes were clearly
visible in the tub, too, and there were
identifiable Ray fingerprints on the rifle
and scope. In room 5B, the FBI picked
up fibers from the bedspread, as well as
hair samples, the straps from the binocu-
lar case and other bits of physical evi-
dence proving that Ray had been there.
Altogether, the weight of physical cvi
dence against Ray seemed convincing. A
weck after the killing, the police and the
FBI even found his 1966 white Mustang
in Atlanta, loaded with clothes, a
Polaroid camera and even a white sheet.
The car was said to have been parked
by Canipe’s when King was killed.
"was said to have used it to escape, driv-
ing from Memp! to Atlanta, before
abandoning it in favor of a bus to Cin-
cinnati, a train to Detroit, then on to
‘Toronto, Montreal, a plane to London,
then to Lisbon and back to London, where
he was caught in June 1968. Authorities
would prove it was Ray's car, after they
proved it was Galts and that Galt was
Ray. Establishing that could not convict
Ray, however, since he once affirmed he
had purchased the car. Moreover, that
indefatigable assassination researcher
Harold Weisberg—a main force behind
recent efforts to secure Ray a new tria
believes he has evidence showing puzzling
things about the car. For example, it was
almost bare of fingerprints, although
there were several of Rays left in Mem-
phis. There were cigarette butts in the
ashtray, but Ray didn't smoke. There was
mud on the passenger's side, but Ray was
supposedly alone. There was a white
sheet on the back seat and some of the
clothes didn't fit Ray. As we'll see in
tracing alternate explanations for the
crime, these items could be important.
But, to return to the car, it was odd
that no all-points bulletin had been issued.
to stop a white Mustang. Guy Canipe
said he had watched one roar past his
door alter he'd seen someone drop the
bundle. The Tennessee State Police said
they never got a request for an APP. B.,
and the Memphis police said that was
because they had no proof the “young
white male, well dressed,” in the white
Mustang had killed King, even though,
yes, they had at 6:08 broadcast a local
“You’ve got it all wrong, baby. I'm t aking you
home to cook, clean and sew!
PLAYBOY
212
call to stop such a car. There were at
Teast 400 white Mustangs in Memphis
and, besides, after the killing, there was
a phony C.B.radio broadcast about a
wild chase up in northeast Memphi
with a white Mustang running away
from a blue Pontiac, with three white
men shooting at the Pontiac.
Police said that was a schoolboy prank
and had come too late (at 6:35 P.M.) to
be part of a conspiracy. Ii was interest-
ing, though, that the broadcast diverted
attention. from the southern routes out
of Memphis, which Ray admitted he
took.
Be:
pou
les the fingerprints and the car
ting to him, eyewitnesses identified
Ray as the man who, on March 29 in
Birmingham (fresh from Los Angeles via
New
Orleans, Selma, Birmingham and
). had purchased a 243 Remington
master, had ordered it fitted with a
7 variable power scope, had bought
name
some cartridges and had given hi
nd address as Harvey Lowmyer, 1807
South Iih Street. Birmingham. The next
day, though, Lowmyer took the rifle back
to the Acromarine Supply Company and
asked for a heavier one, a 30-06, because
his "brother" had said the .243 wasn't
big enough for the hunting they planned
10 do im Wisconsin. The clerk, Don
Wood, gave Lowmyer the same Reming-
ton model in a .30-06, fitted it with the
scope, exchanged cartridges and put
everything into a Browning rifle box,
because the scope made the rifle too wide
for the Remington box. Lowmyer seemed
grateful, Wood said. So was the FBI,
since through the rifle and Wood they
could identify Lowmyer, Galt, Willard
and Ray as the murderer, because hadn't
that .30706 killed King?
James Earl Ray was the kind of man
for whom Martin Luther King spoke.
Poor. Pissed off. Imprisoned in a world
he never made. From the beginning on
March 10, 1928, until now, in the Ten-
nessee State Prison, Ray's life taught him
to get before you're gotten. His father
was a shiftless sort, a menial
good mostly for siring nine d
Ray's hapless mother before 1
so she could complete an ugly ruin with
alcohol. The Ray children grew up in an
agony of embarrassment and poverty.
Eventually, Jimmy and his brothers Jerry
and John became criminals. One sister
mentally ill. Even so, as a teenager.
nmy Ray seemed to have a nail-hanging
hold on America’s vertical mobility. He
learned the leather-dyeing trade in Al-
ton, Illinois, and was neat, shy with girls,
polite, reliable and frugal as hell. Then,
when World War Two ended, he lost
that job and six weeks later joined the
Army (on the enlistment form, he said
“I don’t know when I've been involved in a better
doctor-patient-nurse relationship.”
his father was dead). After basic, he be-
came an MP in Germany (and, some
say. admired the defeated Hider's racial
policies), an occupation tha
hibit considerable boozing, a little dope,
lots of fighting and trouble. In Decem-
ber 1948, Ray was discharged for "lack
of adaptability to military service."
m then until he was arrested for
the King murder, Ray was a Sammy
Glick of the nether world, scrambling for
all he was worth. If he ever heard any-
thing like the messages of peace and
brotherhood coming from a black Bap-
tist minister and his son Martin in At-
lanta, his 20-year record of petty crime
does not show it.
y shot King, it was a complete
k from his history of smalltime
thievery. King was killed by a rifle bul-
let. In his stick-ups, Ray had sometimes
brandished a pistol, bur he'd never fired
it After his escape from the Missouri
penitentiary, he carried a pistol, was
captured with one on him. But. other
than in his Army basic training 22 years
before, there's no evidence that he used
le. Why would he choose one to kill
King? It’s been suggested that in prison,
Ray was entranced by Oswald's feat.
that maybe he went to school on it and
decided on a long-range murder for a
troublemaker he hated. George McM
lan, a writer whose forthcoming book
assumes Rays guilt, quotes men in stir
with Ray as saying he was rabid about
artin Luther Coon" and vowed to
get him. McMillan also claims Ray's
brother Jerry said that Jimmy, who often
contacted Jerry after his escape, was wild
for Wallace and that on the morning
of Ki ination, he got a call dur-
ing which Jimmy said, “Big Nigger has
had it" (Jerry has denied this state-
ment.) McMillan further says that Ray
financed his postescape peregrinations
with money made in prison and sent
outside to Jerry, about 57000 in all.
How much of this is incontrovertible?
The escape itself[—Abernathy thinks
“Ray may have been let loose" to kill
King—was peculiarly successful for N
He hid in a box carrying loaves of bread,
was trucked outside the walls and then
left the truck. (the authorities put out a
routine $50-reward leaflet, but it 1
someone else's fingerprints on it—
other detail that suggested to some that
Ray had been let out, maybe that he
wasn’t supposed to be caught). But other
attempts hadn't gone so well.
Convicts at the Missouri penitentiary
this writer has interviewed said Ray was
laughable in those adventures, once play-
ing the “mole” and hiding in ventilators,
only to crawl out hours later into a guard's
arms. Another time, he tried to scale a
wall with a pole but fell back into the
yard and hurt himself, (After the King
fair, when Ray was finally transferred
out of solitary in Nashville to the
Ican talk ab:
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PLAYBOY
maximumsecurity Brushy Mountain
prison, he again tried to escape. This time
he hid in a steam tunnel and got scalded
out; he had picked the wrong tunnel—
the other one in the yard led outside.)
As for his wheeling and dealing at Mi
sou one fellow inmate said, “He was
the kind of guy who'd bring in ten dol-
Jars’ worth of dope and sell it for twenty.
This is while some guys are making ten
grand a year in pills" Other convicts
have said Ray made plenty.
as Ray the kind of con who could
plan and execute the King murder, then
pe to three foreign countries? It's
irue you can learn a lot inside the walls
about new identities and passports. In
the months before King's death, Ray did
travel in Canada and Mexico, as well as
extensively in the United States. Yet be-
fore, he always had been a bungler.
Dropping evidence at nipe’s would
be his style, but eluding all the FBI
agents would not. Perhaps, then, he was
so deeply motivated by racism that he
became inspired. Certainly, both in pri
on and out, Ray exhibited deep infer
ority feelings, ich he tried to allay
through weight lifting, dance lessons, bar-
tending lessons, hypnosis lessons, even
plastic surgery, which changed the dis-
tinctive shape of his nose, and maybe
they finally all worked to make him more
confident and efficient, (Or, some suspect,
such activities were simply aids to the
new identity he needed after killing King.)
But was Ray a racist? His brothers ad-
mit they are. Jerry openly displayed his
feelings, once working for J. B. Stoner,
a hypermisanthropic Klansman who
helped form the black-hating National
States Rights Party and whom he tried to
retain as a lawyer for Jimmy after Ray's
guilty plea netted him 99 years. As for
Jimmy, he refused to live in the integrat-
ed "honor" dormitory at Leavenworth.
While loose in Los Angeles, he yolun-
tecred in March 1968 to work for Wal-
lace (Jerry, again, supposedly said Jimmy
thought if King were out of the way,
Wallace could more easily be elected). He
had a barroom fight over “niggers” there,
and also wrote for information on immi-
grating to Rhodesia. A John Birch leaflet
(along with a map, complete with Ray's
thumbprint, on which were marked the
locations of King's church and home) was
found in a room in Atlanta allegedly
rented by Ray just before the killing.
And in England, after the assassination,
Ray reportedly made inquiries about
signing on as a mercenary in. Rhodesia
or the Congo. Yet those facts, however
suggestive, don't prove Ray killed for
race reasons. A man who spent sevei
years in the Missouri penitentiary with
him a different feeling about that:
"Td say he was about as close to me
as he was to anybody, which wasn’t too
214 close, He was an extreme introvert. He
didn't mix .. he was only interested in
gettin’ out. Any fucking way he could . . .
he couldn't stand the lockup, he hated
it. Time drove his shit, just to speak
frankly. You know about King, lets
assume that Ray was down South . . .
well, he goes on down there and hc talks
to two or three politicians, who are
pretty influential people, and they could
probably convince me that they could get
me out of it or get me out of the country.
A guy gets pretty fucking desperate out
there on escape, you know. In my opin-
ion [if Ray did Kill King], it wasn't out
of any racist motive. If he was a racist,
1 can honestly say I never heard this
guy, not one time did I ever hear him
say one word about or against a black
man or a nigger. Not one time. He
vasn't hostile, but now, man, you knew
was there. His smile came easily. But
he had a temper. That great little in-
gratiating smile was pretty superficial."
If Ray did kill King, what was his
motive? There are several answers. The
first is Ray's own, most of which he sold
after his arrest to an Alabama writer
named William Bradford Huie for
money to pay for his defense (Huie's
publication of much of Rays tale in
Look before the trial date would these
days be considered prejudicial, a point
stressed in Rays petitions for a new
account—documented in I. ol.
footprints style—portrays a
bold and ingenious criminal who comes
to the bad end of being framed by a mys-
terious man called Raoul. (Huie himself
first believed that story of conspiracy,
but then concluded Ray had done it by
himself.) The story admits most of what
the state of Tennessee would try to
prove, differing only in the crucial detail
of where Ray was when King was mur-
dered. On that point, in fact, Ray has
switched several times, as we'll see. But
the rest was clear in his mind.
We track Ray as he escaped on April
23, 1967, and probably with his brother
John's help made his way to Chicago
(McMillan believes that the next day,
Jimmy told John and Jerry he was going
to kill King). He worked for two months
in a restaurant kitchen. To his employers,
this slim, quiet man was John Rayns, a
model employee who didn’t seem at all to
mind the Negroes he worked around.
When he quit in late June, the owners
were sorry to sce him go, but they wished.
him well at his new job in Canada.
But Ray didn’t go directly to Canada.
With $450 and a $200 Chrysler—whose
title, with his temporary driver's license,
gave him a bit of tenuous LD.—he went
to the St. Louis area, where brother John
had a When the Chrysler broke
down, he sold it and bought a $200 red
Plymouth.
In Canada, Ray/Rayns became Eric
Starvo Galt. Huie believes Ray chose the
aloon.
name after passing the city of Galt, be-
tween Detroit and Toronto. However,
there is an Eric St. Vincent Galt in To-
ronto, a writer, whose middle initials, St-
V., when scrawled in signature, look like
Starvo. Did Ray get that odd name there
and, if so, why and where was he looking
at Galt’s signature? (Its possible he
sought out Galt’s signature as he liter,
after King’s death, supposedly sought out
Canadians who resembled him and whose
names he could use in getting a pass-
port.)
Anyway, he first headed for Montreal
where he hoped to find a C; i
izen to act as guarantor of a
he could use to get someplace “from
which I could never be extradited.’
didn't know then that his prison infor-
mation was out of date: Canadian law
no longer required such a guarantor.)
He also needed money. To get it, he
told Huic, he robbed a whorchouse on
July 18, though he later admitted it had
been a supermarket.
Alter the robbery, Ray bought all sorts
of glad rags, sent for some sex manu
enrolled in a locksmithing correspond-
ence course and went to the exclusivc
Gray Rocks Inn in the Laurentia
Mountains, where he met and seduced
à beautiful Canadian divorcee who he
hoped would swear he was a Canad
citizen. Ray admits all this, but he adds
"Raoul" And Raoul is all. II he exists,
the conspiracy exists. Ray himself said
he hung around "the boats" in Montreal,
looking for a way out of the country.
He frequented a waterfront tavern called
the Neptune. He says there he put out
word that he might be available for ne-
farious goings on, if fairly riskless, since
he needed capital and an I. D. One day,
a sandy-haired, mid-30ish French Cana-
dian named Raoul showed up, saying he
ave some things for Galt to do,
le things at first, mind you, but
then more and bigger, ending with lots
of cash and all the papers Galt might
need to get away to places with no
extradition treaty with the U.S.; say,
Rhodesia or wherever.
And so, Ray says, began the associ
n with Raoul that continued sporad-
ically over the next eight months, until
he told Ray to meet him in Memphis
on April fourth on Main Street, where,
Ray says, Raoul or somebody else must
have killed King.
Does Raoul exist? The prosecution
said no, that Ray was a loner, No Raoul,
just Ray suddenly turned clever, and if
their sole eyewitness, Charles Stephens,
couldn't exactly say it was Ray he'd scen
running down the hall—and his mate had
Said no, the man was blond, stocky, older
than Ray, in an Army jacket and. plaid
shirt —look at all the circumstances.
Circumstances that, if true, unreel like
a copsand-robbers movie scripted by Ray
but subtitled by his accusers, their alter-
nate versions wind
passport
just
PLAYBOY
216
that blew away King. The star, James
Earl Ray, begins:
I'm Eric Starvo Galt in August
1967, smuggling packages—hero-
in?—for Raoul into the U. S., modest
fee, $750, then being told to sell the
old Plymouth and go to Birming-
ham, Alabama, where Raoul would
meet me, get the better I. D., give
me money, a suitable car, and if I
needed Raoul, here was a New Or-
leans telephone number. He said
there was $12,000 in it cv
and it was
things hadn't worked out wi
passport.
No, the opponents say, not that
way. He went alone to Chicago and
signed the Plymouth over to Jerry,
and then went by train to Birming-
ham, where he took dance lessons,
lived in a rooming house, bought the
white Mustang for $2000 cash, got a
Galt driver’s license, bought surveil-
lance-style photo equipment, movie
stuff, just living there until October
sixth.
Raoul met me in Birmingham. We
bought the car after I found it and
he OK'd it. He gave me 5500 to live
on and $500 for camera equipment
he described to me, told me to lie
low and stay out of trouble. I got
Galt I. D. for driver's license and car
registration,
Uh-uh. Ray was living on his prison
earnings and robbery money and
probably wanted those cameras—he
bought a Polaroid, too—for pornog-
Taphy, to make money. He was just
indulging himself, building up his
self-importance, and he probably
really liked being in Wallace
country.
I left Birmingham October sixth
and went to Nuevo Laredo, where
Raoul met me, and we smuggled a
tire full of something across the
border, and he gave me $2000 in
20s and said he'd need me for other
jobs, to keep in touch via that New
Orleans number, why not stay in
tid fine, there
or Los
Bull! Ray just lazed about in Mex-
ico, mostly Puerto Vallarta, making
it with three whores, posing as a
writer, setting up to smuggle a bunch
of grass into California.
I'd like to go back there when I
get out: it was good: I even proposed
marriage to a woman named Irma,
but it didn't work, so I left with some
marijuana but got rid of it before
crossing the border.
He took it into L.A. by himself
and those halcyon days were spent
as much as anything else with that
Polaroid, photographing himself, be-
cause he was obsessed with wanting
to be one of the Ten Most Wanted
criminals, with his picture in all the
post offices; he was so insecure, sce,
like Oswald, and he was studying his
photos so he could get his prominent
feature—the end of his nose—al-
tered by plastic surgery, so when the
great crime occurred, he couldn't
be recognized.
Sure, I stayed in L.A. from No-
vember 18, 1967, until March 17,
1968. Had two apartments at differ-
ent times and took bartending and
dancing lessons, because if I lived
in South America, they'd come in
handy. Stuck with the locksmithing.
d for two jobs but didn't
Social Security card. Tried to
about selfhypnosis; that's
where those self-improvement books
I had in England came from. Told
the telephone company I was a
Wallace worker so I'd get a. phone
quick to use looking for a job. Had
trouble over race with some people
in a bar called the Rabbit's Foot.
Hell, he told them since they
loved niggers so much, he'd take "eim.
on down to Watts and see how they
liked it. And he inquired about go-
ing to Africa. The hypnosis was
strange; he actually gave that hyp-
nolist his real name, since he be-
lieved he'd tell the truth when
hypnotized, anyway.
T left for New Orleans December
15, after Raoul wrote to me at G
eral Delivery, saying come for a con-
ference, they had a job for me.
Charley Stein rode with me—he's
the cousin of a girl I met—to take
his sisters kids back to L.A. The
ride was a favor, but I made them
register for Wallace before we left.
Anyway, I saw Raoul and he told
me to be ready for a job in two or
three months, hinted that there was
some big busines involved. He
gave me another $500 in 20s.
Typical lie. He went because he
was into some solo dope deal and
Charley Stein's saying he made sev-
eral long-distance calls to New Or-
leans along the way doesn’t change
il, since he always kept in touch with
Jeny, anyway, so maybe the calls
weren't to New Orleans. And Raoul
never wrote to him. He decided to
go the night before they lejt, because
he called that morning and canceled
his appointment with the hypnotist,
so again, no Raoul.
On March fifth, I had the tip of my
nose cut off so I couldn't be recog-
nized in any of those deals, because
Raoul wrote in February and s
the deal was on for about May first,
the one we'd talked about, running
guns, so I was to meet him in New
Orleans about March 20 and finally
I'd get the 12 grand and papers.
Sure, that was about when he de-
cided to kill King; it was building
in him, all the Wallace hatred, the
desire to make the top ten, and Ray
had heard enough when King was
in L.A. March 16 and 17 and he'd
had the nose job, so he stayed out
his rent like the tightwad he was
and took off to go find King and
shoot him.
"Thats the way it is for each and the
frames y as Galt leaves L.A.
He drove to New Orleans, got word there
to meet Raoul next in Birmingham, ex-
cept, he vows, he got lost and had to spend
the night of March 22 in Selma (Wrong!
the accusers say; you were stalking King,
who had been in Selma); then on to Bir-
mingham and Raoul and then to At
Janta to that dumpy rooming house, where
we heard about the gun deal (No! You
lone and after King, marking h
haunts those days on a map) . . then
faster, faster, the images melting . . . I
bought the 243 and then exchanged it,
like Raoul told me, in Birmingham the
29th and 30th (You did it alone!), and
then went by slow stops to Memphis, just
me, with this gun they were going to us
for a sample, Raoul said, for the buyers i
Memphis who'd take that kind and hu
dreds of cheap foreign rifles (Sorry! You
went back to Atlanta for King but found
he would be in Memphis on April fourth,
so you went the third). . .. No, no, Raoul
met me near Memphis in a Mississippi
motel on the second and took the rifle
and told me to go to Memphis on the
third and stay at the Rebel motel (Yes,
you did, but you got there the third,
signed in—we have your handwriting—
and found where King was and went the
next day to kill hing. . . No, Raoul came
to room 5B with the gun (But Mrs. Brew-
er doesn't remember anyone asking where
Mr. Willard's room was) and I went to
South Main, I've told you, and bought
the binoculars, and about five o'clock he
sent me out for some beer so they could
make the deal, and I went to Jim’s Grill
downstairs (You can’t describe the place
and no one remembers you there),
and then 1 was on the sidewalk and
heard this shot amd here came Raoul
and dumped the bundle and jumped
in the car and covered himself with that
white sheet and we took off, then stopped
a few blocks away and Raoul jumped
out, the last I saw of him, and I was
scared and took off (You say that? Why,
then, did you through your lawyers
nge your story later and say you were
filling station with the Mustang,
getting a low tire checked?). OK, I made
up that sheet business and told it to
Huic because I was scared, trapped, Huic
was pressing me to confess so his book
would sell. but I can prove it, there's a
filling-station attendant and some others
who'll say they remembered the car and
writers today is you have no finesse, no
with you
subtlety; you leave too little to the imagination.”
“The trouble
217
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6-34
PLAYBOY
“Tell me all about yourself.
What kind of work do you do? Where did you go to school?
How long do you last in bed?"
ix o'dock; no, I didn't
kill King, didu't fire that shot.
And then, freeze frame of King
falling.
Every scene after that is anticlimactic,
though fascinating. Ray admits he drove
alone to Atlanta the night of April
fourth and abandoned his car. He then
returned to Canada, arriving in Toronto
on the eighth. He lived again in rooming
houses, in which he read of the riots, the
grief, the universal condemnation of
King’s murder (if Ray or someone else had
expected most of America to applaud,
he was disheartened). Ray says he was
fleeing in fear that Raoul and those who
had set him up would now come and
ill him, that he hadn't even. known
King was dead until he heard it on his
Mustang's radio.
Fleeing he certainly was, and in ways
the prosecution said were con-wise and
the conspiracy bulls say are sure signals
he had help. Again, he needed money
and an ID., however he got them. Ray
has said he went to the library and
looked up several Toronto births for
„ finally choosing two names and,
ing his roominghouse address, ap-
for birth certificates in their
—Paul E. Bridgman and Ramon
neyd. He picked 1932 to approx-
gi
plied
nam
Georg
220 imate his age and, to verify a general
resemblance, he floated around in their
neighborhoods and made sure they were
of medium height, medium weight, dark-
haired. A clever scheme. Too clever for
Ray, the conspiracy theorists say, espe-
cially since Sneyd—in whose name Ray
easily got a passport through a travel
agent—was a policeman, and did not
that imply an international conspiracy?
Some people wonder, too, about Bridg-
1's story that he got a call from some
one who said he was checking to see
he had a passport. But Ray says he did
that.
In any event, on May sixth, Ray as
Sneyd flew to London on a $345 21-day
excursion ticket. He cashed in the return
ticket and went on to Lisbon, there to try
to escape to Angola as a mercenary. It was
none too scon; by then the world knew
Galt, Lowmyer and Willard were
. His picture had
rea
been in the
countries
prosecuti.
he must have been gi
atified). Even so, it
had taken the FBI a long time—until
April 19—to identify Ray, despite the
mound of evidence at Canipe's. In fact,
it hadn't been until April 18, after
room in Adanta
on the map, tha
they started checking the fingerprint files
of Federal offenders. Ray's fingerprints
agents came upon Ra
were there because of his money-order
caper. OF the 53,000 cards, his was the
700th up. Lucky FBI. But why hadn't
they immediately checked the serial num-
ber on the wansistor radio left in the
bundle? They'd have found that Ray had
bought it in the Missouri pen and that
would have told the bureau who had
dropped all the stuft. Maybe then he
would have been picked up sooner. Or
did someone not want him picked up, as
many have asked?
Yet he was picked up. There was noth-
almost broke, Ray on
June fourth robbed a savings bank of
$240. On the cighth, he went to Heath-
row for a flight to Brussels, but there De-
tective Sergeant Phillip Birch of Scotland
Yard, on the lookout for someone using
Sneyd's passport with Ray's picture in
brought his hand down firmly on Ray's
shoulder. It was over. Ray handed over his
cheap .38 and was taken to prison, where
one man reported he uttered some of the
few pitiable words anyone ever heard him
say: “Oh, God, I feel so trapped
That was true, in many ways. Take
the judicial irregularities as one dimen-
sion of Ray's dilemma. His extradition
from England—to which he agreed upon
advice of counsel, though he could h:
on the questio
Stephens’ and the inconclusive b:
and firearms evidence. Ray's return to
the United States and subsequent im-
prisonment were of dubious legality and
constitutionality and showed how scared
the Government was running. The re-
turn was accomplished in an Air Force
C135, with Ray strapped to a seat and
surrounded by inquisitive Government
cops. He was them suipped, searched,
manacled and nsferred, in an armored
truck, to the Shelby County Jail. where.
for eight months, he lived in a special cell
section that was continuously flood.
lighted, monitored by TV and shuttered
from the sense of day and night by
quarter inch steel plates.
Attorneys have been a problem for Ray,
one he has exacerbated by his jailhouse
yering. He first wanted F. Lee Bailey
(an index of his sense of importance), but
when Bailey declined, he got Arthur
Hanes, Sr., the mayor of Birmingham
back in the Bull Connor, cattle-prod,
fire-hose and sick-the-dogs-on-the-niggers
day He succ
fully defended the KI killers of
Viola Liuzzo and he m; ns he could
have done the same for He and his
son investigated Ray's story as much as
they could in preparing the case, and both
thought it possible there had been a con-
spiracy. But it wasn't the key to their de-
fense. They had detected large holes in
the state's circumstantial evidence and
they would attack those, But Ray fired
. Hanes is a good lawyer
n
1968, two days
The reasons are uncert Cynics think
he did it to postpone the tial until
George Wallace could be elected that
month and then pardon him. More prob-
ably, the reasons lie, as Ray has said, in
the Catch22 agreement under which
Hanes worked. Hanes actually was paid
by Huie, who was financing Ray's defense
hing stories that
indicated Ray was guilty. Thus, Ray may
have decided that Huie needed him
guilty, since much of the big-bucks poten-
for his articles and his book depended
r being an inside story. So couldn't
Huie accordingly influence his partner's,
Hanes's, conduct of the trial? Jerry Ray,
for example, testified he told Jimmy that
Huie offered him $12,000 to- get
ay off the stand:
was innocent when Huie had decided he
was guilty. So Jimmy decided to fire
Hanes.
For their parts, both Hanes and Huic
have opined that’s nonsense. Hanes says
he had a fine case and H says a fair
trial would have helped his book, no
matter what the result (as it was, Ray's
guilty plea obyiated and turned
Huie's book into a big loser).
Whatever the truth, Ray got his post-
c case at Jerry
Foreman, the
à Texas cri lawyer who
bossted he'd won more cases than.
ence Darrow, had lost only one killer
to the electric chair, and that was just
because his fees were punishment
enough for any criminal. Now the fur
would fly. Except that several things
happened. First, Foreman found that
Huie was the money man and, like
Hanes, promptly struck a d
HuieRay-Hanes literary
his fee, supposedly $150,000. Second, he
says he DER found that the state had a
cats Pin res uan e c
Hanes's files) and so Ray was going to
the electric chair unless he pleaded guilty.
appeared
sheepish
dient and ins s legal
battle, the onlookers saw the pro forma
rigmarole of Rays agreeing with the 55
stipulations the state had marshaled that
James y alone had killed
Lu Was Mr. Ray
"Yes, guilty, uh-huh,”
Ray's reply. That was that, except
for a potentially exhilarating moment
that died a-borning when Ray rose up
and said no, he just couldn't agree with
k and Mr, Hoover n there
hadn't been a conspiracy. Nothing more
man 900 f Mem-
payments to Hanes through Ray. He left
JACK DANIELS
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But they love our miller, Henry Owen, best.
Henry buys corn, barley and rye from grain
farmers who haul it in from all over. He inspects
every load to make sure he's buying the best. And
then he favors our ducks
with the spillage. In all our
years, we've never heard
a duck complain about
our miller's selections.
And happily, we haven't
had many squawks from
people either.
CHARCOAL
MELLOWED
0
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Tennessee Whiskey + 90 Proof - Distilled and Bottled by Jack Daniel Distillery
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Placed in the National Register of Historic Places by the United States Government.
221
PLAYBOY
222
behind several questions. Was it true,
as Ray daimed, that Foreman had
coerced him into the guilty plea—"You'll
bar-be-cue, boy!"—even put pressure on
Ray's family to influence Jimmy to cop
a plea? Why hadn't Foreman spent more
time on the case? (He was with Ray only
one hour and 53 minutes in the first 70.
days of preparing the defense, though he
aw him more often in the days preceding
the plea, the better to railroad him, Rays
advocates think.) Had Huie convinced
Foreman that Ray was dead guilty (it's
ie Huie was summoned by the grand
jury—some of Ray's recent lawyers
suspect that he further incriminated their
client then) and so called Foreman off?
Was it true, therefore, that Foreman had
not, as other lawyers have since alleged,
provided adequate counsel for Ray?
Finally, was Rays accusation—related by
John Ray—justified that Foreman had
told him the trial judge would grant no
more continuances, even if Ray fired
Foreman, and, therefore, that he had no
choice but to plead guilty, unless he
wanted to be left only with the public
defender as counsel?
Three days after his guilty plea, Ray
wrote to the trial judge, asking for a new
L consistent with Tennessee law.
y's request was rejected because the
il judge had died of a heart attack,
Tennessee statute, put Ray's
request within another judges jurisdic
He denied a new trial. Since then,
Ray has kept trying through a succession
of lawyers, including the racist Stoner, to
secure a new trial on the murder charge
(and to secure compensation for allegedly
libelous statements published by Huie
and others). The grandest attempt came
in October 1974, at a U. S. district court
cvidentiary hearing that had been
ordered by a U.S. court of appeals.
Largely based on the arguments of at-
mes Lesar—the hardest-working
y's recent lawyers—the court found
that Ray's judicial record reeked with
"ethical, moral and professional irregu-
larities” and that Ray's attorneys, Hanes
and Foreman, were more interested in
capitalizing on a notorious case than in
representing the best interests of their
client." But in February 1975, despite the
success Ray's defense team had in intro-
ducing vital questions on the evidence,
the court ruled against the petition. An
appeal is pending. And so are the vital
questions.
We've seen the we ess of Charles
Stephens’ identification of Ray as the
man in the rooming house. (The police,
by the way, sequestered Stephens after
the killing, providing him with bed and
booze, while his wife, Grace, was put
away in a state mental hospital, still
contending that Charley was wrong.) It
more were needed to impeach Stephens’
testimony, Ray's lawyers interviewed a
driver named James McCraw who
said that on April fourth he had been
dispatched to 4221 Street to pick
up Charley about 5:30" and found him
too drunk to walk, so he had left. McCraw
also told a defens sberg.
“Julia’s assertiveness training is really paying off—she was
just arrested for aggravated assault.”
that he had double-parked in front of
Jim's Crill where, in one of Rays
stories, Ray was sent by Raoul to get
beer—and had seen no white Mustang
on the street (which fits Ray's second story
about being away from the place al-
together). Further, a newsman supposedly
saw Grace and Charley at police head-
quarters on the evening of April filth,
nd Charley was too drink-sodden to say
why he was there. All of this leads skeptics
to think Stephens may have heen er
couraged to perjure himself.
We have, too, the suggestive but
conclusive ballistics data: a slug that, ac-
cording to the FBI, was only “consistent
with” a .30-06 (a slug that, despite its
mutilation, might, according to some ex-
pers, have been matched to the rifle)
allegedly fired from an awkward position.
Indeed, a criminologist active in assassi-
nation inquirics—Herbert MacDonnell—
told the Federal court that it would have
been impossible with the 42-inch-long
Gamemaster to stand in the tub and get
the needed angle on King, that to do so
the rifle’s butt would have to be six inches
within the wall. Impossible, that is, if the
rifle made the prosecution's dent, a semi-
circular indentation in the bathroom
window’s inner sill that the state claims
was made for the rifle barrel, Unfortu-
nately for MacDonnell, you can aim from
the tub if you put the rifle far enough out
the window.
Whate the FBI's own documents
show there are no splinters torn from the
sill or powder marks on it as there would
have been if the barrel had rested in the
dent. It's conceivable that the dent was
made by a hammer. It has also been sug-
gested that the window in the sniper's
nest was not open at the time of the
shot and, furthermore, that an object sat
on the window sill that was substan
enough to prevent a rifle from being
shoved through the window and knock-
ing a screen to the ground, as the state
maintains. The shot simply had to
come from elsewhere, according to Ray's
advocates. (However, trajectory. studies
indicate the shot did come from the
bathroom.)
If those contentions sound like some
advanced by doubters of the Warren
Report, so do the musings on the weapon
itself. Why, for example, was the 243
exchanged for the 30-06? The 243 is a
splendid sniper’s weapon, with a high
velocity and 2 flatter trajectory than the
30-06. The prosecution believes the ex-
change was made because the .243 had
a flaw in che chamber and so the ca:
tridges couldn't be smoothly loaded.
Ray's defenders say that's absurd, that
anyone as familiar with rifles as the state
assumes Ray was could have used
emery board to smooth the imperfection.
No, the exchange was made because
those who were framing Ray were going
to use a 30°06 and so needed a matching
weapon. And one loaded with their
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PLAYBOY
patsy's fingerprints. The inveterate skep-
tic Weisberg points out that a .30-06
Gamemaster was stolen from a Memphis
sporting-goods store shortly before the as-
sassination. Others have opined that
choosing a Gamemaster was mot con-
sistent with such a masterful frame-up.
Why pick a distinctive pump-action high-
powered rifle rather than a more com-
mon boltaction weapon? No, they say,
the choice—like Oswald's—was that of a
lone and inexperienced killer. (Some.
wonder, too, if Raoul's alleged gun buy-
ers would want pump-action guns for
paramilitary use.)
"The last speculations about the weapon
and its effects also remind us of the
John Kennedy case. Why were there
five full-jacketed military .30-06 rounds
mong the hollow-point hunting
the bundle of evidence?
ion that these
an the Government was involved (mil-
itary .30-06 rounds are widely available),
we can ask which sort of cartridge killed
King. Weisberg' suits under the Freedom
of Information Act have unearthed docu-
ments that he says prove the FBI has
covered up or distorted important facts
about that. Their spectrographic tests,
Weisberg claims, show only one kind of
metal on King’s clothing, whereas hollow
points are alloys of several metals. On the
other hand, the FBI report m ly be
on a fragment from another kind of
round, which would imply two bullets.
As of today, though, the autopsy physician
continues to say there was only one bullet.
Even so, there are peculiarities. Was
the assassin so confident—more even
than Oswald—that he would have
chambered only one round? Some say no
clip was in the rifle found at Canipe’s,
though one was in the box. The state
believes that Ray, the bungling sniper,
saw King come out suddenly, was sur-
prised, jammed one round home, ran
to the bathroom and shot. But assuming
Ray alone did the killing, and assuming
he carefully chose his sniper's nest, per-
haps by walking down Main, seeking a
flophouse overlooking the Lorraine, why
would he not have the clip in his rifle?
‘The state says he had been there since
about 3:30. He'd taken his bag with him.
Wouldn't a dedicated racist assassin be
prepared to kill King? Or, if he were
expecting a quick job, one shot, why
would his spread, zippered bag and all
the rest be with him instead of in the
Mustang?
Could he even have packed up all
that gear and escaped in the time avail-
able? Ray's defenders have long said they
didn't sce how he could have run from the
bathroom, put the rifle in the box, wrap
it and the overnight bag in the spread,
run down the hall and the stairs, drop the
bundle, get into his car and drive away
when there were cops all over the place,
224 many of them in the fire station on the
corner, then also serving as a police ob-
servation post. Besides, Ray's defense
team says, a Lieutenant J. E. Ghormley
was on Main Street in time to see Ray
escape, if Ray had done it. Before the
shot, Ghorniley was in the fire station with
the crews from three al Action
Cruisers. When King fell, police rushed
from the fire station toward the Lor-
ine, but Ghormley was impeded by
bad leg. He decided not to jump dow
from the wall above Mulberry Street,
then thought of the sniper’s possible lo-
cation
Main,
and walked briskly to South
where he found the bundle,
ipe and, with his walkie-
talkie, radioed an alert for the young
man in a white car. In
struction for CBS, it was
took three minutes to get to Canipe'
Previously, however, he had estimated ii
could have taken no more than a minute.
Defense attorneys have duplicated
Ghormleys movements in less than a
minute. Ray could have escaped in three
minutes but not in one, And whichever
time applies, Ghormley saw nothing on
the street. No car, no man, only the
bundle in the doors He also says he
saw nothing in the parking lot next to
Canipe's. That fact, put next to perple:
ing and contradictory statements by
nipe, has led some of Ray's advocates
ternate version of what might
Ily have happened.
hey hypothesize that the real assassins
were in that parking Jot. ‘Two of them,
a hit man and wheeln an-
other white Mu: ady
been set up by his prints, his gear, his
presence in the rooming house, and now
he'd been sent down to get beer. The
conspirators could make up the bundle
while Ray was gone and he'd be casily
caught at the scene. But Ray had noticed
that a tire was low and had gone off to get
it pumped up, and new witnesses could
prove it, but the killers didn't know that,
and they were watching the motel, and
out came King, and the hit man said
something like, Theres the son of a
bitch now, go drop the bundle,” and the
wheel man dropped it at Canipe's, but
the hit man couldn’t shoot just then, be-
cause g Was with somebody on the
balcony, looking straight at them, and
he waited a minute and then King was
alone, and the hit man blew him aw
They peeled off in the Mustang. That
was the car Canipe saw, and a bit later,
Ray went back, saw the confusion and
took off, having figured out that he'd
been set up. One bit of proof is that
Canipc once said the bundle was dropped
about five minutes before the 6:01 shot.
Certainly, Ghormley would say there was
nobody in the parking lot. The killers
were gone.
Here, then, is the outline of a possible
defense for Ray. It has never been tried
in . No jury has heard what
Canipe now believes, or decided whether
Ghormley's recollections mean the kill-
ers could have been in the parking lot
or that they couldn't.
There is also the tale told by a derelict
named Harold “Cornbread” Carter, who
said he was drinking in the yard behind
the rooming house when he saw a rifle-
man shoot, pull the stock off the gun,
drop it and run off. Or that of King’s
chauffeur, Solomon Jones, who, from hi
position in the courtyard of the Lorraine
just below the balcony, said that in the
shor's echoes he'd seen a man, his head
cloaked by a white sheet or hood, in the
dense bushes facing the Lorraine above
Mulberry Street, who then sans sheet
emerged to disappear into the gathering
crowd (people remembering the white
sheet said to have been found in Ray's
car think that intriguing).
There are accounts spread by a Mem-
phis lawyer and former newspaper re-
porter named Wayne Chastain that a
mysterious "advance man” visited the
Lorraine and arranged for King to stay
in a second-floor room instead of the
usual ground-floor room.
Chastain also, in an interview with
Ray, seems to have elicited yet a third ac-
count of where he was during the shoot-
ing. Raoul gave him $200 and told him to
go to a movie (not to Jim's Grill), but he
had seen the vexing tire and went to have
it fixed, and at 6:05 was on his way back
when he saw an ambulance pass (pre-
sumably with King) and then he saw
the mob scene and split.
"Two older stories suggesting a con-
spiracy have recently becn joined to
nother theory engendering a King CIA.
„ Dallas mongrel reminiscent of
John Kennedy. A week after the killing.
a man calling himself Tony Benev
told a Memphis attorney that hi
roommate had killed King for money
with a 30 caliber rifle from the wall be-
hind the rooming house and then gotte
away on a motorbike. The man struck
the attorney as believable. especial
since, like a real mobster, he knew that
the best place to conceal a pistol was in
the small of the back. The man said he
was from New Orleans but was headed
for Brownsville, Tennessee, to meet
Grand Dragon of the Ku Klux K
The same da
n.
„a man calling himself J.
ecche told two
named Nick had killed
for $20,000 for a wellknown fraternal
order, that he himself worked for
the Mafia and was now on the lam over
some lost money. He showed the minis.
ters à counterfeit traveler's check and
how his fingerprints had been filed
off. and then said he was off for Browns-
ville. Queer as these stories seemed,
they were regarded mainly as more of
the “I did it” embroidery with which
well-publicized murders are decorated.
Now it's suggested that these two sinister
men with the similar names may be one
inister man named Jack Youngblood, a
PLAYBOY
226
former mercenary for Castro, a man al-
leged to have discussed gunrunning with,
of all people, Jack Ruby, and a man
whose friends think he had ties to the
CIA. Youngblood, its theorized, tici-
pated in the conspiracy, perhaps Raoul's,
that killed King. He's reportedly been
identified as the man who ordered eggs
and sausages at Jim's Grill about 4:30 the
afternoon of the murder, then left about
five r.. The Memphis police supposedly
then questioned Youngblood but re-
leased him. Ray's attorney in Memphis,
Robert Livingston, is said to believe
Youngblood was the hit man for some
agency of the Federal Government. But
no one has yet shown that Youngblood-
Benevitas-Bonnevecche are one, or whom.
this multiphasic personality worked for.
Not a scintilla of evidence yet points to
Youngblood as anything but one of
those dark presences hovering around
Cuban exiles during the palmy days
when the CIA was waging its own little
war on Castro.
The Youngblood story, predictably, is
not the only farfetched tale. For a time,
attorneys Bernard Fensterwald (who has
lately acted as Ray's chief counsel) and
Livingston were taken by the story, re-
lated in spy-story meetings, of a convicted
confidence man named Clifford Holmes
Andrews, who said he could say who
killed King. A hint: It was two men, hired
by four wealthy whites. Fine, except that
Andrews next told CBS it was Raoul
id members of the Quebec Liberation
Front, again, employed by four rich
racists. And except that Andrews was in
a Canadia l from March 1968 until
another prisoner, a young accused dope
dealer named Robert Byron Watson,
who has said he overheard his employers
at an Atlanta art gallery plotting King's
ssination. It’s also been reported that
x months before the murder, a group
of people visited a jail in Auanta, look-
ing for inmates to help murder King.
Meanwhile, back in Tennessee, a black
businessman named John MeFerren
came forward right after the killing to
say he'd overheard a white man in a
produce house in Memphis, about five
P.M. on April fourth, say over the tele-
phone, “You can shoot the son of a bitch
on the balcony . . . you can pick up the
five thousand bucks from my brother in
New Orleans.” Still another man d.
a day or so before April fourth; that he'd
d men in Baton Rouge plotting
g's death.
It could be that the last two rumors,
even if unfounded, are correct geo-
graphically. As with John Kennedy,
many s i
gether
Orleans. Ray told Huie he was there
meeting Raoul, and it's been established
that he did visit New Orle: in Decem-
ber 1967 and again on his way to that
fateful appointment in Memphis. (Not
incidentally, it's been asserted that the
FBI flew some Viceroy cigarette buus
found in Ray's car to New Orleans for
analysis, causing some to wonder if, since
Ray didn't smoke, Raoul did.)
Further, Ray often has said he gave
Foreman two Louisiana telephone num-
bers, so that the lawyer could contact
people, presumably induding Raoul,
who knew something about the murder.
a pmt
“All right, but you can't wear them
outside, only in the house.”
Foreman says he clearly remembers only
one number, in New Orleans, and he
found the phone disconnected. In Decem-
ber 1973, Ray filed a $500,000 suit against
the state of Tennessee, in which he
alleged that Foreman had failed to in-
vestigate these numbers, while another
attorney—by then conveniently de-
ceased had looked up the phone numbers
and found that one belonged to a Baton
Rouge “parish official under the influence
of a Teamsters Union official” and the
other to “an agent of a Mideastoriented
organization disturbed because of Dr.
Martin Luther Kings reported forth-
coming, before his death, support of the
Palestine Arab cause.” But Ray's suit did
not name the individuals or list the num-
bers. It did not say what connection these
people had to the case or the source of the
information on the union officcr and geo-
politics (some think his lawyers fed him
this ). The suit, typically, created
more mystery, as it may have been de-
signed to do. In the meantime, the tclc-
phoning went on. Another number—the
one Ray, according to Charley Stein, had
dialed often on their trip to New Orleans
in December—was purportedly secured
from Stein by a West Coast reporter.
Early in 1969, the newsman said he called
the number and was answered by a voice
that identified the location à na
te Police barracks. The reporter asked
for Raoul and, in sheer implausibili
one answered: Raul Esquivel, Sr., a high-
way patrolman apparently stationed at
12400 Airline Highway, Baton Rouge.
However, no connection between this
Raul and Ray's shadowy accomplice has
ever been found, and the number could
have been planted with Stein, or even
with Ray.
Baton Rouge is interesting, though,
at least to people who believe in a con-
spiracy. The state capital was a stomping
ground for Leander Perez, the legendary
Louisiana power broker who once pub-
licly wished King were dead. Perez had
strong allies among organized labor.
One reputedly was Edward G. “Whitey”
Partin, the former Louisiana Teamsters
official who once told Justice Department
investigators that Jimmy Hoffa had
threatened to have Robert Kennedy
killed. And Partin, it's alleged, had an
associate who closely resembled the man
Grace Walden described as being in the
hall at 42214 Main Street: Small- bone
built. He had on an Army-colored hunt-
ing jacket unfastened and dark pants. He
had on a plaid sport shirt. His hair was
salrand-pepper colored.” Conspiracy
fanciers quickly recall the field jacket
supposedly found in Ray's car that, like
other items, was too small for him. They
seize, too, on rumors that t man—an-
other shrouded figure—hung around
Perez followers and mafiosi from New
Orleans. Vet any role in King's assassi-
nation by this unnamed man, or the
Mob, or Perez, or Partin, remains strictly
conjectural. .
Not so tenuous is the Teamsters hy-
pothesis. It was, after all. a labor dispute
that took King to Memphis. A dis-
pute by a black union. Men who drove
trucks on their sanitation rounds. It's
conceivable that in an atmosphere of
hate and turmoil, two or three angry
union men could, in a Yablonski reac
tion, decide to take out this superspade,
this Communist, who was Ieading people
who wanted to get their jobs, worse, get
so high on the ladder that folks wouldn't
judge just by color anymore. Yes, that's
feasible; but again, there is no proof.
Only rumors, speculations, thick as flies
around a battlefield corpse and as various
in their directions. Everyone is suspect
and, like the echoes from D. Plaza,
the murder's mad music goes on and on.
Would a new investigation help stop
the carrousel? As we go to press, it is
reported that the Justice Department's
civil rights division will ask Attorney
General Edward II. Levi to appoint an
independent non-Governmental panel to
study King’s assassination and to decide
whether a new fullscale invest
should be made, The recommendation
comes, it’s said, because Ray's motives
and activities have not been fully ex-
plained and because, even though an ex-
tensive review of the original FBI
investigation has revealed no Govern-
mental involv
remain questions. We agree. Certainly,
the official explanation is doubted, with
80 percent of Americans joining Coretta
King and Ralph Abernathy and Jesse
Jackson in thinking King [ell to a con-
Spiracy. Certainly, there still are worth-
while leads to investigate, witnesses to
call, stories to assess, maybe even truths
to find. The best witness—James Earl
Ray—is lable. He secks a trial,
though he has said he won't help solve the
crime by naming conspirators. Shouldn't
Ray's various protestations of innocence
be tested in a courtroom, where his advo-
cates and the state's can address the
fundamental question of who killed
Martin Luther King?
Nothing less, surely, would have satis-
fied King himself. It was for justice he
had lived and died. The wooden casket,
shiny in the thin April sunlight, the plain
wagon and the brace of plow mules slowly
bearing his body to his grave should have
imbued us with that simple imperative
Apparently, we lost that message in the
haze of time's slow burning. Or maybe
it was only that we could no longer feel,
so many were the blows. Martin Luther
Kings accused assassin had not even
been caught before another American
leader was murdered. This time, he was
white. Again, he was a Kennedy.
ment in the murder, there
This is the sixth in a series of articles
on political assassination in America.
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VODKA!
(continued from page 109)
At füst, bemused whiskey moguls dis-
missed vod! passing fad. How could
anything withont distinctive character,
aroma, taste and color be taken seriously?
Ironically, it was the total absence of
personality that was, and is, the secret of
vodka's unprecedented succes. It’s the
ultimate mixer, possessing a chameleon-
like ability to lose itself in any blend—
that a screwdriver tastes orange, a
bloody mary is tomato and a bull shot, a
muscular consommé. Very easy to like.
For many years, this unique property
was attributed to filtering through.
“mountains of activated charcoal,” what-
ever that might be. Brands vied with
one another as 10 die quantity and type
of charcoal in their process. Then one
fine day, the Feds removed the charcoal
requirement and most distillers quictly
abandoned its use.
In view of the sharp turnaround, it's
fair to ask whether today's vodka is the
same as it used to be. And the answer is
no—it's better! With 25 years of pra
experience, producers have refined thei
so
procedures and developed technical
equipment that yields an amazingly
clean, uniform product through distilla-
t
Ejs
m alone. It's just about the purest
t you can buy.
Not that theres anything like una-
nimity on methods. Smirnoff, by far the
leading vodka, is the only major label
that still charcoals. It's hard to quarrel
with that kind of success—nevertheless,
other brands do. Gordon's, number two
and trying, claims a patent on smooth-
chieved with nitrogen gas. Gi
bey's insists it's the driest, Wolfschmidt
is put through a sophisticated, six-column
still to remove unwanted congeners,
including acetates, aldehydes, fusel oi
and acids. Schenley employs a vacuum
column that turns out an extremely high.
proof and a very clean distillate. And so
it goes. Although arguments wax heavy,
and at times hot, they are largely aca-
demic. Whatever differences exist among
national brands, they are barely detect-
able by chemical analysis and well nigh
impossible to perceive in a mixed drink.
To give you an idea of just how refined
vodka must be, spirits that do not pass
muster as vodka may be used in blended
keys, cordials and, conceivably, gin.
There is agreement among American
vodka makers on one point—imports. If
you want to see the laws of gravity ab-
rogated, tell a distiller that foreign
vodkas are superior. He'll go up one
wall and down another. Imported goods
are not subject to the rigid scrutiny that
American distillates are. If they're cer-
tified by the county of origin, they ai
accepted in the U.S. as vodka—and no
questions asked. It is not uncommon
Europe to add a touch of sugar, a tot of
cognaclees extract or, some say, a trace
of glycerin to "smooth out" the raw
spirit. And since the European techniques
aren't as precise as the domestic. the end.
product. is apt to be not as neutral com-
ing off the still. So if some codger tells
you vodka in the old country tasted dif-
ferent, believe him.
European countries offer a wide va-
riety of flavored vodkas. The Soviets
market upwards of 25 different types, in
addition to clear Stolichnaya. The most
interesting example available Stateside
is the peppery Pertsovka, which makes
a tingly bloody mary—and hold the
"Tabasco, Charley. Poland's Polmos Zu-
browka, companion to the clear Wy
borowa, is an enchanting vodka, wi
the scent of new-mown hay
of almonds its bouquet. The favor
and greenish tint come from steeping
with Polish buffalo grass. ch bottle
carries a length of grass, but that single
blade is not the source of the aroma.
There are American flavored vodkas,
too—all on the sweet side. Tvarscki is
among the most versatile in this group,
with ten offerings: lemon, lime, apple,
cherry, et al. Its clear vodka is well
regarded, too.
If the notion of flavored vodkas turns
you on, it's no problem to make your
own. Theyre a nice addition to your
bar and make distinctive gifts. Recipes
ior doityourself vodka steeps and a
roundup of ingratiating drinks follow.
h
nd a hint
SLOE COMFORTABLE SCREW
oz. vodka
4 or. sloe gin
4 oz. Southern Comfort.
2 ozs. orange juice
Pour over ice in Soz. glass. Stir. Gar-
nish with lemon slice, if desired.
1
D
y
ROMAN TONIC
Wedge lime
11% ozs. vodka
34 oz, Campari
Tonic water, chilled
Squeeze juice of lime into tall glass
with drop in rind. Add vodka,
Campari and 5 ozs. tonic water (14 bottle)
or to taste. Stir.
ic
ALL RIGHT JACK
1 oz.
1 oz.
Slice
Slice
Pour Yukon Jack and vodka over ice
in old fashioned glass. Stir well. Add
fruit slices and serve.
Yukon Jack
vodka
lemon
ime
VODKA A LA RUSSE
Stolichnaya Russian Vodka, ice cold
Pour about an ounce at a time into
liqueur glasses or thimblessize s
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PLAYBOY
230 fragrant after three or four days
“You are now approaching the Merry Mermaids
Massage Parlor.”
and toss off neat—in the Russian man-
ner. Authentic accompaniments are cav-
iar, herring and smoked fish.
IRISH MULE
1 oz. vodka
Guinness Stout, chilled
Pour vodka and Guinness into chilled
The 614-072. Guinness nip is about
the right size.
LARA'S LOVE
1 oz. vodka
1 oz. Lillet
1 oz. framboise
Club soda, chilled
Orange slice
Sur first three. ingredients. with
Strain into wineglass. Add light splash o£
club soda and garnish with orange slice.
ice.
once.
ORANGE STEE
D VODKA
Remove peel from medium-size navel
orange, taking orange part only. If you
keep the peel in one piece, it's more at-
tractive but doesn't affect the flavor. Add
peel to bottle—you may have to pour off
to make room. It should
and be quite
steeping.
a little vodk:
show color in a day
Use in screwdrivers. gimlets, sours, with
citrus-flavored soe
SAUCY MARY
2 ozs. vodka
4 om. clam-tomato cocktail,
chilled
1 teaspoon prepared horseradish
Pinch thyme
Few grains each garlic powder and salt
Shake all ingredients briskly with ice.
Strain into 8.02, goblet. Gari
Jemon slice.
juice
DON'S EARLY LIGHT
2 ozs. vodka
1 tablespoon banana cordial
1 ozs. orange juice, chilled
Pour all ingredients over ice in
glass. Stir well to chill. Garr
fresh fruit, if desired.
LIMELIGHT
(Serves two)
3 ozs. vodka
l oz. ap
1 tablespoon Rose's Lime Juice
ablespoon fresh lime juice
all ingredients with ice. Str
into two cocktail glasses-
ot cordi:
DAWSON SPECIAL.
1 oz. vodka
1 oz. crème de cacao
2 ozs. milk
Instantcolfce granules
Pour first three ingredients over ice in
highball glass. Stir. Sprinkle lightly with
instant coffee and serve.
SCHNAPPS WHIZZER
1 oz. vodka
1 oz. peppermint schnapps
Pour over ice in small old fashioned.
glass. Stir well. Garnish with mint sprigs
or lemon slice.
BOG BUSTER
2 ozs. vodi
14 oz. curacao
4 ozs. cranberry-juice cocktail, chilled
Pour over ice in tall glass. Stir well.
sh with slice of
C:
BLACK SNOW
2 ozs. Wyborowa Polish Vodka, out
of the freezer
Pour into small, tulipshaped stemmed
glass (a sherry copita is perfect). Grind
fresh black pepper over—about one turn.
of the pepper mill. The pepper flakes
I float lazily down in the glass—sup-
ported by the slightly thickened icy
vodka,
THE GODSON
1 oz. vodka
oz. Amaretto cordial
1 tablespoon lemon juice
Shake all ingredients with ice. Pour
unstrained into old fashioned glass. Gar-
nish with canned apricot half.
PEPPER VODKA
Steep 2 teaspoons cracked black pep-
percorns in a bottle of vodka lor about
a week. The more pungent the pepper,
the zestier the vodka. Use in bloody
marys, bull shots and bloody bulls.
LEMON-SMOOTH VODKA
ge lemon
it vodka
5 or 6 drops glyca
Pinch salt
Remove peel from lemon, taking yel-
low part only. Add to boule of vodka—
you may have to po le off ro make
room. Add glycerin and salt. Let stand
three or four days, until vodka has taken
on lemon flavor. Present in ice jacket and
serve neat or pour over ice in small old
fashioned glass.
Breathes there a man, with soul so
dead, who never to himself hath said,
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55 BE DAMNED!
(continued from page 121)
VASCAR is the neatest, cleanest method
of the three, It can be used in motion or
at rest and can time cars running in the
same direction or approaching the patrol
car. But police officers complain about its
accuracy, its reliability and the fact that
it is more cumbeisome to use than radar.
Therefore, radar becomes a greater factor
in speed control with cach passing day.
The old window-mounted units that had
a range of about 1500 fect and could
be operated only when stationary have
been replaced by the incredible Kustom
Signals, Inc, MR-7, which has a range of
about a mile and can be operated at rest
or in motion, or even hand held away
from an automobile! This is decidedly the
unit of the future and the one speeding
scofllaws must treat with the greatest
caution (although there are counter-
ures—read on). Radar can be, and is,
used in all situations: from bridges, b
hind hills and. around. curves, aimed
traffic approaching from either direction,
or from a low-Ilying airplane (known as a
Bear in the air ora spy in the sky in C.B-
radio p; ce). Yes, th
machines,” as the truckers call radar, are
the heart and soul of speedlaw enforc
ment, especially on open stretches of in-
terstates (radar does not work particularly
l on heavily congested highways, b
cause it cannot easily discern one car
from another) and, thanks to their cost,
mobility and ol operation, it
appears they as such for years
to come.
Smokeys, Smokeys, in the trees,
They've got radar,
But we've got C.B.s.
Embodied within that cornball couplet
is the secret to fast driving in the U. S.
Citizen’sband radios came into really
widespread use following the great trud
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of the West). With it came a beautiful new
slang revolving around the world of 18-
wheelers (trucks), four-wheelers (cars), eic.
that operates from coast to coast. A CB.
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Using it as an alarm system is great, but
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from those hundreds of little steel cip-
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time some turkey rips it off, I won't
bother to replace it.
A couple of words of warning: Pass the
truckers with care. Run by some of them
too quickly and they'll begin to yell over
the radio about your speed. More and
more cops (called Smokeys, Smokey Bears
or Bears) are carrying C.B.s in their cars,
and before you know it, you may have
one on your tail. Also beware of a friendly
voice saying something like “It’s clear to
mile marker 28, come on, come on!” That
could be a Smokey (sometimes known as a
Sugar Bea) trying to lure the unwary into
his radar beam (which is, of course,
napment, bur, then, life ain't easy out
there on the interstates, good buddy).
Hit the brakes when you hear the
beep: OK, so you've got your C.B. (or
two-way, as it is called) tuned up to
full volume for incoming Smokey reports,
but you still need more warning, which
con n the form of a small black con-
tainer about the size of a Coney Island
hot dog mounted on your dashboard or
windshield. When it was introduced, the
Snooper, made by Autotronics, Inc, of
Richardson, Texas, was the best radar
detector on the market. This unit, which
sells tor $79.95 (higher in some states), has
an effective range of about 5000 feet and.
will sound an ear-pier
it senses a radar signal. In reaction to the
new R/ radar, Autotronics now has the
Super Snooper, which offers a substantial
increase in range and receives both the
X-band and the new K-band frequencies
used by the latest models of police radar.
These devices, like C.B.s, have no substi-
tutes. (Forget that nonsense about putting
num foil in your hubcaps to jam the
"s useless, although there's a Te
gged up with a working po-
lice radar jammer fabricated from the guts
of a Sears microwave oven. The guys at
Autotronies say a jammer is definitely
within the range of their technology but
are wary of its legality. However, if you
were to have onc built by your buddy, the
elecuonics freak. . . ) Not all radar de-
tectors are useful. The small battery-
operated units that clip to the sun visor
lack the range and sensitivity of more ex-
pensive versions and can sometimes create
a false sense of security. One motorist
roared through a New York State Police
radar trap without his detector’s n
peep. Irritated after receiving his ticket,
he turned around and passed through the
time at a legal speed.
Again the detector failed, which prompt-
ed him to stop his car, get out and stomp
the device into small pieces.
Treat driving as an art: Being an ef-
fective fast driver demands pride both in
your personal skills and in your auto-
mobile. If you don’t care about cars and
the science of controlling them, you are
stupid to attempt to drive them quickly.
trap again, U
232 Because similar but less intense vehicle
nd driver dynamics relate fast road dr
ing with motor racing, I recommend a pair
of books: The Racing Driver: The The-
ory and Practice of Fast Driving, by De
Jenkinson, and The Technique of Motor
Racing, by Piero Taruffi (both available
from Robert Bentley, Inc, 872 Massachu-
setts Avenue, Cambridge, Massachusetts
02139). When you understand what these
experts are talking about and your aui
mobile is in perfect mechanical condition,
you can run quickly with minimal risk.
Moreover, make sure you are well
fiued to your environment; namely, that
you are comfortable while at the controls.
For example: Your seat should be far
enough away from the steering wheel so
that your wrist will touch the top of the
rim when you
driving should be done w
located slightly below the tr
totwo position. The grip should be
light, the elbows relaxed. Loose clot
is a must, both to enhance mobility and
to reduce fatigue. Turtlenecks or tight
collars are practically guaranteed to pro-
duce sore necks and stiff back muscles.
Top-quality sun are able.
Many last drivers insist on small-diameter,
leather- or rubber-rimmed steering wheels,
which increase control and absorb per
spiration, thereby making them easier to
grip. A variety of custom steering wheels
as well as quartzhalogen driving lights
(highly recommended) are available from
a multitude of automotive-specialty shops.
If you are not happy with the comfort
and stability provided by the scat in
your car, high-quality, race and rally type
scats—some fully adjustable—can also be
purchased for from $100 to $300.
Think! Anyone who thinks of last road
driving as the simple act of cramming
the throttle to the wood and ha g on
belongs in jail—which is exactly where
he is going to end up. The automobile
must be driven cautiously at high speeds,
because closing rates on dangerous situ-
ations and law ollicers are greater. I his
means that hill crests, blind bends, etc.,
must be approached with speed reduced
and the driver prepared to hit the brakes,
ready for anything. Concentration is the
key and if you are dull and inattentive
enough to drive blindly into a r trap,
you deserve everything you get.
When you get nailed: All the C.B.s and
the Snoopers in the world won't prevent
the inevitable. If you drive a lot, sooner
or later you are going to get stopped for
speeding. When (not if) that happens,
follow these few rules to ease the pain:
1. Immediately pull over, with your
four-way flashers turned on. Never, never
be a dumb-ass and try to outrun a
Smokey. Not only is it unforgivably dan-
gerous but the odds of success are mini.
mal. 2. Get out of your car and walk to
the patrol car with your license and regis-
tation in hand. This is effective for two
reasons, one practical, one psychological:
Highway-patrol officers generally work
alone, and that is a dangerous business.
They are extremely vulnerable when ap-
proaching a stopped vehicle, which they
do with reluctance. What's more, if you
are conversant with Robert Ardrey's Ter-
ritorial Imperative, you will know that
the officer’s largess will be increased ten-
fold when you submissively go to
on his turf. 3. Don't make an ass out
of yourself by arguing or flashing that
police courtesy card your uncle, the alder-
man, gave you. Highway patrolmen are,
for the most part, highly trained, intelli-
gent men who have heard every whacko
story, excuse and tale of influence con-
ceivable, They are professionals who are
doing a difficult job (and many of them
despise the 55-mph limit as much as any-
ail you, they probably
only
or protesting. Virtually every rationale for
speeding has been tried, including the one
used by the Cannonball crew who, after
being nailed at 115 mph, tried to convince
the officer that they were desperately low
on gas and were building up sufficient
speed to coast to the next service station.
If you think you have been unjustly ar-
rested, get a lawyer and go to court, but
don't mess around with the Smokey. And.
don't, for God's sake, ever, ever try to lay
a bribe on him.
One final thou
fast driving, I mean good driving. I don't
mean some slob wheeling along in his
Caddy at 70 mph with the sterco turned.
up and his arm draped over the seat back.
To drive quickly means total involvement
and success or failure is measurable by
one simple test: It must be accomplished
without the slightest inconvenience to
anyone else. If you drive fast and cause
another motorist to deviate from his own
course and speed, even in the most mi-
nute fashion, you have failed. Force an-
other driver to touch his brakes, turn his
steering wheel or prompt even the most
hypertense incompetent on the road to
honk his horn in alarm or tation.
you have bad r as a fast driv
only must you not place anybody's per-
sonal safety in jeopardy but you must
set such high standards for your driving
that no one notices that you are on
the road. This demands incredible smooth-
ness in your driving, which can only
come through complete attention to the
problem.
So turn off the stereo, crank up the
C.B., get both hands on the wheel and
t drving—as opposed to slumping
behind the wheel and Jetting the car do
the job. You'll be amazed at how reward-
ing the whole thing can be.
Another thing: Play it sale—take some
cash along.
[Y |
about
“Ah, here you are, my dear. I hope you
aren't still angry about last night.”
233
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“If you Space Ski Mount Asgard...
before you hit the ground,
hit the silk!”
*
"Those treacherous winds
and the death-defying drop
down the mountain's sheer
granite face were enough
to; make me as nervous as
a flea ona hot skillet.
6 YEARS OLO. IMPORTED IN
"P-o-o-o-cf! My chute billowed
out. And none too soon.
Because I still had some tricky
maneuvering to do. These
deadly downdrafts almost
collapsed my chute. But
alittle body English luckily
prevented it...and it was
happy landings.
“Later, we celebrated with
Canadian Club at the Peyton
Lodge in Pangnirtung."
"Shari made doubly sure my
chute was secure. And triple-
checked my skis.Then schuss!
From my launching pad on the
frozen mesa, I was on the way
io my space walk. 4000 feet
over the Turner Glacier in the
Canadian Arctic.
HIRAM WALKER SONS LIMTED
\WALKERVILLE CANADA
Canadan Cll
"The Best In The House"? in 87 lands
Why is C.C. so universally
popular? No other whisky
tastes quite like it. Lighter
than Scotch, smoother than
vodka...it has a consistent
mellowness that never
stops pleasing. For 118
years, this Canadian has
been in aclass by itself.
(©1976. eO TOBACCO CO.
He is at home in aworld
few men ever see.
A world where wisdom
earns more respect than
physical strength.
He smokes for pleasure.
He gets it from the blend
of Turkish and Domestic
tobaccos in Camel Filters.
Do you?
Turkish and j
Domestic Blend
18 mg. wer. 1.3 mg. nicotine av. per cigarette, FIC Report SEPT. 75.
Warning. The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health