Full text of "PLAYBOY"
Plus: Romance inthe Fast Lane — a Concorde Weekend
in Paris * Playboy's Guide to the Winter Olympics ¥ A
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PLAY BILL
rrs FEBRUARY, the month when mementos of affection
passed between the sexes. So why are some women sending us
brickbats instead of valentines? It scems certain segments of
the women's movement, justifiably concerned about the n
tional inaease in the incidence of rape, have begun calling
for an end to (what they call) pornography, on the assump:
tion that it leads to rape. Robert Shea looks at all sides of the
issue, including the consequences of a censorship revival, in
Women at War (illustrated by Ereldo Carugati).
Speaking of revivals, it’s going to be hard for Jimmy Carter
to revive himself in the polls before the election, but, if
there's one man who сап help him do it, he's the subject of
this month's Playboy Interview, elite pollster Patrick Caddell.
Washington-based Contributing Editor Peter Ross Range chased
Caddell for nearly a month to get his conversation on tape.
Quite a different breed of cat is Dovid Duke, the charismatic
young leader of the revived Ku Klux Klan. Harry Crews spent
several weeks traveling with the Grand Wizard to w The
Buttondown Terror of David Duke, illusuated by Joann Daley.
Crews, а past PLAYBOY contributor and a good оГ boy himself,
recently published 4 Childhood, his powerful autobiograph-
ical memoir. And while we're on the subject of danger,
John Skew literally threw himself into the world of downhill
ski racers to write Л Takes а Mountain for our special win.
ter Olympics warm-up (in which Anson Mount predicts the
medal winners іп The Winter Olympics: Playboy's Picks). — BIRNBAUM.
Skow, a skier for many years, actually made it down a frozen
racc course that had been declared unsafe for compctitio
He survived the run intact.
While Skow was te
Stephen Birnbaum was
Nott it doesn’t snow
the weekend Steve
docs one go to Paris for a weekend, you wonder? By Con-
corde, of course. Sound good? You won't know how good
until you read Birnbaum's To Paris—with Love and the
Concorde, with photography compliments of Staff Photog-
rapher Richard Fegley апа Photo M т James Larson. H arm-
chair adventure is the only kind you can afford right now,
seule back and read Who's on First (illustrated by Sandra
Hendler), our excerpt from William F. Buckley, Jr's new novel
(of the same title) soon to be published by Doubleday. If
you're prone toward more contemplative adventures, you've
no doubt heard the old Zen riddle Does a Tree Falling
Alone in a Forest Make Any Sound? You haven't heard it?
Well, anyway, Shel Silverstein has the answer in this month's
cartoon, the latest taken from his recent collection, Different
Dances, published by Harper & Row. And before we leave
the subject of sedentary pleasures, movie lovers will no doubt
appreciate our new system of rating the flicks, Begi
issue, Contributing Movie Editor Bruce Willi
films from one to four Rabbits (what else?) with his reviews.
And, finally, to keep you warm durin,
we have three hot pictorials. First, there's. this issue's big
anne Somers Playmate Test, photographed
by Stan мо! Yes, we mean Wie Suzanne Somers, and if
you like Suzanne, you've been waiting to sce a pictorial like
this for a long, long time. Next, there's. The Year in Sex, re-
ched by Assistant Photography Editor Petty Beaudet, Assist-
itors Tom Passavant and Kate Nolon and Researcher Jackie
Formeller, written by Senior Editor Gretchen McNeese and laid
out by Senior Art Director Chet Suski. And last but not least,
warm the cockles of your heart with our Playmate of the
Month, Sandy Cagle, photographed by Staff Photographer
Pompeo Posar. If that doesn't satisfy your cupidity, you'll have
to find your own valentine.
ENTZ © 1979
PASSAVANT, NOLAN, MC NEESE, BEAUDET, SUSKI
PLAYBOY.
vol. 27, no. 2—february, 1980 CONTENTS FOR THE MEN'S ENTERTAINMENT MAGAZINE
PLAY BILL э Ме Аа С SOS УУ абы 3
THEWORID:.CEIPPAYBOY 22-222. erit]
DEAR PLAYBOY) scoi ле 2s Sata ейрену Ее IN е SETS IR DUM 13
РГАҮВОТТА ЕТЕВ HOURS olde A A e 23
TELEVISION САРТ KE Sup e ea E a as 28
The British recycle Rebecca, Ihe Windsors; PBS adds Americana.
Who's First IMOVIES AS SRE рга one cia 32
“ge Praise for The Rose, Kramer vs. Kramer, The Great Santi
Б BOOKS .. 36
` Maxwell rates raves; a chip ol
TRAVEL 40
When is your good credit not your good credit?
MUSIC ое co We a ML ae Leer Wd 42
New stuff from femme singers.
COMING ATTRACTIONS . . 44
Smart goes gaga over gadgets;
ІНЕ PUAYBOY ADVISOR. 2-22 77 49
THE/PEAYBOY, FORUM cetera era anes sees eee 55
PLAYBOY INTERVIEW: PATRICK CADDELL—candid conversation ..... 63
The top pollster whom some consider Jimmy Carter's moin unofficial advisor
frankly discusses the upcoming Carter-Kennedy Democratic wars, Hamilton
Jordan's lifestyle and what he foresees in the coming election year.
i
Ула Women 4 WOMEN AT WAR—article ........................ ROBERT SHEA 86
Using questionable research and relying heavily on emotional appeal, some
women are turning the war against rape into an attack on basic American
freedoms.
DOES PORNOGRAPHY LEAD
ТО RAPE?— interviews ...................... KATE NOLAN 88
Shana Alexander, Erica Jong, Judith Rossner, Flo Kennedy and others give
their answers.
TO PARIS—WITH LOVE
Suzonne Somers AND THE CONCORDE—travel . . . STEPHEN BIRNBAUM 93
How'd you like to spend a romai eekend in Paris and still be back to work
оп Monday morning? Believe us, the Concorde is the only way to go.
THE BUTTONDOWN TERROR OF DAVID DUKE—article .. HARRY CREWS 102
Wherever this young leader of the Klan goes, his children recognize his voice,
and the message he carries is demonic.
ч THE WINTER OLYMPICS:
ж PLAYBOY'S PICKS—sports ................. ANSON MOUNT 105
2 8 The author of our yearly round-ball and pigskin predictions takes a shot at
Winter Olympics P. 105 calling the medal winners in the upcoming snow games.
AM AVE.. CHICAGO. ILLINOIS 60811. RETURN POSTAGE MUST ACCOMPANY ALL MANUSCRIPTS. DRAWINGS AND PHOTOGRAPHS SuONITTED
VE THEY ARE TO GE RETURNED AND NO RESPONSIBILITY САН DE ASSUMED TOR UNSCLICITED MATERIALS. ALL RIGHTS IN LETTERS Ea? TO PLIYBOY WILL BE TREATED AS UNCONCITIONALLY ASSIGNED
TOR PUBLICATION AND COPYRIGHT FURFOSES AND AS SUDJECT TO PLAYBOY'S UNRESTRICTED RIGHT TO EDIT AND то COMMENT EDITORIALLY, CONTENTS COPYRIGHT © 1979 GY PLAYBOY. ALL
RIGHTS RESERVED. PLAYBOY AND Баз SYMBOL ARE HARKS OF PLAYBOY. REGISTERED U.S, PATENT OFFICE, MARCA REGISTRADA. HAROUE DEFOSEE, NOTHING MAY GE FEPRINTEC IN WHOLE
Оп IN PARF WITHOUT WRITTEN PERWISSION FTOM THE PUBLISHER ANY SIMILARITY BETWEEN THE PLCPLE AND PLACES M THE FICTION AMD SEMI! HON IN тні HACAZINE ANO ANY REAL PEOPLE
AND PLACES 15 FURELY COINCIDENTAL, CREOITS: COVER: FLATHATE/ MODEL CANDACE COLLINS. DESIGNED AND PHOTOGRAPHED LY TOM STAESLER OTHER PHOTOGRAPHY UY. JAMES L. ADRISCH
P- 157 (г): MERRY ALFERN/ LYNN GOLDSMITH, їс... 158; D. ANGELI/ LIAISON, P. 156 158 162; BILL ARSENAULT. P. 153. ANDERS AVENAS. P. 3. FON DATZCORFE. P. 199. BENT BEAR
т. 11 (21, PATTY BEAUDET. ғ. 160: FAT BOOTH / CAMERA PRESS LTD.. P. 161: PETER C. BORSARI. P. 11: CHARLES W. GUSH. P- 186. PHILLIP DIXON. ғ. 160: FRANK DCOLING. P. 162: BILL DOW. ғ
жа; versen EMGELHAMD. ғ. 2, 150 179: з. МАНІН EPSIEIN/ CAMERA S. P. 156: ANNY FREITAG, P. 161; RON GALELLA, P, 154. 195, GEORGES GOBET/ GAMMA LIAISON, P. 158, LYNN
COLOSMITM, INC., P- пев: TOM GRAVES, P. з; DAVID GUNN, P. 3; BENOIT GYSEMBERGH, Р. 162; © 1972 BROWNIE HARRIS / PHOTOREPORTERS. P. 186, m. SCOTT HOOPER. ғ. 159, 163; TOM
GENERAL OFFICES: PLATBOY BUILOING. 519 NORTH MICI
COVER STORY
Executive Art Director Tom Staebler designed and photogrophed this portrait of December
1979 Playmote Candace Collins hypnotic peepers. Tom asked Candy to look into the
camera ond "think PLAYBOY,” ond immediately her eyes lit up with . . . whot else?
IT TAKES A MOUNTAIN—sports . Gracies . . JOHN SKOW 106
A mountain of couroge, that is, plus o dosh of insonity and a love of speed.
Put them on skis and you have a downhill racer.
NORTHERN DELIGHT—playboy's playmate of the month ........... 110
If you think of good fishing ond good cheese when you think of Wisconsin,
think ogoin. There's also Sandy Cagle.
PLAYBOY'S PARTY JOKES—humor ............................. 122
WHO'S ON FIRST—fiction ............... WILLIAM F. BUCKLEY, JR. 124
Dovid Duke
In a first look at the oulhor's new novel, you'll renew your acquaintance with
agent Blockford Oakes, hero of Stained Gloss ond Saving the Queen; this
time, surprisingly, he has been sentenced to hang
THE LEATHER REPORT—attire ......... "em DAVID PLATT 127
Dong our hides if it ain't а good year for leathers. (You might even be
persueded to add some to your wordrobe.]
PAINTIN’ HER FINGERNAILS—verse ............. SHEL SILVERSTEIN 132
Some ladies spend their whole lives getting reody for Mr. Right.
SUZANNE SOMERS’ PLAYMATE TEST—pictorial ..... uec 7136 Hides, Suedes —
Before she became television's sexiest star, Suzanne posed for o PLAYBOY pho-
tography session, and we think you'll agree: She would have mode a great
Ploymate.
THE POOR STUDENT—ribald classic ............ ANTOINE LE METEL 147
WINNING HAND GAMES—maederm living ....................... 148
Pocket-sized electronic games are the newest great woy to have fun ony time,
anywhere.
DOES A TREE FALLING ALONE -
IN A FOREST MAKE ANY SOUND?—humor ........ SHEL SILVERSTEIN 150 Rotating
THE YEAR IN SEX— pictorial RZ E AEE 154
lt wos o good year ond а bod yeor: good because quite o few clothes were
shed and a lot of love made; not so hot becouse a lot of the time you couldn't
tell who was a he and who wos a she.
LE ROY NEIMAN SKETCHBOOK—pictorial ....................... 166
Our artist in residence captures the spirit of roller skating.
PLAYBOY FUNNIES—humor ....
Sondy Cagle
PLAYBOYS PIPELINE I
Man & woman; cutting the cost of outo insurance.
PLAYBOY POTPOURRI . _......... A e eene 2... 190
PLAYBOY'S INFORMED SOURCE ............................... 219
Wolking for health, hoppiness ond sport.
BUAYBONONITHESCENE A E CN 22. 227 4
Cooking with a Vu, foshion, four greot gadgets, Grapevine and Sex News.
PLAYBOY PUZZLE ..............-........................... 237 Neiman Sketchbook Р. 166
кешен. P. 156; CHUCK KIRMAN /CHICAGO SUN-TIMES. P. 198; RICHARD KLEIN, P. 3. 158. 186, 160, 161 (2), 163, 219; MORRIS LANE, P. 154, 180; LIAISON, P. 158; LARRY L. LOGAN, P. M.
Chemick MADISON. P. 11, 190, 191. 205-221 STAN MALINOWSNE, P. 2; RICHARD BIROLACZYK, P. 156: © 1978 SONIA MOSKOWITZ. P. 157; © 1979 MOSKOWITZ, 157, 158; MANNY
Reuss / MSY WAY PRODUCTIONS, P. а. 162, EN YORK NEMS /MOTORETORTERS. P. 1з. MICHAEL A. NORCIA/ SYGHA, F 1%: DAVE PATRICE, ғ. тї: TED POLUNBRDN, т 101, POMPEO
BERTO AAGANNE. P. 160: ANNE RINESTONE, Р. 154. 155: PHIL ROACH /PHOTOREPORTERS, Р. 157; CRATIE М. SANDLIN, P. 11; DENNIS SILVERSTEIN, ғ 3, 160, 142, VERNON Lo
ALBERTA TIBURIZI, P. 44; U.P... P. 156: 162: IAM VAUGHAN. P. 156; PIERRE VAUTHEY/SYGMA, Р. 160; JONN WITMAN, P. 3; WIDE WORLD. ғ. 157 (2). P. 107, JAMES M,
RIS. ILLUSTRATIONS: JOANN DALEY, P. 221: DUANE ORLEMARN. F. 177. P- 111, 113, 116-120, CUSTOM MADE VEST FROM STEVE MILLER / COUNTRY COMFORTS.
PL Mo. FURS TROM M. M. ROSENTHAL- P. 160, ELLEN SANDOR © 1979, P 193. —PAINTIM" HER FINGERNAILS." БҮ SHEL SILVERSTEIN, COPYRIGHT © 1979 BY SHEL SILVERSTEIN. ғ. 150-181,
ots A TREE FALLING ALONE IN А FOREST MAKE ANY SOUNDI, BY SHEL SILVERSTEIN, COPYRIGHT © 1979 BY SMEL SILVERSTEIN. PLAYBOY CLUES INTERNATIONAL CARD BETWEEN ғ. 222223
PLAYBOY (1579 00221478), FER.. 1980, VOL. 27. NO. т. PUBLISHED MONTHLY BY PLAYBOY IN RATIONAL AND REGIONAL EDITIONS, PLAYBOY DLDG.. 919 м. MICHIGAN AVE., CHGO., ILL. вовни. ZND-
CLASS POSTAGE PAID AT CHGO., LL. в AT ADDL. MAILING OFFICES. SUBS; IN THE U.S., $16 FOR 32 ISSUES, POSTMASTER: SEND FORM 2872 TO PLAYBOY, Р.С. BOX 2420, BOULDER, COLO, 69302.
PLAYBOY
When music is part
of your life.
TDK a part |
of your music
Stevie Wonder's life revolves
around music. Almost two dec-
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lifetime of experiences —reflect-
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Stevie Wonder contributes much
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TDK hopes its quality cas-
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enabling it to be enjoyed wher- _
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TDK cassette means
© 1979 TDK Electonics Corp.
quality... precision....reliabil-
ity. Things that mean a lot
at those moments you enjoy
your music.
ТОК cassette is made for
those moments. It's surprisingly
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beautiful music from any porta-
ble, car cassette or mid-priced
home deck
If music's as important to you
as it is to Stevie Wonder, you'll
record it on TDK
cassettes.
TDK Electronics Corp., Garden City, N.Y. 11530
PLAYBOY
HUGH М. HEFNER
editor and publisher
NATL
ARTHUR KRETCHMER cditorial director
IRMAN associate publisher
ARTHUR PAUL art director
GARY COLE photography director
G. BARRY GOLSON executive editor
ТОМ STAEBLER executive art director
EDITORIAL
ARTICLES: JAMES MORGAN edito: STAFF:
WILLIAM J. HELMER, GRETCHEN MC NEESE, DAVID
STEVENS Senior editors; JAMES K. PETERSEN
senior slaff writer; ROBERT E. CARR, WALTER L.
LOWE, BARBARA NELLIS, JOHN REZEK associate
еййог; SUSAN MARGOLIS WINTER assistant new
york editor; TERESA GROSCH, КАТЕ NOLAN, J. г.
O'CONNOR, TOM FASSAVANT, ALEXA SEHR (Ко
rum), ED WALKER assistant editors; SERVICE
FEATURES: TOM OWEN modern living editor;
DAVID PLATT fashion director; CARTOONS
MICHELLE URRY editor; COPY: ARLENE BOURAS
editor; STAN AMBER assistant editor; JACKIE
JOHNSON FORMELLER, MARCY MARCHI, HARI
LYNN NASH, PEG SCHULTZ, DAVID TARDY, MARY
ZION researchers; CONTRIBUTING EDITORS:
SIEPHEN BIRNBAUM (rive), MURRAY FISHER,
LAWRENCE GROBEL, ХАТ HENTOFE, ANSON
MOUNT, PETER KOSS RANGE, RICHARD RHODES,
JOHN SACK, RUBERT SHERRILL, DAVID STANDISH,
HKUCE WILLIAMSON (movies), CONSULTING
EDITOR: LAURENCE GONZALES
WEST COAST: LAWRENCE 5. DIETZ editor; JOHN
BLUMENTHAL мају writer
ART
KEWG POPE managing director; LEN WILLIS,
CHET suski senior directors: BOB POSE, SKIP
WILLIAMSON associate directors; BRUCE HANSEN,
raro (ӨЗЕН. PACZEK assistant
directors; BETH KASIK senior art. assistant;
PEARL MIURA, JOYCE PEKALA art assistants;
SUSAN HOLMSTROM traffic coordinator; BAR-
BAKA HOFFMAN administrative assistant
ROUVATSOS,
PHOTOGRAPHY
MARILYN GRABOWSKI west coast elitor; JEFF
COHEN, JANICE MOSES associate editors; RCH-
ARD FECLEY, POMPEO POSAR slaf) photogra-
phers; JAMES LARSON photo manager; BILL
ARSENAULT, DON AZUMA, DAVID CHAN, NICHOLAS
DE SCIOSE, PHILLIP DIXON, ARNY FREYTAG,
DWIGHT HOOKER, R, SCOTI HOOPER, RICHARD
UUI, STAN MALINOWSKI, KEN MARCUS Contrib-
uting photographers; PAVTY WEAUDET assistant
editor; ALLEN шоку (London), JEAN PIERRE
HOLLEY (Paris), LUISA STEWART (Rome) cor-
respondents; james warb color lab supervi-
Sor; ROBERT CHELIUS administrative editor
PRODUCTION
JOHN MASTRO director; ALLEN VARGO manager;
MARIA MANDIS assistant manager; ELEAN
WAGNER, JODY JURGETO, RICHARD QUAKTAROLI
assistanis
READER SERVICE
CYNTHIA LACEY manager
CIRCULATION
RICHARD SMITH. director; ALVIN WIEMOLD sub
seription manager
ADVERTISING
HENRY w. MARES director
ADMINISTRATIVE
MICHAEL LAURENCE business manager; PATRICIA
APANGELIS. administrative editor; PAULETTE
хит rights & permissions manager; ми
DRED ZIMMERMAN administrative assistant
PLAYBOY ENTERPRISES, INC.
DERICK J. DANIELS president
From the grandest opera to the Grand Ole Opry. Alot э
of FM stations play а lot of different music yet still have | echnics
one thing in common: The need for uncommonly accurate
turntables. That's why so many FM stations use Technics
direct drive turntables.
That professionals use Technics direct drive turntables
Is really not surprising. What 15, is that now you can get
professional performance їп Technics quartz-synthesizer
МК2 Series: The SL-1800 manual, the SL-1700 semi-
automatic and the SL-1600 fully automatic.
Speed ,
Wow Flutter Rumble Гер] Start-up Time
0.025% WRMS | -78 DINB + 0.002% 1/4 rotation
As you can see, they all have impressive performance.
But with Technics MK2 Series, you also get impressive
advances in electronics. Like a quartz-synthesizer pitch
control. As you vary the pitch it's instantaneously displayed
by 13 LED's in exact 1% increments. That makes life easy.
So does the SL-1600 MK2’s infrared disc-size sensor.
Just place a disc on the platter, press the start button and
immediately an infrared ray activates the micro-computer.
Then the Technics precision gimbal-suspension tonearm
automatically sets down in the lead-in groove.
And for double protection against acoustic feedback,
Technics precision aluminum diecast base has a double-
isolated suspension system. One damps out vibration
from the base, the other from the tonearm and platter.
The МК? Series. You don't have to Бе a radio station
to afford performance good enough for a radio station.
Your next turntable should be as accurate
as the ones many radio stations use.
At-Porsche, we design a carasa
total system. And sothe 924 Turbo has
Е ‘turbocharger draws in
iar c
|е compressor forces the air/fuet
ire into the engine cylinders
‘pressure. Because the
` turbocharged engine receives more
~ air/fuel than a naturally-aspirated
© Sngine, its combustion is greater. And .
ils horsepower is increased without
increasing its engine displacement.
TRUS, while the 924 Turbo's engine
disülaces only 1984 сс. it develops:
143 hp at 5500 rpm.
3 The 924 Turbo has almost ТА Exhaust
instantaneous throttle response: Gases
because of its bypass valve: When.
Ine throttle is closed—for example,
dunng shifting—the valve opens and’
routes the pressurized air harmlessly
back through the compressor in a
closed loop. This maintains turbine
Porsche +Audi
e 924 Turbo Е
Exhaust
Outlet
O turbine 7
4
‘speed (80,000 to 100,000 rpm). So
when boost is demanded, the turbine
does not have to be re-accelerated.
Boost is available again in only
0.1 second.
4. Hot, normally-wasted, engine
exhaust gases drive the turbine (6)
which is connected by a common
shaft to the compressor.
5. The gases vent by way of the
exhaust line and muffler. A waste-
gate is located upstream of the
turbine to control the excess gases
not required to power the turbine.
At max. prescribed boost of 7 psi, the
‘wastegate opens and routes the
excess gases directly to the muffler,
bypassing the turbine. This prevents
overboosting and maintains constant
boost pressure.
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“The Nutcracker Suite” Of Tolstoy
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THE WORLD ОҒ PLAYBOY
in which we offer an insider’s look at what's doing and who's doing it
DINAH DOES DISHES
Hef and many of the Playmates who
attended the Playmate Reunion at
the Mansion West were also fea-
tured on Dinah Shore's Dinah and
Friends! The blond with the glasses
in the upper center of the photo
was never a Playmate; he is and
always has been Paul Williams.
SEK
PLAYMATES KEEP BUSY
WITH CHICKS AND CHAMPS
CASINO GOING UP
With the Atlantic City Playboy hotel, casino and club filling in
the background, some Bunnies fill out the foreground (below).
The complex, due to be completed in early fall, is a joint
venture by Elsinore Corporation and Playboy Enlerprises.
ж TAKU
F. M. WEAVER. INC. \RON V
E TN 4 LOCI
res PLAYBOY
At right, Playmate Debra Jo Fondren
аз she appears in a Budweiser pro-
motional poster proclaiming that
“The best chicks come from Texas.”
Debra Jo later told us, “1 was sitting
сп the floor with 250 baby chicks.
You can imagine what they were do-
ing all over my hair." Below, Mo-
nique St. Pierre spars with
Muhammad ‘Ali during
the weigh-in ceremo-
nies before his fight E) HOTEL, ¢}
Alzado.
with Lyle
PLAYBOY/ ELSINORE ASSOCIA zs %)
Т чам 1
L.A. CLUBBINESS
Hef and show-stopping Playmate Sondra Theodore attended the
opening of Juliette Bora's three-week engagement at the Los
Angeles Playboy Club (below). Miss Bora was a smash.
11
He knows where to wear his diamonds.
Your jeweler can show you other acing trends in merit diamonds starting at about $300. The piece shown (enlarged for detail) is available for about
Prices may change substantially due to differences in diamond quality and market conditions. A diamond is DeBeers
DEAR PLAYBOY
ADDRESS DEAR PLAYBOY
LAYBOY BUILDING
919 N. MICHIGAN AVE.
CHICAGO, ILLINOIS 60611
MONDO CONDO
Asa Baber's The Condominium Con-
spiracy in your November
coming pol
proportionately. Even though r
cxcellent article by a 1 moved up quite dramatically in most
wonder, though, if more rules and regu- cities over the past decade, they have
ms are the answer to the cond still not come anywhere close to the gen-
ium conspiracy. В eral level of cost-of-living increases, and,
always find and use to the тілде іп fact, rental apartments today are one
loopholes in new regulations. As Baber ol the big bargains in North America.
points out, it is Government rules that Hynes
make monopolies possible and even help /ancouser, British Columbia
them thrive. The basis of this consp
is, as he also shows, the tax laws. A THE OLD BALL GAME
very important lesson to be learned is Your iew with
that the power to tax is the power t0 Johnson
contol and ultimately the power to Search. i
destroy. As у seem,
taxation may just be the biggest th
to personal freedom by the Federal Gov-
ernment that exists today.
pun on p
on thc
Martin Tice between Allred Kinsey's research proce-
Ge Alaska — dures and those of his and Virginia John-
son's, Dr. M says having people
лунду is to be commended for alert demonstrate sexual bel
s rcaders to the very great consumer
risks inherent in the condominium.
conversion process. You will probably be
pleased to know th
ely alter its public:
а course on. condom
versions given by the University of Cali
fornia Extension on October 1
Oakland. Thanks for an
simply talk about it is "a different ball
game.” If the good doctor ever tires of
documenting the sexual proci
Fulton
. New Jersey
enlightening conver-
nd Johnson. Ob-
Y knew who was q
for the past si
¢ happy to continue holding their
if they were
nts period
ms his qualifications. 1 only wish
search. knowledge of Ma and
а Johnson could be taught to all parents
cover their sharply ng so they could pass on the "secrets of
expenses. After all, that is why they got — incredible sex
into the business in the first place; to
hold the buildings for income and, it's
hoped. al appre
problem Irom the buildi:
ob view is that while opera
ТИ be very direct: My husband sub-
scribes to pravnov and when asked by
PLAYBOY, (ISSN 0022-1478), FEBRUARY, 1980, VOLUME 27, NUMBER 2. PUDLISNED MONTHLY BY FLAYROY, PLAYBOY BLOG, 919.
M. MICHIGAN AVE.. CHICAGO, ILL. 60611 SUBSCRIPTIONS: IN THE UNITED STATES AND ITs POSSESSIONS, 339 FOR Зе ISSUES, 320
FON 24 ISSUES, ув FOR TE ISSUES. CANADA, 418 FOR 12 ISSUES, ELSEWHERE, $31 FOR 12 ISSUES. ALLOW 43 DAYS FOR NEW SUP
SCRIPTIONS AND RENEWALS. CHANGE OF ADDRESS: SEND GOTH OLD ARD NEW ADDRESSES TO PLAYBOY, POST OFFICE BOX Z420
BOULDER, COLORADO 80302, AND ALLOW аз DAYS FOR CHANGE. MARKETING: ED CONDON, DIRECTOR / DIRECT MARKETING, MICHAEL
3. MURPHY, CIRCULATION PROMOTION DIRECTOR. ADVERTISING: HENRY м. MARKS, ADVERTISING DIRECTOR, HAROLD рисин. mi.
TIONAL SALES MANAGER: WARK EVENS, ASSOCIATE ADVERTISING MANAGER, RICHARD ATKINS, FASHION ADVERTISING MANAGER, 747
THIRD AVENUE, NEW YORK, NEW YORK 10017; CHICAGO, RUSS WELLER, ASSOCIATE ADVERTISING MANAGER. 949 MORIM MICHIGAN
AVENUE: DETROIT. JESS BALLEW. MANAGER, 818 FISHER BUILDING, LOS ANGELES, STANLEY L, PERKINS, MANAGER, 1721
BEVERLY BOULEVARD: SAN FRANCISCO, ROBERT E. STEPHENS, MANAGER, 417 MONTGOMERY STREET.
COFFEE,
COLA
VIVARIN?
"There are times when
nothing beats a cup of
good, hot coffee or an
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good, and give you the lift
you want.
But if, as the day
wears on, you sometimes
find yourself having coffee
or cola just for the lift,
you really should know
about Vivarin.
Vivarinis the gentle
pick-me-up. The active
ingredient that makes
Vivarin so effective is the
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easy to take tablet.
Next time you want
a lift, pick Vivarin.
It's convenient, inexpensive
and it really works.
Read labd for directions.
13
PLAYBOY
14
me and iny friends why he does, |
the majority of men, his reply
"for the interesting articles.” Well, аз you
must know, the typic ale reaction is
that is bullshit! But now, after reading
the November Playboy Inlerview with
Masters and Johnson (the blurb on the
cover drew me directly to the interview).
Ке back my remark. That interview is
long past duc. АП 1 can say is I'm very
thankful for and pleased with what I
read. The interview says it all. Masters
and Johnson arc two of the most intel
gent and interesting people I have ever
come acros. Thank you again and my
sincere apology for thinking that your
magazine was strictly of voycuristic value.
І also promise to renew my husband's
subscription.
(Name and address
withheld by request)
I appreciate rrAvnov's publishing the
interview, I appreciate James Petersen's
sensitivity to the subjects and subject
matter and I appreciate and have affec-
tion for Masters and. Johnson. I intend
to reread the interview at least once;
and, of course, I will save it, along with
other special Playboy Interviews that I've
been saving over the past ten years.
Kate Jenkins
Forestville, California
After reading your latest interview
I was sur-
with Masters and Jol
son,
who loves to go to bed w
men on weekends, For the first 20 or
men in my life, I w
рет» size. 1 liked not
CLAUDIA
I cannot describe the shock I felt
when I heard the news that Claudia
Jennings had been killed in an auto-
mobile crash on October third. Of all
your Playmates, I can't think of a
single one who has gone on to earn
such a place of distinction and
through her talents and achievements.
Tam certain that, had she had the
time, she would have gone on to gre:
motion-picture stardom. Anyone who
ever saw her in any of her films had
to admit that she displayed great tal-
ent and potential.
Gary R. Hult
Springfield, Illinois
So soon she had to leave our world
1 yet, because of you, she was able
to leave behind а bit of heaven for
the world to share. Thank you aga
for Claudia. I shall never forget he
She was one of the best,
Joe Rosenthal
San Antonio, Texas
Im sure the beauty that she added
10 your pages will be deeply missed,
just as the inner beauty she must
have had as a perse be missed
by those in your organization. I am
truly sorry.
Kevin Davis
Waco, Texas
Claudia Jennings made her first ap-
pearance in these pages in November
1969. While it was her uncommon
beauty that led us to her, it was her
uncommon savvy about the world, her
business and herself. that endeared
her to us. Her selection as Playmate of
the Year for 1970 was a testament
to her complete charm. As a profes-
sional actress, Claudia was just begin-
ning to make her mark. Thirteen
feature films, including such titles as
“Unholy Rollers,” “Truck Stop
Women,” "Gator Bait,” “Moonshine
County Express,” “Deathsport” and
“Fast Company,” established her as a
top box-office attraction. Indeed, she
was affectionately known as The
Queen of the B's. Television audi-
ences, 100, enjoyed her in guest ap-
pearances on such shows as “The
Streets of San Francisco,” “Barnaby
Jones," “Cannon,” “The FBI,” "Iron-
side" and, just recently, "210-Robert."
Asa model, she excelled, too, bringing
the same sense of professionalism to
the still camera as she did to the
movies. Our pictorial “Claudia Ob-
served" in December 1974 is proof
of that as she posed for five of the
best photographers we could find:
Pete Turner, Mario Casilli, J. Fred-
erick Smith, Victor Skrebneski and
David Hamilton. We think her last
appearance, just this past September
in “Claudia Recaptured" and the ac
companying essay by Bruce William-
son, is an especially fitting tribute
to the actress about to become a star.
Claudia was never content to sil and
wish for what she wanted. She went
out and got il. There will never be
anyone like her.
tease it with my fingers and tongue to
see how big I could make it get before it
entered me for the grand clima
I began to pay attention to te:
and to relate it to sexual perforr
have scen and felt all sizes from that of a
cherry or a grape to а jumbo-sized hen's
egg and have concluded that the bigger
the balls, the better the sex. Now 1 am
never happier than when I discover that
my partner for the weekend has really
large testicles, because 1 know I am іп
for an exciting sexual cxperience regard-
less of the size of the penis involved.
Have Masters and Johnson any scientific
data that would confirm or deny my per-
sonal observations?
(Name withheld bı
Lansing, Michigan
While there is no clinical evidence to
relate testicle size to sexual performance,
your own research seems to indicate at
least a subjective theory. That is, if a
big-ball lover finds a lover with big balls,
she'll have a bigger ball with that lover.
You may also be interested to know that
just before orgasm, a man’s testicles in-
crease іп size by up to 50 percent. Which
means that even a dud by your standards
can, with a little help from you, be
brought up to snuff.
HEAVY CHICK
Congratulations on the stunning pic-
torial of Linda Brooks in the November
issue (Carnival Knowledge). There is,
however, one thing that bothers me. In
one shot, lovely Linda is tipping the
scales at over 160 pounds. Either she
hides her weight very well or she's wear-
ing cement shoes
East Lansing, Michigan
That's not a weight scale, Scott, it's
а thermometer. And Linda's one of the
hottest actresses around.
TOAST OF TORONTO
I've often wondered whether or not
I'd head for Canada if the draft were re
instated. Seeing Nove Playmate
Sylvie Garant, however, has lelt no
doubt in my mind. Га be Toronto
bound before my number ever came up!
Steve Hunt
Poway, Califor
прег
The gatefold is а revelation, showing
what a model and a photographer work-
ing together can achieve. Richard Feg-
ley's pale front light combines beautifully
with Sylvie's warm complexion, dark hair
and eyes and red lips to create a roman-
tic quality I've never scen before. The
effect is remarkable and makes her look
like Snow White on her wedding night.
Oh, Sylvie, please let me know you're
still looking for Prince Charming!
Marvin Hawks
Mocksville, North Carolina
Sylvie Garant is intriguing. Ignoring
her particular features, such as her face,
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PLAYBOY
16
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neck, breasts, waist, tummy, back, rear,
legs. kneecaps and the balls of her
feet ing her wholistically and
nonsexually, she has such genuine beauty
at, comparatively, the Mm
that Renoir xquisitely in the
past century ly гери
ant of the ture in Alien.
m Cargal
El Segundo, California
When I saw that Sylvie was one of the
16 finalists in The G ymate Hunt
(PLaynoy, January 1979), I was from that
day forward anticipating her month
a Playmate centerfold. You people did
not let me down.
Nick Evans
"Toronto, Ontario
rrAyBoy has a knack for getting bet-
ter and better, and, believe me, Sylvie
Garant is proof of that.
Dave Daniel
Bagdad. Arizona
Sexy Sylvie Garant has my vote for
Playmate of the Year. How about one
more look to refresh my memory of this
Canadian wonder?
Mike Sebring
Duluth, Minnesota
You must have a very short memory
to forget Sylvie so fast, Mike. Or perhaps
you're just insatiable. In
she is. }
ither case, here
w, this lime, concentrate.
RABBITS ANONYMOUS
1 would just like to say that the cover
of your November issue is Fantastic
Phyllis McCreary's beauty is breath-tak-
ї magazine.
Joseph Portuga
Yonkers, New Y.
On the cover of your November issue,
you went to a lot of trouble to make the
Playboy Rabbit from Phyllis’ kisses. Look
dose and you will see one on her night-
gown between her right leg and her hand.
Bruce Williams
Melrose Park, Illinois
Look instead in the folds of fabric an
inch and a half north of your Rabbit
nd about а half inch southeast of the
lady's right hand. The little devil is very
clear there, right down to his cye and
bow пе.
Richard D. Marmor
Phoenix, Arizona
it’s the position of Phyllis Me
Creary's legs, her legs being the cars, h
knee the head and the back of her thigh
and back of the calf making the cye
Please end this debate.
Stuart Walton
Winston-Salem, North
We'd be happy to, Stuart.
arolina
MAIL CALL
I would like to thank you for the
torial Donovan, at Ease (г\лүвоү, No-
vember). I am a soldier myself, stationed
in West Germany. I regret, though, that
the pictorial isn't long enough. Another
regret is that Colleen is getting out of the
Army. I wish she would transfer to my
unit. It would definitely brighten up my
time in the Service!
Cpl. Roger Willia
APO New York
Thank you for your pictorial Donovan,
at Ease. It's about time someone showed
that women in the Service are not all
ard-core masculine females. I'm in the
Air Force and couldn't be or feel any
more feminine than if I were Playmate
of the Ye
(Name withheld by request)
Ellsworth AFB, South Dakota
I never thought I would ever write to
you, but I opened your November issue
to page 195 and saw Colleen Donovan
She has got to be the most beautiful
and sensuous woman 1 have ever seen
in your mag
racy Woods
West Lafayette, Indiana
T should haye known that sooner or
later PLAYBOY would discover one of the
Army's most closely guarded secrets: Col-
leen Donovan!
Sp/4 Robert McFarland
Vint Hill Farms Station, Virginia
About two weeks ago, we Gls stationed
here in West Germany caught wind of a
photo layout being done on Sp/4 Col
leen Donovan through an article that ap-
peared in the European edition of Stars
© Stripes. PLAYBOY'S November issue hit
the stands
there was a n
stand to check it out. I must say the
photo layout probably did more lor
morale over here than a thousand. pay-
days could have done.
Lt R. L.
U.S. Army
Frankfurt, West Germany
itler
Never have 1 been so disgusted with
PLAYBOY as with your pictorial on Col-
Icen Donovan. Whether Miss Donovan
is in the Army or just recently discharged
is not the point. I think it is the ultimate
in bad taste to portray a female soldier
the way you do. 1 realize that is only
one woman and there are several thou-
sand in the Army who would not de-
grade themselves or the uniform we
proudly wear, but. unfortunately. the way
most people feel is that if one docs it,
we all do it. I personally am not in the
Army to get laid, be sexy or wiggle and
jiggle. I chose to serve my country by
being a professional soldier, proud of
the Army tradition, and TI be god-
damned if 1 let someone like Miss Dono
van trash up what we have so long
fought for.
Rheta К. Montague, Drill Sergeant
rt Dix, New Jersey
AL ease, Sarge; laste and degradation
are in the eyes of the beholder. And the
beholders around here have just as much
pride in the Атту and the uniform with
Donovan in them or with Donovan out Ask for Nocona Boots where quality western boots are sold. Style shown «9052 with Genuine Anaconda Vom;
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of them. As you say, she's one of a kind.
BOTTOMS UP
1 was born with a unique birthmark—
a heart on my backside. A real love
child from the word go. When they call
me swectli
heart. No one can ever say 1 was born
t, L know they mean sweet
without a heart or “Her heart's in the
wrong place." I'm afraid, though I'd
love to show it off, I'l have to remain
Miss Anonymous,
(Name and address
withheld by request)
It is a rather special birthmark, Miss
Anonymous, No one can say you wear
your heart on your sleeve. Happy Valen-
tine's Day.
КАНША & Coffee. Oooh.
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17
ADVERTISEMENT
THE INFERNAL TRIANGLE
Sneak preview of “SATURN 3,” a scary new science fiction thriller
casting Farrah Fawcett in the middle of a bizarre romantic rivalry
between Kirk Douglas and a lust- crazed robot.
The "other" man, that moustache-twirling interloper of
love stones since time immemorial has always been a bit of a
bastard, and often a sorry excuse fora human being. But at
least he's been flesh and blood. In “Saturn 510 million
Lord Grade space spectacular set 300 years in the future,
hes been updated into а y eight-foot z
droid named Hector whos likely to alienate audiences even
more emphatically than the unattractive anti-hero of
“Alien.” Hector—with his deranged creator (Harvey
Keitel)—end the idyllic isolation of scientists Adam (Kirk
Douglas) and Alex(Farrah Fawcett) by landing оп a satel
lite space station of Saturn where they have been living
alone as lovers and working as scientist colleagues. For sev-
eral years, they have been conducting hydroponic
PEPE]
Enjoying a final interlude of loving intimacy before the serenity of their extraterrestrial Eden is violated by intruders, Ad
(Kirk Douglas) and Alex (Farrah Fawcett) lounge together in their space quarters, share a shi
research to synthesize a protein nutrient that will feed a
starving Earth that can no longer support its swelling
population. Keitel has brought Hector to help them expe-
dite their work, but he spends most of his time leching after
Farrah—and inadvertently programs Hector (which he
does via direct “brain drain” through a hole in the back of
his neck) —to feel the same unrequited lust. When Keitel is
murdered by his futuristic Frankenstein monster, Adam
and Hector are locked in a deadly ducl of wills over Alcx.
Producer Stanley Donen won't say who wins fair Farrah in
the end, but "Saturn 37 overflows with enough terrifying
twists —previewed on these pages prior to its release Feb-
ruary 15-1 keep you riveted until the final frame.
lam
ower, an outer space bath
towel, and then—reassuring из that even in outer space three centuries from now, some things will never change—savor
the pleasure of one another's company in bed.
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ы —— ES —— o o! а
Hector, the awesome automaton—eight feet of steel and several miles of circuitr y—is introduced to his skeptical hasts, who
find not only the robot's size disquieting but his heodless gaze thot peers from a poir of electronic lenses perched bug-like
on metol feelers.
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Progrommed to absorb the demented James’ every thought, the robot also acquires his creator's taste in women—
including a powerful and perverse lust for Alex. іп spite of Adam's reassurance, she Is terrified of the silent Hector.
Somehow the android conveys the menace and morbid fascinotion she has also sensed inthe evi
No o.
en TT,
In а frenzy of jeolous desire, the robot relentlessly pursues Alex and Adam through a moze of duct-like corridors thot
criss-cross the loboratory complex. Even his creator Jomes is terrified of the mechonical "Hulk" gone berserk.
Together, Adom and Jomes manoge to disarm Hector—and frantically dismontie him. But when Hector's still-functioning
broin activotes three other resident robots to reassemble him, he dismembers James limb by limb—ina grisly imitation of
whot hod been done to him—ond sets out on the rampage once again. Adam finally has to take him on alone іп o life-or-
death struggle between flesh and metol—the ultimate confrontation between mon and machine.
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Following the brutal murder of James, the menacing Hector overpowers Adam ond sets out after Alex. There Is no doubt
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Hector? The answers are available at о theatre near you on Februory 15th.
PLAYBOY
mix pleasure with b
Rossi Dry on th
If the talk is serious, |
vat least keep your cocktail
оп the light side. Make it
your business to order
| Martini & Rossi Dry
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M,
ee
PLAYBOY AFTER HOURS
CLOSE ENOUGH
"There's nothing more confusing than
landing in a strange city and then trying
10 track down your luggage at a crowded
airport. Well, photographer Mark Gubin
has seen fit to add а bit of extra confu.
sion to the lives of passengers aboard
planes heading for Milwaukee's Mitchell
Field. On his studio roof, near the ap-
proach cheerfully
printed in large block letters: WELCOME
TO CLEVELAND, Scares the hell out of
hijackers, too.
to the airport, is
PAINTED BIRDS
They don't let women in New York's
Century Club,
membership prides itself in being а good
judge of fine feminine forms. At least,
they all did until author and dub mem-
ber Jerzy Kosinski showed up. Kosinski
decided to participate in a members-only
photography exhibit. And there
among photos of trees and kids, ap-
peared three of his pictures of exotic,
hig-breasted The snaps,
titled Woman 1, Woman 2 and Woman
3, delighted viewers until someone
leaked the information that Kosinski's
trio of lovely ladies wasn't composed of
ladies at all but of transsexi
Century Club members were shocked.
Kosinski quite — philosophical
“They're perfectly beautiful and femi-
nine,” he said. "But genetically, they're
men." When confronted by his stunned
peers, the author merely shrugged. “The
law has never defined sexuality, Why
should 12"
Beats us, Jerzy. But give
you change your mind
[though its prestigious
so,
nude women.
was
as a call if
ALTERNATIVE ENERGY: SOVIET STYLE
While American scientists debate the
pros and cons of gasohol, a mixture ol
gasoline and alcohol, a Russian coal
miner has proved. without a doubt, that
you can get more miles to the gallon by
using pure vodka. Aleksandr Markeev,
after polishing off two bottes of the
stuff, fell asleep in his boat. Without
knowing it. he drifted across more than
100 miles of ocean, taking him from Si-
an. Waking up off the shore
beria to Ja
of Hokkaido, Aleksandr immediately
spotted a small fleet of local fishermen
curiously approaching his vessel. Fearing
an invasion of Mother Russia, he fired а
shotgun off into the air. He was prompt-
ly arrested by Japanese police, who
didn't think much of his rci kable
voyage. Thats OK, Alek, the Depart-
ment of Energy has its off days, too.
.
The Washington Ром that
during a Silver Spring, Maryland, high
school class's study of onomatopocic
words—those like hush or jangle, formed
to imitate natural sounds—the teacher
asked a young (Пом to define onomato
reports
poeia. "That's Spanish,” he replied, “for
“I have to go to the bathroom.’ ”
BYE, BYE, CHEESECAKE
Ted Griffin, director of the Conven-
tion and Authority іп Miami
Beach, will forever live in infamy in the
hearts of surf-cutie connoisseurs. Griffin
has ordered all his staff. photographers
to stop snapping those hot little promo-
tional pictures of young beach bunnies
on the Florida sands, calling the prac-
tice "out of style." Out of style, maybe,
but not out of mind
Visitors
LONG-DISTANCE MINK
In New York, some joggers have found
a way not only to keep their bodies in
shape but to slim down their walle
well. Bloomingdale's is now offering an
all-mink warm-up suit for the très chic to
as
sweat im. Dyed blue with red stripes,
the outfit lists at 510,000. One catch,
though. The suits are sold only in size
eight. The store's attitude: If they're
not loaded and lean—let them wear
polyester.
BUSS STOP.
A shapely British schoolgirl, described
as "an Il-year-old nymphomaniac,” fol-
lowed a shy Irish bus conductor home
from work in London and wooed him
into bed because, she later explained, she
had a thing for men in uniform. The 29.
year-old conductor, who had scored in
ihe sack on only one previous occa-
sion, was arrested. for doing vile thi
to a minor. The minor, however, was
jor by sympathetic Lord
Justice Shaw. He freed the still stunned
bus conductor, saying that the lad
no match the young
It seems that the girl had herself been
seduced at the age of eight and had since
taken 12 The bus conductor's
deemed a ma
was
for temptress
lovers.
23
PLAYBOY
24
only defense was the fact that he thought
the girl was over the age of 16 because
she was taller than he wa
MOVING VIOLATION
Gee, patriotism sure ain't what it used
to be. Just ask 17-year-old Frank De
Siena, president of Boys’ Nation in Al-
bany, New York, Touring Wa
D.C, with a group of fellow str
rows, Frank paused at the Jefferson
Memorial with the other fellows. Frank's
mom picks up the story from there:
“They were looking around, reading the
plaques, when they became so over-
whelmed with patriotism that they began
to sing God Bless America and mı
Less overwhelmed was a National Park
Service officer on duty, who told the
guys to piss off. They needed a permit
to sing there. The boys finished their
outside the monument. Frank's mom
mptly complained to the National
Capital Parks director, informing him
menacingly: “Next year, they're voting."
HIS LAST BROKEN PLAY
Robert Rogez, a 145-pound high school
or, was tossed onto the ground di
the opening minutes of the Purcell,
Oklahoma, football-season He
heard something crack and was taken
out of the game with a sore neck. Re-
turning a few plays later, he finished
the game with nine Мез and a 33
yard runback of a pass interception.
Taken to a hospital later, he was told
that his football days were over forever.
He had broken his neck. “I just figured
it was jammed,” he explained.
opener.
І HAVE A СОВ
If you laughed when Woody Allen
bungled his famous stickup in Take
the Money and Run, youll probably
appreciate the plight of Richard Asup
and Victor Woods in their two-trip hold.
up attempt that wound up resembling
a Bonnie and Clyde Meets Abbott and
Costello film festival. Asup, on the first
attempt, had literally to be pushed into
the bank and urged to hold it up by his
companion. Pulling an obviously toy
gun, the approached a teller
Clutching his gun, he lost his nerve and
wound up asking directions before run-
ning out.
A few hours Lucr, по longe
with his pl
nto the
w
robber
armed
stic weapon, Asup walked
ame bank. Unfortunately, it
now swarming with plainclothes di
tectives. Strolling up to a teller, Asup
sed her a note. It was illegible
What docs this mean?” the teller
ked.
“This means it's a bank stick-up,
Asup explained.
The teller held the note above her
head. “This guy just passed me a note,”
she announced. At that point, others ii
the bank recognized the toy-pistol bandit
and, pointing their fingers at him, an-
nounced in unison, “That's him!” Asup
was jumped by a detective.
Meanwhile, outside the bank, whecl-
man Woods sat stoically in the getaway
car when he was approached by a
cop. "Can I help you?" Woods politely
the cop politely replied,
out of the car. You're under arrest.
On the front seat of the car, Ше police
found the toy gun Азир had decided
not to use in his second try. Unchorco-
graphed crime does not рау.
get
CHECKING IN
Barry White тау have the deepest voice
іп popular celebration. of
White's new album, “Sheet Music.” we
asked Associate Editor Walter L. Lowe
to talk with him at his mansion in Sher-
man Oaks, California.
PLAYBOY: How old were you when your
voice changed?
машты: E
music. In
1. I went to bed on a
Tuesday night and оп Wednesday morn
ing it happened. ГЇ never forget it.
Every morning, my brother and I would
get up and say, "Good mornin’, Mom-
ma, how you doi sday
morning, I rolled out and said, “Good
mornin’, Momma." Scared the shit out
urte
of her. Scared the shit out of me, be-
cause I could hear the vibra
th hed, she cried. She said,
“Lawd, my baby's now a man!” And we
e it to anyone in the family.
Nobody's voice in my family deep
nobodys. Its tremendously
The resonance is incredible.
pLavwoy: We've heard that some re-
search indicates that blacks have deeper
and more resonant voices than whites
because they are more relaxed in the
he more deeply. Do
you believe tha Are there any white
singers you admire?
as mine,
deep, man
I know for a fact blacks have
and stronger voices. The only
1 can think of that 1
nkie Valli and Frank
admire
si
PLAYBoY: Do you listen to disco music
much?
wire: No, D listen (o jaz. Ahmad
Jamal, John Сойтапе, Miles Davis. Му
iC artist right now is Hank
Crawford.
PLAYnoy: What inspires your lyrics?
мате: There's no one certain thing. А
true creator is inspired by many facets
of life, ‘cause there's many things
going on
PLAYBOY: Do you believe in life after
death
wuite; No, not at all. 1 know this is it
If a man goes out and tries to do some-
thing and he hits it, his heaven. If.
he don't, he's catchin’ hell just the same.
So what the hell is the difference?
Heaven, hell, whatever those words
mean, are right here on earth.
PLAynoy: Do you believe in
saucers?
warre: Oh, yeah.
other рі
flying
specially beings from
I've been shown in
my 35 y nothing's impossible
Too many people have seen them. And
I know enough about the Government
to know that even when you know you
saw them, they make you feel like you
didn't.
PLAYBOY: What's your favorite drink?
тапты Don't have onc. Fm probably
one of the few people in the record
business who don't drink. Don't take
drugs of any kind. All I do is smoke
cigarettes and make music. Em just
normal dude, man. I don’t get into that
other freaky shi
pLayuoy: Have you ever been in
ical fight?
маште: Oh, shit, yeah, I've had 11 physi-
cal fights in my whole life. Won every
one ol them.
:OWI
phys-
PLAYBO
s your
Baskin-Robbins’ cherry vanilla.
PLAYBOY: Do you wear boxer shorts or
Jockey shorts?
wurre: Boxer shorts.
Аувоу: Do you dance much?
к: Now But 1 used to be a
iller on the floor. I'm talkin’ about a
young kid who could really dance,
But as the years went by, Iri
didn’t want to dance anymore. But you
can feel my dancing in my music.
LAYBOY: Do you watch television?
wire: Oh, hell, yeah, I'm a freak for
television, The old movies, not the new
shows. I'm a James Cagney, Humphrey
Bogart, Edward С. Robinson, Betty
Grable, Marlene Dietrich, Carole Lom-
bard Гап.
PLAvuoy: What's your favorite р
take а vacation?
wure: Vegas. I'm probably one of the
ore
to
©1979 Toyota Motor Sales, U.S.A.. Ine
Tap the power assisted front
disc brakes. Haul it down for the turn.
Now, the straight beckons. Power on,
the tach climbs...
The Celica GT Liftback. A
unique combination of the fantastic,
and the practical. What other саг
can inspire such feelings, yet be
bought and maintained without
remortgaging the house?
And this year, the new 1980
THE CELICA GT LIFTBACK.
LEAN, CLEAN,
AND ALITTLE BIL,
MEAN.
Celica comes even closer to the
perfect melding of excitement and
affordability.
The front end is restyled. It's
longer, bolder, more suggestive of
the power waiting in the 2.2 liter
overhead cam engine. Outside
mirrors are faired into the wind-
shield pillar. Powerful quartz
halogen high beam headlights are
standard, too.
Inside, the redesigned seats
offer more side support during hard
comering. Of course, the features
that have long made the Celica GT
such a good value (like a 5-speed
overdrive transmission, AM/FM
stereo radio and full instrumentation)
are still standard
The Celica GT Liftback. It's
lean and clean and a little bit mean
Make it your machine
PLAYBOY
26
HOW TO GET THROUGH TO
ALMOST ANYBODY, ANY TIME
TE comes a time
a person's busi-
ness life when he
absolutely must get
through on the tele-
phone to someone
who is far more im-
portant and busy
than he is. And that
person's secretary
will do everything
she possibly can to
see that he doesn't
There's a rcason
for that. If truly im-
portant executives re-
turned all the phone
calls they received,
they would never get
their work done. Im
portant people talk
only to names they
recognize. Although
you may sympathize
with this attitude, it
doesn't do you one
bit of good.
Неге, then, are some
how to get through.
Beginner Ploys
“Tm calling to pay back the 5500 I
owe him."
"Em calling to find out what. his
intentions are toward my daughter
'm calling about his gambling
debts.’
“This is his computer dating ser
ісе. We have a really hot, new referral
for 1
"He's attending the $1000-a-plate
fund-raising dinner next Thursday,
and I have to ask him if he wants
irloin steak, fish or creamed chipped
beef on toast
“It's about our fender-bender oc
currence last night. Would he rather
settle for $50 or should I turn it over
?1 think I have whiplash.
Fawcett is dining
house Thursday night and ha
pressed an interest in meeting hi
“This is the bank. He asked us to
call if the yen went over 230 and it’s
going through the roof today
“He is ni spondent i
a divorce suit being filed.
“I want to buy him a drink to
thank him for the favor he did me last
week.” (IE he doesn’t recognize your
name—and he won't—that will really
boggle him.)
Meaner and Tougher
"TII give him су two hours to
call me back. Then I'm going to the
police with what 1 know.
uggestions оп
ned
cor
“We're on our way
to his home. Does he
want us to dump the
50 yards of cement
in his front or back
yard?”
"I have to ask him
a few questions to
determine if he's the
missing heir to a
$1,000,000 fortune.
“My daughter says
he's the father of her
baby.
“He didn’t attend
the [name of any
club here] meeting
last week and they
elected him presi-
dent as well as mem-
bership chairman in
absentia. Y want to
know if he'd like
me to help him
out with the member-
ship chores.”
(Or. if you're а woman, or can get
a woman to help.) “This is the stew-
ardess he met on his flight last month.
He asked me to call.
“We're leaving in five minutes to
fumigate his house. It's just a remind-
er that he can't come home for three
days. But we'd I him to call and
confirm
“His wife is here at the XYZ fur
shop and I need his OK on her
check for $45,000.
"It's about his taxes.”
Really Desperate Tactics
Many secretaries will
helping you by asking,
him what this is about?’
Answer by saying cheerfully, “Oh,
by all means.” Then launch into your
spiel. Let your story ramble. Fill it
if possible, with scientific or engineer-
ing gobbledygook, or obscure terms
from your own business. М it so
dramatic, compli nd confusing
that the secretary recognize its
urgency (and also the fact that you
e talking completely over her head)
and will put her boss on the phonc.
One cautionary note: The mood
your man when he returns. your
call may not be pleasant. It's then
wp to you to convince him of the
legitimacy of your need to talk with
him—and the fact that his secretary
has hopelessly botched up his message.
Your secretary must be crazy. This is
Mr of Co.” And if
that doesn't wor icefully charm
him out of his " sense of hu
mor." Good luck. —AURIEL DOUGLAS
few people in the world who can go
there without gambling. I can go there
and stay in my room for three or four
days and never leave. But when I go to
gamble, I go to get ‘em. I take 40 grand.
Aside from Vegas, I like to go out on
the ocean on my boat, or visit my ranch
in Hidden Valley, where I raise horses.
PLAyBoY: Do you sing in the shower?
WHITE: Never have. I've been afraid of
showers ай my life, hearing about
people slipping in them. To me, that
in't no place to be singing.
PLAynoy: Do you have any other fears?
winter: Definitely a fear of the shower.
Also, I don't like to fly at night, because
І always say if the plane's in trouble,
maybe I can see something the pilot
doesn’t see. But if its dark, shit, I'm
just as much at God's mercy as he is
PLAYwOY: How old were you when you
lost your virg nd how was it
WHITE: I was 15 and it wasn't shit. I was
dealing with а broad who didn't know
nothing. So I went out and bought some
books and started reading up on my
thing.
PLAYBOY: When you were young, did
you believe in the Easter bunny?
warre: D believed in the Easter bunny
and I believed in Santa Claus until my
brother and I busted my daddy on
Chrisumas Eve. We set out some sod:
and stayed up to see Santa Claus drink
them. There was my old m:
the shit and that was the end of that.
inity
.
Boogie fever may be sweeping the na-
tion, but it hasn't hit the tiny hamlet of
Disco, Ilinois, as yet. "Disco h bcen
here a lot longer than disco,” says Lucille
Smith, a native of the town nd Disco
still will be here when disco is gone.
Who needs disco in Disco, anyway?”
Lucille says that the town’s 50 residents
are quite content marching to the beat
ol a nonexistent dru “Absolutely
nothing is going on at night around here
except an occasional
First Methodist
ir at the nearby
she beams.
LAST CHARACTER ACTOR
Actress Kristy (Family) McNichol
doesn't seem to feel the urge to follow in
the footsteps of such famed character
actors аз Lon Chaney, sometimes known
as the Man of a Thousand Faces. Said
17-year-old Kristy recently: “I've never
played anyone older than I am. It would
be impossible, anyhow. My body is very
Hat" No sweat, Kristy. Chane
really have a hunchback. Honest.
didn't
QUOTE OF THE MONTH
When asked why he married so often
Norman Mailer replied: "To get di-
vorced. You don't know anything about
à woman until you meet her in court.”
acomputer to get bass L
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28
TELEVISION
ould you believe that one of the
W^ enticing bundles from Britain
to be aired by PBS early this year will
include а four-week-long, four-hour tele-
play based on Rebecca? In the suspense
realm, of course, nobody does it better
than Alfred Hitchcock, whose 1940 ver-
sion of the Daphne du Maurier novel is
certified film classic. This time around,
Jeremy Brett (looking very Olivier) aud
Joanna David costar in a faithful, ro-
mantic and surprisingly effective re-
ke. True, the solid Rebecca it has
sent over relies on rich realistic detail
to disguise the absence оГ genius. So
why bother? That's a good question. The
answer must be that Rebecca, which
doesn't get under way until March, may
reach a whole new audience as the third
offering in a series called Mystery!
To launch Mystery! (on Tuesday, Feb-
ruary 5, at 9 р.м. EST, but check local
PBS outlets), Malcolm McDowell and
ileen Atkins top the bill of She Fell
Among Thieves, а сатру 90-minute
thriller that has caves, castles, car chases
and ап arch-villainess named Vanity
g a bookish English squire is
tial to full enjoyment, but it
r more likely to captivate Amer-
ican audiences is Rumpole of the Bailey,
the follow-up four-week series starring
Leo McKern as a portly. gin-swigging
London barrister who spoofs courtroom
drama wih case he bumbles
through. “Lawyers and tarts.” he wheezes,
“the two oldest professions in the
world, and we always aim to please.” At
worst, McKern and the cast of caricatures
around him are funnier than nine out
of ten sitcom clowns at their best.
Any viewer who stays with the series
through Rumpole and Rebecca will prob-
ably hang on for The Racing Game,
three one-hour shows set at the track
every
(and written by Dick Francis, а retired
royal jockey). After that comes Scotland
Yard's Sergeant Cribb, crime bust
g in
Victorian England, reportedly
tallyho and tuttut, thou
able for previewing
.
Millions of Americans аге too young
to remember the eve recalled in Ed-
ward and Mrs. Simpson, and I suspect that
millions more simply do not give a
damn about the English. monarch who
quit his throne to marry а commoner
back in T Their story has been told
before on tclevision—certainly in docu-
mentary form and once, | think, in a
starr
ization ng Faye Dunaway
4c 1. The six-part
Mobil Showcase series opening on J
wary 21 stars Edward Fox as Edward
VIII, who gave up his kingdom for a
dlotheshorse—American divorcee Wallis
awa
per
Rebecca's Joanna David, Jeremy Brett.
PBS slates some superb
(as usual) British fare,
plus (for a change) Americana.
l ED f
, Fox as the Windsors.
son. And there’s the unspoken truth
that adds a cutting edge to this bitter-
sweet saga and to Cynthia Harris! sub-
tly bitchy portrayal of Mrs. Simpson as
а snobbish, ruthless, fiercely ambitious
social climber who was ready to chal-
lenge England’s constitution—and might
have revoked the Magna Charta, if need
order to win herself a crown.
Both Fox апа Harris are superb at play-
ing a pair of highly privileged lounge
lizards, neither of them noble enough to
fill the bill as the most famous star-
crossed lovers since Romeo and what's-
hername. Edward is a refreshingly
cynical slice of modern history, though
your patience may be taxed, week alter
ess you 1 ble curi
osity about the English ruling class.
.
Dedicated Anglophiles have found a
new home on public television, where
bor in:
the best of everything often happens to
he made in England. Far be it from me
to sneer at good British woolens. Wat
neys beer or the BBC. Nevertheless,
when there's some native product equal
in quality to any of the TV imports,
you want to put your feet up and settle
down with it—with a cold beer in
hand—like a 'ankee tourist. back
from extensive t road. That's the
sort of rclief afforded by The American
Short Story series, introduced in 1977 and
starting а new season with a new batch
of eight meticulously adapted classics on
Monday, February 4 9 ww. EST
(again, check local listings). In Ring
Lardners The Golden Honeymoon.
which will launch the series, director
Noel Black (best known for Pretty Poi-
son) skillfully guides Teresa Wright and
James Whitmore through a delicat
vintage comedy about ап old couple
arguing away their second honeymoon
in St. Petersburg, Florida, back in the
Twenties, when “$4.20 for two little sir-
Joins” was considered highway robbery
Subsequent works by Twain, Faulk-
ner, Hawthorne, Thurber and such
literary lights will continue on Mondays
through March 17. after which American
Short Story begins repeat telecasts of its
1977 season series. Anything it does may
have to be measured against Paul's Case,
by Willa Cather, the excellent Februa
11 show, directed by Lamont Johnson
with young Eric Roberts proving that
his flashy debut in King of the Gypsies
was no fluke. As а dreamy turi-of-the-
century schoolboy whose passion for art,
music and New York theater prompts
him to abscond from Pittsburgh with
52000, Roberts wears his vulnerability
like an open wound. He's a stifled poet,
longing lor the finer things so palpably
that it hurts On February 18, Brad
Davis and Carol Kane romp into Thur
bers The Greatest Man in the World,
a satire about hero worship—with Davis
just dandy as a fairly loathsome drunk-
en or who "s а round-the-
world flight to make Lindbergh look
like a sap.
To play back all the series highlights
is impossible here. Tommy Lee Jones in
Faulkner's Barn Burning finds his sullen
strength put to better use than ever
before on film. Among other dependable
actors in the wings are Kristoffer Tabori,
Kathleen Beller, Geraldine Fitzgerald
amd Robert Preston. Valid objections
could be raised to the very idea of put
ting great short stories on televisi
the first place, since watching them un-
doubtedly takes as much t
them. There are still people who read,
n in
as read
however, and televi attractive
iddlebrow. level ion as a
commercial for good books. ам
EARLY TIMES.
THE WAY IT WAS, IS THE WAY ITIS.
1 i
1870. The first transcontinental train trip.
On May 23, eight of the most elegant
train cars America had ever seen
steamed ош of Boston for the Pacific Coast,
ith 129 distinguished guests aboard.
And when they gathered to celebrate
in the mahogany paneled smoker,
what other Kentucky whisky would have
been more appropriate than Early Times?
Today, its smoothness is just as prized.
Because we're still slow-distilling it the same
way we did in 1860. So you don't have to
look back to the good old days. You can look
forward to its great taste tonight.
|86 OR80 PROOF EARLY TIMES DISTILLERY СО. LOUISVILLE, КҮ.
© 1979.
1979 R- J. Reynolds Tobsceo Со.
When your taste
Winston out
AN.
BOX: 19 mg. tar 1.3 mg;mcotine; KINGS20 Mg: "Tar
13 mg. nicotine, av. per cigarette, FIC Report yav 78.
$
е
Warning: The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health
!
À t
grows ир,
tastes them
My im, i
3 { А N А 97у
iOnly Winstons-Sun-Rich" Blen
of the choicest, richest tobaccos
tastes this full and satisfying.
s 'Winston-after Winston.
all
ш
4
32
се bewi
y resembl:
А Janis орі!
The Rose¥¥¥ is more than coincidental,
though comparisons are not especially
important to the movie made by ¢
Mark Rydell from a story and screenplay
credited to Michael (The Deer Hunter)
Cimino, among others. Achievements in
cinematography are so usual nowadays
that they can almost be taken for grant-
ed, though the work of Vilmos Zsigmond
still stands apart. If it's nothing else,
The Rose is gorgeously filmed. It hap-
pens to be something else, however;
above all, a spectacular movie debut for
Midler as the down-home, stomping su-
perslut who publicly shrieks that the
best things in Ше are "drugs, sex and
rock 'п' roll!" Of course, what The Rose
really wants is love, and she damned
near finds it in this tinselly, tough-mind-
ed, entertaining soap opera about the
dedine and fall and ultimate demise of
a big pop star. Take it from one who has
never been an ardent. Midler camp fol-
lower, Ше lady has style and. dramatic
power to burn. Watching her burn
them at both ends is impressive. for she
whips through a series of showstopping
Scenes—musical and vonmusical—that
spell out Oscar nomination in neon.
Like Barbra Streisand in Funny Girl
and Di Ros in Lady Sings the
Blues, Midler is striking pay dirt in this
role and she goes for broke. Equally
good, if much less noisy, Frederic For-
rest vaults closer to moviedom’s glittery
prizes, too, as the good ole country boy
who's chaufleuring limo when The
Rose picks him to be her main man.
He's also a kind of antidote to the star's
ger, а Svengali
ruthless
gre
р
y mai
yed by Alan Bates in reasonable fac-
simile of every pop-music promoter since
God created rock.
The Rose’s story is downhill from
start to finish: а world of stoned, empty-
faced musicians surrounded by anony-
mous groupies. Streisand's A Star Is Born
was pure rd compared with the
Midler portrait of an angry, immaturc
жай.
cus
.
If there is a better American movie
ctor to be сеп anywhere than Robert
Duvall in Apocalypse Now, it would
most likely be Robert Duvall in The Great
SonüniYYY, For the first time—and high
time, too—Duvall has won тор star bill-
Marine Corps. fighter
pilot named Bull Meechum, nicknamed
Great Santini, a role not far in spirit
from his vivid showstopping stint as
Colonel Kilgore, the surtobsessed war
lover of Apocalypse. Meechum could
casily be Kilgore declawed, during
the early Sixties when there were no
towns to search and destroy or dogfights
ng to portray
MOVIES
The Rose finds her Forrest.
Miss M's divine in The Rose;
Duvall, Hoffman and Streep
score points, too.
Kramer's Dustin, Justin and Meryl.
to win. It's peacetime at an air base near
Beaufort, South Carolina, and Mecchum
the flying асе must invent enemies for
Santini, his ideslized warrior self, who
attacks every problem with heavy artil-
ley. Writer-direcior Lewis John Car-
line's perceptive adaptation of the novel
by Pat Conroy affords anguished, inti-
mate glimpses into the private world
ol a professional soldier who rules
his own home as if it were boot camp.
He browheats his wile, pushes his teen-
aged son so relentlessly—he will not
permit his boy то be а Toser—that at one
point he disrupts a high school basket-
nore hell than С
ball game, r en-
eral Patton in the thick of World War
Two. Duvall gets strong support from
Blythe Danner, shrewdly underplaying a
wife whose gentleness is her strength;
ad he nearly meets his equal in the boy,
young Michael O'Keefe, a scene stealer
even against two such pros. Stan Shaw as
Toomer, O'Keefe's black chum featured
ing
in a crucial subplot, is also fine. Admit-
tedly, I'm a Duvall fan, yet this minor
drama of toe-to-toe confrontation be-
tween a rigidly programed father and
a rebellious son who loves him but won't
obey him could make it on substance
even without Duvall's gritty, low
brand of stardust
.
Writerdirector Robert Benton's Kra-
mer vs. Kramer¥¥¥ (from the novel by
Avery Corman) lifts а bitter custody bat-
Ue into higher orbit as ап emotionally
supercharged baule of the sexes Ou
the lower level, its an erratic, manipu-
lative marital drama made memorable
knock-'em-dead courtroom
scencs—Dustin Hollman and Meryl
Streep taking turns on the stand as if
they were out to win qualifying heats
for Best Actor, with further testimony
from perennially splendid Jane Alexan-
der, as a close and overwrought friend
of the broken family. While we're on
the subject of actors, Kramer also intro-
duces two Justin
Henry, the most unaffectedly charming
movie moppet I have seen in several
years, as the split couple's son, and Jo-
beth Williams, as a girl at the office who
brings Hoffman temporary comfort from
the pangs of single parenthood,
Between the crackling lines, this
movie never quite conceals its heart of
gold, yet Kramer vs. Kramer is much
more than a blow-by-blow description of
American style. The divorce
self gets such short shrift that you may
feel there's a g- Instead,
Benton draws а tandem portrait of the
new American male, a sensitive softy,
and the liberated new American woman.
He's Mr. Vulnerable, who discovers he
would rather be both father and mother
to his son than a big wheel in the ad
game; she’s a useless appendage who de-
serw her husband and child when she
by several
notable newcomers.
divorce,
scene missin
Giving calls for genius.
—OMD 138C
Nothing else feels like real gold ar
Giving real gold means giving Karat Gold. Personal, beautiful—anytime, anywhere. Karat Gold Jewelry. 1
PLAYBOY
Association Presents
‘Pure Lunacy’ in
Commemoration of the
10th Anniversary of Man’s
Landing on the Moon.
The aforesaid planetary satellite, at a distance of 30
earths from where you read, is hereby offered to the
public. Shun the petty and paltry pebbles you have until
now sought. What stones on your love's nimble digits
can compare with the greatest rock you've ever seen.
Try twirling a certified, bona fide and qualified deed to
the man's green fromage on your forefinger. Cease
your mooning around the housein your everyday world!
Why get salt in your eye when you can swim in the
romance of Mare Tranquillitatis! Get next to a real rille.
Make a mascon your mascot. How will you rate your
crater; with dimples, eumorphic and smoothly sculpted
or completely denuded? Check out Plato, or the man
with the golden nose: Tycho. Spend a little time with a
piece of Copernicus' mind and your moon. Make your
hound howl when you mount your papyrus over your
moontle. And peruse your mini-moonual crammed
with moonsciousness expanding moonsense. and little
The moon will be sold this decade.
D.R. Vail
understood facts. Exempli Gratia — Did you know that
your albedo is roughly the same as the moon's.
On this momoontous occasion grab your stylus.
take a moment out and shoot for it. Please allow
27.32166 days for delivery of the dirty deed. This offer
null. void and mooningless to any persons less than one
month of age.
Furthermore. $1.00 of the price will be set aside in trust to further
specilic efforts to enable all deedholders to visit their lunar estate. The
scheduled due date is one saros cycle (18.6 yrs) тот today. A separate.
trust account will receive $.32 from each contribution. which proceeds. in
toto, shall be utilized to alleviate world hunger.
Thank you.
Lunatics Amoonymous
MAIL THE COUPON BELOW TO:
LUNAR LAND ASSOCIATION, P.O. Box 486, Malibu CA 90265
=
| Yes, I would like to receive my Personalized Lunar Deed,
| affirming my comic and cosmic consciousness.
| am enclosing $16.32 per deed.
Check Enclosed O Total Deeds
| Money Order Enclosed O Total Fees
1
|
Мате
Address. = йе Zip
Mail to: Lunar Land Association, Р.О. Box 486, Malibu, Califomia 90265
To the historic first 1,000 moon pioneers, Commander Kallas is pleased to announce window seats on the
inaugural flight of the Moonflower as well as engraved names for the esteemed 1,000 on a slab of basalt.
realizes that she cannot be anything to
anyone without first establishing he
own identity. By the time she reappears
in the story a couple of reels later—
wiser, more womanly, wanting her child
back and earning more money than her
astonished former husband—ivs clear
that the force is with her. Conquering
the handicaps inherent in а role that.
makes her look like a neurotic, self-
orbed bitch at the outset, Streep
winds up smelling like a rose and look-
ing as much like ап old-style, bigtime
movie star as any actress on the horizon
She'll wring you out. The kind of con-
temporary role switching depicted here
touches many of us ез where it
stings. There's a lot of pain expressed,
yet Kramer succeeds too well to be clas-
sified as а tearjerker—because the pain
real, alleviated by touches of credible
human comedy. Substantial credit for
that goes to Hoffman, whose career has
not exactly been zooming recently. Now
he can move straight back to the head
of the class.
.
Writer-director Steven H. Stern's Run-
singYY might well be described as the
thinking man's Rocky. Essentially much,
much better and more honest than Rocky
but with none of the broad emotional
grandstanding that guarantees money in
the till. Michael Douglas, who walks soft-
ly but surely in father Kirk's footsteps,
delivers a creditable low-key perform-
ance as Michael Andropolis, a hand-
some ne'er-do-well who has dropped out
of law school, medical school, marriage,
fatherhood and many another adult
‘ibility. Hes a Greel-American
hearing gilts that often feel like empty
boxes; his one link to a noble ancestral
age is a burning desire to qualify for
the Olympic Marathon, to win at the
Olympics in Montreal, Meanwhile, An-
dropolis holes up in a dingy Manhattan
apartment hotel, an embarrassment to
his kids and a heartache to his wile
(Susan Anspach), who is rather reluctant-
ly divorcing him. Intelligent, engrossing,
even poetic in its orchestration of hard
runs and punishing rest stops, Running
i ha sequence, but
not to single out winners and losers.
as plays a man who runs for his
to survive, to salvage what's left of
self-esteem amd relationships. Still
sounds a lot like Rocky, huh? The dit-
ference is that Stern makes the symbolism
seem unforced in a story about a jock
who's got trouble because he's complex
not because he's a simple one-cylinder
slob,
.
Underdogs are definitely as movie
heroes, all graduates of a trendy school
of thought that I think of as the Stallone
school. 105 a str
Some lovable loser wins big or busts a
gut trying to, while thousands cheer,
Шу to thunderous orchestral accom-
Michael Douglas in Running.
Struggle and self-sacrifice,
with Douglas as a marathoner,
Deacon as a bloodless Christ.
Brian Deacon as Jesus.
paniment. The Black Stallion¥¥¥2
under Francis
with Coppol
ducer, and
ppears
ord Coppola's banner,
self as executive pro-
enthralling boy-horse
story that's absolutely calculated to make
every male from eight to 80 feel like a
kid again. Based on Walter Farley's nov-
el—which has had 16 sequels—Stallion
conjures up pure sound-and-light fantasy
with breath-taking images set mo the
sounds of pounding hooves and lots of
exuberant musical exclamations. In
other words, cinematographer Caleb
Deschanel and the sound man are the
real stars of the movie competently d
rected by Carroll Ballard, a documentary
film maker on his first outing with а full-
length feature. It’s presented as precisely
the kind of tall tale a kid might im-
agine—with himself as the boy who is
saved from a shipwreck by a magnificent
black steed and becomes the animal's
hi
trusted friend in a tropical never-never
land far from the madding crowd of
grownups. Fourteen-year-old Kelly Reno
was only 11 when he left his ranch home
in Colorado to ride high in Black Stal-
lion. Left alone in their surreal paradise,
boy and horse (ап Arabian named Cas-
solé) are born winners, though the mo:
handicaps them pretty heavi they
re rescued, brought back to civilizati
and more conventional adventures with
Mom (sympathetically played by Тегі
Garr), an old horse trainer-former jockey
med Henry (Mickey Rooney in fine
form) and various race-track types. "The
iore Stallion becomes like The Champ
or a Disney epic, the more it loses mo-
mentum as a delirious adventure. There's
a last-recl horse race that throws i
thing but a slice of Mom's warm apple
pie to get the crowd worked up.
.
Deliver me from the calendar Chri
depicted in Jesus¥, a sober and bloodless
biography based on Scripture (New
Testament, Gospel According to Luke),
with a handsome British actor, Brian
Deacon, working rather matter-of-fact
miracles in the title role. Cousidering
its source. the language of Jesus sounds
quite stubbornly colorless. The movie
ide in Israel with an unknown
st of thousands, and though the offi-
cil production notes promise a high
level of realism characterized by "donkey
dung and garbage," I'm afraid there's
just not enough genuine down-to-earth
donkey dung to fill the bill. This costly
epic resembles nothing so much as the
kind of dull, reverential “authorized”
spectacular that might be praised to
heaven by a congress of ult туа-
tive ecclesiastics. It's hard to believe that
the founding father of Christ
the boring fellow рог
.
Unless I have lost count, Lovers and
Other RelativesYY is the sixth Laura. An-
tonelli a the U
during the past year. The latest is a
rediscovered oldie by director Salvatore
imperi—made as d of encore to
Malizia, in which Laura became Italy's
reigning sex goddess. It's also a goodie
for the most part, with Antonelli shed-
ding comtemporary threads instead of the
usual period costumes while she beguiles,
edazzles and finally seduces her teen-
w. Nice.
.
Already a huge hit in limited сапу
engagements—with well over $11,000,000
in the tll and profits of $40,000,000
projected—A Force of OneYY snuck up on
me as a pleasant discovery. It's probably
a cause for re nong the late, leg-
endary Bruce Lee's hordes of fans—the
know all about karate and have a new
hero in blond superguy Chuck Norris,
who retired undefeated after holding
the title of world middleweight karate
champion six times. Norris may not be
was
movie unveiled
33
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aster]
x
an actor in the strict sense, but whatever
he does, he does very well in Force, part
two of a martialarts trilogy (Good Guys
Wear Blac
and drops her ice-queen image to
burch dy cop in a lively B movie
about police corruption, drug dealing,
cop killing and karate. Producer Alan
Belkin and director Paul Aaron (the
same team responsible for a worthy but
neglected 1978 movie called 4 Different
have fashioned a solid escapist
entertainment from a tight script by
irnest Tidyman.
.
Lee Strasberg's feisty performance al-
most saves Boordwalk¥, a movie that
might otherwise just disappear into the
cracks. Made by wr rector Stephen
Verona, whose Lords of Flatbush in
1 EL Dorado of fresh
young ta у у
Нету Winkler ester Stallone
all scoring valk i
a geriatric melodrama about sad old
Jews and vicious young blacks on the
егу edge of Brooklyn. If you like this
sort of thing, welcome to it. Seems to me
that Verona tries to outdo Death Wish
with the film h Ау to dim
racial tension. Kim De
neighborhood terrorist, has the ad-
ntages of youth and good looks im a
men note role.
but Strasberg, as Kim's > target
for mugging and vandalism, is а turn-
off—probably because I'm tired of t
athetic little people, termin
tened, quirky old folks with
one foot in the grave and the other foot
tap-dancing into senility. I get espe
ly tired. when the tapper is Ruth €
don, not my favorite crone.
.
АП in all, the best film I sa the
1979 New York Film Festival wis Best
Boy¥¥¥, Ira Whol's eloquent, enlighte
ing and heartlelt piece of cinéma vérité
about his mentally retarded. 52-year-old.
cousin Philly. Some other festival [arc
worth watching (оғ or seeking out in-
cludes such off-the-beaten-path efforts as
Wise Blood¥¥¥2, The weird little movie
made by John Huston from Flannery
O'Connor's first novel is grotesque but
gloriously funny at times—with Brad
Dourif as а Southerndried, self-styled
savior, As for The Marriage of Maria
Braun¥¥¥2, il this isn't the symbolic h
tory of Western Germany, director
der has remade
cither way, йз zing star turn by
blonde Hanna ulla in the title
role. Director Ariane Mnouchkine's bi
арса Motiére¥¥ takes more than four
hours, revealing next to nothing about
against а fabulos
panoramic slice of life in 17th. Century
France, REVIEWS BY BRUCE WILLIAMSON
MOVIE SCORE CARD
capsule close-ups of current flicks:
ratings by bruce williamson
The American Success Company¥¥¥2
Bianca Jagger's movie debut. Not bad,
either, so we сап all breathe easily
Jeff E * and Belinda Bauer are
the mainstays of an erratic but ap-
pealing caper comedy by William
Richert, a director to watch.
. And Justice for АШУУУ The key
words are Al Pacino Al Pacino Al
Pacino, brilliantly p » a humane
Baltimore lawyer. This one-man show
has script problems, but who cares?
Apocalypse Now¥¥¥ When it is good,
it’s very, very good—and when it is
bad, irs Brando, But even a seriously
flawed еріс by Francis Ford Coppola
is à movie event not t0 be missed.
Best Boy¥¥¥ Reviewed in this issue.
The Black StallonYV!? Reviewed in
this issue.
yi
BoordwolkY Reviewed in this issuc.
la Cage aux Folles¥¥¥% Another
bride, another groom and a couple
of top-notch fairy queens (Michel
Serrault and Ugo Tognazzi) in a
French comedy famous lor producing
nonstop laughter
A Force of OneYY Reviewed in this
issue
French Postcards¥¥ American college
kids abroad, brought to you by the
team that wrote American Graffiti
Just passable.
The Great SontiniYYY Reviewed in this
issue
Heart Beat¥¥¥ Nick Nolte makes it
ай worth while as the guy who lived
Jack Kerouacs On the Road, the
Bent Generation Bible. With John
Heard as Kerouac, Sissy Spacek do-
ing the pots and pans
Jesus Reviewed in this issue.
Kramer vs. Kromer¥¥¥ Reviewed in
this issue.
Lovers and Other Relotives¥¥ Re-
viewed in this issue.
The Marriage of Maria Broun¥¥ Re-
viewed in this issue
MoliereYY Reviewed in this issue.
The Rose¥¥¥ Reviewed in this issue.
Running¥¥ Reviewed in this issuc
“10"¥¥¥ In Blake Edwards’ hilar-
ious тоша
міс romp, Dudley Moore
is the dreamer, delectable Bo Derek
the dream girl, Julie Andrews a sen-
sible side dish.
Wise БВїюо4УЎ% Reviewed in this
issue.
Yanks¥¥¥ John Schlesinger's im-
peccible ode to Anglo-American ro-
g World War Two, with
nce durin
ard Ger
Redgrave and Wil
loving couples up h
m Devane as the
nt
To capture the excitement
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Maxwell's So Long, See You
үу Tomorrow (Knopf) is one of the
truest, deepest and best novels of our
time. In this age of perpetual overstate-
ise may sound like hype. It
isn't. The book begins in the carly
Twenties with the murder of a tenant
farmer, the victim of a love triangle, and
then moves ahead 50 years to the re-
апсе of an old man who, as a
üving in a small Illinois town, had
bcen a friend of the tenant farmer's so
<well focuses on boys growing up, on
the land and the people and on fathers
and what they mean to us when we lose
them. The writing is impeccable, with-
out the glitz or dreck that clogs up the
communication lines of so many modern
novels. What makes this book so spe-
the old.
played Judas to the farmer's son. M
well reminds us that boys, young and
old, carry special burdens with special
grace.
.
Lawrence Lader “іп Power ол the Left
(Norton) has tried to write a history of
the American left and has partially suc-
ceeded. Lader covers the years from
1916 to the present. The first 100 pages
re the most authoritative and interest-
ing part of the book; they trace the rise
all of Vito Marcantonio, Harry
n, Henry Wallace, the Progres-
sive Party, the С..О. and Joe McCarthy.
Lader is at his best in the Forties and
Fifti But when he into con-
temporary times and tells us many things
that we already know, the survey of a
fragmented and foundering ideology be-
comes somewh: iperficial. The value
of this book then becomes Lader's
original thesis: "It has too often been
assumed that every left movement in
America must be a Communist move-
ment . .. Jt is the intention of this book
to show that the left in recent decades
has been essentially pragmatic, nurtured
by Americin needs and not a closed
system from abroad.” That thought is
worth the documentation Lader
moves
Macauley, is a spooky and chi
set the future, a timc so di:
not much of our civiliz: i
bered. A man named Kinkaid comes
across à book that recounts the story of
the destruction of Chicago, a journal
that ends with a line that has been heard.
before in history: “There is a knock at
my door." The rest of the action rcvolves
around id's journey through waste-
lands, down rivers, mecting lost tribes of
survivors, deciphering an ancient road
So Long: pastoral pathos.
Eloquent remembrances of murder
and betrayal; semisuccessful
history of the American left.
Power on the Left: home-grown pol
ics.
map with the strange tide Eso Road
Map: The North Central States. We do
not, in spite of the rumors, have apoca-
lypse now—but Macauley hands us а
very probable vision of apocalypse as it
may һе.
.
Vance Bourjaily introduces а very in-
teresting central character in A Game Men
Play (Dial). His name is Chink Peters
1 he knows a lot of things. We first
meet him as he is taking a N
horses by ship to Ni
more than middle-
learned t the children of one of
best friends have been found murdered
п Gi wich Village. Chink will even-
tually help solve those ders, but
along the way, we will also learn about
his life, which turns out to be as rich as
Bourjaily's writing: From а Russian fa-
ther and a Mongol mother through prep
school and Yale, World War Two and
. and then the CIA, this fictional
raphy reads well. The plot may not
уз hold up w of the
novel may be but Bour-
july provides us with his usual first-
dass ride.
.
Not all of the five pieces іп John
McPhec's Giving Good Weight (Fa
Straus & Giroux) are up to his usua
dards: Two of them are merely
average McPhee, not super McPhee. Of
course. that's like saying Yas-
uzemski or average Staubach; McPhee
is a smooth old pro who is always fun
1. But the three others are c:
е, and McPhee proves once agai
a writer's style сап be ch
Ш at the same ti
le, he describes the research and
ing that are going into plans for
ar power stations that float on the
n; in another, a trip down-river in a
canoe with friends; in the best essay,
Brigade de Cuisine (which, when it first
appeared іп The New Yorker, caused a
tremendous Нар among food experts),
he takes us into the kitchen of a master
chef and writes about cooking with
gusto, making us hungry for both [ood
and words. McPhee's healthy and ra-
nal sense of life comes through on
cvery page: a good dict for a harassed
planet.
.
Although her father, John, had to
wait until he was 45 to publish his first
novel, Susan Cheever is enjoying some
better luck. Looking for Work (Simon &
Schuster) has a female slant to it, but
that docsn't mean you shouldn't give it
а try. Us about a young woman and the
dissolution of her marriage, Chi
tly and sensibly. The novel is
neither angry nor pretentious; it is often
y good. Our hope is that the next one
will talk more directly to the men in her
audience.
.
There's ап old saying that God cre-
ated man but Samuel Coli made men
equal. Frederick Forsyth, the author of
The Day of the Jackal and The Odessa
File, is the proponent of a more modern
theory: God created conspiracies but a
п with good connections in the m
tary-espionage complex is the equal of
any. The plot of Forsyth’s latest, The
Devil's (Viking) follows a
Ukr
and
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Why did Dave Lewis choose the
Kawasaki KZ1000 LTD with its exclusive
Clean Air System?
Because Dave believes in full power
when making a pass.
Dave was impressed with Kawasaki's ability But the real truth is, Dave Lewis bought the
to meet the EPA standards without loss of KZ1000 LTD because he had no choice. The
power. In fact, he appreciated the improved mean, low-down, both feet on the ground step-
acceleration, the stable idling andthe short ped seat; the low, fat rear tire; the teardrop fuel
warm-ups that the unique Clean Air System — tank; the pullback handlebars; he couldn't resist.
gave him. Of course, with his friends, Dave was quick
to point out how reliable the 1015cc engine was;
that it was easy to maintain with its transis-
torized breakerless ignition. He raved about the
way it handled and the excellence of the three
drilled disc brakes. He would mention that
his was the engine that holds most major drag
records and the world land speed record.
Then a lady would pass by and smile. As
he smiled back, Dave knew why hebought
the KZ1000 LTD.
Come and check out the KZ1000 LTD at your
local Kawasaki dealership and while you're there
make a pass at the other LTDs. Cause they've
got the power to keep you out there looking good. 7650 LTD
Kawasaki
Don't let the good times pass you by.
40
TRAVEL
erhaps the most frightening night-
P mare in the contemporary catalog of
horrors is the specter of handing over
your credit card for some payment or
other. having it inserted. into the vali-
dating machine and having the machine
report back, this person at once!"
Yet that is how an innocent business-
woman who had checked into a Holiday
Inn in Rochester, New York, must have
felt. On one of her weekly business trips.
she had routinely presented her VISA
curd to the reservations clerk as she
checked in. It is the practice at that hotel
(as it is at у others) to ask all guests
for a credit card as a means of payment
prior to handing over a room key, and
it's widely assumed that the main pur-
pose of that now common procedure is
to make certain that the guest has the
wherewithal ultimately to settle the bill.
More than an hour after our traveler
had obtained her key and headed for her
room, she was startled to receive a call
from the hotel's credit department, ad-
vising her that VISA had denied her
credit because she had "exceeded her
credit limit.
The woman knew there was no way
1 spent all of the $1500 credit that
VISA card permitted. but before
making plans to blow up the hotel's (or
VISAS) асай department, she decided
to call her husband to make sure he had
t somehow run Б
ily's a
Not only did her call reveal that he
had not charged anything on his own
but he was able to put his hands on thei
current. VISA bill. which showed a total
ol only 5150 owed. So he called VISA's
local authorizing supervisor and when
he mentioned that his wile had been
making weekly trips to. Rochester, the
ned, “That explains i
The VISA supervisor went on to ex-
plain that hotel. motel and car-rental
ake a practice of calling
creditcard companies and reserving for
themselves amounts substantially larger
than the prospective charge is likely to
be. Not only is that credit-card slip you
n in advance intended to ensure pay-
ment to the supplying firm or establisi
ment but it is apparently utilized to be
sure that you do not squander your av
able credit elsewhere in the interim.
What often happens, in very general
terms, is that a hotel t bout to rent
you a room for, say. 550 requires that
you s blank credit-card charge slip
at the time you check іп. Very soon
after you leave the reception desk, the
hotel contacts your credit-card company
and asks it to have an amount of about
$200 "held" for that prospective trans-
action. That is not necessarily a mali-
companies
You and your bank
card: Who's putting
ahold on whom?
cious act on the part of the hotel but,
rather, what the hotel's management per.
ceives as prudent to make sure you have
sufficient credit to cover all the potential
meals, booze, laundry or “wear and
tear"—a category most often used to de-
scribe such mischief as breaking the fu
niture or appropriating the TV set—that
might be charged to your account.
The major problem with that proce-
dure comes when the traveler is about to
check out. For if he or she has merely
gone quietly to bed, without ordering
anything to eat or drink from room serv-
ice and not having checked the TV into
a suitcase, the total bill will be no more
than the $50-per-night room charge.
And that is the total a our hypo-
thetica tely be
asked to pay. But that doesn't mean
there still isn't some substantial embai
assment possible, because, though the
traveler has not really spent very much
of the $200 “hold” on her account, tl
hold order will normally rema
c
account. reconciled.
y well make it ble for
traveler to obtain. the additional
credit to which she should be entitled
down the road.
The phenomenon is obviously one
that manifests itself most often for hold-
ers of the so-called bank credit cards—
VISA (the old BankAmericard) and Mas-
ter Charge. Although the so-called trav-
mpo
the
el and entertainment cards (American
Express, Diners Club, Carte Blanche)
have their own subtle credit inhibitors.
they are not normally such a clear and
present nuisance. And since VISA and
Master Charge are not really functioning
monoliths—they are, instead. each con
posed of hundreds of Iranchised banks
whose credit procedures and charge proc
ng may olten diller—there is Tittle
to address the problem
es
opportunity
meaningfully.
The banks
credit holds are com
hemselves concede that
п practice and
point to the fact that they are entirely
legal and commercially | appropriate.
There appears to be nothing in the
banks agreement with their service es-
tablishments that strictly the
amount hotels or carrental firms may
ind it is largely assumed that
idual establishments will release
any frozen credit once the act
amount has been determined. In prac-
tice, that is seldom the case.
When I discussed this with attorneys
from the U. 5. Treasury Department and.
the Federal Reserve Bank of New York,
they said that the practice of puttin
holds on credit is not covered specifically
either in the Federal Truth in Lending
Law or in the Equal Credit Opportunity
Act regulations. The Federal Trade
Commission says that all the service es-
tablishments are doing is reducing а cu:
tomers cred ilability, not. actually
tying up real money. So the customer
apparently has uo statutory claim to his
credit 1 though most consumers
seem to believe that right belongs to
them as naturally as life and liberty.
Only in New York State did an assist-
ant attorney general (Stephen Mindell,
in charge ol special projects for the Con-
sumer Frauds and Protection Bureau)
concede that there appeared to be a real
loophole in the law and express the
feeling that loss of credit without prior
notice represented a“ nondis-
h an in-
toward preparing remedial legislation
Although a
y eliminate this
it's not likely
п time to be of much help
to the woman the Rochester hotel
who found herself without available
credit and about а buck and а half in
her purse. As with most things these
days, it appears that the frequent trav-
eler—espeaally one who regularly uses
his bank card to settle hotel and/or car-
ental bills—had better do some frequent
checking about the status of his avail-
able credit, or else prepare for the very
real risk of having his credit card de-
clined. — STEPHEN BIRNBAUM
credit peril in the futur
to happen
1
р Ў; 9 mg. “tar”, 1.3 mg: nicotine av.per cigarette, ЕТС Report MAY 78.
Warning: The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health.
42
Kor KNICE, KNACK—THAT'S A KNO-KNO! If you've been looking for one,
there's a solid reason for knocking if knot knuking The Knack. Remember the
album cut of Good Girls Don't, with those literally juicy lyrics about getting in her
pants and her sitting on your face? Well, when they released it as a single, the lyrics
were magically cleaned up in a couple of places. On AM radio, she's giving you a
chance and putting you in your place instea
|. Don't want to scare Mom and Granny,
you understand. And so, for bowdlerization beyond the call оГ duty, we bestow
this month's Golden Boulder Award on The Knack for acting in the best Greed
RUSSELL SMITH: 1.
Rickie Lee Jones (War-
ner Bros) 2. Ray
(| Charles у Truc to Life
(Atlantic), 3. The Best
of Bill Monroe (MCA).
4. Rodney Crowell /
Ain't Living Long like
This (Warner Bros.). 5.
James Taylor [ Flag
—
wu
über alles tradition of the music business.
Question: What have you
been listening to lately?
5
TIM WEISBERG: 1.
Doobie Brothers / Min-
ute by Minute (Warner
Bros) 2. Dan Fogel-
berg / Netherlands (Full.
Moon). 3. Boz Scaggs /
Slow Dancer (Colum-
bia) 4. Carly Simon /
Anticipation (Elektra).
5. Rimsky-Korsakov /
Scheherazade, the New
York Philharmonic, con-
ducted by Leonard
Bernstein (Columbia).
А
BOB WELCH: 1. Сга-
ham Nash / Earth & Sky
(Capitol). 2. Bad Com-
pany / Desolation Angels
(Adantic). 3. Bonnie
Pointer / Free Me from
My Freedom (Motown).
4. Neil Young / Rust
Never Sleeps (Warner
Bros) 5. Fleetwood
Mac / Tusk (Warner
Bros). 6. Doobie Broth-
ers / Minute by Minute
(Warner Bros.).
d
(Columbia).
JOHN PRINE: 1. Hank
Williams / 27 Golden
Hits of Hank Williams
(Warner Bros.). 2. Van
Morrison / Too Late lo
Stop Now (Warner
Bros). 3. Leon and
Mary Russell / Wedding
Album (Paradise). 4.
Rolling Stones / Big
Hits (High Tides and
Green Grass) (London).
5. Elvis Presley / The
Sun Sessions (RCA).
NEW YEAR'S RESOLUTIONS OF THE
STARS: Glenn Shorrock (lead singer, Lit-
Че River Band): “То keep рга
conception,
Eddie Rob!
gold album.”
Ashford and Simpson: “We've decided to
create 2 musical for Broadway.”
Chaka Khon: “То never tell another lie
and to always be a better mommy.”
Joe Walsh: "То be elected President of
the United States in November and, if
elected, change Washington to Walsh-
ington.”
“I resolve to make а 24-kt.-
Charlie Daniels: "Not to get horny every
time 1 look at PLaysoy’s centerfold.”
Steve Goodman: "I hereby resolve to sing
the national anthem at any world.series
game played in Chicago this year."
Roy Orbison: "I'm gonna start livin’ life as
we know it
о more heroes."
То give it up when they
mention what you wear more often than
what you say
Tom Weits: "Never sleep with a girl
named Ruby. Never play pool with a
guy named Fats.”
HEY, DERE'S LADIES HERE! We'd
hate to be accused of chauv m, but
some of the very best albums we've heard
lately are by female vocalists: Carlene
Carter's Two Sides to Every Woman (Warner
Bros.), Rosann 17 Right or Wrong (Co-
). Ellen Foley's Nightout (Epic) and
Bonnie Raitt’s The Glow (Warner Bros).
Carlene and Rosanne are stcpsisters—
daughters, respectively, of June Carter
and Johnny Cash. So Carlene's pipes go
straight back to the source, to. Mother
Maybelle herself, and she just married
New Wav Nick Lowe—which
makes for ng resuls on. Two
Sides. There's a new collaboration with
husband Nick, Do It in a Heartbeat, that
sounds like a classic you've been hearing
forever on jukeboxes, by The Orlons or
somebody. An original called Swap-
Meat Rag isn’t about trading quilts and
thimbles on Sunday morning and would,
we bet, have made Mother Maybelle
blush behind a bouquet of wildwood
flowers, On Right or Wrong, stepsister
Rosanne is a little less adventurous in
terms of mate
country home,
l, a little closer to her
but that doesn’t hurt a
bit. We especially like her version of
Keith Sykes's title song and her driving
remake of Man Smart, Woman Smarter.
You may not have heard of Ellen Foley,
but you've heard her—she was the one
inging back at Meat Loaf by the dash-
d light on Bat Out of Hell. Her de-
but solo album, Nightout, was produced
hy Mick Ronse ad lan Hunter, and
features them as players. We Belong to
the Night, which she co-wrote, is a big
theatrical rocker out of the Phil Spector
Sound Skyscrapers school—and her hot
reprises of What's a Matter Baby and
the Stones’ Stupid Girl alone are worth
the price of admission. Good as all three
of these first solo albums are, all three
women can learn something from a real
pro—Bonnie Raitt. Her choice of mate-
rial is impeccable—Mary Wells's Bye Bye
Baby, Robert Palmer's You're Gonna
Get What's Coming, Jackson Browne's
Sleep's Dark and Silent Gate
derful men’s lib twist on an oldie with
Bobby Troup's The Boy Can't Help Ht—
and she sings them all with feeling and
authority. The Glow'll give you one.
.
It would be easy 10 nudge Joe Jackson
aside as just a disciple of the Elvis Cos-
tello school, “I'm sick of being fucked
over" writers/singers. But while Costello
ges against the world, Jackson fights
his batles іп a more personal trench
His second album, Рт the Man (A&M),
is full of pot shots aimed at the problems
of maintaining relationships, and all
done with an infectiousness that. makes
the saddest themes seem not quite so bad.
.
Do you and your friends like to get
obnoxiously bombed and play ешзрі
g rock music? Tired of Ted N
Try Nick Lowe's newest, Lebour of Lust
(Columbia). Nick is this year's Phil Spec-
tor, and Lust is a coagulum of everything
that has ever been called rock. It’s r
er, raunchier and better than his
SHORT CUTS
Hounds / Puttin’ on the Dog (Columbi
Hard Alpo rock that ought to come with
а complimentary pooper scooper.
len Uoyd / Goose Bumps (Scotti Bros):
Maybe not exactly goose bumps, but
there's something here for most tastes—
from good rock 'n' roll to the Bee Gees.
Cheap Trick / Dream Police (Epic): There
no sleeping through this Ann Landers
nightmarc—it's rock "n' roll without
letup from start to finish.
Barry Manilow / One Voice (Arista): The
Victor Skrebneski portr. of Manilow
stares out at you from the album jacket
vaguely but benignly. That pretty much
describes what's inside. The songs are
commercials without products—over-
produced but underpowering. They'll
probably be big hits.
FAST TRACKS
THEY COULD HAVE DANCED
АШ NIGHT DEPARTMENT: А
South African firm has
announced plans to mar-
ket a special antiriot
vehicle that broadcasts
disco music through
powerful loud-speakers
in order to soothe the
emotions of demonstra-
tors. For those who can't
get into the Village
People or Gloria Gaynor,
the vehicle is equipped
with a water cannon
and tear gas. Is that any
way to run a country?
ANDOM RUMORS: Barbra Streisand is
R suing High Society magazine for
$5,000,000 for publishing photos that
show her nude from the waist up.
The pictures were allegedly taken
when she was filming The Owl and
the Pussycat. . . . Now we've heard
everything: A&M Records has angered
many rock crities by refusing to ship
copies of the new Styx album to re-
viewers. Executives at the record com-
pany claim they want to avoid bad
reviews. If critics were unkind before,
this fracas isn't going to improve
thing. . . . Noel Redding, former bass
yer in the late Jimi Hendrix band,
ys he's owed about $8,000,000 in
paid royalties. . . . Our favorite
month weds
Charlie Daniels and
nd Happy Days
js the firs
n 1 come off-
product c
country
singer
REELING AND ROCKING:
called Birth of the Beatles ha
been called off by the Apple corpoi
tion. Apple, which holds all rights
for John, Paul, George and Ringo, has
sued producer Dick Clerk.
to prevent them Пот
the singers’ names or employing look-
alikes of the fab four in the planned
picture. . . . New Wave rocker Bram
Tehaikovsky has given his nod of ap-
proval to The Who's new film, Quadro-
phenia. The Who's classic tale of the
baule between the Mods and the
Rockers is quite authentic, says Bram.
The most fearsome rocker of the time
was called King Rat, who usually wore
a spike-topped German helmet that
had a real dead rat impaled on the
spike. This ought to go a long way
a
toward
who uli
Francis Coppola’s masterwork Apoca
lypse Now has created renewed
terest in The Doors, whose song The
End is prominently featured іп the
movie. The Doors’ keyboardist Ray
Manzarek was originally asked to ar-
range some of the group's songs for
the epic and was unable to, duc to
prior commitments. Manzarek now
plans to bring out a solo album using
some of his Apocalypse ideas.
NEWSBREAKS: Guitarist Robert Fripp has
caused а lor of music-industry types
to take notice of his unorthodox
touring methods following his recent
у in 200
and i ecord stores and actual-
ly made money. - Am Garfunkel
believes that he and former partner
Paul Simon just might do another
album. “I do believe there is at least
опе more good album in us," says
Art... . Is this the beginning of the
end? A survey by trade paper Cash
Box indicates that disco be-
ing abandoned by a growing number
of stations that switched over last
year. . . . 169 Zeppelin will bc touring
the U.S. this spring and report-
edly will be playing three hours of
music at cach concert, with no open-
1 effects and no
. . Phonogr nd
Метсигу records arc coming out with
two new albums that work backward.
Yowll put your record. needle at the
end and the disc will өріп outward.
The records are called Counterrevo-
lutions іп Rock and Counterrevolu-
tions in R&B. What else did. you
expect? — BARBARA №
43
“
yx COMING ATTRACTIONS >
pot Gossip: Hollywood, in its constant
search for new subject matter, is quietly
exploring incest. Whether Bernardo Ber-
tolus Luna has broken the ice or not
anybody's guess, but sources tell me
that a number of producers are either
looking for or commissioning scripts on
family affairs. . . . Speaking of contro-
versial subjects, Richard Burton and Tatum
O'Neal will star in the Canadian film
Circle of Two, a love story involving a
16-year-old. schoolgirl and а 60-year-old
ist. Шоу Dassin will rect from a
Thomas ease . . . Pinball wizard Кеп
Russell's next project (following postpro-
duction on Altered States) will be The
Monster of Loch Ness. The film will
chronicle the effects of radioactive fall-
out and ecological negligence on
300-foot creature. . . . Clint Eastwood will
in and direct Bronco Bill
шей to be shot in Idaho. The
contemporary tale about a wild West
show. .. . Monty Python's John Cleese
will play the role of a count in the
nch Revolution sequence of Mel
Brooks's History of the World Part 1. In
the same episode, Brooks will portray a
valet who attends to the royal
mber pots... . And while were on
the subject of scatology. rumor has it
that the film Caddyshack will begin
with...
BLAKELY ACTING: In my November col
umn, E said that actress Susan Blakely
Blakely
she was
ng and wi nking about
imo film editing. Well, guess
again. You can catch Blakely acting. not
editing, ina T V-movic remake of Tender
Is the Night, in which Susan will play
the role of Nicole Diver. At presstime,
the part of Dick Diver had not yet been
cast, but I understand the producers are
hoping to get Frenk Langella.
.
THE CHAPMAN REPORT: “I'm very pleased
with the controversial reaction to Life
of Brian,” says Monty Python's Graham
Chapman, who plays the unwilling Mes-
siah, Brian Cohen, the flick. “We
hoped it would make people think a
* The madcap Python
a script for
month. “It'll be a period piece
Chapman says, "but a little more recent
than the last period we dealt with. I
пу more about it, re
I did, the others would beat me up
Asked if the next one will shape up to
be as controversial as Brian, Chapman
E 1 don't think the peak of bla
phemy has yet been reached. There'll
be a few corns trodden on in the next
one, but of course, that's never our goal.
We always start out simply to amuse
ourselves.” In the meantime, Chapman
is working on a comedy-adventure about
pirates called Yellow Beard.
.
THE opp COUPLE, TAKE Two: 20th Cen-
tury-Fox TV has commissioned
wright Terrence McNally to write a
about two gays—tentatively titled Frank-
ie and Johnny.
.
smart moves: Silliness on the big
screen may reach new highs (or lows.
depending on your point of view) with
the release this summer of The Nude
Bomb (formerly called The Return of
Maxwell Smart). Starving Don Adams
(who che?) in the TV role he made f.
mous, the flick boasts 110 stunt people,
115 special effects and Agents 34, 22. 36
(Sylvia Kristel, Andrea Howard and Pamela
Hensley). The plot? Si
Adams
KAOS pla
to drop a nude bomb and
render the whole world nude (and there-
fore dependent on. KAOS for clothing).
The gadgetry includes a boot phone, а
shoe phone, a red patent-leather Presi-
dential shoe phone and an answer-
phone shoe that takes messages when
Smart is out of his shoc. As for special
cffects—the entrance to KAOS headquar-
ters is fastened by the world's largest
іррег. At 15 fect long, it probably holds
the ude in the Guinness Book of World
Records and—believe it or not—actually
.
TV GUIDELINES: For years, Norman Lear's
production company, T.A-T./Tandem,
опе of the few truly innovative
forces in TV. Now a 36-year-old exec-
ned Alan Horn has taken over
the reins from Lear and the company
looking seriously into the future. Horn
will oversee the seven sitcoms now being
aired. a slate of TV movies and programs
for pay and cable TV. “TV will evolve
into whatever will best benefit the con-
sumer,” says Horn. “As long as the most
important criterion foi
lowest-co
will prevail. Pay ае give из
ап opportunity to do something for a
selective audience. My first objective is
to do a series that’s commercially viable
but intelligent comedy as well, something.
that leaves you with a message.
.
ANIMAL House: "Our family physician
a plastic surgeon!” says actress Tippi
(The Birds) Hedren, who with her hus-
band, Noel Marsholl, is та!
be the most ha
Roar. Some 150 lions, tigers and chec-
tahs roam frecly around the couple's
Hedren and friend
Soledad Canyon ranch. (I wonder if they
keep a BEWARE OF THE DOG si their
front yard.) The project 1 r taken
eight years and cost $9,000,000, mostly
nim:
in feed bills (the
$7000 worth of meat per week). Like
Noel, Tippi is prepared to overlook
the unavoidable injuries and dangers for
s consume about.
the sake of the thrills. "Some people fly
planes, some people skydive," she
says. "You think they're not taking
thc ands?"
— JOHN BLUMENTHAL
es in their |
NEW YORK T0 шс
actuall
from Linco
Center all the
way to the
Lincoln Memorial and back (about
466 miles), on just 10 gallons with a
bit Diesel.
Rabbit Diesels are the top two
mileage cars in tl untry. In fact, the
Er version
an EPA es-
EX mpg,
W 56 estimated
gets an envi-
estimated mpg, 52 estimated
highway.
(
risons. Your actual mi
may vary with speed, weather a
trip length. H /ay mileage w
probab
limatec 25 per gallon”
All that, plus the #1 mileage rec
the county,
‚ and not only is the Di
date of tt
the Rabbit is the choicest Die:
So the next time you're с
trading Fifth Avenue for Pennsylvania
Avenue, consider doing it in а 1980
Rabbit Diesel
no other car
in the country can gel you
nly 10 gallons.
Home.
VOLKSWAGEN
DOES |
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W. L. Fowler, President
Altec Corporation
2 P “
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proved to be superb in every respect.”
Philip H. Coelho, President
ESS Inc.
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Cerwin-Vega!
aN
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R.M. “Scotty” Stell, President
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When 4 great speaker
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These speaker manufacturers
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i
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2
THE PLAYBOY ADVISOR
Hw can you tet! when a woman is
sexually excited? I've been cruising sin-
gles bars and discos for several years and
I have never been able to tell wh
someone is responding to my come-on.
in a book by Desmond
ng and sweating are
sure signs ol sexual arousal, Is there any
truth to that claim?—W. C., New York,
New York.
Some, but not enough to help you
make it through the night. There are
four stages to sexual arousal—excitement,
plateau, orgasm and resolution. The
physiological signs of excitement are
not exactly neon. The more common
signs are the erection of the тап and,
m the woman, vaginal lubrication, nip
ple erection and a slight increase in the
size of her breasts. On occasion, a wom
an may experience а sex-tension flush (a
reddening of the breasts,
shoulders and abdomen) near the end of
the excitement stage- The full-silt blush
doesn't occur until later stages, so unless
she's having an orgasm right there,
skin on the
chances ave i's something you said. Mark And
Cook and Robert McHenry, two Eng-
lish sex researchers, have suggested that
by the time a man is in the position 10 see
а woman's sex-tension flush or observe
vaginal lubrication, he already knows
that she is sexually excited. Obviously,
they've never been to Studio 51. Sponta
neous sweating does occur in one өш of
three women—but only after orgasm.
Then again, maybe the air conditioning
just quit or her roll-on stopped working.
There ате many studies that claim body
language is a good indicator of interest,
if not arousal. Psychologist Elaine Wal.
мег notes that people who like each
other tend to stand closer together, and
actually lean together, as though shut
ting off competitors. (Great, unless you'r
on a subway.) Other sociologists have
pointed out that eye contact is а good
sign—in an average conversation, people
look at cach other only 30-60 percent of
the time. The more you like someone,
the more you look at her. (You don't
want to let her get away do you?) In any
case, the best sign is verbal: a simple yes.
sys-
thinking of upgrading my stere:
ith a better pair of speakers. The
the local asked me
store
nd of power my amp had
what kind of mu I liked to ріш
said that I liked loud rock and |
30-watts-per-channel amp. He said that
wasn't enough power, that if I played
rock loud on my small amp, I would
fry the speakers. That doesn't sound
logical. 1 would think that only big r
ers blow speakers. Was he just try
ing to make a sale—]. R., Chicago.
Ilinois.
Yes. He was also telling the truth,
within limits. You can melt down many
speakers by playing them loudly for
hours on end, or by dropping the needle
when the volume's al maximum. How
ever, undernourished speakers are more
prone to failure than ате well-fed moth-
ers. The reason is this: On a rock record-
ing, the bass and drums make ир most
of the sound; consequently, the woofers
end up doing most of the work. If you
turn up the volume, the woofer can suck
up all the power your amp has, and then
some. A sharp peak will exhaust the
power supply. The amp responds by
sending out a high-frequency alarm sig-
nal (the harmonics) that zaps the tweeter.
Amen. There are some solutions. Com-
pact acoustic-suspension speakers require
muchos watts, but your 30 per channel
should be enough to cause permanent
deafness wing high-efficiency units such
as Klipschorns for loud rock. (Jazz and
classical do not make the same demands
on your stereo. system.) If you can't find
high-efficiency speakers to suit your taste,
^ your bucks, invest in a bigger amp
and blow out the front of your apart-
ment building.
[РЭ icase settle an argument that is going
on in our office. One of the girls
come up with the theory that she
tell whether or not her spouse has
sex within the past week. This is done
Г ісі
Бу examining his testicles for tightness,
with any limpness obviously showing re-
cent sexual activity. The males contend
that is no indicator, because other vari-
ables, such as unde nd weather,
fect the way they've hanging. Is that a
dead giveaway. or does this girl just have
an unusual husba
leigh, North Carolin
No. The husband has an unusual wife.
Her theory implies that she hasn't had
sex for а u ‚ unless you count her
copping a (есі ах sex, which we don't.
The testes vise and fall according to
temperature, short-term excitement, fear
and danger. They rise just. prior 10 or-
gasm. The left testicle, incidentally, usu-
ally hangs lower and roves more. In this
case, it may rove out of the house.
wear
ad?—M
КМ, girlfriend wams me to film our
next vacation. a cross-country tour of the
United States, Frankly. Гуе never had
ny luck with still cameras and have no
experience at all with movie сат 1
do know that 16mm outfits produce bet
images Шап Super 8. but they're
nore complicated. Could 1 learn to
few months? What's the dil
ference іп cost between the two sys
tems?—R, F.. Boston. Massachusetts
If youve had bad luck with still cam-
v can understand your
about moving into movies. We suggest а
little practice first. Try renting. some
units for a weekend. If you find you've
overexposed half your reels, you might
try a portable videocassette recorder
With a VCR unit, you get on-the-job
experience. You'll be able to see the re-
sults of your efforts immediately; that is,
if you take along a small portable TV.
The start-up costs of a VCR system тау
be a little more than a film system, but
in the long run, it comes out cheaper.
Processing two hours of Super-8 film, for
instance, сап тип around. 8200, where-
as a two-hour video cassette. will cost
515-820. Add to that the possibilities
of recording TV programs, buying pre-
recorded movies and/or preserving your
own Winmphs (in private) and
you're sure 10 get your money's worth
Your final consideration may be based
on the quality of film image vs. TV
image. There's something special about
movie film—gala openings, popcorn, the
works. And, well, TV is still TV.
also
use onc in
eras, caution
erotic
ist year, for Valen
friend gave me a Prelude 3 vibrator.
1 have used it well and often (he goes to
school out of state and we see each other
only on weekends) It has greatly en-
larged my sexual horizons, teaching me a
пех Day, my boy-
49
PLAYBOY
50
great deal about pleasure, My problem
is this: What can I give him in return?
Vibrators are great for women but don't
seem to be the thing for men (even with
the attachments that are supposed to fit
round the penis). Апу suggestionsi—
Miss M. C., Amherst, Massachusetts.
Sure. Kinsey once observed that men
are move casily aroused than women by
the sight of sexual stimulus, while wom-
еп seem 10 respond primarily to touch.
That may or may not be true—but it
does suggest a gift. A subscription to
PLAYBOY. Or, better yet, next time he's in
town, borrow a camera and lake a few
sexy shots of yourself. Something in a
bikini or less. Have the best one blown
up lo a discrect size—11 x 14 or so. Or
maybe put 12 of them together іп а cal-
endar. Hell appreciate the thought. As
they say—one good hand deserves
another.
ау, rve been he: lot about
tal recording. The fidelity is sup-
posed to be fantastic. Since | plan to
buy a new recorder in the near future,
it sounds especially interesting to me.
Is it as good as they say What man-
ufacturers offer that kind of equip-
ment?—M. P., Topeka, Kans
You can buy a fantastic digital record-
er for just a little less than what you'd
pay for a medium-sized yacht. The system,
also known as PCM (pulse code modula-
tion), just hasn't made it big in the con-
sumer market yet. What it does basically
is Wanslate music into numbers and
numbers back into music. Currently, it's
being used mostly for recording masters
and for duping, since it is possible 10
make many copies with no loss of fidel-
ity. Pricing makes it readily available
only to recording companies right now,
though a Beta-compatible videotape
converter, the Sony РСМ-І, is now avail-
able for 51000. Frankly, by the time
home sets are available at anything
approaching a reasonable cost, regular
recorders (analog) using metal-parlicle
tape may have progressed to the point
where the difference will be inaudible
10 all but audio engineers and Dobei-
тап pinschers. In any case, we're lalhing
about a few years, so leave the digitals to
the pros and pick ир а good metal com-
patible system. You'll be happy and your
friends will love your new yacht.
ms that ginseng increases
3 He says that the Chinese
sages use it as а remedy for sexual ills
(it supposedly increases fertility). What's
the rue story?—W. L., Chicago. IHlinois.
Judging by the population of China,
those old sages don't have any sexual ills
that need curing. Certainly, their fertil-
ity is not in need of restoration. In this
country, ginseng has enjoyed a popular
reputation as an aphrodisiac. However,
there is little research to support that
There’s a Command Performance at:
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PLAYBOY
52
FOR THE МАМ WHO HAS EVERYTHING.
SOMETHING TO CONTROL IT WITH.
BSA X-10 CONTROL GYSTEM
THE BSR SYSTEM X-10™
THE CONTROLLER
Just plug it in (n
special wiring is
needed), and you can
control up to 16 lights
and appliances
anywhere in the house by
simply pressing a few buttons.
And when you can turn on the.
Stereo, dim the lights or tum
them all off without getting out
of bed, you're in control of any
situation.
For under $90* the BSR
System X-10 Starter Kit comes
with a command console and
enough modules to control
lights and appliances at three.
locations. So the man who has
everything doesn't have to.
have a lot of money to own one.
"Manufacturer s suggested retail price.
BSA (USA) Ltd., Blauvelt, NY 10913
BSR (Canada) Ltd., Toronto, Ont.
The Controller
EVERYTHING'S UNDER CONTROL. THE BSR SYSTEM X-10.
FIELD TESTER CAP
This is a comfortable sportsman's billed
сар. Black mesh (air cooled) and adjust-
able to any size head, with an official
"Jack Daniel's Field Tester" patch on
the front. Guaranteed to shade your eyes
and start a lot of conversations
My $5.25 price includes postage
and handling.
Send check, money order, or use Ameri-
can Express, Visa or Master Charge,
including all numbers and signature.
(Tennessee residents add 6% sales tax.)
For a color catalog full of old Tennessee items,
send 51 00 to above address.
elegant, sensuous, delightful
Order Direct from Manufacturer
Machine Washable: 12 colors: Black,
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N. J. & N. Y. Residents add Sales Tax.
contention. One study found thal seven
percent of the people using ginseng
claimed it enhanced their sexual per-
formance. Those are probably the same
seven percent who believe that Virgos
are better іп bed—in other words, it is
nol statistically significant. In the same
study, users reported that ginseng acted
as a stimulant and a mild euphoric—it
made them less fatigued and increased
their sense of well-being. The August
1977 vrAvwov reported on a study by
Russian scientists that claimed ginseng
improves concentration,
and physical stamina—all of which are
useful in bed. The simple fact is, if
you're feeling good to begin with, the
sex is alw better.
coordination
A ге months ago, my wile and I saw
a film called 7/07 that had Bo Derek and
Dudley Moore trying to make love to
Ravel's Bolero. It was | ly funny
and launched a conversation about what
kind of music was best for sex. I said
that for a couple to have а good long-
lasting relationship. the male and the fe-
male would have to enjoy listening to
the same music while making love. My
wife said that the two would work that
out the same way they worked out other
sexual differences. Since she likes disco
and I like rock, that could present some
problems. What do you say?—S. J., Can-
ton. Ohio.
We say what Tina Turner says:
gonna do it пісе and easy
те gonna do it nice and rough." Take
turns. As for Ravel's "Bolero" wc added
that one to our Frisbee collection in соі-
lege. This is a serious moral question,
and one of the few situations in which
honesty is not the best policy. Tell your
wife that there аге scientific studies that
show disco is not conducive to good sex.
Indeed, that babies born to parents do-
ing it to disco show a higher incidence of
birth defects and may спа up in Govern-
ment. If she does nol. respond to lies,
buy headphones, and take turns playing
“Name That Tune” in bed.
then
[Enjoying a good game of chess is my
favorite pastime. The problem is: Tm
running out of opponents, at least the
kind that can. beat me. I've heard. that
the new electronic chess games are pretty
good, but they're also expensive. Before
I invest in one. Га like to know how
good they really аге and how long it will
be before I outstrip them, t00.—M. B.,
Kenosha, Wisconsin.
The question really is: How good are
you? As you probably know, chess play-
ers are rated according to tournament
play. And computers have only recently
been allowed to enter tournaments. If
you're approaching the master vel,
you're at the high end of the machin
capabilities. Masters have no trouble
beating the little computers and only a
little beating the big ones. That means
that right now, electronic games are best
for beginners and intermediate players.
As the programs improve, that will in-
evitably change. If tts mental exercise
you want, they'll give it to you. But for
superior play right now, you'll still have
to rely on flesh-and-blood buffs.
В. seems to me to be fashionable these
А recent magazine
ide stated a man "usually"
and eight contrac.
weak and irregu!
Listen, I've counted.
Га call an av
And my fir
ictic all strong . My
қамта are always longer and more in-
tense than those described in most arti-
cles. The contractions do not really
weaken until alter seven ог зо.
they still continue through as ma
14. So what's the story out ther
guys?—S. А.
The male orgasm has Iwo phases—
emission and ejaculation, or perhaps
more simply, load and fire. In phase one,
the internal organs (the prostate, the
seminal vesicles, the internal part of
the urethra, etc.) pump seminal. fluid
into a staging arca (the prostatic ure-
thrac). In stage two, the urethral sphinc-
ter contracts at .08-second intervals,
expelling the seminal fluid. (Interesting:
ly. this is the same frequency with which
the female experiences her orgasmic
contractions.) These ате probably the
contractions you notice. For most men,
the first two or three contractions are
pleasurable, but the most sensation comes
from the feeling of the volume of
the ejaculate. According to Masters and
Johnson, the force of the first contrac-
tions scems to develop a slight anesthe-
sia—many men do not notice subsequent
contractions. Obviously you do. Your
orgasm is your own responsibility. Don't
by lo measure it or compare it with
others. There are two things that writers
can't describe. Опе of them is a sunset.
AIL reasonable questions—from fash-
ion, food and drink, stereo and sports cars
to dating dilemmas, taste and etiquetie—
will be personally answered if the writer
includes a stamped, self-addressed en-
velope. Send all letters to The Playboy
Advisor, Playboy Building, 919 М. Michi-
gan Avenue, Chicago, Hlinois 60611. The
most. provocative, pertinent queries will
be presented on these pages each month.
I you'd like to know about the way Мг Bobo makes Jack Daniel's. drop him a hine.
FRANK BOBO, THE YOUNG MAN ON
THE LEFT, is che first Jack Daniel stiller
who's no kin to a Motlow.
Lem Tolley (the other man) learned to still
whiskey from his uncle Lem Motlow, who
learned all he knew from his unde, Jack Daniel.
And Mr. Tolley, who's retired now,
handed down all chis knowledge to
young Frank. Some folks say Frank
looks like a Motlow. We’ re not
certain about that. Вис we're sure
glad he makes whiskey like one.
Tennessee Whiskey ~ 90 Proof = Distilled and Bottled by Jack Daniel Distillery,
Lem Motlow, Prop. Inc., Route 1, Lynchburg (Pop. 361), Tennessee 37352
Placed in the National Register of Historic Places by the United States Government.
53
КМОСК-ООТ At one time the struggle between amplifiers was won by
the amp that had the most muscle. And the tuner that brought in the most stationsalso
brought in the most acclaim.
Today there's one series of amplifiers whose technology has put it in a class by
itself. And only one series of tuners that is its match.
They're Pioneer 5А-9800 amplifiers. And TX-9800 tuners.
Until Pioneer's 5А-9800, you had two choices when selecting an amplifier. Either
you paid through the nose for a heat producing Class А amp. Or you paid through the
ear for a distortion producing Class B.
Pioneer's SA.9800 offers the efficiency found in the finest Class В amplifiers.
With a distortion level found in the finest Class A. An unheard of 0.005% at
10-20,000 hertz.
What's more, instead of slow-to-react 1
VU meters that give you average readings i
or LED's that give you limited resolution, PO re
the SA-9800 offers а Fluroscan metering |
System that is So precise апа SO fast, І Gassaampunee Cass BAMPIFER. БҮТІН
instantaneously follows every peak in the ТОШ ПА NESTORTORION шыш ошын,
B to make sure you're never bothered | :
y overload or clipping distortion.
And while you're certain to find conventional power transistors in most conven-
tional amplifiers, you won't find them in the 5А-9800. Instead you'll find R.E.T.
transistors that greatly increase frequency response. So instead of getting distortion at
high frequencies, you get clean clear sound. Nothing more. Nothing less.
Obviously, it took revolutionary engineering to build Pioneer's new series of
amplifiers. But that same technology and skillful engineering also went into Pioneer's
new line of tuners.
While other tuners offer features that just sound great, every feature in Pioneer's
new TX-9800 helps to produce great sound.
Like Pioneer's new Quatrature Discriminator Transformer that helps reduce dis-
tortion to 0.05% at 1 KHz and raise signal-to-noise ratio to 83 dB. A specially designed
Quartz Sampling Lock Tuning
System that automatically THEPIONEER SA-9800 AMPLIFIER.
locksonto yourdesired broad- я
cast. And automatically elimi-
nates FM drift. And two band
widths for both AM and FM
stations.
By now it must be quite
obvious, that when it comes to
engineering only a few amps
and tuners аге in Pioneer's
class.
But when it comes to
value there's (PIONEER?
no contest. We bring it back
©1979 U.S. Fioncer Electronics Corp , 85 Oxtord Drive, Moonachie N 1
THE PLAYBOY FORUM
acontinuing dialog on contemporary issues between playboy and its readers
DOWN WITH DOMINANCE
Down with Adrienne Burnette and her
‘Down with Dominant Women” (The
Playboy Forum, September), because she
isn't fooling anyone, at least not me. If
you buy her assertion that men are re-
duced by dominant women to crippled,
resentful, selfish, vulnerable, weak, sub-
missive and docile creatures, then you
buy the idea that our old values and sex-
role conditioning arc still in full force.
Perhaps they do reign supreme for wom-
en like Burnette, who seems to want the
man to make all the moves so she
only "lie back and enjoy it.” Person
I and my friends hate that routine and
would love nothing better than to see
more women take the lead, pay their fair
share and make their share of the moves.
1 don't feel the least bit threatened by
aggressive women. Through strong
guage (“castrate "cripple") and a
feigned concern for the welfare of men,
Burnette is attempting to brainwash us
males into accepting her position. As far
as I'm concerned, women have had us
by the balls for ycars, and Burnette is
afraid that she's losing her grip.
John Hays
Huntington Beach,
alifornia
le
When I hear a woman express fem
assertiveness as a threat to male self-
confidence, | wonder from what cocky
rogue or chauvinistic fraternity she
formulated her opinion. One should not
assume that а man will freeze to death
when stripped of his so-called assertive-
n bed by the woman who lies next
m, clothed and secure in her new
dominant position,
1 feel that life manifests itself as а
series of choices. Through my own ex-
ncs, I have learned not to choose
n who will allow my assertiveness to
destroy “that joy a man can give.” Like
some male victims of sexual domination,
1, too, have suffered. I have "with-
drawn feeling crippled and resentful,
selfish and vulnerable to the ov
powering, dominant partner” who,
at the risk of himself feeling “dimin-
ished,” would not even allow me to show
him where my clitoris is. If a шап is
destroyed by the mere communication
of my needs, I will not lic back and
feign enjoyment, | will simply lay off.
Terri Tamase
Beverly, New Jersey
The problem, it appears, is one of
semantics, not of basic disagreement.
One person's crippling aggressiveness is
anothers refreshing assertiveness. Of
course, we could straighten all this out
in one masterfully reasoned paragraph
(about 10,000 words long), but that
would exhaust an entertaining topic for
“Forum” debate.
FUEL FOR THOUGHT
Rumor has it that a new alliance is
being forged among the oil have-nots of
the world in response to OPEC. The
“Tf she were going to be
such a tease, I figured I
might as well play along.”
alliance is to be zation
med the Org
of Fuel Using Countries. And the next
ne OPEC jacks up its prices, you can
be sure to hear the anguished cries of
OFUCI
Arthur O. S|
Reno, Nevada
ding, Jr.
ROAD WORK
"There aren't enough good "sex and
the engineer” stories coming out of Pitts-
burgh these days, so, being an engineer,
I guess it’s my turn.
I was lucky enough to be carpool-
ing with a secretary from my company
who was young, pretty, self-assured
and carefree; not the kind of woman
your average engineer gets a chance to
mess with. Riding to and from work to-
gether, we became very close friends and,
as time passed, we began to have very in-
€ conversations. One day, and with.
а completely straight face, she asked me
my girlfriend had ever given me a
baby-lotion hand job. 1 rather dryly
responded that my girlfriend didn't have
that much imagination. We were caught
in Friday-afternoon rush-hour traffic and
T still thought that she was kidding. but
if she were going to be such a tease,
1 figured I might as well play along.
Soon I noticed her out of the corner of
my eye rooting around in her purse.
Then I saw that she was pouring baby
a onto the palm of her hand. She
ed me that it could be a little messy
кей me if I would mind. “Naw, I
d,” E said.
ross the scat a
d very soon
dumb, stunned look on my face and
decided to take the first exit and find
a place to stop. She pulled my cock out
and gently poured the lotion over it and
then proceeded to give me a зой, teas-
ingly slow, wet and wonderful hand
job, all the while laughing and blow
in my ear.
That was the good news; now it's
time for the bad news. When I suggested
that this was the only way to travel, she
announced that she had found another
job and what Га got was simply a little
going-away present.
(Name withheld by request)
Piusburgh, Pennsylvania
Б
LAWS OF THE LAND
On behalf of the Central Michigan
chapter of the A.C.L.U., I represented a
ichigan, man who was arrested
for swearing in front of his wife. The
incident and resulting litigation is re-
ported as 525,366 of the December 1978
issue of Clearinghouse Review.
I think this backwoods civil-liberty
dash will interest. your readers, who
may be surprised to learn that a suppos-
edly modern Northern industrial state
still has an 1897 statute оп its books,
haphazardly enforced, that prohibits the
use of “indecent, immoral, obscene, vul-
gar or insulting language in the presence
or hearing of women or children.”
The occurrence and dismissal o£ this
55
PLAYBOY
56
prosecution received no news coverage.
No appeal was taken, so this bizarre stat-
ute ds still available for enforcement
by any policeman or prosecutor wild
enough to utili The A.C.LU. of
Michigan is considering a project to push
for repeal of this law as part of a gen
house cleaning of the
ichigan
From the materials submitted by at
torney Street, it seems the defendant was
arguing with a sheriff's deputy at the
time of the offense. For students of legal
jargon, we'll quote briefly from the prose-
cutor's affidavit in which he deposes:
That he [the prosecutor] verily be-
lieves that testimony from prosecu-
tion witnesses at trial will show that
the defendant uttered the following
words toward the police as the basis
for his arrest under М 8.569,
MCLA 750.337:
A. Fuck or fucker
B. Bitch
C. Assholes
Further affiant saith not.
MODEST PROPOSAL
To the well m:
their personal and poli
the of theology instead of common
sense. I offer this litle story about real
life. A Chicago court layed а 40-to-80-
year sentence on a man who had starved
and later beaten to death two of his chil-
dren, ages two and three. According to
the newspaper. when the sentencing
judge asked the man why he ever chose
to have children. he Ferring
to his wife, “She wasn't into abortion.”
Al the selfrighteous. theologically
inclined. hard-nosed. uncompromising
anti-abortionists n my opinion
idiots who should be required by law to
put their names on ional list of
people of Meir own “pro-life”
sion and be willing to assume responsi
ity for all unw ies, regardless
of color, creed, etc.
(Name withheld by request)
Skokie. Hlinois
ng fools who make
] decisions on
nswered,
ted b:
THE DEATH PENALTY
When Nevada executed murderer
Jese Bishop, I watched the news ac
counts of his last hours with interest and
a growing sense of concern. I've never
had strong convictions one way or
other on the death pe except for a
y feeling t bit barbari
Га be happy to revive lynching for
moder y horse thieves, since my sec-
ond tenspeed was ripped off. I also
k any woman who kills a rapist or
у shopkeeper who blows away a robber
should be awarded medals and a new
box of bullets.
But in the Nevada execution, Т
thought Bishop had the last laugh and
FORUM NEWSFRONT
what’s happening in the sexual and social arenas
DISCO DANGER
TOWSON, MARYLAND— woman who
was kicked and wounded іп the leg
while disco dancing in a “careful, can-
tious and prudent manner" is suing the
alleged kicker for $200,000 as compen-
sation for the injury and tine lost on
the dance floor. The woman, a real-
estate agent, stated that she frequently
danced for recreation and that the in
jury “put me oul of commission and
spoiled my summer:
SEX LAW VOIDED
sAckAMENTO— The California Su-
preme Court has. declared the state's
sexualsolicitation law unconstitutional-
іу vague but has upheld that portion of
the statute banning soliciting оу engag-
ing in “lewd or dissolute conduct” in
public after specifically defining those
acts. Essentially, the court. held that
such solicitation of а noncriminal, pri-
vate sexual act cannot be prohibited
unless the person charged knowingly
offended someone. Thomas Е. Coleman,
the gay-activist atiorney who argued the
case, said the decision would protect the
personal liberties of all citizens and
presumably reduce police harassment of
homosexuals for such acts аз dancing
together or kissing in public. He added
that the courts ruling was retroactive
and should permit many persons found
guilty under the old lewd-conduct law,
and who then had to register as con-
victed offenders, to return to court
and seek reversals. (See “Sex News,"
page 234.)
Meanwhile
Diego decli
-deval judge in San
unconstitutional а Cal-
ifornia law permitting a policeman to
arrest a person simply for refusing to
identify himself when ordered to do so
by the officer. Similar statutes in Texas
and in Michigan have been ruled un-
constitutional by the U.S. Supreme
Court.
TOUGH RAPE LAW
AMENTO—Governor Jerry Brown
has signed a bill giving California one
of the tougher rape laws in the country,
The new legislation doubles sentences
for repeat rapists, requires а prison
sentence for all forcible sex crimes and
requires some young rapists to be sent
to adult prisons. The penalties [or first-
offense rape range from two to six years
and sentences for more than one of-
[ense must be served consecutively.
Opponents of the bill had argued that
harsher rape penalties make jury con-
victions harder to obtain.
SACI
CENSORSHIP IN UTAH
BOUNTIFUL, UTAH—The Davis County
library hus voled three to two to fire
а local library director for refusing 10
remove the 1971 novel “Americana,” by
Don DeLillo. from its shelves. The
director, Jeanne Layton, had worked
for the library a total of 20 years and
had been its director for the past nine.
She was fired on a motion by county
commissioner Morris Swapp. who con-
sidered the book obscene, had checked.
it out, then claimed. he had lost it.
Local citizens opposing the board's
action have since donated more copies
of the book.
SPARE THE ROD....
nir Ti MogE—4 Maryland schoolleach-
er and his wife, both in their 30s, have
been charged with kidnap and assault
of ап ISyearold boy over а small
amount of marijuana. Police said the
couple burned the victim with ciga
rettes and lighter fluid, stuck a loaded
pistol in his mouth and threatened to
cut him up with a chain saw. The
youth was hospitalized with third-de-
burns and the couple was held on
5,000 each.
gre
a bond of $
SEXUAL MOLESTATION
Los ANGELEs—Afler conducting a
study on the sexual abuse of children,
a University of Southern California y
searcher reports that most molesters are
not "dirty old men," as widely believed,
but men between the ages of 25 and
35. Dr. Barbara Star has found that
even with molesters over 50. most of
them committed their first sexual of-
fense against a child before reaching
20. She added that in 75 percent of the
cases, the molester is a relalive, friend
or neighborhood acquaintance of the
victim or the victim's family, and that
at least 60,000 children ате sexually
abused each year
PARAQUAT PROGRAM
was TON, DC.—The United States
has informed Mexico that it has found
health hazards associated with paraquat
and will no longer fund the spraying
of that herbicide on marijuana fields,
but the action is not expected to make
much difference іп present practices.
Mexico indicated it has since acquired
its own supply of paraquat, and drug ex-
perts familiar with the spraying program
in that country consider it unlikely that
Mexican drug officials could, even if
they wanted to, limit spraying to poppy
fields, a program the U.S. is continuing
to fund with some $10,000,000 during
fiscal 1980.
JILTED
MARTINSVILLE, VIRGINIA—A salesman
from Roanoke made the mistake of
picking up a woman hitchhiker and
offering her only ten dollars for sex.
According to the local sheriff's office,
the lwo stopped and went into some
woods, the man undressed and the wom-
ап тап away with the salesman's pants,
containing his wallet and $283.
HAPPINESS HORMONE
srATTLE— The
feel relaxed and near euphoric during
childbirth may be that their bodies are
producing what a Seattle researcher
calls a “happiness hormone." Dr. J. С.
Houck, a biochemist and director of
the Virginia Mason Research Center,
reason some women
reports that the hormone beta en-
dorphin, which tends to relieve pain
and anxiety, has been detected in the
human placenta and in the pancreas.
Other researchers have found that the
pituitary hormone, discovered in 1976,
тау eventually prove useful in combat-
ing the withdrawal sym ptoms of heroin
addiction and in treating depression
and schizophrenia.
PORN IN DENMARK
VANCOUVER, BRITISH COLUMBIA—Sex-
ual offenses against children have de-
clined by 85 percent in Denmark since
pornography was legalized over a dec-
ade ago, according lo a prominent
Danish criminologist. Speaking at а
conference in Vancouver, Dr. Berl
Kutchinshy of the University of Copen-
hagen said that his studies also found
that people quickly become disinterest-
ed in pornography when it's widely
available, with book and magazine sales
falling from some 4,000,000 in 1967 to
1,500,000 іп the early Seventies. He
speculated that Denmark's rape statis-
tics have remained nearly constant over
the past decade because rapists seem to
have little interest in porn.
BIGMOUTH
PENSACOLA, PLOKIDA—A 37-year-old
suspected car thief managed to talk
himself into a ten-year jail sentence
without ever going to trial. After а
bond-reduction hearing, the defendant
began squabbling with his jailers and
was hauled back into the courtroom,
where he continued his outburst and
told the judge, “If you ever want to tell
me anything, mail il to m
The judge responded, “I won't have
1o тай you this—I'm finding you in
contempt of court and sending you
to county jail for one year.” Тһе ex-
change between the defendant and the
judge proceeded as follows:
“Why not make it five years?”
“Allright, you've got it."
“Why not make il ten years?"
“You've gol it—len years in county
jail.”
The defendant then dared the judge
1o raise his bond to $50,000; the judge
did just that and by the time the man
was back in his cell facing ten years, his
total bond was $100,000. i
PEEPING DICKS
pENVER—lVhen vice detectives
dropped a dollar into a slot to check
out a new peep show in ап X-rated
arcade, they were surprised to sec a live
performance of а nude woman. danc-
ing. When the woman concluded her
dance with the suggestion that custom-
ers could participate in the show for
additional payment, the detectives
placed her under arrest. Police conced-
ed the idea was novel and dubbed the
peep show a “sex vending machine.”
WEED PROBLEM
ER, WYOMING—The agricultural
curiosity of a Casper barber cost him a
$155 fine, 8100 of which was suspended
on the condition that he not grow any
more marijuana during the next year.
The 53-year-old defendant explained to
а municipal judge that he never had
smoked pot but had planted a few
seeds just to sce if they would grow.
They not only grew but spread, and
police said they found more than 100
pol plants, some taller than six feet,
thriving amid corn and other garden
vegetables.
BAD TRIP
NEW vonk—A Uruguayan bride on
her honeymoon in New York fell 18
floors to her death in what police called
а tragic freak accident. Police officials
said the woman, 20, was with her hus-
band and was playfully bouncing on
Шет hotelroom bed when she lost her
balance and fell through a window.
HIGH COST OF CENSORSHIP
MEMPHIS—AL the recommendation of
the U.S. Justice Department, a Federal
district judge has dismissed charges
against len persons and five corpora-
tions still facing trial for distribution
of the porno film “The Devil in Miss
Jones.” The action ended a series of
obscenity prosecutions dating back to
1974
the movie “Deep Throat," which re-
sulted in several convictions at a cost
to taxpayers of over $5,000,000, The
convictions are presently on appeal
before the U.S. Sixth Circuit Court in
Cincinnati.
Those included two trials over
57
PLAYBOY
58
made the death penalty and our entire
criminal-justice system look dumb. Most
officious and most righteous but stupid.
Instead of pleading and groveling. he
thumbed his nose at Nevada and the
AC.L.U. alike and went to his death
like a movie hero who not only refuses
the blindfold but also spits in the eye of
THE JOHN HOUR
As а reporter, novelist, lexicogra-
pher. columnist and. former. White
House speechwriter, William Safire
has always had a way with words.
Here he uses some choice ones to
discuss the interesting scheme cooked
up by New York mayor Ed Koch to
combat prostitution. They appeared
as an essay in The New York Times
and we're privileged to shave them
with our readers.
The mayor of New York, eager to
prove how ardent a feminist he сап
be, announced this week that men
convicted of patronizing prostitutes
would have their names broadcast
over the city-owned radio station,
WNY
Vere going to call it The John
Hour,” said this new impresario of
public shame. “We're not allowed to
put people in stocks anymore, so in
stead, what I'm going to do is to focus
public attention by puting their
names in stocks. .. .
Chew that over. Half a world away,
Iran, the Ayatollah Khomeini en-
forces his strict notions of publi
morality by shooting adulterers and
beheading prostitutes. Here in New
York, the Mayatollah Ed Koch en-
forces public morality by reach
back three centuries to come up with
а broadeast version of а humiliation
Pilgrims called the stocks.
What happens to ordinary
when they are put in a position to
Шеше their personal morality to
others? Upon what meat does this,
our mayor, feed, that he has grown
so fatuc
Prostitution
mortals
we
sexual services has be
mmoral since morality began. It cor-
rupis the individual, offends society
nd, worst of all, adversely affects
property values. Bad, bad, bad.
But prostitution should not be a
crime. The purchase and sale of sex—
when it is a private, commercial ar-
nt between aduls—is no
ness of government at any level.
prostitutic s
ma
invented, and w
the last law
making a tort out of a ta
th us after
given up
rt. We tried
his executioner. Another Gary Gilmore
performance, only cleaner.
Which brings me to wonder if we
don't have hundreds, maybe thousands
of antisocial, emotionally disturbed,
loser-mentality young criminals looking
for just such a spectacular way to self-
destruct. 1 came away from that experi-
ence thinking to myself, Fd rather dic
on that stage than be a loser and a no-
body. Execution is not, I fear, going to
solve the murder problem
George Williams
Chicago, Hlinois
You, we and quile a few criminolo-
gists share that concern. In January
this country
the prohibition of liquor a couple of
generations ago, and later admitted
our mistake; the time is ripe to do
the same with local prohibitions of
sex for sale.
Second, the laws against prostitu-
tion breed disrespect. for the law.
When people get used to breaking
the law on mless” crimes, law
enforcement itself. becomes the vic-
tim. Morality should be ght, not
legislated: if we scorn a cop mis-
placed in the pulpit, we are more
likely to scorn him on the street.
Third, laws against prostitution
breed disrespect by lawmakers for in-
dividual privacy rights. Enforcement
is based essentially оп entrapment or
enticement, which is government en-
couragement of lawbreaking for the
purpose of catching the lawbreaker
That perverts and debases the law.
From the libertarian conse:
point of view, that last point
most important. The police
to the demeanin
ing a solicitation from
will soon be wire-
phones of callgirls, and then of
Johns—customers—who are suspected
g prostitutes. As electronic
ping improves, vice-squad investi-
ions open a door to massi
sions of everyone's privacy.
The Mayatollah, a liberal. Demo-
crat, would express shock and horror
at any such intent to violate civil
liberties. After all, he only trying
to be nonsexist in his newest cam-
райт: by harassing the male custom-
ers of prostitutes, he thereby attaches
à kind of affirmative-action fervor to
harassment previously limited to
women of the profe:
е inva-
guest essay By WILLIAM SAFIRE
By publicly broadcasting the shame
of the customers (including, in order
to be nonsexist, the customers of
homosexual prostitutes, which should
send a chill up Third Avenue), he
thinks this will somehow even the
score for the female retailers of sex,
who have borne the brunt of arrest
and embarrassment until now.
But when you have been wronging
women, the solution is not to wrong
men equally; the answer is to stop
wronging both. The worst answer of
l is for government, for the first
ime, to use broadcasting faciliti
the purpose of criminal pun
(Televised executions, anyone? Great
deterrent, sure-fire ratings
sponsored Olympic муе—а
source of government revenue.)
The New York Police Depart-
ment’s vice squad spends $945,000 a
year running prostitutes in and out
of court. Add to that the portion of
the budget spent by the five district
attorneys for this useless activity, the
burden on the Legal Aid Society to
represent the accused, the court time
and overhead and the expenses of the
Department of Corrections to spin its
revolving door.
Couldn't that taxpayer money be
saved or, better, directed at nailing
and jailing the major pimps, or in
expanding the $110,000 Youth Board
budget to help the exploited children
now in prostitution?
Hizzayatollah should stop trying to
inist bluenoses by соегс-
who must deal with real
nt to waste
g adults do in
private. Commercial sex is recession-
proof and politician-proof.
The Communist government
ina has spent 30 years indoctrina
g its people to eschew se
ests: Women wear unisex clothes and
face heavy penalties for moral trans-
gression. In Peking, Jay Mathews of
The Washington Post this week
quoted an official of the Chinese
Foreign Ministry on the campaign's
here is no prostitu
However, we do have some
women who make love for money
and—i
time on what consent
СІ
on in
Copyright € 1979 by The New York Times. Re-
printed by permission.
with 2 Ibs.of beef jerky,
a steel-forged ice axe,
Any4 for] when you join The Literary Guild." "тһе LieraryGuld 0 —
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PLAYBOY
60
1977, we published the following in
an editorial: “The prospect of being
locked up in a cell for life and forgotien
by history holds no great appeal, but the
prospect of being catapulted from ano-
nymity to celebrity, selected by the state
for ceremonious execution—to ‘ride the
lightning'—can provide a stronger moti-
vation to kill than to live.” The death
penalty is no doubt a powerful deterrent
to the people who support it, but they
don't go around robbing and killing
people—exce pt an occasional spouse dur-
ing a family fight, and that’s generally
not a capital crime.
"A POLICEMAN'S LOT“
Over the years, I've read many letters
in The Playboy Forum in which police-
men are scrutinized, criticized and picked
apart. It's not often that [ read a letter
of appreciation or pr
Those who feel honored to "pin оп
the badge" cach. day realize that we are
being constantly observed by those aw
ing the moment when we make an error.
Irs usually those finger pointers who
don't stop to think that should an elec-
n, plumber, realestate person, cook,
mechanic or whoever make an occasional
mistake, it is both expected and toler-
ated: no one is perlect. But let a cop
commit a simple human error or a bad
judgment he has had to make in a split
second, he has to face not only his su-
rs but often his city. state and the
hank you for printing "A Police-
1% Lot" in your November issue. 1
wish that before citizens decided to judge
the police poorly, they could read it and.
consider its message. I have so much
damn respect for my profession I want
to keep on thinking that there arc those
who believe in us.
Michael L. Janin, Police Officer
(Address withheld by request)
SCHOOL CENSORSHIP
PLAYBOY readers concerned about the
future of First Amendment freedoms
need to know about the pall of ortho-
doxy that n r American
public schools if the recent decision of a
Federal judge on Long Island is upheld.
U.S. District Court. Judge George С.
Pratt has ruled that the Constitution
does not prevent school-board censorship
be cast ow
of these books: Laughing Boy, Black
Boy, SlaughterhouseFive, The Naked
Ape, Down These Mean Streets, Best
Short Stories by Negro Writers, Go Ask
Alice, A Hero Ain't Nothin’ but a Sand-
wich, Soul on lte, A Reader for Writers,
Fixer. The Island Trees school
in Levittown called those books
wi-Christiun, anti-Jewish and just
plain filthy” and ordered them out of all
school libraries in the district. The case,
n which several students are plaintills,
is now being appealed
In 1968, the Supreme Court said pub-
lic authorities may not consider students
closed-circuit recipients of only that
which they would have them learn. We'll
soon know whether or not the Justices
were serious,
Judith F. Krug, Executive Director
Freedom to Read Foundation
Chicago, Illinois
The Playboy Foundation is supporting
the F.R.F. in this important case.
YANKEE, STAY HOME
You've gotta be kidding! In reply to
James Douglas Clarke's tale in the Sep-
tember Playboy Forum about his cight
days in Mexican custody, you generously
suggest that perhaps Mexican authorities
were picking on turistas ("once a pro-
tected species") only because they'd run
out of hippies. Where in the hell have
you been for the past 50 уе
During my senior year in high school
in 1940-1941, T and many other teen-
agers in Texas’ Rio Grande Valley acted
“We should err on the
side of decency and the
personal safety of women.”
as guides for tourists visiting Mexico.
Reynosa (the scene of Clarke's 1978
misadventure) was our main point of
лигу. The Mexican cops—excuse me,
authorities—always had an old Model А
Ford parked at the second intersection
after the bridge. That car looked like іг
had barely survived Armageddon. I
rned how ro dodge it, but unsuspect-
ing visitors—usually kind, law-abiding
oldsters from the North—weren't. that
swift. The Model A would shoot into
the intersection and crawl all over the
gringo car to the tune of $50, or what
ever the cops could extract on the spot.
I could go on with a dozen oth
favored by Mexican authori
get point. Our n
south have had a hardon for gringos
since Santa Аппа got his butt whipped
at San Jacinto. There's nothing recent
about it
Robert M. Chandler
Houston, Texas
VIOLENCE PORN
The position that pornography is
socially harmless has been threadbare
liberal dogma lor too many years now.
Fm sure the basis for it has been the
highbrow's traditional need to take what
he fancies to be a "progressive" position
on all issues and. demonstrate his
lectual superiority over the rabble
religionists, moralists and conservatives
who may, in fact, express themselves
poorly and who tend to be rural
unfashionable but who seem, through-
out history, to have demonstrated that
they have a much sounder grasp oi
social reality than cither academicians
or cocktail-party gu
Their defense of pornography is al-
ways cloaked in terms of constitutional
rights that by any reasonable interpreta-
Чоп were never intended to protect
smut. From there they take the offensive
and cite the several major literary works
that were illegal in this country in the
days of "censorship." That censorship,
I say, is a small price to pay for keeping
our country free of the maggot-infested
filth that has poured through the sewer
valves opened by the courts to accom-
modate a few books that might qualify
as literature but could hardly be called
essential reading.
I believe that common sense alone is
adequate ground for presuming that por-
nographic sadism is socially unhealthy
and my understanding is that the con-
nection between sex and violence
at last being detected by researchers not
brainwashed by liberal rhetoric that
g on the excuse of free-
t be established. with
something close to absolute certainty
that pornographic violence does not in-
spire rape, then I think we should err
on the side of decency and the personal
safety of women, ignore abstract с
sütutional quibbles and suppress this
material in the common interest and by
whatever means necessary.
(Name withheld by request)
New York, New York
We can't think of anything that can
be slated with absolute certainty, espe
cially if one goes into semantics and
abstractions. You make the issue even
more difficult by combining sex and vio-
lence, as if they were equal components
of something generically called. pornog-
raphy. It doesn’t fail to concern us that
somewhere, somelime, some mentally
deranged and predisposed person might
be triggered into an act of sexual vio.
lence by something he reads or sees. But.
we submit that those acts of insanity,
like mass murders, ате statistically too
тате to justify yet more laws limiting
the rights of an entire population. We
find the depiction of sexual violence
loathsome, but we don’t find it as per-
vasive as you seem to indicate or suffi-
cient reason to reinstitule censorship
(See Robert Shen's article in this issue,
which takes a hard look at the violent-
pornography issue and at some of the
new studies.)
is.
"The Playboy Forum” offers the
opportunity Jor an extended dialog
between readers and editors of this
publication on contemporary issues. Ad-
dress all correspondence to The Playboy
Forum, Playboy Building, 919 North
Michigan Avenue, Chicago, Hlinois 60611.
Тһе 1980 Mazda RX-7 GS
Justone look is all it takes to appreciate
the exceptional value of the Mazda RX-7
versus Datsun 280ZX or Porsche 924.
* RN
As remarkable as the Mazda
RX-7 is on its own merits, it looks
all the better when compared
with the competition. Because the
sleek, aerodynamic RX-7 is vir-
tually everything you could want
ina refined sports car—at an
almost unbelievable price.
It can reach 0-50 in 6.3 seconds.
Its inherently compact rotary en-
gine is placed behind the front
axle, for ideal weight distribution
and superb handling.
Inauto racing, a specially-
prepared RX-7 won its class at the
Daytona 24-hour race. Another
RX-7 set a world speed record at
Bonneville.
The smoothness of the rotary
engine makes the RX-7 a quiet
sports car. All this performance
froma car that can attain excellent
gas mileage on the open road.
T. ЕЅТ?*
17 E 28 hwy mpg
But the front mid-engine КХ-7
offers infinitely more than
t
performance. Ít also provides
extraordinary comfort.
So if you know what you want
in a sports car, and you don't
want to pay a ара ransom to get
it, take a look at the RX-7 GS or S
Model. The beautifully-styled,
high-mileage, high-performance
sports cars from Mazda.
You're also going to
like the looks of RX-7 GS
standard features.
* AM/FM stereo radio with power
antenna * Side-window demis-
ters * Cut-pile carpeting * Tinted
glass * 5-speed • Tachometer
* Styled steel wheels * Steel-
belted radial tires • Front and rear
stabilizer bars * Ventilated front
disc and finned rear drum brakes
with power assist * Electric
remote hatch release. 3-speed
automatic transmission, air con-
ditioning, aluminum wheels and
sun roof available as options.
57905
‘Manufacturer's suggested retail price for GS
Model shown. S Model $7195. Slightly higher
in California, Actual prices established by deal-
ers. Taxes, license, freight, optional equipment
and any other dealer charges are extra. (Wide
alloy wheels shown $275-$295.) Prices effective
Dec. 1, 1979. All prices subject to change
without notice.
**EPA estimates for comparison purposes for GS
Model with 5-spd. trans. The mileage you get
may vary depending on how fast you drive, the
weather, and trip length. The actual highway
mileage will probably be less. California, Di]
estimated mpg, 27 estimated highway mpg,
Mazda's rotary engine licensed by NSU-WANKEL.
тага
ga)
The more you look,
the more you like.
Benson & Hedges
Lights
Waming: The Surgeon General Has Determined
That Cigarette Smoking 15 Dangerous to Your Health.
ыз
p =
PLAYBOY INTERVIEW: PAT CA DDELL
a candid conversation with president carters young pollster-advisor about
the campaign, ted kennedy, the white house staff and our “crisis of spirit”
“The most influential private citizen
in the United States is not a billionaire
banker, a powerful publisher or even
the chairman of Exxon.” wrote colum.
nist. Richard. Reeves last. summer. "It's
Pat Caddell.” An unlikely label for an
unlikely man.
The man is big and moody and, until
the recent growth of a full beard with a
premature swatch of gray. was known
Jondly among his friends as
wonder.” He has the dark, brooding eyes
oj an Irish poct and the sartorial splendor
of an unmade bed. Не is a mechanical
nincompoop—he cannot type and only
recently learned lo operate his own
Xerox. machine—but he drives a gold-
colored Mercedes. He is ап invelerate
gourmand whose sole culinary talent
consists in boiling waler in пп uncov-
ered saucepan for instant coffee іп the
morning. He is an overweight bachelor
(down from 210 to 180) who squires
beautiful women around Washington,
New York, Boston and Beverly Hills. He
is Patrick Haywood Caddell, pollster
and personal advisor to the President of
the United States
Caddell, only 29, is the youngest of
President Carter's small coterie of short-
in-the-tooth personal advisors. Along
with White House Execuitve Senior As-
sistant Hamilton Jordan, Press Secretary
Jody Powell and advertising executive
Gerald. Rafshoon, Caddell is part of the
President's. political inner circle. With
the remarkable wizardry of his numbers
as a political. pollster, Caddell played a
key role in Jimmy Carter's unexpected
primary victories during the 1976 Presi-
dential campaign. After Carter took of-
fice. Caddell eschewed any official job
and instead became ап insider-outsider
with entree to the President
He continued to function as Carter's
chief ear to the ground through the de-
vice of a polling contract negotiated
with the Democratic National. Commit-
tee for upwards of $200,000 per year. Ах
an advisor with unique access to the
President's. сат, Caddell is often
scurrying up and down Washington's
Pennsylvania Avenue (his office is only
fwe minutes from the President's),
sheaves of closely guarded papers under
his arm and his permanent White House
pass flapping in the wind.
Caddell was hardly born to the role
seen
maker. First in his high school
тәйПе, Florida, he was a
kid who went to Harvard on schol-
arship, even though his mother thought
it might be an unsavory place in 1968.
Caddell had to assign his first love, base-
ball, 10 his fantasy world, and compensat-
ed for his bookish tendencies (“1 was
reading history by the time 1 was four
or five”) and a lack of sporting prowess
with a natural acumen for political pow-
er. In his senior year of high school,
Caddell was elected student-body presi-
dent.
But that not his most notable
achievement. Caddell's carly and endur-
ing claim to fame has been an uncanny
ability to predict the outcome of other
people's political races. At 16, to com-
plete his advanced math project in high
school, Caddell created a model for fore:
casting a state legislative election. The
results were astounding: Caddell's predic-
lions were so accurale—he called every
correctly—that the politicians
crowding into the county courthouse on
election night spent as
around the young high schooler's desk as
they did watching the official results be-
ing posted by the registrar's office. Two
was
race
much time
— 5
PHOTOGRAPHY BY JOHN WHITMAN
“I wish just for one day I could get my “With so many schmucks in the political
system, it bothers me to see two of the
best people going at cach other. The
President is disappointed. 1 think he and
Kennedy like cach other personally.”
“The stories about Hamilton Jordan have
made him a virtual prisoner in Wash-
ington. White House people work under
enormous pressure and now they can't
go anywhere to relax and let off steam.”
hands on the levers oj power, the ma-
chinery of Government. Of course, there
are plenty of people who are glad 1
can't—cven for one day.
РШАҮБВОҰ
weeks later, Caddell's face appeared оп
the cover of a youth magazine put out
by the local newspapers.
Seeing his face in magazines and news-
papers and оп television has become
routine for Caddell. His fame went na-
tional in 1972, when he was still a stu-
dent at Harvard. but doing state-wide
polls for primary-winning George Mc-
Govern. “I started [lying off to places I
never heard of and holding press con-
ferences, for Christ's sake,” he remem-
bers today. By the lime the 1972 election
was over, McGovern was a devastated
politician, the Democratic Party was
badly riven and Pat Caddell was a
household word in liberal political cir-
cles. The pollster exwaordinaire was the
boy wizard of politics.
That campaign also catapulted the
young man with the magic numbers into
the world of glamor and jet-set fame.
He became а close friend of such active
McGovernites as Warren Beatty and
Shirley MacLaine, each of whom he
often visits when on the West Coast. He
is comfortable in the drawing rooms of
the Eastern establishmeni—his friends
include John. Kenneth Galbraith and
Barbara. Howar—as well as at the pool-
sides of the California entertainers. By
the lime he joined the slightly ragiag
Carter campaign in 1975—it was then
known among Georgia journalis
“the children’s crusnde”’—Caddell was
one of the few members of Carter's merry
band of young volunteers with an aca-
demic pedigree—Harvard honors—and
real national experience from one const
to the other, He soon went from pollster
Jor hire to committed member of the [u-
ture President's inner circle
Together with political pal and equal-
ly close Presidential advisor Gerald Raf-
shoon, Caddell opened a suite of offices
on Pennsylvania Avenue just a block
and а half from the Oval Office shortly
after Carter's election. Rafshoon, an At-
lanla advertising man who is the Presi-
dent's so-called image advisor, joined the
White House staff for a year but has now
returned to his private status in order to
work almost full time for Carter's re-
eleciion campaign. Caddell, meanwhile,
has beefed up his Washington staff for
the election year, drawing on the 30-0dd.
employees of Cambridge Survey Re-
search, Inc, and Cambridge Reports,
Inc., the Boston-based companies that he
opened with two partners from his Har-
таға days. While Caddell plays Presiden-
tial advisor, his partners mind the store.
Among the men closest to the Presi-
dent, Caddell is unique. He is а true
child of the Sixties—nurtured оп televi-
sion and schooled in the life of the coun-
terculture—which is not a critical. part
of the backgrounds of the other mem-
bers of the Georgia Mafia around. Presi-
dent Carter. So, as the 1980 political
as
races heated up with Senator Edward
Kennedy’s decision to challenge Presi-
dent Carter for the Democratic nomina-
lion, PLAYBOY sent Washington-based
Conhibuting Eduor Peter Ross Range (who
did our interview with former UN Am-
bassador Andrew Young) іп pursuit of
the thoughis and plans of the man who
figures 10 play a key vole in the Presi
dents 1980 political strategy. Range's
report:
"Caddell's life is a series of missed
appointments and postponed plans. He
seems to lwe wilh a telephone hanging
out of his ear. 1 had to visit his office
three times before we could sel a real
interview date. We talked in his house,
in my house, in a taxicab and even in
my open sports car as we pulled up in
front of the White House one day—the
tape rolling all the time. Only the Bali
more Orioles world-sevies loss 10 the
Pittsburgh Pirates—which Caddell took
as a personal tragedy—threatened to su-
persede politics during some of our in-
lerviews, Because he had just been
through the intense sociopolitical read-
ing program that led President Carter
to reassess and reinvigorate his Admin-
istration through his July 1979 speech
on the ‘crisis of spirit in America,
Caddell put me through the same intel-
lectual paces he had gone through him-
self to reach his conclusions.
“Since Caddell is the first political
pollster who has ever gone on to be-
come an intimate advisor to a President
of the Uniled States, we began by talk-
ing about the best way to define his
role as we enter the primary season.”
PLAYBOY: You are the un
of being not only the President's pollster
but also one of his closest advisors. How
do you like to be referred u
CADDELL: Well, pollster i
est word. Statistics don't m
unless you know how to inte
1 was in politics before J got into pub
licopinion surveys. I would hope to be
remembered. for something more than
just providing the President with some
E
nbers.
PLAYBOY: Yet у
a level of power that no oth
surveyor ever has.
CADDEL: Yeah? Well, if I had half the
power people think I do, we might not
be in the fix. ... No, Fm not going to
say that!
PLAYBOY: Columnist Richard Reeves has
called you “the most influential private
citizen in the United States” and sus
ed you should go on the White House
payroll so you could be held account-
y other public official.
CADDEL: When the President was elect-
ed. Шеге was some brief talk abour a
place for me on the staff, but I just
wasn't interested. And I think I give a
opinio
m the
in that
lot better advice by coming
outside, I'm not caught
strange sort of macho me
take over a room when
walks in.
PLAYBOY: What macho mentality?
CADDELL: Well, there's a sort of machismo
thing that happens
seen it with heads of coi
nobody wants to look w
wants to look like he's doi
nd there's nobody who sits there
ays, "Hey, why are we doing this
“Hey, why don't we do nothing?” Which
is sometimes the best thing.
PLAYBOY: How сап you be a personal po-
ical advisor to the President and m
ts objectivity to do polls for
other politicians:
сарай: That's apples and oranges.
all, I never poll for two politicians
ng for the same office. For instance,
I polled for Ted Kennedy's Senatorial
race in 1976 while polling for Jimmy
Carters Presidential гасе. Theres no
сопіс there.
PLAYBOY: Yet it means you're giving ad-
vice to different politicians on the
tional scene.
CADDELL It is no different from a doctor
jous patients. Or rake још
пайыз. They can be very objective pro-
fessionally and still have very swe
nions about politicians.
PLAYBOY: But a journalist couldn't write
speeches for a poli
a newspaper at the sa
CADDEL: A journalist votes, does
My involvement with the Pi
separate fron the professional service
and advice I provide for paying clients.
PLAYBOY: Whar about the financial con-
flict of interest? You have quite a few
business clients, too. Who's to вау you're
not getting rich right now oll your asso-
ча! 1 the White House?
CADDELI: Oh, Jeez, that has 1
and rebutted for y
Ше President
1 enou
a charged
ars now. First of all.
one of my business clients has ever
sked me to intercede anywhere in
vernment. 1 don't represent them as
—like а lobby à lawye
ide them with survey
wd specific advice about. how
feels on a certain. question
As a matter of fact, we lost a few busi-
ness clients alter 1 became involved with
this Ad ion. They simply want-
cd to п the appearance of
peddling influence. Sure, our тери
is well known and our business
But actually, the time Im investin:
working with the White House
even be compensated. 1 mean, I could
spend the same time out hustling con-
паса and make a lot more money, I I
had wanted to get rich after Carter’
election, 1 would've just shown up for
Inauguration, had my picture taken
with the President and gone out alter
clients.
PLAYBOY: We'll come back to the subject
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PLAYBOY
66
of polls, but for now, as a personal ad-
visor and Carter's pollster, how do you
see the primary battles between him and
Senator Kennedy shaping up?
CADDELL: With great foreboding. It is go-
ing to be a six-month series of brutal,
bloody, messy skirmishes. I will prob-
ably be a long, dificult and unpleusant
experience for everybody. The problem
with primaries that end in a blood bath
is that they usually alienate some of
your people in your own party. The side
that loses.
PLAYBOY: As the pol
up, we assume youre working more and
more closely sident.
CADDELL: І just spent an hour and a 1;
with him in the Oval Office two
ago. And we're going ой to a pl;
session at Camp David.
PLAYBOY: What did you talk with him
about in the Oval Office?
CADDELL: I'm not going to tell you. The
President is fond of saying that one of
the unstated rules in the history of this
country is that the advice you give a
President remains confidential. That's
the deal.
that except
And 1 have always honored
eral sense.
PLAYBOY: How about a hint? What was
the President's mood?
CADDELL: Oh, he's ready. He's in а com-
bative mood, Maybe not combative, but
he's very comfortable with the situation.
He likes nothing beter than a good
fight. At the first whiff of grapeshot, you
those nostrils Haring.
2 Is this war?
ics is the closest thing
society to warfare. Gam-
gnis are wars.
PLAYBOY: Why does the I
fight so much?
CADDELL: Well, h
tam-rooster
to ascribe that
1 always thought it was not r
stage presence, mostly
„TI think
confident kind of In
attitude.
PLAYBOY: How is he showing that r
ness for this сатара
CADDELL: His dominance of the situa
his willingness to take politica
MI the accusations that Carter
Presidency to his advanta
арр to
such, are
PLAYBOY: Is the rest of the WI
ready for this fight?
CADDELL: Yes, everything is highly ener-
gized all of a sudden. As Мап '
once remarked, there is nothing like the
iwn 10 concen-
your the evening be
Kennedy has really served as a galva
ing force fo ion.
PLAYBOY: Twain's analogy to a hanging
ident love а
s got a lot of the I
in him. People used
but
to George
Wallace,
bluster,
Ius that
is using
terms
па
te House
may be apt, because it seems to be com-
ing a little bit late for Carter.
CADDELL: You
to think (i a great pres-
sure baseball player. He goes through
the season like Reggie Jackson, He has
some good y qu
the batting crown—until you put him
under pressure. Like Reggie Jackson in
а world series, Carter really comes
through. He's a great October's child.
When the stakes are very high and
there's по exit—or only one way out—
he rises to the occasion. That із what
he did last summer during the domestic
summit at Camp David.
PLAYBOY: Does that mean you have to
keep a crisis going all the time?
CADDELL: Or an election every week!
cept this one depresses me very much.
PLAYBOY: Why
CADDELL: Because with so many schmucks
in the American political system, it
really bothers me to see two of the best
people we've got going at cach other.
‘To have them going head t head seams
almost a tragedy. I know the President
is disappointed. 1 mean, I think the two
men like each other personally. 1 think
s but
never e wins
“Carter is like a great
pressure baseball player.
He goes through the season
like Reggie Jackson.”
there is more mutual admiration 1
their supporters would like to think
PLAYBOY: How is the President disap-
pointed?
CADDELL: Well, he underst:
tor Kennedy is
e ambitious. He would just rather the
Senator be ambit
PLAYBOY: You stud
for Kennedy br
ids tha
bitious, АП politicians
us some offres U
d at Harvard, worked
elly ten years ago. in
your student days, and. have done some
polling lor him in Senate races. How
do you Teel about the whole business:
CADDELL: І feel as if it is 1861 and Tm
me.
ng goodbye to all my Northen
friends before putting on the Confed-
era in the Civil War, Except
that me Tm defending the Fed-
iment.
PLAYBOY: Why do you put it that w
CADDELL: Well. 1 was in B
ber for the dedic
Kennedy Memorial
all the Kennedy people, p.
ent, were there. I spoke t
few minutes. Since 1 have occasionally
done some work for him. I know a lot
of the people around him. 1 alw
sumed that someday I would be work-
sion in Ocro-
ow of the John F.
v. OF couse,
and pres:
Teddy for a
ing in a dy for
President. Now we're choosi
PLAYBOY: What about
alogy?
CADDELL: Well, after the
s at a party at the home of John Ken-
albraith. АП the Kennedy people
were there, and а lot of them аге my
iends. It felt very much like we were
ing goodbyes before the fight, the
ne way people did just before the СІ
War started. I almost felt like General
Thomas, the Rock ol Chickam
Vir
things we talked about
was whether or not our
withstand a political ca
PLAYBOY: li docs scem ironic for a lib-
al intellectual with a Harvard educi-
Чоп to be fighting Ted Kennedy rather
than wor for him. You would seem
to be ul Kennedyite. Had Jimmy
Carter not come al
dedic.
"c
à lot, im баа,
riendships could
CADDELL: Bur Jimmy Carter did come
along. And remember, Ted Kennedy
took himself out ol the race in 1974.
PLAYBOY: But suppose he hadn't.
CADDELL: I'm sure 1 would have worked
for Ted if he һай been ndidate in
1976. Гуе always been a great admirer
of Ted Kennedys. He's a person. who
believes in a Jot of things and cares what
happens. There is another small irony.
1 found that Teddy and I had the sume
room in the freshman dormitory at Har-
vard. Wigglesworth C-21
PLAYBOY: Would you care to predict the
outcome of this primary battle?
CADDEL: You know what 1 really fear?
This is shaping up as a titanic contest
that could end up with no winners. It
could be a Pyrrhic victory in which
both candidates destroy each other and
we could end up with a Republican
President, which is the last thing the
co
ту needs.
PLAYBOY: Even though you and your
friend. advertising specialist Gerald Е
shoon, are not members of the Admin-
istration, you'r егей part of
rters inner circle. Who else
inner circle?
CADDELL: 1 ck
vone else, E
Moore, obviously Н. dan and
Jody Powell, Tim Kralt on some thing
On aiicd political U its more
the four of us.
PLAYBOY: Who arc the four of us?
CADDELL: Well, Jody, Hamilton, Jerry
and түзей
PLAYBOY: How did vou, a non-Georgian
with a Northern education, become part
п the
"t see it any different from
. Frank
of that inner circle?
CADDEL: | don't know, exactly, except
that it happened pretty fast. You know,
when I first met Garter, we hit it oll
very quickly. I remember going through
Atlanta with George McGovern during
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PLAYBOY
68
the 1972 Presidential сатра
spending a night at the governor's man-
sion. After McGovern went to bed, a
bunch of us stayed up
eral hours with Governor
around on kitchen counters. 1 was dri
p beer. We talked about my college
thesis, which had been on Southern poli-
tics, It was a really good conversation.
PLAYBOY: Besides you, nobody else there
had any real experience іп national
politics, right?
CADDELL Well, Presidential politics is
truly a game of amateurs. There aren't
many pros in the country who under-
stand what P len poli about.
PLAYBOY: What happened next?
CADDELL: Well, 1 got drawn into the
Carter campaign in Florida in 1975, do-
ing some work for hire. And the more
time I spent witk Carter, the more J was
attracted to his mind. He had developed.
jcs i
a els around the
county about how people felt that
matched my feelings about where the
as going—the impact of Wa-
tnam and so forth. What L
б уепйбишү did ess conr TOP Rimini
more analytic way things that he felt
and sensed strongly.
PLAYBOY: How did that get you into the
ner circle?
CADDELL: Well, 1 already liked Jody and
Hamilton and Jerry, and we got along
very well. But Carter has strong, indi-
vidual relationships with each person,
not dependent on anyone else's rela-
tionship. He relates to you directly. He
won't tolerate any jealous; at the top.
And when he's mad at you, it's direct.
I had heard people talk about those
steely eyes. When he focuses on you and
hes really mad. . . . The first t
happened to me, 1 was just terrified. Не
Шу bawled me out about something
in the campaign. I was really stung and
1 got upset. And Jody turned to me and
id, "What are you bitching about?
Welcome to the club.
And that’s when I knew I'd crossed
some kind of line. It also gives you the
license to fight back. Having people
around who will always tell the Presi-
dent the truth is extremely important.
PLAYBOY: By the way, since you were on
the campaign trail with Carter at the
time, how you feel about his famous
Playboy Interview
CADDELL: His Playboy Interview was а
political disaster. I know: 1 was doing
the polling. It was very serious. Carter
ied losing tremendous ground when
that story broke. The reason was not be-
cause of the interview itself. I mean, the
press went crazy with it. Nobody took it
in context. They concentrated on a few
words. I read the interview and I didn't
think it was that outrageous.
PLAYBOY: OK, continuing with your
Playboy Interview, how often. do you
give the President blunt advice?
CADDELL: There have been times when
Ive really gone to the wall with him,
taken on the whole Government.
PLAYBOY: Over what?
I told you my advice to the
President is confidential. Anyway, one
time it was so bad that 1 got carried
s so chagrined that 1 s
note the next day saying
that in the future [ would try to remem-
ber that he the President and I was
the advisor.
PLAYBOY: Are
the President's
you
CADDEL
lectual
being Raspu
to the czar.
PLAYBOY: "That's because of your friend-
ship with Rosalynn Carter. That sounds
pretty apt.
CADDEL: The m between
me and the people on the White House
staff is that I have the luxury of touch-
ing bases everywhere and 1 have none
of the administrative responsibility. I
can float in and out like a butterfly ——
PLAYBOY: And sting like a bee?
о, but I guess I'm an intel-
Some have accused me of
n, using Ше c а to get
"Sitting next to Carter on
the balcony, I kept thinking,
There may be some son of a
bitch out there with a gun.”
—
CADDELL: Т wish. I wish just for one day
I could get my hands on the so-called
levers of power, the machinery of Goy-
ernment. Of course, there are plenty of
people around the Admi ion who
jad I can't—even for one day.
PLAYBOY; How do you go about being a
member of the inner circle without even
having an office in the Executive branch?
CADDELL: Very poo imes. I mean,
sometimes you're in the right meetings,
sometimes you're not. Sometimes I feel
like Гус had some influence and then
nothing happens. It's like what Tr
said about Eisenhower just before he
left office. “Old Ike is going to con
here and give an order and nothing's
going to happen." Even the President,
you know. а Captive of his own bu-
s. His power, as Harvard pr
chard Neustadt points out, is
chiefly the power to persuade.
PLAYBOY: Well, how do you persuade the
President? Do you walk up and down
the corridors of the West Wing, sticking
your head in people's doors?
CADDELL: Yes, I do that. But they're very
busy. Ги not really p
call the loop—the deci:
Sometimes I just go str
ight to the Presi-
dent. ТЇЇ write him a note or call him
up. That's really bizarre.
PLAYBOY: What's so biza bout i
CADDELL: Well, I mean, you'd think if the
White House staffers are too busy to see
me, the President would be even busier.
But sometimes 1 find it a lot casier just
ight to him.
Vhere do you meet with him?
CADDELL: Usually in the Oval Office. But
the important mectings this year were
over in the residence, the Presidential
ters. Th 1 Balcony
- To go out on the
alcony, which 1 have done,
drink aud
President, sitting there
breath-taking. First of
view straight to the Washington Monu-
ment and all the way to the Potomac
River. You're looking over the whole
White House grounds. It sure beats
mary states.
y sound morbid, but
we've always wondered if that balcony
ed. dr looks totally exposed
the street. 15 there anything to
eld the President?
I wanted to ask that que
se sitting out there next to
I kept thinking,
you know, There may be some son ol а
bitch out there with а gun who's been
waiting all this time. So, like, maybe I
should move over.
PLAYBOY: And catch the bullet?
CADDELL: No, wasn't being
brave. | mean move away! I figure fate
would intervene one way or the other.
But | would just like to be out of the
line of fire. I'm not that bra
PLAYBOY: So that must һауе been your
big moment 23 the White House.
CADDELL: No. It was the day E had lunch
in the White House mess with Carl
Yastrzemski after he got his 30001 h
s a big moment for me. And the
. L got to shake the hand
of Pope John Paul at the President's
reception for him. Those were my two
finest days in the White House.
PLAYBOY: Do the Carters often invite you
to their living quarters?
CADDELL: Oh, о. Actually, if they have
any free time, | suspect we—the ad
visors—are the last people they want to
The President really likes to have
his evenings to read, mostly books, And
to think. 1 usually communicate with
him in writing. 1 have been known to
write some long memos.
PLAYBOY: Your memos are
around Washington. Especi:
one, titled. “In
Trum:
ion,
too.
him on the balcony,
no, no! I
legend
ly the first
ial Working Paper on
1 Strategy.” It got leaked and
was frequently quoted, saying that you
recommended “style over substance” to
the President.
CADDELL: Th:
the twouble with leaks
He's always опе
step ahead. Listen:
“Ilove today's
western look. right
down to the boots.
And Dingo® knows
all about the West”
Like O.J. Simpson,
We mean what we say,
and what we say is:
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‘Together Like Dingo.
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PLAYBOY
70
and being quoted out of context. I was
ot recommending anything like that
t all. It was a parenthetical comment,
е? [Points lo а fold-
Do you have it th
er] Read it.
PLAYBOY: Well, this 60-page opus
fairly heavy going. It is in Ше section
where you discuss how to "sell these
themes? to the public in order to "buy
time" for greater accomplishments. You
warn the President against becoming
ed down in "worrying about the
“to-day Government.”
in parentheses, it says: “Thi
bout mistaking style for
stance usually works in reverse in pol
tics. Too many good people have beer
defeated because they tried to substitute
substance for style; they forgot to give
the public the kind of visible signals it
needs to understand what is happe
CADDELL: Yeah, that’s it. I wrote that in
December 1976, before Jimmy Carter
raised his hand and took office. And I
think it explains a lot of what ha: hap-
pened since then. It was prophetic.
PLAYBOY: What do you mean?
CADDELL: Well. it is precisely because
the signalsending process broke down
that the President got into the situation
he is in, I think. You see, in the first
three months of his Presidency, Carter
gave his "sweater talk"—4the fireside
chat—held the radio call-ins, got rid of
the big limos, reopened the doors of the
Justice Department, had an chormously
successful town mecti
sachuseus—all of the symbolic things
we recommended to make good on his
promise to bring the G
to the people.
PLAYBOY: That
enough st
CADDELL: Yeah, but then my memo leaked
in late April 1977, und the time that
the President made his "moi n
lent of war" speech on the er
Two 0 ppened: Jimmy Carter for
the first time used his political mandate
to take on an extremely unpopular
issue—energy, а matter of great sub-
stance. And, at the same time, the Ad.
ministration came under great attack
for all its symbolic acts. We got gun-shy
about the press and the President didn't
nother fireside chat for a yea
For about the next year, the Adminis-
tration concentrated very heavily on sub-
nce over style, if you will. But within
that year, we came under fire for lo
up the Congress with too many ir
es. We probably should have just
ignored the press after my memo leaked.
PLAYBOY: How did that get him into his
present political troubles?
CADDELL Well, it is like I said in my
affairs of
old
sub.
sounds
like a good
initial memo; if you devote all you
tention to substance without any atten-
tion to giving the public the visible
mals that it needs to understand what
s happening, you can aca
ad sull be in trouble. 1 t
what has h:
PLAYBOY: Which sounds like a so
complicated. way of g that he was
nota very good politic
CADE"U: This President has essentially
not been a very political President.
PLAYBOY: That is an astonishing state-
nt. How did that happen
CADDELL: To lead, you must be both sub-
stantive and political. And yet politics
has become such a dirty word in our
society. ГЇ give you an example ol
king care of substance. without taking
care of politics. By the time this inter
view comes out, the price of home һе
ing fuel is going to be a real b
Yet six months ago, if you
the attacks on Сапег were 0
he was
not going to have the country ready for
winter—that there would not be enough
heating fuel. The price was not the
Well, the President took care of the
substance. He worked on the problem
so that as we go into winter, we have a
larger stock of home heating fuel th
“This President has
essentially not been avery
political President.”
we did last year at the same time. We
© enough. But the public docs not
ize һе done that. And this "
t, because of the difficulties we have
filtering these accomplishments through
the adversary process with the press.
Whenever Administration: spokes-
man goes out to make a speech and lists
the accomplishments like this, the people
are amazed, because they haven't heard
about it. And t of the President's
problem has been not ng enough
aucntioi
an
do is set up straw men and then knock
them do to make itsell look good.
ad it does not try to hide crises.
PLAYBOY: How is that politi
aging?
CADDELL: What
ation, un
ppens is, u
Substantive decisions were taken in a
political vacuum.
PLAYBOY: How can you have a pol
n the most political of all
tutions, the White House?
CADDELL: Well, the White House is a big
place and the decisions all reach beyond
к sue like inflation. You have
the Council of Economic Advisors, with
Charley Schulue, Jim Melmyre at the
vacuum
Осе of Management and Budget. the
Secretary of the Treasury, domestic-
policy advisor Stu Eizenstat—and all
their stall people. These are people who
are specifically geared to this kind of
issue, not generalists who think a lot
about the electorate and getting votes.
They take a decision according to what
their information tells them is the best
thing—but not necessarily asking, "ls
this understandable to the general pub-
lie" That's what you need political
generalists for.
PLAYBOY: Like you?
CADDELL: Well, yeah
about having genera
they can ask tough quest
like, “Why the hell are we doi
You need the devil's advocate іп Gov-
ernment. I ary to be a devil's advocate.
PLAYBOY; Hasn't every President had this
problem? How did Johnson and Ken-
nedy handle i
CADDEL: 1 think they had more poli
people around. Decisions were tak
in a more political context. nent
is too important to be left to the experts.
uld argue that in the Carter Ad
ion, the political people have not
spent enough time dealing with matters
of su king judgments on be-
What the Presi
he nice thi
“At the heart of this policy is
ng that's going to cause sosinid-so
to get really pissed." Or to warn him,
paraphrasing the famous words of former
Attorney General John Mitchell, “You're
going to get your tit caught in a wring
over this опе."
PLAYBOY: II Jimmy Carter loses this year,
what would you say was the chiet cause?
CADDELL: Fewer votes.
PLAYBOY: Thinks.
CADDELL: Seriously, I'm afraid the sub-
stance people will have to bear more of
the weight of that than the political
people. This President has taken on an
enormous number of unpopular issues
for which he has paid a high political
price. The energy crisis, which every
other politician avoided for six years,
inflation, the B-I bomber, the nucle:
carrier that everybody wanted but made
absolutely no sense, unemployment. I
could have written a scenario that would
have been more successful poli
just by avoiding some |
PLAYBOY: Why didn
CADDEL: This President doesn't operate
that way, And, actually, it is one of the
things I most admire about him: | know
he really cares about what is
nd wrong. Almost every decision he
makes is based on that, not on its po-
litical benefit to him.
PLAYBOY: You sure are blowing Ji
Carter's horn.
CADDELL: There's no question in my mind
О CHERYL: Once | get going, I can talk about the
Д Olympus OM-10 all day.
INTERVIEWER: So you're a real photography whiz.
CHERYL: Absolutely, positively not. Sure I'm poised in
front of the camera. But until the OM-10
came along, | would fall apart behind it.
Now | get great shots, automatically.
INTERVIEWER: What do you like best about the
Olympus ОМ-10?
CHERYL: It's uncomplicated. Easy to use. But it’s not
a toy; it's put together solidly and doesn't
compromise itself.
INTERVIEWER: How easy is the OM-10?
CHERYL: It's fully automatic. 1 just look through the
viewfinder and the little red dot tells me ev-
erything | need to know. And If I'm shooting
with a flash, my OM-10 actually blinks after
the shot to tell me if the exposure was okay.
INTERVIEWER: What else?
CHERYL: The OM-10 is part of a complete system. You
can add almost anything. Personally, I'm a
pushover for the winder that shoots off three
frames-per-second. By the way, would ycu
like to see some of my photographs now?
„ INTERVIEWER: I thought you'd never ask.
\For information write Olympus, Woodbury, N.Y. 11797.
Bins cave vean:
. OLYMPUS e
PLAYBOY
72
that Jimmy Carter deserves to be те-
elected
PLAYBOY: Deserves? What does that word
mean in politics?
CADDELL: W if L argue that Carter
needs it because I need it? That'd be
unique! Can that be off the record? Ni
Now, seriously, you have to consider
that Jim after eight
years of Republican administration in
пу important things on the
agenda were simply not ad
dressed. And they left us with a budget
deficit of 60 to 70 billion dollars. 1 think
the second-term consideration is impor
tant this
country will never get solved until you
go through the first stages of learning
about the Presidency. And in a second
term. the President does not labor under
the cloud of another election camp:
Гуе even thought about the merits of a
single six-year term for President. A few
1 would have thought that
was the worst idex
might be i
In addition, Jimmy Carter
to be an à at a time
when the tides running against
activism. And still, he has accomplished
a lot. In a recent story in the Congres-
sional Quarterly, it’s said that he has
gotten more of his legislation through
Congress than any modern President ex-
cept Johnson in his first two years in office
ny Carter came in
which so т;
national
Some of the problems іп
n
ycars à
round. But now, I
favor of it
has tried
tivist. President
were
PLAYBOY. People don't seem to be too
impressed with that
CADDELL: Well, that’s also because he has
kept us out of trouble. At this point, he’s
been in office something over two and а
ar he’s the first Amer
ican President since the Twenties under
hall years, and so
whom no American has died in combat
Presidents always talk about peace,
very few of them end up where they can
say that for nearly three years, no Amer
an boys have been killed. That has to
do with the kind of calm judgments he
made during the Iranian crisis when the
shah was deposed in early 1979 and after
our was murdered in At
ghanistan. During the student. take-over
of the American Embassy in Tehran, Lor
but
Ambassador
instance, he showed great. patience at a
time when he easily could have become
He told the familics of the
held host
a demagog
people bei
ge that he didn't
care how his course ol action would al-
fect him politically, he just wanted to do
what was necessary to get their people
back
fely. The real test is in carrying
rd a diplomacy in which you don't
get forced to opt for the use of force. 1
mean, the easiest thing for а politician
to do to rally support is to kill people.
PLAYBOY: How so?
CADDEL: Oh, a little war does a lot for
your ratings in the polls. But the absence
of war, or the threat of war, does not
For full color reproduction of Wild Turkey painting by Ken Davies, 19" by 217, send $2 to Box S
translate into political points. Any Presi
dent force the rally
around him with decisive, martial ac
tion. Eisenhower had Korea and Leb-
anon. Kennedy had Cuba and Vietnam.
Johnson and Nixon and Ford had Viet
n uez inci-
cn country to
n. Ford also had the M
dent. But Carter has kept the peace
PLAYBOY: And he gets no political points
for that?
CADDELL: Not many
returned home
Not even when he
the Middle East
with a peace treaty. You'd expect his
rating 10 have gone up after that, at
least in the short term, but they did
not move much. You would normally ex-
pect people to be jumping up and down
over something like that. Here, for the
first time in 30 years—really 1000 years—
Jimmy Carter has E
from
ptians
and Israe lown to sign a
treaty t He
years than all previous administrations
for
who were supposed to know so much
peace
did more in two
30 years, including all those people
more about foreign policy than he does
PLAYBOY: Why do you think he did not
get much credit for it?
CADDELL: Well
dent was trying to address in his July
15th speech about the crisis of spirit in
Ше American people. The people's coi
cerns are elsewhere, and so is their faith
п their Government
EAS
this is what the Presi.
People don’t believe
ORES TTT
5 e
B, Wall St. Sta., N.Y, 10005
or their institutions anymore. And they
dont believe Government сап make а
serious effort to solve their problems.
PLAYBOY: How do you know that?
CADDELL: firm, Cambridge
Survey Research, Inc. is constantly sam.
pling public opinion on а wide variety
of questions. We have 35 people work.
g full tim Boston, Besides specific
polls for a given political race, my part-
ners, Jobn Gorman and Gene Pokorny
conduct a genera] survey three
months that involves two-hour interviews
with about 1500 people.
PLAYBOY: Let's spend а moment on this
topic. A common Teeling people have is
that those tiny samples you pollsters use
couldn't possibly represent the opinion
Because my
every
ol an entire country, How can 1500
people give you a representative хаш
pling of opinion їп a nation of
290.000.0007
CADDELL: That has been proved by the
Jaws of probability. Most. publicopinion
surveys involve from 200 to, at the most,
2000 people. We consider 600 people
enough to sample political opinion in a
15 h to take а national
3 ds a correct result. 95
percent of the time, with a margi
error of plus or minus three percent
PLAYBOY: Bur wouldn't it be a lot more
accurate to interview a lot more people?
CADDELL: No, it would be a little more
for
accurate and a lot more expensive. ГЇ
give you some examples. Let's assume
were doing lengthy. complicated in-
home interviews at 515 apiece. To sam-
ple 1000 households will cost you 545.000
and give you a margin of error of three
and a hall percent. To sample 2000 will
сом you 590.000 and yield a margin of
error of three percent. To get the mar
gin of error down to plus or minus
one percent, you would have to sample
6500 homes. This would cost you
$293,500. which is absolutely prohibitive
for the purposes of most surveys. For
speed. economy and effective informa-
tion, the three percent. margin of. error
is usually ОК. That's why 1500 in-depth
interviews are enough to give us a broad
and reliable sampling of public opinion.
PLAYBOY: The importance of the poll-
numbers seems to have started
when Lou Harris helped John F. Ken-
nedy get clected Presideat in 1960. Then
Johnson was famous for going around
showing
him. You helped McGovern with his pri-
mary victories in 1972 and then you
helped get Jimmy Carter elected. Presi-
dent. What is the magic of the numbers?
CADDEL: Well. Lyndon Johnson ran
ound with his polls showing how pop
ular he was until he wasn't popular
anymore. They were just toys for Joh
son, they weren't tools. Polls i
mate in the sense that they
ster's
people polls that supported
can help
Wild Turkey Lore:
The Wild Turkey is an
incredible bird, capable of out-
running a galloping horse in
a short sprint.
It is also the symbol of
leaders who want to dead. Their best
function is to say, "I want to move the
American people somewhere; how do 1
do it? How far have I gone in movi
them? What don't they understand?
PLAYBOY: That answer seems specifically
geared to work in € polls
were toys ro. Johnson and tools to Car
ter. But aren't they, in fact, used by pol-
iticians to suit whatever is their purpose
atthe time?
CADDEL Тһе polls are overrated. 1 re-
sent the assumption many people make
that Jimmy Carter is running the coun
uy according to my polls or anybody
ekes. If he ran the United Stites ac
cording to the polls, he would nor be
sitting where he is in those polls today
Either that or I : bad pollster.
For instance. why would he have worked
d to push through the Panama
treaty
anal to Р;
ers favor
returning control. of the
That was a patently
unpopular issue that could in no way
help him in the polls
PLAYBOY: Is that why his ratings fell to
Ше lowest point of any modern Presi
dent's last year? One poll gave him only a
19 percent approval rating in September
CADDELL 11 15 written 10 or 15 years
from now that Jimmy Carter fell to 19
percent, that will be bad history, very
bad history. That was the finding of the
A.P./NBC Poll. which is a new poll. It
has tended 10 show Carter lower than
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PLAYBOY
76
the others. Carter has been coming іп
around the mid-20s m the Harris Poll.
low 30s in Gallup and upper 30s in the
Roper Poll—depending on the ques
being asked. To compare Presidents h
torically, you need to stay with a poll that
has done it over several Presidencies with.
the same questions and methodology—
such as Harris and Gallup have done.
PLAYBOY: Be that as it may, doesn't
ing below 40 percent make Pi
dent Carters chances for re-election
look pretty dim?
CADDELL: To read those polls аз though
you can transfer situations that exi:
year before the general election or six
months before the first primary into
will exist after the dynamics of the
ampa hold is very risky th
ing. During primaries, cach week's cam-
paign builds on what happened the
week before. Remember, at this point
in 1971, Nixon was running behind his
major Democratic opponents the
polls and he went on to win by the big-
gest landslide in history
PLAYBOY: And yet we seem to get a poll
a day in the newspapers. and modern
politics seems to be run accordingly-
CADDELL: I long for the days when there
were only two national public polls—
Gallup and Harris. At least they have a
standard for comparison over д
period of time and a record of
bility. The trouble is today, the Ameri-
n press lets the polls set its agenda.
ICI quote any poll that comes along.
The polls and television have in some
vays been a great disaster for the politi
cal process.
PLAYBOY: Why?
CADDELL: Well, they have hastened the
decline of the poli parties. They
have become the presclectors of who can
run for ofhce in this cou Modern
technology overwhelmed the process and
drove out some very good people who
did not know how to adapt to it. We
have produced a professional class of
politicians who pose for "TV cameras but
never do anything else and who are
roup of people
іс
among the most gutless
I have ever seen.
Getting back to your work for
did you find out
the
wha
about people's beliefs that led to
Presidents crisisof-spirit speech?
CADDEI Toward the end of 1978,
bey to see some very alarming tr
the way people t ht about them.
selves, the institutions and their own
We saw an enormous growth of
nism. We test this with two d
айса questions that measure a person's
feelings about the future outlook for the
country as а whole and for themselves
duals. And we ask them to com-
the present with five years ago and
with five years in the future. Tradition-
futures.
p
as ind
ways rated the
ally, most Amer
past lower than the present and the
future higher than the present. And they
always rated their personal expectations
quite a bit higher than their expecta-
tions for the society as a whole.
Back during the traumatic periods of
Vietnam and Watergate, the first ой
embargo of 1973 and the recession,
people began showing a higher degree of
pessimism about the country’s future.
But they continued to rate th
1 future as holding great pron
the end of 1978, however, they
ted becoming much more pessimistic
about the country's future and about
their personal future. During the worst
points in 1974, during Watergate, and
1975, after the loss of Vietnam, the
measure of people who were “long-term
pessimists” about the country as a whole
nly 30 percent. By the end of 1978,
up to 48 percent, nearly hall of
the American public. During 1978, the
wi
“The polls and television
have in some ways been а
great disaster for the
»
political proces:
ی ج
percentage of people pessimistic about
their long-term personal futures rose
from 20 percent at the beginning of the
year to 32 percent at the end.
PLAYBOY: Given the state of the econc
thats no surprise.
CADDELL: Sometimes the state of the econ-
omy is a surprise, though. President
Carter once said that considering
predictions of economists. he might as
well see the local fortuneteller in Plains.
PLAYBOY: Nonetheless, don't the econom-
ic pressures account for the general
pessimismz
CADDELL: To a great extent. But we faced
а serious recession and an oil embargo
\ 1973 and people were not so pes
ny,
the
also way down. This tests the question of
whether people think Government са
do anything about the problems, whethe
politicians care, whether it makes
difference which party is
instance, in 1978, we found only about 4
percent of the people believed that
Government could do anything about
such problems as inflation. and taxes,
But, much worse, only ten percent of
the people believed that it was very likely
that the Government would do any-
g about the difficulties. facing the
ion. Aud only IR percent believed
è politicians they voted for in th
J
ı power. For
election even cared about solvi
problems.
PLAYBOY: That might just as easily
proof that Jimmy Carter has not bee
good leader:
CADDELL: These figures don't have much
to do with Jimmy Carter. In fact, at the
time we started getting the sharp rise in
long-term ре Jimmy Carters
personal ratings were going up. This
was alter the Camp David accords be
tween President Sadat and Prime Minis-
ter Begin. It ko ata e when
flaion had slowed down for while
and economic indicators were not so
dire. Yet the pessimism about America's
future was much higher than in, say.
1974 1975, when we had
double-digit ion, a massive reces-
sior ignation and the Ford
pardon, the crumbling in Vietnam. I was
very concerned.
PLAYBOY: The way you describe things.
ional leader
g those
was
Imost sounds as if no n;
could surviv
CADDELL: There's some truth to thar. How
do you solve problems in the modern age
if you're a political leader with a weak
ened P Congress is stronger
than it has been since before Roosevelt,
but it is fra atomized. The special
interests аге stronger ever. The
political process is perceived to be more
isolated from the people than ever. How
a democracy function if it gets
act together only when Га
chaos and destru
PLAYBOY: So you’ ing, in effect,
that Jimmy Сапег got caught between
the rock and the hard place of history.
CADDELL: I think so, yeah.
PLAYBOY: And if he loses to Kennedy, are
you saying that time may show hi
Presidency got caught up iu a u
tional period of American history?
CADDELL: I think he knew this was a tran-
sitional period. But th
aster than we expected
PLAYBOY: Alter uncarthing all those grim
prospects in your surveys back iu 1978,
what did you do about it?
CADDELL: I ran around screaming my head
off. People at the White House thought
1 had really gone over the edge this
time. I wrote a very alarmed memo that
1 thought would go off like а bomb. I
sort of ran by and threw it over the
fence. And nothing happened
PLAYBOY: Did you talk with the President
about
CADDELL: That was at a
body, includ
g to me ver
people bi
ing
эп
asi
time when no
the President, was lis
much, He had enough
m over the head, telling
him wha doing wrong—and
none of us was telling him any answers.
I was considere armist for a while.
PLAYBOY: Did you stop
fter a while?
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PLAYBOY
78
CADDEL: Well, something started hap-
pening in the spring. At the dinner for
the Middle East peace-treaty signing in
March, the President introduced me to
President Sadat and said, “This is my
pollster. He brings me a lot of bad
news, but I still love him anyway.” And
1 kind of figured things were getting
better.
PLAYBOY: So did you throw something
else over the fence?
САЕМ: No. I got very frustrated. I
sensed that the situation in the country
was going to deteriorate rapidly and that
the President was going to get into
deeper and decper trouble. He had not
gotten great long-term gains out of the
Middle East settlement, which was a
clue that something was not right. Infla-
tion was now beginning to rampage. 1
spent a lot of time talking to Jody
Powell, who is a thinker—when he's not
on the phone—and finally I went to the
First Lady.
PLAYBOY: To Rosalynn Carter? Why to
her?
CADDELL: Well, Rosalynn has inordinately
good political instincts. Her antennae
are really good. And she is one of the
most genuine people I've ever met.
PLAYBOY: That certainly fuels the charges
that she has inordinate influence over the
President and the American ship of
state, even though she was never elected
to that job.
CADDELL: Well, she’s given the President
some of the most brutal advice anybody
ever has, but she doesn't interfere with
his job or anyone else's. She asks ques-
tions. She says the hard things that need
to be said. She acts as the skeptic to the
President. For instance, she instantly
understood during the 1976 campaign
that there was a problem when Carter
made his "ethnic purity" remark. But it
took him a couple of dzys to come
around to that realization. That's partly
because of his stubbornness, because he
knew he had not made a racist remark.
But Rosalynn never forgets she's Jimmy
Carter's wife from Plains.
PLAYBOY: So you took your concerns to
the First Lady.
CADDELL: Yes, I called her on a Thursday
or Friday and said, “I really would like
to come and see you. It's very important.
And I would like several hours.” Now,
you usually never ask for a time block
like that. Rosalynn didn't say a word.
She could tell, I think, by my voice that
it was very serious. I knew she was wor-
ried. She just quietly told me, "I'll
schedule breakfast next week.” So I had
breakfast with her on Monday.
PLAYBOY: And what happened?
CADDELL: Well, I laid out all the numbers
for her and laid out what I thought was
happening in the country, and to some
extent what I thought the President's
problem was. But I also told her I
thought there was an opportunity that
he could really grab hold of to do some-
thing bold. I quoted Napoleon's line
about every crisis bringing a new oppor-
“Glory comes only in great
So she decided we should also meet
with Jody, who had come around to this
thing over the weekend. We agreed that
I would begin writing something, a
working paper on all this, and we had a
meeting with the President.
PLAYBOY: What did he say?
CADDEU: At first, he was resistant, be-
cause he thought Jody and I were com-
ing in there with the First Lady just to
badger him about why he was in trouble.
Rosalynn made it very clear to us that
we should stress that it was an oppor-
tunity to do something, not just for his
own political situation but also histori-
cally and for the Presidency.
PLAYBOY. And thus began the train of
events that led to the famous "meeting
on the mountaintop,” the domestic sum-
mit at Camp David last July?
CADDELL: That's right, though we did not
plan it that way. I just went off and
began gathering resource material from
the leading sociologists and Government
scholars I had been reading—James
MacGregor Burns, Christopher Lasch,
Daniel Bell, Robert Bellah, Alexis de
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Tocqueville and others. It turned out
the President had just read De Tocque-
villes classic, Democracy іп America,
and Burns's book Leadership, which
I had wanted to recommend to him.
We began sort of a shared reading
program over the next few months, with
lots of recommendations back and forth.
For me it was like going to graduate
school. And we began to sense that the
problems in our society were much deep-
er than political. Indeed, politics was
the lagging, not the leading, indicator of
those problems.
PLAYBOY: Where did all that lead?
CADDELL: Well, we had a series of mectings
during the spring, inviting some of the
scholars in for dinner at the White
House, too. Then, while the President
spent most of June abroad, for the SALT
II treaty signing with Leonid Brezhnev
in Vienna and the economic summit
meeting in Toyko, 1 prepared a long
memo that became known to a very
small circle of White House people as
“the plan.” Some people called it the
“blue book,”
PLAYBOY: Why?
CADDELL; Because I happened to put it in
a blue binder.
PLAYBOY: That was when Carter unex-
pectedly canceled his planned energy
speech and began the reassessment that
led to his July 15th speech on the crisis
of faith in America, wasn't it?
CADDELL: That's right. The first surprise
was canceling the speech. Hamilton
called and told me the President was
reading my stuff and wanted us to come
up for a meeting at Camp David.
PLAYBOY: What was your reaction to that?
CADDELL; 1 was struck with terror. I sud-
denly had that sinking feeling, Oh, my
gosh, what have you donc? Is it the right
thing? Are you leading him down a
primrose path? Is he just too exhausted?
So I sat down and reread the plan, and
then I felt a lot better about it. I think
it is good for Presidential advisors, when
their advice is being taken, to ask them-
selves those questions.
PLAYBOY: So you were called up to Camp
David?
CADDELL: Yeah. We all knew something
serious was up. Hamilton, Stu. Jody.
Rafshoon, a bunch of us met at my house
to talk for a while. Then we went over
to the Vice-President's for an iced tea
and took the helicopter from therc. I
took clothes for only опе night and
ended up staying about a weck.
PLAYBOY: ‘That was the weck the country
didn't know what the President was
doing.
CADDELL: Well, that was almost hilarious,
after working all day on some very seri-
ous questions, to sit up there and watch
the evening news and hear some people
saying that maybe the President had
gone crazy or something. But when they
quoted some White House sources, it
wasn't very funny. Jody and Hamilton
got on the phone to the White House
and let people know the man was in full
command of his faculties and just taking
some time to deal with some very serious
issues facing the country.
PLAYBOY: We know that during the next
ten days, the President listened to ad-
vice from his inner councils as well as
from various groups that were invited
for private talks to Camp David. The
result was a speech on July 15th in which
he laid out some stringent new energy
proposals but that was more famous for
its discussion of a crisis of confidence in
America. Everyone assumes you had a lot
to do with that part of the President's
thinking. Is that true?
CADDEM: Well, in that part, there were
lines from various people, some suggest-
ed by the President; I guess there were a
lot of my lines in therc.
PLAYBOY: Come on, all modesty aside,
what percentage of it was yours?
CADDELL: I'm not worried about modesty,
I'm worried about my ass! I have often
said some of the same things in my own
speeches. I guess I had a good chunk of
it. Maybe half.
PLAYBOY: We know the President was
concerned about a crisis of confidence in
America. But a lot of people did not
understand how he reached that conclu-
sion. What had you been telling him
PLAYBOY
80
about the way the country was going that
led to that extraordinary statement?
CADDELL: Well, first you have to under-
stand that no government or leader can
do for the people what they are not
willing to do for themselves. And there
cultural movements going іп the
id very disturbing, as I
€ dropping out of the
political process in droves. We had mil-
lions fewer voters in places New
fornia in the
are
York, Pennsylvania
1978 clec
even despite the popu
- The national interest, it seems,
Imost completely to the
interests, to special interests,
to plain old self-interest. Right here in
Washington, the attitude is, What's mine
is mine and what's yours is negotiable.
PLAYBOY: But isn’t that the basis of our
system: competing selL-interests?
CADDELL: Not to the exclusion of national
interests. De Tocqueville wrote 140 years
ago that when self-interest began to pre-
dominate to the exclusion of everything
else, it would ultimately lead to the
breakdown of the conditions of freedom.
SelLinterests are fine within the frame-
work of an agreed-upon national inter-
est. That is what some scholars call
civitas, or the covenant, within which
various demands among peoples and
groups, Government and the special
interests, are met. Without such a re-
ning context, the result is chaos. In
America today, the covenant iself is
threatened.
PLAYBOY: What are the sociological signs
of the breakdown?
CADDELL: Well, it sort of started with the
"me" generation mentality. People are
seeking immediate gratification with no
1 term faith in the future—their own
or the country's. That tends to weaken
the cultural bonds that hold us together
as a continuing society that is concerned
with what will be passed on to the next
generation.
PLAYBOY: Where does Presidential lead-
ership come into this?
CADDELL: Well, I argued that there were
historical movements going on for which
President Carter would be held respon-
sible. The President, as the leader of so-
ciety, is not just held accountable for his
role as leader of the Government. He
is also the leader of the society and is
held responsible for the large question
of national purpose and what was hap-
pening to the people.
PLAYBOY: So you encouraged him to pay
more attention to his job as leader of the
society?
CADDELL: “That's right. And when һе
called us to Camp David, I sensed that
he was ready to roll the dice. By the
time we got to working on the speech, it
was obvious that all the chips were on
the table. We all understood that if he
didn’t get the auention of the country
and the support he needed, р
for the Бу package, we'd come into a
PLAYBOY: A point of no return?
hat's right. 1 think it would
уе been an effective end at that point,
d the speech not gone over.
PLAYBOY: The beginning of a
duck Presidency?
CADDELL: T hat's right.
PLAYBOY: Do you feel that his speech on
July 15th turned that possi
CADDELL: Tha's right. And it was
vel. What has gotten lost i
interpretation afterward. is w
mendous success that speech was
PLAYBOY: What did you expect? The
President shocked everyone with his
Cabinet firings later that we:
reminded everyone of Nixon's
Night Massacre.
CADDELL: Well, it was mostly the Wash-
ington press that was shocked. It wasn't
as big a story in the rest of the country.
‘Those changes had been on the agenda
for some time and the President felt that
it was something he had to do and get
over with. I think when the history of
ee
mai
all the
a tre
“Washington views the rest
of the country with con-
tempt—you know, ‘those
people out there, the
masses.”
—
this Administration is written, everybody
will remember the July 15th speech and
nobody will talk about the Cabinet
changes.
PLAYBOY: But that seems clearly to have
taken the bloom off the President's rose.
How could you have made such a tacti-
cal blunder?
CADDELL: The bad part is that it changed
the national focus away from the Pres-
ident’s message. And once that is gone,
it's difficult to get it back. I hold myself
culpable that I did not give enough
auention to what the follow-up should
look like. I mean, all our energy that
week was concentrated on making sure
that the Sunday-night speech was good.
Of course, it is easy to say this in hind-
sight. We didn't even know if the speech
was going to go. We were gambling. And
I also acceded to the fact that there
were some strong feelings that the Pres-
ident needed to get control of the Gov-
ernment.
PLAYBOY: That must allude to the famous
feud between Hamilton Jordan and such
Cabinet members as Joseph Califano and
Michael Blumenthal.
CADDELL: I'm not getting into personal-
5.
PLAYBOY: WI
10 the speechz
CADDELL: Tremendous. Something like 7
or 80 percent of the people polled after-
d agreed with what the President
1 about the moral and spiritual crisis
the country. And the mail was extraor
ter got 112,000 pieces of
ks, which is higher than
n history except for the inva
at was the public response
anything
sion of Cambodia by Nixon and for the
pardon of Nixon by Ford—and they gen-
erated all negative mail, while Carter's
was all positive. But the interesting thing
was the kind of letters. I had the mail-
analysis office put a sampling together
for me to read and give to the President.
People got very personally involved. They
would start a letter with Сс never
written to a President before," or, “I
didn't believe the Government cared,
but now. . . ." The people who have
handled White House mail for 25 ycars
say they have never seen anything quite
like it.
PLAYBOY: Perhaps, but as you've sug-
gested, the White House immediately
squandered its advantage. In any case,
after the speech, much was made of the
fact that the President attacked Wash-
ington as ап isolated “island.” Many
people felt that was a phony issue.
CADDEL: Only in Washington did they
feel that, naturally. This is a city of
elites—except for the poor blacks, who
are as bad off here as anywhere else in
the country, But this is the most bizarre
town in the world. You have the bu-
reaucratic elites, the political elites and
the media elites. You have only elites
talking to elites. This area is now the
wealthiest part of the United States.
Washington views the rest of the country
with contempt—you know, “those people
out there, the masses.” It's kind of a
st. In. Washington,
¢ on trivia. People here аге
wrapped up so much in things going on
here that this place has broken away
from its moorings. Something has hap-
pened to the political process such that
it has allowed this city to drift off like
a balloon. Minnesota governor Al Quie,
who was here in Congress for 22 years,
said the feeling in the country about
Washington today is approximately the
same as the feeling of the Colonies was
toward King George III just before the
Revolutionary War.
PLAYBOY: Somchow, this all smacks of an
attack on the press. Are you saying that
there was, indeed, some fire behind
Spiro Agnew's smoke about the Eastern
press establishment?
CADDELL: Of course there was. You're part
of an elite, Lam part of an elite, most of
our friends are members of elites. 1
mean, I like Washington. I have a lot of
friends in the media. This town is full of
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PLAYBOY
82
people who read, who tilk, who are in-
terested in ideas. Washington has been
very good to me.
Р\АҮВОҮ: If the elites read and talk so
much, why are they out of touch?
САРОЕП: I'll give you an example. The
elites don’t watch television. During the
evening news, they're all still at work—
you, me, everybody. The clites who run
the country still basically read news-
papers. If we all watched as much tele-
vision as the rest of the country, you can
bet your bottom dollar that somebody
would have paid some morc attention to
the problems we arc having.
PLAYBOY: That also sounds a bit like a
defensive reaction to the problems some
members of the Carter Administration
have had in being accepted by Washing-
ton society. We're thinking particularly
of some of the problems Hamilton Jor-
dan has had because of his lifestyle.
CADDELL: Hamilton would admit that he's
gotten himself in a lot of trouble just
because he left himself vulnerable in
some ways. The first thing that hap-
pened to Hamilton in this sense was the
comment about the Egyptian ambassa-
dor's wife. It was in Sally Quinn's piece
in The Washington Post about the Geor-
gians and the way they dealt with Wash-
ington.
PLAYBOY: The account said that he fin-
gered her bodice and looked down her
dress at the dinner table, commenting
that "I always wanted to sce the Руга-
mids.” Did that really happen?
CADDELL: Well, she denied it and Henry
Kissinger denied it and everyone else at
the table denied it. But the denial didn't
stop the story from going out. The truth
of the matter, as I understand it, is the
comment may have been made in jest,
privately, to a reporter, not to the lady
and not at the table. It was the kind of
joking comment one of us might make
to another in private. That was repeated
and that’s how it eventually ended up
being twisted into a story in the news-
paper.
Now, I can assure you that if Henry
Kissinger had made that comment, it
would not have been in print, And
Kissinger was generally known to say
ribald kinds of things in a joking fashion
to individual. this town without being
persecuted for it. Now, if that's not a
double standard, what the hell is?
PLAYBOY: Why would there be a double
standard?
CADDELL: Because there is in this town a
lot of feeling that somehow the Geor-
gians, these kids, are not interested in
playing along with the established sys-
tem. And, to that extent, they have р
the price for it. That was a price that was
unanticipated.
PLAYBOY: Why didn't you anticipate it?
CADDELL: Well, Y guess we have to face
the fact that, frankly, we could have
coopted Washington a whole lot casier
and better than we did. When we came
10 town, we had two options: We could
have burned the place down, figurative-
ly, which would certainly have carried
out the President's mandate, and some
argue that we should have done just
that. Or we could have come and shrewd-
ly co-opted Washington. But we did
neither.
PLAYBOY: Explain figuratively burning
it down.
CADDELL: Well, just not bring anybody
from this town into the Government.
Bring in only outsiders from around the
country. It would have been warfare
from the minute we arrived. 1 mean,
people were scared to death of what
Jimmy Carter was going to do when he
got here. They really thought he was
going to torture them right after the
Inauguration,
PLAYBOY: Of course, you are not a Geor-
gian and you had lots of friends in the
Washington establishment before you
moved here. How did your new-found
fame affect your social life in Washing-
ton?
CADDELL: І cannot say that I have always
“Kissinger was known to say
ribald kinds of things in a
joking fashion to individuals
in this town without being
persecuted for it."
lived here in a manner conducive to my
eternal salvation.
PLAYBOY: Some say you're the Henry
Kissinger of this Administration: slightly
overweight but always surrounded by
beautiful women.
CADDELL: I resent only the overweight
part of that comparison. As for the other,
if only. . . . You know, sometimes we've
sat around my house watching stories on
television about all the wild life that's
supposed to be going on in our housc
and we look at each other and say,
"Where are they пом?”
PLAYBOY: Despite your undisguised in-
terest in social life, you never seem to
have any problems in the pres. What
is it that has caused Hamilton Jordan
to have so many problems?
CADDELL: Well, you'll notice that all the
reports that have been a problem, like
the Pyramids comment, like Sarsfield's
bar and the Leo Wyler party in Los
Angeles, took place around the end of
1977. You have not heard of anything
since then. And I think we learned a
with people you didn’t know well. And
how people might try to take advantage
of you. And of the things people will do
when they're jealous.
PLAYBOY: Sarsfield's bar is where Jordan
was reported to have spewed amaretto
and cream down the dress of a lady who
spurned him. Did it happen?
CADDELL: I wasn't there, but it was denied
by all kinds of people, dozens of people.
I think they had a sctto and exchanged
some words. And yet the spi
version has gone out in the press as
gospel truth. The denials ро nowhere.
"The story takes on a life of its own.
"These stories have made Hamilton a
virtual social prisoner in Washington,
so that he is afraid of going out in
public. I mean, these people work under
enormous pressure at the White House
and now they can't go anywhere to relax
and let olf steam except in the privacy
of their own apartments.
I remember when Hamilton lived in
my house for a while, he was terrified to
go out. One of the few times he went out
was to a Fleetwood Mac reception that
Warners gave in a private dub in
Georgetown. And somebody threw a pie
in his face. І remember Hamilton com-
ing back to the house, very. very upset.
It meant that he could go nowhere.
PLAYBOY: Nowhere?
CADDELL: Yes. That was at the time that
Rafshoon was also living here, just be-
fore һе got married. So the night before
his marriage, we decided to take Jerry
out for his last bachelor dinner at The
Palm, which is a nice restaurant where
a lot of political people go. But Tim
Kraft and 1 literally had to drag Hamil-
ton, because he was so worried that
someone would create an incident.
PLAYBOY: Nonetheless, isn't it fair to
report unseemly behavior in public by
the President's top aide, who is, іп es-
sence, White House Chief of Staff?
CADDEL: Well, this is unique in White
House history. | mean, there are all
kinds of stories from previous adminis-
trations—Kennedy, Johnson, Nixon—of
things people did that weren't reported.
The rule was, if it had no connection
with official duties, it wasn’t proper
to run it. Now they're changing the
rules. They're willing to give credibility
to sources they would not normally give
credibility to because the story is hot or
titillating. You've got sleazy stories com-
ing from people with mixed motives.
And the two-source rule is not ever
applied.
PLAYBOY: Besides President Kennedy's
recently reported exploits, what kinds
of stories have you heard from other
administrations?
CADDEu: 1 hatc to pet into examples.
Well, take one case where a guy-
>
te House aide in
a Democratic administration since I was
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PLAYBOY
84
born, which was 1950. Anyway, he was
married, and a reporter ran into him
at a resort with another woman
PLAYBOY: Flagrante delicto?
CADDELL: Well, it was in public. He wasn't
t, but he wasn’t hiding it.
It was obvious what was happening. But.
it had nothing to do with his job and it
was not reported.
But because of Watergate, the rules
have been changed. Good barriers were
broken down in pursuit of a hot story.
I know some people complained about
it at the time of the Peter Bourne affair
[in which the President's drug advisor
resigned because of a prescription writ-
ten to a fictitious name]. People who
have been involved with reporters doing
the same thing now found those same
journalists saying, “The rules have
changed.”
I mean, most of the reporters involved
are a product of the same postwar baby
boom that produced the cultural revolu-
tion in the Sixties. A new set of standards
was developed as to what was proper
conduct vi is the outside world. And
now we find a little bit of hypocrisy
being practiced.
Jesus, this is beginning to sound like
a tirade against the press!
PLAYBOY: For the record, Peter Bourne
was quoted in The New York Times
as saying
CADDELL: Don’t ask those questions. I'm
not going to answer them, so don't even
bother asking them.
PLAYBOY: We'll ask anyway.
CADDELL: Don't ask. It's not your business
or anybody else's. I'm not going to go
around saying those things about people.
PLAYBOY: Bourne was quoted as saying
there was a considerable use of marijuana
in the White House and some cocaine
usage in the White House by White
House people. Any comment at all on
that?
CADDEU: I have no comment on that
whatsoever, ever, any time, any place.
I'm not going to speculate about people's
private lives. The problem with questions
like that is that they so strongly imply
that those things really happened—no
matter what answer 1 give. And I think
your preoccupation with the lifestyles of
some young people, compared with some
of the other things that go on in this
country, is a litde outrageous.
PLAYBOY: Call it outrageous or call it
clarifying something already on the pub-
record, last summer, The New York
Times began aggressively pursuing the
story that Hamilton Jordan might have
used cocaine at Studio 54, the New York
disco, and other places. The first infor-
mation came from the owners of Studio
54, which many people saw as a bald-
faced attempt at plea bargaining, since
they were then under a Federal tax-
evasion indictment. Do you think The
New York Times——
CADDELL: Let me just jump your question
and say that because The New York
Times was so badly beaten by The
Washington Post on Watergate, so late
on the real crisis in our time, that that
has become an excuse for it to dispense
with good journalistic judgment and
perspective for what is the newspaper
of record in our country. For it to
almost go on a witch-hunt like it did on
the story about cocaine, where it took
witnesses who had no credibility and
made them credible by the way it treated
Шеш in its pages, pursuing angles and
things that it would never pursue in
order to try to make up for some sort
of—because it got its ass whipped on a
serious issue.
PLAYBOY: You were with Jordan on the
night he allegedly used cocaine in the
home of Leo Wyler in Los Angeles. What
happened there?
САррЕЦ: Nothing. I mean, nothing hap-
pened!
PLAYBOY: How did it start?
CADDELL: Well, we were attending this
Democratic dinner at the Century Plaza
Hotel in Los Angeles and there were a
lot of Jerry Brown's people there. Thi
was the night when Brown got up and
did one of the most tactless things I've
ever seen. He introduced the President
by just saying, “I will now introduce the
President of the United States, I
guess . . .” and sat down.
Then, after the dinner, Leo Wyler and
gofer, Mickie Chung, prevailed upon
us to go up to Leo's house for a drink.
Chung was pleading with us to come up
there. But as soon as we walked into
the place, I could feel a lot of tension,
because the place was full of Jerry
Brown's people. We ended up kind of
separate, with most of the Carter people
in the kitchen, drinking beer or wine
and laughing and talking. I was playing
backgammon with my date. Most people
had dates. And after a while, everybody
just got up and left.
PLAYBOY: But Wyler made an allegation
about people going in and out of the
bathroom.
CADDELL: My point is that why, all of a
sudden, does Wyler come out and an-
nounce all these allegations that he
hears? Except that one of the logically
teresting things is that he was in the
living room while this was supposed to
be going on, from which you cannot sec
his bathroom, as far as I know. And I
don't remember seeing him drift around
that much.
PLAYBOY: So you are not too happy with
the press’s response to this?
CADDEL: If 1 were a reporter, 1 would
not be particularly proud of my profes-
sion. The truth of the matter is, every-
body thinks the press should be proud
of Watergate. But except for a few brave
guys, most of those people were in hiding
during Watergate, afraid to touch the
story until after the real trouble became
obvious.
PLAYBOY: Yet it often seems to many
observers that. President. Carter is shoot-
ing his own toes off one at a time through
the peccadillocs of his май. Do you think
that if he is defeated this year, history
will record that Jimmy Carter was
brought down by a series of dinner-party
mistakes, as it were?
CADDELL: Those stories won't amount to
a thimbleful of history. Most historians
ten to fifteen years from now will say
about us what they say today about the
‘Truman Administration. Truman's Ad-
ministration was rocked h scandal,
but now we hardly remember that. Good
old graft and stealing. We're not accused
of anything like that, of course.
I think the historians will write, “My
God, Jimmy Carter went against the tide
of the times, which was not very activist,
and really got a lot of things done.”
PLAYBOY: There must be some special
joys to getting those things done. What
kinds of perks are there for a Presidential
advisor?
CADDELL: Well, you have cars to go places
when you need to on official business,
and support staff and communications
You can get things video-taped. You can
get things moved quickly. You can reach
people around the world—fast. The
greatest thrill in the world I ever had
was picking up the phone on Air Force
One and calling the ground and having
a conversation. "There's nothing like
saying, "Hi," and they say, "Where аге
you?" and I say, "I'm on Air Force One.
We're just flying over”
PLAYBOY: Were you perhaps calling a
girlfriend in that connection?
CADDELL: I'm not going to talk about
that. I don’t know what Government
policy is on that. I'm sure it could be
justified in the larger context of the big
picture.
PLAYBOY: Certainly. Since you're а con-
firmed night person, we wonder how you
work so well with a former peanut
farmer who is notorious for getting up to
work at dawn.
CADDELL: 1 don't know why, but I'm sure
theres a biological reason why we are
e that. I mean, when the sun goes
down, I really light up. Sometimes the
President calls me about something with
great glee carly in the morning, сзре-
Ily on Sunday morning. I can tell [rom
voice that he is secretly delighted
that he woke me up.
PLAYBOY: So as you pursue your strange,
nighttime, polling, advising role, what
calms and consoles you?
CADDEL: The advice Lou Harris once
gave: He said, "The higher a monkey
gets up a tree, the more rear end he's
got showing.”
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Oa A fel f er
Shak луу АЗУ
while a few
vocal feminists
are blasting away
at something they
agi) call
pornography,
their scattershot
tactics are
threatening our
basic rights
WOMEN AT WAR
article By ROBERT SHEA
FOR ONE WING of the feminist movement,
the hot issue these days is not equal pay,
job opportunities, day-care centers, the
Equal Rights Amendment or abortion
rights but pornography. Last September,
a New York-based organization called
Women Against Pornography (WAP)
sponsored a two-day conference at which
an audience of 700 heard Gloria Steinem,
Bella Abzug and other luminaries in-
veigh against Demon Porn. Susan Brown-
miller, author of Against Our Will, a
book on rape, has been leading widely
publicized tours of the Times Square
pornography bazaar, starting from a
storefront that WAP opened in the area.
Similar groups have appeared elsewhere
around the country. In San Francisco,
Women Against Violence in Pornogra-
phy and Media (WAVPM) held a Take
Back the Night march in 1978. which
climaxed with a demonstration in the
commerciaLsex district оп Broadway
Avenue. Similar marches have been
staged in other cities; one in Minneap-
olis last August drew 4500 supporters.
Other feminists һауе been attacking
porn in less conyentional ways. Women’s
groups have prevented showings of
Story of О in several cities by such tactics
as bomb threats and disturbances in the
theaters. In Perth, Australia, feminists
confiscated sex movies outright. In Den-
ver, the Bluebird Five spray-painted and
pasted leaflets on a local porn theater.
In Cologne, West Germany, a feminist
stole $50,000 worth of merchandise from
sex shops, leaving a leaflet signed “Red
Zora, Avenger of the Oppressed.”
Nor аге pornography outlets the only
targets for angry feminists. At 3:15 one
morning last summer, a woman named
Marcia Womongold fired a rifle bullet
through the window of Reading Inter-
national, a respected bookstore in Har-
vard Square. The. store's offense was
selling PrAvmov, Oui and Penthouse.
Elaine Noble, a member of Boston
mayor Kevin White's staff, quickly spoke
up in Wontongold's support: "I think
she has guts,” she said. "We're going to
have to give her а mayor's citation.”
As Womongold’s exploit shows, this
feminist crusade is not aimed at hard-
core pornography alone but against any
sexy material that arouses its ire, includ-
ing newspaper ads and men's magazines,
Using the term loosely in this way, the
women attacking pornography say it is
linked with rape and other sex crimes.
Some believe it is a direct cause of such
crimes, They charge that pornography
creates а cultural climate іп which men
arc encouraged to abuse and humi
women. And they say that porn is an
sult 10 women, just as racist propaganda
ILLUSTRATION BY ERALDO CARUGATI
PLAYBOY
88
is offensive to minority groups.
What do they want to do about it? The
dominant. position movement at
the moment seems to be to avoid an out-
right call for censorship. As Abzug put it
at the September WAP meeting. “I do
not believe y for us to inter-
Геге with constitutional right to
produce pornography. But that doesn't
require us to encourage and assist in the
proliferation of pornographic materials
on the streets and іп the store: ast
October 20, about 5000 antipornography
protesters, mostly wom
Broadway through.
beat of a big bass drum, with Abzug
Brownmiller and Steinem the lead,
waving hand-lettered placards and chant
ing slogans like “Two, four, six. cight.
pornography is woman hate." Every so
often, the marchers broke ranks to slap
kers on advertisements and
ticket windows. Rallying in Bryant Park,
just behind the New York Public I
brary, they heard speeches сі
pornography is filled with
mutilation and torture. They also he
Lynn Campbell, а WAP or
for a boycott of stores that sell PLAYBOY.
The women hope to arouse public
dignation through demonstrations
other publicity, thereby making pornog-
raphy socially unacceptable.
Abzug's statement notwithst:
there are many women in the
who favor outright censorship. Brow
pplauds what the U. S. Supr
t has done to uphold the constitu
tionality of bans on obscenity and argues
toit just hasnt gone far enough.
WAP's literature calls for a rewriting of
tion of obscenity
feminists advocate what
irect-action approach—the
outlets, destruc-
tion of n 1d harassment of cus-
tomers. The WAP conference. devoted
one of its workshops to such action.
This drive against porn gets its stea
from fear of rape and other violent
crimes against ad children.
While no one knows whether the actual
number or rate of sex crimes is going ир
т down (because historically so few were
reported to the police), there is a wide-
spread. impression that they are on the
rise. We do know that the annual rate of
reported forcible rapes nearly doubled
between 1969 and 1977. At the same
time, the sale of sexually explicit books,
vines and films has been a booming
ness, and some of this material por-
s violence against women and the
abuse of children.
Women d and angered wh
they are told that there is a subculture
өш there that pays money to see depic-
tions of women being raped, tortured
urder, rape,
nding:
ovement
Still
other
y call the
sabotage of pornography
women
and killed. When the news page of the
morning paper brings stories of sexual
atrocities and the a spi
ds Гог п which women are
casy to become enraged
nt to strike out against. por-
D
brutalized, it
s
d to w;
nography.
Easy, ye
А gr
so. Commenting on the September WAP
nist El.
conference, Village Voice col
len Willis, a founder of the
inist oi Redstockin
at an attack on pornography сап
tack on women’s sexuality
"Over the years, I've enjoyed. various
pieces of pornography—some of them of
the sleazy 42nd Street paperback sort—
nd so have most women 1 know. If
feminists define pornography, per se, as
the enemy, the result will be to make
lot of women ed of their sexu,
1 to be honest about
last thi
ag women need is
nd hypocrisy-
time served up as feminism.”
Some feminists see a positive value in
pornography. Artist Betty Dodson, quot-
ed in Ms. magazine, says, "1 call mysell a
pornographer . .. because I think the
word ought to bc legitimized. I think
that anything that has to do with sex
should be good. Sex is something people
do. and there should be nothing bad
about showing it. И women shy away
from this kind of art. it's only because ol
their condition
Like many people who urge the sup.
pression of pornography. Susan Brown
iller admits that it has not been
scientifically proved that sexually
plicit material helps cause sex crimes.
But" she writes in Against Our Will.
loes one need scientific methodology
order to conclude that the antifem:
propaganda that permeates our n
cultu motes a climate in
which acts of sexual hostility directed
inst women are not only tolerated but
ideologically aged?
Another feminist author, Robin M
gan, puts it more succinctly: “Pornog
raphy is the theory and rape is the
practice.”
There is a good deal of ambiguity in
such accusations. Foes of pornography
tend to use ge implying that it
causes sex crime in intangible ways not
amenable to scientific investigation. They
have taken this tack ever since the Fed-
Пу appointed Commission on Obscen-
le
on's
псощ
ity and Pornography spent two years and
some $2,000,000 to. sponsor and sift
through 39 investigat
In 1970, the commission issued its find-
ings: "Empirical research designed. to
clarify the question has found i
evidence to date that exposure to explicit
ons on the subject
ble
interviews by
KATE NOLAN —
DOES
PORNOGRAPHY
LEAD
RAPE
sitive mo d legal nerves. PLAYBOY
assigned Assistant Editor Kate Nolan to
probe the del rea of pornography.
sex crimes and the First Amendment,
and she rounded up an allstar cast of
experts—behaviorists, sexologists, crim
inologists, journalists a н
fied to speak on these subjects. The
id others qu
questioning zeroed in on two arcas
the links between pornography and sex
crimes: and whether or not any limita
tions should be placed on pornographic
matei
I. Here's what the experts said
DO YOU KNOW OF ANY
EVIDENCE LINKING
PORNOGRAPHY TO SEX
CRIMES AND OTHER VIO-
LENT ACTS? DO YOU FEEL
THERE IS A LINK?
Shana Alexander
I don't th
тарс. | think
other way, a fety valve for sexual
impulses that are not dischargeable in a
more direct way. And 1 think that you
will find, if you talk to some criminolo-
gists, that the most violent sex crim
nals, the ones who really do disast
sex crimes, are the people who are most
ous
ї would call
crotica or sexual activity, no matter how
explicit, or big pictures of sexual organs
or of sexual congress of any kind that
we could imagine, would cause crimi
of violence or increased sex activity.
Because 1 think watching the pornogra-
off the libido or
the right word for it is. Ag-
nography is sick stuff for
phy tends to dr
whatevi
gressive po
sick people.
Gene Abel
Psychiatrist, Columbia University.
studies rapists
I find quite dificult to define
where erotica starts and pornography
starts, quite frankly. The movie I saw
this week (Bloodline) depicted the bru-
tal murder of three or four women
while a movie was being made of the
murder. That constituted a fairly large
portion of the movie and it seemed to
be, quite frankly, tangential to the
plot. Now, that must not have been
pornographic, because it was allowed
to be shown matter of fact, it was
depicted ular old theater.
And th
I's a depiction of woman
man as aggressor and I t long as
these types of depictions continue, they
serve as models for both aggressors and
Victims of aggressors. Another side of it
is that some of the rapists
molesters I see use pornography to cool
off their sexual arousal during mastur-
a and they report
. that they carry
that it is less likel
out the crime. me you talk
about what impact does pornography
have, you've gotta talk about which
impact, which patient at which time.
Its not just a clean oh, yes, these de-
pictions are bad or these берісі
good. They do different things
ent times.
I don't think there's clear evidence
one way or the other that rapists use
more pornography than nonrapists, be-
cause it's difficult for me to find anyone
porno-
graphic and what is erotic. People just
can't make that distinction.
who can clearly define what i
Michael J. Goldstein
Psychologist at UCLA, co-author of
Pornography & Sexual Deviance
Average males usually don't find real
rape pornography exciting. They don't
action to it physiologically or
cally. II there's real harm be-
‚ even іп a simulated way—
o excitem
it is not sexually exciting
to the average person. Which is, alter
all, the standard the courts are con-
cerned with.
And so I would think that a lot of
these films with the veal harm and real
sc of women being shown must
cater to a very specialized audience.
Whether there's an nce that acts
out these things or merely gets some
kind of compensatory fantasy gratifi
tion, ] don't know. I don't know who
watches them.
nt shown,
Judith Rossner
Author of Looking for Mr. Goodbar
Т haven't thought a great deal about
rape. 1 mean, if you ask me whether
pornography causes rape, that’s like
asking, I guess, whether food causes i
It keeps the guy alive. And maybe
pornography fans the lames.
Wil
Sociologist, Un
mon
rsity of Houston
The hardest thing in science is to
prove that something doesn't exist.
You know, a positive finding is усту
dear, then you can argue about wheth-
er there's more than. you found or less
than you found. You can never con-
vince the world that you didn't find it
because it doesn’t exist; they will persist
in believing that you didn’t look hard
enough or that you didn't look in
the right places. "There's been very little
research added since the work of the
[President's Commission on Obscenity
and Pornography], and the work of the
commission is fairly consistent on [rape
as a result of pornography]. The effects
are extremely minor, just cnough to say
that people who commit rape don't
read pornography. They are probably
less likely to read it than are large num-
bers of those who don't commit rape,
but there's no causal relationship.
Sex olfenders— particularly rapists—
tend ıo grow up with a deficiency of
exposure to pomography. And the
is that they really have
rigid, very puritani-
modern theor
nt that made the sexual
appear to be a very fearful thing, such
that they hated themselves for feeling
that w ed those people who
evoked those feelings in them. And, in
a curious way—though 1 don't sub-
scribe personally 10 that "lightning
rod" that pornography saves us from
rape—that it is the rule that тергезей
pornography produces the rapist.
Edward Donnerstein
chiatrist, University of Wisconsin,
escarching effects of pornography
on aggressio!
Ps
It’s a complex issue, because there's
a lot of research that shows it does just
the opposite. In fact, the stimulation
that people use to reduce aggression—
it’s praynoy stimuli. That seems to be
the type of stimuli that reduces arousal,
reduces anger and reduces subsequent
aggresive behavior. And that's just
been commonly known. We found
that when male subjects view aggressive
crotic films, in which the woman is а
victim of aggression—film of rape—
that even without angering the subjects,
we will get increases in aggre
against a female. . . . There is some
very interesting. research . . . T don't
think it ever appeared in the pornogra-
phy commission reports, but, in fact,
once you start censoring material, you
do get increases in aggression. People
don't like the idea of things’ being
censored.
Flo Kennedy
Attorney, writer, fe
t
Abuse of women goes back to the
Biblical days and I can't see how we
can blame it on Larry Flynt or. Hugh
Heiner or any of the тем of these
people now. So, in my opinion, there is
not a solid view on who the enemy is
10 women. And I think more women
e lured into marriage and more me
are titillated about sex by movies and
women by the women's magazines.
What we ought to be marching against
is the Ladies’ Home Journal, becuse
wh ppens to women happens
because most of us read Ladies’ Home
Journal and most of us don't read
Hustler. We have an attitude of roles
that was presented by the ideal Ladies"
Home Jownal heroines
(continued on page 186)
tever h
89
PLAYBOY
90
se
ual material plays a significant role
in the causation of delinquent or crimi-
sexual behav
At the time the commission published.
its report, material [us
with violence was a n
phy m
estigating the connection between
ity and aggressi Since then.
though, there has be increase in
hard-core pornography that includes vio-
Jent elements. And researchers are pub-
lishing studies that raise such questions
as whether or not erotic material can
Ж
ouse aggression and whether or not vio-
lent, aggressive. pornogr 'omotes
incre d women.
Edward Donnerstein of the Univer
of Wisconsin has са
experiments measuring the effects of
various kinds of erotic material оп ag-
gression in male college students. In a
recent study, men were made angry by
receiving ratings on essays they
had written. To add injury to insult,
they were punished for their poor per-
formance with electric shocks. Then they
were shown a neutral film or a film of
sexual intercourse. without violence or
one in which a man with a gun rapes a
woman. They were then given а chance
to gi c shocks to either male or
fen ms. Donnerstein found that
males who had seen the neutral film
administered the mildest shocks. Those
who had seen the rape film delivered
the most severe shocks, and they gave the
strongest shocks of all to the women.
“Given the increase in sexual and oth
forms of violence against women that
depicted in the media” Donnerstein
concluded, “а concern over such presen-
tations would seem warranted.
Measuring people's aggressiveness by
having them administer electric shocks
to others is quite a popular experimenta
device these days. It has also been used
at UCLA by Seymour Feshbach and Neal
Malamuth, who have been tying to
learn whether or not reducing sexi
inhil
nal r
"They found that men and women who
had read erot sages gave more severe
shocks to others than did members of a
oup that had tral passages. In
nother gave students
two versions of a detailed description of
а rape. In one, the victim was in pain
throughout the experience; in the other
gave in and enjoyed it. Women were
not aroused by either version, but th
ictim’s enjoy
shbach and.
al
low
men who read about the
roused. F
өтпес that erotic mat
does not turn people on when it violate
their ethical standards but that intensi-
fied sexual fantasy can overcome this
in men. "We share the be-
they announced, "that the de
piction of violence in erotica and
pornography could be harmful.”
The Report of the Commission on Ob-
scenity and Pornography has been under
heavy fire ever since it came out, nine
0. Critics say the commission was
not paying more attention to
the relationship between sex and aggres-
sion. Writing in Psychology Today, jow-
nalist Garry Wills, for instance, weighs
comprehensive critique of the
on's report, charging it with
mine in any thoroi а way
the connection between depictions of s
and of violence."
WAVP
A paper published іш
nography newsletter
pe one commission-spe
sored study, by Percy Н. Tannenbaum,
found that exposure to erotic n i
and especially croticaggressive materi.
al, heightens aggr t that
finding was barely mentioned in the
ints
eness—
report.
Some attacks have zeroed іп оп the
commission's studies of pornography and
sex cime in Denmark. In 1965. erotic
ame widely available in
rk, and by 1967, the Danish p
Leg
ar-
. The
nduding the com-
gure for rape and attempted
had decreased between 1965 and
1967. The report's detractors now argue
that the drop in Danish sex crime is due
nges in the laws, legalizing such
homosexual prostitution. Al-
y. there was no decline in the
number of rapes per у
Even after allowanc
changes in the fact
Danish sexcrime s т
drop. There was a decline in m
vidual types of sex crime fr
the most sign
es are made for
the
that
did
aws,
on,
icant. being in peeping
and the molesting of prcadolescent girls,
Berl Kutchinsky, one of the Danish re-
scarchers for the com suggests
that in those two areas, but only those
two, legal n of poi
have provided a safety valve for ant
social impulses, Rape, considered by it-
self, did not decline between 1965
ssion,
ography may
1970, but m did it inae
pornography did encourage rape, one
would expect the incidence of rape to
have risen in those five years. Last Sep-
прег, attending a seminar on pornog:
raphy and sex crime at Simon Fraser
University, British Columbia, Kutchin-
sky stated that rape had neither increased
irk by 1973 and
nor decr
that the
rape went down by about 75 percent
from 1967, when pornography was legal-
ed, to 1
Those who w
hail all the new rese:
criticisms of the report as evidence that
the commission's findings amount to a
scientific house of cards. The researchers
themselves are careful to point out th
their work scarcely adds up to an i
ment of pornography: they've ex
up with findings that never be
ported in antiporn
inerstein's discovery t
men look at nude and seminude pictures
from rrivsoy, their aggressive feelings
fade away. And even when they аге con-
sidering violent images. which they do
think may be connected with actual vic
lence, these researchers stop well short of
calling for
nt pornography banned
rch and the recent
will
ban on such
psychologists," say Feshbach
uth, "we would support nity
«Шому to restrict violence in erotica to
adults who are fully cognizant of the
nature of the material and who choose
comm
Nine years after the commission's rc-
port. we still have no proof that pornog-
raphy, even the violent sort. causes sex
crime. We have only studies that. show
that in а laboratory setting, for а brief
period, men who have previously been
made angry and who sce crotic or erotic
olent films will act more aggressively
toward women iwhen permitted to do so
by an authority figure. It is doubtful that
it ever will be possible to prove that ex-
posure to teers or pictorial works can
move a person to criminal bel
As for the charge that the Gor
on Obscenity and Pornography
examine the connection between por-
nography and violence, in the preface to
its report. the commission explicitly ex-
cludes violent obscenity from its purview,
limiting its investi "sexual ob-
sional concern as reflected by the linking
of obscenity with pornography in the act
ing the commission." The co
емей only in sexual
'ousal
s certainly data in some of the
39 studies that doesn't fit neatly into
the report’ all conclusions, and
there are some findings that contradict
other findings. If there were по іпсоп-
sistencies and contradictions
€ studies of the сесі of
aphy funded by the commission,
that fact alone would give grounds for
s anyone who has eva
worked in a college physics lab can testi.
fy, honest science is messy.
Still, the pattern of evidence
that
“When you turn the little ball upside down, it snows!”
91
PLAYBOY
emerges supports the commission's con-
cli ample, in the commi:
sion-funded study ol pornography
sexual deviance by Michael J. Соіаи
and colleagues—the study that discov-
ered that such a high percentage of
pists had seen explicit sexual photos in
arly childhood—the other findings
bout rapists point to a sexually inhib-
ited, repressive childhood envire
ick of experience with sexual mater
and a generally negative attitude tow
it. For example, 18 percent of the rapists
as children had been caught with er
materials, and in all cases, their pa
had become angry and punished them.
In the control group. 37 percent had
read erotic materials with their parents’
knowledge: only seven percent had been
punished. It was on that over-all patter
1 on the one anomalous statis-
tic, that the commission. based its co
dusion that е has little
influence on rape.
ions.
tic
ents
.
To examine in detail the efforts of
WAP, WAVPM а
ters to
erous is
€ the rather disheartening discov-
ery that this supposedly new movement
is, for the most part, reiterating the tired
and fallacious arguments conservative
procensorship outfits such as CDL have
been spouting for decades. Brownmiller,
Womongold and the rest haven't ad-
vanced an inch in their thinking beyond.
earlier crusading prudes such as Charles
H. Kea Jr. and J. Edgar Hoover,
for whom the fact that some sex crim-
s were found by police to possess
porn was proof enough that pornogra-
phy incites men to sexual violence.
‘The women's antipornography move-
ment recognizes that many fci из re-
spect the First Amendment and are
unwilling to advocate censorship. In an
attempt to deal with this issue, WAP
issued a leaflet ed “Where We Stand.
on the First Amendment" that states:
We do not advocate censorship.
We respect First Amendment stric-
tures against the imposition of prior
restraints on any form of speech,
and we do not wish to deprive por-
omaphers of thei
hts... We have not put forth
-pressive legi
ad we are not carving өш
ceptions to the First
. We want to change the
definition of obscenity so that it fo-
cuses on violence, not sex, but we do
not propose to alter the basic process
by which obscenity laws must be en-
forced, in асса with the proce
tees of the First
due process
In other words, on the t Amend-
t, WAP stands shoulder to shoulder
h the current U.S. Supreme Court.
That puts it well to the right of most
ians. It is no concession to
against. censorship by
The Court has tradition
nt—lorbidding
approved te
constitutional, and even CDL
prior restraint.
ally held that pr
the publicati
country is to prosecute the
offender after the book, magazi
movie has bi offered to the public.
WAP is saying, hort, that it isn't ask-
ing for any new laws, because it is satis-
fied with the laws already on the books.
An important exception is its desire “to
change the definition of obscenity so that
it focuses on violence, not sex.
Civil libertarian
p that such t as obscenity
pornography express subjective
judi differing greatly from
person to the next. Obscenity is
term; pornography is not. Pornog
however, is the term this feminist move-
ment usually uses to describe what it i
against. Pornography. Irom pornograph-
os—writings of, or about, prostitutes—
has always had а connotation of sinful-
ness. The Commission on Obscenity and
voided using "pornogra-
in its report: “The term “рогпов-
is not used at all in a descriptive
t because it appears to H
nd because it
subjective d
als, rather thi
tent or elfect. The report uses the рің
or
onc
aphy,
Pornography
phy"
ve no
ost
approval of
their con-
legal significance
olten denote
"explicit sexual materials.’ "sexually ori-
ented materials,’ ‘erotica,’ or some varii
thereof, to refer to the subject matter of
the commission's investigations.
A classic definition of pornogr
was offered by Phyllis апа Eberhard
Kronhausen in Pornowaphy and the
Law. in which they descri u
depiction of sexual acts for the sole pu
pose ol arousing the beholder in such
way as to moi
ity, with no emotion disp! other
than lust and its satislacti The Kron-
liausens contrast that with erotic realism,
which may also depict sexual activity ex-
plicitly, but in the context of a full rang
of human feclings and concerns.
How do those on opposite sides of the
porn fence define the subject of their
disagreement? The vari
put forward in the WAP literatu
its public state clear cent
theme but tend to be fuzzy аған
edges. Most definitions are some var
of Brownmiller’s statement in а news-
paper essay that "pornography's intent is
to degrade and dehumanize the female
pents |
body for the purpose of crotic мі
tion and pleasure. We are unalt
opposed to the presentation of the fe-
male body being stripped. bound,
tortured, mutilated and murdered in th
n ment and fr
This definition is usually presented with
е qualification Brownmiller offers in
her essay, that “we believe that explici
has its place in literature,
nd education.”
So much for generalities. But once we
get into specifics, that old devil sul
i тигийез. Опе might suppose
¢ portion of the sexy writings
and pictures available today would be
acceptable to WAP and its sister organ-
ions. but, in fact, they find hatred of
women everywher
pornographic materials displayed in the
slide show that introduces its tour of
the Times Square arca, WAP shows the
posters for the movies Dracula and The
Wanderers, a departmentstore ad show-
smiling litte girls modeling
sweaters and skirts, a record-album cover
featuring a nude ely into pubes-
cence and an adver nt for Gloria
Vanderbilt jeans.
In ап antipornography pamphlet.
Womongold. the rilleperson of Harvard
Square, includes in a list of horrible
examples of pornography “a Blooming-
dale’s full. ad im The New York
Times of July 10. 1978, showing a
nude woman, flat on her back, face ob-
l by a sum hat, with her empty
msuit lying in the foreground." In
her newspaper article, Brownmiller de-
scribes as pornographic "still shots using
the newest tenets of good design" on the
covers of PLaysoy, Penthouse and. Hus-
me of entertai
с specc!
Among ех
mples of
two
alo finds the daily
of pornography: "To
buy a paper at the newsstand.” she says.
із to su bject onesell to a forcible im.
п pornography, to be demeaned
y y of dehumanized, chopped-up
parts of the female anatomy. packaged
at the supermarket.”
the movement's liter
stic hostile references to
PLAYBOY and other magazines crop up
frequently. rrAYuov, of course, refuses to
be defined by its detractors. “Nobody
1 what pornography i
1 definitions have a nega
7 says PLAYBOY'S Associ-
ate Publishe “PLAYBOY'S:
popularity is not based on pornography
hard- or softcore. АП the sexual images
we re positive. They have
on of aggressiveness. hostility
or exploitation. Eros was the god ol
like cuts of mea
Throughout
tive conne
originate
nplic
love. And our erotic images are exactly
what that word implies—loving in
(continued on page 179)
whether yow've been there or not, the most spectacular way
Lo visit paris is on a supersonic flight followed by a
romantic weekend—yes, weekend—in the city of light
TO PARIS-
WITH LOVE AND THE CONCORDE
Below: Air France's sleek Con-
corde taxis to depart New York's
Kennedy Airport bound for the
Charles de Gaulle Airport near
Paris. Bottom left: The surprising-
ly small jet slices through the
sky. The “weekend’—say it with
а French accent—is the Con-
corde's raison d'être. It can scoot
you from J.F.K. to C.D.G. in
three hours, 20 minutes. Hence,
no jet lag, more party time.
travel By STEPHEN BIRNBAUM
THERE WAS A TIME, not really so long ago, when a trip to Europe
was а onceina-lifetime undertaking, and the rare adventurer who
actually managed. to make the trip could dine out on his experi-
ences for years. But the coming of huge, wide-bodied jets—to say
nothing of even wider discount and promotional fares—dramatically
changed all that, and now it’s far more common that the reason a
young file clerk doesn’t show up on Monday morning is that her
plane has been delayed in Europe.
Since this once extraordinary journey is now so common, any
proposition that's designed to sweep a lady off her feet must
necessarily show some imagination. And this is not so difficult, since
it’s not only possible but absolutely (text continued on page 192)
Bottom center: This could be
port of the Star Trek movie set,
but it's one of the many con-
veyor-equipped tubes that inter-
connect the many buildings of
C.D.G. Having to walk after be-
ing whisked across the Atlantic
does seem pedestrian, after all.
Bottom right: The mochmeter
announces the plane is traveling
о! over twice the speed of
sound, though you'd not know it.
Top left: Paris is a city for lovers. Everywhere
you look, people are smooching. Thot is
becouse іп Poris—os іп most European cities
there's а housing shortage. Folks make time
where they con. The Tuileries gardens are a
favorite among Porisions for this purpose. And
although our travelers have no housing
shortage—they've checked into the très chic
Hôtel Meurice—they cotch a woyward buss ond
act cheeky just the some. Top right: Some
people drink the woter everywhere—even from
a Tuileries fountoin—but we recommend more
caution. The weekend is too short to be
sabotaged by a bug. Stick to wine or one of
France's fomous bottled waters. Above and
right: Our couple get their feet wet ot the Pis-
cine Deligny, Paris’ famous swimming pool on
the Left Bank. This is no time to be shy, natch.
Top left: Statues dot the Parisian landscape as
debris litters other cities. This ane apparently
caught our lady traveler's fancy. Top right: The
City of Light has been described as the ideal
city for walking. It's also o great place for
jogging, especially along the Left Bank near
the Pant Notre Dame. Above: The French
believe if you've got it, share it. And they
maintain an apen-door policy in the changing
room of the Piscine Deligny. Left: Our travelers
and some new-faund friends try out their
English and French on ane another. Cultural
note: The French appreciate your giving
their language a try—even if you're not
particularly good at it. Intentions count.
Top lel
If yov're in love, Paris will turn up
the volume; if youre not, the city will still give
you some pretty giddy ideas along these lines.
Top right: Back ot their suite in the Hôtel
Meurice, located on one of Paris' most elegont
corners, where the Rue de Rivoli meets the
Rue de Castiglione, our lady cools her heels
and scons the Poris Yellow Pages. Now,
she could only coax the insouciont local tele-
phone system to work. . . . Above: Cocktails
ore served in the room tonight ond, of course,
champagne is de rigueur. And, yes, that’s a
Havona cigar our man is firing up. They're
perfectly legal in France, but U. S. Customs still
takes а dim viow of their boing brought back
by travelers from any country other than Cubo.
Top left: Our lady, having put on her dance pants, finally puts
the finishing touches to her foce. Top right: They grab a
quick bise and practice their dips at the Pant Royale. Above:
She could have danced all night at one of the fountains in
the Place de la Concorde, but he's hungry and it's dinnertime
at Lasserre. It was in the Place de la Concorde that Louis XVI
lost his head. While there, keep yours but check out the
Obelisk—an 1829 gift fram a viceroy of Egypt.
98
Top left: Mademoiselle’s curiosity gets the
best of her at с showing of erotic sculpture at
the Galeries Sylvia Bourdin, while o local
artiste grabs a bit of gusto for himself. Top
right: Our twosome gets a tour of the
magnificent wine cellar at Losserre, one of the
world’s most deservedly fomous restaurants.
The service and food ore impeccable and the
staff is innocent of haughtiness. Losserre's
wine cellor houses more thon 140,000 bottles.
Above: Our couple at the Poradis Latin, where
at the show’s climax the ceiling opens and an
enormous amount of confetti falls on the
oudience. The entertainment ot Paradis, in
the tradition of Parisian cabarets, is an
eclectic mix of costumed musical skits.
Top left: The moin dining room at Lasserre. There аге also
private dining chambers for those who want a serving of
macy with their elegonce. After dinner, it's a short stroll
across the Champs Elysées. The lady would probably stop
traffic even without a fortuitous gust of Paris wind; but for
the rest of us, French drivers are to be feared. Rumor has it
that they get points for grazing tourists. One of the best-
known Parisian night clubs—the Crazy Horse Saloon—is all
done up in a wild West theme. At least its owner Alain
Bernardin’s rather fanciful notion of what America should
be like. The doormen, for example, are outfitted as Canadion
Mounties. Well, you don’t go there for the interior decora-
tion; you go there for the most gorgeous gaggle of female
flesh this side of Playboy Mansion West. Above: The girls
wave a strategic “How-dy-do.” Left: Our visiting firewoman
snecks into the undressing room and tries on a few costumes.
99
Above: As the weekend continues, our couple
makes onother pilgrimage to the Tuileries at
dusk. They also squeeze in a quick stop at a
restaurant in Montmortre (below) near the
church of the Socré-Coeur. Above right: It's
back to the Meurice for on afternoon slow-
down, a quick nop ond a change of clothes for
the evening. Right: Modemoiselle rinses off her
soup sculpture with one of those nifty French
shower heads, For some reason, bathing,
like everything else, is more exciting in Poris.
Above left: What can you soy abaut French
maid service except thot it’s superb? Above
right: A three-day weekend jaunt to Paris
may be quite Cantinental, but ta do it up
right, yau should surprise your traveling
companion with at least one outrageously
priced token of your esteem. Here, he gifts
her with a fur coat from the famed local
establishment of Faurreres Sack. If, by
chance, a fur coot isn't the type of luxe
bauble to leave her feeling that yav're the
greatest thing to come along since sliced
baguettes, remember that the haute couture
houses—Dior, for exomple—hove the best,
sexiest underwear in the world. And it’s not
expensive. Remember, tao, that Poris is the
home of Cartier, Hermès and Louis Vuitton;
often you'll find items on sole that aren't.
stocked in U. 5. branch stores. Below: Our
couple lingers beneath the Eiffel Tower be-
fore preparing for the Concorde journey
home. Here's to good friends!
PHOTOGRAPHY BY RICHARD FEGLEY
102
ате ше afraid of
something evil inside
thas slick young klan
leader—or of the dark
thing he seems to know
about the human heart?
article By HARRY CREWS
WE WERF STANDING in front of the
Holiday Inn in Rogers, Arkansas, the
two of us, waiting for a car to take us
to the armory, where the rally would
be held. Тһе man I was with, smiling,
shifting from foot to foot, kept glanc-
ing up into the cloudless sky and
talking about what a beautiful day it
was. He was 28 years old, 6/2" tall,
lean and well muscled, almost heavily
so in the arms and shoulders, blond,
very fairskinned. But the thing you
noticed about him first and always
was his magic eyes, eyes that were a
little crazy—crazy, as it turned out,
with belief, with commitment to his
life's work, with his obsession to do a
job he felt had to be done to save
Western civilization from collapse
and ruin.
Some days back in Metairie, Louisi-
ana, the city that stands cheek by
jowl with New Orlcans, he had told
me: “I live it, breathe it, dream it,
t it. It is my life, my only life." At
that time, I had just met him and
had no way of knowing if what he
was saying was empty rhctoric or the
truth. Now, after traveling with him.
halfway across the country, I knew
that he believed what he said and
ILLUSTRATION BY JOANN DALEY
THE BUTTONDOWN
TERROR OF /
_ DAVID DUKE
PLAYBOY
acted upon that belief every waking min-
ute of his life.
He was a nonstop proselytizer, talk-
ing to anybody who would listen: wait-
resses, bus boys, cops, teachers, anybody
and everybody—as long as they were
white. He Ernest Duke, Grand
Wizard of the Knights of the Ku Klux
Klan. To hold such a title in the Klan
at the age of 28 is unprecedented, but
then, David Duke is unprecedented, or
ncarly so, because for good or evil, he is
that scariest of beings, the True Believer.
There is never a doubt in his head or
heart that the job he is doing has to be
done, done at any cost, and he is the
best-qualified one to do it, the only one to
do it.
I had given the past three days of my
life to chasing planes and cabs, sleeping
in motels, which I hate, and listening
almost without relief to interpretations
of history, current and past, so incredible
at times that I found my jaw hanging
slack and drooling as апу idiors. I
had taken the assignment because I be-
lieve that the decade of the Eighties will
be the bloodiest of times, with men set
against one another for real and imag-
ined evils, urban guerrilla warfare such
as this country has never scen, schools
with as many police in the hallways ав
students, the National Guard standing
duty in front of grocery stores and more,
much more.
And I believe David Duke will be right
іп the middle of it all. Duke will not
have caused it to come to pass; he wil
only try to give it direction, feed off it
and rise higher than he has already risen
on the strength of what lives in the crazy
magic of his eyes, on the strength of his
really incredible spcaking ability and on
his not inconsiderable intellect. But, to
repeat, he will not have caused it. The
hatred, the raging, burning hatred, is
already out there in every village, town
and city of this country. It is mostly dis-
guised, and mostly denied, but it is there.
1 have heard its voice in too many places
in too many accents not to believe it,
radical as that may sound.
Duke and I were going now to the
armory so he could check it out. The
rally at which he would speak would
be later that night.
How long have you had an organiz
tion here in Rogers?” I asked.
“Two months,” he said, flashing a h
liant smile. He was forever flashing that
smile. It was a constant under those eyes
that never smiled. “Two months ago,
there wasn't a Klansman in this town. I
don't know what to expect tonight.
"There may only be five people there. If
that happens, I'll still give it everything.
Every man who is willing to stand up
with us is important.”
Rogers, Arkansas, has a population of
104 about 15,000. A pretty little town, but a
pretty little town with hair on its belly,
as I would find out. Since we had arrived
that morning, I had checked every way I
could think of to find out how many
blacks lived in Rogers. The answer was
two families and there were virtually no
others there in northwest Arkansas, сх-
cept the few who attended the University
of Arkansas, about 20 miles away. It
seemed to me there may, in fact, be only
five people in the audience that night.
When we had flown into Tulsa earlier
in the day, we were met by two men,
both college professors. Duke introduced
me to them. They did not say whether or
not they were members of the Klan.
Names and numbers of Klansmen are
never given out. It is, after all, called the
Invisible Empire, and it pretty much
lives up to that name. The only way you
can know if a person is really a member
of the Klan is if you see him robed and
hooded at a rally or maybe wearing one
of the Klan's T-shirts h the Klan em-
blem emblazoned on the left side—a
circle with a cross in the middle of it
and at the axis of the cross a diamond
that has at its center a black, so-called
blood drop. It is not unusual to see the
words RACIAL PURITY IS AMERICA'S SECU-
кту printed above and below the em-
blem. Duke wears a silver Klan ring on
the little finger of each hand. and both
rings have the blood-drop emblem cut in-
to the top of them. He constantly touches,
twists and plays with the two rings as he
eats or talks or walks along the street.
The two professors had never met
Duke, but as we got into the car and
started the three-hour drive across the
border to Rogers, they began the long,
almost word-for-word verbal dance I'd
been having with Duke for the past three
days. The profesor driving whipped
the car over the narrow road twisting
through the Arkansas countryside.
So there we were, three college pro-
fessors and Duke, graduate of LSU, with
a reported 1.0. of 170, taking curves in
power slides, passing on double-lined,
blind hills and having a conversation
right out of Alice in Wonderland. Or at
least the two guys in the front scat were
talking a Jot. Duke and I were more or
less silent and rigid, because the guy
driving was scaring the hell out of us.
‘How things down in New Orleans?"
"Well," said Duke. Then stopped and
glanced at his watch. "Say, we've got
plenty of time. I don't believe we've got
to drive so... ." But then he shut up
and turned as white as any Klansman
anywhere could ever want, as the car
went into a long curve, tires squcaling,
engine whining.
“Niggers and Commies'er still in the
saddle," said the other professor. “I
know that."
"This is as good a place as any to point
out that 1 never once heard Duke use
the words nigger or racial supremacy.
He consistently uses the words Negro
and white power, and for Jew he prefers
the word alien. I mention all of this not
because it changes anything substantially
but to suggest that if such subtle (if sub-
tle is the word, and I suspect it is not)
changes in language are made, it puts a
much smoother skin over the same old
beast. I liked Duke and many of the
other members of his organization.
When they broke out of their racial
monologs and rampant paranoia, they
were great guys to travel with or talk
with or eat with. But I always had the
feeling that if you took a Phillips-head
screwdriver and loosened the four little
screws that held the plates on the backs
of their heads and looked inside, you
would see that at least two fuses were
burned out.
Now rapid as gunfire between the pro-
fessors in the front scat, the one driving
looking as much at us as at the road:
“The history of the nigger in Africa is
a blank. Hell, it is a blank.’
“Primitive. History shows anything,
shows that. Couldn't суеп write.”
"Couldn't count neither. Try coun
if you don't have any numbers. And they
didn’t, Not even a one, much less a two.”
"Didn't have а wheel.
"Didn't have fire.”
“Used heads for moncy.
“Where was Michelangelo and David
cut out of pure rock?"
"Damn FBl—and I wouldn't trust
them suckers far as 1 could throw Michel-
angelo and David—but sometimes they
do tell the truth, even if it’s a accident,
and the FBI's donc told us, niggers have
ten times as many bastard children as us.
“The more we feed, the more they
breed.” (This last is a kind of slogan that
is all through Klan literature and print-
ed on clothing. As a matter of fact,
everything the two professors were saying
I'd seen printed in one place or another
in The Crusader, a newspaper founded
and published by Duke. It was as though
somebody had dropped a quarter into
the two guys up front and they were
giving him back his own subject matter.
I don't know what he thought of their
recital, but 1 know the driving had got
to him pretty good.)
“Niggers done thirteen times as man
murders and things.”
“Really, you could slow down, we. .
“Ten times the rapes. . . .”
“This sure is pretty counuy. We went
slower I could. . ..”
“Nigger kid's 1.Q.’s eighty. White one's
over a hundred.”
‘There were no slams for the Catholics,
because Duke admits Catholics to mem-
bership in his organization, Knights of
the Ku Klux Klan, because Catholics
rode with the Confederate general
(continued on page 161)
ТНЕ
ҮЛМТЕК
OLYMPICS:
PLAYBOY'S PICKS
although football and
basketball are his turf, our
fearless prognosticator sportingly
agreed to set foot on what he
hopes won't be thin ice
By ANSON MOUNT
THE FUN BEGAN in the winter of 1924 in
Chamonix, France. Although some figure-
skating events had been scheduled in the
1908 summer games in London and
again at Antwerp in 1920, winter sports
had been mostly ignored in the Olympics
since the modern games began in 1896.
Complaints of discrimination from the
Scandinavian and Alpine countries fi-
nally moved the International Olympic
Committee to schedule a full slate of
winter sports preceding the regular sum-
mer games.
To most of the world's sports buffs,
the new winter games were a second-rate
attraction. Until 1956, the Scandinavian
countries dominated many of the events,
to the widespread disinterest of most
other countries. But—as in other areas
of human endeavor—technology has
wrought its revolutionary wonders. En-
closed ice rinks, refrigerated bobsled
runs, snow-making machines and ski lifts
have brought (continued on page 168)
ч
ТАКЕ5 А
MOUNTAIN
what do you call someone who ee
careens 85 miles per hour
down an icy ski trail? a downhill
racer,among other things
By JOHN SKOW
to a scrupulously fair-
judice: It is skiing, as only
a figure skater’s mother could fail to
recognize, that brings the winter Olym-
pics closest to grandeur. The ice sports
are admirable but flat. The best of
their spiraling touches no mystery, and
the worst calls to mind the old Chinese
curse: “Мау you live in interesting times
and watch pairs figure skaters.”
The mountain sports, on the other
hand, have a plunging daftness about
them that reaches something mad and
primitive in the minds of those who
watch, Mountains are where the gods
live, and there is tension in the air
beyond the normal edginess of com-
petition when a skier makes his run,
Danger is not the whole of it. Whar is
sensed is hugeness and complexity; res-
onances are set up in the high country
that prevent cven the most simple-
minded of the mountain events, luge
sledding and bobsledding, from being
entirely ridiculous.
Yes, yes and yes. But, as any journalist.
sent out to cover ski competition learns
instantly or before his feet freeze, which-
ever comes first, there is a grievous draw-
back to this Hall of the Mountain King
ILLUSTRATIONS BY MARTIN HOFFMAN
TECHNIQUE: The top of Whiteface is
а miniature giant-slalom course that
tests the racer’s ability to make tight
turns on an almost sheer cliff of
blue ice. You can win or lose here.
BALLS: Thirty seconds into the course,
the racer points his skis straight
downhill and “looks for speed.” The
70 percent grade called Niagara
rockets him to B5-plus mph. Geronimo!
TIMING: Two thirds of the way down,
the rocer hits Bump One—a sudden
drop-off that cloimed 16 skiers in
lost year's Nationals, Не must hit the
prejump on cue or leom to fy.
Wes
THE GLIDE: With the race almost
over, the skier tries not to blow it,
maintaining а streamlined tuck and
riding о flot ski for speed. A final
jump keeps him honest; then victory.
PLAYBOY
magnificence. It is this: There is no way,
using the conventional naked-eyeball
technique of watching what is going on
and then writing about it, to get more
than a fragmentary view of what is
happening. Of course, it is not only
journalists who are muddled; ordinary
spectators, ski coaches and even the
athletes themselves are as ill informed
during an event as cowering towr
people during a medieval siege. The
exception is ski jumping; it is possible
to mill around the base of a 90-meter
jumping hill and actually see the heroes
ге themselves down the monstrous in-
run, ejaculate at precisely the highest
point of the lip and float through the
rmament, stiff with ecstasy. Bring your
inoculars and you can count the hairs
jumper's cars.
Not much can be seen of racing,
however; a few gates of a slalom run, а
swoop and a half of giant slalom, a blur
of the downhill, and then the course
vanishes around a bend and down a
headwall. It is not quite accurate to say
that the great racers of the past—Emile
Allais, Ernst Hinterseer, Toni Sailer and
the rest—carned their reputations in
ion, because every turn they
observed with wonder by
someone. But it was fluidity admired in
bits, and it is small wonder that it took
other racers a long time to figure out
what the great innovators were doing
that made them go so fast.
‘Television was the answer, of course,
but took television some years to
learn how to cope. So many cameras!
1 that cable! In the meantime, fas-
cinated by the mystery of the thing,
perhaps, a lot of us went right on watch-
ski races by hand. And listening to
them. World-class slalom racers going
down a tight, steep course slam their
skis around so acrobatically that they
make a lot of noise if the snow is hard;
whacks and grunts are what you hear.
‘The giant slalom is a faster, more rhyth-
mical race, looping through a course of
long, round turns, and the sound is of
heaving lungs as the skiers suck air. ‘The
downhill is frighteningly fast, with most
of the turns determined by the moun-
tain itself, not by pairs of flags, and it is
nearly silent. The soft hiss of skis is all
that can be heard in the moments when
the crowd is quiet, and that sound, as
it happens, is caught precisely by the
French word for the event: descente.
The slalom is snaky and quick, and
the giant slalom is the most beautiful
of the Alpine ski events (or so the
glimpses we got told us), but it is the
downhill, in which skiers must deal not
just with a cleverly devised succession
of gates but with an entire mountain,
ound which the legends have grown.
А few seconds into the Hahnenkamm
108 downhill run at Kitzbühel, memory says,
and just after a steep schuss, there was a
ge bump, followed by а sizable sec
tion of mountain never rutted by ski
tracks on race days, because the racers
did not ski it. They flew over it for 80
or 100 feet, having been thrown into
the air by the bump. Then they landed
and, while absorbing the extreme com-
ion of the jump, instantly nego-
te, a fast turn
аг [ell away steeply to the right into
an icy chute. This prankish succession
of bump, flight and turn was called the
Mausefalle, ог mousetrap, and it was
the worst (meaning the best) stretch. in
the best (meaning the worst) downhill
ace course in the world. A [ew years
ago, when the world was new, we used
to get up early on race days to stake ош
roosts along its sides.
There, while we passed around bot-
tles of Kremser white wine, we would
watch airborne bodies hurtle into view
from beyond the horizon, which is to say
from the uphill side of the bump. Be-
tween pulls of Kremser and bitten-off
hunks of a superior mule-meat е
called Jéigerwurst, we awarded style
points to the racers. The intention of
а downhiller approaching the Mause-
falle most exactly the reverse of
what a ski jumper wants to do, which is
to fh high and as far as possible. The
downhiller goes faster on snow than in
the air, in part because an airborne
skier presents a greater surface to the
braking force of the wind. So the racer
reduces the length of his flight by jump-
ing before the bump—jumping over it
if he can and, if not, at any rate damp-
ing the unwanted upward thrust it will
give him.
We would jaw leamedly about this
prejumping, and about holding a tuck
while in the air (a skier who loses nerve
or balance and breaks out of his crouch
will not slip subtly through the wind).
Eventually, the bodies would stop sail-
ing or tumbling by us, and that would
be the race, the renowned Hahnenkamm
"rooster comb," named for the moun-
tain on which it is held). We would
finish our wine and ski sedately to the
finish line, not knowing till we got
there who had won, though in those days
we always assumed that it would be Karl
Schranz. Years later, we told cach other
stories of the marvels we were sure we
remembered seeing Schranz perform.
The television people had bought
themselves down jackets by now, and
they were learning their trade. For some
reason, it was almost impossible to
photograph steepness so that it looked
steep, but the flow of a downhill race,
seen heretofore only by cirding buz-
zards, was caught superbly by the tube.
Even so, it was not till four years ago
that most of us really saw а downhill.
When we saw it, however, it stayed seen,
and anyone who had the set turned on
that day can start a cassette player in his
head and watch the whole thing again.
The scene was Innsbruck-on the Tube,
during the 1976 winter Olympics. Aus-
wii, the host country, was not doing
well "The games were winding down
and the local team had yet to win a gold
medal—or, for that matter, a silver or
bronze. The men's downhill was the last
solid hope, and the first seed of 15
racers, it was the Swiss Bernhard Russi,
not one of the earlyrunning Austrians,
who was in the lead after a glittering
run. The last Austrian who had a realis-
tic chance was the 15th skier, Franz
Klammer, a big, tough mountain man
who had started an amazing streak that
would carry him to eight straight World
Cup downhill victories. But Ше Olympic
games generate more pressure than any
single World Cup competition, and if
Klammer did not beat Russi, his great
year would be waved away by his country-
men with a “Ja, aber...” ("Yes, but...").
Klammer, wearing yellow, slung him-
self out of the starting gate on sheer
arm power, the way Jean-Claude Killy
used to do, and within a few seconds
was going too fast. He hit a bump
awkwardly at the beginning of a fast,
sweeping right turn, and his left sl
the outside ski, the one that carries the
stability in a conventional right turn—
skidded out from under him. "He's in
trouble!” yelled ABC's Bob Beattie, who
had coached the U.S. team at the
Grenoble Olympics eight years before.
Klammer recovered. “And again!” Bea
tie hollered. Klammer held again. He
was going crazily fast, but his tightrope
walker's arm waving during his recov-
eri had cost time. At the half
split, his time was .12 second behind
Russi’s. He plunged on, at the edge of
what was possible, wavering over that
edge, style gone, control in shreds, re-
taining nothing but speed and a rickety
balance. And—Austria was saved, the
Turks were driven back at the gates of
Vienna—he beat Russi by half a second.
‘Besser kann man fast nicht fahren,
said Klammer three years afterward: “It
is nearly impossible to ski better.” It
was not a boast, merely ап accurate
and somewhat rueful recollection. He
had gone on to win the 1977-1978 World
Cup downhill competition, but last year
his best results in nine races were a
couple of fifth-place finishes at Val
Gardena, Italy, and his World Cup posi-
tion had dropped to 19th. He was 24
years old last March as the disappoint-
ing season ended drearily at Whistler
Mountain, British Columbia, when bad
weather forced the cancellation of the
last World Cup downhill race. He is a
Jean, weathered man, about six feet tall,
big for a skier. Like most European
(continued on page 222,
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“You didn't think I bought this baby to
tape ‘Masterpiece Theatre,’ did you?”
109
NORTHERN
DELIGHT
coming from wisconsin
makes modeling easy
for sandy cagle. she just
says "cheese"
PHOTOGRAPHY BY POMPEO POSAR
UP IN WISCONSIN, there's a factory that churns out some
of the nicest women you'd ever want to meet. Uncom-
plicated, guileless, fresh-faced and outdoorsy. How they
do it is anybody's guess, but we're thankful it's in
operation. Otherwise, we'd never have met Sandy
Cagle. The secret may lie in the location: Smack in the
middle of North America, far enough from both coa
to avoid being overwhelmed by pop-culture t
Wisconsin quietly goes about its business of producing
milk, cheese, heavy machinery and, in its largest city,
Milwaukee, the gentle brew that's synonymous with its
name. Milwaukce also produced Sandy and she still
lives in its southern suburb of Franklin.
A few years ago, Sandy left Wisconsin and came to
Chicago. She was a little frustrated. She had tried
secretarial work in a hospital and found satisfaction
“I like to get away from the people and the crowds.
Outdoors, І feel more relaxed. I use that time io
get my mind in order so I know what I want to do.”
Sandy will admit to a certain
amount of shyness. “I
have to know someone pretty
well bef сап relax with
him. Гуе always been a
little leery of strangers.”
Modeling, Sandy finds,
forces her out of her shell,
painlessly. “H's a freedom
for me, a release. I can ex-
press myself better that way
than verbally. It's like an ac-
tress going into character.
lacking. “Believe it or not,”
she says, “I just couldn't stand
the paper cuts.” A short stint
as a Playboy Bunny
Playboy Resort and Country
Club at Lake Geneva was too
confining. Another job, mak-
ing carburetors, proved по
mote suitable. Somebody has
ke carburetors, but Sandy
gle making carburetors is
an obvious waste.
She was not wasted in С
cago. As soon as she crossed
the state line, the alarm went
off in PLAYBOY'S llIth-floor
Photo Studio and her career
was launched as a photograph-
ic model. Before long, Sandy
was all over the magazine. You
may have seen her many times
as one of the beautiful but
nameless models in a product
shot or a fashion layout. Any-
thing that called for her
special brand of Wisconsin
freshness. While we found her
captivating, our colleagues in
Japan found her practically
irresistible. So much so that
she was used as the cover girl
of our nese edition four
times in one year.
When the Over:
Club magazine, Dateline, wa
produced as a PLAYBOY lool
alike (see The World of
Playboy, February 1979).
Sandy got the call for that
cover, too.
И all that exposure conjures
up images of an aggressive, big-
city mannequin, think again.
Miss Cagle is soft-spoken al-
most to the point of being
You can't be as active as
Sandy likes to be and
not take cave of your body.
She stays in shape by
working out at a local health
club, eating health food
and taking plenty of vita-
mins. She has tried just
about every sport imaginable
and likes all but racquet-
ball. “I can't breathe that
fast" Sandy says.
inaudible and so tim
her closest friends know what
she's really like. Big-city living.
she thinks, is for making mon-
еу. For fun, Sandy takes to the
country, where she winds up
snowmobile to the red line
through the Wisconsin coun-
tryside. Or she'll take off for a
camping trip, horseback
ing or bicycling. Any activity
that puts her in touch with
nature and, through the soli-
tude, with herself.
Because she's in such great
shape, she's often called for
modeling duties that require
athleticism. Such as the jeans
commercial she shot in Alpine
Valley that required that she
fall down a hill on skis, we:
ing the client's jeans, of course
They did 20 takes of her fall-
ing, plus 12 takes of her on the
towrope. The shot they final-
ly used: Sandy walking up-
right, skis on her shoulder.
It’s no wonder she likes to
get away. Back to the country,
where things make sense. "Wis-
consin is the most beautiful
place in the world in the fall.
And year round there's so
much to do, everything from
skiing to sun-bathing." Which
doesn't mean she's going to
give up modeling. Clients will
just have to call her in Ameri-
ta's Dairyland. That's where
she'll be for the near future,
planning her modeling career,
saving money {ог her own
health spa and communing
with nature. City slickers, eat
your hearts out.
At home near the range (below), our outdoor girl
proves she can cut it indoors, too. A Method
model, Sandy says, “То get the proper sexy look
jor this shot, I just thought about Warren Beatty."
zs (
ro
Sa ғ -
Regulars at Playboy's Lake Geneva resort miss
Sandy (left) since she left the hutch to model. At
Studd's Pub in Milwaukee (above), Sandy finds ad-
miring company while quaffing the local product.
+
ЕЗ
5
=
2
=
PLAYBOY'S PLAYMATE OF THE MONTH
PLAYMATE DATA SHEET
n
BUST: PI JQ" WAIST: Df HPs: 27 2_
HEIGHT AIT WEIGHT: Z/8_SICN: Ege
BIRTH DATE. 42-2 52 BIRTHPLACE: аши, Zac
б гай; г
О..,0222.0 Жаға OTASAN
Б
SECRET DREAM:
PLAYBOY'S PARTY JOKES
Matters had somehow progressed to the point
where the young man and his date were naked
in the motel bed, when the girl had a change
of heart. “Are you going to tell me now, Mary
Ann,” asked the rejected youth bitterly, “that
I'm not Mr. Right?”
“That's a silly old romantic notion."
laughed Mary Ann. "I'm actually waiting for
Mr. Big!"
Haien
The Pharaoh was dictating. and his scribe was
busily chipping away at a stone tablet, “I have
plans . . . to form,” the monarch said slowly,
rsonal bodyguard . . . of stalwart . . . and
virile... young men."
The chips flew . . . but then suddenly ceased
flying, and the
1 was really primed for some tits and ass last
ht.” the bumbling would-be Lott
ported with a groan, "but all I
fucking singles bar was twits and sass!”
A California sperm banks bumper sticker:
WE'RE PULLING FOR YOU!
There's a gay prison chaplain named Locke
With a weakness for hard convict cock.
For his assholy ways
In his Alcatraz days,
He was nicknamed “the piece of the Rock.”
Our Unabashed Dictionary defines geriatric
copulation as a loose connection.
Tes а recurring and rather disturbing dream,"
the patient told the psychiatrist. “It’s 1996, and
I go down to my cellar, unlock the massive pad
lock. swing open the heavy door, enter the
small room, take down a bottle from a rack and
shine my flashlight on its label. Then I say to
ysclf, “Ah, yes—1980. A great усаг for gaso-
line"
1 certainly hope,” said a clear and firm young
female voice in the jam-packed elevator, “that
someone behind me 15 carrying а mini
umbrella.”
Our Unabashed Dictionary defines blunder-
buss as kissing the bride at a shotgun wedding.
And to think,” murmured the rosyglow-
feeling adolescent to the girl with whom he
had just scored, “that a few short years ago 1
thought happiness was a warm puppy.”
Even though the marriage had degenerated
into virtually nonstop bickering and fighting,
the husband asked, out of habit, what his wife
would like for her birthday. “What I'd like is
a divorce!” shrilled the woman.
"Tm sorry," responded the man, “but I
wasn't thinking of spending that much."
What went wrong on your date with that new
guy last night?" the gir] inquired of her room-
mate. "You were back before midnight.”
“Talk about selfish!" exploded the roomie.
“The jerk turned out to have one of those spe-
cial condoms with the massaging fingers!”
“That's selfish?”
"He put it on inside out!”
Clemo T жее...
k was at the turn of the century in decadent
Paris that two middle-aged roucs had a group
of demimondaines brought to their luxurious
apartment for selection. One chose а well-
upholstered redhead and the other a tiny
slip of a blonde girl. "But that is going too
far, Maurice," remonstrated the first man.
“You have picked a mere child! She probably
doesn't even have hair on her pussy."
"That can be remedied, Gustave.” smiled
Maurice, stroking his luxuriant mustache.
Heard a funny опе lately? Send it on a post-
card, please, to Party Jokes Editor, PLAYBOY,
Playboy Bldg., 919 М. Michigan Ave., Chicago,
Ill. 60611. $50 will be paid to the contributor
whose card is selected. Jokes cannot be returned.
"I prefer to be on top, PI be getting out first.”
124
O'S
FIRST
verdict: secret agent blackford oakes
guilty of betraying the revolution,
sentence: hang by the neck until dead
fiction by
WILLIAM F. BUCKLEY, JR.
ШЕ HEARD THE ROAR of an oncoming
truck. The noise broke the silence of his
fourth-floor apartment on Dohany Street.
It was the first sound of a motor ve
hicle he had heard since, finally, late in
the afternoon of the preceding day, the
last sniper's shot was fred. The last,
he gathered from the short-wave radio,
of the resistance in Budapest. During the
breath-catching days of liberty, one full
week, the high emotional point reached
with the elated release from prison of
Cardinal Mindszenty on Wednesday, ru-
mors had swept Budapest that the Rus-
sian army was grouping for an assault.
But the optimism had been overwhelm-
ing: Russian tank drivers would refuse
to fire on the students. .. . The Secre-
tary General of the United Nations would
fly in to abort any attempted Soviet
military reoccupation. - . . The people of
the other satellite states were in open
revolt. Khrushchev would call back
his divisions from Eastern Europe before
the week was out. When the Russians
did move—with eight divisions—at four
Алы. on Friday, the protests poured in
from European capitals. The Security
Council was convened at three in the
morning. President Eisenhower publicly
deplored the turn of events. But the
PLAYBOY
125 him the action was about to begi
voice of BBC soon lost that flush of ex-
citement as it acknowledged the fall of
Budapest and the "desultory resistance”
in the countryside. The BBC attempted
to coordinate transmissions from pockets
of resistance, relaying directly broadcasts
from the Freedom Fighters who had be-
gun by using government facilities—
they controlled them: They were, were
they not, the legal government of Hun-
gary? When the Communists, with their
unerring суе for the ganglia, seized the
та stations, the broadcasts resumed
from short-wave transmission sets secret-
ed in the outskirts of the city and in
the country. These dwindled in number,
and then there was that last haunting
voice at 0924 that had addressed the out-
side world and ended with the simple
words "Help! Help! Help!” It was 15
minutes after midnight when broadcast-
ing resumed and the Hungarians in-
formed that they had been saved from
“the rebirth of fascism.” Blackford Oakes
sat in his stuffed casy chair, in the little
suite at the Hotel Sarkany. He knew that
nothing emanating from the White
House or the State Department would
have stopped a Russian ballet, Ict alone
200 Russian tanks. The American Am-
bassador at the UN merely uttered a
sharp rebuke. Oakes could imagine
Khrushchev and Gromyko playing games
the Sunday before—Khrushchev liked
that sort of thing, though he was heavy-
handcd—imitating the excoriations from
the West, including gestures. Gromyko,
Oakes thought, reaching back to his own
experiences of 13 years at, or near, the
top of the Soviet diplomatic establish.
ment, would say: “The more emphasis
the Americans put on the UN, comrade,
the less we have to worry about.
Oakes's ruminations were interrupted
as the sound of the motor got louder,
and he rose and opened the window dis-
creetly to look down the street, in the
direction it came from. He saw lcading
the column a jeep with four men, the
n next to the driver holding in
hand a clipboard. Behind him two offi-
cers, one of them studying a map spread
out over his knees. There followed a
half-track armored car, а half-dozen sol-
diers with machine guns seated on the
platform to the rear of the driver's cabin.
"There rose from the same platíorm what
looked like a small gantry. Swinging gai-
ly from it—Oakes stopped breathing—
was a clcarly discernible noose. Instant-
ly, his eyes turned to the building across
the street, two doors down. “Тһео!”—
Ше word formed itself in his throat. But
no. The room in the quiet old boarding-
house, the small, tidy room maintained
by the little salesman who regularly paid
the rent but was seldom there, was sure-
ly inviolate. When on the Wednesday
night two weeks ago young Theo told
Oakes had made a gesture. "If it goes
sour, you'll be safe.” Had Theo taken
refuge there? Theo, aged 20, had taken
to sleeping at Frieda's house whenever
Frieda’s mother was in Va looking
after her orphaned nephew and пісе
Perhaps Theo was hiding at Fried.
Perhaps he had been killed, or captured.
Oakes remembered the utter elation in
the young student's face when he met
Blackford at the tavern, during the tense
week before the assumption of power by
Imre Nagy. Theophilus Molnar was
slight of build but the star soccer player
at the university. His fingers were slender
and his voice had a premature gentle-
ness, that of a philosopher who, along
the way, decides that, really, there is
nothing left in the world worth raising
one's voice about. The excitement was
knew Blackford
internalized. Theo
Oakes as Harry Browne, a young еп
neer hired by an Austrian firm as a pur-
chasing agent for special American
equipment required to construct the
huge new municipal aquarium. They
met first irregularly, and then two or
three times a week, usually at the same
tavern, a favorite of the students and the
younger teachers. At first, Theo talked
mostly about the soccer games, occasion-
ally about his absorption in classical
studies; but gradually about his deter-
mination, and that o[ his friends, to
strike out and free their country from
the Soviet Union. One night he brought.
Frieda, almost as tall as Theo, with
bright cyes and intense manner, passion-
ate in her convictions, inquisitive about
Blackford, exultant over her command
of English, so much more fluent than her
fiance's. Theo spoke usually in German,
occasionally in a lilting English into
which he effortlessly insinuated the Ger-
man when he did not know the English
word. He had told Harry that their plans
were not mere abstractions. That they
intended to take power. How? By actu-
ally forcing the resignation of the satel-
lite Prime Minister and replacing him
with a patriot. What would the Russians
do? The Russians, he explained earnest-
ly, his dark hair falling loosely over his
young, unlined forehead, could not hope
to hang on to the satellite empire. Theo
spoke in his still, soft way, playing with
a bread stick, which he looked down at
as he whispered discreetly. The Russians,
he reminded Blackford, had had troubles
earlier in the year in Poland. Czechoslo-
vakia was restive. Bulgaria and Romania
would be tougher to pry loose and East
Germany probably the last to assert it-
self. But—he smiled, showing his small,
even tecth; a smile with the assurance
distinctive to the truly innocent—the
Russians would accept fatalistically
the nationalism that was about to take
over. Stalin was dead. He had been de-
nounced only eight months ago by
Khrushchev himself. Khrushchev had
spoken of a thaw and released thousands
of prisoners. It is God's will, Theo sa
that man should be free. The cmancipa-
tion of the satellites was a necessary next
step, didn't Harry think so? Blackford
Oakes, taller than Theo by several inches,
older by 11 years, with hair lingeringly
blond, his blue eyes expressive, the tini-
est crease of experience visible at the
corners, bore himself in the relaxed man-
ner of the perfectly proportioned young
American male, totally relaxed phys-
ically. He replied in a voice tenser than
‘Theo was used to hearing: "Don't count
on it."
"Wouldn't the Americans help?”
“What could they do?”
“What could they do? Harry, what
could they do! The Americans control
the world! One word from the White
House and that's it!”
“Theo. Listen, Listen hard. If one
word from the White House were all
that was needed to free Hungary, that
word would have been uttered a long
ie ago. The White House can't give it
until internal conditions are ripe.
“What Ет telling you," Theo said ex-
citedly, "is that those conditions are ripe
right now. I meet twice a week with"—
he paused. Embarrassed, Theo looked
down at the bread stick and finished his
interrupted sentence—“people. People
who know. The Americans won't make
the mistake of missing this signal. It will
be very clear.
“But Theo. What if the White House
gives the magic word and the Russians
ignore it?”
“There will be chaos, stretching from
Danzig to Trieste. The Russians can't
contend with chaos.
Blackford said nothing. Then he
thought, and spoke quietly, but the tone
of voice was decisive. “Be careful about
yourself. Now repeat this." Theo looked
up, curious, tense, silent. “Repeat after
me: Forty-one Dohany Street, room four
С.
Theo understood, and his clean-shaven
face was perfectly solemn when he said,
as though an acolyte, “Forty-one Dohany,
room four C."
"Don't. mention that address to any-
body."
"I won't."
Blackford rose and shook hands. Theo
felt the slim cold object, and deftly һе
slipped the key unobserved into his pants
pocket. Three days later, Nagy made his
move; two days later, the statue of Stalin
was ripped down from its imperious
domination of the Kossuth Square, to the
shouts and cheers of what must have
been half the population of Budapest,
though not including Blackford Oakes,
who had been given strict instr ns
(continued on page 134)
attire by DAVID PLATT
irst came leather jeans on the disco
F scene (birthplace of a host of fash-
10n trends), and suddenly hide was hot.
Leather, both smooth and sueded,
moved out of its traditional forms of
coats, rugged sportswear, motorcycle
jackets and the like and into roles it
had never played before. A pair of
comfortable summer shorts in leather
о Y
THE LEAT
that don't look like Lederhosen? Why
not? A cowboy shirt in suede? Sure,
pardner. Want more color, from a con-
ather jacket to a green
or a cobalt-blue baseball
jacket? Do it! Looking for a shorter,
reshaped sports coat? Со leather! Leath-
er's gutsy. It feels good. It looks good.
It's fun to wear. That's fashion, folks.
HER REPORT
we're forecasting a stylishly
diverse future for hides and suedes
leather is the name of this fellow's game
апа, from the looks of things, he's playing it
well, wearing a hooded drum-dyed leather
jacket featuring a drawstring waist, about
$350, plus a pair of handsome leather
slacks, about $300, both by Randy Allen.
127
Left: There's little doubt he’s hot to trot in
his leather shorts, about $200, that are com-
bined with a nonbrushed-cotton boat-neck
sweat shirt, about $30, and (over his shoul-
der) a leather two-button single-breasted
jacket, about $390, all by Calvin Klein.
Above: Mr. Wonderful, that’s he—and you'd
be just as lucky, we bet, in a leather collar-
less zip-front jacket with two zippered slash
pockets, about $450, worn over a silk round-
neck shirt, about $110, and leather Western.
slacks, about $425, all by Al B. Arden.
130
PHOTOGRAPHY BY STAN MALINOWSKI
Above: These two young things are hell-
bent for leather—and so's the guy in the
leather jacket, about $250, cotton shirt,
about $38, спа rayon/silk slacks, about
$55, all by Nino Cerruti Sport; plus a tie,
from Chaps by Ralph Lauren, about $10.
Right: These moments of hide and seek be-
hind that cowboy hat are destined to have
а happy ending, what with his wearing а
suede Westem shirt with leather trim, from
Wyly's of Arizona for 8eged-Or, about
$375; and jeans, by Jordache, about $34.
132
Ж И Her Fin ernalls
By Ole Di ver Ен
Жс paintin’ her fingernails, waitin’ for somethin’ to happen,
Listenin’ to love songs and watchin’ the clock on the wall.
She could fix a cheese sandwich, but someone might ask her to dinner,
So she’s paintin’ her fingernails, waitin’ for someone to call.
Те. a torn yellow photograph stuck in the edge о the mirror
By the Raggedy Ann doll she played with when she was a child.
There’s a top dresser drawer filled with jewelry and pills and old letters,
And she’s paintin' her nails, dreamin’ of Paul Newman's smile.
es a sink full of dishes left over from three lonely breakfasts
And some old Glamour magazines all very neatly arranged.
But the magazines just make her feel that she's fat and she's ugly,
So she's paintin' her nails, waitin' for somethin' to change.
0 her desk is the macramé she started back last December
And the bright gilded Christmas card he sent her three years ago.
So she stretches her legs in an exercise she’s been neglectin’,
Paintin’ her nails, hopin’ the gray doesn’t show.
Да it dawns оп her the telephone just might be out of order.
She picks it up—hears the tone and sets it down again.
Hell, there's lots of other men,
And if she has to, she can always call a friend.
pt fridge, there's what's left of last Wednesday night's candlelight dinner.
On her neck is the love mark he left to prove he was there.
And she should call the dentist and take her red coat to the cleaners,
But she's paintin' her fingernails, wonderin' if anyone cares.
à he undresses seductively in front of—Johnny Carson,
And smiles good night to the bullfighter there on the wall,
And she crawls into bed knowin’ that this time tomorrow,
She'll be paintin’ her fingernails, waitin’ for someone to call.
ILLUSTRATION BY BRAO HOLLANO
PLAYBOY
134
WHO'S ON FIRST
(continucd from page 126)
*The long arm of the crane began to rise, tugging
up, slowly, the body of Theophilus Molnar.”
not to move from his hotel іп the
event. .
.
Blackford closed his eyes briefly and
prayed that the convoy would pass by.
Bie endl [сер еро Merere dS
the road to his right and the soldiers
jumped out and deployed opposite 41
Dohany. A detail of three men ap-
proached the entrance. Finding the door
locked, the leader first rang the bell, then
banged on the door, motioning one of
his men to enter the abutting building,
giving him instructions Blacklord could
hear distinctly but did not understand.
In a moment, a white-haired woman
dressed in black and wearing a white
apron opened the door, stiffened and
stepped back. The officer pushed her to
one side and, followed by his subordi-
nate, charged into the building. ‘There
was a silence. Ten seconds? Thirty sec-
onds? A single shot rang out. The sol-
diers in the street tensed. Crouched
behind their weapons, they looked like
statues in а war memorial. Two or three
minutes later, the detail filed out, drag-
g its quarry, who was dressed in faded
brown corduroys and a blue shirt, hi
le hands tied behind him. Although
"Theo had evidently not shaved in a day
or more, his face still looked like that of
a growing boy. The official dressed in
civilian clothes stepped down from the
jeep, adjusted his spectacles and read out
Joud from his clipboard in a humdrum
voice three or four paragraphs from
which Oakes recognized only the wor
"Theophilus Molnar. He was led Iorth-
with to the back of the halftrack and
hoisted by the shoulders to the platform.
Blackford was not 35 feet from him.
Theo's face was calm, his eyes closed.
Now he raised his eyes and spoke in his
solt voice to the senior officer. It must
have been a request, because the answer
was unmistakably negative. The assi
ljusted the noose around Theo's neck,
nd shouted out to the driver, and Black-
ford heard a gear engage. Whereupon,
the hydraulic motor racing, the Jong
m of the portable crane began to
ng up, slowly, the body of
Molnar, which,
toes left the platform, began spastically
to thrash about, a whine of sorts issuing
from the throat. Blackford had seen him
play soccer, and the hideous parallel in
the physical body motions, at play and
in death, convulsed him. It required over
three minutes before the twirling line
hung down straight again, the boy's head
bent over like the end of a shaggy black
mop. A soldier pulled, from a stack of
identical pla
end of the platiorm, one on which had
been printed certain words іп Hungar
ian. He exhibited the placard to the
half-dozen witnesses who had ventured
out of their hous nd then tied it
about Theo's waist with a coarse line he
handled like apron strings. The order
went out and the convoy resumed its
ade down the street, Theo's body
nobile exhibit. The officer in the back
seat was staring again at the map. Blac
Гога Oakes went to his door, unlocked it
and walked down the staircase to the
concierge. He asked him hoarsely: "What
docs the sign say?”
“Death to counterrevolutionaries.""
"What did . . . the young man ask the
officer
“If he might be permitted to make the
sign of the cross.”
P
Boris Andreyvich Bolgin was in Paris
on his monthly visit from London and,
as ever, occupied the office of the military
attaché, who obligingly moved—some-
where; Bolgin never bothered to ask
where. Everybody was obliging to Bol
gin, ambassadors included, because Bol-
gin's dispositions tended to be accepted
in Moscow as final.
He was one of Soviet agents in
Europe who had the privilege of a. per-
sonal code. When he elected to use that
code, which was frequently, he would
eject the operator from the encoding
oom and tap out his message himself.
He would be brought replies, or instruc
tions, from Moscow in the same code,
undecipherable except by himself.
When he cabled from London the
number of the flight he would be arriv-
ing on, all the customary arrangements
had been made. He was met by a K.G.B.
rd in an unassuming Re
ttle hotel suite at the Mon-
talembert was booked and the locked
case, stored in the embassy in his
absence, was in the room waiting for
him. In it he kept a dozen paperback
copies of Dostoievsky, Tolstoy, Pushkin,
Gogol, and several liters of vodka, in
plastic containers.
He ordered the cables from Eur
capitals, and from Moscow and V
ington, brought in. One, from Moscow,
was addressed to him personally. It read:
"DID WE PICK UP BLACKFORD OAKES IN
PARIS REPLY шісі.” Bolgin picked up
the office telephone and sent for the code
derk. “Bring in Saturday's cables from
Washington."
He Jeafed through them. At 1713 on
Saturday, the cable had been received by
the Paris chief of station, Sverdlov,
“AGENT BLACKFORD OAKES DEPARTED 1000
EDT PANAM FL ЖИН DESTINATION
paris.” He did some quick calculation.
The transatlantic flight, eastbound,
would take ten or eleven hours. Oakes
would therefore have arrived Paris
some time after midnight. He picked up
the telephone: “Sverdlov.” He was put
through instantly: “Bolgin. Come,
please.
The chief of station, a stocky, light-
skinned man wearing an ill-fitting brown
suit and gray vest, came to attention in
front of Bolgin's desk—Bolgin had the
rank of colonel. “Relax.” Bolgin waved
n toward the chair adjacent, under
the picture of Lenin. He passed the ca
ble over to him.
"No. Colonel, we didn't pick him up.
We have only that one picture of Oakes,
you know. You're the only person in the
European theater who has ever seen him.
The plane was chock-full. We managed
to get а look at the manifest, but tu
was no Oakes listed.
know what name he's traveling under.
And he hasn't been ne: »
h, of course, isn't surprising."
Have you begun a hotel search?"
"No, sir. I knew you were coming in,
so I thought I'd wait and see whether
you wanted to do a search. 1 am aware,
Colonel, of your instructions not to over-
use our hotel contacts
Boris Bolgin tapped his fingers on the
desk while he reflected. Не pointed to
the cable that had just come in. "Moscow
wants to know: Did we pick him up?
What, my dear Sverdlov, do you wish me
to reply? ‘No’—or ‘Nor YET?"
“J understand, sir. You wish the full
dragnet.’
“Let me sec the picture you hav
Sverdlov reached for the telephone
and, presently, a stout woman arrived
with a folder.
Bolgin looked at it. “Somet
not understand our Washington office.
For three years, we have asked for a more
up-to-date picture of Oakes. They follow
him around even to airports, but they
don't bother to get more pictures. It is
lucky for them 1 am not in charge of the
Washington office. Still . . . this is
only . . . five years old.” He depressed а
button and a stenographer came іп
“This is to Washington, Seryogin. ‘RE
OAKES CONTACT ORLY UNMADE. PROCEED-
ING WITH SEARCH. ADVISE IF HE DEPARTED
USING ANY DISGUISE." And to Sverdlov:
“They won't wake Seryogin up for that,
so we won't get an answer until after
inch. Hold up the search until then, so
(continued on page 202)
nes I can.
“Kick off your shoes and relax, ту dear.”
135
M... can play the
strangest tricks.
Suzanne Somers was mak-
ing an appearance on the
Johnny Carson show recent-
ly and the subject of her
former career as a model
came up. She mentioned
that she and a pLaysoy pho-
tographer had done some
swimsuit fashion shots in
Mexico a few years back. No
nude shots, of course, though
the topic had been discussed.
Yes, she had considered pos-
ing, she said, and had even
gone as far as to show up at
Playboy Studio West in Los
Angeles. But she'd backed
down at the last minute.
It would not be stretching
things to suggest that several.
In 1970, model Suzanne
Somers posed for some com-
mercial shots in Mexico. While
there, PLAYBOY Contributing
Photographer Stan Malinowski
made a suggestion: What
about a nude Playmate test?
SUZANNE SOMERS
PLAYMATE TEST
before she became 12% sexiest star, suzanne
posed for these provocative photos . . . aren't
you glad ше keep such beautiful records?
PHOTOGRAPHY BY STAN MALINOWSKI
PLAYMATE DATA SHEET AND MODEL RELEASE
In the event that you are selected as a Playmate of the Month for PLAYBOY, the
information provided below will be essential for our story. А11 questions must
be answered as fully and truthfully as possible, in your own handwriting.
LEGAL ME баир 4 Symes AE __22
ADDRESS (Street) (22// Jackson S4 (City) San Aaa cge (State) Git
NATIONAL EXTRACTION 72/54
HEIGHT 546% wercur //2 EYE COLOR fc нак COR әб |
BUST 35 WAIST 23 HIPS 32
BIRTH DATE /2-/6- $/7 PLACE OF BIRTH S/A MARITAL STATUS ووک
WHAT DO YOU DO IN YOUR SPARE TIME? 1 woh
Tsai fp шеше аш aes Sd. tales tud plat ИТР ; Lis е
È duka a Fontastic, growth of л Ws af Course, i? Was Gerling Vode ry sk,
WHAT WOULD YOU LIKE TO IF YOU HAD
YOUR PET PEEVES ARE /)
< Lat
YOU'RE PARTICULARLY WILD ABOUT
Е E Je 2с ООУ
Ec.
DESCRIBE YOUR IDEAL MAN (Age, Occupation, Characte;
A
/ 222 а, ы kind S Leg, 2)
OF ne ley ЖЕ, А
ТЕ YOU COULD CHANGE ONE CHARACTER TRAIT IN YOURSELF, IT WOULD ВЕ 72 ГА сла Журо
JE (2 7 WHY?
РА = and "e EPA
A^
AMBITI (What you want from life GUESS
fe
Once Suzanne agreed ta dc the nude layout for PLAYEOY, she completed о Playmate Data Sheet, as all Playmate candidates do. Social historians
may be interested to note that as lang ago os 1970, Suzanne had her future picked out: “1 want ta be а comedy actress,” she wrate, explain-
ing that people “roared” when she played the lead in Death of a Salesman. Her sense of humor in filling out the form із apparent.
impure thoughts lodged
themselves in Carson's mind.
In fact, you could feel
the disappointment course
through the crowd like а cur-
rent. Damn, if only she'd
gone ahead with it!
Were sure that's the way
Suzanne honestly remembers
it. Until now, we ourself
had no basis for remember-
ing it any differently, The
photographs on these pages
have been in our files for
(text continued on page 111)
Before heading far the great
Mexican outdoors, Suzanne and
photographer Malinawski
warmed things up with some
indoor shots. Behind a mos-
quito netting, a reflective
Suzanne rumpled up the
bed sheets enticingly.
Between commercial photo sessions, Suzanne and Stan would head down the coast from Puerto Vallorta, looking for locations for the nude
PlAY&OY layout, At one seaside spot, Suzonne playfully perched on a chair (above), while elsewhere, іп a rocky stream that flowed into the
ocean, she became increasingly comfortable with the idea of nudity. Stan remembers her os being “as natural as any Ploymcte I hed ever shot.”
ن
Ei
A cool woterfoll just down the coast
from Puerto Vallarta wos the setting
for Suzonne finally to give her cll.
Weoring nothing but a thin gold chain
around her woist, the future TV sex
symbol frolicked as if she'd been
posing in the buff all her life.
M3
nine years, because, frankly, ме forgot they were there.
Our memory was refreshed only when Contributing
Photographer Stan Malinowski mentioned to one of
our editors, with astonishing calm, that he'd shot a
complete nude Playmate test of the young woman who
is now the star of Three's Company.
It would not be stretching things to say that a sense
of professional pandemonium coursed through the
offices of PLAYBOY.
The time was May 1970. Stan Malinowski had a
commercial assignment (text concluded оп page 201)
Suzanne, here sunning herself, lost touch with us and so
never became a Playmate. Seven years later, she would have
her own time in the sun as the star of Three's Company.
PLAYBOY
146
"I don't think it’s for sale.”
the poor stadent
from Les Contes aux Heures Perdues, by Antoine le Métel, Sieur d'Ouville, 1643
GOODMAN came down the street car-
rying on his shoulders a sack of wheaten
flour from the mill. When he saw the
ragged young man sitting by the wall op-
posite his own doorway, he һайей him.
“Who are you?”
“I'm а weary student. I lelt Paris at
reak yesterday and I have been
ing since without a bite to cat. I have
no money and nothing to pawn for the
price of lodging
So no wonder you look as morose as
ar in midwinter. But why didn’t you
k for food and shelter at this door
over here:
“Lord, I did! But first the wife scolded
me, and then the maid savaged me, and
so I had to get out. sitting here,
just observing things, for the past hour."
"Now, by the Lord God and by Saint
Nicholas, that is my house, and you'll
have а hearty meal and a warm bed."
The goodman knocked at the door,
but it took some little time before his
wife came to unbolt it. When the two
had entered, the goodman told his wile
that the student had come to dine with
them 1 asked what del us things
were in progress in her ov
"Nothing, husband. You know that
you left the cupboard bare when you
went off to the mill this morning.”
“Bless me,”
з. I was so sorry for this student that
I forgot the state of things. Well, in any
case, take this flour and bake us some
fine, golden loaves for our supper.
‘Then, while we're waiting for them,
we'll all sit here by the fire and have
something to drink while you, Sir Stu-
dent, tell us a tale out of one of those
books you can read.”
We have no drink
the well,” said the wife.
"So—just a tale, then, worthy student,”
the n id dejectedly.
Ah,” said the student, "the 1 ot
е saints and the tales of the Romans
1 very well, but tonight Га like
to tell you ат y that happened to
me—and I promie not to put you to
sleep.
It came about that, оп my first day's
from Paris, I passed. through
woods and happened upon a huge herd
of pigs grazing under the oaks. They
were large or small, black or pink, and
many of them were fat. But there was
no swineherd to be seen. Then sudden
ly out of the woods came a wolf and
seized опе of the pigs. It was a champion
fat one, that pig. How can I describe it?
Hmm. Well, all I can that it was
s fat as the pig I saw the maid carrying
into your kitchen not an hour past.”
‘There was silence. The husband looked
ке bee:
but water from
Ribald Classic
at his wife. “Is that true?
“Forgive me! T had fo
he asked.
sonen, lll. go
^t once and tell the maid to bring us
some roa h the bread."
"By § . that's better," said
the goodman. “Now we have no cares in
the world. Please go on with your tale,
Lord Student.
Indeed, willingly. The wolf began to
tear the pig and the bright blood came
out. How can I tell you how red that
blood w Perhaps I could say that it
was as red as the wine in the bottle that
a boy was bringing to your house when
1 was turned away from the door-
‘So there's wine in the house?”
the husband. “What of that, wile?
“Oh, my poor memory,” she replied.
“L seem to have mislaid everything. Yes.
ту dear, I did send for a bottle of wine
lor your supper, and we'll have it now."
“Happ d happier 1 the hus
band. "In truth, your little tale does
produce miracles, Count Student. Please
go on with it.”
sat fe;
cried
m bread
nking the
last the student said,
п we are finished, I will round off
my tale. But, be warned, this is the sur-
prising part. I scarcely know how to
relate it. It may be that you won't be-
lieve me. Or it may be that your good-
wile will be greatly upset to hear it
Rest your mind about that,” said the
goodman, “Why should I disbelieve you
when all things in your tale have proved
so true?”
“Nothing you say сап upset me," the
wife said sourly. "You have done your
worst and have shown what а bad mem-
ory Ihave.”
hearty wine until
ILLUSTRATION BY BRAD HOLLAND
“Onward, then,” said the student
When I saw the wolf devouring the
pig, I produced my sling and picked up
а smooth stone. ] was determined to
the beast. So I fitted the stone and
made ready—I am a very good slinger-
At that moment, the wolf dropped the
carcass and looked up at me. How can I
picture it? His yellow eyes were fierce
and yet full of fear. He seemed to shud
der under his sh; His
long prickst
his knees. Suddenly, he reminded me ol
a priest hiding, let us say. in а cupboard
in somebody's house, monstrous fearful
that the master will come home and
catch him there.” The student all the
while was gazing steadily at the cup-
board across the room.
Priest? A randy priest?” roared the
husband. He jumped to his feet and ran
to the cupboard. He threw the door
open—and, sure enough, there was a
priest inside, looking quite as ugly and
frightened as a cornered wolf.
Well, a lot happened very quickly
The m ized the priest and stripped
oll his habit. He took a quarterstal and
cat the priest black and blue. Then he
threw him out into the street. And he
ended up by presenting the warm habit
to the student. The wife ran to her bed.
room, crying.
When all was quiet again, the student
id the husband finished the win You
can have a pallet here by the fire,” the
goodman said. “And you are
come in my house if you happe
way again. But, please, the next time,
don't have a story to tell.”
—Retold by Robert Mahieu ÈB му
like enticing challenges?
try curling up with one of these
little electronic teasers
FIRST THERE WAS the vacuum tube, then the transistor,
and a few years ago, the microprocessor hit the scene
and was installed in everything from calculators to
home computers. But because microprocessors occupy
зо little space and can store and retrieve enormous
amounts of information, they were perfect for another
type of format: hand-held games. Some of the games
shown can be played solo, with you competing against
the computer; others pit you against a human
opponent—and all are as addictive as a bowl of pea-
nuts. So settle down for a night of fun and games—
one in which the time as well as the bleeps will fly.
modern living
Above: Our guy's obsorbed by Wizard, an
electronic challenge that's actually four
different games: Hot Corners; Match Me,
Music Maker and Break Out, by Waddingtons
House of Games, about $40. »
Touch Ме, for one to four players, is actually
three slightly different games in which the
object is to duplicate a sequence of flashing
lights, signals and tones by pressing the cor-
responding colored buttons; scores are shown
at the top of the game, by Atari, about $30.
gara
а nn
адаа
116 |17 |18 |19 [20 |
Amoze-o-tron, an electronic maze game for
ane or two that tests your concentration and
memory, has over 1,000,000 variations as you
move pieces around о grid; right moves are
rewarded with a musical nate, wrong ones
with о raspberry sound, by Coleco, abaut $35.
If you think you have fast reflexes, try your
hand at ZAP!, a game for two in which an LED.
missile speeds between two ends af o field
and each player must press his ТАР button fa
send it back toward the opponent's goal be-
fore it crosses his own, by Coleco, about $25.
28892298
Scrabble Sensor, a space-age word game that
can be played solo or against an opponent,
challenges you to discover a secret ward by
giving clues as ta whether or not o letter is
included in it, how талу times ond in what
position, by Selchow & Righter, about $45.
PHOTOGRAPHY BY DAVID DEAHL
The Game Machine Jr. is a four-way challenge
for опе or more that includes Submarine (о
search-ond-destroy mission), Speedway (а
race game), Black Jack (just like they deal in
Vegas) and Brain Drain (breaking codes), by
Woddirgtons Hause af Games, about $40.
The kickiest hand-held game we've come
across is electronic Soccer, which has all the
features of a real playing field, including a
goalie who con steal the ball and on offensive.
man who tries to do the scoring—ond you can
vary the playing speed, by Mattel, about $30.
149
ыу vli Жуз
yond de
150
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here we go again with a wild,
wonderful and irreverent look
at the sexual goings on
and comings off of the past
twelvemonth. if what we've
uncovered is a clue to
atrend, we may be spending
1980 playing "guess my gender"
WHILE WE MAY NOT quite agree with Studio 54
owner Steve Rubell’s pronouncement that
disco is passé, it certainly doesn't exert the
steamy influence it did last year at this time—
despite an occasional flash by the likes of
Maggie Trudeau (sce page 156). What scems
to be replacing discos is something far camp-
ier—the confusing world of the transsexual
and the transvestite. Female impersonators
have been around at least since the days of
ancient Greece, when male actors assumed all
the roles in theater; these days, though, what
with hormones. silicone and surgery, it's get-
ting really hard to tell which sex is which—
something that apparently adds to the fun of
a visit to the current New York nightlife
hot spot. the Barnum Room. "LE FREAK,
C'EST сыс," New York magazine headlined a
piece about the place; Stéfen Verk, writing in
the gay-oriented entertainment weekly Mi-
chael’s Thing. described it as "Fellini and
Cocteau in a joint vision of Sodom and Gomor-
rah with an overlay of circus and disco and an
underlay of totally casual decadence.” Barnum's
features the Disco Bats, nearly nude acrobats
who wiggle their derriéres toward your drink
and perform simulated sex in and above a net
high over the dance floor; the place is drawing
more and more celebrity visitors, among them
Julie Christie, Robert Redford, Henry Mancini
and novelist Jerzy Kosinski. What else were the
Beautiful People doing this past year? Telling
all. Never have we scen such a spate of breath-
less confessions, from the alorcmentioned Mrs
Trudeau to Britt Ekland, who, while promot
ing her book, claimed that ex Peter Sellers was
miffed because he'd been left out of the auto-
biography of Sophia Loren, who
mind. It was that kind of year
oh. never
One of the most successful foreign-
language films ever released in the U. S.,
1979's La Cage aux Folles stars Michel
Serrault and Ugo Tognazzi (above) аз,
respectively, a drag queen and his lover.
At right, Cher is flanked by impersona-
tors of Diana Ross and Bette Midler in
her traveling revue at Atlantic City.
Above, porn star Marc Stevens with
transsexual wife Jill Monroe at Xenon:
couple split, are said to be reconciling
At right, Brandi West shows his/her all
IS SHE IS ОК IS HE AIN'T?
At left, reveler joins the fun at New York's Barnum Room, where
transvestites and transsexuals entertain. The girl at center above
is a girl; others are guys from Le Clique at New York's Fun House.
Posters in Syracuse (right) protested D
Doer ach ar those of enicago cos. Dear John:
in dragnet for hookers’ Johns (below). ware
fraps. Y
Chicago's top impersonator, Chilli Pepper, struts his stuff
at the Baton Lounge (above center); Chilli was the hit of a
party following Hair's local movie premiere. Above, the
veteran Divine surveys the street scene in Manhattan.
KISS & TELLERS
Everybody's rushing into print to name names; actress Joan Collins (left)
limited publication of her Past Imperfect to Britain because its revelations
(of affairs with, among others, Harry Belafonte and Warren Beatty) were too
B
Look for the memoirs of Roman Polan-
ski (below), in which he
will tell his side of the
affair with the
13-year-old.
The partly suppressed
diaries of dancer Was-
law Nijinsky (above)
were sold and may
be published. At left,
nuptial wishes near
Union City, New Jersey.
a - —
And Linda Lovelace (below) hops onto the In True Britt, actress Britt Ekland (below) mouths off about a col-
band wagon with Ordeal, in which she claims lection of celebrities including ex-husband Peter Sellers, ex-lover
she was forced into Deep Throat. Rod Stewart-now into paternity (see next page).
Іп Sophia, Living and Loving: Her Own
Story, Sophia Loren (above) admitted lov-
ing Cary Grant before wedding Carlo Ponti.
Bitchiest falling out of the year featured
Gore Vidal (left) suing Truman Capote (be-
low) for libel, whereupon Lee Radziwill
(below left), erstwhile pal of both, de-
scribed them to a columnist as "two fags.”
FERTILITY GODDESSES |
At the festival of Hone Matsuri in Komaki,
Japan (left and below), phallic symbols
figure prominently in 1000-year-old fer-
tility rites designed to ensure a good rice
harvest—and the birth of many children.
tht è A
They may not have attended the fertility festival, but that didn't stop these ladies from get-
ting themselves in the family way іп "79. Above, actress Cybill Shepherd (Mrs. David Ford)
greets Queen Elizabeth at the royal premiere ої Cybill's flick The Lady Vanishes. Below,
from left: Actress Meryl Streep with a bellyful of baby she and husband Donald J. Gummer
were expecting; newlyweds Rod and Alana Stewart, who waited to tie the knot until she
got pregnant (it was a girl); and Gae Exton with lover Christopher (Superman) Reeve.
PARTY TIME
At the Palace disco in Paris
(below), folly is de rigueur,
say the place's publicists.
One could say the same
thing about Manhattan'smost
fashionable disco, Xenon
(celebrating its first anniver-
sary above right and right).
THE GAY WAY
Whatever happened to the closet? Below,
workshop at the University of Marseilles, France;
in Chicago's Gay Pride parade, one of several held in the U.S. in June
(police estimated 250,000 persons paraded in San Francisco, tens of
thousands in New York); below right, cheerleader squad does its
stuff at the National Gay Softball World Series 11 held іп Milwaukee.
Plato's Retreat, the live-
sex club in New York, is
still going strong (that's
Leslie Tulips doing her
thing there at right); but
its L.A. outpost, Plato's
Retreat West (below), has
undergone harassment by
police. Among charges:
operating pinball ma-
chines without a permit.
JACQUELINE BISSET
AS YOU'VE NEVER SEEN
HER BEFORE!
)
Pasts imperfect haunted Jacqueline
Bisset, whose nudie film, Secrets, was
finally released (left), and Sylvester
Stallone, seen in the altogether in Ital-
ian Stallion (below). Above, TV's Larry
(The Last Resort) Breeding as he ap-
his modeling days.
E^.
It just wouldn't be The
Year in Sex without a
visit to Elizabeth Ray
and Marilyn Chambers,
and we won't disappoint
you. Liz (below) bombed
in her attempt to be-
come a night-club ca-
nary; Marilyn followed a
fight with Vegas au-
thorities over her one-
woman nude show, The
Sex Surrogate, with a
теішп to porn movies in
Insatiable (below right),
due forFebruary release,
Оп the darker side, 5000 gays rioted in San
Francisco (above) in May, protesting the
mild sentence given to the killer of the
mayor and a supervisor, a gay-rights leader.
ARTISTS’ LICENSE
Chicago artist Ellen Sandor
created Fantasies of the
Classics Ilin neon (right) for
restaurateur Nick Nickolas.
Ceramist Judith Citrin's.
plate (below) is on display
at InaPlain Brown Wrapper,
Chicago erotic-art gallery.
a
SALES FIGURES
Fashion news of 1979: Above, pulse-quickening sexy lingerie catalog
from Janet Reger in London; below left, one of those easily wind-
blown slit skirts that brightened boulevards around the world; below
right, Denise Crosby (ғілүвоү, March 1979) in а Fiorucci creation.
Sexy postcard (above) is among the items on sale at the chic
Fiorucci chain of boutiques; others include the three-dimen-
sional Nude with a Scarf, trom Jedoll Company, Inc. (below left),
and ceramic toothbrush holders by Helen Cruise (below right).
NUDES IN THE NEWS
Back home in Indiana, spectators get an eyeful of Terri Clark at Ponderosa
Sun Club's Miss Nude Galaxy contest (below left) and of Vickie London and
Jeff Kobilka, runners-up in another nudist contest at Naked City (below right).
= „ЭЧ
We thought you'd enjoy this, ah,
cheeky picture of British model Gem-
ma, who, we were told by the pho-
tographer, stays trim playing squash.
We've all heard of skinny-dipping, but prob-
ably only in California would we meet up with
nude sky divers (below). Fun in the sun, all
right, but we hope they never land in cactus.
And then we have the $1000-prize Nicest Chest
in the West contest, held in Las Vegas and
won for the second time by the obviously nicely
qualified contestant Sue Smith (above).
STEAMING SHOWBIZ
We've given up on the whole notion of keeping "ет down on the farm after they've seen
what's going on in Paris at the Deux Boules theater (left), in the Latin Quarter, and а!
Le Milliardaire (below), which is billed as "Тһе Undisputed Naughtiest Night Club in Pari
Is pants-dropping the coming thing? Check Steve Martin's attire at
the Grammy Awards ТҮ show (below left) and Screw editor/ publisher Al
Goldstein's at the Adult Film Association's Erotica Awards (below right).
us
A.
Luckless Susannah Heartfree (Ina Jaffe) is violated at every
tum (above, by Bernard Beck as a horny sea captain) in Chi-
cago’s Organic Theater presentation of Jonathan Wild.
Below, clothes-designing sisters Tish and Snookie moonlight
with their punk-rock group Sick Fucks at New York's CBGB's.
form in an underwater ballet act at the Reef
Lounge in Mission Valley, San Diego (right).
Burlesque is taking on new forms. Porn star Bambi Woods (of Debbie Does Dallas, see
inset at left) limbers up at New York's Melody Burlesque (above left); exotic dancer Larry
Slade (an ex-Liberace bodyguard) heats up all-female audience at the Sugar Shack in
Lake Geneva, Wisconsin (above right); and aspiring strippers learn tricks of the trade
from mc. Bob Mitchell during amateur night at the Palomino Club in Vegas (below).
164
DAVID DUKE ..............
“Duke represents the new Klan. He means to carry
the day with his own special brand of logic.”
Nathan Bedford Forrest, who headed the
Klan in 1867, General Forrest admitted
Catholics, so Duke does, too. Many chap-
ters of the Klin, both past and present,
do not, however.
They had just broken onto the subject
of Jews when, thank God, we rolled
Rogers. The Klan, it seems to me fron
what reading and list ng I've done, is
much more rabid about. Jews than it is
about blacks. I'd already had a pretty
good dose of the Jewish Menace trom
Duk dose that started іп New Өгісіпз
and continued to New York and Boston.
and Chicago
In Rogers, we were taken down a side
street where à much larger cur waited,
icy tattooed arms
that were of a size that caused me to sir
п а lot, though he said almost noth
‚ even to Duke, and ignored me com-
y- He silently took our bags out of
the professors’ car and put them into the
nk of his. Duke shook hands with the
professors and the man with the T-shirt
took us to the local Holiday Inn by, it
seemed to me, an unnecessarily circuitous
route. He registered us both under the
name of Green.
I said to Duke as the man
исеп?
drove oll.
Security
essary, bu
aut his watch,
he said. “Probably not nec-
I do it at a rally.” He looked
“He'll be back in a couple
of hours to take us down and let me
check out the place where PIL be speak-
g tonight. I think ГЇ Gach а пар
1 watched him go off toward his room.
knowing he would probably not sleep
but gulp vitamins Irom a multitude ot
[ше boules he carried with him. He was
ме of vita
ater of Title seeds and doc
listhenics and reader of strange histo-
s ГА never heard of, histories written
by authors ГА never heard of, who mar-
shaled facts T could not be
men who ruled the slaivedabor cimps in
the Thirties were all Jews: the Jews
swallower ns
ol
ve (the six
ioned and brought about the Russ
Revolution and control il today:
Holocaust is a lie: 6.000.000 dead. Jews is
а lie: the stacks of dead bodies we are
often shown as coming from the Ger
death camps are actually the dead Irom
Dresden and the German soldiers stand.
ing about looking on were painted in by
Jews: at most, 20,000 or 30.000 people
died in Hitler's c 5 though 20,000
or 30,000 hum; the hands of a
madman, eve
le or no concern)
Хо, he was back there in the room
swallowing vi and jumping up
and down while conjuring a vision of
history and the world that he believed
heart and soul. He has a fated destin
and he knows you and I sure as hel
not going to stop him.
I rushed off to the desk in the office
and got the necessary litle саға that
allowed me to rush to the har, where I
in on the necessary little
ister so Г could swallow the necessary
mount of vodka that would dull. my
growing certainty that Duke knew some-
thing about the human heart and its
predisposition to violence that I did not
know. could only dimly sense
E true, would be a fact of
nins
.
dark litte
signed up for a double vodka with no
I sat in Ше
having
icc. and marveled at my ignorance. | was
born and raised in south Georgia, where
many of my kinsmen still live. Some were
Klansmen and Гуе heard Klan stories all
lile. E travel constantly acros the
country. And T thought the Klan was
dead or, if not dead, a withered society
of men and women. who il they were
children would be boy and girl scouts
with secret handshakes and passwords.
But liven: Can it be wue that new
units of the Klan have. recently been
chartered in such places as Adelaide.
Australia: Toronto, Ош
Switzerla Sali
desi venne, Wyoming:
banks. Alaska? Irs trne. Just across the
ate [rom where I live, could more than
1000 people in the relatively small town
of Pensacola have met to hear Duke and
join him in chanting “White power!
White power!”? They could and di
Tom Wicker. in а March 1979 issue ot
The New York Times, reports a prob-
able membership of 2000 in and around
the little town of Decatur, Alabama. He
abo reports a rally of 5000 people right
outside the same little town. Klansmen
have ridden through the town openly
displaying sawed-off shotguns and
Thompson submachine guns while being
waved to Iondly by the local police.
The Armed Forces of the country are
shot through with
1
picture of De
of the United Stites Marine Corps and
а top Klan organizer. Another picture
in [ront of me was taken at Сатр Pen-
dieton, a Marine base in
where the Klan a substantial mem-
bership. Amon things
ипе, an unidentified won
brained David Duke with ЕЕ sig
shortly alter he rrived to invest
Duke is at the center cf all thi
He seems to be everywhere at once:
where there are speeches to be
made, where there is recruitment to
be done, where encouragement is need-
ed. And his encouragement comes i
ways totally unlike that of any Klan
leader from the past or any of the othe
wizards today. Imperial Wizard Robert
Shelton may fire a crowd with shouting,
violent ge. But not Duke. Im-
perial Wizard Bill Wilkinson may lead
long parades of pickup trucks full of
Klansmen holding sawedolf shotguns,
machine guns and heavyweight hand-
is. But Duke never would. He abhors
Hollywood ver-
s deter ed to
man from
that of a potbellied man with tobacco-
ed teeth pistol whipping а helpless
black to that of a scrubbed ized,
educated iculate young
man who despises violence and is cor
cerned only with the well-being of hi
own people, сийиге and country. He
represents the new Klan, а K
the sort we € not seen before.
“ hat he refers to as the *
Е the Klan. He i
He
means to сату the day with his own
special brand of logic, lacs, interpr
tion of history and—perhaps most of
all—with a continuing and effective а
iss communication.
There is no question but that he isa
media expert. а man who started carly,
learned quickly and has been able to
hold his own with some of the best in
the business. I saw a copy of the hour
he had on the Tomorrow show when
he was only s old, and he was
slick as glass, Before taking issue with
ol n
Duke. Te yde Hed him “imelli-
ent, articulate and charming.” On the
Today show, Barl Walters intro-
duced him as “a very elfective spokesman
for his cause.” Candice Bergen did
photo out of him and called him "
lascinating, extremely interesting per-
son." One could go on, but the figures
are too dismal, 1
ingly large and as unsteady in the di
n it might a splash of
quicksilver. Many of the articles in The
Crusader end with
Perhaps. Perhaps.
arc comi
I got out of the bar and onto the
walk in front of the office just in time to
meet Duke, smiling, de нше
dance on nervous feet, waiting r the
car to take us to the armory. The
driven by the same guy who had checked
us into the motel. He had nothing to say
as he took us— i
(continued on page 197)
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LEROY у
"SKETOHBOOK:
ROLLER МАМА
AMERICA’S IMAGE AS A NATION оп four wheels is gradually succumbing to roller madness. Soon we'll be known as a nation оп
cight wheels. Little wheels. And whereas cars can be status symbols, the inescapable humor of roller skates saves pretension
as well as gas. Not ev
slaloming and piroue
cops on their bea
one can drive, but everyone can roll. АП ages, ethnic groups and professions are spinning, jumping,
ig on motorless, silent wheels. I've scen professors rolling to their classes, rabbis making their rounds,
waiters; good skaters all. But the hard core, the vanguard, if you will, of the roller-skating trend are the
rollerdisco maniacs. Cassette-playing headphone freaks they are, with high striped socks, jeans and sloganed T-shirts; per-
forming freestyle dance, trick turns, acrobatics, the unbelievable, while more conservative skaters settle for being able to merely
dodge traffic and jump potholes. There's something delightfully refreshing about all this. Let ‘em roll. LN.
167
OLYMPIC PICKS
(continued from page 103)
“Even more unsettling are the ubiquitous bruises,
; »
abrasions and broken bones.
PLAYBOY
the thrills of the slippery sports to mod-
crate climates and to recreation bulls
who never before even saw a pair of skis
or ice skates. Television has brought the
dizying speeds and poetic grace of win-
ter sports to desert towns and topical
islands. As a result, spectator interest in
the winter games now rivals that of the
mes.
In recent years, as many as 37 nations
have entered the winter Olympics (the
African and Central American countries
conspicuously absent) and domi-
nance of the games has shilted trom the
п countries to those of East-
mostly Russia and East
у. Most of the medals won by
ans have been in the skating
with a winner coming through
nally in skiing or ice hockey.
American chances for a good showing
Н the events are the best ever this
winter. The games will be held in Lake
Placid, New York, and the home-court
dvantage сап be even greater i
sports than in the turland-surt events
Also, new refrigerated bobsled and luge
runs (the first and only ones in the West-
crn Hemisphere) opened in Lake Placid
this past year, which means that ou
participants in those sports сап begin
practice two months earlier than in pre-
ous years.
One of the disadvantages suffered by
American contestants (as well as those of
other Western countries) is the relative
openness of their preparations and irain-
ing. as opposed to the great secretiveness
of the Eastern European countries. As in
the summer games, the main competition
is not so much among the athletes of
individi countries as between the соп
tingents Irom Сопи
munist countries. The
especially ра
secrecy. Burly secu
the East man equipment as though it
were a state secret. Although the
uch after-hours camaraderie among the
of most countries, the East Ger-
ns (almost all of whom are military
personnel) keep to themselves. never go
anywhere except in groups and refuse to
speak to outsiders. They are especially
hostile toward the West German athletes.
Western participants, therefore, rarely
have more than an approximate idea of
the identity or excellence of their Com-
munist bloc competitors. Although most
tern European countries enter the
several. рге-Оіушріс world competitions
in the various sports, they don't always
168 send their best athletes. Other pa
event:
nist and non-Com
ns are
rds hover ov
pants never know whether or not the
mans are going to show up for
an event—but when they do appear, they
nearly always excel. In 1976. 1 -year-old
East German speed skater And
Mitscherlich showed up for the Olympics
and won a silver medal. No one in the
Western world had heard of her before,
and no one has seen her since.
There ave other less politically rele-
vant clements of uncertainty that make
the outcome of the winter Olympics diffi-
cult to predict. Many winter-sports ath-
letes have a disturbing tendency to hit
peaks and valleys of ability. much to the
chagrin of their coaches. For that reason,
nost countries have squads of prospec
tive competitors in each event in full
taining for months before the games
begin, with the final selection of the p
ticipants being made only days belore
the opening ceremonies.
Even more unsettling are the ubiqu
tous bruises, abr: d broken bones.
All winter Olympics sports are conducted
on cither icc or snow, and since both sur-
faces tend to be rather slippery, falls and
wipe-outs are frequent. Thus, otherwise
favored compe
inated only days or hours before the
games begin,
While we're waiting to see if the all-
important luck factor helps or hinders
our countrymen, let's take а look at the
various evi nd see which nations and
athletes (at presstime) have the best
chances to take home some Olympic
rdware.
FIGURE SKATING
The United States could take th
the four gold medals in figure sk
with the other one—in ice
probably going to one of the Ra
pairs. Such an outcome wouldn't surprise
ап because at least half of the top
figure skaters in the world today are
Americans.
I the American skaters are seriously
challenged in any of the events other
than ice dancing, it will likely be in the
pairs competition, where the Russi
ill also be top contender:
American dominance in this oldest of
Olympic winter sports is fairly recent.
Before World War Two, the northern
sions а
nts
о!
European — countries—especially Swe-
den—dom ted. 1n the late Forties,
Dick Button burst onto the scene and
revolutionized the sport. Button intro-
duced a much т athletic content
to the discipline, perhaps the most spec-
tacular of which was his triple jump in
the final competition for the 1952 gold
medal. His performances (he also won
the gold in 1918) changed the look of
men’s figure skating. With Bu
spiration, American skaters pioneered
the enhanced athletic content ol figure
mps, spins and speed ele-
still
skating—the j
ments—while the Europeans w
doing the same old twists and curls. 5
ers [rom other ons soon began copy-
ing the American style, but the Yanks
usually managed to come up with some-
thing new—and difhcult—at nearly every
world competition. One skating ramor
has it that the 1980 Olympics could even
see the first quadrupleloop jump and
that it will be an American who goes
for it.
At the opposite end of this trend to-
rd athleticism is the introduction of
w
more and more balletlike movements—
the sort of thing that Canadian Toller
Стапмоп and gold
were doing in the 1976 ga
to the observer, figure si
lways to be the epitome of chore:
grace and beauty—more dance than
physical exertion—the athletic demands
arc awesome. Most figure skaters practice
six or seven days a week, year round,
often. betwe ten p. and nine A-M,
n ice rinks are fre
If there is a single odds-on favorite to
win a gold medal in any event in this
year’s winter Olympics, it is the U. S.'s
Charles Tickner. If he receives strong
competition, it will likely come from
Robin Cousins of Great Britain, who has
been very sharp recently. or from Vladi
mir Kovalev of the Soviet Uni
ns David Santee and Scott Cramer
also contenders
Linda Fratianne is the favorite in the
ladies’ singles event, but she will be un-
der pressure from the younger Califor
nian Lise-Marie Allen and from. Car
Rugh. also from Calilarnia. I Fratian:
is upset, it could be by Апен Páusch ol
ast Germany or by Emi Watanabe of
apan.
The television cameras will likely
spend more time zeroing їп on the pairs
figure skating than on any other event at
Lake Placid. both because of the visual
splendor of the event and because Am
icans Tai Babilonia and Randy Gardner
are the oddson favorites. Their main
ting appe.
from the E
MEN'S SINGLES
TOP SQUADS
1. United States: The 1978 world
champion, Charles ‘Tickner, is the favor
ite for the gold medal and other Yanks
form strong backup team. Look for
David Santee and Scott Cramer near the
(continued on page 212)
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171
THROUGH SPACE AND TIME:
CM WE е.
J OMEWHERE IN THE GALAXY | pny coec Tur peemÁ— 3
ve THE PLANET ZERON HOW GOES THE ВАТЛЕГ wor WELL MR JONES] В ч
WHERE THE SUBJECTS 0 MARGAK'S FLEET HAS OUR 0 +
QUEEN LIMATHEGOOD | OUTMUMBERED FIVE TO ONE! „гу r R
ARE PREPARING TO WAGE : Е
WHAT MIGHT ВЕ THEIR
LAST BATTLE AGAINST
THE APPROACHING HORDES
OF MARGAK
THE MAGNIFICENT!
т ША [A IN THE CASTLE OF уе
1 Е TONI i 14 ] QUEEN LE OF |) BENEATH THIS CALM
RIN THE CLONE) |у; ІЛЕ — | TERIOR
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[Л] THE NIGHT BEFORE А VAM LIKE АЛУ OTHER
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E
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YOU HAVE WON, OF course! ^
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173
>
“We Puerto Ricans know white rum makes a smoother drink
than gin orvodka.We're pleased you're starting to agree with us?
Enrique Vila del Corral, CPA, and his wife Ingrid.
Puerto Rican white rum and soda on the
rocks witha twist. Refreshingly dry and
satisfying.
You'll also find that white rum mixes
beautifully with other favorites like tonic
and orange juice. In fact no matter how you
mix it, Puerto Rican white rum makes
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For one very good reason. By law, every
drop of Puerto Rican white rum is aged
at least one full year. And when it comes to
For free “Light Аоте of Puerto Rico’ recipes, write: Puerto Rican Rums,
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Make sure the rum is Puerto Rican.
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PLAYBOY’S PIPELINE
MAN & WOMAN
TIPS ON KEEPING YOUR LIFESTYLE IN HIGH GEAR
HAPPY VALENTINE'S DAY
As half of a couple, you must under
no circumstances lorget at least the
follow
your
ol you did DMAE, worth re ae
ine’s Day. Why does
‚ a holiday honoring a
aint that otherwise ranks
nbus Day and Halloween,
te the МІР treatment? Because Val-
ешіпез Day celebrates romance and
is written (somewhere) that he who for-
gets that romance is what relationships
аге all about will soon be shooting his
arrow of love straight into the air.
Valentine's Days credentials as а
holiday lor lovers are not particularly
impressive. Romans celebrated the
Lupe fertility festival, on
bruary 15, which was the day they
aght that birds did it. Boys di
r parmers hom a box until the spoilsport
ans took over and replaced the girls names with those of
amed the occasion after their own Saint Valentine.
Saint Valentine was a conglomeration of two or
carly Christian martyrs who lost their heads, though not
ily from Iove. In our favorite version of the Saint Valen
кей Roman Emperor С d banned
тілге because husbands made lousy soldiers and a Christian
named Valentinus was busted for pushing underground mar
riage counsel waiting ©
tine stor
From you
jentinus was decapitated on
so good that a 12th Century French bishop disinterred it to use
for preventing pl nd drought and causing crop-eating
rodents to plunge into the Seine. Оп Valentine's Day їп 1115,
a prisoner in the Tower of London named Charles, Duc
d'Orléans, sent his wife a rhymed love letter. The custom even-
tually got taken up by cardmongers, flower people and. candy
mcn. and the rest—as they say—is cupidity
JE that story doesn't persuade her that
only Hallmark's very best excuse for selling cards between
Christmas and Mother's Day. this year you'd. better come up
with something better than a Baby Ruth and a fistful of fl 1
uations, Since Saint Dubious Day is cunningly embedded
ck dab in the middle of winter, most of you won't get away
th intimate (and cheap) strolls along the beach or cozy little
picnics. You'll have to drop some coin, but il you're clever, you
won't have to cut your heart out.
Ча!
HEARTS AND MINDS OVER MATTER
Do things yoursell: Prepare her breakfast. Feed it to her
nr own fingers. Write her a poem or a limerick. Use naughty
words that rhyme with duck and runt and kitties. Go out to a
phone booth and call her up to read your brilliant creation.
Rub her feet. Don't ask her if she wants you to—just do it.
Don't transport yourselves to Windsor, Connecticut, where
иһ
town clerk George Tudan annually
waives the fivedollar marriage-license
Ice. It could turn out to be the costliest
freebie you ever got.
Exploit traditional holida
and symbols, Pin five bay le:
pillow. If she dreams of you. it means
wedding bells within the y The
ame holds true if a folded rose petal
cracks when she raps it om her fore
(Another tradition maintains
that you'll ¢ the first eligible
son you see on Valentine's E
that could mean some sticky si
for Jane Pauley.)
rituals
ves to her
per.
Drown her in hearts: Take her to
watch open-heart surgery. See how
anulactured. Serve
featuring
artichoke he arts of palm and
Fs heart. Read her Heart of Dark
ness and listen to Captain Beefheart-
Reverse your field and hire others to do it all for you. In
you can find people who will drop by to serve you
breakfast in bed, administer hisand-her massages or play а
gypsy violin. Go all the way and get a dream Valentine's Day
produced by New York’s Natalie Willner. who wrote Bring
Back Romance Irom her experience as. professional romance
facilitator. Her idea of a good time would begin with a caviar
breakfast and а swilt limo ride to a private plane bound for
Paris. After a leisurely afternoon at the Rodin Museum, you'd
coax the city’s foremost wine seller out of the boule he was
saving for his last meal and withdraw to a secret т
Arc de Triomphe for a twilight picnic from Max
hight of the evening would be a p
ade featur
vate p
an oficial French government decoration for conspicuous
achievement in the service of love.
DOOMSDAY PLANS
Since Valentine's Day is so easy to forget. here arc some last-
ditch, desperation contingency plans
* Acquire a one-size well as recipients—
multipurpose gilt, A piece of jewelry would be ideal. Stash it
€ ivs well hidden but immediately reuievable at the drop
ng of a door. Remember to replace
alter e:
* Claim it's your birthday and pout all day because she forgot.
* Cop a plea based on correct women's movement rhetoric,
something to the ейесі that you're slightly, well, surpi :
definitely, not. disappointed —that. she still observes a holiday
so flagrantly responsible lor promot tditional sexual sterco-
types. I's just crazy enough to work.
= Remind her i| it’s Valentin
you did everything
was her turn
* Best idea of all: Meet a woman born on Valen
her birthday. И all goes according to plan, you wind up with a
triple-threat superholiday you won't ever forget.
л.
4-і
ince
s Day for you. too, and
t усаг, you just assumed that this time it
EODORE FISCHER,
175
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PLAYBOY’S PIPELINE
CUTTING THE COST OF AUTO INSURANCE
TIPS ON KEEPING YOUR LIFESTYLE IN HIGH GEAR
utomobile-insurance rate:
pelled by bloated hospital and
repair costs and by rampant auto
theft—are roaring toward Jupiter. But
you may be able
insurance costs as much
According to the insurance depart-
ment in one state, Vermont. а typical
motorist can pay from 5191 to 5395
the same coverage, depending on
insurance company. Some states r
port even wider spreads. That mcans a
driver might cut his annual. premium
38 percent just by shopping mound
You also can save by trimming excess
coverage. But you have to be careful
what you trim. In fact, a key part of
your policy—liability—actually ma
need beefing up.
10 cut your auto-
5 50 percent
PAY NOW, SAVE LATER
Liability insu of course. covers
damage your car inflicts on other people's bo nd property.
It's usually expressed in abbreviated form, such as 10/20/5,
each number a multiple of $1000. It means that for any acci-
dent you cause, your r will pay no more than 510.000
per person for injuries, a per-accident total of no more than
)000 for everyone injured and no more than $5000 for
property damage.
Many states set minimums (usually around 10/20/5). But
with today's jury settlements routinely running into the hun-
dreds of thousands of dollars, the minimum is peanuts.
Most experts, such as Dr. Arthur L. Williams. head of the i
surance department at. Pennsylvania State University, say your
bility coverage should be af least 100 300/25; instead of
$20.000 per accident. the nce company would pay
5300.000. The extra coverage will cost you up to 50 percent
nore, but skimpy insurance could mean financial wipe-out.
ving more now could save you a bundle later.
Meanwhile, you still can cut your insurance costs. One way
is by opting for a "special" policy, which many companies now
offer. These policies give slightly reduced coverage, but they
cost about 15 percent less than standard policies. And the
reduced coverage could be im an area that, for you, is non-
essential. For example, special policics usually give you and
your passengers less medical coverage. But if you have health
insurance, you're already protected.
insur
CARVING INTO COLLISION
Besides switching to a special policy, you also can cut costs by
trimming unneeded coverage. And a likely candidate for the
scalpel is the collision part of your policy. which pays for
damage to your own car when you can't collect from another
driver's insurance company. If you finance your car, collision
coverage may be mandatory (so the bank can protect its invest-
ment). But as Old Rusty nears senility, you may find you're р:
ing more for collision cover ch year than the car
worth—then it’s time to jettison that part of your policy
But even while your car is still showroom shiny, you can save
actu
on collision coverage by upping your
deductible—the amount you must. pay
for repairs before the insurance com-
pany takes over, The standard deduct-
ible is $100, which means you pay for
all repairs up to $100, with the insur
ance company covering any costs over
that amount. If you switch to a $500
deductible, your collision premium
should drop about 45 percent. Estimate
the biggest repair bill you could handle
yourself and make that your deduct-
ible. Unless you're accident. prone, over
a few years. you're sure to come out
ahead. Also, the bigger your deductible,
т the income-tax br
on repair costs.
Incidentally, no-fault laws (enacted
in more than half of the states) have
inimal impact on how you buy insur-
ance. Most don't cover property dam-
age and you still need extensive liability.
Other prospects for the knife? You can save by upping the
deductible of your comprehensive coverage, which pays for
noncollision losses ranging from theft to hail. And you can omit
road-service and towing coverage; if vou belong to am auto
club,
cies exc
k you get
for audio gea ve a CB.
ora stereo, you might need special coverage.
if you I
DISCOUNT FEVER
Be sure you're classified correctly. For exa
drive to work, you should pay less for
drive to work but it's less than ten mil
less than for a longer haul.
Most companies have hundreds of such ratelowering cate-
gories. But auto insurance pays agents so little you may have to
suggest angles yourself. For instance, if you're a student, ask
about discounts for good grades. And, if you can do it honestly,
à K
iple, if you never
insurance. If you do
„ your rate should be
if you use it fo
If you have two
ars, insure both with the s.
rates for extra cars drop. No recent accidents or sc
violations can keep your rates down. So can driving fewer than
a specified number of miles annually, such as 7500.
Craftily selecting your next car сап help. Expensive cars ar
costlier to insure. So are muscle cars, with beely engines and
macho accident records. Fiberglass bodies also up insurance
rates. A few insurers now rate car models for safety, charging
less for insurance on the high scorers.
Some companies offer discounts to nondrinkers. G
surance (via your profession, union, comp:
organization), if available, should be cheaper. If you commute
but park outside a city, you may rate a discount. Also. paying
your premium in one annual lump usually is cheaper than
paying in installments.
Ask agents about th
parking ina g
me company—
oup in-
ly or some other
compani
at night, inst
special discounts. Even
d of on the street, is good
fora few dollars off with many policies, —icnarn wotxoum EB. 177
© 1879 R- J. Reynolds Tobacco бө.
Warning: The Surgeon General Has Determined
That Cigarette Smoking 15 Dangerous to Your Health
WOMEN АТ WAR „е
“Ellen Willis sums up the controversy: ‘What turns
me on is erotic; what turns you on is pornographic.
2»
Anyone who sees anything else іш а
PLAYboy picture of a beautiful and un-
adorned woman should remember the
motto ‘Honi soit qui mal pense'— Evil
is as evil thinks.
Clearly, there can be no such thing as
a definition of pornography that satisfies
everyone. Perhaps Ellen Willis sums it
up best: "What turns me on is crotic:
what turns you on is pornographic.”
.
Ever since its Roth decision іп 1957,
establishing obscenity as a category of
expression not protected by the First
Amendment, the Supreme Court has en-
gaged in a drawn-out and probably hope-
less effort to define the obscene. In its
Miller vs. California dccision in 1973, the
Court owed its definition to mat
explicitly portraying ultimate sexual acts.
Material that does not port А
activity but focuses instead оп м
lencc—bondage, torture, mutilation and
murder—is probably not subject to pros-
ccution under the Court's current guide-
lines. WAP wants to change that, which
makes it somewhat disingenuous to de-
clare that it is “not ing out any new
exceptions to the First Amendment.”
If some future Supreme Court were to
declare portrayals of violence obscene,
new obscenity Jaws would, of course, be
es there a semantic genius
capable of writing those laws so as not
10 totally eviscerate our arts and enter-
tainment? Our courts still have not
found a satisfactory way to draw a line
between obscenity and legitimate por-
trayals of sexual activity. Drawing the
line is even more impossible when it
comes to aggression. Violence has b
an essential element in our lite
and art [rom the Fiad and the
The Deer Hunter and Apocalypse Ni
WAP cannot accept the notion of ob-
scenity and also say. "We do not advo-
cate censorship.” Obscenity is the key
concept that makes censorship possible
n this country in spite of the First
Amendment. In Roth, the Supreme
Court stated that "implicit in the his-
tory of the First Amendment is the
rejection of obscenity as utterly without
redcemi ial importance. . . . We
hold th i within the
of constitutionally protected speech
ble to find that sexually
1 is measurably danger-
e that it
t cime up.
aning
es
ar
or press.” Un
explicit mate
but unwilling to de
could circulate freely, the Cou
n for
ha new jus
it lacks “redeeming social importance.
The implications of that principle, as it
might be applied to almost any kind of
speech, from advertising and TV shows
to unorthodox religious, political or sci-
entific opinions, could be disastrous for
freedom of expression.
As if that were not enough, Brown-
miller has gone the Supreme Court one
better and come up with yet another
justification for depriving people of their
First Amendment ri “In San Fran-
cisco, a Jewish community went in and
tore down a Nazi bookstore,” she writes
іп WAVPM's newsletter, “It was just not
allowed to exist becausc its message was
so hateful. Women must do the same for
Ше pornog ablishme We
now have a new principle to set up be-
side Oliver Wendell Holmes's dictum.
u free speech does not include the
ht to shout "Fire!" in a crowded thea-
t
No doubt, Brownmiller would hasten
to explain that the privilege of destroy-
ing bookstores extends only to good guys
and may be exercised only against bad
guys. The trouble is, all of us are good
erable are bad guys. 7
who were arrested in Ch
tember for blocking the doors of an abor-
tion clinic might plead the Brownmiller
principle in their defense: The thought
of all those babies being murdered in
there was just too hateful.
‘The comparison between pornography
and Nazi propaganda is one that springs
easily to Brownmiller's pen. In Against
Our Will, she writes:
To defend the right of a lone,
crazed American Nazi to grind out
propaganda calling for the exter-
mination of all Jews, as the A.C.L.U.
has done in the name of free speech,
is, after all, a self-righteous and not
particularly courageous stand, for
American Jewry is not currently
atened by storm troopers, con-
tion camps and imminent ex-
tion, but I wonder if the
A.C.L.U.'s position might change if,
come tomorrow morning, the book-
stores and movie theaters lining
42nd Street іп New York City w
devoted not to the humiliation of
women by rape and torture, as they
currently arc, but to a systematized,
commercially successful propaganda
machine depicting the sadistic pleas-
g Jews or lynching
outlets of Times Sq
it are “devoted to the hu ion of
women by rape and tortur a gross
exaggeration, The women's antiporn lit-
erature would have us beli
the past few years, pornogi
come to consist almost entirely
tions of torture, mul оп and murder,
е and places like
(text continued on page 182, following
Joe Oteri’s interview with Marcia Wo-
mongold on page 181)
179
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PLAYBOY?
Last fall, militant feminist Marcia
Womongold stated her case іп а TV in-
terview with talk-show host Joe Oteri.
The following excerpt proves televi-
sion hasn't lapsed into Happy Talk.
Pornography has always been
the subject of controversy in our soc
ety. Recently, the women's movement
has been con iolent
protests ag, nd abuse of
women in pornography. One militant
critic is Marcia Womongold. who lives
in Boston amd believes in guerrilla war-
fare against pornography. Marcia wrote
a book, Pornography: А License to Kill.
Marcia, you've been compared by
Тһе New York Times to Carry Nation.
woMoxcOLD: Well, I don't think that's
really 1 comparison. because I'm
not tying to. proh
hol. I'm trying to regulate the sale of
pornography. and trying to remove it
from open sale; for example, on the
idewalk or on low shelves where chil-
dren can leaf through it.
отек: But kids don't get into the kind
of bookstores tha
WOMONGOLD:
grocery stor
even on the
отем: Do you think PLAYBOY is por-
nography?
wowoNcoLb: Anything that exploits
women and has woman-hating elements
1 define as pornography. So, yes.
отк: You define ex
тарһу that doesn't meet your standard.
I've never heard that definition of por-
nography anywhere.
wowowconp: Anything that exploits
sex and is woman-hating. In other
words, yes, those sexually explicit gloss-
¢ pornographic. But not because
they show nudity. ‘They're not neutral.
They also show a lot of woman-hating
mockery of women, calling women
terms that are like animals or property
of another person.
отек: But that’s not por
mean, that’s offensive to wome
can understand that. But you seem to
bit the use of alco-
be engaging in a misuse of the word.
woMoxcorp: What is your del n?
отем: Now, the definition that I use is
anything that is overly bent toward
sexual abuse, excretion and the force of
lence, explicit sexual acts for the
ing puerile interests.
wowoxcoLp: So, by your definition, a
soft-core magazine like PLAYBOY or
Penthouse is not, but Hustler would be.
өтеңі: T wouldn't say Hustler would be.
rankly. 1 don't believe there's
апу such thing as pornography. I think
pornography is im the eye of the
beholder, and if a person wants to pay
.
сор: All right. Erotica is one
dity is one thing. But pornog-
raphy is making sex seem like cruelty ог
selfish [un or aggression. Or тара
отек: I don't happen to be into S/M
and that kind of stuff, but there are а
lot of people who enjoy that and who
go into a bookstore and—
WoMONGoLD: They also feel free to act
it out on a woman,
oter: There's no evidence that what
you say is true. But assume th;
person in 50,000 acts it out because һе
reads а book—does that deny the other
19.999 the right to look at il
момохсоы: The rape rate is on the
rise and the rate of woman murder із
on the risc.
отш: The crime rate is on the rise.
The c up some 65 percent
over the last two or three у;
wowoxcorb: But rape went up almost
90 percent in the last two years, where
the rate of other violent aimes went
down during the same period.
OTE That’s not truc.
WoOMONGOLD: Гуе got statistics.
олем: When you're tal bout rape
going up, isn’t it a fact that one of the
reasons is because the women's move-
ment has gotten involved in the rape-
counseling services? Years аро, most
women didn't report гарез.
wowoNcOLb: OK. I feel that few
women are reporting them than ever
did before because we know that no
one's getting convicted
отет: Thats crazy. There arc соп
tions every day.
woMoxcorp: Out of over 1000 arrests
in New York, 18 were convicted.
отек: And ГИ bet you not more th
95 went to trial. I mean, you're engag
ing in playing
WOMONGOLD: It's no use for a woman to
take a rapist to trial. I think she should
prevent the rape in the first place by
being armed and by defending herself.
Now. if men are going to go around
doing aggressive acts against us, setting
из up to be raped with these magazines
and with movies like Looking for Mr.
Goodbar, then what do they expect?
отек: Well, then, you're a vigilante,
basically. You're saying women should
arry pistols and if a guy pats them оп
fanny in a bar, they shoot him.
| pats me on the
fanny in a bar, he deserves to be Maced
or somehow hurt. Why should he have
the right to hurt me?
отек: He doesn't have the
hurt you.
woxoxcorp: Well I'm hurt if some-
one assaults me with his hand.
overi: I a man touches уои
wowoxcorp: It’s defined as assault and
battery.
отек I'm aware of the law. What I'm
saying is if I touch you . . . please don't
Mace me. If I touch you like that, you
have the right to Mace me and hurt me?
момохсош: OK. Say I'm out on the
street. I'm just minding my own busi-
ness, trying to be a free person. Say a
man pulls it out and starts urinating іп
front of me. That's a very offensive
отек: Granted.
wowoxcotp: Every woman I know
would probably ignore
отек: And probably rightly so.
WOMONGOLD: Except me.
overt: You'd shoot him.
woMoNcoLp: Rightly so. I would prob-
ably do to him what he's trying to do to
Shock, hurt, whatever.
a
ight to
How?
wowoxcorb: In any way I could.
181
PLAYBOY
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that garden-
"Where We
ment" cl
raphy con
iety sex is now quite passc.
and on the First A
ims, "Most hard-core poi
ts of pictures or graphic
descriptions of women being raped.
bound, beaten or mutilated.” But, if
WAP's own tour is any indication, what
is actually being purveyed іп the book-
and peepshow parlors of ‘Times
is a good deal tamer than th
stores
Square
For instance, on one such tour, con-
ducted last October for 16 men and
women (most WAP tours are for women
only, but one cach month admits men as
well), the group was shown little other
than pictures of straight sex acts between
men and women, as well as various well-
known, nonviolent deviations. There
was one sickening photograph of a wom-
an being tortured, but that was in
МАРУ pretour slide show, not on the
strect itself. In one bookstore, the worst
that could be scen was a small section.
devoted to bondage m: es. WAP be-
lieves that normal men can be turned on
by the pictures in those magazines and
develop the desire to tie real women up,
but to a man who is not into bondage,
those photos of women trussed up like
mummies look extremely odd and not at
all inviting. The tour visited two peep-
show emporiums called Peep Land and
Show World, where there were dozens of
booths for private viewing of the short,
ent pornographic films called loops
(because they run continuously as long
аз you keep feeding quarters), as well as
other booths from which patrons could
watch live, nude female dancers. For an
extra five dollars, Show World customers
could sce a live sex act being performed.
OF the several hundred films offered
for viewing in both places. only a doren,
at the most generous estimate. had titles
suggesting that they dealt with violent
themes. One of those, called Hang Her
High, showed a woman being tortured
with an elaborate arrangement. of ropes
and a belt buckled around her neck. It
was every bit as ugly, frightening and
offensive as the арһу litera
ture describes, but it wasnt at all repre-
of wh
claimed
ms such as Hang Her High are
irness,
о that Snuff
g on 42nd Street that night),
but such films are still only a tiny minor-
ity. They are far outnumbered, for
example, by those depicting anal inter-
course, Presumably, the WAP tour shows
the worst Times Square has to ойт. If
so, the picture WAP paints of the cur-
rent pornographic scene arated by
images of rape, torture and mutilation
» to put it kindly, hyperbole.
Those impressions gathered during
one night are substantiated by the
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183
PLAYBOY
184
observations of long-term pornography
watchers. Joseph Slade, who monitors the
industry's annual output for the Kinsey
Institute for Sex Research, estimates that
bout eight percent of the feature-length
lms currently being shown are of the
aggressive or variety. For the
short films displayed in peep shows and
sold by mail, the figure rises to about 12
percent. That represents an
since those innocent days, n ars
ago, when the Commission on Obscenity
and Pornography issued its report. But
it is nothing like the take-over usually de-
scribed in feminist antiporn propaganda.
Still, the violent stuff does exist, and,
more to the point, Brownmiller and
some of her sisters find even ordinary
erotica offensive. TI the way they
perceive it, s really no point
in arguing that issue, any more than one
would argue over the “real” meaning of
a Rorschach ink blot. But if, as they
claim, pornography is “fascistic, misog-
violent
ynist propaganda," then, propa-
ganda—the communication of ideas,
good or bad—it is entitled to First
Amendment protection. “All ideas hav-
ing even the slightest redeeming social
importance—unorthodox ideas, contro-
versial ideas, even ideas hateful to the
prevailing climate of opinion—have the
full protection of the guaranties. unless
exdudable because they encroach upon
the limited area of more important inter-
ests,” declared the Supreme Court in
that crucial Roth decision. The enemies
of pornography cannot have it both ways.
.
In a free society, one combats words,
ages and ideas not with force, legal
legal, but with other words, ages
and ideas. Anyone feeling threatened
or maligned has the right to launch
campaign of counterpropaganda that
as loud, vigorous and ingenious as he or
she can manage. Much of what the wom-
en's antipornography movement is do-
ing—the marches, the picketing, the
leafleting, the tours of pornography dis-
tricts, the conferences—is precisely the
sort of activity the First Amendment was
designed to protect encourage.
Some of the charges may be exaggerated,
some of the perceptions biased, but in
the give and take of free public debate,
the accurate and the inaccurate will ulti
mately sort themselves out. That this
must be so is an article of faith with ad-
vocates of freedom of expression. The
antipornography movement has every
right to call public attention to mater
it finds offensive and to heap public
scorn on it—just as others have a right to
buy and sell the same material. If WAP.
means it when it says, “We do not advo-
cate censorship,” and if it truly believes,
аз Brownmiller put it, “that explicit sex-
ual material has its place in literature,
art, science and education,” then it's pos-
sible that its efforts could work a healthy
change in the character and quality of
erotic materi: this coun-
ту. In the past ten years, the women's
movement has had a noticeable impact
on communications, from women's roles
in the media right down to the language
writers use in referring to the sexes, and
those changes were mostly achieved
through persuasion.
Among the measures proposed to com-
bat pornography that go beyond persua-
sion, there is the boycott. Declaring a
boycott of the shops and theaters that
and
Is circulating i
“Please, Mildred, not with stowaways!”
offer hard-core pornography would be
meaningless, obviously. So if the move-
ment tries boycotting as a tactic, we are
likely to see threats of boycott aimed at
the more widely acceptable erotic mate-
rial that reaches not just hard-core porn
bufs but the general publ In fact,
WAVAW did threaten to call a boycott
against a record company it accused of
using images of beaten women on its
album covers. It promoted а letter-writ-
е is also talk of organizing "second-
ary" boycotts— pressure on stores or the-
aters not to carry material the movement
considers offensive. While it doesn't in-
fringe on the First Amendment, being a
purely private action, the secondary boy-
cott is a form of censorship that unfairly
prevents the public from making its own
decisions about buying or not buying
the material in question. Essentially, one
proup of customers is depriving another
group of customers the freedom to
choose what it reads or sees. The effect
is the same as if the local chief of police
himself confiscated the offending pub-
lications or movies. It is what might be
called vigilante censorship.
Ironically, the women’s war on porn
plays into the hands of those who do not
want to sce women make real progress,
and it also divides women from the
forces that have encouraged their prog-
ress up to now. The resources of fe
nists are limited; the movement as a
whole consists, after all, not of all the
women in the country but of a relative
handful of activists who can sometimes
mobilize wider support for important
issues. Right now, the over-all women's
struggle faces severe tests. Inflation and
recession threaten women's economic
and social ns. The Equal Rights
Amendment is stilemated. Legal abor-
Чоп is under attack. by one of the most
effective and richest grassroots politic
organizations ever developed іп this
country, Right to Life.
But stamping out porn is on the con-
servative agenda, too. Why is it that the
cities in which feminists are most numer-
ous and active are also the cities
which pornography is most openly avail-
able? The relatively liberal, cosmopoli-
tan attitudes prevalent in cities such as
New York and San Francisco make them
hospitable both to women's liberation
and to pornography. You won't find
many porno shops in Tulsa, but you
won't find much of a women's move-
ment there, cither.
.
Perhaps the positive connection be-
tween erotica and feminism goes deeper
than that. Modern woman's struggle for
autonomy goes back to the days whe
Margaret Sanger was going to jail under
the Comstock Act for sending birth-control information
through the mail—the same Comstock Act that led to the law
under which participants in the movie Deep Throat were
prosecuted in 1976. Over the past 100 y steady liberaliz-
ing process has rescued more and more
tion from the power of the censor. This
of censorship has opened the door to the pornographer. It has
also made possible the flow of information and public honesty
about sex that revolutionized sexual attitudes in this country
and was a necessary background for the women's moveme
Pornography and feminism linked? Some feminists would
find that suggestion singularly hateful. True, much of our
pornography . . . sexually explicit material . . . erotica .. . i
nd hostile to women. It reflects the values of a ci
X for thousands of years has treated sexuality as
shameful а as inferior. At one time, pornography
was despised by its own makers and consumers, who often
1. But the values of our civilization
the most dram
buried the bawdy walls of Pompeii. To an extent unprece-
dented in history, the organs and acts of sex are being dis-
played in openly available works of art and entertainment.
As a result, the aesthetic quality of our erotica has improv d
Mold, and, in turn, erotic realism has permeated
iched all our arts.
But are we paying too high a price for this cultural growth?
The women fighting pornography say that the cost of free
dom of sexual expression is to be reckoned in another kind of
growth, that of the annual numbers of women abused, crip-
pled, killed. How can а man's right to sce a dirty movie out-
weigh a woman's right to health, safety and bodily integrity?
But that is a false dichotomy. If, tomorrow, we were to shut
down all the porno bookstores and peepshow parlors in all
the Times Squares across the country, it would have no effect
on the rape rate. If, as seems probable, the rapist is the
product of a sexually ignorant, repressed environment, a
return to severe censorship might actually make matters
worse. In the end, what evidence is there that pornography
motivates sex cr 2 The studies of sexual nd ag-
gression show only that those two emotional states can be
briefly linked in an artificial situation. The incessant pecking
of the c of the Commission on Obscenity and Porno;
raphy has left intact п of evidence for the essei
harmlessness of pornography that is impossible to ignor
"The word from Denmark is still loud and clear: Total legali-
zation of pornography has done some good and no harm
whatever. That evidence takes on more significance when we
realize that most of today's porn is still of the garden variet
claims of a new violenc
ing the field being al:
tion that pornography cause
1 the medieval belief that witches caused plagues.
pornography may give people the feeling that
they are doing something about the frightful problem of
crime, just as reinstating capital punishment gj
them the feeling that they are doing something about murde
In both instances, the sense of accomplishment
beings through history have expended
quantities of energy, wealth and blood trying to impose false
solutions on real problems. Myths about magical causes of
е long retarded the development of modern medicine,
ing many lives. Ouly when we put superstition behind us
mou
ented pornography that is sweep-
aggerated. The no.
mist and much c;
Fighting
ves
disea
cos
is there any hope of doing something const
s. It is not pornography that needs eliminating
but, rather, that perennial and terrible and human impulse,
in time of trouble, to single out and persecute a scapegoat.
"My grandfather kept his
private stock pipe tobacco
for his close friends.
But this Private Stock
But this Private Stock
is for YOU.” а £53
Back in the 1850's in
San Fran
smokers who knew their
tobacco knew just where
to get it. At the tobaeco
shop of my grandfather,
Henry Sutliff.
Because grandfather
was well-known for his
skill at selecting and
blending the varied
tobaccos brought over by
the great clipper ships of
the day.
But Henry Sutliff.
was very jealous about sharing one of his blends. А
rare and expensive "private stock." Only he and his
discerning friends ever experienced its incomparable
taste and aroma.
In keeping with this tradition, we've recreated
Private Stock.
1 like to believe that grandfather would have been
proud of it.
Sutliff Private Stock.
Three blends of aromatic pipe tobacco.
No. 1. Bourbon ght:
with a dash of spirits that adds an extra aromatic
dimension to smooth taste.
No. 2. Burley and Brights. A mixture of the mellow
and the savory, cavendish cut. А recreation of the
famous mild Continental aromatic blends.
No. 3. Blacks and Brights. A cavendish blend of ult
dark and light tobaccos. An aromatic experience that's
sweet-smoking, too.
Sutliff Tobacco, 600 Perdue Ave., Richmond, Va., 23224
185
PORNOGRAPHY/RAPE INTERVIEWS
(continued from page 89)
“They're not fantasizing about real rape, they're
fantasizing about a fantasy of rape.”
PLAYBOY
Seymour Feshbach
Chairman, psychology department,
UCLA, aggression researcher
"There's no evidence that violent por-
nography stimulates rape, but there is
some indication that people become
more accepting of rapes, somewhat less
punitive and less inhibited by instances
of rape. : is some data that there
are 1 changes.
How serious that is is something that
has yet to be assessed. It’s one thing to
talk about the kind of aggression vou
can see in a laboratory—thar's really not
criminal, not that destructive—and. it’s
another thing delinquent
or criminal act. no rcally
clear evidence linking the criminal act
and, Тег» say, this lifting of taboos.
1 think that exposure to a good deal of
violence, particularly rape and violence
against women, may well have negative
consequences on people who аге not
necessarily selective; that is, on naive
audiences who did not select it out. I
think there's a big difference between
someone who seeks such material and
someone who sort of comes upon it, as it
were, or gets exposed to it.
Sol Gordon
Director of the Institute for Family
Research and Education,
Syracuse University
From whatever work I've done in the
field, whatever I've observed—both as a
clinical psychologist and in reviewing li
erature and observing the world scenc—
I see absolutely no evidence that links
pornography, per se, to rape or violence
or sexual crime or anything
Nancy Borman
Editor and publisher, The Majority
Report, New York's leading
feminist newspaper
Thats a kind of oversimplification—
this poor person raped this other poor
person because he was forced to do it by
a pornographic magazine, and it's not of
his own volition, you know. lt takes
away the responsibility of men to re-
in themselves from acting out. fanta-
sies that are destructive to women. A lot
ve rape fantasies, vou know; I
lot of women have rape fantasies,
of thinki it's romantic. But notice in
the woman's rape fantasy, the rapist is
always this handsome guy, maybe some-
times rich, and she always has a good
timc. She doesn't get raped by somebody
who's a premature ejaculator or who has
186 pimples and smells and also stabs her in
the tit in the process. The reality of it is
people don't really have rape fantasies,
they have fantasy fantasies. They're not
fantasizing about real rape, they're fanta-
izing about a fantasy of rape.
Floyd Abrams
Auorney, defended NBC in suit
objecting to TV movie Born Innocent
How can you tell why somebody did
something? You usually can't tell by look-
ing at the last book he read. And the
furthest 1 think one could go is to say
that while it's tue that a book or a
television program can teach something,
what it can teach is methods of doing
things. It doesn't cause people to do
things. People do things because they
want to do them, or they choose to do
them, or they are impelled to do them,
bur not just because they read a book or
watch television programs that lead them
to do it.
Robert Mason
во Police Department Rape Squad
Chi
I think that some forms of porno
phy where it’s depicting a woman being
bused by a man, this may touch some of
these fellas off. But I think looking, say,
in your magazine, just а spread of nude
t think that’s gonna do it.
You might go into some of these fellas’
apariments looking for evidence and гип
across some magazines, but I dare say
that if you went in X number of apart-
mens in the city of Chicago, youre
gonna find pornographic material.
bert
Criminologist, psychologist, co-president
of San Franci cy Street
Foundation
I don't know of any convincing evi-
dence that pornography. per se. encour-
ages rape, but I am in the process of
conducting a study on rape of prostitutes,
and the evidence so far—though its
clinical data, which we're not supporting
with numbers—suggests that prostitu
are raped at а far higher rate than the
average woman.
Those who were raped by people who
new they were prostitutes said that from
the very beginning there was language
ed—the rapists alluded to pornograph-
іс movies, violent movies, and they
essentially said to them, You enjoy this;
we know you enjoy this because you're
part of the world that we have seen and
you enjoy it. I think it's a small portion
of people who are allected that way, but
at least it's the beginning of a link.
John Money
Professor of medical psychology,
Johns Hopkins, sex counselor
Tn our society, just as the Moslems һауе
their incredible taboo on the visu
of the face, we have it on the visu:
age ol the groin. So you ad Lady
Chatterley’s Lover, but you can't make an
explicit movie out of it, yet, and you
certainly wouldn't dare do it in Маг
and. where we have the only censor
board in the country. So it's a very im-
portant fact in understanding pornogra-
phy that the taboo, which is undoubtedly
thousands of years old, is focused specifi-
cally on the vist ge of the sex
organs and their activity even more than
the narrative image.
My point is that we
су an extraordinary sensitivity. an
extraordinary taboo on the visual repre-
n of sex. People are quite sure
that if you look at it, then you'll do it,
like monkey see, monkey do. But it sim-
isnt so. The example 1 give to
e that point is а religious one.
school, as we've
done for two millennia, and we let them
get very lurid stories of the Crucifixion,
with illusi ions па acti thre
mensional statues. But they never до
home and play Crucifixion games with
their dolls or their playmates.
= ———
WOULD YOU ADVOCATE ANY
KINDS OF LIMITATIONS
ON PORNOGRAPHY?
n ын
udith Rossner
our soci-
1 imagine pornography has always ex-
isted and always will. Ther probably
has to be a place where people who have
ching interest in it can go to find
me, the issue has to do with the
protection of children. I like to think
that if my kids were still little and they
had to pass some of the really bad stuff
on the way to school. Fd organize a boy-
cott of the stands where it was being sold.
1 don't sce any way to enforce legal
mitations. There's just no way to get
round the First Amendment without
destroying it, and in the long run, it
always comes down to that.
A
Professor of law, Ё
M. Dershowitz
arvard Law School
Controlled? Sure. D think there is a
countervailing interest іп people's right
of privacy not 10 be exposed то offensive
materials against their will. So 1 would
not allow a billboard to be erected in
Harvard Square showing sexually explicit
material. 1
lso think thats somewhat
limited. I think there's room for control
of advertisements on billboards in front
of movie theaters, particularly in neigh-
borhoods, but 1 don't think there's any
“Umberto, this is your last night іп Pisa—
let's make it one to remember."
PLAYBOY
188 Tm not sure tha
room for control of what gocs on be-
tween the covers of a magazine, between
the covers of a book or on the screen of a
movie theater. It would be outrageous
Тог а movie theater to play a trailer of an
ed movie on a day that it was play-
g a Disney movie, because that just
violates expectations. But when people
go into a movichouse knowing what
they're gonna see, it's just between them
and their conscience as to whether
they're gonna see it and I don't think
Government has any role to play.
But, you know, it’s a more subtle issu
because the Women Against Pornogra
phy have disavowed any desire to use the
Government. They claim what they're
doing is s ate boycotts and
that's the issue, beca
that’s exactly what Senator McCarthy said.
My test is this: Take what the women
now doing and ask yourself the ques-
tion, Would you favor what they are
now doing if their objection were to
books about atheism or communism in-
ad of books about pornography? And
would you be in favor of a boycott
against bookstores that sold books about
ath or books about communism? If
you would not, then it seems to me that
you can't be in favor of a boycott against
stores that sell PLAYBOY and Penthouse,
because they're equally protected.
h
In general, 1 feel that people should
have access to what they want to have.
You know, to their own, personal taste,
But, nonetheless, there has to be some
control on who gets access to what.
Seymour Feshba
Erica Jong
Author of Fear of Flying, How to
Save Your Own Life
1 know from my own experience how
recent the specter of censorship is and
how the ax usually falls on writers of
literary merit, not on the people turning
out pulp novels in a factory. And that
a very dear and very present danger
even today. Now, I do think we should
be aware of destr iveness toward wom-
cn in pornography and ] think we
should be aware of sexism and patriar-
1 violence against women, but I don't
think we should ever call for censorship.
Because censorship will most likely be
used a it comes back. And it
will be used against not only feminists
but all civil libertarians, all writers, all
painters, all artists, all people who want
to liberate society. 1 think that we should
write about, talk about, have conferences
about hatred tow d child
pornography. We should raise conscious-
ness, and that is an ongoing task. But I
don't think we should ever again allow
censorship on any pretext whatsoever.
Willi
if a relationship could be found,
would be grounds for
d women
on
Eve
establishing arbitrary authority within
the state to decide what constituted
pornography, it basically being one of
the risks that a free society may have to
run. I'm much more impressed with the
reverse argument, not the image of the
sexual that accompanies repression of
pornography, we know to be injurious.
I don't think the ny data to sug-
gest thar the number of rapes has gone
up substantially since pornography laws
ed. That's the kind of natural
experiment that's one of the best kinds,
I would think.
Edward Domnerstein
I'm such a First Amendment advocate
that it puts me in a bind. I also would
never advocate censoring television,
though a lot of my colleagues would
because of the violence. The pornog
phy one is a problem for me now be-
cause it obviously has some effects, but
it’s so different from any other medium
because you can speak to clinicians and
psychiatrists and they'll tell you, well, а
great deal of it has incredible beneficial
clfeets for dysfunction, and so on.
But now, to those people I would
really like to ask, What about aggressive
erotica? What is the benefit there, when
you really get down to the nitty-gritty
of it? Those types of films I doubt are
used in therapy at all. Can that have a
specific problem?
I would be caught in an incredible
bind on that, because I just have to feel
that whatever people want to view, they
should have the right to view
Once you start any type of Govern-
ment intervention, I'm not sure where
it stops. 1 mean, once you st
what stops people from working thei
way all the way up to PrAynoy?
Isabel Pinzler
lof A.C.L.U., Women's
Rights Project
My answer would be the same as my
answer to the dissemination of any other
ut 1 don't agree with and
find obnoxious, which is how I feel about
1 don't think the
Sol Gordon
I don’t sce any objections to not hav-
ing it readily available to children—
шу, I'm opposed to the use and
ion of children in it. | think
that ds a crime, and I think the police
have a right t0 investigate pornography
that makes exploitative use of child
You can't get their consent.
In Denmark, there's evidence that
when pornography was readily available,
the violentsex-crime rate was reduced.
You sce,
a lot of people me making
connections where there are no connec-
tions. I's like saying that the country
entered a period of moral decay because
they eliminated prayer in school or the
pledge of allegiance. Well, there's no
connect Im very upset, very upset
with the elements of the women's move-
ment that are taking this on as а cause
célèbre. 1 feel they're wrong: they'll ac-
complish absolutely nothing.
If only some of the feminists—I'm
including Susan Brownmiller in this
category—would put a fraction of their
cnergy into helping some of us who
want sex education in the schools, with
all the energy that they're. putting into
this thing, they'd accomplish 100,000
percent more than what they can ac-
complish now.
Mimi Silbert
What we've seen in society is that
prohibiting anything never stops it.
"Things usually are diminished by reduc-
ing the need for them and its those
circular routes, I think, thar ultimately
resolve those kinds of problems for us.
We have set up a terribly {тарп
system, in all levels, sexual as wi
the other sense of people's own sense of
their power. It is my belief that until
we begin to satisfy people of th
ty to take control over their own lives,
in а decent and nonviolent way, the
kinds of things that give people a sense
of power will be exploited.
Camille LeGrand
Attorney and rape researcher
For me, the issue i:
The issue is media portra
in gen
not pornography.
als of women
do find very trouble:
some, and I think there ought to be a lot
l, which I
of regulation— egulation, for in-
cc—on portrayals of women ін gen-
eral. 1 think that the bombardment of
nen as inferiors in media images is
ly a substantial societal problem that
should be attacked with regulation.
Women get regarded as inferior because
everything in. people's education and in
their media exposure teaches them that.
And when women arc regarded as less
than full human beings, then it's under-
dable that they would be raped.
Sh:
Im always reluctant to say that any-
thing should be prohibited, because the
prohibitors are usually the sickest ош
the very violent stuff
be “restricted” in some way; I
t the Government to do it. But
1 keep coming back to the point that irs
a frecenterprise and not a freespeech
пе. 1 don't believe in hiding the dirty
books and magazines. I don't care what
kids sce, because J think they have their
own level of awareness and, as Jimmy
Walker s; 1 was ever ruined by a
book and no kid was ever ruined by a
dirty picturc.
na Alexander
of all. I think t
should
id, no
THREE WAYS TO PASS
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rear view mirrors are standard equipment. Always wear a helmet and eye protection.
7 PLAYBOY POTPOURRI
people, places, objects and events of interest or amusement
THAT'S HOLLYWOOD!
During the Depression, Monopoly was all the rage. Now, during
these days of runaway inflation, Beverly Hills, "a game of wealth
and status" created by—get this—Tongue 'N Chic Corporation, has
caught on, with the winner being the first to accumulate 500 status
points while maintaining a $10,000 minimum credit line. Beverly
Hills, which is distributed nationwide, will set you back $25, and
remember, whoever is wearing the most expensive clothes goes first.
SEXY PILLOW TALK
Most soft sculptures are roly-poly people or
cutesy animals that look great in a store and
dumb on your couch. Well, wait until you get
a peek at what's beneath the satin sheet of
Group Therapy, the kinky customized 18” x 14”
pillow that The Grand Gesture, 21793 Ventura
Boule а, Woodland Hills, California 91364, is
selling for 5180, postpaid. including your choice
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hair. Yes, the little lady is a natural blonde.
HAS GUN, WILL TRAVEL
The Milton Bradley Company claims that Big
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e “world’s
nd after
seeing it move forward and backward, turn, pivot and wait in
ambush to fire its "laser" cannon around our offices, we're a believ-
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electronically charting your course, pushing RICHT and LEFT keys,
the FRE button and Hoty and kerrat keys for an area up to 100
feet. The price is about $40 at stores; the fun is infinite.
EAT AND RUN
When you're on the road, you don't want to
stop for a long, leisurely meal. And if your
traveling plans take you out East, we recom-
mend that you spend $3.50 and order a copy of
The Traveler's Directory of Fast-Food Restau-
rants—Eastern Edition trom Pilot Books, 347
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190
AGED IN WOOD
Whatever's your bibbing pleasure, from
Scotch to moonshine, is going to taste
better when you stash it in a lockable
two-bottle black walnut liquor cabinet
equipped with twin hand-blown glasses
that's lovingly custom-made at the
Brentwood Company. 600 Perth Place
Silver Spr ing. Maryl: ad 20901, for 5350,
postpaid. Up top is a compartment tor
cigarettes and a bar rag—as il you'd
slop booze on this handsome hooch hutch.
Р GETTING INTO HOT WATER
If you're in the L.A. area and get the
hots Го aritic soak, drop by or call
H brand-new environ-
mental health spa at $131 Olympic Boule-
уйга, Santa Monica, that caters to clean
living, not orgies, when you rent onc of its
private little redwood-pancled rooms for
$7.50 an hour per person. Or go for broke
and book the VIP suite, which includes a
tub for ten, sauna and other goodies at 585
for two hours. There's a fireplace, too.
Lu
CHI
EN DISCO
Those of you who can step onto а
dance floor and hustle like John
Travolta can forget about No
Fear Disco cassette tapes. Those
of you who can't, read on, No
Fear Disco is an instructional
program consisting of two
tapes. The first teaches self
confidence and offers the listener
a relaxation exercise that will
help in anxiety-provoking situ-
ations. The second cassette is
ne-hour disco lesson (includ-
ing a pictorial guide) that teaches
some popular basic steps. The
whole package costs $19.95,
postpaid, sent to Creative Media
oup. 123 Fourth Street, N.W.,
Charlottesville, Virginia 22001.
Dance, yon chicken, dance!
PUD OF GOLD
The expression well hung will
take on a whole new meaning
when you drop by your next
party with a Flasher Pendant
dangling from around your neck.
What's a Flasher Pendant? Why,
nothing less than a funny little
14-06010 man in a long
nd hat who looks perfectly
harmless. But tug on his toc
and—voilà!—he displays his
ample ruby-tipped endowment
while, at the same time, politely
doffing his hat. (Phe twinkle in
his eye is a real diamond.) This
flashy fellow is available at jewel-
ry stores or from Tempo С
Box 6257, Los An к
nia 90055, for 53
the L-kt-gold 20" chain shown.
No, we're not pul
g your leg.
ANIMAL HOUSE
Should you be in the market for
а rental stuffed animal—from a
charging polar bear to a huge
coiled snake—call the G. Schoep
fer rental studio in Manhattan at
212-736-6931 and request an
appointment. The studio, which
is located at 138 West 91st Street.
doesn't encourage casual browsers
to drop by and go ape over its
more than 1000 stuffed beasts,
which rent by the week for a
where from 535 for a small bird or
imal to 51000 for an immense
show you around, provided you
seriously want something stuffed
We know quite a few people
who would {cel right at home.
191
ТО PARIS—WITH LOVE
(continued from page 93)
“The Concorde is possessed of at least one small
inconvenience—the shape of its toilets.”
PLAYBOY
inspired to plan a supersonic Paris week-
nd of less than 72 hours that is packed
with the full flavor and romance of
nce's most glamorous city. The
time for gastronomic adventure at
nonpareil bastions of haute cuisine, time
to revel in the excitement of Parisian
night clubs and frantic discos and, per-
haps even more important, time to savor
a walk beside the Seine as dawn begins
to light the sky over Sacré-Cocur. And
the instrument that puts this swift but
completely captivating taste of Paris at
your finger tips is called the Concorde.
In the excursion we've planned for
you, you'll board the Concorde in New
York early Friday afternoon and arrive
in Europe not long after dinnertime.
No overnight jer lag here; rather, just
enough time for a little Іше supper on
foreign soil, a look into a new disco or
а nightcap at an intime ad a
pleasant slumber in preparation for a
Tull day ou the Continent.
The return schedule оп the Concorde
is at least as fortuitous, for its supersonic
path from cast to west passes through
the intermedia speeds far
faster th So
it’s possible to leave Europe around 11
o'clock on a Monday morning, soar over
the өс 60,000 feet for about three
nd a f hours, and then arrive in the
local time two hours or so
er than the time you departed.
Just checking in for a Concorde fight
s Something of an adventure. The hig
(523537) of a round-trip ticket
ans that your fellow passengers are
likely to be the world's movers
ша
shakers—or at least those types whose
expense accounts сап take а bit of bend-
ing.
For all its speed, ihe Concorde air-
craft is relatively small, though
as confining as some cynics would h
you beli Goats and hand baggage
re collected in advance t0 eliminate
collisions in the narrow aisle, and p
sengers over six feet tall must. take care
to walk down the absolute center of the
ircraft, lest they scrape their skulls, But
are comfortable and the Air
wtendants (dad in very
fashionable blouson costumes designed
specifically for the Concorde) are the
pick of the airline's inventory. Nowhere
Hight ма more solicitous or more
cager to please.
Excitement and ardor aside, your first
Concorde flight may prove something of
a disappoint especially if you were
192 weaned on such Fifties flicks as Breaking
We
France Ili
Through the Sound Barrier, іп which
several test planes (and pilots) evapo-
rated іп the fictitious sonic boom.
You can imagine how veterans of view-
ing that film react to the rather blasé,
heavily accented French voice оп the
Concorde that announces, "Mesdames et
messieurs, we will exceed the speed of
sound in exactly forty-three seconds.”
For me, that news inspired something
more than a firm grip on the
nd a little nervous perspi
icipation of a bit of inevitable
g- That no such thing took place
s, 1 believe, a significant error in the
Anglo/Gallic engineering of the Con-
corde. d Fm sure that no. American
designer—say, a consortium made up of
Bocing and Walt Disney—ever would.
have let the event pass without at least a
small bump or an appropriate shiver.
But the Brits and the French have
seen fit to omit all such theatrics. You
stare at the brightgreen digital, com-
puteresque “machmeter” as it records the
plane's speed in multiples of the speed
of sound. "M .95," it Rashes, and the
silently, “M .96," then "M .97, M .98,
d so on. until the speed of sound
been reached and then surpassed. Хо
bump, no shiver, no таце, no physical
manifestation whatsoever, save the glow-
ing green numbers, now recording
"M 1.02, M 1.03," d so on. TI
there are now many veterans ol super-
sonic flight who are unmoved by th:
incredible accomplishment of speed
best demonstrated by the Oriental g
deman who never жаүсі Irom hi
preoccupation with spreading huge ро
tions of c on his palm, or the
gentleman across the aisle who is not so
deftly trying to induce his companion to
i yet another beaker of champagn:
for the slight omission of any
theatrical effects, the Concorde flight is
complete bliss. Without getting into its
effect on the ozone layer. the amount of
fuel it consumes, the disastrous econ
ics of its creation and operation (that
how threaten to rupt two otherwise
solvent nation: airlines), the
corde’s chief gift is that of time. Moving
forward in the cabin toward the flight
deck, the coutrol areas and the needle
nose of the fuselage are even more extr;
terrestrial than you might expect, and
s barely time to get in one swift
look before the French cuisine begins to
be wheeled out of the supersonic galley.
In order to keep this report from be
coming а nonstop расан, let me say that
the Concorde is possessed of at least one
ea
there’
small іпсопу
nience—the shape of its
toilets. The plane’s fuselage is like
fying cigar tube, with the rake of its
sides to the top of the overhead sharp in
the extreme. For anyone of even арргохі-
mately normal size, the process of с
nation becomes an intensely athletic
undertaking, as the fuselage configura
tion makes it necessary (depending on
sex and function) for the passenger to
perform cither a perfect jackknife or a
zalingly limber backhend.
The Concorde's flying time from New
York to Paris is about three hours and 20
nd with the normal six-hour
time dilference. you realistically сап be
out of the airport and on your way into
Paris proper by 11 p.w. Friday. Regret-
ply, the ride south into the city is as
ig as every other route from
major urban airport, so 10 keep the
romantic glow of this special weekend
ive from the start, it’s not a bad idea
to surround yourself with a little cocoon
of luxury. Fortunately, that is very easy
to do, and nothing will gurate your
weekend quite so well as making your
way hom airport to hotel in a «Наш:
feured Rolls-Royce limousine. Make the
arrangements when you pick up your
plane tickets at Air France. Just ask the
ppetiz
icket clerk to arrange to have a car
from Patrice de Carmagnacs elite In
side France company pick you and your
n up at the air pe
The range of possible accommodations
mong the host of Paris hotels is nearly
infinite. From modest ateliers on the
Left Bank to some of the most sumptu-
ous suites on earth, Paris has hotel
rooms and apartments available in suf-
nt number and variety to satisly any
desired level of luxury or decorative
preference. Rath n argue the rela
tive merits c is hostel
might 1
n planning to spend a long-
er time in Paris. A short visit demands
casy access 10 places of greatest atmo:
phere and most consuming interest, so
we've set up ou 1 headquarters
оп one of Paris’ most elegant corners—
that ac the Ruc de Rivoli and the Rue dc
Castiglione
Our sumptuous suite at the Hotel
Meurice is just o delicious site from.
among hall a dozen similar stopping
places in this elegant vicinity. The Inter-
Contin nd the Lotti are just across
the street; the Vendôme is а block away
and the Ritz is less than 100 yards north.
Although it will likely be nearly mid-
t by the time you've unpacked
explored your suite, йз not quite
м. body time for Concorde sojourners
from the tes. And while it’s too late.
for a truly great dinner at one
f Paris’
epochal eateries, it's surely not too late
to experience the full flavor of this
singularly exciting city. To do so in an
Bald Eagles once soared above America by the tens of
4 КҮТТІ | thousands, Today, fewer than 1100 breeding pairs survive
instant, walk out of the "back" door of south of Canada. For a free booklet on how to help save t
the Meurice (onto the Rue de Rivoli) and extraordinary bird, write Eagle Rare, Box 123, New York, N.Y. 1
stroll just a few feet to the street corner
on your right. Walk out to the center of
the Rue de Castiglione (where there's a
sort of parking island) and look slowly
to your right. The obelisk lit within an
inch of its life is the center of the city’s
the Place Vendome,
perhaps the center ol chic Paris lile
But don't stand in the middle of the
street too long; rather, turn left and
taking саге not to become a hood orna
ment om some runaway Renault, cross
the Rue de Rivoli toward the famous
gardens called the Tuileries. There's a
most eleg
t squ:
door in the garden gate right in front
of you, so walk directly to the center ol
the park, Once there, make one slow
ЕТІП!
the single most spectacular urban. pano-
т
сє turn ro experience perhaps
ami on this planet
Face the Place Vendome Obelisk and
begin to turn clockwise, past the elegant
ly colonnaded walkways that are the side
walks of the Rue de Rivoli, with their
ornate antique street Lamps. At the 90
degree point in your circle, you'll be
facing the Place du Carrousel and a
small Arc de Triomphe gateway beyond.
Is uot the real thing. just a small pas
agh which to look at the
m palace of Louis XIV.
Irs now the Palais du
the
Louvre, perhaps the world's most famous
museum, and the nighttime lighting
helps you imagine just what this incred.
ible garden driveway must have been
like in the 1718 Century, when the glory
of France was at its apex and the prolli
at his most
gue Louis was reign
extravagant
Keep turning clockwise for another 90
degrees to peer across the Seine at the
lights of the Pont Royale and the Pas
sage de Solferino. I you're lucky, опе of Like the majestic bi
of brightly colored lights, will be passing Eagle Rare is incompé
below on the river, and you'll see the The very finest
glorious buildings of Paris’ golden age
the bateaux-mouches, with its own strings
lit up in their gaudy glow
As you turn still farther, the lights of
the Pont de la Concorde and the petite
Orangerie come imo view, and soon
you're standing with the marvelous Im-
pressionist museum called Jeu de Paume
on your right and the Orangerie on your
frame for the single most famous view
Paris, In the foreground is the Obelisk
that’s the centerpiece of the Place de la
lelt, these small twin structures for
Concorde, and beyond it à cordon of
lights stretches up the Champs Elysées.
The dramatic Arc de Triomphe, in all
its floodlit majesty, forms the back
ground for this scene [rom its site at the
J ру
center of the Etoile. И this view doesn't А Ла;
send a shiver or two up your spine, you'd
better get on the next plane home.
Is not a bad idea to let the glow
from the Arc de Triomphe serve as your
PLAYBOY
194
midnight magnet and let it draw you
down the center walkway of the Tuiler-
ies imto the Place de la Concorde. If
you're fortunate, there may be some gala
event going on at the Grand Р;
ahead on the left, so its
and dome will be lit up to help brighten
your path up the Champs Elysées.
For the next two blocks, chestnut trees
shelter the broad sidewalks, and the
combination of street lamps and their
reflections off the many small fountains
bathes the lawns and gardens of the low:
er Champs Elysées in a glittering glow.
But this r ely pastoral ambience
lasts only to the Rond-Point cir
с the entire ch of
hamps Elysées changes dramatica
Just beyond this pastoral garden str
both sides of the avenue
with flashing neon from the abund
of movie marquees and café signs.
If you are a traditionalist and want to
see some of what has gued Ameri-
cans about Paris for generations, you
might pop into The Lido (at 78 Avenue
des Champs Elysées) for what is prol
bly the most gaudy floorshow this side
of the Las Vegas Strip (no pun in-
tended). It may be a bit offputting to
discover just how many of the acts are
of American origin, but that shouldn't
destroy your appreciation of the intense
fluttering of feathers and the glare of
bare skin. 15 also possible to at The
Lido, though midnight is a little late for
more than a light supper. Ordering food
here is, by the way, a means of getting
Pa жаб
one of the better seats in the house.
Even better (as far as the quality of
food is concerned) is a stop at the
well-known Fouquet’s (99 Avenue des
Champs Elysées), where the prices are
igh but the food is morc than just
Шеге good, it's
even possible to dine outdoors and, most
important, you can be served Gallic
goodies until two in the morning.
And if you accept Fouquet's as your
supper spot, you should, by all means,
make a small detour around the corner
to number 12 Avenue George V, where
the oldest established striptease in Eu-
rope holds forth at the fabled Crazy
Horse Saloon. It may seem a little hard
to believe in 1980, but the genesis of
Чи» incredibly lavish show, filled with
bits of prize P n pulchritude called
ponies, one Frenchman's idea ol
what the American wild West was like.
Well, our cowpunchers should only have
had it so good. for the fillies who appear
in the Crazy Horse show are more than
a cut or two above the level found in
most other Continental strip shows. The
music is loud. the settings are garish
id the environment, red-hot. So it's a
perlect way to finish a night in Paris
that began at supersonic speed.
.
Morning in Paris is the time when
hotel staffs quickly learn whether you
are civilized or barbaric. And in Paris,
the b: rians are defined as those crass
clients who actually pull on their socks
and pants to head for the dining room
“Guess what, dear! We're gelling the mortgage
at eight percent!”
for breakfast. Civilized folk would never
do such a thing.
To retai
your first act upon awakening must be
to pick up the phone to order le petit
déjeuner from room service. The tradi
tional French fast breaker includes café
au luit—strong French сойее (which
ly comes from Africa) and scalded
k. poured in equal parts into a large
cup containing several lumps of coflee
The breadbasket that accomp:
together with a couple of crisp French
volls—all of which climbed out of the
bi oven very shortly before you
slipped out from under your covers. Pots
of saumptious jams and a bit of cheese,
ог a small container of fresh. yogurt—
that gets your heart started
energy level up without so filling your
bdominal cavities as to inhibit the more
mic adventures that
ble sin. With but
two days in Paris, there's little time to
spend musing through. Musty muse
of Paris’ prime shops are open on Sat-
y, it’s hardly a shabby idea to com-
mence secing the city by risking your
wallet in the palaces of style
nd chic.
Beginning in the Place Vendome,
youll want to browse through the two
must boutiques, the so-called inexpensive
ппехев to the main Cartier. premises
down the street on the Rue de la Paix.
And remember, if you choose to buy a
orate your Paris
weekend, be su k for a valuc-added-
tax refund slip that can provide you with
as much 5 percent refund on the
gross purchase price. Unless you get that
refund, you'll discover, as I recently did,
that such items ах the famous Cartier
ank” watch cost less on
than in Paris.
But before I get too deeply immersed
n the subject of shopping. | suppose 1
should say а word or two about. how to
get the most French currency for your
U. S. dollar. Exchange rates vary widely,
even in banks in Paris, as I discovered
firsthand when I was creating this С
corde weekend. last fall. But since com
mercial banks are closed all. weekend,
and hotels offer by far the worst rate of
exchange available anywhere in the сіу
with the possible exception of restaurants
nd retail stores—you'll do best to ex-
change your money for French francs at
the bureau de change on the Champs
Elysécs at the corner of the Rue Galilee.
And, by the way, if things don't work
ош between you and your weekend suite-
mate, you should be aware that this is
not only the source of the best weekend
exchange rate in Paris but perhaps the
e most crowded meeting place for
unattached Paris visitors this side of the
basement at the American Express office
on the Rue Scribe (which also offers an
acceptable exchange rate but. closes at
11:30 лм. on Saturday)
After skillfully skirting Cartier's and
Bulgari's windows on the Place Vendome,
and then following the rich man’s retail
route down the Rue de la Paix, you'll
arrive at one of Рагіў busiest
crossroads. The direction to take from
this corner will depend mostly on your
list of personal travel priorities
И you are а dedicated shopper, just
nod at the Paris Opera House, then walk
around it until you reach the Boulevard
Haussmann. Here the two main Paris
department stores—Galerics Lafayette
and Аш Printemps—have their prime
and the places
where you'll most likely find merchandise
to fit a mortal budget. There are floors
pon floors of designer clothes in build-
ter building—for men and women.
It would be easy to spend an entire day
just going through Parisian fashions and
other merchandise here, and many vis
itors do just that
IC you've still got some morning left,
one of the best places to spend it is inside
and outside the elegant shops of the Rue
Faubourg St-Honoré. On this most f
mous of all shopping streets, the most
familiar names of French haute couture
come alive in shopwindow after shop
And totally unnecessary
(fortunately) to buy even a single item to
fully enjoy hours of strolling down this
avenue of conspicuous Consumers.
Checking prices is. however, a favorite
sport among visitors. and this may be
the city it’s easiest to discover
just how deeply the American. dollar
s declined. To hurt your heart most.
of all, just stick your head into the main
Hermés shop (a block west of the Rue
Royale) and price something simple, such
as say. one of its ties—the
ones printed with various patterns of
horse hardware. At 160 francs a copy.
you're looking at about $40 worth of
silk crava в
Be sure, too, to hang on tight to the
hand of your companion as you breeze
through Hermés, for the goodies that
fill the shelves and walls here can easily
pave a path to bankruptcy. The classic
Hermès purse, for example, now goes
for a nifty 51100 (that’s for one, рап
the least expensive leather belt 1
w recently cost $225.
le by comparison with Herm
extravagant excess: a pair of men's shoes
for $905!
If you've been smart enough to mere
ly windowshop your morning away,
sing
soon
premises, these are
window is
where
famous
and
But even these
most
chances are you'll have enough francs
left to buy lunch, and I'd like to steer
you down the street to Le Soulé, at 3
Rue du Mont-Thabor—it’s the narrow
street between the Rue du Faubourg St
Honoré and the Rue de Rivoli. As the
restaurant's name suggests. the specialties
here are those elegantly light delights so
difficult to duplicate in one's own kitch-
єп, and on a trio of which certain people
(like me and what’s-her-name) have been
known to snack in the course of a single
lunch. As a matter of fact, I earnestly
suggest a menu of a soufflé of crustaceans
(crustacés) as an appe cheese
soufllé as a main course and your choice of
zer,
desert [rom among the sweersoufllé
spectrum that here includes chocolate
(pour raspberry.
hazelnut and Grand Marnier.
To somehow all this
based excess, it's back to the strects—this
time farther west on the Rue Faubourg
St-Honoré. Paris is a city of markedly
different neighborhoods. often cl
with the turning of a corner, You'll pass
through three or four in just the dozen
or so blocks from the Place Vendôme to
the Rue des Halles. once the bawdiest
part of Paris and now its most rapidly
changing district
In one corner of the old Les Halles
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195
PLAYBOY
196 sheath some of Pai
еа, there is now a spectacular new semi-
submerged shopping and amusement
mall, called Le Forum, sunk three stories
into the city's crust. Moving a few blocks
farther west, across the Boulevard Së-
bastopol, there's the single new edifice
has inspired шөге controversy
п any since the егес
1 Tower. [t's officially
called the Centre Geo Pompidou.
Paris premi m, but is
more popu ubourg—
alter the street that forms its western-
most boundary.
Whether or not you cherish the Bi
de collection will
n 10
bourg’s ultra-avant g;
depend entirely on your devoi
the farthest reaches of modern
expression, but the
nificantly secondary
museum building itself. For it is a huge
amalgam of pipes and tubing and ex-
posed месімогк and working shafts that
look like nothing quite s
uncompleted power р
First-time visitors gawk unbelievingly
at the exterior chitecture has
been the source of unceasing controversy.
But absolutely incontestable is the non-
pareil view available from the top of the
series of glass-enclosed exterior escalators
that let you look out over the full Pari-
sian cityscape. It's a view you shouldn't
miss.
To prepare for a fine dinner in Paris
is not an idle undertaking. It takes
mental preparation, stamina, some "game
plan" for the melding of precisely com-
patible dishes, a fair knowledge of the
fruits of the major French vineyards and,
above all. a dinner reservation. This
last may be the most difficult element of
all to acquire, for the local citizenry pays
serious attention to its own gastronomic
endeavors, and not even the most zealous
concierge can crack the list at one of the
isian dining rooms on very short
noticc.
The accepted procedure for co
bating
th
зоте
5 thorny problem is to write
mes months Resta
e recommends writing at
ad. offering a couple
es, and his loose-leaf book
full of letters from American cli
gests that this is common practice. His
replies to prompt and this
slight incor small price,
deed, to pay for in the plush
upstairs dining room of the three-star
restaurant Lasserre (17 Avenue. Frank-
lin-D-Roosevelt).
The atmosphere of elegant. dining
here is called le style Lasserre, complete
i ite tie and tails d
Че. The guests who
t least as elegantly
of formal togs, that
arments you saw adorn-
long the Rue du Fau-
bourg St.-Honoré earlier in the day now
7 loveliest live bodies.
surround. you
attired—1his.
A friend once described a meal at
milar to dining in one of
bulous Fabergé music boxes, and
ve no reason to disagree. Service is
nd impeccable, and the cuisine
To list special dishes is to do a
e ло the menu ted,
but somehow it's just not possible to r
sist suggesting the crab. pûlé au Richard,
terrines of veal, duck and chicken (served
аз one dish), cel фин, frogs’ legs in garli
and the superb saddle of hare.
Paris is not notably late,
items omi
wanting to hit the club scene two nights
in а row, you now have the opportunity
r companion in a way un-
ny other city in the world.
So head down to the Seine. especially
if the night is mild, and walk west along
the lower level of the Right Bank to-
ward the Trocadéro, Beside the Pont de
TAlma is the prime dock for the bateaux-
mouches—the tour boats that. provide
the most romantic ride of a Paris night.
as Cary Grant and Audrey Hepburn will
readily attest. The bateaux. lights
add gloriously to the feast for the eyes
that rises on both sides of the Seine.
But unless you happen to hit a night
wh a midnight ride is offered—or
have been farseeing enough to
one on your own—press on p
more bridge to the Pont d'Iéna.
rise from the lower Seine walkw
Palais de Chaillot and the foun
the Jardin du Trocadéro will be on уо
right, and as you turn left, the steel super-
structure of the Eiffel Tower will loom
overhead, just across the river.
If you're very lucky, your companion
will mourn on сие about the lack of
lights on the Tour Eiffel, a residue of the
latest energy crunch and attempts by the
locals to conserve. power. But again, if
As you
у. the
you've made your plans properly and
just right, you can work a
your timing’
bit of magic. For the Pai
Public Works will, lor a fee, light various
public monuments—the Eiffel Tower in-
cluded—at a prescribed time, so you can
artfully arrange to snap your fingers at
just the proper instant, point to the now
radiant tower and offer (in your most
Belmondoesque accent), "Pour toi, ma
Take that, Lafayette!
E
ian Sundays are dı
Department of
1e
igned for
g by visitors, but you may want
to adopt a local custom of driving out
into the nearby countryside for a superb
midday meal at a historic hotel or a very
restaurant,
But if you are determined to remain
is—hardly the worst idea in the
world—be prepared for a laid-back day.
Traffic is light, the museums are open at
no (or a nominal) charge and the city
is at rest.
The best Sunday route of all is, again,
toward the Seine, to walk east along the
Right Bank, past the Tuileries and the
Louvre. Then press on across the Pont
Notre Dame to the heart of the Left
Bank.
You won't be
along <
seems
ble to tell it's
, because it someti
s if all of Paris has crossed the
Seine to spend Sunday with you. But if
you enjoy drinking with ghosts, join
those of Hemingway, Picasso and Fitz-
gerald for ап aperitif at the Café aux
Deux Magots or the Café Flore. amor-
tizing the high cost of a kir royal or a
Campari and soda by applying part of
the charge to the street entertainment—
juggl magicians, even fire-
caters—that pases in an unending
procession of performance.
Then head across the street to the
noble Brasserie Lipp, there to discover
French cooking is more than páté
d mousseline. The menu is made up of
the sturdy fare of Alsace, the stick-to-the-
ribs choucroute staples of sausages, ham,
s in a garlic butter
safe from vampires
There's plenty to do to while
the afternoon on the Left Bank
sticking your head down any unfamiliar
side street is likely to turn up some
undiscovered shop or bistro. The site
-your last in P
d to choose. Henri Gault and
Millau, the famed maverick
ics and creators of the much
aded Gault et Millau. guide. say. "li
you could have only onc meal in Paris.
we would go to La Tour d'Argent,”
though their reasons inspire varying de-
grees of persuasion. ‘They cite the eleva-
tor, the extraordinary view of Notre
Dame from the room, the 16
different prep of duck, the
130,000 bottles in the wine cell and
the bill—which they figure at a mini-
mum of $75 per person (and you'd better
figure that as the very barest of mini-
mums) and feel is suitable for framing
for one’s own dining room.
It's true the cost is dear, but there is
no total eating environment in Paris that
is its equal—especially on Sunday night.
And after dinner, there is all of the Left
i on to postpone
Bank night life to look in
the dawn
But before the light of morning puts
an end to your Paris i
to pick or
watch the sun rise over the eastern h
And that spot must be Montmartre, the
city’s highest point, where the sidewalk
boites
to fuel your late-night roaming. The
rrow streets are full of lovers and the
sweet smell of Paris is nowhere stronger.
Here's the place to spend your last
ments in Paris before being whisked back
to reality at supersonic speed.
DAVID DUKE ...............
“Young men, all tricked out in white robes and peaked
hats, began shouting: White power! W hite power!”
Mr cé QUI NAM ا ане
route—to the place where Duke would
speak. In the street, robed and hooded
smen carried placards advertising
the rally that night. In all
ront part of the hood was cut out to
face ol the i
It was still about two and a half hours
before the rally would start. and most of
the people who were there were police-
men. God. how many policemen, I found
out later that besides the Rogers police,
there were officers of the state police, the
istances, the
persc
county sherill's office and the FBI.
As soon as we got out of the car, we
were surrounded by ranks of cops three
deep, hustled inside à nd into a lit
tle room at the back of the armory. In
about half a minute, I realized that those
people thought and would continue to
think all night that 1 was Duke's body-
guard. Finally, even the Klansmen
thought the same thin despite what
y. It i
true that my eyes were invariably drawn
to the hi indows and the vaulted
ceiling with thick steel beams. and 1
wondered what was next door and what
the line of sight was from the roofs of
the adjacent buildings. Under the cir-
cumstances, | thought then and
now that it was very s
my determination to мау
shoulder at all times no doubt contrib-
шей to what people thought. As it
turned out. 1 shouldn't have thought
about i Il. There wer
with night scopes on the rools of all the
adjacent buildings. as well as on the roof
of the armory itsell.
When E balked at going into the
room at the back of the armory, a I
some young man of truly magnificent
proportions ybe 6'6" and 250 pounds
and sol anything on the s front
four—took me by the shoulder and did
not so much direct me into the room as
lift me into it. "You, too." he said, watch-
ing me. "You carrying a weapon?
“No,” I said.
The big cop who
the room was wearing pointed cowboy
boots, denim pants and jacket. The jack-
et was open, showing the biggest hand-
gun Га ever seen. E think
magnum. But it could have been
Duke told them to the cont
police snipers
d du
12 gauge. cut to the proportion of a ri
gun, He pushed his peaked cowboy 1
back on his head. “There will be no shit
here tonight," he said. "If anybody's got
a gun, now's the time to turn it ov
Anybody doesn't goes to jail. Anybody
drinking goes to jail. Anybody inciting
о goes to
uniformed cop who
behind him. “I'm going to have to ask
you to let my man check you out.”
The cop stepped forward and r
metal detector over Duke and
Nothing.
"OK," said the one in the denims, and
the two cops went out of the little roon
The whole thing hadn't bothered me,
but Duke was hot: “Не had no right to
do that. There was no probable cause.”
t slide, man,” E said. "You got
other things to do."
Grambling a little and a little red of
face, Duke went through the door and
d into the midst of newspeople.
s popped. television c
ith note pads эсте;
robed K
able to drag him away from th
after he promised to hold a press con
ference that night before his speech.
Duke hopped up onstage to look at
the two microphones he'd speak into
i a
me.
et
that night. А young white-robed boy was
immediately at his side, explaining that
the mikes were used for Sunday Gospel
singing and that he might have trouble
it he spoke between them instead of
directly into one or the other. 1 won-
dered if this boy were a member of the
Knights of the Ku Klux Klan Youth
Corps. an organization open to high
school boys and girls to prepare them for
full membership as adults later on.
Suddenly, about ten young men, all of
them tricked out in their white robes
nd peaked hats. began shouting in uni
son: "White power! White power! White
power!” They were all g Duke and
they all had. their left arms held si
upward at а 45-degree angle wi
palm down—in every detail the с
alute, except it was done with the left
nd. I badly needed to get back to the
notel and sign up for a vodka.
“We better get back and let you rest
betore tonight.”
“I guess.” said Duke.
1 signaled the huge guy in the denim
clothes and we were suddenly three deep
in cops moving us to the саг
.
АП this mi had started three days
belore in New Orleans. when Duke
called me at my motel and told me he
was getting his hair cut, that he could
ы Му М
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he was and
see my motel from whe
why didn't I walk over? I did. The bi
bershop was about five inches deep in
harem carpet and outlined in chiome
and glass. One of those places where a
man makes an appoinunent for
cut. Duke was getting his razor cut blown
dry when 1 walked in. He was w
white Ban-Lon shirt and white trousers.
i shirt and
xcept when he is speak-
plain
PLAYBOY
white trousers
ing. at which time he goes to
black suit. white shirt and white tie.
The name ol the barbershop was
Changes and when Duke, I
mediately thought of the name of the
sign. I believe
1 saw
n signs. live by
But, alas, this time it
was not to be. What Duke ultimately had
10 offer was the same old sad bullshit Га
grown up on in Bacon County. Geor
Only he was so charming and arti
1 had no way of knowing that then.
He would have liked ke me to his
se to тесі his wile and two daugh-
s. but he couldn't. "Security." he said
So we went round to the Patriot
Book Store instead. It was а tiny place.
ther like a curio shop. and sold Knights
shop
them, trust the
сезогіев. Pictures of
Forrest, pictures of Dui
Confederate flags, various sizes of canis
ters of tear gas, and so on. Including
terature.” 1 think we can get to the
heart of the literature by saving that
onc of the hottest items seemed to be the
Protocols of the Elders of Zion. a book
for decades has been known to be a
But there were other grabbers
g the books: Mein Kampf, Hitler
Was My Friend, The Hitler We Loved
and Why. A wizened little lady sat by
the front door, which, T forgot to men-
tion, was kept locked. ev
patches, г
of the day. It had a huge sign on it that
read. PLEASE KNOCK. "Security," she said
Ue lady wore a heavy Klan ring
flashed with bits of light as she
d snarled into the constant
crank calls on the phone. She
was also stuffing envelopes with startling
«йу. ing to be sent all over the
world." she said. 1 had no reason to
doubt her. There must have been half
semitruck load already stacked against
the walls. Formidable. Duke few
things to do, so he suggested we шесі for
а cab dinner that night at a pl
Lake Pontchart Thus would be;
the singing of his three or four songs—
over and over aj ng the next two
days and nights.
First," he said
ambled
ce on
aim.
s we sat down to
. "my mother and
father never taught me any of this. 1
learned it all through my racialist stud-
ies.” (When speaking ol his education on
ny level, he almost consistently uses the
198 phrase racialist studies.) “I was born in
Tulsa
Orleans.
I asked him, Didn't he once belong to
the American Nazi Party?
No.
"But you did appear on a picket line
dressed in the ІШІ rig—jack boots, swas-
tika, the whole unifor
Yes. I did. But that thing was just a
joke You know. Е was protesting [Wil-
liam] Kunstler, the lawyer, and it w
just a joke."
а Nazi uniform.”
nd grew up here іп New
And hadn't he been, after attaining
the highest honors possible in R.O.T.C.
at LSU, refused a commission in the
ny because he was а raci
joke, too, in its
Well, we'd better press on past the
jokes and get ro just what the Klan
wanted and stood for. So there in the
restaurant, and later in my motel room,
on planes to. Boston, where he was to
tape a TV show. and on other planes to
Chicago and Tulsa. he sang his limited
number of songs, sang them sometimes
to slightly different tunes with slightly
difleremt words. sometimes with eno
mous claboration and ornamentation,
and God knows, he sang them endlessly.
Many times, the only thing that would
stop him was when we would sec a tall,
blonde. blueeyed. very pale girl
"There!" he would exclaim. “There
what we're fighting for." He was also
possessed of many favorite phrases. one
of which was “busing a little blond
blueeyed girl into а black ghetto or
vice versa.” 1 never told him that the
of that phrase would be busing
a black ghetto into a little blonde. blue-
eyed girl. But then, I never told him tha
the word vagina was not pronounced
va-jean-a, which word and pronunciation
came often and quickly to his lips when
we saw a tall, blonde, blue-eyed girl.
Looking over the mashed and pulpy
«тарк: "Em a racist. But not if you mean
by racist that I hate Negroes or Mexi
or Jews or anybody else. I'm a racist be-
ise 1 love my people. White peopl
And 1 want to preserve their herit-
ре. We [the Ki tgo put
anybody anywhere. What we want to do
is to give people the freedom to choose
like in schools. The ones for busing are
the tiny minority. The overwhelming
majority want the schools. want to
live in their own neighborhoods. I'm not
very. but look at history. The
founding fathers in this country were
very racist. Most of the signers, let's say
onc half, owned slaves. When they were
ll men are «телей equal, they
talking about different races.
They were saying that we people of
a are like our English broth
s—entitled to the same political
as they are. All the founding
vice v
ns
ow
for
overse:
rights
fathers, including the first five Presi-
dents, were lor repatriation of blacks
back to Africa. Abraham Lincoln wrote
gainst equality of the saying,
God
"How long in a gov
great enough to make and mainta:
universe shall there be demagogs to vend
d fools to gulp so low a piece of dema-
gogism as this?’
The above—induding the spuri
Lincoln quote—passes for reasoning con-
cerning justice for blacks in this country.
good enough for the founding
good enough for, etc. But it
goes on at а length in Duke ath that
mesmerizes and exhausts. His face goes a
litle darker. his eyes a little more blood-
shot when talking about the Affi i
Action Program. “I's
us
greatest. perversion is that it is
done by our own Government."
Since were talking about dark skins,
anyway. it is ап easy if dangerous imag-
e leap to include other people with
e skins in the
anything but whi
ment lor action.
“Truthfully. i
birth rate is approxim
five, which means we're losing one fow
ol our people every generation. The only
population explosion in the world
nonwhite countries. We have a Negro
problem in America, but in twenty years,
that problem will b.
with the Mexican problem. We may have
up to sixty or seventy million Mexicans
in the country by the turn of the cer
tury. They are coming over our border
illegally at the rate of a million to three
millio Mexico has the highest
birth rate on carth.”
But the song һе
terms of the world, the
ely one poi
small compared
ус:
: es to sing the long
est and loudest is about the Jews. The
Jews. the Jews. My God, the Jews. Did I
know why the Arabs had brought us to
our knees with their oil-pricing policies?
"Because we give the Zionists bombs and
guns lo КШ Arab Kids. И 1м the
Arabs place. Fm sure 1 would do the
same thing. I we'd stop aiding
Israel with guns and planes, the Arabs
would cut back oil prices to those of
1966. They would
ly. and in a lot of other ways,
bbling and siding
toward the edge when he gets on the sub-
ject of Jews. No other people on e:
e him to
Jews are
conspiracy
destroy the white people. As bad
Negro problem is, it has been the Jews
who have organized and used them
against the white people. Hadn't Jews
founded the NAACP? Hadn't every
president of that organization been a
Jew except the present one? About the
cries Roots on television: Hadn't a
Jew written the screenplay and а Jew
PLAYBOY
200
da Jew directed it? And
hadn't it detamed the white man beyond
belief? (He can talk for hours about
Roots. which he always calls Weeds.)
produced it
“The most racist people on earth are
Jews.” said Duke. "They stick together
all over the world. They have laws in
Israel that you can't emigrate unless you
are of the Jewish blood. of Jewish birth.
They һауе laws that if a person even
tries to preach Christianity or to recruit
people for the priesthood, he «ап be
thrown in jail for five years. Did you
know th:
No.” I said, "I don't believe I did."
Then you probably don't know that
they control—ábsolutely. control тог
of our lives here in this country. Because
they control the media."
“1 hadn't thought about it," I said. "T
must be doing thing wrong—or
right, depending on how you think about
it—because Гус not had any trouble
publishing whatever Гуе chosen to write
in the past ten or twelve years."
1 don't think he heard me: he went
right on. “The Jews control what we
read, what we sce, what we know. The
top man at ABC is a. Jew, Goldenson.
The top man at CBS is à Jew, William S.
Paley. Eight men all together—Golde
son, Rubenstein, Westin, Paley, Salant,
Sarnoff, Silverman md Crystil—all of
them Jews, and they determine what
over two hundred million American
know about what happened in the world
cach day. Who owns The New York
Times? A Jewish family. Who owns The
Washington Post and Newsweek? A Jew-
ish family
He's just getting started now. because
he's still gat to do Hollywood. And, as
he likes to say, Hollywood is completely
kosher. But I can’t bring myself to cata-
log it. There is never any mention of
on the part of these people or
the predisposition toward the
arts or the ellect of history in forcing
som
Jews into those jobs and that work they
now do best. The answer is much simpler
than that. Conspiracy.
But the most worrisome, the scariest
part of my days with Duke were the
brief. conversations he had with та
many people on the long trip th
us finally to Rogers. Without ever identi-
fying himself as а Klansman or anything
other than an ordinary young man. he
managed to tap the venomous hatred
and disaffection that seemed to be ever]
where about us.
He was talking with a boy
York, a boy who could have been any
where 18 to 22 years old. "We just
йез up from New Orleans. I thought
we had all the Negroes down there,” said
Duke, pointing to a group ol blacks.
“Hell, no, we got ^m all," the boy said.
“You go to schoc
“Yeah.
"Guess there's a lot of them іп the
school. You like to go to school with
them?
New
п
scared ай the time. Жете all
scared. They think they better than we
are. The stinking bastards. .. 2” Instn
a collective and focused race hatred
was coming off the boy like heat off a
stove. It went on for a long time. Duke
smiled at me while the boy babbled.
On a plane before take-off. a blond
blue-eyed young lady was writing on a
legal-sized pad of paper.
“What you writing?
ng over the sc;
work in a
sked Duke, le
t toward her.
hospital,” she said, “
4
Fm working up а manual about the
services available for the people who
come there and can't pay.”
“I guess thats mostly
Mexican:
She watched him a moment before she
nswered. But when she did speak, her
voice was pleasant. “Well, a good many."
“Most on welfare?’
“I guess most of them, yes.”
ri
groes а
“Sir, will you control your damn meerschaum.
“1 wonder why that is. Most of them
black or Mexicans on welfare.”
She started out slowly, talking about
their traditions, the inability to find
id past injustices. But
nes and
and saying 1 was from а tenant farm in
Georgia but a v now, and wouldn't
it have had to be genes and the like for
me to have .. . ? By the time the plane
was in the air and the first drink had
been served, the young lady had done
180-de and out of her pretty
mouth was spewing the same sort of ven
out of the young boy in New York.
Those brief conversations were to re
peat themselves over and over. with
people who did all kinds of things for a
ng. The only thing they seemed to
have in common was that they were all
white. Duke was very good at turning
the right knobs to cause one of his songs
to come out of their mouths.
The sad, awful point is this. Not in a
single instance in two days—not оте
did anybody take final issue with him,
tell him he was full of it or refuse to
continue with conversations whose sub-
ject was race hatred. I would not have
believed it i
Thad not been there.
.
The armory was packed to the walls.
People who could not get in listened
from outside. Duke took the stage and,
in the rising and falling cadences of the
professional evangelist, spoke lor an
nd E 1 had heard Ш dozens
of times and in that sense, it was
climactic. What dumfounded
scared me was that the people
ser stomping, s ovations
all through the hour and a half. And а
group of young men, robed and hooded.
their left arms extended rigidly а
degree angle. palms down. chanted in
unison: “White power! White power!
White power!” АП of this in a little town
where two months before there had been
no Klan organization and where there
had not been a Klan rally ir
figured I was sick enough to go home.
The next in midmorning, we
checked out of the Holiday Inn and were
ag for the car to take us to the air-
‘The te. We ambled to
ck of the place, where the swim-
ming pool was dry. Duke took off his
shirt, hung his fect over the lip of the
pool and dropped onto the dusty bottom
hou
ar was
nd started doing onearm pushups
Thirty with cach hand. While he
ped up and down, he grunted, “Not
hundred men с
I thought he was proba
thought that while it
sight, silly in the extr
ting stronger by doing
stronger. A sign. А real
n do this.
ply right. 1 also
as а ludicrous
me. he was get-
He was get
5
SUZANNE SOMERS
(continued from page H4)
in Puerto Vallarta, Mexico, and needed a
model. An agency suggested a fresh face
from Sa псіѕсо. Stan met the mod
cl—a striking blonde named Suzanne
Somers—liked her and hired her for
the job. Aboard the plane to Mexico,
they chatted. “I was impressed with her,”
Stan recalls. "I thought she was a sharp
girl. The way she talked about her career
plans, she seemed intelligent and lar
sighted.” He mentioned to Suzanne that
he frequently shot nude pictorials for
rrAvmOY, and would she be interested?
She gave it some thought and said yes.
After а day or two of swimsuit pho-
tography in Puerto Vallarta, the photog
rapher and the model departed for more
secluded locations—and the swimsuit
came olt. Stan remembers Suzanne being
very much at ease as she posed nude by
a waterfall just down the coast.
Stan explained that if she were chosen
аза Playmate by the editors, there would
undoubtedly be further photo sessions.
Suzanne agreed to remain
filled out the Playmate Data Sheet and
signed the photo-release form.
The photographs and the
were sent to PLAYBOY'S offices
where the decision was to be made
ples of Suzanne's nude shots were circu-
lated to rPravmov's senior editors for
voting. (The final decision would rest
with Editor-Publisher Hugh М. Hefner.)
In February of 1971 (hey, these things
take time), we finally contacted Suzanne
with the g
as a candidate for Playmate of the
Month, but we needed some follow-up
photographs to complete the pictorial
Would she come down to Los Angeles
and have her photos taken at Playboy
Studio West? She expressed delight
her select id we sent he
ticket Iro
And there the story stopped—at least
for the time being. The ticket to Los
Angeles was used, but we didn't sce
Su
un Francisco with no forwarding ad-
ted
vay
news: She'd been accepted
n Francisco to Los
nne again. She apparently had left
dress. As rhe months sped by, we
other Playmate candidates and filed
Suzanne's photographs. And eventually
forgot about them.
However tardy, we're delighted to
present Suzanne now, in all her glory
Our oiler of a more complete pictorial
is still open, but her final selection as
Playmate of the Month must, of course,
rest with our esteemed Editor-Publisher
On the other hand, if you'd like to
believe we knew all along that Suzanne
Somers would someday become a tele
vision sex symbol, and that we wisely
put away her photographs until they
could be more properly appreciated,
that’s all right with us, too.
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PLAYBOY
202
WHO'S ON FIRST
(continued fiom page 131)
“It was Jozsef who reasoned that Theo had been be-
trayed by the American, known to them as Harry.”
we'll know what we're looking for.
Sverdlov rose to go. As he reached the
door, Bolgin, while scanning the next
ple, said, "By the way. Sverdlov,
you related to the Sverdlov who ordered
the execution ¢ ?
Sverdlov drew his shoulders b;
have the honor, Colonel, to be hi
son."
"Well, well. Yes. Well, that was a very
ellicent operation. Yes. Eleven. people
were there, and we got them all using
only seventy-seven bullets.”
Sverdlov watched his superior closely,
attempting to [rame an appropriate re-
ply. He decided to be cautiou:
"As you say, Colone
That young man will go far, thought
Bolgin, waving his finger in dismissal as
he returned to the cables.
.
г Nady had specified that Frieda
rno should meet that night not a
their regular meeting place, the restau-
rant L'Ancien Franz, but at his litle
apartment on Avenue Ingres. They con-
vened frequently with other refugees of
the Hungarian uprising at bars and res-
taurants, meetings at times ugubrious,
at times buoyant, according as the mood,
dictated by random rumor, was good or
bad. The three were especially close,
bound by personal ties to Theophi
Molnar, with whom they had n
lated at the university and conspired in
the months and days before the glorious
short-lived week in October. When the
tanks came on the Sunday morning be-
they had been asleep. They
made their way out of Budapest on
‘Thursday, through the contact at thc
candy shop on Ferenc Street, the owner
of which had sed on to them the day
belore the harrowing details of the с
есшіоп of Theophilus. It was Jozsef who
reasoned that, manilestly, Theo had
been betrayed by the American, known
to th as Harry. sef told them he
had defied the curfew the night of the
execution. He told eda and ot
if Harry had still been at the hotel,
there would be one 1655 traitor alive іп
Budapest" But Blackford Oakes had
checked out. József managed to intimi
date the concierge to look at the registra-
tion book. József copied it down: "Harry
E. Browne, 34 St. Ronan Street, New
Haven. Connecticut. Passport number
Н 2152163, issued in New York on July
6, 1956." The following night, they as-
sembled at Madame Zlaty's store n
the university, where a contact. from the
sistance, driving a milk wagon, picked
the су:
them up at dawn the next morning.
‘They emerged Irom the shop dressed as
dairy workers. That night they spent on
a farm 20 kilometers from the city. The
next night they were in Vienna. Two
weeks later they arrived in Paris, hı
deliberated—and rejected as too far dis-
t from home—the United States as
п alternative sanctuary, Jozsef betrayed
п antipathy to the United States that
he associated with the despised Harr
Frieda, who had been listless since hear-
ing of the fate of Theo, smiled appreci
tively and put her am around the
shoulders of József. whose loyalty to her
dead fiancé was so ardent.
nd Erno arrived simultaneous-
ly. She was beginning to climb the stairs,
tired after a long day at the typewriter of
the firm of Coudert Frères. Erno, who
worked the graveyard shift as a linotypist
for Le Monde and was relatively fresh,
greeted her affectionately.
"Wonder what's up," he said as they
climbed the stairs to 4A. She depressed
the button, using the old rhythmic dash
dot dot dash they had used during the
ing months almost a year ago.
atly, József opened the door. hugged
Frieda and offered his hand to Erno. He
waved them into his small sitting room
with the wilted couch and chair, di
ppeared into the kitchen, brought out
a bottle of chilled white wine, poured,
sat down and sai
"Harry is in Paris and E know wh
he is!"
Both of his listeners put down thei
glasses. "Tell us," said Frieda quietly,
her large brown eyes closing with con-
cenuat
“I was delivering a radio we had re-
ired at the shop to the house!
the Hotel France et Choiseul. As |
walked into the service enti
walked out of the guest entrance
into a car, а gray Citroën. I have the
license number.”
“Are you sure it was Hamy?” Erno
asked.
“Is there anybody else who looks like
Harry?
“That's true,” Frieda reflected, “No-
body else looks like Harry. . . . What
shall we doi
"We could turn him i
police,” Erno suggested.
nd what would they do?" Jozsef
n the first place, we can't
prove he's a Soviet agent. In the second
c, if we did, all they would do is kick
him out of the country. After all, he's an
American citize
to the French
"We could tell the Americans about
him.”
Аһ, yes," Jozsef said, "I agree. I think
we should do that—afte
“Alter what?” Frieda asked.
‘After we avenge Theo.”
Erno's voice turned. cold, “What do
you propose. Jázselz"
“I propose that we hang him by the
neck until he is as dead as Theoph
Then we will see to it that the United
States—and the Co
although Hu
Hungarians
Frieda thought back on her quiet and
gentle Theo, a tiger on the soccer field
and, sometimes, in her bed; but other-
wise calm, purposeful, joyfully convinced
of a future free of domination. of polit
cal trials, of torture, execution, exile. A
great ness welled up in her
“1 agree,” she said, uttering the words
slowly, emphatically. "But on this cor
dition: We must let him speak. Not like
Theo. And—if he prays—give him time
to pray, unlike Theo.”
Jozsef turned to
“1, too, agree. But how? Shooting him
when he approached the hotel is some-
thing we might arrange. But hanging
him...”
“I have thought of little else since I
saw him," József said. “I tipped the door-
man and told him I suspected the Ame
can was playing around with my gi
nd I wanted to check her excuses,
would he keep his eyes on Harry? He
promised he would. Then I called recep-
tion and said that the cuff links ordered
by Mr. Harry Browne's mother from
s a surprise gilt for her
ald not be ready for
t too late? He checked
nd told me Mr. Browne had. reserva-
s for the whole month of July
"That doesn't answer the question of
how we will get hold of him.
“I have that figured our. ГЇ go to the
ved. not
де
garage with а work order from the radio
store dio in the gi
Citroën. plate 407-1. The garage super-
adent has his office in the entrance.
exit is at the other end of the
bı Alter hall hour, E will
leave with my tool chest and wave good-
bye to the superintendent. 1 shall re-
enter the garage from the exit side and
go right to the car and lie on the floor
of the back scat.
“What if Harry sees you when he gets
into the car?"
“He won't. И by any chance he did,
Га pretend I was sleeping off a drunk
int
Th
ding.
and wobble out with my tol kit. You
will be parked in med car at the
corner of Casti nd St.-Honoré
nd when you see the gray Citroen with
that license plate, you will follow us. ГИ
spring him w two minutes of the
time he turns out of the garage and put
this"—he lifted a .38 revolver from un-
der the cushion of the couch—"behind
т just a machine,
in vibrator.
that I
built-
s Irue, of course,
but 1 do haue
“Te
203
PLAYBOY
204
the back of his neck and tell him if he
wants to stay alive, to follow my instruc-
tions exactly.”
“Where do we take 1
“Do you remember the picnic on In-
dependence
Fontainebleau?
“OF course,” said Frieda. “Off the road
and deserted. Perfect.”
It was left that József, having been
tipped off by the doorman, would esti-
е the likeliest time of depart
ry Browne from the hotel,
plan would go instantly into action.
"You, Erno,” said Jozsef, "need to
bring the rope. We will tic his hands
behind him when we take him out of the
car." Frieda gave ап involuntary shudd
but bit her lips. and although she һай
tried for six months to drive out of mind
Ше picture of Theo, swi g in the
wind on the gibbet of the rating truck,
now she ushered the image back into he
mind and instantly recovered her resolu
tion. Jozsef, ng with excitement,
pursed his lips and shook his head with
its long blond hair ferocioust Perhaps
now they will learn something!
Erno walked over to the bookcase, on
top of which was a framed picture. It
was taken of Theophilus holding the soc-
cer cup freshman . “To my great
friend József. Theo.
тти with you all the way.
And 1/7 echoed Frieda.
.
Bolgin looked at his watch іп the dim-
ly lit restaurant, He ordered black coffee
and mineral water and took up the after
noon paper. But his mind wandered.
Sverdlov—you had to give him credi
had done a good job. At three, the drag-
net had gone out. One of the agents,
g in the lobby of the France et
Choiseul, spotted Blackford Oakes leav-
ing the hotel lobby that very afternoon.
The agent followed him out and saw
him get into the Citroen, whose license
number he memorized. He was registered
in the hotel under the name Harry
Browne. Ah, Blackford, Bolgin thought.
This time, my friend. I have got you, oh,
yes I do, my friend Blackford, oh, yes I
do! He was very nearly smiling when the
young man unobtrusively sat down be-
side him. To the waiter, the young man
said:
"Do you have any Hunga
‘The waiter nodded.
"Bien." He turned to
addressed him in English.
"Do І suppose it goes well with your
friends?”
"It went exactly as we planned.”
“Very well. Now, let us reflect for а
little moment. We know that Oakes was
very indispensable to finance and to or-
ganize the contact points for Hung
escapees. In six months, we have exte
minated three of them—yours, of course,
we finished as soon as we got your mes-
ge in Vienna, But we couldn't get
Day, when we drove to
sw
n beer?”
who
anything out of the old lady
others. She did not know, or she would
not talk: We'll not know ever which at
this point. Ah, a tough business, ch,
Jorset?
“Now, our friend Oakes, he will, of
course, insist to your colleagues that he
is Are you quite certain
your . . . friends . . . they are convinced
it was Oakes who gave us the address o
Dohany Street?”
“Quite certain—though they know
him only as Harry. I led them to that
conclusion the very night ol the execu-
tion, I told th that Theo had told me
his American friend had given him a
special address on Dohany but that
Theo never gave me the number on
They are absolutely con-
п what he will attempt. But
we know what we d
we desire у
that would pleasingly surprise us. For
instance, any special contacts іш Paris.
Information on any operations he might
be doing. What would help is if he told
you where the other contacts are in
Budapest that are still operating. Be
and 1
your otl
cause the girl Frieda
friend, I forget his name
Erno. Erno Totl
“They might, Oakes will calculate,
know that he is telling the truth if he
gives the names and locations of the con-
tacts—they might have heard about one
or two or three of those contact points
from other refugees.
^1 doubt it. The refugees are all tight-
lipped. You know that. 1 haven't had
апу successes for you on that [ront
“Well,” Bolgin said, sipping his glass
of water, "a man gets pretty desperate
when he is walking toward the hanging
rope, ch, Józsel? I am certain Mr. Oakes
will think of something worth your re-
peating to me.”
József sm
he is talked out, Colonel?
"What shall you do? Why, my d
Jozsef, you will hang Mr. Oakes. Yes.
Bolgin raised his glass of mineral water
as if to toast the idea. “Moscow would
like that. In fact"—his eyebrows came
together—"Bolgin would
will, of course, ti
ll we do when
reedom
1 not
the morale of
* ch? But also—and you w
tial for
Fight
" he chuckled—^"essential for the
morale of Moscow, and excellent for
the morale of Bolgin. The morale of
Bolgin is also worth some m
is it not true, Jozsef?” Bolgin laughed
almost convulsively. “Blackford Oakes,
the picture-poster secret star of the great
Central Intelligence Agency. Hanged as
waitor—by the Hungarian Freedom
hters Oakes helped escape from Hun-
gary! It is too—delicious! We shall see
that it gets leaked, gets world-wide
RIAN FREEDOM ers
EXECUTE 0.5. CIA AGENT /CAUGHT. COLLAB-
ORATING WITH R.G.B.’ Such black eyes for
friends in the CIA, no, Jozsel?
Yes! Terrific! . . . Say, Colonel. You
know, it is getting very expensive, lile in
Paris. And I do need my own automo-
bile. Renting опе from time to time for
specific missions, well, it isn't entirely
ed. reached into his
pocket and extended his hand under
the table.
“What you find in this envelope there
will be five times of when the photo-
graph comes to me.”
.
ked into the hotel lobby
n he
the
and
Blackford
and notified the cadaverous doo
wished his car brought up from
garage. He gave him the stub
three 100-franc bills.
He idled the few minutes he had to
t, looking at the morning papers
lines and lead stories until the door-
ur, your
м:
h
man approached him. "Mon
car.
He walked arou
d to the driver's seat,
slid the car into gear and turned right
down the Rue St-Honorc. As ever, һе
looked hard at the rearview mirror, and
so he spotted the gray Fiat pull out,
heading in the same direction. He slowed
down long enough to catch the first cou
ple of letters of the license plate, ay. He
would remember ay, at least for a little
while, in case it came in handy. It was
then that he heard the voice speaking in
an accented but perfectly fluent English.
1 have а .38 revolver pointed at your
1 straight the way you're go-
to the Rivoli. Close your window:
у or else I shall blow
proceeded through the
heavy traffic and attempted through the
rearview mirror to look bel hi
He couldn't see а head or a torso, but
ipping a
back of
“We will talk later—if you are alive
later."
"Why do you Lam alive later?
“Because if we are stopped, or if you
cident. or if the car goes өш
of control, 1 shall shoot you—and there
1 be no opportunity for us to talk
later."
You are telling me 1 should
drive carefully.
“If you wish to stay alive.”
“Where are we goin
“To where I direct you."
Blackford now knew the national ori-
n of the back-scat driver.
“You are [rom Hun,
What do you
T said we would talk later, and that is
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PLAYBOY
the last thing I shall say, except to give
you instructions. Do you know the turn
to Fontainebleau?”
“Which one?”
“Past Place d'Italie.”
Yes.
“Take it.”
Blackford looked again in the mirror.
A gray Fiat was behind him. He attempt-
ed to read the initials, but it was behind
him by 100 yards and he didn't dare
slow down.
"One hundred kilometers per hour, no
slower, no faster,” the voice behind him
now said. He pressed down the pedal
and prayed the French police would not
be exercising one of their occasional
check stops, because he did not doubt
that if this happened, the voice in the
rear would, indeed, pull the trigger. One
bullet would dispose of Blackford Oakes.
‘That would leaye five for the policeman,
not bad odds.
They drove in the summer heat up
past Orly on to the two-lane highway.
which bore no speed limits. They were
50 kilometers out of Paris and suddenly
he found himself, through the mirror,
looking straight into the face of the
young man of slender countenance, light-
haired, with
ures,
lightblue shirt, workman's smock, no
tie, eyes barely discernible behind the
squat eyelids. The man glanced hastily
out the rear window, clearly to satisfy
himself that his car was following. A few
minutes later, he said to Blackford,
low down. You will turn lelt about a
half a kilometer from here on the coun-
try road.”
Tt was a mile and one hall from that
turnoff that his captor directed him to
drive through an unused, ор
toward that barn there.” Blackford did
so, and at that point. the Fiat thar
had followed them off the highway pulled
ongside. He looked at a girl in the
front seat, dark, with sad eyes and a pale
complexion, her hair austerely ged
She wore a blouse and light-blue cotton
ski 4 the summer h she was
face was strikingly fa-
left was a man equally
clully
light-brown, illcut
n expression on his face.
t do I do now?”
set out of the car.
Blackford did so and the driver of the
ljacent car drew his hands behind hi
d tied them securely with an electric
cord.
"Oh, everything'sabout the same here
at the office—the usual trendy simmering admi
ture
of ambition, greed, betrayal and sex.”
“АП right, Harry," József Nady ad-
dressed Blackford, eye to сус, pointing
to the barn door. “Get in there.”
Harry! Instantly,
Great Cod Almighty, I am going to be
made to pay for the death of Theophilus
Molnar! The irony tormented him.
he actually feared he would be lit
ly speechless. The girl. Frieda! He had
last seen her апп in arm with Theo,
whom she kissed as he left her to come
to the tavern for one of those meet
with Blackford.
He entered the dilapidated barn
stopped. He came close to retching, b
open door casting a broad shaft of light
illuminating the bottom one th
line, was a noose.
The old barn h
for wine cask:
about in varying stages of d
on the dusty, dimly illuminated rotting
wooden floor. Erno had traveled out at
dawn to loop Ше rope and contrive a
rudimentary courtroom. He
stout plank, which he propped up over
two old wine casks—they would sit on
the plank. A large barrel would serve
Józset, the chief judge, as a table. An-
other cask, serving as a bench, would be
for the defendant.
To that seat Blackford was now guid-
ed. "Sit," Jozsef motioned with the
tol. The three Hungarians moved in
front of him. They sat down on the
plank, the man with the gun in the mid-
dle, the girl on his right. Jozsef placed
the pistol on the cask in front of him, the
barrel pointing at Blackford. The tool
chest Jozsef had brought from the car
he placed under the plank.
The trial of Harry Browne had begun.
“Harry,” as you call yourself, I am
]огзе{ Nady. This is Frieda Darvas—l
m aware that you have met her—and
on my left is Erno Toth. We are here to
try you for conspiring to deliver Theoph-
ilus Molnar to Soviet executioners on
the seventh of November, 1956. Do you
plead guilty or not guilty
Blackford drew breath
solemnly, “Not guilty.”
“Do you deny that you ga
to an address on Dohany Street
"No, 1 don't deny it. Jt is true that 1
gave him the key. I sought to protect
him. } knew he was likely to get into
trouble.”
“How could the Sovict executioners
have got hold of the address on Dohany
Strect unless you were in collusion with
them?”
“I don't know. 1 have tortured my.
self wondering. There is only one ex-
planation. It is that Theo disobeyed my
orders and confided the address to some-
one from whom the Russians got it,
possibly by torture.”
Józse turned to his companions and
ind said most
ve him a key
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spoke in Hungarian. The tones were ип-
mistakably contemptuous. The girl said
nothing, but Erno gestured to Jozsel,
then addressed Blackford: "Sprechen sie
Deutsch?”
Blackford, he spoke German.
Oakes's profe:
Blackford thought for a moment and
decided he had very little to lose.
"Pm an American intelligence agent.
е orders from the CIA."
"In that Jozsef broke іп sneer-
ingly, reverting to English, which Toth
evidently understood but had difficulty
in speaking, "you should be able to
prove you are with the CLA, What were
you doing in Budapest?”
“J was collecting information for the
gency on the likelihood of a revolt
gainst the puppet government and the
probable popular reaction to such a
revolt. In addi а hand in
establishing contact points for escape
routes.”
“Oh? Where did you establish these
contact points?”
Blackford was at once cager to con-
vince and wary.
“Some of those 1 helped to establish
ve been detected. One or two, so far
h:
“But where were these contact points?
are ask-
ing me for information 1 am under no
es permitted to give ош
nduding your own,” said József,
looking up at the noose.
Blackford decided to take a
isonable risk. He turned to Frieda.
ly store
of Madame Zlaty on Ferenc Street.”
ply startled.
Jorsef, on the other hand, was trium-
pliant. “Ah! And three days later, Ma-
dame Zlaty wa
executed!”
Blackford's face reddened and he lost
his temper. “You ng T set up that
old lady to get tortured and shot? Fuck
you, Nady. If the revolution was made
up of types like you, I'm glad you lost!
The effect of Blacklord's outburst was
convulsive. All three Hungarians spoke
at the same time. Jozsef kept. gesturing
toward the hangman's rope. Erno ap-
peared to wish to pursue the interroga-
tion, Frieda, after an initial burst, lelt
it to the men to contend with each other
n
but appeared to detach herself. from
them. Suddenly, there was silence.
Josef spoke:
“What are you doing in Paris, Oakes?”
Blackford was startled to hear his own
ame, which he had never used, in Budi-
pest or in Paris. The others did not
appear to have noticed obtrusive
syllable—their English was unpracticed.
Blackford let it go.
“I am here to pick up wh:
formation my superiors ask me fo!
ever in-
“W
into?”
“I am not on assignment a
ment.”
Jozsef spat on the floor to give con-
viction to his disbelief. He conversed
now with Erno, who nodded head as
he spoke. Frieda listened and then ad-
dressed Blackford quietly. “Do you wish
to pray?”
He broke into heavy sweat. “Yes,” һе
managed to say. and closed his eyes.
The talking had stopped and the three
judges were on their leet.
Blackford, pale, opened his eyes and
addressed Frieda. "I wish to talk to you
alone.”
Jozsef gestured his refusal impatiently.
But Frieda turned on Jozsef angrily
nd, pushing him to one side, stepped
d, took Oakes firmly by the arm
t have they asked you to look
the mo-
га
and led him away а few steps to a
comer of the barn. She whispered,
“What do you want to say to me?”
“That I love Theo. That when he
was killed, which was done before my
eyes, I came close to going mad. That
because he died, I renewed my pledge
to devote my life to avenging | nd
others who suffer every day from similar
fates. I wanted you to know that I, too,
e a fiancée I love as much as you
loved Theo. She is ап American. She
was going to marry me as soon as I left
the agency. She broke olf the engage-
ment because I refused to leave after
seeing Theo killed. And then 1 wanted
to tell you one more thing.”
eda stepped back for one moment,
shaken. She saw Blackford, his face pale,
the sweat of his agony suppurating
through his shirt, his hands bound be-
hind him. Theo must have looked much
like that in those final moments. In her
mind's eye, she saw them together, Theo
and Blacklord, and she recalled, in a
way she had entirely forgotten, the com-
munion between the two men. Could
sach a man have betrayed Theo?
“What was it you wanted to add?
Blacklord's whisper was hoarse: It was
now or never, he knew.
That 1 arranged with a bank in
Paris to advise the fiancée of Theoph-
ilus Molnar t Theophilus’ aunt had
turned over a part of her savings to
that bank and directed that the money
should be p: Darvas. That
bank made inqui d tracked you
down, The money t, my own
money. The Crédit Lyonnais acted on
my instructions. Theophilus was be-
trayed, yes. But not by те.
She stared at him, ashen. Te
to flow. hed out her hand, lc
getting that he could not take it. She
clenched her teeth and turned. to her
partners. They spoke interminably, the
pitch of their voices rising to yell.
But Blackford could see that
apparently now arguing with Frieda, not
She re;
against her. At one point, Erno left
the litle group, came over to Oakes,
wheeled him about and untied the line
holding his wrists together. It was then
that Oakes spotted the movement by
József and lunged across the room, hit-
ting him with a flying tackle seconds be-
fore József's hand reached the pistol on
the wine cask. They struggled furiously.
hed him, using the bottom of
h all his force on the bridge
of the stepping to one side as
Józseť fell, and then kicked him w th
all his might on the temple, leaving him
motionless. Breathing heavily, he turned
to the girl and Erno. There was an
interval before he could spea
“There, I expect, is your traitor:
Frieda id Erno talked hoarsely in
Hungarian. Blackford interrupted th
“How did József know Theo had a hid-
і е on Dohany Street?”
črno replied. "He told us Theo told
him you had given him a hiding place
on the street but that Theo hadn't given
him the number."
“I should have known,” Frieda s.
as if to herself. “IE Theo had a hiding
place, he would never keep it merely for
himself. He would never give out the
street to a friend and not give the ad-
dress. He and Jozsef were together when
the Russians came. He must have told
" She looked
“I believe you." And to Erno,
"There," pointing at Jozsef, "is Theo's
killer
‘The rays of the sun, risen to its merid-
ian, had left then relative darkness.
12° Erno asked Oates.
“I expect he is." He got down on hi
knees and put his fingers on Józseľs
wrist.
“Yes. He's dead.”
n there was silence. Frieda finally
‘IL bave to bury him. Harry,
tend to that?”
to all that, And quickly, It is
now clear Jozsef was on assi
day."
"What do you mean?"
Blackford reached into the tool kit and
opened it inquisitively. Along with the
iphernalia of a radio repair
ge black object with a circular
num attachment. Не drew it out.
5 ng to take a pictui
hanging Irom that beam. 1 assume he wa
n touch with people who would have
paid him well for that picture.”
a came to him and extended her
d impulsively put hi
about her. They walked silently to the
cars.
ment to-
*
. Blackford was sit
able with his mor
g newspaper. He allowed himself a
look at the headlines. which featured d
verse news of Algerian terrorism апа
French Cabinet crises. tor Hum-
ting at the kitchen
ng that 207
PLAYBOY
208 1 went first to work—I had called
arms control wouldn't work unless China
was in on the deal; otherwise, the Rus-
sians would use China as a loophole. He
turned then to the classifieds. There was
something there: “Harry. 1 need to speak
to you. Call Littre 2535. Frieda.”
He looked at his watch. It was 6:
ached for the tele-
A sleepy
phone
man's voice
Blackford recognized the voice of Erno
Toth.
“Harry Browne.”
“When did Harry last see Fried
“At the same time I last
w you,
ight, Harry. She
10 sce you. H
“Ye
“At home—she leaves for the office a
cight-fifteen—she is at Dupont 1131. At
the office, it is Trocadéro 5323."
“Thanks. Good luck,
“Good luck, Harry.
AU 8:30, Blackford dialed the Troca-
déro number. He identified himself and
ieda was quickly satisfied it was һе.
“I am gla from you,
Are you
“Yes.
import
ieda,
very anxious
—you have a pencil?
d
But | should see you. I have
nt information
I'd love to see you, Is tonight
"Shall we have dinnei
“That would be especially nice.”
“You say where. And remember, I
guess I'm still hot.”
She gave him an address. “
ight o'clock."
What time?
б
Tt was just after cight when Blackford
spoted her. He sat at a table іп the
womb of a concave booth of which there
w half dozen the slightly
у Empirestyle main dining room.
Blackford һай been sipping a kir and
reading the newspaper, having, beret and
glases in place, given a name to the
maiwe d'hótel, in the event of a tde-
phone call. Frieda sat down quickly, be-
fore Blackford had time to rise and help
her. She wore a simple blouse, stars
white, and a fine gold-chain necklace,
and around her wrist a knitted cotton
bracelet, interweaving the colors of the
Hungarian flag. She wore only a trace of
lipstick and her cyes were
Blackford began. "Are Józse's friends
following you?
“They are not,” she snapped, “but they
are anxious to.”
Blackford signaled the waiter and she
asked for a dry vermouth and “le menu."
Blackford said make that two. “Tell me
about it.”
‘That afternoon, after we came back,
n the
e liquid.
morning and said I was sick. After the
olfice closed, I couldn't get Jozsef out of
my mind, so 1 went to his apartment and
told the landlady—she's Hungarian and
recognizes me—that József had йеп те
from out of town and asked me to collect
some things. She let me in and closed
the door, The first thing I did was take
the picture of Theo out of the frame.
She opened her purse and brought it out.
Blacklord winced at seeing a picture of a
face һе had last scen hanging from a rope
and swinging in the cold Budapest wind.
1 decided ıo rch the tment. I
found in the drawer of his desk a book, a
book of addresses and telephone num-
bers. I 1 here.” She produced it
from her purse. “I began leafing through
it. I recognized the names of many people
we both know. The book dates back
to . . . last fall. Then I looked for the
Paris numbers—there weren't so many of
those. There were familiar names, mine,
no's, many others’. But then there was
a number'—she opened the book and
held it so that Blackford could see—“that
seemed unusual. It's two numbers, very
neat, but opposite no name, in the B
section. One is а foreign. number. The
other, а Paris number.
“Well, I have a friend who works for
the telephone company. 1 asked her to
find out for me whose telephone it was
and yesterday moi she gave me the
answer: It is the private telephone of the
military attache of the Soviet embassy
Blackford whistled. On the other
hand, I guess that shouldn't surprise u
Frieda had begun to eat her soup and
Blackford ordered some white wine.
“Хо, not now, after what we know
about Jozsel. But I conceived a pl
and 1 have reached the part where
didn't think 1 should go on with it with-
out first consulting you.
looked at her in a diffe:
ophilus had always spoken of her shyly,
protectively, That day, at the barn near
Fontainebleau, her role had first been
passive, leaving it ıo the men to do the
wrangling. But having made up her
mind, it was she who had been the
decisive factor.
consult me about what you are going
10 do, or about what you have done?
Blackford asked a little apprehensively.
“About what I have doi
“Oh, my God, Fried:
out volunteering any eluci
“Oh, my God, what? I r
were ihe specially selected. victim of the
operation the other day. But first they
took my country, then they hanged ту
1 they tortured to death the
woman who got me out of the country,
and now they tried to use me as а mem-
ber of an execution squad to assassinate
an American who tried to help Theo.
And who did help me.” She looked up
and her eyes were full, as she grasped
Blackford’s hand warmly.
“What have you done?”
ауе
* he said, wit
"I called the number and a voice an-
swered. I said, "I wish to speak to the
military ché’ The voice replied,
"About id, "About Jozsef
‘What about Jozsef
‘Do you or do you not
wish to үс ” information about him.
There was a silence, and I could hear
that the telephone was being switched
ой. Then the voice came back aud it was
much more ple:
you where I can call you 1
"No'—aánd ollered no altern ar-
rangements. 1 am aw t there are
techniques for tracing telephone calls—
1 was using a public phone, away from
my apartment and office. So 1 at
you wish to know where you can find
Jozsef Nady and the American, you will
have to follow the instructions 1 will
€ you on this telephone" He said,
"When will you call? I said, ‘I will call
you the day after tomorrow at ten лм.”
“What,” asked Blackford with increas-
ing awe, “do you propose to say tomor-
row at ten A.M. to Colonel Bolgin?
“Ts that his name?”
"Yes" B d. "Boris Bolg
the top K.G.B. official in Europe. I've
actually met him. He's good with the
soft exterior, but he's been trained to do
ng that < pproved
of. The business lust W
migination: stringing me up
for betraying Theo—and using Theo's
ncée as part of the execution squad.
Not bad. What do you have in mind to
say to him?
what
He is
ply. She
dropped her fork on her plate, looked
up at him and smiled with manifest
pleasure at her decision: "I shall say to
him whatever you like! At one end of
the table," she said matter-ol-factly, "we
could arrange to kill him. At the very
least, we could . .. well. get you you
money back. But it occurred to me that
perhaps there was something you might
specially want E
Right, Blackford thought. He would
like Bolgin's balls, just, well . . . for
instance.
Frieda sipped her coffee and liqueur
“I think it would be useful —and us
ing—to think about it, and I suggest we
to me, Frieda,” he addressed
"Colonel Bolgin, as I've told you,
is the chief K.G.B, operative in Wester
ope. His decision to use, to my ter-
ıl disadvantage, the momentum gen-
ted by the execution of Theo wasn't
aimed merely at one CIA operative who
had been working Budapest. He hap-
pens to have some old scores to settle
with me, and 1 guess it’s safe to say that
his hostility reflects the . . . well, con-
solidated hostility of his service. They
have been tracking me—that we know.
Otherwise, they wouldn't е known to
inform Józsel that I was staying at the
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©
m
м
ы
20
Trance ct Clioiscul. They had a dragnet
out for me, still do. Now, I simply don't
know why, other than what Ive told
you—the settling of old scores. But from
all of this we can deduce several pos-
sibilities. One of them is that by now
Bolgin knows either that József is dead
or that he is detained—or that he has
defected. József was probably capable
ol becoming a double agent, of double-
crossing the K.G.B., but not—I'd guess—
your presence, or Erno’s, He would
never have acknowledged 10 you that—
hah hah hah—he was actually the guy
who hanged Theo. If instead of killing
him 1 had merely overpowered him, and
then driven him in a саг... who
knows whether money would have
brought him around? We'll never know
that.
"Now, let's assume Bolgin deduces the
obvious—that something went wrong in
Operation Hang Нату. He's still going
to want to know whether József is alive
or dead. He's going to want to know
how much, ghe has...
spilled.”
"The possibility," Fi
“What?”
"That somehow you overpowered
дле! from the beginning, in the car.
“In which case—how did you happen
10 dial Bolgin's number directly? How,
unless you were suspicious, would you
have known to say into the telephone
wi you did—that if the military at-
taché interested іп knowing the
whereabouts of Jûzsel Nady, you were
in a position to give out that informa-
tion?”
“АП right. I agree. He figures I know
what happened. That could mean 1
know where you are—or thar I don
You might be dead."
Correct. So—stay with me. Bolgin
will attempt, over the telephone, to ar-
nge a rendezvous. He would certainly
was
dispatch to that interview a subordinate.
l of K.G.B. Europe
n't going.
k into something he hasn't cased
out, something blind. You can also
sume that whoever he sends to that meet-
ing will be followed by one or more
agents. So from that moment on, they
would know, A, exactly who you are, B,
where you live. From that moment on—
whatever happened during the inter-
—you'd be a sitting target on their
ume I already am. I attend all
the anti-Communist rallies, all the Free
Hungary Committee meetings.”
So docs much of Paris. Anyway, we
know there's one concrete disadvantage
ng him: You're put on his
‚ On the other hand, you don’t
ly have to meet him—or „his repr
sentative. You might be able to accom-
plish anything you set out to accomplish
over the telephone.”
Like whatz
“I dunno. I haven't got a real hunch
on this onc. But 1 feel that keeping the
contact live is useful. Just don't do any-
thing till you hear [rom me.”
.
Early the next morning, from a pul
telephone booth, Blacklord spoke with
Frieda. He had decided what to do.
At ten exactly, again from a public
telephone, Frieda rang the number of
Colonel Bolgin, who picked up the tele-
phone himself, having arranged to re
cord the conversation on magnetic tape.
the same gentleman as yester-
day?” she spoke in French
"Yes. They call me Valerian.”
“They call me Ор;
“Lam very anxious to see you, Olga."
“Lam a friend of Józscf, and he has
told me to follow his instructions.
“Where is Józsel
"His instructions include not to tell
you or anyone else where he is. Some-
thing has happened that has made some
of his friends suspicious. He is going to
America, but he is willing to do work
there for your fr i
ced he is
nd a print for you."
Bolgin’s heart began 10
citedly, It had worked!
like that. His bargaining instinct as-
serted itself. He would feign only mod-
crate interest in it. "Oh, yes, the picture.
Is it your plan to mail it to me:
“Please, Valerian: I am busy. And I
bout. to cut olf this conversation. 1
pump ex-
Moscow would
am
will call you from another telephone at
exactly ten-thirty. The price is ten mil-
dol-
lion francs. But József wants it i
Jars, Twenty thousand. dollars,
hu
m
.
At 10:30, when the telephone rang,
Bolgin picked it up. “Ten thousand
dollars, and that is the top price."
“József inswucted me not to bargain,
The picture can, alternatively, be turned
over to the Sûreté Nationale with an
ation as to how it happened,
€ the body is buried and who gave
the Instructions.’
Bolgin had a reliable instinct on the
matter of when bargaining would work
and when it wouldn't. “Eh bien. D'ac-
cord. Vingt milles."
Before he could begin to stipulate
arrangements, Frieda proceeded: “József
says you аге to send а woman from your
department 10 the ladies room on the
second floor of the Galeries L;
ninety
minutes, approximately. There
stalls. ГИ be occupying the end
The toilet next to it will have a
ign on it—our I'll tip the
tendant to put it on, to make certain
it will be ui d. Your woman is to
open that stall. I will slide the envelope
under the pa she has
slid the package of bills under the part
tion. She с aph.
When she raps on the partition, I will
pick up the package and count the bills.
She is to slay in the toilet stall fifteen
minutes. Do you nced me to repeat this?
Oh. One more thing. Jozsef says you
may indude in the package the name
of any contact in Washington or i
New York, if you wish Jósef to have
further dealings with you."
“I have the details,” Bol;
and put down the telephone.
.
snapped,
At ten m to one, Sverdlov's
two years out of a K.G.B.
returned perspiring from her
the large downtown depart-
ment store, She handed the envelope to
who, as instructed, took it
directly up one flight of steps to the
office of the military attaché, dropping
it down on Bolgin's desk. Bolgin's fin-
gers shook as he reached for it. He
opened it and slid out the eight-by-ten
print. The background was appropriate-
ly grisly. The helter-skelter wine casks
on the floor, the fixed end of the rope
disappearing at an angle into the dark
void, beyond the reach of the flashbulb.
‘The dull-blue shirt and inert, long, slim
legs: the arms bound behind; the face,
cocked over by the noose, disfigured.
| s heart once again pounding,
reached for his magnifying glass.
He stared at the face of the dead
man, The blondish hair, loosely cut.
‘The regular features, the swollen check.
He felt a jet of ice run up his spine. He
sat motionless, his mind racing. Sverdlov
wondered that so professional a man as
Colonel Bolgin should be taking such
voluptuary satisfaction, even in such a
work of counterintelligent art. Sverdlov
was fascinated by the fixity of Bolgin's
aucntion to the photograph.
Finally, Bolgim slid the print back
into the envelope and looked up. His
voice was preternaturally steady.
"Well done. 1 shall meditate the uses
to which we shall put the photograph-
after consulting with Moscow.”
Sverdlov, though disappointed that he
had not been offered a view of the ex-
pensive photo, snapped his heels to-
gether and left. Bolgin, left alone, dug
his nails into the side of his face—unt
he felt moisture at his right index finger.
Alarmed, he walked over to the mirror.
He had actually drawn blood on his
right cheek. Calmly, he went into the
bathroom's medicine closet and. applied
the styptic pencil. As he looked into the
ror, he said to himself. out loud, in
xaggeratedly emphasized. English, “Ол-
ly you, Oakes, would think of it. Sell
me, for ten million francs, a picture of
József Nady on the perfect, the beautiful
gallows prepared for yourself. You know-
ing—goddamn you—that probably only
1, Boris Bolgin, could tell the difference.
“1 can't quite make up ту mind, Emily, whether I should
allow Mr. Rochester to screw Jane Eyre before or after she learns
the truth about his mad wife.”
211
PLAYBOY
212
OLYMPIC PICKS „ье
"In the Soviet Union, 280,000 Speed skaters compete
on а regular basis. There are only 2500 in the U.S.”
and the t that should lead to the
top if Tickner succumbs to the pressure
of being front runner.
2. Russia: Vladimir Kovalev is the an-
chor of a strong Russian contingent.
Great Britain: Robin Cousins has skipped the world championships im
been sensational im the past year and last winter to have а baby but
could surge past Tickner for the gold. ng to Lake Placid. Look for a
Not much depth beyond him strong challenge lor the gold.
БА АЛЫ. i ermany: Sabine Bacsz and
RE Tassilo Thierbach should garner the
E bronze, but the team is not as «сер as
da Fratianne is the Russians for the silve
1. United
a strong favorite for the gold. but this .
could be her last amateur. performance ICE DANCING
and the pressure will build. Lisa-Marie TOP SQUADS
а: Dominated this event
as two strong ‚ including
medalists at Innsbruck, Irina
nd Andrei Minenkov.
ers have come 2, t Britain: Has a strong team
on strong in the past two Olympics but should not top the Ru
they could easily win a medal this year. — 3. Hungary: Маз an experienced pair,
Emi Watanabe is the one to watch. Krisztina Regóczy and Andreas Sallay,
k for the Lake Р! сз.
Note: The U. least two с
na
Allen will be pushing her. 1. Ru
Eas Germany: Anett Pütsch will 1976 and
ns to the silver but.
probably not the gold.
3. Тарап: Japane
1. United States: Tai Babilonia and
Randy Gardner have the experience
"It isn't just me. My wife has been following
the case and she thinks you're guilty, too.”
SPEED SKATING
katers should also take the lion's
d events,
cator.
Our s
share of the medals in the sp
if the recent past is a reliable
Sixty percent of the medals brought
home by Ame ations in the
past tl nter Olympics were won by
speed skaters. In 1976 alone, the U.S.
got six medals in speed skating, іпсіші-
ing three by one woman, Sheila Young.
Since then. there have 1х 24 world
competitions and the American squad
has won 13 championships.
This Кес dominance ather rc-
cent. Historically. European countries
dominated the sport—virtually all the
ques and tr g methods were
developed on the Continent Бас Amer-
їсап skaters have come оп strong
recent years for two mai sons: (1)
An artificially refrigerated 400-meter
k was built nı Milwaukee їп 1966,
thus providing a specialized. training
facility in this country (though we could
still use more tracks—Holland, for ex-
ample, has 13 refrigerated tracks for a
population of only 12,000,000); (2) The
Americans have developed. perhaps the
best group of coaches in the world, head-
nd Petei a
ve developed excel-
lent squads, despite a numerical disadv
tage, in relation to some other countries,
would seem overwhelming. At a re
cent world skating compe
coach told an American counterpart that
280,000 speed skaters compete on a гер
lar basis in the Soviet U
only 2500 in the United States.
Much of the success in speed skating
this winter should come from а couple
and Beth H nd Peter
Mueller. с Heiden is а
21-year-old premed student at the Uni-
йу of Wisconsin. He is by far the
dominant male speed skater in the world
today, to the point where at both world
championships last year, he won all eight
men's events—lrom 500- to 10,000-meter
istances. His sister Beth, a petite 2
old enginecring student at the same
school, is also a defending world cham-
pion. Leah Poulos Mueller and her hus-
band, Peter, live iı nall rural town
n southern Wisconsin, and they will be
returning to the OL alte
won medals at Innsbruck in 1976. Mike
Woods, who g
excellent chance to win a medal in the
longer events.
MEN'S EVENTS
TOP SQUADS
1. United States: With
every distance, the U.S.
Heiden, Peter Mueller and
and should sn:
2. Norway:
event and is a special threat at 1500 and
at
ic
like Woods
Iul of med
10,000 meters with Jan Egil Storholt.
E - H the Americans are tradi-
tionally strong in the sprints, the. Rus-
sians excel in the distance races. Their
sheer numbers of good skaters always
make them а thread
Note: The Netherlands always fields а
strong team and could surprise the favor
ites, especially in the longer races skated
by Piet Kleine.
LADIES EVENTS
TOP SQUADS
1. United States: Beth Heiden and
Leah Poulos Mueller give the U. S. excel-
lent chances for medals at all distances.
9. East Germany: Always strong con
tenders, they could easily score with an
unknown skater or with Sylvia Albrecht
in the 500- and 1000-mcter events
3. Russia: As in the men’s events, the
sheer numbers of good skaters make the
Russian women a threat in any race.
Note: Upsets are more likely in the
n in the
ladies’ speedskating events t
men's, for reasons no one understands
completely. Even if surprises do occ
perhaps from the Dutch or the Cana-
dians, they should not reach all the way
to the gold-medal plateau.
ALPINE SKIING
The Alpine version of skiing originat
ed а couple of centuries ago. when the
mountainous countries of Europe im-
ported the sport from Scandinavia and
developed their own styles of precipi-
tous downhill competition.
Even so, the Scandinavian countries
excelled in the early winter Olympic
meets. In recent years, however, the Al
pine countries—nots
land and France—have regained control
of the sport they developed. The French
skiers, led by Jean-Claude Killy, were
dominant in world competition from
the mid-Sixties until the early Seventies,
but the Swiss and the Austrians have
shared most of the medals since.
American skiers have always had the
potential to compete for top honors-
and, indeed, have won a few Olympic
medals over the years—but have never
had the sheer numbers of skilled skiers
to compete with the Europeans. Ameri-
can women, on the whole, have done
better in world competition than Amer-
ican men
The future, however, looks bright. Al
pine skiing has skyrocketed іп popu
ity in the United States during the past
decade and the talent pool is growing
accordingly. American skiers have tra
ditionally done far better in the slalom
and giantslalom events than in the
downhill, since few ski resorts are will-
ing to turn an entire top-to-bottom run
over to a few racers
The Russians and the East Germans
have never been important [actors in
ly Austria, Switzer
the world Alpine skiing competition,
because they don't have the lacilitics—
ski resorts and other expensive
pings of capitalist decadence—nece
for the training of Alpine skiers, and
so far they haven't been willing to spend
the money to build them.
Alpine skiing competition consists of
three three ladies’
plines—downhill, slalom and the longer
giant slalom. Success im the downhill
depends on an uncanny sense of equi
librium, excellent reactions and, above
all else, raw courage. Success іп the
lom events depends much more heavily
on subtle and highly sophisticated tech:
nique, plus the bodily skills of an acro-
bat and a gymnast. In
Sweden's Ingemar Stenmark
the absolute master of the slilom events,
while the Swiss and the Austrians (cs
pecially Franz Klammer) have led the
way in the downhill.
American hopes for success at Lake
Placid are placed mostly on Phil Mahre
and Cindy Nelson. Mahre would have
an excellent shot at the gold medal in
the slalom were it not for the presence
of Stenmark, and Nelson figures to crowd
the Swiss and Austrian women in the
downhill. Other top American hopefuls
are Steve Mahre (Phil's twin. brother),
Cary Adgate, downhillers Andy Mill and
Karl Anderson, Christin Cooper, Abbi
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213
PLAYBOY
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ENPIFE
“Evi Mitterm
Fisher, Holly Flanders, Viki Fleckenstein
and Heidi Preuss.
MEN'S EVENTS
TOP SQUADS
1. Austria: Plenty of depth, especially
in the downhill May not win all the
golds but will collect much precious metal.
Si d: Nearly as deep as the
Austri nd led by World Cup cham-
pion Peter Lüscher. Very strong in giant
slalom.
3. Italy: Led by veteran Piero Gros,
the Italians will be strongly challenged
by the Americans and the West Germans.
Note: Sweden figures to chalk up two
golds, thanks to Ingemar Stenmark, but.
he's its whole show. The Canadians
should be very strong in the downhill
but do not threaten in the slalom events.
LADIES’ EVENTS
TOP SQUADS
1. Austria: Annen Moser-Pröll
has won six over-all World Cups to date
and leads a deep, strong contingent.
West Germany: Downhill and-giant
should produce medals for the
‚ who are Jed by
ne Epple.
Should fght it out
y medals
е
3. United States:
with the
iss women for
ns could do better
n expected, thanks to performing on
¥ home turf. This applies to both
nd women.
NORDIC SKIING
For the spectator, Nordic skiing is
jp events—
the clock
ily from Dullsville) and
g (which is both а heart-stopping
en offers a combined competition in
which contestants аге required to jump
у the nex
ndi; ns
have—for geographically obvious rea
sons—traditionally dominated the cross-
county events and are likely to share
the honors this winter. The jumping
events were dominated by the Norwe-
‘om the inception of the winter
in 1924 to 1952. Since then,
a number of other countries, including
Japan, have musded into the act. The
East Germans took the gold and silv
medals in the 70-mcter jump at Ir
bruck in 1976, plus the bronze in the
90-те te
the two jumping events ag:
Since the Nordic program includes ten
of the 37 events in the winter Olympics
(four skiing, two jumping and one Nor-
dic combined for men; three si
women), this is likely to be the area in
which the Russians and the East Ger-
mans fatten up their hoard of medals.
mcrican showing in the Nordic
cvents has been impressive
over the ус:
Vermonter
everyone with
the 30-kilometer
ing the winner, Ri
by a scant 30 seconds. Koch will be 1
this year, and the other Yankee skiers,
under team director John Bower, have
been working hard in the past four years
and have high hopes for medals. Alison
Owen-Spencer should be a contender in
the lad crosscountry events, аз
should Jim Denney in the jumps. Other
an hopefuls are Tim Caldwell
n Dunklee (cross-country), Chris
nd Walter Malm-
CROSS-COUNTRY
TOP SQUADS
2 What would you expect
from a country with 60,000,000 cross-
country skiers? Very strong in the short-
ilometers) races.
: Will fight it out with the
r the medals that the Russians
and: Matti Pitkinen is very
strong at all distances and should chal-
lenge the Russians and the Swedes.
Note: The East Germans should field
their usual strong team, though it's hard
to name a contender Irom their always
shifting line-ups. The U.S. has good
shots at medals from Bill Koch, espe
ly at 30 kilometers.
LADIES’ CROSS-COUNTRY
TOP SQUADS
‘pect the same dominance
events but perhaps
little more wouble from the Finns. Raisa
Smetanina returns with a gold and a
silver from 1976.
2. Finland: Helena
with Smetani
kilometer ng at the short-
ег distanc al other contenders but
not the over-all depth of the Russians.
8. East Germany: Strong team led by
Christel Meinel. Look for surprises and
new faces.
Not
1. Russia
as in the men
merica’s best hope is Alison
pencer.
JUMPING
TOP SQUADS
1. East Germany: It cleaned up in
1976. Medalists Jochen Danneberg and
Henry Glass return and again lead a
‘ong team.
nland: The Finns were shut out
іп 1976, but that should not happen
т. Pentti Kokkonen and Tapio
contenders in both jumps.
ау have to fight it out with
the Austrians for medals but should
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PLAYBOY
216
prevail because of team depth.
Note: Jim Denney came on strong in
1979 for the U. $., could soar to a medal,
ICE HOCKEY
Unless you get sadistic kicks from
watching one athletic team humiliate
all the others, don't bother to watch the
icehockey contests. The Киз
sters are in a class by themselves. Their
rest competitors, the Czechs, are a
t second. The Russians are so good
that when they played three games last
winter against an all-star team from
North America's tional Hockey
League, they won two out of three.
Ice hockey in the Soviet Union is as
popular as football merica, but
ly—no pro-
Those Russian "ama-
teurs” beat the American and
Canadian pros all have jobs in state
factories, but they spend all their time
practicing. And the perks, by Bolshevik
standards, are fabulous. In. Moscow. а
hockey player who makes the Olympic
team is a very important person—he gets
to move from а one-room to a two-room
apartment and is given his own auto-
mobile. That's the Russian equivalent
of living at the Ritz-Carlton and owning
your own Learjet.
Ihe Russian hockey team took the
gold medal in each of the past four
Olympics. The last time it lost was at
Squaw Valley, California, in 1960, when
the ns—to everyone's amazc-
there are—at least theoreti
fessional teams.
who
America
ment—finished first. The home ice could
be an advantage again this time, but it
will be an uphill struggle to get beyond
the br
15, who haven't competed
1 an Olympic meet since 1968, because
ll their best players had turned pro-
fessional, will send a strong squad to
Lake Placid this year and could ako
benefit from playing close to home.
Two ol the Russian players, goal tend-
cr Vladislav Tretiak and defenseman
Valeri Vasiliev, are probably the best
players in the world at their posi
‘The Czech team is led by the Stastny
brothers, Anton, Marian and Peter.
The American team is domi
present and former
the University of Minnesota (ten in all,
plus coach Herb Brooks), with four play
ers from Boston University and two from
iversity of Wisconsin
TOP SQUADS
1. Russia: In the 1976 games, the Rus-
ns outscored their opponents 40 to 11
and won the gold medal without losing
one match. They should make it five
golds in a row at Lake Placid.
2. Czechoslovakia: The Czechs are a
strong bet for the silver medal and if
anyone can make it tough for the
Soviet team, it could be they.
3. United States: May challenge the
Czechs or could be forced to fight it out
with the Canadians, the West Germans
or the Swedes for the bronze.
“That's funny, my sex test was just a blood sample.”
Nole: Wondering what's become of
the East Germans in the hockey compe-
tition? After the 1968 Olympics, they
realized they'd probably never be num-
ber one in ice hockey, so they dropped
out of the event and haven't been back.
BOBSLED
пу years, world bobsled compe-
For u
man-Swiss
Seventies, the
never entered
mans, who had
ny world bobsled events,
went on a cash (so to speak) traini
program. All of the East German bob-
sledders are military personnel whose
"is to train for their event. In the
years, they have done their
jobs very well, i They entered
Olympic competition lor the first time
in 1976 and took home gold medals in
both two: and four-man events.
They've been at or near the top of
world competition since then
The principal reason for the dom
nance of East German. West German,
Austrian and Swiss bobsledders in recent
years has been their access to refrigerated
runs (which are numerous in Europe),
enabling them to begin training in carly
October. American and Canadian sled-
ders, in contrast, could usually begin
clice sometime after Christmas. This
has now been climinated
with the opening last March of the new
refrigerated bobsled run in Lake Placid.
Another distinct. advantage for the
Americain sledders (as well as for the
Canadians, who also wain at Lake
1) could be the difference between
new run and those іп Europe.
‘The refrigerated runs on the Continent
are designed for both bobsled and luge
competition and are only 1200 meters
long. There are separate runs for each
sport in Lake Placid. and the bobsled
тип is a mile (1600 meters) long. The
Europeans may have trouble adjusting
10 the additional 400 meters.
Last winter, the American sledders fin-
ished 10th and 11th in the world-cham-
pionship competition at Königssee, West
their best show
1975—hecause they went 1o Ew
deed.
their
әре two
ths carly and trained on refrigerated
This winter’s Olympic squad
should enjoy the highest finish since
when current. American bobsled
y Sheffield was on the four-man
n that won the world championship.
The Canadian crews will also be dar
n tor Olympic l
ise you are confused by the tele-
n commentators terminology, re-
member that front rider on. the
driver and everyone.
59,
horses in the
In
the
bobsled is called
behind him—on either a two- or a four-
man sled—is called a brakem
TOP SQUADS
1. West Germany: Has come on very
strong since the lust Olympics amd is
an.
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217
PLAYBOY
n the four-
n
the current world champion
тап. Usually helds two strong teams
each event.
2. Switzerland: Driver Erich Schirer
es the Swiss a threat іп both the two-
nd the four-man events. He and brake-
man Josef Benz won the two-man world
championships, beating the West Ger-
mans, in 1979.
: Hard to predict a
finish for the 2ermans because of
their seeretivencss and changing line-ups,
but they are always in Ше running for
the gold medal.
Note: Americans and Canadians аге
k-horse favorites for medals. but they
will have to contend with the al
strong Austrians and Italians.
BIATHLON
Biathlon is a sport that combines
cross-country skiing with тїйє marksman-
ship. It originated in the Scandinavian
countries, where sportsmen have tradi
tionally hunted game on skis during the
winter months. It made its debut as an
Olympic event at Squaw Valley in 1960
ad, despite some complaints that it w
а competition for soldiers and too mil
taristic for the Olympics, it has become
fixture in every Olympics since then.
For many years, Ше sport
мей by the mountainous European
countries where the borders are patrolled
by soldiers on skis. The Russians bagged
plenty of medals in the early Seventies
and, more recently, the East Germans
ha This ycar they
should get plenty of competition from.
the F nd the Russians. Lately, the
deciding factor in winning has been the
marksmanship of the participants rather
Шап skiing ability. Lyle Nelson is a
veteran competitor and is America’s
best hope at Lake Placid, but he'll have
his work cut out for him.
The rules of the sport are complex
nd vary with cach of the three events.
All races are run by one contestant at
a time, each competing against the clock.
In the ten-kilometer event, each skier
pauses twice to shoot, once standing and
once prone. Each time, he shoots at five
akable targets, and for each target he
misses, he must ski around a penalty lap.
20-kilometer race, each con-
nt stops four times to shoot (twice
g and twice in a prone ро
at paper targets. For each bull'se
s to hit, minutes are added to his
1 time. The time added is calculated
by how far his bullets miss the bull’
‘The relay event is run over
and-a-hall-kilometer circular course. Each.
skier shoots twice. He has eight shots to.
get five hits, and for every miss, he must
ski around a penalty lap.
Sound exciting? To Finnish border
s domi-
218 patrolmen, it's probably а gas.
TOP SQUADS
1. East Germany: Won only a single
bronze medal in 1976 but should surge
past the experienced Finns and Russians
this time.
2. Finland: Led by veteran Heikki
Ikola, who won a silver medal іп 1079,
Ше Finns will have a tough struggle with
the Russians,
3. : Aleksandr Tikhonov is a
near legend in this sport. He’s been win-
ning medals since the 1968 g
Grenoble, France. Has a strong team be-
hind him.
Note: The Norweg
the Czechs could sneak
runners, especially il
the wı
tion. And variables such as starting pos
tion and choice of ski wax make the
erence.
s, the Italians оғ
n past the front
rapid с
ather occur during the competi
LUGE
The luge is a suicidal sport practiced
on one- and two-man sleds (distantly
similar to the sleds parents give their
children for Christmas) that are ridden
down runs that feature sharp hairpin
turns and precipitous straightaways.
Speeds can exceed 60 miles per hour and
wipeouts are spectacular and bloody.
requently called crazy by other win-
ter athletes. Oddly enough, for such a
dangerous pastime, luge is very egali
і nd шеп and women compete іп
their own separate singles competitions.
However, only men slide in the doubles,
ап event in which the driver is literally
who is along
pretty much as ballast. Sliders guide their
luges by bending the flexible front ends
of the ru h their feet and by
lifting the front end of one of the г
ners with ре. all the time lying
on their backs to reduce air dr:
The luge run at. Lake Placid is 1000
meters long (somewhat shorter than most
European runs), with five control towers
spaced along the distance to watch. for
wrecks and foreign objects оп the run
(a stray pine cone can send a slider off
the side of the mountain). А wipe-out
is called an eighty-one, possibly
cause you probably have about one
chance in 80 of surviving: when the
loud-speakers along the run blare out
this mes: everything stops and every-
—including medic—comes running
to the aid of the crashee.
The luge became an Olympic sport i
1961 in Innsbruck. Sliders quickly fig-
ured out that heating the runners of the
luge made d soldering
irons d at the tops of the runs.
The i Luge Federation
quickly banned these tacties and in 1968,
the favored East German woman com-
petitor was disqualified for illegally h
g her runners, That has not prevented
n-
be-
the East Germans from dominating the
competition in recent years, with the
West Germans, the Italians and the Aus
wians always fighting it out with them.
As in many other winter Olympic sports.
the countries with the best (or only)
training facilities are the ones that win
medals.
The United States entered the Olym-
ріс luge competition for the first time
at Innsbruck іп 1964 and has gone exact-
ly nowhere since. In the 1976 games, the
Americans finished 215, 25th and 23rd
in the three events.
If an American does make
showing on the luge rum this w
it will be from a dark-horse_ ров
The top American sliders
Masley, Jim Moriarty, Fred Zimney,
John Fee and Jim Maddox. Women who
have the best chance for an impressive
showing are Donna Burke, Kathleen
Homstad, Debbie Genovese and Patti
Herlurth.
So if you've become jaded by the In-
dianapolis 500 and demolition derbies,
go with the luge runs at Lake Placid,
TOP SQUADS
1. East Germany: Won six of the nine
possible medals in the 1979 Olympic pre-
mes and has all manner of gold medal-
9. Russia: Vladimir Shitov, the top
Russian slider, back and has strong
support.
3. Aust Will fight it out with thc
West € ans for the
medals the nd the Rus-
sians don't w
Note: Americans have the homc-ice ad-
vantage, but that probably won't help
much. Even a bronze medal would be a
jor ups
POSTSCRIPT
That's the field and those are our
picks. But assuming that we've got you
suitably rewed up for the coming
Olympics, а cautionary note is in order.
Don't show up at Lake Placid unless
you have а place to stay and a ticket. It's
a small village and all the accommoda-
tions within a 50-mile radius have been
reserved for the Olympic functionaries
officials, athletes, staff. members, press
and Bolshevik security guards to keep
the Russians and the East Germans from.
deflecting. АП the available hotel space
in or near Lake РІ has been booked
solid since 1 August, with portal-to-
games bus service available from the
hostelries.
Which leads us
probably the wisest
prediction we've ever made: You'll enjoy
the games lots more il you stay home
and watch them on TV. The view will
be better, the seats will be softer—and
the only ice will be the cubes you put
1 your gli
[v]
PLAYBOY'S
INFORMED SOURCE
WALKING-THE HEELING ART
doing the stroll isn't pedestrian anymore. it's
healthy and keeps you in touch with your sole
time, anyplace and in any weather. Energy efficient and
thorough, walking exercises practically every muscle in
your body and you will probably be able to do it as long as you
live. You won't need to buy special equipment, join expensive
clubs, shanghai opponents or partners and, best of all, you're
probably doing it more or less effectively already.
Walking is the world’s most popular outdoor sport and great
conditioning for the most popular indoor one: It makes your
body stronger, more durable and a lot better to look at. And
judging from the rash of books on the subject published during
the past few months, walking may be America’s newest fad.
You can lose weight merely by adding a walking program to
your dissipated routine. А 154-pound person who walks three
nd a half miles in an hour will lose а pound every 12 days.
And while walking won't give you steel-belted Schwarzeneggers,
it will increase your muscle tone, straighten your posture and
let some of the air out of your spare tire.
Walking also makes you feel as good as you look. As an
acrobic exercise for cardiovascular fitness, walking briskly or
running the same distance is considered of comparable value.
Walking helps prevent the “rust” of atherosclerosis and reduces
the likelihood of loafer's heart—a weakening of the heart mus-
cle due to lack of exorcise. Physicians prescribe walking
programs to treat such disparate corporeal maladies as insom-
nia, anxicty, hypertension and arthritis.
The intellectual and physical benefits of walking have been
endorsed by an impressive array of all-star thinkers. Aristotle's
students were known as the Peripatetics—"walk-arounds" —
because of their floating outdoor classroom. Wordsworth sup-
posedly sauntered 14 miles а day and both Freud and Einstein
developed some of their great theories on the hoof.
Walking is not a sport for gear freaks. No special outfits
are required and, unless you prefer looking like а sweat-
stained mailbag, you can walk comfortably in your most debo-
nair street clothes. Eschew the fabled joys of loose footwear in
favor of a sturdy, comfortable pair of leather shoes with low
| earn to walk before you гип. You can walk virtually апу
“Springs. They have no support, no
were me by
a GI when I toured Vietnam in 1968. I don't know how
our guys managed walking, let alone marching and fight- |
ing in them.
The boots I wear for playing dress-up are by Charles
Jourdan. They are gorgeous, French and very com-
fortable when I'm sitting down. \
Dunham Tyroleans are Italianmade hiking boots.
They're sturdy and have nonskid soles. They are warm
and good for mountain climbing—which I do constantly.
My dancing/performing boots are swell. I have th
made by a nice man named DeFabrizio. He made modes
of my feet and he builds the most beautiful, soft leather
boots in the world. But, at 5900-5400 a shot, I don't
feature running the track in them. !
Cowboy boots come very close to perfection. 1 found a
pair once (made by the Justin Boot Company) in a li
size five to size six—so | gave my perfect-fitti
a charity auction. Maybe this means that if you
right pair of cowboy boots, you'll get pr 3
‘The most comfortable boots are t
American Indian type. I get mine at
The Moccasin Shop іп -Palm
padding, по heel—just a piece of kid-
skin or suede between you and the
rocky road. I wear them a lot—around
the house or hotel.
The best boots for walking are Nike
running shoes. They're ugly as hell, but they work
219
220
To armor your feet, try the trail boot, previous page, from Danner,
$76.50; or the Brooks Vantage, above, $30. Both available in stores.
to medium rubber heels and good arch support. If you saunter
the sidewalks of New York or other pitiless pavements, you'd
better wear a running type of shoe with a well-cushioned heel.
Rugged terrain calls for boots with ankle support and lug
soles. About the only walkingrelated paraphernalia is а pe-
dometer, which for 815 or $20 can show you exactly how far
you've gone and show the world that you're into more than
just saving cab fare.
Walking is a virtually injury-free sport that should be
accomplished somewhere between a shuflle and a forced march.
The American Heart Association says, “Walking briskly, not
just strolling, is the simplest and also one of the best forms
of exercise,” but don't overdo in the beginning. Hiking and
backpacking authority Colin Fletcher states that if you can't
carry on a conversation, you're walking too fast.
Begin cach perambulatory session with a warm-up, cither
SN
bibliography
The Complete Book of Walking, by Charles T. Kuntzleman
and the editors of Consumer Guide. How to begin your cwn
walking-for-filness program. A guide to shoes, walking paths,
exercises, plus case histories of individuals who have ambled
their way from frailty to fitness.
Walking!, by John Т. Davis. Another good, all-round guide.
Promises not only fitness but an energized personality, to boot.
The Wonderful World of Walking, by Bill Gale. Slightly
evangelical rave about the benefits of walking. Includes tales
of champion walkers such as Minnie Hill Wood, who walked
from Washington, D.C., to San Francisco in 1916.
The New Complete Walker, by Colin Fletcher. Definitely a
heavy-duty tome for the serious backpacker, with tips on con-
ditioning and trait hiking. Remember, the author previously
urote “The Man Who Walked Through Time"—a firsthand
account of his own stroll through the Grand Canyon. A
Tie on the Etonic walker, above center, $82; ог the custom hiking boot,
above right, from Peter Limmer & Sons, Intervale, М.Н. 03845.
five minutes of slow walking or a set of basic warm-up and
stretching exercises, such as the ones recommended by the
American Medical Association. To glean walking's full crop
of aerobic goodies, you must walk regularly and persistently
increase your distance, speed and stride. Increasing distance
is simple enough: Walk farther. To determine your walking
speed, measure your stride (or estimate it from an average male
stride length of two and a half fect), count the strides you
make in a minute, multiply the figure by 60, divide by 5280
to calculate miles per hour. Ап average-sized man walking
120 steps per minute goes 3.4 miles per hour. Boost that to 130
steps and he makes 3.7 miles per hour. Longer strides are the
next best way to increase speed and endurance and thus pro-
long your optimum pulse beat. All you do is count the number
of strides it takes to cover а specified distance and start cutting
them down.
Remember that it isn't only how fast you move or how far
you go. Consistent improvement also matters. One conditioning
program claims that top fitness can be achieved and main.
tained by walking three miles in 41 minutes five times а wcck.
Consider that a goal—a remote and somewhat arbi ary one.
Your own common sense will tell you how much walking for
ercise is good and pleasurable for you. Soon enough, there
will be creeps telling you you're not doing it fast enough ог
long enough. If you're compubive about that sort of thing
and give in to their critiques, a hearty regimen of walking
won't do you any harm. But do remember that walking there
is all the fun.
When you've worked up to three miles, you'll find that
walking is good for more than exercise, fitness, meditation,
medication and, if you have the smarts, an opportunity to
chew some gum. You can also see the sights. А three-mile jaunt
will get you over the Freedom Trail in Boston, from the World
Trade Center to the Empire State Bui ding in New York. On
rainy days, you can even turn inward and do your footwork in
the miles of galleries in the Smithsonian Institution.
Beyond all these advantages, few human activities are as
graceful, sexy and sociable as walking; and whether you do it
on the wild side, in the rain or with your baby back home, do
it tall—like a man—and we promise that you'll never have to
do it alone.
PLAYBOY'S
INFORMED SOURCE
To guard against о foot bath, give your dogs a treat with these
puddle-iumping gumshoes, from 1. 1. Bean, Freeport, Maine 04033, $30.
HAPPY FEET:
THEY NEED YOUR SUPPORT
Because the doctors at the Illinois College of Podiatric
Medicine—which operates the largest foot dinic іп the
world—have шешей so many cases of runner's knee, heel
and shin splints, they've opened a sportsmedicine center to
put runners back on their feet. They think walking is a great
idea. We talked with Dr. Lowell Scott Weil, director of the
clinic and team podiatrist for the Chicago Bears, where he
kecps running back Walter Payton, among others, on his
feet. Here are Weil's tips for happy feet:
Corns or calluses: Work on them with a pumice stone. Go
to a podiatrist if they persist. Don't use acid-soaked pads—
they'll attack healthy tissue as well as the callus. Corns on
toes could mean bad shoe fit.
Blisters: Bathe them in alcohol, puncture with a sterilized
needle, drain fluid and cover with Band-Aid. If you plan to
continue a walking regimen while the blister heals, swathe
the area in petroleum jelly, cover with a sock and smear
more petroleum jelly between the sock and the shoe. ‘This
procedure will reduce friction, arresting further injury.
Ingrown toenails: Avoid them by trimming nail even with
the end of the toe, conforming to the toe’s curve—not
straight across.
Alhlete’s foot is a generic name for any foot fungus. Most.
commercial treatments may work on one fungus and not
another. It's best to see a podiatrist and have a culture
taken. It may not be athlete’s foot at all—but eczema or some
other skin condition that really requires a doctor's care. To
prevent fungus, wash [eet with soap daily, dry them com-
pletely and use a foot powder—it kills germs and reduces
fri Cotton socks keep your feet drier and less prone to
fungus. Forget about bathing your feet in Epsom salts. It
| doesn’t do anything. The best treat you can give your feet is
а stroll on a sandy beach at sunset with another pair of feet,
say about a size seven.
RACE WALKING'S MANY FEATS
ег race walkers among the silliest-
хімепсе (that is, when they consider
them at all). The next time you feel an urge to chuckle
at them, consider the following facts:
+ Contestants in а 50-kilometer (31-mile) race average
seven minutes per mile. This is a considerably faster pace
than that of most joggers. The fastest recorded mile was
race-walked in under six minutes!
+ There are only two rules in race walking: (1) There
must always be some part of either foot in contact with
the ground, and (2) the leg must be straightened at the
knee for at least an instant in each stride,
+ Basic strategy in competitive walking calls for finish-
ing off an opponent long before the stretch run. Other-
wise, you may both be tempted to violate rule number
one and thus be disqualified.
+ Mexico currently has the top race walkers in the
world. Not only can short people compete successfully in
this sport but they actually dominate it.
221
PLAYBOY
222
ІТ TAKES A MOUNTAIN
(continued from page 108)
“Аі 85 miles an hour, you want split-second analy-
sis, not split-second reactions.
ورو
racers, he is a fairly good rough-and-
tumble linguist, but most of what he
knows of the world he has learned on
the race circuit. Lately, the lessor
have been biuer, His younger brother
Klaus, a promising downhiller, w
lyzed in a ski fall at Lienz. The
n yellow press, as savage as any
in the world, began to question Franz’s
courage as soon as his victories stopped.
"It does not matter," he said of the
press yapping. He spoke quietly, with
the air of a man who has been listening
for a long time to his own thoughts. No
question about it, he said, he had lost
the feel of his skis and some of h
trust. That is not courage, he explained,
but when self-confidence is m
hard to let the skis run. Also, he said,
there was a technical problem: He һай
not practiced giant slalom enough be-
fore the season, and he was losing time
in the turns. Mostly he described а
condition of staleness, though he did
not use the word. He had skied for the
Austrian А team for seven years. "Now
it's not so much fun. Before, we were
all in the discos. Now, maybe it's the
self-
money, maybe a new genei but
the Gemütlichkeit is gone. re are
"dividuals who only train. And you
nust always show that you are on top.
Earlier he had said that а downhiller
must love speed. Be in love w
what he meant. At the 1976 Olymp
he was at the peak of a raging love alf
with speed, and now he was merely
married to it, As we talked, the Whistler
race had not yet been canceled, but
Klammer showed no regret at the
thought th it would be. A bad year,
better forgotten. Maybe next season һе
would be in love
‘There was an end-of-the-se
ishness
mood at Whi
team of young
lian downhillers wanted to show
sulf to the home folks, but
al days of very heavy rain and two
ble up the
course, it became increasingly unlikely
that they would get the chance. Everyone
else was looking ahead toward the Olym-
pic scason, or ward to the World
Cup races held at Whiteface Moun
New York, the week before, as pre-
Olympic tryouts of the Lake Placid
complex. And although the Whiteface
aces had gone well—a good. tough.
technical course in its top hall, rather
too flat toward the bottom and quite
good overall, was Klammer's assessment
of the downhill run—two bad acc
dents there added to the gloom at
to the
anches tore. race
Whistler. Phil Mahre, the bright spiri
of the U. in overall
World Cup points at the time and
rguably the second-best n the
world—behind Sweden's astonishing
r Stenmark—fell during the
nt slalom, his specialty, and broke
akle. And the young I
lo David, who had been
the most talented male racer to join the
circuit since Mahre, fell 200 feet before
the end of the downhill, slid through.
the finish gate fast enough to place
52nd, got up, fell down again and sank
into a coma caused by a blood clot i
his brain. (At presstime, Mahre had re-
covered and was expected to
winter. David had just ге)
sciousness after six months їп а coma.)
The Austrian team had so much depth
last season that even with Klammer in a
swoon and his teammate Sepp. Walcher,
who won the 1978 world downhill cham-
pionship at Garmisch, out with a broken
shoulder, Austrians placed first, fourth
nd filth at Whiteface (with Peter
Müller of Switzerland second and Dave
Murray of Canada third). Reporter to
Peter Wirnsberger, the winne
made the Austrians so good?
representative, stage-whisp
skis.” Wirnsberger, smiling: “The 51
American journalists were getting
what was for many of them their first
look at these traveling jousters, and i
was clear that ev mong the exoti
of the World Cup ski circuit, the down
hillers аге breed apart. Ten or 12
go, the best racers— Killy, Schranz,
Il three Alpine disciplines, but now
specialization has advanced too far for
that. Downhillers parately, dr
differently—slick, skintight one-piece
suits in black, yellow or hot pink that
show the roll of each engorged thigh
musde and the hang of cach testicle—
nd use radically different eq
1 а high-speed
шек, huge 223-centimeter skis with (in
the case of Fischer's model) oval cutouts
іп the tips, meant to let the wind
through or, at any rate, to psych out
opponents. They ski and think dif-
ferently, too. According to Ken Read,
the 24- -old C dian who shocked
the Europeans by winning the first
downhill of the season (with teammates
Dave Murray second, Dave Irw
enth and Steve Podborski
Jom racer will correct
spectacularly quick
adjustments in his line and body posi
tion. "Ат 85 miles ап hour, you
splitsecond analysis, not splitsecond
reactions,” he said.
Read used the word thoughtful to
describe the downhiller's frame of mind.
The race is a discipline, he said, and
the goal should be to eliminate speed
and danger as matters of concern. Even
other skiers, he went on, have the notio:
that downluller:
devils, but that is tol
devils reach a certain level and go no
further; they are not thoughtful. “I'm
very i he said. “I wouldn't
jump off a cornice.” Read is a slim, not
very tall, exceptionally handsome young
man who looks like the sort of actor who
plays juvenile lcads till he is 50. He
smiled cheerfully as he said all of this,
and the thought passed through his inter-
wers mind that the Austrians looked
а hell of a lot tougher. But Read, an шп
usually well-conditioned skier who can
run a mile in four minutes, 45 scconds,
deceptive; he tells only part of his
story with this talk of deliberation and
alysis. For several years, the Canadian
m, with Read well to the forefront,
horrified the Europeans with its
mikaze approach to the downhill —
flat-out in practice, flat-out in races. The
first of the Canadian wild men was
Jungle Jim Hunter, now a pro, and he
the younger team members а taste
for raw meat. But Read said that Klam-
ner, 100, was a model. "You look at that
Innsbruck tape. He was king, div-
ing into the corners. The rest of us were
waiting for things to happen." One r
son that Klammer is no longer winning
may be that television taught too many
of his competitors to ski like Klammer.
Read used to be called, somewhat con-
temptuously, "the world champion of
training,” because it never occurred to
him to hold back in the practice run:
‘The snickering stopped when he won at
Schladming, Austría, and then again at
Morzine, France (though he and Dave
Murray were disqualified for wearing
suits that were too slick and windtight).
But at Whiteface, a young American
downhill пу, seemed about
to qualify for the training championship
that now did not look so ludicrous, Start-
ing from 44th posit
softening snow and
down by 43 other skiers, he cime іп 12th
а look-
in one training rum, and the
who's-here third in another. He f
30th on race day, but it was a sign of
life for a U. 5. downhill team whose best
showing for а dismal
Anderson's 27th place in
standings.
Anderson talked а: Whiteface about
th ncandescent intensity of downhill-
ing, in which a racer competes for only
minute and a half or two minutes аг
time, for a total of perhaps 90 minutes
over the course of a season. 7] can tell
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PLAYBOY
224
how I'm doing by how much adren
my body produces. You get these
ble spurts, When 1 fell earlier this week,
1 was just Aarrgh. 1 kept screaming at
people to get away from me. not to touch
me until th drenaline was
gone. You're
the reasons
t downhill racers can take
only two training runs a day. Your body
produces only a certain amount of ad-
пе. You could go up for a third
run, but you'd find yourself doing 85
miles per hour and you'd be hollow. You
wouldn't be up to it. The same fence
that had been scenery on the first two
runs could d."
Is he eve “No, 1 wouldn't s
th g happens when you
hit 85 mph that makes you have second
thoughts. that makes you reconsider what
and why you're doing this. You have to
come to grips with yoursell. You have to
reach inside yourself and pull something
extra out. You have to have a big heart
Or balls. Or whatever you want to call it.”
e you out on the th
A good ci n skier who was allowed
to try the Whiteface downhill course re-
ports that the thought of running the
70 percent grade called Niagara in
tight tuck was “incomprehensible.” He
and his friends made big, round turns,
jumped into the racers’ groove five sixths
of the way down and scared themselves
silly. At Whistler, the rain-warped, fro-
zen course was much worse, and not
enough crash netting had been strung up.
The racers in the first seed of 15 voicd
(though the decision to cancel was not
theirs 10 make), and 11 of those hard
men said that the race should not be
1 Austrian who, like
ive improved his World
Cup downhill standing to second with a
win, voted to race, and so
fellow Canadians Murray
When the technical jury decided 10
ncel, Canadian coach John Ritchie
grumbled about “politics” and Read said
with contempt, “This is, alter all, sup-
posed to be downhill racing.
Moose Barrows, the old U.S.
who is the American coach,
ad been correct. “The
‘There was
Bu
downhill
said that the jury I
course was (талу dangerous.
no way I would let my skiers run it.”
Andy Mill, a boyish. open-faced racer
from Aspen, who has fought the downhill
s (six knee operations, two broken
legs) with the U. S. team
gner's view of the cancella-
nes vou go on patrol and
sometimes you don't. "Most of us would
have made it down the course," he said.
"Some not.” Mill came in sixth at Inns-
bruck the year of Klammer's enchanted
run, а very good result but not worth a
fog of jet lag,
gate in the first wait
ing run at Morzine, then had caught an
edge at 80 mph in the second. At Val
Gardena, he had put up the fourth fastest
ne ar the halfway mark: then he Пай
len at 75 mph on his face and stomach.
You're helpless, flipping over and tum-
bling. You're aware of how many timi
you hit, and the times between the h
when you're in the air.”
Alter those early falls, he said, he just
couldn't turn the season around, and he
ished a sorry 37th on the World Cup
st. "When you have a really bad yea
he said, "you start trying to figure out
cards, w citing out of it.
naline rushes, the physical re
ы reality. In
п close to a gate, feel-
dancer; you
ес that in downhill. But you do,
in a way; the speed of the downhill puts
the intensity up that much higher. The
speed just runs up your spine.”
This year at Kitzbühel, Mill said, “I
fell just before the Mausefalle. 1 was on
the course about nine seconds. I stood
up and I was shaking. So much adrenal-
ine, 1 didn't get to express myself.”
Mill shook his head. staring into his
beer. “At the end of a 70-mile bicycle
race, ГІ remember this shitty year, and
о a Title faster, thinking about what
didn't come out.
Mind. games,” he wer
he was trying to be realistic about pack-
ing it in, quitting the team. "I don't
know. If you're hurting, it's telling you
something. And I'm getting married in
May. I've got to таке a decision: 1 owe
it to myself.” Then he laughed. “But
there’s still that adrenaline fix, and the
Olympics coming up." Not entirely hap
ру, he said, “I know ГИ be there.
Then, with 19-year-old. Mike Farny, who
king a Shirley Temple, he be-
i ment about who
nd team members
—no prejump, all
ground—with a
you're
on; he said
was dri
els off the
Introducing
the Michelob. Light Snow Patrol!
|
Ee
rti — nr —
LE eats man! ier etta on = 4
I'mMonique St. Pierre, and this
3 is my friend Suds. We're the
1 new Michelob Light Snow Patrol.
We'll be looking for you at all the
17 men's and women's professional
ski races that Michelob Light MICHELOB
f is sponsoring this season. £
Having fun in the snow can make you
very thirsty, but don't worry. Suds and I
will be there to show you the best way to
quench your thirst: the rich, smooth taste of
Michelob Light. See you on the slopes!
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Here's where we'll be!
Jan. 12-13—Hunter Mt, NY (Men)
Jan. 19-20— Beach Mt, NC (Women)
March 1-2— Snow Summit. CA (Women)
March 22-25 —Mammoth Mt, СА(Меп/Мотеп)
Watch our John Denver Skiing Special, Mar. 25 (ABC)!
Some of the best things
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PLAYBOY
HABITAT.
COOKING WITH A VU
n Playboy Plans a Duplex Penthouse (January 1970), we talked тіс rofilm cards of nine cookbooks and storage box cost $325
about a screen onto which recipes are projected as being a The cards are indexed; just pull one, move the machine's pointer
feature you'd find in tomorrow's kitchens. Well, tomorrow is to a recipe and it's on the screen. Additional book cards cost
today and we tip our toque blanche to the Cuisine Vu, а $12.50 and up. And Consumer Micrographics, the manufacturer,
countertop machine that's capable of displaying any recipe from will even microfilm your own collection ol tasty recipes lor
over 100 cookbooks at the flick of a wrist. The Cuisine Vu viewing at a cost of $30 for about 100 pages Escoffier would love it
individually to a size smaller
than a fingernail and indexed
on Cuisine Cards ready to be
displayed on the screen of a
machine that’s no larger than
complete cookbooks, from
the modern classic Paul Bo-
cuse's French Cooking to The
New Dixie Cookbook,
copyrighted in 1889, and a
6"x8" box to hold them.
Consumer Micrographics, the.
company that's behind
your developed 110-type
color film for showing on
the screen—just in case you
want to entertain guests with
last year's vacation pictures
while you whip up dinner.
FASHION
OPENING THE В,
hane Bames is 25, attractive and the head of a successful
ion house. If all that seems too good to be true, also
consider that after just three years in business, her sales are in
the millions for menswear designs that many consider unor-
thodox. Barnes builds her looks from the basics up, dycing her
own colors and weaving her own fabrics, all the while bringing a
fresh perspective to each item of apparel. The sum total is a
RNES DOOR
inctive Jhane Barnes look that's being well received by con-
servative businessmen as well as avant types. And what does
Barnes see in the future for male iashions? “Someday, perhaps,
men will learn to appreciate the aesthetics of dress rather than the
traditions. Largely, it will be a trend to simplification and comfort.
Losing lapels, sleeve buttons, things like that.” As we said, there’s
nothing plain about Jhane. — DAVID PLATT
KEN FRANTZ
Below are three examples of Jhane Barnes's unique approach to men's fashion design. The outfit at
far left includes a multicolor silk/wool/cotton tweed single-breasted jacket featuring drop shoul-
ders and slit pockets, about $300, with iridescent double-pleated slacks, about $130, a silk shirt,
about $125, and a hand-painted multicolor wool chal ‚ about $25. At center, she has combined
a silk/acetate ribbon-weave jacket, about $350, the same slacks and added a multicolor
brushed-cotton shirt, ab 5, and a chenille tie, about $25. The last outfit is slightly more
futuristic and includes a silk space-mode jacket with raised-cord detailing and matching silk slacks
with cord detailing on the pocket seams, about $430, worn with a silk shirt, about $125.
DAVID
PLATT'S
FASHION
TIPS
Lets think spring. (This inter-
minable Bergman film in black and
white where everybody talks with
cloud puffs in iront of his face has
become a drag. Bring on Fellini.)
Color. The brightest in a long
while. Hot shades to stir the blood
in bold and unabashed combina-
lions. One of the niftiest outíits I've
seen is a bumt-orange jacket, tur-
quoise shirt апа banana-yellow
trousers. Watch for it.
.
The easiest way to break into
color is with a tried-and-true old
friend: the Hawaiian shirt. It's due
lor a revival and is being manufac-
tured in record numbers and in fan-
tastic colors and patterns.
Paradoxically, the single indis-
pensable wardrobe item for this
summer is a pair of crisp, light-
weight white trousers. The best I've
seen so lar are in a sheeting type of
labric with a double-pleated front
and tapered legs. They will serve as
the foundation for many casual and
dress outfits.
Speaking oí white, it's all the
rage for tenniswear again. Some-
how, the overly gimmicky and col-
опіці treatments оп the court are
looking tacky. Right now, a little
color trim or all white looks best.
Back to color. Keep your eye out
for those sets of web belts (some-
times in stretch materials) in all the
bright colors that have one inter-
changeable brass buckle. (Yes, like
in the Army.) They look terrific on
white slacks or as yet another bold
color-on-color mix.
A final tip: For those areas where
a jacket and tie are required in di
cos, try a knit tie with your polo-
collared golf shirt (and really do а
color trip here). The management
can't complain, and you'll be com-
fortably funky.
229
© ээ 1 REYNOLDS TOBACCO СО.
CAMEL TASTE.
NOTHING ELSE COMES
oys SS 1 ;
561 y Се сыр The only thing a Camel puts between you
Tee T. and the tobacco is quality. And the quality Camel
A blend has never beerí matched in 66 years.
; |
т» E Ors = ON oe eee 5- The resultis taste and satisfaction, and it's the
аз SOLS REDS ° Feason Camel SMOKES stay Camel smokers.
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Warning: The Surgeon General Has Determined fi ree oe 2
That Cigarette Smoking Is Dangerous to Your Health. ИЦТ 7
av. per cigarette, FTC Report MAY 78. "ыда
т Ё >
EP:
GADGETS.
TEMP TOUCH, MOUNDS AND POUNDS
Right: The next time you're feel-
ing feverish, reach for the Elec-
trotherm—a battery-powered
microcircuit thermometer that
gives light «4
emitting diode readouts almost
instantly when used orally or
under the armpit, by Terayco
Distributing Company, $29.95,
including the batteries.
Left: The Memorie bath scale not only
weighs you with computer accuracy, il
will also separately weigh something
you're holding, lock onto a reading so that
you can move the scale and give
light-emitting diode readouts in kilos as
well as pounds, by Hanson Scale, $79.95.
Left: This mound-shaped
object is the Farstar, а
nine-inch-long Italian
lamp designed by Studio
Del Lago that can be used
оп а desk or hung on a
wall and features a quiet
ом-оғғ dial that doubles
asa dimmer, from Art
et Industrie, New
York
$68.
Above: The Touch-a-matic 12 Dialer that's avail-
able at Bell Telephone centers nationally, saves you
time and reduces errors by automatically dialing
your choice of any 12 preprogrammed numbers of
up to 16 digits each at the push of a button, by—
who else?—the Bell System, $35, plus monthly fee. 231
RICHARD 120
GRAPEVINE
It Only Hurts When He Laughs
Journalist BOB WOODWARD has made a career out of going after the big ones, first
Watergate and now the Court in The Brethren: The Supreme Court Under Chief Justice
Warren E. Burger. It looks to us like a big one finally got him,
INFO RICHARD MANNING
The Hilltop Dangler
Former Congressional cupcake LIZ RAY has tried
hard to parlay hanky-panky into something more
legit. No luck. She's back to her old tricks andis our
celebrity breast for this month.
RUSSELL С. TURIAK
Feets, Do Your Stuff
Actress JILL CLAYBURGH's career is running in the |
fast lane with two recent films, Starting Over and the
controversial Luna. Sometimes all that glitters turns
out to be gold. Clayburgh is 18-kt.
E
E
$
E
2
3 8
É Gentlemen Prefer Geraldine
ы The Miss America Pageant was nearly disrupted last year by this young lady a.k.a. FLIP
-3 — WILSON. Geraldine brought her own flowers, but the judges’ decision was final.
© 1979 LYNN GOLDSMITH,
Springsteen Finds Disco Distasteful
While Gaynor Goes All Out
That's the winning headline from our recent Grapevine
contest. We asked radio d.j.s around the country to match
wits with us (we were desperate). The winning entry came
from ALAN RICHMOND, program manager for КМ)
b> in Fresno, California, who had a little fun with rock f
heavy BRUCE SPRINGSTEEN and disco queen |
) GLORIA GAYNOR. Runner-up BOB HUD-
SON at KCBQ in San Diego had this to say:
"MUSIC BIZ RECESSION: POPSTARS STICK IT OUT.” The
other entries were 100, too sexually ad-
vanced for us.
© 1079 RUSSELL с, TURIAK
Tongue Fu
Sometimes we get on a roll around here—celebrity breasts or guys
checking on their privates—this month it seems to be tongues. Look,
we just report the news. Here's PETE TOWNSHEND (left) editorializ-
ing on New Wave music while JOHNNY CARSON (right) edi-
torializes on Freddie Silverman. We can sure spot a trend, can't we?
© 1979 LYNN GDLOSMITH, INC,
2%
SEX NEWS
COME UP AND SEE ME SOMETIME
You bump into an old girlfriend in a
fern bar on Sunset Boulevard. After a
few bloody marys, one thing leads to
another and you suggest she go up to
your apartment to have sex. What you
don’t know is that your ex has become
a cop and you are now under arrest for
It's a bird; it’s a plane. Not this time, Lois. It's
a well hung mobile, $20 from B. F. Designs,
Box 26, Montgomery, New York 12549.
lewd public conduct. Until recently,
this scenario could have been a reality
in California. In 1976, that state de-
criminalized all private sexual conduct
between consenting adults, but it pro-
hibited public invitations to partake
of sex. Usually, the law was enforced
against gays, but technically, our hypo-
thetical case could have happened. The
apparent anomaly was spotted last year
by Los Angeles municipal-court judge
Arthur Gilbert in a case charging a man
with soliciting sex from a vice-squad in-
vestigator. The judge reasoned that if
you can partake of consensual sex acts
in private, you must be able to talk
about them in public. Now, inde-
5 they've found a new aphrodisiac for
? applied the formula to female beagles
MIT or TIT? Cambridge, Massachusetts, residents weren't sure after pranksters restyled MIT's
Great Dome into MAMMA MAXIMA ScieNTIAE—the great breast of knowledge. Hail to thee, Alma
Mater, but we worry. As Woody Allen once asked, Don't these creations usually travel in pairs?
pendently, the California Supreme Court
has ruled similarly in another case. At
the same time, the court has created a
new definition of lewd conduct. Now it
specifically means touching genitals for
arousal in a public place.
BITCH’S BREW
Chemists at Purdue University report
dogs—methyl P-Hydroxybenzoate, а
common additive in food preservatives,
cosmetics and perfumes. Experimenters
who were not in heat. Unsuspecting
male beagles became sexually excited
when exposed to the treated females.
The researchers plan to use the ingredi-
ent in artificial-insemination programs
for other animals. Meanwhile, we don't
hear any complaints from the beagles.
GOD HELPS THOSE WHO
HELP THEMSELVES
Between 10 and 15 percent of Amer-
ican women have never had
an orgasm. Despite instructive’
books such as Betty Dodsoi
Liberating Masturbation and Shere
Hite’s The Hite Report, the per-
centage of nonorgasmic women /
has remained the same for the |
past 25 years. That means the NL
Beatles’ Come Together meant
nothing to an awful lot of American
women! Most sex therapists consider
orgasm through heterosexual inter-
course their primary goal Now, it
seems, teaching masturbation tech-
niques can help women reach that goal.
After two New York researchers taught
nonorgasmic women how to reach or-
gasm through masturbation, some of
them were able to climax during inter-
course with a partner. Sixty women
who had never experienced orgasm
were divided into an instruction group
and a control group. Of the 40 women
who received instruction, 24 were able
to masturbate to orgasm. None in the
control group was. Of the 24 successes,
13 were able to transfer the experience
to intercourse.
z
know good art when
they steal it. Check out the picture on our
February T-shirt of the month. Looks a lot
like Dennis Magdich's artwork for our July
1976 article Hot Dog! (above), right? The
T-shirt plugs a Hollywood eatery speciali
Some people
ing in you-know-what. Watch ou
Weenie, next time we'll dash you
smother you with relish and toast your buns.
RX: ONE INJECTION DAILY
Semen has been heavily maligned in
the press lately. It’s been listed as a
causative agent in cervical cancer (see
Sex News, December 1979) and some
women are even allergic to it (see Sex
News, November 1979). In addition to
its reproductive advantages, here's
some good news about seminal fluid.
German researchers have isolated semi-
nal plasmin, a protein in semen that
seems to kill germs. The protein per-
meates the bacteria cell wall and pre-
vents cell reproduction. In lab studies,
seminal plasmin has knocked off most
of the common bacteria that infect
man. Researchers speculate that semen
may keep sexually active women from
developing vaginal infections. It also
fights bacteria naturally found in semen,
thus protecting the fragile sperm. We
wonder—does it kill the germs that
cause bad breath and tooth decay? ЕВ
E
42227
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235
Waking ир їп a strange bed with a strange lady can frighten even the
smoothest character right out of his flesh.In February Out, you'll learn how
to make the morning after as much fun as the night before. You'll also get
intimately acquainted with TV's newest sex symbol, Loni Anderson, of
WKRP in Cincinnati. Learn secondhand what it's like to fondle voluptuous
Bo Derek from a guy who got both his hands on her—Dudley Moore, the
crazy star of 70. Plus how to buy a used car, why narcissism is OK, the
best of decks that handle metal tape and a California Girl with a magnetic
personality. All this and more in the new ОМ.
PLAYBOY PUZZLE
CALL OUR BLUFF
ver since the first get-together in the Garden of Eden, Adams and Eves
throughout history have endeavored to lead each other astray. Now it's our
turn. We invite you to follow us down the garden path, as we present some
intimate glimpses of “heavy dates” in the history of sex. We'll leave it to you to decide
which are true and which are merely fig leaves of our imagination.
452-Huns discover the French kiss. Айо. or
riving in Gaul to lead his Huns into battle, is dis-
mayed tofind that his men have discovered the
French kiss. The Huns considered the tongue the
seat of courage and were coreful never to ех-
pose it fo others.
720-Тһе bra is born. A noughly concubine
of China's Emperor Hsuan Tsung tries ta hide
her "batile scars" from a fling with one of the
emperor's generals by binding о red-silk
apron around her breasts. Her disguise so
delights Hsuan that not only does she give
him the slip but he orders her to wear it from
that day onward.
4190- Richard the Lionhearted ensures his wife's
chastity. Before embarking on his first Crusade,
King Richard girds his lady's loins—with the
armoro! his fovarile stallion.
1493-Columbus explores virgins. On on
early-but memorable-voyoge in search of
spices, Christopher Columbus lands on o lush
archipelago in the Caribbean whose greatest
natural resource is its beautiful young ladies.
After extensive exploration and a detailed
study of the island's topography, Columbus
christers the tropical paradise Islos de los Vir-
genes, in honor of his gracious hostesses,
1529-Cardinal Wolsey is accused of giving
Henry VIII syphilis. The prolific potentate
‘charges that Wolsey, by persistently whispering
in the king's ear has communicated more than
he ought, and Wolsey is promptly convicted of
treason,
1565—Erotic paroxysms sweep the Convent of
Nazareth in Cologne, Germany. Hundreds of
nuns stretch out on their backs, eyes shut,
mooning and thrusting their torsos heaven-
ward. It is later explained that they nave nad
erotic seizures caused by sexual frustration.
1677-Anton van Leeuwenhoek discovers
‘sperm. While peering through his microscape
at a specimen af what he calls "the excess with
Nature pravided me in my conjugal relations.”
‘Come again?
1688—First male prophylactic Is discovered.
Тһе Quondam Indians, a peace-loving tribe of
Cape Cod. befriend early settlers and intro-
duce male birth control in the New World.
Made of deer membrane and lightly oiled. the
"condom" becomes on accepted part of Co-
loniai life.
James Graham introduces the
jagnetico-musico-electrical Bed.
This 17 x 9: marvel rests on 28 gloss pillars, its
mattress stuffed exclusively with hair from the
fails of the finest English stallions, and is topped
by a mirrored dame. It guarantees its users
“beautiful опа brilliant” offspring.
1822-First nudist colony is founded. Efrdit, an
island off the coast of Morocco, is declared ће
first all-nude colony of the Swedish crown. The
lated experiment soon fails, though. due to
widespread sunstroke: Most of ils inhabitants
оге more used to mooning in the midnight sun.
1895-First striptease show opens in Paris. In Le
Coucher d'Yvelte, а well-endowed made-
moiselie slowly removes ай of her clothes as
she vainly searches for a fleo. Starting from
scratch, this new arl form hos the whole city
itching by the turn of the century.
1913-The first nude calendar is published,
featuring o reproduction of the well-known
painting September Morn, by Paul Chabas.
When antipomagraphy crusader Anthony
Comstock sees it, he remarks, “here's too іне
morn and too much maid.”
19305-Мийе women bicycle madly around in-
door track while spectators bet on who will
reach orgasm first. This, he main eventot Paris’
le Cirque Erotique, is one of the most bizarre
examples of the profits of pedaling flesh.
1946—-Mahatma Gandhi publicly admits he's
been taking naked women to bed with him for
years. The indian leader claims i's the best and
‘only way to test his mastery of celibacy—and
we can't argue.
1952-Maynard б. Krebs coins the word clap.
At a sudden loss lor words while free-
associaling at a San Francisco coffeehouse,
beatnik guru Krebs gets an ovation when he
terms VD. overrated. "Oh, man, you liketo clap,
too, huh?" he says—and с word is born.
"Ən eio 256; puo 228188916601 “OSH ZSP ina Пу
237
PLAYBOY
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МЕХТ МОМТН:
(As.
WARNINGS CARDINALS % !
ау 2;
HALLER
“CONNALLY A CONSERVATIVE? WHO DOES HE THINK HE'S
KIDDING?"—A REVISIONIST VIEW OF THE МАМ IN THE TEN-
GALLON WHITE HAT—BY GEOFFREY NORMAN
“A CUP OF COFFEE WITH THE CARDINALS"—A POIGNANT
TALE ABOUT A MAN, HIS FATHER AND A CHANCE AT MAJOR-
LEAGUE BASEBALL FAME—BY A. W. LANDWEHR
“THE SEXIEST SWEATHOG"—A TANTALIZING VIEW OF WEL-
COME BACK, KOTTER'S MELONIE HALLER
TERRY BRADSHAW, THE BORN-AGAIN PITTSBURGH STEELERS
QUARTERBACK, TALKS ABOUT LOVE, LUST, RELIGION, FOOTBALL
AND HIS MARRIAGE TO ICE-SKATING STAR 1010 STARBUCK
IN A HARD-HITTING PLAYBOY INTERVIEW
“BODACIOUS ВО”--ІМ THE MOVIE “10,” SHE RATED 11. JUDGE
FOR YOURSELF AS YOU SEE THE LOVING UNCOVERAGE OF BO
DEREK BY HER DIRECTOR/PHOTOGRAPHER HUSBAND, JOHN
“WHO'LL PROFIT FROM LEGAL MARIJUANA?”—POT COULD
BE ONE OF THE MOST LUCRATIVE BUSINESSES IN THE COUNTRY,
BUT JUST WHERE WILL ALL THAT LUCRE GO? A THOUGHTFUL
INVESTIGATIVE REPORT BY CHRIS BARNETT
“EARLY WARNINGS"-—LAST MAY, DAVID BOOTH HAD A SERIES
OF DREAMS ІМ WHICH HE SAW A BIG AMERICAN AIRLINES PLANE
CRASHING. FEW BELIEVED HIM THEN, BUT PRECOGNITION 15
NOW BEING TAKEN MORE SERIOUSLY—BY WALTER 1. LOWE
“THE (SEXUAL) BOOK OF 115Т5”--ТНЕ AUTHORS OF THOSE
BEST-SELLING VOLUMES OF MISCELLANY ARE BACK, AND WE'VE
GOT THE HOTTEST PARTS—BY IRVING WALLACE, DAVID
WALLECHINSKY, AMY WALLACE AND SYLVIA WALLACE
“ALL THAT FOSSE"—IN А TOUR DE FORCE NOT SO COIN-
CIDENTALLY ABOUT A DIRECTOR /CHOREOGRAPHER / HOOFER,
DIRECTOR /CHOREOGRAPHER/HOOFER BOB FOSSE MAKES А
MILESTONE FILM WITH GIRLS, GIRLS, GIRLS
“UNCLE DON"—WHATEVER HAPPENED TO THE COMIC-STRIP
HEROES OF YORE, AND TO THE GUYS WHO READ THEIR ADVEN-
TURES OVER THE RADIO? GIVE A LISTEN TO SHEL SILVERSTEIN
injected. engin? that
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ping, РО
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я © өзе Ооо oatcO co
Warning: The Surgeon General Has Determined E М B m
That Cigarette Smoking Is Dangerous to Your Health —
ЖЕ
FILTER 1005-10 mg. “tar”, 0.8 mg. nicotine, FILTER, MENTHOL:
11 mg. “tar”, 0.8 mg. nicotine, av. per cigarette, FIC Report MAY 78.
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