Full text of "PLAYBOY"
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TED TURNER: THE
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DR. JOYCELYN ELDERS IN
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BEAUTIFUL SCREAMERS
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PLAYBILL
ALTHOUGH SOME conservatives disapproved of Bill Clinton's
appointment of Dr. Joycelyn Elders as surgeon general, many
Democrats had trouble with the president's reason for her dis-
missal. Apparently, there is no room for a Cabinet member
who defends abortion, speaks frankly about drugs and—the
reason she was fired—speculates about explaining masturba-
tion to schoolkids. Consider this month's Interview, in which
Dr. Elders tells David Nimmons that Jesse Helms is a bigot and
guesses that Newt Gingrich never plays Onan the Barbarian,
to be the closest look yet at the candid opinions of a former
Clinton insider. Sadly, free speech is losing ground beyond
the Beltway, too. We sent teams of pollsters and young re-
porters to colleges to find out why campuses are in the grip of
PC. In The Safe Generation (illustrated by Mike Benny), Assistant
Editor Chip Rowe provides the disturbing report
Call him the King Kong of comebacks. Once, media mogul
Ted Turner almost lost CNN and his other cable channels be-
cause he paid too much to fulfill his dream of owning MGM.
Now Mr. Jane Fonda, having escaped the lion pit by reselling
the studio, is back in the chase—and in the papers—for his
own major TV network. In an excerpt from Citizen Turner
(Harcourt Brace), Robert Goldberg and Gerald Jay Goldberg ex-
plain how Turner lost his fight but retained MGM's lucrative
video library. Also in the bruised-but-unbowed file: a profile
of Mike tyson by New York Daily News cornerman Vic Ziegel. As
Iron Bars Mike comes out of forced retirement, Ziegel reac-
quaints us with an ex-champ who's come out of prison liter-
ate, Muslim and hungering to turn George Foreman into
cheeseburger. (Artist Greg Spalenka put Tyson on the canvas.)
From boxing to mud-wrestling: Heavyweight Tom Arnold was
close to becoming a doorman at McDonald's after his divorce
from Roseanne. But the Terminator saved Tom Arnold's ter-
minal career and now he is in the film Nine Months. Our bud-
dy to the stars, David Rensin, talks true lies with Arnold in a 20
Questions on the secrets of pigging out and Schwarzenegger's
undies.
The bull—papal bull, that is—continues to fly in a bogus, er, ^ THE GOLDBERGS RENSIN
bonus Q&A. Holy smoker Denis Leary, whose last public debate >
was in The Ref, goes mano a mano with the straightest man ever
to wear a dress in a satirical Interview With Pope John Paul И.
‘Turns out the Pope likes pastrami, beer, nice hats and—alas,
poor Leary—Jim Carrey. Then we get naked with Russ Mey-
er—or, pictorially speaking, with the ultra-super-buxom-vix-
ens who act out his fantasies. Movie critic Roger Ebert co-wrote
the screenplay for Meyer's Beyond the Valley of the Dolls. Ebert
here catches his friend enjoying a DDD-sized box-office re-
vival of Faster, Pussycat! Kill! Kill! Ebert has Meyer down toa T:
Meyer is high on strong women, long on loyalty and big on
breasts.
"The phone votes are in and Miss February 1994, Julie Cioli-
ni, is our new Playmate of the Year. But you knew that from
the cover. What you don't know is that Julie is set to appear in
the movie Beach Academy. Until then, enjoy her rousing picto-
rial reprise shot by Stephen Wayda. Now to push the envelope.
Ir's your call; either turn to Playmate Rhonda Adams, a high-
flying adventure freak, or drool over Beautiful Screamers, the
top five performance cars we could find. Legendary lensman
Mario Casilli, equally comfortable with babes or automobiles,
shot the feature. Before reality bites, check out Skeeks, fiction
by mystery man Donald E. Westlake (Daniel Torres did the art-
work). It's about a Hollywood murder and the trashy tabloid
reporters who make a killing after the star is buried. Remem-
ber: Keep an eye on the bodies—and enjoy the hunt. к
CASILLA WESTLAKE TORRES
Playboy (ISSN 0032-1478), June 1995, volume 42, number 6. Published monthly by Playboy in national and regional editions, Playboy,
680 North Lake Shore Drive, Chicago, Illinois 60611. Second-class postage paid at Chicago, Illinois and at additional mailing offices.
Canada Post Canadian Publications Mail Sales Product Agreement No. 56162. Subscriptions: in the U.S., $29.97 for 12 issues. Postmaster:
Send address change to Playboy, PO. Box 2007, Harlan, Iowa 51537-4007. E-mail: edit@playhoy.com 5
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PLAYBOY.
vol. 42, no. B—june 1995 CONTENTS FOR THE MEN’S ENTERTAINMENT MAGAZINE
PLAYA E EEN SE 5
DEAR PLAYBOY ........ 11
PLAYBOY AFTER HOURS 8 Кожа во ыл: e E
MOVIES вати да ds „BRUCE WILLIAMSON 17
VIDEO 21
ТУА 22
WIRED . 24
MUSIC... 30
TRAVEL ПЕ ЕЈ
BOOKS . DIGBY DIEHL 34
FITNESS . -JON KRAKAUER 36
MEN. С КО С, Bo reer ОЛОК ne fer ASA BABER 38
THE PLAYBOY ADVISOR... 41
THE PLAYBOY FORUM 45
REPORTER'S NOTEBOOK—op; = . ROBERT SCHEER 53
PLAYBOY INTERVIEW: JOYCELYN ELDERS candid conversation 55
THE SAFE GENERATION —playboy report text by Cur ROWE 74
BEAUTIFUL SCREAMERS—cars ..... SEE KEN GROSS 79
COME OUT SWINGING—arlicle .VICZIEGEL 84
THE IMMORAL MR. MEYER—pictorial. ...........- - text by ROGER EBERT ва
SKEEKS—fiction Fee se DONALD E. WESTLAKE 94
PLAYBOY GALLERY: SHANNON TWEED—piclorial .......................... 97
TACTILE TIES-fashion HOLLIS WAYNE өв
CITIZEN TURNER—playboy profile... .. .. ROBERT ond GERALD JAY GOLDBERG 100
HELP US, RHONDA—playboy’s playmate of the month. 104
PARTY JOKES—humor ија GR 114 Help Us, Rhonda
IN THE SWIM—fashion ........ Dec. HOLLIS WAYNE 116
CLASSIC COVER AND CENTERFOLD: JULY Y 1955- pictoril.. cC 123
GIFTS FOR DADS & GRADS—modern living 126
AN INTERVIEW WITH POPE JOHN PAUL Il—salire................ DENIS LEARY 131
PLAYMATE OF THE YEAR—pictorial 132
20 QUESTIONS: TOM ARNOLD 144
WHERE & HOW TO BUY........ 164
PLAYBOY ON THE SCENE 169 Snazzy Swimwear
COVER STORY
She was Miss February 1994 before she followed another PLaysoy favorite,
Dian Parkinson, on The Price Is Right. Now, Julie Cialini makes her third
appearance in PLAYBOY, this time as Playmate of the Year. Our cover was
produced by West Coast Photo Editor Marilyn Grabowski, styled by Jen-
nifer Tutor and photographed by Stephen Wayda. Thanks to Alexis Vogel
for styling Julie’s hair and makeup. Our hip Rabbit welcomes Julie back.
GENERAL OFFICES, PLAYBOY 880 NORTH LAKE SHORE CRIVE, CHICAGO, ILLINOIS 80811 PLAYBOY ASSUMES NO RESPONSIBILITY то RETURN UNSOLICITED EDITORIAL OR GRAPHIC OR OTHER NA
STANG COMES. DAVE S INSERT BETWEEN PAGES 182-163 IN SELECTED COMESTIC SUBSCRIPTION AND NEWSSTAND COPIES. CERTIFICA 7
ADORA DE PUBLICACIONES Y REVISTAS ILUSTRADAS DEPENOIENTE DE LA SECRETAMIA DE GOBERNACIÓN. MÉXICO. RESERVA OE TITULO EN TRÁMITE
PRINTED IN U.S.A
PLAYBOY
Tom?
Well, he’s a
good listener...
he genuinely
cares about
world peace...
he shares the
remote control..
ENGLISH LEATHER
Cologne and After Shave
PLAYBOY
HUGH M. HEFNER
editor-in-chief
ARTHUR KRETCHMER editorial director
JONATHAN BLACK managing editor
TOM STAEBLER ort director
GARY COLE photography director
KEVIN BUCKLEY executive editor
JOHN REZEK assistant managing editor
EDITORIAL
ARTICLI PETER MOORE. STEPHEN RANDALL ed
tors; FICTION: ALICE к. TURNER editor; FORUM
JAMES R PETERSEN senior staff uriter; CHIP ROWE
assistant editor; MODERN LIVING: DAVID
STEVENS editor; BETH TOMKIW associate editor;
STAFF: BRUCE KLUGER, CHRISTOPHER NAPOLITANO,
BARBARA NELLIS associate editors; FASHION: HOL-
LIS WAYNE director; JENNIFER RYAN JONES assis-
tant editor; CARTOONS: MICHELLE URRY editor;
COPY: LEOPOLD FROEHLICH edilor; ARLAN BUSH
MAN assistant editor; ANNE SHERMAN copy associ-
ale; CAROLYN BROWNE senior researcher; LEE
BRAUER, REMA SMITH, SARI WILSON researchers;
CONTRIBUTING EDITORS: ASA BABER
KEVIN COOK. GRETCHEN EDGREN. LAWRENCE GRO-
BEL. KEN GROSS (aulomolive). CYNTHIA HEIMEL.
WILLIAM J. HELMER, WARREN KALBACKER, D. KEITH
MANO, JOE MORGENSTERN, REG POTTERTON. DAVID
RENSIN, DAVID SHEFF, DAVID STANDISH, MORGAN
STRONG, BRUCE WILLIAMSON (movies)
ART
KERIC rore managing director; BRUCE HANSEN.
CHET SUSKI. LEN WILLIS senior directors; KRISTIN
KORJENEK. KELLY KORJENEK associate directors; ANN
SEIDL supervisor. heylins/pasteup: vun ruan.
RICKIE THOMAS art assistants
PHOTOGRAPHY
MARILYN GRABOWSKI west coast editor; JIM LARSON
MICHAEL ANN SULLIVAN senior editors; PATTY
BEAUDET associate editor; STEFHANIE BARNETT
BETH MULLINS assistant editors; DAVID CHAN,
RICHARD FEGLEY, ARNY FREVTAG. RICHARD IZUI,
DAVID NECEX. BYRON NEWMAN. POMPEO POSAR.
STEPHEN WAYDA contributing photographers:
SHELLEE WELLS Stylist; TIM HAWKINS manager, pho-
to archive
RICHARD KINSLER publisher
PRODUCTION
MARIA MANDIS director; RITA JOHNSON manager;
KATHERINE CAMPION, JODY JURGETO, RICHARD
QUARTAROLI, TOM SIMONEK associate managers
CIRCULATION
LARRY A. DJERF newsstand sales director; CINDY
RAKOWITZ communications director
ADVERTISING
ERNIE RENZULL advertising director; JUDY BER-
KOWITZ national projects director; SALES DIREC-
TORS: КІМ L. PINTO easlern region; JODI VEVODA
GOSHGARIAN midwestern region; IRV KORNBLAU
marketing director; Lisa NATALE research director
READER SERVICE
LINDA STROM, MIKE OSTROWSKI correspondents
ADMINISTRATIVE
EILEEN KENT new media director; MARCIA TER-
RONES rights & permissions administrator
PLAYBOY ENTERPRISES, INC.
CHRISTIE HEFNER chairman, chief executive officer
make a believer
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PLAYBOY
DEAR PLAYBOY
680 NORTH LAKE SHORE DRIVE
CHICAGO, ILLINOIS 60611
FAX 312-649-9534
E-MAIL DEARPB@PLAYBOYCOM
PLEASE INCLUDE YOUR DAYTIME PHONE NUMBER
VLADIMIR ZHIRINOVSKY
Jennifer Gould's interview with Vla-
dimir Zhirinovsky (March) is compelling
stuff. It helps me to understand how
Alex Haley must have felt in 1966 sitting
їп а room with George Lincoln Rockwell.
Bravo to Gould for her fortitude and to
PLAYBOY for delivering your best inter-
view in years.
David Waldon
Chicago, Illinois
Jennifer Gould ought to receive a
medal for what she went through with
Zhirinovsky. I couldn't believe what he
was asking her to do, yet she handled
him with excellent composure. If I had
been in her shoes, I think I would have
slugged him.
Joe Baylot
jmbaylot@whale.st.usm.edu
Hattiesburg, Mississippi
The Zhirinovsky interview is one of
the more interesting you've published in
some time. I would love to see this man
at a state dinner confronting First Lady
Hillary Clinton, Rather than leading
Russia into the future, maybe he should
come to America and go into the movies.
Chip Elliott
Columbus, Ohio
REPORTER'S NOTEBOOK
Robert Scheer's “Do the Rope-a-Dope,
Bill” (March) is so full of venom and lies
that it fails to do its job. Scheer wants to
know how the Republicans are going to
cut taxes and balance the budget. Easily.
Federal tax decreases have resulted in
revenue increases. Scheer goes to great
lengths to say the capital gains tax cut is
a program that will help “the richest ten
percent in the country.” This statement
is a lie. The vast majority of people who
file capital gains taxes make less than
$50,000.
August Elliott
Marietta, Georgia
STUNTWOMEN
Wow, sensuous stuntwomen (March)!
They are all pretty, but I'm most inter-
ested in Dana Hee. She's a beautiful,
dangerous martial arts champion who
speaks four languages. She's one hell of
a woman.
Sal Oliveri
Gilroy, California
Trisha Lane is beautiful. She deserves
a leading role. Can you give her a picto-
rial of her own?
J.R. Longoria
josephlærunnerjplutsa.edu
San Antonio, Texas
I was really proud and pleased to see
my daughter Jean Alison Malahni so
beautifully photographed by Arny Frey-
tag in the Stuntwomen pictorial. I am now
а PLAYBOY subscriber.
ie Malahni
Kernville, California
THE GURU AND THE GADFLY
Bob Sipchen’s exposé on the pop
shaman John-Roger (March) is a person-
al vindication for me. Three months af-
ter attending his Insight I “shame-ins,”
my wife asked me for a divorce. She had
wanted me to participate, but I refused
and warned her that the seminars placed
an unnecded strain on our already
frayed relationship. Granted, there was
ample blame to go around, but Insight I
dealt the fatal blow to our ten-year mar-
riage. My ex-wife isa lovely person and I
know she is scarching. We all are. I can
only hope that someday she'll travel a
different road to enlightenment.
Ed Ballinger
Santa Fe, New Mexico
Being spiritual is not about magic and
hocus-pocus, The Movement of Spiritual
Inner Awareness is not a secret organi-
zation, nor does it resemble a cult. In
the 26 years that I have been a student
of MSIA and John-Roger, I have never
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PLAYBOY
12
heard him hint at being greater than Je-
sus. John-Roger always tells us to check
things out for ourselves—including what
he teaches.
Louise Wyatt
Garland, Texas
I, along with most of the other people
who have studied with John-Roger. did
not check my mind at the seminar door
only to pick it up several years later. I am
successful in business and personal rela-
tionships, and what I have learned in the
past 15 years since meeting John-Roger
has helped me to achieve these things.
Caryn Kanzer
New York, New York
AMBER SMITH
Hot on Hot (March) is an understate-
ment. Its rare when any woman fea-
tured in your magazine can be com-
pared to Marilyn Monroc and not make
the writer look like a fool. Amber Smith
makes the writer look extremely smart,
indeed,
Edward Shad
Baldwin Place, New York
The Amber Smith pictorial reminds
me of classic Sixties pinups. I am very
impressed.
Jai Jeffers
Townsend, Tennessee
Before your March pictorial, I didn't
know who Amber Smith was. Now I'll
never forget her.
T.J. Leverette III
College Park, Georgia
WOMEN
Cynthia Heimel hits the nail on the
head in “I Am Woman” (March). Women
are acting less and less like women, and
I'm not stereotyping them. Before you
label me a male chauvinist, listen up. Po-
lice forces have found female officers to
be better at defusing potentially violent
domestic situations than male officers.
The problem is that too many women
feel pressured to conform to male be-
havior. Please compete with us based on
your own unique qualities.
John Martinez
stdjxm01 @pip.shsu.edu
Huntsville, Texas
May I suggest that there are many
modern men who do not find giggling a
turn-on and who in fact value intelli-
gence in a woman? I'm sure I'm not the
only soul who doesn't see femininity and
being a capable person as mutually
exclusive.
Ed Tracey
Claremont, New Hampshire
Every time I read Cynthia Heimel's
column I want to scream, Women put
too much emphasis on having a man,
and it's competition among women that
creates this mentality. Men have hang-
ups and imperfections, but we don't
blame society for our problems. Why
aren't people willing to accept responsi-
bility for their actions? If you are not
who or what you want to be, don’t attach
yourself to someone else like a parasite.
Just get off your ass and make some
changes.
Jim Glaekin
Fort Lauderdale, Florida
Poor Cynthia Heimel: You can't quite
make it as a woman but you wouldn't be
caught dead trying to be a man.
Derek Smith
Denver, Colorado
THE HEART OF TEXAS
Playmate Stacy Sanches (March) truly
proves to the world what we in the Lone
Star state have always known: Texas
ladies are the prettiest on both sides of
the Pecos.
Jeffrey Caffey
San Antonio, Texas
In my 26 years, I've seen two wonders
of the world—Niagara Falls and Geor-
gia's Stone Mountain. And now I've seen
another.
Kevin Baker
Jackson, Ohio
My only question is: What do we have
to do to see more of Stacy Sanches’ won-
derful sister, Kim?
Chris Berry
Fort Meade, Maryland
God bless Texas. Never have I bought
an extra issue to go with my subscription
copy until now. I believe I have seen the
1996 Playmate of the Year.
Michael Scott
Phoenix, Arizona
Stacy Sanches is the hottest woman I
have ever seen. I was compelled to steal
the March PLAYBOY from my roommate.
Tell Stacy there's a 22-year-old student
in Bowling Green who will take her two-
stepping any time.
William Kashner
Bowling Green, Ohio
UNFOUNDED RUMORS
I must say I am extremely disappoint-
ed at pLaysoy and Hef for taking away
Traci Adell's PMOY title for her involve-
ment with O.J. Simpson. Traci Adell was
originally chosen to be Playmate of the
Year, but when she said something like,
“OJ. sounded guilty,” Hef decided to
take the title away from her. I am upset
about PLAYBOY's policy to let such politics
enter into the issue. Can Hef single-
handedly decide the PMOY without tak-
ing the public voting into account?
Joon Byun
aepub.duke.edu
Durham, North Carolina
This story was circulated by a few gossip
columnists, and is nearing the status of an ur-
ban legend on the Net. But there’s no truth to
it. The editors of the magazine, including
Hef, take many fadors, including the reader
preference poll, into consideration when se-
lecting the Playmate of the Year. Phone calls
from O.J. are not among them.
PLAYBOY ON THE INTERNET
I support your effort to bring PLAYBOY
to the wire. It is important to establish
freedom from censorship on the Inter-
net before regulators destroy it. When a
powerful force such as PLAYBOY gets in-
volved, it encourages others. Having
said that, why do you publish electronic
addresses when you don’t publish mail-
ing addresses?
Jerry Howard
Houston, Texas
We'll repeat what we said in the letters col-
umn last November: We are sensitive to issues
of privacy. If you don’t want us to publish
your e-mail address, let us know.
AN UNEXPECTED GIFT
This letter is to thank Hugh Hefner
and the Playboy organization for the
many contributions they have made to
my life through the magazine, the clubs
and Playboy TV. Asa token of my appre-
ciation, I’m leaving $100,000 to his foun-
dation in my will.
Richard Burke
Rochester, Michigan
Thank you for your generosity. We hope it
will be a Tong time before your will needs to
be read. The Hugh M. Hefner Foundation is
а tax-exempt entity set up to fight the good
fight. Like People for the American Way
and the ACLU, the HMH Foundation dis-
tributes funds to other charitable foundations
whose interests and philosophies are similar
to ours.
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PRIMO TEQUILA.
PLAYBOY AFTER HOURS
GROUPER THERAPY
There has always been a thin line be-
tween life and art in Los Angeles, and
the latest example of this is an evening of
group therapy at a cabaret that's styled
as a dinner theater. At Dr. Stella Res-
nick’s weekly Talk Theater, sex is the fa-
vorite topic. The psychotherapist's “in-
teractive theatrical experience” allows
audience members to dine on elegant
Mediterranean cuisine before she serves
up such spicy issues as “Sex Without
Sex: The New Eroticism,” “Flirting,
Teasing and Seduction: The Joys and
Hazards” and “Breaking Through Plea-
sure Barriers: How Good Can It Get?”
After a short monolog, Dr. Resnick
throws a few questions to the crowd, and
the free-for-all begins. For example, a
woman sits on the lighted stage as she
answers questions from her husband in
the darkened audience. “My purpose in
having people get up there is to make
them think,” says Resnick. “Most people
haven't reached anywhere near their
sexual potential. We need to experiment
more.” Lobster tail, anyone?
ELECTRONIC GRAPEVINE
It was bound to happen: There is a
wine page on the World Wide Web that
includes a tasting archive, where you can
rate—and disagree with—the opinions
of wine expert Robert Parker, and some-
thing called a virtual tasting group.
Hmm, sort of dry—but with amusing
pretensions.
THE ROYAL STROKE
The golf pro at the Pyongyang golf
club where North Korean leader Kim
Jong Il plays swears that the dictator
shot a 34 ona recent round of 18 holes.
This feat included five holes in one. We
understand the littlest dictator is also a
skilled fisherman and regularly lands
very big fish.
NEVER NETHERLANDS
America’s views on sex are quite prud-
ish when compared with Europe's, as
film director Jonathan Blank discovered
when he released Sex, Drugs and Democ-
racy, his documentary on morality in the
Netherlands. Problems arose with the
Landmark Theaters chain, which was
planning to run the film on several of its
screens. Apparently, Landmark has a
policy of not allowing anyone under the
age of 18 to work ina theater that shows
a film with explicit material. As part of a
compromise, the theater chain forced
a 17-year-old female employee to take a
leave of absence. That she was pregnant
at the time made no difference.
STIFF JUDGMENT
A practical nurse in Gary, Indiana
wants to avoid the agony that she has
seen others suffer un life support aud.
has stipulated in a living will that no such
measures should be used to prolong her
life. To make certain that the appropri-
ate people get the message when the
time comes, she had the living will tat-
tooed on her stomach. In the meantime,
we can't shake the mental image of her
lover pausing suddenly in the middle of
sex and blurting out, “You mean I don't
even get the car?”
ILLUSTRATION BY GARY KELLEY
ANOTHER RUNAWAY BRONCO
Aaron Miller, a teenager, tried to out-
run sheriff's deputies in Leon, New
York. Problem was, Miller is Amish and
he was making his escape in a horse-
drawn buggy. The deputies followed in
their squad car for four miles before
stopping Miller and charging him with
traffic violations.
THE NUTTY PROFESSOR
An issue of Lingua Franca reported
that Barry Dank, a sociologist at Califor-
nia State University-Long Beach, has
come up with a response to people out-
raged by male professors who hit on
their female students. He argues that
ош the professors and the students are
victims and that they're “oppressed by
feminists who work to make their rela
tionships illegal.” To rectify the situation,
Dank is organizing Consenting Academ-
ics for Sexual Equity, a consortium of
sexual freedom fighters who meet on
the Internet.
Speaking of the Net, the following
message is as interesting for its path of
origin as for its information. It had trav-
eled from the National Institutes of
Health to Columbia University to Har-
vard University to, finally, the University
of Chicago Law School, where it was
picked up on e-mail: “In 1977 there
were 37 Elvis impersonators in the
world. In 1993, there were 48,000. At
this rate, by the year 2010 one out of
every three people will be an Elvis im-
personator.” Who says tenure isn't a
beautiful thing?
REACH OUT AND
HIGH-FIVE SOMEONE
These days, it seems that we do every-
thing over phone lines. Now, to recap-
ture the cool elation of high-fiving some-
опе, members of the jacked-in crowd say
“phone five” during a call and then
press the “5” key. Others send and re-
ceive e-mail messages that simply read
“Five!” We expect that as time becomes
16
RAW
DATA
FACT OF THE
MONTH
Since May 6, 1954,
when British runner
Roger Bannister
shattered the four-
minute barrier for
the mile, more than
700 people have run
a mile in less than
four minutes.
QUOTE
“It is not neces-
sary to imagine the
world ending in fire
or ice. There are
two other possibili-
ties: One is paperwork, and the other
is nostalgia." —FRANK ZAPPA
MOMMIES DEAREST
Percentage of American women
who believe they are better mothers.
than their mothers: 33; percentage
who believe they are just zs good: 54;
percentage who believe they are not.
so good: 10. Percentage of American.
mothers who talk with. their own
mothers every day: 25; percentage
who never talk with their mothers: 0.6.
GRADE AAA
According to recent advertisements
in student newspapers, the going rate
offered by infertile couples to Welles-
ley students and faculty to serve
as egg donors: $5000; rate for
egg donors who attend Yale: $2500;
rate for egg donors who attend
Columbia: $2000. Average rate for
Ivy League sperm: $50.
ROLL ON, COLOMBIA
Number of Colombian peasant
families that make their living grow-
ing illegal drugs: 300,000. Number
who make their living growing coffee:
300,000. Of the 700 tons of cocaine
that were produced in or shipped
through Colombia in 1993, number
of tons confiscated in government
seizures: 27.
DOES NOT COMPUTE
Price of an Apple I computer in
1976: $666; its value in 1978: $100;
current value: $5000 to $12,000.
‘CELEBRITY WASH
Of 110 publicly
owned companies
that used celebrities
in their advertising
from 1980 to 1992,
number whose stock
increased in price:
64. Average percent-
age of increase: 0.44.
THE WINLESS CITY
Professional sports
franchise that has
gone the longest
time without win-
ning a champion-
ship: Chicago Cubs,
86 years. Runner-up: Chicago White
Sox, 77 years.
SORRY STATES
Number of states that require li-
censes for pleasure-boat operators: 1;
number that require criminal back-
ground checks for schoolteachers: 8;
number that have laws prohibiting
gay sex: 22.
GOLD CRUSH
Amount of gold mined in the U.S.
during 1853, the peak year of the
gold rush: 3.5 million ounces.
Amount of gold mined in U.S. last
year: 10.6 million ounces. Percentage
of gold mined on public land: 43. Of
mining companies that use public
land, percentage that are foreign
owned: 58. Price that the federal gov-
ernment charged mining companies
for public land in 1872: $2.50 to $5
per acre. Price charged today: $2.50
to $5 per acre.
TEEN SCORECARD
Percentage of teenagers who have
sex on a first date when neither per-
son is drinking alcohol: 8; percentage
who have sex when only the girl
drinks: 6; percentage who have sex
when only the boy drinks: 24; per-
centage when both drink: 19.
WIDENING INTERNET
The projected number of Internet
hosts in 1999, according to the Inter-
net Socicty: 100 million.
— PAUL ENGLEMAN
even more scarce, phone sex will be re-
placed by “phone pound.”
EVEN STEVEN
It's not the size of the ship, it's the
arrangement of your deck chairs. Ac-
cording to Randy Thornhill, an evolu-
tionary biologist at the University of
New Mexico, the best predictor of a
woman's orgasm is how symmetrical her
partner's body is. In Thornhill’s study of
105 undergraduate couples, he found
that women with attractive mates—men
whose features were measured and
deemed highly symmetrical—tend to
reach orgasm more easily. The idea is
that symmetry in facial and body struc-
tures is an indicator of healthy genes.
Since it's belicved that a woman intrinsi-
cally desires the best genes for her off-
spring and that she retains more sperm
when she dimaxes, mating based on
looks is a recipe for bearing strong, vi-
tal children. It’s also the evolutionary
equivalent of great sex.
DEAD HEADBOARD
Now you can sleep like the dead: Just
check into the new Jerry Garcia Suite
in Los Angeles’ Beverly Prescott Hotel.
The former room 807 features decor
and artwork inspired by Garcia's draw-
ings. There's an embossed fish motif
on the lampshades, upholstery patterns
based on Garcia prints and framed de-
signer neckties from the official Garcia
line. The problem is the room rate:
$300. To your average Deadhead, that’s
two months’ worth of gas for the van and
a tank of nitrous oxide.
SAFE FAX, HOT FAX
Its been a few years since the faxual
revolution, and each day it seems we
give or receive some fax. There's fax at
home, fax at the office and, of course, fax
at the Playboy Mansion—which recently
received a widely traveled daisy-chain
fax about faxing. Here it is:
Q. Do I have to be married to have
safe fax?
A. Although married people fax quite
often, there are many single people who
fax complete strangers every day.
Q. My parents say they never faxed
when they were young and had to write
memos to each other until they were 21.
How old should you be before you fax?
A. Faxing can be performed at any
age, once you learn how.
Q. Isa cover necessary for faxing?
A. Unless you are positive about whom
you are faxing, a cover should be used to
ensure safe fax.
Q. I have a personal fax and a business
fax. What if I mix up my transmissions?
A. Bi-faxuality can be confusing, but as
long as you use a cover each time, you
won't transmit anything you're not sup-
posed to.
ES CA
Аг men
`
м.
Calvin Klem e
eau de toilette
ESCAPE
for men
|
Open fold for
ESCAPE for men
MOVIES
By BRUCE WILLIAMSON
A SELF-HELP GURU with a cable TV show
is portrayed by Dennis Hopper in direc-
tor David Salle's Search and Destroy (Octo-
ber Films). Hopper’s Dr. Luthor Waxling
has also written an inspirational book,
which a nerd named Martin Merkheim
(Griffin Dunne) is determined to make
into a movie. First, Merkheim makes off
with Dr. Waxling's ditzy receptionist (Il-
leana Douglas), who has ideas of her
own for a grisly slasher film. Together
they envision the heroine as “a fully real-
ized, multidimensional character—with
large breasts.” It should be clear by now
that everyone is up to some mischief
in this eccentric black comedy. Some of
the peripheral characters are played
by Rosanna Arquette, Ethan Hawke,
Christopher Walken and John Turtur-
ro—the latter in a showstopping stint as
а miscreant from hell. Decidedly not for
the squeamish, Salle's odd, arresting
film was produced by Martin Scorsese, a
man with a history for being ever on the
lookout for fresh talent. YY
Impeccable good taste is almost a
detriment to Jefferson in Paris (Touch-
stone), the latest in the Merchant-Ivory
canon of literate first-class cinema. The
usual troika—producer Ismail Mer-
chant, director James Ivory and author
Ruth Prawer Jhabvala—joined forces to
dramatize Thomas Jefferson's tour as
U.S. ambassador to France (1784-1789).
Those were the years when Jefferson,
played stolidly by Nick Nolte, dallied
with a married Anglo-Italian (Greta
Scacchi). He also brought to Paris his
daughter Patsy (Gwyneth Paltrow) and
Sally Hemings (Thandie Newton), the
beautiful black slave who bore a number
of his children. Gorgeously costumed
and photographed, the movie unfolds at
a languid pace—long on narration and
much too cautious about Jefferson's pec-
cadilloes. Meanwhile, the French Revo-
lution comes across as a minor distrac-
tion; Sally's pregnancy and Patsy's desire
to enter a French convent seem to car-
ry greater weight. Jefferson in Paris has
stately style to spare but lacks cohesion
and momentum. ¥¥¥
The heroine of Picture Bride (Miramax)
Riyo (Youki Kudoh), the mail-order
wife of a Japanese sugarcane worker in
early 20th century Hawaii. Since her
middle-aged husband (Akira Takayama)
has lured her with a photograph taken
in his youth, Riyo wants to leave before
the shock wears off. Instead, she stays
and struggles with plantation life, finds
Nolte and Scacchi in Jefferson's Paris.
Foreign affairs flounder,
weirdos make waves and family
matters loom large.
comfort with a kindred soul (Tamlyn
‘Tomita as Kana) and ultimately accepts
her lot. Writer-director Kayo Hatta, with
her sister Mari as co-author, drew on her
own ancestry and careful research to
shape a delicate, touching tribute to the
men and women who settled Hawaii.
Winner of the Audience Award for best
dramatic feature at this year’s Sundance
Film Festival, the eloquent. bilingual Pic
ture Bride has visual panache to match its
poetic sensibility. ¥¥¥
Win or lose this year's Oscar race for
Best Foreign Language Film, Nikita Mi-
khalkov's Russian-made Burnt by the Sun
(Sony Classics) is another extraordinary
drama by the director whose 1992 Close
to Eden was also an Oscar nominee.
Mikhalkov dons other hats as writer and
star of this lyrical political saga, which
takes place during a single sunny day at
a country house in 1936. A charismatic
actor, Mikhalkov plays Kotov, a former
Red Army hero whose record as a loyal
revolutionary does not exempt him from
Stalin's wrath. In a dacha bustling with
friends and family, he is enjoying the
good life with his wife, Maroussia (Inge-
borga Dapkounaite), and his six-year-old
daughter (winsomely played by Mikhal-
kov's own daughter, Nadia) when an un-
expected guest interrupts their Chek-
hovian idyll. The visitor is handsome
Dimitri (Oleg Menchikov), Maroussia's
lover years earlier and now a secret-po-
lice agent assigned to arrest Kotov for
unspecified offenses. Dimitri's seductive
warmth masks his true mission, and
Burnt by the Sun exposes the horrors of
Stalinism with unnerving gentility. Mi-
khalkov mounts scene after scene of
stunning contrasts—first, army tanks
lined up on bivouac around a wheat field
full of jolly peasants; later, a hot-air bal-
loon lifting an image of Comrade Stalin
over the peaceful countryside. In an un-
abashed message film about “the betray-
ing sun” of revolution, Mikhalkov makes
his message shimmer and sting, ¥¥¥¥
А flagrantly sentimental slice of Amer-
icana can be found in writer-director
Gregory Nava’s My Family (New Line).
Spanning several generations of a Mexi-
can immigrant family settled in Los An-
geles since the Twenties, the movie's pri-
mary focus is on three brothers played
with Latin passion and macho assurance
by Esai Morales, Edward James Olmos
and Jimmy Smits. Other family mem-
bers include the boys’ devout, loving
parents and their sister Toni (Constance
Marie), who first becomes a nun, then a
social activist married to a former priest
(Scott Bakula). Olmos as Paco is an aspir-
ing writer whosc narration knits togeth-
er a story that is top-heavy with violence,
sex appeal and pure schmaltz made
palatable by the efforts of a superior cast.
In short, there's everything here to sus-
tain a long-run, heartrending Hispanic
soap opera. ҰУ/:
He is hostile to women, abhors the
movie made from his own Fritz the Cat
and admits to a childhood sexual fixa-
tion on Bugs Bunny. So it goes with-
Crumb (Sony Classics), director Terry
Zwigoff's compelling close-up of rene-
gade artist Robert Crumb, whose icono-
clastic Zap Comix and subsequent work
have made him a cult hero. Also singled
out by Time's art critic Robert Hughes as
“the Bruegel of the 20th century,
Crumb is privately an outrageous, nerdy
misanthrope. Interviews with him, his
current wife, his ex-wife, relatives and
former girlfriends create the impression
that a dysfunctional family background
is no hindrance to major success. Not if
you have enough talent. Is Crumb sym-
pathetic? Rarely, but it is enormously en-
tertaining. It is also a sad, darkly comic
portrait of the artist as an egocentric odd
man out. ¥¥¥/2
Swords, stones and wooden spears are
Mel Gibson's weapons in Braveheort
18
Sara: At home in the Macidlening crowd.
FF CAMERA
She has been a clue in the New
York Times crossword puzzle, listed
as: Actress Mia. But Mia Sora, 27, is
better known for her screen roles,
recently as Jean-Claude Van
Damme’s mistreated missus in
Time Cop. “That was me hanging
from a rooftop in ice-cold Vancou-
ver. Then they put a rain machine
on me. I nearly passed out.”
Phoning in from Arizona, where
she's about to co-star in a new
movie with Gil Bellows, Mia had
just wrapped a guest shot on the
ТУ series Chicago Hope (“playing a
transsexual”). She also appears in
The Maddening, in which she’s kid-
napped by Angie Dickinson and
Burt Reynolds. "It's sort of a vic-
tim role. They chain me to a bed
and take my kid away.” Even so,
she relished working with Burt
and Angie. “It was a thrill. Burt is
an icon to me. I have a huge soft
spot for him, and he knows it.”
She also waxes ecstatic about
working with Michael Caine in
Bullet to Beijing, a Showtime espi-
onage saga shot in St. Petersburg.
“Michael is wonderful and funny.
He and Burt are my two favo:
leading men.”
Mia, born in Brooklyn, did
some TV commercials while in
high school and lucked into her
ovie carcer opposite Tom Cruise
in Legend. Her college plans were
deferred for a role in Ferris
Bueller's Day Off, and the rest is his-
tory. A flying buff, she acknowl-
edges being in a minor tailspin at
the end of a two-year relationship:
“I could sing you some scrious
blues right now.” More domestic
than driven, Mia likes to stay at
home in Los Angeles, devouring
inystery novels or spoiling her
dog, Oscar, a grouchy Wheaten
terrier, gold-coated but not named
for the Academy's trophy. "It was
the only name he'd answer to. And
if he’s the only golden Oscar I ever
get, that's OK.”
(Paramount). Doubling as director and
star, sporting a knee-length kilt and
shoulder-length hair, Gibson portrays
the kind of big-budget swashbuckler sel-
dom seen on movie screens today. It’s
m Wallace, the 13th
century Scottish liberator who leads a
revolution against English rule after his
beautiful wife (Catherine McCormack) is
brutally murdered. Far less credible is a
romance between Wallace and the ene-
my English princess played by Sophie
Marceau, who is sent by the malevolent
King Edward I (Patrick McGoohan) to
placate the rebellious Scots. Otherwise,
Braveheart’s action is nonstop, its scenery
awesome. Gibson can add another feath-
er to his cap for this vivid re-creation of a
bloody, turbulent era full of passion, pol-
itics, patriotism and extravagant head-
long heroics. УУУУ;
The unlikely friendship between an
exiled Chilean poet and the uneducated
Italian dreamer who delivers his mail is
the subject of The Postman (Miramax),
English director Michael Radford’s poi-
gnant tragicomedy set in Italy in the ear-
ly Fifties. France's Philippe Noiret por-
trays the poet Pablo Neruda, with Italy’s
Massimo Troisi as the mailman who
learns about life, love and poetry from
his newfound friend. The movie may
well be remembered for the wrong rea-
son as Troisi’s last performance. A major
star in his homeland, the actor suffered
from a heart ailment and died at the age
of 41 within hours after his work on the
film was finished. To know that sad fact
merely heightens The Postman’s impact as
an otherwise leisurely minor gem. УУУУ?
Exquisite cinematography is hardly
new in movies from China. But even by
that standard, director He Ping's Red
Firecracker, Green Firecracker (October
Films) is a stunner. Set in the early 20th
century, the story dramatizes the plight
of Chun Zhi (played by lovely Ning
Jing), an only child raised as a boy be-
cause a girl would not be permitted to
inherit her family’s fireworks factory. So
it is that Chun Zhi, called master by her
colleagues, grows up wearing men's
dothing ina man’s world until her sexu-
ality is aroused by a lusty young artist
(Wu Gang). Their passion leads to out-
rage, ridicule, ostracism and a climax
that lights up the sky. Once Chun Zhi is
acknowledged as a woman, two suitors
compete for her hand in marriage. They
perform perilous dances with fireworks,
one of which involves her lover setting
off rockets lodged in his crotch, Thus,
Red Firecracker becomes a ball buster, in-
deed, verging on foolish overkill but
far too exotic and spectacular to be
dismissed. ¥¥¥
MOVIE SCORE CARD
capsule close-ups of current films
by bruce williamson
Amateur (Reviewed 5/95) Amnesiac
smut peddler and a sexually obsessed
nun. Wh
The Bosketball Diaries (5/95) He drib-
bles his life away on drugs. vv
Broveheort (Sce review) Gibson stars,
directs and goes the distance. ¥¥¥/2
Burnt by the Sun (Sce review) Red Rus-
sia revisited in high style. wur
Circle of Friends (4/95) Young Irish folk
relish the mating game. Wy
Crumb (See review) Meet the kinky
man who is behind that subversive
comic art. Well
Forinelli (5/95) Elegant look at Italy's
last castrato. УУУУ
Jefferson іп Paris (See review) Tom cats
around rather sedately. Wy
Kiss of Death (5/95) Far from NYPD
Blue, Caruso still scores big. wy
The Lost Good Time (5/95) Young waif
restores old guy's joie de vivre. УУ
Love and Human Remains (Listed only)
In director Denys Arcand’s stark ur-
ban cauldron, everyone stews. ¥¥¥
The Madness of King George (3/95) One
more royal, rutting English rout. YYY
Martha & Ethel (4/95) Two memorable
old nannies and how they grew. ¥¥¥/2
Mina Tannenbaum (5/95) A French jeune
fille and her lifelong friend. Wr
Muriel's Wedding (4/95) She's big, bold
and recklessly altar-bound. ww
My Family (See review) Keeping track
of a Chicano clan in L.A. Wr
Once Were Warriors (4/95) In New
Zealand, a battered wife rebels. ¥¥¥
Outbreak (Listed only) Dustin Hoff-
man and cast pursue love, justice and
a deadly virus in a standard-issue but
nonstop biological thriller. Wh
Ponther (Listed only) Some militant
Sixties cats make the fur fly. yyy
Picture Bride (See review) A sad, rueful
Hawaiian love song. wy
The Postmen (Sec review) Italian hu-
man comedy with a tragic twist. YYY/2
Priest (5/95) Gay Liverpool church-
man hasa lot of angst to confess. ¥¥¥¥
Red Firecracker, Green Firecracker (See
review) Rocket romance. m
Roommates (4/95) Falk fills all the
space asa grand old grandpa. УУЗУ
Search and Destroy (Sce review) For
damned sure, something special. ¥¥
The Sum of Us (4/95) Down under with
a permissive father and his homosex-
ual son. Wa
Swimming With Sharks (5/95) Spacey as
а man-eating Hollywood mogul. ¥¥/2
The Underneath (5/95) Habitual gam-
bler takes a long, last chance. ¥¥¥
¥¥ Worth a look
Y Forgetit
YYYY Don't miss
¥¥¥ Good show
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VIDEO
GUEST SHOT
Candice Bergen is a
take-charge woman
as Murphy Brown,
but when it comes
to home viewing, her
nine-year-old daugh-
ter calls the shots.
"I watch whatever
videos Chloe is inter-
ested in,” concedes Bergen. "We used
to screen Bambi, Fantasia and Snow
White—my own favorite as a kid—but
now she's past the Disney stage.” Dwarfs
and deer have been ditched for Hitch: Rear
Window, To Catch a Thief and Notorious.
“She loves mysteries and knows all the
stars of the Thirties and Forties,” brags
Mom. Other mother-daughter picks are
The Treasure of the Sierra Madre, It's a
Wonderful Life and a few films by Dad
(Louis Malle). Any of Mom's films on the
shelf? “I tried showing Chloe The Wind and
the Lion once," reports Bergen, “but she
doesn't like to watch her mother in the
movies.”
SUSAN MARUN
VIDBITS
This months head trip back in time will
reawaken the teenybopper in you. From
MPI comes Hullabaloo (1965-66), NBC's
weekly rock-and-roll showcase (and an-
swer to ABC's hit Shindig). The four-tape
set features the era's big names (from
Chuck Berry to the Byrds) and, from
London, Beatles manager Brian Epstein
introducing new British acts. Rhino,
meanwhile, has released Head, the Mon-
kees' 1969 psychedelic musical. The film
was co-produced by director Bob Rafel-
son and Jack Nicholson, just about the
time they were putting together Five
Easy Pieces. (If you think that’s odd per-
sonnel, check out Head's supporting
cast: Victor Mature, Annette Funicello,
Frank Zappa, Teri Garr and Sonny Lis-
ton.) Finally, Columbia House (800-638-
2922) is offering a collector's edition of
Lost in Space, the Sixties saga chronicling
the space family Robinson's attempts to
find its way to Alpha Centauri—this de-
spite aliens, space pirates and Dr. Smith,
the most duplicitous wuss in the uni-
verse. Remember the accordion-armed
robot screaming, “Danger, Will Robin-
son”? Has time flown or what?
LASER FARE
You can always bank on filmmaker Tim
Burton to give you an eyeful. Touch-
stone's deluxe, three-disc (CAV) boxed
set of Burton's brilliantly spooky puppet
show, The Nightmare Before Christmas, in-
cludes the full-length feature, a behind-
the-scenes documentary (including inter-
views with Burton and director Henry
Selick), background art, storyboards, se-
quences never animated, trailers, pro-
duction photos, a still-frame archive and
a hardcover book that includes the com-
plete lyrics from the movie. The real
gold mine? Frankenweenie and Vincent,
two early shorts by Burton. The real
nightmare? It'll set you back a hundred
bucks. —GREGORY P FAGAN
LITTLE BIG HOUSE
With Shawshank Redemption, Hollywood
renewed its devotion to prison movies.
Up the river and into the VCR, your vid
tour of the small-screen cooler includes:
Escape From Alcatraz (1979): Clint in the
clink. Eastwood and pals portray the
only real-life cons ever to check out of
the fabled offshore lockup prematurely.
Look for newcomer Danny Glover.
Birdman of Alcatraz (1962): Another true
tale of jailbirds on the Rock, as caged-
criminal-turned-ornithologist Burt Lan-
caster makes nice with the canaries.
Papillon (1973): Unlikely duo Steve Mc-
Queen and Dustin Hoffman take a flying
leap off Devil's Island, but not before be-
coming buds for life.
I Am a Fugitive From a Chain Gang (1932):
Granddaddy of the fact-based prison
dramas: Paul Muni beats the chains, the
guards and the bloodhounds—twice.
Cool Hand tuke (1967): Paul Newman is
too hip to let hard time get him down.
One of the actor’s greatest antihero
X-RATED ODDITY
OF THE MONTH
50 much for the new
pretty trend in adult
video. Patrick Collins’
rugged Sodomania se-
ries is as close to porn
verité as you can get.
Starting unknown tal-
ent (you'd swear the Ё
women were right off the street) in un-
glamorous settings, this rough-edged col-
lection features vignettes that begin at
the sexual edge and keep going—unleash-
ing a rarely normal, sometimes brutal, al-
ways powerful erotic energy. Shell we
mention the toe-sex scene in Volume Nine:
Doin’ Time? That's all we have to say. Now
you're on your own. — JAMES R. PETERSEN
roles. Best scene: the hard-boiled eggs.
Bad Boys (1983): The brat pack goes to
the small houst as moody Sean Penn
does time in the juvenile joint. Ally
Sheedy's dubious debut.
The Longest Yard (1974): Pigskin in the pen
as ex-gridiron star Burt Reynolds leads
pack to beat warden's dream team. A
Sunday afternoon favorite.
Chained Heat (1983): Linda Blair and
busty bad-babe cell mates get nasty in
this paradigm of prison-chick flicks.
Weeds (1987): Nick Nolte pens himself a
pardon from San Quentin via play des-
tined for Broadway. Fame for the slam-
mer set. — ELIZABETH TIPPENS
Interview With the Vampire (undead dandies Pitt and Cruise
bring Rice to medium boil; chills, frills and buckets of blood),
Blue Sky (1962: Army scientist Tammy Lee Jones con't tame
wild wife Jessica Lange; splendid acting).
The Professional (hit man adopts nymph orphaned by cor-
rupt DEA agents; call it Paper Maan meets Taxi Driver), A
Low Down Dirty Shame (Keenen Ivory Wayens is o Pl. in way -
‘ever his heed; gal Friday Jada Pinkett steals the show).
21
STYLE
SUNSATIONAL SPORT SPECS
You don't have to be a jock to appreciate the sharp looks and
high-performance features of the newest sport sunglasses.
What makes them so cool? Offbeat colored lenses that filter
extreme glare and ultraviolet rays, super-secure fits and
feather-light materials such as nylon or aluminum that won't
weigh you down. Adi-
das uses a special wrap-
around lens, neoprene
brow cushions and oth-
er jazzy features to
HOT SHOPPING: DENVER
Shopping in this boomtown is a year-round Rocky Mountain
high, and if you happen to visit the first weekend in June it'll
be hard to miss the
CLOTHES LINE
Capitol Hill People’s
Fair, featuring 550
booths and six stages Actor B.D. Wong, co-star of ABC's
hit sitcom All-American Girl and Dis-
ney’s forthcoming film Father of the
for entertainment.
Check out Imi Jimi
Bride 2, is making
a fashion transition
(609 E. 13th Ave.): A
shop exploding with
make its new U.S. Ath-
letic Eyewear collection
ultracomfortable. Those
who are partial to small-
er frames should check
unique clothes, back-
packs and suny
. е Fashionation
(613 E. 13th Ave.
Hipster casualwear
from flashy to func-
tional. Wong used to
arrange his closet by
colors “from red to
violet,” but he now
out Revo's Sierra sun-
glasses, designed with
rugged nylon frames
and UY-blocking lenses
in blue, violet and gray.
Bausch & Lomb gives
22
its Killer Loop Activ
sunglasses (pictured center) aerodynamic optics that sleckly
curve into the frame, while its Ray-Ban Sports Series Collec-
tion includes an amethyst golf lens (near left) that makes it
easier to track the ball on the green and in flight. The mir-
rored look is back, and few styles are hipper than Oakley's Eye
Jackets, olive-colored wraps (pictured top) that feature strik-
ing gold lenses and 100-percent ultraviolet protection.
POLO, ANYONE?
When French tennis star Rene Lacoste attached a
crocodile—his emblem—to a short-sleeved knit shirt
back in 1933, he made sartorial history. Now, а
ter going out with the fashion tide in the late
Eighties, Lacoste's crocodile-embellished cotton
pique polos are back—a perfect item for the ca-
sual-Friday option. There are 40 colors in
this season’s Lacoste lineup, and you can
choose from other designer polos as well.
Robert Stock offers classically cut steel-
blue, aqua, yellow and heather cotton po-
Jo shirts with ribbed navy and natural
collars, while Derek Andrew's off-
white, sage, slate and light brown vari-
ations are full cut and finished with a
chest pocket and bone buttons. Bobby
Jones makes a luxurious two-ply cotton
Piqué polo using Italian yarn in shades
ranging from white to Tabasco. And Pivot
Rules’ piqué polo features three golfers
embroidered on the chest who are swing-
ing toward the tee on the sleeve.
CASUAL SHIRTS
and off-the-wall jack-
cts, * American Aces
(78 S. Broadway)
Styles from the disco ©
cra, including flight
Jackets, vintage den-
and funky bell-
bottoms. е Groova-
listic (1444 Larimer
Square): Shoes and
streetwear by Fumes
and Tart, two cool lo-
cal labels. е Wax Trax
(638 E. 13th Ave):
Five music stores in
one, each grooving
toa different beat.
fills it with earth
tones such as sage
еп (the color of
is double-breasted
Armani suit). In
keeping with the
tum "form follows
function,” Wong favors baggy Gir-
baud blue jeans and Kenneth Cole
shoes “because of Cole's social
conscience.” He even opts for uti
tarian work specs. For example,
small silver wire frames by L.A. Eye-
works have no nose-bridge support,
making them fashionable, functi
al and comfortable.
LET THERE BE DARK
Dark summer tans may still be in fashion, but today's
bronzed gods are getting their color the safe way—from a
bottle or a tube. To get a realistic golden glow from the
latest self-tanners, you need to apply the spray or lo-
tion evenly over clean, exfoliated skin. A favorite
is Bain de Soleil's Sunless Tanning Creme in
light, dark and deep-dark formulas. Guys with
dry skin should try Hawaiian Tropic's Self
‘Tanning Moisturizing Cream with skin-sooth-
ing aloe vera. Neutrogena makes a great
nonaerosol Glow Sunless Tanning Spray
for the body (it's easy to apply) and a Glow
Sunless Tanning Lotion for the face with a
sun protection factor of eight. Nautica
SelFTanner comes with SPF 6 and Polo
Sport's SPF 8 Oil-Free Self-Tanning
Spray is water- and sweat-resistant. Jan 3
Tana's Golden Sunless Tan is a favorite?
/ among bodybuilders and models. H
OUT
camp shirts worn with shorts and suits
FABRICS AND COLORS.
Washed cotton and linen; seersucker;
gingham checks; Hawaiian prints
Straight-point collars; anything ee
DETAILS
Short (to-the-elbow) sleeves; chest pockets;
side vents; worn tucked in or out
Starched collars; epaulets; rolled-up sleeves;
warn wide open with gold chains
Where & How fo Buy on page 164.
sound, he realized
sthing about this
at this hour that
ly quicksilver,
‘looking, in
boite filled
dies could
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NN Micr hair, a
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24 basic cable or a standard antenna for
WIRED
I-WAY ROBBERY
Afraid to shop on the Net for fear of
credit card-scamming hackers? You'll be
interested to know that several of the
computer industry's major players have
developed technology to make comput-
er commerce safe. Public-key cryptogra-
phy, the basis for Terisa Systems’ Secure
HTTP, is one such method. Built into
several World Wide Web brows
protects credit card number:
codes—one public code (included on
electronic order forms) that turns trans-
mitted credit card numbers into gibber-
ish, and one private code that vendors
use to restore the number once it ar-
rives. Netscape Communications offers
another encryption standard with its
Web browser. Microsoft is working (with
Visa) on a more complex system that in-
volves digital signatures. And the ulu-
mate safeguard, under development at
Massachusetts-based Open Market, is an
interface with the Smartcard: a plastic
credit card that has a chip no one can
hack or imitate.
DSS UPDATE
Channel surfers, ready your remotes:
The next batch of digital satellite system
receivers is about to hit home. When
DSS debuted last June, RCA had the sole
rights to sell hardware for the high-reso-
lution television system, which offers 150
channels of digital programming. But
once ВСА5 18-month licensing agree-
ment expires, or 1 million of the receiy-
er and 18-inch dish units are sold,
other companies can enter the
market. Sony is readying its
wares, Like RCA, it will offer
DSS receivers and satellite
dishes priced between $700
and $900, with programming
supplied by DirecTV and
USSB. Local broadcasts aren't in-
cluded in DSS packages—you need
that. But DSS does offer movie channels
such as Showtime and HBO, as well as
pay-per-view films and events at prices
comparable to cable. To maintain its
edge, RCA, in alliance with Sun Mi-
crosystems, has developed
Open ТУ, interactive tele-
vision that operates
through a decoder box.
With Open TV, you'll be
able to buy concert tickets,
video-on-demand services
and much more
LET THE
GAMES BEGIN
If Visioneering Interna-
tional has its way, the best
place to view the 1996
Olympic games will be
midtown Atlanta. That's where the com-
pany plans to build Geo Nova, a sphere-
shaped cultural center that's actually a
giant fiber-optic projection screen. The
building will be capable of broadcasting
360-degree moving images from satellite
feeds and an internal video system. In-
side, visitors will be treated to a range
of entertainment. A 70mm film and
motion ride titled Geo, for example, will
take you on a helicopter tour over At-
lanta and then face-to-face with alli-
gators in the Okefenokee swamp. In
Stadia, an
interactive sports arena, you'll be able to
step up to the plate against athletes such
as Whitey Ford and Greg Maddux. Us-
ing a wooden bat, you'll swing at their
pitches and check out a nearby comput-
er to determine whether you hit a single,
a double, a homer—or struck out. Geo
Nova is expected to open just prior to
the 1996 summer games.
о" Б
The best woy to manage that growing stack о business cards is to scan them into Pana-
sonic’s CF-CR100 Neo File ($400, pictured below). This clever device stores up to 500
cards in memory, which con be retrieved by name, title or company and then viewed
on the four-inch LCD screen. To create о file,
slip о business card into the unit's high-res-
olution sensor. An optical character reader
ensures 96 percent accuracy ond a key-
board built into the bose cllows you to
type in additional information. The Neo
File also functions as с calendar ond
comes with an optional PC link for
downloading information to any Win-
dows-compatible computer. е Home-
video buffs should check out the new
Videonics Edit Suite multiformat edit
controller. It promises production са-
pobilities that rival those of profes-
sional editing studios—for o mere
$699. © Portable-PC users can
now work in the dark with the
NCL 480 Notebook Com-
puter Light. The $40 de-
vice clips to the top of
о flipped-up monitor,
illuminating the
keyboord, dis-
play and work
areo. Adding
less than eight
ounces to your
trovel weight,
the NCL 480 con run
for two hours on the supplied
AA NiCad rechargeable batteries.
THE NEXT GENERO"
It's the game of the future. The definitive
intergalactic chess set. First of its kind
ever to officially honor STAR TREK:“ THE
NEXT GENERATION.” Authorized and au-
thenticated by Paramount Pictures.
The ultimate controntation in space. Pit-
ting Picard, Riker and the U.S.S ENTER-
PRISE" against their greatest foes. "Q."
Ardra the She-Devil. Romulan Commander
Sella. The Borg. Even Data's “twin brother,”
The Franklin Mint
Franklin Center, PA 19091-0001
Please enter my order for The Official STAR TREK:
XT G 0 lect
author d authenticated by Paramou
Pictures
I need SEND ND MONEY NDW. I will receive
2 imported playing pieces every other month but
will be billed for only one at a time—837.50* per
month—prior to shipment.
n S Spar p
SIGNATURE
"AI OFDERS ARE SUUECI EFE
COUNSELOR DEANNA TROI
N
CAPTAIN JEAN-LUC PICARD
KING
Playing board shown
much smaller than
actual size of 17% _
Sel
Medals ol solid
sterling silver accent ine |
handsome chessboard.
the evil android Lore.
Thirty-two hand-painted pewter figures,
each on its own crystal-clear base. Just
$37.50 each. The golden-toned playing
board, set with two solid sterling silver
metals, at no additional charge.
SATISFACTION GUARANTEED
If you wish to return any Franklin Mint purchase
you may do so within 30 days of your receipt of
| that purchase for replacement, credit or refund.
lease mail by June
ved RENE PT EN
ADDRESS — APL»,
cm —
STATE _
TELEPHONE # (
Crystal. Sterling Silver. 24 Karat Gold.
MULTIMEDIA
REVIEWS & NEWS
ON CD-ROM
When your boss is getting on your
nerves, load Take Your Best Sher into your
CD-ROM drive and vent. Thumb candy
for warped minds, this title features the
inimitable animation of Bill Plympton,
an artist whose work appears regularly
on MTV. Plympton also has garnered
numerous awards, including an Oscar
nomination and the prestigious Jury
Prize at Cannes. Take Your Best Shot is
his first foray into multimedia, and it's
addictive. Besides offering a selection of
screen savers, wallpaper and sound
clips, the disc includes arcade-style
games in which you get to obliterate “the
boss” in wacky ways. In a game titled
Best Shot, for example, you rack up
CYBER SCOOP
|. You can now wear your emoticons
оп your sleeve—und your head. A
New Jersey-bosed company colled
netwe@r has creoted a line of
T-shirts (516) ond baseball cops
(517) feoturing the keyboord chor-
acters thot online junkies use to
convey feelings. We like the wink ;)
and angst —:o symbols best. Don't
get it? Just give the magozine a
turn clockwise.
Some people spoil oll the fun. A
California company hos created o
software program that blows the
whistle on employees who ploy
computer gomes on company
time. Colled Game Cop, the prod-
ud con be progrommed to recog-
nize more thon 100 popular fitles.
points by pummeling his pliable puss
with your fist (pictured above right), by
blowing his head off or by twisting his
nose, snipping off his head with scissors
and then watching the head spin—and
spray—in the breeze. Don't worry, the
game isn't as sick as it sounds. Plympton
goes for laughs—and
he gets plenty. Other
games include Hot
Shot, a tribute to
Atari's Pong; Head
Shot, a game in
which you blast your
way through a wall
of big, ugly heads
(guess whose); and
Line Shot, a baseball-
type game that’s
more fun than any
simulation we've
seen. (By 7th Level, for Windows, $20.)
If you operate a business from your
26 home or are simply interested in track-
Heretic: Doom with wizards
ing lost family members, friends or that
guy who skipped town with the cash he
Owes you, Select Phone isa must-have CD-
ROM. Updated annually, the five-dis
tle contains more than 80 million re:
dential and commercial listings obtained
from the nation’s phone directories
Searches are easy: Simply plug in a per-
sonal or company name, hit the return
key and scroll through the listed pos:
ilities to find your target. The more ii
formation you have (region of the cow
try, state, city, etc.), the more precise
your searches will be. Select Phone also
has a tag function that allows you to
mark names and use them to create per-
sonal and professional lists. And, by reg-
istering the software, you will receive the
next quarter's updated CD-ROM direc-
tory for free. (By Pro Phone, for DOS,
Windows and Mac, $159.)
Fans of England's loudest band, the leg-
endary Spinal Tap, should definitely
take Voyager's two-disc CD-ROM, This Is
Spinal Top, for a spin. Based on the 1984
tour film of the same name by Rob
Reineresque director Marty DiBergi,
this CD-ROM provides heaps of insider
dope on the musicians known affection-
ately to followers as “them guys.” In ad-
dition to featuring a digitized version of
DiBergi's tour de farce, the set offers
commentary from band members David
St. Hubbins, Nigel Tufnel and Derek
Smalls, as well as trom DiBergi and his
crew. The director provides a cautionary
note: He isn’t happy that his rockumen-
tary is being dissected, fearing that its
subtleties will fall limp under hot lights.
And he's right. The more you know
about Tap, the less you want to know.
But what headbanger can resist a CD-
ROM that cranks the volume to I | —one
notch higher than any other comput-
er CD? The discs provide the option
of viewing favorite scenes by choosing
memorable dialogue or gigs, and they al-
so include footage deleted from the doc-
umentary, a 16mm short DiBergi used to
pitch his concept to Hollyweird, assorted
notes and a trailer about a dangerous
but merry Scandinavian giantcheese
festival. (By Voyager,
for Mac, $40.)
ON DISK
Doom demons are
going to love the lat-
est entry from id
Software in collabo-
ration with Raven
Software. Titled Her-
etic, its a 27-level
supernatural blast-
fest based on the re-
alistic 3-D engine
that has made Doom and Doom И two
of the hottest PC games ever. Instead of
battling hellspawn, however, Heretic pits
you against a host of medieval creatures
in deceptively beautiful surroundings
There are gargoyles that toss fireballs,
skeletal warriors that hurl magical axes,
missile-toting wizards and more. Al-
though you possess weaponry of your
own, including a skull-topped staff that
launches exploding energy balls, taking
Best Shot to the head
on the bad guys is tough. For that rea-
son—and for the sheer fun of it—we rec-
ommend teaming up with a friend. Like
Doom, Heretic is a network game, so
you and a buddy can play together via
modem. Or, better yet, you can load the
game onto your office PC network and
join forces with up to four of your co-
workers. Pick up Heretic at stores or
download the first three levels either
from the Net (at ftp.idsoftware.com) or
from the game forums of America On-
line and Compuserve. (By Shareware,
for DOS, $10.)
ONLINE
For some irreverent Web humor, log on
to Spatula City at http://www.wam.umd.
edu/—twoflower/index.html There you
can have your fortune told, partake in a
cyberstare contest and push “the really
big button that doesn’t do anything.” е
Sony is on the Web. The address is
http://www.sony.com and the site offers
music by Sony artists, info on movie and
TV projects, computer-game samples
and an electronics catalog.
DIGITAL DUDS
The Essential Frankenstein: This
nol-so-essenticl reference CD-
ROM for Windows was created cs
haphazordly os the monster. The
grophics and animation ore dull,
the oudio limited. Even the monu-
script of Mary Shelley's Franken-
stein—the highlight of the disc—is
poorly presented.
Poker Party—The Interactive Strip
Poker Game: With choppy video,
out-of-sync audio ond women who
toke far too long to get naked, this
Windows CD-ROM is a bust. No
pun intended.
WHERE & HOW TO BUY ON PAGE 164.
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PREMIUM TASTE
30
ROCK
WHEN was the last time you heard the
Who or Jimi Hendrix on an adult-ori-
ented rock station? Two recent reissues
that once launched rock into uncharted
territory transcend current radio for-
mats. The Who's Live ot Leeds (MCA) of-
fers an expanded, remixed and remas-
tered version of one of rock's most
incendiary performances. Keith Moon's
manic drumming, John Entwistle’s
meaty bass and Pete Townshend's slash-
ing guitar lines fight with one another,
creating a delirium that established
much of modern rock's musical vocabu-
lary. The cight previously unreleased
tracks highlight the band’s dated, quirky
pre-Tommy material. But it's the nearly
15-minute version of My Generation that
continues to bend the minds of boomers
and busters alike.
Jimi Hendrix’ Band of Gypsys (Capitol),
the master’s live rif-and-groove experi-
ment, finally debuts on СР. Hendrix,
Billy Cox and Buddy Miles were more
interested in improvising than in writing
tunes. But if 13 minutes of Machine Gun
doesn’t twirl your beanie, check your
batteries. — VIC GARBARINI
After a long layoff, Stone Roses, one of
the few English groups that even re-
motely matter anymore, resurfaces with
a sensuous blast of psychedelia on Second
Coming (Geffen). Patience pays off as you
find hooks in all that atmosphere.
—CHARLES M. YOUNG
On Elastico (DGC), three London wom-
en collaborate with a male drummer to
re-create a late-Seventies avant-pop
style. They aren't virtuosos, but they are
unfailingly fast, catchy and saucy.
Grant McLennan, who fronted the
Go-Betweens with Robert Forster, was
the facile one in a band that created are-
ligion for song lovers. His first three solo
albums were melodic but without ten-
sion. On Horsebreaker Stor (Beggars Ban-
quet), the tunes take over. The 19 tracks
vindicate him. The songs roll out so ef-
fortlessly that you're taken even more
with McLennan’s eloquent lyrics than
with his pithy melodies.
—ROBERT CHRISTGAU
BLUES
With a voice that’s still as dark as a
Mississippi midnight and with guitar
picking th: tas deep blue, John Lee
Hooker keeps rolling on at the age of 75.
Chill Out (Pointblank/Virgin) shows that
Hooker still has the fire in his belly
While guest stars abound on these 19
tracks (Carlos Santana, Van Morrison,
R&B great Charles Brown), Hooker's
The Who remastered, the
blues reinvented and even a little
medieval mood music.
grainy bass voice and rattlesnake guitar
runs keep him in the lead role. Telkin’ the
Blues, a meditation on a musician's life
on the road, and the beautiful little bal-
lad Too Young, a tune about teenage love,
are poignant. — NELSON GEORGE
One cliché of rock interviewing is the
musician who “hates labels,” as if there
were a Way to describe music without
saying what itis. Faced with tens of thou-
sands of selections at the CD store, how
would you know what to buy if there
weren't categories? Then again, a few—
very few—artists actually defy catego-
rization by sheer force of originality.
Chris Whitley is one of them. In 1991
Whitley's first album, Living With the
Law, set а new standard for updating the
blues. Playing different guitars through
different amps with varying effects,
Whitley opened up slide playing to a new
realm of possibilities. On Din of Ecstasy
(Work/Columbia) he opens another door
by playing mostly within the context ofa
power trio. If he used to be Lou Reed
crossed with Bukka White, he has now
added John Coltrane and Cream to the
mix. Whitley's naturally bent brain adds
so many twists to slide guitar that your
own neurotransmitters will be broad-
casting from other continents. His slack
vocals and his dark lyrics about “wild pa-
gan love” will leave you happy you've lis-
tened—and just as happy you aren't
Chris Whitley. We'll call it the blues.
—CHARLESM. YOUNG
In the hands of a master like Sonny
Landreth on South of 1-10 (Zoo/Praxis),
the slide guitar can evoke Irish reels
(Creole Angel), rural blues (J.B. Lenoir's
Mojo Boogie), modern Cajun two-steps
(Cajun Waltz) or a southern version of
heartland rock and roll (Turning Wheel).
If Landreth were just a great instru-
mentalist, South of I-10 would still be
worth hearing. What makes it extraordi-
nary—worth a few dozen spins—is that
1-10 also has strong songs. Landreth un-
derstands that blues and rock are vocal
song forms, and even though he isn't a
gifted singer, he uses his background as
a journeyman rock-and-roller (he led
John Hiat's band, the Goners) and the
specifics of his Southern upbringing to
craft lyric narratives. Turning Wheel and
Great Gulf Wind are excellent examples.
Turning Wheel encapsulates his philo-
sophical vision: “Listen as we brave the
edge/Where truth and myth share a
common thread,” Landreth sings. It's a
privilege to share the discovery of South
of 1-10 with readers. — DAVE MARSH
JAZZ
You won't find many debut albums
more vibrant and stylish than Kurt
Elling’s Close Your Eyes (Blue Note). This
modern hipster may be the perfect jazz
singer for the Nineties: In a decade hell-
bent on recasting the century’s popular
culture, Elling can invest his hunky bari-
tone with either a Sinatra swagger or a
beat poet's sincerity. Take Dolores, a high-
octane Wayne Shorter tune from the
Sixties, for which Elling has written
lyrics full of local color you would expect
from Tom Waits or Joni Mitchell. (But
Elling's lyrics—the words themselves—
swing like Basie.) For all this energy, El-
ling also has a remarkable feel for the
slow stuff. His composition (Hide the) Sa-
lome is a pulsing blues about sexual pre-
dation. Elling has yet to gain complete
control over his style; too often, his en-
thusiasm all but floods the tack. But for
every such misstep, you can count three
or four triumphs. — NEIL TESSER
On Above & Below (Epicure), New York
percussionist Leon Parker applies de-
ceptively simple polyrhythms to a fetch-
ing batch of original tunes as well as
to Thelonious Monk and Duke Ellington
chestnuts. Call it jazz from a world-beat
perspective. It’s hard to resist.
—ROBERT CHRISTGAU
RAP
Massive Attack is one of the more pop-
ular British bands of the Nineties. An-
chored by three musicians from Bristol
THE BUMPIER, THE SMOOTHER.
FAST TRACKS
Christgau | Garbarini
Elastica 8 8 5 5 7
Soi dreih
porri 6 8 " lo | 2
ih k
Me Attac 7 6 8 7 8
hris Whitl
pinot Fess 6 7 9 | 8L.
The Who
Live at Leeds if 10 8 9 10
GETTING DOWN ON A FIRST DOWN DE-
PARTMENT: Be on the lookout for Grid-
iron Records. Niners and Dolphins
are already involved. Will Neon Deion
have a Shaq attack?
REELING AND ROCKING: Bono has writ-
ten a screenplay, The Million Dollar
Hotel, which Wim Wenders is expected
to direct. . . . Courtney Love has a part
in Feeling Minnesota, and she is also
working on the soundtrack for Tank
Girl. ... With all the publicity sur-
rounding the Paul Verhoeven movie
Showgirls’ NC-17 rating. Dave Stewart's
music for the movie ought to get a lot
of attention, too. . . . The new Keanu
Reeves cyberthriller, Johnny Mnemonic,
features U2, the Rollins Bond and Nine
Inch Nails on the soundtrack. . . . Don
Was’ documentary about Brian Wilson,
I Just Wasn't Made for These Times, got
such good press at Sundance that it
will first be shown in theaters, then
move to PBS and cable. . . . Morrissey is
filming some U.K. concerts for a TV
special and home video.
NEWSBREAKS: There will be a Paul
Westerberg album this year. . . . Gerald
Levert is recording an album of duets
with father Eddie, lead singer of the
O'Jays, . . . PJ. Harvey is just starting ап
American tour to support her latest
disc, To Bring You My Love. . . . Jerry
Garcia wrote а playlet that was staged
in San Francisco in February and di-
e by his new wife. Neckties,
tings, bedspreads, plays—where
will it end? . . . Nirvane's Dave Grohl has
finished a solo album and has plans to
tour with members of another Seattle
band, Sunny Day Real Estate. . . . Two
„John Lennon tribute albums are in the
"works, but only one has Yoko's bless-
ing. She has asked Paul McCartney, Elton
John, David Bowie and Pearl Jam to
record songs for a charity LP. The
other one (also for charity), compiled
by Candlebox’ manager, will include
Peppers, Stone Temple Pilots,
live, George Clinton, White Zombie, Нат-
ing Lips and Candlebox. Its proceeds
will go to animal neutering organiza-
tions. . . . Neil Young's manager says
Neil will not headline Lollapalooza.
Instead, he will make a record with
Pearl Jam, which will be in the stores
this summer. . . . The Bonnie Raitt sig-
nature guitar marks the first time
Fender has so honored a female artist.
Raitt is donating her earnings from
the sale of the guitars to a charity
she's created to encourage inner-city
girls to learn to play the instru-
ment. . . . James is in the studio, work-
ing with Brian Eno on a new record for
the end of the year. . . . Isaac Hayes will
have two albums coming out at the
same time: Branded has vocals and
Raw and Refined is all instrumental. . . .
The Rock and Roll Hall of Fame,
scheduled to open in September, has
received a major donation from the
Byrds. Roger McGuinn and Chris Hillman
donated guitars, handwritten music
and lyrics, a synthesizer, costumes
and various other artifacts—includ-
ing McGuinn's granny glasses. The
museum also has memorabilia from
James Brown, Buddy Holly, Jimi Hendrix,
John Lennon, Grace Slick, Janis Joplin,
Pete Townshend and Jim Morrison. . . .
Speaking of Hendrix, plans were re-
cently unveiled in Seattle for the Ex-
perience Music Project, scheduled to
open in 1997. More than 6000 pieces
of Jimi's stuff, plus mementos from
other famous musicians from the
Pacific Northwest, will be on display.
The museum will also haye a record-
ing studio, computer library and 500-
seat concert hall. . . . Jamaica minted a
coin in honor of Bob Marley's 50th
birthday. . . . The Nineties aren't the
Sixties: You can wear the new Led Zep
phone card like a necklace.
— BARBARA NELLIS
(3-D, Mushroom, Daddy G) and produc-
er Nellee Hooper (best known in the
US. for co-producing Soul II Soul), this
multiracial aggregation mixes elements
of soul, hip-hop, reggae and dance mu-
sic into a smart, slick, glossy blend.
Its latest recording, Protection (Virgin),
quite pleasing. Everything But the
Girl's Tracey Thorn sings with a cool,
soulful feel on Protection and Beiter
Things, two midtempo ballads with airy,
atmospheric arrangements. Karmacoma
is a playful talk-rap that has а reggae
pulse and a Middle Eastern melody.
Rapped in a similar style by 3-D and
Tricky is Zurochild, a droll production.
Another vocalist, Nigerian-born Nico-
lette, appears on two tracks that reveal
the band’s limitations. Both Three and Sly
sound like tunes from a bad Broadway
musical about exotic lands. The End
falls short when its efforts to be hip fall
into cuteness. — NELSON GEORGE
Urban Dance Squad, Persona Non Grata
(Virgin): In aggression and guitar pow-
er, this Dutch group's third album picks
up where Run D.M.C.'s Rock Box left off.
In vocal grit, they are the successors to
the Beastie Boys. I don’t know whether
this is a rock group that raps or a hip-
hop band with metal density. But I sus-
pect the answer is that Urban Dance
Squad is both. — DAVE MARSH
GOSPEL
The Best of Nashboro Gospel (Nash-
boro/AVI) is a brilliantly selected compi-
lation that includes selections by
Madame Edna Gallman Cooke (Stop
Gambler), Brother Joe May (Wake Me
Shake Me) and Professor Harold Boggs
(Гое Fixed Н With Jesus). There is also
some great group harmony, including
the Famous Skylarks on Roll Jordan Roll.
—-DAVE MARSH
CLASSICAL
Ever since Gregorian chants hit the
charts, medieval vocals have been a bo-
nanza. Much of the recent product is
gimmicky, but some of it is captivating.
Love’s Illusion (Harmonia Mundi) is a fine
recording of 13th century French motets
sung by the female quartet Anonymous
4. Less droning (and more complex)
than chants, these ethereal songs reveal
why romantic longing became a themat-
ic mainstay in Western secular music.
Steve Martland's eclecticism has gar-
nered mixed reviews. Some think his
compositions are derivative. But Patrol
(Catalyst), the British composer's newest
recording, shows he has promise. Care-
ful listeners will be reminded of Can or
Steve Reich. Whether loud and aggres-
sive with an electric band or postmini-
malist. a string quartet, Martland is
— LEOPOLD FROEHLICH
i
worth hearing.
MIG HTFLIGN
-EAU DETOILETTE
NIGHTFLIGHT
JOOP!
TRAVEL
THE MYTH OF DUTY-FREE
Shopping has come a long way since 1947 when a clerk at the
airport in Shannon, Ireland came up with the idea of selling
Irish whiskey to departing passengers without levying addi-
tional taxes. Today, there are more than 800 duty-free stores
around the world. But don't let the phrase duty-free seduce
you. Despite what many people think, such shops are private
enterprises, not government-run discount shops. In Hong
Kong and Singapore, duty-free stores should be avoided be-
cause the cities themselves are duty-free. Furthermore, many
of the in-cty stores welcome haggling and none of them pays
high airport rent. What's the best duty-free shopping com-
plex in the world? Probably Dubai in the United Arab Emi-
rates. Few people vacation there, but many airplanes stop for
refueling. The last time we shopped in its 22,000 square feeta
few years ago, we could have bought a liter of Johnnie Walker
Red for about $4, a carton of Marlboro cigarettes for about $7,
a real Rolex watch for less than $1000 and a half kilo
of beluga caviar for about
$90. (The prices change fre-
quently.) Perfume is a good
deal at duty-free stores in
Paris and Bermuda. In
other locations, such as the
airports in Amsterdam,
Copenhagen and Shan-
non, stores have expanded
to include such upscale
names as Harrods, Bally
and others, and bargains
are available. (Do some
comparison shopping be-
fore you leave the States.)
Just remember that the
U.S. isn't duty-free. When
your purchases total
more than $400, be pre-
pared to pay Uncle Sam
a tax. And you get to
bring in only one liter of
liquor duty-free
NIGHT MOVES: MADRID
In Spain's biggest city, Madrileños begin partying long after the
sun sets in a frenzy they call la marcha. The key to enjoying
(and, some say, surviving) a night on the town is to never stay
in one place too long. Start the evening about nine o'clock.
That's the time for tapas: Sample gambas (Mediterranean
shrimp), jamön (ham), boquerones (anchovies) and other bite-
sized delicacies in some of the city's thousands of tapas bars.
Around midnight, move on to the more fashionable bar scene.
Stop by Archy (Marques de Riscal 11), but don’t let the grunge
look fool you: Archy is expensive and exclusive. Then try
Norton (Calle Hortaleza 64). It attracts another Pearl Jam
crowd. Follow that with Xenon (Plaza de Callao 3), Candala
(Calle Dimo 2) or Bocaccio (Marques de la Ensenada 16). Live
blues, reggae, salsa, swing and, of course, jazz attract a hip
crowd to Café Jazz Populart (Huertas 22). Drink prices double
when the band is on. At Bocaccio, be sure to check out the
downstairs room, which comes about as close to Dante’s In-
ferno as you can get. Agapo (Calle Madera 22) is a hard-driv-
ing rock-and-roll bar that's worth a look. The evening contin-
ues at Capote on Plaza Alonso Martinez, where the dance
action Thursday through Saturday heats up about 5:30 A.M.
One important reminder: Watch out for the five A.M. traffic
jam caused by locals trying to drive home in time to catch 40
winks before going to work.
—— GREAT ESCAPE ——
UGANDA
Winston Churchill called it the pearl of Africa, with good
reason. Lush scenery, spectacular falls, lakes and rivers
(the storied source of the Nile) and plenty of wildlife—
hippos, elephants, crocs, lions, birds and monkeys—
make Uganda a terrific trek in East Africa. The country is
exceptionally safe (Idi Amin has been gone for 15 years)
and tourism’s creeping back. Accommodations are still
primitive (from OK hotels to terrific tents), but that’s the
fun—you rough it along with the wildlife. Thisis a piece of
Africa that's blissfully free of minivans. If you're fit, don't
miss the gorilla trek. Best bet is to sign up with a high-end
tour company such as Abercrombie & Kent (800-323-
7308). Bring binacs, lots of film and SPF 30 sunscreen
DON’T LEAVE HOME WITHOUT IT
Ifyou want to bust the 90-plus decibel level inside a jet aircraft
cabin, get a Noisebuster. This "personal active noise reduction
headphone” (pictured below) resembles a portable cassette
player, but its battery-powered technology is space-age smart.
Because a Noisebuster features a stereo jack, you can still hear
your favorite tunes (or listen to an in-flight movie) while wear-
ing it. Price: $99. е Beach bound? Check out Hot
Head, a new FDA-approved sunscreen (SPF 20)
that's great for guys with thinning (or no) hair,
as it creates a “kool kap” that dries clear. Hot
Head (which comes in a pump bottle) works
well on a hot body, too. Price: $9 at Sport-
mart. е The Thymes Limited’s Herbal
Metaphors collection includes travel-sized
bottles of shampoo, conditioner, shower gel
and body lotion housed in a reusable water-
proof tote. For $17 a set, it
beats what most ho-
tels provide.
WHERE & HOW TO BUY ON PAGE 164,
33
By DIGBY DIEHL
THE SPIRIT OF Adam Smith lives on in the
underground economy of illegal drugs,
where thousands of impoverished
youths pursue the American dream each
year by pushing crack cocaine. In Lond of
Opportunity (Atlantic Monthly Press) Wil-
liam Adler chronicles the astonishing
success of a family from Arkansas that
came to Detroit and became crack mil-
lionaires. Adler points out that although
the Chambers brothers were the chil-
dren of sharecroppers in a family of 16,
they applied the principles of capitalism
to the distribution and sale of marijuana
and crack. The enterprise, at its height,
grossed more than $55 million a year—
far more successful than many legal pri-
vately held businesses in Detroit.
Billy Joe Chambers was 16 years old
when he left the cotton fields of Arkansas
to try his luck on Detroit's streets. He be-
gan by running a “party store,” a conve-
nience shop with beer, chips, candy and
video games. He soon supplemented his
income with sales of marijuana. Billy's il-
legal business flourished and he moved
to a house in an abandoned neighbor-
hood where there was space and sccuri-
ty for his growing operation.
A year later, on the Fourth of July,
1984, Billy made au experi (tal in-
vestment in a single ounce of cocaine,
cooked it into crack and netted $10,000
from word-of-mouth customers, who
soon wanted morc. Billy's onc-housc
business mushroomed into an empire
with laboratories, distribution units, real
estate investments, security forces and
accounting operations. His brother Lar-
ry's prison-bred sense of discipline was
used to control the workforce. Larry and
Billy became the crack kings of Detroit.
The entrepreneurial details of the
business are impressive. One young wom-
an's job was to read the Free Press and the
News every day for reports about drug-
related incidents. Female spies were on
the payroll to infiltrate rival drug deal-
ers’ operations. Two courtroom watchers
attended drug trials to report on the tes-
timony of government informants. The
paymaster had photo albums containing
shots of employees, which were checked
weekly before an employee was paid—
in cash.
There was so much cash Rowing into
the network of crack houses that the
Chamberses wasted no time counting it.
They gave bags of money to their co-
caine wholesalers and trusted them to
deal with shortages or overages. Whole-
saler Art Derrick estimates that he and
his partner netted $100,000 a day by
supplying cocaine from Miami to the De-
troit crack dealers: “We were counting
за their money for them. Mostly small bills.
2 4 c
ERE
Adler's Land of Opportunity.
A chronicle of crack
millionaires, Coney Island
hoop dreams and Moo U.
Did you ever sec $80,000 in singles?"
An intensive three-year cflort by a
joint DEA-Detroit Police Department
task force put the Chambers brothers in-
to prison. U.S. District Judge Richard F.
Suhrheinrich imposed the stiffest sen-
tences allowed by law and gave an im-
passioned speech about the way crack
damages our society. But he failed to
suggest how important the Chamberses'
achievements would have been if they
had chosen to pour their energies and
ingenuity into enterprises that con-
tributed to the revitalization of society.
He might also have pointed out that
their choices were severely limited.
“The same limited choices face black
teenagers on the playgrounds in Brook-
lyn's Coney Island. They, too, are sur-
rounded by urban squalor, collapsing
schools, drug dealers іп flashy cars and
gangs with guns. However, a small, ath-
letically gifted group of them sees а dif-
ferent, legal, way out of the ghetto: bas-
ketball. In The Last Shot: City Streets,
Basketball Dreams (Houghton Mifflin),
which was published last year, author
Darcy Frey chronicles eight months in
the lives of four of the best players on the
Abraham Lincoln High School Railsplit-
ters, a team that consistently ranks high
in national competition and attracts the
interest of top college basketball coaches.
The students reveal their aspirations to
Frey with touching candor.
Frey doesn't romanticize. He portrays
the kids’ desperation, ignorance, ego-
tism and self-destructiveness alongside
the discipline, focus and dedication they
bring to their games. In gracefully de-
scribed scenes from their lives, Frey em-
pathizes so completely with his subjects
that the reader begins to root for them.
Tchaka Shipp. a 67” 17-year-old center,
is wooed by Division I coaches, invited to
Nike's summer basketball camp and can
practically taste that “serious loot in the
NBA.” Russell Thomas is a hardworking
student who practices his three-pointers
every night and carries vocabulary flash
cards everywhere. Corey Johnson writes
poetry, dresses with panache and clowns
around—flirting with academic disqual-
ification—to hide his intellect. Stephon
Marbury, who comes from a family of
talented basketball players, is acknowl-
edged as the most gifted freshman poi
guard in the country.
Frey effectively evokes the dreams that
drive the kids, the school and the com-
munity. There is no triumph for most of
them with their eyes on a Division 1
school, because their homes and their
public schools fail them so badly that
they cannot meet the NCAA academic
minimum of a combined 700 SAT score.
Frey implies that the NCAA rule is un-
fair. If basketball is the only way out, he
asks, why put it out of reach because kids
can't pass questionable tests?
As comic relief from these grim reali-
ties, it would be difficult to improve on
Jane Smiley's send-up of bucolic life at
a large Midwestern agricultural college,
Moo (Knopf). The antics of students, fac-
ulty and administration exist amid pigs
and horses and agribiz research scan-
dals. Smiley has a hilariously wicked way
of incorporating her parodies of mini-
malist academic novels into scenarios
about ecological disaster and frolics in
the women's dormitory. The couplings
and uncouplings among her diverse cast
are Smiley's plot engine, and in one mas-
terful chapter, "Who's in Bed With
Whom," she orchestrates a bawdy series
of sex scenes. This is a big, funny novel
that keeps you laughing. Besides, how
can you go wrong with a central charac-
ter that is a 700-pound hog named
Earl Butz?
BOOK BAG
The Priest (Knopf), by Thomas Disch: A
brilliantly perverse and comic tale of
priestly pedophilia, the shroud of Turin
and nightmares of 13th century torture
mingling with 20th century corruption.
Listen to the Stories (HarperCollins), by
Nat Hentoff: The veteran critic writes
lovingly about Billie Holiday's last days,
Duke, Dizzy and the Count—and Merle
Haggard, of all people.
It Tastes Good, ^^
It Costs Less.
Kings: 16 mg “tar,” 1.1 mg nicotine av. per cigarette by FTC method.
FITNESS
g on the examining table with
my shirt off, I wait nervously for the
X rays to arrive. A dull ache pulses from
my right shoulder. The ache blossoms
into sharp, searing pain if I raise my
arm. When I pantomime tossing a base-
ball, the shoulder feels like it's packed
with shards of glass. I wonder if ГИ ever
again be able to throw a pass, serve a ten-
nis ball or paddle a surfboard.
Dr. James Rogers, a Seattle sports
medicine specialist, slaps four X rays on-
to a screen. As the light blinks on, the ar-
chitecture of my right shoulder material-
izes in ghostly black and white. The
doctor mutters to himself as he studies
the images. His scalpel hand appears to
be twitching in anticipation of the sur-
gery to come.
“Looks like your shoulder is in excel-
lent shape,” he declares after a few min-
utes. “I don't think there's anything se-
rious to worry about.” But what about
the red hot poker that skewers my shoul-
der whenever I so much as reach across
the dinner table? “For 80 percent of the
people who come to me complaining of
shoulder pain,” Dr. Rogers says, “the
culprit turns out to be a part of the
shoulder called the rotator cuff.”
Any activity that involves repetitive
overhead arm motion puts you at risk of
straining the rotator muscles and suffer-
ing pain like mine. Mercifully, the major-
ity of such injuries can be cured—or bet-
ter yet, prevented —by a simple program
of stretching and exercise.
The shoulder's susceptibility to injury
is rooted in its basic design, “The shoul-
der is an incredible joint,” Rogers offers,
“considering the range of motion it al-
lows. But that freedom to rotate through
many planes is achieved at the expense
of stability.” Most people think of the
shoulder asa ball-and-socket joint. In re-
ality, says Rogers, it "more closely resem-
blesa golf ball on a tee.” And it’s held to-
gether not Бу cable-like ligaments, as
most other joints are, but by a thin
sheath of muscles and tendons (the
aforementioned rotator cuff). Anyone
who follows professional baseball appre-
ciates how vulnerable the rotator mus-
cles are to injury.
The four muscles of the rotator cuff
wrap around the front and back of the
shoulder, stabilizing the muscles that
tether the upper arm to the torso as it
зв helps keep the ball at the end of the arm
By JON KRAKAUER
ARMS AND
THE MAN
from popping out of the shallow glenoid
cavity in the shoulder blade. The rota-
tors are overlaid by the beefier muscles
of the deltoid group, which sit atop the
whole arrangement like shoulder pads.
Working in opposition to the rotators,
the deltoids are responsible for lifting
the arms up and out. The deltoids are
considerably stronger than the rotators,
and therein lies the problem.
In the course of such activities as
throwing, swimming or swinging a ham-
mer, the deltoid muscles try, in effect, to
jerk the arm out of its socket. It is left to
the relatively wimpy rotator cuff to hold
everything together. Any repetitive arm
motion can strain the rotator muscles,
thereby decreasing shoulder stability.
When the joint becomes loose and slop-
py because of a weak or strained rota-
tor cuff, part of the cuff (a muscle called
the supraspinatus) gets pinched between
the bones of the shoulder every time the
arm is lifted or lowered.
One of the reasons so many of us suf-
fer from this affliction is that we fail to
give our rotator muscles their due when
we visit the gym. Sure, we do plenty of
shoulder exercises, but vanity drives
most people to lavish attention on the
infinitely more glamorous deltoids. We
pay little or no heed to the inconspicu-
ous rotators, thereby increasing the im-
balance between the two muscle groups
and increasing the likelihood of injuring
a shoulder.
Systematic strengthening of the rota-
tor cuff muscles, which enables them to
hold their own against the wrenching ac-
tion of the pectorals and deltoids, is the
surest way to cure impingement. It's also
the best way to prevent injury. If you're
already hurting, reduce the inflamma-
tion with ice, rest and anti-inflammatory
drugs such as aspirin, naproxen or
ibuprofen. Then start a regimen of up-
per-body stretching followed by prophy-
lactic, rotator-specific exercise, per-
formed two or three times a week.
Although the rotators can be exercised
with light dumbbells or an elastic band,
it’s a good idea to begin sometric
work, which doesn't involve movement
and therefore won't aggravate the
inflamed tissue, To strengthen the exter-
nal rotators, stand just inside an open
doorway and place the back ot one hand
against the jamb. Keeping your elbow
tucked against your side and bent at a
90-degree angle, press outward against
the jamb as hard as you can for ten sec-
onds. Repeat ten times, then do the
same thing with the other arm.
‘To exercise the internal rotators, stand
to one side of the doorway, place the
palm of your hand, across your body,
against the jamb and—again with your
elbow tucked into your side—press vig-
orously inward for ten seconds. Repeat
ten times, then switch arms.
It is also important to strengthen the
muscles of the shoulder blades, which
help anchor and stabilize the rotator
cuffs. To do so, press both elbows firmly
against your sides and bend your arms
forward at a 90-degree angle. Now
swing your hands outward and back-
ward—keeping your forearms parallel
to the floor—by rotating your shoulders
and squeezing your shoulder blades to-
ward each other. Squeeze tightly for ten
seconds; repeat ten times.
After a few weeks, when your shoulder
pain is a distant memory, you might be
tempted to let the rotator work slide to
devote more time to pumping up the
deltoids. Big mistake. Avoiding injury is
more important than looking buff. Trust
me on this—l know the consequences of
neglect firsthand.
BUILT TO
SEE ACTION
ve
Å
MESI ys ;
И. 5150
Every detail of the Swiss
Army? Brand Cavalry"
Watch reflects an integrity
of design that sets itin a
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by field watches of two
World Wars, its all-steel
body is strapped down with
а mugged, riveted leather
band. Bold easy-to-read
numerals shout out loud and
clear. Luminous hands and
markers light up in the dark.
Engineered to provide
Swiss quartz precision
accuracy at all times. Water-
resistant to 330 feet. With
a clean-cut date calendar.
It's tooled for efficiency,
not for effect. So it can до
through hell and high water.
And bac
MACY'S/BULLOCK'S ARMY
CET
38
MEN
ou don't want to look like а jerk,
barging into that place with weird
art on the walls and ordering a cup of
plain coffee. It just isn’t done. You want
to show that you are a 21st century man.
So you make it fancy.
You order items like caffé mocha or
latte or espresso or cappuccino or mista
grande. You remember to ask the waiter
for a glass of water, too. And no, you
don't break the rules and ask for an All-
American trucker's meal of steak, eggs
and hash browns with ketchup and A.1.
sauce. That's too crude. Instead, you or-
der a croissant, or а few slices of dry toast
and tea, and cat slowly, as if you were
a sensitive man of controlled appetites
who is on the verge ofan cating disorder.
It takes a lot of training to become a
fashionable male these days. Much is de-
manded of us. Coffechouse etiquette is
one of the things we need to learn if
modern life is not to pass us by. In case
you think I'm mocking the whole idea of
coffeehouses, think again. I love them—
because the contemporary coffeehouse is
where the girls are.
Yes, indeed, macho man, think twice
before you turn your nose up at things
like café au lait and rabbit food and small
tables that never quite sit Hat on the
floor. To put it bluntly, the coffeehouse
is a female house. Women congregate
in coffeehouses like bees in a hive. Just
ask them.
“I don't go to parties or dances,” says
my friend Diana. “I go to coffeehouses.
They are the new singles bars. Its a
good way to meet men without being
rushed, 1 like to drink a little coffee and
read books and talk about ideas, so cof-
feehouses are ideal. They are relatively
inexpensive, too.”
If you haven't been to a coffeehouse
yet, go. The waiters are ofien slackers so
the service is usually awful and the food
will probably be fit for only gerbils and
rats. But so what? The coffeehouse is
now the social center of the universe.
And if you want to meet eligible women,
it is a great place to be.
There is, however, an unspoken cof-
feehouse code of conduct. Most men
have to learn it on their own, but I can
help you avoid the usual gaffes. You
want to know how to meet women in a
highly refined environment? Let me
give you five basic rules:
(1) Never ask for service. You will not be
By ASA BABER
COFFEEHOUSE
ETIQUETTE
served until at least half an hour after
you have seated yourself. Do not worry.
You are being tested by the staff and se-
cretly watched by women at other tables.
It is your job to be patient and stay occu-
pied until the room decides you are laid-
back and an acceptable and genteel
member of humanity. Remember: Pas-
sivity wins, but overtly aggressive behav-
ior loses every time.
(2) Never speak to a woman before your
third encounter. This is an important rule.
‘The central hypocrisy of the coffeehouse
is that no one is there to get laid. You
must maintain that pose. You are there
to drink coffce, smoke, read, stare into
space, write in your journal, smile, gos-
sip and accommodate the waiters so they
don't pour hot coffee in your lap. Nei-
ther you nor any of the women in the
place ever admits that a coffechouse is
just another meat market with caffeine
as the stimulant and chatter as the cover.
(3) Never criticize the artwork until you
know who created it. Let us say, for exam-
ple, that you have made your move after
an appropriate time and you are in your
first conversation with an attractive fe-
male. You have seen her in the place sev-
eral times before, you have made eye
contact and she has smiled demurely at
you on occasion. You do not begin your
relationship by asking something like,
“What do you think of those shitty paint-
ings on the walls?” Think about it: She
might be the artist. Instead, scope her
out, ask harmless questions, try not to
stare at her breasts and keep theconver-
sation asexual. I call it the Zen approach
to sexuality: If you neuter yourself, she
might come.
(4) Never speak lo a woman wearing com-
bat boots. This is obvious, but you'd Бе
surprised how many guys forget it and
end up in emergency rooms.
(5) In a coffechouse, a woman's choice of
reading material is symbolic and significant.
A woman sitting alone will probably be
reading a book. She is consciously send-
ing certain signals by her choice of tilde
t Call и coffeehouse shorthand. The
take advantage of it. There are four stan-
dard coffeehouse texts. Here are the ti-
tles and what the books reveal about the
women who read them:
(a) One Hundred Years of Solitude (a nov-
el by Gabriel Garcia Marquez): This wom-
an is lusty, perverse and in love with
tropical climates. Speak Spanish to her
and she will melt. Tell her you were born
and raised in a village in Honduras and
she is yours. Watch out for her temper,
though. She bites and scratches.
(b) Sexus (a novel by Henry Miller)
This woman is a nymphomaniac. Look
closely and you will see that she is mas-
turbating while she reads. At no time are
both of her hands visible above the table.
Feel free to introduce yourself to her, but
take a lot of vitamin pills first.
(с) Vamps & Tramps (a book about gen-
der by Camille Paglia): Get ready for
handcuffs and whips, leather pants, con-
tinual arguments, blow jobs with teeth,
and a pretense at obedience that will
soon turn into a rage for domination.
Not for the faint of heart, but good for
cross-dressers.
(d) Love Story (a novel by Erich Segal):
This coffeehouse standard speaks vol-
umes about its reader. This woman is
sentimental, depressed, in love with
death and dying, and waiting for her
prince to come and take her away from
all her grief. Speak gently to her. Tell her
you have a fatal illness. Ask her if she has
the courage to see you through it. Shed
a tear or two. Because love means never
having to buy the coffee
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THE PLAYBOY ADVISOR
IM), new girlfriend and I have never
been able to climax at the same time. I
come after a few minutes, and then it
takes another 15 minutes to bring her to
orgasm. Is this normal, and what can we
do to get our arousal into sync?—Y.T,
New York, New York.
Simultaneous orgasm is crazy fun when it
happens, but it’s overrated as a sexual goal.
(If God had wanted men and women to come
at the same time, he wouldn't have created
foreplay.) For one thing, nature is working
‘against you. Researchers have found that
the sexual cycle of a woman (from initial
arousal to climax) can be three or four times
longer than а man’s. That's not to say you
can't attempt to close the orgasm gap once in
a while. Change positions often, slow your
thrusts to a crawl if you feel like the world is
about to stop, or just lie still and enjoy the
erotic energy. You should also spend more
quality time with your lover’s body before you
have intercourse. When she can’t stand it
anymore and starts begging for your cock,
tease her for another five minutes before slid-
ing inside her. Whether your lovemaking is
a series of two-minute vignettes or a long-
er feature hardly matters when the perfor-
mances let out at the same time.
White my girlfriend and I enjoy
watching adult films together, they often
raise more questions about sex than they
answer. For instance, some of the guys
shoot what seems like a quart of semen.
How can they do this? And because few
performers wear condoms, how do they
protect themselves from diseases?—].T.,
“Tampa, Florida.
All is not as it appears in the world of
porn. Adult-film performers have the benefit
of lighting, creative editing and extreme
close-ups, making penises loom larger and
ejaculate seem more copious. Because they're
asked to come on cue, successful porn actors
are better known behind the scenes for their
ability to jerk off to orgasm than for their
knowledge of female sexual response. As for
sexually transmitted diseases, the adult-film
industry is largely a closed shop. Most stars
are choosy about whom they work with and
are tested for diseases regularly. Since the
AIDS-related death of John Holmes in 1988,
there has been more safe sex in films. But
don’t expect too much: The selling point of
porn is fantasy, and nowadays the fantasy is
sex without risk.
[<< read about foods that supposedly
can get you sexed up. Do you know of
any I could serve my boyfriend?—S.S.,
Vacaville, California.
We salivate over anything served by a
woman in spike heels and sexy lingerie. Eat-
ing, much like sex, is a multifaceted plea-
sure, so it's difficult to know whether it's the
taste, texture or smell of certain foods that
gets people horny. There has been research
involving aromas that may shed light on the
matter. Neurologist Alan Hirsch, director of
the Smell & Taste Treatment and Research
Foundation, monitored the reactions of 25
mate medical students and 31 other men as
they were exposed to various combinations of
24 aromas. While the students had a marked
increase of penile blood flow only when ex-
posed to the scent of warm cinuamon buns,
the other group perked up over combinations
of lavender and pumpkin pie, doughnut and
Black licorice, and pumpkin pie and dough-
nut. Other findings: Vanilla got the most no-
ticeable response from older men, the most
sexually satisfied men liked strawberry, and
the most sexually active responded most to
lavender, cola and oriental spice. All 24
odors tested, from mush to cranberry to but-
tered popcorn, increased penile blood flow to
some degree, supporting the notion that some
men will get an erection if the wind blows—
especially if it has some flavor.
Fox my birthday my wife gave me a cel-
lular phone, but I’m concerned about
how secure it is. A co-worker said he got
hit with a $500 bill after someone pirat-
ed his cellular account and made a
bunch of overseas calls. How does this
happen? Is there any way to prevent get-
ting ripped off when using a cellular?—
B.5., Los Angeles, California.
You're right to be concerned. Cellular
phone fraud is a big business, and the thieves
are brash enough that they recently victim-
ized New York City's mayor and police chief:
Whenever your phone is on, whether or not
you're making a call, it sends out two codes
to the cellular tracking system every ten sec-
onds. Hackers assemble electronic devices to
ILLUSTRATION Br PATER SATO
steal those codes, clone your phone and make
calls on your account. Although most cel-
lular companies won't hold you responsible
for unauthorized charges, you pay indirect-
ly for the $400 million annual fraud in
the form of higher rates. To combat thieves,
ask your service to cut off international ser-
vice, and use a beeper to screen incoming
calls, That way, you can keep your phone
turned off except when you need it. Keep
a close eye on your bill, as well, and let
your phone company know if you have prob-
lems placing calls.
Recently, I awoke to find my wife hold-
ing my erection. After some early-morn-
ing foreplay I remembered it was her
time of the month. She was willing to
have intercourse, but I was hesitant. She
brought me to orgasm with a blow job,
but I felt selfish for not doing more for
her. Is there any danger in having vagi-
nal intercourse during menstruation? —
K.A., Raleigh, North Carolina.
There's no danger, though many people
aren't comfortable with it. Part of that atti-
tude stems from the antiquated idea that
women are unclean during menstruation.
Some women experience discomfort during
their periods, and that causes vaginal inter-
course to lose its appeal for a few days. But
the discharge is nothing to worry about.
Don't forget: Men with multiple partners
should use condoms any time of the month.
Simple question: How can a woman
handle the penetration of an eight- or
nine-inch penis when the distance from
the opening of the vagina to the cervix is
about three inches? What the hell hap-
pens? The question has never been an-
swered to my satisfaction, even though
I've asked friends, my doctor and vari-
ous lovers —Т.Н., Toronto, Ontario.
You didn't ask us first? Hmmph. The
vagina’s middle name is potential, but it
does get help from the cervix and uterus. Ac-
cording to sex researchers Masters and John-
son, “During the plateau phase, the inner
two thirds of the vagina expands slightly
more in size as the uterus becomes more ele-
vated in a process known as tenting.” If
youre worried about tight spaces, bear in
‘mind that many women have had an infant
march the same path; your penis, by compar-
ison, is easily parked.
П had a girlfriend a few years ago who
introduced me to what she called the hat
game. She would put on a hat from my
closet and slip into character. The first
time she did it, we were watching The
Wizard of Oz. She put on this plastic tiara
and asked me for my wish. Another
time, she put on a gangster's fedora, tied
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me to а chair and stroked my cock until
I was ready to tell her anything. She put
on a safari hat and became a big-game
hunter; I got on all fours and growled.
She donned a baseball cap and said she
wanted to score. It all sounds corny as I
write it down, but it made for incredible
sex. I'd like to introduce this energetic
exercise into my current relationshij
but I'm not sure how to do it. Any sug-
gestions? -G.R., Detroit, Michigan.
Do you, by chance, get turned on by hat-
chech girls? Your games were examples of the
fantasies many couples use to spice up their
sex lives—and to heep warm if the room is
chilly, Rather than leap from a closet wear-
ing a deerstalker cap and yelling, “Come
back here, you wascally wabbit,” you could
introduce the concept more cautiously. Offer
to act out your lover’s fantasies—hat or no
hat—and take it from there. Make love out-
side on а cold day, or in the rain. Or simply
bowl her over: Wear а tux to bed, complete
with top hat. If the hat ends up on her head
before you're done making love, you're well
оп your way.
Since we became lovers four years ago,
my wife has complained of pain during
intercourse. We use lubricants by the
quart. I am always gentle, but lately
things have gotten worse, limiting us to
oral sex. We have a loving marriage, but
the problem upsets us both. Have you
ever heard of this?—B.B., Atwood,
Kansas.
Doctors are at a loss to explain why eight
percent to 15 percent of women suffer from
genital pain (vestibular dyspareunia) dur-
ing intercourse. Until recently, women whose
pain couldn't be traced to vaginal infections,
latex allergies, vaginal muscle spasms or oth-
er problems were often dismissed as head
cases. But now some researchers believe that
oxalates, a class of chemicals in many foods,
contribute to the problem by making urine
irritating. One study found that after two
months on a low-oxalate diet that included
calcium citrate supplements to inhibit ox-
alate formation, 46 of 60 women with unex-
plained pain during sex reported relief
Foods high in oxalates include chocolate,
chard, rhubarb, peanuts, leeks, squash and
Spinach. Contact the Vulvar Pain Founda-
tion (PO. Drawer 177, Graham, North Car-
olina 27253) for more information.
П have been dating a 22-year-old woman
for a few months. Occasionally, she and I
have sex with her two female room-
mates. Needless to say, I've learned a lot
about women’s bodies while watching
them explore one another, and I've in-
creased my stamina as they take turns
fucking me. Boohoo, right? Well, be-
cause my girlfriend shares her friends
with me, she says I should share my male
friends with her. She's given me an ulti-
matum: Either bring in one of my guy
friends or I will not be allowed to partic-
ipate in any more reindeer games.
Although she isn't asking me to have
sex with my buddies, I couldn't stand
watching her get fucked by them. I
never thought being a heterosexual
would cause such а mess.—].R., Atlanta,
Georgia
We suggest you examine your relationship
with this woman—and more important, how
she views it. What you have seems more like
an orgy than a relationship, and it's not
clear whether she wants to recruit new faces
for her friends or for herself. Find out, then
decide if that's what you want. Realize,
though, that you may never have a sex-ed
class like this again.
М, husband has found that blow-dry-
ing his balls helps cure jock itch. Lately
he seems almost happy in the morning
after he gets out of the shower and uses
the drier. Is this really a cure for jock
itch, or is he turned on by it?—M.K.,
Cambridge, Massachusetts.
Although keeping the genitals clean and
dry isa good idea when battling jock itch, it
sounds like your husband has been clean and
sly for a long time. Indulge him. The next
time you make love, slowly and softly tease
has cock and balls with your breath. Moan a
little. Don't touch him otherwise. The reac-
tion you receive will provide insight into
your husband's morning blow-dry jobs.
What is the origin of dinking glasses
at the end of a toast?—T.D., Maywood,
New Jersey.
Drinking to health was everywhere in the
ancient world, and it’s hard to pinpoint
when clinking glasses became part of the cus-
tom. According to Paul Dickson, author of
the book “Toasts,” one theory is that it began
among early Christians who likened the
sound of the clinking glasses to a bell, the
traditional bane of Satan. Another is that
clinking glasses gets all five senses involved
in the toast: The drink is tasted, touched,
smelled, seen and heard.
One friend of mine recently talked
about how her boyfriend liked to be
snowballed. Ever since, I've wondered
what she was referring to. Was she
pulling my leg, or is this some sort of
new sexual technique?—P].. New York,
New York.
We most recently heard a reference to
snowballing in one of our favorite movies,
“Clerks.” Two characters are discussing
blow jobs when one explains that after she
fellated her boyfriend, he asked her to spit the
ejaculate into his mouth. What comes
around, goes around.
AA friend who is a doctor says there is a
new wonder drug on the horizon to treat
male baldness. He couldn't remember
the details. Could it be true? Please tell
me this is the real thing —T.M., Wash-
ington, D.C.
When you're offered horsehair condition-
er, herbal ointments and dozens of other
ridiculous treatments for baldness, any hint
that a simple pill will do the trick is sure
to inspire enthusiasm among the beaming
masses. Merck & Co. has sold the prescrip-
tion drug Proscar since 1992 as a treatment
for benign prostate enlargement. The drug
may have an effect on the male hairline too.
Last year the company conducted a pilot
study of 100 balding men under the age of
35, giving them five-milligram doses of
Proscar daily for a year. The results were
promising: More than half grew new hair.
(Specifically, the men had a mean increase of
95 hairs in an inch-wide circle at the crown
of the head; another 100 men who took
placebos had a mean decrease of ten hairs).
A second six-week study of 150 men under
the age of 50 also showed positive results.
Known generically as finasteride, Proscar
inhibits an enzyme that converts testosterone
to dihydrotestosterone, the hormone that con-
tributes to prostate enlargement and, ap-
parently, male pattern baldness. Although
Merck is conducting more extensive tests
with lower doses, don’t expect any miracle
pill—if one even results—for several years.
Bs there any value in storing my alcohol
in the freezer, besides what I perceive as
stronger taste? And are there any liquors
that shouldn't be stored there?—PB.,
Garden Grove, California.
It’s doubtful that turning your freezer into
a bar has any effect on the liquors other than
making them colder. (Some, such as vodka,
may become slightly thicker) Avoid putting
E [t n IL) See
The Playmates... Pictorials.. Artwork. Cartoons... Cubs... TV Shows... Ја... Mansions... Portes... Controversies. The fade Stones
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the chill on lower proof alcoliols —such. as
beer—or you'll be cleaning up а mess.
Wy is it that whenever I look into my
wife's eyes during intercourse, I get an
incredible rush of erotic energy? Have
you heard of anything like this?—N.B.,
New Orleans, Louisiana.
You've discovered one of the best-hept se-
crets of great sex: Go into it with your eyes
open. Anything you can do to involve senses
that aren't centered ai your groin will make
your lovemaking more, well, sensuous. Hold
your wife’s hand. Stroke her face and hair.
Whisper to her. Tickle her toes. Intercourse is
logistically simple—even teenagers have
figured out that peg A connects to slot A, B or
C—so it’s easy to get distracted. By staring
into your wife's eyes you're telling her that
there's nothing else on your mind—includ-
ing the baseball strike, your checkbook, your
job, your Internet connection—nothing but
the fact that you're inside her.
All reasonable questions—from fashion,
food and drink, stereo and sports cars to dat-
ing problems, taste and etiquette—will be
personally answered if the writer includes a
stamped, self-addressed envelope. Send all
letters to The Playboy Advisor, PLAYBOY, 680
North Lake Shore Drive, Chicago, Illinois
60611. (E-mail: advisor@playboy.com.)
The most provocative, pertinent queries will
be presented in these pages each month.
Playboy Attitude!
Confident, open-minded
and progressive:
You'll find it in
THE PLAYBOY
CATALOG
along with Playboy
Sportswear by
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Laura Whitcomb, sensuous
products for couples,
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and more.
Fora FREE
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©1995 Pleytoy
43
These days, people who smoke
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THE LENGTH YOU GO TO FOR PLEASURE
SURGEON GENERAL'S WARNING: Cigarette Final) a welcome sign for people who smoke.
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© Philp Moris inc. 1895
16 mg "tar; 11 mg nicotine av. per cigarette by FTC method
?
Unlike most Americans, I grew up
with daily assembly in a public school,
where a hymn was sung and a prayer
recited. It was unashamedly Christian
in form; we addressed God as "He"
and didn't say diddly about Muslims,
Jews, Buddhists or anyone else. We
had readings from the King James
Bible, and then the retributions of a
vengeful God were meted out, by way
of a primly vigilant schoolmaster, on
some hapless window-breaker or tru-
ant. There was a mournful rendition
of All Things Bright & Beautiful, and
then we got in line either for free
school lunches or beatings
THE PLAYBOY FORUM
SCHOOL PRAYER
| оп englishman crosses the great divide |
an englishman crosses the great divide
By ROBERT DUXBURY
In England, damp schoolchildren
would steam off their drab uniforms
for half an hour in a musty hall.
Everyone was made to stand, and
those who didn’t pay attention to the
schoolmaster passing out the hymn-
books soon felt one thwacked smartly
against the forehead. The service was
led by a headmaster draped in a black
academic gown and already apoplec-
tic about one or another of his flock's
recent sins. He spent most of the
hymn scouring the rows of preteen
S
rendition of the pledge of allegiance.
I would like to report that such duti-
ful chanting offered a daily uplift, or
some intense communion—but as the
TV commercials advise us, Get real.
Keeping the kids quiet during the
pledge was hard enough. Some pre-
tended they'd never heard the thing
before and asked for the words. Oth-
ers declared they felt political alle-
giance to other countries, and for a
whole year one black child snorted at
every mention of liberty and justice.
The speed of the recitations in-
creased through the year, and the fact
that we were supposed to align
The lucky ones got beat. No,
I am not some Newtonian
throwback from the distant
South, nor a hair-shirted con-
servative from the Bible Belt.
I'm British.
The Brits have always had
prayer in school. Read Tom
Brown’s School Days and you'll
see that rugby results were
blessed in morning assembly.
Not having prayer in school
would be as unthinkable as
not having a cricket team or
a school song. In American
terms, it would be like having
no state bird, no natty slogan
on the state license plate.
But now Americans scem
poised to undo more than 200
years of experience to recstab-
lish state-sponsored prayer. Do
you know what you're getting
into? I'm treading carefully
here because, presumably, the
issue of an individual's relationship to
his or her God is more important
than the school basketball team’s vic-
tory in the state championships. I
make what you might think is an ob-
vious point based on experience—
from the odd juxtaposition of having
taught high school in England, fol-
lowed by junior high in California. In
both systems I was supervising a gov-
ernment-sponsored assembly meant
to instill assorted “values” into my
young charges. Neither endeavor was
what you would call successful.
boys for possible signs of guilt. We
then bowed our hcads for praycr—
except for the teachers, who used this
time to frisk suspected offenders for
chewing gum or slingshots, or to sig-
nal students to leave the hall as pun-
ishment. The fact that we were sup-
posed to be using this time to have a
talk with our creator was not ignored
so much as forgotten.
In the U.S., by contrast, there was
no full school gathering, but at sec-
ond period the school loudspeaker
forced us all through an Orwellian
ourselves with our forefathers,
and with the republic for which
we were all ostensibly stand-
ing, passed us by with compa-
rable speed. It struck me as an
irony that the British are an in-
tensely political nation, and yet
not a particularly religious
one—a possible result of their
assemblies—while Americans
are far more religious (check
out church or synagogue at-
tendance in the two countries),
yet not politically astute, in-
formed or, frankly, interested.
Is there a pattern here?
As the school-prayer issue
reheats and furious citizens
line up to curse one another
across the ideological divide, I
think we should ask the kids to
decide. Let religion be supply-
side, too. If I were a deeply re-
ligious person who wanted to
spend quality time with my
God, the second period in an average
inner-city high school classroom
would not be my venue of choice. If
anything, when you consider the
state of most inner-city schools, it
might lead to some hard questions
concerning God's priorities.
Let's show kids how to pray, then
show them the nightly news. If prayer
has a future, let them choose where
and when to apply it.
Robert Duxbury is a playwright who
lives in San Francisco.
45
46
FATHERHOOD:
Тед Fishman's piece on fa-
therhood (“Redefining Father-
hood,” The Playboy Forum,
March) is spectacular. While we
must be concerned about run-
away mothers and fathers, Fish-
man demonstrates that our le-
gal system creates fathers who
are driven—and thrown—away.
Children are born with (and
they want and need) two par-
ents. Regardless of the social
pathology under consideration,
be it teenage pregnancy, drug
abuse, juvenile delinquency or
any of our other social ills, re-
search consistently points to the
absence of fathers as a primary
cause. Laws that treat fathers as
mere nuisances or as faceless
cash donors do a disservice to
their children. Ask any child or
young adult whether it is worse
to grow up poor or to grow up
without a father. Everyone who
loves children must join the
fight to restore each child’s
right to two parents.
David Levy
Children’s Rights Council
Washington, D.C.
If unwed fathers who seek
custody face an uphill battle
against strangers, imagine how
ult it is for them to prevail
against the mothers of their
children, By trumpeting femi-
nist-fabricated statistics on do-
mestic violence, the media have creat-
ed an environment in which mothers
can bypass the legislative gains of fa-
thers by alleging abuse. The result is
that more fathers than ever become ex-
iled from their children’s lives, mean-
ing more children than ever don't re-
ceive enough fathering, which means
social problems galore. When it was re-
ported that women already control
more than 86 percent of the personal
wealth in America, no one mentioned
women’s control over the most valu-
able things we have: our children. We
have not abandoned the young—they
have been taken from us. It is time for
men to recognize that we, like women,
have a tremendous stake in ending
sexism. Parental equality will not be
handed to us ona silver platter.
Fredric Hayward
Men's Rights, Inc.
Sacramento, California
FOR THE RECORD
McPORN
“We think fast food is equivalent to pornogra-
phy, nutritionally speaking.”
— STEVE ELBERT. ONE OF A GROUP OF BEXLEY, OHIO
RESIDENTS FIGHTING A PROPOSAL TO TEAR DOWN
AN ADULT VIDEO STORE AND REPLACE IT WITH A
MCDONALD'S. A WEALTHY SUBURB OF COLUMBUS,
BEXLEY WAS ONCE HOME TO Hustler PUBLISHER
LARRY FLYNT
The Forum article on the adoptive
rights of fathers has some validity, but
itis also misleading. Ted Fishman indi-
cates that when unwed mothers place
newborns for adoption, few fathers file
to request custody within the mandat-
ed 30 days. He cites two cases of fraud
by mothers, which certainly deserve
our protest. That is the sum of his evi-
dence, which implies that this is repre-
sentative. In his effort at chest-beating,
Fishman ignores the primary fact:
Most unwed parents are young, often
not even out of school, let alone ready
to assume parenting roles. Young men
who do not contest the adoptions do so
not because of fraud, societal antifather
attitudes or even because they're dead-
beat dads, but because they are wise
enough to avoid shotgun marriages
and premature parenthood. If Fish-
man is upset about men being left out
of the decision to give birth, he
would be wise to recommend
condom use to prevent this.
Ed Tracey
Claremont, New Hampshire
Ted Fishman’s article is right
on target. Fathers are being
driven out of their children’s
lives even before those children
are born. If political figures
such as Illinois governor Jim
Edgar are really concerned
about justice, they should rue
the day that Baby Richard’s
birth was hidden from his fa-
ther, the day that an adoption
agency placed Baby Richard
with an unsuspecting family
and the day that same family
negligently decided not to re-
turn Baby Richard once they
found out that he had a loving
father waiting for him. If these
same politicians are concerned
about human decency, they
should think of the price society
pays by separating fathers from
their children. To quote syndi-
cated columnist William Rasp-
berry: “We pay little attention
to fathers as fathers, even less to
the fact that many of the men
absent from their children’s
lives have been shoved aside,
not just by the mothers of these
children but by the courts and
the social agencies buttressed
by the growing cultural notion
of the superfluous father.”
Many men have sacrificed their lives
and well-being to protect their rights
and provide for their families. Itis time
to ensure that these rights are recipro-
cally enforced. The Illinois Supreme
Court has taken a brave first step in
that direction. PLAYBOY is also to be con-
gratulated for following suit and hav-
ing the courage to print Fishman’s arti-
cle, which, while unlikely to be popular,
tells it like it is.
Stuart Miller
American Fathers’ Coalition
Washington, D.C.
The legislative crusade against nat-
ural fathers is a lot more than an attack
on men. The effort to change cen-
turies-old laws and substitute the “best
interest” standard as grounds for
courts taking children away from their
natural parents is an attack on the fam-
ily itself. Nationwide, that standard —
a familiar criterion for deciding а cus-
tody contest between divorcing natural
parents—is not and has never been the
rule when the contest is between a nat-
ural parent and some other person.
The state does not have the authority
to substitute its judgment for that of
nature by removing the child and plac-
ing the child with another family. The
effort to make best interest the rule for
contested adoptions and other third-
party custody cases is driven by a tiny
minority of publicity-hungry law pro-
fessors, social workers, homosexual
rights advocates, radical feminists and
baby brokers who want to see the fami-
ly abolished as an enslaving institution.
These people still think the govern-
ment always knows what's best for us,
and that anything that sounds like best
interest of the child must be good for
children. They should think about
what will happen when the govern-
ment turns its infallible wisdom against
them, looks into their homes or the
homes of people they love and decides
that the children would do better
sumewhere else.
Richard Crouch
Arlington, Virginia
CYBERCOPS
Online entrapment frightens me in
a way no criminal can (“Uncle Scam
Wants You,” The Playboy Forum, March).
The thought that there might be cyber-
cops lurking in the shadows waiting to
misinterpret a statement sends chills
down my spine. When will the FCC de-
cide that things said online should be
recognized as personal and private—
much like thoughts? Conspiracy online
could be real, or it could be a fantasy
generated by some fun-loving people
with overactive imaginations. Yet the
simple act of fantasizing over the wire
could send you to jail for ten years.
Think about that the next time you tell
your wife, “I wish my boss were dead!”
Big Brother may be watching.
Mike Lynch
Alamogordo, New Mexico
snicker@nmsua.nmsu.edu
We would like to hear your point of
view, Send questions, information, opinions
and quirky stuff to: The Playboy Forum
Reader Response, PLAYBOY, 680 North
Lake Shore Drive, Chicago, Illinois 60611.
Please include a daytime phone number.
Fax number: 312-951-2939. E-mail:
forum @plasboy.com.
In January, judges at the Sun-
dance Film Festival awarded the
Playboy Foundation’s Freedom of
Expression Award to When Billy
Broke His Head and Other Tales of
Wonder. (The foundation sponsors
the $5000 award for the documen-
tary that “best investigates, edu-
cates and enlightens the public
on issues of social concern.”)
Co-produced and co-directed
by David Simpson and Billy
Golfus, Billy is a moving, often
cuttingly funny documentary
about disabled Americans and
their fight for civil rights. "This
ain't exactly your average inspi-
rational cripple story,” says Gol-
fus, a former disc jockey and ra-
dio journalist who is the feisty
Billy of the title.
More than a decade ago, a
drunk driver smashed into his
motor scooter. Golfus came out
of a coma brain-damaged,
hemiplegic and suddenly de-
pendent on society's largesse.
Although he "couldn't count
change,” he went on to study
Japanese and earn a master’s
degree in communications at
the University of Minnesota. At
school, Golfus took a video class
taught by Simpson, an independent
filmmaker. Thus began their long,
rocky road of feuding and fund-
raising that led to Billy.
The film presents a passionate
demonstration by disabled conven-
tioneers in Chicago, and a com-
pelling episode about Denver's mili-
tant Gang of 19, whose human
blockade forced the city to provide
wheelchair-accessible public buses.
Other powerful profiles include
Billy's chats with his father, who is
ical of his son's aspirations and
remarks that he would rather be
dead than disabled. There is a
provocative interview with Joy
Mincy-Powell, a beautiful, articulate
paraplegic and graduate student
who now performs in her wheel-
chair with a dance group. Even
more dramatic was the case of Ed
Roberts, paralyzed and largely con-
fined to an iron lung. Fourteen
years ago, Roberts' chances of find-
ing a job were called "infeasible" by
California's Department of Rehabil-
itation Services. Before his death
this March, he had become head of
that agency and a renowned lectur-
er who took karate lessons and
learned how to use his wheelchair as
a weapon.
Of these characters, Golfus (pic-
tured above) notes: “Like everyone.
I thought disabled people were sup-
posed to act tragic and brave, or else
cute and inspirational. These peo-
ple weren't sticking to the script.”
Indeed not. When Billy Broke His
Head is thought-provoking but nev-
er pitying. The movie will premiere
over PBS stations on May 23.
Also of note: The Playboy Foun-
dation is proud to have contributed
partial funding to two other films
shown at the Sundance festival:
Jupiter's Wife by Michel Negroponte
and Trevor by Peggy Rajski.
47
48
OVERKILL
when government abuses power, is it an accident or murder?
he story has been told in The
New York Times, The Washington
Post and Soldier of Fortune maga-
zine. Somewhere you've read or heard
about the 11-day stakeout that resulted
in the death of a 14-year-old boy, a 42-
year-old mother, a federal marshal and
one yellow Labrador retriever. It is an
American tragedy, one that must be re-
told until some sense of truth or justice
emerges.
Randy Weaver lived with his wife
and four children in a cabin in the
rugged Idaho mountains 40 miles
south of the Canadian border. The cab-
in had no electricity or running water,
but the family survived, as had genera-
tions of pioneers. According to his
lawyer, Weaver was "a little man who
wanted to be left alone."
According to the government, he
was a heavily armed white supremacist,
a former Green Beret, a member of a
cult that believed a Jewish-led conspir-
acy controlled the government. He
stood convinced that God had created
separate races for a reason, and that
the races should remain separate.
Weaver was, said one agent, “extreme-
ly irritable, and saw people plotting
against him.”
‘Weaver had every reason to be para-
noid. People were plotting against him.
No fewer than three government agen-
cies targeted Randy Weaver.
ENTRAPMENT?
Agents of the Bureau of Alcohol, To-
bacco and Firearms were the first to
turn their attention on Weaver. In
1989 Kenneth Fadley, a BATF infor-
mant, persuaded Weaver to sell him
two sawed-off shotguns, carefully
pointing out where he wanted the bar-
rels cut—one-quarter of an inch below
the legal length.
Prior to the sting operation, Weaver
had no criminal record. The agents
had noticed Weaver and members of
his family at a meeting of the Aryan
Nation, a white supremacist movement
based in the panhandle of Idaho. Ac-
cording to Weaver the BATF then
threatened him, saying that unless he
promised to infiltrate the Aryan Nation
and turn informer, they would prose-
cute. He refused; charges were filed in
By JAMES BOVARD
December 1990.
A court date was set, then changed.
A probation officer sent a letter to
Weaver with yet another date. When
Weaver failed to appear, a warrant was
issued.
WYATT EARP MEETS RAMBO
orate 18-month surveillance of
Weaver's cabin and land. The
agency this time was the U.S. Marshal
Service (headed by former Meese
Commission star Henry Hudson),
which is responsible for serving high-
risk warrants. The service seems to
take its cue not from the Constitution
but from Hollywood. (As described in
*On-Line Pedo-
philes" in the
March Playboy Fo-
rum, Henry Hud-
son spent a small
fortune trying to
entrap two men to
make snuff mov-
les.) David Nevin,
a lawyer involved
in the subsequent
court case, noted:
“The marshals
called in military
aerial reconnais-
sance and had
photos studied by
the Defense Map-
ping Agency. They
prowled the woods
around Weaver's
cabin with night-
vision equipment. They had psycho-
logical profiles performed and in-
stalled $130,000 worth of long-range
solar-powered spy cameras. They in-
tercepted the Weavers’ mail. They
even knew the menstrual cycle of
Weaver's teenage daughter, and
planned an arrest scenario around it.
They actually bought a tract of land
next to Weaver's where an undercover
marshal was to pose as a neighbor and
build a cabin in hopes of befriending
Weaver and luring him away.” All this
despite the fact that the BATF had ini-
tially served Weaver a warrant without
encountering violence (agents faked a
car breakdown; when he stopped to
F ederal agents launched an elab-
help, they arrested him). According to
several reports, Hudson's Special Op-
erations Group thought it was up
against Rambo. Had the government
bothered to look carefully at service
records, it would have known better.
According to Soldier of Fortune, Weaver
never completed Special Forces train-
ing. He was an engineer in support
personnel for the Green Berets.
“Although the marshals knew Wea-
ver's precise location,” reports Nevin,
“throughout this elaborate investiga-
tion, not a single marshal ever met
face-to-face with Weaver. Even so,
Weaver offered to surrender if condi-
tions were met to guarantee his safety.
"The marshals drafted a letter of accep-
tance, but the U.S, attorney for Idaho
abruptly ordered the negotiations to
cease.”
n August 21, 1992 six U.S. mar-
0 shals outfitted in full camou-
flage and painted faces entered
Weaver's property. They carried auto-
matic weapons. They had been told to
avoid contact with the Weavers, but
had visited a shooting range the night
before to sight in their weapons. The
group leader was familiar with the ter-
rain: [t was deputy marshal Arthur
Roderick's 24th visit to the cabin. One
of the Weaver family's dogs, Striker,
caught scent of the agents and ran
barking down the hill. Weaver's
14-year-old son, Sammy, and Kevin
Harris, a 25-year-old family friend who
lived with the Weavers in the cabin,
followed.
hat happened next is a horri-
ble vision of law enforcement
agents out of control. Law-
yers for the defendants say that Roder-
ick shot the dog, shattering its haunch-
es. Sammy Weaver fired two shots at
the man who had just killed his dog.
Randy Weaver called out to his son.
Sammy yelled, “I'm coming, Dad,”
then turned to run to safety. A bullet
from a U.S. marshal nearly tore off his
arm; a second bullet entered his back,
killing him.
At some point during the exchange
deputy marshal William Degan stood
up and yelled “Freeze.” Harris fired,
killing the marshal. Federal agents
testified in court that Degan had been
killed by the first shot of the exchange,
but were unable to explain how it was
that the marshal had fired seven shots
from his gun before he was shot.
Who was writing this script?
FBI MUTANT NINJAS
The surviving marshals trooped
down the mountain and called for
help. As Weaver retrieved his son's
body, the FBI's elite paramilitary Hos-
tage Rescue Team boarded a plane in
Washington, D.C. Almost 400 state and
federal agents surrounded the site of
the standoff. Although no shots came
from the cabin, FBI team commander
Richard Rogers changed the standard
rules of engagement. The HRT sharp-
shooters were told to shoot any armed
adult male on sight, whether he posed
an immediate threat or not.
The next day, August 22, Randy
Weaver—with daughter Sara and
Kevin Harris—walked from his cabin
to the little shack where his son’s body
lay. As he lifted the latch on the shack's
door, Weaver was shot from behind
by FBI sniper Lon Horiuchi, Weaver
struggled back to the cabin while his
wife, Vicki, stood in the doorway, hold-
ing their ten-month-old infant in her
arms and calling for her husband
to hurry.
Horiuchi testified that after shooting
Weaver in the back, he followed Kevin
Harris through his telescopic sight,
leading slightly. He fired as the man
rushed through the door of the саБи
According to The New York Times, Ho
uchi, who claimed he could hit a target
at a distance of 200 meters within a
quarter of an inch, said he had “decid-
ed to neutralize that male and his
rifle.” Instead, he hit Vicki Weaver in
the temple, killing her. The bullet that
passed through Vicki Weaver's skull
wounded Harris.
‘The paramilitary team then switched
to psychological warfare. As The Wash-
ington Times’ Jerry Seper reported,
“Court records
show that while
the woman's body
lay in the cabin for
cight days, the
FBI used mega-
phones to taunt
the family. ‘Good
morning, Mrs.
Weaver. We had
pancakes for break-
fast. What did you
have?”
Weaver surren-
dered after 11
days.
At the subse-
quent trial, the
government
sought to prove
that Weaver had
conspired for nine
years to have an armed confrontation
with the government. An Idaho jury
found Weaver innocent of almost all
charges and ruled that Kevin Harris'
shooting of the U.S. marshal had been
in self-defense.
ederal Bureau of Investigation
Director Louis Freeh justified
the FBI shooting of Randy
Weaver because sniper Horiuchi saw
one of the suspects raise a weapon in
the direction of a helicopter carrying
other FBI personnel. But other federal
officials testified at Weaver’s trial that
there were no helicopters in the vicini-
ty of the Weavers’ cabin at the time of
the shooting.
Freeh also said the FBI's next shot—
the one that killed Vicki Weaver—was
justified and that the killing was acci-
dental. Freeh declared, “The question
is whether someone running into a for-
tified position who is going to shoot at
you is as much a threat to you as some-
body turning in an open space and
pointing a gun at you. I don't distin-
guish between those.” Not even when
the fortified position is a cabin filled
with children?
reeh found 12 FBI officials
Е =ч of “inadequate perfor-
mance, improper judgment,
neglect of duty and failure to exert
proper managerial oversight.” Howev-
er, the heaviest penalty that Freeh im-
posed was 15 days unpaid leave, and
that for only four agents. As The New
York Times reported, Freeh has imposed
heavier penalties for FBI agents who
used their official cars to drive their
children to school.
One of the most disturbing aspects of
Freeh's actions has been his treatment
of Larry Potts, Freeh's pick as acting
deputy FBI director. Potts was the se-
nior official in charge of the Idaho op-
eration and defended the shoot-to-kill
orders. Despite the finding of a Justice
Department confidential report that
the orders had violated constitutional
rights, Frech recommended that Potts
face only the penalty of a letter of cen-
sure. That is the same penalty that
Frech received when he lost an FBI
cellular telephone.
In a letter to Attorney General Janet
Reno, Idaho Senator Larry Craig
asked: “When does the Department of
Justice consider it acceptable to fire on
an armed citizen first—even if he or
she is not threatening the life of any
other person—and ask questions lat-
er? I am not alone in believing that
firearms restrictions do not prevent vi-
olent crime; it is appalling that in this
case, the enforcement of such restric-
tions actually led to the sacrifice of
three lives. In this sense comparisons
drawn between the north Idaho action
and the Waco case are inevitable and
deeply troubling.”
Тһе Weaver case presents a great
challenge to the competency and
courage of the congressional leader-
ship now in Washington. If Congress is
not willing to look into such miscon-
duct, who will protect the Constitu-
tion? Will Congress let the Justice De-
partment and the FBI get away with
murder?
James Bovard is author of “Lost Rights:
The Destruction of American Liberty.”
49
ABORTION
August 1993
Rachelle Shannon shot
abortion doctor George Tiller in
Kansas.
е In September 1993 Life Advocate
al how Fi Hill and
others identified Gunn's replacement
at the Ladies Center of Pensacola as
John Bayard Britton. “As suspected,”
said the Reverend John Burt, militant
anti-abortion leader, “the new killer in
Pensacola is another one of those bot-
tom feeders on the food chain.”
© On July 29, 1994 Paul Hill walked
up to the driver's side of a pickup truck
at the Ladies Center and opened fire
with a shotgun, killing abortion
provider John Britton and his body-
guard, James Barrett.
е In September 1994 Life Advocate
put Paul Hill on the cover with the
headline: HILL SHOOTS!“NOW IS THE TIME.”
In the accompanying story, the De-
fenders of Defenders of Life an-
nounced that it would collect money
for the support of Paul Hill's family.
© On December 30, 1994 John Salvi
allegedly shot and killed two reception-
ists and wounded five other workers in
two abortion clinics in Brookline,
Massachusetts.
е On December 31, 1994 police ar-
rested Salvi after he sprayed a clinic
with bullets in Norfolk, Virginia.
The National Abortion Federation
has reports of 38 bombings, 91 arson
cases and 66 attempted attacks on
abortion clinics in the U.S. since 1977.
GOD'S OWN CHEERLEADER
“Joshua and Caleb were instructed
by the Lord to enter Jericho and ‘де-
stroy all that was in the city, both man
and woman, young and old, the oxen,
sheep and donkey with the edge of the
sword’ (Judges 6:21). The Lord could
have rained fire from heaven, opened
up the earth and swallowed up the in-
habitants or sent a plague to destroy
Jericho. Yet he required physical inter-
vention from his 2
“Only Michael Griffin and Paul Hill
know for certain whether they heard a
voice from heaven directing them to
take the lives of Gunn, Britton and
Barrett. We who are Christians must
WHAT RAVE You GOT IN
A RIGHT-To-LIFE MODEL?
how pro-life extremists turn
stay open to the whole counsel of God.
And as we sce God's judgments being
poured out on this nation, just don’t be
surprised if God has man execute his
judgments for him.”
— FULL-TIME HOMEMAKER STEPHANIE
HUNLEY'S EDITORIAL RATIONALE FOR
MURDER, FROM Life Advocate. HUN-
LEY HAS “BEEN INVOLVED IN RESCUE
AND PROPHETIC WITNESSING SINCE
19897
WHATEVER HAPPENED TO "IN GOD
WE TRUST"?
“If you believe abortion is murder,
act like it's murder!”
— OPERATION RESCUE SLOGAN
THE ARMY OF GOD MANUAL
The following are excerpts from the
third edition of a manual published by
anti-abortion militants calling them-
selves the Army of God. The book pro-
vides recipes for explosives “that will
make baby killers tremble in their
boots” and describes other forms of ob-
struction, including injecting super-
glue into locks, using bike locks to keep
office doors closed, spreading one-inch
roofing nails on a doctor's driveway
and shooting out windows.
“This is a manual for those who have
come to understand that the battle
against abortion is a battle not against.
flesh and blood but against the devil
and all the evil he can muster among
flesh and blood to fight at his side. It's
a how-to manual of means to disrupt
and ultimately destroy Satan's power to
kill our children, God's children.
“Passive resistance is woefully inade-
SCRAPBOOK
quate against mass murder. The use of
force is also woefully inadequate
against mass murder, unless that force
is directed against the perpetrator of
the crime.”
‘THE ARMY OF GOD INTERVIEW
A supposed dialogue between the
Mad Gluer, an underground leader
of the American Holocaust Resistance
Movement, and the Army of God itself:
MG: Why an interview, and why
now?
AOG: You asked for one, I know I
can trust you, and I can’t do it alone.
MG: Can't do what alone?
AOG: Drive the abortion industry
underground with or without the sanc-
tion of government law.
MG: By what method?
AOG: Explosives, predominantly.
MG: Would you care to elaborate?
AOG: Certainly. First by disarming
the murder weapons. That is, by de-
stroying the structures where the actu-
al crimes are being committed. Second,
by disarming the persons perpetrating
the crimes by removing their hands,
or at least their thumbs below the
second digit.
2: WHAT. WOULD You DO IF
YOL FOUND YOURSELF IN
A ROOM WITH HITLER,
MUSSOLINI AND AN
ABORTIONIST, AND You
HAD A GUN WITH ONLY
Two BULLETS?
|: SHOOT THE RS SS
MG: What do you recommend that
concerned citizens do at this time?
АОС: Every pro-life person should
commit to destroying at least one death
camp or disarming at least one baby
killer.
THE DECLARATION OF THE ARMY OF GOD
"We, the remnant of God-fearing
men and women of the United States
of Amerika, do officially declare war on
the entire child-killing industry. . . . We
quietly accepted the imprisonment and
america into a killing field
suffering of our passive resistance. Yet,
you mocked God and continued the
holocaust. No longer. All of the options
have expired. Our Most Dread Sover-
eign Lord God requires that whosoev-
er sheds man's blood, by man shall his
blood be shed. Not out of hatred of you
but out of love for the persons you ex-
terminate, we are forced to take arms
against you.
Our life for
yours—a sim-
ple equation.
You sl not
be tortured at
our hands.
Vengeance be-
longs to God
only. However,
execution is
rarely gentle.”
THE FIFTH
COMMANDMENT
“Thou shalt
not kill’ refers
to taking inno-
cent human
life. An abor-
tionist is not innocent; he knows very
well that he is killing human beings be-
cause he sees the body parts. In our
culture of death, the abortionist is the
high priest of human sacrifice. God did
not send any of his prophets to defend
with their lives, the lives of the Canaan-
ite high priests to whom the Israelites
came when they wanted to sacrifice
their children to Moloch. Instead, he
sent Elijah . . . to cut the throats of 450
prophets of Baal, a Canaanite god of
human sacrifice. An abortionist in our
culture of death is a hired serial killer
protected by the state.”
— TERENCE HUGHES. PROFESSOR OF GEO-
LOGICAL SCIENCES AT THE UNIVERSITY
OF MAINE, IN Life Advocate
WETHE UNDERSIGNED
“We the undersigned declare the jus-
tice of taking all godly action necessary
to defend innocent human life, includ-
ing the use of force. We proclaim that
whatever force is legitimate to defend
the life of a born child is legitimate to
defend the life of an unborn child. We
assert that if Michael Griffin did in fact
kill David Gunn, his use of lethal force
was justifiable provided it was carried
out for the purpose of defending the
lives of unborn children. Therefore he
ought to be acquitted of the charges
against him.”
‘Among those named in the petition
were Paul Hill, later found guilty of
killing James Britton; the Reverend
Donald Spitz, assistant director of Res-
cue Virginia, a Norfolk-based group;
TM NOT REALLY
BUT I N
ON
David Crane, director of Rescue Vir-
ginia; and Michael Bray, author of A
Time to Kill. who was convicted in 1984
for bombing the same Norfolk clinic
Salvi allegedly attacked.
When John Salvi was arrested, he
had Spitz’ name in his possession.
Crane led a demonstration in support
of Salvi outside the jail. Spitz and
Crane deny a connection. Coincidence
or conspiracy?
51
52
N E W
Si BER
O N T
what’s happening in the sexual and social arenas
SAN ANTONIO—Denied the privilege of
exercising, inmates are now replacing bar-
bells with large law books from the prison
library, then hefting them to get a good
workout. The books are provided to help
inmates with their appeals. In the interest
of fostering weaker, gentler prisoners, of-
fiials are considering photocopying the
Sections relevant to a person’s case.
BOSTON—Unable to prohibit homosexu-
als from joining their St. Patrick's Day pa-
rade, the South Boston Allied War Veter-
ans Council canceled the event in 1994.
This year, using First Amendment argu-
ments, the veterans came up with a wily so-
lution: Instead of calling the parade a pa-
triotic event or a religious celebration, they
billed it as a protest march against the gay
lifestyle.
DETROIT— The human immunodefici-
enc) virus may be most e during
the first two months of infection, before
tests are able to detect it, according to Uni-
versity of Michigan researchers. Their
study, published in "The Journal of Ac-
quired Immune Deficiency Syndromes,”
suggests that infected victims may spread
the disease before they test positive for the
virus. Other studies support this finding,
but the UM research indicates that in its
early undetected form, the virus may be
1000 times more contagious than it would
be later, when antibodies indirectly reveal
its presence.
сҥслсо—Мап meets woman, falls in
love, proposes. Man has second thoughts,
breaks off engagement. Woman sues. We
d on this case last August in
the “Playboy Forum” article “The Law &
Love.” The jilted woman originally won
$178,000 in a breach-of-promise suit.
Her award was whittled to $118,000 by a
U.S. district judge. Now the case has been
tossed out altogether by an appellate court
on a legal technicality: The plaintiff s lau-
suit failed to specify the date the couple be-
came engaged.
PITTSBURGH—A 39-year-old McDon-
айз
, described as an antiporn
crusader, filed suit against the fast-food
chain. for violating his civil rights with
"pornographic music,” including selec-
tions from 2 Live Crews "Nasty as They
Wanna Be" and Madonna's "Erotica."
He also claimed he was fired for filing dis-
crimination charges with the Equal Em-
ployment Opportunity Commission. A fed-
eral judge dismissed the case because of
insufficient legal merit.
LONDON, ONTARIO—Fivo Canadian re-
searchers have discovered that homosexual
men tend to have more ridges in the finger-
prints of their left hands than heterosexual
men. (Gays are also more likely to be lefi-
handed.) The report in the journal "Ве-
havioral Neurascience” noted differences»
in hearing and brain structure as well.
Scientists regard the finding as further ev-
idence that sexual orientation is deter-
mined before birth, probably by some com-
bination of biological factors rather than
any one gene, hormonal condition or pre-
natal experience.
CHICAGO—A circuit court ruled that
antidiscrimination statutes prohibit a
landlord's refusal to rent to unmarried
couples. The judge found that since the
law does not require the landlord to con-
done fornication and cohabitation, he can-
mot make his beliefs a condition for renting
his property.
-— SEPARATE BUT EQUAL —
LEXINGTON, VIRGINIA—A federal ap-
pellate court revived the Supreme Court's
pre-1954 "separate but equal” doctrine to
permit publicly funded single-sex schools.
The ruling requires institutions to establish
equivalent facilities for the other sex,
though not necessarily on the same cam-
pus. The decision clears the way for the all-
male Virginia Military Institute to set up a
sister school, the Virginia Women's Insti-
tule for Leadership, at the privately fund-
ed Mary Baldwin College, 30 miles away.
Presumably, South Carolina's The Citadel
can use a similar strategy to purge its
ranks of Shannon Faulkner the female
“civilian” day student who has sued for
full academic status.
DEEP DISH TO GO —
TEHRAN—Iran's Islamic government is
pulling the plug on the country's satellite
dishes. The capital city's 11 million resi-
dents installed some 250,000 of these
rooftop antennas before parliament issued
а total ban. The response has been to
camouflage the dishes, and authorities are
threatening helicopter reconnaissance
fights to spot the contraband equipment.
Reporter's Notebook
DEATH TRAP
capital punishment is reserved for poor southern blacks—
and for states stupid enough to foot the huge bill
Everybody loves the death penalty. Pol-
itidans fall all over themselves in at-
tempts to apply it to an evergrowing list
of crimes. Even Bill Clinton pushed
through a crime bill last year that added
more than 50 new federal crimes carry-
ing the death sentence.
Despite this enthusiasm, few murder-
ers die. Since the Supreme Court de-
clared the death penalty constitutional
in 1976, 37 states have applied it to a
host of crimes. Yet 13 of those states have
failed to execute anyone, and seven oth-
ers have killed only one or two people.
Out of 18,000 arrests for homicide a
year, only 300 result in the death sen-
tence, and fewer than 60 of those end in
execution.
The truth is that we are serious about
imposing the death penalty only when
the victim is white, the perpetrator poor
and the crime takes place in the South.
We need an equal-opportunity execu-
tion program that is open to all, irre-
spective of race, region or wealth. Right
now, 40 percent of the people on death
row are black, and most are there for
killing white people. Blacks who kill
blacks usually face lesser sentences. Al-
though half of the homicide victims in
this country are black, 85 percent of the
death penalty convictions occur when
the victim is white. In the past 18 years,
only two white defendants have died for
killing nonwhite victims. We have to get
over this double standard if the execu-
tion numbers are to be increased.
Currently, capital punishment flour-
ishes only ın the South, with its noted
history of interracial harmony. Of the
266 people executed since 1976, 226 of
these deaths occurred in nine Southern
states. In the South, liberal politicians
are as enthusiastic for the hangman's
noose as are their conservative oppo-
nents. Remember when Clinton
rushed home from campaigning in the
New Hampshire primary to preside over
the execution of Rickey Ray Rector?
Ann Richards, the former Democratic
governor of Texas and the darling of lib-
erals, campaigned as being even more
thrilled than her Republican opponent
by the prospect of ordering executions.
If O.J. Simpson were being tried in
Texas instead of California, he probably
would have faced a capital charge in-
opinion By ROBERT SCHEER
stead of namby-pamby life in prison.
Not necessarily, though, because even
in the death belt of the South, the people
executed are mostly indigent. Prosecu-
tors don't go after people who have the
money for an expensive defense.
The death sentence, as Yale law pro-
fessor Stephen Bright explains, is “not
for the worst crime but for the worst
lawyer.” Ina recent Yale Law Journal arti-
cle, Bright documents many capital cases
in which the lawyers were so drunk that
they could barely remember the names
of their clients, let alone the facts of the
cases. No problem. In many of those cas-
es, the clients’ mental capacities were so
diminished that they were unlikely to
complain about poor representation.
‘As opposed to the voluminous records
compiled in the Simpson and Menendez
cases, the records in most death penalty
cases are often less than two inches thick.
There are no private investigators to
challenge the claims of the police, and
psychiatrists are not readily available to
develop theories of prior abuse. There is
little of the brilliant courtroom cross-ex-
amination that viewers of Court TV have
come to expect from American jurispru-
dence. Picture instead a desultory ru-
ral courthouse in which an intemperate
judge and a politically ambitious prose-
cutor are virtually unchallenged in rail-
roading a prisoner to death row.
But you can't blame the often hapless
court-assigned lawyers for shoddy work.
In most of the death belt states, less
money is allocated for an indigent's de-
fense in a capital case than Simpson's
lawyers spend on dinner. In some rural
areas in Texas, court-appointed lawyers
with capital cases receive no more than
$800 to prepare their entire defense. As
Bright notes, “In some jurisdictions, the
hourly rates in capital cases may be be-
low the minimum wage.”
Naturally, the states with the poorest-
paid lawyers have the highest execution
rates. Texas, for example, leads the na-
tion in executions, Another big execu-
tioner is Alabama, where lawyers are
paid $20 an hour for out-of-court time
with a limit of $2000 for a case.
In Mississippi, lawyers appointed to
handle death penalty cases are paid an
average of $11.75 an hour. In Kentucky,
the cap is $2500 of public funds for a
capital crime defense. But even in
Philadelphia, the cradle of our democra-
cy, the average is $6399 in public funds.
In the Simpson trial the defense is
spending upwards of $30,000 a day.
Even an indigent prisoner in Los Ange-
les can be allotted a maximum of
$200,000 for his defense.
"That's just the beginning of the ex-
pense calculation, which has to include.
the costs of the prosecutor, security, the
appeals process and the extra cost of in-
carceration on death row. A Duke Uni-
versity study concluded that in North
Carolina, imposing a capital conviction
ends up costing twice as much as impos-
ing a sentence of 20 years to life. The ex-
tra cost per prisoner executed was more
than $2 million.
Not only is the imposition of the death
penalty costly, itis also slow. The average
time between sentencing and execution
is almost eight years. Those convicted of
capital offenses have a constitutional
right to appeal the judgment and to
question the competency of their legal
defense. Almost half of these petitions
result in overturned convictions or re-
versals of the death sentence.
But to hell with the cost and the time.
If the murder rate goes down, who
cares? The problem is, it doesn't go
down. According to the FBI, the states
that permit executions have twice the
murder rates of those without the death
penalty. Countries throughout the world
that shun the death penalty have far low-
er murder rates than we do.
That's because capital punishment is
not about cutting crime—it's about re-
venge. As opposed to every other West-
ern country, we impose this penalty, for
the pure joy of retribution. So let's have
a national code that matches the penal-
ty to the crime—no matter the color of
the victim—and that provides an equal
amount of money for the defense.
It is incumbent upon those who be-
lieve in and enforce the death penalty to
ensure that it is administered fairly. A ju-
dicial system that reserves the death
penalty for poor Southern blacks sends
the message that if you are wealthy or
white, you can get away with murder.
53
SAVE
IT FOR THAT SPECIAL OCCASION CALLED NOW.
TONIGHT
LET IT BE
LOWENBRAU
PLAYBOY INTERVIEW: JOYCELYN ELDERS
a candid conversation with the outspoken former surgeon general about sex,
drugs, race, the religious right and what she really said about masturbation
To conservatives she’s “warped,” “dan-
gerous” and “lunatic.” To her supporters
she’s “noble,” “heroic” and “gutsy.” And to
several thousand grateful parents in Little
Rock she’s simply “Doc.” But there’s one
thing M. Joycelyn Elders, M D. is not: the
surgeon general of the U.S. Not anymore, at
least. Not since she had the nerve to suggest
that schools teach about masturbation as
part of their sex education programs. And
she said it out loud at the UN, no less.
As it turns out, the actual words were less
dramatic than the hysteria they ultimately
wrought: "[Masturbation] is a part of hu-
man sexuality, and it’s a part of something
that perhaps should be taught,” she told a
gathering at the World AIDS Day confer-
ence at the United Nations last December.
“But we have not even taught our children
the basics. And I feel that we have tried ig-
norance for a long time and it’s time we try
education.”
That's all it took: Eight days later, and
amid extensive media coverage, Elders hand-
ed in her resignation—the latest casualty of
a faltering Clinton administration, another
professional who had unknowingly stepped
over the blurry line of political propriety to
find herself out of a job.
But in Elders’ case, if the final straw
hadn't been a remark on masturbation, it
“Uf the religious right were really serious, it
would be fighting for contraceptives, right?
If these people really cared, they would be
fighting for health education to prevent un-
planned pregnancies. But they aren't."
might easily have been something else. In
more than a decade in public life, Elders has
earned her reputation as a walking, talking,
blunt instrument. She has tweaked abortion
opponents who “love little babies as long as
they're in somebody else's uterus,” telling
them to “get over your love affair with the fe-
tus.” She has chided a “celibate and male-
dominated” Catholic church for opposing
women’s reproductive rights. She habitually
makes reference to a “religious non-Chris-
tian right.” And she has urged gay men and
women to take on the people “selling out our
children in the name of religion.”
And, of course, in her brief but controver-
sial stint as surgeon general, she ignited a
firestorm by proposing that America study
the effects of decriminalizing drugs. If, by
conservatives’ standards, that wasn't outra-
geous enough, barely two weeks later her 28-
year-old son, Kevin, was arrested for selling
an eighth of an ounce of cocaine five months
earlier, embarrassing the administration
and undermining any serious consideration
of Elders’ drug plan
With the masturbation incident, the White
House called it a day.
In the wake of her forced exit (“If she had
not resigned, she would have been terminat-
ed,” White House Chief of Staff Leon Panet-
ta told reporters), media commentary ran to
“We weren't talking about teaching the how-
to. We were just talking about teaching
against the lies—that self-stimulation won't
cause you harm. We grow up with these
taboos. I say: Teach children the facts.”
the predictable extremes: Some claimed the
former surgeon general was a troublemaking
loudmouth and that it was about time she got
the ax; others praised her for her honesty and
vilified the administration for its cowardice,
concluding that the good doctor was better
off back home in Arkansas, far from the
hypocrisy of Washington
Yet many voices weighed in with a more
balanced opinion. In its editorial verdict on
the matter, “The New York Times” agreed
that Elders was а fearless and honest profes-
sional with forward-thinking ideas. Yet,
these were rocky times for the Clinton admin-
istration, the editorial noted, and despite El-
ders’ good intentions, she had torpedoed her-
self with her inability
“[the masturbation comment] might be de-
fended. As politics, it was a reckless act of in-
difference to Mr. Clinton's fortunes. . . . This
ıs not a White House that can be passing out
ammunition to ils critics.”
The hot seat in the nation's capital is a
long way from the dirt-poor town of Schaal,
Arkansas, where Elders entered the world 61
years ago as Minnie Jones. Barely a wide
spot on a dusty Arkansas road (“population
99, 98 when I'm away"), Schaal was home
to sharecroppers such as the Jones family, a
place where such conveniences as indoor
PHOTOGRAPHY BY ICHOORE
“Pm concerned about what's happening to
young black men. They're either in jail or in
the graveyards. They're into drugs or they're
being Killed by guns. If I knew what to do,
I'd be out there trying to make it happen.”
55
PEAY BOY
56
plumbing were rare. The eldest of eight chil-
dren, Minnie spent her childhood helping
her mother raise seven siblings. She also
picked and chopped cotton, baled hay,
stripped corn and stretched raccoon skins
with her father, who would then sell them to
Sears for grocery money.
Along the way, she chose a new name for
herself: Joycelyn, taken from the wrapper of
a favorite peppermint candy. At 15, she won
a church scholarship to Philander Smith
College in Little Rock, and for the first time,
the future surgeon general visited a doctor.
While in college, Joycelyn worked as a
maid (“Scrubbing floors is a whole lot easi-
er than picking cotton”), and eventually
crossed paths with a black woman who was
attending medical school. Inspired, she de-
cided she could do the same. She graduated
and enlisted in the Army, where she became a
first lieutenant and trained to be a physical
therapist. She enrolled at the University of
Arkansas Medical School on the GI Bill as
one of three black students—and the only
black woman—in her class. It was there that
she met and married Oliver Elders, now her
husband of 35 years.
For Joycelyn Elders, medical school began
a dizzying rise through the ranks of academ-
ic medicine: an internship and residency in
pediatrics, a postdoctoral fellowship, a mas-
ter's degree in biochemistry and a series of
increasingly lofty educational positions. Ul-
timately, Elders became a full professor of
medicine, teaching pediatric endocrinology.
She was also recognized as a national au-
thority on juvenile diabetes and author of
some 150 scientific articles,
It was in 1987 that Eiders’ talent drew the
attention of an ambitious young governor
who hailed from a place 30 miles from
Schaal, a place, as he would often remind us
later, called Hope. But no sooner had Bill
Clinton named Elders as director of health
for the state of Arkansas than she began rais-
ing eyebrows: As the governor announced
her appointment to the press—Elders stand-
ing by his side—a reporter asked her if she
planned to provide condoms to Arkansas stu-
dents. “Well, we won't be putting them on
their lunch trays,” the new director of health
piped up, “but yes.” The governor cringed,
turned red, gulped several times—then
gamely stood by his choice. The public Dr.
Elders—corrupier of youth, scourge of the
right—was born.
In her new post, Elders was impressively
effective. She fought for and won a national-
ly renowned network of school-based clinics
and improved prenatal care and childhood
immunization programs in Arkansas. She
barnstormed across the state, touting such
commonsense public health initiatives as
AIDS education, condom availability and
age-appropriate sex education, Not surpris-
ingly, abortion foes branded her a “mass
murderer” and the “director of the Arkansas
holocaust.” But they soon learned that ЕЕ
ders (a) does not respond well to being bul-
lied and (b) gives as good as she gels.
In 1993, when Bill Clinton moved to the
White House, he brought his favorite health
specialist with him. His appointment of El-
ders as surgeon general prompled a bruis-
ing confirmation fight, but once again, the
plainspolen Elders prevailed: The Senate
confirmed her by a vote of 65 to 34.
Then came her turbulent 15-month run as
surgeon general, the ill-fated day at the UN
and her one-way ticket back to Little Rock,
where she resides today with Oliver (now a
retired basketball coach), working as profes-
sor of pediatric endocrinology at Arkansas
Children’s Hospital.
Behind the public storms, the years have
brought a more private adversity to the El-
ders family, She lost a brother and a foster
daughter in separate murders. But through
it all, Elders has kept her focus on her one
true obsession: the children. Her own, her
patients’, her nation’s. Perhaps it’s her more
than three decades spent in the company of
small children and elected officials that have
taught her to reduce big ideas to simple
words. Take her logical view of sex educa-
tion: "If we teach kids what to do in the front
seat,” she says, “we should teach them what
to do in the backseat, as well.”
Such homespun homilies are a bracing
antidote to the hard-core policyspeak in the
Face it: If I had been
saying everything they
wanted to hear, nobody
would know who the
surgeon general was.
nation’s capital. To capture more of that, we
sent New York journalist David Nimmons,
whose most recent “Playboy Interview" was
with outspoken AIDS activist Larry Kramer,
to Arkansas. Here’s Nimmons’ report:
“I arrived at an utterly humble clapboard
house off a freeway in a black neighborhood
of Little Rock shortly after daum. I knocked
at the door, curious as to what a fire-breath-
ing, destroyer-of-family-values radical actu-
ally looks like. I was met by a short woman
wearing a friendly smile and reminding you
for all the world of your favorite grandmoth-
er. That is, if your grandmother were Harri-
et Tubman and held a half-dozen advanced
medical degrees.
“It took about 30 seconds to figure out
that Joycelyn Elders is titanium wrapped in
layers of easy Arkansas charm. She manages
to be at once funny, warm, unpretentious
and totally in command. In one breath, she
offers me honey buns (‘I like mine heated just
а minute in the microwave’) and lets те
know that I'd better get started, or ‘our chat
may not last as long as you think it will."
“Our interview began at her dining room
table at 7:00 а.м. and continued in the car
on the way to her midday speech at the local
Kiwanis Club. Then she headed to the Chil-
dren’s Hospital, where she spent the rest of
the day reviewing charts, seeing patients and
teaching. Everywhere we went, people recog-
nized her and smiled, welcoming her bach to
Arkansas. She knew many of the well-wish-
ers by name, and an amazing number of
them thanked her for having helped their
children.
“Throughout our talks, Elders was enor-
mously likable and disarmingly open. Her
words, by turus scalding and introspective,
came laced with a razor-sharp sense of hu-
mor. Beneath it all, she radiates a supreme
self-confidence. I am reminded of the best de-
scription of—and highest compliment paid
to—Dr, Elders, unwittingly made by arch-
conservative congressman Robert Dornan
on the House floor: ‘It seems she tells the
truth on anything and everything. No matter
what it is, she lets out her feelings 10 the
detriment of the White House.’
“Well, Dornan got it half right. In a polit-
ical climate that values mendacity over au-
dacity, it seems the oulspoken Dr. Elders sim-
ply may have had too much of the right stuff.
Judge for yourself.”
PLAYBOY: Last year you were reading the
medical chart for 250 million Americans.
Now you're making the rounds in a Lit-
tle Rock hospital. How does that feel?
ELDERS: Wonderful. I've enjoyed going to
the clinic and seeing patients. I've re-
ceived boxes of letters, and 99 percent of
them are warm and positive and sup-
portive. You know, in Washington we
tracked letters to my office, and they
were more than 90-to-one positive.
PLAYBOY: So Americans supported the is-
sues you were talking about?
ELDERS: Absolutely. Every study that has
been done really supports comprehen-
sive health education programs in our
schools, from kindergarten through
twelfth grade. So Гуе not felt in any way
that I was talking about things we
shouldn't talk about. Nor do I feel that I
was not on the same level as the Ameri-
can people.
PLAYBOY: If people liked the message and
the messenger, how did you wind up
back here?
ELDERS: Well, just because the American
people liked the message and the mes-
senger doesn't necessarily say that our
politicians were listening to the people.
There is a strong, solid 30 percent of the
population to the far right. They're very
organized and vocal. They write lots and
lots of letters, and they never stop.
PLAYBOY: How can you be so sure of your
opposition? Maybe people simply didn't
like what you had to say.
ELDERS: You have to organize to get peo-
ple to respond. [My opponents] would
advertise—with big advertisements—in
their churches. I saw their bulle
They would send negative advertise-
ments about me to schools and groups,
telling people that ifthey wanted to stop
this they had to send money. There were
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PLAYBOY: You were raised a Methodist,
went to a Methodist school and your
brother is a minister. Yet you were
hounded out of office by conservative
Christian attacks. How do you make
sense of that?
ELDERS: Well, see, I never call those peo-
ple Christians. I call them the very reli-
gious non-Christian right. They are not
the Christians I know about. They are
the Jerry Falwell-Pat Robertson Chris-
tians. They pay homage to religious
economists.
PLAYBOY; To religious——
ELDERS: Economists. People who use reli-
gion to get money from people who
don't know better. [Laughs]
PLAYBOY: Who are
you talking about
specifically?
ELDERS: The funda-
mentalist, exclusive
people who want to
make choices for
everybody else, who
want everybody to be
like them, who put
themselves on God's
judgment seat. Well,
first of all, I don't feel
they know enough.
I dont feel they're
good enough. And I
don’t feel they love
enough.
PLAYBOY: They'd re-
spond to that by say-
ing they are just
God-fearing Chris-
tians who exercise
their constitutional
rights.
ELDERS: It’s nice to
say that, but where
was the church dur-
ing the Holocaust?
Where was the
church when the In-
dians were sent off to
reservations? Where
was the church when
black men were held
ESCORT
all of us with all of our faults. They try to
make the church, if you will, a hospital
for the sinners rather than a haven for
the people who feel they're saints.
PLAYBOY: What is the so-called non-
Christian right's vision for America?
ELDERS: To be a dittohead. They're ditto-
heads. Their parents tell them what they
should think, what they should believe,
whom they should exclude, whom they
should attack. They write one letter and
reproduce it a million times so the presi-
dent gets a million letters against me.
They're very well organized and a pow-
erful force. I now understand a lot better
how Hitler became so powerful.
PLAYBOY: Do you see parallels between
the religious right and the fascist right?
ine a group organized well enough to
have somebody picketing everywhere I
spoke, all over this country? Even when
I gave two or three speeches a day? The
only way they got media attention was to
carry signs and protest against me.
PLAYBOY: But why were you their target
in the first place?
ELDERS: I was only a part of their target.
They're really after the presidency, OK?
It just happened that I was a target they
could use to raise money for their reli-
gious economists. Face it: If had been
up there saying everything they wanted
to hear, nobody would know who the
surgeon general was. So, obviously, the
things I was saying must have gotten to
them. Otherwise, there would have been
no reason to target
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me. I'm a nobody.
PLAYBOY: You bring to
mind another contro-
versial surgeon gen-
eral. You and Dr. C.
Everett Koop both
have a bluntness peo-
ple admire. Where
did your outspoken
streak come from?
ELDERS: Probably my
grandma Minnie,
who I was named for.
She always said
you're supposed to be
honest and tell the
truth. And if you see
something that’s not
right, you’re sup-
posed to say some-
thing about it.
PLAYBOY: Some might
suppose that the
daughter of an
African American
sharecropper grow-
ing up in rural
Arkansas in the For-
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ELDERS: Our black
in slavery for 200
years? You know, those God-fearing
Christians we're talking about were of-
ten the leaders of those kinds of efforts
ard initiatives.
I am very involved with the church
and I support it. But there's an awful lot
of difference between being religious
and being Christian.
PLAYBOY: Explain the difference.
ELDERS: To me, Christianity is the way we
act, what we do. Religion is something
we kind of belong to, like a frat. Yet there
are religions that are so exclusive—they
exclude gays and lesbians, minorities,
single mothers. They exclude people if
they don't do certain things and act a
certain way. Real Christianity—real, true
churches—are inclusive. They include
ELDERS: Yes, I do. If you get large groups
of people—and they almost have
enough—you really take control.
PLAYBOY: In what ways did the religious
right target you?
ELDERS: ‘They put out letters. They held
seminars. They educated people on how
to think, what to say, how to disrupt
meetings. It got to the point where I
knew who they were at the meetings just
by the way they asked me questions.
They all asked the same question in the
same way. They had no idea what they
were asking, and if you followed it up,
they didn’t know what the next question
should be. They were everywhere I
went—and I made 308 speeches the first
year as surgeon general. Can you imag-
teachers instilled in
us that we were somebody and we could
make it. We may not have gotten as
much reading, writing and arithmetic,
but we were taught a lot about how to be
decent human beings. They taught me
that I had to have an education—and I
had to be better than you—to get even
near the same level as you. They taught
me not to become upset if an opportuni-
ty came up and I didn't get it because I
was black, even if I knew I was the best
person. They told us, "Don't be upset”
doesn't mean ‘don't keep trying.’ Be the
best you can be.” It was almost a ritual.
I was always taught to be honest and
truthful. I believed Dr. Martin Luther
King Jr. when he said, “The day we see
the truth and refuse to speak itis the day
59
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we begin to die.”
PLAYBOY: As surgeon general, you cer-
tainly spoke out. Why do you think Pres-
ident Clinton chose you?
ELDERS: He wanted the message that I
was putting out. He thought the country
wanted that change. He thought Ameri-
ca was ready to move forward with edu-
cating its children, educating its рео-
plc—to really talk openly and honestly
about sex. To stop the spread of AIDS.
то reduce teenage pregnancy. The pres-
ident thought the country was ready for
that message.
PLAYBOY: Was he right?
ELDERS: I think the country is ready. But
what we hadn't planned on was the Rush
Limbaughs and the dittoheads.
Listen, he’s probably the best commu-
nicator in America.
PLAYBOY: Rush Limbaugh?
ELDERS: Yeah. I may not like what he says,
but he sells. He uses technology in a way
that's believable. And that's an art form.
PLAYBOY: When you took the job, did you
think your political role might conflict
with your outspokenness?
ELDERS: No. I'd never had a problem
when the president was governor, so I
didn’t really foresee it being a problem
in Washington.
PLAYBOY: Some suggest that your role
was to say things the president couldn't—
or wouldn't—say. Do you agree?
ELDERS: That wasn’t my role at all. The
president wanted and expected me to
speak out about the things we needed to
do to improve the health of America. He
is very committed to that. But when he
began to feel that America wasn't ready
for that—and he knew that I was proba-
bly not going to change—well, then he
needed to change surgeon generals.
PLAYBOY: But if President Clinton wasn't
comfortable with your message, why did
he appoint you? And if he was comfort-
able with it, why did he fire you?
123-9494 ELDERS: He was comfortable with my
ER TOLL-FREE 1800 a, message when he appointed me. But a
op ORDER TOLLE, Mud. :1 ETE ne
Charge to YOU NIS Discover. Most order lot of things were changing in Washing:
american EXDTESS Å e Ask for item ton after the November election. When
shipped EEE: bo you see something going in a certain di-
TE BOO U tse you ое сий a8 e rection, you'd be a fool not to respond.
ORDER å PLAYBOY: The president has known you
to include. money
for more than 15 years. In a relative-
ly short 15 months, what could have
changed so Кш,
ELDERS: Being the president, he may not
have eset to do things the way I was
out there talking about doing them. And
there's nothing wrong with that.
PLAYBOY. You dor't think that reflected
his belief—or lack of belief—in your
stands or principles?
ELDERS: It doesn’t necessarily matter
what somebody believes inside. What
matters is that you make the correct de-
cision based on good, sound principles
and do what's right for the country.
PLAYBOY: Was letting you go right for the
country?
ELDERS: It was his version of what was
tingere. P.
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right for the country. Again, he has that
right. That's why he's president, so he
can say and do what he feels is right for
the country.
PLAYBOY: Even if that means killing the
messenger?
ELDERS: If that means Joycelyn Elders has
to leave, that’s what he has to do. To me,
that's a good leader. I've always felt that
business is business.
PLAYBOY: At this moment, President Clin-
ton's choice to replace you, Dr. Henry
Foster, is having a pretty rough precon-
firmation fight of his own. What do you
make of that?
ELDERS: Well, he's going through holy
hell right now. But he's been a wonder-
ful physician—a real beacon for the poor
and powerless—and 1 think he’s an ex-
cellent choice for surgeon general.
PLAYBOY: By the time this interview is
published, his confirmation could be un-
der way. If you were a betting woman—
are you a betting woman?
ELDERS: [Laughs] Oh, I've bet on some
things in my life.
PLAYBOY: What kind of odds would you
give Dr. Foster on his confirmation?
ELDERS: I feel that he will be confirmed.
And if he isn’t, the women of this coun-
try should stand up and make politicians
pay in the worst way: by sending them
back home.
PLAYBOY: What do you make of the alle-
gations that the issue isn't about Foster
performing abortions in his career; it's
the fact that the number of those abor-
tions keeps growing, implying that the
administration is once again dealing in
half-truths?
ELDERS: But it is about the abortions. It's
about the politicizing of women’s health.
And we can no longer allow politicians to
use our uteruses that way.
PLAYBOY: And what of the charges that
Foster was aware of the Tuskegee exper-
iment in which black patients were per-
mitted to suffer untreated from syphilis
as part of medical research?
ELDERS: Impossible. The Tuskegee ex-
periment started in 1932, before Dr. Fos-
ter was even born. He had nothing to do
with those experiments. We all know
they were unacceptable and horrible,
but to lay the blame on Dr. Foster is the
most ridiculous thing Гуе ever heard.
PLAYBOY: But, hypothetically, what if it
turns up that he did know about ——
ELDERS: Then that information would be
wrong, you know. He just couldn't be a
part of it.
PLAYBOY: OK, then let's not put this on
Foster specifically. Do you think anybody
who was involved in the Tuskegee ex-
periment should be allowed to be sur-
geon general?
ELDERS: Listen, I’ve always said that you
can never use a single-issue position to
make global policy. Anytime you start
doing that, you're going to make bad
mistakes.
PLAYBOY: Do you talk with Dr. Foster?
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62
ELDERS: Sure. I spoke with him just last
week.
PLAYBOY: You're friends?
ELDERS: Yes. We went to medical school
together. He was ahead of me. He and
my husband played together on the foot-
ball team.
PLAYBOY: If you could give him one piece
of advice right now, what would it be?
ELDERS: I'd tell him to be himself. That's
more than good enough to become the
surgeon general.
PLAYBOY: Let's return to you. What was
your proudest accomplishment as sur-
geon general?
ELDERS: Increasing Americans' awareness
of what is going on with adolescents. I
was very pleased with being able to ac-
tively and openly talk about AIDS and
condoms. I increased the focus on the
problem of teen pregnancy. And, yes,
Americans probably talked more about
masturbation than they ever did in the
history of the county.
PLAYBOY: OK, here's your chance to turn
history back and tell America exactly
what you meant last December at the
United Nations. Do you think encourag-
ing masturbation —
ELDERS: Listen, I don't think that any-
body is really talking about encouraging
masturbation.
PLAYBOY: OK then, what were you think-
ing when you suggested that masturba-
tion be taught?
ELDERS: We weren't talking about teach-
ing the how-to. We were just talking
about teaching against the lies—that if
you are doing self-stimulation, it should
be done in private and it won't cause you
harm. This was at the UN, with a lot of
African countries whose HIV rates are,
in some places, 50 percent and who
are talking about alternative methods of
sexual release to prevent the spread
of AIDS.
PLAYBOY: ‘Then since you're not surgeon
general anymore, tell us: What's the one
thing every American male knows about
masturbation and isn't saying?
ELDERS: Studies have shown, | think, that
90 percent of the people know mastur-
bation happens and they do it. But they
will never admit it—in private, maybe,
but not in public.
PLAYBOY: So you're saying, basically, ev-
erybody masturbates.
ELDERS: Well, that’s what the studies say:
70-plus percent of females and 90 per-
cent of males.
PLAYBOY: Even Newt Gingrich?
ELDERS: Well, they do say 90 percent—he
might be in the other ten percent.
[Laughs]
PLAYBOY: Do some people actually believe
that if they don’t talk about masturba-
tion, teenagers won't do it?
ELDERS: I don't think people are that
naive. We've been taught for a long time
that you'll go blind, you'll go crazy. Or
hair will grow on your hands. We've
been taught all these things. We grow up
with these taboos and they're hard to get
rid of. I say: Teach children the facts and
not the lies we've been espousing. Teach
them openly and honestly.
PLAYBOY: Dr. Spock recommended that
parents openly discuss masturbation
with their kids, and during the Reagan
years, Surgeon General Koop advocated
using condoms. Why can they talk about
these things, and you can't?
ELDERS: I think this was about far more
than masturbation. This was just anoth-
er tool that the religious right put in its
arsenal to help destroy Joycelyn Elders.
You know, it probably would have gotten
down to this sooner or later.
PLAYBOY: So the issue here is something
bigger than masturbation?
ELDERS: Yes. Yes. I hope so. Please. Let's
get real.
PLAYBOY: The media reported that you
had been given at least three warnings at
various times, including one by White
House Chief of Staff Leon Panetta.
ELDERS: I never talked with Mr. Panetta
but once in my life: when he called and
asked me to resign. There was this idea
that I had been taken to the woodshed
and been warned. But he never talked
with me.
PLAYBOY: Had others?
ELDERS: Donna Shalala talked with me
the December before, when I said we
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PLAYBOY
men like being in control. They like the
power, and as long as they keep every-
body submerged, they will be in power.
PLAYBOY: Are white men different from
anybody else in that way?
ELDERS: Probably not, except that they
have the power, and the rest of us are
trying to get a piece of it.
PLAYBOY: Over the past few years we've
learned some sobering lessons about
black women and power. Do you see any
similarities among you, Lani Guinier
and Anita Hill?
ELDERS: Again, it's that need for power.
The white male structure will fight and
oppose any female it sees rising in pow-
er. We're easier targets to knock off. We
don't have a strong power base.
PLAYBOY: As women?
ELDERS: As African Americans first, as
women second. Maybe some of both. Go
back through the civil rights movement.
Every black man—or anybody, for that
matter—who was trying to speak out
and move forward, something hap-
pened to them. All these scare tactics
were used against them.
In the old days, many of these people
rode around and hid behind sheets. We
called them the Ku Klux Klan. Then, all
of a sudden, you couldn't really do that
anymore—it wasn't fashionable. So they
became the right-to-life movement and
they hid behind women’s uteruses. Now,
all of a sudden, they're the Christian
Coalition. And they're trying to hide
behind God. You know, it's repulsive
should study drugs.
PLAYBOY: So you received one warning?
ELDERS: Yes. -
PLAYBOY: Period? That's all? چ
ELDERS: Donna Shalala and her chief of
staff talked with me, saying, "We all have
to be on the same team and be careful
about what we say.” They said they were
talking to everybody—but to me first.
This was after the November election.
PLAYBOY: So there wasn't a history of
“Curb your tongue, don't go so far out”?
ELDERS: No. Maybe they talked, but they
didn’t talk to те.
PLAYBOY: Let's talk about Washington.
What's the one thing you saw there that
would appall ordinary Americans?
ELDERS: The way elected officials be-
have—the bickering and infighting and
partisan politics. They really aren't con-
cerned about what's right and good and
best for the people of America. Their
concerns are "Get my bill passed” or
“Get my amendment passed.” It's politi-
cal posturing. They behave like adoles-
cent boys. Mostly, our politicians exist
because people are ignorant and don't
know what's going on. I'm amazed at
what we put up with. You can't have a
democracy and an illiterate society at the
same time.
PLAYBOY: Having spent most of your life
as one of a few black females in a white
male system, what have you learned?
ELDERS: It’s all about power. Its not
about people. It's not about blacks or
whites. It's not about women. White |
SURGEON GENERAL'S WARNING: Cigarette
Smoke Contains Carbon Monoxide.
to me, because I’ve seen them before.
"They're the same people. They haven't
changed. They simply changed what
they're about.
PLAYBOY: Are you their worst nightmare?
ELDERS: Probably. You know, they can't
stand that I'm not afraid; fear is a pow-
erful weapon, But that sends a message
to the rest of us: We've got to organize
our coalitions and become just as power-
ful as they arc.
PLAYBOY: Would things be different if we
had a Senate full of women?
ELDERS: Women, for the most part, use
their power, prestige and position to try
to make a difference in the lives of peo-
ple, to make the world a better place.
Men, on the other hand, look at power
more in terms of money and control.
PLAYBOY: So if the scales were tipped in
the other direction and women were in
charge, what difference would we see?
ELDERS: We'd see a great shift in how we
treat our children. We wouldn't have
one in four children being poor. We
would have more early childhood educa-
tion centers, more good day care, better
schools. We'd have universal health care,
Women would consider it most impor-
tant that we have healthy, educated, mo-
tivated children with hope. They would
know that that's the best way to prevent
violence in our streets, to prevent crime
and teenage pregnancies. And we would
get off this big fight over sexuality.
PLAYBOY: Thousands of Republican wom-
en might not agree. ‘they would argue
for a radically different vision of society.
ELDERS: True, but many of those women
have learned from Republican men that
you get in power by making people
think you're going to get crime off the
streets and put welfare mothers to work.
But down through the years in Washing-
ton, people have said these things and
nothing has changed.
PLAYBOY: Let's get your quick opinion on
a few of the players in Washington, start-
ing with the most visible woman in the
cabinet, Attorney General Janet Reno.
ELDERS: I have an awful lot of respect and
admiration for Attorney General Reno.
PLAYBOY: Based on what?
ELDERS: Based on her outspokenness and
her programs. She's concerned about
children, and she's fighting to get the
right things in place to make a differ-
ence. She's being fought hard, but she's
still there, still fighting.
PLAYBOY: What about Hillary Clinton?
ELDERS: Hillary is the best facilitator I’ve
ever known. She can get a group to
come into a room, really work together
and arrive at a major decision. I have a
lot of admiration and respect for Hillary.
PLAYBOY: Newt Gingrich.
ELDERS: I think. . . . [Long pause]
PLAYBOY: Now, don't get political on us.
ELDERS: No, no, I'm not going to get po-
litical on you. I'm just trying to decide
how to say what I want to say. I think
Newt Gingrich is a very smooth politi-
cian. His interest is with himself. He's
not concerned about children or Ameri-
ca or the people. He's only concerned
about building him. And he will use any
means possible to do it.
PLAYBOY: What is your professional opin-
ion of his Contract With America? Mira-
cle cure, placebo or snake oil?
ELDERS: Snake oil.
PLAYBOY: What about the specific ideas
embodied in the contract?
ELDERS; Most are ideas they are trying to
sell to Rush Limbaugh and to other men.
PLAYBOY: Will they succeed?
ELDERS; There is that possibility. But
sometimes you can succeed only to dis-
cover that what you get may not be what
you want. The only way you can haye
people who arc big and at the top is by
having people at the bottom. If you de-
stroy all of middle America, then you've
really destroyed the top, too.
PLAYBOY: And the Contract With America
will destroy middle America?
ELDERS: I think the Contract With Amer-
ica very much hurts all of America.
PLAYBOY: Moving on: What is your opin-
ion of Secretary of Health and Human
Services Donna Shalala?
PLAYBOY: No comment?
ELDERS: I think Donna Shalala is —
well, she has a Ph.D. in political science.
I think she used her political science.
PLAYBOY. What about Supreme Court
Justice Clarence Thomas?
ELDERS: I think Clarence Thomas is an
Uncle Tom.
[Silence]
PLAYBOY: No more on that for us?
[Elders remains silent.]
PLAYBOY: OK. Last on the list: Senator
Jesse Helms.
ELDERS: Mr. Helms is the typical white,
Southern, male bigot, who uses his pow-
er and his bigotry to try to destroy peo-
ple. I've never known anything he has
done that's positive.
PLAYBOY: So who in Washington do you
find most worthy of respect?
ELDERS: Other than the president, the
person I probably have the most respect
for is Ted Kennedy. He's the Washington
person I would most want to be like.
PLAYBOY: Why?
ELDERS: He knows where he is and his
values are in the right place. He hasa su-
per style. And he goes all out to sell a
proposition. He cares about kids, and
he’s willing to stand up and say it.
PLAYBOY: Let’s back up: You praise the
president, whom you have known for
years. Right now, a lot of Americans feel
that they don't know him. Fair?
ELDERS: I think that’s fair, yes.
PLAYBOY: So tell us: Who is this guy?
ELDERS: He's a brilliant, well-motivated
man who cares deeply about this country
and wants to do something that's really
outstanding as a leader. He wants to
SURGEON GENERAL'S WARNING: Cigarette
Smoke Contains Carbon Monoxide.
65
PLAYBOY
66
make a difference for all Americans.
PLAYBOY: So why do voters have such a
hard time understanding what he actu-
ally stands for?
ELDERS: Sometimes we want to do some-
thing that’s right and good—to do
everything, for everybody. And some-
times. . . . It's painful for him to hurt
anybody, you know. Very painful
PLAYBOY: You're describing a man with
the best intentions, but one who finds it
difficult to make hard choices. Isn't lead-
ership all about making tough calls?
ELDERS: But we want people to find it
difficult to make the hard choices. We
want those kinds of people as our lead-
ers, people who have compassion and
who feel. I think it was harder for Presi-
dent Clinton to let
me go than it was
for We don't
want people who
have no feeling,
who don't care, who
just brush people
aside. Because if we
have those kinds of
people, then we
have a callous, non-
caring society. 1
don't think that’s
what we want.
PLAYBOY: So help
us understand Bill
Clinton’s core val-
ues. What does he
really stand for?
ELDERS: He absolute-
ly believes in what is
good and right, and
he wants to do
me.
December '94
what's best for this
country.
PLAYBOY: But what
specifically will he
go to the mat for?
ELDERS: He'll go to
the mat for any
thing he feels мо
lates the basic prin
ciples of American
society.
PLAYBOY: You are
painting a picture at
odds with what a lot of America sees.
ELDERS: If we didn’t have all these people
throwing darts at him all the time.
You know, I thought darts were thrown
at me, but never the kinds of darts
they're throwing at the president. We
should be thinking that he is the most
wonderful president we've ever had. In-
stead, the religious non-Christian right
and the Republicans are working their
way into office, and we are standing on
the sidelines allowing a good, honest,
bright, hardworking man to be beat up.
Somehow, the American people won't
stand up to the dittoheads.
PLAYBOY: What do you see as the admin-
istration's key accomplishments so far?
ELDERS: I think this president has gotten.
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came about. Family leave was important
and made a difference. ‘The president
fought to get rid of the gag rule, which
said we can’t tell poor women about
pregnancy options. Now you can get all
the information you want and do what
you want. That's important. He has al-
most doubled the funding for early
childhood education in the Head Start
program. We never hear about those
things. All we hear about is the junk that
nobody cares about. ‘The other side only
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PLAYBOY: So even after what happened to
you, you have great faith in the man?
ELDERS: Yes, I do. It's much more impor-
tant for hirn to be president for another
four years—to carry out his plan—than
for me to be the surgeon general.
PLAYBOY: When you took the job, did you
anticipate that so much of it would be
spent talking about sex?
ELDERS: No. We have this society in which
you can't talk about sex—this puritan,
Victorian kind of society. Sex has been
taboo forever. Still, we have the highest
teenage pregnancy rate in the industrial-
ized world, AIDS is rising rapidly among
our teenagers, more than 3 million teens
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tell us that they do.
PLAYBOY: Let's explore that further:
What are the big lies America tells itself
about sex?
ELDERS: The big lies? That we should ab-
stain until marriage. I think that's a big
lie. We have proof that it's a lie
PLAYBOY: With all due respect, as surgeon
general you preached that doctrine
ELDERS: That's true. But when you talk
about it to five- to 15-year-olds, every-
body promotes that. Past the age of 15,
we know that children are likely to be
sexually active, so we want them to have
the information to make decisions. The
time to teach abstinence is when they
aren't dealing with
those problems. If
we wait until their
hormones are rag-
ing, we’re doing
too little, too late.
PLAYBOY: Was absti-
nence the message
you got when you
were growing up?
ELDERS: We were
taught abstinence
in our town, in our
school, in our
church. We got the
idea that you
shouldn't engage in
sex until you are
married. If some-
body got pregnant,
it was a big hushed-
up thing, or they
moved out of the
community. They
did teach us: “Good
girls don’t do it
until they get mar-
ried.” Anybody
who did it was no
longer good.
PLAYBOY: So there
was a lot of shame
attached?
ELDERS: Yes. A lot
of shame. A lot of
shame.
You know, people talk about going
back to the good old days. T hat's just a
lie. Teenage pregnancy was higher then
than it is now. There were fewer unmar
ried pregnant teens back then, but more
shotgun weddings. There were more
“eight month” babies that weighed eight
pounds. The sex and the hormones and
the people have not changed.
PLAYBOY: Is there any evidence that
counseling abstinence works?
ELDERS: Lots of studies show that chil-
dren who have comprehensive sex edu-
cation are more likely to delay sex for
nine months. That may not seem like a
long time, but it’s longer than for those
who've not had any education. We need
to teach responsibility so kids can make
2.
It also led the
ec today:
responsible decisions. Some will choose
to abstain; we should support that
choice. Some will not, and we need to
support that choice, too.
PLAYBOY: How?
ELDERS: By educating them, making sure
they know about condoms and other
contraceptives, and how to protect
themselves. We can't make that happen
by trying to legislate morals.
PLAYBOY: How do you respond to those
who say that encouraging condom use
ostensibly encourages kids to have sex?
ELDERS: I say to those people: You have
insurance on your house and car, but
you don’t go out and burn down your
house and wreck your car just because
you have the insurance, do you?
PLAYBOY: So abstinence is big lie number
опе. Any others?
ELDERS: That our children know nothing
about sex—that we need to have this
conference the day they get married.
We don't give them the facts. We seem
to want our children to be ignorant. We
don't want them to have the knowledge
to make decisions. They see pictures all
day on TV, and hear very sexually ex-
plicit songs. Yet we feel that when we tell
them “no,” we've done our job.
PLAYBOY: After 30 years of studying the
development of children, what can you
conclude about childhood sexuality?
ELDERS: That our children—that we—are
human beings. Sexual beings. And that
we all need this love. The more our
young people know and understand
about sexuality, the less they'll feel the
need to experiment. The how-tos of
sex—nobody needs to teach anybody
how to. God taught us how to.
PLAYBOY: So God was really the first sex
educator?
ELDERS: Thats right. He endowed us
with all the things we need to know. We
don't need any lessons.
PLAYBOY: What would Dr. Elders’ sex ed-
ucation program look like?
ELDERS: I'm not a sex educator, but I
know you have to teach children to feel
good about themselves. You have to
teach them that there are certain places
no [other person] should touch. If that
happens, they need to tell somebody.
Twenty-plus percent of young women
and 13 percent of young men have been
sexually abused before the age of 18.
More children are abused in our country
than in almost any other country.
PLAYBOY: What else would you teach?
ELDERS: We need to teach our young peo-
ple that sexuality is normal. It's wonder-
ful. It should be between consenting
adults, and you have to take on certain
responsibilities. Protect yourself and
your significant other. If you aren't
ready to have children and you don't
want to risk AIDS, you should know
about contraceptives and condoms so
you can protect yourself.
PLAYBOY: You talk about sex being some-
thing wonderful, something to celebrate,
something God-given. So why would
people want to delay that?
ELDERS: There's a heavy responsibility
that goes with it. Sometimes our chil-
dren don't understand and appreciate
the consequences—of sexually transmit-
ted diseases, of AIDS, of unplanned, un-
wanted pregnancies.
PLAYBOY: Is there a big lie we tell about
women's sexuality?
ELDERS: Yes—that women are not sup-
posed to enjoy sex and that they're here
to serve men. And that the way for men
to have power is to keep women bare-
foot, pregnant and in the kitchen.
PLAYBOY: What do men need to know
about women’s sexuality?
ELDERS: That women don't really want to
be sexual objects. They want to be hu-
man beings. Women get a lot of sexual
pleasure out of things that aren't just the
physical act of sex. Women enjoy a lot of
the other things that are part of the
buildup, not just the act.
PLAYBOY: Explain something to us. You
grew up in an era and in a part of the
country that did not celebrate sexuali-
ty—in a traditional home and church.
ELDERS: That's right.
PLAYBOY: So how did you get so comfort-
able with sex?
ELDERS: Well, I'm not sure. I don't re-
member getting many messages at
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home, either positive or negative. We
had lots of dogs and cats and cows and
Pigs, so I learned some of this related to
animal sexuality.
PLAYBOY: But what made this girl from
rural Arkansas grow up to so easily say
things that make Republicans blush?
ELDERS: Because our teachers taught sex-
uality in school, I never felt uncomfort-
able with it. Later, as an endocrinologist,
1 saw children with ambiguous genitalia
and abnormalities of sexual differenti
tion. I saw little girls who went into pu-
berty early—at three or four. The great
risk was that they would be abused, so 1
had to talk to moms about protecting
their daughters. With mom and dad sit-
ting right there, we'd talk hard and
heavy about it.
I also talked to young men. It got so
that whenever they came in, they ex-
pected me to ask them to pull down their
pants so I could see how they were de-
veloping. What upsets dad most is think-
ing his son is not developing into a
young man. Dealing with these things
for 20-plus years, you had to get com-
fortable with yourself so you could get
comfortable with the parents.
PLAYBOY: At this point, does anything
about sex make Joycelyn Elders blush?
ELDERS: There are probably lots of things
that make me blush. I used to give lec-
tures about sex to the high schoolers at
my husband's school. Well, they knew
more about sex than I did. [Laughs]
They had a lot of misinformation, too.
PLAYBOY: What misinformation do you
think America has about AIDS?
ELDERS: That “it doesn’t affect me, my
family, my neighborhood or my school.”
Well, it affects all of us. We're all vulner-
able. It can touch each and every one of
our families, any time.
PLAYBOY: How do we fight that?
ELDERS: Education, education, education.
It's all we've got. Its amazing that we
don't use all our available resources for
that. We could use our churches, our
schools, our communities. We could use
the most powerful medium we have—
television. But we don't.
PLAYBOY: Since you brought up church:
You're a 61-year-old, churchgomg wom-
an. You've been happily married for 35
years, you've raised your family. How do
you answer those people who say that
you lack Christian family values?
ELDERS: I say: Whose family values are
they talking about? Family values, to me,
is caring about others. Family values, to
me, is having a supportive, extended,
nuclear family. I don't feel that every-
body’s family has to be like my family.
We can have single-parent families, we
can have same-sex-parent families. Who
are we to decide? God decides what real
family values are.
PLAYBOY: You talk about same-sex-parent
families. In the past, you have blamed
much of this country's antigay bigotry on
what you've called an irrational fear of
sexuality. Can you explain?
ELDERS: | think our churches sometimes
promote these irrational feelings and be-
haviors. Like the idea that gay or lesbian
people can't take good care of children.
Or that they'll like anybody of the same
sex—that gay men will go after any man
walking down the street. Well, those are
lies, Their feelings are related to emo-
tional bonding. I dont feel like going
out with any man who walks down the
street. Well, gay relationships are just
like heterosexual relationships. Some-
times they may be even more warm and
loving and caring than these so-called
great families who talk about it.
PLAYBOY: You said earlier if women were
in control, there would be fewer fights
about sexuality. Can you explain?
ELDERS: Men are far more uptight about
sex than women are—unless it involves
them. Women are far more likely to be
rational and open and to discuss things.
Most rape, really, and child abuse is com-
mitted by men; most abnormal sexual
behaviors involve men. Yet men are the
ones who appear to be most bent out of
shape about sex. Just take the abortion
issue. Look who's always out there pon-
tificating. But when you ask them about
things we can do to make a difference,
they spin out onto these crazy issues.
PLAYBOY: Crazy issues?
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PLAYBOY
ELDERS: Let's say I was talking about
comprehensive health education, grades
K through 12. They're out there saying
I'm teaching five-year-olds how to use
condoms. Only a man with a warped
sense of his own sexuality would even
think that.
PLAYBOY: Is there anything you know
about abortion that you couldn't say as
surgeon general?
ELDERS: No. I said the things I wanted to
say: Abortion should be safe and avail-
able and legal. We should hope to get to
the point that it would be unnecessary; if
we had planned, wanted pregnancies,
abortion would be totally unnecessary.
I've never known a woman to need an
abortion who was not already pregnant.
Also, people use the abortion issue.
PLAYBOY: How?
ELDERS: Many politicians run on just the
abortion issue. The people fighting
abortions are primarily men. They've
never been pregnant, certainly not had
an abortion. They go out and fight
against abortion, but they don't think
they need to fight for the health and wel-
fare of children. That makes no sense to
me. These people fight contraceptives.
They're outside abortion clinics, fight-
ing. But if the religious right were really
serious, it would be out fighting for con-
traceptives, right? If these people really
cared, they would be fighting for health
education to prevent unplanned preg-
nancies. And to make sure that we had
early childhood education and tood
stamps and all of that.
But they aren't.
You never see these people carrying
signs supporting the health and welfare
of children.
PLAYBOY: What are you saying?
ELDERS: That I don't see any of this love
being demonstrated. That's why I call it
a love affair with the fetus. See, 2 mar-
riage, or a child—thar's for a lifetime.
But a fetus is a term-limited affair.
PLAYBOY: So you don't think these people
are sincere?
ELDERS: No. I don't think they have as
many feelings about the unborn as they
say they do. You can’t be that much in
love with the fetus and not love children.
There is no demonstration of their love
for children, except with their own chil-
dren. They're carrying banners to save a
child who is unwanted, but they aren't
willing to take that child into their home.
They're fighting Medicaid and other
things that support children.
PLAYBOY: What is the greatest threat to
reproductive freedom?
ELDERS: For American women to ај
men to take control of their uteruses. I
time for women to stand up.
PLAYBOY: How?
ELDERS: Any politicians who vote against
abortion—well, vote them out. I mean,
just line up and vote them out. They
aren't good enough, they don't know
7 enough and they don't love enough to
make those kinds of decisions for wom-
en. We've let male physicians and cel-
ibate churches dictate our reproductive
choices. It's time we make the decisions
about those choices so we can have
planned, wanted children. That's what
America is about to me.
PLAYBOY: You have said that politicians
should stay out of women's uteruses. But
in Arkansas, you also spearheaded ef-
forts to increase men's accountability for
the children they father, correct?
ELDERS: To increase male responsibility,
yes. We enacted some early laws to make
men put their Social Security numbers
on the birth certificates to make sure
they pay for their children.
PLAYBOY: So you believe the state should
stay out of women's sexuality but regu-
late men's sexuality?
ELDERS: If you have a child whom you
both created, shouldn't you both be re-
sponsible? Why should it be just the
woman's responsibility? Don't you feel
that the man has a responsibility?
PLAYBOY: You're comfortable compelling
that responsibility through the state?
ELDERS: Yes, I am. I feel if more men
were responsible, then obviously far
more contraceptives would be used.
PLAYBOY: Halfway through the second
decade of AIDS, how would you grade
America's response to the epidemic?
ELDERS: Well, the only thing we've got
against this disease is education—we do
not have a drug or a vaccine. AIDS is
making us talk about sex more than we
might have. But we've not really educat-
ed our young people about that yet.
PLAYBOY: Are you basically saying Ameri-
ca’s been asleep at the switch?
ELDERS: We've been asleep at the switch
as well as behind many European coun-
tries on sexuality and health education
issues. They really started in the Seven-
ties, when we were still feeling that igno-
rance was bliss.
PLAYBOY: What do you see as the top pub-
lic health concerns in the U.S.?
ELDERS: AIDS and family planning are
two things that we could help to solve if
we just worked at them. We preach all
these morals that our children know we
don't follow. We try to legislate morals
rather than teach responsibility. The Eu-
ropcan countries don't do that.
PLAYBOY: We seem to have a Congress full
of folks who think it’s their job to legis-
late morals, Why is that?
ELDERS: When people over the age of 60
or 65 start making decisions for the rest
of us, they've forgotten that they've al-
rcady done everything under the sun,
and all of a sudden they're totally re-
formed. They tell us all these things we
shouldn't do, and legislate all these
things that shouldn't go on. Well, I feel
we should have a mandatory retirement
age of 65 for all political offices, Just like
in schools, we need mandatory retire-
ment for our elected officials. I don't feel
we should allow anybody to be elected to
a public office who’s more than 65.
PLAYBOY: Those are preity strong words
coming from a 61-year-old woman.
ELDERS: That's right, absolutely.
PLAYBOY: You don't see any value to accu-
mulated wisdom?
ELDERS: That depends on whether they
accumulated wisdom or not. If they did,
we could still use their wisdom. But they
don't have to be in power to give it to us.
PLAYBOY. The clderly are the fastest
growing group in America. Don't they
deserve politicians who represent them?
ELDERS: If you've had the opportunity to
make laws and decisions for the country
until you're 65, then it’s time to move
over and let somebody else do that. We
need some new blood, new thinking,
new ideas.
PLAYBOY: Where do you see this new
thinking coming from?
ELDERS: We have to adi Newt Gin-
grich. We may not like his ideas, but at
least he has put something out there.
He's willing to stir things up and make
people think. That's not bad—you can't
be too mad about that. You still don't
have to agree with him.
PLAYBOY: Let's move closer to home.
Your son, Kevin, was sentenced to ten
years for selling an eighth of an ounce of
cocaine. Would that have happened if
his last name weren't Elders?
ELDERS: Of course not. Nobody would
have known that it had happened. He
probably wouldn't even have been
picked up. The person who was really
turned in was never even locked up. I
feel that my son was entrapped because
of me. But if he hadn't been involved in
drugs, it wouldn't have happened.
PLAYBOY: This occurred shortly after
your statement about legalizing drugs?
ELDERS: Yes.
PLAYBOY: That's a pretty hard thing for a
mother to carry around.
ELDERS: Well, because of that, my son got
into treatment, and he's much better off
now. If it had not happened, he mightbe
dead today.
PLAYBOY: So what would a rational drug
policy look like?
ELDERS: Our current drug policy doesn't
appear (0 be working very well. We have
100 many young people being locked up
and not getting treatment. We are not
doing encugh to prevent the problem
in the first place. Were just filling up
our prison cells and wasting our bright
young people.
PLAYBOY: So what are our options?
ELDERS: If we're willing to put people in
prison for drugs, we should at least pro-
vide treatment. We don't. Instead, we
waste all our money making other pco-
ple rich off the drug trade. The greatest
growth industry in our country has been
prisons: prison cells, the people building
prisons, staffing prisons, lawyers. We're
talking about money now, and money is
power in our society. To me, those are
real issues. We're not talking about how
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PLAYBOY
72
to help people.
PLAYBOY: In the past you've called for le-
galizing marijuana.
ELDERS: No, I never called for legaliza-
tion. I called for studying the legaliza-
tion of drugs—looking at what would
make sense.
PLAYBOY: Any specifics?
ELDERS: I don't know enough. If I knew
enough of what would make sense, 1
wouldn't be asking for a study, I'd be out
there saying: “Now this is what we
should do, you idiots.” But I haven't
studied that enough.
I know we certainly need to get coun-
selors involved, even if we decriminalize
drugs. When I say I would make drugs
available for the drug users, I'm not talk-
ing about putting them on the shelf. The
users would go to a hospital or a clinic,
sign their name and pick up the drugs.
This way we would get rid of all the sell-
ers and dealers—and 60 percent of
crime in the U.S. is, in some way, drug
related. Then the counselors could get
these people into treatment programs,
reduce their doses and get them off the
drugs. Most important, we could edu-
cate our young people in school about
drugs, which we don't.
PLAYBOY: OK, we've covered sex and
drugs. Any thoughts on rock and roll?
ELDERS: Well, some of our gangsta raps
have just gone too far out.
PLAYBOY: Any in particular?
ELDERS: You know, calling women
whores? It makes many young people
totally disrespect women. It puts women
down, portrays them as sex objects just
to be used and abused.
PLAYBOY: Yet rap is an indigenous voice
coming from a disenfranchised commu-
nity. Does that give it any legitimacy?
ELDERS: I don't know. But I'm really
concerned about what's happening to
young black men. They're disappearing.
They're either in jail or dead in the
graveyards. They're on probation or in-
to drugs or they're being killed by guns.
Very few go to college. That, to me, is a
real problem. If I knew what to do, Pd
be out there trying to make it happen.
PLAYBOY: You sound as if you think the
young black male is endangered.
ELDERS: Yes, I do. We have to start early.
We've got to find mentors to keep them
on track. Locking them up and throwing
away the key or letting them revolve in
and out of jail is not the way to go.
PLAYBOY: What is the way to go?
ELDERS: First, move them out of poverty.
Second, educate them—start with early
childhood education. Eighty-five per-
cent of middle-income children have
early childhood education. Yet only I
percent of children on Medicaid—the
poorest of the poor—have any early ed-
ucation. So they start behind, they stay
behind and they never catch up. Then
we complain because they don't do well.
We're teaching our young black kids:
“You're nobody, you're a second-class
citizen, you can't make it. You're just go-
ing to get pregnant or kill somebody or
be an addict.” We've programmed these
kids to be what we see.
I don't know any way you can get
these kids out of poverty—and keep
them out—without an education.
PLAYBOY: That's a pretty sobering vision
for the future of African Americans.
ELDERS: Yes, we’ve got to do more. Our
black churches have to do more. We
were so busy—when I say we, I'm а part
of that—surviving and trying to get up
out of the barrel, so glad to have made it
ourselves, that we weren't really that
concerned about those we left behind.
PLAYBOY: If you were to distill these issues
into a list like the Contract With Ameri-
ca, what would a prescription for a
healthier country include?
ELDERS: That we provide universal health
care for all Americans.
That we make a heavy investment in
children,
That we do whatever is needed to
make sure that every child born in
America is a planned and wanted child.
That we have early childhood educa-
tion for all children, and health educa-
tion programs in our schools.
That. our young men begin to feel
male responsibility.
That we provide primary preventive
health services in schools.
‘And that all bright young people who
want to go to college—who are decent
human beings and have a B or above av-
erage—should have that opportunity.
PLAYBOY: As you look back over the past
two years, how do you feel you were
treated by the press?
ELDERS: The good press—the best, most.
respectable press—was really very fair to
me. And the people who wanted to get
things wrong and twist things and dis-
tort things did.
PLAYBOY: What was the biggest example
of twisting things?
ELDERS: When I supposedly said I want-
ed to legalize drugs. Thank God for
videotape. What if it hadn't been оп
video? Then I never could have proved
what I said.
PLAYBOY: Was that calculated, or just
sloppiness by the press?
ELDERS: It was very calculated in some
parts of the press. When I made the
comment on masturbation, all the media
were there at the UN. All the major TV
stations. We even had a press conference
afterward. But not one blip about it. It
was only when people decided to distort
it that it got to be such big news.
PLAYBOY: Do you believe that what hap-
pened to you was part of a plan?
ELDERS: Right. If you read all of their lit-
erature, you'll see that the religious non-
Christian right has a very orchestrated
plan. They plan to be in 60,000 church-
es on the Tuesday before the next elec-
tion, handing out information on who to
vote for. It's powerful. They were out
there at the midterm elections.
PLAYBOY: Does America realize that?
ELDERS: No. I didn't realize it until about
а year or two ago. Then I started seeing
their literature, seeing their organiza-
tion, and knowing they were holding all
these meetings on how to win school
board elections and that sort of thing.
What's scary about all this is that
they're doing it; it's getting done. They
said: "We'll start where there's low voter
turnout and take over the school boards.
We will send our children to private
Christian schools. We will control what
the children are taught, and we will fight
against public schools and destroy them,
and we'll take away all their power"—be-
cause if you keep people poor and igno-
rant, they have no power. And they're
doing all that very effectively, all across
this country. I thought it was just hap-
pening in Arkansas, but that's not true.
We are putting our heads in the sand,
ignoring the problem, pretending it
doesn't exist and hoping that it will go
away. We've allowed political satire to be-
come our reality. I hope the American
people begin to wise up.
PLAYBOY: And if we don't?
ELDERS: Sooner or later, a nation that
does not take care of its youngest, eldest
and weakest will truly self-destruct. We
are always working in this country to
prevent things from happening to us
from the outside. But I don’t think we
have to woity about anything happen-
ing to the US. from the outside. We're
going to self-destruct from the inside.
Look at Russia. Nobody dropped a
bomb on Russia. But it would have been
better off, probably, if somebody had.
What I mean by that is that the Russian
people are suffering from the inside by
self-destruction. I feel that if a country
allows this to happen, its citizens are say-
ing that this is what they really want.
PLAYBOY: Is that what America wants?
ELDERS: Well, it’s not what the people I'm
out there seeing and meeting on the
street want. It bothers me that we're sit-
ting back and allowing this group to take
over. Yet it is happening and I'm not
even sure that people are noticing.
PLAYBOY: Any advice?
ELDERS: It’s time that we wake up and de-
cide if we want to keep control and keep
America inclusive—with room for all of
us, the kind of country that we want it to
be, the land of the free and home of the
brave. Or do we want to turn it over to
these self-righteous, self-appointed peo-
ple who have so little room for anybody
different? They go out and get the whole
world to fight, and we're sitting here
swallowing it, not saying anything.
PLAYBOY: Any parting words for them?
ELDERS: [Laughs] Yes. I would suggest
that they really pray for themselves. And
make sure that they don't try to sit in
God's place.
El
WHAT SORT OF MAN READS PLAYBOY?
A man who loves the open sea, he knows that with the right crew, a Sunday sail can be more ro-
mantic than a luxury cruise. For him, PLAYBOY is a compass pointing to a life filled with style and pas-
sion. Fact: PLAYBOY is the most efficient magazine for reaching recreational boaters. Three quarters
of a million PLAYBOY readers own their own boats, and one of every seven boaters is a PLAYBOY
reader. Their favorite magazine charts the course to the good life. (Source: Spring 1994 MRI.)
Vir ie (kis (Ve GID RO WEE
PLAYBOY CONDUCTED A WIDE-RANGING CAMPUS
SURVEY THAT EXPOSES A FEARFUL STUDENT BODY
BLINDLY MARCHING UNDER THE BANNER OF PC
HORTLY BEFORE 7:30 A.M. on a chilly April morning in 1993, drivers began
delivering bundles of student newspapers around the campus of the Uni-
versity of Pennsylvania in Philadelphia. When The Daily Pennsylvanian hit
the pavement, six dozen members of the Black Student League were
waiting. The paper had carried columns by a white student who ques-
tioned, among other things, the heroism of Martin Luther King Jr., and
labeled Malcolm X a hatemonger. Before classes began that day, angry BSL
members had dumped nearly ail 14,000 copies of the paper in the trash. The
empty racks carried a sign: “Sometimes inconvenience is worth the price.
Think about it.”
Fortunately, people on campus did just that. Another group of students dug
through the garbage to save as many copies of the paper as they could and dis-
tributed 6000 freshly printed copies. The black students, who were scolded
but not disciplined, daimed their rogue action was justified by—are you lis-
tening, George Orwell?—the First Amendment
Penn is not the only university where the sometimes uncomfortable princi-
ple of free speech has been trampled by campus groups. Student newspapers
that contained controversial material have been stolen at Penn State, Clemson,
Duke, Maryland, Rochester and at least 50 other schools during the past two
years. It’s the latest campus craze.
The larceny of “dangerous thoughts” and the publications that carry them
is part ofa decade-long retreat on campus from the principle of free speech
Propelled by the desire to protect vulnerable groups, elements of the political
left have launched an assault on the open expression of unpopular ideas
through hate-speech codes, peer pressure and censorship.
To understand the significance of political correctness and its effects on col-
lege students, the editors of PLAYBOY commissioned a wide-ranging opinion
poll directed at the heart of the academic community. We sent representatives
from a major national polling organization—Maritz Research—to 50 campus-
es across the U.S. The schools we chose were a mix of public and private, ur-
ban and rural, two-year and four-year. By the time the researchers had fin-
ished their survey, they had visited schools as small and varied as Avila College
in Kansas City, Missouri and the University of St. Thomas in St. Paul, Min-
nesota, as large as the University of Arizona and Florida State University, and
ILLUSTRATION BY MIKE BENNY
75
PLAYBOY
76
as venerable as Princeton and Stanford.
At each campus, the researchers ran-
domly recruited 15 students to provide
an even mix of class year and gender.
The racial split was 75 percent white
and 25 percent minority. Half of the to-
tal of 749 students surveyed described
themselves as moderates, a quarter as
conservatives and a quarter as liberals.
The students were not told that
PLAYBOY was Sponsoring the survey,
which touched on everything from
hate speech to censorship to date rape
and sexual etiquette.
To add perspective to the numbers,
PLAYBOY later sent reporters to speak
with dozens more college students in
New York, Chicago and Los Angeles
With the raw data in hand and pages of
field notes and observations, we sat
down to look over the results. What we
found startled and disturbed us.
SAY THE RIGHT THING
Political correctness—or, as writer
Saul Bellow calls it, “free speech with-
out debate”—seems to have infringed
on one of the fundamental dynamics of
college learning: Students arrive un-
worldly, dissect as many ideas as they
can, shoot off their mouths a bit, then
leave four years later embracing the
theories, lessons and arguments that
best fit their experiences.
But according to our poll results, as
the diversity of the student body in-
creases, so does the pressure to limit
discussion of controversial subjects.
Hundreds of students that PLAYBOY sur-
veyed and interviewed accepted the
idea that they are obliged to keep ev-
eryone happy, even if this means sac-
rificing free speech. Nearly half sup-
ported banning the expression of racist
ideas—an attitude that justifies actions
such as those taken by the Black Stu-
dent League at Penn. Two thirds of stu-
dents said that words such as ugly,
black, Miss or Oriental should not be
uttered in groups because of the risk
that someone might be offended. A
quarter favored restrictions on slurs
against homosexuals, and 18 percent
would support rules to ban hurting
anyone's feelings. And in a finding that
would make Jerry Rubin and Abbie
Hoffman spin in their graves, ten per-
cent said they would censor anything
that contradicted the school's stated
political positions and five percent said
they would censor anything that con-
tradicted professors’ beliefs. (The latter
group, no doubt, gets really good
grades.)
Perhaps emboldened by such an
obedient student body, the fear of law-
suits and a belief that certain groups
must be sheltered from abuse, many
schools have attempted to regulate
what is said on campus. For all their
good intentions, it’s not clear that hate-
speech codes are even needed: Stu-
dents appear to be self-regulating.
While seven in ten of those we sur-
veyed weren't sure if their schools even
had rules against hate speech, almost
the same number—six in ten—said
they adjusted their behavior or cen-
sored their speech anyway.
“I analyze who I’m talking to and
make an attempt, in effect, to stereo-
type them so that I don't offend them,”
admits Lawrence David Parker, a
sophomore at Columbia College in
Chicago. “For instance, we have a
dance group coming in that features
people in wheelchairs. How do you
portray that without saying, “This is
unique’? It’s confusing sometimes, be-
cause I don’t come from a very politi-
cally correct environment. People
didn't nitpick what I said.”
Students aren't the only members of
the campus community whose work
and lives have been affected. Professors
and others whose insensitivity once on-
ly sparked debate are now also accused
of violating rights. Because our nation
and our college campuses have become
so diverse, and because nearly every-
one—including white males—has
shown an eagerness to stand and fight
(and hire lawyers) over perceived in-
sults, how can anyone guess what will
offend someone pulled out of a crowd?
“I have eliminated some material
from my courses. 1 tape all my lectures
so there can be no question of what I
actually said. I never tell jokes in class
and I try to restrain my sense of hu-
mor,” Charles Crawford, a psychology
professor at a small Canadian universi-
ty, wrote recently. “I encourage my
women graduate students to give the
lectures on the more controversial ma-
terial on rape, incest and wa
Students find themselves on similar
tightropes, struggling for a balance
between expressing their frustrations
about the society they've inherited and
stifling any outbursts that might get
them labeled as bigots. “Almost every
student has an opinion about every-
thing,” says Arpana Gupta, a senior at
UCLA. “It’s just a matter of how willing
you are to voice them openly, given
that things probably aren't going to
change and you're going to wind up
getting a lot of criticism.” Add another
plank to the Bill of Rights: the right not
to be offended.
(Apparently even being asked for an
opinion is offensive to some people
Fourteen percent of the surveyed stu-
dents said our anonymous written
questionnaire was irrelevant, nine per-
cent said it was too personal and four
percent were outright offended—al-
though no one was indignant enough
to refuse the five bucks they were of-
fered for their trouble after they com-
pleted the survey.)
Attempts to curtail hate speech, and
to talk around ethnic, racial, sexual
and gender differences, are bundled
under the concept of political correct-
ness. But even with all of the bashing
that PC has received in recent years,
73 percent of students identified them-
selves as being politically correct. And
ifanyone thinks the trend is passing, it
is interesting to note that more fresh-
men than seniors adhere to the PC
doctrine. Sixty-two percent of the stu-
dents polled agreed that they some-
times censored their language or ad-
justed their behavior because of
political correctness, and slightly less
than half think it has been a construc-
tive force on their campuses.
At the same time, almost two thirds
say it is all right to laugh at gender,
racial or ethnic jokes. Given the high
number of PC students, we can only as-
sume they're laughing up their sleeves.
The numbers of politically incorrect
jokers reflect how difficult it is to live
the PC lifestyle without
very conflicts PC tries to
Liberals feel the brunt of this paradox,
since they invented PC and certainly
face great pressure to make it work.
‘The Maritz researchers summed it up
nicely: Left-leaning students “are torn
because their liberal attitude leads
them to allow anything, but by being
politically correct, they do not want to.
hurt anyone."
College students—liberal, moderate
and conservative alike—probably want
more than anything to be accepted,
and liked, and part of the crowd, and
many were changing their behavior to
achieve that end. So PC may simply be
a facade to avoid criticism. Seventy-
four percent of respondents said that
being popular was more important
than being politically correct. And they
were suspicious of the PC doctrine and
what it has done to their campuses. Al-
most four in ten students said fear of
appearing politically incorrect makes
college life less spontaneous and fun.
MARCHING TO
AN INDIFFERENT DRUMMER
Whether because of the lack of mobi-
lizing issues or a lack of spirit or from
fear of offending someone who dis-
agrees, three of every four students we
asked had not attended a march or ral-
ly for any cause during the past year.
Our finding was matched in an annual
survey by UCLA's Higher Education
Research Institute, which found this
year's entering class the least politically
involved since the institute began its
"It's amazing how you anticipated my every move.”
7
PLAYBOY
78
surveys 29 years ago. Only 32 percent
of 240,000 respondents thought that
“keeping up with political affairs” was
an important goal in life, and a mere
16 percent frequently discussed poli-
tics; both figures were all-time lows, All
is quiet on the Western campus front.
Many of those who spoke with our
interviewers suggested their seeming
passivity should be seen as tolerance.
Others questioned that explanation.
“So often people are more concerned
with using the right PC label rather
than with doing anything to address
larger problems,” such as racial and
gender tensions, suggests USC senior
Michelle Baker.
Few issues seem to incite much pas-
sion among many students. Only civil
rights, the pro-choice movement and
environmental causes managed to
scrape together the support of half the
surveyed students, with women more
likely to be involved than men. The re-
maining issues we brought up, includ-
ing gay rights, animal rights and femi-
nist and religious issues, were of less
concern.
“The political climate has changed
for people in their early 20s,” says Tim
Beasley, a graduate student at UCLA.
“Where it used to be OK for everyone
to speak out, now it's OK for only cer-
tain people. More of the 18- to 22-year-
alds tend to he sensitized antomatically
It's not that they're afraid to speak out.
It's just that they don't want to."
There are activists on any campus, of
course. A few students insist that many
young people are politically aware, but
just don't take to the streets as their
parents did. "I'm not indifferent,” says
Jana Kalensky, a sophomore at Hunter
College in New York. “But I'm not into
the whole political-rally, mob-mentality
scene.” Instead, students say they or
others organize performances, print
zines, send e-mail or write letters. “I’m
not all that confrontational,” adds Greg
Wegweiser, a senior drama major at
New York University. “I deal with
things through the plays I write and di-
rect and what I put on the stage for
people to see. That's my way of making
people aware of the issues and how I
feel about them. Feople are a little
more receptive that way.” Unless, of
course, someone takes offense at a per-
formance, protests his choice of topics
or confiscates his writings.
For that reason, it was perplexing to
find that such a large number of stu-
dents—four in ten—support the ban-
ning of controversial material from
their campus bookstore. We provided
each student with a list of material that
has caused public debate: compact discs
or tapes with violent or sexist lyrics,
magazines with male or female nudity
and videos with violence or nudity, and
asked which, if any, they would ban
from the campus bookstore. Music
fared relatively well, with only 20 per-
cent of the students saying they would
restrict access among students to vio-
lent or sexist lyrics. But almost a third
of the students were willing to ban any
or all of the other controversial items,
with women notably more willing to do
so than men.
Again, students seemed conflicted.
The music performed by bands such as
Guns n' Roses may be sexist and vio-
lent—but what if their roommate lis-
tens to it? It becomes a battle of prefer-
ences: Do you prefer to let others make
decisions about what they hear and see,
or do you force them to make the
“right” decisions, in order to keep
everyone happy? This conflict was
reflected in other survey findings.
Nearly a third of the students who said
they opposed any campus restrictions
on free speech also said they would
support banning at least one of the
items from the bookstore.
In a similar example of the difficulty
students have with the awkward princi-
ples of free speech, 62 percent of those
same respondents who earlier said they
opposed any restrictions on free speech
were unwilling to allow extremist groups
to meet on campus. (To add to the con-
fusion, the ?5 percent who would allow
such groups were split equally among
liberals and conservatives.)
Consider what happened to David
Irving, a British historian who has
been accused of being a Nazi sympa-
thizer. Early this year he was invited
by a student group, the Free Speech
Coalition, to present his views at the
University of California at Berkeley,
the same school where the Free Speech
Movement began three decades ago.
Protesters forced Irving to flee before
he could utter a word, and they beat
and spit on people who tried to enter
the building. A college staff member
who had to be rescued by campus po-
lice said that although he considered
Irving a “scumbag,” he still felt com-
pelled to “confront those who would
deny others free speech.
The beliefs of a majority of college
students seem to run counter to that
philosophy. About half the students
polled thought that universities should
have rules against hate speech, and on-
ly 27 percent were against such rules. A
full 67 percent were ready to limit free
speech in certain situations, such as if
the words were used to incite violence
or express homophobic ideas, or if the
words ridiculed a specific member of
the student body. “I don’t think free
speech is an issue on campus,” con-
dudes Randall Lynch, a freshman at
the University of Chicago. "If it were, I
probably would have heard of it.”
DONT TOUCH, DONT TELL
Not surprisingly, the college students
we surveyed appeared even more cau-
uous about saying or doing the wrong
thing in their sexual relations than
they were among their peers on cam-
pus. Students seemed eager to have
someone in authority spell out accept-
able rules of engagement. Four in ten
students felt that universities should
have sexual conduct rules or guide-
lines beyond city and state laws, and
this was one of the few responses
agreed on across demographic and po-
litical lines. Among the students who
said that their schools had a policy on
sexual encounters, almost seven out of
ten said they were comfortable with
this. Again, the freshmen (78 percent)
were the most accepting of such rules.
Since January 1993, when Antioch
University implemented its sexual con-
duct code requiring students to get
verbal consent from their partners at
each level of intimacy, enrollment ap-
plications and inquiries have increased
at the Yellow Springs, Ohio campus.
“We've talked to students who have ap-
plied and said, "We've heard about it
and think it's neat," the dean of stu-
dents has said.
Tinless colleges ga ta the extreme
that Antioch did, where every sexual
encounter is subject to school policy,
students are on their own trying to
figure out whar's OK. Nearly half the
male students we surveyed (and almost
40 percent of the female students) ex-
pressed concern that something they
might say or do would be misinterpret-
ed. Nearly 40 percent felt that sexual
behavior has become more of a politi-
cal than a personal issue on campus.
This is true especially among men.
Says Michael Meiners, a junior at
Northwestern University, “There is a
feeling of powerlessness on campus”
when it comes to relationships and sex.
Many students have eliminated casu-
al sex from their lives. Forty-five per-
cent (notably women and those under
age 21) insisted they do not have inter-
course without an emotional commit-
ment. “Everybody seems to be into
having very serious relationships,” says
Marjorie Jones, a freshman at North-
western. "The guys don't want to date
around. Maybe it’s because the people
I know want a long-term commitment
that they're not having casual sex.”
"That's probably a matter of age. Ju-
nior and senior men and women still
have ashot at getting lucky ata party: A
lusty 61 percent of those 21 and older
were ready to take a tumble without
commitment. And great numbers of
(concluded on page 153)
BEAUTIFUL SCREAMER
five fast-lane fliers for those with the guts and the bucks
MODERN LIVING
BY KEN GROSS
PICTURED ON these pages are five coupes that defy the social order, thumb their FERRARI 456GT 2+2
alloy noses at environmental concerns and exist solely to thrill a few lucky own-
ers. The BMW 850CSi, slowest of our picks, tops out at 155 miles per hour, and Ferrari's 456GT 2+2 is a grand tour-
that’s only because it has a rey limiter. The fastest of the wild bunch, the 186- er that offers the kind of blinding
mph Ferrari 456GT 2+2 and the 202-mph Lamborghini Diablo УТ, can blur the performance sports car manufactur-
scenery in split seconds when you drop the hammer—and the Ferrari can doit ers only dreamed about a decade
with four adults aboard. The Acura NSX-T and the Lotus Esprit 545 get 17 to 19 ago. Subtle but classic styling, а
miles per gallon around town, but the remaining three are lucky to see ten to 12 comfortable leather-trimmed interi-
miles per gallon, and that's only if they're driven on tiptoes. АП but the Diablo or and room for four adults set new
offer dual air bags. The Lamborghini has none (their next model will) but Ferrari standards. Zero-to-60 time
counters with a sophisticated all-wheel-drive system. On the street, our selec- is about five seconds. Top speed is
tions range from tractable to mind-boggling. The (text concluded on page 156) а mere 186 mph. Price: $207,000.
РА LOTUS ESPRIT 545
Far left: Although Lotus has restyled
its latest 545 inside and out, the
car’s $71,840 price isn’t stratospher-
ic. For the money, you get a sexy-
looking machine that is extraordi-
narily quick, powered by a 264-hp
four-cylinder engine midmounted
for superb handling. Sixty comes up
in about five seconds; 165 mph is the
top end. That's fast enough for us.
ACURA NSX-T
Left: Acura’s $81,000 NSX-T is a tar-
ga-topped version of the two-seater
that shook up European car manu-
facturers when it burst onto the au-
tomotive scene five years ago. The
NSX-T also features а new transmis-
sion that can be operated in auto-
matic or shifted with the flip of a
lever. Zero-to-60 time and top
speed are similar to the Esprit’s.
, BMW 850CSi
The flagship of BMW’s 8-Series, the
850CSi sports coupe is the only pro-
duction car to combine a six-speed
manual transmission with a 5.6-liter
V12 engine. Punch it ond pray. You'll
hit 60 mph in 5.3 seconds and top
out at 155 mph about 35 seconds
later. Think of it as a high-speed
men’s club, all napa leather and rich
burnished wood. Price: $100,950.
LAMBORGHINI DIABLO VT
Low, fast and intimidating, the
$239,000 12-cylinder Lamborghini
Diablo has been every man’s auto-
motive Holy Grail since the model
was introduced in 1990. With all-
wheel drive, traction has been im-
proved and the car's intimidation
factor is up another notch. The Dia-
blo's stats are impressive. Zero to 60:
four seconds. Top speed: 202 mph.
84
NOW THAT THE EX-CHAMP IS AN EX-CON,
CAN HE SAVE BOXING—AND HIMSELF?
ARTICLE BY VIC ZIEGEL
FOR THREE YEARS, Mike Tyson stayed in the same Indiana zip
code, behind the same walls, while we followed the bounc-
ing heavyweight crown from the man with the heart prob-
lem to the man who wanted to puta kitchen in his bedroom
tothe man who couldn't decide if he wanted to beat up cops
or become one, and finally to the old cheeseburger-eater
who could make Mike Tyson rich enough to buy his own
prison.
They weren't a terrific three years for the heavyweight di-
vision, but at least they're over. Now Tyson, the former
champ, the former 929835, is finally back in a gym, punch-
ing and being punched. Ready to do for boxing what his
stay in the Indiana Youth Center was supposed to do for his
life: Make it better.
He was a few months away from his 26th birthday, con-
victed of raping an 18-year-old contestant in the Miss Black
America pageant, when an Indianapolis judge gave the
boxer a chance to address the court. The judge would listen
and pass sentence and maybe if Tyson said all the right
things, and apologized, and sounded as if he meant it,
and—forget it. He spoke for 11 minutes, rambled mostly,
but there was nothing dose to an apology. “I don't come
here begging for mercy,” he said. "I've been crucified,
humiliated worldwide,” he said. “My conduct was kind of
crass. I have not raped anyone. I'm sure she knows that,”
he said.
It was a walkover for the judge. She sentenced him to ten
COME
OUT
SWINGING
ILLUSTRATION EY GREG SPALENKA
a
>
LG
PLAY ВОТ
86
years and suspended the last four. With
time off for good behavior, which
seemed like a long shot, he would be
free in three years. He handed his
watch and беріп to an attorney and
hugged Camille Ewald, the woman
who helped raise him after he came out
of reform school at the age of 13. The
next day's headline was: WHICH TYSON
WILL EMERGE FROM BEHIND BARS?
Tyson the fighter, they meant. And
that's still a question worth asking. The
Indiana Youth Center is a no-boxing
prison. No gloves, no ring, no ring an-
nouncer telling the crowd to drive
home safely. Nobody for Tyson to box
but his own shadow. He went in angry,
and it cost him. Three weeks after his
arrival, he exchanged words with a
guard. Words, it turns out, are con-
doned; words that come across as
threats are rule breakers. And these
were threats from Mike Tyson, who
once said he would punch an oppo-
nent's nosebone back into his brain.
The new kid on the cell block was ban-
ished toa lockdown unit and six weeks
were added to his sentence. He had
learned a lesson every bit as useful as
“Tuck in your chin.”
The people who made the 15-
minute drive on U.S. 40 from the In
anapolis airport to visit Tyson
ing at the signs for company
and hayridee came back with uni-
formly cheerful descriptions. “He was
at peace with himself mentally,” says
Stan Hoffman, a fight manager whose
niece once dated Tyson. He says Tyson
calls him Uncle Stan. ^Mike's had plen-
ty of time to heal. He wasn't running.
with women, wasn't drinking, wasn't
doing drugs. I think he'll be murder-
ous. A destruction machine. A mon-
ster,” says Uncle Stan.
The prison is a medium-security fa-
cility, and Tyson lived behind a steel
door, in a room that he shared with
another inmate. Several times a day,
Tyson used the phone in the hall, but
not to make collect calls, as other pris-
oners did. Tyson preferred dialing Jay
Bright, one of his cornermen, and
Bright would then conference in the
caller Tyson wanted.
“He would ask after Camille and the
birds,” Bright says. The birds are 200
pigeons, homers, tumblers, fancies,
highfiers, who live in a two-story coop,
complete with balcony, not far from
Ewald's house in Catskill, New York.
“He loves the leaders, the birds who
make the others work,” Bright says.
“The leaders take the other birds so
high in the sky you almost can't see
them.”
It’s hard to tell how much money
Tyson has left—Don King's ledgers are
said to be kept on the head of a
match—but there’s certainly enough to
handle the bird-talk phone bills that
were charged and sent to Ewald’s Vic-
torian home. Fourteen years ago
Camille's brother-in-law, Cus D'Amato,
the brilliant and iconoclastic trainer
who guided Floyd Patterson to the
heavyweight title, became Tyson's legal
guardian. He was convinced that the
kid from Brooklyn would be his last
champion. The old man was right.
When the 20-year-old Tyson won the
title, becoming the youngest heavy-
weight champ in history, he returned
to Catskill and poured champagne
over Cus’ grave.
Last fall, not too many minutes af-
ter Oliver McCall's shocking second-
round knockout of WBG champion
Lennox Lewis, the phone rang in my
home. Bright was on the line, saying,
“Somebody wants to talk with you.” It
was Tyson, eager to hear about his old
sparring partner's success. It didn't
bother him a bit that if Lewis had kept
his share of the title, he and Tyson
might have been an important match.
“Не never struck me as a guy who real-
ly wanted to fight,” Tyson said. “He
wasn't good for the division, wasn't ex-
citing. McCall will talk some trash.
There's a chance to bring some excite-
ment into the division.”
The truth is, Tyson himselfis the best
chance for excitement, not the parade
ot champions who tripped over шет-
selves while Tyson was in storage. “The
champs and the contenders, they
should thank God I'm in here," Tyson
said that night. “They wouldn't have a
career otherwise. I'm not saying that to
be arrogant. It's the truth. It's a bless-
ing for them that I came to this place."
He was talking about Evander Holy-
field, who later discovered he had a
hole in his heart; Riddick Bowe, a gen-
Че champ from Tyson's old neighbor-
hood, Brownsville, who announced he
was building a mansion with a kitchen
in the master bedroom; Michael Moor-
er, once arrested for breaking a cop's
jaw and more excited about a career in
law enforcement than keeping his title;
and 46-year-old George Foreman, who
withstood a beating into the tenth
round of his bout last year, losing every
minute, before knocking out Moorer
with one perfect prayer ofa punch.
Where was Mr. Excitement? Sitting
in a prison library, reading Cyrano de
Bergerac. “The guy with the big nose,”
Tyson told mc. “He was a soldier, and
they said to him, ‘If you're such a great
soldier, where are your medals?” And
Cyrano said to them, ‘I don't need
medals. I wear my adornments on my
soul.’ I read that and 1 went, ‘Wow!
That's те."
He told Pete Hamill, another visitor,
that he had read Machiavelli. “He
wrote about the world we live in. The
way it really is, without all the bullshit.
Not just in The Prince butalso in The Art
of War, Discourses. He saw how impor-
tant it is to find out what someone's
motivation is. What do they want?
What do they want, man?”
Tyson went to class and learned
about decimals. The next time he
fights for millions will be the first ime
he'll be able to figure out his share.
He read Shakespeare and Hemingway,
and about how Hemingway said he
didn't ever want to go ten rounds with
Tolstoy. So Tyson took on this Tol-
stoy guy.
He had a prison artist tattoo a like-
ness of Arthur Ashe on one bicep, Mao
on the other, He becamea Muslim. For
the first time in years, nobody was
pushing him or pulling him. In years
past, pushing and pulling were his life.
Once, he threw punches at a heavy-
weight named Mitch "Blood" Green on
a Harlem street at four a.m. Tyson was
in the neighborhood to pick up a white
leather jacket at an after-hours cloth-
ing store called Dapper Dan's. The
words on the jacket were DON'T BELIEVE
THE HYPE.
He was the champ, 22 years old,
knocking everybody out, running wild.
‘Two weeks later, he drove his BMW in-
to а tree and knocked himself out. The
New York Daily News called it a suicide
attempt caused by a chemical imbal-
ance. Another three weeks passed and
his wife, actress Robin Givens, told
Barbara Walters on camera that their
marriage was “torture, pure hell.” She
called him a manic-depressive. Tyson
sat at her feet, losing every round.
Tyson's response came 72 hours later;
he threw furniture through their man-
sion windows.
Prison cuts down on those kinds of
headline opportunities. At the Indiana
Youth Center, he ran many miles and
counted thousands of sit-ups and push-
ups and leg lifts. He went in weighing
close to 250 pounds and lost about 30.
He lifted some weights, because they
were there, but that isn't what boxers
should be doing to their bodies. And
there was no doubt in his mind that he
would box again. (“What else am I go-
ing to do, man, be a nuclear scientist?")
More important, he said, “I'm rested.
I'm getting the best rest of my life.”
Eddie Mustafa Muhammad, a for-
mer light heavyweight champion, now
a trainer, was another visitor who came
away impressed. “He embraced Islam
and he’s changed,” Muhammad said.
“We spoke the Arabic prayer, in Arabic,
and he led it. He’s been taught well.
He'll be different.”
Different?
(continued on page 154)
“Toe just experienced real state-of-the-art dexterity.”
The recent revival af Faster, Pussycat!
Kill! Kill! has put Russ Meyer in the spot-
light once again, with legions of movie-
goers—including some feminist critics—
reevaluating his work. One writer
opined, “He's ап editing genius with a
gift for surrealistic narrative.” And that
doesn't even touch his unconny ability
to cast pravocatively named women
wha hove large breasts. The filmmak-
er's oeuvre has never been far from the
public eye, with film festivals and even
scholarly treatises devoted to his work.
Here he poses with Pandora Peaks (also
seen below and at right), stor of Mey-
ег5 forthcoming Her Life and Times.
88
BY ROGER EBERT
very YEAR at Christmas, Russ Meyer visits his
mother's grave. On trips around the country, he
often visits the gravesides of old Army buddies,
and those who are still living can count on tickets from him
if they can't afford the fare to the Signal Corps reunion he
hosts every year. Meyer, whose popular image as king of the
skin flicks suggests a leering bra-chaser, is in private intense-
ly loyal to friends and family, and he would as soon have din-
ner with his ancient ex-sergeant as with a buxom starlet.
Search through the credits of his
23 films, from 1959's The Immoral
Mr. Teas through 1979's Beneath the
Valley of the Ultravixens, and you will
find the same crew names over and
over: Ryan, Owens and the rest. He
met some of them when they were
in the Signal Corps, carrying 16mm.
newsreel cameras into battle. While
some X-rated filmmakers might
consider their productions to be in-
vitations to an orgy, a Meyer shoot is
conducted more like an Army long
march, and the last activity you will
find on his locations is sex.
Haji, an exotic dancer who has
worked on many Meyer films both
in front of and behind the cameras,
remembers the director's invariable
warning to cast members on the first
day of shooting: No sex! “He didn't
want us looking tired and depleted
in the morning,” she says. When
Meyer was making Faster, Pussycat!
Kill! Kill!, he heard that Tura Satana
ce
might have slipped out of her motel for a midnight ren-
dezvous, so he nailed her room windows shut. He told me:
“The picture would be destroyed if the star went out into the
desert one night and got bitten on the ass by a rattlesnake.”
Meyer uses his productions, I believe, to recapture the joy
he felt during the formative and most enjoyable period of
his life—the war. It was then that he formed lifelong friend-
ships, discovered his skill as a cameraman and experienced,
in a French bordello, his sexual awakening with a buxom
partner who became the archetype
of the R.M. woman.
Meyer is, of course, the most fa-
mous breast man of his generation,
maybe of any generation. When I
hi 1968, he was casting for
Harry & Raquel, and his ad in
Daily Variety mentioned only one
prerequisite for female applicants:
BUILT! Asked once where he finds
the amazingly contoured women in
his movies, he replied, “After they
get above a certain cup size, they
find me.”
In an unexpected way, Meyers
love of breasts has been his fortune.
His films have never expressed
much interest in what goes on below
the belt, and when hard-core porno
came along, he included himself
out. Like all artists who idealize the
human body, he is more interested
in form than in function
Although Meyer was for many
years the target of feminists, in
The 1965 Meyer movie Motorpsycho! (starring
Holle К. Winters, above), about wor vets who
oct out their angst on motorcycles, is credited
with launching the Sixties wave of outlow bik-
er movies. Three years later, Meyer releosed
Finders Keepers, Lovers Weepers! in which
cdulterous lovers Anne Chapman ond Gordon
Wescourt (below) have an aquatic ossignation.
The Immoral Mr. Teas, Meyer's 1959
breakthrough movie, features W. Ellis
Teas in the title role as a man who sees
all women without their clothes. Below,
he discusses the problem with his psy-
chiatrist, played by Michele Roberts.
Babette Bardot (above), Russ Meyer's girl-
friend in the late Sixties, took a lead role
in Common-Law Cabin, released in 1967.
Below, Darlene Grey cavorts with her tran-
sistor radio in Mondo Topless, Meyer's
1966 quasidocumentary homage to go-
go-girl culture and, according to the film's
ad copy, “unrestrained female anatomy.”
Director John Waters once referred
to Meyer's 1966 film Faster, Pussycat!
Kill! Kill! os the greatest movie ever
mode. Lori Willioms, Ной ond Tura
Satona (right) ploy с trio of domi-
nont women who love lo hurt men.
recent times revisionist critics
have argued that his films are, in
fact, pro-woman. Even such a
committed feminist as B. Ruby
Rich, writing recently in the Vil-
lage Voice, devoted a full page to a
reevaluation of Pussycat, a film
she once despised but now values
because of its images of strong
women who exercise their wills.
If there are mindless sex ob-
jects in an R.M. film, they are in-
variably his male leads, who are
tantalized, tempted, dominated,
thrown around, tortured, used,
abused, cast aside or simply
smothered by powerful women.
Consider the insecure rock-
group manager in Beyond the Val-
ley of the Dolls and the husbands
in Lorna and Ultravixens who fail
to respond to the hungry invita-
tions of their oversexed wives.
The hero of Uliravixens is so wit-
less he doesn’t even recognize
his own wife when he encounters
her working as a nightclub
stripper.
So consistent is this pattern of
powerful—if half-naked—wom-
en that in Beyond the Valley of the
Dolls, the male villain, before he
Eve Meyer (above) was the director's
second wife and the lead in Eve and
the Handyman. Her husband, work-
ing os a photographer, introduced
her in PLAYBOY os Miss June 1955.
Kitten Netividod (below left) wos on exatic dancer wham Russ Meyer elevoted ta star status in
1979 through her appearance in the dual rales af Lavania ond Lola Langusta in Beneath the Val-
ley of the Ultravixens. Lorna, made in 1964, told the tale of a sexuclly repressed country girl. Its
stor, Lorna Maitland [below right), was pregnant during the filming, which enhanced her bustline.
Edy Williams (above), Meyer's third wife, was pregnant during the filming af Beyand the
Valley af the Dolls. Roger Ebert co-scripted the mavie, which was released in 1970. (Mey-
er says that his Motorpsycho! star Holle K. Winters was also with child during filming, os was
Darlene Grey in Manda Tapless. No one needed ta tell Russ Meyer that pregnant women.
ere sexy.) Below, Uschi Digard is one of the man-dominating femmes іп 19755 Supervixens.
Cynthia Myers (above), the December
1968 PLAYBOY Ploymate, appeared in Be-
yond the Valley af the Dolls. Russ Meyer's
work continues with the forthcoming The
Bra of God, featuring Staa Keith (below) as
the deity's well-endowed wife. Roger Ebert
claims credit for inventing the catchy title
Another example of Meyer's early
genre busting was the 1961 movie
Wild Gals of the Naked West! with
Julie Williams (right) cost in the role
of “the Bosom.” Miss May 1966,
Dolly Read (far right), oppeared in
Beyond the Valley of the Dolls, olong
with fellow Ploymote Cynthia Myers.
goes on a killing rampage, re-
veals himself to have been a
woman all along. Meyer is almost
unique in the world of popular
eroticism in seeing women not as
passive victims but as aggressive
sexual beings who demand that
their needs be met.
One of the reasons Faster, Pus-
sycat! Kill! Kill! is having such a
surprising box office revival
around the world is that it argues
for those images in such a dra-
matic way. Audiences cheer as
the heroine attempts to crush the
hapless hero against a wall with
her Porsche, her stiletto heel
jamming down on the accelera-
tor as the hero’s muscles bulge
in an attempt to save himself.
Meyer builds the climax with
quick cuts between the gas pedal,
the muscles, the car wheels spin-
ning, the hero's desperate face
and Satana’s fierce, dark eyes.
Meyer holds all rights to his
films, and they have made him
very rich. He does not offer dis-
counts to video stores, nor docs
he (text concluded on page 150)
The 1963 movie Heavenly Bodies
(above) hit close to PLAYBOY'S home:
how glomour photographers work
with gorgeous nude models. The
poster’s lower-right-hond corner
corries o rendering of Meyer's sec-
ond wife, Eve. He photographed his
latest discovery, Pandoro Peoks (right),
for the Germon edition of PLAYBOY.
94
SKEEKS
as a nation mourns its favorite TV
stor, boy cartwright, ace reporter for the
world's trashiest tabloid, gets the
real story behind a mysterious death
fiction by DONALD E. WESTLAKE
® НЕ JANGLE of the telephone
eventually dragged the miserable Boy Cartwright up to the
surface of the planet earth from his drug-induced sleep—the
only kind of sleep he ever got—to find himselfin his own rum-
pled bed in his own unspeakable room, with Florida sunlight
like radiation poisoning at the edges of the thick, dark window
shades. To one side of him sprawled in wanton stupor a re-
porter named Trixie, or so she claimed, while on the other side
stood a half-empty—nothing in Boy's life was half-full—bottle
of flat champagne and the squawking telephone. The phone
could wait. First, Boy finished the champagne.
This must be a Saturday or a Sunday. Otherwise, he would
have awakened at work with the sudden twitch-jump that told
his co-workers at the world’s most successful (and therefore
most reprehensible) supermarket tabloid that the decayed Boy
Cartwright brain had yet again chosen to rejoin the decaying
Boy Cartwright body. So if this was a weekend, and if the tele-
phone would not stop that noise, the Weekly Galaxy itself must
be calling with news of the world. A task. Another opportunity
for Boy Cartwright, maggot-infested Englishman, to prove
himself the star on the Galaxy staff.
Champagne ingested, Boy at last picked up the phone: “Are
ILLUSTRATION BY DANIEL TORRES
PIL АСИЛИ Oey.
you there?”
“Are you awake?”
“Ah, Mr. Scarpnafe,” Boy said. "De-
lightful to hear your voice.”
“Skeeks is dead,” Scarpnafe an-
nounced. He had, in fact, a voice like a
ferret with a hernia.
“Ah,” said Boy, knowing that sooner
or later someone would tell him what
that sentence meant.
“In Los Angeles.”
That was no help. “Ah,” Boy said.
“We'll want the whole thing. Get
there before the cremation.”
“Yes, of course.”
“And we'll definitely want the body
in the box.”
“Consider the matter done,” Boy
said and reached out to tug at Trixie's
nether hair. "I'm assembling my team
already.”
“Good Boy,” Scarpnafe said, and
p the phone.
|, "Are you
ever going to do anything pleasant
with that hand?”
“Of course. Who is Skeeks?”
“A dog. A German shepherd. With a
great big tongue, like yours.”
The Galaxy stringer who met Boy
and his team of four reporters at LAX
was a personal trainer named Jim Jem-
my, who would have been much more
successful at his chosen career were it
not for his insuppressible body odor, a
personal tragedy that forced him to
supplement his income with other less
savory tasks, such as working for the
Galaxy. “I got us a house in Venice," he
announced as Boy and the team ap-
proached him and then stepped back.
“Less than two miles from Skeeks'
place in Santa Monic:
“Wonderful,” said Boy. “Lead on.”
On the plane coming out, Boy had
been brought up to speed on the late
Skeeks, who had been, it seemed, a lov-
able German shepherd, as if there
could be such a thing. For three years
Skeeks had portrayed the adorable
pooch on an extremely successful sit-
com, and when the human male lead of
that show decided to throw it all in for
the glories of failure as a motion ри
ture star, the mail bemoaning the di
appearance of Skeeks from the nation's
screens (they're that stupid, and yet
they can read and write, marveled Boy)
was so overwhelming (the word av-
alanche was used in all press releases
on the subject) that the network
brought Skeeks back the next season
with his very own sitcom, called Skeeks,
in which he portrayed the dog in a
man-and-dog vaudeville act. The idea
at the heart of this series—that there
at this moment, in the secondary ci
of America, a thriving circuit of vaude-
ville theaters—was not the most out-
landish suggestion ever made on televi-
sion, and it was accepted without a
murmur, as was Skeeks’ partner on
Skeeks, a comedian named Bill Terry,
who when sober could juggle, sing,
ride a unicycle and remember jokes.
Sleeks was now in its fifth year, its
popularity through the roof and still
climbing. Just this year a third regular
had been added, little Tommy Little,
winsome child, already another audi
ence darling. Skeeks himself was a ro-
bust nine-year-old with his own pro-
duction company to handle the details
of endorsements and other residual in-
come. Away from the set, he lived qui-
etly on an estate in Santa Monica just a
few blocks from the sea. He was said to
be the cast favorite among the writers.
And now Skecks was dead, unex-
pectedly, calamitously. A stunned na-
tion mourned the dog it had taken to
its heart. The president had been quot-
ed on the morning news shows as say-
ing, “Thank God my mom passed away
before this happened. It would have
killed he:
Celebrity deaths, along with celebrity
weddings, celebrity hanky-panky, im-
probable diets, visits from outer space
and dubious arthritis cures, were the
bread and butter of the Galaxy. When a
celeb went down, the entire career
could be rehashed just one more time.
Earlier sins and scandals could be
evoked in order to express forgiveness
at this time of grief, and a final photo of
the departed, lying in a casket, would
be featured on the front page of the
next issue: seven days of waxy dead
flesh, in color, next to the cough drops
at the cash register.
Frequently, the selfish and narrow-
minded friends and relatives of the de-
ceased didn't want that particular pic-
ture taken and might even take steps to
prevent it. The pic of the body in the
box was thus often a difficult and ex-
pensive proposition, with bribes to pay,
bones to set, reporters to be bailed out
of the slammer. Of all the Galaxy’s tal-
ented and unscrupulous staff, Boy
Cartwright was the most consistently
successful in getting the body in the
box. This time would be no exception.
A dog would be different. There
would be no list of marriages to go
through, no extramarital affairs or his-
tory of support for wimpy environ-
mental causes, no statements on record
to demonstrate the decedent's nobility
or earthiness or Americanism. No stock
photos of this celeb playing golf with
Glen Campbell.
Nevertheless, Boy now understood
that Skeeks was (a) beloved and (b) a
star. The funeral, in Forest Lawn's Wee
Kirk o' the Heather, would be the
largest send-off there since that tramp
what's-her-name. There would be a
full day of viewing the body—what a
challenge for the hairdresser that
would be!—and then the flames. This
was a major celebrity death, no matter
the species of the celebrity, and Boy in-
tended to give it the full treatment.
Beginning with the house. Whenev-
er there was a top-of-the-line story like
this, the Galaxy's first move was to send
a local stringer out to rent a house, a
modest, plain, ordinary house in a
modest, plain, ordinary neighborhood.
Eight to 12 phone lines would be put
in, most of the furniture taken out, the
local authorities reassured that this was
not a bookie's office, and then the reg-
ular Galaxy staffers would fly in from
Florida, ready to do battle: The mo-
rons of the world deserve the facts!
Why a house? Why not rooms in
some hotel or motel? The Galaxy needs
privacy, and the Galaxy well knows how
easy hotel staffers are to bribe. Galaxy
phone calls should not go through a
hotel switchboard, the people the Gal-
axy interviews should not be seen in a
hotel lobby. Believing in privacy for no
one else, the Galaxy absolutely requires
it for itself.
The house for the Skeeks offensive
was å flea-bitten one-story stucco cot-
tage near one of the nonexistent canals
that give Venice, California its name.
Occupied by an ever-shifting bevy of
flight attendants, the house was al-
ways available for profitable short-term
rental, since these young women never
lacked entirely for alternate accommo-
dations. Normally, the house looked
exactly like a den of iniquity, but with
its beds replaced by phones, fax ma-
chines and long tables bearing rows of
telephones and notebook computers,
with its largest bathroom converted to
a darkroom, the place looked like no
fun at all.
Here Boy assembled his team: Trixie
and three other staffers, Jim Jemmy,
three local photographers who often
did piecework for the Galaxy, plus two
more longtime stringers, one a bar-
tender and the other a famous limou-
sine driver. “At ease, ladies and gentle-
men,” Boy said unnecessarily. Gazing
around with the slow insolent smile of
command he said, “You are in good
hands now. Boy will lead you. Trixie,
did Skeeks ever father a child?”
“No idea.” She appeared to be a bit
hungover,
“Learn, dear,” Boy said and went on
to give the other peons their initial as-
signments: cause of death, disposition
of the estate, friends and enemies, ri-
vals (if any), ownership of the animal
(even millionaire dogs, like senators,
belong to somebody), future of the
(continued on page 122)
PLAY BOY GALLERY
raphing celebrities and pictorials. In our January
amorous portraits of the stars 1983 issue the Hurrell treatment was lavished on Shannon
5 golden era, from Jean Harlow to Humphrey Tweed, the 1982 Playmate of the Year. Her appearances in
Bogart. He brought his magic to rLavvov during the Eight- PLAYBOY have led to a thriving career in television and films
$ 60605866
o ees
OUR TIES won't start a con- manocHromE
versation this season, ‚but
they may inspire an occa-
sional caress. That's be. ПЕСИШЕНН IS THE
cause texture is the key
characteristic of summer neckwear. Ties FEEL-GOOD WAY
made of solid colors and feel-good fab-
rics, such as raw and woven silk, bring a
rich, tactile quality to lightweight mals TO BE COOL
and sports jackets. Pictured here are six
of the best. Tie one on. Left to right: Raw THIS SUMMER
silk tie from Loosen Up by Superba,
$27.50. Silk satin tie from Polo by Ralph
Lauren, $78. Silk-woven pin-dot tic by
Audrey Buckner, about $75. Striped
jacquard silk tie by Tino Cosma, $85.
Jacquard box-checked silk tie by Villa
Bugatti, $42.50. Parquet-patterned silk
knit tie by Nick Hilton Collection, about
$60. (The rimless specs with an etched
nose bridge and temples, about $230, and
the amber frame retro-look style, about
$150, are both by Calvin Klein Eyewear.)
ca wer
= u ?
PHOTOGRAPHY BY JAMES IMBROGNO —
Fashion by HOLLIS WAYNE
ee
Г
UTE С,
rr /
PLAYBOY PROFILE
BY ROBERT GOLDBERG
AND
GERALD JAY GOLDBERG
TED TURNERS fist slammed down on the lectern,
startling the noontime crowd that had gathered
to hear him late last year at Washington's Nation-
al Press Club. “They're holding me back!" he
exclaimed. Turner looked out over the audience,
his blue eyes narrowing. “I'll tell you one thing:
We ran a story on clitorectomies. Most people
don't know about it, but millions of women have
their clitorises cut off before they are ten or 12
years old, so they can't have fun in sex. Between
50 percent and 80 percent of Egyptian girls have
had their clits cut off. You talk about barbaric
mutilation. . . .” He leaned toward his audience
as if sharing a confidence. “Well, Гт angry. I'm
being dlitorized by Time Warner.”
The crowd laughed in disbelief,
“1hat's exactly right,” turner plunged on,
“and I don’t like it any more than those women
do. If Egyptians think it’s bad for women to want
sex, then why don't they cut off the heads of the
CITIZEN
little whackers of the ten-year-old boys over
there, too, and make it an even-steven deal? . . . I
want to play in the big game. I don’t want to be
pushed around anymore.”
You'd think that Ted Turner—who already has
seven networks, three movie companies, a dozen
homes, a huge chunk of Montana, a warehouse
full of sailing trophies and an aerobically toned
cinema goddess for a wife—has just about every-
thinga man might want to make him happy. But
here he is at 56, his hair now silver, his face crag-
gy, ready to embark on yet another battle. It's the
latest in a war Ted Turner has been waging for
more than a decade—a war to gain control of a
major Hollywood studio and a major broadcast
network. And make no mistake about it, Ted
"Lurner is never happier than when he is at war.
Half visionary, half crackpot, Turner is an
all-American character. Entrepreneur, risk-taker,
thrill-sceker, hard-charging winner, lover of fast
TURNER
HOW CAPTAIN TED
SNATCHED VICTORY—AND
UNTOLD MILLIONS—FROM
THE WORST DEAL
OF HIS LIFE
ILLUSTRATION BY DAVIOLEVINE
PLAYBOY
boats, fast deals and even faster
women—tabloid Ted Turner is all of
these. He's the wild man of American
business. But he is also something
more.
Like Carnegie and Rockefeller, the
robber barons of the 19th century, or
Ford and the other assembly-line
princes of the early 20th century, Tur-
ner is a magnate for his time—a media
tycoon for a media age. He has been
called one of the three most important
men in the history of television.
Muscling his way into our living rooms
with his Cable News Network, he has
changed the way we look at the world.
From the war in Iraq to the O.J. Simp-
son trial, people everywhere—secre-
taries and secretaries of state—are
watching history as it unfolds through
the eyes of CNN. And Ted Turner
owns those eyes.
His story, filled with ups and downs,
is a tale of sailing triumphs and marital
failures, of bold and outrageous deals,
each one riskier than the last. It’s the
story of a man who took a small UHF
station in Georgia and—using the busi-
ness precepts his father had instilled in
him at the end of a coat hanger—built
it into an $8 billion global media
conglomerate.
Behind the rise of this American ty-
coon is a simple motto, a business goal
he can state in six words: “I would like
10 own everything.” What he needs to-
day are the same things he has needed
since the early Eighties—a bigger sup-
ply of shows to put on the air and a big-
ger audience for those shows. In other
words, a major studio and a broadcast.
network. That's why he's been talking
mergers and acquisitions for almost 15
years. Thar's why he tried to buy out
CBS in his famous hostile takeover bid
in 1985. And that's why, after the spec-
tacular failure of the CBS attempt,
MGM/UA owner Kirk Kerkorian knew
the time was ripe to give him a call. He
knew that Ted Turner wasn't about to
pass up another opportunity to ex-
pand his empire.
The MGM deal, as it unfolded, was a
classic example of the Ted Turner way
of doing business, the style that has
marked his career from the earliest
days—a style of high-profile mega-
deals, of quick-draw decisions and in-
tense battles, big wagers and big mis-
takes that, more often than not,
somehow turn out OK in the end. In its
successes and in its failures, Turner’s
purchase of MGM would lay the foun-
dation for the shape of Ted Turner’s
empire today.
Only a few days after the CBS deal
collapsed, Kerkorian was on the phone
with Turner. A quiet, low-key financier,
Kerkorian had made a fortune in the
irplane business, and he understood
timing. Turner was still smarting from
his CBS 1055, so much that he wouldn't
even admit that he had lost. He was still
talking about proxy fights
"Ted," Kerkorian said, “I admire
what you've tried to accomplish with
CBS. Let's see what we can do with
MGM.” Kerkorian had owned the old
Metro-Goldwyn-Mayer film studio
since the late Sixties. Through the ear-
ly Eighties, he and Turner had been
meeting about four times a year, trying
to form а strategic partnership or а
united company. On one September
evening in 1982, Kerkorian and three
of his senior executives went to Man-
hattan for an early dinner with Turner
at the New York Yacht Club. In fine
form, Ted—a successful defender of
the America’s Cup in 1977—showed
the group around the club (the same
dub that had once blackballed him),
regaling them with stories of the great
regattas.
When the group finally settled down
ata table in the darkened dining room,
Turner, as always, was full of ideas:
“Could we carve out two hours each
night at TBS and just run MGM films?
Could we carve out the weekends for
MGM?”
While no immediate plan came out
of this dinner. Turner was clearly capti-
vated by the notion of teaming up with
MGM. His father had taught him that,
in America, certain names stood for
ity: in magazines, National Geo-
in TV, CBS; in movies, MGM.
So in July 1985, when Kerkorian
spoke again with Turner on the phone,
he knew he had an interested buyer,
even if, on paper, MGM was no winner,
In fact, the company had just posted a
$66 million loss. As wily a deal maker as
Kerkorian was, his movie track record
had been poor. Through the early
Eighties, the studio had run offa string
of box-office Hops. On July 25, Kerko-
rian told Turner that if he acted quick-
ly, he could have MGM/UA for $1.5 bil-
lion. “But,” he added, “I don’t want to
sit here forever and not know whether
I have a deal or not.” In fact, he didn't
even want to wait two weeks. Putting
the screws on, Kerkorian declared he
would give Turner until August 6 to
decide. After that, he was selling MGM
at auction.
With only two weeks to make a deci-
sion on the biggest deal of his life, Ted
sent Tumer Broadcasting into a mael-
strom of activity. Forty lawyers and ac-
countants, under chief financial officer
Bill Bevins, were dispatched to MGM
headquarters in Hollywood to examine
the company's financial records.
At the same time, Turner called a di-
rectors' meeting to sell the MGM deal
to his board. Bur even this essentially
rubber-stamp group of Turner’s
friends and employees had serious
reservations. They wondered if their
chairman was overreaching, and
feared he was being led astray. “The di-
rectors’ meeting at which MGM came
up was like a baited trap,” one director
recalls. It was a question of ego. After
losing CBS, there was no way Turner
could turn down the challenge. “He
couldn't avoid it. He had to go for that
goddamn deal.”
‘Turner had plenty to say that day in
Atlanta, and he spoke with passion. He
didn't like TBS’ strategic position. To
be a long-term player in this business,
he said, you either had to grow in view-
ership (the CBS deal) or in the pro-
grams you owned (the MGM deal).
And TBS wasn't strong enough in ei-
ther: "It's essential to have this addi-
tional programming to make TBS
competitive," he said. “We gotta do this
to survive."
He described just how valuable the
MGM movie library would be to super-
station WTBS, his core business. “Mov-
ie fees are rising,” he said. “Every time
we sign a new contract to air films, it's
more, more, more.” Profits would keep
shrinking. But imagine owning all of
those classic films. “How can you go
broke buying the Rembrandts of the
programming business when you are а
programmer?” he asked.
‘Turner was determined to step up to
the big league. "It's a business where
the big are getting bigger and the small
are disappearing," he would say later.
“I want to be one of the survivors. We
need to do this," he said. "Let's get
on it." And the board anxiously
went along.
On August 7, 1985 Turner signed a
purchase agreement with Kerkorian to.
buy MGM/UA for the asking price of
$1.5 billion, or $29 a share. The deal
would include the MGM studio, the fa-
bled MGM lot in Culver City, Califor-
nia and, most important, a library of
more than 3500 MGM films, including
1450 films from the old Warner and
RKO studios—such classics as Gone
With the Wind, The Maltese Falcon and
Citizen Kane. Turner called the package
a tremendous business opportunity
and an “exceptional fit with the
group’s long-term business plan.”
Others were less generous. On both
coasts, in Hollywood and on Wall
Street, at Ma Maison and at the Four
Seasons, guffaws could be heard. The
way show-business executives figured
it, Turner, the overly eager naif, was
going to have his pockets emptied on
(continued on page 130)
"I am a time traveler. I come from the future. I have much
to tell you regarding earth and the fate of mankind. But first, where can I
buy a lottery ticket?”
103
west palm beach girl
rhonda adams could help you get
anyone outta your heart
HELP UG,
HEN THE kids in Rhonda Adams’ West Palm
Beach neighborhood went looking for style,
they found it on her front porch. That's where
an eight-year-old Rhonda was giving free
haircuts to anyone willing to sit for one. All comers got the same
treatment—tong in back, short on the sides. “My mother re-
marked how strange it was that everybody had the same hair-
cut,” Rhonda says with a mischievous grin.
Rhonda still loves making herself and others look good, (Her
work here proves that point.) And although her mother has re-
claimed her sewing scissors, Rhonda has kept her adventurous
streak. “I'm willing to try anything once,” she says, a result of
her mother's habit of volunteering her daughter for almost
every activity. Accordingly, Rhonda has dabbled in flute, base-
ball, dance, ballet, baton and cheerleading.
She tells me this as she sips a soda at a restaurant on the 95th
Rhonda tells us that her cocker spaniel, Chelsec, is good compony.
“On rainy doys, I wotch movies with her," she soys. (Lucky dog.) The
weother cooperated when Rhonda took a biplone ride. "I liked the
open cir, ond you could see everything," she says. " But it was bumpy.”
PHOTOGRAPHY BY RICHARD FEGLEY
floor of the John Hancock Building in Chicago. The view up here has never been better, and I'm not even looking out the
window. Rhonda continues chatting, oblivious to the attention she has been receiving from busboys and waiters and bar-
tenders, Born in Georgia, Rhonda moved south with her mother when she was two. As soon as she was able, she began to
master all things Floridian: bike riding, aerobics, jet skiing, Rollerblading and wearing a swimsuit. And she has made her
mother proud. “Someone I've never met will come up to me and say, ‘Your mom showed me your modeling pictures,”
Rhonda says. “That happens all the time.”
Despite her reckless streak—days after getting her RX7, she struck а car driven by a teacher at her high school—Rhonda
insists she’s now more safety conscious, at least some of the time. “I used to do front flips on the trampoline, but not any-
more,” she says. She'll leave the flips to the rest of us. —CHIP ROWE
PLAYMATE DATA SHEET
BIRTH DATE: E
AMBITIONS:
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mons: COON DOS - (ЧК rAd- Koma
ФО EUS MØ wo Non И Шү
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HOW TO IMPRESS ME: a
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My ding Smell Good ASW ent I5"
PLAYBOY’S PARTY JOKES
Hello?” Hearing only heavy breathing on the
the woman repeated, “Hello?”
ТИ bet you want me to come into your bed-
room,” a male voice whispered, “undress you,
lick you from head to toe and make love to you
until morning.”
“Geez,” the woman replied, “you can tell all
that from two hellos?”
What do you call a clairvoyant's lover? A seer-
sucker.
The departments new boss was a beautiful,
Harvard-educated young woman. Well into
the festivities celebrating her promotion,
McPherson strutted over to her with bloodshot
eyes. “Boss or no boss,” he slurred, raising his
glass, “I want to get into your pants.”
She glared into his bleary eyes. “If you do,
McPherson, and 1 ever hear about it, you're
fired.”
Å man wanted to determine if both his wife
and mistress were loyal to him. He decided to
send them on the same cruise, then question
each about the other's behavior.
When his wife returned, he asked her about
the people on the trip in general, then casual-
ly asked about the specific behavior of the pas-
senger he knew to be his mistress. “She slept
with every man on the ship,” his wife reported.
The disheartened fellow then rendezvoused
with his cheating mistress to ask her the same
questions about his wife. “She was a real lady,”
the mistress said
* How so?” the encouraged man asked.
“She came on board with her husband and
never left his side.”
The old Jewish man stopped before a blind fel-
low begging for handouts. “I won't give you
money, but I'll give you this," he said, handing
the sightless man a piece of matzoh.
‘The beggar ran his hands over the surface
and frowned. “Who,” he exclaimed, “wrote this
shit?”
Wanna buy a ticket for the warden's ball?”
one prisoner asked another.
Р, avrov crassic: Two nuns were riding their
bicycles down an old Paris street when one re-
marked, "I've never come this way befor
“Maybe,” the other nun suggested, “i
cobblestones.”
s the
Swimming to the surface after a spectacular
dive, Roger realized he had lost his trunks. De-
spite a determined search, he was unable to
ind them. He huddled in a corner of the pool
trying to figure out how to exit with dignity. Fi-
nally, shivering with cold, he cupped his hands
over his privates, hopped out of the water and
headed for the locker room, shouting, “Mad
dog, mad dog!”
Just as his escape was almost complete, a
beautiful blonde jumped in front of him and
blocked his way. “Why don't you come back to
my place,” she whispered, tugging playfully at
the bottom of her bikini, “and we'll muzzle the
son of a bitch.”
On a beautiful, sunny Saturday afternoon,
Kurt stood on the first tee at his country club.
He had just pulled out his driver when a
young woman in a wedding gown came run-
ning up to him. “You bastard!” she screamed.
“You stinking, no-good bastard!”
"What's the problem?" he asked. “I told you,
only if it rains.”
Tus MONTH'S MOST FREQUENT SUBMISSION:
Heard about the new blonde paint color? It's
cheap, not too bright and spreads easy.
Billy Bob needed help on the farm, so he
hired a big, strapping local boy to tend to the
chores. John Roy wasn't much of a talker, but
he was strong and reliable.
Several weeks into the job, Billy Bob found
his farmhand lazing about the barn at ten
o'clock in the morning. “What the hell are you
doin’ on your ass this early, boy?" he asked.
“Cows milked. Chickens fed. Hogs slopped.
Alfalfa gathered Daughter fucked,” John Roy
drawled. "Nothin' else to do.”
Heard a funny one lately? Send it on a post-
card, please, to Party Jokes Editor, PLAYBOY,
680 North Lake Shore Drive, Chicago, Illinois
60611. $100 will be paid to the contributor
whose card is selected. Jokes cannot be returned.
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‘And now, if you wouldn't mind, I'd like to fulfill a little dream which has been growing in me
since I first came to work for this corporation.”
IN THE
BRIGHT COLORS
AND COMFY FITS
MAKE A SPLASH
AT THE BEACH
FASHION
BY HOLLIS WAYNE
7 ЕЛ
Opposite: You'll need о buff bod to carry this weight on your
shoulders—ond to corry off these square-cut nylon-and-Lyera
swim trunks with bock flap pocket, by Giorgio Armani Le
Collezioni, $85. (Her string bikini by J. Crew. Above: Two sun-
sational suits: His yellow Toctel nylon boxer-style swim trunks
by Tommy Hilfiger, $42, are trimmed with metollic reflective
Strips. The thong neckloce with sterling silver bead is by Alissa
Neglia, $50. (Her suit and mesh shirt are by Mossimo Swim.)
==
|
m
РІЇ
PHOTOGRAPHY BY ARNY FREYTAG
HANGES IN men's swimsuit styles are never dramatic, but that doesn't stop us from jetting off to ex-
otic locales to bring you the best and brightest of the new season. This year, we headed to the Ho-
tel Twin Dolphins in Cabo San Lucas, Mexico. Situated at the tip of Baja California, this laid-back
vacation spot provided the perfect backdrop for the nautical colors and comfortable cuts that
characterize 1995 swimwear. Here’s the scoop: If you worked out all winter, you might want to
flaunt your physique in this summer’s hottest look—sexy, square-cut boxer trunks as pictured on page 116 and
below. Body-hugging with a short leg length, this style is equally flattering in solids or bold-colored prints. Oth-
erwise, go for traditional boxer cuts or surfer-type trunks featuring just-above-the-knee lengths, quick-drying
fabrics such as Supplex nylon, and Velcro and zipper details. You may want to wear a shorter pair of trunks un-
der the surfers for serious swimming. As for beach accessories, don’t leave home without sunglasses (100 per-
cent ultraviolet protection is a must), sunscreen and rubber thongs to keep the hot sand from toasting your feet.
Right: It’s siesta time an the Sea of Cartés and this
twosame catches rays in the warm Cabo sun. He
sports Tactel nylon boxer-style trunks with a con-
trasting drawstring waist and a single back pock-
et with a button closure, by Nautica (538), plus
sunglasses with plastic frames and ultraviolet-
shielding lenses, from Paul Smith Spectacles by
Oliver Peaples, $220. (Her silver bikini is by Anne
Cole.) We're nat sure whot's hatter, the sun or the
couple below. His floral-printed cotton square-cut
swim trunks with nylon mesh lining, button fly and
drawstring waist are by Gianni Versace, $220.
(Her sexy velvet bikini is by Emporio Armani.)
Above: For land or sea, these Supplex nylon surfer trunks with
racing stripes, by GM Surf, $45, are worn over a cotton-and-
lycra suit by Paul Smith Accessories, $45, with e-Wire sport
sunglasses by Ookley, $130, a leather bracelet by Alissa
Neglic, $50, and rubber thongs by J. Crew, $12. (Her bikini is
by Keiko.) Opposite: His nylon trunks by Ocean Pacific, $20,
have a Velcro back pocket. (Her suit is by Malic and her sun-
glasses are from Paul Smith Spectacles by Oliver Peoples, $260.)
PLAYBOY
SKE
K S (continued from page 96)
Boy, with a cap pulled over his brow, remembered
what it was he hated about Los Angeles: everything.
program, future of Bill Terry.
When the reporters had scattered,
leaving Boy with Jim Jemmy and the
photographers, Boy rubbed his hands
together in expectant satisfaction and
"And now, the body in the box.”
Jim came closer, lowering his voice.
“There's a fellow at the vet, he's”
“Tell you what, dear. Ler's chat on
the porch.”
“Oh. OK.”
Out on the tiny sagging porch, with
its unimpeded view of the canal, Boy
sat on the untrustworthy railing, some
distance from Jim, and said, “Tell me
about it, dear.”
“I have a contact at the vet, but he’s
being a litte funny. He wants money.”
“They all do, dear, and that's why
we're here. To provide money.
“I think he's got something else.
He wants more, he wouldn't talk to me.
He seems to want, you know, more
money.”
The body in the box was always a
delicate task. Boy had sent photogra-
phers into funeral homes disguised as
priests, as nuns, as firemen, as long-lost
offspring of the deceased and, on one
memorable occasion, as a process serv-
er determined to press divorce papers
on the corpse. Each case was different,
and to each case Boy responded with
his usual grimy savoir faire.
The simplest way, in the present in-
stance, would be to insert a photogra-
pher into the veterinary hospital after
the late Skeeks had been arranged in
his coffin, but before the dog and coffin
had been transported to Forest Lawn.
That would require no more than the
suborning of one employee. Jim Jem-
my had clearly done the first part of
the job in finding a bribable employee,
but now there was going to be some
sort of problem.
Sighing, Boy saw he would have to
deal with this veterinary lowlife him-
self. “How do I make contact?”
“I can call his home and leave him a
message.”
“Do, dear boy. And don't look
so worried. Boy is here, and joy shall
prevail.”
They met at a small outdoor restau-
rant on the Malibu coast. Driftwood
had been imported from as far away as
Tierra del Fuego to construct this
restaurant in which you were guaran-
teed to get splinters. Boy, with clip-on
sunglasses clipped on his sunglasses
and a dark blue Moon Mission cap
pulled low over his pasty brow, remem-
bered again just what it was he hated
about Los Angeles: everything.
The outdoorness of the restaurant
was necessary, given the redolence of
both his companions. Jim Jemmy con-
tinued to smell like Jim Jemmy, and
Carlo, the squat Incan from the vet,
smelled like the vet. He was a janitor, а
man who knew every scrubbed inch of
the place as well as he knew his own toi-
let, and his news was not good. “Sports
department,” he announced, hunched
over the hamburger with sprouts the
Galaxy was buying him.
“Ah,” said Boy, squi
his dark glass.
“Dey got dese jackets, you know
what I mean? Color like a raspberry.
On da pocket, by da heart, dey got dis
networ! k sign”
“Logo,” Boy edited.
Carlo crumpled his face like a fend-
r. “Huh? No, man, а logo's a wolf.
Dis on da jacket, dis what you see on
da TV.”
“Understood,” Boy assured him.
“Dey all useta be football players,
now dey work da sports department at
da network. Dey on guard, man.”
“Guarding Skeeks?”
“For da pikchas, man. Dey know
about you guys and your papers, dat
you do da pikchas. Dey say, ‘No way?”
“You could slip past —"
But Carlo was shaking his woolly
head, sending clouds of formaldehyde
to compete across the table with
essence of Jemmy. “Dey search те,
man. Dey find da camera, dey drop-
kick my ass back to Peru.”
Boy sighed. While he loved a chal-
lenge, of course, he preferred his chal-
lenges to be easier than they looked.
He said, “Carlo, one understood you
had something to sell, something more
than the picture, not something less.”
“Dis is more. But you gotta pay,
man.”
“We'll pay what it's worth," Boy as-
sured him.
Carlo thought about that, then de-
cided to risk it. Whispering so low that
Boy could barely hear him, he said,
“Somebody offed da dog."
More gibberish. But then Jim Jem-
my, utterly shocked, cried, "Skeeks was
murdered?” and all became clear.
To the entire restaurant. Bouncing
ig behind all
in his chair, Carlo cried, “Cool it, man!
Jesucristo!"
“Oh, I beg your pardon!” Jim cov-
ered his mouth with both hands.
Boy said, “Class. Students. Let us
have order here. Carlo, what do you
mean? Do you have proof?”
“I done da cleanup, man, I know
what I'm deanin'. Dat dog got poi-
soned. I heard da doctors, dey don't
wanna tell nobody.”
“Why not"
“Couple scandals last year, man. Dat
place, movie stars keep deir dogs and
cats and gerbils and all deir pets dere
while dey go away, makea movie, come
back, it’s dead, man, wrong food,
wrong medicine. Dey afraid dey gonna
get blamed."
“So no one knows this interesting
news," Boy concluded, "except the vet-
erinarians, and you, and us."
Carlo looked sullen. “And all dose
people at d’udder tables.”
“Lam sorry,” Jim said.
"I think we can ignore that,” Boy de-
cided. “This is a restaurant in Los An-
geles, after all.” Reaching into a side
pocket, he brought out a wad of bills
folded in half and held with a red rub-
ber band. Removing the rubber band,
he peeled off five $100 bills and hand-
ed them to Carlo. “This is for our ex-
clusive use of your information.”
“That's OK,” Carlo agreed. The
money disappeared.
Boy took a tiny camera that looked
like a igarette lighter from his other
pocket. "If by chance you do happen to
get Skeeks' final photo, there'll be an-
other $1000 in it for you.”
But Carlo wouldn’t touch the cam-
era. “Dem ‚sports guys from da net-
work, man,” he said, “in dem raspber-
ry coats, man, dey big. Big and mean.”
Sneering, Boy said, “You're afraid of
men in raspberry coats?”
“You look at "ет, man,” Carlo said.
“You'll never eat a raspberry again.”
Back at the Galaxy nest in Venice,
Boy debriefed his team, standing to
demonstrate the quality of command
and also because he had a long splinter
in his bum. Trixie’s news was that
Skeeks had been rendered unfit for fa-
therhood as a youth, before his fame
could protect him from such indigni-
ties; ergo, no progeny. The others had
also been busy gleaning data, and this
is what Boy learned:
Skeeks did have an owner, a holding
company in Houston called Shunbec
International. Several of the Shunbec
principals were deeply involved in the
S&L mess, and Skeeks had been just
about their last viable asset. On the
(continued on page 162)
124
Reader response to Janet was overwhelming, and she was
photographed as a Playmate two more times, in December
1955 and October 1956. The date in formal attire visible
in the background of the photograph is Hugh M. Hefner.
MISS JULY 1955, the first girl-next-door Playmate, was
PLAYBOY Subscription Manager Janet Pilgrim. She agreed to
pose if the boss would buy a new Addressograph machine
needed by PLAYBOY's overworked Circulation Department.
‘All right already, we're consummated. Now can we hit the surf?”
PLAYBOY’S
GIFT
DADS
FOR
GRADS
PERFECT PRESENTS FOR POMP AND POP
Goodies Dad will dig. Far left to
right: Crystal decanter with a sil-
ver-plated stopper, from Christofle,
about $320. A retro-look Olympus
LT-1 35mm automatic camera with
a burnished-silver finish and a
faux leather lens cover, about
$270. Marantz model LCD-410 TV,
featuring the same type of four-
inch screen used on notebook com-
puters, about $800. The Data Link
watch receives and stores appoint-
ments, phone numbers and ad-
dresses from Windows-compatible
PCs simply by having its face held
up to the computer screen, by
Timex, $130. The Simon, Bellsouth
Cellular's pint-size personal com-
municator, can send and receive
calls, e-mail, faxes, pager mes-
sages and more, $900. Style 02 tor-
toise-frame sunglasses, by Porsche
Design, $310. (Dad’s silver-plated
picture frame from Christofle, $160.)
Great stuff for grads. Below, left
to right: Canon’s waterproof Sure
Shot A-1 Panorama Data camera
can take photos on a standard or
extra-wide scale, $345. Rectangu-
lar pewter flask from Motif, $75.
IBM's Thinkpad 755CD color note-
book computer weighs about sev-
еп pounds and comes with a built-
in double-speed CD-ROM drive,
about 57000. (That's the Women of
Playboy multimedia screen saver
on the display, about $40.) Metal
frame e-Wire sunglasses fitted
with Plutonite lenses that block
100 percent of UV rays, by Oakley,
5130. Navitimer 92 chronograph
with a circular slide rule and vari-
able tachymeter, by Breitling,
$2925. Casio’s AV-100 portable
audio-video system with a TV, an
AM/FM radio and an on-screen cal-
endar, about $300. (Grad’s wood-
en picture frame from Gucci, $230.)
PHOTOGRAPHY BY JAMES IMBROGNO
WHERE & HOW TO BUY ON PAGE 164,
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PLAY BOS
130
TED TURNER „нло
Two days after the MGM deal was put in motion,
Turner suddenly took off with his family to fly-fish.
this one by the shrewd Kerkorian. The
price of $1.5 billion was $200 million
to $300 million too high. Newsweek re-
ported that in Hollywood, “Turner is
almost universally regarded as ‘a рЕ
geon.” One film-business analyst de-
clared that the movie studio was only
worth that much if "Turner has found
oil on the MGM back lot.”
After the signing, some members of
the TBS board started to worry. Mike
Gearon says, “I felt that all of a sudden
Ted had gotten in over his head. We
weren't being properly informed. We
had inadvertendy given Ted too much
authority—we had said he had the
right to negotiate with a lot of latitude.
But we were responsible for whatever
the hell he did. And the price seemed
to exceed the representations that had
been made to us on the board. I
thought there was a lot of directors’ la-
bility at that point—the company could
be destroyed.”
According to Gearon, Turner was
concerned too. “I just think that he was
prepared to take the risk, and I proba-
bly wouldn't have been prepared. It
was a lot to lose.”
If the board was anxious, and if Hol-
lywood was amused, that Ted was pay-
ing the asking price without even hag-
gling, it was not an unusual move for
him. An optimist, he always seems to
imagine that what he’s purchasing may
actually be worth the price he pays.
“Because he believes he sees hidden
values, he pays more,” former CNN
president Reese Schonfeld says.
“Ted used to say his father had told
him that ifhe really wanted something,
if he had to have it, it didn't matter
what he had to pay,” recalls former
TBS entertainment president Gerry
Hogan. "In that context, Ted would
spend huge amounts of money, more
than was necessary. But on a day-to-
day basis, he was very cost conscious.”
That was Turner’s pattern—pay what-
ever the cost, then wring every nickel
out of the purchase.
Two days after the MGM deal was
put in motion, as his board fretted and
his aides tried to hammer out the de-
tails, Turner suddenly took off with his
family to fly-fish on a north-country
river in Alaska. It was standard operat-
ing procedure for Ted: As soon as a
plan was laid out, he would lose inter-
estand move on to the next thing. The
currents surging past his legs, the line
singing through the morning sky, the
fish rising to the lure, Turner concen-
trated on rainbow trout and Alaskan
sockeye and let others worry about tak-
ing care of his business.
At the core of the MGM deal was the
king of junk bonds, Michael Milken of
Drexel Burnham Lambert. If Drexel
executives were “highly confident” that
they could arrange the billion and a
half dollars in financing for Turner's
purchase, theirs was nota totally disin-
terested opinion. They had a huge
stake in the proceedings. Because of
the speed of the deal, Turner had been
forced to retain Milken, Kerkorian's
own moneyman. Milken was working
both sides of the street—getting paid as
MGM's banker and as TBS’ financier.
It was a highly unusual setup, and it
raised conflict-of-interest questions.
Ironically, though, if it hadn't been for
Milken's stake in the sale, the buyout
probably would never have happened,
for Drexel Burnham was one of the few
firms able to raise money for such a
speculative transaction. In retrospect,
the MGM/TBS deal—from the players
to the financing—would come to be
emblematic of the high-risk, high-
flying Eighties.
But first the buyout had to happen,
and as Variety would later say, “The deal
began unraveling before the ink was
even dry.” Between mid-August and
late November, four new MGM films
bombed. In fact, two of the four lost al-
most $29 million of a $30 million in-
vestment. Bevins returned to Atlanta
shaking his head and, face-to-face with
his boss, declared, “Look, we've got a
problem here.” It came to be a recur-
ring refrain. Later he said, “When you
suffer the kinds of losses we suffered at
the studio, the financing becomesa vir-
tual nightmare.”
On October 31, 1985 The Wall Street
Journal reported that “there seems to
be an atmosphere of urgency, if not
panic" at TBS. Turner, never a recluse,
began to talk with anyone who could
give him a desperately needed infusion
of cash. Time Warner, ABC, Gannett,
Viacom and others met with him over
the next year, all trying to bite off
pieces of TBS and MGM. Italian media
tycoon Silvio Berlusconi, Time War-
ners Nick Nicholas Jr. and HBO's
Michael Fuchs also talked with Turner.
Rupert Murdoch was among the
most eager to cut a deal. If there was
anyone on the media scene whose am-
bitions paralleled Ted Turner's, it was
probably the Australian magnate. In
the same year that Turner had gone af-
ter CBS and MGM, Murdoch and part-
ner Martin Davis had acquired 20th
Century Fox and a mininetwork of six
Metromedia stations. However, unlike
Turner, Murdoch impressed investors
with how efficiently and cheaply he did
it. Murdoch and Turner met early in
1986, when Murdoch tried to hire Ger-
ry Hogan. Hogan decided not to leave
Ted, but he introduced the two men,
and they met again three or four times
over the following months.
On one of these occasions, Murdoch
traveled to Turner's office in Atlanta.
Adjourning downstairs for dinner at
Bugatti, Turner, Murdoch, Turner ex-
ecutive Robert Wussler, Bevins and
Barry Diller (then head of Fox) tried to
find a sensible way to blend Fox and
MGM/TBS. Quiet and understated,
Murdoch kept his focus on the num-
bers: “What if we sell off this piece of
MGM?" he'd ask. Turner, meanwhile,
was talking about the big picture, the
big ideas: “We could be the biggest
thing in Hollywood,” he would say.
“We could build more networks. If
we put your library and our library
together...”
Cordial and intensely deal-oriented,
Turner and Murdoch nonetheless at-
tacked the same problem from very
different angles. “Ted was this wild
idea guy,” Gerry Hogan recalls. “Ru-
pert is a tremendous financial guy. He
understood numbers and the ways to
get things done financially far better
than Ted. Ted doesn't have many
strengths in that area. He relied on
Bevins to make those things happen.
What Ted had was vision—how power-
ful the combination could be, how
important.”
But on this particular evening the
conversation fell apart because of Bar-
ry Diller, According to Hogan, the
chemistry between Diller and Turner
was terrible. “1 don't think Diller want-
ed any part of Turner,” says Hogan.
think the merger would have been a di-
rect assault on Diller's position. If.
Turner and Murdoch had merged, it
would have cut into Diller's area."
"That night after the meeting. Hogan
flew back to New York with Murdoch,
who was still trying to sort out the
finances. According to Hogan: "Mur-
doch was intently serious in trying to
make the numbers work, but he was
havinga tough time because both com-
panies had so much debt that it was as
two punch-drunk fighters were try-
ing to hold each other up. In the end,
it just couldn't be done."
(continued on page 156)
AN INTERVIEW
WITH POPE JOHN PAUL II
comedy’s infamous fallen catholic goes one-on-one
with the cat in the vatican Satire by Denis Leary
A FTER A HIP operation caused him
to cancel his trip to the U.S. last
fall—a global jaunt that would have co-
incided with the publication of his
book, Crossing the Threshold of Hope,
thereby christening the first-ever papal
press tour—his high holiness Pope
John Paul II decided to let the book
speak for itself. Amid the resulting
clamor for satellite press conferences,
e-mail interviews and other such mod-
ern-day encounters, the pontiff settled
оп doing a single Q and A session—
face-to-face with a lone journalist, and
for only 15 minutes.
Speculation immediately settled on
such journalistic luminaries 2s Barbara
Walters, Connie Chung and Walter
Cronkite. But on the afternoon of De-
cember 15, 1994 my telephone rang. It
was Ray Flynn, ambassador to the Vati-
can, informing me that a plane was
waiting to fly me to Rome to meet his
high holiness. (Ray Flynn used to be
the mayor of Boston, where I grew up.
One night a few years back I talked Ray
out of lambasting a Boston University
sophomore who had called Larry Bird
“an overrated, overweight mick” in
McSweeney's pub. I suppose this anec-
dote—combined with my credentials as
an ex-altar boy and spokesman for the
MTV generation—had now led toa lit-
tle payback.)
1 arrived in Rome on December 16
and the next morning was given a tour
of the Vatican. Then the guidelines of
my interview with the Pope were
spelled out to me in detail: The entire
conversation had to be printed verba-
tim, and the Pope would have ultimate
approval ofits contents. I agreed to the
terms, and at noon I was ushered into
the papal suite, where his high holiness
his white satin robes. I kissed his ring
and we began.
POPE: Sit, my son. Sit.
ME: Here, sir?
POPE: Yes. Yes.
ME: I, uh. ... How's your leg, your high
holiness?
POPE: It's sore. But in view of the trou-
bles on the planet, alas, it is nothing.
МЕ: Um, yeah. Well, uh, your, uh, high
holiness——
rare: Call me Jack.
МЕ: Oh, no. No, I couldn't.
pore: I'm kidding. Your holiness is fine.
Have you read my book?
МЕ: Yes. Yes, your holiness.
горе: Good. Good. Ray Flynn tells me
you're in the movies.
МЕ: Well, I——
POPE: I see a lot of movies.
ME: Really?
pore; What would I have seen you in?
ME: Well, uh, lemme sec. Did you see
The Ref?
pore: The Ref? No, no, no, no. I heard
it was very vulgar.
ME: You heard?
pore: Yeah. My staff sees everything. As
does my boss, if you know what I mean.
I saw The Mask.
ME: You did?
POPE: Yes. And Ace Ventura: Pet Detective.
Very funny. Very, very funny. Do you
know Jim Carrey?
ILLUSTRATION BY BLAIR DRAWSDN
ME: Well, we've met. We're not, like—
rore: He is a terribly talented young
man.
ME: Yes. Well—
pore: Is he Catholic, do you know?
МЕ: I, uh, I think so. You know, we
should
POPE: Those are the kinds of movies we
need more of. Good, clean fun. For the
whole family.
МЕ: Right. So. .
pore: I mean, I'm not against a good
laugh every once in a while.
ME: No?
POPE: No. For instance, how many
Polacks does it take to screw in a
lightbulb?
МЕ: I wouldn't know.
POPE: Twelve.
ME: Twelve?
POPE: Eleven to hold the ladder and
one to stand off to the side and say,
“You know what? I think we need an-
other guy.” Ha, ha!
[The pontif] convulses in (аи Ме), almost
falling out of his chair twice. I takes sever-
al minutes for him to catch his breath. ]
pore: [Drying his eyes] You don’t like that
one?
ME: No, I do. It's—funny.
РОРЕ: Hoo, boy. Hey, would you like
something to eat?
ME: Uh, well, I
РОРЕ: Angelo!
[A rotund man wearing а black tuxedo
enters the room.)
ANGELO: Yes, your holiness?
POPE: Two pastramis on rye. Very hot.
You like pastrami?
ME: Uh, yes
POPE: Good!
(continued on page 142)
аа
=
Pau
OF nit V4 AD
julie cialini, dream come true
“Black is exhilarating,” soys Julie, who chose that color
far her Eagle Talon TSi All-Wheel Drive. PLAYBOY present-
ed that tap-of-the-line Eagle, and $100,000, to Julie
with her PMOY crown. “I lave fast cars. I'm o goad driv-
er, but I'll admit there have been times when my love
for speed has scared the wits out af my possengers."
PHOTOGRAPHY BY
STEPHEN WAYDA
high-energy
day in the life of the Playmate
of the Year: A nightclub in
Julie Cialini's hometown of
Rochester, New York was
sponsoring а bungee-jumping
event, and with no rocky
gorges available to plummet
into, the club's owners
strapped the big rubber band
to a 150-foor-tall crane. But
the event needed something
special, something irresistible,
something . . . someone like
julie Cialini. So they invited
Miss February 1994 to take
the plunge, and she did so
with her impeccable sense of
style and athleticism. She se-
lected a string bikini to wear
during her fall from the heav-
ens, and she leapt not once
but three times.
"I was a little scared," she
recalls, "bur not as scared as I
thought I'd be. It felt like 1
was flying.”
Although Julie kept her
cool, not everyone present
that day did: “The guys were
all screaming.” It’s not too
surprising, really. A lot of
people might react that way
if they saw a heavenly body
falling from the sky.
This wasn't a typical event
in Julic’s life, of course. She
is more used to surprisingly
rapid ascents. The first one
came with her adolescent
growth spurt. “Ever since I
was a teenager I've dreamed
of being a Playmate,” says
Julie. “But I was 511“ and
e shot with the stotues all doy,” says Julie, “and it was o real
warkout. | had the ideo to hang upside down between them,
and I definitely used my gymnastic ability in that shot. | used
muscles that I haven't in a long time.” As for her statuesque
136 partners, Julie soys, "When we kissed, they were o little stiff.”
gawky, so I couldn't imag-
ine that it would ever re-
ally happen.”
Back then, Julie's nat-
ural gifts made her a
coach’s dream in gym-
nastics, basketball and
volleyball. Then, as her
lanky frame filled out,
she found that all her
gifts combined to make
hera natural in the world
of modeling.
"I've always loved the
camera,” she says, flash-
ing the wide smile that is
among the many reasons
the camera loves her
right back. “I've always
felt free and easy having
my picture taken. It's not
like 1 have to do any
prepping or psyching up
for a shoot. I just take
a shower and show up
clean, and then I let it all
happen.”
What's happened for
Julie since her first mod-
eling job—for a depart-
ment store catalog when
she was 18 years old—has
transported her to Eu-
rope as a runway model,
into her teenage dream
of becoming a Playmate,
onto television as a pre-
senter on the nighttime
Price Is Right and now—
“something that [ never
could have dreamed"—
to Playmate of the Year.
julie makes her movie
debut in the recently
completed Beach Acade-
my. "Ive always ad-
mired SharonStone and
Jamie Lee Curtis, and if I
work hard enough, I
hope I can take my ca-
reer to the same heights
they have reached."
То which we say: Don't
worry, Julie. You're al-
ready flying.
sked to describe the winding path that has led her fram
her first modeling jab far a department stare to European fashion shoots to
Miss February 1994 to а stint an The Price Is Right ta Ploymate of the Year to
Hallywood, Julie calls it a learning experience. "You have ta survive the low
moments ta get ta the highs.” she says. “And you have ta work hard. But
it's all worth it. I still lave it when people tell me I'm naturally beautiful.”
POL АКТАН О.
142
JOHN PAUL II
(continued from page 131)
The entire Catholic church is built on the impor-
tance of hats. The bigger the guy, the bigger the hat.
Angelo, don’t skimp on the mustard.
ANGELO: Yes, your holiness.
pore: And two Heinekens.
ANGELO: Yes, your holiness.
[Angelo exits.]
pore: You look surprised.
МЕ: No, no. I, uh.
POPE: I hate Italian food. Give me a
good kielbasa or a roast beef sub. Ah,
that's what I like. Now, where were we?
ME: Do you listen to Sinéad O'Connor?
pore: No, no, no. I'm not abig rock fan.
Ilike Loggins and Messina, Seals and
Croft, Bread. I don't see the point in
shaving your skull unless you're old
and bald like me. I like the Chant album
by those monks.
ME: Yeah?
тоге: Oh, boy. I get in the Popemobile,
put on the monks, crank it up to ten.
Oh, my God! I could wave at the
crowds all day. Great sound system in
the Popemobile. Japanese, I think.
Lovely people.
ME: Let's move on. In an era of se-
quels—Batman 3, Sister Act 2—was John
Paul I a tough act to follow?
POPE: Now, see? That's what I'm talking
about. Jim Carrey would never ask that
question.
NE: OK, OK, I'm sorry.
горе: OK, then.
Me: What's the story with the hats?
vore: The hats?
МЕ: You know, to me it seems that the
entire Catholic church is built on the
importance of hats. The bigger the guy,
the bigger the hat.
rore: Well, my son, they're for show
more than anything. People love to see
them. Its all part of the pomp and cir-
cumstance, if you will.
МЕ: I understand, your holiness, but
with so many poor and hungry Third
World nations embracing Catholicism,
doesn't it seem a little
тоге: Look, my son, we know what
we're doing. We send a lot of money to
the poor and downtrodden. But to
raise money, we have to go to the places
that have good cash flow—like the
U.S.—and put on a show. So to speak.
ME: A show?
ГОРЕ; Well, like when I said Mass in
Yankee Stadium a few years back. We
drew 75,632 people. Still a record in
that park. Babe Ruth, Jolting Joe, Reg-
gic—no way They never pulled in
those numbers. Now, do you think
75,000 people came because they want-
ed to go to Mass? No! They came be-
cause they got to see me—the Pope—
dressed in green-and-gold vestments
and wearing the biggest darn hat you
ever saw! Without the hat, I’m just an-
other Polish putz behind an altar. Ah,
but with the hat—forget about it! They
tell their neighbors, “You shoulda seen
the size of the hat on this guy!”
МЕ: So, what you're saying is —
pore: Hey, it’s just а hat. Don't get
crazy. Look, do you know how much
money I could make on pay-per-view?
Forget about Howard Stern! Are you
nuts? Or I could do an exercise video.
Or | could do fake miracles, raise-the-
dead stuff, the whole nine yards. But I
don't. All of that is too gauche. So give
me a break on the hats. I don't even
have an agent. But believe me, if I
called Mike Ovitz right now, he'd be sit-
ting in your chair in less than 14 hours.
МЕ: OK, OK, your highness—I mean,
your holiness. It’s just that in your
book you espouse the old, hard-line
Catholic dogma regarding sexual be-
havior and the involvement of women
in the day-to-day functions of —
pore: Yes. I do. But I also make it clear
we must listen to the arguments ofcon-
temporary voices and absorb their con-
cerns into the body of the church.
ME: But you still will not recognize——
pore: Recognition is пос а simple issue,
my son. Sexual behavior is. Angelo!
[Angelo reenters.]
ANGELO: Yes, your holiness?
rore: Where are the sandwiches?
ANGELO: On their way, your holiness.
[Angelo exits.]
РОРЕ: No birth control. Love is a sacred
bond. “Be fruitful and multiply.”
Me: Yes, your holiness, I know. But in
view of the pressures of modern society
and the fact that millions of Catholics
are leaving the church every —
РОРЕ: You didn't read my book.
МЕ: Yes, I did.
rore: No. I can tell you didn't. You read
the breakdown.
ME: I read the book. The whole book.
pore: [Narrowing his eyes] You know that
lying to me is a mortal sin.
МЕ: No, it's not.
pore: It certainly is.
МЕ: Look, your majesty, your... what-
ever. I know the rules of the Catholic
church and-
POPE: All the rules?
Me: Yes! All the main big ones about sin
and stuff, and I know they haven't
changed lying to a mortal sin.
rore: How do you know we haven't?
МЕ: Because it wasn't announced. You
always have to announce it. You tell the.
cardinals and they tell the bishops and
they tell the priests and the priests tell
my mother and my mother tells me.
Pore: [Smiling] Sometimes we don't an-
nounce changes.
МЕ: Why no?
pore: Because God the Father doesn't
want them announced.
: Well, then, that brings up another
issue. Do you actually speak with God?
POPE: Yes.
ME: How often?
rore: Every day.
: Every day?
ГОРЕ: I have a red phone in my office,
and every morning around nine it
lights up. [Silence] Tm kidding.
ME: Very funny.
rore: No, truthfully, when you're
named Pope they surgically implant a
computer chip into your brain stem
and—
ME: Very funny.
POPE: Heh, heh. All kidding aside, he
speaks to me. He speaks through me.
ME: Really?
ME:
POPE: You don't believe me?
Well, I dunno. I, uh....
‘ou don't believe me.
ME: No, no—1 do. Kind of. I mean, I be-
lieve you believe that. That is to say——
Sk, tsk, tsk.
K, then what does he tell you?
pore: Everything.
ME: What do you mean?
POPE: He tells me everything he wants
to talk about on that particular day.
ME: Like?
POPE: Well, I'm not really allowed to di-
vulge all of it —
ME: Just a little. Like, how about today?
What did he tell you today?
POPE: Well... OK. Let me get my list.
ME: By all means.
pore: [Fumbles in pocket] Uh, let's see. . . .
[The pope produces а linen napkin with
his initials embroidered on it. Several notes
are scribbled along the edges in ballpoint
pen. He puts on his reading glasses.)
pore: OK. Today, he wanted to give me
a few notes about recent events sur-
rounding the abortion issue.
ME: Uh-huh.
pore: And a directive on a priest in
Chile who has been very involved in
some political turmoil down there.
МЕ: Uh-huh. Anything else?
pore: And what else. Oh, yes. He want-
ed to tell me that last night you mastur-
bated to a pornographic movie on
Spectravision in your hotel room.
[Silence]
ME: I'm sorry. What did you say?
РОРЕ: Channel eight, I believe.
fou've lost me here. I
fou climaxed after three minutes
(concluded on page 161)
“I hope you didn't get me out here to do something filthy and
disgusting—like catch fish!”
143
TOM ARNOLD
e is more than the most famous ex-hus-
band in showbiz today. He's a comedi-
an, a TV producer and most recently a bud-
ding movie star who was critically praised
for playing Arnold Schwarzenegger's side-
kick in “True Lies.” Currently, Tom Arnold
is co-starring with Hugh Grant in “Nine
Months.” He plays a guy with three kids and
another on the way who tries to get Grant to
embrace fatherhood when Grant's girlfriend
gels pregnant. Yes, folks, this is the same Tom
Arnold who, during his well-publicized
marriage to Roseanne, was dismissed as just
another no-talent chump, a Svengali who
mesmerized his Ihen-wife into sharing her
clout and her coattails. Arnold denies hav-
ing devious motives. He freely admits that
Roseanne gave hima leg up. And what а leg
it was. Together they dominated the tabloids
and each other. Side by side they pushed her
hit show “Roseanne” to higher ratings.
Arnold also tried two sitcoms on his own,
“The Jackie Thomas Show” and “Tom,” but
both died young, as did his marriage.
Amold, however, lives on. We sent Con-
tributing Editor David Rensin, who con-
ducted the June 1993 “Playboy Interview"
with fom and Roseanne, to check im on the
hyperenergetic entertainer at his rambling,
rented Beverly Hills home. Says Rensin,
“Tom bounded down a long statrcase and,
with a smile from
i ear to ear, shouted
our favorite m
meatpacker- have felt like a
long-lost pal, except
turned-actor at ле calls every-
one buddy.”
on having a "
famous ex- PLAYBOY: Audi-
а E ences loved you
wife, the joys in Tue Lus. You
fh d " have sine done
ead-chis- Vine Months, and
"i a : В the buzz has been
ood. Two more
am au films are pend-
whatitwas ing. after being
x dumped by Rose-
like to hang anne and char-
А а acterized asa
out in his chump, is respect
the best revenge?
underwear ARNOLD: Whatev-
ч er it is, it's pretty
with the nice. Before True
Lies, I was per-
other arnold ceived as being so
far down and out
that people were
saying my career
PHOTOGRAPHY BY MICHAEL GRECCO
was over and that I'd have to go back to
the meatpacking plant in lowa. That
would be bad—because they won't hire
me back. [Laughs] 1 knew things would
be bad for a while, so I just waited it
out. Now it’s pretty sweet.
2
PLAYBOY: When you were married to
Roseanne, you tried hard to have a kid.
Now she's pregnant, and the father is
her new husband. Has your manhood
suffered?
ARNOLD: I'm just grateful we didn't
have any kids. I see my buddies who
have kids and are going through di-
vorces, and it’s a killer. An absolute
killer. And it stays with you. When you
have kids with somebody, you're with
them. Divorced or not, they're in your
life. 1 feel very grateful. You know
what? I'm happy she’s pregnant. I
hope it's a healthy pregnancy and that
they have a beautiful baby, and that
they're both happy and content. Seri-
ously. Maybe then they'll leave me the
fuck alone!
3.
PLAYBOY: Look back at the marriage
and rate your performance.
ARNOLD: I was 30 years old. I'd just got-
ten sober. Suddenly, I've got a wife,
and four stepkids who need good par-
enting, as all kids do. And Roseanne is
telling me, “Listen, I can't do it I'm go-
ing through tough times and I can't do
it alone. There are a lot of things I can't
do.” As the relationship developed,
everything—from her show on—was
put in my lap. I didn't necessarily do a
perfect job. I had no idea what I was
doing a lot of times. But I did a lot of
good things, and I did my best. You
might say we were two co-dependent
personalities. For a long time one of us
was out front and the other ran things.
Then it shifted. I'm not saying that's
why we divorced. But I will say that if I
wanted to stay married, I was going to
have to give up being in the movies.
That was made very clear.
4.
PLAYBOY: You mean you weren't willing
to give up work for love?
ARNOLD: For a good marriage you can
give up anything, but you also have to
wonder what's behind that, When I
made Тие Lies | was out of California a
lot and it was hard. I realized some-
thing important: The only way I was
going to be able to have a career was to
work. Imagine that. I'm not knocking
what I had. Running the Roseanne show
was great. I even loved having my own
shows every year on different net-
works. [Laughs] But the truth is that I
had to take a risk. I did not choose my
career over my family in any way, but it
seemed to me that to make things bet-
ter, | had to make myself even more in-
dependent. 1 thought the marriage
and the family would be a lot better. I
still wanted to help out, but not to do
everything.
Be
PLAYBOY: In Nine Monihs you co-star
with English hearthrob Hugh Grant
As actors and people you couldn't seem
more different, at least on the surface.
What's it like when worlds collide?
ARNOLD: He went to Oxford. I never
graduated from the University of Iowa.
And we're certainly different in the
movie: I'm a dad with three kids, and
he's going nuts at the idea of giving up
the single life when his girlfriend gets
pregnant. I keep wying to sell him on
fatherhood, and basically I become his
worst nightmare. But personally, we
have many things in common. He's
very funny—not that I'm sa
very funny, but I think I am. An impor-
tant thing to notice about Hugh is his
hair. He has great hair. Several people
on the film were involved with it,
the director to his hair people. I d
we lost about three days of produ:
just siting around between takes while
they fluffed his hair.
6.
PLAYBOY: If the two of you went looking
for babes at a bar, who would score?
ARNOLD: He's suave and sophisticated,
whereas I am probably more friendly.
Ive seen him turn on that special
charm. People enjoy it. Hugh has a lot
of advantages over me in the charm de-
partment. So I tried to help him with
the friendliness-wich-the-regular-folks
factor. He'd do well at a bar, though
But I would probably be the one to get
things going for him.
rå
PLAYBOY: You are a farm boy from
Towa. What in the hell are you doing in
Hollywood?
ARNOLD: Га always wanted to come
here and do this. I got the idea from
watching TV and movies, and seeing
145
PLAYBOY
146
the effect actors had on people and how
everybody liked them. I thought I could
get everybody to like me if I became a
movie star. I remember sitting in the
lunchroom at the meatpacking plant one
day, and everybody was going on and on
about how funny this guy Robin Wil-
liams was. Mork @ Mindy had just come
on, so I started watching it. I actually
had a dream that I would do a movie
with Robin Williams and that he would
become my best friend, and that every-
body would love me, especially back in
Ouumwa, which was the only place that
mattered to me. Eventually, 1 did do a
movie with Robin Williams. He's not my
best friend, but we're friendly. He's a
nice guy. He sent me a note the other
day along with some alcohol-free wine,
because he doesn't drink, either. Of
course, unlike in my dream, not every-
body loves me, but a lot of people like
me. It almost worked out perfectly.
8.
PLAYBOY: What Midwest virtues must you
suspend when you are working in your
chosen field?
ARNOLD: [Takes a deep breath] First, truth.
The truth is more blurred here than
it is in the Midwest. There's so much
hype added to reality that you have to
struggle to remember what's real. And
promises are not kept. People believe
they keep their promises, but there's a
lot of amnesia out here, What's worse is
that the longer you live and work here,
the more you learn to adapt to it. You
learn to tell the truth in a different way.
Out here, people are so afraid of losing
their jobs or losing you as a client that
the most important goal is self-protec-
|
tion. I have also met people with incred-
ible integrity. In fact, the more powerful
the person, the more honest he or she
can be. But fear is still the predominant
emotion. Another missing virtue is loyal-
ty. When money is involved in anything,
most people don't care about personality
or work—they care about the money. If
somebody is making them money, that's
the side they're on. Oddly enough, if
you get screwed over, this town also has
a lot of sympathy for you because it
happens to everybody. It has happened
to Arnold Schwarzenegger and all the
biggest stars. And if it's happened to
him, it’s probably going to happen to me
a lot more. I take it all with a grain of salt
because, no matter what, I’m still luckier
than hell to be doing this. Also, out here
you get fired a lot. In Iowa that doesn't
happen so much.
D
PLAYBOY: Yet you somehow managed to
get the hook at the meatpacking plant.
Why? And what did you learn from carv-
ing up raw meat that prepared you for a
life in showbiz?
ARNOLD: Yes, I did get fired. I was arrest-
ed for public nudity—streaking—on a
day I had called in sick. The next morn-
ing, of course, I had to call in sick
again—from jail. I said I was home, but
the other guys in the cell were yelling, 50
I blew my cover. They fired me. [Smiles]
You can learn a lot about this business in
a meatpacking plant. There’s a lot of
death. Also, if you're the best ham-fatter
or the best head-chiseler, everybody
knows it and you become kind ofa star. I
was a celebrity at my plant when I was
18, because I would eat anything. That
“We've got to let you go, Lester, to make room for a
younger, more deserving hoodlum.”
was my hook. People would bring hot
peppers to work and I would eat them.
They'd pay me. On the line, I'd chop a
hunk of meat off the hog as it was going
by and cat it—whatever piece that was—
raw. I didn’t find anything too disgust-
ing. They were very impressed. I would
also moon people. And I “red-boned”
people—that’s when you put a ham
bone into some blood and stick it on
someone's butt. We wore white uni-
forms. It was very funny. I got much the
same attention at the plant that I get
out here.
10.
PLAYBOY: We need to know: What's a
head-chiseler?
ARNOLD: [Smiles] Thats a good job. When
the heads come by you, on a stake, each
one is facing you. You have something
that looks like a knife sharpener and you
dig that into the temples to get out the
head meat—the temple meat—which is
very good meat. We stripped the hog
down to nothing. We'd use every part. I
liked being a head-chiseler. We had a
good view of the whole kill floor, and we
Could throw meat at the guys who pulled
leaf lard. I pulled leaf lard, too. That was
a horrible job. That's when the hogs
come by right after they've been killed.
They’re split open and you pull the fat
out of the inside of the ribs. It eats off
your fingernails.
11.
PLAYBOY: Describe what it's like to work
out with Schwarzenegger. How did you
measure up when standing next to him.
in your underwear? Did you have a self-
esteem mantra?
ARNOLD: With Arnold, you learn some-
thing every time, because he's a machine.
He knows everything about everything.
He doesa simple workout: a half hour of
weights and a half hour on the bike. An
hour a day, and he looks that great! But
standing next to him was sad. His body
is so good. He wore little Speedo shorts.
1 wore boxers at first, because you can
pull them up over the first hump of your
stomach. He didn't have a hump on his
stomach, by the way. And I don't ei-
ther, anymore—but they made me wear
the Speedos because the boxers showed
up on camera. It was humiliating. I
thought, Well, this is the worst night-
mare ever. It's like dreaming in grade
school that you're in your underwear in
front ofall the kidsand they're laughing.
But it was also a good experience. I just
kept saying, “It’s going to be over soon.”
12.
PLAYBOY: Arnold's been around. What
was his best advice?
ARNOLD: Arnold is really a sweet guy. He
has it worked out. He has his family, and
he has his career. He married a woman
who is smart and tough. He told me,
“Stay away from bimbos. That's not going
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PLAYBOY
148
to work for you. You need somebody as
smart as you, and you need somebody
who's not going to put up with your
crap. That's the only way you can re-
spect and love somebody.” That's what
he's done. That's what I'm going to do.
13.
PLAYBOY: You now have a young fiancée.
Describe the joys of loving a coed.
ARNOLD: I’m not trying to defend myself,
but when I met Julie she was already a
college senior. I met her at a birthday
party for David Spade at the Viper
Room. She was visiting from Michigan
and I just started talking with her. She's
going to be a kindergarten teacher, and
that says a lot about somebody. 1 said,
“You want to go out on a date?” We did
and had a great time. I've taken her to
Australia. I took her to New York for her
first time. 105 a whole new world out
there for some people.
14.
PLAYBOY: You and Roseanne were fa-
mous for your tattoos. Now that you're
no longer a couple, are you having any
removed?
ARNOLD: [Opens shirt] Yep, this one [points
to a tattoo of Roseanne's face]. And I'm hav-
ing her name taken off here, her initials
off here and her name off my butt. I
have a new tattoo, the Chinese symbol
for love, on my leg. I read that Rosie got
the tattoo that said PROPERTY OF TOM
ARNOLD covered up. It was on her butt.
The joke was that it made me the fourth
largest property owner in California—
she actually laughed very hard at that.
But she had it covered up, not removed.
I suppose it will confuse the next owner
if he scrapes off the new tattoo and dis-
covers my name there.
15.
PLAYBOY: For years you have struggled
with your weight. Describe your ultimate
pig-out.
ARNOLD: One pig-out I like is McDon-
ald's. I eat four Big Macs and four Quar-
ter Pounders with cheese, a large fries
and a box of 20 Chicken McNuggets.
And then on the way home—I dont
want to eat like that in front of people
because it's too embarrassing —1 eat four
more cheeseburgers. You can just stuff
them in. I've done it many times. It's
sad. But it's also good. Or I'll eat a gallon
of Ben & Jerry's ice cream. I get four
quarts of my favorites and eat them one
after another. The Cheesecake Factory is
also an incredible pig-out. I eat the piz-
za, and then I have six or seven pieces
of cheesecake. Last summer my friend
Chris Farley was out here staying at the
Pritikin Clinic, trying to get in shape. He
was doing great. I was trying, too. I
called him up and said, "Listen, let's go
out and talk.” He said OK, so we went
over to Le Dome in our sweatpants and
just went for it. We each ate ten desserts.
We ordered everything they had. That
was a great pig-out. I like food that
doesn't require much cutting, is simple
to eat and in every bite you get a lot of
stuff. I don't like to have to pick through
food, like searching for a bit of chicken
in a bowl of lettuce. That's fine for eat-
ing, but not for pigging. I like steak, but
“I most certainly did not sleep my way to the top. I was wide
awake every second.”
I don't like to cut it into pieces. And you
can't eat it fast enough. A Quarter
Pounder with cheese melts in your
mouth, so you can shove it down and
have more. I also like to buy 15 candy
bars at a time. My favorites are anything
with chocolate and nuts: Snickers,
Peanut M&Ms, Payday, Almond Joy,
Salted Nut Roll, Baby Ruth. Now, we all
know I'm concerned about my weight
and physique, so I just do this once in a
while and get it over with. It's another
thing if it goes into the next day. ГИ nev-
er have a pig-out in the morning and ГИ
never have one during the day. It has to
be at night when nothing is planned for
me, I go right to bed afterward and
watch a little TV.
16.
PLAYBOY: Which of the 12 steps is your
favorite?
ARNOLD: The first step is my favorite in
every way. It’s admitting you have a
problem, that there’s something wrong.
The fourth step was hardest for me.
You're supposed to take a look at all the
people you've hurt and make amends to
them. You also make a list of the people
who've hurt you—what they did and
how it made you feel. Then there's an-
other column for what your responsibi
ty was in it. That makes it a little bit easi-
er to forgive and move on. The great
thing is that you have to move on. You
can't have resentments. You just have to
say, OK, this is what happened, this is
how it felt—and you have to get over it.
17.
PLAYBOY: You once met President Bush
after having made many jokes at his ex-
pense. Describe the encounter.
ARNOLD: One day, at Planet Hollywood
in Vegas, George and Barbara Bush
showed up. Arnold Schwarzenegger
hadn't arrived yet—he didn't even know
they were going to be there. A Secret
Service guy asked me if I'd sit with the
Bushes until Arnold got there. I said Га
be honored. They talked to me so nicely.
And it dawned on me, as I was thinking
of some of the jokes I'd made about him
during his presidency, that maybe I
should be feeling bad. When I talked
with Maria Shriver a couple of days later
I said, “I really felt bad sitting there—
but they probably don't even know who
1 am, right?" She goes, “Yeah, they do.”
Oops. So I wrote him a letter. I said, “I
just want to thank you for what you've
done for the country and for Jews, and I
want to apologize for things. You're a
human being. We can disagree on poli
tics, but to get personal is unacceptable.”
In less than a week I got a handwritten
letter back from him saying that he and
Barbara had enjoyed meeting me He
said, “It's not a big deal. Public figures
have this burden. It happens. You're for-
given.” It was just so cool.
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PLAYBOY
150
18.
PLAYBOY: What's more Hollywood, Hol-
lywood or Washington, D.C.?
ARNOLD: In both places, the lawyers are
in control, People in Hollywood want to
be in politics. They want to feel that
they're important in that way. People in
politics would rather be in show busi-
ness, because they are in show business.
They're always trying to come up with
something new, something different. It's
all about your image and the press.
Those guys deserve whatever money
they make because they have to kiss ass
completely every two, four, six years,
with people they can't stand. Then, once
they get elected, they get a break from
Kissing ass. Then they're like, “Fuck you
guys. I'm elected and I'm going to be my
asshole self.” But then they have to start
kissing ass again.
19.
PLAYBOY: What's your most attractive
quality, and your most embarrassing?
ARNOLD: I'm a pretty caring, loving guy.
For a guy. [Laughs] I have a sort of atten-
tion deficit-hyperactive disorder. It’s
been a source of amusement for a long
time. What's embarrassing is that if I
control one twitch, I get another. I used
to rock my legs a lot, and then I started
rocking back and forth. I tried to work
on my legs and then I started pinching
my face and licking my lips. And my eyes
started blinking a lot. It always goes to
something else. I'm conscious of it when
I watch myself on television. I have one
agent who just watches to see if I rock on
TV. They feel, at the agency, that the
calmer I am, the more I appear in con-
trol. If I had my way I would rock all the
time, back and forth. That feels comfort-
able. ГИ need five more years of hard
work before I can sit absolutely still. But
Tve come along way. Now the only thing
that makes me nervous is talking to
lawyers.
20.
PLAYBOY: We have эссп your life with
Roseanne portrayed in two TV movies.
Your ex has said that she wishes they’d
waited to make the films until she was
dead. Do you feel the same way?
ARNOLD: I didn’t watch the shows, but I
read both scripts. They were really badly
written, and the way I was portrayed was
nothing like me. Many things did not
happen. I tried not to get upset, but they
had things about me slapping her, and I
never hit her. Rosie said I did, once, but
she took it back and explained that her
lawyers made her say it. I've accepted
that explanation. I just don’t like seeing
something that's not true. I don't mind
being portrayed as an idiot—thar's fine.
I don't even mind being portrayed as a
guy who was kind of goofy and who ma-
nipulated his wife into firing everybody
and causing trouble. That's not true ei-
ther, but if that’s what people want to be-
lieve, that’s fine. The bottom line is that
I'm not going to obsess about it. It’s part
vf being famous, but it won't happen to
me again.
El
“We find the defendant not guilty by virtue of insanity, ethnic rage,
sexual abuse and you name it.”
Russ СМецех
(continued from page 93)
deal with wholesalers: If you want a
Meyer film, you buy it from him. For the
past ten years, while directing an MTV
video and short movies starring such dis-
coveries as the Hungarian beauty Tundi
and the American strippers Melissa
Mounds, Pandora Peaks and Staci Keith,
he has been trying to get another feature
offthe ground. His current project is The
Bra of God, with a title (I modestly ad-
mit) by me.
Most of his time in the past decade has
been devoted, however, to his massive
autobiography, A Clean Breast. Meyer's
life is as thoroughly documented as Win-
ston Churchill's. Walk inside his home in
the Hollywood Hills, and you'll be bom-
barded with images from his films:
Framed posters in many languages cover
the walls and ceilings, and there are sou-
venirs from each of his films: ice tongs, a
steel-cup jockstrap, a room key, an old
Rolleiflex and Tura Satana's black
leather gloves. Shelves groan under the
weight of dozens of scrapbooks docu-
menting every chapter of Meyer's life.
His autobiography is generously illus-
tated with thousands of drawings and
photographs—many of old Army bud-
dies, but more, readers will be relieved
to learn, of his buxom stars, wives and
girlfriends.
The book is finished, but its publica-
tion date has been pushed back repeat-
edly, primarily because Meyer wants it to
stand through the ages as a classic exam-
ple of the printer's art. It will be two or
three slipcased leather-bound volumes,
printed on expensive acid-free paper
with a shelf life of a millennium. It will
be produced in Hong Kong by one of
the world’s finest art book publishers. It
will cost around $350. And it will not be
sold in bookstores.
“But, Russ, how will people be able to
order it?” I asked.
“They can call me up.”
“But your number is unlisted.”
“That's their problem.”
One of the remarkable things about
Russ Meyer’s films is that they continue
to live and play long after the other work
of the soft-core era has been forgotten.
"That is partly because of their craftsman-
ship, partly because of Meyer's unique
leading ladies and partly because of a
spirit of paramilitary commitment that
can be sensed as the cast and crew strug-
gle through rugged terrain to enact
their passionate rural melodramas. But
the central reason, I believe, is that Mey-
er is an auteur whose every frame of film
reflects his own obsessions. Like all seri-
ous artists, he doesn't allow any space be-
tween his work and his dreams.
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WATCH YOUR TONGUE
I sometimes have censored
my language or have ad-
justed my behavior because
of political correctness.
Agree:62% Disagree: 38%
GUESS WHO'S
COMING TO DINNER
Which of the following do
you feel is acceptable?
Interracial relationships: 87%
Homosexual relationships: 55%
Relationships between
professors and students: 42%
THE 67% SOLUTION
Has political correctness on
campus gone too far?
Just right: 42%
SANITIZED FOR
YOUR PROTECTION
Students who agree that these
items should be banned or re-
moved from campus bookstores:
Albums with violent lyrics: 20%
Albums with sexist lyrics: 22%
Videos with gratuitous violence: 28%
Videos with explicit nudity: 31%
Magazines with nude photographs of
men: 32%
Magazines with nude photographs of
women: 29%
ГА
€
ЫЛ НА
FREE SPEECH
(UNTIL YOU OFFEND ME)
Of the students surveyed 67%
believed universities should
have the right to restrict speech
occasionally—for instance, if
words or ideas might hurt some-
one’s feelings, incite violence or
express homophobia or racism.
Among racial minorities, the
number jumped to 76%.
I AM PLAYMATE,
HEAR ME ROAR
Can a student be both a feminist
and...
a cheerleader? 72% agreed
a man? 70% agreed
Miss America? 69% agreed
a Playmate? 54% agreed
Å
©
<
1 ere is how tudents ranked
the fol
Fil
q А
| *recycling å
*wearing an AIDS
awareness ribbon — d
*Jesse Jackson 1
»attending feminist rallies
«Bill Clinton
тка. lang
«keg parties
«having an issue of
PLAYBOY in your room
*Hugh Hefner NV
*cigarettes
«Rush Limbaugh
«marijuana
«watching an X-rated video
*having an issue of
Playgirl in your room
“watching Beavis
and Butt-head
«listening to Howard Stern
swearing fur
“Ах! Rose
= Ice Cube
* Andrew Dice Clay
LEAST PC
TWO STRAIGHT WHITE GUYS
GO INTO A BAR
Is it acceptable among your
friends to laugh at gender, racial
or ethnic jokes?
Men who say yes: 74%
Women who say yes: 58%
RETURN TO GENDER
I am concerned that my be-
havior may sometimes be mi
interpreted by someone of the
opposite sex.
Men who agree: 46%
Women who agree: 38%
STRANGE BEDFELLOWS
Sexual behavior has turned in-
to a political rather than per-
sonal issue on campus.
Men who agree: 43%
Women who agree: 34%
WHAM BAM
Do you ever feel guilty for
wanting to have sex without
offering an emotional commit-
ment in return?
Men who said yes: 24%
Women who said yes: 15%
Women who don’t want sex without
emotional commitment: 59%
Men who don’t want sex without
emotional commitment: 32%
А GIRL THING?
I consider myself to be poli
cally correct.
Women who agree: 80%
Men who agree: 66%
THE DEATH OF FUN
Political correctness kills spon-
taneity and fun.
Women who agree: 27%
Men who agree: 50%
SAFE GENERAN S
(continued from page 78)
students are accepting of interracial (87
percent approval) and homosexual
percent) relationships. Most surprising,
42 percent thought professor-student
relationships were all right, harassment
be damned.
Students acknowledged the changing
rules of sex. Ninety-six percent said they
could define date rape, and six in ten
thought date-rape statistics were under-
reported. For all of their agreement on
the concept of date rape, the respon-
dents were not willing to back up their
assertions with admissions of guilt. Only
two percent of students say that they
may have committed date rape, while
more than 20 percent of women (and
four percent of men) claim to have been
date-rape victims. Sixty percent said
they belicved that date-rape statistics
were understated. Despite all that, al-
most 90 percent of students insist they
had never pressed for sex after a partner
asked that they stop. These numbers
leave us with the impression that either a
lot of college men are in denial—or ly-
ing—about their behavior, or that every-
body is clueless about what constitutes
date rape.
No wonder that both male and female
students are confused. Forty-four per-
cent of the students, including more
than half of the men, said that the focus
on sexual harassment has made them
fear being spontaneous with someone
they find attractive. ^I thought I'd come
to college and there would be this big
dating scene,” says Nishea Clark, a ju-
nior at Northwestern. “But people don't
go out on dates much.”
Don't be discouraged, Nishea, there's
still a solid 56 percent acting on their ba-
sic instincts. In addition, women may be
relaxing a bit after a difficult decade:
three percent agreed that all the
attention paid to harassment has im-
proved communication and made sexu-
а! encounters more comfortable.
Many students seem to have found a
middle ground between enjoying their
sexuality and expressing it aggressively
in public. “Pretending that we never
look at people's bodies and that we don't
register that stuff is such bullshit, such a
complete pose,” says Christian Fenni-
gan, a senior at New York University.
“On the other hand, I don’t feel that
anyonc has the right to grab your atten-
tion and get in your face about sex.”
‘There seems to bea real fear of people
who aren't abiding by the rules, howev-
er. “When I came here my boyfriend
gave me Mace,” says Marjorie Jones, the
Northwestern freshman. “I felt really
stupid, I was carrying a weapon and it
didn’t feel right at all. Everybody else
thought it was kind of strange, but with-
in three weeks about 75 percent of the
girls I knew had Mace. And then I no-
ticed that all the sophomores and juniors
had it, too.”
PC OR NOT PC?
It is not exactly a revelation that many
college students are unsure of their
identities and beliefs. But this genera-
tion seems to respond to that uncertain-
ty by seeking security, rather than by en-
gaging society with any sense of turmoil,
anger or passion. There were excep-
tions, but most students sought safety in
numbers and regulations, and side-
stepped confrontation and hurt feelings
Camille Paglia, the polemical author of
Sexual Personae, derides that approach:
“In the summer-camp mentality of
American universities, the ferocity of
genuine intellectual debate would just
seem like spoiling everyone's fun.”
Rather than being restricted by politi-
cal correctness, some students say they
have simply become more level-headed,
more polite, more tactful. (Nearly one in
five credit PC with making them more
friendly.) To ensure that a public debate
has any value, they argue, you have
to listen as well as shout. But, as with
PG, politeness can stifie debate. Charles
Crawford, the professor cited earlier,
points out, “We must always try to be
well-bred ladies and gentlemen, but the
search for truth and the transmission of
knowledge is more important.”
Although a quarter of the students
surveyed said PC has not gone far
enough, there are some signs its reign
may be in decline. More than half the
students (notably males) feel there has
been a backlash against it. “People go
out of their way to be politically correct,
and it seems completely unnatural,” says
Megan Torrey, a freshman at USC. And
Eileen Hunter, a junior at UCLA, be-
lieves that “PC has been misused by peo-
ple who would rather dismiss ideas with-
out addressing the arguments.”
College has traditionally been the
place where students learn to think for
themselves. Consider a strong-willed
grad student who attended Tulane Uni-
versity in the late Sixties: This rabble-
rouser helped organize a protest after
the school administration decided to
censor several photos containing nudity
from the student newspaper. Twenty-
five years later, he would become a polit-
ical leader who shook up another institu-
tion that many people felt had grown
stagnant. Back then, however, Newt Gin-
rich was just another campus wiseass
who had the gall to tell university
officials that he and his fellow free-
thinkers wouldn't stand for censorship.
The photos never ran, but during that
first week in March 1968, Gingrich
helped bring Tulane alive with debate.
Nobody had to tell him about the value
of free speech in our society. That spirit
is gone today.
153
PLAYBOY
154
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MIKE TYSON
(continued from page 86)
“Humble.”
Humble Mike? Not much of a nick-
name. The word doesn’t compute.
When Tyson stepped into a ring, his
robe was a towel, worn poncho-style. He
came in behind a jab and a glare that
would have brought ships home safely.
He was scary. For defense, he kept his
head in constant motion, left, right, no
telling which He hooked with both
hands. He was powerful and his fists
were fast, hard to time. He didn’t end
fights with one punch, but when he hurt
an opponent it wasn’t long before the
referee was mercifully waving his hands
and sending the crowd back to the black-
jack tables.
His 28th fight, the one for the title, be-
came his 26th knockout. His three de-
fenses 1988 lasted a total of seven
rounds. Nobody interesting was punch-
ing out there. It seemed he would keep
the title for as long as he needed a belt.
But then he started to slip. He was
throwing single punches, forgetting
about combinations. His head stopped
ticking and became a stationary target.
The glare was winking out. He was still
winning, but something was missing. He
had a fight in Japan against a journey-
man named Buster Douglas. He didn't
want to be there. He was bored. Training
was the biggest bore. Tyson must have
thought che fight posters, which fea-
tured his name but not Douglas’, would
be the story of the fight. Halfway
through the tenth round, Tyson was on
the floor, trying very hard to keep his
mouthpiece from visiting friends in the
third row. Buster was the winner.
‘Tyson's next huge piece of news was
his arrest.
Here it is, nearly four years since his
last night in a ring, and the reformed,
religious, rested, reading Tyson is turn-
ing grown men into fan-club members.
Larry Hazzard, the New Jersey boxing
commissioner, visited Tyson during his
last month in jail. “He understands what
he once had,” Hazzard said. “He under-
stands he's getting a second chance.
You're talking about a youngster who
has matured. I'm glad to see boxing
come out of prison.” The suggestion that
‘Tyson might return to his former life-
style is out of the question. “I would be
totally shocked,” Hazzard said, his voice
rising. “Totally. I would feel betrayed.
And conned
He did the time, the time didn't do
him. His visitors often used that tired
line. They want to believe that his turn to
Islam will help stabilize his life, but it's al-
so true that aligning with the Muslim
population is one way to protect your-
self in prison. Even Mike Tyson needs
protection.
“He's matured,” said the promoter
Butch Lewis, who knows mature when
he sees it. Butch is famous for wearing
wonderful ties over his bare chest. “He
wants to be more in control of his future.
He wants people around him he can
trust.” Butch didn’t pay his frequent
calls just to discuss the harsh Indiana
winters. “It’s not going to be easy when
he hits the street,” Butch said. “Every-
body's coming out of the woodwork.
Nine hundred guys are claiming to have
the inside track. I told him he has no
idea.”
Neither do the 900 guys, whoever
they are. Tyson will need several months
of gym work and sparring to get his tim-
ing back, his glare working. One, maybe
two fights, the experts say, and he'll be
ready to share, with Foreman, the largest
pot in the history of boxing
During our phone conversation, Tyson
gave me a different timetable, one that
would chill promoters and the pay-per-
view executives. He mentioned the
schedule that Foreman used when he
came back to the ring in 1987 after a ten-
year absence. Foreman fought more
than 20 times over a three-year period
before his title chance. "I'd like to do
what George did,” Tyson said. “They
might want to throw me in quicker. ГИ
resist it.” Until it’s impossible to stop
resisting.
But sitting in prison, with nobody
pushing, nobody pulling, eating three
regular (if dreadful) meals a day, reading
about and being fascinated by the Twen-
ties Jewish gangsters from his Browns-
ville neighborhood, the phone ringing
only when he wanted it to, he sounded
in control of his destiny. “The quickest
way to fail is to try to please everybody,”
he said. “In my heart and mind, I know
I could train for a year, take two fights
and then beat the champ. But that
wouldn't be smart. When I enter the
ring again, it'll be like my professional
debut. To prepare my mind, it's critical
that I start from scratch. That 42-1,
43-1, whatever my record was, that’s
over. That's irrelevant. I start from
scratch.”
A realistic scenario is that he starts
with a fight in summer and another in
early fall. Cus always wanted him to stay
busy—Tyson fought 11 times in nine
months with D'Amato in his corner—
and he'll remember that. The fights
need not be against serious opponents.
(As if more than one or two serious
heavyweights actually exist.) There is so
much curiosity about Tyson—his head,
his punch, the strength of his glare—
that the pay-per-view audience is ex-
ected to fork over significant dollars for
insignificant bouts.
But if the deck is shuffled a new way,
it's because of the incredible payday
available in a match with Foreman. The
once ferocious champion of the Seven-
ties against his Fighties counterpart,
meeting halfway through the Nineties.
It makes almost no sense, and there's
certainly no suspense. Tyson should
walk through Foreman, punching. The
fight should be a nonfight. Foreman
should make sure his HMO is notified.
And yet...
The champion Tyson most resembles
is Smokin’ Joe Frazier, the relentless
puncher whose plan of attack was to
cross the ring and overwhelm. The plan
worked just fine until he defended his ti-
tle against the young Foreman in 1973.
Frazier was knocked down a half-dozen
times in two rounds. He kept getting up
and walking right back into Foreman's
fists. They fought a rematch three years
later and it was the same fight. When
Foreman came out of retirement, Tyson
was the new champ. Tyson now, Frazier
then, says Foreman, he sees no differ-
ence. Until he starts talking about the
money.
The record gross for a fight is the
$75 million pulled in by Holyfield and
Foreman in 1991. Foreman—Tyson is at
least a $100 million night. Seth Abra-
ham, president of Time Warner Sports,
a man who isn't known for hitting high
notes, suggests $200 million is a possibil-
ity. The fighters would share about 75
percent. So we're talking big and bigger,
and any fight that size usually comes
with problems to match.
For instance: Foreman insists he will
have nothing to do with Don King,
‘Tyson's promoter. Foreman's promoter
of choice is Bob Arum, and here's Arum.
on the subject of King: “Tyson's back
with King, unless he got smart in prison.
Tyson doesnt need a promoter. He
doesn't need anybody. All he needs is an
advisor. Going with King would be a stu-
pid thing to do. What does King bring to
the table? Nothing. I bring Foreman.
Tyson should fight Foreman for me and
ah be gehzunt.” Which is Yiddish for I
won't take any options on Tyson’s future
services if he beats Foreman. We all
make a ton of money and everybody
walks away happy. If I'm lying, may God
strike me down, but not too hard. This
better happen in a hurry, though, be-
cause how much longer can we keep
feeding 200-pound guppies to George
Foreman?
Foreman’s important fights have been
for Time Warner. King, who calls Abra-
ham his great enemy, jumped from that
company to Showtime. Is there any
chance that all this can be resolved? Well,
of course, because there’s enough mon-
ey involved. More than enough. And
that's what this is all about, isn't it? Un-
less you listen to Mike Tyson one more
time. “Who am I to think the layoff won't
affect me?” he said. “Look what it did to
Muhammad Ali and Joe Louis.”
And if the layoff has taken away too
much? If there ain't no glare there?
“Then I must leave boxing,” Mike Tyson
said. “I'm not a fool.”
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PLAYBOY
156
BEAUTIFUL SCREAMERS
(continued from page 79)
Acura NSXT is the easiest to drive fast.
Its controls are light, its chassis pre-
dictable and its powerful 270-hp V6 еп-
gine isa sweetheart at low speeds. It also
has trunk space and even an optional au-
tomatic transmission. But make no mis-
take—when the NSX-T’s tachometer
needle heads for 8000 rpm, the scream
from its race-bred aluminum-alloy en-
gine is the real thing.
BMW's clever purchase of Britain's
Rover Group means that the Bavarians
now build more cars each year than
archrival Mercedes-Benz. The 8-Series is
the company's flagship, incorporating
more horsepower and high technology
than any other model Developed to
compete with M-B's classy SL two-
seaters, its $100,950 850CSi sports
coupe is a luxurious tourer for four,
though the rear seat is less than accom-
modating for anything other than a
short trip.
Priced at $71,840, the Lotus Esprit
SAS is the bargain of the group. Its mid-
mounted 264-hp four-cylinder engine is
small but powerful. Scoops, slots, ducts
and a wing add to the car's menacing
appearance. The only options offered
are metallic paint ($4500) and a trans-
parent sunroof panel ($798).
The new Ferrari 456GT 2+2 is our all-
around winner. Its styling reminds us of
the legendary Ferrari 365GTB/4 Day-
tona supercoupe of the early Seventies.
But the 456GT handles better, is more
tefined and is even faster. A clever aero-
dynamic wing beneath the rear bumper
improves handling at high speeds,
damping the 456GT to the road and
improving the chassis’ grip as velocity in-
creases. The all-new V-12 engine is mat-
ed to a crisp six-speed manual trans-
mission. (An automatic version will soon
be an option.) The car is so fast that Fer-
rari had to boost horsepower in its flag-
ship midengined 512M in 1995 so the
512M could keep its lead in the manu-
facturer's lineup.
Lamborghini's Diablo VT is the suc-
cessor to the small Italian company’s out-
rageous Countach sports coupe. Mega-
tech, an Indonesian consortium, bought
the company from Chrysler in 1994.
The new owners plan to improve the
Diablo further and to launch other new
Lamborghini models.
The Lamborghini Diablo VT wouldn't
win any practicality awards, however.
There’s little trunk space, the huge en-
gine hunkers right behind the seats, ver-
tically opening doors make it a challenge
to enter and exit and rear vision is poor.
But who cares? Strap yourself into this
rocket and nail the throttle. With a zero-
to-60 time of about four seconds and a
top speed of 202 mph, the next sound
you hear may be the jail door closing.
Why would anyone want cars this fast,
this impractical and this expensive? If
you have to ask, you shouldn't be read-
ing this.
"You're a shy person, Mr. White. I find that
utterly charming in a tycoon.”
TED TURNER
(continued from page 130)
The deal that came closest to happen-
ing was with Allen Neuharth and his
Gannett Co. (an owner of newspapers
across the country, including USA Today).
Neuharth was eager to merge with TBS.
He would be able to expand into cable
TV and film, his newspapers and CNN
could share resources and Turner would
get the cash he needed. “That deal was
the road to Easy Street,” says Wussler.
Nervous members of the board urged
Turner to take it. “Ted,” one of them
said, “you can walk off with $800 million
in Gannett stock. Maybe that’s the safe
course to take.” The merger seemed so
likely that when Neuharth and his aides
flew down to Adanta, Turner introduced
them to staffers as “my bosses.”
But then Turner started to have sec-
ond thoughts. “He got nervous,” Wuss-
ler remembers. "He said he wasn't sure.”
Half of the problem came from Ted's
philosophical objections to the Gannett
businesses: “Ted is antiprint,” Wussler
says. “He thought newspapers would be
dead in ten years. Ted's ecological sense
was against newsprint, something you
read each day and throw away.”
In part, then, the eco-Turner sank the
lucrative Gannett deal. But he'd also
been following the same methods he had
developed over the years. He had often
flirted with prospective partners for his
billboard company in the mid-Sixties,
and for CNN in the early Fighties, allow-
ing them to think that they had bought
the companies. Then, taking their offers
to his bankers, he was able to demon-
strate his firms’ value in order to borrow
more money, Whatever the reasons, Ted
Turner fundamentally believed that the
companies were his, and he had no in-
tention of sharing them with anyone.
By late 1985 Turner's position was be-
ginning to look more desperate. Not on-
ly was he short of money, but NBC—
once a CNN suitor—continued to en-
visage a cable news service of its own, in
direct competition with CNN. The NBC
venture was still alive when Turner tele-
phoned John Malone to ask him to back
Turner Broadcasting, a cable stalwart,
against this network interloper. Turner
needed Malone, the head of TCI and
perhaps the most powerful of all the ca-
ble operators (the man Vice President Al
Gore once labeled “the head of the cable
Cosa Nostra”) to stay in business. “I
wouldn't just disappear,” Turner said. “I
would sell the company. Because there's
no way [I can survive] with MGM hang-
ing over my head and all that addition-
al debt.”
On this occasion, Malone and the ca-
ble industry stood behind Turner. They
recognized how important his brand
names (CNN and TBS) were to their
businesses. By boycotting NBC's cable
news, Malone and his peers put the ven-
ture out of business by February 1986.
It was lucky for Turner that they did,
because on the West Coast the MGM
deal was looking worse than ever. By
now, two more movies had been re-
leased, 94 Weeks and Dream Lover, and
both had failed miserably at the box
office. Turner tried to put a brave face
onit. “Mr. Kerkorian is no dummy,” Ted
said. “He knew what he wanted to sell,
and what he sold was the troubled part
of the company. . . . But I have always
bought troubled things. Normally,
things aren't for sale if they're in great
shape. Right?" Still, as Bill Bevins would
later admit, they hadn't realized just how
bad things were: "In 20-20 hindsight,
the fact that the studio was in free fall
was not all that clear at the time."
It was not until late March 1986—af-
ter eight months of frantic negotiations,
eight months of fund-raising and junk-
bond sales—that the Drexel team was
finally able to find enough high rollers
(or bottom feeders) to finance the MGM
purchase. Relieved and ecstatic, Turner
arrived in L.A. and hurried to Milken's
office. After the congratulations, he
asked Milken, Bevins and staffers from
TBS and Drexel to join him at the con-
ference table. And then, as if feeling the
need to sanctify the moment with a New
Age twist, he asked these hardened busi-
nessmen, in their rolled shirtsleeves and
loosened ties, to clasp hands around the
table. Looking sheepish, the financiers
complied, and as they joined hands,
Turner led them in directing their ener-
gies toward the outcome of the deal.
Milken was bemused by the whole scene,
but he wasn't about to forget the bottom
line. According to Robert Wussler,
Milken announced to Turner and his
“Oh, by the way, our fee is now
$140 million.”
“Wait a minute,” snapped a member
of the Turner group. “We agreed to
$80 п.”
To which Milken replied, “Yeah. I
changed it to $140 million.”
On March 25, 1986 Turner publicly
announced that he had completed the
purchase of MGM (selling UA back to
Kirk Kerkorian), and once again the in-
dustry reacted with amusement, per-
haps more now than before. “It’s one of
the nuttiest deals of all time,” said one
analyst, laughing. Another joked, “Ted
‘Turner came to town fully clothed and
left in a barrel.” Even The Wall Street Jour-
nal declared the new TBS-MGM “one
of the most debt-ridden companies of
its time.”
The figures did look scary. Togeth-
er, TBS and MGM had pulled in only
$567 million for the nine months ending
September 1985, yet they were obliged
to pay $600 million within the next six
months. Even worse, the way the deal
was set up, if Turner failed to reduce his
debt within those six months, he would
have to start paying Kerkorian in TBS
stock. Thus, with each payment, Tur-
ner's control of his company would
dwindle. “Kerkorian thought he'd end
up owning TBS,” says board member
Mike Gearon. “He thought he was going
to get Turner.” Eventually, Kerkorian
might have a chance to sell MGM all
over again.
The clock was ticking now, and Tur-
ner came close to losing everything he
had worked to build. “Drexel has put a
gun to Turner's head,” one banker said.
“I think he's in terrible financial difficul-
ty,” said another. "Unless he has some
plan that no one knows about, one that's
so creative no one has ever thought of it,
he can't do it. The whole empire could
come crashing down.”
In public, Turner put on a brave face,
actually bragging about how much he
now owed—nearly $2 billion, “That's
more than [the debt of] some smaller
Third World countries,” he boasted to a
group of business leaders in Davos,
Switzerland. “I'm pretty proud of that.
Today, it's not how much you earn but
how much you owe.” On another occa-
sion he would declare: “I owe $2 billion.
Actually, it's closer to $1.9 billion, but I
like the sound of $2 billion better. That's
а million dollars a day in interest. No in
dividual in history has ever owed more.
Here, look at my picture in today's news-
paper. Do I look worried?”
But at home, with his friends and fam-
ily, Turner would admit that for all his
devil-may-care pronouncements, he was
worried. One night, with his mother Flo-
rence and some neighbors, he stood up
in the middle of dinner and started pac-
ing. “Goddamn it!" he said. “I've really
done it this time.” He shook his head at
his predicament. “1 may have really
done it. Maybe I shouldn’t have gone in-
to MGM. But that library is great.” His
mother, sitting tall in her chair, smiled
reassuringly at her son.
Turner paced some more. Then, stop-
ping suddenly, he threw up his hands.
“How the hell am I going to pay that
$2 billion?” he asked.
“Teddy!” his mother exclaimed, her
smile fading. “Did you say $2 billion?”
“Sure,” said Turner. “I told you it was
gonna cost 52 billion to get MGM—if I
can find the damn money.”
“Oh my,” she whispered. “I thought
you said $2 million.”
As Turner traveled out to the MGM lot
in Culver City, he clearly felt the pres-
sure of the passing days. Walking
through the main gate and under the
famed entrance arch, with its roaring
MGM lion, he had one overwhelming
problem on his mind: How was he going
to hang on to this place, and keep him-
selfin the movie business?
These next months would be pivotal.
The strain that Turner was under caused
him to explode from time to time. One
afternoon he was talking with Nick
Nicholas and other Time Inc. officials as
they made their way through the MGM
parking lot. As Turner walked, he
sketched out his plans for some of the
films in the MGM library. “Well, Ted,”
they pointed out casually, “you know
“Nou, all this is hush-hush, Walker, but I'm thinking about putting
together a right-wing death squad.”
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we've leased a number of those films.”
It turned out that HBO had already
signed deals at low rates for several
MGM movies. "They're locked up,” they
said. Turner glanced wildly from one ex-
ecutive to another, suddenly realizing
that he hadn't even investigated these
details. “Goddamn it!” he roared. Turn-
ing toward the nearest car in the parking
lot, he started kicking its tires furiously.
In a calmer moment Turner would ad-
mit, “Гуе never done anything like this
before. It's like sailboat racing in a hurri-
cane. It's like being in an airplane in a
storm. You buckle your seat belt.”
Once again, Turner began looking for
ways to raise money and talking with al-
most anyone who would listen. He tried
unsuccessfully to persuade Steven Spiel-
berg to come in and run MGM. He
talked about mergers and combinations
with a number of companies. The Mur-
doch and Gannett conversations were
ongoing, though nothing would come of
them. And now two film companies, the
Cannon Group and Lorimar-Ielepic-
tures, were offering to take parts of
MGM off his hands. Turner had wanted
to hold on to the MGM studio lot and
make his own motion pictures. In fact,
according to aides, he was mesmerized
by Hollywood and deeply wanted to bea
part of it. Still, the one thing he ab-
solutely had to haye was the MGM film
library.
In early June 1986, Turner invited a
group of his business friends—John
Malone, Nick Nicholas and Michael
Fuchs, among others—out to the MGM
lot. He took them on a tour of the studio
and inyited them back to the Irving
Thalberg building for cocktails. That's
when the conversation turned serious.
What did Ted intend to do? How could
he get out of this predicament?
“It remains one of the most incredible
business meetings I ever had,” recalls
one of the participants, “because every-
one was sort of seeing if they could get a
piece of the action.” Several parallel con-
versations were going on at once, as
these high-powered executives dis-
cussed the different options Turner
could pursue with TBS and MGM.
Meanwhile, Turner furiously scribbled
numbers on the back of an envelope, try-
ing to see if there was any way he could
hang on to the studio, One of the execu-
tives remembers, “1 was thinking about
the way our company would do it—9
million accountants, 10,000 lawyers.
Here was Ted, doing this deal on the
back of an envelope.”
As the executives quizzed him about
MGM's financial situation, it became
clear how much Turner didn’t know.
“What's the future home-video value of
those films?” they asked. “What are the
contracts with the distribution compa-
nies?” Wussler recalls, “It was like “Ted
goes to film school.” After an hour or
two, it became obvious to everyone that
Turner didn't have the answers. So they
told him, as gently as possible, that as of
that moment, it was not a business for
which he was prepared. And, says Wuss-
ler, "they were correct. We were too shal-
low, too overextended.” In the 53 weeks
during which Turner would be involved
with MGM, the studio would bring out a
total of nine movies, all flops, and lose
about $65 million.
That night, when Malone, Nicholas,
Fuchs and the others left, Turner still
hadn't made a final decision. But by
June 6 he had agreed to perhaps the on-
ly decent option he had: to sell almost
everything back to Kirk Kerkorian—the
MGM studio, the video business, even
the MGM lion logo—for $300 million,
substantially less than Turner had paid
for it just three months earlier. The stu-
dio lot and the film laboratory went to
Lorimar for $190 million. That left
Turner with only the library, for which
he still owed well over a billion dollars.
“Kerkorian had taken him bad,” says
one of the cable executives who had just
visited with Ted.
But what upset Turner the most, as he
struggled with his decision in the main
suite of the Thalberg building that night,
was the fact that he would never get to
make his own movies, never bring out
his own Gone With the Wind or Singin’ in
the Rain, his own Philadelphia Story or
Ben-Hur. There he was, sitting bchind
the executive desk in the MGM glamour
factory—" More Stars Than There Are in
the Hcavens"—and the glamour would
neyer be his. He had come so close to
running a studio, but somehow it had all
gotten away from him. There, on the
MGM lot where so many great movies
had been filmed, there with the ghosts of
Gable and Garbo and Garland looking
over his shoulder, Ted Tumer watched a
piece of his dream slip away. He put his
head down on that great wooden desk
and cried.
Later that night, only a few hours after
sorting through the most painful busi-
ness reorganization of his life, Turner
showed up in the dining room of the
Beverly Hills Hotel. More than one cable
kingpin who had been with Turner earli-
er that afternoon and witnessed him dis-
mantling the MGM movie empire
stopped by his table to offer condo-
lences. They came away amazed at his
ebullient mood. Ted was, after all, about
to suffer the worst financial sethack of his
life, But he had no time for regrets. “You
don't look back,” he drawled, flashing
his gap-toothed, what-the-hell grin
“You gotta look ahead.”
For all Turner’s optimism, ahead
didn’t look any better than behind. Even
after selling off items such as the MGM
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PLAYBOY
studio, the lion logo and the video busi-
ness, to say nothing of the studio lot and
the film laboratory, he still had a crush-
ing debt of more than $1 billion and no
way to pay it off. Plus, TBS stock would
fall to about half its value.
Over the next year, Turner would cast
about for money, turning finally to the
cable operators. In June 1987 his cus-
tomers became his partners, giving him
$562 million for 37 percent of TBS.
Gå Turner played the deal as a vic
don't consider it a rescue at all”),
the cable CEOs who joined his board
were much more hard-nosed. “That was
not Ted pulling off a coup—that was Ted
being rescued,” said one. “At the time,
the MGM deal was a mistake. I mean, if
you say ‘1 just made a deal that required
me to give away half my company,’ when
that wasn't the intent of the deal—well, it
might work out in the future, but at the
time it was clearly a miscalculation.”
The price of the miscalculation was
that the new board members from Time
Warner, TCI and other cable companies
had acquired veto power over any Tur-
ner move involving more than $2 mil-
lion—in short, any major move at all.
"Ted's seat-of-the-pants style was going to
have to change. He was about to be
reined in by the cable operators, and he
knew it. For all his jokes, Turner was
heard to mutter as he wandered around
his office, "I've lost control. . . . Гус lost
control." He had broken his father's car-
dinal rule: Never give up pieces of your
company.
In the past eight years, Turner has
chafed many times under his board's
constraints as it has blocked his expan-
sion moves time and again. Bids for the
Financial News Network, MGM (yet
again), Orion and NBC have been
squelched. And it was, of course, just this
past year that he complained the board
had "clitorized" him.
But the irony is that this same board
has contributed mightily to Ted Turner's
success today. The directors helped pro-
vide a structure, an organization, finan-
cial discipline for Turner's visionary
drive. Even more important, in 1987 he
became inextricably tied to the future of
the cable industry—the heads of cable's
biggest companies now had a financial
stake in him. And they could make sure
Turner would succeed by helping him
launch new networks such as TNT, then
guarantee him millions of viewers.
And succeed he did. By 1989, in one
of the most dramatic turnarounds in
American business, Ted Turner, the man
who "left town in a barrel," was now be-
ing called Captain Comeback. His stock
shot up, tripling, quadrupling, quintu-
pling in value. Turner now had three of
the six most watched networks on basic
cable and was earning record profits.
His own holdings neared the $2 billion
IT Was, Like, 50
EMBARRASSING. MY BRACES
GeT STUck oN HER
Navel RING.
mark. "He's ona roll,” said both The Wall
Street Journal and Business Week.
Perhaps the most startling indicator of
Turner's extraordinary success was the
lawsuit filed against MGM directors by
angry MGM minority shareholders.
Once inclined to joke about how Kerko-
rian had fleeced him, they were now
fuming at Turner's achievement in mar-
keting the film library and creating new
networks. MGM, they insisted, had been
sold too cheaply. It was they, not Turner,
who had been cheated in the deal.
Yet Turner's desire for a studio and a
network would not go away. Like an itch
that he had to keep scratching, Turner
returned again and again to the failures
of the CBS and MGM deals. And each
time he was blocked by his board of di-
rectors. “When you have two ten-ton go-
villas controlling him," said one execu-
tive, “he can have all the conversations
he wants, but nothing ever goes any-
where.” Though Time Warner and TC1
had a stake in Turner, they didn’t want
him to get too big.
It was only in August 1993, after a se-
ries of threats, bluffs and complaints in
the media, that Time Warner blinked
and allowed Turner to enter the motion
picture business with the $900 million
purchase of New Line and Castle Rock—
a small studio and a boutique produc-
tion company, respectively. New Line
had produced such youth-pleasers as
Teenage Mutant Ninja Turtles and the
Nightmare on Elm Street series. Castle
Rock had had success with In the Line of
Fire and When Harry Met Sally. It wasn’t
exactly the big time, but it was the fulfill-
ment ofa dream. Finally, Turner was go-
ing to be able to green-light movies of
his own
Today, Castle Rock, New Line and
their parent Turner Pictures anticipate
turning out about 40 movies a year, and
‘Turner is spending money lavishly, the
way the old movie moguls did. Turner
Pictures has also joined the Motion Pic-
ture Association of America, making it
the eighth “major” studio, albeit a minor
major. Turner continues to be interested
in acquiring one of the other seven ma-
jors. And he is still very much trying to
gain control of a broadcast network, an
NBC or a CBS, because Ted Turner sim-
ply does not know how to quit.
There is a story about the time some
20 years ago when Turner was running
down the main street of Anderson,
South Carolina on his way to a business
appointment and was struck by a car.
Preoccupied with the sales pitch ahead,
he just bounced off and kept right on
running.
“Iwo decades later, Ted Turner is still
running. And despite his recent clitor-
ization scare, there seems to be no stop-
ping him.
El
JOHN PAUL П «ud from page 142)
God sees masturbation as absolutely harmless! A ve-
lease! By God, I even give it a yank myself sometimes.
and 11.3 seconds—thereby beating. if
you'll excuse the pun, the time limit on
the free preview.
[More silence]
ME: Look, you could've gotten that infor-
mation from some plant in the hotel.
This whole country is Mafia-run, and
they're all Catholics, so it wouldn't sur-
prise me.
pore: Two weeks ago in Chicago you cli-
maxed in two minutes and 23.2 seconds
while watching Crocodile Blondes on Spec-
travision, channel seven, at the Embassy
Suites, State Street.
[Still more silence]
ME: So——
pore: He sees all, my son. He sees all. He
has told me everything.
МЕ: Everything?
rore: Yes. Everything. Like the time you
broke into the rectory closet and stole a
jar of hosts when you were 12, The oral
sex with Eileen O'Connor behind the
convent. That time in New York City with
the black woman you thought was just
big-boned when in fact she was
МЕ: OK, OK— get the point.
POPE: Good. Now, have you read my
book?
ME: Yes. [Pause] No.
pore: Ah-ha!
ME: I've just been so busy.
POPE: Join the club, When was the last
time you went to Mass?
ме: I don't know. Five, six years ago.
[A moment of silence]
МЕ: OK, OK. Seventeen years ago.
pore: That's better. Now, I want you to
go back home to the U.S., read my book
over and over until you know it back to
front, start going to Mass regularly and
then, six months from now—and only if
you've kept up your attendance—I will
allow you to interview me again. OK?
МЕ: OK.
pore: Stop downstairs on your way out
and say ten Hail Marys and ten Our Fa-
thers as penance.
ME: Do I have to?
POPE: Yes.
ме: Can I ask one last question?
POPE: Sure.
ME: Does, um, does God really consid-
Masturbation?
ME: Yeah. Yeah. Does he really consider
ita sin?
pore: Hell, no! He sees it as absolutely
harmless. A release! By God, I even give
it a yank myself sometimes. We have
Spectravision right here in the Vatican!
ME: Wow!
pore; I'm kiddi
МЕ: Oh, man.
pork: Like a fish on a hook, I had you.
e
ME: It's not funny.
pore: I'll say it’s not! Every time you do
it, it's two more weeks in hell.
ME: Oh my God.
POPE: You can say that again. You better
start praying, pal.
[Angelo arrives with the sanduiches and
the beer]
pope: Ah, Angelo! I may have to make
you a saint. Look at this spread! Now,
Angelo, wrap up Mr. Leary's sandwich.
He has to leave.
[Angelo takes my sandwich and exits.]
rore: I hope you have found this en-
lightening, my son.
МЕ: Yes, your holiness.
pore: What do you think of my ring?
ME: It's, uh, um—
РОРЕ: Super Bowl, my ass! Hey, Angelo!
Where the hell's the mustard?
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PLAYBOY
162
©) К E E K 5 (continued from page 122)
When the fan was released from prison 17 months lat-
er, Mayjune ran over him in a rented automobile.
other hand, the beast had been insured
like the Hope diamond.
Closer to home, the comedian Bill
Terry was known to be unhappy, in his
sober moments, at playing second fiddle
to a dog. Without the dog, of course, Bill
Terry wasn't even dog meat, but actors
have been known to have egos. Other
news about Terry was said to be on its
way from headquarters in Florida.
Keeping ‘Terry comparatively calm
and happy was his live-in girlfriend,
Sherry Cohen, a co-producer of Sheeks
who was credited with being most of the
brains behind the show. She'd been a
television professional for 15 years and
had persuaded the network to hire Bill
Terry despite his drinking problem. “ГИ
take care of that,” she had reportedly
told them, and so she had. If there was
one reason the show had lasted five
years, other than the pitiable state of the
American mind, it was Sherry's control
of Terry.
Another human close to Skeeks was
his housekeeper, Mayjune Kent, a for-
mer Miss America runner-up who had a
successful career as an auto show model,
standing in long gowns on all those
turntables, until a crazed fan threw acid
in her face, reasoning that since he
couldn't have her, no one else should.
The fan received a very light sentence,
since Mayjune publicly and often for-
gave him, saying, “He only did it for
love.”
However, when the fan was released
from prison 17 months later, Mayjune
ran over him ina rented automobile, ex-
plaining she'd been blinded by tcars of
joy at seeing him a free man. She was put
‘on trial, nevertheless, for manslaughter
and given probation and assistance in
finding employment. Several human
employers had agreed they could over-
look her history, but when they met her
they realized they'd never be able to
overlook that face. Skeeks was the only
“I don't want to say hello to anyone or
thank anyone. That's the kind of guy I am, and
that’s why I win fights.”
employer in southern California able
and willing to give the unfortunate
young woman housing and a decent job,
and Mayjune was said to be devoted to
the animal.
“Well, children,” Boy said, “you have
done reasonably well. Material for sever-
al stories here, particularly if Bill Terry
has been cheating on Sherry Cohen or
vice versa. However, none of this matters
if we don’t get the body in the box, and I
am assured that any number of homici-
dal ex-footballers stand between us and
that goal. When the going gets tough, as
you've heard, the tough proceed, and I
do believe one has found the answer.”
Then he dropped his bombshell: “One
has learned, through an unimpeachable
source, that Skeeks was murdered.”
“No!” everybody cried. “Who? Why?
Are you sure?”
“Yes,” Boy replied. "Don't know yet.
Don't know yet. Yes. The veterinary hos-
pital is keeping the fact quiet for its own
reasons. We know and no one else.”
Jim Jemmy blushed.
“How,” Boy asked rhetorically, “may
we use this information? One is glad you
asked. We shall find the murderer, in the
next 24 hours. Anyone close enough to
poison the beast can get close enough to
take his picture. We shall confront the
murderer and demand the photo 2s our
jaw dropped. “You mean, we
won't print the story about the murder?”
“Of course we will. But the photo first.
1 didn't say we wouldn't publish, I said
we'd say we wouldn't publish.”
“Oh, that’s all right, then,” Trixie said.
“This is a manhunt,” Boy told his
team, “or possibly a womanhunt. Go,
seek, find. And, Trixie?”
Ne
“ГИ want you in my office. You do
have tweezers, one hopes?”
The voice of Don Grove, a Florida-
based member of the team, murmured
in Boy's ear, and Boy took notes as he
rode along in the backseat of the limo
steered randomly around Santa Monica
by their driver-stringer, Portnikuff. "I'm
going over the wall now," murmured
Don, and someblocks away he was doing
it, slipping into Dungowrie, half a square
block of expensive Santa Monica real es-
tate, residence of the late Skecks.
As Boy rode and listened, Don pene-
trated deeper into the place, describing
what he saw. Within the tall tan stucco
walls stood a modest two-story Mission-
design house, a U-shaped swimming
pool, a number of short specimen palm
trees and a space Don described as look-
ing like a miniature golf course, actually
Skeeks' exercise area, with bouncing
balls on strings, sticks that threw and
returned themselves and a small sand-
box of carrion for the star to roll in,
replenished weekly.
The main point here was description,
so communication was one-way and Don
didn't have too much to carry—just the
microphone clipped to his turned-up
collar and the power pack in his pocket.
Forward he went, murmuring, to a pair
of French doors, and on into the house.
“Freeze!”
Boy had written Fr before he got his
wits about him. That was a different
voice, female and harsh. Mayjune, the
housekeeper?
"Don't move! Don't turn around! You
don't want to see me!"
The housekeeper, check. And Don was
caught.
When Don spoke in a normal voice, as
he did now—'TIl go quietly"—it about
took Boy's head off. He scrabbled at his
ear to remove the tiny speaker but
stopped when he heard the woman say,
“You won't go anywhere. Not till the po-
lice get here. You hit an electric eye on
top of that wall, and I'm holding a gun
on you. So it isn’t that easy, is it?”
“I'm just a reporter!" Don bellowed
into Boy's quaking ear.
"Don't lie to me! Don't you think I
know what you're up to? You can tell
her, you can tell all of them——”
Yes? Yes? Boy waited, pencil poised.
A siren sounded, separately in both
his ears.
The woman spoke again: "Hear that
siren?"
“Yes,” Boy said. "Home, James,” he
told the driver,
“The name's Hubert."
Don's voice roared through Boy's
head: "I'm turning around. I want to
explain —"
"Don't! You'll be sorry!"
"I just want you to know I'm——
Aaakkk!”
A police car hurtled by, siren roaring,
but the bug-eyed Boy couldn't hear it.
By the time his ears recovered from that
last shriek, the limo was halfway to
Venice, and from the speaker embedded
in Boy's ear came only a gurgle, а grum-
ble, a rush, a slosh.
Mayjune. Don Grove, with one look at
her, had swallowed the microphone.
ARMED RESPONSE, said the hexagonal
sign mounted on the brick wall just
above the front doorbell. But why offer a
doorbell if you then threaten to shoot
anyone who uses it? “America,” Boy de-
cided. He pressed his pale, fat thumb to
the button and, of course, nothing hap-
pened. All bluster, these people.
“What?”
Bending to speak into the grid from
which that aggressive word had rocket-
ed, Boy, at his most British, plummily
answered, “Alasdair Smythe here, of
Lloyd's."
"Don't want any."
“Afraid it’s not your choice, old bean.
The insured hes passed over.”
A brief silence and then, “What?”
“Are we going back to square one, old
crumpet? The animal Skeeks, insured by
Lloyd's of London, is no more. I am the
claims examiner.”
A longer pause this time and then,
Boy waited. The sleepy hills of Bel Air
reposed around him, the curving roads
dotted with grubby gardeners’ trucks,
the residents presumably all within, on
their Stair Masters. Behind this high
brick wall, with its wide electric gate, a
gleaming blacktop drive angled up a
grassy slope toward a lesser Tara. And
down the drive, in an electric cart, came
a burly, sullen fellow in tan uniform and
dark sunglasses, pistol in holster on hip.
The armed response, at last.
Dismounting from his trusty cart, this
hollow threat approached the gate,
gazed through it at Boy and said, “You
got ID?"
“Of course.”
Of course. Boy could prove himself to
be anybody you wanted. After brooding
over the impressive Smythe ID, the
armed responder wordlessly opened the
gate, then offered Boy a lift to the house
several feet away.
In front, on the lawn, a man in shorts
and Gold's Gym sweatshirt juggled Indi-
an clubs, not very well; as Boy watched
the man bit Limselfon the head. “Stop,”
bade Boy, and he stepped off the cart be-
fore it halted. Ignoring the indignant
words from behind him, he approached
the juggler. “William Kampledown, 1
believe.”
The man hit himself again with sever-
al clubs, which then fell to the ground.
He stared openmouthed at Boy. “What
did you say?”
The background information on Bill
Terry, long known but not previously
found useful, had arrived from Florida,
Boy said, “Wanted for manslaughter in
Canada. The plastic surgeon who made
you comical instead of recognizable is
now a well-paid consultant for a televi-
sion network.”
“Tt was all a mistake,” the man
kicking the fallen clubs in his agitation.
“I was drunk. Somebody else was
driving. It wasn't me anyway. I never
heard that name before."
“And now you're Bill Terry, drinking
to forget, a TV star beloved by millions,
though not as beloved as Skeeks.
“What the hell is going on out there?”
Boy turned in the direction of that
squawk and saw, on the rose-trellised
porch of the pocket Tara, an appa
Atopa slender body, a perfectly ordinary
cheerleader's face had been given to
South American tribesmen to shrink.
Then it had been shellacked and had
zircons placed in its eye sockets. Scary
but sexy. “Ah, madam,” Boy began,
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approaching her, “I am——”
“Not selling insurance, I hope.”
“Of course not, madam, I am-
But she was glaring past him at the
man on the lawn, snarling at him. “What
are you standing around for? You have
te be able to keep those goddamn things
in the air by next Wednesday, when The
Bill and Tommy Show starts to tape!”
“Maybe we can get some with helium
in them,” the man suggested.
“All the helium we need,” she an-
swered, “is in your head.” Switching her
glare to Boy, she demanded, “What does
Lloyd’s of London want from us?”
“We are the insurers of —"
“Well, we're not the owners. We're not
putting in any claims.
On the lawn, Bill Terry once again
flung Indian clubs about. Boy said, “I
take it I am addressing Ms. Sherry Co-
hen. Ms. Cohen, Lloyd’s would like to
extend its condolences at-
“Save them,” she suggested.
Something short in bib overalls that
was either a depraved cherub or the
Nicaraguan bantamweight champion
now came out onto the porch and
whined, “Well, are we playing Scrabble
or not?”
“Be right there, Tommy,” Sherry Co-
hen said, her irritation at once deliquesc-
ing. She couldn't have gazed on the tiny
tot with more ardor if he'd been a
T-bone steak. “We're just saying goodbye
to the insurance man.” The zircon eyes
swung around in the snake head.
“Goodbye.”
"Madam, if I could ——"
“ГИ ride you to the gate,” offered the
armed responder as woman and child
swept into the house and Bill Terry con-
tinued to bean himself.
“I believe I can find it,” Boy said.
Back at the Galaxy nest, Boy went over
what had been learned. None of the
businessmen of Shunbec International
had been in Los Angeles at the key mo-
ment, all being under subpoena in Texas
for something or other to do with busi-
ness legality. Bill Terry, Sherry Cohen
and Mayjune Kent were all without ali-
bis, and no one else could have been
close enough to the animal at the appro-
priate moment to do him in. (A trainer
normally accompanied Skeeks between
Dungowrie and the studio, but Skeeks
had been on a two-month hiatus in film-
ing, so the trainer had been gone for a
weck on safari in Tanzania.)
“These are our suspects,” Boy an-
nounced to his motley crew. “We want
to know where they were, minute by
minute, over the past three days. We
want to know what stores they went to,
whom they visited, what doctors are
their friends. We want their credit card
receipts. We want to know which of these
three dispatched the lovable pooch, and
we want it by nine tomorrow morning,
because the cadaver will be limoing
Kirk-ward by 11.”
‘This was a unique position in which
the Galaxians found themselves; they
were turning their talents to good. The
same rapacious tenacity with which they
tracked star adultery, UFO sightings and
arthritis cures would now be lasered into
solving a fiendish, not го say heinous,
crime. Is it any wonder their sallow
cheeks glowed with something similar to
health, their dead eyes came to life, or
something very like life?
Yoicks and away; Nemesis has nothing
on the Weekly Galaxy.
Palindrome Productions occupied the
upper floor of a two-story building in
downtown Santa Monica. Here were the
offices of all the company members ex-
cept Skeeks, who never had much in-
volved himself in decision making at his
firm. And outside, at four that after-
noon, the fellow up the telephone pole,
with the telephone company hard hat
and the telephone equipment dangling
from his utility belt and the telephone
company identification clipped to his
work shirt, had, of course, nothing to do
with the phone company at all but was
Chauncey Chapperrell of the Weekly
Galaxy. Other Calaxians, in California
and Florida, were busily rooting into the
suspects’ lives, records and garbage cans,
but Chauncey hit pay dirt with this
conversation:
“Palindrome Productions.”
“Sherry, please.
“Who shall I say is calling?”
“Mayjune.”
“One moment, please.”
Chauncey, whose usual assignment for
the Galaxy was outer space, took the op-
portunity here to survey the world from
a second-story level and found it good.
No wonder that UFO aliens come here
so often; it's a fun place when seen from
abo
“I'm sorry, Ms. Kent, but Ms. Cohen is
unavailable at the moment.”
“She'd better be available. Or should I
call the district attorney?”
“One moment, please.”
Chauncey was taping this conversa-
tion but he wasn't listening to it. He was
grooving on reality instead, as seen from
15 feet up. It had been a while since he
had concentrated so totally on the moth-
er planet.
“Mayjune? What the hell is all this
about?”
“I want you to come right over here,
Sherry.”
“I'm busy here. Do you have any idea
what a mess we have on our hands?”
“It's nothing next to the mess you will
have. Be here in half an hour.” And
Mayjune Kent hung up.
So did Chauncey.
After Don Grove's experience at Dun-
gowrie—the fellow was still in jail, have
to do something about that eventually—
Boy knew that over the wall was not the
way to enter the estate. Not that he was
much of a wall-scaler anyway. He was
lucky if he could scale a curb.
Fortunately, money makes a fine sub-
stitute for muscle. Having hired a bur-
glar known as Rack, Boy now sat com-
fortably in the rear of the limo piloted by
Hubert Portnikuff and waited. Yonder,
Rack, shielded from passing curious eyes
by Chauncey and Trixie, who were en-
gaged in long and sprightly conversation
on the sidewalk in front of him, was dis-
mantling the burglar alarm. Next he
would unlock the ornamental iron front
gate, override the call-the-police sec-
ondary alarm system by the inner door
and finally snick open that last barrier.
There, done it. Having repacked his
tools into his capaciously pocketed jack-
et, Rack sauntered away, a tune and a
cigarette on his lips, while Trixie and
Chauncey strode off in the opposite di-
rection. Boy at last dambered stiffly out
of the limo, strolled over to the estate en-
trance and eased on inside.
Everything in here was familiar from
Don Grove's description. Boy moved
past the pool, the palms, the exercise
area—phew, carrion—and around to the
French doors at the right side, one pair
of which stood open to the evening air.
Boy inserted himself into the house.
Voices. Female voices, some distance
off. Were the servants at home or away?
(None lived in, only Mayjune and Skeeks
ever actually being in residence here.)
Following that peremptory summons
“Heathcliff?”
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from Mayjune, Sherry Cohen had been
in here for 20 minutes now. What could
they be talking about? Boy needed to
know. He filtered through the house like
a bad case of tar and nicotine, and the
voices gradually grew louder.
"There. A sort of Moorish living room,
with arches and pillars everywhere, a
few low couches and low tables, hanging
lamps and a big round doggy bed in the
middle of the floor. Peering from the
semidarkness behind a pillar, Boy be-
held the two women seated near cach
other, on sofas at right angles, with a low
table between them. Boy blinked; they
were drinking tea and eating cookies.
Really? The tape Boy had heard of
Mayjune's phone call hadn't sounded
like an invitation to tea. But here they
were, just the two of them, murmuring
together, munching cookies, sipping tea.
Sherry Cohen, on the lefi, looked softer
than when Boy had last seen her, at the
house she shared with Bill Terry—and
‘Tommy Little?—in Bel Air. Or if not soft-
er, at least less sure of herself.
And then there was Mayjune. Oh my.
The Phantom of the Opera's sister. If
Boy Cartwright had a painting in his at-
tic, that’s what it would look like. How
could she be sure where to insert that
cookie?
Firmly watching Sherry and not
Mayjune, Boy listened:
“More tea?”
“Thank you.”
“Cookie?”
“I shouldn't." Pause. “Mayjune?”
Bes
"Why?"
“1 beg your pardon?"
"You were pretty tough on the phone,
but now you just want to sit and have girl
talk. I don't get it.”
“I didn't want to rush into things. You
and I never really got to know each oth-
er, Sherry.”
“1 always felt you didn't went to know
people.”
“I suppose so. Because of my face.”
An uncomfortable silence; uncomfort-
able for Boy, anyway.
“Mayjune? Would you come to the
point?"
“1 suppose, really, that Skeeks was all I
needed, not people at all. I took this pic-
ture of him at the vet, after they put him
in the coffin."
Boy started, and stood up as straight.
as it was possible for him to stand.
Mayjune handed а color 8x 10 to Sherry.
“Oh, look at that. He looks, um, like
he's asleep, doesn't he?”
“Dreaming,” Mayjune said with her
version of a poignant smile. “Chasing
rabbits.”
“Chasing Nielsen houscholds, you
mean.”
“When I saw he'd been poisoned”
“What?”
“Oh, come on, Sherry, you can't hide
anything from me. Skecks was mur-
dered, and you did it.”
“That's—that's ridiculous!"
“Of course it is. You wouldn't get what
you wanted, anyway.”
“What I wanted?” Guardedly: “What
was that?”
"For Tommy Little to take Skeeks'
place. Then Bill would get star billing,
and he might stop drinking himself to
death. Of course, it would never work.
You love Bill too much. You can't see he
really isn’t up to carrying the show.”
“This is crazy!”
“Sherry, I watched you maneuver
Tommy Little into place, and I knew you
wanted Skeeks off the program. But I
never thought you'd resort to murder.”
“Mayjune, he was an animal! You can't
say he—besides, why say it was me? I
mean, if iteven happened.”
“I didn’t do it, and Bill doesn’t have
the guts, and who else is there? You did
it for love, Sherry, I know you did, for
the love of Bill. But I loved Skeeks, and
that's why you're going to die now.”
Jumping to her feet, Sherry cried,
“What are you talking about? I'm not
going to die!”
“We both are, Sherry. Skeeks was the
only one in my life. You took him away
from me. I have no reason to live.”
“Mayjune! For God’s sake, what have
you done?”
“The same poison you used,” Mayjune
said, as calm as voice mail. "It's in the
cookies, and the tea We both have less
than half an hour to live.”
“No!” Sherry turned away, stumbling,
arms out as though to push open a lot
of doors.
But Mayjune said, “I waited, Sherry,
until it was too late before I told you.”
“Stomach pumps! Antidotes!”
“Too late. Too late, Sherry. Sit down,
dear, be calm. We'll wait together."
Sherry turned back, to stare with her
zircon eyes at the placid Mayjune. “You
did this? You did this for a dog?”
“My only friend, Sherry.”
Sherry dropped into her seat, despair
shriveling her features even more. The
two women sat gazing at each other.
Boy looked at his watch. Halfan hour,
eh? Fine. He tiptoed away, found the
kitchen and the cold chicken and white
wine in the refrigerator. Mayjune had
struck him as being a thrifty little gar-
goyle. She wouldn't poison everything in
the house, just the stuff she meant to
feed Sherry.
He would phone the police, of course,
once he had collected the photo and was
well away from the house, and after he'd
called in his story to the Galaxy. In the
meantime, snack on the kitchen table at
his elbow, women expiring at the other
end of the house, he pulled out note-
book and pen and began the lead for this
week's story:
“They did it for love.”
“Hi. Im Melanie, your neighborhood lingerie party consultant . . .”
167
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ON-THE
SCENE
HEAD GAMES
ttention joystick joc! You can now enjoy virtual real-
ity in front of your own PC. Head-mounted displays
(called HMDs) are hitting home in a variety of futuri
forms. All feature some type of monitor on the inside of
the headset as well as stereo earphones and special tracking sen
sors that change the on-screen perspective as you mov |
Our model sports a pair of eight-ounce Virtual БО PC-compatible
lasses with 3-D op!
No, the video quality isn’t as good as what you get from your PC
But these devices truly make you feel as though you're a part of a
game's action. This is called total immersion, the ability to interact
with characters and objects from all directions in computer gener
ated worlds. Interestingly, you can even hook up some model
your TV or VER for private screenings. Imagine Baywatch
to
MR.
s, stereo sound and TV/VCR connections, about $800.
Surrounding her (clockwise from top right): Virtual-Entertainment Systems’ 28-ounce 7th Sense with a 256-color display and stereo sound,
$399; Forte's VFX1 3-D Headgear with dual color LCD monitors, b
microphone for player-to-player communication and stereo head-
phones, $1000; and Victormaw's 14-ounce Cybermaxx head-mounted display with IBM, Mac, Sega, Nintendo and ЗОО compatibility, $800.
A Great Bet in Fishnet
CATHERINE WEBER plays an assassin in Over the
Edge with Joey Travolta. We hear she's also a sharp-
shooter, On TV, Catherine has been featured on Bay-
watch and in the NBC movie Shades of Gray. She hit
us with her best shot.
GRAPEVINE
Can You Separate
the Men From the Boys?
BOYZ И MEN have not suffered sophomore slump. They have sold more
than 6 million copies of IH and are currently touring with Babyface. They
won a bunch of American Music awards and they kicked ass at the Gram-
mys. The Boyz have the smoothest harmonies and love songs. Eat your
heart out, Whitney.
Looking in
at Cyn
CYNDI LAUPER is back
having fun, his time on
Twelve Deadly Cyns and
Then Some. First released
in Europe, Twelve Deadly
Супѕ will be accompanied
by a video that includes
many of the cuts on the
disc. Cyn is in, again.
On the Ball
Critics have raved about DAVID ВАШ“ send-
up and celebration of honky-tonk. Fans have
bought enough copies of Thinkin’ Problem to
earn him a gold record. Ball is touring with
Brooks and Dunn. Go and have some fun.
Uncovering Mother Russia
Roger Corman’s Bram Stoker’s Burial of the Rats was shot in Moscow and
cast with Russian actresses. Two of them are NATALYA YUDINA (left), who plays a
handmaiden to Adrienne Barbeau's Rat Queen, and her sister ELENA (right), who plays a rat
warrior. Some people take this stuff seriously, and some don't. That's glasnost.
Blues in
the Night
ERIC CLAPTON's From
the Cradle is the only
blues album to hit
number one on the
charts. Quite a compli-
ment for a man who
has been playing the
blues for more than 30
years. Look for a sum-
mer U.S. tour to hear
Eric wail in person.
171
POTPOURRI
A GOOD EGG
The Power Egg may look
as though it had been Jaid
by an ostrich, but it's actu-
ally the smallest gym in
the world. Only six inches
tall, the plastic egg con-
tains springs that allow the
upper and lower portions
of it to be twisted,
squeezed, turned and
pulled, all to promote
muscle toning and stress
reduction. Couch potatoes
and desk jockeys will re-
spond to the Power
Egg, as its compact size
encourages such sit-
down exercises as
over-the-head chest, bi-
cep and shoulder flexing
and leg-muscle squeezing.
Some exercises, such as
the “push-action,” which
strengthens the pectoral
muscles, are even more
fun when performed with
a partner. The price:
$39.95. Call IC&C in Fort
Lauderdale at 305-565-
3556 to order. The Power
Egg also makes an inter-
esting pencil holder.
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SNAKES ALIVE—IT'S THE VIPER!
Six Flags Great America’s newest roller coaster, the Viper, has opened
at the Gurnee, Illinois amusement park. If falling ten stories at a 53-de-
gree angle and surviving 11 untamed drops at 50 mph is your idea of
fun, then get ready for the longest minute and 45 seconds of your life.
Like the Cyclone, the famous Coney Island ride, the Viper is a single-
track wooden roller coaster. No, you don't go upside down or drop into
darkness while aboard. The terror is in the blinding speed and unex-
172 pected switchbacks. Enter at your own risk.
GIVING GOLF A FLING
With about 450 nine- and 18-hole cours-
es operating nationwide, Disc Golf is sail-
ing high as the newest summertime
recreation. (Players count how many
throws it takes to get from the tee го a
cagelike target that catches the disc.) For
practicing your game, Innova Champion
Disc, Inc., sells a 58”-tall Discatcher and
two discs for $95, Additional discs are
$8.50 each. Call 800-321-8833 to order.
THE GENIAL JEEP
This summer is the 50th anniversary of
the end of World War Two. To commem-
orate the event, Showroom Collectables
has signed an agreement with Chrysler to
create a 1:18 scale die-cast reproduction
of that rough-riding symbol of World
War Two, the Willy's Jeep. (The name is
believed to be derived from the military
designation GP, which stands for general
purpose.) Price: $44.50. To order, call
800-781-3999 and ask for item 1945.
MAKE MINE
A MARTINI
According to Barnaby Con-
rad III, “a great martini
should be like skinny-dipping
in a Nordic lake with Greta
Garbo: teeth-chatteringly
cold.” We'll drink to that—as
did Franklin D. Roosevelt
and other celebrity sippers.
"They're all in Conrad's The
Martini, “an illustrated histo-
ry of an American classic,”
from Chronicle Books. There
are also martini-inspired art
and film stills as well as lore
and recipes. Price: $24.95.
Call 800-722-6657.
ROLLING WITH THE GRATEFUL DEAD
Deadheads have a new way to get to concerts. Gary Fisher Bicycle
Corp. in Waterloo, Wisconsin has introduced a limited-edition
Grateful Dead bike decorated with artwork by Prairie Prince, an
illustrator for the Dead. (The top tube of the bike features a
spinal column; a femur goes the length of the down tube.) The
bike's drivetrain, brakes and hub set are by Shimano. Са! 414-
478-2191 for the nearest Fisher dealer. Price: $999.
SALON FOR STOGIES
In Beverly Hills, the hottest
status symbol isn't a Cuban
stogie; it's membership in
Havana, a private cigar salon
at 301 North Canon Drive,
just above the restaurant
named On Canon. You can
wine and dine there in addi-
tion to firing up smokes from
your personal humidor. And
there are big-screen TVs and
plenty of high-backed arm-
chairs. All this exclusivity, of
course, doesn't come cheap.
‘The one-time membership
fee is $2000, and monthly
dues are $150. Call 310-446-
4925 for more information.
SKINNY TRIP
Want to get in shape for the beach fast? Check
out the Six Day Biodiet, a juice-instead-of food
approach to eliminating pounds that was devel-
oped in Switzerland. For about $80 you get six
bottles of special potions made from organically
grown vegetables and fruits, Detox tea and a
package of yeast and herb tablets. Just add
willpower, and drink. To order, call Biolife of
Aspen at 800-»10-DIEr, extension 111.
BRASS ACT
Eleganté Brass Beds in Brooklyn has created
the Ultimate Fantasy Bed, and if you have
$19,000 burning a hole in your pajamas pock-
et, this king-size love nest with a mirrored
canopy can be yours. Each piece of the bed is
treated with a hydropoly lacquer so the brass
never ages. Eleganté also offers a queen-size
model for only $15,000. Call 718-256-8988 to
place an order. Operators are standing by.
NEXT MONTH
POSTMODERN COMICS
TAYLORMADE ROAD TEST
SANDRA TAYLOR—YOU SAW HER IN EXIT TO EDEN AND
YOU'LL SEE HER IN UNDER SIEGE И. NOW SHE MAKES HER
AMAZING DEBUT IN PLAYBOY—A PICTORIAL TO FIGHT OVER
ROAD TEST—|T TOOK YEARS BEFORE PRATT FOUND THE
PERFECT TRAVELING COMPANION. TOO BAD SHE HAD
HER OWN IDEAS ON WHAT TO DO EN ROUTE—FICTION BY
LENNY KLEINFELD
VOLLEYBALL GODDESSES—POUNDING THE HOT SAND
IN KILLER BIKINIS, THESE BEACH BABES CAN DO SOME-
THING YOU CAN'T: PLAY MAXIMUM VOLLEYBALL. A SURF-
SIDE REPORT BY CRAIG VETTER
MENENDEZ CONFIDENTIAL—JUST IN TIME FOR THE RE-
TRIAL, WE GO BEHIND THE SCENES FOR NEW INFORMA-
TION ABOUT JURY SHENANIGANS, ERIC'S CHAT WITH FEL-
LOW INMATE O.J. AND SOME SKELETONS IN THE FAMILY
CLOSET—ARTICLE BY ROBERT RAND
DENNIS FRANZ’ PORTRAYAL OF DETECTIVE ANDY SIPO-
WICZ ON NYPD BLUE HAS TURNED THE ACTOR INTO AN
UNLIKELY STAR. MEET THE MAN WHO BARED HIS ALL
FOR PRIME TIME IN A CHEEKY PLAYBOY PROFILE BY
STEVE ONEY
SHORT AND SWEET
KURT LODER—MTV'S ANSWER TO DAN RATHER ON WHAT
PASSES FOR NEWS IN THE AGE OF ROCK AND SOME IN-
TERESTING SECRETS ABOUT TABITHA SOREN—20 QUES-
TIONS BY WARREN KALBACKER
POSTMODERN COMICS—THE LATEST IN UNDER-
GROUND HUMOR: ARE THEY FUNNY OR TRULY TWISTED?
A PRIMER ON THE REQUIRED READING FOR THE POST-
LITERATE GENERATION EY JOHN TOMKIW
SHORT AND SWEET: JULY'S LITTLE WOMEN PICTORIAL IS
PROOF THAT GOOD THINGS REALLY DO COME IN SMALL
PACKAGES
MEL GIBSON HAS PLAYED IT ALL, FROM MAD MAX TO DIS-
FIGURED TEACHER TO SCOTTISH WARRIOR. THE HUNKY
AUSSIE ATTACKS PC, CHAMPIONS FAMILY VALUES AND
REVEALS HOW HE GROSSES OUT HIS CO-STARS IN THIS
MONTH'S INTERVIEW BY LAWRENCE GROBEL
PLUS: HAWAIIAN SHIRTS, LINEN TO LIVE IN, TOTALLY TER-
RIFIC WATER TOYS, SNEAK PEEKS AT CARMEN MIRANDA
AND SHARON STONE, FIRST-CLASS CARRY-ON LUGGAGE.
DIGITAL CAMERAS AND WHO'S TALKING DIRTY ON SEX-
TALK RADIO
SURGEON GENERAL'S WARNING: Smoking
By Pregnant Women May Result in Fetal
Injury, Premature Birth, And Low Birth Weight.
WA
# call 1-800-787-7945, ext.