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Walter Mosley has created some of the toughest characters in 
modern fiction. His heroes are killers who care. The main 
character of his first PLAYBOY short story, Pinky, has the same 
desire to do right, but the events of September 11 prove over- 
powering. Kent Williams provided the art. 

September 11 touched many lives, as Kevin Cook discovered 
while profiling Michael Imperioli. The actor who plays Tony's 
impetuous kinsman on The Sopranos was standing six blocks 
away when the second plane hit the towers. After making sure 
his kids were safe, he spent time working with a medical unit. 
In Loose Cannon, Cook captures the unexpected side of Impe- 
rioli: He is articulate, perceptive—and prone to accidents. MOSLEY WILLIAMS 

Cook pulled a double shift for rhis issue. turning in a blunt 
interview with Lennox Lewis, the heavyweight champion of the 
universe. (The champ's much-anticipated April 6 bout with 
Mike Tyson was thrown into question after a melee at a Janu- 
ary press conference.) Lewis holds forth on sex before fights, 
rage, trash talk, girlfriends, rumors that he's gay, corrupt pro- 
moters, David Tua’s hairstyle and buddies Woody Harrelson 
and Will Smith—but mostly about the nerve and dedication 
it takes to step into the ring. Of Tyson, Lewis declares "he 
sounds a bit unhinged.” The bout will come with a $15 million 
paycheck; the combatants described in Michael Kaplan's fasci- 
nating look at Boxing Behind Bars can only dream of that re- 
ward. Clifford Etienne learned to fight in prison-sanctioned 
three-round events; after a 10-year sentence he turned pro 
and has racked up a 22-1 record. 

Speaking of tough, check out the 20Q with Sarah Silverman, 
the comic with the fastest—and dirtiest—mouth in the West. 
Among the issues she tackles with Warren Kalbacker: Is the 
phrase fucking cunt impolite? Robert DeSalvo visits an even 
scarier woman, The Queen of the Damned. The title applies to 
the movie, but works just as well for Anne Rice, author of nine 
epics set among the bloodthirsty. 

OK, stop wondering if you're man enough. Will Lee offers a 
sex quiz that really tests your mettle. Corey Levitan, author of 
Get Bold, may have the basis for a new reality-based television 
series. Start with an impossible situation—you spot the girl of 
your dreams while on a date with someone else at a joint 
staffed by rude transvestites. Istvan Banyai supplies the art. 
Since the quest for the dream girl will likely bring you into 
contact with alcohol, we provide a useful guide to the ultimate 
bar wear—Take Your Best Shots, with photography by Devis Fac- 
tor. Playmates tell you how, where and with whom 

As for the current music scene, see Playboy's Music Poll, de- 
signed by Art Director Scott Anderson and coordinated by Bar- 
bara Nellis. Ryan Adams, who did our Music Buzz, was chatted 
up by Associate Editor Alison Lundgren. Anaheed Alani checked 
in with Concetta Kirschner, the hip-hop diva who performs 
under the name Princess Superstar. Princess’ hit Bad Babysitter 
has the memorable line: “Kid, you gotta go to bed. I know its 
only six, but my boyfriend just came over, and he wants me 
to give him head.” Her advice to Mariah Carey: Stop dress- 
ing like a teenager. That's exactly what former teen pop star 
Tiffany did when she posed for a млувоу pictorial with pho- 
tographer Arny Freytag. She has a new album—and a new look. 

We've done our best to revive the spirit of America. In these 
paranoid times, if you're thinking bunker, let's make it a 
cool one. Check out Playboys Bachelor Bunker. Associate Man- 
aging Editor John Rezek ran the project. Artist Daniel Torres 
did the architectural renderings. 


DESALVO 


LUNDGREN 


Playboy (ISSN 0032-1478), April 2002, volume 49, number 4. Published monthly by Playboy in national and regional editions, Playboy, 680 North 
Lake Shore Drive, Chicago, Illinois 60611. Periodicals postage paid at Chicago, Illinois and at additional mailing offices, Canada Post Cana- 
dian Publications Mail Sales Product Agreement No. 40035534. Subscriptions: in the U.S., $29.97 for 12 issues. Postmaster: Send address change to 
Playboy, PO. Box 2007, Harlan, lowa 51537-4007. For subscription-related questions, e-mail circ@ny.playboy.com. Editorial: edit@playboycom. 3 


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vol. 49, no. 4— april 2002 


features 
80 GET BOLD 
Pulling chicks who are way too good for you is easy. All you need are a couple of 
drinks and balls the size of Texas. BY COREY LEVITAN 
90 ARE YOU A SEX GOD? 
OK, stud —that's right, you, the guy every lover moons and croons over. Ever think 
she might have been faking it? We've got the acid test. BY WILL LEE 
94 LOOSE CANNON 
Michael Imperioli plays Tony's spring-wired kinsman on the HBO hil The Sopra- 
nos. Christopher likes to whack people and have sex. BY KEVIN COOK 
96 BOXING BEHIND BARS 
Clifford Etienne beat the stuffing out of opponents and went pro after his release. 
Now every Louisiana convict figures that's the ticket oul. BY MICHAEL KAPLAN 
117  CENTERFOLDS ON SEX: RHONDA ADAMS 
Our lady likes sensual men, public affection and phone sex. We like you, Rhonda. 
119 MUSIC POLL RESULTS 
U2 is the first band ever inducted to our Hall of Fame. Other winners? Sum 41, 
Almost Famous, Nelly and Alicia Keys. 
120 RYAN ADAMS’ MUSIC BUZZ 
Ryan Adams hit with his New York, New York single. Now he picks up-and-coming 
bands and offers an ode to the While Stripes, saviors of garage rock. 
124 PRINCESS SUPERSTAR 
This sexy MC calls her genre-spanning music flip-flop. She's a dirty beatnut 
who raps about Britney and fellatio. BY ANAHEED ALANI 
126 TAKE YOUR BEST SHOTS 
Thirsty Playmates talk about drinking body shots—awhere, what and with whom. 
128 20Q SARAH SILVERMAN 
Famously foul-mouthed comedian Sarah Silverman has turned up on SNL 
and in mumerous edgy movies. She talks about why she says vagina a lot. 
BY WARREN KALBACKER 
142 THE VAMPIRES BITE BACK 
Lestat rocks in the new movie of the great Anne Rice bloodbuster. 
BY ROBERT DESALVO 
fiction 
70 PINKY 
On September 11, a man in the World Trade Center leaves a message on Abel's 
voice mail, not realizing he's dialed the wrong number. The mysterious farewell 
changes Abel's life forever. BY WALTER MOSLEY 
interview 
63 LENNOX LEWIS 


He's the reigning heavyweight champ, an English gentleman with a killer punch. 
In a brutally honest interview, he talks about fighting Mike Tyson, getting knocked 
out, the sport's corruption and why he abstains from prefight sex. BY KEVIN COOK 


cover story 
Teenager Tiffany became an overnight sensa- 
tion with her number one hits I Think We're 
Alone Naw and Cauld’ve Been. Millions of 
records and a few contemplative years later, 
she's set to became а lole-night sensatian, 
back with a bluesy rock album. Our Rabbit 
perks up his eors when Tiffany sings. 


vol. 49, no. 4—april 2002 


contents continue 


pictorials 
74 SPRING BREAK 47 MANTRACK 
We went to the wildest place in 51 THE PLAYBOY ADVISOR 


Texas—and found the wildest girls. 
110 PARTY JOKES 
os PLAYMATE: 


HEATHER CAROLIN 160 WHERE AND HOW TO BUY 
This redhead wants a hot rod and 167 ON THE SCENE 


а stint in race-car school. 168 GRAPEVINE 
132 TIFFANY 170 POTPOURRI 

The darling of the mall is 

back—all grown up and with 

anew album. lifestyle 


84 FASHION: DRESSED TO KILL 
It’s not the gadgets that define 


double-O style—i's the classic 
13 WORLD OF PLAYBOY clothes. BY JOSEPH DE ACETIS 


Arthur C. Clarke party, Playmates 
at Bloomie’s, Blue Man Group. 


notes and news 


92 ZZZOWIE 
Nissan's Z car is back, faster (280 


14 HANGIN’ WITH HEF horses) and less expensive. 
Partying with Janet Jackson, Chris 5. 
(dedi lee 113 PLAYBOY'S BACHELOR 
BUNKER 
53 THE PLAYBOY FORUM Anxiety about terrorism got you 
Girl Scouts and lesbians, Ashcroft's down? We have all the amenities 
assault on the Bill of Rights. for the fugitive swinger. 


163 PLAYMATE NEWS 
Centerfolds and guitar slingers, 


Michelle Phillips’ favorite. reviews 
30 MUSIC 
Norah Jones, Drive-By Truckers, 
departments Dungeon Family project. 
3 PLAYBILL zoo er 
17 DEAR PLAYBOY Ten best and worst, war and sex 
21 AFTERHOURS standouts. 
32 WIRED 36 VIDEO 
ү TEENE Cop buddies, Larry Sanders and a 
DVD bonanza. 
41 PLAYBOY TV 
40 BOOKS 


CP АЗ Jimmy Breslin, aphrodisiacs, new 
44 МЕМ work by PLAYBOY writers, 


PRINTED IN U.S.A. 


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HUGH M. HEFNER 
editor-in-chief 


ARTHUR KRETCHMER editorial director 


JONATHAN BLACK managing editor 
TOM STAEBLER art director 
GARY COLE photography director 
JOHN REZEK associate managing editor 
KEVIN BUCKLEY, STEPHEN RANDALL executive editors 
LEOPOLD FROEHLICH assistant managing editor 


EDITORIAL 
FORUM: JAMES R. PETERSEN Senior staff writer; CHIP ROWE associate editor; PATTY LAMBERTI edilorial 
assistant; MODERN LIVING: Da 
administrative assistant; STAFF: CHRISTOPHER NAPOLITANO senior editor: ALISON LUNDGREN, BARBARA 


D STEVENS editor; JASON BUttRMESTER assistant editor; DAN HENLEY 


NELLIS associate editors; ROBERT в. DESALVO assistant editor 


; TIMOTHY мони junior editor; LINDA 
FEIDELSON, HELEN FRANGOULIS, HEATHER HAEDE, CAROL KUBALEK, HARRIET PEASE, OLGA STAVROPOULOS. 
CARTOONS: MICHELLE URRY editor; JENNIFER THIELE assistant; 


NICOLE TUREC editorial assistant 
COPY: BRETT HUSTON associale editor; ANAHEED ALANI, ANNE SHERMAN assistant editors; KEMA 
SMITH Senior researcher; GEORGE HODAK, BARI NASH, KRISTEN SWANN researchers; MARK DURAN 

research librarian; TIM GALVIN, JOAN MCLAUGHLIN proofreaders; BRYAN BRAUER assistant; 
CONTRIBUTING EDITORS: asa BABER, JOSEPH DE ACETIS (FASHION). JOE DOLCE. GRETCHE 
EDGREN, LAWRENCE GROREL. KEN GROSS. WARREN KALBACKER, D. KEITH MANO, JOE MORGENSTERN 


DAVID RENSIN, DAVID SHEFF 


ART 
KERIG POPE managing art director; SCOTT ANDERSON, BRUCE HANSEN, CHET SUSKI, LEN WILLIS senior 
art directors; ROB WILSON assislant art director; PAUL CHAN senior art assistant; JOANNA METZGER art 
assistant; CORTEZ WELLS art services coordinator, LORI PAIGE SEIDEN senior art administrator 


PHOTOGRAPHY 
MARILYN GRABOWSKI west coast editor; JIM LARSON managing editor; KEVIN KUSTER. STEPHANIE NORRIS 
senior edilors; PATTY BEAUDET-FRANCES associate editor; RENAY LARSON assistant editor; ARNY FREYTAG, 
RICHARD IZUI, DAVID MECEY, BYRON NEWMAN, POMPEO POSAR, STEPHEN WAYDA contributing 
photographers; GEORGE GEORGIOU staff photographer; BILL WHITE studio manager — 
los angeles; ELIZABETH GEORGIOU manager, pholo library; ANDREA BRICKMAN, 
PENNY EKKERT, GIS 


ELA ROSE production coordinators 


JAMES N. DIMONEKAS publisher 


PRODUCTION 


MARIA MANDIS director; RITA JOHNSON manager; JODY JURGETO. CINDY PONTARFI 


RICHARD 
QUARTAROLI, DEBBIE TILLOU associate managers; JOE CANE, BARB TERIELA Dyfeseffers; BILL BENWAY 
SIMMIE WILLIAMS prepress; CHAR KROWCZYK assistant 


CIRCULATION 
LARRY A. DJERF neusstand sales director; PHYLLIS ROTUNNO subscription circulation director 


ADVERTISING 

JEFF KIMMEL eastern advertising director; PHYLLIS KESSLER new york advertising manager; Joe 

HOFFER midwest sales manager; HELEN ntANCULLA direct response manager; LISA NATALE marketing 
director; SUE IGOE event marketing director; JULIA LIGHT marketing services director; CAROL 

STUCKHARDT research director; DONNA TAVOSO Creative services director; NEW YORK: ELISABETH 
AULEPE LORE BLINDER, SUE JAFFE, JOHN LUMPKIN; CALIFORNIA: DENISE SCHIPPER, COREY SPIEGEL; 
CHICAGO: WADE BAXTER; ATLANTA: BILL BENTZ SARAH HUEY, GRES 
advertising business manager; КАКА sarisky advertising coordinator 


MADDOCK; MARIE FIRNENO 


READER SERVICE 
MIKE OSTROWSKI, LINDA STROM correspondents 


ADMINISTRATIVE 
MARCIA TERRONES rights @ permissions director 


PLAYBOY ENTERPRISES INTERNATIONAL, INC, 
снызпе HEFNER chairman, chief executive officer 


MICHAEL т. CARR president, publishing division 


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PLAYBOY 


HEF SIGHTINGS, MANSION FROLICS AND NIGHTLIFE NOTES 


THE MANSION SPACE ODYSSEY 
Arthur C. Clarke was honored by the Space Frontier Foundation at the Playboy 
Mansion, appearing holographically at the gala from Sri Lanka. Partygoers in- 
cluded astronauts James Lovell and Buzz Aldrin (below) as well as Pentagon 
hero Lieutenant Commander David Tarantino and Playmate Shanna Moakler 
(right). Morgan Freeman, Bill Paxton, first space tourist Dennis Tito and Het— 
who hosted the event—rapped with HAL the computer and got up close to the 
monolith in a tribute to Clarke's 2001: A Space Odyssey. 


CHRISTIE HONORED AND 
HEF PAINTS THE TOWN 
Playboy Chief Executive Officer 
Christie Hefner received the 
Spirit of Hope Award at a bene- 
fit for the John Wayne Cancer 
Institute in Santa Monica, hon- 
oring her work with Bosom 
Buddies and the Playboy Foun- 
dation, which produced the 
video Partners in Hope. Dr. Ar- 
mando Giuliano presented her 
with the award. And Hef partied 
for two nights in Vegas with his 
platinum gal pals—taking in 
the Blue Man Group at Luxor 
and dancing at Studio 54. 


BLOOMERS AT BLOOMIE’S 

If you'd been at Bloomingdale's in Los Angeles’ Century City, 

you would have caught Playmates Lauren Michelle Hill and Jen- 
nifer Walcott pulling down their Playboy PJs to reveal their 
Playboy drawers. Hef signed autographs to help launch our 
underwear-loungewear line at the store. 13 


HANGI 


It isn't easy keeping up with Mr. Playboy 
and his party posse, but we owe it to you 
to try. (1) You-know-who poolside with 
Stephanie Heinrich, Christi Shake, Chera 
Leigh and Holly Madison. (2) Christi and 
Tiffany Holliday shake it with the Black 
Eyed Peas. (3) Hef congratulates heavy- 
weight champion Lennox Lewis on re- 
gaining his title. (4) Sex kittens Michelle 
Winchester and Tina Jordan with new 
additions to the Mansion menagerie. (5) 
Andy Dick and his girl with the Hef Troop 
at Las Palmas. (6) Same club, different 
night: Holly, Tina and Tiffany with Hef 
and Jamie Foxx. (7) Celebrating Tara 
Reid's birthday at Guy's. (8) Janet Jackson 
with the gang at Las Palmas after her con- 
cert. (9) Paris Hilton, Rod Stewart and his 
daughter Kimberly at Joya. (10) Chris 
Kattan on a Sunday Mansion movie night. 
(11) November cover girl Angelica Bridges 
at the Sunset Room. (12) The crew with 
Chris Rock at Las Palmas. (13) Chazz 
Palminteri joins movie night. (14) Pamela An- 
derson and David Spade with Hef. 


visit; us online 


Dear Playboy ы 


680 NORTH LAKE SHORE DRIVE 
CHICAGO, ILLINOIS 60611 
E-MAIL DEARPB@PLAYBOYCOM 


IN THE NIC OF TIME 
Your choice for Miss January, Nicole 
Narain (Nicole Naturally), is the hottest 
Playmate I've seen in ages. 
Cyndy Carroll 
‘Tabernacle, New Jersey 


Miss January is a perfect 34B. I hope 
we'll see more natural beauties like her 
in 2002. 

Dave Steimling 
Newark, Delaware 


I've always admired Hef for his ac- 
complishments, but I'm bored with the 
blonde Playmates. Thank goodness for 
Nicole. Variety is the spice of life, 
Mike Anderson 
Hillsville, Virginia 


The contest for 2003 Playmate of the 
Year is over. I don't sce how anyone can 
beat gorgeous Nicole Narain. She might 
just be the most beautiful Playmate of 
all time. 

Terry Peterson 
San Diego, California 


1 hope that Nicole isn’t overlooked for 
PMOY because her pictorial appears so 
early in the year, 

Jonathan Estrada 
Sacramento, California 


GIVE A LITTLE BRIT 
I'm a recent convert from CNN to Fox 
News. Much as I enjoyed your interview 
with Brit Hume ( January), I'd love to see 
a pictorial of the Fox newswomen. What 
could be more exciting than a bevy of 
beautiful, naked, blonde Republicans— 
and please give Laurie Dhue top billing. 
H. Scott Plouse 
Medford, Oregon 


SEXY 2001 
1 loved The Year in Sex feature “Tits- 
a-Poppin'" (January). Your photo of Ju- 
lie Bowen of NBC's Ed has given new 
meaning to must-see TV. 
Eric Shaw 
Tiffin, Ohio 


HIDDEN DANGER 
Asa Baber's Men column on post-trau- 
matic stress disorder ("We All Are Veter- 
ans,” January) is proof once again that 
PLAYBOY publishes informative articles as 
well as great pictorials. There are many 
effects of the September 11 attacks that 
are unseen, and PTSD is one of them. 

Hats off to Baber. 
Mitchell McQueary 


Muncie, Indiana 


SOUTHERN COMFORT 

I wonder where Anka Radakovich and 
her girlfriends find the men she de- 
scribes in The New Sexual Etiquette (Jan- 
uary). If they meet them in bars and 


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PLAYBOY 


dance clubs, it's no wonder their man- 
ners leave a lot to be desired. Perhaps 
these women ought to search for more 
mature men, or maybe they should look 
for a transplanted Southern gentleman 
like me. I have never had a single com- 
plaint about my manners or my ability 
to please my partner. 

James Taylor 

Yelm, Washington 


TOUGH AND BUFF 
Joanie Laurer (Joanie Laurer: Warrior 
Princess, January) is a very sexy wom- 
an—whether she's nude or fully dressed. 
She looks like a Boris Vallejo painting 
come to life. I only wish a poster were 
available. 
Corwin Smith 
Cedar Rapids, Iowa 


I've read рілувоу for almost 30 years 
because it's the classiest men's magazine. 
Your pictorials always feature beautiful, 
sexy, wholesome women. While I have 
nothing against Joanie Laurer, I think I 
can speak for the vast majority of your 
male readers when I say that women 
with big muscles are big turnofis. 

Michael Sabol 
Virginia Beach, Virginia 


Thanks for Joanie's awesome encore. 
Whether she's a champion wrestler or a 
warrior princess, her pictorial flaunts 
her beauty and sexuality. 

Malcolm Sutherland 
Mechanicsville, Virginia 


"The last thing that 1 want to see when 
I open riavnoy is a 10-page spread of 


Terrorist dollars. 


what appears to be a naked linebacker 
with breasts. Maybe somebody's enjoy- 
g this stuff, but I sure ain't. 

Scott Willett 

New York, New York 


I'm in the U.S. Air Force and would 


18 love to see Joanie in a military-style pic- 


torial. She's one of the most beautiful 
women in the world—and my motiva- 
tion to go to the gym. 

Paul Turner 

Offutt AFB, Nebraska 


Don't you think publishing one Joanie 
Laurer pictorial was more than 
enough? 

Michael Murray 
West Palm Beach, Florida 


FOLLOW THE MONEY 
Jeffrey Robinson's insight in- 

to the world of terrorism (The 
Terrorist Dollar, January) bog- 
gles one’s mind. Osama bin La- 
den is just a small part of the 
equation when you consider 
the many who sponsor, support 
or shelter terrorism throughout 
the world. 

Roger Kicker 

South Beloit, Illinois 


HEDO FOR YOUR LIBIDO. 

As a guest who has visited 
Hedonism 11 18 times, I can 
confirm that the book The 
Naked Truth About Hedonism IT 
(Potpourri, January) is a great source for 
information. 

Bill Povse 
Absecon, New Jersey 


Chris Santilli, the author of the book 
on Hedonism Il, knows that making sex 
fun is about more than just having an 
orgasm. 

Mark and Patti Jo Lemke 
Wayne, Illinois 


I was so happy to see your mention 
of the Hedonism II resort in Jamaica, 
where I had the best vacation of my life. 
So 1 bought the book and could not 

put it down. Santilli really has her 
finger on the pulse of what makes 
sex fun. 


Bob Yerks 
New York, New York 
We like the way you put that, Bob. 


KISSY FACE 
It was nice to read an article from a 
guy I've admired since 1975, when at 
the age of 14 1 purchased Alive! on cight- 
track. I had a big laugh at the visual of 
Gene Simmons (Kiss and Makeup, Janu- 
ary) running down the beach in his snake- 
skin boots with his girlfriend Cher. One 
thing people might not know about Gene 
isthat he’s a great promoter of unknown 
talent. Thanks to him, bands like Cheap 
Trick and Van Halen received national 
exposure by opening Kiss shows. I thank 
Gene for the great music and memories. 
‘Todd Dice 
Rancho Cucamonga, California 


Does hiding behind a cloak of face 
paint for years give Simmons license to 


bore us to tears? Perhaps superstardom 
negates good manners. His boorish kiss- 
ing-and-telling might make great copy, 
but in the future, I hope he avoids dis- 
course and just sticks to intercourse. 
Michael Moore 
Dunnellon, Florida 


Sealed with o Kiss. 


SIZE COUNTS 
Your January Raw Data column in- 
correctly states that the nickname for 
the B-52 Stratofortress is BUFF, which 
stands for Big Ugly Fast Fellow. You guys 
were close, but BUFF actually stands for 
Big Ugly Fat Fellow (or Fucker). The B-52 
is famous for its size, not its speed. Even 
though it can reach a maximum air specd 
of about 650 miles per hour, it's not as 
fast as other bombers, including the 
B-1B Lancer, which can exceed Mach 1. 
Oliver Keadle 
North Augusta, South Carolina 


SOW YOUR OATES 
“Thanks for another great story from 

Joyce Carol Oates (Aiding and Abetting, 
January). I must confess, however, that I 
had to reread it for clues as to whether 
Owen would really harm his nephew. 
Now, how many people do you think re- 
read PLAYBOY's fiction? 

JJ- Lair 

Robbinsville, New Jersey 


THE NUMBERS GAME 
Sports Illustrated picked Oregon State, 

while the AP and the USA Joday/ ESPN 
Coaches Poll selected Florida. But you 
guys beat all the experts again by cor- 
rectly predicting that Miami would win 
the national championship before the 
season even began (Playboy's Pigskin Pre- 
view, October). Your preseason prog- 
nosticating has been correct four out of 
the past eight years. Without a doubt, 
PLAYBOY rules. 

Joe Miller 

Seattle, Washington 


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hours 


WITNESS JAY-HOVA 


Jay-Z (31-year-old Shawn Carter) is a 
Martin Scorsese in a field that is crowded 
with Jerry Bruckheimers. What he lived 
through as a drug dealer in Brooklyn's 
Marcy Projects helped shape his peerless 
style and made him one of the best rap- 
pers today (listen to 2001's The Blue- 
print). We caught up with Jay-Hova, aka 
Jigga, for a quick Q. and A. 

The SportsCenter anchors use lines from 
your rhymes. Does that make you mad? 

Yeah. You're watching Kobe versus 
Iverson and Linda Cohn says, “It's about 
to go down” (from 1 Just Wanna Love U). 
It just happens. You can't lobby for that. 

How'd you get into rhyming? 

My mom and pops had a big record 
collection. So 1 grew up around music— 
Marvin Gaye, a lot of funk like the Broth- 
ers Johnson, and my mom was into Prince 
early, Every Saturday there was the smell 
of Pine Sol, all the windows up, music 
playing. After a while 1 started trying to 

write rhymes. 


HAT'S HAPPENING 


EARLY 
PEEKS AT 
STARDOM 


Nancy Ellisan pho- 
tagraphed some of 
Hallywaad's most 
famaus names be- 
fore their names 
became sa fa- 
mous. Her callec- 
tion, Starlet, in- 
dudes candid 
shots of Shari 
Belofonte, Maud 
Adams, Janet 
Jones and the 
delectable Jamie 
Lee Curtis (ot 
right). There are 
alsa photas af 
Rasanna Ar- 
quette, including 
a corker that 
shows her thatch 
exceeding her 
underwear—very 
retro indeed. 
Paul Theraux 
wrote a thinky 


nature of star- 
lets, but he 
doesn't break a 
sweat. Looking 
at same of 
these pictures, 
you might. 


What sparked you to make a career of it? 

When I heard the Notorious B.I.G 
say, “Being broke at 30 give a nigga the 
chills.” That made me be like, Man, I 
have to make me an album. I have to get 
my shit together. Hustling is corny. 

Is it true that you and business manager 
Damon “Dame” Dash have a lock on all the 
beautiful women in the Hamptons? 

If you open the door you might think, 

It's just him and Dame and 13 girls in 
there. But it’s not like that. We did that 
back in the days of Reasonable Doubt. We 
were young and on tour and had a little 
bit of money. Now ГА rather be around 21 


GYRO TO GO 


The next time you want to thraw 
your dead cell phone against the 
wall, wind it up instead. The 
Freeplay Energy Graup has 
designed a windup mobile 
phone charger that will guor- 
antee the damn thing works 


It's a simple solution ta o 
complex headache, ond 
winding it is an oll-purpose 
excuse for when you're 
caught breathless 


PLAYBOY 


intelligent girls. Girls are introducing 
me to all types of books now. 

Like what? 

I'm reading The Celestine Prophecy, and 
it says nothing is coincidence. I was in 
an art gallery and a young lady came up 
to me and said, “I see you everywhere 
and we never speak." I told her I'd been 
reading The Celestine Prophecy and if you 
keep bumping into somebody they have 
a message for you, you just ain't got it 
yet. She says she's just reading the same 
book. A guy comes up for an autograph: 
I say to the guy, “Let me gei 
your hand to write on.” It’ 

Prophecy. This is too much for her She 
runs off. Later on I run into her at Lo- 
tus. She says, “I figured out why we keep 
passing each other. I’m your muse.” 
Now, I don’t know what the fuck a muse 
is, but I didn't want to tell her that, so 
I'm like, “All right, that’s cool.” Then I 
lean over to my man Richie and say, 
“What the fuck is a muse, man?" He's 
like, “Yo, it's something that gives inspi- 
ration, but it's bugged out that you asked 


DISH OF THE MONTH 


Draped with smoked salmon, driz- 
zled with lemon-infused wasabi 
cream sauce, and crowned with 
Iranian caviar, this is no ordinary 
el. But Tantra is no ordinary 

A i < 


E aterfall and hundre« 
vanilla-scented candles. This appe- 
fizer is an homage to Philadelphia, 
chef Willis Loughhead’s home- 
town, where soft pretzels are sold 
on the street. You eat this one by 
hand, too—but you wash it down 
with rosé champagne, not beer. 


me that because I didn't know what the 
fuck that shit was until I saw this mov- 
ie about it the other day." 1 leave. Soon 
as I get home Richie pages me: "Turn 
to HBO right now. The Muse is on.” I'm 
telling you, you have to read that book. 


Because he was arrested at a 


A HEAD OF HIS TIME 
-20 pro- 


test in Ottawa and taken to the court- 


house j 


, and because he has multiple 


sclerosis and is one of the few Cana 


peri 


WHY GIRLS SAY YES—REASON #15 


her left breast smothering my face and covering it from braw to chin. It was better than Disneyland." 


ed to possess and use medi 


"They were gigantic and 100-percent real—much bigger than 
my awn B cups. These enormous 36DDDs were just staring me in the face. Her blue eyes and tanned skin only added to 
the package. She winked at me. 1 don't know how to wink, so this turned me on even more. lt was the ultimate invita- 
tion—a VIP membership to the breast club for women. | was all over her, | dove into those suckers. | was so excited | don't 
think | even blinked. 1 bit the tip of her nipples and massaged her breasts one at a time, with two hands. Crystal and I 
fucked for seven hours that first night, from the bedroom to the spa. At one point she almost drowned me in the water, 


—B.H., Chicago 


THE FUTURE UNKNOWN. 


SUNDAY MARCH З · Bru: 


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PLAYBOY 


24 


marijuana, and because he happened to 
have his stash with him as well as a letter 
identifying him as a legal possessor of 
pot, and because the guards caved in 
and generously loaned him some match- 
es, retired attorney Rick Reimer is, as far 
as we are able to ascertain, the first per- 
son to openly and legally smoke a 
jointin the joint in North America. 


“All some actresses want 
is for people to take them 
seriously instead of caring 
about how they look. For 
me, I've worked hard for 
people to think I'm funny. 

—Nikki Cox H 


BLAST FROM THE PANTS 


We couldn't let our readers down and 
fail to mention an exciting new product 
on the market. We're talking about Un- 
der-Ease Antiflatulence Underwear 
(available from Under-Tec Corp., under- 
tec.com). It’s an airtight undergarment 
with a carbon filter that neutralizes un- 
pleasant odors before they can escape 
and be blamed on the family dog. In- 
ventor Buck Weimer told The Denver 
Post in a heartwarming interview that he 


hy My iy Mp Pant te ang age 


MAGNETIC ATTRACTIONS 


You're a big, busy guy with a big, 
busy fridge. Ordinary magnets 
just don't do the trick—not with 
those phone messages from ev- 
ery woman within seven miles 
cluttering up the door. So indulge 
your outsize sense of humor with 
these Manly Man Magnets from 
Blue Q of Pittsfield, Massachu- 
setts. They‘re loud and stupid and 
they bend harmlessly when your 
girlfriend chases you around the 


kitchen with one. 


dreamed up the idea after a Thanksgiv- 
ing dinner. His wife, who suffers from ir- 
ritable bowel syndrome, was next to him 
in bed when she let fly with a monster 
emission. Lying there with his eyes sting- 
ing, he resolved to find a solution. Love 
hath no greater gift—and it's perfect for 

those who shouldn't hang around 
an open flame. 


BONE UP YOUR 
SHAKESPEARE 


In recent years porn re- 
makes of Shakespeare's plays 
have inspired academics 
(notably Richard Burt of 
the University of Massachu- 

setts at Amherst, who wrote 
À Unspeakable ShaXXXspeares). 
While scholars maïntain that 
Shakespearean pornography re- 
veals more about modern culture 
than about the Bard himself, they nev- 
er get to the point: Are any of the damn 
things worth watching? Actually, yes. 

A Midsummer Nights Cream: Despite 
some subplots trimmed, and lots of 
trim added, the story and spirit of the 
original are intact. Benefits: Double en- 
tendres like “I could munch your good 
dry oats” come alive. Drawbacks: In 
porn, a guy with the head and bray ofa 
donkey is more nightmare than dream. 

X Hamlet: Some lines are familiar (“To 
screw or not to screw, that is the ques- 
tion”), some recall other plays (“My 
kingdom for a fuck!”), and some are 
plain silly (“There's a present for you in 
my pants”). 

Othello: Dangerous Desire: The only con- 
nection to the alleged source material? 
“Life is pretty strange. Your name is 
Desdemona and mine is Othello. Not to 
say that has anything to do with Shake- 
spcarc—1 just thought it was funny.” 

Juliet and Romeo: Montagues don't fall 
in love with Capulets—they just have sex 
with them. “My heart is Montague,” says 
Mercutio, “but my prick is nonpartisan.” 

In the Flesh: In this ambitiously artsy 
interpretation of Macbeth, the budget 
and effort pay off (as do most Shake- 
spearean porn vids; think of them as 
comparison gainers). As a reminder that 
this is the Scottish play, the men wear 
kilts—and the women blow bagpipes. 


THE TIP SHEET 


Rising stock: Fetching female reporters 
undress themselves and each other— 
trading slaps on the ass for emphasis— 
on Market Wrap Unwrapped. Log on to 
the website and you can check out your 
moneymakers, and theirs. 

Rain management: The question: “Do 
you stay drier by running or walking 
through 2" The answer (from some 
North Carolina meteorologists who wrote 
about it in the journal Weather): Your 
front gets wetter running, but you get 
40 percent wetter overall by walking. 


BOOK RACKS 


Photographer Leslie Lyons has re- 
vived the playful sexiness of bur- 
lesque in her Strip Flips, three 
flipbooks all from Powerhouse. 
Below we see George warming 
up a New York loft. The series is 
perfect for booklovers who take 
pleasure in repeatedly thumbing 
their favorites. 


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26 


SIGNIFICA, INSIGNIFICA, STATS AND FACT 


QUOTE 
“IFI can separate 
arib playing golf, 
I figure I really 
shouldn't be doing 
my own stunts.” 
—MATT DAMON, 


LOL ;-) 

The number of 
e-mail messages re- 
ceived by the U.S. 
House of Repre- 
sentatives in 2000: 
48 million (an av- 
erage of 2122 each 
week for every 
representative). 


UP AND ATM 

The number of 
ATMs in the U.S.: 
273,000. The aver- 
age cost of each: 
$32,500. Average fee for withdrawing 
funds from another bank's machine: 
$2.86. Estimated revenue generated 
by the banking industry through bank- 
ing fees: $2 billion. 


STRONG FOUNDATION 
Number of years This Old House has 
been on the air: 22. Number of hous- 
es that have been completely renovat- 
ed: 41, 


WE'RE OK, EURO K 
Number of new euro coins released 
on New Year's Day by the European 
Union: 50 billion. Number of Eiffel 
Towers that could be built with the 
metal contained in these coins: 24. 


UNCLE SUGAR 
Percentage of Americans in 2000 
who received a tax refund from the 
IRS: 72, Number of IRS audits of in- 
dividual taxpayers: 618,000. Percent- 
age ofall individual returns that were 
audited: 0.49. 


GOING OFFLINE 
Percentage of all computers ever 
sold in the U.S. sitting idle in base- 
ments, closets and garages: 75. 


BEACH BLANKET BAWANG! 
According to the Penis Size Survey 
of 300 men conducted by Lifestyles 
Condoms during spring break in 
Cancún in 2000, length of average 


erection: 5.9 inches. 
Percentage of men 
whose measure- 
ments range be- 
tween 5.1 and 6.9 
inches: 78. Percent- 
age of men whose 
penises are smaller 
than 5.1 inches: 11. 
Percentage of men 
whose penises are 
larger than 6.9inch- 
es: 11. 


DOTS 
INCONVENIENT 
In a survey by 

Accenture, per- 
centage of respon- 
dents who do not 
shop online be- 
cause they prefer 
to touch or feel an 
item they are con- 
sidering for purchase: 34. Percent- 
age who don't want to pay shipping 
charges: 31. 


SATS STATS 
Number of students in the 1999— 
2000 school year who took the SAT 
entrance exam and achieved a per- 
fect score of 1600: 541. Percentage of 
all students with a perfect score: 0.02. 


FANTASY FASHION 
Price paid at auction for a black 
leather corset worn by Xena, the War- 
rior Princess (played by Lucy Law- 
less): $6800. Price paid for a suede 
bra top and skirt worn by Xena's side- 
kick Gabrielle, the Amazon Queen 
(Renée O'Connor): $6033. 


VIRGIN TERRITORY. 

Ina national survey of college wom- 
en, percentage who said that they 
were virgins: 39. Percentage of col- 
lege women who had been on more 
than six traditional dates (invited out 
bya man who picks them up and pays 
for everything): 37. Percentage of col- 
lege women who had participated in 
hookups (a physical encounter with 
no strings attached, ranging from just 
Kissing to sex): 40. 


THE RILEY FACTOR 
Percentage decrease in shooting 
accuracy in the NBA from 1990 to 
2000: 7. BETTY SCHAAL 


Mule tone: A modified version of a mis- 
sile-jamming device, this mobile signal 


jammer blocks the radio waves of cell 


phones in theaters, restaurants or wher- 
ever else you want to create a zone of 
silence. 

Enron: The next time someone moans 
about how big a bath they took on Enron 
stock, point out that the original name 
chosen for the bankrupt energy giant 
was Enteron. Then the founders were 
informed that enteron is the medical 
term for intestine. “See—it was destined 
to go down the shitter.” 

Burka: The old ball-and-chain. “Hey, 
Joc—I see you left your burka at home 
so you can hit on some chicks.” 

Operation Flashpoint, Cold War Crisis: A 
Codemasters video game being modified 
for the U.S. Marines to use in comman- 
do training because of its impressive 
combat scenarios, squad management 
system and yariety of battlefields. 

NBA beds: That's what they're known 
as in the hotel industry, and at 72 inch- 
es by 96 inches—16 inches longer than 
standard—they are what the Shaquille. 


its the marke 
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27 


to say, “Yes sir, no sir,” and “Yes 
ma'am, no ma'am.” I know how 
to open doors. 
Do you live up to the triple Xs in 
your name? 
I'm capable. I definitely love 
sex, make no mistake about it. I 
don't think there's anything wrong 
with that. 
Do you have a patented sex move? 
1 have a move for once you've test- 
ed the waters down there and you 
nt to know what you're working 
. You reach around her head, kiss 
bring your hand around 
and take a sniff. Either it's manageable 
or it’s not. Do your thing, girl, be as 
freaky as you want, have as much sex as 
F you want, but take care of yourself down 
KOSHER BEEFCAKE there. I wash my balls and I wash my ass. 
> You can do the same. 
What are the pros and cons of dating a 
Southern girl? 
"They're loyal, but they demand loy- 
alty. They're feisty as hell. No girl will 
stick beside you like a Southern girl. No 
girl will beat your fucking ass and slash 


your tires and set your shit on fire like a 
size travelers ask for when they're mak- have to win over the roommates, be- Southern girl. 


ing their reservations. cause when she has problems she's going Who gets laid more, Dale Earnhardt Jr. 
to run and talk to them. I'm excellent or you? 
BUBBA IN BABELAND with parents, too. I win them over. My 1 hope for his sake that it's him. I'm 
No rapper is more proud of his South- charm was i stilled at birth. I know how just doing OK. 
ern roots than Bubba Sparxxx, as his vid- 
o for Ugly attests (it features his friends 
partying in a pig sty). Naturally, we asked 
Sparxxx (a.k.a. Warren “Andy” Mathis) 
for some down-home dating tips. 
In Ugly, you say, "I call my girlfriends bet- 
ties and my shits grumpies.” 
Is there a Bubbaism for sex? 
Sex is cutup. Weed is 
schwag. Another term 
for girls 
Do you have а bel 


BE OF THE M 


It's make-or-break time for pop 
queen Christina Aguilera. The 
21-year-old Pittsburgh native 
has a debut album that sold 
more than 8 million copies, a 
1999 Grammy and a successful 
Spanish-language album. But 
what this girl really wants and 
needs is a little respect. Working 


No, I ain't tied down. on a more adult sound, Christi- 
‘The way girls approach na aims to end all comparisons 
me now is amusing. I'm with fellow Mouseketeer 8rit- 
like, “Are you serious?” 1 ney Spears, She has the lungs 
ka knew my limitations as a and the desire. Lost year, 
man before this. I was al- Christina 
NER ways a charmer, a South- dressed 
pelt | ern gent who could get r Y up like 
one or two real, real 
tone cai good-looking girls, but 

In control at the not nine or 10 ridicu- alongside Lil 
core te! lous girls. I'm not say- BURN PRO 
\уотел поме ing I won't indulge in a ERI edi fee 
НИ that breed of female— makarofllady 
їз оһош їтө” 1m human—but 1 know Marmalade. It be- 
—Јеппіег бопег Poy like me for superfi- came MTV's Video of the 
fial reasons. The person Year. Meanwhile, Britney 
1 was before would nev- een Do 
er be in that situation. That's Bubba's A awards fondling a snake. 
world. ‘That ain't Andy's world. We like this sori of com- 
So how do you act on a first date? petition, and we enjoy the 
Keep it simple. 1 might get flow- 98 not-so-subliminal messag- 
ers—six ute and six fed Because PIAGGIO es. н s even enough to 
we're just friends. I'd knock on the make us listen to the music 

door, give her the flowers and shoot every now and then. 
28 the shit with her roommates. You 


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MOST SINGER SONGWRITERS discover alien- fast tracks 


ion and wallow in it. But Alanis Moris- 
sette keeps making quantum leaps in her 


music. She went from anger to under- VERY STRANGE BEDFELLOWS DEPARTMENT: ing Cirque du Soleil. The talks are in 
standing in only two studio albums. un- Feminist firebrand of yore Germaine progress. . . . In this, the 40th an- 
der Rug Swept (Maverick), her lat- Greer is a big fan of Eminem but even niversary year of the Rolling Stones, a 
est, is the first she has written more knocked out by Dr. Dre. REELING survey of 100 stars (including Mick) 
and produced entire- AND ROCKING: Mya has a partintheup- picked Gimme Shelter as the band's 
ly. On it are songs coming musical Chicago, starring Renée greatest song. . . . Producer Phil Ra- 
to her lovers and Zellweger and Catherine Zeta-Jones. . . . топе hosts a new Arts Channel series 
Sete ne Cie Ice-T plays a prison guard in Tracks, a that pairs film directors with their mu- 
functional part- | true story about teens who derail a sical counterparts, the composers of 
ners. She slips out train. . . . Joni Mitchell is the subject the scores. The Score will feature musi- 
of her ego and dem- of a documentary directed by Allison cal performances by Brian Wilson, Patti 
onstrates compas- Anders. In it, Mitchell records a new Austin and Darius Rucker, among 


sion and honesty. Í CD and talks about her paintings and ers... . Classic three-track recordings 
— VIC GARBARINI her reunion with her daughter.... from the Who's archives will be re- 
Tupac's mother, Afeni Shakur, has leased in true stereo this spring. . . . 
Norah Jones is a Р made а deal with MTV to producea Guinness Book of World Records has 
musician from Texas who | re son's life. confirmed that a 2244-pound guitar 
melds jazz and pop. Her modeled on the Gibson 1967 Flying V 
debut, Come Away With Me Ё o thi sof ist the larg playable guitar ever 
(Blue Note), shows a rich blend erry Lee h cte It was | built 
of influences. She interprets the , | h n Е 11 of tud: 
country classic Cold Cold Heart and the n 
original Don't Know Why with equal au- 
thority. Her voice recalls Phoebe Snow 
and Cassandra Wilson, but without the 
melancholy. Jones performs more li 
seasoned vet than a promising rook the best release by a bass singer since rock band doing anything more 
— NELSON GEORGE “Isaac Hayes had his last hit. Freeman than trying for a hit single. The 
transformed gospel bass when he joined Drive-By Truckers, however, 
Last year, the Organized he Fairfield Four. Now he is 73, and his have revealed a towering am- 
Noize cartel in Atlanta 10 gospel classics are powered by soul. bition with their concept al- 
completed its hop — РАУЕ MARSH bum Southern Rock Opera (drive 
conquest with Outkast's ac- bytruckers.com), a two-disc 
claimed Stankonia. Hence There is something magical about ev- set that tells an epic story of 
Even in Darkness (Arista), ery one of the 17 Beatles covers on the growing up in the South in 
on which Outkast, Goodie soundtrack of the recent film I Am sam the post-civil rights era. 
Mob and allies and satel- (V2). The Wallflowers, Sarah McLach- The Truckers celebrate the 
lites coalesce into the new- lan, Ben Harper, Eddie Vedder, Rufus glory days when Southern 
ly dubbed Dungeon Fami- Wainwright, Aimee rock kicked history's ass 
ly. With infectious spirit and sonics, this Mann and others This is great rock and roll and no lost 
assemblage cements Organized Noize’s touch the essence | cause. — CHARLES M. YOUNG 


claim to reincarnate Parliament-Funk- of the Beatles’ 
adelic. The vocal standout is Goodie — tunes while mak- 
Mob's high-voiced Cee-Lo. But, as with ing their own 
P-Funk, the real star is an instantly iden- rend 

tifiable groove. —ROBERT CHRISTGAU 


Australian twang queen Kasey 
Chambers sounds less startling on 
Barricades and Brickwalls (Warner) 
57 4| than on her debut, The Captain. But 
my] this one's worth it for the low-lone- 

| some catch in her voice, the rocking 


It's rare these 
days to hear a 


Beautiful Stars (Dead Reckoning) by 
Isaac Freeman (with the Bluebloods) is 


Crossfire and the audacity of the closing 
track, Г Still Pray. —D.M 


On her second album, Missundazstood 
(Arista), Pink is a woman among girls. 
An MTV staple whose old turf was teen 
pop. Pink collaborated on many of her 
new songs with Linda Perry of Four Non 
Blondes. She pulls them off. —RC 


Garbarini 
8 8 9 8 


Christgau 
8 


Kasey Chambers 
Borricades 


Willie Nelson is at his best when he 
bridges musical borders. The Great Divide 
(Lost Highway) is his most commercial 
effort since Across the Borderline. Nelson 
and Sheryl w collaborate on Be There 
for You, while Kid Rock plays a gun- 
slinger in Last Stand in Open Country. The 
CD is full of surprises. —DAVE HOEKSTRA 


Dungeon Family 
Even in Darkness 
Norah Jones 
Come Away With Me 
Alanis Morissette. 

Under Rug Swept 


30 


www.lifestyles.com 


Ave you thinking what Inî inking? 


T 
— ا‎ right 


32 


ROCK STAR 101 


Everything you need to 
know about being a rock 
star can be found in Mu- 
sicSessions, an interactive 
learning program from 
InsideSessions. For $70, 
MusicSessions students 
receive a CD-ROM and 
three months of access to 
online materials that de- 
tail the mechanics of the 
music industry. The first 
program, From Demo to 
Deal, features advice from 
artists such as Elton John, 
Sting, Rob Zombie, Nelly 
and Godsmack, as well 
as industry insiders In- 
terscope chairman Jim- 
my Iovine and Def Jam 
founder Russell Sim- 
mons, You get all the basics on music 
publishing and label deals, plus sam- 
ple contracts and contact lists. The 
company also offers a $120 package 
that includes a chance to have your 
demo reviewed and critiqued by Uni 


A BETTER LOOK AT BRITNEY 


Britney Spears says she’s “not a girl, not 
yet a woman,” but now you can decide 
for yourself. The pop diva stars in an 
interactive DVD titled Experience Britney 
that uses new video technology called 
FirstPerson to enable viewers to pan, tilt 
and zoom through her concert 
footage in a 360-degree en- 
vironment—all without 
stopping the playback. 
Designed by Palo 
Alto-based Enroute 
Imaging. the multi- 
camera system re- 
cords concert footage 
from numerous lo- 
cations and angles, 
then combines it in- 

to a self-navigated 
video. As B. i 
strutting past you down 
the catwalk, you'll be able 
to use the disc's controls to 
watch her from behind (our favorite), 
follow one of her gorgeous dancers or 
zoom in on screaming fans in the audi- 
ence. While 360-degree video has been 
available in various forms for use on the 
Net, Enroute is looking to bring the tech- 
nology into your living room. Besides 
concerts, the company is hoping to use 
FirstPerson video to enhance the expe- 
rience of viewing music videos, movies, 
documentaries and pay-per-view events. 
In sports such as football, viewers could 


WHERE AND HDW TD BLY DN PAGE IE. 


MARKETING 
у 


PROMOTION 
CONTRACT ) 


ср 


versal Music Group's A&R depart- 
ment. Next up: WritingSessions, an 
online course for aspiring authors, 
with tips from Tom Clancy, Kurt Von- 
negut Jr, Nick Hornby and various 

ublishers. —JASON BUHRMESTER 


pan the camera to catch the coach curs- 
ing out the team or zoom in on the 
cheerleaders. The company also sces 
potential video game applications. The 
first, in a deal with Playstation 2, is a Brit- 
ney Spears game that’s scheduled for re- 
lease sometime this year. Using such eye 
candy as Britney gyrating in concert 
for the debut of FirstPerson begs 
the question of when the 360- 
degree technology will be 
adopted by the adult- 
entertainment industry, 
where such words as im- 
mersive and interactive 
really come to life. We're 
guessing that it won't be 
long now. —LAZLOW 


GAME OF 
THE MONTH 


Occasionally video 
games from Japan are so 
quirky that they manage 
to transcend kitsch com- 
pletely and circle back to 
downright cool. That was 
the case with Jet Grind 
Radio, a game made for 
the Sega DreamCast. Re- 
leased in 2000, it com- 
bined influences from 
Tony Hawk's Pro Skater, 
in-line skating, cheesy 
Eighties break-dancing 


movies and graffiti art with a healthy 
anti-establishment message. The bizarre 
plot centered on gangs of kids on rocket- 
powered skates who spray-paint one an- 
other's neighborhoods in a space-age 
gang war set in 2024 Tokyo. To add to 
Jet Grind Radio's originality, developers 
used a technique called cel shading to 
give it a unique comic-book appearance 
The game's sequel, Jet Set Radio Future, 
has been developed for the Xbox and, 
like the origi- 
nal, it involves 
pulling off slick 
tricks, spray- 
painting ene- 
my turf and 
fighting with 
other skate 
gangsand cops. 
Thanks to the 
memory in the 
Xbox, the new 
game's cities 
are even larger 
and come loaded with pedestrians, cars, 
trains and, of course, plenty of police 
squads determined to bust your gan, 
The action is set to a soundtrack pri 
vided by Beastie Boys side projects 


2000 and the Latch Brothers, plus oth- 
er artists. The game also has multiplay- 
er modes so you can go head-to-head 
against a friend or work together to take 
over the city. 


— WILL O'NEAL 


Fender's Cyber-Twin guitar amplifier 
(S1400) is a virtual warehouse of vin- 
tage equipment. It can reconfigure its 
electronic architecture to create 205 
different amps {including 35 clossics 
from Fender history) and 85 custom 
designs (created fram combinations of 
amp circuitry and dozens af effects) 
and hos space to save 35 of your own 
amp creotions. Got a good design? 
Connect the amp to your PC ond post 
the MIDI file online E 


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ovies 
By LEONARD MALTIN 


HALLE BERRY made news when she bared 
her breasts in Swordfish, then won ac- 
claim for Monster's Ball, which involved 
much more than mere nudity ina graph- 
ic love scene with Billy 
Bob Thornton. Nicole 
Kidman, Kate Winslet 
and Julianne Moore 
also continue to take 
on sexually adventur- 


© Mamé—O Jessica 


ous roles. This month, a pair of films 
from outside the Hollywood mainstream 
feature erotic and challenging parts with 
lesser-known actresses, and one wonders 
how many established stars would be 


Alfonso Cuarón's Y Tu Mamá También 
(And Your Mother Too) is the biggest Mex- 
ican box-office hit, and it isn't hard to see 
why: It’s a contemporary road-trip mov- 
ie about two teenage boys whose sum- 

mer plans—while 


their girl- 
friends are traveling in Eu- 
rope—take an unexpected 
turn when they meet an older 
woman (in her late 20s) who 
is dissatisfied with her mar- 
riage and susceptible to their 
flirting. They concoct a car 
trip, and she throws caution 
to the wind and decides to 
join them—breaking the ties with her 
husband and the dull, proper life she's 
been living. Freeing herself sexually by 
pouncing on her naive new friends, she 
soon discovers the boys are more talk 
than action. The actress who throws her- 


self into this part is Maribel Verdi star 
in her native Spain. 

A couple of talented unknowns have 
the lead roles in Kissing Jessica Stein, a 
small-scale, New York-made film about a 
young woman's first brush with a lesbian 
relationship. Up until now Jessica has 

been heterosexual, but 

impossibly picky (just 

ask her mother, played 

in a classic Jewish mama 
mode by Tovah Feld- 
shuh). A random encoun- 
ter with a woman who is 
openly experimental in 
her sex life begins to gnaw 
at her sense of conven- 
tion. But is Jessica ready to 
make such a leap—and is 
she ready to admit it to her 
friends and family? What 
makes Jessica Stein so enter- 
taining is that it isn't a mes- 
sage movie nor a tract. It's a well-told 
story about the unpredictability of love 
and relationsbips in a world where all 
the old rules are crumbling. Its likable 
stars, Jennifer Westfeldt and Heather 
Juergensen, also wrote and produced 
the film, which was directed by Charles 
Herman-Wurmfeld. 

Both these films are well served by un- 
familiar actresses; in truth, stars might 
have been a distraction. But until more- 
established actresses dare themselves—as 
Halle Berry has, with such success—we 
may never know. 


bold enough to tackle such material 
THE BEST AND THE WORST OF 2001 


The Devil’s Backbone: A genuine original— 
Guillermo del Toro's ghost story set in Thir- 
ties Spain. 

Hedwig and the Angry Inch: An odd but en- 
dcaring tale of a rock-star wannabe who 
survives a botched sex-change operation. A 
triumph for first-time director John Cam- 
eron Mitchell. 


A Beautiful Mind: Russell Crowe 
scores again in a flawed but inter- 
esting film that provides a breakthrough for 
the underrated Jennifer Connelly. 

Amélie: À fresh French charmer from film- 
maker Jean-Pierre Jeunet. 

Stertup.com: À documentary with more drama 
than most fictional films. 

Monsters Ball: A beautifully nuanced drama 
about two lost souls, perfectly played by Billy 
Bob Thornton and Halle Berry. Special ku- 
dos to first-time screenwriters Milo Addica 
and Will Rokos, and director Mare Forster. 
No Man's Land: The absurdity of war is cap- 
tured in Danis Tanovic's film about a Serb 
and a Bosnian trapped between lines. 
Songcatcher: Maggie Greenwald's resonant 
story about a woman who discovers herself 
while gathering folk songs in Appalachi: 
1 Am Sam: Sean Penn gives the performance 
of the year as a mentally retarded man who 
fights to maintain custody of his daughter. 
Michelle Pfeiffer's a standout as his high- 
powered, self-absorbed lawyer. 

Lantana: An adult drama of love and infidelity 
cloaked in the guise of a police procedural. 


Down to Earth: À crass, un- 

funny fantasy caught be- 
tween Chris Rock and a hard place—and 
an insult to the 1941 original, Here Comes 
Mr. Jordan. 
Monkeybone: Another awful movie with 
Brendan Fraser, who emerges un- 
scathed from one disaster after another. 
Corky Romano: An alleged comedy fea- 
turing the guy who's always funny for 
five minutes, Chris Kattan. 
See Spot Run: One family film you 
wouldn't send any family to see. 
Town and Country: Proof that big names 
such as Warren Beatty and oodles of 
money can't save a doomed film. 
The Mummy Returns: Winner of 2001's 
stupid-sequel sweepstakes. 

Jennifer Connelly. 


33 


In the wake of September 11, Holly- 
wood feared that the last thing Ameri- 
can audiences would want to see was a 
war movie. But the success of Behind En- 
emy Lines (with its shameless flag-way- 
ing finale) and Black Hawk Down (which 
doesn't even depict a successful U.S. mis- 
sion) shows that moviegoers are primed 
for action. Is this a means 


Stars back in khaki. 


of catharsis, or has the 
war in Afghanistan gi 
en us a new арргесї 
tion for those who de- 
fend our freedom? 

Either way, there are 
more war movies in the 
works, including John 
Woo's Windtalkers, with Nicolas Cage, 
which was originally scheduled for re- 
lease in November. Here is a story that's 
never been depicted on-screen before: 
the use of Navajo soldiers for commu- 
nications during World War II. The 
film should go a long way to boost the 
stock of actor Adam Beach. 

Bruce Willis, who flirted with making 


a movie based on the vintage TV series 
Combat, has chosen a different kind of 
WWII vehicle in Hart‘s War, which takes 
place at a POW camp where an Ameri- 
can officer initiates a court-martial to 
disguise an escape plan. Even after all 
these years, there's still no villain quite as 
useful as a Nazi. 
And Mel Gibson stars in We Were 
Soldiers, playing Lieu- 
tenant Colonel 
Hal Moore of the 
U.S. Air Cavalry, 
who led the first 
major incursion 


THE 
THEATER 
OF WAR 


into Vietnam in 1965 and promised his 
men, “1 will be the first to step on the 
field and I will be the last to step off, and 
I will leave no one behind.” Sam Elliott 
managed to land a plum part playing 
Gibson's top sergeant. 

Will there be even more warfare 
on-screen? Just so long as people keep 
Paying to see it. 


SCENE STEALER 


I have neve. 


SCORE CARD 


capsule close-ups of current films 
by leonard maltin 


Big Bad Love Arliss Howard wrote, di- 
rected and stars in Larry Brown’s sto- 
ry of a writer trying to put his messy 
life in order. A compelling, highly 
personal film, told in nonlinear fash- 
ion—and a welcome return for Debra 
Winger (Howard's real-life wife), who 
also produced this offbeat могу. УУУ 
Birthday Girl Nicole Kidman is always 
watchable, this time as a Russian 
Internet-order bride who brings tur- 
moil into the life of mousy bank clerk 
Ben Chaplin—but the story doesn't 


make a lot of sense. уу 
The Count of Monte Cristo James Caviezel 
does an impressive turn as Edmund 


Dantes in this surprisingly good ren- 
dition of the Dumas classic about be- 
trayal and revenge. Guy Pearce is a 
snarly villain, and the i table Rich- 
ard Harris is Caviezel's wizened fellow 
prisoner who helps him escape. ¥¥¥ 
Crossroads Britney Spears stars in a 
tailor-made teen vehicle that gives its 
audience what it wants: two songs 
and Britney in her underwear. YY) 
Kissing Jessica Stein A New York career 
woman chances to meet another wom- 


an who is looking for sexual adven- 
ture and, to her own astonishment, 
finds herself in love. An entertaining 
and provocative film about modern- 
day relationships. wy 
Last Orders Bob Hoskins, Michael 
Caine, Tom Courtenay, David Hem- 
mings and Ray Winstone make any 
film worth watching—especially when 
directed by the talented Fred Sche- 
pisi—though this story of longtime 
drinking buddies about to bury one 
of their own never reaches the emo- 
tional heights one wants it to. ¥¥/2 
Monsoon Wedding Mira Nair s percep- 
tive, life-affirming and universal story 
of the tumult surrounding a wedding 
in India. 

The Mothman Prophecies Richard Gere's 
loving wife (Debra Messing) dies after 
a mysterious crash, which leads Gere 
to a small town where he and the 
sheriff (Laura Linney) try to explain 
the unexplainable. They fail. vy 
Pinero Benjamin Bratt is impressive as. 
the Nuyorican playwright, but Leon 
Ichaso's film never unlocks the mys- 
tery of this self destructive talent. УУУ» 
Y Tu Mamá También A sexy road mov- 
ie from Mexico about a woman who 
abandons her dull married life and 
goes on a car trip with two teenage 
boys. The parts seem greater than the 
whole in this intriguing film from di- 
rector Alfonso Cuarön. Vy; 


¥¥ Worth a look 
V Forget it 


¥¥¥¥ Don't miss 
¥¥¥ Good show 


Bombay Sapphire Martini 
by Jonathan Adler 


SAPPHIRE INSPIRED 


GUEST SHOT 


"| love musicals—Singin’ in the Rain, The 
Wizard of Oz, Meet Me in St. Louis, Cab- 
aret—because of the suspension of dis- 
belief and my love for dance 

and music,” says direc- 

tor John Landis (Animal 

House, Blues Brothers 

and Beverly Hills Cop 

Ш). "The last really 

good musical was Dis- 

f ney's Beauty and the 

Beast. But | like horror films, 

too. Psycho is a brilliant film, 

and so are 2001: A Space 

Odyssey, Bride of Franken- 

stein and The Evil Dead— 

which, of course, couldn't be 

- further from Singin’ in the 

‚Rain and The Wizard of 02." —Susan KARUN 


BUDDIES WITH BADGES 


Robert De Niro and Eddie Murphy swap 
barbs as misfit police partners in Show- 
time, a comic send-up of that most com- 
mercial, ever-lingering genre—the bud- 
dy-cop movie. Here are some of the 
notable antecedent: 
Bad Boys (1995): deceive a violent 
drug lord, married detective Martin Law- 
rence assumes swinging bachelor Will 
Smith’s life while Smith has to pretend 
to be married to Lawrence's wife. Amid 
the hilarity, director Michael Bay keeps 
the action going full-throttle. 
Stakeout (1987): Seattle detective Richard 
Dreyfuss sneaks into Madeleine Stowe's 
bedroom to plant a bug and go under- 
cover—her covers, that is. Partner Emi- 
lio Estevez listens in (the perv). 
Running Scored (1986): Ordered to go on 
vacation by their captain, Chicago detec- 
ives Billy Crystal and Gregory Hines 
il it to Key West, but bad guy Jim- 
my Smits won't leave them alone. The 
high-cnergy chemistry between Crystal 
and Hines is worth it; the fanciful shoot- 
out at the finale is a bonus. 
Internal Affairs (1990): No fear of frater- 
nization here: LAPD partners Andy Gar- 
cia and Laurie Metcalf havea lot in com- 
mon—they both like women. Richard 
Gere, in a rare turn as a villain, is rivet- 
ing as the dangerous, manipulative de- 
tective they're investigating. 
Rush Hour (1998): The clash of cultures is 
caustic: Chris Tucker is a hip-hopping 
American detective teamed with Hong 
Kong cop Jackie Chan, who gets to say 
the immortal line, “Wassup, my nigga?” 
Lethal Weapon (1987): The cheese-free 
granddaddy of the genre. Family man 
Danny Glover, ready for retirement, is 
teamed with suicidal loner Mel Gibson. 


36 Gibson's fight with psycho Gary Busey at 


the end is for the ages. 

The Super Cops (1974): Batman (Ron Leib- 
man) and Robin (David Selby) defy the 
Bill of Rights and the Geneva Conven- 
tion in bringing down NYC's drug deal- 
ers. Based on real-life detectives Dave 
Greenberg and Bob Hantz, who make 
cameos as—what else?—cops. 

The Rookie (1990): Hard-drinking, aging 
detective Clint Eastwood is partnered 
with troubled rookie Charlie Sheen to 
bring down a violent car-theft gang. 
Dirty Harry should leave this clunker off 
his résumé. —BUZZ MCCLAIN 


DISC ALERT 


Some 20 years after he hung up the 
gloves, Muhammad Ali is celebrated in 
Michael Mann's Ali and a string of new 
videos, including a DVD rerelease of the 
incredible 1996 documentary When We 
Were Kings (USA Home Entertainment, 
$20), about Ali's 1974 title fight with 
George Foreman in Zaire. But fans who 
would rather not take a rope-a-dope ap- 
proach to Ali's legacy are advised to grab 
The Last Hurrah (Rhino, $20). Hurrah doc- 
uments Ali’s final bout, the 10-round de- 
cision that he dropped to Trevor Berbick 
on December 11, 1981. A little less than 
a month away from his 40th birthday, 
bloated and stung by Parkinson's, Ali is a 
harrowing and pitiful exercise in pride. 
“Туе never seen him more somber,” the 
ringside announcer says of the champ, 
who awaits the opening bell with solemn 
resignation. Ten rounds later, Ali, still 
standing somehow, announces his retire- 


Arguably the best 
TV show about a 
TV show, The Lar- 


ry Sanders Show: 

The Entire First 

Season (Columbia 

TriStar) is a great ad- 
dition to the DVD li- 
brary. Ushering in the 
era of HBO's superior programming, Larry 
Sanders treated its audiences with irony, 
smart dialogue and situations that could 
actually pass for adult. Plus, it afforded the 
occasional welcome flash of skin. If you 
missed any part of that season, or just 
care to savor Dana Delany's appearance 
again (episode two), here's your chance. 


ment at ringside. The sweet science has 
offered few moments more bitter than 
this muttered amen. 

À new release of George Roy Hill's 
Slap Shot—one of the all-time great sports 
movies—marks its 25th anniversary in a 
new special edition ($27, Universal Stu- 
dios) featuring what promises to be one 
of the year’s most inspired commentary 
tracks. The oddball Hanson brothers (ac- 
tually David Hanson, Steve Carlson and 
Jeff Carlson), who parlayed their roles 
alongside Paul Newman and Michael 
Ontkean into iconography, fittingly pro- 
vide the blow-by-blow— GREGORY P FAGAN 


‘SUSPENSE 


Training Doy (dirty cop Denzel Washington—dazaling in on 
against-type turn—shows rookie Ethan Hawke the ropes), 
Domestic Disturbance (John Trovolta—sainily in a patemol 
turn—saves his son from scummy stepdad Vince Vaughn). 


SLEEPER 


Heist (fence Danny DeVito goods Gene Hackman into one 
lost job; from David Mamet, this month's best bel). Bandits 
(Bruce Willis and Billy Bob Thornton hom it up as o modem 
Butch and Sundance; works better on the small screen), 


HORROR 


From Heil (London cop Johnny Depp dopes up to get inside 
Jack the Ripper's fugitive head; the best whodunit in years), 
Bones (os the Soton-meets-Superfly center of this dazzling 
hip-hop gorefest, rapper Snoop Dog is a red-eyed howl). 


DRAMA 


The Lost Castle (jailed war hero Robert Redford locks choris- 
ma with prison warden James Gandolfini: a bit rote bul re- 
warding), K-Pax (Kevin Spacey swears he's с spaceman, ond 
shrink Jeff Bridges wonders; no Cuckoo's Nest, but it still flies). 


YOUR SOFT SIDE 


A.l.: Artificial Intelligence (robot boy Haley Joel Osment just 
wants love; Kubrick-vio-Spielberg fantasy soars despite sap}, 
Life as a House (terminally ili architect Kevin Kline rebuilds 
dad's bungalow: as good as Lifetime-for-guys can gel). 


affiliate. ©2002 U.S. Smokeless’ 


pco Co. or an 
à 


» 


Fresh Cope (© 


It satisfies: № 


a Gpenhag 


LONG 


eng 


CUT 


By MARK FRAUENFELDER 


ONLINE MUSIC—SMART AND DUMB. 


Record companies just don't get it. In December, Real 
works announced its new Music Net song subscrij 

(musicnet.com), which allows customers to download popular 
tunes onto their computers for $10 a month. MusicNet boasts 
a large inventory of high-quality music—more than 100,000 
songs from the catalogs of Warner Music, EMI, BMG and 
Zomba. Sounds great, but don't sign up until you've read the 
fine print: You're limited to 100 downloadable songs and 
100 live streams per month. Worse, MusicNet uses anti- 
copying technology that prevents you from moving the 
songs from your computer to an MP3 player. In other 


words, you're expected to pay 
$10 a month to listen to three 
new songs a day through a 
crappy little computer speaker. 
I won't be surprised if this site 
has croaked by the time you 
read this. Meanwhi 1 have 
signed up for emusic.com, an 
infinitely better service that al- 
lows unlimited downloads from 
a library of 200,000 MP3 songs 
for $10 per month (based ona 
one-year contract; a three-month 
contract is $15). You won't find 
any Britney Spears, but you will 
get tons of great jazz (like Twen- 
ties-era jazz and blues from the 


tions (" Where's the best shrimp remoulade in New Orleans?”) 
and you can listen to reviews, recipes and food-related rants 
by clicking on the Radio Free Chowhound link. (Warning: 
Don't read this site on an empty stomach.) 


FLIGHT FARE FINDER 


I have had my problems with online travel agencies, but Fve 
started using a travel program called SideStep (sidestep. 
com). After downloading a small application from the site, 
you will notice an icon of a jetliner in your browser's toolbar 
(the system works only with 
Windows). Whenever you 
need to book a flight, click on 
the icon and enter the cities 
and dates. SideStep searches 
more than 100 sources for the 
best prices. Using SideStep, 
I found a round-trip ticket 
from Burbank to Oakland for 
$130. The best Orbitz (or 
bitz.com) could do for flights 
on the same day was $313. 
Expedia (expedia.com) fared 
even worse, coming in at $377. 
I'm still nervous about book- 
ing a flight online, though. I 
usually print out the flight in- 
fo and ask a travel agent to 


give me the same deal. 
(If everyone did that, 
sidestep.com would go 
bust. But I'd prefer 
that to getting burned 
by an online travel 
agent again.) 


WORLD OF PIN-UP 
I'm a big fan of pin- 
up art—especially the 
work of Gil Elvgren, 
Zoë Mozert and Alber- 
to Vargas. Compared 
with these artists, Oliv- 
ia is a newcomer. I first 


Yazoo label), classic surf music 
and a library of late-Seventies and carly-Eighties punk. My 
iPod is loaded with 948 songs from emusic.com, and I'm 
burning MP3 CDs so fast the computer is smoking. 


GUERRILLA GOURMANDS 


"re told at Chowhound.com is that it's not a 
site for foodies. “Foodies eat where they're told. They eagerly 
follow trends and rarely go where Zagat hasn't gone before. 
Chowhounds, on the other hand, blaze trails, gleefully comb- 
ing neighborhoods for hidden culinary treasure.” The site 
was started by Jim Leff, a professional food critic who wanted 
a hype-free forum where he and fellow chowhounds could 
about their favorite subject: sitting down at diners, dives, 
and restaurants—and digging into the grub. The hun- 


The first thing y 


38 рту folks who hang out here are happy to answer your ques- 


saw her work in the 
early Eighties, and while 1 thought her paintings of Bettie 
Page and other retro models were well executed, they didn’t 
stand up to the works of the premiere artists. After attending 
the opening of Olivia's American Geisha show at the Tamara 
Bane Gallery in Los Angeles, I've changed my mind. Olivia is 
a major talent. You can see for yourself at worldofpinup.com. 


QUICK HITS 
Find out if there's any money coming to you at classaction 
ame om. ... Alison has kindly stuck a webcam in her 


pants. Take a peck at pantscam.com. . . . Make your own 
Bruce Lee action flick at skop.com/brucelec. Not all self- 
published online novels suck. Try dirtyredkiss.com, a San 


Francisco love story. 


Great Lovers Are Made, Not Born... 


— 


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IMMIGRANT NIGHTMARES 


The Short Sweet Dream of Eduardo Gutierrez (Crown) is a short, bit- 
ter masterpiece. Gutierrez was a 21-year-old illegal immigrant 
who was killed in a construction accident in Brooklyn in 1999. 
According to the book, the developers had “major funda 
ing ties to the administration of Mayor Rudolph Giuliani, 
which is why the story should have played well in the press. 
But Gutierrez’ name received scant coverage. In the stark, 
direct prose that marks his style, Jimmy Breslin reconstructs 
the life of the young man. 
He traces Gutierrez! deter- 
mined journey from a small 
Mexican town to a job in 
New York that he hoped 
would enable him to save 
enough money to return 
home, marry his sweet- 
heart and help his fam 
Breslin comes at Gutierrez 
story like a prizefighter 
stalking a bigger opponent. 
Breslin's adversary is a two- 
headed, two-faced govern- 
ment: the feds (with their 
futile and often dangerous 
immigration and drug poli- 
des along the Mexican bor- 
der) and the Giuliani ad- 
ministration in New York (where campaign contributors 
apparently were a higher priority than the workers). Bres- 
lin reminds us that there are thousands more stories like Ed- 
uardo's all over the U.S. — PAUL ENGLEMAN 


W | — f. 


With the economy struggling, what's on out-of-work dot- 
commer to do? Or someone stuck in a dead-end job? To 
the rescue comes Adoms Medio's JobBonk series. Focusing 
on on individual city such as Chicogo, New York or Los 
Angeles, each volume lists thousands of profiles of potential 
employers, with addresses, phone numbers, positions and 
hiring requirements. If you're willing to relocate, pick up 
Adams Media's Internet Job Search Almanac 2001-2002, It 
points out the best sites for posting your résumé and finding 
the lotest job listings—so you don't have to pound the pove- 
ment. Once you've trocked down that dreom job, you'll 
need Cover Letters That Knock ‘Em Dead by Mortin Yate to 
get noticed by the hiring manoger, and Knock ‘Em Dead 2002 
or The Everything Job Interview Book, with cheat-sheets for 
more than 200 tough interview 
questions. Next step: 
‘employment. 
—JASON BUHRMESTER 


WIRED TO THE FUTURE 


According to China Dawn (Harper Business), an eye-opening 
new book by м.лувоу Contributing Editor David Sheff, there's 
an almost-secret revolution going on in China. Mixing human 
interest with firsthand research, Sheff follows a pair of ven- 
ture capitalists who, shaken by events at Tiananmen Square, 
vow to drag their country into the 21st century by way of 
technological advanc- 

es. This gang of two, 
Bo Feng (a Shanghai- 
born California invest- 
ment banker) and Ed- 
ward Tian (one of the 
creators of China’s In- 
ternet) raise the level of 
technology in their na- 
tive land. A friend to 
both, Sheff provides a 
riveting play-by-pla 
Feng and Tian create 
a company, struggle 
for funding, battle gov- 
ernment distrust and 
emerge as leaders of 
what appears to be a 
new age of enlightenment in China. We're also introduced to 
a fascinating cast of Asian visionaries—including Wang Zhi- 
dong, producer of the most popular homegrown software 
program in the nation. Zhidong wanted most to become the 
Bill Gates of China, but failed because, as Sheff notes, “the Bill 
Gates of China will be Bill Gates.” There are some things that 
can't even be changed by revolutions. —DICK LOCHTE 


BON APPETIT 
We always thoughi 
the easiest way to 
get a woman to have 
sex with you on your 
kitchen floor wos to 
get her loaded. Now 
there's a sexier alter- 
notive. Temptations (Fireside), by Michael and Ellen Albertson, 
teaches you how to stuff a woman with such aphrodisiacs as 
oysters, while leaving enough room for dessert. History buffs 
should check out In the Devil's Gorden (Ballontine). Many foods 
have been condemned or banned becouse of their supposedly 
sinful effects. Stewort Lee Allen provides recipes for several of 
these devilish dishes. —PATTY LAMBERTI 


SEXY STORIES 
Steve Almond's stories dissect the dynam- 
ics of sexual relotionships. His riffs on love 
gone wrong ore tinged with meloncholy 
ond humor as well as o robust enthusi- 
osm for sex. In the title story of his debut 
collection, My Life in Heavy Metal (Grove]— 
first published in PLAYBOY—an entry-level | 
newswriter is assigned to cover hair 
bands, whose crotch-grabbing machis- 
mo fuels his own reckless offair. Other 
Almond stories about sex on the presi- 
dential campoign trail, rough sex in Po- 
lond and o fistfight between two wom- 
en in Greece capture out-of-control 
moments with the measured skill of o 
writer twice his age. 


STEVE ALMOND 


ALL ABOUT ASHTON 


For six years co-host 
Juli Ashton has been 
giving America good 
sex chat on Playboy 

TV's Night Calis. “I 
was in the right place 
at the right time. The 
show changed my life,” 
she says. “I grew up in 
Colorado, went to Col- 
orado State University 
and taught junior high 
for a year. But 1 hat- 
ed teaching, so I went 
back to dancing." Juli 
then amassed an impressive list of adult- 
film roles. Her favorite is Essentially Juli 
Now the 32-ycar-old sexpert is working 
toward her doctorate at the Institute for 
Advanced Study of Human Sexuality. 


There is no doubt she will graduate with 
honors. 


FEEL LIKE PHONE SEX? 

Playboy TV takes interacüve television 
to the next level with Night Calls, a 90- 
minute live show during which callers 
share secret fantasies with hosts Juli Ash- 
ton and Tiffany Granath. "The live as- 
pect is what makes it so popular," Juli 
says. “You can't lie on live TV. The view- 


ers will catch you. Tiffany is a riot, 
and that's just her—she isn't act- 
ing. Love us or hate us, our per- 
sonalities make the show." When 


tuning in, expect the unex- 
pected. “The viewers have 
taught me so much. I appreci- 
ate how sexual America 1s,” 
Juli says. “People have amaz- 
ing sex in the Midwest and 
other places that are tradi- 
tionally conservative. During one 
call, we directed three girls and 
two guys through an intense sexu- 
al scenario. We have also demonstrat- 
ed how to make a dildo from your boy- 
friend’s penis. Night Calls caters to what 


iy SULT 


real people are doing and thinking and 
what turns them on. Unlike mest porn, 
it's not an image created by one man 
Women are in tune with our show be- 
cause it’s not threatening. They're not 
being pushed into something that's un- 
comfortable.” Night Calls airs the first 


Only choice 
pole climbers 
make the 
cut on 

Strip Seorch. 


and 
third 
Wednesday of every 
month at 11 р.м. EST 
and 8 P.M. PST. 


POLE PROS 


Private dancers 
from exclusive gen- 
tlemen’s clubs get 
the star treatment 
on Playboy TV's 
Strip Search. "Great 
strippers never lose 
their attraction to someone in the audi 
ence,” Juli says. “You have to make the 
experience sexual. 1f guys don't think 
you're enjoying it, they won't get turned 
on." In terms of lap dances, does she 
give as good as she gets? “I would rather 
receive one from a girl and give one toa 
guy,” she says. “Ladies, let your husbands 
go to a strip club, because there's noth- 
ing happening. It's a joke among strip- 
pers because it's the safest place for your 
men. It's about exhibition, not random 
sex.” Strip Search premieres Monday, 
March 4 at 10 p.m. EST and 10 р.м. PST: 


THIS MONTHS PICKS 


PLAYBOY Y) 


MANSION 


[ГЛ УЛ еее 


MODEL BEHAVIOR 
When Cindy Crawford first posed for us 
in July 1988, we marked the occasion by 
hiring photographer Herb Ritts. Ritts 
had earned Crawford's respect when he 
photographed Paulina Porizkova and 
Brigitte Nielsen for pLaysoy in 1987. “1 


never imagined that I'd do a layout,” 
Crawford said at the time. “Then I saw 
what Herb Ritts did with Brigitte and I 
thought, Wow, if he can make her look 
that good, I'd love to see what he could 
do with me.” Obviously, the issue was 
а smash. “It became an instant classic, 
paving the way for other supermodels 
such as Stephanie Seymour to appear 
in PLAYBOY," says Photography Director 
Gary Cole. In October 1998 Crawford 
and Ritts teamed up again for what 
turned out to be the 
year's best-selling is- 
sue. Check out Craw- 
ford's pictorials as 
well as other clas- 
sic celebrity nudes at 
cyber.playboy.com. 


SEX ED 


Feeling lackluster 
in the sack? Tune 
in to Playboy.com's 
Love and Sex sec- 
tion for weekly, bat- 

tle-tested sex tips on everything from 

finding her clitoris to turning a chair in- 
42 toa rocking sex prop. Missed a week on- 


line because you were 
too busy getting laid? 
Don't worry, they're 
archived. When your 
girl ends up sweaty 
and satiated, you'll be 
thanking us. 


THE ANIMAL 
HOUSE HUNT IS ON 


PLAYBOY is doing an off- 
the-hook, kegs-and- 
babes-galore search for 
the best party schools 
in the U.S. The results 
will be published in 
our October 2002 col- 
lege issue. Is it your 
school? We want the 
dirt. Go to the On 
Campus section of 
Playboy.com for the 
details, then explain 
to partyschools@ 
playboy.com why your 
college is the coolest 
party school in the 
nation. Come spring, 
you may find us in- 
vading your campus 
bars, frat houses and 


CYBER GIRL OF THE M 


HE ||| 
| | 


A bit of advice for the betrothed: Unless you want to risk 
conceling the nuptials because you've fallen for another 
woman, do not hire wedding planner turned Morch Cyber 
GiloftheMonh — Why wedding 
planning? "You get the chance to see what people who ore 
extremely in love are like,” she soys. "I see good examples 
of what I would like in a husband." Heother is currently sin- 
gle, and here's what she's looking for: “A guy who con hold 
о decent conversation and who has great eyes. I'm not 
picky in terms of looks." See more photos and a video of 
Heather ond our other Cyber Girls at cyber.playboy.com. 


parties. And if we publish your response, 
you could win a Playboy prize. We can't 
think of a better reason to crack open a 
cold one. Cheers. 


THE SWEETEST 16 


Even if you're not crazy 
about college basketball, 
you can still have a blast | 
during March madness. 
When the games begin on 
March 14, Playboy.com 
kicks off its own sweet- 
16 tournament in which 
sexy coeds go head- 
to-head to determine 
which school has the 
hottest student bodies. 
We will choose four col- 
leges from each of four 
regions—Northeast, 
South, Midwest and 
West—and Playboy. 
com users will yote 
on the matchups. 
Asan added bonus, 
Playboy Cyber Club 
members will be re- 
warded with nude 
pictorials from each 
campus. This is a 
single-elimina- 
tion tournament 
with two of the 
schools bust- 


ing their way to the finals. Get in on all 
the voting action at Playboy.com. 


CHAT ME UP 


Quick, if you could ask a Playmate or a 
Cyber Girl anything, what would it be? 
“What's your favorite position?” “Where 
do you see yourself in 10 years?” “Who's 
hotter, Britney or Beyoncé?" Queries 
from the dumb to the deep are wel- 
come at cyber. playboy.com, where 
Playmates and Cyber Girls chat 
live at least four times a weck. 
Want to read what Liv Linde- 
land said in 1998 about being 
the first Centerfold to show pu- 


HUGH HEFNER: | have always thought 
that my life and PLAYBOY are like 
on inkbiot test. People project thelr 


dreams, fantasies and prejudices on- 
to PLAreor, 


bic hair? Or what Brande Roderick 
said before being named Playmate of 
the Year? Or Hugh Hefner's thoughts 
in 2000 about the future of the mag- 
azine, the Internet and how he picks 
Playmates? No problem. Transcripts 
have been archived since May 1997, 
when Tylyn John became the first Play- 
mate to do a live discussion. Get to 
know the women of PLAYBOY—our fa- 
vorite talking Rabbit Heads. 


II 


" Е My 


Sd 


44 


By ASA BABER 


FIRST THINGS FIRST: The Men column be- 
gan 20 ycars ago this month with “Role 
Models,” and there were many times af- 
ter its birth when I didn't think it was go- 
ing to survive. Nevertheless, it has been 
an honor and a privilege to have a page 
of my own in this magazine over three 
decades. 

Many of you have traveled with me for 
much of this journey, and I thank you 
from the bottom of my corrupt and per- 
verted little heart for your friendship 
and feedback. You may not realize it, but 
your letters, e-mail and calls kept this 
column alive, even when numerous peo- 
ple were knocking it. It’s still standing 
because of you, and for that I owe you 
big time. You kept me in the writing 
game and that beats working for a g- 

Now, on to the business of the day, 
which is to examine a difficult topic we 
don't talk about much—not even among 
ourselves. 

I speak ofa major male fear—the fear 
ofembarrassment. I maintain that it mo- 
tivates us and freezes us and drives us 
night and day. It colors our moods, af- 
fects our choices and channels our ener- 
gies. Sometimes our fear of embarrass- 
e us as funny, sometimes it 
can scem scary, but we struggle through 
it, mostly in silence. Now is the time to 
bring it out of the closet. 

I call it the Big E, and I say it can rule 
us or ruin us. As examples, allow me to 
illustrate two moments from my scuzzy 
life (you will relate to them, I promise): 

Item #1: 1 was 12 years old, а skinny 
punk with a bad complexion, crooked 
front teeth (still got ’em!) and an edgy, 
wiseass attitude honed on the South Side 
of Chicago. By this age, I was no longer 
a virgin, Га tried many drugs, I was a 
petty thief and a wary gutter rat. I at- 
tended school less than half the time 
(truth!) and wandered up and down 
47th Street every chance I got, poking 
my nose like a spy into bars and bookie 
joints. I loved every bit of it. But my life 
was complicated, because I was also re- 
quired to visit my grandmother for a few 
weeks every summer in a small town in 
farm country. The gap between those 
two cultures was enormous. 

One day, while visiting my grand- 
mother, 1 was invited to a swimming par- 
ty at a nearby lake. It sounded good to 
me, so I took my seedy swim trunks and 
hitched a ride to join the fun. The boys 
changed in one set of rooms, the girls 
in another. What followed in the water 
was a little too innocent for me, but what 
the hell. It was better than sitting in my 
grandmother's living room, watching 
her watch professional wrestling on TV. 

The Big E hit me after the swim. I was 


THE 
BIG E 


alone in a dressing room that shared a 
thin wall with the room where the girls 
were changing. 

“Did you see his legs?” I heard one of 
them asking. “My God, did you look at 
them skinny little things poking out of 
his trunks?” 

Another voice chimed in, “And he's 
gota pimple on his back as big as a boul- 
der.” I listened, mortified. They were 
talking about me. They dissected me as if 
I were a frog in a biology class. 

“He rubbed up against me when I was 
in the inner tube and I almost smacked 
his ugly face,” said another of the coun- 
uy girl angels. The beat went on. When 
they finally sheathed their scalpels, there 
was nothing visible left of me on their 
cutting board. 

I wanted out of that place in the worst 
way, but I also lived by my own pugna- 
cious code of honor, and Lrefused to run 
and hide. (Yes, it is possible the Men col- 
umn was born at that moment.) 

The Irish in me, which is considerable, 
demanded that I go out and face my de- 
tractors and get through the rest of the 
afternoon—which I did. But I under- 
stood then and there how hard it is for 
men to deal with embarrassment, espe- 
cially when confronted with the mock- 
сту of women. Nothing has changed my 
opinion in the intervening years. 

Пет #2: Two years after that episode, 
1 was sent to an exclusive all-male prep 
school on the East Coast. There has ney- 
er been anyone more poorly prepared 
for that culture shock than yours truly. I 
soon discovered that mortification can 
be a male-on-male transaction as well. 

‘There were many embarrassments for 
me in that environment, from my paltry 


wardrobe to my lack of a strong educa- 
tional foundation (all those days I cut 
school in Chicago came back to bite me 
on the butt here). But the Big E hit me 
hardest in the arca of my empty wallet. 

It was obyious to all of my classmates 
that I had no money. I didn't go any- 
where on weekends. But then my grand- 
mother sent me a $100 check as a sur- 
prise. I made a call and managed to con 
some poor girl from New York City into 
a date. Then I talked with some class- 
mates and explained my problem. “Give 
me the name of a nice but inexpensive 
restaurant,” I said. “I want to impress 
this babe, but my budget is tight." 

You know the rest. They thought emp- 
ty wallets were an amusing condition, so 
they gave me the name of a nice, expen- 
sive restaurant. I went in, sat down with 
my date, opened the menu and immedi- 
ately turned crimson (again). I told her I 
was not hungry but she should feel free 
to eat. She did. Believe me, she did. АЕ 
terward, I took her home in a taxi and 
then, dead broke, walked six miles to 
Penn Station and went back to school, 
only to meet the mockery of my semi- 
chums, all of whom loved to see me 
blush, none of whom understood how 
broke I really was. 

It was not lost on me as I studied the 
laughing hyenas in their preppy cloth- 
ing (clothes I later adopted as my own to 
avoid the embarrassment of 
ly dressed) that there was a big differ- 
ence between the swim party and this 
episode. The country girls who diced me 
and sliced me were protected by society 
and custom from my revenge. I had no 
way to fight them or turn the tables. But 
the guys who embarrassed me were a 
different story: With them, all bets were 
off; I could fight them or shun them or 
pick atime to embarrass them in return. 
With my fellow men, | was free to boo- 
gie. It was a great fei 

Those moments turned out to be in- 
structive. I didn't go to another coed 
swim party until my body filled out. You 
can bet on that. My New York escapade 
taught me that young people born into 
relative affluence have no idea what it's 
like to be raised in difficult surround- 
ings and are contemptuous of the habits 
and instincts of those who come from 
the wrong side of the tracks. The Big E 
taught me a great deal. 

If something happens to you today 
and you feel that familiar crimson tide of 
shame flow over your face and neck as 
the Big E squats on your soul, just re- 
member: Embarrassment is a 13-letter 
word for something we all experience— 
because only dead men don't blush, 


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Swing Is King 


Getting more distance off the tee comes down to efficiency. In the 
golf swing, that meons hitting the ball in the middle of the club 
face squared ta the target—something most omoteur golfers con- 
nat do consistently. Colloway’s clubs, like the ERC II driver pic- 
tured here with a computer-enhanced graphic, hove on enlorged 
sweet spat, making it easier for ama- 

teurs and pras alike to 

achieve peok effi- 
ciency. A ball 
coming aff the 
middle of the club 
face will have 1.5 
times the club- 
head speed (a 100- 
mph swing would pro- 
duce o ball launch af 150 
mph). But design can't do it 

olane. Clubs fitted specificolly far a 
golfer's swing increose his ability to hit the club foce squore at 
impoct, and that's why pros won't step on the first tee without fit- 
ted clubs. You can get PGA Tour-like treotment ot Callaway's 
plont in Carlsbod, Californio—far free. A letter or call from a 
Colloway retailer or golf club pro will get you on the waiting list, 
but you hove ta pay your woy ta Carlsbod. 


| 47 


48 


Dessert 
Storm 


Liqueurs look 
ў great in your 
j liquor cobinet, but 
how often do you 
hove an ofter-dinner 
drink that isn't cognac or 
single malt? Try a few of the 
recipes Debbie Puente has in- 
cluded in Elegantly Easy Liqueur 
Desserts and Creme Brülée, and 
you'll be restocking soon. Jf 
Puente's recipe for cherries ju- 
bilee (pictured here) doesn't 
wow the pants off whoever 
you're entertaining, nothing 
will. It calls for cherries, sugar, 
cornstarch, olmond extroct, 
vanilla ice cream, red wine 
and cherry brandy. Preparation 
time is just 10 minutes. Other 
K interesting desserts include o 
< morgorito mousse (“It tastes just 
like c margarita cocktail’), frozen 
E sex-on-the-beach soufflé and Jock 
ve Daniel's chocolate pecan pie. There's also o 
guide to liqueurs and other spirits with Puente's 
recommendations for what to stock and 
whot to skip. A gin mortini sorbet 
sounds good, but the vote is still out 
on Aunt Pittypal's pecan pound cake 
with o Gone-With-Ihe-Wind glaze. 
Renoissonce Books is the publisher. 
Elegantly Easy costs $16.95, 


Night Moves: Charleston 


Charleston's charming cobblestone streets and ontebellum 
mansions may seem frozen in time, but the city keeps evolv- 
ing with first-rate dining and entertoinment choices. Start 
your evening with cocktoils at the Library ot Vendue (23 Ven- 
due Range}, rooftop bar overlooking the harbor in the his- 
toric district. Then heod over to Cypress 
Lowcountry Grille (167 Eost Boy St.) 
for delicious Corolina fore. (Try the 
truffled grits with lobster, shrimp 
and scallops and the crab cokes 
with sherried crob-roe cream.) 
Drop by High Cotton (199 East 
Boy St.) if you're in the mood 

to dine in a Twenties setting, 

or Chorleston Grill (224 King 
St.) in the Chorleston Place Ho- 
tel. Chef Bob Waggoner's inven- 
tive cuisine includes lobster tempu- 
ro ond beef tournedos. Circa 1BB6 (149 

Wentworth St.), o short cob ride owoy, is in the carriage house 
of the fabulous Wentworth Monsion. The best of Chorleston's 
bustling live music scene includes Music Farm (32 Ann St.) for 
contemporary sounds, Henry's Bar ond Restaurant (54 North 
Morket St.) for oll kinds of live music, including jazz, ond 
Mitchell's (102 North Market St.) for jazz or salsa. Cap the 
evening with whiskey and o cigar ot Club Habano (177 Meet- 
ing St.), which offers the lorgest selection of single-malt 
scotches and small-botch bourbons in town 


Clothesiine: 
Khalil Kain 


The star of Juice, The 
Tiger Woods Story and 
Bones soys he’s big on 
anything you con wear on 
a bosketboll court. “Fish- 
bone is one of my fa- 
vorite rock groups, and I 
have this old T-shirt of 
theirs thot I refuse to re- 
fire. It's ton, ond the 
sleeves are cut off. I 
sometimes wear it with 
ripped-up jeans with a 
seat so worn out | have 
had to get it patched.” 
When Kain dresses up he 
likes suits by Armani, ond 
he olso says, “Miyake is 
pretty out there.” For funky threads he shops at Union on La 
Brea in Los Angeles, "and I can always find something at Bar. 
neys. The whole point of fashion for men is getting spiffed up 
to impress some beautiful girl. Fortunately, I'm in a situation 
where | don't have to rely on that to get what | want.” 


Guys Are Talking About 


Fat Bastard. We're referring to the wine, not your 
brother-in-law. Fat Bostard, which is British 
slong for o full-bodied wine, is the right name 
for this vintage 2000 chardonnay. Wine- 
maker Thierry Boudinaud creates it from 
grapes grown in the Languedoc Roussil- 

lon region af France. Aging in cokbor- / 
rels gives it a fuller flavor. Price: abaut 

$10 a battle. ® Survival. Wont ta 

know what to do the next time 

you're in a shipwreck or a plane 4 
сгозһ or lost їп the desert? Pull 

out your copy of The Exireme Sur- 
vival Almanac and read up. Pal- 
adin Press’ guide to almost 
every outdoor crisis imagin- 
able. Bet Dick Cheney has a 
copy. Price: $45. OF course, 
the book's cover is weather 
resistant. @ Power. Power 
Tools: An Electrifying Cele- 
bration and Grounded 

Guide profiles over 200 

tools with more than 400 
photos and illustrations. 

The publisher, Taunton 

Press, claims the book is 

“the next best thing to 

owning every power 

tool on the planet.” 

The price: $40. 


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Шре Playboy Advisor 


On our fifth date 1 took my girlfriend to 
dinner. During the meal I caught myself 
quoting Mickey Rourke's character in 
one of my favorite movies, 9% Weeks. My 
girlfriend had never seen the movie and 
didn't get the reference. After dinner, we 
took a cab to the beach. As we fooled 
around in the back, I found myself quot- 
ing from the movie again. I meant no 
harm and it felt good to role-play. Let- 
ting her in on it would have made it feel 
fake. My girlfriend is smart, beautiful 
and in control of her life. I figured she 
might be looking for something differ- 
ent, and I was right. Once we hit the 
beach, things got heavy. I started talking 
filthy to her—mostly a mishmash of lines 
from the film—and she began to strip. 
We fucked like crazy. By the end of the 
evening I must have recited half the 
movie's dialogue. Yesterday she ordered 
a copy of 9% Weeks on DVD. She says she 
wants to watch it together on my birth- 
day because I had mentioned how sexy 
it was. Shit. Should I confess about the 
lines I fed her? I don't want her to think 
I'm a creep. How can I let her know 1 
was playing out a fantasy? It was the hot- 
test night of my life —D.]., Indianapo- 
lis, Indiana 

Your girlfriend will feel cheated when she 
finds out. So we worked out a plan in which 
you set your DVD player to French language 
with Spanish subtitles, then insist the disc is 
defective. However, some of the women in the 
office pointed out that this would work only 
if your girlfriend were a nitwit. Instead, they 
suggested that you give her numerous hard- 
core erotic experiences in which you talk 
filthy in your own words. She'll still recog- 
nize the dialogue when you sit down to watch 
the film, but she'll be more forgiving if she 
knows you can do it on your own. If she in- 
sists on an explanation, tell her no one had 
ever inspired you to talk dirty before, and 
you fell back on the familiar: 


Га like to purchase a digital camera but 
am confused by all the talk of pixels 
and resolution. Can the Advisor help?— 
TW, Peoria, Illinois 

A digital camera's resolution is just one of 
many factors to consider when deciding what 
to buy; others are its capacity, size and fea- 
tures (see deresource.com for more help). If 
you're judging a product by how large you 
can print the photos and still have them look 
sharp, you'll need at least two megapixels of 
resolution for 4-by-6-inch prints, at least 3 
Mps for 5-by-7s and at least 4 Мр» for 8- 
by-10s. These are general guidelines; some 2 
Mp cameras may produce great 5-by-7s, for 
example. Resolution also can be expressed 
this way: 640х480 (web photos); 1024x768 
(sharp up to 3-by-5), 1280x960 (5 
1600x1200 (8-by-10). 


My workout partner and I have been 
stopping by a "full-service" massage par- 
lor on the way home from the gym. 
From what I gather, the place is typical— 
15 minutes in a sauna, a table shower 
and a half-assed massage, followed by a 
hand job. Are these parlors legal? My 
friend says they are, and he cites the fact 
that at least 10 have been operating in 
the area for years, If they're illegal, why 
haven't they been shut down?—H.T., 
Baltimore, Maryland 

Because the cops have better things to do. 
If massage parlors were legal, we'd have al- 
ready published our list of the 25 best. 


My wife is a vegetarian. She's worried 
that she might be ingesting meat by- 
products when she swallows my semen. 
Can you put her mind at ease?—J. 
"Toms River, New Jersey 

For your sake, we'd better. Vegetarians 
don't eal meat because of concerns for the 
welfare of animals, or because they believe 
it's healthier. Assure your wife that no living 
thing suffered in the production of your se- 
cept you, waiting for your next or- 
gasm. Semen contains protein but no meat, 
eggs or fish, and it's low-fat. Even vegans, 
who are stricler about the rules, agree that 
swallowing is not an issue. We found this at 
eatueg.com: “Oral sex is vegan even though 
it may involve putting flesh in your mouth, 
as it shouldn't involve any cruelly or ex- 
ploitation, and said flesh is eventually re- 
turned to its owner.” By the way, many wom- 
en report that vegetarians’ semen tastes 
better: What are you eating? 


Last weekend I went out with a friend 
and his girlfriend. They've been togeth- 


ILLUSTRATION EY ISTVAN BANYAI 


er for five years. We had a lot to drink 
and ended up back at my place at four 
AM. I suggested they sleep over, and we 
crawled into my bed. After a few min- 


utes, my friend's girlfriend said, "I know 
what you guys are hinting at, so let's do 
it." The next thing I knew we were all 
going at it. She and I hit it off, and I 
think he noticed the sparks. He climbed 
out of bed, sat in a chair and began to 
sob. After a little fussing, she managed to 
calm him down and they left. I have spo- 
ken with her only once since that night, 
and she assured me everything was cool. 
Do I have a chance to get back into her 
pants, and how should I go about it?— 
J-M., New York, New York 

Threesomes would be much simpler if they 
didn't involve so many people. Your friend 
had probably daydreamed about countless 
threesomes, but none involved watching you 
fuck his all-too-cager girlfriend. When the 
fantasy hit the fan, he wasn’t prepared. You 
can ask this woman to return alone, but 
don’t be surprised if she declines, at least 
for now. You were all drunk, she loves her 
boyfriend, it was a misunderstanding, etc. 
Chalk it up as one of life's little tragedies. 


When my boyfriend and I were making 
out, he wiped his finger on his dick and 
got some pre-come on it. Then he fin- 
gered me in the vagina, but he swears 
the sperm had died. Can pre-come get 
a girl pregnant in this situation?—R.T., 
Columbia, South Carolina 

Yes. Bite off his finger the next time he 
tries a stunt like that. The millions of. 
on his finger probably had died, but w 
it? You also should never have sex with a guy 
who insists that he'll pull out. By the time he 
makes his move, he's already released many 
drops of come without feeling it. But you 
might. 


Is there such а thing as three-dimension- 
al porn? If so, where can I buy it?— 
G.H., Pueblo, Colorado 

You don't need to buy it. Just open your 
eyes during sex. Porn shot in 3D, like porn 
that’s not shot in 3D, is mostly disappoint- 
ing. You have a feu options. The 1992 3D. 
video Princess Orgasma and the Magic Bed. 
is still available. It comes with a pair of Pul- 
frich glasses (one lens is darker than the oth- 
er, and the image viewed through the darker 
lens reaches the brain slightly later). Vidmax 
3D sells 16 collections of sex scenes shot in 
the mid-Nineties with alternate field stereog- 
raphy (the two best are Bedroom Gries and 
Boudoir Babes). To view the effect, slide one 
of the $50 videos into your VCR, then plug a 
pair of $125 shutter glasses into the player's 
output jack. Phone 909-480-0287 for de- 
tails. The first 3D porn on DVD and the 


51 


PLAYBOY 


necessary hardware is available for about 
$100 from ErotekDimensions.com (three 
new releases are expected later this year). 
Two dreadful hard-core films shot in the 
mid-Seventies for anaglyphic (red-blue) lens- 
es, The Lollipop Girls in Hard Candy and 
Disco Dolls in Hot Skin, are popular on the 
midnight movie circuit. Finally, if you hap- 
pen to be in Riverside, California in July for 
the National Stereoscopic Association con- 
vention, Adult Video News editor and 3D 
photographer Mark Kernes plans to present 
his annual midnight show of eye-popping 
hard-core shots taken on porn sets. Some im- 
ages also appear as slide shows on the DVD 
versions of Unreal and Chloe Cums First. 
No glasses necessary—just stare hard. 


Таш a married 29-year-old man who 
thinks and talks about sex all the time. 
I believe most people at work find me 
funny and interesting, but one male co- 
worker says my behavior is abnormal. 
He bet me 50 bucks that I couldn't go a 
week without talking about sex. Even af- 
ter I took his money, he still says I'm ab- 
normal. Don’t most men think about sex 
constantly? I’m just open enough to say 
what most guys only think. What can I 
tell my co-worker to make him under- 
stand that I’m normal? Is he repressed, 
or jealous?—M.O., Madison, Wisconsin 

Don’t worry about that guy; some people 
aren't comfortable with discussions of sex 
even while they're doing it. We have these 
thoughts to share: (1) Be careful that your 
“open discussion” doesn't bite you in the ass. 
If a female colleague takes offense, seeks re- 
venge or covets your job, it would be easy to 
raise the specter of a hostile work environ- 
ment. You don't have to be guilty—the accu- 
sation would be damaging enough. (2) Can 
you carry on a conversation about anything 
else? Sex is interesting and often funny, but 
a guy who talles and jokes only about sex is 
neither. (3) Most of what a guy thinks is bet- 
ter left unsaid. 


What is the etiquette for using tooth- 
picks? My wife says they are appropriate 
only in private, but I've been to restau- 
rants where the waiter brings them ona 
plate—M.M., Tulsa, Oklahoma 

He brings them assuming you are skilled 
enough to use them without attracting atten- 
tion. Most people aren't, which is why the 
general rule since at least the 13th century 
has been not to pick your teeth at the table. 


M, wife opened a secret e-mail account 
so she could write to a guy she knows 
from work. I confronted her, but she 
feels it's no big deal. She said she did it 
only because this guy felt uncomfortable 
sending messages to our home account, 
where I might see them. Am I overreact- 
ing?—J.M., Lancaster, Pennsylvania 
Sounds fishy. How'd you find out about 
it? We'd wait for more evidence before go- 
ing ballistic. Maybe the guy has personal 


52 problems and values your wife's advice but 


doesn't want to broadcast his business. On 
the other hand, maybe one of the problems is 
his interest in a married co-worker 


When 1 was in high school my family 
and I visited my grandmother one Sun- 
day afternoon. While everyone talked in 
the living room, I fell asleep on the floor. 
When I awoke I discovered I'd had a wet 
dream. Are the mental images during a 
wet dream so realistic that they alone 
cause an orgasm, or does there have to 
be physical stimulation as well? I hate to 
think my poor grandmother was watch- 
ing me hump the floor. Please ease my 
mind.—R.G., Indianapolis, Indiana 

Your grandmother? What about the rest of 
your kin? Rest easy. If you had been acting 
out your dream, someone would have woken 
you, especially if the cat was in danger. We 
reach climax more quickly during sleep than 
when we're awake. What likely happencd is 
that the muscle convulsions during climax 
woke you. To the outsider it looked, at most, 
like you were sleeping deeply and then jerked 
yourself awake. You don't need physical 
stimulation or even an erection to have a 
wet dream. You also can reach orgasm with- 
out ejaculating—you just might not realize 
it without the sticky mess as evidence. That 
same lack of physical evidence is one reason 
wet dreams among women are underreport- 
ed. Sex researcher Alfred Kinsey found that 
while men had sleep orgasms most often in 
their teens, women had them most often in 
their 405. 


Is there such a thing as a natural-born 
lover?—TS., Lufkin, Texas 

No. Everyone fumbles at first, But some 
people get a head start because they have 
parents or a school that provides realistic 
sex education, and they masturbate, which 
teaches them how and where they like to be 
touched before anyone else does the touching. 
They also read and watch erotica for ideas, 
never run out of lube, aren't afraid of fan- 
tasies and understand that good levin’—tike 
any skill—takes practice. 


About 25 years ago I had a one-night 
stand with a co-worker. At the time, I 
had been married for about two years. 
My colleague and I agreed to meet for 
drinks during a conference, and she 
took me back to her room, She had a 
reputation for being an easy lay. She also 
had one of those pussies that grabs you 
while you fuck. Her boyfriend showed 
up unannounced the next day, and we 
didn't get together again. A couple of 
months later, she left the company. I 
hadn't thought much about her until a 
year ago when the phone rang and a 
male caller asked if I remembered hav- 
ing an affair with the woman. | had for- 
gotten her name, but he reminded me. 
It could have been her boyfriend (now 
husband?) or someone else; I wasn't sure. 
My wife was in the room, so I pretended 
I didn’t know what he was talking about. 


He said he would have her call me. You 
can imagine how I feel every time the 
phone rings and my wife answers. What 
should I do? I have friends in law en- 
forcement who I'm sure could find the 
woman for me. Should I attempt that, or 
try to put this out of my mind?—A.A., 
San Clemente, California 

Her pussy still has a grip. Here's our 
guess at the origins of the call: The woman 
shared stories of her sexual past with her 
current boyfriend, and they decided to play 
mind games with her ex-lovers. It was more 
mischief than malice, with your discomfort 
providing a few laughs, Hunting her down 
is not a good idea—it sends the wrong signal 
and emphasizes your vulnerability ("please 
don't tell my wife”). You may never reveal the 
truth, but don’t complicate the lie. Your situ- 
ation illustrates one of the many downsides 
of cheating—you gave a stranger power over 
your marriage. 


I saw a book called Naked Pictures of My 
Ex-Girlfriends—some guy published a 
collection of nude photos of his exes. If I 
wanted to do that, how would I go about 
i?—S.N., New York, New York 

You'd have to date the same women. Actu- 
ally, the book is an entertaining hoax—one 
we wanted badly to believe. You'd need a 
signed model release from each of your ex- 
girlfriends to publish their photographs. 
That seems plausible only if you've been dat- 
ing Playmates. 


My deodorant creates yellow st: 
the armpits of my white dress shirts after 
about a dozen wearings. My cleaner says 
there's nothing he can do. Is there any 
way to prevent this?—K.R., Los Angeles, 
California 

The stains aren't caused by deodorant but 
by secretions from your apocrine glands, 
which are found in your pits and near your 
genitals and produce those funky phero- 
mones designed to turn the ladies to mush. 
The more stressed you are, the more secre- 
tions. Although the secretions should de- 
crease as you get older, your cleaner is 
right—there's not much you can do to pre- 
vent stains except to wear undershirts, throw 
each shirt into the wash instead of the ham- 
per or retire to a beach resort. One fashion 
maven we saw on Howard Stern's TV show 
demonstrated how she puts maxipads in the 
armpits of her jackets to protect them. You 
could try that, but don't get caught. 


All reasonable questions—from fashion, food 
and drink, stereo and sports cars to dat- 
ing dilemmas, taste and etiquette—will be 
personally answered if the writer includes a 
self-addressed, stamped envelope. The most 
provocative, pertinent questions will be pre- 
sented in these pages each month. Write the 
Playboy Advisor, PLAYBOY, 680 North Lake 
Shore Drive, Chicago, Illinois 60611, or 
send e-mail by visiting playboyadvisor.com. 


HE PLAYBOY FORUM 


the strange erotic vision of a 


С artoon number опе: Osama 
bin Laden wakes up in para- 
dise to find himself surrounded by 
72 of the ugliest skanks in all eternity. 
An amused Allah says, “Why do you 
think they're still virgins?” 

Cartoon number two: Bin Laden 
wakes up in paradise to find himself 
surrounded by 72 of the most delec- 
table nymphets in all eternity. With 

an astonished look, he says 
to Allah, “What do you 
mean, they have to re- 
main virgins?” 
Screenplay: A mar- 
tyr wakes up in par- 
adise to find himself 
surrounded by 72 of 
the most delectable 
virgins in all of eter- 
nity. So many women, 
so much time. Does he 
rush through all 72 of 
them? Does he have a 
good time? After all, 
what do virgins know 
> about sex? For that mat- 
ter, what does he know 
about sex? In all probabili- 
ty he is a virgin himself or, 
at most, a veteran of a few 
lap dances. 
Following the events of 
September 11, we were told 
that Muslim suicide bomb- 
ers believe their final ac- 
tion will admit them to a 
place where they will 
be married to or ser- 
viced by 72 houris— 
virgins created by Al- 
lah for the reward of the 
righteous. These supposed gardens 
of bliss are described in vivid detail 
in the Koran and in commentaries 
known as Hadith. At first glance it is a 
more interesting heaven than that de- 
scribed in Christian texts. The faith- 
ful are depicted reclining on thrones, 
served by youths who never grow old, 
swallowing goblets of a pure drink 
that will not give them hangovers 
or a beer gut, eating succulent fruit, 
listening to the play of water from 
endless fountains and savoring the 
beautiful, bashful, high-bosomed, 
dark-eyed women who are as “fair as 
corals and rubies," and as “chaste as 
sheltered eggs.” 


The number 72 does not 
appear in the Koran, but 
virgins abound, creatures 
who come with Allah's 
warranty that “no man 
or jinn [spirit] has ever 
touched them before.” 

The precise nature of the houris is 
atopic of debate among Islamic schol- 
ars. Some argue that the paradise of 
the Koran is not a place of wild aban- 
don but of soft-focus innocence. Zi- 
auddin Sardar told The Observer that 
the virgins or “houris derive their 
name from the eyes of gazelles. They 
personify beauty and innocence; 
these eyes have never cast their gaze 
on sin.” As for conversation, “In the 
gardens of paradise, the houris utter 
only one word: peace.” 

We're not going to quibble with any- 
one's vision of the afterlife. Heaven 
cannot be verified. In the past decade 
dozens of Islamic men, many just teen- 
agers, have turned themselves into hu- 
man weapons. It's clear that these guys 
had some strange notions about sex. 
In his will, the apparent leader of the 
September 11 attacks, Mohamed Atta, 
insisted that no one see or touch his 
genitals after his death. (For all his 
meticulous planning, did he overlook 
the effect that flying into a building 
would have on his corpse?) The San 
Francisco Chronicle related the story of a 
young Palestinian suicide bomber in 
Gaza who, preparing for martyrdom, 
covered his penis with toilet 
paper to protect and pre- 
serve it for paradise. 

Many cultures put 
a feminine face on 
war in order to moti- 
vate their war- 
riors, be it Helen 
of Troy (the face 
that launched a 
thousand ships), 
the Valkyries’ escort 
of Viking warriors 
to Valhalla, Vargas 
women decorating 
the planes of WWII 
bomber pilots, or 
the chaste Ameri- 


can girls depicted on propaganda 
posters as being threatened by the en- 
emy. Our actions against the Taliban 
quickly moved from retribution to a 
campaign for the liberation of Af- 
ghani women. Removing the veil was 
a turn-on. 

In an essay that appears in the 
1982 book Women and Islam, Fatima 
Mernissi addresses the Islamic obses- 
sion with virginity, noting its use as a 
weapon in an extended power play: 
“Virginity is a matter between men, in 
which women merely play the role of 
silent intermediaries. The concepts of 
honor and virginity locate the pres- 
tige of a man between the legs of a 
woman. It is not by subjugating na- 
ture or by conquering mountains and 
rivers that a man secures his status, 
but by controlling the movements of 
women related to him by blood or by 
marriage, and by forbidding them 
any contact with male strangers.” 

How greatly do they value virgini- 
ty? Consider so-called honor killings, 
in which Islamic males have the right 
to murder sisters and daughters sus- 
pected of sexual misconduct. In the 
old patriarchal religions, virgins were 
serious business—as in property. 

Lest you think this unfortunate sit- 
uation is solely a claim of Islam, pick 
up your Old Testament. The Bible is 
filled with tales of virgins offered as 
the spoils of war or as distractions, 
such as when the host in Judges of- 
fers his virgin daughter to appease a 
crowd of ruffians. Lot did the same 

in Sodom. To see more of America’s 
warped notions on the value of vir- 
ginity, one has only to read 
an abstinence education 

textbook. 

When will sex be de- 
livered from the dutch- 
es of religion? When 
will religion embrace 

sexual equality instead 
of some ancient notion 
of male honor? 


54 


once again, the religious right targets gays in scouting 


or years, fans of double en- 

tendres had a chuckle over 

the portrayal of Girl Scout life 
on the back of the old peanut butter 
patties box: “I just love water sports! 
Our teachers are complete pros! 
Jamila and I actually synchronized 
our strokes. We did the whole length 
of the pool on our backs. Girl Scout 
camp is the greatest!” 

Now, cheered by the success of the 
Boy Scouts in ostracizing gay men, 
the religious right has decided that 
the possibility of lesbians in the Girl 
Scouts isn't a joke—it's a national 
emergency. In newsletters and action 
alerts, fundamentalists have raised 
the specter of sapphic indoctrination 
among America’s preteens. They've 
even organized cookie boycotts. It’s 
all designed to pressure the Girl 
Scouts of America to be more like 
the Boy Scouts, whose famously 
hard-won battle for the right to dis- 
criminate against homosexual men 
has made that organization heroic 
in the Bible Belt and an embarrass- 
ment to the rest of the country. 

Other than the word scouts and a 
fondness for 'smores, the GSA and 
BSA don't have all that much in 
common. The two groups have nev- 
er been affiliated. The Girl Scouts 
traditionally have been more social- 
ly progressive. Founded in 1912 on 
the principle that girls should have a 
life outside the home, the GSA is de- 
signed to help girls develop “strong 
values, a social conscience and the 
conviction of their own potential and 
self-worth.” 

To many on the far right, that sort 
of talk smacks of feminism, which is 
where lesbians hide out before they 
pounce. Indeed, the assault on the 
Girl Scouts is not limited to its alleged 
status as a gay recruitment center. 
“The Girl Scouts’ leaders hope to 
make their youthful charges into the 
shock troops of an ongoing feminist 
revolution,” Kathryn Jean Lopez de- 
cried in a National Review article that 
fueled the current attacks. The Rev- 
erend Donald Wildmon of the Amer- 
ican Family Association, James Dob- 
son of Focus on the Family and the 
usual gang of zealots chastised the 
GSA for its attitudes toward, among 
other things, gun control, affirmative 


By DANIEL RADOSH 


action, abortion, environmentalism 
and auto repair (the Girl Scouts of- 
fer a badge for it; Lopez apparently 
thinks it's unladylike). 

Of special concern to the anti-Girl 
Scouts movement is the organiza- 
tion’s ruling in 1993 that beliefin the 
Judeo-Christian God is not essential 
to scouting, and that girls reciting the 
official promise—which includes the 
phrase “to serve God and my cou: 
try"—may substitute Allah, “my faith’ 
or anything else that they feel com- 
fortable with. In 1996 this caused 
one troop leader to accuse the GSA 
of condoning witchcraft. 


But time and again, the prophets of 
doom fall back on their most frightful 
incantation: America’s lambs are be- 
ing sacrificed to the lesbian agenda. 
“Girl Scouts are not vigilant about 
protecting girls from lesbianism, and 
they don’t mind if it gets promot- 
ed under their aegis,” asserts Rob- 
ert Knight of the Culture and Family 
Institute. 

Why this panic? It’s not like there 
have been rampant stories of Girl 
Scouts leaders’ being kicked out of 
the organization for eating Brownies. 
A search of local newspaper archives 
over the past 15 years turned up a 
single troubling incident—a 19-year- 
old Scout leader admitted to French- 
kissing a 12-year-old Scout. But the 
morality cops' fear isn't just shared 
sleeping bags. It's the idea that Girl 


Scouts might know that lesbians exist 
at all. The horror stories they drum. 
up include tangential issues, such as 
a council in New Jersey that leases 
space once a year to a camp for "chil- 
dren of lesbian, gay, transgendered, 
biracial, adoptive, single-parent and 
other progressive families" and an- 
other in St. Louis that permitted a 17- 
year-old to earn a community service 
award for her work with a gay teen 
support group. (These decisions, like 
many in the Girl Scouts, are made at 
the local level.) 

One particularly fertile source of 
material for the homophobes is an 
obscure, out-of-print book titled On 
My Honor: Lesbians Reflect on Their 
Scouting Experiences. In it, the Nation- 

al Review's Lopez found chilling 

accounts of "butch" counselors 
who "wore men's clothes and had 
slicked-back short hair," as well as 
an offhand estimate by some Girl 

Scouts staffers—frequently repeat- 

ed among the right as if it had 

scientific valuc—tbat one in three 
paid Girl Scouts employees is a les- 
bian. This figure is impossible to 
confirm—or even tally in the first. 
place (did they pass out a sur- 
vey?)—and seems wildly improba- 
ble. Meanwhile, GSA critics who have 
latched on to the book rarely discuss 
the sections in which women recount 
experiences of homophobia within 
the Girl Scouts. Nor do they mention 
that the book's editor also published 
a volume on lesbian nuns that led to 
diatribes against the Catholic Churcb. 

"Through all of this, the GSA has 
stood by its official position, a kind of 
"don't ask, don't tell" in kneesocks. 
“The Girl Scouts organization does 
not discriminate, but we do not en- 
dorse any particular lifestyle and do 
not recruit lesbians as a group. We 
have firm standards relating to ap- 
propriate conduct. We do not permit 
sexual displays of any sort by our 
members. We do not permit the ad- 
vocacy or promotion of a personal 
lifestyle or sexual orientation. These 
are private matters for girls and their 
families to address. Girl Scouts volun- 
teers and staff must at all times serve 
as appropriate role models for girls." 

Finally, somebody who is actually 
thinking of the girls. 


a tour of some killer state sites 


quj he cell is six feet by nine feet. 
\! It has no windows. As you 
— pace back and forth, every- 
thing looks cold: splotchy concrete 
walls and floor, a stainless steel sink, 
metal commode and single cot. 
Unlike the inmates who actually 
live in these cages on death row, you 
can escape with a click of the mouse. 
That's because you're on a virtual 
tour, courtesy of the Florida Depart- 
ment of Corrections (dc.state.fl.us/ 
oth/deathrow). You cannot yet watch 
an actual execution—the state be- 
lieves that would be distasteful—but 
the site has a list of every inmate the 
state has killed, 


By JOHN D. THOMAS 


the gas chamber installed there in 
1938 and an image from the "female 
condemned exercise yard." 

As you'd expect from a state that 
claims never to have executed an in- 
nocent person, officials at the Texas 
Department of Criminal Justice put a 
lot of sweat and pride into their death 
row site at tdcj.state.tx.us/stat/death 
row.htm. They list each of the 455 
condemned men with a mug shot and 
synopsis of the crime. Here we learn 
that convicted murderer James Por- 
ter "fatally assaulted an adult Hispan- 


North Carolina, a state with 207 
men and six women on death row, 
could join the ranks of the best sites 
simply by adding more photos. For 
now, it provides only three poorly 
lit images (doc.state.nc.us/dop/death 
penalty), along with reams of facts 
that schoolchildren will find helpful 
for reports. The state breaks down 
the list of executed inmates by de- 
cade—a nice touch—and includes 
a handy update of the latest action: 
“executed,” “stay,” “commuted.” The 
site also offers this glimpse into the 
condemneds daily lives: “The day be- 
gins on death row when correction 

officers start the 


photographs of 
those still wait- 
ing to die and 
trivia such as 
the youngest 
(16 years) and 
the oldest (72) 
executed prison- 
ers and the in- 
mate who has 


prison’s count 
of inmates at 
six in the morn- 
ing. The death 
row population 
spends nearly 
all their time in 
either their cells 
or the adjacent 


been waiting the lon- 
gest (Gary Alvord, since 
April 1974). 

Many of the 37 other 
states with the death pen- 
alty have posted similar 
sites about their killer bu- 
reaucracies, but few have 
the depth and scope of 
the Sunshine State's (even 
Oklahoma, which this past 
year executed more peo- 
ple than any other state, 
devotes only a single on- 
line page to the topic). One exception 
is California, which tells its visitors 
the ingredients in the injection cock- 
tail ("Five grams of sodium pento- 
thal in 20 to 25 cc of diluent, 50 cc of 
pancuronium bromide, 50 cc of po- 
tassium chloride"—don't try this at 
home), the number of condemned 
prisoners who aren't dead yet (607) 
and the first person to die after the 
state switched in 1996 from gas to 
lethal injection (William Bonin, con- 
victed of killing 14 boys). The site, at 
cdc.state.ca.us/issues/capital/capital. 
htm, also has an extensive set of color 
photos, including a shot of two hold- 
ing cells at San Quentin, a peek inside 


ic male offender with a rock inside 
a pillowcase, a homemade knife and 
his boots," and that Cathy Lynn Hen- 
derson killed a three-month-old boy 
in her care. 

The Texas site also lets you mark 
your calendar with the dates of the 
state’s upcoming killings or scan a list 
of final meal requests dating back to 
1982. Jeffery Tucker, put to death last 
November, asked for half a dozen 
pieces of fried chicken, potato salad, 
macaroni and cheese, eight cinna- 
mon rolls, a pint of vanilla ice cream, 
a pitcher of milk and ketchup. Gerald 
Mitchell, killed the month before, 
wanted a single bag of Jolly Ranchers, 
in assorted flavors. 


dayroom. They 

may stay in their day- 

room from 7 A.M. until 

11 em. While in the day- 

room, they may view 

television. Death row in- 

mates have at least one 

hour per day for exer- 

cise and showers. Cor- 

rection officers escort 

the death row inmates in 

groups from each cell 

block wing to outdoor ex- 

ercise areas, weather per- 

mitting, two days a week. 

The inmates can play basketball, walk 

or jog." 

À gallery posted by the state of Ar- 

kansas (state.ar.us/doc/gallery2.html) 

includes photos of the prison system's 

first tractor and a 1969 Cummins Pris- 

on show by Johnny Cash, along with 

a sequence of images tracing the in- 

creasing efficiency of the state in kill- 

ing prisoners (from gallows to Old 

Sparky to lethal injection). The high- 

light is a color photograph of the 

"Tucker Telephone, which, the accom- 

panying caption explains, was "used 

to torture inmates." Helpfully, the 

statement adds that the "practice end- 
ed in the Seventies.” 


55 


56 


FALWELL'S FOLLIES 
In December you published 
a transcript from The 700 Club 
in which Jerry Falwell and Pat 
Robertson blame the ACLU 
and homosexuals for Septem- 
ber 11, You called it “Assholes.” 
I beg to differ. Unlike the re- 
ligious right, assholes serve a 
useful purpose. 
Wilmer Allman 
Freeport, Texas 


COPS AT YOUR DOOR 
In December a reader criti- 
cized a statement by the Playboy 
Advisor that you should never 
let the police into your home 
without a warrant, even if you 
are innocent. In this case, the 
reader accused the Advisor of 
supporting child porn. How far 
from reality can this guy be? In 
this country, a person accused 
of dealing in child pornography 
is guilty until proven innocent, 
and then he is still guilty. I 
know from experience. I made 
the error of pissing off a federal 
informer. For reasons that will 
never be clear, a case of mistak- 
en identity led this slime to in- 
quire by e-mail if 1 wanted to 
buy illegal porn. My first mis- 
take was to respond (my office 
mates thought it would be a 
goof), and my second was to 
flamethe guy when he persisted. In re- 
taliation, he told postal inspectors that 
1 was a potential customer. A "sting" 
followed. We're talking Keystone Kops 
here, involving the wrong house, the 
wrong computer and, obviously, no il- 
legal material. Despite this, and despite 
a standardized test that showed I have 
no sexual interest in children, the fed- 
eral prosecutor managed to get an 
indictment. With my back against the 
wall, 1 agreed to a plea. My family (my 
wife and three-year-old daughter) and 
1 were destroyed in many senses of the 
word. I know from researching this 
that I am not alone. 
(Name withheld by request) 
New York, New York 


As a police officer, the last thing I 
want is carte blanche to enter some- 
one’s home without judicial process. 
Imagine a country in which we are sub- 
ject to random searches of our homes, 
computers and cars without probable 


FOR THE RECORD 


NICE PACKAGE 


“If there is ever a place where a 


reasonable expectation of privacy 
their clothing.” 
—An ACLU spokesman, criticizing a new radiation 


Hitchens later asserts that 
the Bush administration's “new 
emphasis on values” is “a tired 
recycling of the election's pro- 
paganda." Like the rest of the 
Socialist elite, Hitchens does 
not like values, especially when 
they are associated with reli- 
gion. His understanding of the 
Constitution is gravely defi- 
cient. The founding fathers 
made it clear that they were es- 
tablishing a nation in which 
there would be freedom of re- 
ligion, not freedom from reli- 
gion. A small but telling com- 
ment: Hitchens states that “like 
Clinton, Bush goes to church 
to see and be scen. This is not 
a religious man.” Where's his 
proof? An awful lot is riding on 
that suspicion. 

Hitchens attacks Attorney 
General John Ashcroft in the 
most oblique way by suggesting 
that instead of starting the day 
with a Bible study, he should 
start it with a study of the Bill of 
Rights. Cute, but wrong. When 


imaging technology that may soon be used in U.S. 
airports, The system allows security guards to see 
the outline of a person's body. The ACLU says the 
scanners reveal enough that a guard could tell 
you the diameter of a woman's nipples or whether 


the attorney general was in 
nomination hearings, he made 
it clear that he would enforce 
the laws of this land as written, 
even if he didn’t care for them 


a man has been circumcised. 


cause or exigent circumstances, simply 
to appear tough on child abuse. It’s im- 
portant to catch the bad guys, but not 
at the expense of constitutional rights. 
1 think most of my fellow officers would 
agree. They're always welcome in my 
home—for coffee, lunch or a friendly 
visit. But if they're looking for evidence 
of a crime, they'd better have a warrant. 

Eric Francis 

Beech Grove, Indiana 


PRAYING IN THE OVAL OFFICE 

Christopher Hitchens’ essay about 
George W. Bush and his colleagues’ 
praying before their Cabinet meetings 
(“Faith,” The Playboy Forum, January) 
nauseated me. 

Hitchens begins by stating that the 
picture of Cabinet members with their 
heads bowed “did not prove they were 
actually praying.” He quips that they 
might be thinking about rape. Clearly, 
Hitchens is trying to harm the reputa- 
tions of a number of fine people. 


personally. I never doubted 
him, because I knew that like 
any genuinely religious man, 
he would keep his word. 

This is no time to be attacking our 
nation's leaders. Would Hitchens have 
made the same remarks about Winston 
Churchill in 1939? 


Michael Altield 
Oakton, Virginia 


I enjoy reading the Forum every 
month because the views expressed in 
your pages are so often diametrically 
opposed to mine. After reading Chris- 
topher Hitchens’ assault on the right, 
I reflected on just how thankful I am 
that after September 11, George W. 
Bush, Colin Powell, Richard Cheney 
and Donald Rumsfeld were calling the 
shots. Can you imagine what would have 
happened if Al Gore and Joe Lieber- 
man were in office? They'd probably 
invite the leaders of al Qaeda to sit 
down for a cultural tolerance session, 
with hand holding and incense burning. 

Jim Kennedy 
Indianapolis, Indiana 


PLAYBOY AT WORK 

Your readers may be interested in 
hearing my story, both as an example of 
a modern farce and as a cautionary note 
to anyone who may find themselves in a 
similar situation. Until last year, I was a 
supervisor with Qwest Communications 
(formerly U.S. West). I had been with 
the company for nearly 30 years. In Au- 
gust 1999, I went to lunch with nine 


co-workers at a local Hooters. One of 
these co-workers is the stepmother of 
Kristi Cline, your September 1999 Cen- 
terfold. Kristi came to the restaurant, 
and most of my co-workers brought 
their own copies of the magazine for 
her to sign. Soon after this lunch, I 
happened to be promoted toa manage- 
ment position. 

Then, in July 2000, [ had lunch with 


Kristi’s stepmother and Kristi, who 
gave me a signed copy of her PLAYBOY 
issue as well as an autographed 2001 
Playmate calendar. After lunch I re- 
turned to the office and placed both 
items in the bottom of a locked desk 
drawer. 

Both the magazine and calendar sat 
there, untouched, for more than six 
months. One morning in February of 


erary Review awarded its ninth annual Bad Sex in Fic- 

tion Award to the most “crude, tasteless and redun- 
dant” description of erotic coupling in a novel, Here are 
a few of the nominees, along with the winner: 

“Thé wind thrust between her legs, its icy blast dis- 
placed by solid warmth as he covered her like a dog. The 
thing inside her jerked and threshed, a rising salmon, 
plunging home to spawn. “Yes!” she shouted, relishing the 
scarlet pain in her knees as he kept grinding them against 
the barnacled surface of the groyne. She arched against 
him, picking up his rhythm—an angry, breathless 
rhythm—as he slammed and thrust against her, his bar- 
barous nails clawing her bare back. The sea was joining 
in: slavering towards her; panting, foaming, gathering 
speed; one headstrong wave swelling up and up, sweep- 
ing her to treacherous heights before crashing, pounding 
down, There was a last frantic spasm, followed by a cry. 
His voice or hers? She couldn't tell!” —Wendy Perriam, 

Dreams, Demons and Desires 
“She confiscated the zapper and 
slid my hand be- 
tween her thighs. 
Tt was wet 


| t's that time again. This past December, London's Lit- 


once again, 
the best 

of the worst 
in erotica 


and warm down there, which was only to be expected, 
but she might just as well have deposited my hand ona 
pizza for all the effect it had. Т actually found myself won- 
dering if T would be able to tell a pizza and my wife apart 
by touch alone, and my uncertainty saddened me im- 
measurably. She arched her body against mine, and I felt 
her desire surge over me like a tidal wave. In a moment it. 
would break on the reef of my incapacity. . . ."—Doris 
Dorrie, Where Do We Go From Here? 

“The night of Alfred’s 75th birthday had found Chip 
alone at Tilton Ledge pursuing sexual congress with his 
red chaise longue. He was kneeling at the feet of his 
chaise and sniffing its plush minutely, inch by inch, in 
hopes that some vaginal tang might sull be lingering 
eight weeks after Melissa Paquette had lain here. He 
worked his lips down into the chaise's buttoned navels 
and kissed the lint and grit and crumbs and hairs that 
had collected in them: None of the three spots where he 
thought he smelled Melissa was unambiguously tangy, 
but after exhaustive comparison he was able to seule on 
the least questionable of the three spots, near a button 
just south of the backrest, and give it his full nasal atten- 
tion. He fingered other buttons with both hands, the cool 
plush chafing his nether parts in a poor approximation of 
Melissa's skin, until finally he achieved sufficient belief in 
the smell’s reality—sufficient faith that he still possessed 
some relic of Melissa—to consummate the act."—Jona- 
than Franzen, The Corrections 

And the winner: 

“Her hand is moving away from my knee and 
heading north. Heading unnervingly and witha 
steely will towards the pole. And, like Sir Ran- 
ulph Fiennes, Pamela will not easily be dis- 
couraged. I try twitching, and then shaking 
my leg, but to no avail. At last, disastrously, 
I try squeezing her hand painfully between my bony 
thighs, but this only serves to inflame her ardour the 
more. Ever northward moves her hand, while she smiles 
languorously at my right ear. And when she reaches the 
north pole, I think in wonder and ter- 
ror . .. she will surely want 
to pitch her tent."— 
Christopher Hart, 

‘Rescue Me 


57 


last year, 1 noticed that my desk had 
been broken into. The Playboy items 
had been removed, along with nine 
or so photos taken at an after-work 
party. I reported the break-in to my 
manager, who said he already knew 
about it. He also told me that an un- 
named co-worker had filed a sexu- 
al harassment complaint against me, 
based on the discovery of alleged por- 
nographic material in my desk. I was 
shocked, but he told me not to worry, 
that it wasn't anything serious. 

The human resources department 
began an investigation. I thought the 
charge was absurd and would quick- 
ly be dismissed, so I admitted freely 
to keeping the pLayBOY and calendar 
locked in my desk. However, I denied 
that either could be considered por- 
nographic, and I reiterated the fact 
that I had never looked at or shown 
them to anyone. Qwest also claimed 
that my collection of persona! photos 
had been of “an intimate nature,” 
when they were nothing out of the 
ordinary. The most “intimate” of the 
photos showed me hugging a female 
co-worker. 

About four wecks later, I was in- 
formed that I had been found in vio- 
lation of Qwest's sexual harassment 


policy. It said that, as a manager, 1 am 
responsible for establishing and pro- 
moting a work environment free of 
sexual harassment. I was told I could 
either resign or be fired. That's not 
much of a choice, especially after 29 
years of service. I resigned under 
duress in lieu of being fired. I also 
hired an employment attorney, Rob- 
ert Martinez, who helped me file an 
age discrimination complaint against 
Qwest with the Equal Employment 
Opportunity Commission. I am 54 
years old with a good work record, 
and I'm convinced that younger 
workers would not have been termi- 
nated on such ridiculous charges. Ifa 
PLAYBOY in a locked drawer is sexual 
harassment, what does Qwest consid- 
€r the many bra and panty ads visible 
in daily newspapers that people read 
at their desks? 

"Thomas Mares 

Albuquerque, New Mexico 


We would like to hear your point of view. 
Send questions, opinions and quirky stuff to 
The Playboy Forum, PLAYBOY, 680 North 
Lake Shore Drive, Chicago, Illinois 60611, 
e-mail forum@playboy.com or fax 312- 
951-2939, Please include a daytime phone 
number and your city and state or province. 


| wait | 

2 | Here | 
Before your next game of naked Twister, give Contraception: The Board Game 
a spin. Created by a university health lecturer in the UK, the game is designed 


to teach 13- to 16-year-olds about safer sex. Instead of a boot or a thimble, play- 
ers move contraceptives around a board adorned with diagrams of the male | 
and female reproductive organs. To advance, each teen must correctly answer 
questions about pregnancy and STDs, practice slipping condoms on a plastic 
dildo and learn about the services available at area sexual health clinics. 


terrorizing the 


bill of rights 
By JAMES BOVARD 


How do you finda needle ina 
0 haystack? 
A Set fire to the haystack. 

© Following the Septem- 
ber 11 attacks, Congress joined the 
largest manhunt in history by passing 
a 342-page bill called the Uniting and 
Strengthening America by Providing 
Appropriate Tools Required to Inter- 
cept and Obstruct Terrorism Act. The 
bill's acronym, USA PATRIOT, revealed 
the depth of feeling, if not thought, 
that had gone into the measure. In 
support of the bill, House Judicia- 
ry Committee chairman James Sen- 
senbrenner declared, “The first civil 
right of every American is to be free 
of domestic terrorism.” 

USA PATRIOT rewrote laws that had 
been putin place to curb past govern- 
ment abuses. It gave Attorney Gener- 
al John Ashcroft powers that would 
have been unthinkable a few months 
before. Lawmakers claimed they were 
bringing the Bill of Rights up to date, 
allowing law enforcement to operate 
efficiently in the age of the cell phone 
and laptop. 

Thanks to usa PATRIOT and the flur- 
ry of executive orders that have fol- 
lowed, our government now can 
more easily conduct secret trials, lis- 
ten to privileged conversations be- 
tween prisoners and their counsel, 
imprison people indefinitely on mi- 
nor charges without even confirming 
they are being held, eavesdrop on 
any telephone that a suspect may use 
(including those in public places such 
as airports), sort through thousands 
of private e-mails while promising not 
to read “content” (a term left unde- 
fined), conduct “sneak and peak” 
scarches for physical evidence with- 
out notifying the suspect at the time, 
rummage through school records of 
foreign students and appoint bank 
clerks and employers as deputy coun- 
terterrorists (with no training). The 
CIA and other intelligence groups 
have been allowed back into the do- 
mestic arena. All manner of checks 
and balances, of oversight, have been 
tossed onto the bonfire. 

In some cases, agencies seeking 
wiretaps in criminal investigations no 
longer need establish probable cause. 
A month after Bush signed USA PATRI- 
or, the administration went even fur- 
ther. It proposed “fill-in-the-blank” 


wiretaps on suspects when federal 
agents do not know the person's 
name. The Bush administration al- 
so wanted to allow agents up to 72 
hours after conducting an “emergen- 
cy” wiretap or search to request ex 
post facto permission from a judge 
for the intrusion. 

USA PATRIOT is a classic bait and 
switch. Although its stated purpose is 
to defeat domestic terrorism, the gov- 
ernment's new power reaches far be- 
yond box cutters. For starters, the law 
defines domestic terrorism as activi- 
ties involving "acts dangerous to hu- 
man life" that, among other things, 
may "appear to be intended to influ- 
ence the policy of a government by 
intimidation or coercion." Perhaps 
the lawmakers saw only im- 
ages of airliners flying in- 
to skyscrapers, but the lan- 
guage is broad enough to 
encompass many less-ex- 
treme activities. It may take 
only a few scuffles at a ral- 
ly to transform a protest 
group into a terrorist entity. 
The new thinking would 
allow the government to 
drop the hammer on envi- 
ronmental extremists (even 
those who are not spiking 
trees), anti-trade fanatics 
(even those who don't trash 
Starbucks) and anti-abor- 
tion protesters (even those 
who don't attack doctors). 
Even if the violence at a 
rally is initiated by a gov- 
ernment agent provocateur—as hap- 
pened at some Sixties antiwar pro- 
tests—the feds could still reap the pow- 
er to treat all of a group's members 
as terrorists. 

And it will not be necessary to have 
participated in a rowdy street demon- 
stration to be indicted under this act. 
If you provide a demonstrator with a 
place to sleep, you could be found 
guilty of aiding and abetting terror- 
ism. Likewise, if you donate to an or- 
ganization that may in the future be 
dassified as a terrorist entity—includ- 
ing Greenpeace, the Gun Owners of 
America and Operation Rescue—you 
could face prison. Are such concerns 
far-fetched? Unfortunately, no. The 
Philadelphia Inquirer examined terror- 
ism prosecutions from 1997 to 2001 


(before the definition of terrorism 
was expanded). Among the supposed 
acts of terror were a tenant who im- 
personated an FBI agent in a call to 
his landlord protesting an eviction, 
an airline passenger who got drunk 
on a flight from China and demand- 
ed more liquor in an unruly fashion 
and a guy who asked his shrink for 
medicine because voices were telling 
him to kill George W. 

Many of the bill's provisions are not 
bound by definitions of terrorist. New 
powers can be used against those 
suspected of breaking a criminal law, 
be it wearing the fur of an endan- 
gered species or being less than truth- 
ful то an IRS agent. As for the roving 
wiretaps and e-mail surveillance, you 


don't even have to be a suspect to 
have your right of privacy sacrificed. 

The idea that sacrificed civil rights 
are the price we pay for security in 
times of crisis is hardly new. Such 
thinking seeks to justify the perpetual 
detention of terrorist suspects and 
the incarceration of those who criti- 
cize homeland security or disagree 
with Ashcroft's designation of certain 
groups as terrorists. There are his- 
torical precedents. President John 
Adams used sedition laws to lock up 
dissenting newspaper editors and the 
occasional congressman. Abraham 
Lincoln suspended habeas corpus 
during the Civil War. World War 1 
gave us the Espionage Act, which 
made it illegal to “willfully utter, 
print, write or publish any disloyal, 


fane, scurrilous or abusive lan- 
age about the form of government 
of the United States.” And the list 
goes on. How far will we go? 

The Bill of Rights does not distin- 
guish between citizens and immi- 
grants; it protects individual rights, 
not those of a privileged class. But 
the Attorney General now needs on- 
ly to certify that he has “reasonable 
grounds to believe that the alien is 
engaged in any activity that endan- 
gers the national security” to detain 
an alien. But, we were proud to learn, 
those who are in custody still have 
some rights. When the Justice Depart- 
ment refused to disclose the names of 
its detainees, Ashcroft explained that 
the silence was necessary to protect 
their privacy. 

Speaking before Congress, Ashcroft 
defended the secrecy of military tri- 
bunals thusly: “Are we supposed to 
read them their Miranda rights, hire 
a flamboyant defense lawyer, bring 
them back to the U. S. to create a new 
cable network of Osama 
TV or what have you, and 
provide a worldwide plat- 
form from which propa- 
ganda can be developed?" 
Well, yes. Better that than 
taking them into a soccer 
stadium and executing 
them without a trial, with- 
out evidence—or, worse, 
with secret evidence. The 
Bill of Rights was designed 
to protect individuals (not 
just citizens) from such 
overzealousness—or is it 
arrogance? 

USA PATRIOT treats every 
American as a potential sus- 
pect, every federal agent 
as an angel. It asks us to 
ignore such dark episodes 
as the surveillance of Martin Luther 
King Jr., Cointelpro, the murder of 
Black Panther Fred Hampton and 
the Red files of the McCarthy era. 
Ashcroft scoffs at criticism and says 
simply, “Trust me.” But already, the 
definition of the enemy has changed. 
In the hearing before Congress, the 
attorney general chastised potential 
critics, saying, “To those who scare 
peace-loving people with phantoms 
of lost liberty, my message is this: 
Your tactics only aid terrorists, for 
they erode our national unity and di- 
minish our resolve. They give am- 
munition to America’s enemies and 
pause to America’s friends.” 

The Bush doctrine that “you're 
with us or with the terrorists” has 
come home. 


N E W 


ы Ж Оё 


(Oh NT 


what's happening in the sexual and social arenas 


Lz li i 


TORONTO—A radio producer with an 
interest in pornography—he owned 500 
books, 800 magazines, 2000 films and vid- 
eos, 300 computer disks of online materi- 


al and numerous studies and legal docu- 
ments—donated the stash to the Univer- 
sity of Toronto's Center of Criminology. 
Last April, a professor there received a 
$145,000 grant to catalog and research 
the newly named Sexual Representation 
Research Collection, but it has taken sever- 
al months of bureaucratic wrangling for 
work to begin. “It doesn’t surprise me,” 
the producer said. "Whenever there's sex, 
there's trouble.” The professor believes that 
a century from now, researchers will find 
that exploring the SRRC is “like going in- 
to the ruins of Pompeii.” 

DURANGO, COLORADO—Last fall an 
English professor at Fort Lewis College 
announced that she would be teaching a 
course called the Poetics of Porn. Eighteen 
seniors—11 women and seven men— 
signed on to study the verbal and visual 
language of pornography. Predictably, not 
everyone embraced the idea, including 
Scott McInnis, an alumnus who is now 
the area's Republican in Congress. “I can 
save them a lot of money and time,” he 
said. “Pornography is bad for people. It 
doesn't take an expert to figure that out.” 
The professor, whose past courses have in- 
cluded Queer and White Trash Po- 
etics, responded: “The things people don't 
want to deal with can tell us a lot about 
how society views itself" A few days later, 
administrators canceled the course. 


PITTSBURGH—A University of Pitts- 
burgh senior who hoped to win the election 
for homecoming queen had a friend take a 
photo of her topless and digitally place im- 
ages of roses over her breasts. She hung 
300 posters with the photo around cam- 
pus. Soon after, the original, unaltered 
snapshot began appearing at online porn 
sites. The woman says she suspects her 
friend released the photo intentionally but 
that he’s denied it. Despite the publicity, she 
lost the election. “I'm very popular on cam- 
pus,” she said, “so I thought if anybody 
could get elected this way, I could.” 


LAS VEGAS—Two youth pastors bought 
a booth at the annual Adult Video News 
trade show to convert souls and promote 
their new website at xxxchurch.com. The 
ministers, based in Los Angeles, boasted 
that they had the “No. 1 Christian porn 
site,” which confused some passersby. The 
site doesn’t have porn but instead allows 
visitors to post prayers asking God to pro- 
tect their “integrity and safety” online. 


— АННА << 


SYDNEY, AUSTRALIA—A 15-year-old boy 
in the final stages of terminal cancer had a 
dying wish: He wanted to lose his virgini- 
ty. His parents are deeply religious and 
would have disapproved, so he confided in 
a nurse. She and her colleagues considered 
ing their money to hire a prostitute, but 
the ethical and legal issues concerned 
them. Instead, a group of friends took the 
boy on a clandestine field trip to a profes- 
sional who fulfilled his fantasy. A psychol- 
ogist said the teen told him the experience 
was “everything he'd wished it to be.” The 
boy died in December, a few weeks after the 
psychologist wrote anonymously to a radio 
gram to discuss the ethics of the situa- 
tion. “People talk about a trip to Disney- 
land being therapeutic,” he said. "What's 
the difference? It was what he wanted.” 


BLOW DOWN = — 


PENSACOLA, FLORIDA—A city crossing 
guard, frustrated because drivers wouldn't 
slow down, wrapped a hair drier with elec- 
trical tape and began aiming the fake ra- 
dar gun at speeders. “It's al- 
most comical,” he said. "People are slowing 


down, raising their hands at me apologeti- 
cally.” A city attorney said he couldn't find 
any statute that prohibits pointing a hair 
drier at a vehicle. 


BANFF, ALBERTA—For his contribution 
to an exhibit at the Banff Center, Mexican 
artist Israel Mora ejaculated into glass 
vials every day for a week, then stored the 
samples in a white cooler. He titled the 
work Level 7. The center hung the piece 
between two trees with a label that read, in 
part, “In memory of a family without a 
memory. Warning: Contains six ml of se- 
men extracted through masturbation, dis- 
tributed among seven glass tubes.” The 
center said the art caused no controversy 
until the National Post ran an article with 
the headline BANFF ARTS CENTER PAYS FOR 
MEXICAN TO BOTTLE HIS FLUID. 

BOULDER, COLORADO—A protestor 
nicked an exhibit of 21 colorful ceramic 
penises dangling from a clothesline at the 
public library and replaced them with a 
U.S. flag and a note that read, "El Dildo 


Bandito was here.” The thief confessed 
the next day, saying he was upset by the 
library's decision not to hang a 10’x 15" 
U.S. flag over its entrance following the 
September 11 attacks. The man also said 
he feared his five-year-old daughter might 


see the “antimale” and “pornographic” 
art. The penis piece, Hanging ‘Em Out to 

i. had been displayed as part of an ex- 
hibit called Art Triumphs Over Domestic 
Violence. Police charged the man with mis- 
demeanor criminal tampering. 


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a candid conversation with the gentleman champ about fighting mike tyson, the before- 
and-after sex debate, getting knocked out and keeping his cool in a corrupt sport 


The heavyweight champion is tall, buff 
and handsome. He is smart and often funny. 
(What other boxer accuses a foe of having a 
bad hair day?) He may be one of the best 
fighters ever. So why isn't Lennox Lewis the 
most famous jock on earth? 

Maybe it's the accent. We expect the heavy- 
weight champ to be a badass—a hard case 
with cruel intentions and lousy grammar, 
vowing to “destruct and destroy” the other 
guy. But Lewis isn't like that. The first 
British heavyweight champ т a century is a 
chess-playing, Bentley-driving gent who says 
he “opes he acquils ‘imself well.” But Lewis’ 
claim to greatness is legit. At 65" and 242 
pounds he is bigger and stronger than his 
idol Muhammad Ali ever was. After earning 
a gold medal at the 1988 Olympics, Lewis 
has won 40 of 43 pro fights, with one con- 
troversial draw and 31 knockouts. He has 
ruled the heavyweight division off and on— 
mostly on—for four years, and if the show- 
down with Mike Tyson happens, Lewis might 
finally be scen as one of his sport's greatest 
champions. 

Dempsey, Louis, Marciano, Ali—the names 
of his predecessors echo down the ages. Even 
their thug of a successor, the squeaky-voiced 
convicted rapist Mike Tyson, seems larger 
than life. Yet Lewis has never quite scored with 
the public. This is a champ who can walk 


“You win a championship and they give you 
a bell covered with diamonds, rubies and 
crystals. But they're fake. It's like the Olym- 
pic gold medal—1 took my gold medal home 
and scratched it and the gold came off.” 


down the street leaving puzzled looks in his 
wake: Who is that big dude with the dreads? 

Now comes the night of his life—the last 
chance for the 36-year-old Lewis to join Ali 
and other immortals. Of course, that night 
got off to a shaky start when Tyson charged 
Lennox at their January press conference. 
While it put the future of the fight in doubt, 
it only heightened fan interest and under- 
scored the differences between Lewis, the 
gentleman giant, and Tyson, who has said he 
wants to eat Lewis’ children and put a bullet 
in Lewis’ brain. 

“He sounds a bit unhinged,” says Lewis, 
who has no kids and no plans to let Tyson get 
near his head. The champ has a couple of 
surprises for Tyson: a long-limbed defense to 
keep the smaller challenger at bay, and a nu- 
clear right hand that makes Lewis the most 
dangerous nice guy on earth. 

“This is my destiny,” he says about fight- 
ing Tyson. 

Lewis’ collision course with Tyson traces 
back to London's rough-and-tumble East 
End. His Jamaican-born mother, Violet, 
worked in a factory. His father took off when 
Lennox was little, and soon Violet took her 
boy to Canada, where she found work mak- 
ing Styrofoam. But money was tight, and 
Lennox was shipped bach to London to live 
wilh relatives. He was 10. Two long years 


"I have a secret. I can't tell you right now, 
but the world will know that night —I'll have 
a surprise for Mike Tyson. The fight will last 
as long as I allow it to last, and then 1 will 
knock him out. It's my destiny." 


later, reunited with his mother, the fast-grow- 
ing Lewis turned his energies to sports. He 
was a high school football and basketball 
star, but boxing was his specialty. At 18, rep- 
resenting Canada, he lost an Olympic bout 
to Tyrell Biggs of the U.S. Four years later, 
Lewis won gold at the Seoul Olympics. As a 
young pro he made his name with a 1992 
knockout of Razor Ruddock, then gained a 
world title without throwing a punch: World 
Boxing Council champ Riddick Bowe, want- 
ing no part of Lewis, threw his champi- 
onship belt into a trash can. Bowe's WBC 
crown fell to Lewis, who became the first Brit- 
ish heavyweight champ since 1897. 

He defended his title three times. Then, be- 
fore a hometown crowd at London's Wembley 
Stadium in 1994, Lewis walked into Oliver 
McCall's fist. He was quickly counted out, 
suffering his first pro defeat. It would be 
three years before he regained his title, stop- 
ping McCall in a bizarre bout in which Mc- 
Call broke down in tears and quit fighting. 
Since then, Lewis’ reign has been interrupt- 
ed twice. In 1999 he beat Evander Holyfield 
but judges jobbed him, ruling the fight a draw. 
Muhammad Ali called it “the biggest fix in 
history.” All three boxing organizations or- 
dered a rematch. That fall, in Lewis—Holy- 
field 11, Lewis won a unanimous decision 
and about $15 million. Then, after several 


PHOTOGRAPHY BY DAVID ROSE 


“Rage lakes energy, and 1 want to keep my 
energy focused. If a man hits me, PU think, 
Good for you, that's a good shot. Now it’s up 
lo me to hit you twice as hard. It’s not rage 
that drives me, it’s competition.” 


63 


PLAYBOY 


successful defenses, he walked into a Hasim 
Rahman punch last year and lost his crown. 
He flattened Rahman in their rematch, set- 
ting up Lewis versus Tyson, the ultimate 
heavyweight bout. 

For all his skill and punching power, Lewis 
is often called a boring boxer, too cautious to 
electrify fight fans, Some say he's too cere- 
bral. There have been rumors that he is gay. 

Boring and gay—those are words nobody 
uses to describe Tyson. Yet it's Lewis, not 
Tyson, who holds the titles Tyson wants. We 
sent sports pundil Kevin Cook to clinch with 
the heavyweight champ. Cook reports: 

“The first thing you note about Lewis is 
his calmness. He is big—6'5" and sculpt- 
ed, with fists that could level small cities— 
but there's no menace to the man. He moves 
smoothly, observing his 
surroundings. He has a 
slow, easy smile and a 
soft voice, English-ac- 
cented with a touch of 

Jamaica. He is a good 
listener. lt was only 
when he jumped up to 
demonstrate а jab or 
uppercut that I remem- 
bered who and what he 
was: a man who could 
kill me with one punch. 

“We spent hours talk- 
ing at his training camp 
in the Poconos, and lat- 
er at a hotel in Los An- 
geles. At one point, to- 
ward the end of our 
talks, he startled the hell 
out of me. While he 
took a bathroom break 
Í stood at the window, 
looking outside. So I 
didn't sce Lewis as he 
slipped up behind me, 
staying low and sneak- 
ing like a ninja. Feeling 
a tap on my elbow 1 
turned—and saw a 
playful punch coming 
right at my eye. 

“Gotcha!” said the 
heavyweight champ, 
grinning like a hid.” 


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PLAYBOY: What happened in your first 
fight with Hasim Rahman? 

Lewis: He got lucky. I was beating him, 
but then I made a mistake, and I paid 
for it. 1 didn't pay enough attention. He 
hit me hard, and down I went. 

PLAYBOY: Your critics say you have a glass 
jaw. Did Rahman prove they were right? 
LEWIS: That's hype! If he hit you that 
hard, you'd have a glass jaw, too. That 
was a hard punch. But it was a lucky 
punch, as I proved in the rematch. You 
saw him fall, didn't you? 

PLAYBOY: You decked Rahman—and won 
back your championship belt—with a fe- 
rocious right hand. Was that the hardest 
punch you've landed? 


64 LEWIS: It was one of the hardest. It was 


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my mouth-shutter punch. I aimed for 
his mouth and shut it. You see, I was 
very motivated to shut him up. Rah- 
man had been mouthing off. He never 
showed me the proper respect. I was de- 
termined to shut him up, to make him 
the Buster Douglas of the 21st century. 
PLAYBOY: Tell us about your rumble with 
Rahman on ESPN. We might call that 
bout Lewis-Rahman One-and-a-Half. 
You made a prefight appearance with 
Rahman and ESPN's Gary Miller, and 
suddenly you and Rahman were shov- 
ing, punching and rolling on the floor. 
Was that staged? 

LEWIS: No. I was not planning to tussle 
with him while I was wearing a suit. But. 


Rahman instigated it. 


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PLAYBOY: He called you gay. 

Lewis: I ripped the chain off his neck and 
showed it to him, and challenged him to 
come get it, but he wouldn't. And off we 
went to the floor- 
PLAYBOY: Are you still pissed at Rahman? 
LEWIS: Upset, I'd say. Yes, 1 am. There is 
a code of conduct. I was the champion. 
The champion deserves more respect 
than he showed. 

PLAYBOY. Now you're the champ again, 
and he's a footnote. 

LEWIS: Exactly. 

PLAYBOY: What do you expect from Mike 
‘Tyson? 

Lewis: I expect a knockout. The fight will 
last as long as I allow it to last, and then 
1 will knock him out. 


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PLAYBOY: What round? 
LEWIS: [Grinning] The last round. 
PLAYBOY: Do you have any surprises in 
store for Tyson? 
Lewis: I have a secret. Something new. 1 
can't tell you right now, but the world 
will know that night—I'll have a surprise 
for Mike Tyson. 
PLAYBOY: As we speak, its still winter. The 
contracts aren't signed yet. Do you want 
to fight Tyson? 
LEWIS: It's my destiny. I am training, 
working, planning for a fight on April 6. 
PLAYBOY: You and Prince Naseem Ha- 
med, the featherweight champ, train at a 
Pennsylvania honeymoon resort where 
some of the rooms have bathtubs shaped 
like champagne glasses— 
LEWIS: Prince Naseem 
got one, but not me. I 
can't take a bath in no 
champagne glass. 
PLAYBOY: Come clean 
about your place in 
history. Are you better 
than Muhammad Ali? 
lhavetoo much 
respect for the broth- 
er to put myself up 
against him. My mom 
and I used to watch 
Ali on TV and I want- 
ed to emulate him. 
"That's what got me go- 
ing in boxing. 
PLAYBOY: You have 
watched him. Surely 
you wonder how you 
ren would have matched 
fh | up with him. 
LEWIS: The sport has 
evolved. Back then, 
heavyweights were 
61^, 62”, 210 or 215 
pounds. I'm bigger. 
I am a 65” ultimate 
fighting machine. Ali 
was a great boxer of 
his era. This is a dif- 
ferent era, the time of 
Mike Tyson, Evander 
Holyfield and Len- 
nox Lewis. I reign su- 
preme in this era. I 
make my own footsteps. 
PLAYBOY: Tyson's camp once paid you 
$4 million in step-aside money—he did 
not want to fight you. Do you think he's 
ready now? 
Lewis: While he and his people were 
afraid of me I was learning my crafi, and 
now I am better than him in every way. 
I don't think he's up to the task of box- 
ing me. 
PLAYBOY: You're quite a bit taller than 
Tyson is. Could that be a problem for 
you? Boxing people talk about a height 
disadvantage 
Lewis: There's something to that, be- 
cause it’s harder to punch down than 
to punch up. Tyson punches with both 
hands, and he can get more force from 


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his legs, punching up. But, then, I've 
been fighting short guys all my life. 
PLAYBOY: What if he jumps up and bites 
you? 

LEWIS: I do worry about his antics. This 
is the biggest purse ever, the fight ev- 
eryone wants to see. I will feel bad if he 
does something stupid and it ends in a 
disqualification. 

PLAYBOY: Maybe you should wear head- 
gear, like amateurs do. 

LEWIS: Then he'd probably pull my hair. 
PLAYBOY: Is Tyson nuts, or is it an act? 
Does he rant like a crazy man because 
it sells? 

Lewis: Tyson is a train wreck waiting to 
happen. 

PLAYBOY: He says there will be no need 
for a second Tyson-Lewis fight, because 
you'll be dead. 

Lewis; He has no couth. I think he's a bit 
unhinged, and he has taken the coward's 
way out 
PLAYBOY: You mean biting and ending 
up disqualified when he was losing to 
Holyfield. 

Lewis: Then he says he wants to eat my 
kids. But I don't answer, because it's like 
arguing with a madman. 

PLAYBOY: You knew him when you were 
both teenagers, didn't you? 

LEWIS: He was actually smart when we 
were amateurs. Back then I didn't see 
the evil side. We talked a bit and I thought 
he was cool. 


PLAYBOY: You have said the Tyson fight 
is your destiny. Would you fight him 
alone—for nothing, if necessary—to 
prove you can beat him? 

LEWIS: No, because I will need a referee. 
If Tyson is biting me and pulling my hair 
and trying to break my arms, who knows 
what could happen. But this is what 
you need to hear: I will beat Tyson in a 
fair fight. 

PLAYBOY: People also want to hear about 
the rumors that you're gay. 

Lewis: Unbelievable! 

PLAYBOY: Do the rumors annoy you? 
LEWIS: I used to get upset. I mean, look 
at Ricky Martin. There’s a rumor that 
he's gay, but he won't say one way or the 
other. Maybe he thinks people wouldn't 
buy his records. I say if you're not gay, 
say so! It's not that I'm against homosex- 
uals. We all have to live on this planet to- 
gether. It's just being truthful. 

PLAYBOY: Many boxers abstain from sex 
before they fight. 

LEWIS: I am one of them. I abstain as long 
as I'm in training camp. Seven weeks. I 
can't even imagine my girlfriend being 
there. Camp is serious, a place of disci- 
pline. There's no fooling around once 
I'm in camp. 

PLAYBOY: Does the no-sex rule make you 
stronger or just angrier? 

Lewis: It gives you a little more quick- 
ness, better reflexes. More of an edge. 
You don't want to give up your energies 


before you go to war. 

PLAYBOY: This is according to the Lon- 
don Daily Telegraph: “Lewis sometimes 
stands in front of a mirror and gazes at 
his naked body.” 

Lewis: Well, I don't just stand and stare. 
Not for long. 

PLAYBOY: Here's a “tale of the tape” ques- 
tion; When you're naked in front of the 
mirror, are we talking championship 
proportions? 

LEWIS: [Laughing] Oh, we are, definitely. 
Absolutely! 

PLAYBOY: After a fight, do you hurry to 
have sex? 

LEWI о. I don't let it control me. I con- 
trol it. It's a natural act; you should let it 
happen naturally. Take it slowly or you'll 
get weak and end up with a cold. 
PLAYBOY: So how do you celebrate? 
Lewis: After a fight I go out with friends, 
and I can't wait to get my hands on a 
glass of champagne. I used to be a Gris- 
tal man, but now my brand is Taittinger. 
It's cheaper. Why pay $600 for Cristal, a 
status symbol, when Taittinger tastes bet- 
ter and costs $300? They really turned 
me off when they upped the price of 
Cristal last New Year's Eve. I went into a 
store in Miami and suddenly it was $800 
a bottle. 

PLAYBOY: That was shortly after you beat 
David Tua. How much did you earn that 
night? 

LEWIS: Seven million. But this is ethics. I 


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won't pay an unfair price. It's funny how 
you can make $7 million, $20 million, 
$30 million, but you don't get to keep it 
all, and you always worry about money 
PLAYBOY: What else do you find funny 
about boxing? 

LEWIS: The championship belts. You win 
a world championship and they give you 
a belt covered with diamonds, rubies 
and crystals. But they’re all fake. It’s like 
the Olympic gold medal—1 took my 
gold medal home and scratched it and 
the gold came off. It's just gold-plated. 
PLAYBOY: Your WBC and IBF champi- 
onship belts—how much are they actual- 
ly worth? 

LEWIS: Maybe $60. I'm thinking, This is 
what we dream about, fellas! This is what 
we pay $400,000 in sanctioning tees to 
fight for. 

PLAYBOY: One funny ritual is the pre- 
fight press conference. You're supposed 
to act fierce, like you might attack the 
other guy right then and there. 

LEWIS: That can be humorous. Some 
you can play with—like Michael 
Grant, He was at a mental disadvantage 
at our press conference. I had watched 
his other press conferences — 
PLAYBOY: You study your opponents’ 
press conferences? 

Lewis: Yeah, and he was different at this 
one. Upset. Worried. He let the hype af- 
fect him. But I'm an old hand at that 
stuff, so I just looked at him and said, 
“My, my, Michael's a little upset today.” 
He was upset, and I let him know that I 
knew it. 

PLAYBOY: What bothers you? Could an- 
other fighter get under your skin? 
LEWIS: Most of them don’t even try. They 
let their managers or promoters talk for 
them, and that’s just rhetoric. 1 want to 
hear what the fighter has to say to me. 
And if he says he’s going to knock me 
out in a minute, ГИ look him in the eye, 
man to man, and say, “Knock me out in 
one minute? Please, talk some sense.” 
PLAYBOY: You're thinking of Holyfield, 
aren't you? 

LEWIS: Holyfield! He knew I was going to 
be the toughest opponent of his life, but 
he said he'd knock me out in three 
rounds, Preposterous! 

PLAYBOY: But it worked. It made you mad. 
LEWIS: It did, actually. But 1 made it work 
for me. At the start of the fourth round 
1 spoke to him. I said, "I'm still here.” 
In the fifth round I said, “I'm still here.” 
He got the message. Another thing that 
bothers me about Holyfield—that Chris- 
tian thing of his. It helps psych him up, 
because he walks into the ring with God. 
But is he right? Does God want him to 
knock me out? It’s the same mistake Mi- 
chael Grant made—1 watched Grant in 
the changing room before our fight, and 
he had a man in there praying for him: 
“Oh please, God, please help Michzel to 
beat Lennox Lewis.” But what sort of re- 
ligion is that? These guys who think God 
is in their corner have it wrong. They're 


going against the balance of life—and 
you saw the results when I boxed Grant 
and Holyfield. 

PLAYBOY: Doesn't your mother pray be- 
fore your fights? 

LEWIS: She prays for both fighters. 
PLAYBOY: Is Holyfield a hypocrite? 

LEWIS: Before our first fight he kept talk- 
ing about God, but 
he wasn't living up 
to his talk. I told 
him, "You're not 
real." 

PLAYBOY: You point- 
ed out that Holy- 
field has fathered 
some children out 
of wedlock. 

LEWIS: And he got so 
upset! 1 guess the 
truth hurts. 
PLAYBOY: You clearly 
won your first fight 
with Holyfield, but 
the judges ruled it 
a draw—the most 
controversial draw 
in recent history. 
LEWIS: The whole 
world knew I won. 
Holyfield knew, too, 
but he didn’t accept 
it. He knows he'll 
never beat me in | 
the ring. 

PLAYBOY: You beat 
him in the rematch. 
Finally you were the 
undisputed heavy- 
weight champ, but 
not for long. 

LEWIS: No. He went 
into a courtroom 
and he begged the 
judge to take my 
WBA belt away. 
PLAYBOY: Holyfield 
demanded a third 
title fight with you. 
When you refused, 
he went to court 
and won the right to 
fight John Ruiz for 
the WBA title. He 
won that bout—and 
the WBA belt—but 
soon lost to Ruiz. 
You kept the other 
two major heayy- 
weight belts, which 
you lost in Lewis— 
Rahman I and then 
won back in Lewis- 
Rahman Il. And today, while everyone 
considers you the heavyweight champ, 
Ruiz still holds the WBA title. 

Lewis: Don King controls the WBA belt. 
King's lawyer is president of the WBA, 
so that's just politics to me. That's why I 
say I'm the undisputed champion, be- 
cause you can’t win the heavyweight title 
in a courtroom. You have to win it in the 


ring. Holyfield knew that, and he still 
knows he can't beat me in the ring. 
PLAYBOY: You and Holyfield battled for 
24 rounds in your title fights. How well 
do you know a man after all that? 

LEWIS: I know him well, and he's the big- 
gest cheat I know. He threw an elbow at 
me. But it was more than that—it was 


ing down to an animal level. 
PLAYBOY: At least nobody doubts Tyson's 
killer instinct. Some people say you lack 
that instinct. 
LEWIS: I love the sweet science of the 
sport. It’s not me to run out and say, "I'm 
gonna kill you!” At the amateur stage it's 
not even about knockouts. You're trying 
to achieve points. 
It's only when you 
turn professional 
that you have to 
think about knock- 
outs, because that's 
how you gain pop- 
ularity and respect. 
Killer instinct? I 
have developed it. 
It comes out when I 
need it. 
$ PLAYBOY: Could you. 
kill a man? 
LEWIS: Yeah, man, I 
could. I don't think 
that I will, though. 
These are pretty 
good boxers 1 fight. 
They're athletes 
who realize what 
can happen, who 
are prepared for 
that kind of sacri- 
fice but who have 
worked at the sport. 
| for years and have 
learned to protect 
themselves. Now, if 
I hit somebody on 
the street—which I 
wouldn't do—that's 
different. With the 
power I generate, 
he could definitely 
be dead. 
PLAYBOY: What is 
your advice to a 
regular guy who 
wants to throw a 
powerful punch? 
LEWIS: Don't let 
the punch stop at 
your target. Punch 
through the target. 
PLAYBOY: Do you get 
angry in the ring? 
LEWIS: No, I'm too 
| much of a profes- 
sional for that. 
Rage takes energy, 
and I want to keep 
my energy focused. 
If a man hits me, 


the blatant head butting that really both- 
ered me. Now I see why Tyson bit his ear. 
PLAYBOY: You mean that was OK? 

LEWIS: No, no. It was the worst thing Гуе 
ever seen in boxing. Head butting is one 
thing—that's been done all through the 
sport's history. You know you have to 
watch out for the other guy's head. But 
to bite off a man's ear? Tyson took box- 


ГИ think, Good for 
you, that's a good shot. That puts you 
above me. Now it's up to me to hit you 
twice as hard. It's not rage that drives 
me, it's competition. 

PLAYBOY: Do you study your opponents 
on tape? 

LEWIS: [Nodding] It helps me visualize the 
fight to come. I get so deep into it I can't 


see or hear anything else. It's like when I 67 


PLAYBOY 


was young—my mother would snap her 
fingers while 1 was watching a movie, 
snap her fingers and say, "Don't you 
hear me?” But I was too focused to hear. 
PLAYBOY: Watching tape before the Frans 
Botha bout, you spotted something you 
used against him. 

LEWIS: I saw he had a rhythm to his fight- 
ing. He would dance around —one, two, 
three—and come back with a combina- 
tion. Dance around and stop—boom, 
boom, boom—combination. So when he 
came to attack me and I saw him go into 
that rhythm, I knew what was next. I 
thought, He won't touch me. I'll knock 
him out quicker than Tyson did. And 
that’s what happened. 

PLAYBOY: You floored Botha with a per- 
fectly timed flurry of punches. 

ab, right hand, then a left upper- 
cut. Now I see him react, and I readjust. 
I wait just an instant while he reacts, 
while he moves into just the right spot, 
and then boom! 1 throw the punch. 
PLAYBOY: You nearly knocked Botha 
through the ropes into the crowd. 
Smiling] That would have been 
spectacular. When I watch that fight on 
tape I'm thinking, Oh man, one more 
punch and he'd fly right out of there. A. 
little more biomechanics behind that last 
right hand. But it's all right. The people 
got what they wanted, a knockout. 

That was a good night. I love going 
through a fight where a man doesn't 
touch you. That takes skill to make all 
that money and never get touched. 
PLAYBOY: Why did it matter that you beat. 
Botha faster than ‘Tyson did? 

LEWIS: You can see I'm a perfectionist. 
I'ma Virgo—it's in my sign. But all box- 
ers make these comparisons. Our egos 
make us do it. There are other reasons, 
too. When I boxed David Tua, I knew 
‘Tyson might be watching and thinking, 
If Tua hurts Lennox with body shots, 1 
can, too. So I couldn't let that happen. 
PLAYBOY: Describe your style in the ring. 
Lewis: I am a pugilist specialist. A boxer 
and puncher. 1 fight everybody differ- 
ently. With Holyfield, who is technically 
gifted, I was a technician. With Michael 
Grant 1 couldn't say, "Oh no, he's 66” 
and he’s coming at me with the same 
advantages I have!” Grants not a good 
mover, so I used movement against him. 
PLAYBOY: Last year some people picked 
Grant—another huge, athletic boxer— 
to beat you. He's a couple of inches taller 
than you are. Never had such big men 
squared off for the heavyweight crown, 
LEWIS: But who's Grant? He just came 
along the other day. I’ve been in this 
game awhile—two Olympics, an exten- 
sive amateur career. I've boxed Russians, 
Germans and Cubans. He hasn't been 
through what Гуе been through, so I'm 
stronger mentally. 

PLAYBOY: He's strong physically. 

LEWIS: Yes, and you have to beware. Be- 
fore that fight I said to myself, Nobody 


68 my size can be better than me. But he 


could've caught me with a lucky punch. 
"There are miscellaneous things, Mur- 
phy's Law things, that can hurt you. 
PLAYBOY: Were you at all surprised when 
Grant came rushing at you, trying to 
knock you out right away? 

LEWIS: He had no choice. His trainer 
[Don Turner] was feeding him a line: 
"Lennox is not that tough. He's got a 
glass chin." Trying to psych him up. He 
realizes Grant isn't technically gifted like 
me. He can't outbox me, so what can he 
do? Go in throwing punches, try to get 
rid of me fast. 

PLAYBOY: You finished Grant vith a sav- 
age uppercut — 

LEWIS: He had his head down, and I put 
my hand on top of his head. Just to make 
sure he didn't move. Then I went whoop! 
The hardest punch I've landed yet, but 
it could have been harder. I could have 
made it more dramatic. 

PLAYBOY: They'd have found his head in 
the third row. 

LEWIS: 1 didn't really set myself and dig 
my knees into the punch. And he got his 
left hand in the way of the uppercut, so it 
didn't have full effect. It was less than 90 
percent of maximum power—more like 
60 percent. 

PLAYBOY: Did you feel sorry for Grant? 
LEWIS: He's still young. He can come 
back. I will say that some trainers don't. 
worry about the athlete—they're just out 
to get their money. Realizing this is the 
most money Grant is going to make his 
entire career, why not accept the fight, so 
the trainers and managers get their mon- 
ey? They think maybe their guy will get 
lucky. But he didn't. 

PLAYBOY: Beside abstaining from sex, do 
you have any prefight rituals? 

LEWIS: I put on my right glove first. Start- 
ing with the hand wrappings. I am go- 
ing to war and these are my bandages 
of protection. It’s always the right hand 
first—the wraps and then the glove, 
which goes on when the wrapping tape 
is still wet, so it won't loosen. 

PLAYBOY: What are you thinking immedi- 
ately before a fight, while fireworks are 
going off and you're headed for the ring? 
Lewis: Visualizing. This is my last walk, 
these are the last seconds before I go to 
war. I'm seeing the fight playing out in 
my head. With me winning, of course. 
PLAYBOY: Do you hear the crowd? 

LEWIS: I heard booing during the Tua 
fight. But when I threw a combination, 
they cheered. I realized they were boo- 
ing Tua for not mounting an attack. 
PLAYBOY: Between rounds you have 60 
seconds to rest and to think. How long: 
does that minute feel? 

LEWIS: Long enough. I'll listen to Man- 
ny—Emanuel Steward, my trainer. He 
talks really fast, but 1 listen fast. 1 com- 
prehend everything. In the Tua fight I 
didn't say anything in the corner until 
after the 11th round. One round to go, 
and I said, "It ain't over," making sure 1 
stayed focused until the end. Don't let 


Murphy's Law get loose. 
PLAYBOY: Arc you able to rest much in 60 
scconds? 
LEWIS: If you train your body. For me it 
feels like a long time, because when I train 
1 only rest 30 seconds between rounds. 
PLAYBOY: Other boxers do that, don't they? 
LEWIS: I don't know. But here I am giv- 
ing away my guarded secrets. This has 
to stop. 
PLAYBOY: Some boxers are trash talkers. 
Do you speak to the other guy while you 
fight? 
LEWIS: I don't, and if a man talks to me, it 
motivates me to shut him up. 
PLAYBOY: Who talks? 
LEWIS: Ray Mercer spoke in a clinch. He 
id, "You don't punch hard, You punch 
like a baby." I came out of the clinch hit- 
ting him and saying, “Oh, yeah? How do 
you like that?" He didn't talk for the rest. 
of the fight. 
PLAYBOY: Are there other ways boxers 
communicate? 
LEWIS: I'll smile, to let a man know his 
shots don't hurt me. Sometimes it's an 
act. If he catches you, you can't let him 
know you're hurüng. So you smile like, 
"Shit, that's nothing." 
PLAYBOY: In 1994 Oliver McCall knocked 
you out. Until Rahman got you last year, 
it was your only pro defeat. That one 
had to hurt. 
Lewis: Just like with Rahman, I helped 
facilitate that punch. He was throwing it 
just as I was moving forward, and, boy, 
that made it hit me a lot harder. 
PLAYBOY: How does it feel to take a full- 
force heavyweight punch? 
Lewis: Everything goes in slow motion. 
Then you hit the canvas and it all wakes 
up again—lights and sound and a refer- 
ee in your face, going, “One two five 
four!” You're trying to stand up. Things 
are getting clearer, but now it’s, Hey, 
what's up with my legs? I know I have 
legs. The signal from your brain isn’t 
getting to your legs. 
PLAYBOY: After that loss you hired Manny 
Steward, who had trained McCall. Had 
Steward figured out how to beat you? 
LEWIS: It's more like Manny won the lot- 
tery that night. I ran into that punch. 
PLAYBOY: People said you cried that night. 
Lewis: Not true. I know there are girls 
who think a true man should be able to 
cry, but I don't play that. Maybe it's be- 
cause I cried a lot as a kid. 
PLAYBOY: What made you cry then? 
LEWIS: Any little thing. I was a crybaby. 
it stopped. I was 16, and I 
fell off my bicycle and broke my arm. I 
remember looking at the bone. It hurt, 
but all I thought was, This is weird. I 
have broken my arm. But I didn’t cry, 
and have not cried since. 
PLAYBOY: McCall can't make that claim. 
In your bizarre rematch, you were ahead 
when McCall quit fighting. He'd been 
treated for drug and alcohol problems; 
now he wept and ran out of the ring. Do 
(continued on page 147) 


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TASTE THE SPIRIT" 


a last call from 


the burning tower 


sent abel on a 


desperate quest 


Lachen by [patter Nesey 


was stuck at Norfolk International Airport for seven hours on 
Il September 11. I had flown down there the night before to 

give a Tuesday-morning talk to an important group of educa- 
tors about the reading habits of teenagers in the inner city. I had 
been working as a researcher, studying adolescent school behavior 
and doing postdoc work at NYU for the past six years, but this was 
the first time I had been called upon to discuss my findings. 

The conference was canceled, of course. Thousands dead and the 
world on the brink of war; no one seemed to care about much oth- 
er than the television news reports. 

Everybody was talking about the World Trade Center and the 
number of bodies, about terrorists and the Middle East, as if the 
Middle East had never existed before that day. Pictures of men and 
women in traditional Arabic and Islamic dress appeared now and 
then on the airport TV screens. The president spoke and everyone 
listened closely, and afterward they discussed his innuendos and the 
possible ramifications. 

But mostly they talked about the dead and expressed shock that 
terrorists could be so cunning and evil. People cried and held on to 
one another. I saw the towers fall dozens of times on CNN. 

“Terrible, terrible,” a woman sitting next to me said over and over. 

1 finally had to move away from her. 

Гуе lived in New York for 13 years, but I couldn't think of anyone 
I knew who worked in the towers, or even near them. The specta- 
cle was terrifying—the jet almost languidly gliding until it exploded 


PAINTING BY KENT WILLIAMS. 


71 


PLAYBOY 


72 


into a fireball against the tower. 

1 was upset about the death and dev- 
astation, but I was also upset that the 
conference had been canceled. This 
was going to be my big chance. There 
were people in attendance who might 
have given me a good job in one of the 
larger school systems, or maybe even 
a tenure track at a university. I really 
didn't see why one tragedy should stop 
a whole nation from functioning. 

“You look so sad,” a gray-haired wom- 
an said to me. “Did you have someone 
in the towers?” 

“Мо,” I said. “I don't think I di 
mean, I don't know of anyone. No. 

I excused myself because I was 
ashamed to admit I was worried about 
a job I might have lost because of the 
terrorist attack. 

To get away from her pitying eyes I 
went to the ticket counter, hoping 
there might be a cleared flight going 
near New York. 

I stood in line behind a young wom- 
an who wore a shark-gray business suit 
with a short skirt and dark stockings. 
She was weeping and kept touching 
her heart and her head with delicate, 
restless hands. I tried not to make eye 
contact with her. Every time it seemed 
as if she might turn in my direction I 
glanced up at the departures board or 
concentrated on the flight schedule in 
my hand, pretending to be absorbed in 
its numbers and lines. 

“Excuse me,” she asked nonetheless. 
“Excuse me, sir.” 

“Me?” 

“Is your cell phone working?” she 
asked in a strained tone. “I keep trying 
to call Kim, but I can’t get through on 
mine, 

She held the phone out in a helpless 
gesture. I handed her my Nokia and 
opened the timetable again. It afford- 
ed me a kind of solace, the certainty of 
flights scheduled to take off and land 
with regularity. I yearned for a world 
like that, a world where I could give my 
talk and take my plane, get to my desti- 
nation without delays and grief-strick- 
en, slim-waisted girls. 

“This damn phone doesn't work, ei- 
ther,” she said, thrusting the sleek lit- 
Це knob back into my hand. “Nothing 
fucking works.” 

I shrugged. "I'm sorry,” I said. 

She started crying again, grabbing 
my jacket. I put a hand on her shoul- 
der and she seized me around the 
waist. I felt uncomfortable, but didn't 
know how to stave her off. Her need 
was so great that I was paralyzed by it. 

"It's your turn,” I said to her when 
the ticket counter was free. 

She went toward the woman stand- 
ing there but didn't let go of me. She 
pulled me along like I was an alumi- 
num walker. 


Lat 


“My name is Lenora. My sister works 
in the towers,” the young woman was 
saying. “I can't call her and I have to 
get back there. I have to look for her. 
essa) bods An 

The attendant began crying along 
with Lenora. She was tall with yellow 
hair. She had color in her face, whereas 
Lenora was dark-haired and pale. The 
attendant came out from behind her 
post and folded the sad girl in her arms. 
‘The embrace included me, at least the 
arm that Lenora still held on to. 

They cried together, and, for a mo- 
ment, Í yelped and cried real tears. But 
that was over as soon as it started. I 
didn't have a sister named Kim in the 
fallen towers. 

“There won't be any flights, honey,” 
the attendant said. “Every airport in 
America is closed.” 

1 didn't believe that. Nothing could 
dose down America, I thought. 

“If you want to get back you'll have 
to drive or take the train,” the atten- 
dant said. 

“1 don't drive,” the young woman 
said. “Kim is the one with the license.” 

“1 could drive you," I said, surpris- 
ing myself. “I could.” 

We were able to get the last car in the 
last lot we visited. It was a Jaguar con- 
vertible for $300 a day, but we could re- 
turn it in New York and Lenora told 
me she'd pay half the expenses. 

We took Highway 64 to I-95 and that 
to the Jersey Turnpike. All the way, Le- 
nora talked about her sister, listened to 
the news, tried to call New York and 
touched her heart and head. 

“Kim is my big sister," she said. “She 
always took care of me. When I decid- 
ed to leave Oakland and come to New 
York, my parents tried to stop me. But 
Kim called them and said, 'Are you 
crazy? There's more crime in the Bay 
Area than there is in New York. And 
anyway, I can look after her here. She'll 
be safer with me than anywhere else." 

“Do you think she’s OK?” 

“Sure, 1 bet she is,” I said, “The way 
it sounds, most people got out. And she 
was in the south tower, right?” 

“I think so. I'm not sure. I couldn't 
visit her because of my job at Landers 
and Landers. It’s a really good job. 
Kim even said so. But I have to work a 
lot and then I'm on the road.” 

“Yeah,” I said. “Sounds like a really 
good job.” 

“What do you do, Abel?” she asked 
me after four hours of driving. 

“I study teenagers, their general hab- 
its. Reading, sex, popular culture.” 
ata university?” 

1 have a research position.” 

“Can't you drive faster?” she said. 
“The cops won't stop us. Not tonight. 
They have to protect the airports. How 
could anybody do that? How could 


they kill so many innocent people with- 
out even knowing them? 

“Could you put the top down?” she 
asked then. “Please.” 

“It'll be cold,” I argued. "With the 
wind and all.” 

“I need open space. I'll go crazy if I 
don't get it.” 

After a while the cold didn’t bother 
me much. Lenora wrapped herself in a 
sweater and mumbled about her sister. 

1 wanted to ask her what floor her 
sister worked on. But then I worried 
that she might be on an upper level. I 
couldn't bear it if Lenora got any more 
upset. 

We had to go up to the George 
Washington Bridge because the tun- 
nels were closed for fear of more at- 
tacks. The wait at the bridge was long 
because many of the cars were being 
searched for weapons and bombs. 

“Where you coming from?" a big cop 
with a red nose asked me. 

“Norfolk, Officer,” I said. “We were 
stranded at the airport there.” 

“Why do you have the top down?” 
he asked. 

“It was warmer down South,” I said 
meaninglessly. 

He didn’t argue and waved us on. 

1 let Lenora off at 89th and Broad- 
way. She left without saying goodbye 
or leaving me a number. I was almost 
home before realizing I couldn't call to 
get her half of the expense—I didn't 
even know her last name. I drove to 
my neighborhood and parked on the 
street. I figured that alternate-side 
parking would be suspended, and it 
was too late to hope that the car rental 
office would be open. 

From the fire escape of my apart- 
ment on Sullivan I could see the great 
wraithlike cloud of smoke in the gap 
let by the towers. The cloud was illu- 
minated by the lights of the rescue ef- 
fort and in stark contrast to the black- 
ness of the sky. There was an acrid 
odor in the air, and people wandered 
aimlessly down the street. I fell into 
my bed fully dressed and was immedi- 
ately asleep. 

The next morning I watched the 
news for three and a half hours. After 
that I played music and watched the 
Cartoon Network. I read a book by 
Platonov called Happy Moscow that a 
grad student named Nina Trivet had 
loaned me. The rental company said 
on the phone that they weren't taking 
back cars that day; they said I could 
bring the car in free of charge at the 
end of the week. I knew then that 
America had been deeply wounded. 
When businesses throw away their prof- 
its, you know that in their hearts they 
feel the end is near. 

(continued on page 112) 


“Give the peasants a tax rebate and they behave like naughty little children.” 


73 


Grosso, Wendy Rosprim, 

ег Christensen and Heother 

. Above left: Heathers Chris- 

en (left) and Phelps hit the beach. 
e street-legal golf cart ore Wendy 
ng poge: A girl 

during a bikini 


— م 

SE А a 
ani COREA. FIFA eom 
HI COALS DANS n is 


prize for longest spring break goes to South Padre Island, Texas, where the annual festivities start weeks before 

parties anyplace else. That's because Canadian spring break kicks off in mid-February, and South Padre is 

where the ice princesses go to thaw out. There is no better way to warm up than in round-the-clock bikini and 

wet T-shirt contests. After spending the year expanding their minds, college girls are ready to blow your brain. 

Most of the action is on the bay side of the island. There are seven miles of sand and legendary bayfront bars, 
such as Tequila Frog's (voted having the best wet T-shirt contest in town), Louie's Back Yard and, at the north end, Parrot 
Eyes. Bars auction off the right to douse T-shirt contestants—and the winners use fire hoses, not plant spritzers. Booze cruis- 
es head out from many of the bars and hotels, too. Wanna-Wanna and Boomerang Billy's push the envelope on the gulf side, 
where thunderous waves crash ashore. South Padre is every dorm-room fantasy come to life. These days, even the mousiest 
girls peel off their clothes at the pop of a beer can—and the resulting rush is addictive. So, too, if we can believe our eyes, 
are girl-on-girl action, public sex and threesomes. The whole point of spring break is, after all, to break some taboos 


T; Y HERE ARE DOZENS of popular spring break party locales jostling for the titles of best, biggest and booziest. The 
pep! pring ВЕ, J Б ББ 


PHOTOGRAPHY BY RIC МООВЕ AND DAVID RAMS 


75 


Above: The cheers ot the contests pro- 
duce a sexually charged rush of adren- 
oline. Anything con happen. Here, Wen- 
dy (left) and Tara share an intimate 
moment backstage. Above middle: Our 


gang greets the assembled throngs—in 
thongs. Below them, two revelers break 
out whipped cream and create a spring 
break sundae. Above far right: The 
Heothers, who also spent a lol of time 
partying as a duo, forge a bond 


Below: Tenby Turner os she 
drops drawers—and jaws— 
during her star turn onstage 
Left: Getting down in front of 
the crowd, Tenby and Tara do a 
little dance, make o little love 
Belaw left: Playmate Suzanne 
Stokes, Miss February 2000, 
gets up close and personal with 
the audience. They like her, 
they really like her. 


into a hot tub. That's Heather Christensen (for lef), 
20) Bottom left: Heathers at play again. Be Heat! 


get bold 


how to date the women of your dreams 


ARTICLE BY COREY LEVITAN 


She was so far out of my league, she was playing a different sport. 
She was dining at the table next to mine, with long black hair, perky 
breasts and the eyes of a jaguar. Souls have been bartered for less. | was 
on a date with someone else. But even if | hadn’t been, my natural incli- 
nation is to gawk and do nothing. Instead of seizing moments like this, | seize 
during them. Besides, jaguar-eyes was sitting with a pack of three equally 
gorgeous friends, kryptonite to even a Superman of pickups. My evening at the 
restaurant was the work of my friend Roy Silverberg, who was dating a Chinese wom- 
an and suggested we double with one of her co-workers. He’d checked out my date before- 
hand. “Dude, she’s hot,” he assured me. A blind date is like a rubber in your wallet. It's 
a good idea that never pays off. So | devised a code with Roy. If my date was as hot as he said, 
we'd take the girls to a nice sushi place. Otherwise, Га suggest Lucky Cheng's. Even a bad 
date can be salvaged by Lucky Cheng’s, a New York City theme restaurant where rude transvestites 
warble show tunes while serving cheap Chinese food. It's so loud two people can go an entire dinner 
without addressing each other. When Roy and | picked up our dates, a beautiful Asian girl opened the door to 
greet us. | could not believe my luck. Then she walked over and kissed Roy. Right behind her was my date, 
who looked like Star Trek's Mr. Sulu in a skirt. | didn't even have to say it. "Lucky Cheng's it is!” Roy announced. “Pm 
sorry,” he whispered, laughing, as we walked to his car. “I guess | didn't get that close a look at her." At my recom- 
mendation, he has since had Lasik surgery. Even the 13 sakes | downed could not make Mr. Sulu attractive. But they had an unin- 
tended effect, as | discovered when the goddesses and their jaguar queen took the table next to ours. Regular Corey would have 


ILLUSTRATION EY ISTVAN BANA) 


PLAYBOY 


82 


said nothing. But I was now 13-sake 
Corey. I began strategizing a hit under 
Sulu's radar. (When you're on a date, 
you can't just ask the stranger sitting 
next to you what her sign is.) 1 grabbed 
a matchbook and scribbled on the in- 
side cover. 

"Remember Titanic?” 1 wrote m 
Leo, on your left. Meet me at the bar in 
five minutes.” I discreetly asked our 
waiter (Ethel Merman in a bustier and 
garter belt) to deliver the note. 

1 had somehow tapped into the part 
of the male brain that works only when 
it's too late to matter, It's the part that 
tells you exactly what to say to the cop 
while you're reading the ticket on the 
drive home. Getting crocked was my 
key to this vast tactical warehouse. 

I flashed queen jaguar a look after 
she read my message. She got up when 
1 did, and her heels clicked behind me. 
Was she RSVPing, or had coincidence 
placed me directly in her path to the 
ladies’ room? Was this actually hap- 
pening, or was I about to sce my dead 
grandmother at the end of a tunnel? 

Once at the bar, I suavely swiveled to 
face the moment of truth. “Hi,” [ said, 
beaming and looking up four inches. 
"I'm Corey." 

“Monica,” she answered, offering a 
finely manicured hand. She was 22 
years old, 5'8" without heels, and mod- 
eled for Elite. She had moved to the 
Big Apple only six months before from 
San Antonio. I could not have ordered 
a more perfect girl from a catalog. And 
don't think I haven't tried. 

Me, I'm 35 years old, 5'6" and re- 
mind people of David Spade without. 
the fame or money. But the fact that 
my head was level with her breasts 
didn't freak me out. I was 13 sakes tall. 
Besides, a lofty woman isa short man's 
only shot at normal-size offspring. Af- 
ter talking a bit, I found Monica to be 
really nice. Actually, come to think of 
it, she was a little selfish, spoiled and 
bitchy. But she was a tall model who 
didn't appear to think that sex with me 
was out of the question. That's nice 
enough for me. 

"Come downstairs," I told her, grab- 
bing her hand like DiCaprio vhisking 
Kate Winslet to the third-class section. 
"It's haunted down there." 

The basement of Lucky Cheng's is an 
old bathhouse from the 1800s. One of 
the original tubs is still there, convert- 
ed to an aquarium. Years ago, I read 
about the resident ghosts, former pa- 
trons who allegedly died while bathing. 
Monica and 1 peeked into old bath- 
rooms and tried opening locked doors. 
Just because people are dead doesn't 
mean they can't help a guy get laid. 

“Yes, I've heard whispers late at 
night,” said the bartender (Cher with a 


potbelly and hairy arms). “I definitely 
detect a presence here.” 

Monica was excited. The occult was 
her thing. 1 detected a presence in my 
Levi's. 

“There was a reason I was supposed 
to meet you here,” Monica gushed. 
“You're the first guy I've met who's 
open to this type of stuff.” 

What followed was a dam burst of 
declarations about auras, chakras and 
crystals. I smiled and nodded—what- 
ever Monica believed in, so did I. The 
loonier the girl, the more of a chance 
she'd do me. 

Because I was still 13-sake Corey, I 
reached up and planted a kiss on Mon- 
ica’s full red lips. Hard. She kissed 
back. Was this my life, or had I fallen 
asleep and woken up in Matt Damon's? 

“Ah, straight love,” commented the 
hostess (Buddy Hackett in silk panties 
and a push-up bra). 


For a few days, I stuck with the prem- 

ise that it was the matchbook note that 
got me in with Monica. Or perhaps it 
was the haunted-mansion tour. So I be- 
gan asking friends for their best pickup 
gimmicks. Their suggestions included 
card tricks, fake British accents and a 
childhood candy dispenser. 

"What's more innocent than Pez?" 
said Hollywood movie producer Chris 
Boehm. "You can choose different 
heads and be any Looney Tunes or DC 
Comics character, depending on your 
mood. It's all about how you want to 
project yourself in the form of Pez." 

Obviously, these gimmicks were ri- 
diculous. The reason they worked, I 
realized, is the insane confidence re- 
quired to pull them off. I had that con- 
fidence during my entire first meeting 
with Monica 

“I'm on a bad blind date,” I told her. 
“I need to go back upstairs. But give 
me your number. Next time I'm in 
New York, we're going out." 

I left no room for her to say no or ask 
for my number instead. I told her that 
although I lived in LA, I return to my 
hometown at least twice a month (only 
my first in an intricate web of false- 
hoods). In fact, I come back only for 
July fourth and New Year's, and when- 
ever a relative dies. But Mos would 
probably find a boyfriend if 1 waited 
longer than two weeks to act. And I 
would cross the country naked on an 
emu for a date with a girl half as hot 
as she is. 

She grabbed my cell phone and pro- 
grammed in her number. The first 
available storage slot was #37 (a relief, 
since I appeared to have 36 friends). 

Guys, if you think the secret to scor- 
ing with the world's hottest women is 
anything other than confidence, please 


send me a portion of the money I'm 
going to save you on sports cars, gym 
memberships and Rogaine. A man can 
go weeks without a shower and let the 
hair from his nose grow into dread- 
locks. As long as he is confident, beau- 
tiful women will give him the green 
light. 

Like me, you may require alcohol to 
reach your confidence zone. And that's 
fine. But let me share some tips to re- 
member once you're there, courtesy of 
the babe magnets I know. 

(1) Stay focused. No woman wants to 
commit to a babe-gawker. If you're sur- 
rounded by loads of women, pay exclu- 
sive attention to the one you're most 
interested in. Even if Pamela Anderson 
bounces by, you must pretend to be less 
interested in her than you were in your 
junior high school lunch lady—the one 
who spooned string beans onto your 
plate. 

"Think of yourself as a lion," says 
Ross Kuflik, a New York chiropractor. 
"You're after that one antelope in a 
herd of 50. You have to focus on that 
one. You're not going to let it get out 
of your sight or be confused by all 
the other antelope running across your 
field of vision." Ross recalls one partic- 
ular hunt. It was about five years ago 
on Fire Island (the heterosexual part). 
"I was at an outdoor bar during happy 
hour,” he says. "I saw a girl sitting at 
the bar, surrounded by hundreds of 
people. Something about her face and 
figure attracted me. From the moment 
I walked into the place, I kept my eyes 
on her eyes. I walked over—crossing 
through all these people—and intro- 
duced myself." Ross and the girl dated 
for a few months. “The reason I know 
that my approach worked is because 
of what I found out later. One of the 
friends she'd been with—someone I 
hadn't even noticed—told her, “Wow, 
when that guy came in, he didn't care 
who else you were with. Nothing dis- 
tracted him.' They considered that 
very flattering.” 

(2) Seize the moment. Two ships pass- 
ing in the night will probably never see 
each other again, even if one ship gets 
the other's phone number. If the chem- 
istry is there, push for a moment right 
now. Have your first date and first kiss 
the same night you meet. 

My friend Jim, a Los Angeles soft- 
ware designer, was in San Francisco re- 
cently. He checked out of his hotel 
room and walked into a Taco Bell to 
grab a bite. Before he ordered he went 
to use the bathroom. He knocked on 
the door and a voice responded, "Some- 
one's in here!" 

"It turned out to be this incred- 
ible girl,” Jim says. “I apologized for 

(continued on page 159) 


“So, do you think this Soprano guy will end up whacking his shrink or what?” 


83 


86 


"НЕШЕ JOU EUER SEEN SHAKEN AND STIRRED?" 


EVER ON THE LOOKOUT FOR THE INTERNATIONAL FASHION VILLAIN FRANÇOIS FAUXPAS, 
OUR AGENT STANDS TOUGH IN A SUMMER SPORTS JACKET, FLAT-FRONT TROUSERS AND 
COTTON SHIRT, ALL BY ERMENEGILDO ZEGNA, ACCENTED NICELY WITH A TIE BY TOMMY 


BAHAMA, A BELT BY THIERRY MUGLER AND A WATCH BY HAMILTON. BACKING HIM UP IS 


NUMCHUCK NICK. HIS SHIRT, JACKET, BELT 
AND PANTS ARE ALL BY THIERRY MUGLER. 
HE’S WEARING SHOES BY GORDON RUSH. HIS 
WATGH IS A ROLEX DAYTONA. SHORTLY AF- 
TER, THINGS TURN BAD AS AN ANGRY JEN- 
NIFER THROWS AGENT 57 INTO THE DRINK. 
BLAME THE FIGHT ON JOLENE; Huso Boss IS 


RESPONSIBLE FOR THE SUIT, SHIRT AND TIE. 


87 


i 


l 
FOR YOUR EYES ONLY: THE GANG ASSEMBLES IN BLACK TIE TO PLOT WORLD¡DOMINATION. 


NO MORE |WRINKLED SHIRTS! NO MORE RENT-A-TUX! ND MORE CRAZY SOW TIES! AND, FOR 
NOW, THERE'S ND DOUBLE-BREASTED DOUBLE-CROSSING, EITHER] PROCEEDING FROM LEFT 


TO| RIGHT, GADGET GUY SLAPS FIVE IN A CHARCDAL-STRIPE WOOL SUIT BY GIORGIO) AR- 
МАМІ, THE PERFERT ALTERNATIVE TO TUXEDOS, His SHIRT AND: TIE ARE ARMAN, АО ON 


K GOES DEEP IN AN ARMANI TUXEDO AND MATCHING BLACK 


THE RECEIVING END, Мн. Nii 
ARMANI SHIRT AND TIE. MEANWHILE, AGENT 57 [SAUCES IT UP WITH JENNIFER. He's 
DRESSED IN A COMPLETE TUXEDO OUTFIT BY BRIGNI, SITTING, GREG LEANS BACK IN А 
TUXEDO WITH LEATHER TRIM BY ново Boss. THE SHIRT AND TIE ARE BOSS, TOO. STAND- 
ING.AT RIGHT IS EDDIE FURLONG (PECKER"), HIS TUX IS ARMANI, HIS SHIRT IS HUGO Boss, 


WHERE AND HOWTO BUY ON PAGE 160. 


ILLUSTRATIONS BY STEVEN CUARNACCIA 


\ 


Attention, RE 


we have news for you. Most 
guys, no matter how unfortu- 
nate, can recall an occasion 
when some woman told them 
they were the best lover ever. 
Women are sly that way. 
Sure, you have tales of baby- 
oiled Tri-Delts wriggling in 
a hot tub in Cabo, garter— 
belted secretaries being 
wheelbarrowed over a con— 
ference table or braless den- 
tal hygienists getting a good 
flossing themselves. They 
don't count. 

What we're talking about is 
whether your Rodin hands 
and your Coltrane tongue in- 
duced unique bouts of shiver- 
ing and areolar erectility. 
There's only one way to tell, 
and it's time to test your 
knowledge. For that, we've 
developed a quiz much like 
the standardized tests you've 
been taking all your life. It's 
scientific—definitely not the 
namby-pamby shit other 
magazines play with. This 
quiz will help you discov— 
er your sexual sixth sense. 
Sharpen your pencil. Set 
your watch. Go. 


(1) You're on a first date with Caroline, the cute brunette fram marketing. Incredibly, 
things have gane well and she welcomed your initial, tentative goodbye kiss. Now 
you're five minutes into a tongue tango, and goodbye feels like a hello. What's your 
best strategy for turning your make-out sossion into a full-blown sex extravaganza? 
(a) At first opportunity, you demonstrate your amazing fongue-sucking trick. 

(b) With a great display of nervous excitement, you let your hands travel to her breasts 
at five-minute intervals and persist in trying to cop a feel until she whispers "No" the 
third time. You follow this strategy at all stations of the cross until you're bare-ass 
naked and bouncing away, always sticking to the rule of three noes for each body part. 
(c) At tho first sign of resistance to your next move, you back off, exchange numbers 
and immediately plan date number two. 

(d) After kissing for a while, you ask her if she wants to “make love.” 


(2) When having a second-date dinner with tight-bodied personal trainer Dana, she 
tells you a disaster story. Apparently, some yabbo tried to get some under-the-table 
head between courses by snatching her glass of Rioja, pouring the wine onto his 
crotch and sneering, “Lop it up, baby.” In response, you: 

(a) ask, “Did you do it?” 

(b) exclaim, “That’s horrible! What a pig!” 

(c) make up a story about a wild woman you once knew who was forever trying to get 
you to have sex with her in public but succeeded only in making you feel incredibly 
uncomfortable. 

(d) hold up your glass and jokingly threaten to spill wine on her lap. 


(3) While fooling around drunkenly in the back of a cab with buxom blonde brides- 
maid Brooke and burrowing hungrily into the ripe cleavage spilling out of her strap- 
less gown, you suddenly have to puke. What to do? 


PEO 


| ne A 
pair) 


А 
۰ 


8 ә = з с = э unr ш 


(a) Ask the driver to stop the taxi- 
cab, do your business where you can't be 

seen and pick up where you left off. 

(b) Stop the cab, do your business, apologize and bid her good night. 


(4) Таза, that slim, twitchy sophomore redhead two doors down 
the hall, gave your palm a naughty little stroking when you handed 
her an Amstel at the Phi Psi party last weekend. Now, under the 
pretense of studying, she’s curled up on your futon in a flimsy, fray- 
ing long-sleeve T-shirt that barely reaches the southern border of 
her ass—and she's teasing you into a neurosis. Drawing on your 
knowledge of the typical college girl, what type of undergarment 
are you most likely to find cradling her cleft notes? 

(a) Girlie Calvin Klein briefs that go high up on the hips. 

(b) An all-purpose thong. 

(c) Bad, bad Talisa: no panties at all. 

(d) Full cotton coverage, and Muppet-potterned, to boot. 

(5) Wielding your Nikon, you say, “Give me sexy.” Your girlfriend, 
sitting on your couch, slides her skir up slowly to reveal her thigh- 
highs. Wielding your Nikon (and a stiffy), you say, “Now give me 
dirty.” Which of the following poses is she most likely to strike? 
(0) A slightly more elevated skirt and a couple of blouse buttons 
undone, but no more. 

(b) Lying back on couch fully nude, legs spread, hand acting as 

fig leaf. 

(<) The stirrups-ond-speculum special. 

(d) A scowl and, in the foreground, an uproised middle finger. 

(6) Which of the following combinations of your mouth, your fin- 
gets, their movement and their positioning is most likely to induce 
guttural moaning in your woman? 


(a) Tongue on navel, thumb in pussy, middle finger extended to 
anus, other hand tickling behind the knee. 

(b) Tongue deep inside pussy, thumb pressing on clit, fingers gently 
brushing pubic hair, other hand massaging ass. 

(c) Tongue wide, flat and rolling against clit, two fingers in easy 
beckoning motion inside pussy, middle finger of other hand slowly 
circling nipple, other fingers massaging breast. 

(d) Tongue tensed and flicking maniacally at clit, three fingers 
pumping vagina, middle finger circling anus rapidly and occasionally 
slipping in, thumb and forefinger of other hand pinching nipple, 
pinkie extended to tickle ear. 


(7) She has marvelous cascades of curly black hair, a D-cup rack soft 
as goose down, an extensively talented Jolie-esque mouth that be- 
comes virginally tight when she blows you—but Maya simply won't 
take it up the ass. Which of the following might she do to compensate? 
(a) Threesome. 

(b) Rim job. 

(c) Go down on you in a crowded theater. 

(d) Let you and your boss eat sashimi off her. 


(8) On your third date, having fucked your brains out for seven 
hours straight (including two stints in her condo pool and one in 
the shower with her roommate watching), Diane asks you how 
many women you have slept with. The actual number is 16, which is 
(continued on page 156; answers provided on page 158) 


ES) ero in on this. Nissan's new 350Z may look like a 
million dollars, but it costs thousands less than 


2 a Porsche or Jaguar. That's right, for less than 
(22% $30,000 you get a 280-horsepower V6 coupled to a 
six-speed transmission, independent multiple suspension, 
disc brakes and 18-inch alloy wheels. Did we mention the 
car's slick design and rich interior? If all this sounds familiar, 
it should. Years ago, ads for the Datsun 240Z boasted “the 
looks of a Jaguar and the handling of a Porsche for the price 
ofan MG.” Datsun delivered what it promised. But, over time, 
Zs became ponderous and overly sophisticated. When the last 
twin-turbocharged 300ZX ended the model’s run in 1996, 
even enthusiasts agreed that Nissan had way overpriced its 
$46,000 model. Journalists also made the case that Nissan’s 


decline in new-car sales was correlated to the Z’s demise. 
With nothing to offer except Toyota clones that lacked pizzazz 
and personality, Nissan, some pundits predicted, might 
declare bankruptcy. All that has changed. Nissan’s product 
line is packed with hot sellers. So it makes sense for the 
company to resurrect its legendary Z car and once again com- 
pete with Jaguars and Porsches. (continued on page 161) 


PHOTOGRAPHY BY RICHARD IZUI 


Inside, the 350Z's fascia is 
a modern update of the 
classic 2407. There are 
three aluminum-ringed in- 
struments: an 8000-rpm 
tachometer, flanked by 
a 160-mph speedometer 
and a fuel-pan temper- 
ature gauge. A trio of 
supporting dials tops the 
center of the dash, just 
as in the original 240Z. | 

| 

| 


The race-style aluminum- 
accented steering wheel 
complements the stub- 

by, short-throw six-speed 

shifter, which features a 
shock-absorbing function 

that makes shifting and 

gear selection easier. 

Deeply sculpted bucket 

seats, a between-the-seats 

fly-off hand brake and an | 
exposed brace behind the | 
seats make this а serious 

sports car. The trunk will 
accommodate a couple of 

weekend bags. 


| 


vos... 


WHERE AND HDW TD BUY DN PAGE 160. 


94 


as tony soprano’s hair-trigger kinsman, 


michael imperioli helps hbo’s blockbuster bad guys 


outgun the competition 


LOOSE CANNON 


e felt like he'd been shot. Standing on the sidewalk 

near his apartment in lower Manhattan, six blocks 

from the burning north tower of the World Trade Cen- 

ter, Michael Imperioli thought he was a witness to a 

gruesome accident. Then came a deep bass note as a 

ball of fire shot out of the south tower, so close he could 
feel the boom in his gut. “That's when I knew—we all 
knew,” says Imperioli, who plays Christopher on The Sopra- 
nos. “This was no accident. We were being attacked.” 

He ran closer to the fires—to a grade school where kids 
huddled inside—to fetch his 11-year-old daughter. They 
hurried home, gathered up a few toys, a little money. Im- 
perioli, with his wife, Victoria, daughter Isabella and her 
two litde brothers, fled the neighborhood just ahead of a 
40-foot tsunami of smoke that left windows white with dust, 
ash, asbestos and aerosolized metal. 

Suddenly the fourth season of The Sopranos didn't seem 
so important. 

During the next few days Imperioli worked with a med- 
ical unit, helping search-and-rescue workers at ground ze- 
ro. Firefighters clasped his hand: “Hey, it's Christopher! 
Bada-bing!" 

"That was awkward," he says, "being recognized and 
thanked when I was just taking them some dry clothes." 
One night he stood at the edge of the rubble, paying his re- 
spects, staring for long minutes at the remains of the tow- 
ers that appeared in The Sopranos' opening sequence. Then 
he turned and walked uptown. For the living, the show 
goes on. 

After a couple days' delay, shooting resumed in Queens, 
Manhattan and on Tony Soprano's New Jersey turf. James 
Gandolfini roared and snorted animal noises—the star's 
offscreen ritual—while Imperioli got ready by pacing like a 
caged panther. Then cameras rolled on the new season of 
TV's greatest soap opera, which hits 
the home screen soon. "It's going to be 
the best season yet. Seriously," says Im- 
perioli. "It's strong stuff." That might 


DI KENN COOK 


mean another Emmy nomination for the 36-year-old Im- 
perioli, who lost the 2001 trophy for outstanding support- 
ing actor in a drama series to Bradiey Whitford of The West 
Wing. Not that Imperioli gives a spit, as long as Sopranos 
knocks off Wing for the heavy hardware. When The Practice 
beat out Tony's crew for outstanding drama series in 1999, 
Imperioli called the other show “awful. Mediocre. It's a 
show about lawyers! How interesting can it be?” Imperioli 
could get a piece of the outstanding writing action, too. He 
wrote “From Where to Eternity,” a screwy, religion-tinged 
episode that became a second-season classic, and he has two 
new scripts coming up this year. 

With his neighborhood almost cleared of debris and his 
schedule packed—a film script in the works and commer- 
cials to direct, including one featuring Gandolfini—things 
are looking up for Imperioli, who was a survivor even be- 
fore September 11. 

Born on the first day of 1966, he grew up in hardscrabble 
Mount Vernon, New York, just up the cratered street from 
the Bronx. His parents were immigrants from Sicily, his fa- 
ther a Bronx bus driver. Michael skipped college for acting 
school and cofounded experimental theater troupes that 
haunted ratty playhouses downtown. Gigging by night with 
Lili Taylor and other young actors who would become in- 
die-movie icons, Imperioli spent his days asa fry cook. “And 
a bad one,” he says. "My eggs looked . . . deflated. Most of 
the stuff I cooked was hard to identify as food.” His acting 
went unrecognized, too, largely because Mr. Headstrong 
Junior Pacino could be a pain to work with. He played 
every role his way, even if it meant he was practically in his 
own play—and one night he was. After getting confused 
during David Mamet's The Woods, Imperioli began acting 
the play's ending about an hour too soon. His leading lady 
tried to signal a warning to him, but he waved her off. She's 
totally lost, he thought. When he fi- 
nally realized his error (the audience 
stayed put after his finale), he did 
whatanytrue (concluded on page 118) 


ILLUSTRATION BY DAVID LEVINE 


ellblock full of thugs in a padded ring? They 


and one emerges a pro. By Michael Kaplan 
w. 7 7 


e calls himself the Black Rhino, and 
5 E I'm not arguing. He's 6'2", 220, dark- 
skinned, pure muscle. When his half-but- 
toned shirt blows open in the Louisiana 
breeze, I spot the head of a rhino tattooed on 
his right pec. Clifford Etienne could kill me 
with one fist, and he's got two. I've seen him 
fight, and he throws punches with the feroc- 
ity of a prison-yard brawler. 

He’s not far from one. At the age of 18, 
while hanging out with friends in Lafayette, 
Louisiana, Etienne pulled a gun on a man 
and demanded money. When the victim re- 
sisted, Etienne shot him in the arm. Earlier 
that summer he had taken two men at gun- 
point to a soybean field, forced them to strip 
and robbed them of $1000 and a gold watch. 
A high school senior with Division | football 
talent, Etienne couldn't explain his crimes 
except to say he wanted to prove his tough- 
ness. The judge gave him 40 years. 

It was in prison that Etienne took up box- 
ing. (He's featured in Simeon Soffer's docu- 
mentary Fight to me Max, from which most 
of the images on this page were taken, and 
at far right defeating Lawrence Clay-Bey.) 
Louisiana has a unique rehabilitation pro- 
gram in which inmates square off in month- 
ly officiated three-round fights. Some war- 
dens open their doors to locals, who pay 


three bucks for an evening filled with a 
dozen or more Spartacus-style bouts. Eli- 
enne became known for bruising torsos, 
busting noses and handing out concussions. 
He throws 100 punches per round, twice the 
norm for a heavyweight but right in line with 
how you fight in the pen. Lifers still talk 
about the fact that Etienne twice soundly 
heat the much-larger Stacey Frazier (distant 
cousin of Joe's). “I'd step into the guys and 
let ‘em have it," the Rhino says. “I figured I 
would fight my way out of jail." 

Paroled in 1998 after serving 10 years, 
Etienne has since gone 22-1 as a pro, with 
15 knockouts. His one defeat came in March 
2001, when a punch to the ear threw off his 
equilibrium and a weaker fighter knocked 
him to the canvas seven times in eight 
rounds. Following the loss, the Rhino began 
training with Jack Mosley, father and train- 
er of welterweight champ Shane Mosley. 
He was scheduled to fight again in February 
and has two bouts remaining on a three- 
fight, $1 million deal with Showtime. 

Louisiana's prisons are home to hundreds 
of amateur boxers who dream of following 
Etienne into the pros. The likelier scenario is 
that they will die behind bars or be released 
to frustration. They lack the discipline, char- 
acter and/or (concluded on page 152) 


“Why do I have the feeling you are trying to influence the outcome of 
this audit, Miss Wilcox?” 


whine about spilling a little beer on 
their shirts. I don't understand them at 
all. I love four-wheeling in a field with 
lots of mud. 

Heather is considering college but 
admits she needs to get grounded first. 
“I have no idea where ГИ be tonight, 
let alone five years from now,” she con- 
fesses. "Psychology interests me be- 
cause I want to know what motivates 
people. I had a boyfriend with a lot of 
problems, and many of his character- 
istics are the result of his dad's dying 
at a young age. I need to understand 
the patterns in people's behavior and 
how past events influence them.” So 
what kind of guy captures Heather's 
attention? “There’s something about 
tattoos and rock music, guys in bands, 
she says. “I want someone who will 
go to a concert with me and go crazy in 
the mosh pit. I'm always going some- 
where—spur-of-the-moment stuff. I'm 
just not a stay-at-home kind of girl. 
Heather's favorite outdoor activities 
are skiing in the winter and kayaking 
in the summer, and she shows no signs 
of slowing down. “How Jim Morrison 
lived is how I want to: for the day and 
for the moment,” she says. all hap- 
pens for a reason, so I'll take a chance. 
Why not? That's my attitude.” 


The Moulin Rouge fontasy theme of this 
pictorial complements Heather's looks, but 
don't compore this redhead to prim-and- 
proper Nicole Kidman. “I didn't see the 
movie,” Heather says. “I wanted to be pho- 
togrophed with Harleys ond race cars.” 


PLAYMATE DATA SHEET 


NAME ‚Heather M Carolin _ 
pust: JH D чает. 22 ams 2O _ 
nern. UA" wom: AD los. —_ 
mmi pave: О Ё- 15 792- sreruprace: Hv oov 
AMBITIONS : 1 mode 1 


pe 
mep 3 superficial people у 


THE SEXIEST MAN THAT EVER LIVED IS: Tim Morrison. 

MY FAVORITE anos: MEADODICO. y К om and Асс. 

IN FIVE agde hope À am happy š — 
SCA in ulna rev | do A 


IF I HAD MORE TIME, I'D PURSUE: 

I WISH I HAD: 9 fh etn газай 20- 

IF I COULD CHANGE лчүтнтно:_]. would wat lung capacity, 
^ 


^ Pa 
last nou er portrait 


m 
cert pie! 745. old. YE 


Kitty. 


SEE MORE PHOTOS (PLUS VIDEO) 


OF HEATHER AT CYBER PLAYBOY CON, 


PLAYBOY’S PARTY JOKES 


How is being in the military like a blow job? 
‘The closer you get to discharge, the better 
you feel. 


A man standing in the back of a crowded ho- 
tel clevator shouted out, “Ballroom, please.” 

‘The woman in front of him turned around 
and said, “Oops, I'm sorry. I didn’t realize I 
was crowding you.” 


Why did God give women nipples? 
‘To make suckers out of men. 


Mothers have Mother's Day and fathers have 
Father's Day, but what day is dedicated to sin- 
gle guys? 

Palm Sunday. 


A car salesman tried to influence a senator 
by giving him a new automobile. The senator 
declined, claiming that accepting such a gift 
would be unethical. The salesman thought for 
a moment, then offered to sell the senator a 
car for $20. “It’s a deal,” the senator said. “ГИ 
take two.” 


A wife came home unexpectedly one day and 
found her philandering husband in bed with 
a midget. The wife screamed, “You promised 
me two weeks ago you would never cheat on 
me again.” 

‘Trying his best to calm her down, the hus- 
band said, “Take it easy, dear. Can't you see I'm 
trying to taper off?” 


Рилувох crassi: A husband was involved in a 
terrible accident that cost him his manhood. 
But his doctor reassured him that modern sci- 
ence had made it possible for his penis to be re- 
built. He had three choices—small for $3500, 
medium for $6500 or large for $14,000. The 

vanted a large, but the doctor suggested 
iscuss it with his wife before making a final 
decision. The doctor left the room and the 
man called his wife to inform her of their op- 
tions. The doctor returned and found the man 
looking very sad. “Did you make a decision?” 
the doctor asked. 

"Yes," the man said. “She said she'd rather 
remodel the kitchen.” 


Bronne joke оғ THE MONTH: What did the 
blonde shout after having multiple orgasms? 
“Good work, team!” 


What does the bride ofa Polish man get that’s 
long and hard on her wedding night? 
His last name. 


sage, the men halted. The horseman who ap- 
proached was the knight's servant. “Hey,” he 
said. “You gave me the wrong key.” 


Three men and a preuy woman were sharing 
a train compartment. The woman noticed that 
the men were staring at her, so she said, “If 
each of you gentlemen gives me a dollar, I'll 
show you my legs.” 

‘The three of them complied and the woman 
pulled her dress above her knees. “If each of 
you gives me $10,” she said, “ГИ show you my 
thighs.” 

Each man paid her $10. She hiked her dress 
higher. "If you each pay me $50," she contin- 
ued, “I'll show you where I had my appendix 
taken out." 

"The men promptly paid her. She pointed 
out the window. "See that?" she said. "That's 
the hospital where I had the operation." 


= 


= 


The man hadn't been feeling well, so he went 
to a doctor to get a complete checkup. “I'm 
afraid I have some bad news,” the doctor told 
him. "You're dying, and you don't have much 
ume left.” 

“That's terrible,” the man said. “How long 
have I got?” 

“Ten,” the doctor said. 

“Ten, Doc?” the man asked. “Ten what? Ten 
years? len months? Ten weeks?" 

The doctor looked at his watch, shook his 
head and said, “Nine, eight... .” 


Send your jokes on postcards to Party Jokes Editor, 
traAYBOY, 680 North Lake Shore Drive, Chicago, 
Illinois 60611, or by e-mail to jokes@playboy.com. 
$100 will be paid to the contributor whose submis- 
sion is selected. Sorry, jokes cannot be returned. 


“I figure they're putting their lives on the line. This is the least we can do.” 


11 


PLAYBOY 


112 


PINKY conina fon pege 72) 


‘Are you there, baby? I have to talk fast, honey. 
There’s been an explosion or something.” 


There were messages on my answer- 
ing machine, but instead of retrieving 
them I called my mother's number in 
Atlanta —97 times before finally get- 
ting through. 

“Hey, Mama. It's me, Abel.” 

“Thank God. Are you OK? 

“Fine. How are Carter and Mary?" 

“They're out buying groceries and 
bottled water, Are you OK?" 

“Yeah. Yeah, fine. I was stuck in Nor- 
folk, but I rented a car and drove 
home.” 

“You should have come down here,” 
she said. “They say New York is on 
fire.” 

“Just the WTC.” 

“It’s terrible, terrible. How could 
anyone do something like tha 

“1 don't know, Mama. It’s really bad. 
I guess it could have been worse, 
though. It was early enough that not 
everybody was in and the south tower 
had already begun evacuating—" 

"Terrible," my mother said. "Do you 
have fresh water?” 

“I should go," I said. “ГИ try to call 
back tonight." 

“Tm glad your stepfather didn't live 
to see a day like this." 

“Bye, Mama. ГИ call later when Car- 
ter and Mary get back.” 

I had 17 messages, most from ac- 
quaintances in the city. Alan Cartier, 
the director of the education program, 
called (actually his secretary did) to tell 
me the center would reopen Friday. 
Nina Trivet wanted to know if I could 
get together for coffee—to talk. My 
friend Alex Sartell had volunteered for 
the rescue operation and asked if I'd 
go, too. 

1 didn't hear all of the messages be- 
cause of the eighth one. It was a man’s 
voice with lots of noise in the back- 
ground—people calling to one another 
and something like static. 

“Pinky? Pinky, are you there, baby? I 
have to talk fast, honey. There's been 
an explosion or something like that, 
and there's fire and smoke rising 
through the building. The exits arc 
blocked and, oh God, Pinky. Whatever 
else 1 ever did, I love you, baby. I'm 
gonna try and make it down, but it 
doesn't look good——" 

I couldn't tell if he'd hung up the 
phone or was cut off. I played the mes- 
sage again. His voice was strained, but 
he wasn't yelling or even desperate. 1 
figured that he had to be in the north 
tower because he didn't refer to the 


first explosion. 

1 replayed the message. The noise in 
the background was probably the wind 
coming through shattered windows. 
The people I'd heard talking were ac- 
tually shouting. They were dying, I 
thought. I was afraid to hang up, wor- 
ried that the message might be lost be- 
cause of some aftereffect of the col- 
lapsed towers. I found a pencil and 
notepad and wrote down the message 
word for word. I had to listen to it 11 
times before I was sure it was right. 

“The only name the man mentioned 
was Pinky. He didn't say his own name 
or where he was calling from. I didn't 
know the company he worked for. 
He'd probably misdialed. My message 
was the one automatically provided by 
the answering service—maybe Pinky 
had the same one. If it were just one 
digit off, there were 70 possible config- 
urations, and some of those were im- 
possible—like making the first digit a 1 
or a 0. I called all of the valid numbers. 
There were 48. Twenty-six people an- 
swered. There was one fax machine, 
four calls went unanswered, and the 
rest were answering services or ma- 
chines. I asked for Pinky at every num- 
ber, but no one who answered even 
knew anyone by that name. I left my 
number on the answering machines, 
saying I had an important message for 
someone named Pinky. 

I wrote down all the numbers in a 
spiral binder with a turquoise cover. 
Next to each number I scribbled a note 
such as MACHINE ANSWERED, LEFT MES- 
SAGE, OF DIDN'T KNOW PINKY OR ANYONE IN 
wrc. It took more than two hours to 
make the calls. Somewhere in the mid- 
dle of that I wondered if the caller had 
misdialed two or more numbers. How 
many variations could there be? Every 
number in the 212 area code. 

I wondered if Kim had survived the 
collapse, if Lenora was sitting with her 
sister now, smiling or crying, planning 
to move back to Oakland. 

1 waited by the phone for the rest of 
the day, the Cartoon Network playing 
in the background. Every now and 
then I'd turn to the news. Calls had 
come in from the downed planes. The 
Pentagon was still on fire. The jet in 
Pennsylvania might have been taken 
over by some of the passengers before 
it crashed. Thousands were feared 
dead but less than 100 bodies had been 
recovered. Most of America was closed 
for business. 


At five the phone rang. 

“Hello?” 

“Мг Garnett?” 
asked 

Yes?” 

“You called Pinky,” she said 

I realized that all the years of my life 
my mind had been filled with nonsense 
and chattering. | became conscious of 
it because for the first time the back- 
ground noise ceased. It was as if my en- 
tire life had been leading toward that 
moment, when I could pass a dying 
man's words to someone he'd loved 
and reached out to in the last minute of 
his life. 

“Yes, 1 did.” 

“Well, um, she doesn't work here 
anymore, but I would be happy to take 
your order. You realize, of course, due 
to the situation, we wouldn't be able to 
make delivery until after the emergen- 
cy has subsided.” 

“What?” 

“What kind of computer would you 
be needing, Mr. Garnett?" 

“Computer?” 

“Yes,” she said. “You were calling 
Computer Leasing Associates, weren't 
you?" 
^I wanted to talk to Pinky," I said. 

“But we don't have a Pinky here, sir. 
I'm calling you from my home. I 
picked up your message off the office 
machine- ^ 

I slammed the phone down so hard 
that the plastic guard popped off the 
receiver. The phone still worked, but 
now the metallic insides were jabbing 
against my ear. I had to tape the guard 
back on. 

I went to the market later that night 
and bought bottled water and NyQuil. 

The next morning 1 woke up a little 
hungover from the cold medicine. I 
had to take it four times during the 
night in order to stay asleep. 1 kept. 
waking up, thinking about the man 
who'd called Pinky. 1 also wondered 
about Lenora. 

Later that day, I made my way down 
to ground zero, as the news was calling 
it. Policemen were standing guard near 
the disaster. 1 don't know if they would 
have let me in as a relief worker. I 
didn't ask. 

I stopped at a phone booth and 
called the operator. After a long time, 
someone answered. 

“1 got a phone message yesterday 
from a man who was in the north tow- 
er, I think," I said. “I'd like to know if I 
could trace it back to the phone that 
made it.” 

“Why?” she said, not unkindly, “The 
tower's down now.” 

“Bur it was a wrong number. I want 
to find out who he was so that I can tell 
his family what he said.” 

(continued on page 144) 


a woman's voice 


/ / 


pren __ 


114 


he Office of Homeland Security 

hos urged us all to be on height- 

ened olert, but our president— 
bless him—says to go about our lives ond 
don't forget to hove fun. OK, we con do 
thot. We've never been good ot hiding 
behind thick walls, but we know how 
to porty in the dark. Did you see those 
Tora Bora caves? They were so dreory. 
No style, no groce, no threesomes. Who 
wants fo live like thot? Not us. Here’s 
our ideo of o secure home thot rocks. 


At the entrance ta our Bachelor Bunker (Т), 
we poss through reinforced steel doors. 
They keep out terrorists, junk mail and 
crazed ex-girlfriends. Once inside, hang 
your coats in our patented Lewinsky closet. 
It scans for biological contaminants and 
lipstick stains. For added security, you're 
welcomed by an enthusiastic robatic dog 
@-« great icebrecker with the ladies as. 
long as you shut off the leg-humping pro- 
gram. The kitchen (S) is Stocked with food, 
but to arouse the maternal instincts af your 
overnight quests, we've alsa thrawn in fos- 
silized containers of Chinese takeout. The 
nearby wet bar features effective Taliban 
repellents—premium gins, vodkos, single 
malts, patriotic saur mashes and burka- 
shedding quantities of chardonnay. The liv- 
ing room(4)is a haven of thoughtful tron- 
quility. Notice the portrait of Dick “Bunker 
Boy” Cheney, signed with a warm personal 
message from his “undisclosed lacation.” 
The computer is bookmarked with terror- 
ism, biochemical and game sites. The DVD 
library of the home theater includes every- 
thing from Pation to Girls Gone Wild Goes 
fo Kandahar. The woterfall-fed grotto @)is 
continuelly purified ond, with its 5 percent 
Astroglide content, provides a welcome 
haven for biochemicol-free cavorting. Sec- 
ond floor: The bathraom(®) includes a 
medicine cabinet that actually contains 
medicine (enough ciproflaxin, Zyvox, doxy- 
eycline, amoxicillin and Zovirax to neutral- 
ize any biological threat). The shower dou- 
bles as a decontamination chamber à Ia 
Silkwaad. It adjoins the master bedroom 

, where the ceiling mirror serves os a 
surveillance device. A computer records 
your companion's biometric details. You 
may forget her birthday, but never her bra 
size. There's also a firemon's uniform in 
the closet—an apt costume for patriotic 
pole-sliding. For further bed play, there are 
night-vision goggles and antibacterial baby 
oil. A sea tank(8)and solarium (S) provide 
all manner of sustenance. The roof (9) hos 
a small patio and dining area and a two- 
seat helicopter (її). In the basement (12), 
we have the wine cellar with important vin- 
toges of Bordeaux, Burgundy, port and 
madeiro. The food lockers are stocked with 
beef and game, faie gros ond coviar, and 
freeze-dried meals secretly developed by 
NASA in conjunctian with Alain Ducasse 
Finally, o daor(í3)leads to a tunnel, should 
your love life gel completely aut of contral. 


ILLUSTRATION BY OANIEL TORRES 


116 


"There are some things money can’t buy. Fortunately, Pm not 
one of them.” 


PLAYBOY 


118 


IMPERIOLI 4, pore > 


“Hey,” Imperioli says, “if you can’t handle a few 
bruises, you're on the wrong show.” 


New Yorker would do: He made up his 
own ending to Mamet's play, and then 
took a bow. 

Imperioli's next stage role paid so 
well that he thought he had made his 
bones as an actor. But after less than 
a week, he was fired. His major movie 
debut was a bit part in Lean on Me. “1 
had one line. It was, "Hey, I'm gonna 
be a star’ But every time they turned 
on the camera, I panicked. I mumbled 
so much that they cut my line.” His 
break came in 1990, when Martin Scor- 
sese cast the 24-year-old Imperioli in 
Goodfellas, а job that paid $1500 for two 
days’ work. The kid had burned his last 
omelette. 

As Spider, the dim-bulb bartender, 
Imperioli annoys Joe Pesci, who shoots 
him in the foot. In his next scene Spi- 
der pisses off Pesci again and dies in a 
hail of bullets. “Goodfellas put me in the 
hospital. I was holding a drinking glass 
when I got shot and fell, and the glass 
broke. It sliced open two of my fin- 
gers,” says the actor, who has the scars 
to prove it. "So now I've got fake blood 
all over me, with real blood running 
down my hand. I look up and see Scor- 
sese and De Niro shaking their heads 
like 78k, tsk, tsk, poor k 

But the director and star had other 
scenes to shoot. Imperioli was packed 
off to the hospital by a production as- 
sistant, who dumped him there and 
went back to work. “Now the emer- 
gency room doctors and nurses see all 
this fake blood, and it's like code blue. 
They're strapping me down, rolling 
me away. I was yelling, "This is fake 
blood. It's my hand that's hurt—my 
hand!’ They thought I was delirious.” 
When the ER doctors prepared to 
clean his chest wounds and found wires 
and blood packets instead, everybody 
had a laugh. Everybody but Imperioli, 
still leaking blood from his fingers, wav- 
ing his hand at the doctors. 

Cut from the lacerated kid to a sight 
on the Goodfellas set that blew him away 
as much as Pesci's bullets: De Niro 
preparing for a scene. Imperioli was 
mesmerized as he watched the star sit 
at a table and settle himself in his chair 
before slowly reaching for his silver- 
ware. De Niro would turn a fork over 
in his hand, feeling its heft, and put it 
down again, moving it half an inch. 
“Feeling out the space,” Imperioli calls 
it. “Because his character lives in that 
space. I couldn't stop watching it. This 
isn't a man who comes to work and tries 


to entertain everyone on the set. This is 
not a man who dissipates his energy.” 

Imperioli brought better focus to his 
own work after Goodfellas. He won 
roles in Jungle Fever, Malcolm X, Clockers 
and Girl 6 from Spike Lee, who became 
a friend and collaborator. There were 
small but vivid turns in The Basketball 
Diaries and Dead Presidents, and in Sum- 
ner of Sam, which he co-wrote. And 
four years ago, Imperioli read for a 
part in the story of a middle-aged Mob 
boss who starts to see a shrink. Yes, 
he auditioned for Analyze This. But it 
turned out that he couldn't be in the 
De Niro-Billy Crystal comedy because 
there was this new cable show- 

“We all loved The Sopranos from the 
start,” he says. “We had a great cast and 
special writing, like Mario Puzo rewrit- 
ten by John Cheever. We were sur- 
prised that reviewers got the idea right 
away—that this was classic gangster 
stuff but with a nuanced view of subur- 
ban life. And we were shocked that mil- 
lions of people ate it up.” 

Who could resist? The show was in 
your face from the jump, with its scat- 
ter-cuts of Manhattan's skyline reced- 
ing as Tony pays his Jersey Turnpike 
toll with a handful of blood money. 
This was America through a wind- 
shield, darkly. “A denigration of Amer- 
ican culture,” Imperioli calls the saga 
of a suburban dad who happens to be 
an executive of Murder, Inc. Sopranos 
creator David Chase, who fought off 
HBO plan to name the series Family 
Man, could have called it Killer Knows 
Best, but this stuff is nastier, funnier 
and closer to the truth than any sitcom. 
Christopher, bemoaning the erosion of 
the crime biz, dreams of scoring as a 
Hollywood screenwriter—though he 
can't spell. “Mob stories are always 
hot,” he says, tapping away at a key- 
board. Zoom in on his computer, which 
reads | MUST BE LOYLE TO MY CAPO. 

Imperioli's shifty-eyed, short-fused 
Christopher makes a fine foil for Gan- 
dolfini, who plays Tony with such sly 
perfection you want to swear loylety to 
him yourself. “Jimmy’s such a strong 
actor,” Imperioli says. "When he gets 
angry, you can feel it in the room—a 
palpable, physical force.” So physical 
that when Tony gets pissed, grabs Chris- 
topher around the throat and shakes 
him, Imperioli goes home with marks 
on his neck. “But hey,” he says, “if you 
can't handle a few bruises, you're on 
the wrong show.” 


Along with Edie Falco (Carmela), 
Dominic Chianese (Uncle Junior) and 
the others (including Steve Van Zandt, 
a.k.a. Silvio, a.k.a. Lite Steven, whose 
second-season duties included scoring 
Bruce Springsteen tickets for the whole 
gang), Imperioli has been pleased, 
amused and enriched by the pop-cult 
creature they've created. He suspects 
David Chase may keep the series fresh 
by putting it on ice after five seasons. 
“Then we might make a movie togeth- 
er, or come back to TV again after a 
few years, like Absolutely Fabulous,” Im- 
perioli says. Meanwhile, nothing Sopra- 
nos surprises him. “I hear there might 
be a line of Sopranos apparel.” If so, he 
hopes it'll be realistic—maybe jogging 
suits with extra pockets for weapons. 

Ambition, talent, luck, stones—Im- 
perioli’s rise called for all these, but just 
as vital was learning to relax, take a 
break, look around and occupy the 
moment. A decade after watching De 
Niro get acquainted with props, he 
looks back on his prima donna youth 
and says, “1 worried constantly: Am I 
full of shit? Am I even an actor? I kept 
getting fired, and I deserved it. But I 
worked and watched and got better. 
You work with people like Martin Scor- 
sese, Spike Lee, Robert De Niro and 
Jimmy Gandolfini and you keep your 
eyes open, you can't help learning.” 

Imperioli eyen learned to drive. An 
early Sopranos episode called for Chris- 
topher to drive Tony around, but Im- 
perioli, a lifelong New Yorker, didn't 
know how. He had no license, no car, 
and there he was as Chase's cameras 
rolled, pumping the gas pedal while 
actors ran for cover. The bang that fol- 
lowed wasn't a gunshot; it was Impe- 
rioli backing into a tree. "It was not 
my slickest moment." Today the 1999 
graduate of Manhattan's Grand Prix 
Driving School has a New York driver's 
license in his wallet. "But still no car. I 
only drive on TV,” he says. “It's much 
safer—they clear the streets for me." 

The Sopranos changed everything for 
Imperioli, whose fans run the spec- 
trum from the heroes of September 11 
to the guys who break real knees. "I've 
heard from some of them," he says. “I 
mean, I can't prove it. They don't wear 
IDs." Buta Sicilian can, you know, kind 
of tell. Not long ago a thick-necked, 
pinkie-ringed gentleman buttonholed 
Imperioli on the street, demanding a 
moment of his time. “I got something 
to say to you,” the man growled. “Love 
the show. Keep it up." 

What do you say to your fan the 
mobster? If you're not a killer but you 
play one on TV, you smile, say thanks, 
shake the man's hand—and try not to 
wonder where that hand has been. 


AA 

¿A B WE REWROTE THE 
BALLOT, CREATED 

NEW CATEGORIES 

AND LET THE 


READERS SPEAK 


\ 
DAVE MATTHEWS BANB craves 


М 


EVERYDAY; DAVE MATTHEWS BAND 


HipHop 


COUNTRY GRAMMAR: NELLY 


Country 


LMOPE YOU DANCE: LEE ANN WOMACK 


ONE LOVE-THE VERY BEST OF BOB 
MARLEY & THE WAILERS 


R&B 


SONGS INA MINOR: ALICIA KEYS 


ar 
THe LOOK OF LOVE: DIANA KRALL 


ALMOST FAMOUS 


7 7 t 
ROCK ARTIST HIP-HOP ARTIST 


NEXT BIG THING 


Faith Hill 


COUNTRY ARTIST 


1 E = SS 
- E == 
4 SS | 
>. <S == 
N > 
E- ч nr 36. y 
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ELECTRONIC 


JAZZ ARTIST 


Superstar 


the princess takes off her glass slipper 


nder the name Princess 
Superstar, Concetta 
Kirschner makes genre- 
crushing music that she 
calls flip-flop—best described as a 
mix of hip-hop, punk, techno, funk 
and electronica. Her new CD, Prin- 
cess Superstar Is, is smart, funny 
and playfully pornographic. We 
called her up with some questions, 


You're always compared 
to someone else—you’re called the 
female Eminem, the white Lil’ 
Kim. What would you rather be 
known as? 

The hip-hop Iggy Pop, or the hip- 

hop Martha Stewart. 

Pick one: Whitney or Mariah? 
I gotta say Whitney, 

because she is fucking insane. 

But Mariah was just in 
the mental hospital. I 
know, but she doesn't get onstage 
ana slur and be on drugs in front of 
millions of people—and get a bil- 
lion-dollar deal. And Mariah has 


got to stop dressing like a teenager. 


Tony Soprano or Homer 
Simpson? Homer! The 
Simpsons has inspired my art. I 
don’t know if you remember the 
episode where Mr. Burns goes cra- 
zy about killing animals to make 
clothes—he sings a song that goes, 
“See my vest, see my vest!” and the 
vest is a gorilla’s chest. I put that 
in my song Love/Hate to Be a Play- 
er: “See my vest, see my vest, take 
it off, see my chest.” 


“Wext time you see Vicki, 


more naughty stuff. Is 
there anything you'd like to say 
now to the kids that you babysat? 

You're lucky you were 
babysat by Princess Superstar. 
How many other kids could say 
that? Britney Spears’ 
new thing is that she’s “not a girl, 
not yet a woman.” Do you have 
any advice for her on how to grow 
up? I think Michael 
Jackson probably feels the same 


the spot’ll be 


sticky ’cause I sucked his dicky.” 


In Bad Babysitter, you sing: “All 
right, kid, you gotta go to bed/I 
know it’s only six, but my boy just 
came over, and he wants me to give 
him head/Sit his bare ass on the 
couch where you watch Small Won- 
der/Next time you see Vicki, the 
spot’ll be sticky 'cause I sucked his 
dicky.” That is a bad babysitter! 

Actually, I was quite a 
good babysitter. I always made sure 
the kid was in bed before I did the 


way—not a girl, not yet a wom- 
an. Maybe they could get together 
and... just go somewhere far away. 

What do you care to say 
to the young men of America about 
your sex life? I need a 
date! I’m so busy, and it's been 
difficult for me to find the one. 
Somebody with a huge... brain. 
He’s got to be into what he does, 
creative, sexy and not afraid to 
take risks—in life and in the nasty. 


OL 


TER 


“Well, I see they finally responded to my request to change the elevator music. ы 


125 


TAK 


sHO 


BELLY UP TO THE BAR, GUYS. THE DRINKS ARE ON OUR PLAYMATES 


OUR 


B ody shots? People have been doing them south of the border since the days of the Incas. The 
ritual is simple. Awoman chooses a place on her body where she'd like to be salted. She then 
clenches a wedge of lime in her teeth. A lucky guy licks the salt, downs a shot of tequila and bites the 
lime, all followed by a kiss. Kind of sexy but pretty tame compared with today's sport—now the bever- 
age of choice is consumed directly from the woman's body. This cultural phenomenon clearly called 
for additional study, so we asked some of our more convivial Playmates to name their best shots. 
Nicole Narain, who started our year right by posing as Miss January, painted a tantalizing image of 
how she would like a body shot. Nicole said she'd lie on her stomach and take it on her back. For her 
shot, Nicole would be inclined to go “all the way” and choose a screaming orgasm (Baileys Irish 
Cream, vodka and Kahlua). “It would be more fun if you had a crowd watching, unless you were with 
Brad Pitt.” If she were standing up downing shots, Nicole says she would pick sex on the beach—the 
same drink Tishara Cousino chose on page 153. Stacy Fuson (Miss February 1999), pictured here, 
admitted she’s never done a body shot but loves posing “with tequila running down my neck and 
shoulder and then dribbling on down my body. On a hot day, it's actually quite refreshing.” Although 
she sees the upside to downing body shots in a party setting, Stacy is more inclined to explore the sen- 
suous promise in a romantic situation. Think of it as pourplay. “I'd try it in my belly button, lying down. 
If were doing the sipping, | would choose Baileys Irish Cream. If someone were sipping it off me, 
maybe I'd call for a shot of Bacardi rum." The possibilities are bottomless, and that's what makes 
body shots so much fun. Read on for more Playmate hot spots. (text concluded on page 153) 


PHOTOGRAPHY BY DAVIS FACTOR 
ART miX {the agency) 


sarah silverman 


PL AY BOYS 


200 


the potty-mouthed comic spouts off on poker, porn 
and her love affair with the vagina 


S arah Silverman always knew she want- 
ed to be a lady of the evening. “Come- 
dians work nights,” she says. And she's nev- 
er had a day job. As a 17-year-old high 
school student, the New Hampshire native 
traveled south to regular stand-up dates in 
Boston. A year of college followed, but at an 
age when most young people are settling in- 
to entry-level jobs, Silverman landed a posi- 
tion at the top of the business, as a writer on 
Saturday Night Live. 

The job lasted one season. Was her mouth 
the reason her contract wasn't renewed? 

Silverman hazards unconventional opin: 
ions on issues such as abortion, and she’s not 
always politically correct. She is vocal about 
her fascination with erogenous zones (she 
says her vagina is a favorite one). Did she 
expose herself or masturbate onstage at a 
Montreal comedy festival? The consensus 
is that she did neither, though she left that 
impression. 

Silverman's television appearances in- 
clude Star Trek: Voyager, The Larry Sanders 
Show (where she drew on her SNL experi- 
ence to play a writer) and Seinfeld. On the 
big screen she opened Way of the Gun with a 
memorable foul-mouthed sequence. She cur- 
rently plays a network executive (she de- 
scribes her character as "neurotic") on the 
new Fox show Greg the Bunny, which depicts 
aworkplace—a television show—where peo- 
ple and the puppets who supposedly work for 
them engage in bare-knuckle office politics. 
And Silverman insists she remains true to 
her stand-up roots by mouthing off regularly 
at the Los Angeles Improv, 

Contributing Editor Warren Kalbacker 
caught up with Silverman in New England. 
Kalbacker recalls, “Before we met she 
warned me she'd probably say vagina often 
during our conversation. And she did. But 
at one point she became quite sentimental. 
She confided how much she missed her dog, 
and then she brought out snapshots of him.” 


1 


PLAYBOY: Have you ever had your 
mouth washed out with soap? 
SILVERMAN: No. I didn't get punished 


PHOTOGRAPHY BY STEPHEN WAYOA 


because my dad thought it was funny 
to teach us to swear. Some of the first 
things he taught me were bitch, bas- 
tard, damn and shit. I was probably 
four or five and I'd scream them in the 
local market. He thought it was hilari- 
ous. I was the innocent vessel through 
which he was able to say anything. My 
dad says fuck, like, every other word, 
but my mom swears once in a blue 
moon. She'll not swear for years and 
then one day go, “Come on, fucker!” 
and everyone is slack-jawed. 


2 


PLAYBOY: We can't resist borrowing 
from the Playmate Data Sheet. Please 
tell us about your ambitions, turn-ons 
and turnoffs. 

SILVERMAN: I want to have a million kids 
and be happy but also be a model. My 
turn-ons are my boyfriend, teddy bears 
and fast cars. I like chubby guys— 
smart and funny chubby nerds—be- 
cause I feel I can rock their world. I 
don't like liars or closed-minded peo- 
ple, nor those who judge others, racism 
and pink with red. There is one thing 
more. I'm one of the rare women who's 
attracted to men who adore me. And it 
always impresses me when a man be- 
lieves he deserves love. It’s a total turn- 
on. So many women and men I know 
are turned off by anyone who truly 
adores them. I'm surrounded by self- 
loathing comics. You can’t appreciate 
being loved when you're that way. 


3 


PLAYBOY: Do you and your sister, the 
one who is a rabbi, discuss the fact that 
in many religious traditions old men 
tell the rest of us when—and mostly 
when not—to have sex? 
SILVERMAN: I associate that kind of sex- 
hang-up stuff with Catholicism. My last 
boyfriend—whom I love—is Catholic. 
We'd have sex and then afterward I'd 
say, "What we did was a good thing, 


right?” Га try to get to him before he 
quailed into himself in shame. I talk 
about sex with my sister the rabbi. 
She's super-duper crazy Reform. All 
my sisters kibitz about sex. We tell each 
other everything. If any guy has an af- 
fair with a Silverman sister, the three 
others know everything that goes on, 
beat by beat. We can tell each other any 
intimate, graphic detail about what's 
going on sexually. 


4 


PLAYBOY: Not long ago you were cited 
for an infraction of the political cor- 
rectness code. Is it the duty of comics to 
irritate politically correct types? 
SILVERMAN: I think so. I got nailed last 
summer for saying Chink on Gonan 
O'Brien's show. I have two feelings on 
political correctness, which are oppo- 
site of each other. Political correctness 
is good on the one hand because it’s an 
attempt at awareness and racial fair- 
ness. It's not just that people bad- 
mouth a group, it’s the ideas behind it 
that propel hurtfulness. On the other 
hand, political correctness can end up 
being closed-mindedness. Sometimes 
the reason people are uptight or self- 
conscious about political correctness is 
not others’ skin color—we're all the 
same underneath—but because they 
ask, “What are people going to think of 
me?" Or, more important, “I'm going 
to get letters!” The fact that NBC im- 
mediately apologized after I said the 
word Chink on Conan was not because 
they stand on a high moral ground, 
but because they were responding to 
letters and advertisers. That kind of 
political correctness is sickening. It's 
founded on nothing but money and 
superficiality. 


5 


PLAYBOY: As someone who has voiced 
admiration for sex workers, do you 
view the recent publication of several 


128 


PLAYBOY 


call girl and stripper memoirs as evi- 
dence of a new respect for these wom- 
en's choice of occupation? 

SILVERMAN: I've wanted to be a stripper 
ever since I was molested. There isn't 
anything I don’t love about strippers— 
except that their butts have a metal- 
pole smell. There is a lot of power in 
stripping. The cliché about strippers 
being molested is true, and stripping 
gives them their one chance to have 
control over men. Women really run 
the porn industry. They make the most 
money. It’s the opposite in the rest of 
the world. Prostitution and stripping 
are direct forms of whoring, while al- 
most every other job is an indirect 
form. I have to believe that it’s the 
same in any kind of business—in offices 
and certainly in show business. There's 
the ass-kissing and the lack of individ- 
ual opinions out of fear. You know the 
way fear motivates people who have 
higher-ups. That kind of stuff is a lot 
grosser than stripping. 


6 


PLAYBOY: Count any strippers among 
your friends? 

SILVERMAN: Yeah. Comics and strippers 
have a close bond that I would guess 
goes back to burlesque. Most of my 
friends are comics, and guy comics are 
always going out with strippers. I dont 
think it's just because strippers are 
hot—there's other common ground. 
They're both night jobs. The kinds of 
people you're entertaining are similar. 
I've been a comic since I was 19 and 
I've also been exposed to a lot of porn. 
Lots of my guy friends have porn 
stacked to the ceiling, and it’s hard to 
not indulge in that every once in a 
while. I have a friend who has so much 
porn he's had to go to Brazilian gay 
porn just to keep up the intrigue. And 
he's straight. He made me promise 
that if he dies I will break into 
house and take out all the porn so his 
mom won't find it. I also have a friend 
who wrote some porn scripts, and he 
took me to a porn set in LA. It’s funny 
how quickly it seerns just like any other 
set. You can watch actual sex happen- 
ing 10 feet in front of you, but you end 
up loitering around the craft service 
table, the treat table. That's where you 
getthe doughnuts, and on this particu- 
lar set, there was also a bowl of condoms. 


7 


PLAYBOY: You were hired several years 
ago as a writer for Saturday Night Live. 
Tell us a true tale of the writers’ room. 
SILVERMAN: I was there in 1993 and 
1994. I still watch SNL and root for it. 
Monday we would pitch to the host. 
Usually you'd just pitch a one-line 
thing that would get a laugh in the 


room and then write something else. 
What's funny as a one-sentence pitch is 
not necessarily funny as a full-length 
sketch, and you've probably seen evi- 
dence of that on many SNL shows. 
Then you write all day Tuesday and 
through the night. I just loved staying 
overnight, that feeling of being in the 
building with people in the hours 
when you're usually sleeping. My office 
was right next door to a writer named 
Jan Maxtone-Graham. lan went to 
Brown, so he got teased by the Har- 
vard guys, but he was still a big uni- 
versity snob to the comics. He had a 
drawer full of fresh boxer shorts and 
rolled-up socks. I was such a bully. 
Halfway through Tuesday nights Га 
break into his office and take fresh 
shorts and socks and change into them 
because they were more comfortable. 
And never did we exchange acknowl- 
edgment of that between us. I would 
walk down the hall and he would see 
me in his big boxer shorts and tube 
socks and I would look at him like, Say 
something! And he never did. I think I 
secretly liked him. 


PLAYBOY: You've appeared on Conan 
O'Brien's show a number of times over 
the past few years. He doesn't seem to 
mind when you put your feet on the 
furniture. Is there something that we 
should know about you and Conan? 

SILVERMAN: This is what a cocky moth- 
erfucker I am. J love Conan and we're 
friends and I love all the writers there. 
He's special and really cool, but I al- 
ways had a boyfriend. My boyfriend 
and I were taking a step back the last 
time I did the show. My girlfriend Hei- 
di, who I always take to Conan's show, 
called and said she was going with me. 
And I told her, “Heidi, you can come 
along, but after the show we may go to 
dinner and I think I might make out 
with Conan, so you may want to make 
yourself scarce.” So I'm in my dressing 
room and Em trying to look hot, and 
Conan comes in and I'm, like, totally 
flirting. You can take some of these to- 
tallys out, by the way. And he says, 
“Guess what? I got engaged.” And I 
immediately say, “That's great.” It wasn't 
sincere. And Heidi was sitting right 
there, her body shaking with happiness 
over how humiliated she knew I was. 
Bur I really am happy for him. Totally. 


9 


PLAYBOY: If you suddenly decided to 
switch careers from comedy to serious 
TV journalism, would you be worried 
that someone might uncover embar- 
rassing Sarah Silverman photographs? 
SUVERMAN: There are some naked pic- 
tures of me and a roommate in a bath- 


tub. Our third roommate took them. I 
think we were on acid. We believe she 
has them, but we're pretty sure she's 
dead. She was a crack whore. She went 
from this preppy, Midwestern Asian. 
girl who used a curling iron in the 
morning to a total coke-whore horror. 
She was still Asian, though. She had 
boyfriends who were coke guys, and 
we'd come home and she'd be passed 
out naked in the bathroom, or the cops 
would carry her home after she passed 
out in the street. 


10 


PLAYBOY: We've heard you described as 
the kind of woman who acts like "one 
of the guys." Are you fed up with that 
phrase? 

SILVERMAN: Yeah. It feels cheeseball. I 
do play basketball, and I like sports. My 
last couple of boyfriends have de- 
scribed me this way: as dykey as you can 
get without being a lesbian. But I'm 
totally a girl. I just don't wear it as a 
badge. I love fashion and outfits and go 
through the magazines. I read In Style. 


11 


PLAYBOY: You've played poker for years. 
Are you ahead or behind? 

SILVERMAN: I'm probably even. I have 
played my entire adult life. My dad has 
played every Tuesday since before I 
was born, so I picked it up through os- 
mosis. It's a bunch of guys and me, and 
there are a couple of women who also 
play. One time I was playing poker in 
New York and it was all old boyfriends 
and my current boyfriend around the 
table. Im the best host because I have 
the best treats. I tend to lose when I 
host, because I'm so scattered and fo- 
cused on hosting. I deal pretty well. I 
know how to call the cards. I set up the 
table with chips in $40 amounts, be- 
cause people usually buy in 40. And I 
have a separate table where there are 
always red vines—licorice—and green 
spearmint leaf candy, Jelly Bellys, Hot 
‘Tamales and Good & Plentys. I always 
have popcorn, and we order a couple 
of pizzas. Dealer calls the game. I tend 
toward three, two, one, which is a form 
of Anaconda where you get seven cards 
and you pass three to your left and 
then two to the next person and then 
one to the third person over—all the 
time receiving the ones passed from 
the other side. It’s a high-low game. 
Joints go around. I usually get really 
stoned. You have to keep yourself in 
check when you're high, because you 


tend to stay in way too long- 


12 


PLAYBOY: Was high schooler Sarah Sil- 
verman a prom date from hell? 


(continued on page 154) 


“You can dry off and go home now, dear . . . he just signed the lease.” 


131 


B... teenybopper Tiffany doesn't look like a girl 
anymore, and she doesn't sound like one, either. The 
30-year-old singer of such hits as ] Think We're Alone 
Now and Could've Been has said bye-bye to bubble-gum 
pop- The Color of Silence, her first domestic album in 
a decade, showcases a more mature, rock-influenced 
groove. “I’m thankful for the success of my early 
records, but I remember thinking, When am I allowed 


| 


| 


PHOTOGRAPHY BY ARNY FREYTAG 


134 


Tiffony voiced daughter Judy in Jetsons: 


Tiffany's self-titled debut in 1987 sold more 
than 4 million copies and included the hits 
1 Think We're Alone Now, Could've Been 
and I Saw Him Standing There. Her second 
record, Hold on Old Friend's Hand, went 
plotinum, fueled by the hit All This Time. 


The Movie after her 1989 ond 1990 tours ME 


(above) and wants to try more acting. At 
right, she's all dressed up for the 2000 
Grammy awards, and below, she gives her 
approval at ‘N Sync's Celebrity porty lost July. 


to get back to where I envisioned my- 
self?” she says. “I was on tour for two 
years in the late Eighties and noticed 
that music was changing, becoming 
more R&B and dance oriented. I come 
from a country background, but my 
dream was to be a rock singer. | used to 
twirl around in my room and pretend 
to be Stevie Nicks. It became very frus- 
trating for me as a young adult because 
people saw me as the sweet and inno- 
cent girl next door. I knew my peers 
were growing up—girls wanted to look 
sexier, and I didn't know how to make 
that transition. I had personal prob- 
lems with my family and management, 
so I decided to bow out gracefully and 
go home for a while." 

Tiffany used the time to start her 
own family and mend the relationship 
with her mother, whom she'd sued for 
emancipation when she was a teenager. 
“My mom and I are incredibly close 
now,” she says. “She's much more ac- 
cepting of me as a person since I be- 
came a mother.” Tiffany lives in a Los 
Angeles suburb with her nine-year-old 
son, Elijah, and her husband, makeup 
artist Bulmaro "Junior" Garcia. “Elijah 
is a great kid and student, and I want 
him to have stability and a normal life,” 
she says. “He sees pictures and video- 
tapes of me, but I don't know if he 
really puts it together—I'm still just 
Mom. 1 would never push him into 
the music business or acting. But if he 
wanted to do it, I couldn't stop him. 105 
in your blood. As a child, I was always 
putting on shows in my backyard. My 
friends would come over and we'd line 
up all our teddy bears and perform." 
After Tiffany's appearance on Star 
Search, MCA signed her, and the south- 
ern California native embarked on the 
shopping-mall tour that made her a 


star. "I thought it was a great idea, 


because when I was 11 the mall was 
where my girlfriends and I hung out," 
she says. “We'd take 10 bucks, split fries 
and a soda, and walk around and look 
at guys. When J first started perform- 
ing there, it was awkward because Га 
go on at noon and a lot of kids weren't 
out of school yet. Га get onstage in 
front of a lot of older ladies and start 
singing, and they would get pissed! 
They were like, "Why are you doing 
this? Who are you? You're too loud" A 


couple of times I broke down in 
tears, but then radio stations started 
playing / Think We're Alone Now and 
1 really worked it. More and more 
of my peers started to come, and I'd 
talk to everybody and sign each al- 
bum. No one was ever turned away.” 

After a decade of soul search- 
ing and a brief relocation to Nash- 
ville for inspiration, Tiffany released 
The Color of Silence, which finds her 
more in the company of Sheryl Crow 
and Alanis Morissette than teen 
queens Christina Aguilera and Brit- 
ney Spears. Tiffany and Debbie Gib- 
son were the Christina and Britney 
of their time, but now the former 
rivals are friends who get togeth- 
er to chat about today’s pop land- 
scape. “I'm not interested in resur- 
recüng Tiffany from the past,” she 
says. "I feel confident standing on 
my own two feet as an adult, a wom- 
an, a mother and a musician.” She 
wrote or co-wrote seven of the al- 
bum's bluesy rock songs, including 
the ballad If Only, а heartfelt tribute 
to her longtime bodyguard Frank 
D'Amato, who died of cancer at 34. 
“He became like my big brother,” 
she says. “I think he was sent to 
watch over me. God gives you little 
blessings in life, and he was one of 
them. It feels so strange not to have 
him here now.” Other songs, such as 
Piss U Off and Open My Eyes, sound 
as if Tiffany is washing that teen 
queen right out of her hair. “I wrote 
about things I've seen and felt over 
the past 10 years,” she says. “One 
song is about a bad, abusive rela- 
tionship I was in before I met my 
husband. You realize that you have 
chipped away all of your char- 
acter—the way you look, the way 
you talk, the way you act, you've 
even changed your friends—and 
this person still has a problem with 
you, and you don't know why you 
need the relationship so badly. One 
day you just wake up and say, ‘I'm 
done. It's not even about me—you 
have a problem.’” On the track Si- 
lence, she reflects on the simpler 
days, singing, “Everything was dif- 
ferent when I was 17/The world 
was so much brighter/Now I finally 
found the truth/Of what they hid 
from me/That world was so much 
kinder.” 

Spend a short time with Tiffany 
and her disarming frankness makes 
you feel like you've known her for 
years. “As you grow up, you see 
people going through things, and 1 
am definitely more well rounded,” 
she says. “I tried things and fell on 
my face, but I'm comfortable with 
who I am now. Success to me means 


STYLING BY LANEW 
MAKEUP AND HAIR BY ALEXIS VOGEL 


risen from a decadesdong slumber and rin- 

vented himself as a contemporary American 
rock stor in the movie Queen of the Damned, a se- 
quel of sorts to 1994's Interview With the Vom- 
pire. Instead of Tom Cruise, Stuart Townsend bares 
fangs this time as Lestat, whose music awakens 
the queen mother of vampires, Akasha, from her 
supposedly eternal slumber. Played by beloved 
R&B singer Aaliyah, Akasha uses all her malevo- 
lent power to make Lestat her main mon, and the 
world’s vampires are biting mad. So is a young 
London womon named Jesse who is drawn to the 
dark side and wouldn't mind a little neck bit- 
ing with everyone's favorite immortal player. She 
must stand with the vampires against Akasha be- 
fore the queen manages to unleash hell on earth 
ord wipe them all out. винта ео 


MET rock. Especially Lestot, who has 


Anne Rice 


Bestselling author Anne Rice is best known for her 
Vampire Chronicles, which unfurled in 1976 with 
Interview With the Vampire, followed by The Vam- 
pire Lestat, The Queen of the Damned, The Tole of 
the Body Thief, Memnoch the Devil, Pandora, 
‚Armand, Merrick ond last year’s Blood and Gold. 
The epic stories follow the sensual and supemat- 
‘ural exploits of various vompires, though Lestat is 
the stor. “ completely identify with him,” says 
Rice on her official website. “He is my mole self 
ond does the things | wish | could. When I'm writ- 
ing, he's right there telling me the story, leoning 
over my shoulder, telling me to get it right, point- 
ing out things | should change, breathing down my 
neck and doing everything but biting me. He 
wouldn't dare!” (text continued an page 150) 


m == az 


Insider 
The Queen of the Damned is the third 
book in the Vampire Chronicles. The movie 
incorporates elements from that book and 
the second novel, The Vampire Lestor. 

Warner Bros. got production moving 

on Queen of the Damned before October 
2000, when the rights for the book would 
have reverted back to Anne Rice. 
3 + Producer Jorge Sarlegui said he knew 
he'd found the new Lestat after seeing Stu- 
art Townsend in Resurrection Man, in which 
Sorlegui described Townsend as “pale, sexy, 
androgynous, cocksure and dangerous 
os hell.” 

The Queen of the Damned is directed 
by Michael Rymer and has two cedited 
screenwriters. Anne Rice volunteered to pen 
the screenplay for union scale, but her offer 
wos politely declined. 

Aaliyah’s older brother, Rashad Haugh- 
ton, rerecorded several of his sister's lines in 
Queen of the Damned after her death to 
smooth over her Egyptian accent. 

Jonathan Davis of Kom co-wrote and 
recorded five songs for Queen of the 
Damned and scored the film along with com- 
poser Richard Gibbs. Because of legal reo- 
sons, the soundtrack CD will feature the 
voice of Jeff Scott Soto, whom Davis 
coached. 

7 « Warner Bros. decried оп erroneous 
New York Past report that the movie was 
heading straight to video until Aaliyah’s 
death raised its profile. 


In Arabic Aaliyah means “the highest, most-exalted 
one,” so it's fitting she play the Queen of the Damned. 
The R&B sensation released three platinum albums, 
the first when she wos 15, as well as the hit Are You 
That Somebody from the Dr. Dolittle soundtrack and 
the Oscarnominoted Journey to the Past from the film 
Anastasia, She recorded the hit Try Again for the movie 
Romeo Must Die and made her acting debut in that film 
opposite Jet Li. Aaliyah had begun working on the 
Matrix sequels before the small plone she was on 
crashed in the Bahamos last August, killing everyone 
on board. The death of this tolented 22-year-old was a 
trogedy, and becouse her unfinished work in the Matrix 
sequels had to be scrapped, The Queen of the Damned 
will stand os her final film. 


^ NAS A Ç 
» 


ils 


3 


“You mean Гт supposed to keep a blow-job-by-blow-job account?” 


PLAYBOY 


144 


PI N KY (continued from page 112) 


After three days of wandering among the families of 


the lost, I decided to make my own poster. 


“Most of the records for those calls 
were destroyed in the attack, sir. And 
even if they weren't, the calls probably 
came from an internal exchange. 
"There's no telling what specific phone 
was used or who was on it.” 


е 


When I got to ту door the phone was 
ringing, but I just missed it. The mes- 
sage was from Nina Trivet. 

“If you're too freaked out to leave 
your house, it's OK,” her message said. 
“But just call to tell me you're OK.” 

I'd always liked Nina. We'd been in 
the same department for four years. 
Now and then she'd audit one of my 
classes. She liked me but always seemed 
to have a boyfriend. The newest one was 
a rugby player named Cyril who was 
an anthropologist from Manchester. I 
didn't call her because I was afraid that 


we'd do something foolish in the mood 
of the attack. Instead, I walked up to the 
convention center to see if I could lend a 
hand to the rescuers. 

It was a lovely day. Some people in the 
street seemed sad and lost, as I'm sure I 
did, but others were talking, some even 
laughed. Sirens blared up and down the 
avenues. Fighter jets roared overhead. 

The workers at the convention center 
said they didn't need any volunteers, but 
they took down my name and number. I 
bought the three city papers and studied 
the articles about the victims, hoping to 
find a mention of someone named Pinky. 
Then | wandered back toward my 
neighborhood. 

The police stopped me at a blockade 
set up at Eighth and 14th. 

“You work down here?” a brawny 
young policeman asked. 

“No,” I said. "I live here." 


“Your mind is never very far from the racetrack, is it, Wayne?” 


“ID,” he said. 

I reached for my wallet, but it wasn't 
there. I had put it in my knapsack when 
the bridge cop asked for it. 

“T must have left it at home." 

The policeman sent me toward a 
group of six officers standing in the mid- 
dle of the street. 

"What's your business here?" a gray- 
haired man asked. He had the insignia 
of some kind of higher-ranking officer: 

"T live on Sullivan." 

“You from this country?" another cop. 
asked. 

"What?" 

"You heard the man," said a third cop, 
a black guy. 

The hazy funk Га been under lifted 
for a brief moment. 

“My mother is a black woman from 
Decatur,” I said. "But my father's Irish. 1 
take after him, that's what my mother 
says. They separated when I was nine." I 
added the last line in a lame attempt to 
show that I was just another American 
trying to make it through life. 

They asked for my address and Social 
Security number, When they asked 
where I worked, I lied and said I was a 
computer salesman because I thought 
they might have been more suspicious of 
a university researcher. 

That night I tried the four telephone 
numbers that hadn't answered. No one 
knew a Pinky or anyone who went by 
that name. 

1 went down to ground zero again the 
next day, trying to find a news crew who 
might be interested in my story. Maybe 
they could broadcast the message. But 
most were too busy to talk to me, and for 
the few who would, my story seemed to 
go on too long. One woman from a New 
Jersey radio station took my number. 
She said she'd call me when the emer- 
gency died down. 

‘The next day notices started appear- 
ing on walls and bulletin boards around 
the Village. Copies of photographs of the 
victims, with their names and the phone 
numbers of their families. Lost children 
and husbands, fathers-in-law and aunt- 
ies, friends and lovers, firemen and po- 
licemen. I studied every word of every 
poster I saw. At St. Vincent’s Hospital 
there were hundreds of them, some with 
the most intimate det he tattoo of a 
red cardinal on an inner thigh, a missing 
baby finger on a left hand. One man was 
said to have smiling eyes. 

The families and friends of the miss- 
ing were there at the hospital and later 
at the bereavement center. | wandered 
among them asking if anyone knew a 
Pinky, saying I had а message. People 
were mostly kind. 

One woman asked me if 1 had lost 
someone. When I told her no, she 
touched my cheek and shook her head. 
It felt as if she were sorry for me, that 
without something, anything, even loss 


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PLAYBOY 


146 


to hold on to, I lacked a center or pur- 
pose. I knew this was crazy, but that's 
how it seemed to me. 

After three days of wandering among 
the families of the lost, 1 decided to make 
my own poster, Alan Cartier had called 
me himself that morning asking if 1 were 
all right and saying, in an uncharacteris- 
tically kind manner, that 1 was expected 
to be back at work. I had unplugged my 
phone by that time. I didn’t want to talk 
to anybody, except about Pinky. That 
was my job, given to me by the unnamed 
victim who represented everyone who 
had died. I felt that if I could connect 
the dying man’s words with the faceless, 
even genderless Pinky, 1 would have done 
what I could. 

Pinky was my American flag, my stand 
against terrorism. 

I typed out a message that was too 
sterile and staid. So I wrote it outin bold 
print: Pinky's name followed by an ex- 
clamation mark even bolder. 

My bank account was getting low, so I 
went to the education office at the uni- 
yersity to use their copy machine. Wh 
the posters were running off, Nina 1 
et saw me from the hall. 

“Abel,” she cried. She embraced me 


and kissed me on the lips, leaving them 
moist and cool. 

“Hey, Nina. Hey," I said. "Sorry I 
didn't call you. I don't know, but I just 
can't seem to return any calls. 1" 

“It’s OK," she said, taking my hand. “I 
understand. 1 just wanted to make sure 
you were fine.” 

“The police stopped me at the block- 
ade on 14th,” I told her. “I think they 
thought I was a terrorist.” 

“Do you think there'll be a war?” she 
asked. 

“No,” I said. “I can't see that. I mean, 
we don't even really know who did it.” 

“The president thinks so,” she said. 
“Wasn't it great how Mayor Giuliani was 
down there helping and keeping things 
together?” 

“] have to put up these posters,” I 
said. 

Nina read the message and asked, 
“What is this?” 

I told her about the phone message 
and she agreed to help me. We decid- 
ed the Village was the best place to put 
them up. I thought we should go out 
separately, but Nina wanted to stay with. 
me and 1 guess that turned out better, 
because we were able to talk. 


"What, are you crazy? We've got tickets to The Producers for 


tomorrow might! 


n 


Cyril was in Britain, but due back in a 
few days. After the attack, he had pro- 
posed to Nina over the phone. 

“I wasn't really thinking about mar- 
riage before," she said. "But now every- 
thing seems so, so . . . I don't know. It 
just seems like we have to do something 
with our lives. Not just study or go out. 
Somcthing meaningful and real." 

After we had put up 100 posters we 
stopped for coffee at Cafe Borgia IL 

"Dr. Cartier has been asking about. 
you, Abel," Nina said. 

She was a small woman, almost 30, 
with brown hair and one freckle in the 
middle of her chin. She was a runner 
and proud of her strong legs. Her short 
skirts were often discussed among the 
male professors and grad students. 

“Yeah,” 1 said. "I'm going to call him 
in a couple of days. I just have to work 
this Pinky thing out first." 

"You're not the only one who has 
stayed away," Nina said. "He's getting 
pretty mad. You know he's kind of a 
hawk. He wants to dismiss any employee 
who doesn't show up by the end of the 
week." 

1 walked Nina to her apartment build- 
ing. She invited me upstairs, but 1 de- 
clined. She kissed me goodbye, on the 
lips again. I wiped my mouth afterward, 
and I think she was hurt. 

I went home and watched The Power- 
puff Girls and Dexter's Laboratory, took a 
double dose of NyQuil and fell asleep. In 
the middle of the night I awoke and 
called my message service, I skipped the 
new messages and listened once again to 
the last ery for Pinky. 

The day we started bombing Alghani- 
stan, 1 found that the message for Pinky 
had been automatically deleted from my 
service. I called to see if I could get it 
back, but the operator didn't even know 
who I could ask. I had a few calls from 
family members of victims, hoping that 
the message was for them. I never went 
back to my job. My brother, Garter, lent 
me enough money for three months’ 
rent. Nina got engaged to Cyril and 
asked him if I could be the best man. 

I've been staying at home, trying to re- 
member how it felt to want to be an ex- 
pert on adolescent sex problems and 
reading habits. That's really what Га 
wanted before I got the message. But 
now I don't know. My mother tells me 1 
have to snap out of it, that I have to get 
to work. 

“You'll be homeless,” she warns me. 

It doesn't seem to matter much. Noth- 
ing does. Maybe in a week or two I'll do 
something. I don't know what it will be. 
Maybe I'll go to Australia and look for 
work as a teacher among the aborigines. 
Maybe I'll go back to Georgia, look up 
my father and see if I really do resem- 


ble him. 


LENNOX LEWIS 


(continued from page 68) 
you think he was scared? W: a chemi- 
cal imbalance? 
Lewis: It was a 
called crack. 
PLAYBOY: What did you think, watching 
McCall tremble and weep? 

Lewis: Nothing’s amusing in the ring. 
Even with his antics, I was still at Defcon 5. 
PLAYBOY: Red alert. So, is Defcon 5 the 
maximum? 

Lewis: It’s the highest. 

PLAYBOY: After the fight McCall said he 
had been waiting for a message from 
above, waiting for God to tell him to 
knock you out. 


chemical imbalance. It's 


him through an intermediary. He said 
he didn’t want anything, he just wanted 
to say he was proud of me. He wasn't 
asking for money. I was curious, but 1 
decided 1 didn't want to know him. My 
view was: Anything my mother wants, she 
gets. But with him, no. 

PLAYBOY: For a mama’s boy, you were a 
rowdy kid —— 

LEWIS: No, I was very loving. 

PLAYBOY: You got expelled from grade 
school when you were eight. 

LEWIS: I was not a rogue. But, yes, I was 
expelled. Some older kids were playing 
soccer and they wouldn't let me play. So 
I kidnapped their ball. 1 kicked it away 
and ran and kept going, kicking the ball 


LEWIS: Finally I got to go to Canada. My 
mother worked in a Styrofoam factory 
that made coolers, the kind you take to a 
football game. At the factory you'd see 
giant pieces of the stuff. She worked long 
hours, and we weren't poor. | ate a lot 
of peanut butter and jelly sandwiches— 
that was good enough for me. When 1 
started boxing 1 would travel with the 
team and get a per diem, a little pocket 
money. I saved it and gave some to her. 
PLAYBOY: At Cameron Heights High 
School you played power forward on the 
basketball team. You were a shot-putter 
and fullback on the football team. 

LEWIS: Once we had a big football game 
the same day I was to go on a boxing 
trip. The football 


LEWIS: Really? I 
missed that. If I'd 
known it was that 
dangerous, I would 
have gone to Def- 
con 6. 

PLAYBOY: Let's back- 
pedal to your cry- 
baby youth, You 
grew up in London 
and in Kitchener, 
Ontario, near To- 
ronto, but your her- 
itage is Jamaican. 
LEWIS: My mother's 
Jamaican. Both of 
my parents are, ac- 
tually, so I’ve got 
that vibe. I love the 
food, the music, the 
culture, the spirit. 
My favorite place in 
the world is French- 
man's Cove. Ja- 
maica is the most 
beautiful country, 
but also the most 
dangerous. 
PLAYBOY: You were 
raised by your 
mother, Violet, and 
you never talk 
about your father, 
who left when you 
were a little boy. Was 


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game was local, but 
the boxing was for 
all Canada. I pre- 
ferred boxing be- 
cause it's individual. 
You don’t have to 
depend on a team. 
So I boxed, and 
the football coach 
called me a prima 
donna. I had to go 
find out what he 
meant by that. 
PLAYBOY: Did you 
look it up? 

LEWIS: I asked my 
boxing coach, Arnie 
Boehm. He knew. 
PLAYBOY: You had 
some more flauer- 
ing nicknames in 
those days. Other 
kids called you the 
Scientist, or some- 
times the Chemist. 
LEWIS: Me and my 
friends all had ali: 
es, our a.ka.s. My 
hard-core friends 
called me Chemist 
because I was a 
thinker. 

PLAYBOY: There's a 
funny story about 


he an athlete? 
LEWIS: No, he wasn't. 

PLAYBOY: Were you driven to succeed be- 
cause he left? Men from Vince McMa- 
hon to Shaquille O'Neal have told us 
they had that motivation—to prove their 
worth to an absent father. 

Lewis: Maybe it forces us to strive. You 
want to achieve, to claim something. But 
I was a mama's boy—maybe what you're 
talking about motivated my mother. She 
was a mother and father, and she created 
a prodigy. A lot of mama's boys are suc- 
cessful, you know. 

PLAYBOY: What happened to your father? 
LEWIS: He's a mechanic in London. 
PLAYBOY: Did he try to contact you after 
you got famous? 

LEWIS: Yeah, but too late. I heard from 


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as I ran. This can be very good for your 
soccer skills. But these boys caught up 
with me. They wanted their ball. 1 said, 
“You can't have it, but I'll let you have 
this.” 

PLAYBOY: Your right fist. 

Lewis: That was my first big punch. A 
teacher grabbed me and I was off to the 
principal's office. 

PLAYBOY: You were just a kid when your 
mother moved to Canada. She took you 
with her but soon sent you back to Lon- 
don to live with an aunt. 

LEWIS: There wasn't room for me. It was 
a hard adjustment, never knowing when 
I would see her again. Everyone said it 
would bea short time, but it wasn't. 
PLAYBOY: It was two years. 


some guys who 
messed with your 
car. You and your friends went after 
them — 

LEWIS: I was driving in London, in my 
Mercedes, when some construction work- 
ers ambushed me. I think they were just 
coming from the pub. 

PLAYBOY: Why were they mad at you? 
Lewis: I think because 1 was a black fella. 
I'm just driving along minding my own 
business, and they start throwing stuff at 
my car. Tools—a drill. Now all the glass 
in my car is wrecked. I'm vexed. I had to 
make them realize they weren't dealing 
with a punk, so I went home and pre- 
pared for war. 

PLAYBOY: It's interesting that you didn't 
just chase them. You're more deliberate 
than that. 


147 


PLAYBOY 


148 


Lewis: You don't fight without being ful- 
ly prepared. I went home and got my 
lawyer, my friends, my righteous group. 
Got my stuff on. Black fatigues. 

PLAYBOY: It's the undisputed ninja in the 
night—those guys are dead. 

Lewis: [Laughing] Those guys lefi town! 
We went looking, but they were gone. 
PLAYBOY: They could run, and they could 
hide. 

LEWIS: We had to call off the war. 
PLAYBOY: What do you drive now? 

LEWIS: I have a Bentley and an Aston 
Martin. I'm not much of a car collector. 
You can drive only one at a time. 
PLAYBOY: Ever been in a bar fight? 

LEWIS: Before the 1988 Olympics 1 was in 
a country-and-western bar when a man 
came up behind me and threw a punch. 
1 put my hand up and stopped it—just 
reflex—but I was furious that he'd tried 
to sucker punch me. I walked over to 
him and punched him, boom! He went 
flying down, and then a brawl broke out 
in the bar. I got out of there fast, but you 
should have heard the stories that grew 
from that punch: Lennox Lewis knocked 
out four people! 


PLAYBOY: Now you move in different cir- 
cles. Do you have celebrity friends? 
Lewis: A few, Athletes and movie stars 
like to give each other love. Гуе met 
some snobby-nosed celebrities and some 
cool ones. Woody Harrelson was in Lon- 
don the other day. We played tennis, 
chess and backgammon. We're pretty 
eyen atall three. No basketball this time, 
but we're even there, too. I am a better 
player, but he's a great cheater. 

Will Smith and I were going to get to- 
gether, but he wanted to play golf. I 
prefer paintball. Now, there is a sport I 
love. 1 play in Miami all the time. I'll be 
dressed all in camouflage, and I've got 
the best gun. It’s an automatic-load gun, 
so І can fire on you fast. 

PLAYBOY: So here's the heavyweight 
champion with his paint gun, ambush- 
ing 15-year-old kids— 

LEWIS: Hey, І take big men with me. I'm 
shooting all my friends and lawyers. 
PLAYBOY: Will Smith is a serious golfer. 
How about you? 

LEWIS: | have taken up golf. I'm still 
learning. I don't know how far I hit 
the ball, but people tell me that it's re- 


"Whenever I cheated on you, sweetheart, I did so with 
a very guilty conscience." 


ally quite far 

PLAYBOY: You're a chess player, too, as 
sportswriters looking for an angle never 
fail to mention. Are you a counterpunch- 
er in chess or an attacker? 

LEWIS: Definitely a counterpuncher. 
Chess is like war. It's like boxing, or even 
life. The other man wants to defeat me; 
I have to protect myself and counter 
his moves. 

PLAYBOY: We hear you don't always play 
fair. If you're losing, you might “acciden- 
tally" turn over the board and send the 
pieces flying. 

LEWIS: [Laughing] That's not my fault! I 
can't always be aware of where the board 
is, can I? 

PLAYBOY: What do you think of American 
pop culture? 

LEWIS: Some things I accept, some I 
don't. The gangster thing—the idea that 
an athlete, especially a black athlete, 
should act like a thug—thar's not for me. 
PLAYBOY: When you go out to the clubs 
with your posse—OK, your righteous 
group—do you dance? 

Lewis: [Standing, waving his elbows chicken 
style] 1 don't dance, but I will boogie. 
PLAYBOY: Your idol, Ali, was a great dancer 
in the ring. Now he has trouble walking. 
LEWIS: It's sad to see him struggle. The 
thing about his sickness is that he's still 
there mentally. It's hard for him to bring 
things out verbally, but you can see he's 
still in there. His eyes light up when he 
sees me. He'll whisper to me, “You're the 
greatest, just like me.” 

PLAYBOY: Docs secing Ali make you want 
to quit boxing? 

Lewis: I don’t want to stay too long. I 
worked to become undisputed heavy- 
weight champion. Now I am, and I'm 
satisfied with that. But this is a business, 
too. When someone offers you $8 mil- 
lion to fight a guy, it’s hard to say no. 
PLAYBOY: Tell us about your current love 
life. 

LEWIS: I have a new girlfriend. This time 
it's serious. It's still early—only a couple 
of months—and I won't say her name. 
She shouldn't have to speak to the press. 
But I can tell you that she would say 
good things about me. 

PLAYBOY: What does she do? 

Lewis: She’s an up-and-coming record- 
ing artist. 

PLAYBOY: Exactly like your description of 
Aisha, your former girlfriend. Some pco- 
ple doubt that your girlfriends exist 
LEWIS: Oh, she exists. Please don't say she 
doesn't—you'll hurt her feelings. 
PLAYBOY: You're pushing 40. Do you 
want to have kids? 

LEWIS: Yes. That's something I have con- 
sciously sacrificed for my boxing, but 
when the boxing is over, it can happen. I 
think I will be a great dad, and I have 
dreamed of how to bring up my kids. 
They'll attend private schools in Lon- 
don. They'll go to Jamaica and learn 
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PLAYBOY: What will their dad. the former 
champ, do? 

Lewis: I might get more into movies. I 
had a good time making Ocean's Eleven, 
but I played myself. What's next? Per- 
haps a science fiction show or an action 
adventure, with me saving the day. 
PLAYBOY: How about your playing James 
Bond, another Brit who has an Aston 
Martin? 

LEWIS: Funny you should say that. I have 
practiced my Bond line on many occa- 
sions. “My name is Lewis, Lennox Lew- 
is,” ГИ say. “The black Bond.” We shall 
see if the world is ready for that. 
PLAYBOY: Answer an important question: 
Is boxing crooked? 

Lewis: [Nodding] Yes, but it has always 
been crooked. | remember the first Oli- 
ver McCall fight, when I lost. The referee 
stopped the fight in the second round. 
Now, that was weird. I was the champi- 
on, and you never see that happen. You 
never stop a champion, and take his title 
away, because he goes down one time so 
early in a fight. Mysterious. Of course, 
Don King was McCall's promoter. And 
then, a month later, I see that referee 
and his whole family at the WBC con- 
vention, sitting with Don King. That's 
when a bell goes off in your head. Is box- 
ing crooked or what? 

PLAYBOY: Can you help straighten it out? 
LEWIS: I dreamed that I did. In a dream 
I cast my championship belts together 
and make one. 

PLAYBOY: You once said your mission was 
to rid the sport of all its misfits. 

LEWIS: That is still my mission. 
PLAYBOY: Which misfits have you gotten 
rid of? 

LEWIS: Have you seen David Tua's hair- 
style lately? 

PLAYBOY: Are you still improving as a 
fighter? 

LEWIS: Every day. 

PLAYBOY: What are you working on now? 
Lewis: [Smiling] The 20-punch combina- 
tion. I have to perfect th: 
PLAYBOY: Being heavyweight champion 
of the world must be good for a guy's 
self-esteem. 

Lewis: I like to say “champion of the 
universe.” 

PLAYBOY: It’s a lonely job. 

LEWIS: Yeah, you are completely alone. 
But that doesn't bother me. Watch me at 
press conferences. I speak for myself. I 
don't need a guy standing behind me, 
some windup doll—you pull the string 
and he starts yelling, “Tyson's coming! 
‘Tyson's gonna get you!" I am fully confi- 
dent in myself. And it's the same when I 
step into the ring. When them guys step 
in, they can't bring their team with them. 
"I hat's the difference, They think they 
can fight in a bunch. I know I can stand 
up by myself, alone. 


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150 


Anne Rice (continued from page 142) 


“Wri 


ing my novels, I was deeply into SEM. But I 


was constructing a fantasy, not a road map.” 


Before Anne Rice first drew blood on 
the literary scene with Interview With the 
Vampire, vampires were mostly relegated 
to late-night B movies. No one had ever 
tried to bring humanity to the monsters, 
to view vampires as tormented outsid- 
ers who struggle with morality, the mean- 
ing of life and the transience of love 
and erotic desire. The Vampire Chronicles— 
nine books and counting—amassed a 
huge following that broke barriers based 
on gender, sexual orientation and age. 
Although the 60-year-old author is mod- 
est about how much her Vampire Chroni- 
des have expanded the mythology of the 
undead, she says dismissal of her work 
stings. "Some people don't take The Vam- 
pire Chronicles seriously at all, because the 
books are about vampires,” she says. 
“They don't understand how much I've 
put into the novels. In some dark and 
tangled way, Louis was me in Interview 
With the Vampire. That was my melan- 
choly, my guilt for leaving the Catholic 
Church, my grief for the death of my 
daughter.” 

Initially, Rice wasn't thrilled with the 
casting of 1994's blockbuster Interview 
With the Vampire, which features Cruise as 
Lestat, but now she sings his praises. “1 


was wrong about Tom Cruise's not being 
able to overcome type," she says. "He's a 
wonderful actor who became the charac- 
ter Lestat and understood Lestat's per- 
sonality. I just saw Richard E. Grant, an 
actor I had lobbied for in Interview With 
the Vampire, play a vampire in the come- 
dy The Little Vampire. He was this dramat- 
ic, cultured character tricked out in Eliz- 
abethan drag. I'd like to think 1 had a 
little influence there. It’s flattering to 
think people have read my work and 
want to build on it.” Now The Queen of the 
Damned is out in theaters with a new cast 
and minimal involvement from Rice. 
“When the movie was in development, I 
offered to write the screenplay for union 
scale with a deferred payment if the 
movie was ever made,” she says. “I want- 
ed to do Lestat and the studio wanted 
to do the third novel, The Queen of the 
Damned. They really didn't want me. 
They told me politely that I was just too 
big for them.” Rice maintained contact 
with the filmmakers during the produc- 
tion of Queen, but at the time of this 
interview, she had not seen the mov- 
ie. “I'm optimistic,” she says. “Even an 
adaptation of the book can be good if the 
personalities of the characters remain 


“Wow! And I thought you were just a song-and-dance man.” 


true to the story. That's what I'm hoping. 
for with Queen.” What does she think of 
the new Lestat? “I met Stuart Townsend 
after the picture wrapped,” she says. 
“He came to New Orleans and I showed 
him around the house and property. He 
was charming. He had a good experi- 
ence making Queen and he told me about 
some of the things that fascinated him, 
like playing a rock star onstage in front 
of a real audience." 

Although Rice's work has been trans- 
lated to the screen with varying success, 
the author still gets excited at the pros- 
pect of her stories on film, Her book 
Ramses the Damned, about an immortal 
mummy, is being developed by James 
Cameron, and she'd love to see Joaquin 
Phoenix play the ghost who haunts a 
woman in the supernatural love story Vi- 
olin. “When 1 watched Interview With the 
Vampire, 1 was thrilled to see scenes I had 
written being acted out pretty faithfully 
to what I had done,” she says. “It gave 
me chills. The same thing happened 
with Showtime's Feast of All Saints, which 
was such a faithful adaptation by the 
screenwriter, John Wilder. He really un- 
derstood the book. Now I'm reluctant 
to work on any project without John.” 
Rice probably regreis not haying Wil- 
der around when her erotic novel Exit 
to Eden was turned into a slapstick com- 
edy starring Rosie O'Donnell and Dan 
Aykroyd. “The movie Exit to Eden was so 
disconnected from my work that it didn't 
even bring in my audience," she says. 
“The producers interpreted the novel to 
be comic, and they ridiculed the charac- 
ters. Exil to Eden is actually a kinky love 
story.” 

Rice is a kink connoisseur. Her porno- 
graphic Beauty trilogy (The Claiming of 
Sleeping Beauty, Beauty's Punishment and 
Beauty's Release) is a sadomasochistic re- 
telling of the classic fairy tale. “I used the 
pseudonym A.N. Roquelaure because 
my father was still living at the time and 
1 didn't want him to know about it,” she 
says. “Roquelaure means cloak in French, 
so A.N. Roquelaure really means Anne 
with a cloak. I wanted to put these elab- 
orate sexual fantasies in print, and I 
believed pornography could be written 
without the grimness of The Story of O 
or 9% Weeks. I wanted something that 
was playful and highly erotic on every 
page yet didn't contain four-letter words, 
something that could be elegant and fun 
for both men and women. I think I ac- 
complished my goal.” It was a dark fan- 
tasy for Rice, but what about her fans? 
“Туе met people who are into S&M who 
come to my signings and talk about the 
Beauty books and how they act out the 
scenes,” she says. “It frightens me a lit- 
tle, and I tend to be shy, so I don't ask 
a lot of questions. 1 appreciate their life- 
style, but I have not personally been in- 
volved with S&M. When I was writing my 


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novels, I was deeply into it. But I was 
constructing a fantasy, not a road map or 
a blueprint.” 

Although Rice says her days of writing 
pornography are over, there is no lack of 
erotic tension in The Vampire Chronicles, 
in which the characters explore limitless 
erotic pairings. “When I write, I see the 
world through bisexual eyes,” she says. 
"I'm not sure that everyone is inherently 
bisexual, but I know a lot of people who 
are capable of being bisexual if they 
could remove the prejudice or if it were 
more swanky to be that way. I think 
maybe I'm bisexual—1 don't really 
know. When I'm Louis or Lestat or any 
of those characters, I see everyone as єз- 
sentially attractive and compelling. I 
don't sce the world with the grimy eyes 
of a detective novelist. I don't use nega- 
tive vocabulary. I believe everyone is at- 
tractive to some extent, and the bisexual 
romanticism in those novels is a part of 
my psyche. Lestat is the man I wish I 
was. For many years I felt like a gay man 
in a woman's body, and Lestat is kind of 
a gay man in a gay man's body.” 

Lestat, who has taken a backseat in the 
last few Chronicles, will return next in the 
book Blackwood Farm and be the focus of 
the upcoming Angel Time. “I was work- 
ing on Angel Time in 1998 when I got di- 
abetes and went into a coma," Rice says 
“I almost died with a blood sugar level 
of 800, and when I got to the hospital I 
was on the verge of cardiac arrest. When 
you're in a diabetic coma, your brain 
actually shrinks, so it was frightening to 
come out of that with no ability to fan- 
tasize, imagine or plan. I was in a state 
of the present tense and agitated all 
the time. It took months to get back my 
vocabulary and my capacity to write a 
narrative." 

Now that she has made a notable im- 
pression on pop culture and changed 
the mythology of the vampire, will she 
abandon the Chronicles? Is there a fi- 
nal chapter? "I have a young audience. 
coming up that wasn't even born when 
I wrote Interview With the Vampire," she 
says. “The Vampire Chronicles are being 
used in philosophy classes in college and 
high school literature classes. Teachers 
come through the book-signing line and 
tell me that they assign the Chronicles to 
kids because it gets them to read. All of 
that is wonderful. I'm writing a novel 
called The Talamasca, about the order of 
psychic detectives that I first introduced 
in The Queen of the Damned. I'm trying to 
keep vampires out of it, but I don't seem 
to be able to control myself and I keep 
weaving all my books together. I want 
new characters, new voices and new 
ideas, so it's going to be clean if it kills 
me. But I don't see any end to The Vam- 
pire Chronicles. 1 still have a lot to say.” 


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BOXI N G (continued from page 96) 


“I fell out with my manager, couldn't get fights. I got 
into armed robbery. I'm here now till 2016.” 


talent for the money ranks. But doing 
time, that hardly matters. The ring is sal- 
vation. It's a place where you can master 
your violence and show off your wiles. 
Wardens use the sport for crowd control. 
Only the best-behaved prisoners gain ac- 
cess to the weight room and the ring. 

Prison boxing began at Angola and 
dates to at least the Forties. A photo sur- 
vives of an early match: ‘Two cons in reg- 
ulation khakis square off inside four piec- 
es of twine laid on the prison yard. In 
1987 the state formed the Louisiana In- 
stitutional Boxing Association. “Before 
LIBA, we used inmate judges,” says com- 
missioner Pat Kilcrease. “Because they 
lived in the general population, the only 
way they'd let a visiting fighter win was 
by knockout.” 

This past summer I drove 150 miles 
northwest of New Orleans for a Thurs- 
day fight night at Avoyelles State Prison 
in Cottonport. Elayn Hunt, Dixon and 
Angola each had bused a team of a doz- 
en prisoners (the fights rotate each month 
among LIBA facilities). After changing 
from shackles to shorts, the fighters line 
up along the gym walls, occasionally nod- 
ding to buddies but not talking much 
and definitely not passing anything hand 
to hand. 

As the inmates lace up their gloves and 
shadowbox, officials from each prison se- 
clude themselves to schedule the card. 
Each one bluffs for his fighters, trying to 


match them up with slightly weaker op- 
ponents by emphasizing past losses and 
lackluster punches. In the gym, prison- 
ers unfold steel chairs around the ring. 
One side fills with Avoyelles inmates 
dressed in blue jeans and white I-shirts. 
The other side is a ragtag crowd of lo- 
cals. “You figure that if these guys know 
how to do anything, they know how to 
fight,” one guy tells me as he devours a 
hot dog. "You never know when you'll 
see the next Rhino.” 

Each prison has its own twist on fight 
night. At Angola, the entertainment be- 
tween fights is provided by kick-dancing 
drag queens and effeminate punks. At 
Dixon, a prisoner band livens things up 
with Delta blues and Queen covers. 
Avoyelles welcomes the fighters with a 
spread of supermarket delicacies. But 
nobody comes for the beefsteak. The 
killers, rapists, drug dealers and thieves 
are looking for respect—the kind you 
earn with fists, nota gun. “You make a 
bad showing and those guys will dog you 
to death, tell you you're a piece of shit,” 
says a pompadoured guard who, like sev- 
eral other bystanders, claims to have dis- 
covered Etienne. “If you lose you want to 
go down in style, fighting hard.” 

Inside the twine, each inmate dis- 
patches as many uppercuts as he can 
manage. There is no duck-and-shuffle, 
no rope-a-dope. Some of the prisoners 
show more smarts than others, but for 


“Times are changing, Wilson. You're going to have to learn 
some new tricks.” 


the most part it's a free-for-all that ends 
with both fighters hugging each other in 
grudging admiration or, more likely, re- 
lief. Most tell me their induction into 
organized boxing came after winning 
brawls among the general population. 

"The odds of these men boxing profes- 
sionally are long, even for those with tal- 
ent. Donald “Pepper Red” Sylvas is hop- 
ing to win back the homemade light 
welterweight belt he says he voluntari- 
ly gives up so he has the challenge of 
regaining it. “After getting released the 
first time, 1 went 21-0 as a pro, against 
the hardest fighters you ever saw,” he 
says. Asked how he ended up back in the 
joint, Pepper Red looks puzzled, as if 
he doesn’t understand it himself. “I fell 
out with my manager, couldn't get fights. 
I got into armed robbery, holding up 
banks. I'm here now till 2016. But I want 
to get out and go to work for Billy.” 

That's Billy Roth, a sharply dressed, 
ruddy-faced promoter and trainer who 
drives an emerald-green Cadillac and 
says he earns his living as a private inves- 
tigator He may be the one man who de- 
serves credit for grooming Etienne. “I'd 
been waiting all my life for somebody 
like Clifford,” he tells me at ringside. “I 
took care of him while he was in jail— 
gave him money, visited him, talked to 
him—and I had him come and live with 
me. 1 hooked him up.” 

Roth is officiating a few bouts, keeping 
an eye open for prospects, and telling me 
about how treacherous life behind bars 
can be. “You can get killed for a pack of 
cigarettes,” he says. “You lend somebody 
a pack and he has to pay you back two.” 
When one promising fighter didn't get 
his two packs, he picked up a weight and 
slammed a guy in the head. The stunt 
cost him three more years on his sen- 
tence, as well as his boxing privileges. 

A world away, an ex-con cruises New 
Orleans in a black Stingray. Rap music 
blares from the Rhino's trunk, which is 
filled with speakers. We stop at a French 
Quarter joint. Everyone in the place 
knows Etienne (he and the shucker did 
time together), so no one blinks when he 
orders a dozen oysters, shrimp etouflée 
and a sirloin, all brought to the table at 
once. I notice a tiny barbell piercing his 
tongue. He talks about building a fine 
house in the countryside for his wife and 
two young daughters. 

1 ask Etienne if his prison experience 
has helped him in the ring. “Focus is 
everything,” he says. “I learned to focus 
in a place where you have men fighting 
over seats, guards harassing you, lots of 
distractions. If you can get in shape in 
prison, you can do it anywhere.” He 
smiles. “When I fight now, I know I'll get 
paid, win or lose. But prison boxing was 
fighting for pride, and a guy who fights 
for pride will fight to the death.” 


UE GRE. 
O DE IK 
со uus = x x 


Bach | 


PLAYBOY 


154 


sarah silverman 

(continued from page 130) 
SILVERMAN: My sophomore year I went 
with some poor guy. I had no interest. 
Cerry and 1 were best friends, and we 
were way too cool for the prom by senior 
year. Besides, I was in love with my his- 
tory teacher. I wasn't interested in any- 
body else. He got married early on in my 
love for him, which was devastating. It 
was a joke at school that I was in love 
with him. Everybody knew, and I played 
it up, but the truth was that I would cry 
myself to sleep over him. 1 had missed 
three months of my freshman year. 1 had 
no illness, but I went into a deep depres- 
sion. Once 1 met him 1 never missed a 
day of school again. I would go to school 
and say, "Hey, Mr. Berk, how's Mrs. 
Berk's health?” I was so impressed that 
he was Jewish and Russian and Polish, 
just like me. I just couldn't believe it. He 
was just totally cool. 


13 


PLAYBOY: Ex-boyfriends seem to stay in 
your life. Should we read something in- 
to this? 

SILVERMAN: They're probably my best 
friends. The fact that we're sull good 
friends is proof that I really loved them. 
I was 19 when I lost my virginity, and I 
went crazy with sex because that’s what 
you do when you first start having sex. 
All the sex was with people I still know. 
Luckily they're wonderful people. Wom- 
en comics tend to go out with guy comics 
because they re peers and they re funny 
and they can relate. The first time I had 


sex I was a professional comic having sex 
with a professional comic. All my sexual 
experiences were with comics or come- 
dy writers. For comics their whole life is 
about finding what's funny and laugh- 
ing. It’s a common dysfunction that 
bonds you in that world. I'd like to go 
out with a teacher or someone else, but 
they'd have to be funny. 


14 


PLAYBOY: Do you share your bed with 
your dog? 

SILVERMAN: I sleep with him. His name is 
Duck. He's like a hot-water bottle. Going 
to bed and waking up in the morning 
are my favorite times of day because of 
him. I speculate he's half pug, half Chi- 
huahua. I got him from a shelter. He's a 
perfect pet. 1 didn't want to become a 
dog person. My sister had a dog first, 
and I'd watch her pick up his shit and 
found it fucking disgusting. But I'm 
aware of my partner's comfort. Duck is 
either between us or I can put him on 
my side of the bed or by my feet. He 
stays anywhere you put him. He will also 
not sleep on the bed if I want. He has a 
little basket. 


15 


PLAYBOY: Americans are great consumers 
of antidepressants. As one who's taken a 
prescription drug or two over the years, 
do you see implications for comedy in 
psychopharmacology? 

SILVERMAN: À lot of comics fear finding 
balance through therapy or antidepres- 
sants because they're afraid their source 
of comedy is pain. Comics romanticize 


LS 


“Welcome aboard, Greg! If you stop 
by my office this afternoon, ГИ see that you get your employee 
hand job . . . uh, handbook!” 


their bitterness, their unhappiness and 
their self-loathing. I guess some people 
can't be funny if they're happy. I under- 
stand it, but I can be happy and still find 
the source of humor that suits me best. 
And I'm happier when I'm funny. If I 
weren't on antidepressants Га probably 
be avidly against them. I certainly worry 
about the long-term effects. I don't know 
if it’s appropriate for me to point out, 
but my entire immediate family is on an- 
tidepressants. There's definitely a chem- 
ical imbalance that runs in our family. 
My father had a violent temper until he 
started taking Zoloft, and now he'sa dif- 
ferent man, Гуе also had awful experi- 
ences. I had severe depression and pan- 
ic attacks when I was 13 or 14, and when 
I did Saturday Night Live the panic came 
back like a dark cloud. An ex-boyfriend 
took good care of me, and I'll always be 
gratelul to him. I ultimately hooked up 
with someone who put me on Klonopin. 
It worked in a day to stop the panic at- 
tacks. I ended up getting half the cast 
of Saturday Night Live on Klonopin that 
year. It really saved us. Then I weaned 
myself off it. Now I'm on Zoloft. That's 
my drug story. We have great insurance, 
thanks to the Screen Actors Guild. 


16 


PLAYBOY: We have it on good authority 
that comics hold back some of their most 
outrageous material. Do you profession- 
als have a higher laughter threshold 
than the rest of us? 

SILVERMAN: To actually laugh we have to 
go so much further than anything we 
could ever bring into a club. It’s got to be 
so awful, you say, “Oh my God, you're 
going to hell." And I hope the world 
never gets so jaded that people would 
actually want to hear it. It's stuff that's 
taboo. It's anything racist, anything 
about AIDS, anything gay, anything 
about cocksucking or about your mother 
being a whore. When I was a teenager if 
I saw the word pussy in print, I would be 
titillated for days. Now it takes fantasy 
beyond anything I would want in reali- 
ty—a joke about four gay midgets and 
a bear—to do anything for me. With 
comics that's the way it is. We sit in com- 
edy clubs all night long, and even if 
someone's funny we just go, "Oh, that's 
good." I envy uptight Catholic right- 
wingers who are so easily turned on by 


any sinful thought. 
17 


bravuov: You had guest roles on Larry 
Sanders and Seinfeld, two shows that have 
been acclaimed as television's most liter- 
ate. Do you secretly want to jiggle along 
with Pamela Anderson on VIP? 

SILVERMAN: Larry Sanders was the greatest 
show you could ever do. But I did a VIP 
last summer, and I swear to God I had a 
blast. I love that shit. My agent wasn't 
even going to call me about the offer. All 


my friends give me shit about it, but I 
find Pamela Anderson totally compel- 
ling. She’s the executive producer and 
she lets things be really loose. She wears 
nine-inch heels and I don't know how 
she does it. On the show I played a pris- 
oner and they get me out because they 
think I can lead them to Nero the dia- 
mond thief. But instead I take them on 
a wild-goose chase. I was definitely a lit- 
tle butch, but they made me pretty. In 
the prison I wore a white T-shirt with 
blue jump pants and I got into fights 
with the big sis. And, of course, outside 1 
wore these great outfits—cute little tops 
and bottoms and giant chunky heels. Im 
asking, “Where does my character get 
the outfits?” The wardrobe woman just 
said, “It's VIP." 


18 


PLAYBOY: Does size matter, really? 
SILVERMAN: Yes. My rabbi sister is going 
to kill me about this, but even she 
said that if her husband didn't have 
a big dick they would just be friends. 
Next question. 


19 


PLAYBOY: Would you honor us with a va- 
gina monolog? 

SILVERMAN: 1 am so obsessed with the 
word vagina and vaginas in general that 
when we were doing Greg the Bunny 1 
would yell “Vagina!” every time we were 
about to shoot. I’m sure somebody could 
say the obsession comes from wanting 
to go back to the womb and the plight 
of the female gender, but I'm going 
with the fact that it’s art to be interpret- 
ed by the viewer, listener or obseryer. Va- 
gina is a funny word. Vagina makes me 


giggle. Vagina. 
20 


PLAYBOY: Can you set the word fuck in 
the context of American language and 
culture? 

SILVERMAN: Yesterday my sister Susie and 
I were in the car and a woman driver cut 
us off and I went, “Fucking cunt!” And 
Susie said, "Sarah, don't say the word 
fucking.” Then we laughed so hard. I'm 
sure that 50 years ago people were 
thinking, If everybody says “swell,” then 
what are we going to say next? There 
might be a certain amount of vacancy in 
a lot of lyrics today, but at the same time 
you can't have censorship. Limitations 
put you in a position to be more creative. 
But limitations that make you more cre- 
ative don't have to come from censor- 
ship. They can come from any kind of 
oppression in any part of your life—on a 
grand scale, like the great art that comes 
from the Holocaust, or on a personal 
scale, from the context of your child- 


hood or your life. 


MUSIC BUZZ 


(continued from page 120) 

"Don't worry, it won't affect the inter- 
view schedule.” I go, “Fuck off. I live 15 
blocks from there. I don't care about 
rock and roll right now." I had feelings 
T've never felt beforc. I still don't know. 
what they were. I ran up to my room 
and turned on the TV. The phone lines 
to the States were completely blocked. I 
couldn't get through to my mom. I was 
upset and emotional. 
PLAYBOY: And now? 
ADANS: It's important to be optimistic. 
One day I thought, What do 1 normally 
do? I go to the corner deli where the guy 
never gives me the right fucking sand- 
wich but I eat it anyway because I love 
him. So I did that. Life is starting to 
move forward. 
PLAYBOY: Now that you're a critics’ darling, 
do you feel more pressure to succeed? 
ADAMS: That stuff never lasts. Ripe one 
week, sour the next. Doing press has 
killed every bit of megalomania I've ever 
had. I'm so over myself. I make records 
that I'm happy , and if people don't 
like them, I'm still proud. When you're 
done with a record, it’s like you've built 
the biggest house or kissed for the 
longest time. You're drained. But I'm 
so happy with my last three albums that 


I'm beside myself. 
PLAYBOY: We've heard rumors about a 
new band called the Virgins, featuring. 
you, the Lemonheads’ Evan Dando and 
the Smashing Pumpkins Melissa Auf 
Der Maur and James Iha. Is it true? 
ADAMS: We're trying to coordinate it, but 
it's hard because we're four people with 
erratic schedules, We want to make a 
band that's all about love. Like the Grate- 
ful Dead on lots of pills. It will be just a 
one-record thing. Maybe two. 

PLAYBOY: In your liner notes you thank 
Alanis Morissette several times. Regard- 
ing your ex-girlfriend Winona Ryder, 
you wrote, “damn girl.” Would you care 
to elaborate? 

ADAMS: Í wanted to make Alanis laugh. 
She has a great laugh. When I was mak- 
ing the record, she gave me pep talks. 
І was trying to stretch and write about 
who I am and how I feel. Lani’s last two 
records were superforthcoming. 1 have 
huge respect for how she writes. Winona 
is cool, amazing, talented and smart. If 
1 talked about her my teeth would rot 
out with sweetness. What I wrote wasn't, 
like, “You damn girl!” It was more of a 
"Dammmmmn, girl. Mmmm.” I should 
have put a few extra m's in there. Or may- 
be I just should have shut the fuck up. 


“Look at the bright side. If I had to have a baby with another 
woman, who better than the babysitter?” 


155 


PLAYBOY 


SEX GOD 


(continued from page 91) 
represented by Z. The number you cor- 
rectly share with her 

(a) Z+45 

(b) Z-15 

OZ 

(d) Z+4, then Z-4, then Z-10, then, 
“You mean intercourse or blow jobs?” 


(9) Referring once again to question 8, 
where Z=16, if you ask Diane the same 
question and the answer is Z°—shit, if it's 
even Z2—which of the following would 
be the correct course of action? 

(a) Get your ass to the doctor, pronto. 

(b) Leave. 

(©) Check your wallet. 

(d) All of the above. 


(10) IF M=mi 
B-butrerfly, S 


ionary, D=doggy style, 
spoon and O=her on 


top, which of the following sequences of 


sexual positions, all executed within the 
same coital session, will most efficiently 
bring about her orgasm? 

(а) М, В, D, $, O 

(b) O, M, B 

(©) D, D, D 

(d) O, O, O 


(11) It's New Year's Eve. You've brought 
Sloane, your svelte blonde princess, to a 
suite at the top of the Four Seasons. Just 
when you're both ready to explode, she 
pulls away and starts sucking and strok- 
ing you like the end of the world is nigh. 
What comes next? 

(a) Fully digestive swallowing. 

(b) Foamy, oozy dribbling. 

(c) A pearl necklace. 

(d) Oil of Olay facial. 


(12) Complete each analogy (match 
your fantasy profile with the appropriate 
partner. For example: a+b, b+c, etc.): 

You: (2) The strapping pool boy with 
an atomic bulge in his tight shorts. 

(b) The sweaty UPS delivery man. 

(c) The scolding principal. 

(d) The quarterback of the varsity af- 


ter a tough game. 

Your girlfriend: (a) A gorgeous strip- 
per from Club Super Sex who takes you 
not just back to the VIP room but all the. 
way back to your apartment. 

(b) The luscious, miniskirted intern 
interviewee who keeps crossing and un- 
crossing her legs. 

(с) The strapping pool boy with an 
atomic bulge in his tight shorts. 

(d) The leggy, stiletto-heeled sales- 
woman in the lingerie section of Nord- 
strom who offers you a private modeling 
session in the dressing room, and any 
other service you might require. 


(13) Ши takes Blair, a petite, small- 
breasted Floridian publicist with unusu- 
ally prominent nipples, X minutes to get 
wet by just pinching her nipples lightly, 
and if it takes Blair Y minutes to achieve 
the same groovability with a nipple pinch 
and a lick to her earlobe, which of the 
following would result in Blair's getting 
swampy in X/Y minutes? 

(a) Stroking the underside of her 
breasts. 

(b) Stroking the inside of her thighs. 

(©) Nibbling at her neck. 

(d) Entering her immediately. 


(14) You have been dating Julie—a 
party-loving, easygoing beauty—for two 
months, and now you're spending every 
night together. One evening she tells you 
she has started her period and has a 
slight headache. What do you do? 

(a) Head back to your place to hang 
with your friends, knowing she appreci- 
ates your appreciation of a good time 
and will be looking forward to seeing 
you tomorrow. 

(b) Spoon her gently while trying to 
slip it in, and back off when she nudges 
you away. 

(c) Draw a warm bubble bath for her 
and t on giving her a massage. 

(d) Throw a large bath towel on the 
bed and tell her to ready herself. 


(15) What a stud! You've been ram- 
ming away for 50 minutes with Cindy, 


the slightly slutty friend of your older 
sister, but she still hasn't come. At this 
point you: 

(a) Take a breath, give her deep kisses 
and thrust slowly and gently. 

(b) Explode all over her belly, wipe off 
and get right back to it. 

(c) Pull the rip cord, then offer to go 
down on her. 

(d) Don't stop, don't stop, don't stop 
(for at least another 50). 


(6) Things are getting sexually re- 
dundant with the love of your life—long, 
tall Kerry with the wonderfully waxed 
vaginal lips. She protests wearing lin- 
gerie to bed every night. You're active, 
but it scems every night it’s blow job, 
cunnilingus, doggy style, then mission- 
ary to finish. What's the best way to mix 
things up? 

(a) Talk to her about pulling another 
threesome with her short, feisty friend 
Amanda. 

(b) Buy her a new dildo. 

(c) Talk to her about pulling a three- 
some with your short, fcisty friend Bob. 

(d) Suggest a refreshing mutual mas- 
turbation session where you can talk 
about how nice it was to have pulled a 
threesome with her short, feisty friend 
Amanda. 


"TRUE OR FALSE (Time limit for this sec- 
tion: five minutes.) 


(17) The nipple is the nubby part, the 
areola is the flat circle aroun TT or E. 

(18) Vaseline is an appropriate lubri- 
cant for anal sex. T or F. 

(19) Taint is a slang term Юг perineum. 
TorE 

(20) The sacral dimples are the slight 
indentations on the insides of her upper 
thighs. Tor E 

(21) The G spot is a spongy mass of tis- 
sue on the inner vaginal wall that most 
women ask you to please stop touching. 
Tork. 

(22) There are more nerve endings 
inside the vagina than in the vaginal lips. 
Tork. 


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(23) All straight women are turned off 
by gay male porn. T or F. 


Answers: Give yourself the corre- 
sponding points for each answer. 

Question 1: A, -2 (You fool!) B, 15 (It's 
a risky strategy that pays off more often 
than not.) C, 5 (A safe bet. You know 
you'll get laid, it’s just a matter of when.) 
D, 0 (Nice guys never get nookie.) 

Question 2: A, 0 (You fool!) B, 5 (A finc 
answer, but one that makes you seem 
more like a girlfriend than a man. And if 
you start a romance, you'll have a lot of 
explaining to do when you break out the 
porn tapes.) C, 10 (You're a man of the 
world, with sensibilities compatible with 
hers.) D, 0 (Yes, women like a funny guy. 
But not that funny.) 

Question 3: A, 0 (-15 if you answered 
B to question 1. You are an animal, not a 
sex god.) B, 2 (A no-brainer.) 

Question 4: A, 5 (7 if you dated female 
jocks.) В, 7 (Even à 
thong, she'll be wearing it.) C, 0 ( 
went to Brown, Amherst, Oberlin, Sarah 
Lawrence or Bennington.) D, 0 (3 if you 
went to Berkeley; 7 if you went to Co- 
lumbia and Talisa's real name was Hank.) 

Question 5: A, 8 (The most likely sce- 
nario given the limited information 
above.) B, 5 (It's possible, but only after 
lots of negotiation and support—" You'll 
look beautiful, we'll burn the negatives, 
etc.") C, 2 (If she was going gyno on 
“dirty,” she would have gone topless on 
“sexy.”) D, 10 (Now there's a dirty girl— 
she won't drop top for anything smaller 
than a Hasselblad.) 

Question 6: A, 0 (This ain't a giggle- 
fest, which is the only outcome of kissing 
bellies and tickling knees.) B, 5 (Why 
not? Some girls like tongue fucking.) C, 
6 (Fine for the finale.) D, 0 (Impossible 
for anyone except a three-armed yogi or 
Wilt Chamberlain.) 

Question 7: A, 5 (It's a rare woman 
who won't entertain the idea; it's a rare 
woman who will go through with it—but 
she knows it gives you something oth- 
er than her ass crack to shoot for) B, 0 
(Take a cold shower, bub. Hell, take a hot 
shower—you're still not getting a rim 
job.) C, 3 (Most women will do it once in 
their lives.) D, 0 (Yes, she'd have to be 
naked, and no, she wouldn't do it.) 

Question 8: A, -10 (You're an idiot.) B, 
0 (It's the right idea to lowball it, but un- 
less you got off seven times and she nev- 
er did, you'll never getaway with it.) C, 5 
(As much as we hate to admit it, honesty 
is the best policy—and only because your 
initial lie will trip you up in the future. 
She should be able to deal with any num- 
ber under 20.) D, - 10 (You're worse than 
the guy who answered A.) 

Question 9: A, 2 (A trick question. We 
know you used condoms, so no worries, 
right? And we know you wouldn't tell 
her your plan—that would be unseem- 
ly.) B, 0 (You wimp.) C, 0 (You lout.) D, 
—2 (You unseemly, wimpy lout.) 


Question 10: A, 0 (Running through 
the zodiac of positions pleases only you. 
Contemporary women, while g to 
do it all, will quickly tire of your wanna- 
be-porn-star ways.) B, 0 (Do you even 
know what the butterfly position is? We 
sure don't.) C, 4 (Frees up your hands 
and maybe one of hers, though she may 
prefer face-to-face contact.) D, 6 (Other 
than a modified missionary, this has the 
most potential to please her.) 

Question 11: A, 10 (It's New Year's 
Eve, after all, and she knows it.) B. 4 
(Standard procedure, and the Four Sea- 
sons demands better.) C, 7 (Something 
special and kinky; more likely if you 
had a big meal earlier.) D, 0 (We know 
Sloane, and she doesn't like the way it 
makes her eyes sting.) 

Question 19: Five points for any four 
combinations (whatever turns you on). 

Question 13: A, 1 (Couldn't hurt, but 
you're not adding much to the nipple 
pinching.) B, 5 (By adding another erog- 
enous zone to the list, you should be able 
to enhance her arousal.) C, 1 (Not add- 
ing much to the car licking.) D, 4 (Go for 
it! Blair sounds pretty fucking hot!) 

Question 14: A, 0 (No, no, bad move 
to abandon her while she fecls lousy.) B, 
5 (Yes, this is the right move—letting her 
know she's still desirable even in the 
worst conditions and that you're sensi- 
tive enough to back off.) C, 0 (1175 not 
your honeymoon—she won't enjoy your 
duplicity in trying to ease her into sex. 
1f she wants to have sex—and some 
women love period sex—she'll pull her 
own bath.) D, -2 (Muy macho. Too muy 
macho.) 

Question 15: A, 2 (She's probably feel- 
ing pressure to reach orgasm. While this 
is a worthy move after 10 minutes, it 
might not do the trick here.) B, | (No 
cheating—you’re either lying or taking 
Viagra. Either way, this won't get her 
off.) C, 10 (Bingo. It's more important 
for her to get you off than to get off her- 
self, She may not take you up on the of- 
fer, but she'll admire it.) D, 0 (Go home 
and throw away all your porn tapes.) 

Question 16: A, 1 (“What, you're not 
satisfied with our sex life?”) B, 1 ("What 
makes you think I need this? And why 
isn't it larger?") C, 2 (“Maybe someday, 
but not with Bob.") D, 6 (“We should do 
that more often!" 

True or False: Five points for cach cor- 
rect answer. 

17, TE VER PE O RIE 2l. LINE 
23E 


Legend 

128-144: Yes, you are a sex god. 111- 
127: A good lover but not a crowd pleas- 
er. 81-110: Hey, at least you're getting 
off. 51-80: There are other things in life 
besides being loved by the ladies. We just 
don't know of any yet. 0-50: Go back to 
reading Maxim. 


get bold 


(continued from page 82) 
interrupting and noticed that she had 
some bags. I asked her what she'd been 
shopping for.” This began a surprisingly 
intimate conversation. The girl was 26, 
bisexual and having a nasty fight with 
her girlfriend. “She said she was on her 
way to see a movie by herself,” Jim says. 
“So I offered to go with her, and we 
walked to the theater to see what was 
showing. In front of the theater were 
some benches where we sat down and 
hung out.” Jim started rubbing the 
girl's shoulders. "She said, “That feels 
great,’ and then I asked if we could go 
someplace where I could give her a re- 
al massage.” Jim and the lady checked 
back into his hotel and, as he put it, 
“two hours after walking into a Taco Bell, 
I was banging the beans out of some 
stranger on the balcony.” Later she told 
him she didn’t normally do that type of 
thing, but that the timing was right. 

“Everything is about timing," Jim says. 
“If I had just asked for her number, 1 
don't think Га have seen her again.” A 
weck later, Jim and the girl flew to Las 
Vegas. “We went to a strip club so she 
could try to pick up a girl,” he says. 

(3) Feign sexual disinterest, Adam Glass is 
a Hollywood screenwriter who, like me, 
grew up about 30 miles from Manhattan 
and 40 miles from good-looking. At a 
party several years ago, he flirted his eye- 
brows off with Jane, a beautiful blonde 


who came from money. She was polite to 
him, but nothing more. He downed sev- 
eral Buds for inspiration, then left when 
she did, hoping to score points during 
the walk. “I asked her where she grew 
up and where she went to school,” Ad- 
am says. “Out of nowhere, she turned 
around and said, ‘Look, I just got out of 
a relationship.” (This is female code for 
“Your approach has not worked. I have 
already decided I will never sleep with 
you.”) Adam lashed back, or at least the 
Budweiser did. “First of all, I was not hit- 
ting on you,” he lied. “You seemed like a 
nice person and I was just trying to have 
a conversation. And to be honest, you're 
not my type.” His assertiveness struck 
Jane. “She apologized,” Adam remem- 
bers. “She said she gets hit on all the 
time. She and her friends were about 
to jump into a cab, and she invited me 
along.” Adam politely declined, walking 
down to the subway, “So I'm waiting for 
the train, and guess who comes running 
down?” he reports. Adam spent the rest 
of the weekend having sex with the 
beautiful blonde in a penthouse over- 
looking Central Park. 

(4) Playfully insult. If the previous ap- 
proaches get you nowhere fast, your in- 
tended may have low self-esteem: She 
thinks something is wrong with any guy 
who's interested in her. This calls for a 
more creative approach. My friend Rick 
Yanko, an actor, told me how he'd nailed 
a gorgeous woman who dined regularly 
with her boyfriend at the New York City 


"The good neus is, you won't have to make the trip anymore. 
I'm setting up a website." 


159 


HOW 


Below is a list of retailers and 
manufacturers you can con- 
tact for information on where 
to find this month's mer- 
chandise. To buy the apparel 
and equipment shown on pag- 
es 32, 47-48, 84-89, 92- 
93 and 167, check the listings 
below to find the stores near- 
est you. 


WIRED 

Page 32: “Rock Star 101”: 
Software by Inside Ses- 
sions, insidesessions.com. “A Better 
Look at Britney": Video technology by 
Enroute, fpvideo.com. “Game of the 
Month”: Software by Sega, sega.com. 
“Wild Thing”: Amplifier by Fender, 
fender.com. 


MANTRACK 

Page 47: "Finding the G Spot": Sport 
utility vehicle by Mercedes-Benz, mb. 
usa.com. "Swing Is King": Calla- 
way clubs, 800-228-2767. Page 48: 
“Dessert Storm": Book by Renaissance 
Books, 323-939-1840. “Night Moves: 
Charleston”: Library at Vendue, 843-723- 
0485. Cypress Lowcountry Grille, 843-727- 
0111. High Cotton, 843-724-3815. 
Charleston Grill, 843-577-4599. Circa 
1886, 843-853-7828. Music Farn, 843- 
722-8904. Henry's Bar and Restaurant, 
843-723-4363. Mitchell’, 843-997-0800. 
Club Habana, 843-853-5900. "Guys 
Are Talking About": Wine from Click 
Imports, 206-443-1996 or Fatbastard 
wine.com. Book from Paladin Press, 
800-392-2400 or paladinpress.com. 
Book by Taunton Press, 800-926-8776 or 
taunton.com. 


DRESSED TO KILL 

Pages 84-85: Suit, shirts, ties and belt 
by David Cenci, 800-528-2515. Shirt, tie 
and suit by Giorgio Armani, giorgioar 
mani.com. Suit, shirt and tie by John 
Varvatos, 212-965-0700. Belt by Thier- 
ту Mugler, thierrymugler.com. Suit by 
Canali, canali.it. Suit, shirt and tie by 
Kiton, kiton.it. Dress by Heatherette, 
heatherette.com. Rings by Agatha, 800- 
242-8497, Bathing suit, tube top and 


BUY 


glove by David Dalrymple 
jor House of Field, patricia 
field.com. Earrings by 
Noir, 212-966-6868. Pag- 
es 86-87: Sports jacket, 
trousers and shirt by Er- 
nenegildo Zegna, zegna. 
com. Tie by Tommy Ba- 
hama, tommybahama. 
com. Watch by Hamilton, 
hamiltonwatch.com. 
Shirt, jacket, pants and 
belt by Thierry Mugler, 
thierrymugler.com. Shoes 
by Gordon Rush, gordonrush.com. 
Watch by Rolex, rolex.com. Suit, shirt 
and tie by Hugo Boss, 800-HUGO-BOSS. 
Tube top and pants by Fausto Puglisi, 
212-334-3859. Bikini by Christina Stott, 
at Mixona, 646-613-0100, Body chain 
by Manon at Barneys New York, bar 
neys.com. Pages 88-89. Tuxedos, suit, 
shirts and ties by Giorgio Armani, gior 
gioarmani.com. Tuxedo, shirt and bow 
tie by Brioni, brioni,com. Tuxedo, shirts 
and tie by Hugo Boss, 800-HUGO-BOSS. 
Hotpants by Benjamin Cho, 917-606- 
0683. Jewelry and belt by Noir, 212- 
966-6868. Shoes by Jimmy Choo, jimmy 
choo.com. Dress by Colette Dinnigan, 
colettedinnigan.com.au. Brassiere and 
panties by Victoria's Secret, victoriasse 
cret.com. Earrings by Ileana Makri at 
Borealis New York City, 917-237-0152. 


ZZZOWIE 

Pages 92-93: Cars: Nissan, nissan 
driven.com. Acura, acura.com. Toyota, 
toyota.com. Mercedes-Benz, mbusa.com. 
Cadillac, cadillac.com. BMW, bmwusa. 
com. Audi, audi.com. Suzuki, suzuki. 
com. Subaru, subaru.com. Lincoln, 
lincolnvehicles.com. Volvo, new.volvo 
cars.com. 


ON THE SCENE 

Page 167: “Wired for Spring Break”: 
Instant camera by Polaroid, 800-343- 
5000. GPS system by Magellan, 800- 
659-4477. Communicator by Motorola, 
motorola.com. MP3 player by First In- 
ternational Digital, myirock.com. Binoc- 
ulars by Steiner, from Pioneer Research 
800-257-7742. 


restaurant where he once tended bar. 
“A lot of other guys hit on her,” Rick re- 
members. “They told her she was beau- 
tiful, and her boyfriend didn’t seem to 
mind. But 1 decided to be different.” 
Rick's strategy was to call the girl by the 
wrong name—a different one cach time 
they conversed. “I knew it bugged her, 
because after two weeks her boyfriend 
said she was really upset that I kept call- 
ing her by the wrong name,” says Rick, 
who apologized and said it wouldn't 
happen again. When Elaine joined her 
boyfriend later that evening, Rick made 
sure he was busy. He then called her 
Helen, the closest he had ever come to 
her correct name. She seethed. “One 
night she showed up at 3:30 a M. when 
her boyfriend was out of town for the 
weekend. We went to her place,” Rick 
says. “I called her by the right name 
when she had me in her mouth.” 

(5) Limit your drinks. This is one 1 
learned on my first date with Monica. In 
the cab en route, I downed a foamy six- 
pack to summon the person I thought 
she really wanted to be with: 13-sake 
Corey. It came in especially handy when 
the waiter started messing with me dur- 
ing dinner. “This is an excellent vi 
tage,” he said, cradling a $200 red. This 
guy looked like a member of 'N Sync, 
and he clearly felt that someone like him 
should be dating Monica, not someone 
like me. I grabbed the wine list, tapping 
into that brain center with the match- 
book notes. "I've tried that and find it a 
little acrid,” I said, with a wine experi- 
ence ranging from Boone's Farm in col- 
lege to Manischewitz at Passover. "In- 
stead, can you bring us the. . . .” My eyes 
raced to find the first $40 bottle. I had 
gotten the best of the waiter (luckily, he 
didn't challenge me to a dance-off). But 
the wonders of being crocked in the 
company of a hot model extend only to a 
certain point. Monica and I reached that 
point back at her place. After glugging 
yet more wine we looked at her model- 
ing portfolio. She showed me her head 
shots, and I fully intended to show her 
one of mine. But after the taste of toes, 
the next memory I have is (oh, the inhu- 
manity!) the sound of a vibrator. 

It’s entirely possible that my lost de- 
tails include making Monica soar more 
than sore—and that’s exactly how it's 
gone during the hundreds of subse- 
quent fantasy trips I've taken back to 
those pink bedsheets. If I can't seem to 
recall actual specifics, it’s not for lack of 
trying. The point is, J got there and 
would have gone there again had not my 
relationship with Monica disintegrat- 
ed as soon as I left town. And anyway, 
what's the fun of hearing about some- 
one else's sweat-soaked memories? You 
probably want to go out and get some 


of your own. 


For frank and fresh answers to 
your prohing questions, tune in to 
the live talk show that dares to 
get the naked truth. Hosted by Jul 
Ashten and Tiffany Granath. 


For program information po to: 


oT misa no al йн 
re mis v em saa rt 
© MCP Etna. Ma. Watch More 


ZZZOME 


(continued from page 92) 


Designed in Nissan's California styling 
studios, the 2003 3507, borrows several 
cues from its predecessors. If you're a 
student of the marque, you'll recognize 
the tight horizontal grille, razor-edged 
lights, humped roof and tightly tucked 
tail of past Zs. But the new coupe avoids 
retro styling. Instead, it's a modern in- 
terpretation of the original. Design de- 
tails abound, highlighted by the triangu- 
lar taillights and vertical geomechanical 
door handles. Wide doors curve grace- 
fully into the rocker panels. Across the 
decklid, there’s a hint of a spoiler. You'll 
need it if you get close to the 350Z's top 
speed of 155 miles per hour. 

‘The heart of the new Z is a 3.5-liter, 
24-valve V6 with a rigid aluminum cyl- 
inder block and decp-breathing port 
heads. Continuously variable valve tim- 
ing control ensures meaty torque for 
city driving and high revs for passing 
maneuvers. Quick-responding rack-and- 
pinion steering, a front-engine/rear- 
drive configuration with nearly perfect 
52/48 weight distribution, an exception- 
ally wide track and race-inspired, multi- 
link suspension guarantee that the new 
Z gives as good as it looks. 

"Though it's immediately recognizable 
as a Z descendant, the two-seat 3502 is 
contemporary and eye-catching. Official 
figures haven't been released, but it's 
estimated the 350Z will sprint to 60 in 
six seconds. It should be in showrooms 
by midsummer, available in five mod- 
els: enthusiasts (two variations), perfor 
mance, touring and track. Both enthu- 
siasts are priced under $30,000. The 
top-of-the-line track model goes for ap- 
proximately $34,000 and features front 
and rear spoilers, 18-inch lightweight 
aluminum wheels, vented Brembo high- 
performance brakes and all kinds of 
other good stuff (including xenon head- 
lamps as well as race-inspired aluminum 
pedals). One cloth interior color—car- 
bon—and three colors in leather—char- 
coal, orange and frost—are offered. 


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remarkable handling for a small front- 
wheel-drive car. It costs about $24,000. 

‘Toyota just redesigned its sales-lead- 
ing Camry, but Nissan's stylish Altima 
is more than a match. Bigger, roomi- 
er, with independent suspension and 
an optional 240-hp V6, the $24,000 Alti- 
ma 3.5SE is one reason behind Nissan's 
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1 adress 


PLAYBOY 


has revamped its SL500 roadster—and 
what a difference a decade makes. As 
you'd expect from an $86,000 M-B, elec- 
tronic features abound, including a met- 
al top that folds out of sight in 16 sec- 
onds, a pop-up roll bar and an optional 
leveling system that eliminates lean in 
high-speed cornering. The power plant 
is a 302-hp, 5-liter V8 coupled to a five- 
speed automatic transmission that can 
also be manually shifted. We drove the 
SL500 outside Phoenix and marveled at 
how its electronic suspension stabilized 
the car in turns that would have left less- 
er vehicles in the bushes. 

Anyone who thinks Cadillacs are for 
the 70-to-dead crowd should drive the 
new 2003 CTS sedan. Developed on Ger- 
many's twisty Nürburgring racetrack, 


this boldly styled Gaddy is priced in the 
low $30,000s (the cost ofa BMW 3-Series 
or the Audi A4 3.0 Quattro), but it's the 
size of a 5-Series BMW. The brakes are 
four-wheel discs, and traction control is 
standard. Even if you opt for 17-inch 
wheels and the Stabilitrak antiskid sys- 
tem, you'll pay thousands less than you 
would for a BMW 530i. 

Most SUVs come with a warning label, 
urging drivers not to risk a tipover with 
aggressive cornering. They're a lot more 
utility than sport. But not BMW's X5. 
This South Carolina-built cruiser is 
available in your choice of three models: 
a practical 225-hp six cylinder, a 290-hp 
V8 and the newest, quickest version— 
the 4.6is that boasts a 347-hp V8, up- 
graded suspension, enormous tires on 


ES 


м @ 


“It’s all right, sir. In exchange for ratting on 
his friends in the Mob, this gentleman is authorized to commit 
relatively benign crimes.” 


20-inch wheels, 14-inch front disc brakes 
(they're the biggest brakes on any BMW) 
and an optional easy-to-use navigation 
system. With a 150-mph top end, its one 
of the fastest SUVs you can buy. With a 
zero-to-60 time of just 6.2 seconds, you'll 
swear that you're driving a BMW M5 se- 
dan. Price: about $67,000. 


PARKED IN DAVE'S GARAGE 


Audi TT roadster: We've loved the TT 
coupe ever since we drove it in Texas a 
few years ago. Even the better-safe-than- 
sorry spoiler that was added as an after- 
thought didn't dampen our enthusiasm 
for the coupe's egg-shaped looks and 
Auto Union styling. The roadster retains 
much of that appeal, but we still pre- 
fer the style as a coupe. The tucked- 
away seats and the narrow side windows 
make you feel as though you’ve slipped 
into a custom-made suit. Of course, if 
you're the size of Shaquille O'Neal, buy 
the roadster and invest in a pair of rac- 
ing goggles. 

Suzuki Grand Vitara JLX: The only 
options on our test car were $500 ABS 
and $75 floor mats. But for just under 
$22,000, you get a 2.5-liter V6 four- 
speed automatic with four-wheel drive 
and a two-speed transfer case that you 
can shift on the fly; extras include cruise, 
air and heated mirrors, though no heat- 
ed seats, alas. The spare tire is full size— 
a feature we applaud after experiencing 
arash of flat tires in test cars with dough- 
nut spares. The Grand Vitara is a good 
value and worthy of a test drive if you're 
in the market for a small SUV. 

Subaru Legacy Outback H6-3.0 L.L. 
Bean Edition: Maybe the rich two-toned 
leather interior and the sleek leather- 
and-wood Momosteering wheel clouded 
our thinking, but the Outback's steering 
felt silky and seamless. Store-branded 
special-edition cars often deliver less for 
the money. Not this Subaru. In fact, we 
liked the L.L. Bean edition so much we 
almost took up bass fishing. 

Lincoln LS: This competent sedan offers 
an excellent suspension but somewhat 
bland styling. We would call it a “going 
South” car. South meaning your golden 
years in Florida. A few more ponies un- 
der the hood would have helped im- 
prove our motoring mood, but maybe 
next year. For roughly the same amount 
of money (about $35,000), we preferred 
the Volvo S60 AWD. Our model was a 
front-wheel-drive five-speed with over- 
drive automatic, electronically con- 
trolled all-wheel-drive and four-wheel 
traction control. The last feature did not 
come in handy because of the wimp win- 
ter we enjoyed, but its nice to know it 
was there. Rear vision was seriously re- 
stricted when the backseat headrests 
were raised, but that is a small price to 
pay for what is otherwise a stylish, fun- 
to-drive car. — DAVID STEVENS 


Grab a Bic lighter and wave it in 
the air, because sexnrocknroll.com, 
created by Miss April 1996 Gillian Bon- 
ner and PLAYBOY, offers a virtual back- 
stage pass to your favorite rock 


shows. “When we launched the site, 
in May 2000, our purpose was two- 
fold,” Gillian says. “We wanted to 
show rock stars and Playmates hang- 
ing out, partying and engaging in fun 


u 7 TE TI 


activities that the average person may 
never get to experience. We knew we 
could accomplish that on the webin a 
more hard-hitting way than we could 
on television. We also wanted to ex- 
pose the PLAYBOY brand and lifestyle 
toa young, edgy audience. I'm hap- 
py to say we have accomplished 
both.” The site features bios, ar- 
ticles, downloads and photos of 
rock acts, from virtual unknowns 
to multiplatinum names. So far, 
Gillian's eye has been right on. 

“We've built a solid reputation as 

tastemakers," she says. 


“Several groups we highlight- 
ed as breaking acts went on to 
become superstars, including 
Papa Roach, Incubus, Godsmack and 
Nickelback. I'm always looking for a 
killer rock band.” Sexnrocknroll.com 
is overseen by Gillian's production 
company, Black Dragon (blackdrag 


on.com), which recently completed 


ROCK AND ROLL ALL NIGHT 


35 YEARS AGO THIS MONTH 
The schoolgi 


esque Centerfold 
of Miss April 1967 
Gwen Wong has # 
staying power. In 
1992 Madonna 
and Sex photog- 
rapher Steven 
Meisel re-created 
the image in Van- 
ily Fair. Today, it 
remains one of 
our readers’ 
best-loved pos- 
es. Gwen came 
to our atten- 
tion when she 
signed up to 
wear a cottontail 

at the Los Angeles Playboy Club. 
Later, she joined the elite corps 
of Jet Bunnies who flew with Hef 
on the Big Bunny to Europe and 


A 


Africa. "1 saw places and things 
I never thought I would see,” 
Gwen said. We can only imagine. 


media content for Rob Zombie, Pud- 
dle of Mudd, Iggy Pop and Marilyn 
Manson. What's up next? Sexnhip 
hop.com. 


As the lead story indicoles, Playmates and rock stars always seem to be hanging 

ош at the same places. See for yourself. Clockwise from top left: Motley Crue lead 

singer Vince Neil with Ava Fabian at the Mansion; Stephanie Heinrich parties with 
former Van Halen front man David Lee Roth; 
Pamela Anderson with the Pretenders’ Chrissie 
Hynde and Paul McCartney at the PETA Human- 
itarion Awards; the Dahm triplets, who starred 
оз Alice Cooper's daughters in the pilot for the 
show Scaryfales; Pomela ond Shakira backstage 
on TRL; Jennifer Walcott SED GS 


want rather than what someone tells 
me 10 do. 

Q: What's your poison? 

A: Champagne or 


Marilyn Monroe is my favorite Bud Light. 
Playmate because she was Q: Whats the worst 
both flirtatious and pickup line? 


A: Is that a mirror 
in your pocket, or is 
it me in your pants? 
Q: Is there anything 
difficult about Play- 
mate life? 

A: You have to make 
sure you look your best when you're 
out in public. You never know what 
might happen. 

Q: What do you rock out to? 


demure. Hers was a 
time when you did 
not bare all, and it 
was sexier. 


Our first 
Sweethea 
of the 
Month. 


We shot a series of quick questions 
at Cyber Girl turned Playmate Steph- 
anie Heinrich. Here are her rapid- 
fire answers. 

Q: What's your passion? 
A: Living my life and doing what I 


April 4: Miss August 1986 
Ava Fabian 

April 11: Miss August 1962 
‘Jan Roberts 

April 13: Miss June 1976 
Debra Peterson 


A: I love the Rolling Stones. 
Q: How do you cut loose? 

À: Get naked and go swimming. 

Q: What word would not describe you? 


April 28: Miss May 1989 
Monique Noel On Whee 

April 30: Miss May 1998 : Snob. 
Deanna Brooks 


Q: Do you have any good sex tips? 
A: Romance is key. 


PAM ROCKS KID'S WORLD 


One of the perks of the actress-rock 
star hookup is that when the rock star 
needs to find a beautiful woman to make 
a cameo in his latest 
music video, he need 
only roll over. The 
musician: Kid Rock. 
The babe: Pamela 
Anderson. The show: 
MTV's Making the 
Video, featuring the 
metal-rock ditty 
Forever. The city: 
Detroit, Michigan. 
While Rock thrashes 
around in various over-the- 
top red-white-and-blue get- 
ups and high-fives a crowd of 
hometown fans, a similarly 
clad Pamela sits on a motorcy- 
cle looking cute. It's not Ku- 
brick, but thanks, MTV, for 
the heavy rotation. 


PLAYMATE NEWS 


PLAYMATE GOSSIP 


Operation Playmate Online is 
Teceiving about 100 e-mails a day 
from members of our armed 
forces, as well as their families. 

The autographed Heather 
Kozar photo below ex- 
plains why. .. . Lisa Der- 
gan is co-hosting the 
game show Smush on 
(2^. the USA Network. . 
Priscilla Taylor's busy 
work schedule has included a 
Mustang Jeans print ad, a paran 
A View From the 
Top with Gwyn- 
Er ee 
Christina Apple- 
gate, a role in 
the film Larceny 
with Andy Dick 
and Tyra Banks 


va Lounge and 

Wager... . 
Look for Stacy 
Fuson in a Do- 
ritos commer- 


HEATHER Kozan 


spot for Budweiser. 
Michelle Hill, Daphnee Du- 
plaix, Vanessa Gleason and Iri- 


© па Voronina showed up on the 


cover of Suerve's premiere issue. 
Itsa youth-targeted supplement 
to the men’s fashion trade jour- 
nal DNR. . . . Irina Voronina has 
а part in the FX movie Big Shot: 
Confessions of a Campus Bookie. 

A big smooch to Carrie Stevens, 
who recently gaye birth to her 
first child, Jason. . . . Stephanie 
Heinrich, Miriam Gonzalez, 
Lorrie Menconi and Charlotte 
Kemp rode in a Veterans Day 
parade sponsored by the Greater 


P Diddy ond Jenny ga 
Los Angeles VA Healthcare Sys- 
tem. ... When Jenny McCarthy 
and P. ‘Diddy hosted the Ameri- 
can Music Awards, rockers every- 
where tuned in. 


“We're celebrating the end of winter with a flurry of dancing, plowing and planting; 


for some reason it’s called spring break! 


N— 


GEORGE GEORGIOU 


the 


scene 


WHAT'S HAPPENING, WHERE IT'S HAPPENING AND WHO'S MAKING IT HAPPEN 


WIRED FOR SPRING BREAK 


here are only a few rules regarding spring-break gear. First 
think cheap. Don't bring anything that would cost a lot to re- 


Polaroid's new Mio makes wallet-size prints. It weighs about 12 
ounces, so you can pack it in your shorts when you head for the 


place. Second, avoid gadgets you can't operate with a seri- sand. Wander too far down the beach after midnight and you 
ous buzz on. Otherwise, anything yoes—and if it adds some- might not be able to find your way home. Magellan's Meridian 
thing to the party atmosphere, all the better. A pair of binoculars is Gold GPS unit has an easy-to-read screen that can guide you back 
a must for bikini watching. Steiner's pocket-size 8x22 Predators o any fixed location—such as that dub with all the girls. It stores 


are lightweight and collapsible and have green-tinted lenses that up to 20 routes and 500 way points. 


— JASON BUHRMESTER 


filter out haze and foliage. Motorola's V200 personal com- 


municator can send and receive e-mail and text messages 
when you can't talk (say, in a loud club) and operates as a 
cell phone when you need to call home for more dough 


_ AL 


Left: Polaroid's Mio is an 
instant camera that prints 


business-card-size photo- 
graphs. It has a 60mm lens, 
built-in flash and fixed focus 
($100). Below left: Prepro- 
gram round-trip routes from 
your hotel to the beach or 
the hottest bar into Magel- 
lan's Meridian Gold hand- 
held GPS and you'll know 
the way home, no matter 
what your state of mind 
($339). Below right: The Mo- 
torola V200 communicator 
($300) uses a feature that 
lets you replace prefixes 
with numbers and drop 
vowels from words to make 
text messaging a lot faster. 


Above: The irock 520 MP3 player ($100) by First International Digital is smaller than a deck of cards and comes with 64 MB of memory. Add 
64 MB more with a memory card and you'll have an entire day's worth of digital music while you soak up sun. Above top: Use Steiner's Preda- 
tor 8x22 binoculars ($150) to scope a good spot on the beach from your balcony. Their close-range focus is nine feet. 


WHERE AND HOW TO BUY ON PAGE 160 


167 


р. 
A (rated Wok. 


> 


Short \ \ 
15 Sweet ? 
RACHELLE 
SHORT ap- 
peared in Tiger- 
land nude, in a 
Nascar commer- 
cial and on The 
Tonight Show. In 
Grapevine she 
goes for an 


1 


Costa Living It Up 
NIKKA COSTA knows notes. When she was five she sang 
on a song produced by her father, Don, but she doesn’t 
need a family connection now. Listen to Everybody Got 
Their Something. Then check out her vest in the Like a 
Feather video. Nikka is grown. 


Tara’s a 

Shoe-In 

TARA HABERMEHL's Beauties West of 
Eden 2002 calendar is still available, 
as are the Baywatch reruns in which 
she frolics in the sand—barefoot. 


Even Cowgirls 
Get the Blues 


Everybody loves LUCINDA 
WILLIAMS now, and we'll 
drink to that. Essence and 
Car Wheels on a Gravel 
Road have brought critical 
hoopla, Grammys and gold 


records. Hats off to her. 


We See London, 
We See France 
We see RACHEL ROBERTSON 
lose her pants. Budweiser girl, 
catalog model and Nash Bridges 
crowd pleaser, Rachel has hard- 
ware in soft places. 


The Ozzman Cometh 
There's Billboard gold in OZZY OSBOURNE's 
Down to Earth. The Merry Mayhem tour sur- 
vived his stress fracture. Now alll he needs is 
а good manicurist. 


The Breast of Shelby 


SHELBY LYNNE’s overnight success was 10 
years in the making, but her latest CD, Love, 
Shelby, was worth the wait. Did you catch her 
on The Chris Isaak Show? 


Motpourri 


THE PARTY NEVER ENDS 


Back in 2000, Playboy joined Astralwerks 
and Virgin Records to release the CD A 
Night at the Playboy Mansion, featuring 
Dimitri from Paris’ funky mix of sounds. 
Now Dimitri is back with a two-CD set, 
After the Playboy Mansion. The music on 
one CD is for dancing; the second CD is 
a laid-back mix of tunes for romantic mo- 
ments. Price: about $22, in record shops 
or from playboystore.com. 


aller 
the Playboy 
Mansion = 


STICK ‘EM AND LICK 'EM 


Candy Tattoos bring a whole new meaning to the expression candy ass. 
Sixteen themes are available, including sports, a target, footprints, ce- 
lestial (sun, moon and stars), wild animals and bugs. For the spiritual- 
ly inclined, there are oriental symbols for fire, metal, earth, wood and 
water. Five packages cost $22 at Tom and Sally's Handmade Choco- 
lates, 55 Elliot Street in Brattleboro, Vermont, You can also order 
online (tomandsallys.com) or call 800-827-0800. By the way, Candy 
‘Tattoos smear easily, but that's half the fun. 


SOMETHING SILLY 


If you own Mickey Mantle’s rookie year 
baseball card, you probably won't be into 
Silly CDs. In fact, they're not CDs at all 
but trading cards that parody covers of 
CDs, with titles like У Stink and Moronna. 
Artists Jay Lynch and John Pound creat- 
ed the parodies, most of which involve 
bodily functions. A pack of five cards 
costs about $2. Go to sillycds.com for 
more information 


BAG FOR BIKERS 


Don't you just hate reaching into the trunk to haul out the clubs? Final- 
ly there's an alternative: a golf bag you can carry backpack-style aboard 
a bicycle or motorcycle. To ensure perfect balance, CaddyPac's presi- 
dent, Craig Hufnagel, advises you to divide your clubs evenly between 
the two halves of the bag. Pack your shoes into the two pouches at the 
bottom of the Caddy Pac, then slip the adjustable straps over your 

170 shoulders and you're ready to ride. Price: $99, from CaddyPac com. 


HUMPING IT 


Airplane nose art was a way 
Gls in World War II remind- 
ed themselves of what they 
were fighting for. Paul Neil- 
sen is a former B-29 crew 
man who has honored those 
who flew “the hump"—a 
treacherous air supply route 
in the Himalayas between In- 
dia and China that claimed 
600 aircraft and more than 
1300 crewmen—with the com- 
memorative stoneware mug 
pictured here. It features a 
pin-up that's a replica of the 
original. Price: $11, from 
ww2noseart.com. Other 
mugs are in the works 


e Malt, W h 


in Italian 


Jassion 


INSTANT ANCESTOR 


Whether you want an oil 
painting of an English lord 
or Duchamp's Nude Descending 
a Staircase No. 2, artsorce.com 
is the website to check. The 
company can transform your 
original photo (or an image 
from the site's gallery of 
paintings) into finished art 

in about three weeks. Pric- 

es range from $105 for a 

12"x 16" piece to $2250 for 

a work measuring x 12. 
Playboy Art Director Tom 
Staebler ordered an oil paint- 
ing of a British soldier to 
hang over his fireplace, and 
nobody's pickier about 
quality than he is. 


GOING BATTY 


Batman Collected, published in hardcover several 
years ago, is back in a $29.95 oversize paper- 
back edition. Graphic designer Chip Kidd 
made his huge Batman collection available to 
photographer Geoff Spear, and the images of 
Dark Knight ephemera—ranging from For- 
ties movie posters to Eighties artwork and the 
contemporary doll pictured below—are su- 
perb. Watson-Guptill is the publisher. 


THE MINI GETS MINI-ER 


The Mini Cooper (base price: $18,000) should 
be in auto showrooms soon. But if you can't 
wait—or even more likely, discover that the 
dealer's allotment is already sold out—you сап 
get a pint-size remote-control version for $110, 
induding a rechargeable battery. Eight driving 
functions and adjustable steering alignment 
make it almost as much fun as the real thing. 
The Mini Cooper comes ready to operate 
right from the box, no assembly required 

To purchase one, go to miniusa.com 


Шох! Month 


172 


PANTY ROAD TRIP 


KIANA TOM—THE GYM GODDESS FROM KIANA'S FLEX APPEAL 
IS TOTALLY RIPPED AND SPANDEX FREE. THE PICTORIAL 
ESPN2 FANS HAVE BEEN DREAMING OF 


BLACK VALOR—WHETHER SEGREGATED AND IGNORED IN 
WORLD WAR Il OR HUNTING THE ENEMY IN AFGHANISTAN. 
AFRICAN AMERICAN SOLDIERS HAVE PERFORMED HEROICAL- 
LY UNDER FIRE, SO WHY DON'T THEY GET CREDIT? THE UN- 
TOLD STORY BY GAIL BUCKLEY 


BILL O'REILLY—HE HAS DETHRONED LARRY KING AND BE- 
COME TV'S MOST PROVOCATIVE NEWSMAN. THE O'REILLY 
FACTOR DRAWS 20 MILLION VIEWERS A WEEK. SEXY WOMEN 
ANCHORS, THE GEORGE CLOONEY FEUD, WHAT HE'S DYING 
TO ASK BILL CLINTON AND WHY AMERICANS SHOULD JUST 
SHUT UP ABOUT SEX—IT'S ALL IN A HARD-CORE PLAYBOY IN- 
TERVIEW BY DAVID SHEFF 


BASEBALL PREVIEW 2002—FOLLOWING AN OFF-SEASON 
PLAGUED BY TURMOIL—POSSIBLE CONTRACTION, LABOR 
STRIFE, COURT BATTLES—THE GRAND OLD GAME IS BACK. 
WHICH MAY NOT BE TRUE FOR THE YANKEES OR DIAMOND- 
BACKS. BY LEOPOLD FROEHLICH AND GEORGE HODAK 


LIAR, LIAR, PANTS ON FIRE—FAKE RESUMES, MADE-UP WAR 
RECORDS, FALSE ACCOUNTING—IT SEEMS LIKE HONESTY IS 
THE LAST POLICY. ALL ABOUT THE NEW EPIDEMIC OF FIBBING 


MTV GETS NAKED—YOU'VE SEEN THE REAL WORLD AND 
ROAD RULES GIRLS CATFIGHTING, BOOZING AND GETTING 


MTV GIRLS NUDE 


WET. YOU'VE NEVER SEEN THEM LIKE THIS. A PICTORIAL 
STARRING VERONICA, JISELA, FLORA AND BETH 


MILLA JOVOVICH—THE STAR OF THE FILM RESIDENT EVIL, 
BASED ON THE HUGELY POPULAR VIDEO GAME, IS OUR FA- 
VORITE KILLER WAIF. AS A MODEL TURNED ACTRESS, SHE 
SWAM NUDE IN RETURN TO THE BLUE LAGOON—AND WE'RE 
GLAD SHE DID. A SAUCY 200 BY WARREN KALBACKER 


PANTY ROAD TRIP—WE SENT LISA CARVER TO NEW YORK 
CITY WITH $500 AND AN ASSIGNMENT: FIND SEXY UNDERGAR- 
MENTS. YOU'RE A FLY ON THE DRESSING-ROOM WALL 


ALMOST PERFECT—TOMMY IS SIX OUTS AWAY FROM A NO- 
HITTER WHEN THE GUY WHO IS FUCKING HIS WIFE COMES TO 
BAT. FICTION BY LAWRENCE BLOCK 


RUNWAY FASHION OUR CATWALK TREND-SPOTTING PRO. 
DUCED THE COOLEST LOOKS IN DENIM, STRIPED SHIRTS. 
LEATHER AND SUITS. ALSO, THE DESIGNERS TO WATCH. BY 
JOSEPH DE ACETIS 


BEACH IT—LOOKING FOR BIKINI-CLAD BABES AND THE PER- 
FECT TAN? WE KNOW WHERE TO GO, WHAT TO PACK AND 
HOW TO PLAY. LISTEN UP AND HER THONG WILL BE ON YOUR 
CABANA FLOOR 


PLUS: PLAYMATE CHRISTI SHAKE, SUMMER GROOMING AC- 
CESSORIES AND CENTERFOLD SEX TIPS