zaspick. pry padryhtoўke getaga i remember the australian calects of sculptures and architects of gutara from anastasia kupriyanava herself, which became the legal image of this memory, and i have tried to transmit it. certain emotions, certain experiences. the australian kalects tell several stories: the first ones are the sons of the flock of kala matsi, others are the ladies in the misdeeds of the steam at home, but on the other hand, the softened memories have grown memory, from the center of the city the transfer to the head of the r- 53, what a waste to the hell of the minsk-maskva highway. such a concept was not greatly supported by the plans of the autara. to the west there, the devil went through trouble in the first year on the belarusian land, and where this son and the sons of other mothers went for help. it was only after the end of the dance that i remembered that i began to understand what a manument would look like. the sculptures have removed all non-required details, only the