lysenko, and yuriy gruzinov, and volodymyr yatsenko, producer, serhiy mykhalchuk, cinematographer , people who understood from the very beginning of the war in 2014 that cinema is important, culture is important, it must be supported, that it is a weapon, they have now come to the conclusion that under such conditions you have to refuse, but i will present to you... another point of view of people who support state cinema, and very recently there was a zino winter film market from the odesa film festival, there gathered people from this, let's say, pro-dershkin party of the majority, well, this is such a big, big event in general, which takes place every winter and in the summer it is also there, cinematographers gather there and solve some issues related to the market, there was really a lot of interesting things, but there was a panel.

lysenko , and yuriy gruzinov, and volodymyr yatsenko, a producer, serhii mikhalchuk, a cinematographerom the very beginning of the war in 2014, understood that cinema is important, culture is it is important, it must be maintained that it is a weapon, they have already come to the conclusion that under such conditions it is necessary to refuse, but i will present you with another point of view. people who support state cinema, and very recently there was a zino winter film market from the odesa film festival, people gathered there from this, let's say, pro-dershkin party of the majority, well, it's such a big, big event in general, which takes place every winter, and it also happens in the summer, cinematographers gather and solve there some issues related to the market, there was really a lot of interesting things, but there was a panel called with various different ones. by people who are engaged in cinema, and so they discussed this letter, and with from my point of view they completely turned it upside down because and they started saying that this letter is wrong, that these peopl

lysenko. and yuriy gruzinov, and volodymyr yatsenko, producer, serhiy mikhalchuk, cinematographer, in general , people who from the very beginning of the war, since 2014 understood that cinema is important, culture is important, it should be supported, that it is a weapon, they have now come to the conclusion that for such conditions should be rejected, but i will present to you another point of view of people who support state cinema, and just recently there was zno, a winter film market from the odessa film festival, people gathered there from this, let ’s say, mostly pro-derzhkino party, well, that’s what it is big, big in general an event that takes place every winter and in the summer too, filmmakers gather there and solve some issues that relate to the market, there was really a lot of interesting things, but there was a panel called with various different people who are involved in cinema, and they discussed this letter is mine. point of view they completely turned it upside down because they started saying that this letter is wrong, that these people who signed it just don't u

lysenko, and yuriy gruzinov, and volodymyr yatsenko, a producer, serhiy mikhalchuk, a cinematographer, in general, well, people who, from the very beginning of the war, since 2014, they understood that cinema is important, culture is important, it should be supported, that it is a weapon, they have now come to the conclusion that under such conditions it is necessary to... refuse, but i will present to you another point of view of people , which support state cinema, and recently there was a zino winter film market from the odesa film festival, people from this, let's say, proderzhkino hangout mostly gathered there, well, it's such a big, big event in general, which takes place every winter and in the summer too, cinematographers gather and solve some issues there , which relate to the market, there was indeed a lot of interest, but there was a panel. what's called with all these different different people who are involved in film and here they were discussing this letter and from my point of view they completely turned it upside down because what they started saying that this letter

in in the program of the performance in washington, in addition to lysenko, lyatushynskyi, skoryk, the works of unknown, even for ukrainians, composers who were expelled by the soviet authorities for immigration. these compitos... and let's say, serhiy bortkevich, fedir yakymenko, i will play their works in a concert today, and i discovered them only when i was already living in america, and because of the events of 2014, because i started collecting. this repertoire for concerts of ukrainian music and i began to see names that i had not seen before, i began to find works that i had not heard of before. to me it is very nice that many people from other countries are doing it, i see that, let's say, i am playing yakymenko today in washington, at the same time someone is playing yakymenko in britain or in finland. pavlo gintov was born in kyiv, graduated from the moscow conservatory and has been living in america for 17 years, where he performs and teaches. he has been a ukrainian activist for 10 years, protesting against russian performers who supported the war and collecting aid for uk