well, the famous venice biennale presented such an idea for our pavilion in the khanenko museum. of course, political issues are not in the past either, and in a few months he will become the helmsman of the biennale a person, well, with views that cause deep concern. and why, lena chechenina will tell us about it. indeed , the ukrainian artistic community is worried about the next helmsman of abiyan, but his name is pietrangelo butafouka, and if you read the press, there are a lot of headlines in which he is either mildly called right-wing, ultra-right, or outright fascist, well, a colleague asked the press - conferences in temporary. acting minister of culture and information policy rostyslav karandeev, as well as taras shevchenko, who is the commissioner of the pavilion, and how do they prepare in general for communication with such a person, well, they said that they are not preparing yet, well, we will see, they say, what he will say and we will already react, well , to that, to that event that will happen to those words, what will be said, well, we'll see, but my colleagues

biennale, well, not only were you not afraid to create so many children, but you actually also rushedon for this? well, why weren’t you afraid, in general it was quite scary, to be honest. you are scary, yes i am i remember that when masha was pregnant with her third child, i found out about it, maybe - this is certainly nothing to be proud of, but somehow i felt a little uneasy, i thought that three was probably too much, although there were us in the family three in principle, well, that is, in your family you were the second there, well, in general, yes, yes, the mood was there, the mood was in the family, well, somehow yes, it was not easy, and then nothing, got used to it, got used to it . somehow here, you know, here, probably, there was a primary consciousness that it was right, it had to be done what is right, the rest, it somehow catches up, and in childhood, masha, how many times did you think that you would have children, or didn’t think about it at all, well, in childhood, i mean in my youth there, i didn’t i was planning on getting married and having children, i thought t

biennale is the largest art event in the world, the largest art festival, the oldest. it has an extremely large audience and most importantly, it has an extremely large attention of all the world media, and biennales are visited not only by the art community, there are curators or artists, various diplomatic missions, politicians, businessmen, decision-makers in various countries, they also attend this event because it is prestigious, large-scale, and represents many different countries, therefore for ukraine and... previously, but especially today, during the full-scale invasion, this platform is one of the key events in the life of ukrainian culture, because this platform allows us to speak and be heard, and our project of weaving the world, it is in many works we we talk about, we talk about the war, about the people who left ukraine because of the full-scale invasion, and we talk. in general, and about ukraine and ukrainian society, but mainly, of course, we are talking about the war, because we have such circumstances, and that is, for us, it the opportunity to talk about the war , t

she is the recipient of prestigious awards including a golden lion at the venice biennale, a prince clausward from the prince claus fund in the hague, the hugo boss prize at the guggenheim museum, and most recently, she won an american academy of arts and letters prize and received an honorary doctorate from ncad in dublin, ireland. she is the founding director of dar yusuf nasri jacir for art and research in bethlehem. welcome to democracy now! it is very good to have you with us. can you talk about what has happened to you -- actually, not here in the united states but in berlin, germany? >> thank you, amy, for having the on your show. it is a pleasure to be here. i also would like to begin by expressing my solidarity for samia and the loss of her show but also for the curator elliott . he spoke to be at length about this exhibition so i was quite excited about it. i was slated to speak in berlin as part of the workshop at the university. when they canceled the talk, they wrote to me and said they were going to postpone it until a more peaceful time -- to a more peaceful point in time.

biennale. and he he was one of the first artists to have a have a show at moma. he was included in the first show of american artists at moma during world war two. he was declared an enemy alien. so the the, the way citizenship laws worked at the time, white,e and people of african descent were eligible to become citizens. so japanese people, people born in japan, not eligible to become united states citizens. so he he volunteered for the war department during world war two. helped, right japanese propaganda radio, broadcast posters, etc. in 1952, the immigration act of 1952 finally lifted race based restrictions. it went into effect in late 1952. the immediate immediately applied for citizenship. but he died three months later, before his application could be approved. so he died stateless. i should also his wife, when he was married. in 1932, i believe his wife lost her american citizenship because a woman who married a man who was not eligible for american lost her citizenship. so his wife w

biennale. and he he was one of the first artists to have a have a show at moma. he was included in the first show of american artists at moma during world war two. he was declared an enemy alien. so the the, the way citizenship laws worked at the time, only a free white, free white people and people of african descent were eligible to become citizens. so japanese people, people born in japan, not eligible to become united states citizens. so he he volunteered for the war department during world war two. helped, right japanese propaganda radio, broadcast posters, etc. in 1952, the immigration act of 1952 finally lifted race based restrictions. it went into effect in late 1952. the immediate immediately applied for citizenship. but he died three months later, before his application could be approved. so he died stateless. i should also his wife, when he was married. in 1932, i believe his wife lost her american citizenship because a woman who married a man who was not eligible for american lost h

biennale.d he he was one of the first artists to have a have a show at moma. he was included in the first show of american artists at moma during world war two. he was declared an enemy alien. so the the, the way citizenship laws worked at the time, only a free white, free white people and people of african descent were eligible to become citizens. so japanese people, people born in japan, not eligible to become united states citizens. so he he volunteered for the war department during world war two. helped, right japanese propaganda radio, broadcast posters, etc. in 1952, the immigration act of 1952 finally lifted race based restrictions. it went into effect in late 1952. the immediate immediately applied for citizenship. but he died three months later, before his application could be approved. so he died stateless. i should also his wife, when he was married. in 1932, i believe his wife lost her american citizenship because a woman who married a man who was not eligible for american lost here