joining me now from paris is the director of 20 days in mariupol, mstyslav chernov.ful phone, tells how it came about. how did you manage to get the footage out, some of it may be familiar to viewers as parts were used in news clips originally weren't they? the main goal wasn't to make a film, it was to survive and keep the people who are there. this goal didn't change, until now we keep shooting, not to present a film but to tell the story of different cities living through the same thing that marry a poll was living. maria pohl became symbolic. the bombing of the drama theatre, the dying civilians, everything that is happening to various cities across the country. rockets are still hitting ukraine today, and ifeel that itjust became normal for some reason. it wasn't normal in the full scale invasion at the beginning, and i want to keep showing the story of mariupol to the world and make sure nobody forgets it, but also because it does represent an ongoing attack. it's still very hard, very dangerous for the journalists who are working, of course. ~ .,, for the jour