with me in studio costume designer, natalya konevskaya.e cinema, and of course , every time i entered the elevator with one of them, i already knew that i was already a beginner... i scanned the costume designer’s gaze every time , i was amazed, amazed, since childhood, i had such an incredible opportunity watch them. who did you like best in your everyday look, so to speak? well, anastasia vertinskaya has always been absolutely incredible. anastasia vertinskaya, they called her the soviet audrey hebborn, graceful, sophisticated aristocratic appearance. she did not broadcast beautiful images. only on the screen, but in everyday life, i was then amazed that she wore flat soles, which we all love so much now, with long skirts, men's boots, always some interesting headdresses, hats, caps, berets, and one more it was an amazing moment, she was already wearing one long earring, oh how, yes, she was an absolute trainee, she outdid the fashion, wore these huge jackets with broad shoulders. a long, floor-length coat that came into fashion in mosco

costume designer natalya konevskaya is with me in the studio.any of the soviet film stars, or maybe you managed to work with someone? let's start with the fact that i grew up in such a magical house, it was an actors' cooperative. in the sixties, a lot of actors moved there, and anastasia vertinskaya, alla demidova and arkady arkanov lived there. a lot of actors and people associated with the theater and cinema, and of course, every time i entered the elevator with one of them, i scanned with such, you know, the already beginning glance of a costume designer, every time i admired, was amazed since childhood, so i had such an incredible opportunity behind them to observe who you liked most in their everyday image, so to speak, well, anastasia vertinskaya has always been absolutely incredible. "anastasia vertinskaya, she was called the soviet audre hebborn, graceful, sophisticated aristocratic appearance. she broadcast beautiful images not only on the screen, but in everyday life. i was amazed then that she wore flat shoes, which we all love so mu

costume designer natalya konevskaya is with me in the studio.ersonally acquainted with any of the soviet film stars, or maybe you managed to work with them? let's start with the fact that i grew up in such a magical house, it was an actors' cooperative, in the sixties a lot of actors moved there, and anastasia vertinskaya lived there, and alla demidova and yuri visbor, and arkady arkanov, very, very many actors lived there, and people associated with theater and cinema, and of course, every time i entered the elevator with one of them, i was like, you know, already a beginner i scanned her with the eye of the costume designer and every time... she was called the soviet audre hebborn, her graceful, sophisticated aristocratic appearance, she conveyed beautiful images not only on the screen, but in everyday life. that she wore the flats that we all love so much now, with long skirts, men's boots, always some interesting headdresses, bonnets, caps, berets, and there was another amazing moment, she already wore one long earring, oh how, yes, she was

we discuss the images of soviet film stars with costume designer natalya konevskaya.o were called divas played very different roles, for lyudmila gurchenko, for vertinskaya, and well , for almost everyone. changed elena yakovleva for the image of shpaklyak, in general we had such a wonderful, not i know whether a joke is allowed or not , what to check when a large film crew sits and discusses that elena yakovleva will play shapaklyak, then because of what roles they remember her for, you can understand what age people are, because someone remembers her as comenius , these are people in their thirties, some remember her as an inter-girl, these are people in their forties, well , now a new generation is growing up, they were also in the inter-girl. so quite unusual, i remember from my childhood that wow, for soviet cinema, it was so very defiantly, very, by the way, one of the very quoted images is all these heroines , there is such a famous photograph where the four of them are sitting at the beginning, and in almost every film about the eighties there is some kind of

konevskaya we are discussing the looks of soviet film stars, it seems that before those actresses whoes, for lyudmila gurchenko, for vertinskaya. and well, almost all of our actresses had very different roles, they could be some kind of provocative beauties and village women, but today modern actresses, they more often become hostages of one image in cinema, why is it that today we have such actresses, not a wide range is used, do you want me to now start criticizing the industry in which i work, no, of course, images change, no, i think that... we changed elena yakovleva very much for the image of shpaklyak, in general we had such a wonderful joke, i don’t know if it’s allowed or not, that you can check when a large film crew is sitting and discussing that elena yakovleva will play shapoklyak, and then by the roles they remember her for, you can understand what age people are, because someone her remembers her as kamenskaya, these are people in their thirties, some remember her as an inter-girl, these are people in their forties, well, now a new generation is growing up. in intergirl

this is not a tasty treat, today together with costume designer natalya konevskaya we’ll look into the fact that cinema always collaborates with fashion houses and designers, and the fact that any new film that comes out, if it... is somehow connected with fashion and stylish heroines always discuss who made the costumes, what brands dressed them, then of course this didn’t happen, but if we go back to lyudmila gurchenko, then this dress in the style of christian dior, it was rather the other way around, that is, such a dress appeared, such a bright one appeared heroine, all the women around tried to repeat this image, because there are no non-fashion brands. the bob or svetlana svetlichnaya has a white headband, then this robe from svetlichnaya is also legendary, it seems to me that this was done with the help of the film’s costume designers diamond hand, white color began to be associated with some kind of forbidden rich foreign life, some cool and foreign things, and after that we see a lot of places in the movies... these negative, but very attractive, sexy, beautiful heroines in w