the head of the park administration, alexander yaroshenko , noted: today, to attract investors, firstlyperience of chinese colleagues is used. this is a joint work in one-station mode, when all services are provided to residents on site. secondly, the best preferential practices are offered, which can reduce production costs by almost half. the average pension in december was 2 and a half times higher than the budget. subsistence minimum pensioners - belstat calculated. in the last month of last year, its size was slightly more than 692 rubles. and compared to the same period in 2022, pensions increased by almost 4%. let me remind you that more than 2 million people are recipients of labor pensions in belarus. trading on the currency and stock exchange ended with a rise in the dollar, a decline in the chinese yuan and the russian ruble. so, the following rates have been established: american currency costs 3 rubles, 23 kopecks. the euro exchange rate for... the bank is 3.48. 10 yuan costs 4 rubles, 47 kopecks. 100 russian - 3.54 belarusian. last year , bilavia airline operated regular f

quite well even in crimea, and even after the exit, well, after the annexation of crimea, with colonel yaroshenko, well, with her own comrade. most of the brigade there is like my trainees of my battalion, chiefs of services , deputies there, and everything else, of course i was glad to see everyone, i was not glad to see him, he at least lifted the mood there somehow, well, as he could, what the words you said to them when you were leaving, that it would be good not to they forgot who they were and where they were from, and if they were going to fight, then they had to fight like that... they taught that to hide in there, to sit in bunkers, because to be afraid, there is no way out of the situation, you have to defend yourself so that the enemy himself he spoke for you and respected you himself, even understanding that there are quite a lot of incoming enemy forces, let's say this, you won't fight, you won't earn respect even from the enemy, he will also understand that, he saw that there are a bunch of people , but she will fight and this visa... women, with military families, with civilians, w

is enough we know well, and even after the exit. well, after the annexation of crimea with colonel yaroshenko, well, and with all his comrades there, most of the brigade is like my students of my battalion , chiefs of services, deputies there and everything else, of course i was glad to see everyone, they were glad to see him, he lifted the mood there at least a little somehow, well, as he could, what words did you say to them when you left , that it will be good not to forget? who are they and where are they from, and if a battle is to be fought, then it must be fought in a way that is not the way they were taught to hide themselves in, sit in bunkers, be afraid of something, there is no way out of the situation, then it is necessary to defend oneself in such a way that the enemy himself spoke for you and you himself respected, even understanding that there are quite superior forces of the enemy, let's say this, you will not fight, you will not earn respect, even from... the enemy, he will also understand this, he saw that there are a lot of people, but it will fight and it commands respect,

rypin , kramsky, yaroshenko, mykola g., and many, many others, even the same ivan ivazovsky, who wasn, but he chose, for example, when he painted people in the entourage of certain of his paintings, he very often painted ukrainians, like staff, because as the heroes of his paintings, that is, again in distinctly ukrainian outfits, when he painted ukrainian landscapes, he emphasized it with ukrainian markers, and these were windmills, these were topol. these were ukrainian adobe huts, these were dnipro, that is, essentially these artists, they showed that their work is not connected with the abstract russian empire, but with ukraine, and this was a principled position, when you talk about the nomads, this is a very interesting phenomenon, because what is the essence of nomadism, only that that they chose democratic themes, in fact, even the very term traveling exhibitions, peredvizhnychestvo, meant that the artists chose it... to build a system of distribution of their creativity so that their exhibitions were not confined only to st. petersburg and moscow, as two centers, as it were

ripin, kramskyi, yaroshenko, mykola g, and very, very much many others, even the same ivan aivazovskyo was an ethnic armenian, but he chose, for example, when he painted people in the entourage of certain of his paintings, he very often painted ukrainians, as staff or as heroes of his paintings, that is, and again distinctly ukrainian outfits, when he painted ukrainian landscapes, he emphasized it with ukrainian markers, and these were windmills, these were poplars, these were ukrainian... nobit huts, these were the dnipro, that is, in essence, these artists, they showed that their creativity not related to abstract russian empire, and with ukraine, and this was fundamental. position, when you talk about traveling artists, this is a very interesting phenomenon, because what is the essence of traveling artists, only that they chose democratic themes, in fact, even the very term traveling exhibitions, traveling artists meant that artists chose to build a distribution system of their work, so that their exhibitions were not only in st. petersburg and moscow, as two centers, as if like em