yuri dmitrievich, right? who came to you?s it possible? hello, come in, come in. hello. how was your trip, was it productive? productive. sergey borisovich, i have a personal request to you. i'm listening. i'm in priozersk i consulted a boy, 12 years old, with a congenital heart threshold. decided to have emergency surgery. he and his mother arrived. can we place them in our department? yura, but we have a planned hospitalization, you know, everything must be strictly according to the rules. first you need to make a referral at the reception department. i understand, sergei borisovich, but this is an extraordinary case. yura, do you know how many of these extraordinary cases we have? why do you need this? well, i beg you very much, but only for this night, they have already arrived, but they shouldn’t spend the night at the station. and tomorrow i'll be done i will prepare the necessary documents. okay, i can place them. box, but only for the night , okay, and you, if you manage to fill out their papers, tomorrow we’ll transf

are scratching for her, we have yuri dmitrievich, a very jealous person, yuri dmitrievich, yuri dmitrievichyears ago, she is behind the scenes, what will they say to each other, they have not seen each other for many years after the advertisement. well, when are we going to collect our inheritance? premiere on... i'm sorry for your wife, what do you want from me now? i i want you to operate, now stop me, i’m in karili, help, skliposovsky, new episodes, today on rtr. you are looking at 100 to one, what is our task to open the whole board, we can handle it, if you ask the underbos, the name of which character from pushkin’s works everyone knows, how many will be 7,8, 7,8,8, how many, who is at work, a lot and says loudly, if you answer, then... geometry, algebra, physics, chemistry are a set for a headache and god forbid now, if you win, then hurray, 100 to one, every saturday and sunday on rtr. razumovsky listen, anyuta, she’s alive, who is this anyway , i’m your husband, we buried you, come back, hello, why are you here, she had to die to get herself back, she has amnesia. it smells like di

dmitrievich, two horses, he loved horses very much, he has all the soul , my whole heart was in this died, the livestock grew to six, well, naturally it changed, more, increased, decreased, and how did you end up there, that’s who you are by profession, how you came to this, i am a teacher of welding disciplines by profession , that it is possible, in principle, to agree and for the child to come there in the summer, i brought him on june 1, and then it turned out that, well, i have a love for horses since childhood, but i have this there was no opportunity, probably, this love was transferred to nikita, and you stayed there, and i stayed, yes, further in the program, what is hippotherapy and how it helps military personnel who were injured on the battlefield, horses in their own way. on prosthetics, or it’s the smell of metal, maybe the smell of oils that lubricate these prostheses, but almost all the horses are afraid of it, what happened, niklyudov has arrived, you love you, well, that’s understandable, the premiere on rtr, i can’t do this anymore living in such limbo, how can you

and as you know, or maybe some don’t, dmitry dmitrievich started out as a topper in the cinema.gth feature film on wings of vyst, filmed at a new studio, was released on screens across the country in january 1924. and this date is considered masfilm’s birthday. in general, now we see a completely unique picture. we specifically decided to leave the walls of the legendary. the first pavilion is not behind the built scenery , because people come to the cinema for an illusion, for a miracle, and today we dedicate our evening to those who create this magic with their daily, sometimes very hard work, these people, their energy, their devotion and love are and there is a mass film, they are the ones who make it the first all these 100 years. let's remember that in the first years of mostfilm, dzegvertov, pudovkin, boris barnet, lev kuleshov and of course, of course, sergei ezenstein, the director, worked here. from its very birth, cinema has been a factory of dreams, with the films of grigory alexandrov and ivan pyrev, who at one time was the director of a must-film, the flowering of