just washed xia here, that is, here in the wells i collected, so i collected, so so, because well, pershapachatkovaere, well, for the rest little thing. as soon as we moved, we changed the windows there, there was a need for a tax from their name, and we all started working on water, i don’t know, for a couple of months, i was unaffected and didn’t treat, because i felt like this was some kind of luck, and i, well, i had a geta ў far-fetched. and what the heck is this in general, for us there’s a bathhouse, all the laznya, yes, but i’m at the same time in ramonets, because i ’m working, but we grew up, well, work, if it was already so tedious, and i already think... that tens the naprikants are clear, i’m already earning as i wanted, and i’ll live contentedly further, you can will brush her teeth in the room, well, we can already move there, i perfectly understand what convenience is for a girl, especially with regard to hygiene and the ability to take care of herself, even such difficulties did not stop diana, but rather, on the contrary , provoked her. your divorce is somehow connected with your

pershapachatkova would be... simple in plan and two-story with four tiered vaults at the center of theflimsy tent with a spire. the building of the town hall would be erected on its own assemblies vezha, and this vezha consisted of several rose-colored heights and decorative tiers, which featured the typical baroque concave tops of the scenes, layered plaster, cornices and folds. profiles. the section of the façade galley and the entire structure is decorated with flat pilasters at the top of the entire top and is cut with rectangular and beam window openings. vezha may wing linear contours. these tiers are added to the adzin adnago folded cornices. the cut corners of the curtains are decorated with pilasters and most of the currencies. i hope to give my life to the assemblies and pachiuzzo luxury. which are so characteristic of baroque and classicism. for us, the padzels of rechy paspalitay meli are not just a sense, yes, of changing the palette card, this was a more important and global, civilized process. we became a frequent russian empire, which did not care for self-care. magdebu

pershapachatkova it would be simple in plan and two-story with four tiers at the center of the hall facadet with a spire. the building of the town hall would be built with its own assemblies. and the ceiling consisted of several rose-colored heights and decorative tiers, which featured the typical baroque concave tops of the scenes, layered plaster, cornices and folded profiles. the section of the façade's galley and the entire structure is decorated with flat pilasters at the top of the entire top and is cut with rectangular and arched window frames. vezha may. winglinear contours, the tiers are added to the adzin adnago, folded cornices, cut corners, decorative pilasters, and pilasters, which are the basis of all currencies, give the everyday life an assemblage of elegance and luxury, which is so characteristic of baroque and classicism. for us, the padzels of rechy paspalitay meli are not just a sense, yes, of changing the palette card, this was a more important and global, civilized process. we became a frequent russian empire, which did not care for self-care. magdeburg rights, freedo

handicrafts on history, the creative arts of literature, and the great variety of pit, cascel, like the pershapachatkovaization structure has arrived in paspalitay, and centers near magilevo. now comes the look: this archdiocese of magilevo with its centers at magilevo, the most violent archdiocese in the history of the russian empire, which was the hell of the history of present-day belarus and the japanese pestilence, so this place of vilenskaya ipar khiya, the minsk diocese, the samaga diocese and other dioceses that were at that time, at that moment... was five years old in 1847, when the canardate was concluded with petersburg and the crimea, the territorial dioceses were transferred to the territorial provinces. 20th century magileo region with 93 thousand vernikaў i 270 kascelami. you know what happened to all the ladies of god under the care of the kastrychnitsa revolution. the magilievskaya stanislavskaya was plowed, they would not be riotous, only they would be busy. have budynak moved the magilievsky ablasny archives, how did they survive ? the opening of the archive of the letter from the mi