shterenberg plays with forms, his still lifes seem flat, flattened under the pressure of something heavyndscapes seem to be filled with fresh air. this is the artist who found it. my own language, my own style of innovation, let’s say, in these experiments with texture, with space, yes, with the way he designates this life of objects, i would said the metaphysical life of objects. alexander tyshler tried to depict a state of tension with the help of form and color, el lisitsky was fond of book design, and isaac rabinovich could even turn a suprematist composition into the scenery for a performance at the state jewish theater. but all these artists had one thing in common: inspiration; they drew from their own culture, from traditions and objects that surrounded them in childhood, because most of them were born in small jewish towns, and even became renowned masters, kept memories of the house in their hearts. kristina levieva, ivan strukov, tatyana bakulina and enesa mezhevalova, channel one. that's all, thank you for being with us, the "let's get married" program is on air right now. af

chagall, altman, shterenberg.is based on originals, but there are rooms with digital installations and tactile models that you can touch. sofia sergieva also touched art with her hands. rich colors, three-dimensional shapes, dynamics and abstraction in every stroke. after 100 years, the works of the best masters of the jewish avant-garde were brought together again. this exhibition is about how the national world, a world understandable to a circle of people, suddenly became international, moved to international language, yes, has become avant-garde art. this is the story of those artists who took up the task of renewal and preservation. jewish art and those artists who understood that their roots were valuable, yes, that this is how valuable the world, the shtetl, traditional jewish art are, for this purpose the association of cultures , the league, was created, it just became the center of the exhibition, the kulturliga existed in the ussr a little more than 5 years, but during this time it united the best artis

chagall, altman, shterenberg, lissitzky discovered new words in painting, experimenting with color, light relying on national and religious motifs. many of them were born in jewish shtetls. on the territory of the pale of settlement, they lived in a traditional jewish environment, they were jews, they went to the synagogue with their parents, they saw this place and lived in its images. square people and cubic people cities were preceded by realistic sketches of synagogues, sketches from old jewish cemeteries, scenes from the holy scriptures, therefore the exhibition presents relics of the jewish people, at the entrance, sacred to any jew, the aron kadesh, in which torah scrolls were once kept, and next to... mark walked i not only came up with costumes and scenery for it, but also these huge colorful panels. there is also an inclusive space here, such a tactile model that allows everyone to touch art. hebrew phrase avant-garde are almost synonymous words, because the very idea of ​​a non-standard view of the world through the prism of centuries of experience, not the easiest, not the sim

chagall, altman, shterenberg, lissitzky discovered new words in painting, experimenting with color, lightand religious motifs. many of them were born in jewish shtetls on... the pale of settlement, they lived in a traditional jewish environment, they were jews, they went to the synagogue with their parents, they saw this shtetl and lived in its images. square people and cubic cities were preceded by realistic sketches of synagogues sketches from old jewish cemeteries, scenes from the holy scriptures , therefore the exhibition presents relics of the jewish people, at the entrance sacred to any jew aron kadesh, in which torah scrolls were once kept, and next to it there is a memorial... yorzaide tables and amulets with the name of god, which were supposed to protect from all misfortunes. they carried a rethinking of their cultural code, national art through the then modern avant-garde language, a new pictorial system. how did i walk, first of all, a jewish artist, and would i be such an artist if i weren't a jew? the basis of the exhibition is the originals, but there is one room in which,

shterenberg plays with forms.sh air. this is the artist who found his own language, his own style of innovation, let’s say, in these experiments with texture, with space, yes, with the way he denotes this life of objects, i would say, the metaphysical life of objects. alexander tyshler tried to depict a state of tension using form and color. el lissitzky was fond of book design, and isaac rabinovich could turn even the scenery for a performance at the state jewish theater into a suprematist composition. but all these artists had one thing in common. inspiration they drew from their own culture, from the traditions and objects that surrounded them in childhood, because most of them were born in small jewish towns, and even when they became famous masters, they kept memories of home in their hearts. kristina levieva, ivan strukov, tatyana bakulina and enesa mezhevalova. first channel. that's all for now, we are monitoring the developments of the event. the information channel on the first will continue the program,

exhibition includes more than a hundred paintings and graphic works by marc chagall, nathan altman, david shterenbergn 100 sculptures that the master creates using a unique welded sculpture technique. the premiere at the omsk drama theater by georgi tskverava staged the play fruits of enlightenment based on the play by leo nikolaevich tolstoy. this is a comedy, it arose in such an interesting way that it seemed out of character for tolstoy, he made some sketches, his daughters found it and decided to make a home performance. and in general, this performance arose, played on his estate, played by his children, friends before. acquaintances and so on, that is, such a kind of modern skit, as it were for him then for that time, when i re-read it, i thought it was interesting, a lot of the action. for the troupe, when they are busy and so on, well, they decided to make some noise. at the trans-siberian art festival, the world premiere of kuzma bodrov's second violin concerto performed by vadim repin and the novosibirsk symphony orchestra conducted by dimitri sabotinis. the krasnoyarsk drama theater named

descriptive and graphic works by marc chagall, nathan altman, david shterenberg, el lissitzky, robertespeare's comedy a midsummer night's dream directed by gennady shapushnikov. set design and costumes by boris shlyamin. this play falls out of all the layers that i know. it turned out that time does not exist in it, that is, it exists in different manifestations, in different eras, they exist, pass, different things pass in the same place, one is superimposed on the other, it turns out very it’s such an interesting mixture of the same thing, we add any. on love, its different manifestations in different places. this is a quantum play by shakespeare, it also implies the introduction of some other space. this is a play about love in quantum. its understanding, dismantling it to the distraction of desire to the smallest detail and to self-sacrifice and sacrifice in the end. the samara opera and ballet theater presents pyotr ilgevich tchaikovsky's opera evgeny anegin in the premiere production by georgy saken, set design by vyacheslav okunev, music director and conductor evgeny khakhlov.