vitolta kayatanovich, belonitsky, berulya, valeriyshkaruba, for example, but tell us what other namesht be worth knowing for the belarusian viewer, right here with the notebook. alone with nature, you can feel its heart, do you think, is it possible to feel the heart of nature through the prism of a landscape, i believe that this is so, because in general an artist, and in general any person, probably needs a little silence in order to, well , feel the meanings, when you come out of the influence of certain noise factors, informational, psychological, everyday, you begin to feel that space there, you understand there, there is a good landscape, yes, but there is a bad landscape, yes, this is necessary, clearly to distinguish, there is good realism , there is bad realism, there is good abstraction , there is bad abstraction, each type, species, genre has its own conditions that, well, let’s say, are visible to a more careful eye, and if we talk about this later a little - it’s hard to explain to the viewer, he will immediately understand where it is, of course, to talk about issues of