for his songs, but primarily for the fact that he was already on, as they say , on a horse, remember, voyachichang not to get drunk a veteran, he was registered in moscow, he was already respected, because at that time vocal instrumental ensembles were looked at with a little scythe. years ago in japan to teach lessons, speak russian, i looked for someone in japan who came, they told me that buyachich came, he was in my program in japan, they also sang. the songs of alexandra pakhmutova and nikolai dobronravov are heard on the all-union stage. when these, without exaggeration, great construction projects began, they called it bam, the baikalamur mainline, just as it was agreed upon, you understand, by everyone, even cultural figures ours, they... igor luchenok became level with them, thanks to luchenok the takeoff took place. created not just an ensemble, he created a whole wave, on this whole wave the veros swept, and the silver, light, dewy one, there was more than one chen. the belarusian pop art was finding its own face, the emergence of vocal-instrumental music became a phenomenon... thank