report by guli boltaeva.r 10 minutes before the unimaginable transformations. when not to hide behind the ballet, when the audience is exactly. the rooted pygmelion effect, a huge block from eugene onegin, variations give way to a duet, the trio again is a physically very difficult duet, says maria obashova, but not for the viewer, for the actor. it should seem very easy to the viewer. it seems that meeting with your audience once a year in the kremlin is becoming a good tradition for boris efman’s theater. in last time we celebrated our forty-fifth anniversary, and this year we brought new artists. which the choreographer calls universal and sculpts them in his academy according to an innovative program, which is based on modern dance, plastic expressiveness and gymnastics, as for professionals. the main task was precisely to show the entire, so to speak, arsenal of our creative capabilities today, that is, from well-deserved and well-known stars in moscow to absolutely novice soloists. we prepare artists wh

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