because many white evangelicals viewed kim as a distillation of chri orthodoxy, a purveyor of godlyctivityrenting. contemporary christian musicerys industry. ijournalists, publishers, producers and, artist w businesh leaders, politicians and activists in and around the industry. not all wanted to be quoted. e 5 of those who willing were no longer heavily involved in the retired. others left of their own accord. fold because they had rejected some of the strict ccm. those who so understandable reasons. peop who work in evangelical and then publicly disav cal norms risk their livelihood along with their social, r familial networks. i'm profoundlyg to speak to me about the industry and the dense of o that constitute the commercial religion that is evangelicalism in the united states to capture theriousness s listenership, i music, a survey in 2020. survey invited respondents to reflect on how. ccm. their favorite and least favorite and entertainers. how they participated in the industry. how may or may not have their identities? what people unfamiliar with contemporary christian music should