mr. kanter: the recipe for live mickey agreements, artists, venues, and fans.e nation/ticket master's dominance h allowed it to exert control over all three. it starts with over artists. today live nation/ticket master represents hundreds of artists through its dominant promotions which controls the organizing,ncing of large concerts. live nio ticket master also owns or controls venues in which these concerts are held. for example, it owns 60 of america's 100 large amphitheaters. these venues, live nation/ticket master not only earns from tickets and fees but also fromsponsorships, and even parking. ticket master's subsidiary, li nion controls primary ticketing and hundreds of other venues across the country. and it is through theseclusive g arrangements americans face the dreaded t master tax. the seemingly endss set of fees ironically service r convenience fee when they're but. our lawsuit explains through deed allegations how live nation/ticket masteraponized and entrenched its powert the expense of artists and music fans across the entire country. just exam