the performances of chinese colleagues included works by rachmanin and tchaikovsky by national authorse audience thanked the artist. all news always available on the media platform, look in the app or on the website smotrim.ru, see you. welcome to rixca with premium magavish suites & villas in hurghada. where luxury rooms and villas are combined with a golden sandy beach, 1 km long. impeccable service and exquisite cuisine will make your vacation unforgettable. rixsas premium mogavish suites & villas, the vacation you've been dreaming of. i liked one diet, you can eat everything, but you can’t swallow it, i bought tea for weight loss and sip it with a cake, he dominates me, he will hide in a corner. i have men, where are you going or to sasha, it’s not funny, mom, well, in our family this is not possible, it’s difficult to leave our own doorstep, it doesn’t fit, you’ve been calling all morning, i just want to make sure that he’s okay, and you, you, you're fine, as long as the light is on in the window, on monday on rtr. catch me if you can, our show is a real musical detective story, h

of the composers, it is true, but no one would think, relatively speaking, to play lyutoslavsky and rachmaninn one package, because they are different, just different programs, a person can play a rachmaninov concerto. but she won't play lyutoslavskyi's concert in the second act, according to the logic of the concert, it means that you can build programs in different ways, you can build programs not only according to a stylistic, homogeneous, but some other concepts, for example, i will tell you about our festival, which ended recently, and we were building a program the concept that was ukraine as an integrated part of the european cultural heritage, and actually it was, well, if... it is the thread of the festival, so programs can be built in different ways, but what is important in this is that you cannot mix this and the fact that again it confuses minds. of this collective event, and creates a fake image of ukraine, which means, further, that we are part of it, part of their space, but also that we do not have a high cultural heritage, but we do have it, and this strategic vision of the

the program for minsk aesthetes there is music a journey through the 20th century, from the works of rachmaniny other than belarus that would be so close to russia from the point of view of our common foundation of culture, these are our... common origins in the area of ​​faith, the very, say, very charter of our life. such meetings are our mutual enrichment, and i am very glad that we have long-standing creative, educational, scientific ties, the choral program worked out, but we intended to do it to show the diversity of the possibilities of choral art, represented by completely different genres. we have a common history, and the most important thing is that we... in four tablets, are iconic architectural monuments of the sacred art of the monastery. navodeevichy monastery, by the way, is largely connected with belarus. in the 18th century , the monks of the kuteynskaya abbey came here, this is the city of orsha, at the same time they brought a huge number of books that replenished the library of the monastery, because orsha is the center of kirlist book printing, there was even a whole trad

another of your heroes, who also seems to me to have been played very well by you, and sergei vasilyevich rachmanine fruits of art, you stand on tiptoes, uh-huh, in this sense you overcome your own growth, uh-huh, so i think it’s the same here, like history, when you defend the idea and theme in which god lives, ah, then you are, of course, a thousand times larger than when you, again, hone yourself, that’s what i wanted to convey, yes. listen, of course i understand what you think as a person in this group, but ivanovich probably told you that i am a great singer, i really want to hear this, really, but for now alas, excuse me, well, understand, it’s not just about the rhythms, you die in this scene, this is the end of life, a tragedy of the highest order, you can’t sing it as small as you, you have to sing bigger, i’m trying to convey to you what the composer intended in notes, one small question. you lived with him at the same time, maybe you knew each other, or you wrote this opera, yes, no, no, you see, what, probably, a composer, how few people feel, well, feel that he is a guide, yes what mu

inesa yana, why are you so upset, these are ordinary quails, in this house you can hear rachmanin, mozartpoint, it tastes like ice cream, yes, it's a cow. gives very little milk, that’s what everyone is chasing, the cows are my selection, perhaps i’ll also take milk from you, i agree, but only if provided that, if you tell me where such knowledge comes from, yes, i’ve been on the farm all my life, i ’ll now show you my dear, loved ones, but i’ve been staying with you. give me a liter of milk, this, here, your ice cream, so, a liter, how much, yes, let's, so, hold it, this is extra, here, yes, yes, that's it, matvey, olga, thank you, morning, you won't regret it, yeah, all the best, all the best. so o'. look, the windows are shining, yeah, it’s beautiful, yes, now i need to vacuum it, i had a cleaner in my barn, look, i found it on trisols. an ancient vacuum cleaner, and inez won’t swear, we’ll clean it up, we’ll check it, god, but what? what is it like in my own house, i can’t stand any peace, i can’t stand such noise, i have eardrums, eardrums, delicate and... look, i can’t breathe throu

dmitry mosleev performs works by rachmanin and bidhovin in the tchaikovsky concert hall.anch the small theater is showing valery kirillov's play ice heart based on ostrovsky's fairy tale the snow maiden. the premiere performance of the wedding based on the film script by pavel lungin and alexander gallin is performed at the taganka theater. directed by alexander karpushin. on the small stage of the gogol theater overcoat, the premiere of the play based on the story by nikolai vasilyevich gogol, directed by arina bessergeneva. in the role of bashmachkin, mark bdovin. the moscow museum of modern art presents a large-scale retrospective for the ninetieth anniversary of zurab tsarite. on two floors of the exhibition space housed paintings, graphics, imali sculpture, stained glass and tapestries created from the fifties of the last century to the present day, reflecting the diversity of the artist’s creative palette. the oryol theater free space continues the seventeenth rybakov theater festival in tambov with a performance based on the play by dmorastan seran bergerac. at the