, our wonderful guests, vselot evgenevich pogno, scientific director of the institute of russian literaturerector of the institute of world literature, i said all this, but i’m still vladimir ligoida, pushkin is ours that's it, dear friends, you know what my question is. i returned from sirius yesterday, and where do we have a program with children, with schoolchildren, literary creativity, culture and society, it’s called, well, within the framework of literary creativity, our wonderful teachers are now talking with children, naturally about pushkin, the task that our teachers came up with is this: if there is an opportunity to save pushkin, so that he survives and continues to live and create, what would you do, the children think, i think that maybe we can... start with this, well, it’s impossible to do this, but what could contribute to this if pushkin’s letter to nikolai with a request to be released either to italy, or to paris, or if this is impossible, then at least to china , composed of embassy, ​​which means he received an answer through benkendorf that you don’t need to go there

of russian literature and vadim vladimirovich polonsky, director of the institute of world literaturemir ligoida as before, pushkin is our everything, dear friends, i have a question, i returned from sirius yesterday, and where are we program with children, with schoolchildren, literary creativity, culture and society, it’s called. well, within the framework of literary creativity, our wonderful teachers are now talking with children, naturally about pushkin, the task that our teachers came up with is, if there is an opportunity to save him so that he survives and continues to live and create, what would you do? so the kids are thinking, i think maybe we should start with this? well, it’s impossible to do this, but what could have contributed to this if pushkin’s letter to nikolai with a request to be released either to italy or to paris, or if this is impossible, then at least to china as part of the embassy, ​​then he received it through benckendorff. the answer is that you don’t need to go there, that means you don’t need to go to europe, because you need to, that means you are our

pogno, scientific director of the institute of russian literature and vadim vladimirovich polonsky,imir ligoida, pushkin is our everything, dear friends, i have a question, i returned from sirius yesterday, and where is our program with children, with schoolchildren, literary creativity, culture and society, it it’s called, well, within the framework of literary creativity, here are our wonderful teachers... now they are talking with children, naturally about pushkin, the task that our teachers came up with is, if there is an opportunity to save pushkin, so that he survives and continues to live and create, so that you do, so the children think, i think that we can start with this, well, it’s impossible to do this, but what could contribute to this if pushkin’s letter to nikolai with a request to be released either to italy or to... it is necessary, then you everything is ours, we have to work, work, work, which means you’ll also spend money, unfortunately, it’s impossible in china, because it was necessary to change the composition of the embassy, ​​and for this it was necessary to

rusted pages, familiar handwriting in a unique the institute of russian literature in the pushkin houseollected all his manuscripts. 150 years to the creator of the pushkin house madzalevsky, at the exhibition in his honor there is another one... they are different, the manuscript was torn into shreds, each served as a bookmark in the book, scientists put this puzzle together. the initial impression from this autograph is that this is not pushkin’s hand. pushkin’s handwriting, well, you can see on the adjacent bookmarks. and of course, for a long time, researchers simply did not pay attention to the fact that this autograph could be pushkin’s autograph. on in fact, this is really pushkin's autograph, simply. pushkin made a facsimile of peter’s handwriting, that is, he tried to repeat peter’s handwriting, perhaps in the process of working on his own and historical studios, but everything about pushkin seemed to be known, the discovery doesn’t end with more than two centuries since this genius became, like dear to every russian person, but it can become even clearer and closer. ekaterina

the institute of russian literature the famous pushkin house, vadim vladimirovich polonsky, directorch buck, let them not talk about our favorite podcast, let them read it, alexey nikolaevich varlamov, our favorite podcast, the life of the remarkable, and i, vladimir ligoido, we were gathering thoughts about pushkin, what else to gather thoughts about who else can gather his thoughts these days? a dried, scentless flower, forgotten in a book, i see, now my soul is filled with a strange dream. where it bloomed, when, in what spring, and for a long time it bloomed, plucked by someone, a stranger, a familiar one, put here, why, in memory of a tender meeting or fatal separation, or a lonely walk, in the silence of the fields, in the shade of the forest, and whether he and she are alive, and now, where is their corner, or have they already withered, like this unknown flower, for the anniversary. poet. hello, this is a substance deception program. today we will talk about meat. my name is olesya nosova, i am the editor-in-chief of komsomolskaya pravda and with me is the famous endocrinolog

of russian literature, pushkin house, collected... now all his manuscripts. 150 years anniversary ofs honor there is another find, they are different, the manuscript was torn into shreds, each served as a bookmark in the book, scientists put this puzzle together. the initial impression from this autograph is that this is not pushkin’s hand. pushkin’s handwriting, well, you can see on the adjacent bookmarks. and, of course, for a long time the researchers simply did not pay attention to the fact that this autograph could... be pushkin’s autograph, in fact, it is really pushkin’s autograph, it’s just that pushkin made a facsimile of peter’s handwriting, that is, he tried to repeat peter’s handwriting, perhaps in the process of work over his historical studies, and everything seemed to be known about pushkin, but the discovery does not end, more than two centuries since this genius became like family to every russian person, but it can become even clearer and closer. ekaterina fisenko, alexey sasyrin, dmitry lukashevich, galina orlova, alexandra kolkova. news of the week, st. petersburg

where russian culture and russian literature are studied at all, where studied pushkin, but it seemsf all, a deeply national writer, this does not mean that... dostoevsky is not national or tolstoy is not national, but they live in a different time, this time is still the second half of the 19th century, they are such a brilliant guide in the world, this is ivan sergeevich turgenev, and so on and so forth, there are many reasons, i won’t explain now, that’s why mahatma gandhi comes to tolstoy, that’s why they say about tolstoy that if he were alive, he wouldn’t it would have been the first world war. therefore chekhov and shakespeare - the two most popular and frequently performed playwrights in the world, so tchaikovsky and mozart are the two most frequently performed composers, and pushkin stands apart, he is probably more important for us than for anyone else, despite the fact that i repeat, the idea evgeny anegin evgeny onegin himself is an expression of what he wrote about. let's say, byron, which many world authors of this time wrote about, but i think that for us pushkin is mo

, respectively, since russian culture, russian classical music, literature, painting, cinema, even likewest from kotkin’s point of view, it’s just about democracy, separation of powers, in this sense, well, what, name it , what is, what is in russian culture that is not european , has something to do with european culture, french, he doesn’t know who seraphim sarovsky is, well , you don’t need to read hopkins that much, he’s not hopkins, he’s a different person, read him, don’t read him i need to stop need to be quiet, that's it, pause, pause, now we 'll start all over again, final show. such frantic emotions, i received them, of course, but not in such a dosage, yes, it’s straight up, vio superstar, grand finale. on sunday at 20:20 on ntv. 10 days until spring. tomorrow all day on ntv. closing a loan is like a holiday. and tebank gives you a great gift, money. apply for a loan from tank before the end of june. make all payments on time and we will return 5% of the interest rate in cash. pebank. he's the only one. dad, you'll be home soon, soon, i won't be late now, there are a lot of v

where they study russian culture, russian literature, wherever pushkin is studied, but it seems to meoes not mean that dostoevsky is not national or tolstoy is not national, but they already live in a different time, this time. the idea of ​​eugene onegin eugene onegin himself is an expression of what, say, byron wrote about, what many world authors of this time wrote about, but i think that for us pushkin is more important than for everyone else, i repeat once again, this is not at all begs its importance to the world, if you refer to the lecture there nabokov about russian literature, then there. everything seems to be rewarded, another question, also the quality of translations, because it is difficult to interpret, oddly enough, and i think that there is some kind of problem here, but it is also an amazing thing, pushkin, who, in general, never traveled abroad border, as we know, well , moldova and odessa were not abroad at that time, he would have been... cultured, unusually educated, unusually deep, unusually subtle, well, okay, but how can one explain this comprehensibility of