alexander rotchenko contrasted the white on white reality that defined malevich’s artistic style with and after this color triptych he abandoned painting altogether and went into black and white photography. in due time we we made a museum quartet so that museums can be friends, here there are more than 130 works, and more than 80 are ours. the best state museums, that during this time such friendship was created. at the exhibition there is a symbolic tribute to the treasure of private collections, a cubic portrait of picasse ambroisavart, the main european philanthropist, as the artist noted, the most beautiful woman in the world was not painted as often. according to legend, messiah valar bought 150 paintings by the young cezanne, still unknown to the public, in one fell swoop. this exhibition is a completely unique complex. a unique space, very harmoniously connected, one complements the other, the exhibition feels amazing, unique artists, this is not just some kind of empty space, it lives, it works. the english square, unlike the russian square, has two meanings, geometric and ur

there are many iconic names in the gallery’s collection: goncharova, petrov votkin, falk, rotchenko.s a seivazovsky, called a ship in a storm. when the painting arrived at the museum, they began to restore it and under aivazovsky’s signature they discovered the signature of the real author, alexander dorokov. who and when replaced the signature of a little-known artist with the name of the famous marine painter is unknown, and if not for an accident, then everyone would have stood next to the painting and cackled in admiration, saying that the hand of the great aivazovsky cannot be confused with anyone. lord, the picture itself is good. last year a man came to the gallery and said that the painting in the tavern of rome was of his great-great-great-grandmother. well, yes, artists, permians, the svedomsky brothers at some point settled in rome, but models were often painted in their homeland, the little girl in the picture is the daughter of the manager of the perm factory, and so on. his connection of times. the unique pysker iconostasis is 22 m high and consists of five tiers. it is

alexander rotchenko contrasted malevich’s white on white with black on black, and after this color triptychmpletely abandoned painting and went into black and white photography. at one time, we made a museum quartet so that the museum could become friends. here there are more than 130 works, and more than 80 - these are from our best state museums, that during this time, yes, such a friendship was created. the exhibition includes a symbolic tribute to the contribution of private collections, a cubic portrait of picasse ambroisavart, the main european philanthropist, as the artist noted, the most beautiful woman in the world was not painted as often. according to legend, messiah valar bought 150 paintings in one fell swoop, unknown to the public of young cézanne. this exhibition, this one is unique in general, the complex, a unique space, is very harmoniously connected, one complements the other, as it feels. this is not just some empty space, it lives, it works. the english square, unlike the russian square, has two meanings: geometric and urban, therefore the entire exhibition space is des

alexander rotchenko contrasted malevich’s white on white with black on black, and after this color triptychinting and went into black and white photography. at one time we made a museum quartet. we were friends at the museum, there are more than 130 works here, and more than eighty - these are from our best state museums, what is this time, such a friendship was created. at the exhibition there is a symbolic tribute to the treasure of private collections, a cubic portrait of picasse ambroisavart, the main european philanthropist, as the artist noted, the most beautiful woman in the world was not painted as often; according to legend, the kneader bought 150 canvases in one fell swoop. acquaintance with art. i thought for a long time about a walk through which this space promises unobtrusively. malevich wanted to burn the museum, he fought against this very phenomenon, but today it is they who defend his black square. here ges2 hosts a real dialogue between architecture and art. ges-2 is called the house of culture. this is not just an exhibition space and by no means a museum. most of the ob