museum of contemporary art.ahari says that if the martyrs themselves were alive now, the fast of ali akbar would be the issue of palestine, and therefore, if we want to recognize our own era for muharram, we must see israel, and if we want to help the imam be hossein and in the era of imam hussain, we must be a supporter of palestine. in this exhibition, there are works of palestinian artists, which were related to an exhibition in 1980 or 1981. there were also other artists from iraq, lebanon, and egypt . gathered the world under one roof. modern artists of the world are also introduced in a part of the exhibition, artists such as bangsi, ivy, mike parr, sami helvi, some of their works are engraved on the stone of iranian art. those whose presence in the 6th venice art biennial is tied to the name of the palestinian people eat what we learned from the imam . it's not just about occupying a country. it's about fulfilling god's promise of a wall. this exhibition is also dedicated to displaying the works of palest

the art of palestine is the first opening of the tehran museum of contemporary art after the revolution in february 2018. paintings that lived in palestine and the arab world brought all their paintings. it was shown here. now, nearly 45 years have passed since, in the hot days of summer, the art protest against the occupation of palestine has once again been concentrated in the tehran museum of contemporary arts. martyr motahari says that if seyyed al shahada therefore, if we want to know the number of our own time for muharram, we must see israel, and if we want to help imam hussein and be defined in the course of imam hussein, we must be a supporter of palestine. in 1988 or 1981 , there were other artists from iraq, lebanon, and egypt in the exhibition that asar. painting and graphic artists gathered the whole world under one roof. modern artists of the world are also introduced in a part of the exhibition, artists such as bangsi , such as mike parr, and sami halabi. a number of stone carvings are iranian art. those whose presence in the 6th venice art biennial was tied to the name o

museum of contemporary arts. in the next two meetings, shahid raisi hosted the artists. calligraphy as an art field has no place in the ministry of science. of course , these meetings were not limited to these good wishes. sir , you are fine, god willing. efforts were made to compile the national visual arts document. a document based on several clauses in the cultural engineering map of the country, which has been collapsing since 1992. the regulation that was in the field of statues and monuments was completely revised. the gallery recipe was completely rewritten. policy and regulations governing the iranian art market it was suggested. the initial version was written. as a result, the brilliance of iranian painters in the sixth biennial of art and these works represent the emotions of iranians towards a global event, with the compilation of the national document of visual arts, a new life was breathed into the fajr visual arts festival. being active in it makes the spirit of happiness, hope for the future and

but this meeting with the artists did not end with just one meeting at the tehran museum of contemporary arts. in the next two meetings , shahid raisi hosted the artists. calligraphy as an artistic discipline in the ministry. it has no place. of course, these meetings were not limited to these good wishes. sir, how are you? i tried until the national visual arts document is finally compiled. a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. the regulation that was in the field of statues and monuments was completely revised. the recipe of the galleries was completely rewritten. policy and terms. these works are representing the emotions of iranians towards a global event. with the compilation of the national document of visual arts, a new life was breathed into the fajr visual festival, a society where art is active. which makes the cheerful spirit of hope for the future and the beginning of life active in him. as time progressed, the works of this document became more visible. like spinning better the wheels of the ar

but this meeting with the artists did not end with just one meeting at the tehran museum of contemporary arts. in the next two meetings, shahid raisi hosted the artist. khoshni does not have a place as an art field in the ministry of science. of course, these meetings were not limited to these good wishes. sir, how are you ? efforts were made to create a national visual arts document finally be edited. a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. the regulation that was in the field of embodiment and memory was completely revised. these works are representing the emotions of iranians towards a global event. with the compilation of the national document of visual arts , a new life was breathed into the fajr visual arts festival. be active as time progressed , the works of this document became more visible, such as the better rotation of the wheels of the art economy by strengthening the connection of the private sector and government many foreign visits for the ministers of islamic countries, the works that i give

tehran museum of contemporary art hosted the works in the 6th venice art biennial. this the exhibitionworks of iranian artists has been displayed in venice for people to visit. hello, have a good time. the third day of the paris olympic games ended with the presence of iranian representatives in two disciplines. on the third day of the olympic games , iran's caravan was represented in two disciplines: sailing and shooting. mohsa javar and zeinab nowrozi , representatives of iran in women's light weight double rowing rowing, which was fourth in the preliminary round yesterday, has a chance to get back on the water. they competed with the representatives of argentina, china, canada and ireland and placed fourth with a time of 7 minutes, 35 seconds and 56 hundredths of a second. and made it to the final 30. in this competition , rowers from ireland, canada and argentina were first to third. these two iranian rowing ladies continue. their competition on wednesday, august 10, in the final 30 , they will compete with china, peru and japan for the 12th to 16th places. we were really in a very

but this meeting with the artists did not end with just one meeting at the tehran museum of contemporary arts. in the next two meetings of shahid raisi. be a document based on multiple clauses in the engineering plan efforts were made to finally compile the national visual arts document of the country that has been dying since 1992 . it was completely revised, the instructions of the galleries were completely rewritten, the policies and regulations governing the iranian art market were proposed, the first version was written , and the result was the brilliance of iranian painters in the 600th venice art biennial, and these works represent emotions. iranians are concerned about a global event, with the compilation of the national document of visual arts , fajr visual arts festival was breathed into life again. as time progressed, the works of this document became more visible. like better rotation of the wheels of the art economy by strengthening the connection between the private and public sectors. many foreign visits for the ministers of islamic countries, the works i give as gifts, mo

but this meeting with the artists did not end with just one meeting at the tehran museum of contemporarys. in the next two meetings, shahid raisi hosted the artists. calligraphy as an art field has no place in the ministry of science. of course, these meetings were not limited to these good wishes. sir, you are fine, god willing. efforts were made to compile the national visual arts document. a document based on several clauses in the cultural engineering map of the country. which has been decaying since 1992. the regulation that was in the field of embodiment and memory was completely revised. recipe of hatour gallery completely rewritten. the policy and regulations governing the iranian art market were proposed. the first version was written. one of its results was the brilliance of iranian painters in the 6th venice art biennial. these works represent the emotions of iranians towards a reality. a new life was breathed into the fajr visual arts festival by compiling the national visual arts document. a society in which art is active causes the spirit of happiness, hope for the future a

recorded in the country, and tehran museum of contemporary arts hosted one of the works in the 6th biennialexhibition of khuzestan, the land of climate diversity. these days, in the south of khuzestan, the compatriots are witnessing less experienced hot weather, and at the same time, the compatriots in the north of this province they have spring weather. global warming in every part of the world can be recognized in the last 20 years . but here in khuzestan, which is known as the heat shield of west asia, the temperature rises to more than 50 degrees. the heat is too much. khuzestan has always had heat, but this year it is more than other years. but what distinguishes khuzestan from different parts of the world is the temperature difference at a different time and place. khuzestan region is a special region. for example, this is the city of shush, which is the hottest city in iran in the last few days . they can't stand the heat, they go home by 6 , it's already 11 o'clock, and the market becomes really quiet . where the air temperature drops significantly. in the night and in the morning,

did not end with this one meeting at the museum of contemporary arts in tehran.ting calligraphy artists as an art field does not have a place in the ministry of science . efforts were made to finally compile a national document on visual arts , a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. it was completely revised, the instructions of the galleries were completely rewritten, the policy and regulations governing the iranian art market were suggested, and the initial version was written. one of its results was the brilliance of iranian painters in the 6th venice art biennial. these works represent the emotions of iranians towards a global event. with the compilation of the national document of visual arts, a new life was breathed into the fajr visual arts festival. a society in which art is active, makes the spirit of joy, hope for the future and life. it should be active. as time progressed, the works of this document became more visible. like turning the wheels of the economy better art by

this meeting with the artists did not end with this one meeting at the museum of contemporary arts inran. in the next two meetings, shahid raisi hosted calligraphy artists as an art discipline in the ministry of science. it has no place. of course, these visits were not limited to these good wishes . sir, how are you? finally, the national visual arts document should be compiled based on the clauses many in the country's cultural engineering map, which has been decaying since 1992. the regulation that was in the field of statues and monuments was completely revised. the instructions of the galleries were completely rewritten. the policy and regulations governing the iranian art market were proposed. the beginning was written. it was a result. the brilliance of the artist. in the 6th biennale of art in venice, the iranian painter is representing the emotions of iranians towards a global event, with the compilation of the national visual arts document, a new life was breathed into the fajr visual arts festival. a society in which art is active makes the spirit joy of hope for the future

this one meeting at the museum of contemporary arts in tehran. in the next two meetings, shahid raisi hosted calligraphy artists as an art field in the ministry of science. these good wishes are not limited to you it is good that efforts were made to finally compile the national document of visual arts, a document based on several clauses in the country's cultural engineering plan, which has been in the ground since 2019. the regulation that was in the field of embodiment and memory was completely revised. the gallery recipe was completely rewritten. the policy and regulations governing the iranian art market were proposed. the initial version was written. one result was the brilliance of iranian painters in the 6th venice art biennial. these works represent the emotions of iranians towards a global event. with the support of the national document of visual arts, john dobar. once again fajr visual festival was blown. a society in which art is active causes the spirit of happiness, hope for the future and the beginning of life to be active in it.

this one meeting at the museum of contemporary arts in tehran. in the next two meetings, shahid raisi hosted calligraphy artists as a discipline. art has no place in the ministry of science, of course, these visits were not limited to these pleasantries, and peace be upon you, mr. asad javad, how are you, god willing , efforts were made to finally compile a national document on visual arts , a document based on several clauses in the country's cultural engineering plan that has been in place since 92 eats dirt. the regulation that was in the field of statues and memorials was completely revised. the recipe of the galleries was completely rewritten. the policy and regulations governing the iranian art market were proposed. the initial version was written. it was a result. the brilliance of iranian painters in the sixth century. every year of art, venice has these works it represents the emotions of iranians towards a global event , and the fajr visual arts festival was given a new lease of life with the compilation of the national document of visu

but this meeting with the artists is like a meeting in the museum tehran's contemporary arts did not end. in the next two meetings of shahid raisi. of course, these meetings were not limited to these good wishes. how are you doing? god willing , the national visual arts document was finally compiled. a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. regulations in the field of statues and memorials. it was completely revised, the instructions of the galleries were completely rewritten, the policy and regulations governing the iranian art market were proposed, and the initial version was written. one of its results was the brilliance of iranian painters in the 6th venice art biennial. it has these effects it represents the emotions of iranians towards a global event. with the compilation of the national visual arts document , fajr visual arts festival was given a new lease of life. a society in which art is active causes the spirit of happiness, hope for the future and the beginning of life to be active in it. as ti