this is witnessstein's podcast and its host, film historians natalya ryabchikova and stanislav didinskyour conversation about director tatyana leoznova. do you remember, about 10-15 years ago there was a parody of the film 17 moments of spring after it was colorized, by the way, with her approval and her participation, and even there it was all kind of comedic the principle was based on the fact that the colorizers painted in a very specific way, painting one of sterlitz’s boots pink, the other orange, the tri-tunic green, in general they did not match the tone and thereby completely demolished it. close to important, i even thought about filming the memoirs of the famous opera singer galina vishnevskaya, i met her, but something, something didn’t work out, and her last film was actually a three-part television series, it seems, with a very intriguing complex title, the end of the world with subsequent symposium, yes, but critics say about it that it was already some kind of belated movie, a film adaptation of an american play, where the main character is, in fact, also a playwright, al

this is witnessstein's podcast, its leading film historians natalya ryabchikova and stanislav dyadinskyersation about alexander shirvind, who is now would have turned 90 years old. we mentioned mikhail derzhavin, with whom he created a wonderful duet, they have known each other since their youth, they were born in the same place. blessed, but did not go to the coffin, they had no equal in the duet, derzhavin went to the tavern, meaning 13 chairs, but shirvent survived the separation, he has peace. extended his diamond hand, it was known, and their ability to work together, the three of them appear on the screen, just in three boats, not counting the dog, a film that, well, is a little nonsense in the soviet history of cinema, naun birman decided to make a film adaptation of jerome ka jerome, everything should be like real englishmen, real london, filmed in the kaliningrad region, make-up done. please, sir, sir, this is a comic couplet: a comic couplet, stop, do you really think that you can listen to comic couplets, with such a sad, lean face, i beg you, go out into the garden with him,

a movie, a big movie, in which the tension is as high as on the big screen, this was the release of witnessstein'sy has a background. petersburg the express train rushed me from the fields of the st. petersburg economic forum in the night. home to moscow, i went out to the dining car, did not sit in the sv, where i was supposed to be, because no one would just meet anyone on the st. petersburg express, and there i met... zhenya malema, here he is sitting, you you know this brilliant drummer, you remember, our guest was the brilliant team of zwentan, who throws russian village melos straight into the cauldron where polyrhythms, rhythmic fragments, funk float, in general this is fusion, this is the rhythm. zhenya says i i’m doing something else, show me, here he showed me, but the music is so brilliant, and most importantly completely useless, it’s of no use to anyone... wet weather come to waste the dark from my skin, come to clean my hands. in my mind so my heart can begin and start open new revolution the clear sky hit the by blue resolution raindrops tripping by my window i wait until the paint

this is witnessstein's podcast, its leading film historians natalya ryabchikova and stanislav didinskyspent the summer months together in a dacha area, a dacha, i don’t know if it was a cooperative or not, but in general, what was called the nile, science, art, literature, there’s more orenburg once lived, well, in general, this has been a community of summer residents since the thirties, this ability to communicate with a partner, it seems to me that this is... also what shirvint was incredibly loved for, including directors was incredibly attractive because he responds to partners, yes, he works, interacts with him, when, for example, derzavian could not participate in some of his next written duets and skits and numbers, then he could perform with andrei mironov, whom i also knew, by the way, mironov studied with him at school, that... perform with andrei miron, he could perform for a time with him in the early fifties, and he could who studied at about the same time as anatoriy popanov, valentin gavt, who was known in the theatrical environment not only as an actor, but also as the