eifman ballet theater, first saw cathedrals, bridges, avenues from plane flying from novosibirs to ste city shares this beauty, you want to share it too. avenue, but are born far from the noisy center. st. petersburg once began for her with new buildings, now there is a fashion designer comes here in the evenings to admire this landscape and look into the future. we have ahead of us the closest possible contact with our beloved city; we will also begin to explore st. petersburg with new districts.

eifman dance academy and the leonid yakobson ballet theater.et's announce the names of the winners and laureates. so, the palme d'or was awarded to annora, directed by sean baker. the main role in the film was played by russian actors yuri borisov and mark edelstein. the second most important prize, the grand prix of the kranj festival, was awarded to the film everything we present as light by indian director payalkai. best director. the award for best actor went to jesse plemons for his role in kindness of jorgers lanthimos , while best screenplay went to the substance of crolefarge. this year's main program included 22 films. the jury was headed american director and actress greta guervere. and if all these names, surnames, titles of films that tanya just announced to us, we just have to study them , get to know them better, rewatch all these films, then i would still like to add one more news from the scan film festival, i think, that these names are known to you all, so the honorary golden branch was received by george lucas, the same direc

only... from the west and studied and did not raise our own choreographers, well, of course we have borish eifman with his author’s theater, we have the amazing yuri posokhov, such bright choreographers of the stars, i’m still waiting for them, when it appears when it is born, i work with young choreographers, which i somehow support them too, but this is so you know point-by-point, well, you can’t say that we have it. websites, we have kilians, we have balanchines, matsseikas, and many, many, and these great choreographers who, in general, well, this is already like for the west, this is a classic, but we still haven’t , let’s say, they didn’t raise, didn’t educate people like this, that is, as i understand it, what you are saying is that this needs to be done, i believe that this needs to be done in order to, because big risk, this is a risk, you know, here are young choreographers who... don’t have a big name yet, who don’t have a big, big repertoire list for theaters, for trumpets, entrusting artists, entrusting time, this is a risk, because you can get a little death, but you can get

yakovich eifman, with his own theater, we have the amazing yuri posokhov, like this so... yes, well, think you have to take risks, and where does a choreographer come from if he has no practice, and you argue with choreographers who do something for you, no, i i don’t argue, sometimes i’m yura posokhov, our amazing choreographer, who has staged a lot of performances in the big theater, every time he, and he can literally choreograph so many movements in just a few bars of music that you stand there and... you think it’s me, i tell him so, it’s impossible to do, but he says: you always say that, and then you do it, well, that’s about the maximum of my arguments with choreographers, that at first i’m afraid, and then when it all comes into their movement, coordination into the body, where it already seems that it was possible to stage the most , light, tell me, do you see yourself as a teacher, i will say this, i like to correct when i come to sirius, i like working with children. i like to build a system that they have to learn something, i can hold rehearsals, there teachers ask me f

a lot from the west and studied and did not raise their own choreographers, well, of course we have boris list for theaters, for companies, trust artists, trust time, this risk, because you can get a small death, but you can get yes... that is, you have to take risks, yes, i think you have to take risks, and where does a choreographer come from if he has no practice, and you argue with choreographers who for they are doing something to you, no, i’m not arguing, sometimes i’m yura posokhov, our amazing choreographer, who has staged a lot of performances in the big theater, every time he, and here he can choreograph so many movements in just a few bars of music why are you standing there and thinking, it’s me, i tell him so: build a system that they have to learn something, i can hold rehearsals, there teachers ask me for opinions, ask for some comments, as soon as i get to work, of course, as a professional i see a lot and see the potential in children , i want to fix it, but as a teacher, as my future profession, i don’t see this yet, tell me, with this crazy workload, do you have anythin

dance academy of boris eifman, who and... premiere performance of a musical performance with the initials of nikolai rimsky korsykov will take place on june 1st. next is economic news, we are on the air at 9:00. see you. belarusian enterprises are represented at an exhibition in shanghai, we are studying demand. the industrial complex of belarus in the year of quality and prices will be discussed at the forum in minsk. air tickets around the world are stabilizing amid declining passenger demand. you are watching economic news, i am svetlana lukinyuk with you. good morning. belarusian enterprises are represented as part of the belarus exposition at the exhibition in shanghai. it is the largest international food and beverage marketplace, as well as special equipment for food production technologies. the forum is the hallmark of the food industry in the asian region and brings together representatives of several thousand companies from all over the world, including belarus. this year , more than two dozen belarusian enterprises