galina kruk, we are in touch, galya, i congratulate you, good evening, thank you for finding the opportunityin. good evening, we are talking now, but lyuba has already spoken, regarding mykhailo semenko, and the interpretation of mykhailo semenko in the poet, in the teromantika project, you wrote very clear theses regarding, regarding your remarks, yes, regarding this project, please tell me what worries you about this project... in particular, i ask you to comment on the personality of the unr stream and the january, january uprising, for example, how, how it is presented, well, actually, there are several points here, on which, unfortunately, the whole criticism that was directed there, at my, at my analysis, at my lines, she sounded like a kind of uchi... demands that we actually read correctly, how we should read, that not always a pop project must necessarily adhere to some accuracy, at least not always the audience that will watch a musical such material, he wants to know the details of the details and be sure that they are exactly like that, unfortunately, to pop'. projects are actual