the artist’s widow, natalya glebova, gives us a tour of the exhibition and tells us that he always drewf led him, but in the image of the man she seemed to stumble, as lubennikov himself said in his paintings. in some things you see a technique like frescoes, in some works you see how he builds volumes, purely in caravaggian style, with shadows, we have several works presented, including judith, what a beauty, what a mess it turns out, this is how the master himself spoke about his own paintings, unique footage, his work in the workshop can be seen in the documentary life goes on, he worked almost... every day and received recognition throughout world, whether you want it or not, you still work, because you have a motivator inside that forces you to work, you understand, this is , of course, a fairly metaphorical form of talent cells, yes, but, but it’s very similar, in fact, that this is not freedom, talent is not freedom, many of us encounter his talent every day, the main thing is not to look at your feet while traveling in the subway, he designed one of the exits from the mayak metr