paulo, it’s clear, that is, his idea was an audio school, andrey absolutely, he suggested, i was like resource that could be used. yes, and that’s not even the point, the point is that a room was needed for this, it was necessary to find a team of people for this, to administer all this, and since andrei practically didn’t know anyone anymore, he had been for 10 years, yes, yes, yes, he lived, so you can imagine, yes, and he was the most famous and remains the most famous techno-musician who makes tracks, if we have turntables, we need to do something on them, we started with this, let's end with this, no, let's i, let me, maybe, volodya, teach me, maybe what styles? there is such a thing as mixing music. in this case, we have two players, the first player is the second player, with different compositions placed on it. there is a mixer on which , in fact, the volume level is output so that this signal goes here, from here, from the right from the left deck goes here to the mixer, here you decide with the faders which signal to let go out to the people. i'm just saying what i know.