this book reminded me of this bestseller by pavel bosinsky. battait le cœur avec contrition, il se, ilit se se faire pardonner à lui-même allot allots ces erreurs, allots les... families and we criticized lev nikolayevich a little from a female point of view, yes, that he was wrong, yes, but it is very interesting, it seems to me that i hear from foreign fat people, when they say, olviy nikolayevich is freer, or something, in the sense in the sense of like this from grandfather, great-grandfather and so on, they do not have this aspiration, as it seems that we have a figure, starting from the school bench, here he is in portrait. and he told mom, you are worse than wild. dear friends, this is the podcast life of the remarkable, with you i, its host writer alexey varlamov, and today we are talking with the great-granddaughter of leo tolstoy, marta albertini, we are talking about her fate, about her family, about how their lives turned out, why they were forced to leave russia in the 20th century, why they returned here, and you are a great-granddaughter. why am i so energetic and full o

la neige et mon cœur s'habille de noir, c'est soy cortège, tout temps l'arme blanche, l'oiseau sur le, mais tombe la naige , impassible manége, el salvadoria the snow is falling, even the snow is falling, well, this is such a melody of sadness, let her be a whore, he is waiting for her, and she doesn’t come, it’s snowing, but she doesn’t come, our friends from yugoslavia were very popular at that time, you remember the whole socialist camp, of course. that’s what the polish group was called - well, first of all, chervona guitar guitar, chervona guitar, severina koroevsky , when they ask me what your favorite ensemble was, i say, i had two favorite ensembles, the beatles ensemble and the warsaw pact ensemble , selective image yes the beatles are beyond competition, it is clear that there are no beatles for forever stayed, i will move a little with you through history according to the fate of dmitry kharatyan, here we go, we go and i’m looking forward to what came first, the midshipman or the green van, of course, the green van, the green van, well , yes, yes, the green van - this is 83

tu ne viendras pas ce soir tombe la neige et mon cœur s'habille de noir, c'est soy cartège, tout en l'arme blanche, l'oiseau sur lesge, tu ne viendras pas ce soir, mais cris mon désespoir, mais tombe la neige, impossible ma neige, salvadorovo kharatjana snow is falling yes it is snow falling well this is what we call it a melody of sadness let it be a melody he is waiting for it but she doesn’t come and she doesn’t come such a time our friends from yugoslavia were very popular you remember the whole socialist camp of course flattering karl goth definitely vondrychkova and the polish group was called guitar, red guitar, when they ask me what is your favorite ensemble, i had, i say, i had two... i have always remained for centuries, i a little bit, i will move with you through history, through the fate of dmitry kharatyan, here we go, we go, and i’m looking forward to what used to be gardamarin or a green van, of course, a green van, a van. by the way, 40 years this year, we filmed 40 years ago, green van, where are you, july and twentieth year, two songs that maxim sakovich, donaevsky allowed, allowed me to perform