. >> i'm angela westwater in front of the westwater gallery at 257 bauery. more specifically, i'm in norman foster's moving room where there's installed a work, a moving room 12 by 20 feet in size, and it was really conceived of as an exhibition space which is, obviously, what we're using it for now. it's moving between two floors, in this case between two and three, and from the facade of the building is this strong visual kind of beacon. the red, the color, you can see from across the street from a distance could be very mysterious, very compelling. all in the lobby, when you walk into the gallery, and you look up at this moving room, sometimes it can be, let's say, unsettling. i remember the moment when we were up at foster and partner in the offices and looking at a model this space, and at a certain moment, norman stood up, took a pencil in his hand, and actually drew out this curve here on the second floor, and that was just an epic moment, an epic change in what we conceived of, or what he had conceived of hitherto, because it totally opened up the gr