but david remnick himself. i mean, what is that legacy as you go into the new yorker where it's, there's such a rich history? >> i think in, it's an asset in the sense that i look at a lot of these people, i read "in cold blood" while i was working on the willingham story. i read "the executioner's song" which didn't come out in the new yorker, but another great crime nonfiction story. or at least based on nonfiction. and so these help me as templates, but then when i'm working on a story, i really try not to think about those things. because if i had in my head i'm truman capote when i'm trying to write my story, i don't think i'd ever get a word out. so i use it as inspiration, and i often for each one of my stories i will look to certain stories, and i will read them and say, okay, these provide -- sometimes inspiration is not so linear. it's about a different subject. but perhaps it's about trying to portray a character, getting inside a character or a more or essayistic type of piece. so i look at these, a