falling take me over now take me out ♪ ♪ give me something to dream about take me over take me out ♪creen in printer columns that's no way to live ♪ ♪ city's memories promise stereo but don't sleep 'cause now it's time to go ♪ ♪ i can hear it calling did you see me falling take me over take me out ♪ ♪ through the jungle through the night to paradise paradise ♪ ♪ take me over take me out through the jungle through the night forever ♪ ♪ take me over take me out through the jungle through the night ♪ ♪ to paradise paradise take me over take me out ♪ ♪ through the jungle through the night forever ♪ ♪ ♪ you may not notice now what people talk about is some people think that we're running away ♪ ♪ i'll push the -- it's all i've ever done so give me a reason to stay ♪ ♪ ♪ ♪ ♪ take me over take me out through the jungle through the night ♪ ♪ to paradise paradise take me over take me out ♪ ♪ through the jungle through the night forever take me over take me out ♪ ♪ through the jungle through the night to paradise paradise ♪ ♪ take me over take me out through the jungle through the night foreve

me too? why me too? excuse me. iha chi is everything okay. no. i told him what you said but he didn't believe me. he's going to kill you. kill me? here? now? no. he said he will fight you tomorrow morning at the temple. if you try to escape tonight he'll kill you and your friends and me too! friends? we're not his friends! we just met him. we hardly no each other. the man was so panic stricken and afraid that they couldn't sleep all night. they just sat in total silence. it was a very quiet night. the next morning,hia chi, hia chi! oh, this is a voice i will never ever forget. samurai, good morning. oh, good morningiha chi come on. i had a very good sleep last night. very good. wonderful. yes, so i'd like to pay my bill. keep the change. thank you. thank you. and now, i'm leaving. leaving? what about the fight at the temple? huh? oh, that! no,iha chi that was just a lie. what? a lie? why would you tell such a lie. because,iha chi i just wanted a quiet night! [applause] [music] >> welcome to this afternoon's performance. before the actual performa

me encantarÍa.erminar con nÚmeros al ganador de este debate, pero nosotros vamos a analizar aquÍ con nuestro estudio, el analista polÍtico. >> en su opiniÓn quiÉn de estos candidatos ha ganado en el debato. >> keiko fujimori. lo feo lo vemos en este momento. es uyanta humala. >> por quÉ? >> porque no saliÓ de lo que leÍa. lo tuvo reacciÓn. creo que fue inteligente hasta en un punto pero despuÉs se pasÓ. >> las encuestadoras le dan el primer lugar. >> para la primera ronda. >> yo creo que va y es definitivo. >> cÓmo es el conteo en la segunda vuelta? >> por un voto ganas o pierdes. en la primera ronda este domingo tienes que ganar con el 50 % de los votos mÁs uno. lo que es casi imposible. si es que humala repite, lo vemos corriendo sÍ, muy Ágil tiene que correr muy rÁpido para repuntar porque si tiene la misma tÁctica de anoche. mi principio es que pierde. >> esto usted cree que le va a ayudar a ella. >> lo que hay es un debate muy cerrado entre los que van en segundo lugar. el que va primero, humal

he sat me down after he cussed me out, had a nice conversation with me and said to me, you don't wantto live your life that way in this town or anywhere elsewhere you're constantly asking for favors and people see you coming, they'll run the other way. develop your own system, make your own goals, accomplish your own achievements and you'll have what you need but stop asking folks for favors. >> very wise. your next one is "you're always on." in the internet age, there is no privacy. how does one deal with that in the failing up when sometimes failures are minute and sometimes failures are only known to you or a small circ will. failures now are known. tavis: on a global scale. and that's the whole point. i tell a story, speaking of television, when i was on b.e.t. years ago, long before pbs, i was interviewing a guest one night and i tell the name in the book, robert townsend, actor, director, producer. he was on my b.e.t. show. i was in d.c. and he was on a satellite feed in l.a. and long story short, he'd done a movie that halle berry was in. i thought it was a horrible film. i did

when they ask me to do something, it is hard for me to say no. and that is why i flew in the dark at night from atlanta to come out here. [laughter]. but it is because of that generosity of the national public library. so i went there to get my books and i would bring them home and read all 3. then the next week i would take them back to the library. i would read often. when you read better, you read success. i credit the national public library with my successes as a young reader and a young writer. my grandfather had 2 books on his shelf. one was king james version of the bible, the other was bull finch's mythology. it was that thick and on the mantle. i can see it as clearly as i am looking at them now. keu remember looking at the pictures and beginning to pick through some of the stories. and i learned to love those stories and if you read my books as a collection, and some people have, you will see that those 2 books inform most of my writings in subtle ways, not overt, in subtle ways you can see those books and the influence that they have

Él me dijo que me iba a hacer un peinado locochÓn. me dijo que me veÍa guapisima. >>¡hum!e estaba muy grande. ya me dolÍa la cabeza. [♪] ¿y rocco... no Íbamos a cenar los 4? >>sÍ, pero ya ves que no es dueÑo de su tiempo, el pobre; y no pudo venir. [♪] ¿y quÉ cuenta el mundo de la publicidad? karina me contÓ que te dedicas a eso, ¿verdad? >>sÍ, tengo una agencia de publicidad. estamos manejando 7 cuentas. 3, nacionales y 4, internacionales. asÍ que podrÁs imaginar que nos va muy bien. >>claro, se ve. [risa] y te gusta mucho el arte... oriental, lo chino... mira quÉ bonito... Él: ¡sÍ, claro! [♪] colecciono arte oriental. pero... lo que mÁs apasiona es el estilo y refinamiento del arte tailandÉs. [♪] del chino y del japonÉs tambien. [♪] >>ay, me hicieron un chiste buenÍsimo. ¿cÓmo se dice espejo en japonÉs? [♪] >>no tengo la menor idea. >> ahÍtoy. [risas] ¿lo entiendes? >>mensa... >>es un chistojete. yo ya me iba porque tengo muchÍsimas cosas que hacer. a ver cuÁndo podemos reunirnos los cuatro. >>claro. mucho gusto, susana. >>chao, amiga. >>te acompaÑo, susy. [♪] [exhala] [

pick me up a birka. and he throws one at me, and i put it on. and the back of it -- those of you who know afghanistan is know how wrong this is -- the front of it hit me about here, and the back of it hit me back here. so, in other words, i was basically walking around wearing the equivalent of a miniskirt in kandahar. and every elder i met with said it's really great you're trying to observe our culture, but it's very short. [laughter] is that the style in kabul now? [laughter] so, i mean, i would just try to wear what made people comfortable. you know, we went to parties in kabul, i'm not going to pretend like i was wearing those outfits. i would wear them over what i would wear there, but then i would wear normal western clothes inside parties. all right, next question. yes, you in the pack. wait for the microphone -- you in the back. wait for the microphone. >> yeah, i'm just, i'm just wondering if you have any thoughts about the way "the chicago tribune" and so many news organizations are shutting down bureaus and the total meltdown that's

and he -- he was so sweet to me. he took me under his wing.was. and he took me on the road with him. he took me to new york, and we played the fillmore east. he introduced me to bob dylan, and he was so kind, and he was another piano player and another songwriter, another singer. and i, you know, i've never forgotten that. you know, i had so many people who were kind to me when i first came to this country. >> jimmy: yeah. >> but, that was, you know -- i was so thrilled because he was my idol. >> jimmy: well, i mean, the record got already nominated for, like, a bunch of awards, already. it's a fantastic album. it's so good. you got t-bone burnett did this. >> t-bone burnett. yes. >> jimmy: come on. that guy's a little talented, huh? >> slightly. >> jimmy: a little bit. yeah, yeah, yeah. and you have neil young, brian wilson doing backing vocals on this. it's a fantastic cd. you guys should pick it up. it's super rad. and i know they just -- cameron crowe just did a documentary. >> cameron crowe did the whole filming of the album from when we

no me importa, es mi nieto y nadie me lo va a arrebatar.ena para que se casara con max. y mira cÓmo le estÁ pasando. >> eso fue lo peor, quÉ golpe bajo aliarse! >> todo este lÍo se aclare porque sino me va a dar algo. >> nos pasamos el twitt. >> pero yo veo siempre con la gente. para ver quÉ pasa. ya lo sabe el triunfo del amor por univisiÓn. >> la casa de todos. >> tienes que decir ahora como dice lucero. >> la casa de todos. >> a parte yo veo teresa. y sebastiÁn ruli va a estar el prÓximo domingo en nuestra belleza latina. >> no vaya a trabajar, relÁjese y disfrute de la compaÑÍa. >> uno puede cocinar viendo la novela. >> mejor vamos con ernesto que estÁ realmente impresionado de tu actitud. ♪ ♪ >> vamos a la boda real. muchachos! tengo una noticia que me ha dejado impactada. en los preparativos parte es ensayar el beso que se van a dar el 29 de abril. imagÍnate tiene que ser a la 1 de la tarde, con 25 minutos. van a darse ese primer beso como marido y mujer ante todos los miles de espectadores que estarÁn allÍ. y los millones de espectad

let me finish it. and it's for counter intelligence training, 101 and mandatory reading for they're course encounter intelligence. this is in tan sa any a. i went there when i was three years old and my father founded a medical center and my mother started a school. it was a wonderful childhood. i went to school with children from two dozen countries. with jews and christians and hindus and for me that was the way the world was. finally it came time to come back to america. i was in high school and really looking forward to coming back to a place whether i heard about fourth of jewels lies anulies . i got beat up. they said you're not from america. it wasn't in africa that i learned about racism but here in united states. we were completely broke and i did something real unpopular at the time. four days after high school i joind the united states army. not only to serve my country but to get the,gi bill to continue my education. then i saw young men and women from all across america. from farms and ran

please tell me, tell me what it means, explain it to me. and then it isn't. and then it becomes this bleak kind of, this thing where you just get to the very, very end and it's like what are you doing, wait, please, what. and then this? mean just this? this is it? >> yeah. >> the translator of course is not god. he's just a man. >> tell her i'm a man. >> i'm a man. and he goes no you're god. >> no, you're a man, you're not the cure. >> rose: take a look at this, we're going to see a scene. this is moments before you were killed. before the taker is killed. here is robin. roll tape. >> i'm not going to lie. when i get hungry, i get stupid. 12 years back i screwed up, okay. i followed, i took a bite and then a tranquilizer dart comes from out of nowhere and i wake up in baghdad. >> so that was depressing. you happy now. >> hell yeah. >> imagine, it's your every day routine. you go out to grab a bite and whack, curtains. >> you swear to god this is really saddam's kid's gun. >> and when you open your eyes are you in a concrete block. >> ude. >> who? >> ude hughe

that got me up, and that got me moving. i fell down a bunch of times. i was just trying to keep from going in circles. i remember one thing that was pretty unsettling. i can see the sun-- not the rest of the stuff around, but i can see that big yellow ball up there. and i'm looking at it, and it's about there, as i'm looking above the horizon. and, as you well know, when that sun goes down, the place changes rather dramatically from something which is survivable to something which is just horror on earth. i'm shuffling along, aware that i'm hallucinating. and as i was getting closer to these blue objects-- and i'm really not aware yet that the blue things are the tents; it rolls through that they might be, but i don't really know that. and it's only when somebody stands up in front of me, and we look at each other over one of these blue rocks, do i realize that i... that i'm back. i'm in the tent, i'm in a sleeping bag, and they know that i'm here. >> an hour before dark, i radioed rob to tell him that his wife, jan, was ca

feel protected like nothing that dares to touch me could hurt me.here is a power that grows inside me. when i find myself under her wings. under her wings i am calm. and she calls me mija, as if she were saying don't give unon account of stupid things. don't you see how strong you are? and my pain turns into a sincere smile and my soul doesn't feel hurt any hor. -- more. thank you. [cheers and applause] >> yay. and next up we have annie. annie yu, i'm sorry. annie yu. >> it's ok. so the poem i'm going to read is book of lives. my name is a book of lives. i press leaves inside, scraps of the city, one crumbled bus ticket, a number -- numb washed with rain, a torn photograph of two little girls. my name settle map of the world. a body of continents and stars. on an airplane i look at the map. flights intersect. travel miles and seas, hours and clouds, a window bird trills by my bed. power lines crisscross streets like threads in the sky. a book of lives is a month of saturdays, a sea-- seahorse from per ru, perfume at my neck. look inside a red suitca

a mÍ no me importa, me tiene sin cuidado como me llame el presidente la repÚblica, me importa cÓmo me con el presidente, se saludaron, quÉ le dijo usted? >> me hablÓ, me dijo que conocÍa mi madre desde hacía muchos aÑos de cuando era pequeÑa y le enviÓ saludos a mi madre. le regresÉ los saludos a la suya. >> ¿se le puede ganar a hugo chÁvez y las elecciones van ser legÍtimas? >> el presidente chÁvez en efecto tiene recursos econÓmicos, las elecciones en venezuela no son libres ni justos. hay un desequilibrio absoluto desde la campaÑa electoral hasta los mecanismos de intimidaciÓn a trabajadores y empleados pÚblicos pero la fuerza del pueblo de venezuela no la puede tener ni el presidente chÁvez el ni ningÚn otro autÓcrata que quiera poner a venezuela de rodillas. es un paÍs que queremos hacer un ejemplo para amÉrica latina y el mundo y que tenemos la fuerza, tenemos en nuestro adn del amor a la democracia, la libertad y en diciembre del 2012 se va a consolidar ese proceso. serÁ un ejemplo para amÉrica latina e irradiarÁ un efecto positivo para los paÍses hermanos. es a ellos, los paÍs

me. it was just a good exercise, and, you know, reliving those things and knowing where to find them. >> host: right. the preference of writing a memoir is one part narration and one part reflection. what did you learn about yourself in writing this? >> guest: you know, i felt better about myself when i took the full measure of my career. i don't want to sound immodest, but i was like, gee, i really did do a lot. i really did make a difference, and that felt really good, and then i was hoping to continue to make a difference by writing the books and hopefully people could get some things out of it that they would use in their workplaces. >> host: you decided to self-publish this? >> guest: because i took it to literary agents, and they said nobody wanted to establish it, and one of the themes of my book is everybody kept telling me no throughout my career, no, you can't be a journalist, anchor the news, but the white house correspondence, and i used to use the noes like visit -- vitamin p

and then the soldier who was touching me pulled me back and started groping me again. and that soldier pulled me back again and kept his arms around me for the rest of the trip. so i do think that there is conflict amongst them, of how to treat journalists. how to treat foreigners, how to treat people that they know why we're there. but i think that you know, it's easy for them to say well you're all spies. we're just going to kill and abuse you. but i think obviously per's journalists. we have our cameras, our computers, we have gear. you know, we don't have weapons. >> rose: is the idea, though, because of "60 minutes" and because of sexual aggression used against journalists, something that's becoming a big issue in your judgement? >> no. i think it's probably been an issue for a long time. >> rose: but didn't have attention or we all knew it as well? >> i don't know. i mean i think lara logan has to speak for herself. >> rose: and will on sunday night. >> and she will. and obviously what happened to her is a tragedy and not acceptable under any terms. but i think t

oftentimes, it has caused me to be passed up by bosses, by trains, and again, it makes me late for appointments. it makes me late for my job. >> i'm often anxious that i'm going to miss the bus that i need, simply because i'm not fast enough to scamper down and find out which bus is lined up behind the bus that is currently in front of me. what i'm going to work and i take the van ness street buses to work, sometimes, one of them will pull up right next to the other one. not in a bus stop, but parallel to it. and i do not know it is there. i also do not feel comfortable walking out into the street. >> is that my boss over there? i think that is my boss -- bus. i'm going to miss it. i don't know how many times i have missed buses because of this. >> i do not double park. it is not safe for our customers, and especially the visually impaired. anything could happen, and it is muni's policy not to double park. normally what i do, if i can safely go in behind, i pull in the zone, offload my customers, load the customers that are waiting for me. when the bus in front of the leaves, i will pull to the

listen to me.ike this. >> watch the hair. >> jimmy: i'm not going to do anything. >> naturally, usually i'm taller than my opponents. they would shoot for my legs. >> jimmy: sweep the leg. >> not quite, but i like that you know what you're doing -- >> jimmy: from "the karat tee kid," really. >> so, then, what happens, you would shoot for the leg, i would sprawl out. there's no chance you're going to be able to grab ankles. so, on the ground, i would go here and this is called a half nelson. >> jimmy: all right. >> this is how i would pin somebody. i would put you on my back -- >> jimmy: why are we not laying down on the ground? >> it's not that kind of show. >> jimmy: you would pin ne? >> i would absolutely pin you if i was not in a dress. >> jimmy: really? take off your dress. i tell you what -- you're going to have to come back and we'll actually wrestle. >> i will bring it next time, all right? >> jimmy: absolutely. jaimie alexander. "thor" opens may 6th. we'll be right back with augustana. >> j

me baso, me apoyo en mi creencia.res de la tarde, la entrada es gratis, hoy? hoy? me dicen que es hoy? hoy. vamos con chiqui ya. [risas] >> no, no. >> su vestuario! ahÍ estÁ, cristina pero despuÉs de la pausa. ya volvemos. >> no, >> todos emocionados con esta transformaciÓn que hoy sammy le realizÓ a cristina. >> junto a nosotros estÁn raÚl y claudia, compaÑeros de trabajo que decidieron darle esta sorpresa a cristina. cÓmo se la imaginan? >> una diva, una diva. va a salir. como se llama la de belleza latina... [risas] >> superlistos. >> a ti no te pregunto nada. >> creo que deben poner los cinturones en la casa y si tienen un cafÉ pÓngalo en la mesa porque no quiero que se quemen cuando vean esta transformaciÓn. >> amarrense todo lo que tengan. >> cristina, adelante! >> wow! >> preciosa, cristina! >> no, no. miren ese cabello y ese maquillaje y queremos ver el antes y el despuÉs de cristina, que lo estamos viendo en pantalla. es impresionante. reina, te queremos recibir. quÉ cabello. sammy. me encanta! quiero ver la

basketball turning me. brothers against guns is committed to a long list of projects like the basketball tournament organized by the housing institute but perhaps the most ambitious of its projects is the redirection prog. which tries to change the course of the lives of those who sign up selection must be strict account that's coming from a war zone as was all of that in the flood but this is. redirection project will start on the fifteenth. as you seem older boys come down again pull out the application we got advance i'm coming down here we don't know nobody to be popping up and they got people somebody yes. it's. like a pretty neat to. me and we have we have questions we have course we have like questions now we ask them are you going really do that go team up do you got we've got major beef you still smoking marijuana in the last question really going to be are you really are you ready to make a change because if you're not then we direction is not what you say and just like most of that call out and w

i'm becoming mature, it's time to be me. to change my ways for me, my family. and to -- i feel refreshed and i feel whole. maybe i finally found my soul. through all the darkness i see the light. i'm a new person and this one i like.

you would think well it wasn't my neighbor that turned me in rose made me wear that said this about me so it was destroying that social fabric and i think this is one of the worst things that could happen the breakdown of our communities by this policy. they wanted to introduce when i see one hundred two i mean like monsanto another company's wheat rice flax out thousand and no permission was given. and it can aged people and the farmers and the current to me are said we have seen the damage it has done to health environment more chemicals the park rocks we do not want any more new homes. the i've heard not only in your country but also in my country and united states scientists say and some government people say we must be part of this new cake knology. this new technology is crazy science it's unsafe science and it's not proven science. and if we've had in north america eleven years of g.m.o. so how come we don't have lots of food now that the gun hungry world. the corporations want total total control of the seed supply which will then give them total control of the pollute the park

cÓmo me da de piedra que me corten la inspiraciÓn. ¿quiÉn es? siga.rrumpirlo, hombre. >>cuente a ver, m' hijo. es que le traigo noticias sobre el tal david paz. >>¡huy, no, no, no! un momentico, ¡cuidado! porque estos oÍdos no pueden oir tanta cosa corrompida. vaya, pues, mamita. vaya y ahorita mÁs tarde hablamos. vaya, pues. pÓngase bien bella. >>bueno, es que los de la embajada me dijeron que david paz y los agentes de la dea iban a venir a reunirse con unos narcotraficantes en la capital. >>¿cÓmo asÍ? ¿o sea que los agentes de la dea nos iban a echar mano? >>no, no, no. los gringos no. era la gente de colombia la que los querÍa agarrar. lo que pasa es que los gringos se negaban a decir cuÁl era el sitio de la reuniÓn. >>o sea que los gringos y la gente de david paz no vinieron, precisamente, ¿para protegernos? >>exactamente. [♪] >>como eres de terco y no haces caso... >>¡ay, quÉ rico! ¡ahhh! pero es una simple indigestiÓn, mamÁ. eso le puede pasar a cualquiera. >>cualquiera que se la pasa comiendo porquerÍas y no comida de la casita. aunque, bueno,

dice que no me va a pagar nada. >> solamente me va a dar 20 dÍas de medicamento y es lo que me dio.do faltan pocos dÍas para la beatificaciÓn del papa juan pablo ii las tiendas alrededor de la plaza de san pedro estÁn repletas todo tipo objetos con imagen del pontÍfice creen que miles de peregrinos asistirÁn a la beatificaciÓn, por lo que muchos no dormirÁn en roma, sino que regresarÁn a sus casas esa misma noche. >> recuerde que si quieren recibir la Última informaciÓn en su telÉfono celular envÍe la palabra noticias como mensaje de texto, conÉctese con el mundo y con su comunidad. >> mÁs adelante tenemos mas noticias, estÉn atentos pero vamos a ver cÓmo estÁ el clima. >> adelante paula. >> este segmento de despierta amÉrica es presentado por: (♪). >> gracias que tal muy buenos dÍas, las condiciones amanecen recuperÁndose del tiempo severo en gran parte del este de texas, al sur de arkansas, las tormentas esta tarde se estarÁn moviendo como muestra este modelo de pronÓstico, todo el este de la naciÓn con precipitaciones, granizo y la posibilidad de tornados, especialmente aquÍ en e

you're better than me. [ laughter ] this is all i had going for me.audience aws ] ♪ >> jimmy: hey -- come on back, man. i'm sorry. ♪ i -- [ laughter ] come on back. come on. come back to the show, have a good time. you're my -- you're my biggest fan. you get all my jokes. [ laughter ] come on, man. reconsider. yeah. thanks, buddy. [ cheers and applause ] ♪ come on, gosh. come on, man. it's going to be really fun. i promise. [ light laughter ] ♪ what's -- what's your problem? come back. don't put your arms in that thing and lean over, either. don't do that. why are you judging me? just come back. it's fun. hey, all right. good man. [ cheers and applause ] ♪ come on. hey. come on. [ audience aws ] i can see where you are. you're still back there. [ laughter ] you can't leave. that door doesn't open. it's fake. that door is a fake door. nice try. ♪ come on back. all right. [ laughter ] give it up for the mets bucket hat guy, everybody! [ cheers and applause ] we'll be right back with helen mirren! [ cheers and applause ] ♪ [ boy's voice ] jerry, ya bette

can you hear me? >> yes. >> and an honor to be sitting with governor castro and ismael beah and chi chi barron. i'm an american. for over 35 i've been teaching, writing about u.s. history, especially social and cultural history. recently, i've been helping to develop the field of children's history on a more global scale. this is the history for which i am professionally known and recognized. but my most recent book is as much a book about poland and a book about the united states and while it's very much about my childhood in the united states, it is also about the destruction of children and childhood. inheriting the holocaust is about how i became a very particular kind of american historian. when i was a little girl, not yet three years old, my mother began to tell me about her past. that is the origin of and basis for inheriting the holocaust, a family memoir that i wrote many years after she died because i needed to keep her story alive. why would an american historian write a memoir like this?

♪ [ laughter ] look at me. look at me. look at me. look at me. look at me. me. [ laughter ] ♪ thank you, women who walk around with their yoga mats in slings, for either looking like an unemployed archer or a bazooka smuggler. [ laughter ] ♪ thank you, april showers, for bringing may flowers. though more importantly, for washing away all of march's bull [ bleep ]. [ laughter ] [ cheers and applause ] yes! come on. watch it. watch it. shut up. you bazooka smuggler. ♪ [ laughter ] thank you, president obama, for moving your speech on monday so it didn't interfere with "dancing with the stars." because what better way to tell the world you won't back down to tyrants than by backing down to a chipper tom bergeron and a bag of fresh quip. [ laughter ] [ applause ] what's going on? ♪ [ laughter ] thank you, lady with the stroller by the subway stairs. for needing help just as i hear my train coming into the station. i know this is probably the choice that determines whether i go to heaven. but here's the thing, i really want to make that train. so, good luck! [ ch

and let me -- and let me -- let me draw -- let me draw a little contrast. >> order! order! it's very unfair. it's unfair on the prime minister. it's unfair on me. i want to hear the answer. the prime minister. >> let me draw a little contrast between what the health secretary is delivering here, real term health increases in spending and what is happening in wales. because what is happening in wales is the labour-led administration is cutting the nhs in real terms. everyone in wales needs to know if they get another labour-dominated assembly, she will get cuts in the nhs, whereas in england we'll see increases of the nhs because of the work of my right honorable friend. >> thank you, people have been shot to the extent of phone hacks allegations against some of our most popular newspapers. in order to uncover the truth, will the prime minister instigate a full judicial inquiry, and in particular, look at the relationship between the metropolitan police and news international? >> what's absolutely clear is phone hacking is not only unacceptable. it is against the law. it is

it gives me a healthy scalp and great looking hair. you making fun of me? no. you making fun of me? schwimmer, brock lesnar, jeff musial, stephen colbert. vanilla fudge once again! [ cheers and applause ] and the greatest band in "late night," the roots, right over there, everybody! stay tuned for "carson daly." thanks for watching, have a good night. i hope to see you tomorrow. bye-bye, everybody. [ cheers and applause ] ♪

you ask me about his reed pipe. the wind must play it for him. you ask me about his sweet songs. the wind must sing them for him. satur, the mother of dimusi, weeps for his song. once my boy wandered so freelly on the steppe, now he is captured. once dimusi wandered so freely on the steppe, now he is bound. the ewe gives up her lamb, the goat gives up her kid. my heart plays the reed pipe of mourning. in a place where he once said my mother will ask for me, now he cannot move his hands, now he cannot move his feet. i would see my child. the mother walked to the desolate place. she looked at the slain wild bull. she looked into its face. she said, my child, the face is yours. the spirit has fled. there is mourning in the house. there is grief in the inner chambers. the sister wandered about the city, weeping for her brother. gestanana wandered about the city, weeping for dimusi. oh, my brother, who is your sister? i am your sister. oh, dimusi, who is your mother? i am your mother. the day that dawns for you will also dawn for me. the day that you will see, i will also see. i would

but i cared what he thought about me. it mattered to me, chris, what he thought about me. also, every time he wrote, whether it was about "my promise" or my shortcomings, i can tell you that i learned something. i learned more about myself. i took it seriously. i still have on my wall at home in my library, which my wife and frame, that story marking the end of an embarrassing campaign in 1987. i also learned, like tens of millions of americans, more about my country reading david broder, listening to david broder. his observations about our country, our government, and the political figures he covered were straightforward and, from my perspective, always unvarnished. he was different. he was different then every other press person i have ever met. i call his undertakings, and all undertakings in all professions, there are some who tower above the others, whether it is in baseball or in politics or in business or in journalism. he was a towering figure. and he was not only recognized by his peers and his fellow journalists. he was recognized by those of us who were on the

what will get me out of this? right up until the moment when the trigger is pulled, you are trying to work it. there is kind of no point in being afraid. if you freeze, you're certainly going to die. if you try to work it, you are possibly or probably going to die. tavis: the example and that you gave about what happened to you specifically is underscored by the fact that we are talking about each, libya, other places. there have been any number of stories that indicate that these persons that were involved in these with foreign journalists. what is the tension that exists with foreign journalists in particular? >> probably the most dangerous thing to be is a libyan journalist or a driver. our own driver that was with us when we were inducted is still missing. we do not know what has happened to him. i spoke to others of libyan background that said they are much more prone to hit them hard and come down harder on them than others that fortunately have foreign passports that make them think twice. to take that poin

is the word that came to me.ot think that i am in touch or where of how risky much of the work that i do is because i come from a spiritual ankle. i think it is my responsibility to stand economist with my god of understanding, to stay cautiously to a power grid of them myself as much as i possibly can, do the honest and good right thing and the outcome is none of my business. as a result, i threw myself hard and head and heart long into the work and then some of the things like what happened over the last week happen. i would not say that i am a shy person. but in terms of media, i am really shy. we live on a farm in rural tennessee and scotland. we are private people. no one has been more surprised by this than i. tavis: how does one get motivated to do the work that you do as a result of your faith but not proselytize in the process? >> i have a very ecumenical fate. "the realm of the spirit is roomy and abroad. it is open to all." i stake my life on that. yes. tavis: you used the word "risk." have you discove

the front of it hit me about your and the back of hit me back here. so in other words, i was basically walking around wearing the equivalent of a miniskirt in kandahar. every elder i met said it's really great you were wearing that, you are trying to observe our culture, but it is very short. is that the south in kabul now? [laughter] so i think i'm in short i would just try, i would just try to wear what made people comfortable. but when we went to parties in kabul, i'm not going to begin like i was going to staff its. i would wear those outfits over what i were there but then i would wear normal clothes, western close to inside parties. all right, next question. >> yes, you in the back. wait for the microphone. >> i'm just wanting if you have any thoughts about the way the "chicago tribune" and so many news organizations are shutting down euros and a total meltdown going down and what you think of that? >> i told you so. know, so you say, i do have a part of that feeling. i feel like it's important. and having a lot of different voices cover for new

put this cover back up for me.ove the music on the project but i love this cover and i love the title. tell me about the title and this cover. i love this shot. >> this is a friend of mine whether or not took this, anton corbin, and he is one of the great photographs of all time in my opinion. and he did a lot of work for this project. he did a lot of things. and one of the things that's really enjoyable about working with him, too, is he takes these pictures in 30 seconds. you know, a lot of these guys are in there, having you bend over backwards and do stuff. this is nothing. he just does it. and makes it happen. and he took a picture of me that i had this, there's this magazine and then another one that i had. and it said on the magazine, become clarvoint. and so he said, well, let's use that. so all of these pieces to the puzzle started fitting and so that's why i wanted to work with him. >> you've got a whole lot of friends. who isn't on this project? >> and it wasn't -- it wasn't with that purpose at all to,

i'm becoming mature, it's time to be me. to change my ways for me, my family. and to -- i feel refreshed and i feel whole. maybe i finally found my soul. through all the darkness i see the light. i'm a new person and this one i like. by rochelle swanson. thank you. . . claque that concludes the students -- >> that concludes the students' presentation. commissioner maufas: thank you so much for coming, students. i really appreciate you being here. can you tell me -- you are called the principal center. can you come here so you do not have to keep getting up? that way i can just ask you and you can decide to answer as you see fit. you just push the button, as you did before. i am curious from you were called before and how you are called big picture. how did you describe that to somebody who asks you about your school? how do you describe what it means to you? how you translate that information to somebody who does not know anything about your school? >> can you please repeat it? [laughter] [applause] commissioner maufas: i can. i am curious. when somebody says,

a mÍ me han juzgado. a pesar de que mucha gente me ha llegado y me ha creÍdo.tÓ la muerte de su hermana tenemos el adiÓs de teresa de su hermana. >> te lo juro por lo que mÁs quiero que eres tÚ que algo asÍ no me va a volver a pasar. >> una sola lÁgrima nunca, jamÁs, jamás volverÉ a llorar! >> mi rosita. >> quÉ golpe tan duro para teresa perder a su hermana. defintivamente no va a volver a ser la misma despuÉs de esto que le sucediÓ. ella defintivamente no se detiene ante nada y una fortaleza muy fuerte esa mujer. >> vamos a una pausa y regresamos enseguida con mÁs de despierta amÉrica. [ locutora ] capri sun es una elección de tus hijos con la que puedes estar tranquila, porque no tiene sabores ni conservadores artificiales. ♪ ♪ otras elecciones... [ mom ] mija [ locutora ] no tanto. ♪ confía en lo que capri sun tiene adentro. >> que si caminan en una caosa de la muerte, que si andan a caballo. >> se atorÓ el padrino pero vamos a ver cÓmo les fue. ♪ ♪ >> las voy agarrando, ni las saludo, perdÓn. cuÁl es el reto de hoy? [risas] >> pero con un ingeniero sÍ. >> c

"mamá cita querida ahÍ estoy, bÚscame, no me dejes aquÍ porque hace frío, no me dejes mamita.olviÓ a contactarse con aula lÍo quiÉn con un grupo de voluntarios partiÓ hacia el lugar descrito por la madre. a llegar el sitio divisaron algo inusual, era parte de unas ciento comenzaron a cavar grande fue su sorpresa al encontrar el cuerpo congelado y casi intacto de benjamÍn. >> se ve como c4 los huesos del cadÁver. podemos ver. >> finalmente el cadÁver fue sacado de la montaÑa, entregado a yolanda y su familia para darles cristiana sepultura. >> ya estoy feliz, ya estoy como si Él estuviera entre nosotros. >> una historia que pone a prueba los lÍmites de lo que somos capaces de crear, pero que sobre todo prueba como la fe inquebrantable de una madre fue capaz de lograr lo imposible. >> una historia tan increÍble, el cuerpo de benjamÍn pavÓn pudo ser encontrado luego de que grandes masas de hielo de la montaÑa se descongelarÁn dejando descubierto detalles del paisaje que nunca habÍan sido vistas anteriormente. quÉ bueno que por lo menos esta seÑora pudo ver el cadÁver de su hijo y

let me move on down.

let me just give you some water. let me find a place for you to sit down. let's acknowledge that you are here. that is the key components that shields our people. where she really demonstrated this, the essence of this, when the native american health center was awarded -- native americans and alaskan natives living with hiv/aids, it seems complex enough. when we begin to work with people in, a lot of it has to do with substance abuse. they were basically left out in the cold by their families. it brings the whole lot of other things. it is aurora that stepped up in this project. she put that together. there is also the outcome six years later, up to 70% of the services that people came in with, they did not come for emergency services. it came because there was a spiritual group that aurora was running. to this day, a lot of the folks who participated from this program still are connected. they were brought back into the community and into the ceremonial community. it was not addressed in just a medical follow-up. it was really bringing people together. an

do you follow me? if you think about the myth of absence, if you look in all, every aspect of history, or even if you go to a place that you see nobody of color -- i went into an insurance company two days ago and the pictures on the wall was from 1937 and 1951. there was not a black face, there was not a woman and there was not a latino in the picture. that's the myth of absence. and if you see it long enough, you will believe that that is how it's supposed to be and for many of us, we've swallowed the pill, o.k.? we've swallowed the pill and i'm going to close right there, i got one poem and i'm going to get off of here so al can get his program back. me and this boy go back 100 years so we can talk like this, you understand. all right, here we go, do it anyway. people really are unreasonable, illogical and self centered, love them anyway. if you do good, people will accuse you of selfish, ulterior motives, do good anyway. if you are successful, you will win false friends and true enemies but succeed

bass won't try me. brothers against guns is committed to a long list of projects like the basketball tournament organized by the housing institute but perhaps the most ambitious of its projects is the redirection project which tries to change the course of the minds of those who sign up selection must restrict the kind of that's come from a war zone that's was on the back of the flood well this is the redirection project will start on the painting. as you see notable is come down again for the application we are once i'm coming down here we don't want nobody to be popping up and you got people somebody yes this is. america we're just me. me and we are we are questions we have course we have like it's a question are we asking are you going really go teaching him up to the major beef still smoking marijuana in the last question really going to be are you really are you ready to make a change because if you're not then we ration is not boy and i was there and just like most of you got caught up in like the

pattern of me following. sean richard is some of the violence and drugs were once these were when i first seen a shooting and i was about nine years old coming home from school one day this is a free school and. you know say this kid has to be right smack in the middle of. bad or good shout and i don't live in la i had everything i wanted as a kid you know my mother and father was a buddy give me what they wanted i wanted more and that's. you know you start off you know it's a. story of hustlin and then you start off making a few dollars in the store of making more dollars and then you start over or more you get greedy woody it becomes like something you need is like is like using a drug which you now use a verb because you would think that the money. well here. swell girl kept. show me open visits the house where he was going now his mother lives here alone. and. she was doing things that she wasn't supposed to do right her behind my back and i didn't know him her and i was very i was really hurt you know. b

it's built my character and given me a sense of accomplishment. the guard opened the door for me.ow i'm on a career path, and i'm the leader of my team. i put on the uniform and have a whole new outlook on life. country, community, family-- that's what matters most to me. if that's what matters to you, go to 1-800-go-guard.com. ♪[ music ] >> welcome to bay area focus, i am susan ted danson big role was in cheers. but his passion is oceans, he says they are endangered and explains the crisis in his book, in which he says this time we are here on earth is not just about us. it is also about our stewardship of what we have been given. ted danson. good to see you again. >> thank you. i hope that doesn't sound too pompous. >> i think it sounds right on. >> good. >> i grew up with if you pardon the expression, jersey shore and had the same kind of experience you had with your little girls walking on the beach. tell them the story. >> i moved into a neighborhood in santa monica and we were walking on this beautiful day, crystal clear day and there was a sign beach closed water polluted,