bo radley is the one who actually has it straight, right? he knows those kids are going to get into trouble. he's out there and he does something about it. he's the one who gets justice in the book. you know, and so when you really think about it, if you can put through this wonderful vision of the child, if you can stop looking at this problem from a child's point of view, then you'll get a new take on "to kill a mockingbird," i think. you know, one that's much more actually meaningful to you. so -- >> ok. thanks. mary. >> yeah. >> oh, great. we lost you for a minute there. >> i know. >> yeah. so tell us -- how did you choose "to kill a mockingbird" as the subject for your book and for your film? you know, what made you take this on as a project 50 years after the book was published? >> well, my adult rereading of "to kill a mockingbird" made a far greater impression on me than my adolescent reading ever had, and once that happened i started to just satisfy my own curiousity i started to find out as much as i could about both the novel and