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it is the equivalent of a rembrandt that would hang in a museum and the fact that it is old and a little faded does not take away its luster. people come from all over the world to walk it, play it, see it, admire it and understand it. it is a symbol of golf possible and asian part of our historic legacy just the way the cable cars are. the habitat restoration in the works and subject to this eir is in no way incompatible with maintaining the golf course. the series in question are freshwater species. this property was a salt marsh before it was transformed into the oasis it is today. it is going to celebrate its 80th anniversary next year. the process under way in this draft should continue without interruption so the city can move forward into what is needed to do and is to implement irresponsible habitat recreation protocol. this is one of the biggest birth years for the frogs in recent memory. that evidence is on the record. what the city plans to do, we support. it's consistent with maintaining the property in a way that serves a variety of interests. thank you for giving me the opp

the mill stone hotel some large country house holiday inn the pool the old government tells the rembrandt the crimean the chesterfield the montague hotel the royal the rubens hotel. eventual cove this is evil. almost every month. tragedy struck his family two years ago when his daughter was seriously injured after a husband a shot in a fit of jealousy. polio washed the bullet entered her temple exited from the back of her head but i mean it was for the doctors told me the injury was fatal and that she might die within minutes from what it was nothing my wife and i could do about it i sent my wife to hospital expecting that bring the body back at what you've got over it. even had never been a follower of buddhism but he visited evil guinn skeete that sign on the advice of a woman he knew. there he was advised to pray in front of the un decaying body of dashi daughter show it to a body at buddhist lama. several buddhist lamas gathered over a mountainous plateau named day in september two thousand and two. they were looking for the resting place of eighty kilos because seventy five years ago

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a self-portrait of rembrandt, durr, p--not a self-portrait but a--a--a painting by picasso that implies self-portraiture in a complicated relationship with the women in his life. so rockwell was situating himself, mr. modest, among these greats as he himself attempted the self-portrait, and--and admitted he didn't know who he was to some extent. c-span: where can you see that--that painting of--that's of his self-portrait? >> guest: in the norman rockwell museum in stockbridge, massachusetts, which is a wonderful--it's a wonderful building. the architect robert a. m. stern designed it, and has an excellent collection, due largely to the insight of his last--of his third wife, and foresight. and about, i guess, from here it's probably about a seven-hour drive from washington, dc. c-span: you point out in your book that in the old museum or whatever, the art gallery that he had there on the main street in stockbridge, he got about 5,000 visitors a year and the new one has 100,000 a year. >> guest: yes. and the--and apparently going up--the figure's going up every year. c-span: how did ste