i i i i i i i i i i i i i i i i i i i i i i i i i know the amount of economic pressure a little bit. i know that mr. ellison and the folks associated with him have a little bit of political swag. and i have no illusions that this environmental impact report, all of the comments not with standing all of the good work of mr. weico not with standing, there are some things that could be better and san francisco's the town that knows how. normally these things are worked out between now and when the board of supervisors has to ultimately aadjudicate this matter in some number of weeks but this is getting a little complicated because the port commission is meeting tomorrow on this. and this cannot be appealed to the board of supervisors unless miss avery produces a motion. i think that creates great legal uncertainty as to how the port commission can hear this without a motion and how kit appeal to the board of supervisors to create that space without a motion. so i would suggest that. >> is there additional pu

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do i do i do ♪ ♪ you know i do i said i do i do i do i do i do you know i do ♪ ♪ i said i do it do homegirl ain't got a clue if i get you open all ♪ ♪ the things that i would do to you smack it up flip it down weigh it up break it down ♪ ♪ lean you to ya side yeah and ask you who's ya' daddy now ♪ you ain't even got to ♪ open your eyes know what ya' looking at and i ain't have to open my eyes when ♪ ♪ i was cooking that guess it was love at first sight eye contact remember the night we ♪ ♪ first met i call it contact now she my ride or die it's us against the world you know we both hustling ♪ ♪ so hustling is our world i must've had too much to drink i'm in my g mode so all the ladies repeat ♪ ♪ after me cuz its the gcode promise if i get locked you'll come and pay my bond if you hear some plotting ♪ ♪ on me you'll ring the alarm and every time you give it to me it's gon' be the bomb and in these ♪ ♪ unlucky streets you gon be my lucky charm ♪ ♪ i said i see some ladies in here tonight i might marry gone off the belve ♪ ♪ and 'tron it's too scary baby you can have whatever yo

love--whom i love, and i--i feel badly i didn't do freud because it was a can of worms i decided not to open. so i ducked a few things and a few times i just didn't really respond. i don't think goethe's faust, part one, really works in translation--any translation that i've read. to me, it sounded--seemed bombastic and crass and w.h. auden had said that goethe was a master of every form of german poetry from the highest to barracks, barroom, so i believe him. but it just didn't work for me. and--and there were other cases where i reported failures of--and when we read dante's "inferno," not having any italian, reading in translation, we, i think, were reduced in one of the classes to a rather doctrinal reading of the poem rather than a poetic reading. and there was a very striking moment when the teacher asked an italian student just to read the first can--the beginning of the first cantor of "the inferno." and she read and she didn't read with any great emphasis, but it was so beautiful i thought, 'oh, god, this is corny. this is like som

i i i i i i i i i i i'm i i i'm being endicott but it burned by the nfl heine >> and sutton agreed this fetus in it machine looks perhaps were now in beltran are hot today bridge. this was a cabinet involving a number of vehicles. and now or later dance said a couple of messrs. kinnear off fat off off half

if i moved i would draw attention to where i was. so i lay silent and still. hoping whoever or whatever it was would move on. i stared up through the leaves to a blue sky. it appeared sharp and clear it seemed unreal. when i heard the steps closer i closed my eyes and prayed to the gods. when i opened my eyes i heard breathing and feel the warmth of another body it was so close to me. i heard his voice call out. sachy, it's me matzu, let me help you. i thought i died and went to the other wonder. matzu? spilling up from the leaves like a wounded animal. i forgot everything even the shame of allowing him to see me. he began to laugh is that you or the fox cot. it was the first time he joked with me he had been so quiet. it wasn't the time for laughter i was tired and hungry if i had been the god i might have been made food and water appear. it was my good fortunate that matzu found me. i had been looking for you all night. are there others? i could barely get the words out. they think you have gone to a better world how do you find me. he smaled. he opened [inau

i am not as strong as i used to be, but i am not completely week. so i started walking right into them and knocking them over. they ran away. i did not care. that is a weird and horrible situation. so i went to court on a big day. it was january in d.c. it was cold and raining. i got up early. i left my house in the dark. i got to court hours before my court appointed time because i wanted to beat the media there. so i grabbed a hat. i am an orthodox jew. we have hats. it is part of the deal. so i put on his hat and upon his raincoat and i left. my wife was sleeping. she would have said, where you nuts? i went out and i walked in and there was none of the media there. i had some things on my mind that day. i was pleading guilty to crimes and going to face the fact that i was being taken away from my family. so i finished and i was with the justice department and the fbi guy who treated me very fairly and very appropriately, never abused me in any way. i know that happens, but it did not to me. i put my hat on and my coat on to leave, thinking, ok. and i

i make people laugh. i like to laugh. i think if iat myself, then i can laugh at anything. >> what don't we know about? what's misunderstood about you? >> misunderstood? well, when i did my show, created my show, whatever, i also created a persona on "top model." and it's a character. so when i'm sitting there and i have all this make-up on and your picture is not fierce and talking all that and reprimanding the girls, that is a character. i don't do that. in real life, i'm, like, passive aggressive. i'm anti-confrontational. i'm even in coaching to, like, learn how to be confrontational. so it's a character. but people think it's real. >> you're very sexy. you realize that you're a sex symbol. >> am i? no, i'm not. i'm so not sexy. i know how to turn it on for a picture but i'm not sexy in real life. i'm not sexy right now. i'm not a sexy person but i know how to turn it on for a camera. but i'm not sexy normal. >> do you mean you don't like having sex? >> i'm not talking about that. >> that's what sexy is. it's about sex. >> i'm tal

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i use my years. if i listen to you, i know you inside out. if i lucky you, i get confused. if i don't play them for two weeks, i forget the courts. i can still hear them and to sing them, but i can't play them. i have learned to type 20 times. tavis: how do you learn your lines? >> she used to read the edgar allan poe and i read it back to her. another kid was supposed to test that day and he could not test the they came to the little rascals and said, we need somebody who can learn the lines quickly because he has to test with of the leading lady because the kid who was going to star in the movie is sick. mrs. carter said, he can do it. he said, he can't even read. she said, give me the pages. she read the pages to me and said, give me the page is back. i gave her the pages back, everybody's dialogue. after i tested, they called the other kid and said the stay home. that is how i got to start and a movie, and that is how i became bobby blake. light-years have worked for me all of my life. my brain is a weird and brain to start with. and when i tell you i have no social skil

i. i i i i i. they are terrorists armed with dry falls and dynamite. but we want to make sure they have a stablished a reign of terror. thinking that the government will continue to put up with them so i do believe that. they won't have their way sars the anarchy is over the party is over we will apply the law order for the well being of ecuadorians i will not hesitate. because he's a revolt by the areas residents who put a barricades and closed the roads clipping to the oil drilling plants one of the country's largest oil fields. and until it is in trouble what is the group that they enter the houses of violently and drag people out of their homes. one of the room hands up everyone on the floor women and children. they grabbed us from behind and started pushing us and dragging us then i told them why are you doing this. i think almost all of them. in person whom they punched me kicks me. when they were finished with me they threw me to the floor they grabbed me by the feet and threw me head first it was like i was a football. they threw us on top of an

i would watch the oscars. i would go to the movies. i love movies, but in't know -- i didn't know the celebrity aspect of it. i didn't know their names. that's that guy in the movie. that was my connection to it. i felt this kind of, my perspective was, i thought that tom hanks was like my neighbor in south africa. he happened to be an actor. i didn't understand, you know, the reality of what that world was. >> what was the reality of life in south africa? pretty tough from everything i read and heard. >> tough -- i had an incredible childhood in south africa. i grew up in a country with a lot of turmoil. look, i went through, i lived in a country that went through one of the biggest historical changes in this -- in my lifetime. now, with everything that's happening in north africa and the middle east, it's equivalent to that. in '91, and '94, with the first re-election, the first democratic re-election, that was a really huge thing. i think it was only around then when i was around 19 or 20 that i truly understood. before that, i didn't know any different

i mean, i really do. i think, "lord, i hope that's god." metimes i feel like i get carried away. you know how they're playin', singin'... and the music, the drums... and then the service ends and you get out in the parking lot and you're sitting there in the car staring at the steering wheel. and they've all gone home and you're sitting there. "man, they took me. why did i do that? they took me. they took me." oh, i never feel good after i give a big offering. i feel horrible for days, asking god, "confirm that. if this is really, let three camels walk in this building right now, in the name of... if this is really you tellin' me." well, the camels didn't walk in. >> ossie: never do. >> but i knew his voice. the following sunday morning -- i did. i sowed another thousand the next day, in the television station. the following sunday went to preach for a preacher in dallas and the holy spirit spoke to me to plant another thousand in their church that morning. and all that afternoon i was just like, i was just in a state. i was. i was just like

i can't imagine you don't worry about the same thing. i mean i read your tweets. and ithought you were being followed the other day. so i know a lot about you. you better watch out. you better worry about me. i might be a cyberstalker. >> you and i have -- we have a twitter relationship. >> well, you got me in so much trouble because i was going through my tweets. and i saw you say, i don't know why i bother. and i thought, oh, boy, he's having a bad day. poor piers. so i tweeted back and said but everybody loves that you do. and suddenly i had cyber beer bottles being flung at me from the uk. all these enraged soccer fans, i mean football fans. i had no idea what i just walked into. >> if i retweet or reply to somebody well known and they're not expecting what's coming, it can be quite a difficult moment. >> i've never been called such names in my life. i really turned three shades of white. i was horrified. >> i can only apologize. foolishly i deliberately enflame the soccer fans back in britain. >> you do do it deliberately. i've watched, yes. >> it just amuses me. i

>> well, i think -- i think i could. i would have to look at it all. have to look at, you know, it's so hypothetical. because, you know, if we're talking about for america, you know, 90% of america is christian. so i am pretty sure that i would find somebody that more shares my beliefs and is educated and qualified. so it's hard for me to go there because i don't think we'll come to that point. >> what do you make of what's going on with the palestinians and the israelis right now? >> well, it's a difficult situation. it's been that way for so many years. i mean, like the scripture says, we pray for peace for over there. we stand with the israeli people. our hearts go out to the palestinian people as well. they want peace. they want to live their life in victory. you know, it's a difficult thing. >> you both went out there recently, i think, to israel, right? >> we did. we went out in february. >> tell me about that. how did you find it? >> we found it very peaceful. it's amazing. a country that has been under such conflict for so long. you know, you he

i don't care! i don't care. i don't know what-- i don't know what i'm saying anymore. i don't know what i'm thinking. i have 3 days, and now this. i'm sorry. that's all right, man. no! no, i'm sorry. i know. i didn't-- i didn't realize that my retirement was going to screw you up. forget it, man. i haven't got any problems. i was out of line saying that. look, man... no, riggs, look you-- hey, you-- you know i love you. you know i love you, riggs. and you're problems are my problems, right? i mean, like you said, what happens to you, happens to me. so try me. i'm here for you. i--i haven't--i haven't got any problems, roger. no, man. yes, you do. we all have problems. and you helped me, and i'm gonna help you. i do have a little problem. uh--aw, no see you don't wanna hear this. this is piddly stuff. yes, i-- riggs, yes, i do. i want to hear it. tell me. you don't-- this is ridiculous. no! no! no, i'm here. i'm here. well... i think... maybe i slept with someone that i probably shouldn't have. you son of a... (water splashing) help me, man. i ought to let you drown, you

i like the tsa. i fly a lot. i think they are trying to do their best. just covering my bases. >> i showed up to the airport without my driver's license and i thought, i can't get on the plane. they were so nice to me. i just had to empty my wallet. >> of course you did. this is a better story than the rap -- rapper story. they let a hot girl on without identification because you were hot. >> they call it the christmas bonus. >> apparently i met another woman with nothing on her, no wallet, no anything. she had to play 20 questions with her partner on the other line of the phone and that's how they determined she was who she said she was. >> i have a feeling if it was john devore, a homely grotesque male they wouldn't have done this. but you -- i don't have identification. okay, do you mind if we frisk you? okay. it will be invasive. >> it was a woman. the moral of the story was they were nice and professional and they helped me out of what could have been a hairy situation. >> i'm kidding. don't answer that question. that was a disgusting question on my part. i will do a preemptive

feel that i had drank myself -- that was it. like i was just, done. i was done. iying. it was over. i was going to die. it didn't matter, but i didn't want to die. >> but you felt you were going to die? >> yeah, so when it finally happened, i was like, wait a minute, this is not what i want. but subliminally, i was drinking myself to death. but i didn't -- i didn't want it. and what happened was, i got a call from a friend, you know, queen latifah, who i was working with at the time, and my husband was like -- like, i had -- i had met him, i think, maybe a month ago in detroit while working with her. and that same day, that same day that i felt like well, that i was going to die, i got a call from him. i got a call from her saying that he wanted to speak to me. and when he called, he said he had some information for me that was going to help me. and it was like having an infected cut, and when you peel the scab back -- you're going to peel the scab off, the infected scab, and pour some medicine on it. it's going to hurt -- >> what was the medicine he gave you? >> t

i know that was a copout, but that's what i wished it stood for. but i think -- i have normally libertarian leanings, i feel. and i don't mind these people. i don't mind getting searched and poked and proded in the airport. and i think they should do more poking and proding in the train station. you said it. they are soft targets these train stations. i don't know what the big fuss is about these old ladies who are being forced to -- i think it is okay. >> have you actually been poked in the airport? >> he enjoyed it so much he will actually dress up as a little old lady. >> really? i know i saw you in the airport. i know i did. >> isn't that who we have to watch? >> absolutely. >> you could store something under that old lady garb. >> and old ladies are mean. i tried to poke them and they will poke right back. >> bill so viper stands for visible inter mow dahl prevention and response. did they create these teams to have a cool acro anymore? >> all they want to do is say viper like cobra. >> they can walk around saying viper one this is viper three. >> yes. it just

i understand the premise of the bumblebee, but i don't feel like a bumblebee. i feel like i shouldn't be flying. i should be rolling in my bus. >> was there something that sparked it? >> yeah. there was a midair collision years -- almost 30 years ago when i was living in san diego which, you know, if you've ever been in san diego, you know, if you stand on a balcony anywhere in the city, you can see everything. and we happened to be on the balcony. >> you saw it? >> yeah, we saw it happen. my little one was very little at the time, so she doesn't have a memory of it. and it was -- it's still hard. just hard. just hard. >> why is it so hard? >> well, because what they can -- discovered later on is that the people on the plane were aware that they were in some danger, but i think the person who was in the smaller plane had had a heart attack. so the bigger plane, really there was no way to really figure out where to go. and i just feel for folks in a situation like that. who see something that they're not sure they're going to be able to live through. and so i just -- that's w

i could not stand any more. i am 60 years old. i and my grandmother. i do not think i threatening to anybody, but apparently i was behind this officer and he did not want me behind him, so he shoved me, but that is not what bothered me so much. it was the next officer who came up to me with a stick and his helmet and down, and i am thinking, there is an overreaction. the people are engaging in legal first amendment rights, and the police department is overreacting. there should never be violent your your -- there should never be violence. threatening grandmothers on the street for no good reason is unconscionable. i would like to remind you you are in the 99%. if you think you can protect your interests with this violence, you are mistaken, and the police need to protect and serve as we expect them to do. >> thank you very much. >> thank you for enforcing the law. it took two months, but they finally did it. the speaker said what they are doing is legal. it was illegal, and you finally stop them. thank you finally for doing your job. i appreciate it. it

i ever could play. the fear for me is something that i had when i first started "survivor." i knew that i was a good player. but i still was afraid of nature. i still was afraid. and i realized that you really don't need to be afraid. for all the kids out there, one of the biggest lessons that i've ever learned-- and i learned in from skateboarding of all things-- is how to fall down and how to get back up. if you can learn how to fall down in a graceful and humble bel way, you can get back up and do it again. for me, trust me, falling down in front of millions and millions and millions of people, when i have that pressure-- i know everybody here is going to give me the money if i can make it there. i know everybody out there-- not everybody. i'm sure there are a lot of people not rooting for me-- but a lot of people rooting for me and that weight on me was just too much. >> jeff: one guy who wasn't rooting for you was cochran in the sweater vest. any regrets about how that played out? that was, obviously, a major turning point in the game. >> it was. i mean, the only rebrett

i go out and do reporting. i have my little note books. i take my notes. and i report on things i'm going to write a real story about it. but then i weave into fiction and creates a special brand. if i don't do my home work, i have nothing to say. >> where do you draw the line? >> i draw the line like i was saying a minute ago. do you want to watch an execution for research purposes, i would say no. i did not take notes during that or anything. i was there for the family. i've never really written about it either. i wouldn't do -- i wouldn't do anything -- let's say a forensic pathology says take the scalpel, try the y incision this time. i would never do it. that's a real person. they don't want a crime writer experimenting on their dead body, nor do their relatives want that. i have to have certain barriers that i feel i don't go beyond. >> you had a very, very troubled childhood. 5 years old your father left. your mother suffered from terrible depression. >> if you had me for a daughter, you would be down, too. >> you and your brother spent time in a foster h

i love you. i love you and. i love and remember you. i ♪ >> i love you. >> my dad said -- >> i love you. ♪ i love everything about you, dear. maybe it is true. i love you. ♪ ♪ i wrote you a letter. mama, but you didn't react. you never asked me if i joined you in the bombay sun. mama, when are you returning? i know we agreed. tell me what you are learning. i think dad takes out on me what he wants to take out on you. mama, i think that is angry. i do not know what to do. mama, mama, mama, how i wish you were home. how i wish you were home. i wish you were here. ♪ we always knew you were a winner ♪ ♪ i wish you were home ♪ we could not be prouder ♪ ♪ i love you ♪ i love everything about you, dear. baby, it is true. i love you. i love you. i love everything about you. baby, it is true. i love -- >> chimerical. highly unrealistic, highly danceable. -- highly fanciful. >> that is correct. ♪ i love you ♪ [applause] >> ♪ i wish i could go back to college. life was so simple back then. >> ♪ what would i give to go back and live in the dorm with

i turned out. i mean i was already turning out who i am when he died. one thing that i know that he would have been really happy about is that i was married to ted turner. i found out after my dad died that he was fascinated by ted turner. dad loved the news. he was an avid reader of the news. and he told a reporter that once interviewed me that he thought that ted turner was the greatest guy in the world because he started cnn. and dad never -- well, i kind of -- there was something about -- ted and i -- the cover of "esquire" once had this part of the picture was ted and this part was me or maybe it was the other way around and when you put the two halves of our face together it was my father. ted reminds me in many ways of my father. they both loved to fish. sometimes i'd be out there on a stream fishing with ted and it was like my dad was there. and i just thought, dad, i hope you know that i actually married this man, who you loved and admired so much. >> i had lunch with ted turner a few months ago, and i thought he was an utterly compelling man in

i had to make my repertoire. i had to make who i was. the call me a folksinger and i am not too sure. i once asked, what is a folk singer? i never heard a horse sing. i went about my life approaching is it not from the point of view of a singer but an actor. that is how i first started to sing. i had a part, it was required to sing and i found out how to approach it from the point of view and i did it. it was the rewards that came from that practice. everything at when actor -- after was based on how i approached a song as an actor. not hall my musical instrument was. what i delighted in was so many people found what i did to be so attractive. and it requires that you see me in the theater as opposed to hearing me on the record. i think what you see in the theater is part of the experience there reveals musically. it talks about my life and the songs i have chosen to sing. the protest songs, the songs that embrace other races, the songs in many languages that i sing. in other audiences the appreciation from global audiences when he did that. i sang in japanese when i went to japan. i s

i love art. i love music. i research everything i do. i don't just show up. as a gifted singer as most because i don't -- i can't like just walk in and sing on top of a band because if i hear something that disturbs me i can't think. >> you have got one of the most distinctive voices that modern music has ever heard. you could not be anywhere in the world and when one of your records comes on not know instinctively it is you and there are not many singers like that. >> i arranged the music around my voice. >> it is a great voice. it is like a dark side of the queens voice. >> i don't know, where is that. >> i don't know. some dark street in queens. >> really? >> because we grew up in mother, daughter, sister, brother house like that had shingles the color of good and plenty candy. and i always wanted to eat it but now i know that what made that color was as be toes. >> when you go back to queens. >> yeah. >> you must be a hero win there. that voice has put queens on the global map. >> i don't know, you think? >> i think so. >> i always felt embarrassed. i tri