(tom kalin) "swoon" really tries to tell the film from inside the relationship.elationship of them. so that in a certain degree, you are made to participate. i'm not peddling family values in "swoon," for instance. i'm peddling values that are much more complicated, that ask you to ask questions about, for instance, the ideology of the family, or sexual or racial roles, or various positions in society. and i think at the heart, a lot of movies in hollywood do have an extremely strong and unself-critical promotion of family values, et cetera. (tom kalin) and i think "swoon" wants to interrupt that and recognize that the audience is more complicated and diverse than it's been constituted by mainstream film using "new queer" cinema as a banner in which to market films has its pluses, obviously because films get more press, they get a movement. but on the other hand, i think it's a great disservice to a film like "swoon," which i think, certainly, transcends issues of sexuality and gender into much broader, stronger ideas of desire and passion. where was i? (judge) y