he is beloved bolivar orchestra in vendz well, ven venezuela anw is with the la philharmonic. ♪ >> rosehe is in new york to, bolivar orchestra in carnegie called, voices from latin america, also dedicated further musical education and social justice around the world, i am pleased to have gustavo dudamel at this table for the first time. >> thank you. it is an honor. >> rose: my pleasure. >> huge honor. >> rose: we have been wanting to do this for a while. tell me about the music you have selected for the performance. >> yes. this is a festival called dos americas here in new york, and we decide to bring, you know, this amazing music that we have, this very latin, in a ways of irs stick but deep music by es at the vek, villalobos, by ar bon, carlos chavez, so for us it is very important to show the soul of our music also, also to play the strauss ballad, but especially, you know, our music. >> rose: tell me about the music of venezuela. >> well, look, what we are bringing is the -- i think it is the most important piece right in venezuela, by michael estevez and a piece for a big choir,

cannot go to an organize tra and conduct beethoven in the same way that i can with the simon bolivar orchestrait is impossible or with the l.a. philharmonic or the vienna philharmonic. you have to deal with the tradition to respect what they have, and to bring your ideas and to have, you know, like it's a 50/50, you know. >> rose: but it means that music can be defined by different conductors and different organize tras. and that's part of the genius of it all. you can hear it in a different way and at the same time what that composer has done has to be so extraordinary that it lends itself to that and maintains its original creative impulse. >> is and the most amazing thing that you can play two times -- >> the same organize stra, same conductor, you play. and then you play it a second time and it's different. it's a little different. >> even the next night. >> even if you are plague the same night, the same symphony two times. it's the ability and again the power of the music to play with that, subjective. it's so objective because it's music is there. you have the paper there but how can be