donde la mÚsica le quiere hacer la guerra a la violencia e >> la masacre en connecticut >> sargento villalobos para honrar a las vÍctimas comienzan a sonar en las autoridades y el retiro de cientos de cartas y que inundaron en la ciudad, mientras tanto 20.000 luces fueron colocado, buscan que el encendido se convierta en ciudad, ana grace mÁrquez una de las vÍctimas de la masacre en la escuela sandy hawks, la pequeÑa 6 aÑos de edad. >> hoy dÍa definitivamente hay mÁs preguntas que respuestas muchos quieren saber en donde hay ayuda para el estado ofrece servicios para jÓvenes confundido con problemas mÁs severos. >> es la responsabilidad de nosotros los padres y llevarlos y regresar. caminar derecho. >> la mejor relaciÓn mÁs aisladas mÁs como que querÍa estar mÁs sola recibiÓ habÍa pensado tanto daÑo alguien encantada de venir. generalmente este tipo de tratamiento en el diagnÓstico, inmediatamente la mayorÍa se les da un diagnÓstico entonces "el niÑo" una vez que tiene el pronÓstico los profesores y la mayorÍa de la gente incluso los padres y los profesionales la ven con el diagnÓstico, alguno

amazing music that we have, this very latin, in a ways of irs stick but deep music by es at the vek, villalobosby ar bon, carlos chavez, so for us it is very important to show the soul of our music also, also to play the strauss ballad, but especially, you know, our music. >> rose: tell me about the music of venezuela. >> well, look, what we are bringing is the -- i think it is the most important piece right in venezuela, by michael estevez and a piece for a big choir, two soloist, a tenor and a baritone. >> a huge orchestra, you can feel what is about our culture, you know the horrors, the importance of -- the importance of the land, of the place, of the -- all of the -- the big readers that connect not only venezuela but connect venezuela with columbia, with brazil, it is amazing of. >> rose: you feel some sense of responsibility because of the position you hold now around the world. >> uh-huh. >> rose: to introduce the world to latin-american music. >> absolutely, of course. but look. for us the most important thing is to put our music in the same level of, how to say, of importance, of as,

talk about our music, we are talking about music of the 20th century, and especially 20th century, villalobosestevez,jarbon and that is important. i was thinking this, this is all new music for many people. >> rose: yes, exactly. >> it is old music. the concerts are sold out. you know, it is something very special, because people are coming, you know, with this kind of question, you know, with this kind of, what will we listen? but i think at the same time they think that it would be something very special, for us the most important thing is not -- of course it is the orchestra from where i am coming but the music, how important is this music, to bring this music for people that are not close to that. >> rose: how -- how was it founded. >> it was founded by maestros, in 1975, i think, started as a program for young musicians. we have a great orchestra in venezuela, the orchestra similar gone a devenezuela. >> symphony devenezuela but it is only one orchestra and not possible for the young students to be alive through music. it was only to study music and to see the possibility, the possibilit