in stedman's ink-splattered work. it's easily identifiable. it resists para phrase. in fact, when asked when does he think cartoons deright-of-way the power, he said for the only thing of value is that you cannot say. it's what you cannot say. that's where a drawing is so important. that's the value of drawing. you can do something with a drawing that you couldn't say in words. he also said -- [inaudible] a experience with the david that you could -- no matter what words you use to describe kissinger's policy in the caribbean, the drawing came about because of a report on the caribbean that kissinger had chaired you couldn't capture what he captured with that picture. and another example of this is fallen to the history books is another lavigne picture of lyndon johnson showing the scar in the form vietnam. one of the scars suggest about cartoon and caricature, they can live on long after their initial exposure. and they have a permanent sei in the culture that words sometimes do and sometimes don't. and in that respect, to me, they are like poetry. they both resist