he showed me some painting of rembrandt and said, "uc that? could you do the in modern, in today? and i said i will try. yes, but it is part of the job. so i tried. i worked with a dutch artistic director, and i get to work with him. he was very specific and fabulous man. also, they were very specific about the color. in reality, they asked me because the color is a little like in the spirit. it is something in common. i was flattered to do that, but it is beautiful to see how much they are -- our work, our demand is to make a beautiful movie. i should not be able to do anything. i never thought about it, but when people ask me, you have to be so clever. >> tom ford made a movie, so why not you? >> because my brain is not that sure. you have to think about so many things. truly, it is a big work. you have to be strong. you have to take care also of the physiology of the actor which is, like, oh, my god. you can be depressed. also, you see the depression of everybody. i do not want it. i have enough of my own. >> i hope you will be sharp enough to answer the questions the audience

. >> to rembrandt. >> his mistress, incarcerated. he won't change the way he paints. >> some of dr. bailey's observation about his own experience with art museums. >> you have to have real commitment and belief in your vision in what you believe is right and yes you have to be flexible and malleable to a certain degree but you keep going. i think that is case of a great artist. >> we are finally led to another of the museum's great treasures by wayne tibo. >> how happy one feels to look at these objects. a painting talks about more than what we can have, about consumerism but also about childhood pleasure. i love this artist. when i look at this, i feel happy. >> [ applause ] >> okay. we now have a brief question and answer period if anyone has any questions? no? okay. >> i have one. [inaudible] what changes do you for see for the museum of collins coming here? >> well, i think what he'll do, first of all i think he'll take his time getting to know the museum and the staff really evaluating because especially because we have 2 museums. it's really a matter of becoming familiar with

he showed me some painting of rembrandt and said, "uc that? could you do the in modern, in today? and i said i will try. yes, but it is part of the job. so i tried. i worked with a dutch artistic director, and i get to work with him. he was very specific and fabulous man. also, they were very specific about the color. in reality, they asked me because the color is a little like in the spirit. it is something in common. i was flattered to do that, but it is beautiful to see how much they are -- our work, our demand is to make a beautiful movie. i should not be able to do anything. i never thought about it, but when people ask me, you have to be so clever. >> tom ford made a

i'm susan rembrandt es -- i would like to request a continuance. there was a 3-2 vote on the appeal when we were last here. we have a substantial new information and believe it's very important to have a full board here which we believe we respectfully request at this time. there are members of the neighborhood who are here today to testify and we would ask they be allowed to present testimony but the appellant could defer until commissioner hurtado can be here. should i proceed with the rest of my time or do i have a response about that? >> have you spoken to the permit holder? >> no. i just found out. >> your request for continuance is raised for the first time and the responder should have an opportunity to respond. >> thank you. on behalf of the permit holder. we don't believe there is any cause for a rehearing and certainly no cause to rehear this matter. we would object. thank you. >> the board's practice is that we would continue if it an appears based on our discussion

collection includes this rembrandt from 1640 called "the visitation," very famous piece and a classic monet from 1886. the institute has works by picasso, matisse, you name, it they probably got t.emergency manager kevyn orr asked for an indiana ven try of the museum saying everything is on table in this bankruptcy. christy's, the auction house, sent a team there in may and the talk of selling this has sparked an outrage from groups and museums. they say the collection is held in the public trust for the public and has to be protected. ultimately this will be up for the courts to decide. a tough decision, do you want picassos or your pension? that's what it may come down to, very interesting choice. >> yes. >> the s&p 500 has hit another all-time high and is goldman sachs artificially raising the price of aluminum? >> stocks are near record highs, but unemployment and underemployment are serious issues weighing down the american economy. does the great divide threaten capitalism in the usa? go vote in today's finance.yahoo.com poll. results are coming up on "power lunch." i want to ma

i think rembrandt is dead. >> citigroup set out its quarterly number, consensus forecasts call for a second quarter profit of $1.17 on revenue of 19.7 become. it's the first of several high profile financial company earnings this week. goldman sachs is coming. see what morgan stanley whafx the fat cats are taking home at the engs pens of all the workers. and you see your -- >> in all of society. >> did you see your editorial? another one? >> did you see the new york time's editorial? >> i did. >> do you have a second? that editorial in the new york times said, he was talking about the disparity. >> the new york times has never mentioned before. >> from the top to the bottom. i believe they were looking at the immediate income. >> yeah. >> the gap being somewhere between 202 to 1 or 273. >> depending on whether you did stock options or not. >> yeah, what's your point? where are you on that? >> what do you mean where am i on that? >> are you like ben and jerry a's? >> look. i believe if you reiate, for example, if you are a founder of a company. >> why would you ask me where i am on th

the artwork in it is just wonderful to have a portion of by rembrandt ton above the dias, there from 1830s 1859. it's george washington rising up an the heavens kind of image of the first president. the painting is also known as a is rait because washington encased in a porthole of the leafs and above him is the symbolic head of like washington was a god-like figure. a great symbolish image. the eagle and shield above the ais, great symbolic sort of american icon here in the building in this room right above where the vice president would have presided and where met in te would have 1810 to 1859 period. 23. of illinois.uglas hannibal hamlin of maine. calhoun, south carolina, and sam huston of texas. that's just the beginning. and this was the very apex of the golden age of the senate. modern visitor goes into that chamber and everything is and the air is fresh smelling and if you were to senator from the 1830 period. they would probably double over in laughter. it wasn't like that at all. it was like the floor of a stock market merchandise exchange just before the closing bell. the o

>> guest: rembrandt had the muscles backwards?host: he is gone. >> guest: did it again. >> host: that is a euphemism. >> guest: familiar with the paintings but i don't have the knowledge to fact check it but it is fascinating to hear. >> host: finally, nate, is there a national clearinghouse for information about donating a body for science? >> guest: there should be. we added a page to the back of "stiff: the curious lives of human cadavers," how to donate your body. it all depends, i will start by calling medical school to you, that is usually the anatomy department has a real body program usually and that is who you would contact about donating to medical school. they usually have a radius of a few hundred miles and they will come and pick up the body so it is done that way and i get questions like i will donate to the body farm which is an interesting wish people have but you have to live in tennessee, have to ship non embalms remains across the atlantic which is important so you have to live in the area of tennessee or be an

the art work in it was just wonderful to have a portrait of george washington by rembrandt.t was there from the 1830's until 1859. it is george washington rising up into the heavens. it is an apotheosis image of our first president. underneath him are the words " father of our country." washington is encased in a port call of the oak leaves and above him is a symbolic head of jupiter just like washington, he was a god-like figure. it is a great symbolic image and has become associated with the senate in the old senate the eagle and shield above the dais are great american icons here in the building in this room above or the vice president would have presided and where the senate would have met during 1810-1850. of newiam henry seward york, henry clay of kentucky, stephen douglas of illinois, hannibal hamlin of maine, daniel webster of massachusetts who was cast from michigan, john c. calhoun of south carolina and john huston of texas and that is just the beginning. this was the very apex of the golden age of the senate. visitor goes into that chamber, everything is clean and

rembrandt just above. 1830 to 1859.e washington rising up into the heavens, sign of -- kind of an image our first president. underneath them the words father of our country. the painting is also known as the porthole portrait because washington is encased in a portable of orlando cleves. above him is the symbolic head of jupiter, of course, just like washington, a godlike figure. it has been associated with the senate chamber. the eagle and shield above the dais. again, great symbolics of american icon here in the building, in this room, white above where the vice-president would have us presided. >> william henry seward, stephen douglas, hannibal hamlin of maine, daniel webster of massachusetts, john c. calhoun of south carolina and sam houston of texas, and that is just the beginning. this was the very apex of the golden age of the senate. modern visitor comes into the chamber everything had been cleaned. if you were to bring back a senator from the 1819 or 1833, they would probably double over in laughter. it just wa

the artwork and it, it is wonderful to have the portrait of george washington by rembrandt.there from the 1830s up until 1869. george washington rising up into the heavens. it is sort of on apotheosis image of our first president. paster, father of our country. it is often known as a porthole portrait. above him is the symbolic head of jupiter. it is just like washington, a godlike figure. it is really a great symbolic image. it has become associated with the senate here in the old senate chamber. then the eagle and shield above the dais, a great symbolic come a american icon here in the building in this room right above where the vice president would have presided and where the senate would've met during that 1810-1859 period. >> william henry seward of new york come a henry clay of kentucky, stephen douglas of illinois, hannibal hamlin of maine, daniel webster of massachusetts, john c calhoun of south carolina, and sam houston texas -- that is just the beginning. this was the very apex of the golden age of the senate. when a modern visitor goes into the chamber, everything

you insist on rembrandt? this is a rothco. >> well, there may be questions of whether it is a sustainable strategy to dominate the world and whether it is going to occur. >> margin 8.5%. >> well, you can't have everything. >> no. >> you have to lose some money and have some bad gross margins if you want the take over spain. >> some like it hot. nobody is perfect. >> this is netflix, okay. >> nobody is perfect. >> yes, joey brown. this is a netflix situation, look, you have to trust us and then people do. the two stocks not bound by the earnings per share in the market are netflix and amazon. they are given a rare exception, and i don't know any other companies who don't have to play by the earnings per share rules but those two. >> well, amazon believes. >> isn't it interesting that what are the two favorite products? i swear by amazon and netflix, so a peter lynch, and i'm sure that is kind of an extension of peter lynch that he may not like, but i love the product and i want to own the stock, and so far, th

the artwork in it was wonderful to have the portrait of george washington by rembrandt.they are from 1830s until 1859. it's george washington rising up into the heavens. it's sort of an apotheosis image of our first president. underneath are at the words father of our country. the painting is often known as about the porthole portrait because washington is encased in a porthole of floral and oakleaves and above him the symbolic head of jupiter. of course just like washington with a godlike figure. it's really a great symbolic image. it's become associated with the senate here in the old senate chamber and then the shields above the dais and again great symbolic sort of american icon here in the building, in this room right above where the vice president would would have presd and where the senate would have met during that 1810 to 1859 period. see william henry seward of new york and henry clay of kentucky, stephen douglas of illinois hannibal hamline of maine, daniel webster massachusetts who was cast in michigan john c. calhoun of south carolina and sam houston of texa