following year, 1959, paul robeson came to play "othello." and over thoerz years actors of -- black actors have gained in their classical skills and they -- this is the first time we fielded an entirely black cast. it just -- it happens to be black because that's how we chose to do this particular production. but there is no shortage of exceptional talent in the u.k. >> rose: is voice especially important in shakespeare? >> it is. it's very important because, you know, in the prolong to romeo and juliet he says "if you with patient ears attend --" that's one of the great differences. we talk about television audiences, we talk about theater audiences. it's about hearing. it's about how the language itself can create the story. can create the magic, i think. >> rose: when you look at this, what was the hardest thing for you to do. you had already developed a play in south africa in 1995. >> that was a very special experience. the -- it was with the national theater studio. we were invited -- my partner anthony cher and i were invited as part o