finally, comes the moment when birnam wood is seen to move. and when macduff reveals he was torn untimely from his mother's womb, now, knowing the worst, macbeth recovers some of his former virtue and manfully fights his last fight. one word more: in listening to the voice of macbeth, one should be aware that one is listening to a poet, not simply to poetic lines put into the mouth of a character by the playwright but to words and metaphors of beauty that spring from an imagination naturally endowed with poetic vision. think of macbeth, if you will, not only as a noble nature fallen into evil, but as a poet lost as well. to see him thus is to see him in a dimension one might otherwise only dimly sense. such insight can make this swift-paced drama a dazzling interplay of poetic beauty and moral ugliness, most of which have their single source in a corrupted but essentially noble heart. well, after that briefing, you should be all set for what is to follow. shall we then look at the play? when shall we three meet again, in thunder, lightning or